1 00:00:00,120 --> 00:00:06,440 Speaker 1: Quest Love Supreme is a production of iHeartRadio. 2 00:00:10,360 --> 00:00:10,760 Speaker 2: All Right. 3 00:00:10,840 --> 00:00:14,840 Speaker 1: So I asked Quest Love Supreme guests about their first 4 00:00:14,880 --> 00:00:18,880 Speaker 1: musical memory, because I feel like it's a great starting point. 5 00:00:19,960 --> 00:00:22,400 Speaker 1: You know, everyone has a come to Jesus moment when 6 00:00:22,400 --> 00:00:27,520 Speaker 1: it comes to when they discovered music, or how music 7 00:00:27,600 --> 00:00:31,960 Speaker 1: liberated them or what brought them into music, And oftentimes 8 00:00:32,880 --> 00:00:37,000 Speaker 1: I'll say that music plays an important role of helping 9 00:00:37,040 --> 00:00:41,440 Speaker 1: you remember what your life was. You know, I remember 10 00:00:41,479 --> 00:00:46,519 Speaker 1: my first car accident because I knew the Lanis Marset 11 00:00:46,560 --> 00:00:50,640 Speaker 1: song that was playing as we crashed. I remember like 12 00:00:50,760 --> 00:00:56,560 Speaker 1: the first heartbreak I had with a girl, and Anita 13 00:00:56,560 --> 00:01:00,480 Speaker 1: Baker's Sweet Love comes on like sometimes. You know, Chappelle 14 00:01:00,480 --> 00:01:04,360 Speaker 1: often jokes we turned the car radio volume down because 15 00:01:04,560 --> 00:01:06,880 Speaker 1: no one wants to get their ass beat to a soundtrack. 16 00:01:07,319 --> 00:01:11,480 Speaker 1: But you know, oftentimes music helps us remember what life is. 17 00:01:11,880 --> 00:01:15,160 Speaker 1: And so that's why I ask them that. I believe 18 00:01:15,200 --> 00:01:19,920 Speaker 1: the first episode that the public heard was the Maya 19 00:01:20,000 --> 00:01:22,800 Speaker 1: Rudolph episode. Of course, our very first, and that was 20 00:01:23,880 --> 00:01:29,080 Speaker 1: I believe September of twenty sixteen, and I asked Maya 21 00:01:29,080 --> 00:01:33,960 Speaker 1: about it, and you know, it wasn't like the staple 22 00:01:34,040 --> 00:01:39,840 Speaker 1: of QLs episodes until like twenty nineteen. That's when I 23 00:01:39,959 --> 00:01:44,080 Speaker 1: realized that's a good deal breaker. Oftentimes you got to 24 00:01:44,120 --> 00:01:46,240 Speaker 1: gain the trust of the artist that comes on the show, 25 00:01:47,080 --> 00:01:49,320 Speaker 1: and I kind of want them to know in the 26 00:01:49,320 --> 00:01:54,040 Speaker 1: first fifteen minutes what type of show this is. And oftentimes, 27 00:01:54,120 --> 00:01:58,560 Speaker 1: especially with creatives, they often do interviews on the defensive. 28 00:01:59,320 --> 00:02:00,240 Speaker 2: You know, we called that. 29 00:02:00,240 --> 00:02:04,760 Speaker 1: Gotcha journalism, like you're asked an awkward question that you 30 00:02:04,800 --> 00:02:09,480 Speaker 1: don't want to answer and you know, kind of puts 31 00:02:09,480 --> 00:02:13,360 Speaker 1: them in a pickle. So sometimes it surprises people. I 32 00:02:13,400 --> 00:02:17,800 Speaker 1: think the Steve Stout episode was hilarious because, you know, 33 00:02:17,880 --> 00:02:21,240 Speaker 1: I know that Steve Stout walked into this interview knowing 34 00:02:21,960 --> 00:02:25,280 Speaker 1: that we were going to ask him about the infamous 35 00:02:26,040 --> 00:02:32,239 Speaker 1: NAS Hate Me Now video controversy between him NAS and Diddy, 36 00:02:33,120 --> 00:02:36,680 Speaker 1: and we really didn't go there. Like he was genuinely 37 00:02:36,720 --> 00:02:40,880 Speaker 1: shocked that we wanted to know about his life, Like 38 00:02:40,960 --> 00:02:42,640 Speaker 1: he stopped the interview. I was like, wait a minute, 39 00:02:42,639 --> 00:02:44,080 Speaker 1: this is what you guys want to know about, Like 40 00:02:44,120 --> 00:02:47,440 Speaker 1: he was shocked that if it were any other outlet, 41 00:02:48,040 --> 00:02:51,200 Speaker 1: he knew that they were more or less there for 42 00:02:51,960 --> 00:02:55,600 Speaker 1: the juicy gossip stuff, and you know, for anybody in 43 00:02:55,600 --> 00:02:58,440 Speaker 1: a prominent position in music. I want to show the 44 00:02:58,440 --> 00:03:01,480 Speaker 1: path that led to that, so that the listener you 45 00:03:01,560 --> 00:03:04,200 Speaker 1: might get inspiration from that, like, oh, okay, well I 46 00:03:04,240 --> 00:03:07,040 Speaker 1: went to high school and I try to start my 47 00:03:07,080 --> 00:03:09,720 Speaker 1: band and da da da da. So if you hear 48 00:03:10,040 --> 00:03:13,720 Speaker 1: the people that you admire going through a process, then 49 00:03:13,800 --> 00:03:16,480 Speaker 1: that might spark an idea and you to do the same. 50 00:03:16,919 --> 00:03:20,000 Speaker 1: And so I will say that when John Oates of 51 00:03:20,120 --> 00:03:22,880 Speaker 1: Daryl Hall and John Oates Hall of Notates of course 52 00:03:23,560 --> 00:03:27,120 Speaker 1: mentioned my dad, that was kind of cool. He said that, 53 00:03:27,240 --> 00:03:30,840 Speaker 1: you know, growing up in Philadelphia and the dou wop scene, 54 00:03:31,440 --> 00:03:35,240 Speaker 1: my father was definitely a pioneer, and that meant a 55 00:03:35,240 --> 00:03:38,200 Speaker 1: lot to me to hear. So I guess I should 56 00:03:38,200 --> 00:03:41,520 Speaker 1: share with you guys my first musical memory and rather 57 00:03:42,320 --> 00:03:46,960 Speaker 1: apropos now that the slide doc is done. But my 58 00:03:47,040 --> 00:03:50,240 Speaker 1: first musical memory is also my first memory in life. 59 00:03:50,560 --> 00:03:54,120 Speaker 1: And I will say that I was two years old. 60 00:03:54,560 --> 00:03:58,960 Speaker 1: This is nineteen seventy three. I'm in my West Philadelphia 61 00:03:58,960 --> 00:04:05,800 Speaker 1: house getting my hair washed, and you know, I'm two 62 00:04:05,880 --> 00:04:08,040 Speaker 1: years old, so I don't know the rules that once 63 00:04:08,120 --> 00:04:10,720 Speaker 1: you have their eyes closed when getting their hair washed. 64 00:04:11,760 --> 00:04:16,520 Speaker 1: My sister's hand accidentally hits the bath detergent or the 65 00:04:16,560 --> 00:04:22,479 Speaker 1: cleanser ajax, and it sort of hits the marble tub hard, 66 00:04:22,680 --> 00:04:24,240 Speaker 1: and you know, it's like a cloud of smoke. 67 00:04:25,360 --> 00:04:26,000 Speaker 2: It gets in my. 68 00:04:26,000 --> 00:04:30,640 Speaker 1: Eye and I'm just burning, stinging, sting and sting and crying, 69 00:04:31,279 --> 00:04:36,520 Speaker 1: having a fit, you know. And all I remember was 70 00:04:37,800 --> 00:04:40,800 Speaker 1: I ran from the bathroom on the second floor to 71 00:04:40,839 --> 00:04:44,480 Speaker 1: the first floor, just running. My dad grabs me, and 72 00:04:44,600 --> 00:04:48,960 Speaker 1: all I remember was that they pinned me. It was 73 00:04:49,040 --> 00:04:50,960 Speaker 1: like a wrestler, like I was pinned to the ground. 74 00:04:51,920 --> 00:04:58,120 Speaker 1: My aunt Karen and my sister Dawn were pinning my shoulders. 75 00:04:58,200 --> 00:05:03,640 Speaker 1: My mom pinned my ankles so that couldn't run, and 76 00:05:03,760 --> 00:05:07,000 Speaker 1: my dad was trying to like you gotta think of 77 00:05:07,040 --> 00:05:11,960 Speaker 1: it like a what's the movie, Oh, Clockwork Orange, Like 78 00:05:12,000 --> 00:05:14,919 Speaker 1: the way they forced the eyelids open to stay open. 79 00:05:15,480 --> 00:05:20,080 Speaker 1: My dad has a gallon of water and he's trying 80 00:05:20,080 --> 00:05:25,640 Speaker 1: to flush my face and all this is happening while 81 00:05:25,640 --> 00:05:28,320 Speaker 1: the second song on sly is very depressing. 82 00:05:28,400 --> 00:05:29,440 Speaker 2: There's a riot going on. 83 00:05:29,560 --> 00:05:32,560 Speaker 1: Album as playing called just Like a Baby, And if 84 00:05:32,560 --> 00:05:36,000 Speaker 1: you know the song just Like a Baby, the ominous baseline, 85 00:05:36,640 --> 00:05:41,440 Speaker 1: very spooky sounding song, that's my first memory in life, 86 00:05:41,640 --> 00:05:45,159 Speaker 1: and that kind of made me obsessed with Sly and 87 00:05:45,320 --> 00:05:50,039 Speaker 1: probably made me highly eligible to direct this documentary because 88 00:05:50,080 --> 00:05:54,880 Speaker 1: of my relationship and obsession with the guy who created 89 00:05:54,920 --> 00:05:58,680 Speaker 1: that song. Weird enough, I didn't hear that song again 90 00:05:58,760 --> 00:06:01,400 Speaker 1: until like eight years later, and when I was like 91 00:06:02,480 --> 00:06:05,640 Speaker 1: ten or eleven, I heard that baseline and instantly ran 92 00:06:05,720 --> 00:06:11,799 Speaker 1: to the record player, and all those memories came triggering back, 93 00:06:12,040 --> 00:06:14,600 Speaker 1: like you know, the scene and kill Bill whenever, like 94 00:06:14,680 --> 00:06:21,279 Speaker 1: Quincy Jones's Iron Side Please. That's what it felt like. 95 00:06:21,320 --> 00:06:23,760 Speaker 1: It was like triggering, like, oh my god, I remember 96 00:06:24,320 --> 00:06:26,960 Speaker 1: that feeling and me being pinned to the floor and 97 00:06:27,040 --> 00:06:30,280 Speaker 1: them trying to wash my eye out. So that's my 98 00:06:30,320 --> 00:06:37,839 Speaker 1: first musical memory. So what was your first cognizant memory 99 00:06:38,080 --> 00:06:43,080 Speaker 1: of music? Yeah, just of the environment you grew up in. Like, 100 00:06:43,240 --> 00:06:45,240 Speaker 1: you don't remember that Soul Train episode in what you 101 00:06:45,240 --> 00:06:47,160 Speaker 1: were crying through your mom's interview segment. 102 00:06:47,560 --> 00:06:52,520 Speaker 3: Mmm, I don't remember it, but I remember that all 103 00:06:52,560 --> 00:06:54,680 Speaker 3: that that era for me was, I mean, we were 104 00:06:54,680 --> 00:06:56,360 Speaker 3: on the road with my parents most of the time 105 00:06:56,480 --> 00:06:59,240 Speaker 3: until I started school, So I mean when we were 106 00:06:59,279 --> 00:07:01,200 Speaker 3: little little sometimes they go out on the road and 107 00:07:01,240 --> 00:07:04,360 Speaker 3: they take us with them. But pretty much, especially when 108 00:07:04,360 --> 00:07:05,640 Speaker 3: I was a baby. I think my mom went out 109 00:07:05,640 --> 00:07:06,920 Speaker 3: on the road for a minute and then she called 110 00:07:06,960 --> 00:07:08,479 Speaker 3: my dad. She was like, you have to come with me. 111 00:07:08,520 --> 00:07:09,240 Speaker 4: I can't. 112 00:07:09,440 --> 00:07:12,119 Speaker 3: I can't be without the baby and without you guys. 113 00:07:12,160 --> 00:07:14,360 Speaker 3: And so we were on the road a lot. And 114 00:07:14,400 --> 00:07:17,400 Speaker 3: I remember being on the road with my parents, like 115 00:07:17,440 --> 00:07:23,120 Speaker 3: I remember somebody lost a tooth in like some town 116 00:07:23,160 --> 00:07:25,400 Speaker 3: with a casino and we got like a chip or something, 117 00:07:25,400 --> 00:07:28,240 Speaker 3: you know, Like I remember, like sound check. 118 00:07:28,080 --> 00:07:28,960 Speaker 4: To me is like. 119 00:07:30,840 --> 00:07:31,920 Speaker 3: I think it was it was me or my I 120 00:07:31,920 --> 00:07:33,400 Speaker 3: think it's me, me or my brother. 121 00:07:33,720 --> 00:07:35,080 Speaker 2: Even like a bar fight or something. 122 00:07:35,400 --> 00:07:38,240 Speaker 3: No, like like the normal things that happened to a kid. 123 00:07:38,240 --> 00:07:40,679 Speaker 3: But the tooth fairy brought me like a casino chip 124 00:07:40,960 --> 00:07:42,960 Speaker 3: because we were in like Lake Tahoe or something. But 125 00:07:43,200 --> 00:07:45,920 Speaker 3: like like being on the road was very normal. And 126 00:07:45,960 --> 00:07:51,880 Speaker 3: then like seeing my mom, Yeah, like being being in studios, 127 00:07:51,960 --> 00:07:55,680 Speaker 3: being backstage, and like seeing my mom before the show, 128 00:07:55,720 --> 00:07:58,480 Speaker 3: like before the audience was there. All that is like 129 00:07:58,560 --> 00:08:02,320 Speaker 3: tied together as one kind of large memory. 130 00:08:03,520 --> 00:08:07,680 Speaker 1: That was my Rudolph And here is Daryl Hall. Do 131 00:08:07,720 --> 00:08:10,520 Speaker 1: you remember what your very first musical memory. 132 00:08:10,360 --> 00:08:14,040 Speaker 5: Was, probably seeing my well, my mother and father both 133 00:08:14,040 --> 00:08:16,600 Speaker 5: were musicians. I see my mother in a band. I 134 00:08:16,600 --> 00:08:18,800 Speaker 5: mean my mother was in it was in a band 135 00:08:19,520 --> 00:08:22,120 Speaker 5: in post Town, and I was like, yeah, from the 136 00:08:22,160 --> 00:08:24,280 Speaker 5: age of two years old, I'd watched the band, and 137 00:08:24,880 --> 00:08:26,800 Speaker 5: I always wanted to be the band leader, you know, 138 00:08:26,840 --> 00:08:28,440 Speaker 5: the guy that had the he had like a white 139 00:08:28,480 --> 00:08:30,760 Speaker 5: coat on. Everybody else had red coats on. He had 140 00:08:30,760 --> 00:08:32,840 Speaker 5: a white coat on. So yeah, I was I wanted 141 00:08:32,880 --> 00:08:33,480 Speaker 5: to be that guy. 142 00:08:33,800 --> 00:08:36,199 Speaker 4: What does Darryl Hall's mom's voice sound like? What is 143 00:08:36,240 --> 00:08:37,160 Speaker 4: her singing voice? 144 00:08:37,440 --> 00:08:41,320 Speaker 5: She was a soprano. She's ninety eight years old now 145 00:08:40,600 --> 00:08:48,000 Speaker 5: and she still sings, but yeah, she's an amazing singer, 146 00:08:48,080 --> 00:08:51,040 Speaker 5: amazing soprano. And my father was in a gospel group, 147 00:08:51,240 --> 00:08:54,600 Speaker 5: a vocal group, and so I learned harmonies from him 148 00:08:55,200 --> 00:08:58,120 Speaker 5: and his brothers and his friends and all that. So, 149 00:08:58,559 --> 00:09:01,079 Speaker 5: you know, I grew up in the whole world. 150 00:09:01,559 --> 00:09:06,520 Speaker 1: Were they closer to do Wop or more Mills Brothers 151 00:09:06,600 --> 00:09:07,360 Speaker 1: or like harmony? 152 00:09:07,520 --> 00:09:10,160 Speaker 2: Like what was their church harmony? You know, like. 153 00:09:12,520 --> 00:09:12,880 Speaker 4: Gospel? 154 00:09:12,880 --> 00:09:16,000 Speaker 1: Harvey, what was your first musical memory. 155 00:09:17,000 --> 00:09:20,959 Speaker 6: My mom would sing at this park across the street 156 00:09:21,360 --> 00:09:25,240 Speaker 6: with her band, and she had this big afro and 157 00:09:25,320 --> 00:09:28,440 Speaker 6: bell bottoms, blue jean bell bottoms in a green shirt 158 00:09:29,480 --> 00:09:33,440 Speaker 6: and some big hoops, and she had this tambourine but 159 00:09:33,480 --> 00:09:35,320 Speaker 6: she would hit it with her hip all the time, 160 00:09:36,160 --> 00:09:39,080 Speaker 6: and I just loved every time her hip would move 161 00:09:39,200 --> 00:09:42,160 Speaker 6: or she'd sing, the audience would just I just saw 162 00:09:42,200 --> 00:09:45,679 Speaker 6: them go crazy. I didn't know what that meant, but 163 00:09:45,720 --> 00:09:48,960 Speaker 6: the sound of her voice always would do something here. 164 00:09:49,880 --> 00:09:54,160 Speaker 6: So that memory always, I always remember that before I 165 00:09:54,280 --> 00:09:56,400 Speaker 6: go on stage. But that was my one of my 166 00:09:56,440 --> 00:09:59,920 Speaker 6: first memories of music. The other one is the h 167 00:10:00,640 --> 00:10:03,319 Speaker 6: The band would record to the A track and it 168 00:10:03,360 --> 00:10:05,600 Speaker 6: would sit in our room. We had a shotgun house 169 00:10:06,080 --> 00:10:08,600 Speaker 6: to just go straight ahead and in the living room. 170 00:10:08,600 --> 00:10:12,160 Speaker 6: The band would record in the living room, and my 171 00:10:12,240 --> 00:10:15,520 Speaker 6: mom would record her vocal part with the A track 172 00:10:15,640 --> 00:10:18,559 Speaker 6: in our bedroom, which was the next room. So I 173 00:10:18,600 --> 00:10:21,880 Speaker 6: would stare at the A track and watch my mom 174 00:10:22,000 --> 00:10:24,440 Speaker 6: record on the edge of the bed. And then when 175 00:10:24,840 --> 00:10:27,160 Speaker 6: they pressed play and her voice came out of it, 176 00:10:27,200 --> 00:10:30,280 Speaker 6: I was just blown away. And that's when I like 177 00:10:30,760 --> 00:10:33,600 Speaker 6: those two memories. That's when I wanted to sing. 178 00:10:34,280 --> 00:10:36,520 Speaker 4: Did your mother did she like make records of your 179 00:10:36,559 --> 00:10:38,120 Speaker 4: recording artists or did she just sing? 180 00:10:38,440 --> 00:10:40,280 Speaker 6: And she was a recording artist, She had her own 181 00:10:40,320 --> 00:10:44,880 Speaker 6: band called car Nova in New Orleans. They had their 182 00:10:44,880 --> 00:10:51,040 Speaker 6: own band. It was interracial, racial bass player guitar. My 183 00:10:51,200 --> 00:10:54,520 Speaker 6: stepdad played drums. That's why I started on the drums. 184 00:10:54,800 --> 00:10:57,319 Speaker 6: That's why I loved watching drummers. That's why I became 185 00:10:57,320 --> 00:11:02,719 Speaker 6: a fan of me. And I would watch the way 186 00:11:02,840 --> 00:11:05,640 Speaker 6: drummers set up their snares. It slanted, is it low? 187 00:11:06,040 --> 00:11:08,960 Speaker 6: Is it below their knees, like every little technical thing. 188 00:11:09,679 --> 00:11:12,600 Speaker 6: So I started on the drums, and I would watch 189 00:11:12,679 --> 00:11:16,120 Speaker 6: them perform rehearse in our bedroom, but we were too 190 00:11:16,160 --> 00:11:18,560 Speaker 6: young to go in the club, so they would have 191 00:11:18,600 --> 00:11:21,960 Speaker 6: the car close to the side door so that my 192 00:11:22,040 --> 00:11:26,680 Speaker 6: mom can babysit while performing, so she would do double duty. 193 00:11:27,200 --> 00:11:30,320 Speaker 6: So I'm a kid from that kind of era where 194 00:11:30,320 --> 00:11:34,040 Speaker 6: they did a lot of performing and recording at the 195 00:11:34,040 --> 00:11:36,640 Speaker 6: same time. But she had her own band lead singer, 196 00:11:36,720 --> 00:11:39,920 Speaker 6: and her and the bass player would write songs together 197 00:11:39,960 --> 00:11:40,559 Speaker 6: all the time. 198 00:11:41,080 --> 00:11:45,400 Speaker 1: Wow, I know you're probably obsessed with Darry Jones if 199 00:11:45,400 --> 00:11:50,600 Speaker 1: you're trying to figure out drummer angles. All right, that 200 00:11:50,760 --> 00:11:54,640 Speaker 1: was Letusy and now this is Bonnie Rape. I start 201 00:11:54,679 --> 00:11:56,880 Speaker 1: off every episode with the same question, so you're no 202 00:11:56,920 --> 00:12:00,400 Speaker 1: exception to the rule. Could you please give me your 203 00:12:00,559 --> 00:12:02,679 Speaker 1: very first musical memory. 204 00:12:03,800 --> 00:12:08,760 Speaker 7: Oh, I think my dad, who was a Broadway leading man, 205 00:12:09,280 --> 00:12:12,760 Speaker 7: singing the songs from his show, with my mom warming 206 00:12:12,840 --> 00:12:15,960 Speaker 7: him up on the pianel. She was his musical director 207 00:12:15,960 --> 00:12:19,960 Speaker 7: and rehearsal pianist. And I remember being really little and 208 00:12:20,000 --> 00:12:23,160 Speaker 7: hearing this big, old booming voice singing these great Rogers 209 00:12:23,160 --> 00:12:26,440 Speaker 7: and Hammerstein songs. So I'd have to say, my folks 210 00:12:26,840 --> 00:12:27,920 Speaker 7: playing in the house. 211 00:12:29,559 --> 00:12:31,160 Speaker 2: We also have Organized Noise. 212 00:12:31,760 --> 00:12:36,360 Speaker 1: We begin with Sleepy Brown, whose father, Jimmy Brown, was 213 00:12:36,440 --> 00:12:40,120 Speaker 1: the singer and flute player of a very well known 214 00:12:40,240 --> 00:12:44,720 Speaker 1: funk band from the seventies called Brick. Of course, Brick 215 00:12:44,760 --> 00:12:50,280 Speaker 1: gave us the classic song Dazz. I believe dazz is 216 00:12:51,320 --> 00:12:54,480 Speaker 1: what they call a por dementeau of danceable jazz. They 217 00:12:54,520 --> 00:12:57,439 Speaker 1: call it dazz. And then we're going to get to 218 00:12:57,520 --> 00:13:02,200 Speaker 1: Ray Murray, and of course the late we go Wade. 219 00:13:03,080 --> 00:13:06,880 Speaker 1: And this was recorded in Atlanta in twenty twenty three, 220 00:13:07,679 --> 00:13:13,079 Speaker 1: very special episode Organized Noise. I know your lineage runs deep. 221 00:13:13,080 --> 00:13:16,400 Speaker 1: I know all your lineage runs deep, but especially Sleepy 222 00:13:16,400 --> 00:13:21,480 Speaker 1: being the son of the legendary Jimmy Brown Brick, I'll 223 00:13:21,480 --> 00:13:23,200 Speaker 1: start with you, can you tell me what your first 224 00:13:23,320 --> 00:13:24,440 Speaker 1: musical memory was. 225 00:13:25,360 --> 00:13:28,760 Speaker 8: I was six years old, right, and it was my 226 00:13:28,840 --> 00:13:31,640 Speaker 8: first concert I went to. And I was with my 227 00:13:31,679 --> 00:13:36,160 Speaker 8: grandparents and we get to the concert and walk on 228 00:13:36,320 --> 00:13:40,000 Speaker 8: side the stage and my dad, know start performing, And 229 00:13:40,920 --> 00:13:45,360 Speaker 8: when I seen them do dazz, right, my mouth dropped 230 00:13:45,360 --> 00:13:46,800 Speaker 8: and I look back at my grandmother when. 231 00:13:46,679 --> 00:13:47,800 Speaker 2: I say, this is what I want to do. 232 00:13:48,320 --> 00:13:48,520 Speaker 9: Wow. 233 00:13:48,760 --> 00:13:51,160 Speaker 2: Period, I knew I want to do music. 234 00:13:51,160 --> 00:13:53,360 Speaker 8: As soon as I saw my dad playing them ows 235 00:13:53,720 --> 00:13:56,800 Speaker 8: and everybody screaming and going crazy. I was just like, 236 00:13:57,040 --> 00:13:59,440 Speaker 8: I gotta do this is this is what I have 237 00:13:59,520 --> 00:14:01,880 Speaker 8: to do. And plus you know, my mom would buy 238 00:14:01,920 --> 00:14:05,000 Speaker 8: me Jackson five albums every Christmas, right, you know, so 239 00:14:05,600 --> 00:14:08,680 Speaker 8: I was like the six Jackson. Plus I was in 240 00:14:08,800 --> 00:14:12,280 Speaker 8: Break Right and Commodoors and I was in everybody group. 241 00:14:12,800 --> 00:14:15,760 Speaker 8: So my first experience of music was the greatest era 242 00:14:15,800 --> 00:14:18,200 Speaker 8: of music to me was the funk era and the 243 00:14:18,280 --> 00:14:22,080 Speaker 8: disco era. No music has been made more beautiful than that. 244 00:14:22,440 --> 00:14:25,080 Speaker 8: So that's my whole being, you know what I mean, 245 00:14:25,120 --> 00:14:26,760 Speaker 8: No matter what. That's why they called me funk or not, 246 00:14:27,120 --> 00:14:28,680 Speaker 8: because if it ain't funky, I ain't doing. 247 00:14:29,400 --> 00:14:34,800 Speaker 1: I function with that chewing dazz and music and ain't 248 00:14:34,800 --> 00:14:38,360 Speaker 1: gonna hurt nobody. The captain obvious break is, do you 249 00:14:38,400 --> 00:14:41,840 Speaker 1: have a favorite Brick song that isn't a hit or anything? 250 00:14:42,320 --> 00:14:49,440 Speaker 8: Yeah, yep, fun one of them, Happy Happy. 251 00:14:49,600 --> 00:14:52,160 Speaker 1: You know what I was gonna say, Damn, I always 252 00:14:52,240 --> 00:14:55,200 Speaker 1: always say, but I've always confessed that I'm kind of 253 00:14:55,200 --> 00:14:58,680 Speaker 1: working on Sultry, right. I was like preface with like, 254 00:14:59,160 --> 00:15:03,800 Speaker 1: I'm not supposed to say this, but no, I'm getting 255 00:15:03,840 --> 00:15:06,440 Speaker 1: to the seventy seven episodes, and I gotta say, your 256 00:15:06,520 --> 00:15:11,240 Speaker 1: dad was a charismatic motherfucker even when performing Happy on 257 00:15:11,400 --> 00:15:12,480 Speaker 1: Soul training, Like I. 258 00:15:12,520 --> 00:15:15,920 Speaker 8: Just but they always had the biggest smile. It's like 259 00:15:16,000 --> 00:15:19,240 Speaker 8: we saw him perform. He was just excited and happy 260 00:15:19,280 --> 00:15:21,720 Speaker 8: to perform for people. And he's always been that way. 261 00:15:21,760 --> 00:15:23,920 Speaker 8: When he was younger, he had had a band in 262 00:15:23,960 --> 00:15:26,360 Speaker 8: Savannah that did a couple of records, Jimmy and the 263 00:15:27,440 --> 00:15:30,960 Speaker 8: Mighty Sensations, that did pretty good. Right, So he's always 264 00:15:31,560 --> 00:15:33,360 Speaker 8: always loved music till this day. 265 00:15:33,600 --> 00:15:33,960 Speaker 2: You know what I mean. 266 00:15:34,000 --> 00:15:35,520 Speaker 8: I'm working on the album right now with him. We're 267 00:15:35,520 --> 00:15:45,400 Speaker 8: doing like an instrument Yeah, instrumental jazz. So he played flute, instrum, trombone, ato, sex, 268 00:15:46,280 --> 00:15:48,720 Speaker 8: every hole you can put it front him and kill it. 269 00:15:48,960 --> 00:15:50,880 Speaker 1: Living from the Mind was also one of my favorite. 270 00:15:50,960 --> 00:15:52,800 Speaker 1: Yes that Baseline killed. 271 00:15:52,520 --> 00:15:56,120 Speaker 2: Me and uh uh Somerset uh Summer. 272 00:15:55,960 --> 00:15:59,240 Speaker 1: Telling them white album coming with Yeah, yeah, I know 273 00:15:59,280 --> 00:16:05,640 Speaker 1: that joint. Wait, like Brick Trivia. Have you heard this 274 00:16:05,680 --> 00:16:10,240 Speaker 1: tip it about Prince? Do you know the story? So 275 00:16:10,400 --> 00:16:13,040 Speaker 1: Prince was such a fan of Brick. What do you 276 00:16:13,240 --> 00:16:17,480 Speaker 1: know that he wrote get it Up? He wrote that 277 00:16:17,520 --> 00:16:26,880 Speaker 1: for Brick and they rejected it. We interviewed Mars, I'll 278 00:16:26,920 --> 00:16:31,440 Speaker 1: do it for you sound effects sound Yeah, Mars and 279 00:16:32,360 --> 00:16:34,240 Speaker 1: we I mean we've had damn near I remember at 280 00:16:34,240 --> 00:16:38,440 Speaker 1: the time on except Terry Lewis, Terry Lewis. But yeah, 281 00:16:38,720 --> 00:16:42,600 Speaker 1: when we asked Mars about him and Prince Craft in 282 00:16:42,640 --> 00:16:45,000 Speaker 1: the first record, you know, he told us that he's 283 00:16:45,000 --> 00:16:47,920 Speaker 1: playing drums on everything. He was like, when we may 284 00:16:48,080 --> 00:16:52,800 Speaker 1: get it up for some reason, like Prince was really 285 00:16:53,080 --> 00:16:56,400 Speaker 1: into not for some reason, I mean everybody was into it, but. 286 00:16:57,440 --> 00:16:59,400 Speaker 2: Man, you just blew me. Yeah. 287 00:16:59,480 --> 00:17:02,640 Speaker 1: Way, Prince had wrote get It Up for Brick Brick 288 00:17:03,160 --> 00:17:05,879 Speaker 1: to be whatever the album is with with the Green 289 00:17:06,440 --> 00:17:11,000 Speaker 1: where it's like it's like the Green Leaves for that album. 290 00:17:11,119 --> 00:17:13,879 Speaker 2: They rejected it. You gotta talk to your dad about that. 291 00:17:15,880 --> 00:17:16,840 Speaker 2: What you're doing. 292 00:17:19,920 --> 00:17:20,120 Speaker 4: There? 293 00:17:20,160 --> 00:17:21,920 Speaker 2: You go, that's crazy? 294 00:17:22,080 --> 00:17:22,440 Speaker 9: All right? 295 00:17:22,480 --> 00:17:25,800 Speaker 1: So, Ray, what is your first musical memory? 296 00:17:26,040 --> 00:17:28,679 Speaker 10: Me and my brother and sister used to turn the 297 00:17:28,760 --> 00:17:33,120 Speaker 10: lights off and dance around to flight time. 298 00:17:34,560 --> 00:17:39,080 Speaker 1: Yes, sir, the airplane land. 299 00:17:39,560 --> 00:17:41,000 Speaker 2: Just nos New York state of mind. 300 00:17:41,080 --> 00:17:45,200 Speaker 10: Uh So early on, I kind of like my father's 301 00:17:45,280 --> 00:17:48,520 Speaker 10: jazz head. So he he had all of this music 302 00:17:49,160 --> 00:17:53,320 Speaker 10: which was like everything that we ever heard in hip hop. 303 00:17:53,880 --> 00:17:54,280 Speaker 2: You feel me? 304 00:17:54,359 --> 00:17:56,840 Speaker 10: All of this ship to cat sample, that's the ship 305 00:17:56,880 --> 00:17:59,000 Speaker 10: that I grew up with playing in the house. 306 00:17:59,200 --> 00:18:02,119 Speaker 2: Yeah, all three of you were born in Atlanta. I 307 00:18:02,160 --> 00:18:05,520 Speaker 2: was doing Savannah. Okay, Yeah, I was born and you 308 00:18:05,560 --> 00:18:10,040 Speaker 2: where were you born? About to say you gotta have 309 00:18:10,119 --> 00:18:10,560 Speaker 2: me swag? 310 00:18:10,600 --> 00:18:10,879 Speaker 11: Boys? 311 00:18:11,000 --> 00:18:13,040 Speaker 2: I know it's where are you born? Where are you? 312 00:18:13,240 --> 00:18:19,680 Speaker 10: I was going to Pittsburgh, Pennsylvania. Yes, my mom is 313 00:18:19,720 --> 00:18:24,160 Speaker 10: from Pittsburgh, but I grew up before we came to Atlanta. 314 00:18:24,200 --> 00:18:26,040 Speaker 10: We came to Atlanta with Mayna Jackson when he took 315 00:18:26,040 --> 00:18:27,840 Speaker 10: over the city when he became the first black mayor. 316 00:18:28,040 --> 00:18:28,159 Speaker 2: Right. 317 00:18:29,080 --> 00:18:33,399 Speaker 10: My father and mother were in Tuskegee, Alabama, So I 318 00:18:33,440 --> 00:18:36,200 Speaker 10: grew up in Tuskegee pretty much Alabama. 319 00:18:36,480 --> 00:18:39,880 Speaker 1: Okay, what I got roots there too, shout out to Mobile, 320 00:18:40,160 --> 00:18:41,680 Speaker 1: not Texig, but Mobile. 321 00:18:42,080 --> 00:18:44,760 Speaker 2: All right for you, Rico, what's what's your first musical memory? 322 00:18:45,000 --> 00:18:48,360 Speaker 12: Oh Man, Even with listening to their memories, I was man, 323 00:18:48,520 --> 00:18:52,000 Speaker 12: is as simple as that's good now. It's as simple 324 00:18:52,000 --> 00:18:55,639 Speaker 12: as hear music on the radio. Because you know what 325 00:18:55,640 --> 00:18:57,040 Speaker 12: I'm saying, I didn't really hit it. We didn't have 326 00:18:57,040 --> 00:18:58,479 Speaker 12: a car when I was younger, so I didn't really 327 00:18:58,560 --> 00:19:01,800 Speaker 12: hit the radio until like Mama was cleaning up or something, 328 00:19:02,240 --> 00:19:05,800 Speaker 12: or or when I finally went into that back room. 329 00:19:06,000 --> 00:19:07,840 Speaker 12: We had an extra room, and I just kind of 330 00:19:07,960 --> 00:19:13,520 Speaker 12: went to digging, Yes, the guest room and all the 331 00:19:13,600 --> 00:19:16,000 Speaker 12: junk sits in the man. I ended up finding more 332 00:19:16,040 --> 00:19:20,639 Speaker 12: than records back there one day. But the records not. 333 00:19:25,800 --> 00:19:26,720 Speaker 13: A bunch of fact. 334 00:19:28,200 --> 00:19:32,560 Speaker 12: Yes, yes, money, but like Donald Summer and uh like 335 00:19:33,280 --> 00:19:35,080 Speaker 12: ring my Bell and all that kind of stuff with 336 00:19:35,119 --> 00:19:37,439 Speaker 12: some of the records and Iley Brothers. Yeah, I was 337 00:19:37,440 --> 00:19:40,080 Speaker 12: seeing that stuff as records. But but on the radio 338 00:19:40,480 --> 00:19:42,560 Speaker 12: when she was it was just the energy of the house. 339 00:19:42,600 --> 00:19:45,880 Speaker 12: She would be a different person when the music came 340 00:19:45,920 --> 00:19:48,119 Speaker 12: on and she turned up loud and she cleaning up. 341 00:19:48,359 --> 00:19:51,080 Speaker 12: So people always made that I always say you know, 342 00:19:51,119 --> 00:19:52,879 Speaker 12: I like to play my music when I'm cleaning up. 343 00:19:53,240 --> 00:19:55,760 Speaker 12: I really understood what that meant. It's like I feel 344 00:19:55,760 --> 00:19:58,640 Speaker 12: good today today is this is what I'm doing. 345 00:19:58,640 --> 00:19:59,840 Speaker 2: I'm going I need to. 346 00:19:59,760 --> 00:20:01,719 Speaker 12: Be a good right, you need to feel good wile 347 00:20:01,720 --> 00:20:02,199 Speaker 12: I'm getting this. 348 00:20:02,359 --> 00:20:02,520 Speaker 9: Yeah. 349 00:20:02,560 --> 00:20:04,200 Speaker 2: So so my examples of music. 350 00:20:04,240 --> 00:20:06,560 Speaker 12: And another one at a young age was my first 351 00:20:06,600 --> 00:20:08,760 Speaker 12: little job when I was like ten years old, just 352 00:20:08,840 --> 00:20:11,639 Speaker 12: unloading the back of an eighteen or like a truck 353 00:20:11,840 --> 00:20:14,320 Speaker 12: or whatever. They used to play the radio, and I 354 00:20:14,400 --> 00:20:17,040 Speaker 12: just remember that made it go by. So the music 355 00:20:17,160 --> 00:20:19,960 Speaker 12: music was always a I didn't never think I could 356 00:20:19,960 --> 00:20:21,680 Speaker 12: necessarily be able to make it. They never think I 357 00:20:21,720 --> 00:20:23,720 Speaker 12: would be a part of the business. But I knew 358 00:20:23,880 --> 00:20:26,439 Speaker 12: how important it was and how much I did, how 359 00:20:26,520 --> 00:20:28,600 Speaker 12: much it did for me, just at that young age, 360 00:20:28,760 --> 00:20:31,400 Speaker 12: and didn't even know who, didn't know exactly who, none 361 00:20:31,400 --> 00:20:34,440 Speaker 12: of the artists was. Just knew that at that time, 362 00:20:34,520 --> 00:20:38,240 Speaker 12: being a man of my age, which is fifty. During 363 00:20:38,240 --> 00:20:42,560 Speaker 12: that time nineteen eighty, I was eight. So like what 364 00:20:42,680 --> 00:20:45,240 Speaker 12: he's talking about, like soaking up, sir, at the right time. 365 00:20:45,359 --> 00:20:48,360 Speaker 12: It's the end of the seventies, so we but they 366 00:20:48,400 --> 00:20:50,480 Speaker 12: still loaded as far as the albums. I could still 367 00:20:50,520 --> 00:20:52,520 Speaker 12: see an album. I still saw eight tracks, you know what 368 00:20:52,520 --> 00:20:54,680 Speaker 12: I'm saying. I still rode in cards. What we did 369 00:20:55,080 --> 00:20:56,360 Speaker 12: that actually had an eight track in. 370 00:20:56,320 --> 00:20:59,520 Speaker 2: It, So I collect them. Wow, but. 371 00:21:01,000 --> 00:21:07,639 Speaker 12: A brick is amazing because even when when I found 372 00:21:07,680 --> 00:21:11,320 Speaker 12: out who his father was or whatever, you just thought 373 00:21:11,320 --> 00:21:13,440 Speaker 12: about that's ice cube song. 374 00:21:14,119 --> 00:21:16,879 Speaker 2: Vasoline, that's the song that asked you got back? That 375 00:21:17,000 --> 00:21:20,119 Speaker 2: was deep. I was so happy when they did. How 376 00:21:20,119 --> 00:21:21,199 Speaker 2: did you think about vacine? 377 00:21:22,440 --> 00:21:22,640 Speaker 12: Cool? 378 00:21:23,640 --> 00:21:27,200 Speaker 8: Ye, Like a lot of other artists have sampled before that. 379 00:21:27,280 --> 00:21:29,520 Speaker 8: You know, kid played it ain't gonna hurt nobody, you 380 00:21:29,600 --> 00:21:31,840 Speaker 8: know him with did he did? 381 00:21:32,280 --> 00:21:34,320 Speaker 2: It's all good? It was yeah good. 382 00:21:34,440 --> 00:21:37,800 Speaker 8: So well when I heard q on one of the 383 00:21:37,840 --> 00:21:39,520 Speaker 8: coldest disc records. 384 00:21:39,160 --> 00:21:52,640 Speaker 14: Ever all the time, bro my heart like Jenny, So 385 00:21:53,080 --> 00:21:55,440 Speaker 14: I was, man, that's still one of my favorite Man. 386 00:21:55,480 --> 00:21:57,879 Speaker 8: I still play that records and like I'm in the 387 00:21:57,880 --> 00:22:00,000 Speaker 8: mirror and I'm cute and let me shut up. 388 00:22:02,480 --> 00:22:03,760 Speaker 2: That first batch of QLs. 389 00:22:03,840 --> 00:22:08,760 Speaker 1: Guest reflects on how their parents shaped their first musical memories. 390 00:22:09,160 --> 00:22:13,639 Speaker 1: In some cases, those parents were professionals, known recording artists 391 00:22:13,640 --> 00:22:18,920 Speaker 1: with their own careers. My parents were also professional recording artists. 392 00:22:19,200 --> 00:22:23,639 Speaker 1: I grew up in a family act nightclub act. My 393 00:22:23,720 --> 00:22:27,040 Speaker 1: father was an oldies du wop singer. By the time 394 00:22:27,080 --> 00:22:29,679 Speaker 1: I was born, my entire family was part of the show. 395 00:22:30,359 --> 00:22:34,320 Speaker 1: So a lot of my musical memories were, you know, 396 00:22:34,880 --> 00:22:39,480 Speaker 1: help shaping the nightclub lounge act. One of my favorite 397 00:22:39,520 --> 00:22:42,280 Speaker 1: musical memories of all time is my dad taking me 398 00:22:43,040 --> 00:22:45,000 Speaker 1: being shopping to record stores. 399 00:22:45,800 --> 00:22:46,600 Speaker 2: Twice a month. 400 00:22:47,400 --> 00:22:51,160 Speaker 1: We'd go to King James on fifty second Street and 401 00:22:51,240 --> 00:22:54,200 Speaker 1: my dad would basically just you know, going to a 402 00:22:54,240 --> 00:22:56,639 Speaker 1: record store back in the day was like a religious 403 00:22:56,640 --> 00:23:00,199 Speaker 1: experience to me, like this is where you first know 404 00:23:00,280 --> 00:23:02,400 Speaker 1: the smell of incense, this is where you first see 405 00:23:02,440 --> 00:23:08,320 Speaker 1: like black light, and you know those zodiac signs that 406 00:23:08,440 --> 00:23:11,520 Speaker 1: are fluorescent colored and they look good in black light 407 00:23:11,560 --> 00:23:15,560 Speaker 1: in your bedroom, and seeing like the wall display of 408 00:23:15,680 --> 00:23:21,600 Speaker 1: how they creatively displayed the records and whatnot. So pretty much, 409 00:23:21,720 --> 00:23:26,800 Speaker 1: I'll say that for me, Ben, shopping with my dad 410 00:23:27,400 --> 00:23:31,600 Speaker 1: every other month in West Philly was kind of a 411 00:23:31,680 --> 00:23:33,960 Speaker 1: dream for me. My dad would go to the hippies 412 00:23:33,960 --> 00:23:36,879 Speaker 1: guy in the store and say, all right, give me 413 00:23:36,920 --> 00:23:39,080 Speaker 1: all the forty fives I need. And you know, my 414 00:23:39,200 --> 00:23:42,879 Speaker 1: dad needed these forty five so that his band would 415 00:23:43,040 --> 00:23:45,199 Speaker 1: know the latest songs to play, you know, and the 416 00:23:45,200 --> 00:23:48,360 Speaker 1: guy would just grab a box and say, all right, 417 00:23:48,359 --> 00:23:51,120 Speaker 1: you need Casing, the Sunshine Band, you need the Commodores, 418 00:23:51,600 --> 00:23:55,400 Speaker 1: you need the Manhattans, you need Wild Cherry, you need 419 00:23:55,440 --> 00:23:57,720 Speaker 1: the Ohio Players and the New Earth Went and Fire. 420 00:23:58,680 --> 00:24:00,680 Speaker 1: You know I meant to them. They saw my dad 421 00:24:00,720 --> 00:24:02,399 Speaker 1: coming in and knew that this was going to be 422 00:24:02,440 --> 00:24:05,760 Speaker 1: an instant three hundred dollars sale. But you know, they 423 00:24:05,760 --> 00:24:09,040 Speaker 1: would just grab all the forty fives and then Dad 424 00:24:09,080 --> 00:24:12,400 Speaker 1: would just use his instincts to see what he should 425 00:24:12,440 --> 00:24:14,720 Speaker 1: invest in names so that he was familiar with, like 426 00:24:14,840 --> 00:24:19,239 Speaker 1: BT Express or Gene Carn or the OJ's whatever, and 427 00:24:19,320 --> 00:24:22,439 Speaker 1: just buy Binge Binge Binge, and we come home. You 428 00:24:22,440 --> 00:24:26,440 Speaker 1: know that started my being shopping addiction throughout the years. 429 00:24:26,480 --> 00:24:29,560 Speaker 1: And we get home, and then when it was time 430 00:24:29,600 --> 00:24:32,879 Speaker 1: for rehearsal, my dad's band would just rummage through all 431 00:24:32,880 --> 00:24:35,520 Speaker 1: the forty fives and all the records and they'll be like, 432 00:24:35,560 --> 00:24:37,520 Speaker 1: we'll take this, we'll take this, we'll take this, we'll 433 00:24:37,520 --> 00:24:40,639 Speaker 1: take that, this, that and the other. And the weird 434 00:24:40,640 --> 00:24:47,080 Speaker 1: thing is pretty much whatever wasn't desirable, whatever my dad's 435 00:24:47,080 --> 00:24:50,200 Speaker 1: band didn't like, I got to keep. So I'll say 436 00:24:50,200 --> 00:24:54,679 Speaker 1: that I'm probably a rare case in which the flop 437 00:24:54,760 --> 00:25:00,199 Speaker 1: single was, you know, my favorite song. So you know, 438 00:25:00,200 --> 00:25:03,800 Speaker 1: I always joke that, of course they would keep like 439 00:25:04,400 --> 00:25:08,760 Speaker 1: whatever stylistics hit there was, but you know, the stylistics 440 00:25:08,760 --> 00:25:11,520 Speaker 1: would also cover, like the reggae cover of a song 441 00:25:11,560 --> 00:25:14,199 Speaker 1: called like Shame and Scandal in the Family, and that 442 00:25:14,320 --> 00:25:17,760 Speaker 1: was a flop, and of course I would get that record. 443 00:25:18,320 --> 00:25:21,200 Speaker 1: I'd get the Casey and the Sunshine Band single that 444 00:25:21,600 --> 00:25:25,360 Speaker 1: was not a hit, and kind of that became part 445 00:25:25,400 --> 00:25:27,360 Speaker 1: of my vocabulary. So I think I'm in a rare 446 00:25:27,440 --> 00:25:30,199 Speaker 1: case in which a lot of the music that I 447 00:25:30,240 --> 00:25:38,240 Speaker 1: took in from like ages three to eleven or not hits, which. 448 00:25:40,359 --> 00:25:41,720 Speaker 2: Explains my creativity. 449 00:25:47,080 --> 00:25:50,600 Speaker 1: Okay, so sometimes it's not the parents as much as 450 00:25:50,760 --> 00:25:55,240 Speaker 1: records a QLs, guest parents or relatives had laying around 451 00:25:55,280 --> 00:25:59,160 Speaker 1: the house. Next you'll hear some of those stories. Yeah, 452 00:25:59,240 --> 00:26:01,960 Speaker 1: you guys already know that I grew up in a 453 00:26:02,000 --> 00:26:05,359 Speaker 1: house with about three thousand records and three very distinctive 454 00:26:05,400 --> 00:26:10,199 Speaker 1: record collectors. Like my father was straight ahead. He liked 455 00:26:10,280 --> 00:26:14,400 Speaker 1: vocal and he loved the yacht rock of his day, 456 00:26:14,560 --> 00:26:17,320 Speaker 1: but mostly like vocal stuff like he loves Streisand and 457 00:26:17,440 --> 00:26:21,360 Speaker 1: Nat King Cole and the Beach Boys, anybody with harmony. 458 00:26:21,440 --> 00:26:22,800 Speaker 2: That was his lane. 459 00:26:22,880 --> 00:26:27,239 Speaker 1: My mother was really esoteric, and she would have been 460 00:26:27,800 --> 00:26:32,240 Speaker 1: a cret digger if she were like of age now 461 00:26:32,240 --> 00:26:35,800 Speaker 1: in the hip hop era. So she would judge albums 462 00:26:35,840 --> 00:26:39,359 Speaker 1: based on how funky they looked and whatnot. So my 463 00:26:39,400 --> 00:26:43,240 Speaker 1: mom was very hip, and my sister pretty much wanted 464 00:26:43,280 --> 00:26:46,960 Speaker 1: to keep up with her her school friends, her friends 465 00:26:46,960 --> 00:26:49,600 Speaker 1: in school, so she came home with like a really 466 00:26:49,600 --> 00:26:53,840 Speaker 1: diverse record collection and kind of put me onto stuff 467 00:26:53,880 --> 00:26:56,679 Speaker 1: that I wasn't hip to. I didn't know about Kiss, 468 00:26:57,119 --> 00:27:02,440 Speaker 1: I didn't know about David Bowie Queen, you know, just 469 00:27:02,560 --> 00:27:04,760 Speaker 1: like a lot of yacht rock stuff, a lot of 470 00:27:05,119 --> 00:27:08,439 Speaker 1: AM pop. We used to listen to Wizard one hundred 471 00:27:08,520 --> 00:27:12,280 Speaker 1: back in Philly. And so I'll say that, if anything, 472 00:27:12,280 --> 00:27:17,600 Speaker 1: my sister is really really responsible for my elastic kind 473 00:27:17,640 --> 00:27:21,160 Speaker 1: of tolerance for all types of music, you know, which, 474 00:27:21,200 --> 00:27:25,480 Speaker 1: of course, once hip hop comes then everything's wide open. So, 475 00:27:26,320 --> 00:27:28,280 Speaker 1: you know, growing up in a house where a thousand 476 00:27:28,359 --> 00:27:32,359 Speaker 1: records really helps. What was your first musical memory? 477 00:27:33,320 --> 00:27:39,240 Speaker 15: My first musical memory, My memory is very bad, but yeah, 478 00:27:39,280 --> 00:27:42,439 Speaker 15: you know, driving in the vw vand with my dad 479 00:27:42,520 --> 00:27:46,480 Speaker 15: and my brother and sister, and my dad would just 480 00:27:46,640 --> 00:27:50,520 Speaker 15: blast music eight tracks always and sing along really loud, 481 00:27:51,520 --> 00:27:52,880 Speaker 15: and it. 482 00:27:52,320 --> 00:27:55,399 Speaker 1: Were you allowed to curate the selections or was it 483 00:27:55,520 --> 00:27:56,600 Speaker 1: like don't touch my stereo? 484 00:27:56,920 --> 00:27:57,080 Speaker 9: No? 485 00:27:57,080 --> 00:27:57,480 Speaker 4: No, No. 486 00:27:57,520 --> 00:28:00,000 Speaker 15: He would drive, he'd you know, be driving really fast 487 00:28:00,040 --> 00:28:02,800 Speaker 15: and rereaching for the eight tracks and trying to push 488 00:28:02,920 --> 00:28:05,200 Speaker 15: you know, the one, two, three four thing. And that's 489 00:28:05,240 --> 00:28:08,320 Speaker 15: when I really got into music as a little kid, 490 00:28:09,160 --> 00:28:12,080 Speaker 15: especially from the radio. But I also knew. I was like, 491 00:28:12,240 --> 00:28:14,320 Speaker 15: what is it? What's the deal with Neil Young? Like 492 00:28:15,320 --> 00:28:18,640 Speaker 15: my dad would scream sing Neil Young songs? 493 00:28:19,040 --> 00:28:21,800 Speaker 2: Got it? Okay, It's a tough thing to listen to. 494 00:28:21,880 --> 00:28:22,960 Speaker 4: It's like a five year old. 495 00:28:24,240 --> 00:28:26,000 Speaker 2: Well, yeah, I was gonna say that. 496 00:28:26,280 --> 00:28:29,840 Speaker 1: I two lived in a don't touch my stereo household, 497 00:28:30,320 --> 00:28:35,840 Speaker 1: so a lot of the music that I went touch 498 00:28:35,880 --> 00:28:39,320 Speaker 1: with the ten foot pole suddenly you know, you know, 499 00:28:39,360 --> 00:28:41,800 Speaker 1: I'll give you a great example. So my dad was 500 00:28:41,880 --> 00:28:46,560 Speaker 1: like pre pre yacht rock, pree am radio pop. Like 501 00:28:46,640 --> 00:28:53,160 Speaker 1: he liked vocals like Johnny Mathis, Barbara Streissan, Nat King Cole, 502 00:28:54,240 --> 00:28:57,760 Speaker 1: anyone that flexed harmony as well. So we have pet 503 00:28:57,800 --> 00:29:02,280 Speaker 1: Sounds in the house, but I'd never touched it. And 504 00:29:02,320 --> 00:29:06,920 Speaker 1: then when I read a review that wasn't the Rolling 505 00:29:06,960 --> 00:29:10,320 Speaker 1: Stone Lever review Paul's Boutique, someone said, oh, this is 506 00:29:10,320 --> 00:29:12,160 Speaker 1: Sergeant Peppery. He's like, I disagree. This is the pet 507 00:29:12,200 --> 00:29:15,320 Speaker 1: Sounds of hip hop. This is more pioneering, And I 508 00:29:15,360 --> 00:29:17,520 Speaker 1: was like, wait, dad has that record? So actually, like 509 00:29:17,560 --> 00:29:23,080 Speaker 1: Paul's Boutique opened my mind to something I would otherwise 510 00:29:23,160 --> 00:29:27,640 Speaker 1: resist before the age of eighteen, I'm now open to. 511 00:29:27,800 --> 00:29:31,200 Speaker 1: So I'll ask you, like, because if you're listening to 512 00:29:32,440 --> 00:29:35,160 Speaker 1: all of the music that you guys and all your references, 513 00:29:35,200 --> 00:29:38,600 Speaker 1: and if you're familiar with the rapid fire way that 514 00:29:39,400 --> 00:29:42,600 Speaker 1: you guys craft records, I would have thought that coming 515 00:29:42,600 --> 00:29:45,760 Speaker 1: out the wound that you guys were just like music 516 00:29:45,800 --> 00:29:48,719 Speaker 1: savants that you know, grew up with the pedigree at 517 00:29:48,760 --> 00:29:51,760 Speaker 1: the age of one of all this music. So I 518 00:29:51,840 --> 00:29:53,680 Speaker 1: might have believed that, at least for the first ten 519 00:29:53,760 --> 00:29:55,920 Speaker 1: years of your life is more like forced learning or 520 00:29:56,040 --> 00:29:57,080 Speaker 1: Stockholm syndrome. 521 00:29:57,240 --> 00:29:58,560 Speaker 4: Like no, no, no, no. 522 00:29:58,640 --> 00:30:03,160 Speaker 15: So that's an ingrained memory, you asked, like, my first memory, 523 00:30:03,160 --> 00:30:03,760 Speaker 15: that's an ingrain. 524 00:30:03,760 --> 00:30:05,320 Speaker 4: It's it's not a pleasant. 525 00:30:05,000 --> 00:30:09,040 Speaker 15: One, but it's a memory. But I have an older 526 00:30:09,080 --> 00:30:12,760 Speaker 15: brother and sister, and this is, you know, early seventies, 527 00:30:13,560 --> 00:30:16,200 Speaker 15: when forty five's, you know, forty fives and I. 528 00:30:17,680 --> 00:30:18,840 Speaker 4: And the AM radio. 529 00:30:19,120 --> 00:30:20,720 Speaker 15: It was a certain time in the radio where it 530 00:30:20,800 --> 00:30:23,880 Speaker 15: wasn't like this type of music was played on this station. 531 00:30:24,000 --> 00:30:25,680 Speaker 15: This type was played on this station. That you know, 532 00:30:25,720 --> 00:30:27,800 Speaker 15: the music being made in the early seventies was a 533 00:30:27,840 --> 00:30:31,520 Speaker 15: little taste of all of this different stuff, right, And 534 00:30:31,880 --> 00:30:34,000 Speaker 15: you know, the radio kind of reflected that for a minute. 535 00:30:34,600 --> 00:30:37,080 Speaker 15: And so we had a sort of lesson from the 536 00:30:37,160 --> 00:30:40,520 Speaker 15: radio for a very brief time. And also, growing up 537 00:30:40,560 --> 00:30:43,120 Speaker 15: in New York City, just walking down the street, you 538 00:30:43,200 --> 00:30:47,120 Speaker 15: hear so much different music that you're you're being taught 539 00:30:47,240 --> 00:30:47,760 Speaker 15: every day. 540 00:30:49,160 --> 00:30:53,440 Speaker 1: And that was Adam King ed Rock Harowitz of the 541 00:30:53,440 --> 00:30:58,240 Speaker 1: Beastie Boys. What was your first musical memory of your life? 542 00:30:58,840 --> 00:31:03,200 Speaker 16: My first musical memory. My mother was a classically trained 543 00:31:03,200 --> 00:31:06,959 Speaker 16: opera singer. And wow, yeah, she sang in the New 544 00:31:07,000 --> 00:31:09,120 Speaker 16: York full of minors. She sang in Lincoln Center. 545 00:31:09,160 --> 00:31:10,440 Speaker 1: Like it's crazy. 546 00:31:10,480 --> 00:31:14,000 Speaker 16: I did Cornegie Hall a couple of months ago with 547 00:31:14,400 --> 00:31:17,840 Speaker 16: d Nice, and everybody was like Yo Way and Carnegie Hall, 548 00:31:17,880 --> 00:31:20,000 Speaker 16: Way and Carnegie Hall, and in my mind, I'm thinking, 549 00:31:20,160 --> 00:31:23,040 Speaker 16: my mother laped this place three times, like this. 550 00:31:23,640 --> 00:31:25,479 Speaker 1: Is not until I know it four times. 551 00:31:25,880 --> 00:31:28,320 Speaker 16: Until I do it four times, I've done nothing, you 552 00:31:28,360 --> 00:31:30,560 Speaker 16: know what I mean? Because because I looked, I would 553 00:31:30,560 --> 00:31:33,200 Speaker 16: go see my mother at connegeyall. But again, she was 554 00:31:33,200 --> 00:31:36,080 Speaker 16: a classically trained singer, so around the house she sang 555 00:31:36,120 --> 00:31:40,480 Speaker 16: and played the piano. Since first and then my real 556 00:31:40,640 --> 00:31:45,280 Speaker 16: real like music a ha moments was when I stayed 557 00:31:45,320 --> 00:31:48,000 Speaker 16: with my grandmother and I was since I was like six, 558 00:31:48,640 --> 00:31:51,040 Speaker 16: and she had this record that she played like every 559 00:31:51,080 --> 00:31:53,320 Speaker 16: day when she came home for work. It was Happy Landing, 560 00:31:54,200 --> 00:31:57,400 Speaker 16: and I would watch her be happy playing this song, 561 00:31:57,440 --> 00:31:59,520 Speaker 16: and then I would just sit there and try to 562 00:31:59,560 --> 00:32:01,640 Speaker 16: figure out how to play all the records in the house. 563 00:32:01,680 --> 00:32:04,040 Speaker 16: But when she's coming home, I would put on Happy 564 00:32:04,120 --> 00:32:06,720 Speaker 16: Landings for her to walk into the house too. And 565 00:32:07,560 --> 00:32:12,280 Speaker 16: I realized, like maybe like a year later, like I 566 00:32:12,360 --> 00:32:16,600 Speaker 16: am actually doing something to her emotionally by putting this 567 00:32:16,680 --> 00:32:18,640 Speaker 16: record on when she walks through the door. And that 568 00:32:18,800 --> 00:32:21,480 Speaker 16: made me always want to be the person in the 569 00:32:21,480 --> 00:32:24,840 Speaker 16: house that played the records. So I didn't know that 570 00:32:24,960 --> 00:32:28,000 Speaker 16: at five and six and seven and eight that I'm 571 00:32:28,160 --> 00:32:32,880 Speaker 16: becoming this DJ until I heard records being mixed and 572 00:32:32,920 --> 00:32:37,760 Speaker 16: I was like, Yo, what the fuck is happening right now? 573 00:32:38,960 --> 00:32:41,600 Speaker 1: And that was the late great DJ Clark Kent back 574 00:32:41,600 --> 00:32:45,320 Speaker 1: in twenty twenty three. Could you tell me what is 575 00:32:45,360 --> 00:32:47,680 Speaker 1: your first musical memory in life? 576 00:32:48,280 --> 00:32:51,200 Speaker 17: My first musical memory is when I was in Ohio, 577 00:32:51,240 --> 00:32:52,240 Speaker 17: which is where I'm from. 578 00:32:52,520 --> 00:32:54,560 Speaker 4: Yellow Springs, Yellow Springs. 579 00:32:54,640 --> 00:32:59,360 Speaker 1: Yeah, you know what, I'll say that. You know Chappelle, 580 00:33:00,000 --> 00:33:03,200 Speaker 1: he could talk anybody into anything, because that's the type 581 00:33:03,200 --> 00:33:06,920 Speaker 1: of gift he had. But during the pandemic, those trips 582 00:33:06,920 --> 00:33:10,560 Speaker 1: of Yellow Springs, you know, it was such a welcome 583 00:33:11,320 --> 00:33:15,000 Speaker 1: relief to sort of the stress of what the pandemic 584 00:33:15,200 --> 00:33:19,719 Speaker 1: was in twenty twenty. So there was half a second 585 00:33:20,640 --> 00:33:24,040 Speaker 1: where I was considering getting a house in Yellow Springs. 586 00:33:24,160 --> 00:33:27,280 Speaker 1: I'm still not against the idea, you know, I know 587 00:33:27,360 --> 00:33:30,600 Speaker 1: that quality lives out there. I know Dave convinced a 588 00:33:30,600 --> 00:33:33,120 Speaker 1: few people in this community to buy property out there 589 00:33:33,240 --> 00:33:38,280 Speaker 1: and whatnot. So was it always a hippie friendly town 590 00:33:39,200 --> 00:33:42,320 Speaker 1: since the get or was that a recent development? 591 00:33:42,640 --> 00:33:45,120 Speaker 17: Oh no, it's always been that way. It's always been 592 00:33:45,160 --> 00:33:50,760 Speaker 17: a really cool little oasis in a very conservative state. 593 00:33:51,560 --> 00:33:52,520 Speaker 2: Yeah, I was like. 594 00:33:54,360 --> 00:33:58,280 Speaker 1: Those nine blocks exactly. 595 00:33:59,080 --> 00:34:01,320 Speaker 2: Yeah, it's like a taste of heaven. Like, oh, I 596 00:34:02,080 --> 00:34:03,400 Speaker 2: was like, I can get used to this. 597 00:34:03,440 --> 00:34:07,000 Speaker 1: And then I took the wrong yeah, yeah, and I 598 00:34:07,040 --> 00:34:11,279 Speaker 1: saw the wrong president. I was like right, yeah, I 599 00:34:11,320 --> 00:34:13,759 Speaker 1: was like, uh, let me, let me get back to 600 00:34:13,800 --> 00:34:15,520 Speaker 1: the to the blue blue section. 601 00:34:17,239 --> 00:34:17,479 Speaker 2: Yeah. 602 00:34:17,520 --> 00:34:19,680 Speaker 1: So what was your first musical memory there? 603 00:34:20,080 --> 00:34:24,520 Speaker 17: Well, there were a couple with my dad because he 604 00:34:25,520 --> 00:34:28,520 Speaker 17: didn't play an instrument, but he had a collection of 605 00:34:28,760 --> 00:34:31,600 Speaker 17: records because he liked jazz. So it was me sneaking 606 00:34:31,640 --> 00:34:32,840 Speaker 17: into his collection. 607 00:34:32,560 --> 00:34:36,799 Speaker 18: And listening and hearing the drums and not knowing what 608 00:34:36,800 --> 00:34:39,120 Speaker 18: that was because I was, you know, like three and four, 609 00:34:39,560 --> 00:34:43,879 Speaker 18: but really liking what I heard and being drawn to that. 610 00:34:44,120 --> 00:34:46,000 Speaker 1: So you know, what were those records. 611 00:34:46,160 --> 00:34:48,200 Speaker 5: Yeah, he had a lot of Ama Jamal. 612 00:34:48,600 --> 00:34:51,440 Speaker 17: He had some and that was probably one of his favorite. 613 00:34:51,480 --> 00:34:57,080 Speaker 17: He had Miles records. He had some Coltrane records. Those 614 00:34:57,120 --> 00:35:02,000 Speaker 17: were his his like favorite three artists, you know, which 615 00:35:02,080 --> 00:35:05,520 Speaker 17: was a great introduction for me. He had Modern Jazz quartet. 616 00:35:05,719 --> 00:35:08,360 Speaker 17: You know, he had a kind of a nice little 617 00:35:08,560 --> 00:35:11,719 Speaker 17: niche of stuff, and so I would sneak in there 618 00:35:11,719 --> 00:35:15,200 Speaker 17: and you know, listen to probably scratch some of the 619 00:35:15,239 --> 00:35:17,680 Speaker 17: albums because I was too young to really, you know, 620 00:35:17,840 --> 00:35:20,960 Speaker 17: take care of him well. But yeah, that's probably my 621 00:35:21,040 --> 00:35:24,640 Speaker 17: first and you know, maybe my second would would be 622 00:35:25,640 --> 00:35:29,840 Speaker 17: taking a piano piano lesson with my grandmother who was 623 00:35:29,840 --> 00:35:33,480 Speaker 17: a classical pianist, and hanging out with my uncle who 624 00:35:33,560 --> 00:35:34,680 Speaker 17: was a musician as well. 625 00:35:35,040 --> 00:35:38,080 Speaker 1: Were drums the first weapon of choice for you or 626 00:35:38,960 --> 00:35:42,600 Speaker 1: what was the first instrument that he gravitated towards. 627 00:35:42,960 --> 00:35:47,160 Speaker 17: Oh, definitely drums. Yeah, and I took a lesson on 628 00:35:47,360 --> 00:35:50,759 Speaker 17: piano with my grandmother, But yeah, drums was always the 629 00:35:50,800 --> 00:35:52,360 Speaker 17: thing that attracted me. 630 00:35:53,560 --> 00:35:56,400 Speaker 1: That was Cindy Blackman, Santana. And next up you're going 631 00:35:56,480 --> 00:35:59,719 Speaker 1: to hear Tjer Moses. Can you tell us what your 632 00:35:59,760 --> 00:36:01,759 Speaker 1: first musical memory was? 633 00:36:03,040 --> 00:36:08,280 Speaker 19: Teen Marie, my cousin was moving into a house behind 634 00:36:08,280 --> 00:36:11,400 Speaker 19: my tet's house, and we cut a gate in because 635 00:36:11,400 --> 00:36:13,600 Speaker 19: everybody in you know, in the South, we all live 636 00:36:13,640 --> 00:36:14,080 Speaker 19: around each other. 637 00:36:14,120 --> 00:36:16,360 Speaker 17: Family lives around each other, so we would cut gates 638 00:36:16,440 --> 00:36:19,000 Speaker 17: or cut like little paths to go to someone's house. 639 00:36:19,239 --> 00:36:21,560 Speaker 19: And we tore the gate back from my tet's house 640 00:36:22,000 --> 00:36:25,760 Speaker 19: to my cousin who was moving to the house behind. 641 00:36:26,080 --> 00:36:28,120 Speaker 19: And the whole time she was unpacking, she was just 642 00:36:28,760 --> 00:36:32,560 Speaker 19: playing that square bands out. I was really little, but 643 00:36:32,600 --> 00:36:34,759 Speaker 19: that shit was hard. I loved it. I just I 644 00:36:34,840 --> 00:36:37,480 Speaker 19: was a little kid loving Teena Marie. That's my first. 645 00:36:38,680 --> 00:36:41,360 Speaker 19: I guess gospel was my first, because church. But the 646 00:36:41,400 --> 00:36:42,440 Speaker 19: first time I really was. 647 00:36:42,360 --> 00:36:46,800 Speaker 2: Excited was teen Red because it must be magic album. 648 00:36:46,840 --> 00:36:50,920 Speaker 19: That was your yeah, that one, Yes he loves you 649 00:36:51,000 --> 00:36:53,520 Speaker 19: that yeah, it's so good. And she was just unpacking 650 00:36:53,680 --> 00:36:56,920 Speaker 19: and dancing and like all in her zone. It was 651 00:36:56,920 --> 00:36:58,080 Speaker 19: her first place. 652 00:36:57,880 --> 00:36:58,080 Speaker 9: You know. 653 00:36:58,560 --> 00:36:59,680 Speaker 17: And I was just watching that. 654 00:36:59,760 --> 00:37:01,040 Speaker 19: I was loving the music, and I was. 655 00:37:01,040 --> 00:37:02,520 Speaker 17: Supposed to help them, but I was a little kids. 656 00:37:02,520 --> 00:37:03,239 Speaker 17: I couldn't really help. 657 00:37:03,760 --> 00:37:04,880 Speaker 18: But that's all first in. 658 00:37:04,920 --> 00:37:06,520 Speaker 2: Music, all right. 659 00:37:06,560 --> 00:37:09,800 Speaker 1: So here's Dave Matthews first with the memory involving family, 660 00:37:10,440 --> 00:37:12,919 Speaker 1: and then another one involving the radio and his mother. 661 00:37:14,120 --> 00:37:16,359 Speaker 2: What, oh my god? Twenty eight minutes. 662 00:37:18,040 --> 00:37:19,920 Speaker 1: Yo, he waits. 663 00:37:20,880 --> 00:37:22,920 Speaker 4: Can we each have one word of the question? 664 00:37:23,520 --> 00:37:24,879 Speaker 1: What she got? 665 00:37:25,760 --> 00:37:27,480 Speaker 17: Go ahead, Steve, you go go ahead. 666 00:37:27,560 --> 00:37:36,239 Speaker 1: Okay, what was your first musical memory? 667 00:37:37,680 --> 00:37:39,680 Speaker 2: Wait a minute? Time out? 668 00:37:39,960 --> 00:37:43,880 Speaker 1: The first question we asked. This is the level of 669 00:37:43,880 --> 00:37:47,880 Speaker 1: comfort I have with Dave Matthews. I legit forgot. I 670 00:37:47,960 --> 00:37:51,320 Speaker 1: was doing a podcast. I was totally I let a 671 00:37:51,360 --> 00:37:54,000 Speaker 1: half hour go by it. I didn't even start the process. 672 00:37:54,560 --> 00:37:54,640 Speaker 20: No. 673 00:37:55,280 --> 00:37:57,759 Speaker 17: I was like, maybe he's doing his remakes, remixing. I'll 674 00:37:57,800 --> 00:37:58,640 Speaker 17: start from the beginning. 675 00:38:00,239 --> 00:38:03,840 Speaker 21: I'm here, so, uh, you know, if we have to 676 00:38:03,880 --> 00:38:04,920 Speaker 21: start again, I'm happy. 677 00:38:05,040 --> 00:38:08,880 Speaker 2: No, no again, but I will I will say this. 678 00:38:10,080 --> 00:38:12,640 Speaker 2: But the question was what was your first musical memory. 679 00:38:13,239 --> 00:38:18,600 Speaker 21: I would like to say my first live music that 680 00:38:18,680 --> 00:38:21,120 Speaker 21: I remember, Like, I think it was my first memory 681 00:38:21,120 --> 00:38:23,400 Speaker 21: because I think I was sitting between my mom's knees. 682 00:38:23,480 --> 00:38:25,839 Speaker 21: I was a little kid, you know, sort of, and 683 00:38:26,480 --> 00:38:31,880 Speaker 21: on the back of a flat bed truck. Pete Seeger 684 00:38:32,640 --> 00:38:40,040 Speaker 21: was playing the band really and I remember thinking that 685 00:38:40,239 --> 00:38:43,279 Speaker 21: guy's awesome and he was so weird. He was such 686 00:38:43,320 --> 00:38:45,600 Speaker 21: a weird, but he was so he had he was 687 00:38:45,640 --> 00:38:49,760 Speaker 21: so friendly, and so that's my first Like, I feel 688 00:38:49,800 --> 00:38:49,960 Speaker 21: like the. 689 00:38:50,000 --> 00:38:51,920 Speaker 17: Country was this, Dave, because you've lived in a lot 690 00:38:51,920 --> 00:38:53,640 Speaker 17: of places. Where were you when we saw. 691 00:38:55,160 --> 00:38:57,600 Speaker 21: Up upstate not upstate New York, but you know, north 692 00:38:57,600 --> 00:38:59,600 Speaker 21: of New York City. So he was in Croaton quite 693 00:38:59,640 --> 00:39:02,680 Speaker 21: a bit, and uh in that area and uh. 694 00:39:02,840 --> 00:39:06,200 Speaker 1: Was it turn Turn Turn or I can't remember what song. 695 00:39:06,200 --> 00:39:06,800 Speaker 2: I don't think it was. 696 00:39:06,840 --> 00:39:08,480 Speaker 21: I can't remember what songs he was playing. I just 697 00:39:08,560 --> 00:39:11,200 Speaker 21: remember thinking this, and people were you know, it was 698 00:39:11,280 --> 00:39:14,000 Speaker 21: relaxed and everything. But then I think, my when I 699 00:39:14,040 --> 00:39:17,160 Speaker 21: was five years old, I remember liking the Jackson five. 700 00:39:17,239 --> 00:39:19,000 Speaker 2: So I'm not entirely sure. 701 00:39:18,760 --> 00:39:21,440 Speaker 21: Whether that was because why I fell in love with 702 00:39:21,560 --> 00:39:25,600 Speaker 21: him was because they had a five, ye right, But 703 00:39:25,640 --> 00:39:27,000 Speaker 21: then I really did love. 704 00:39:28,560 --> 00:39:28,840 Speaker 2: Them. 705 00:39:28,960 --> 00:39:31,960 Speaker 21: And then I've I've fell in love with the Beatles, 706 00:39:32,000 --> 00:39:35,880 Speaker 21: and I became I would say, a bore until my 707 00:39:35,960 --> 00:39:39,920 Speaker 21: brother opened my brain when I was about ten, and 708 00:39:39,960 --> 00:39:42,960 Speaker 21: my brother was turned me onto other kinds of music, 709 00:39:43,080 --> 00:39:45,759 Speaker 21: and and then I and then it was the seventies, 710 00:39:45,800 --> 00:39:49,480 Speaker 21: so I could listen to the radio and you could 711 00:39:49,480 --> 00:39:51,320 Speaker 21: hear you know, in the seventies, you could have the 712 00:39:51,400 --> 00:39:53,960 Speaker 21: radio on and it could be like at least well 713 00:39:54,000 --> 00:39:54,719 Speaker 21: PLJ or. 714 00:39:54,719 --> 00:39:55,319 Speaker 2: Whatever it was. 715 00:39:55,560 --> 00:39:57,520 Speaker 21: You know, it was like, uh, it could be it 716 00:39:57,520 --> 00:39:59,799 Speaker 21: would be like John Denver and then Marvin Gay and 717 00:39:59,840 --> 00:40:02,920 Speaker 21: then and Paul Up and format and then you know, 718 00:40:03,120 --> 00:40:05,440 Speaker 21: Donna Summers and then you know, I remember my mom 719 00:40:05,480 --> 00:40:08,680 Speaker 21: would always go to the radio when Donna Summers came on, 720 00:40:08,760 --> 00:40:09,279 Speaker 21: and she'd be. 721 00:40:09,239 --> 00:40:13,879 Speaker 2: Going, ah, love to love you baby, my mom, like I. 722 00:40:13,920 --> 00:40:17,279 Speaker 21: Don't like this song right right, And then she waits 723 00:40:17,320 --> 00:40:19,000 Speaker 21: for it to be over. But I married my mom 724 00:40:19,080 --> 00:40:22,520 Speaker 21: always running to the radio and turning off the and 725 00:40:22,520 --> 00:40:23,840 Speaker 21: that was the only song I could remember. 726 00:40:23,840 --> 00:40:24,360 Speaker 2: Her response. 727 00:40:24,400 --> 00:40:26,759 Speaker 21: I think it was just it was too much was 728 00:40:26,960 --> 00:40:29,239 Speaker 21: there was too much love making in that song for 729 00:40:29,400 --> 00:40:29,799 Speaker 21: my mom. 730 00:40:30,600 --> 00:40:33,840 Speaker 1: Okay, So a lot of QLs guests grew up around 731 00:40:33,840 --> 00:40:37,040 Speaker 1: New York City and at least to cite the Apollo 732 00:40:37,120 --> 00:40:39,799 Speaker 1: as a place of musical memories. Then first we're gonna 733 00:40:39,840 --> 00:40:43,800 Speaker 1: hear from Mike Murphy of the System, and the next 734 00:40:44,280 --> 00:40:49,160 Speaker 1: Larry Blackman of Cameo. So the question I usually start with, 735 00:40:49,520 --> 00:40:53,279 Speaker 1: can you tell me what your first musical your first 736 00:40:53,360 --> 00:40:54,319 Speaker 1: musical memory was? 737 00:40:56,480 --> 00:40:58,480 Speaker 22: You know, as a kid, my mother loved music, so 738 00:40:58,920 --> 00:41:01,160 Speaker 22: we used to go to the Apollo all the time. 739 00:41:01,600 --> 00:41:03,240 Speaker 22: And it was at a time when you could see 740 00:41:03,800 --> 00:41:06,640 Speaker 22: five shows in one day. You could just sit there, 741 00:41:06,719 --> 00:41:09,600 Speaker 22: hang out and watch all the shows. And so I 742 00:41:09,680 --> 00:41:13,720 Speaker 22: did that a lot. Those are my earliest, my earliest memories, 743 00:41:13,760 --> 00:41:16,480 Speaker 22: you know, in music in the house of course to 744 00:41:16,600 --> 00:41:19,600 Speaker 22: Jackson five, who I emulated in my first band, and 745 00:41:20,040 --> 00:41:21,600 Speaker 22: kind of that's how I got my start. 746 00:41:23,760 --> 00:41:25,719 Speaker 1: Because you have so much history, man, I might as well. 747 00:41:26,000 --> 00:41:29,120 Speaker 1: I got immediately dive in can you tell me in 748 00:41:29,160 --> 00:41:33,840 Speaker 1: your life what was your first musical memory? My first 749 00:41:34,000 --> 00:41:36,120 Speaker 1: musical memory, yes, in your life. 750 00:41:37,040 --> 00:41:43,440 Speaker 9: I was about five years old and my aunt was 751 00:41:43,480 --> 00:41:45,880 Speaker 9: staying with us in New York. She was from Augusta, 752 00:41:45,960 --> 00:41:52,400 Speaker 9: Georgia and bother's sister, and she always talked about the 753 00:41:52,440 --> 00:41:56,479 Speaker 9: Apollo and she took me to my first show there. 754 00:41:57,000 --> 00:42:01,560 Speaker 9: So my first musical memory was I guess being about 755 00:42:01,600 --> 00:42:07,480 Speaker 9: two rolls back from the stage and observing Sam Cook. 756 00:42:07,960 --> 00:42:14,080 Speaker 9: That was first musical memories. And then she tells me 757 00:42:14,120 --> 00:42:17,839 Speaker 9: the story about after leaving there, I broke away from her, 758 00:42:17,960 --> 00:42:22,719 Speaker 9: running down the street and almost ran across Seventh Avenue, uh, 759 00:42:23,040 --> 00:42:28,760 Speaker 9: and came close to being met by a Greyhound bus. 760 00:42:29,000 --> 00:42:33,960 Speaker 9: And she didn't think it was that funny, but she 761 00:42:34,080 --> 00:42:36,520 Speaker 9: said I would lapse and let her catch up with me, 762 00:42:36,560 --> 00:42:39,120 Speaker 9: and then break away and run that much more. And 763 00:42:39,280 --> 00:42:42,040 Speaker 9: that had nothing to do with music. But being that 764 00:42:42,160 --> 00:42:46,799 Speaker 9: my first musical experience was there, I was like And 765 00:42:46,840 --> 00:42:50,080 Speaker 9: then after becoming old enough to make it there myself, 766 00:42:50,840 --> 00:42:53,319 Speaker 9: I used to play He'll keep from Church and cause 767 00:42:53,360 --> 00:42:54,840 Speaker 9: the Manes on Sunday. 768 00:42:55,440 --> 00:42:59,880 Speaker 1: Four years Okay, so do me a favorite, because this 769 00:43:00,000 --> 00:43:02,799 Speaker 1: this is like a rabbit hole show where we nerd 770 00:43:02,840 --> 00:43:08,120 Speaker 1: out on information like that, could you please walk me 771 00:43:08,280 --> 00:43:12,920 Speaker 1: through like a typical day where you go to the Apollo? 772 00:43:13,120 --> 00:43:16,279 Speaker 1: Like how much did it cost? Like where would you sit? 773 00:43:16,600 --> 00:43:19,360 Speaker 1: The acts that played? Like can you walk us through 774 00:43:20,600 --> 00:43:24,080 Speaker 1: a typical apollo? What year are you talking around? 775 00:43:24,120 --> 00:43:24,960 Speaker 2: Is this the sixties? 776 00:43:25,000 --> 00:43:25,560 Speaker 1: Seventies? 777 00:43:25,960 --> 00:43:26,160 Speaker 5: Oh? 778 00:43:26,200 --> 00:43:30,520 Speaker 9: My god? This this had to be the sixties. Okay, 779 00:43:31,840 --> 00:43:35,880 Speaker 9: A typical day was you know, parents would give us 780 00:43:36,239 --> 00:43:41,520 Speaker 9: these envelopes. We were members of the Union Baptist Church 781 00:43:41,600 --> 00:43:45,680 Speaker 9: on one hundred and forty fifth between seventh and eighth. Okay, 782 00:43:46,200 --> 00:43:48,760 Speaker 9: we would go to church. I would take my sister, Shoot, 783 00:43:48,760 --> 00:43:52,319 Speaker 9: about five years younger than me, and we'd go and 784 00:43:52,400 --> 00:43:56,680 Speaker 9: we'd wait until the offering time, which we would take 785 00:43:56,719 --> 00:44:00,279 Speaker 9: the envelopes and put it in plate, and up to 786 00:44:00,320 --> 00:44:02,960 Speaker 9: the plate went around and everything there was something else 787 00:44:03,000 --> 00:44:05,200 Speaker 9: that happened. They would play music and do something. But 788 00:44:05,719 --> 00:44:08,520 Speaker 9: I would give her the signal and then we meet 789 00:44:08,680 --> 00:44:11,720 Speaker 9: in the back of the church if she wasn't sitting 790 00:44:11,760 --> 00:44:14,160 Speaker 9: with me, and then I would take her across the 791 00:44:14,160 --> 00:44:17,279 Speaker 9: street to my cousin's house, leave her and take the 792 00:44:17,320 --> 00:44:20,320 Speaker 9: eighth Avenue bus to one hundred and twenty fifth Street 793 00:44:20,640 --> 00:44:23,560 Speaker 9: and go up to the Apollo. But anyway, they had 794 00:44:23,560 --> 00:44:26,160 Speaker 9: mad names. On Sunday. There were two shows on Sunday, 795 00:44:26,560 --> 00:44:31,080 Speaker 9: and I would catch the earlier show and my seat 796 00:44:31,280 --> 00:44:34,880 Speaker 9: was if you're on the stage, you look to the 797 00:44:35,000 --> 00:44:39,920 Speaker 9: left and the first balcony right there, that was my seat. Okay, 798 00:44:41,360 --> 00:44:44,239 Speaker 9: it didn't have my name on it, And strangely enough, 799 00:44:44,520 --> 00:44:48,560 Speaker 9: I was never challenged about where I sat. And that 800 00:44:48,640 --> 00:44:53,759 Speaker 9: went on for years. I've seen every late great performer 801 00:44:55,000 --> 00:44:59,720 Speaker 9: of color. I mean everyone from Okay, Sam Cooked, Jackie 802 00:44:59,719 --> 00:45:05,719 Speaker 9: will Flip Wilson, of course, James Brown now I mean, 803 00:45:06,600 --> 00:45:09,759 Speaker 9: and the lines went around the corner in both directions 804 00:45:09,920 --> 00:45:15,240 Speaker 9: all the way to the rear of the theater. Became 805 00:45:16,040 --> 00:45:21,600 Speaker 9: acquainted with acquainted with a couple of the massive ceremonies. 806 00:45:22,320 --> 00:45:25,799 Speaker 9: Goodness names. I can't think of some of the names 807 00:45:25,880 --> 00:45:32,279 Speaker 9: right away, but I don't think and I've seen everybody, Ray, Charles. 808 00:45:31,520 --> 00:45:31,759 Speaker 23: B B. 809 00:45:32,000 --> 00:45:38,080 Speaker 9: King, Benny King, Joe Text. 810 00:45:38,520 --> 00:45:41,920 Speaker 1: For you, who was the act that really grabbed you 811 00:45:41,960 --> 00:45:44,640 Speaker 1: the most? Like when you saw them? Like for you, 812 00:45:44,760 --> 00:45:46,719 Speaker 1: is it just like on board, let me go see 813 00:45:46,760 --> 00:45:50,200 Speaker 1: what's at the Apollo? Or you know, was the music 814 00:45:50,280 --> 00:45:52,200 Speaker 1: calling to you or was it just something to do 815 00:45:52,440 --> 00:45:53,160 Speaker 1: on a Sunday? 816 00:45:53,840 --> 00:45:57,080 Speaker 9: I did that? I was, I was. I was totally 817 00:45:57,280 --> 00:46:01,840 Speaker 9: captivated by everything that happened. And I don't know if 818 00:46:02,040 --> 00:46:04,680 Speaker 9: you have any memories of the Apollom, but they used 819 00:46:04,680 --> 00:46:11,120 Speaker 9: to show a movie before the live acts. It just 820 00:46:11,280 --> 00:46:15,920 Speaker 9: it just grabbed me. I mean, every Sunday that's something 821 00:46:16,080 --> 00:46:22,040 Speaker 9: I did, Like clockwork, wasn't discussed. Didn't feel as if 822 00:46:22,040 --> 00:46:25,920 Speaker 9: I had to. I just had to see whoever was there. 823 00:46:26,200 --> 00:46:29,200 Speaker 9: The one show I did not see was the Jewel Box. 824 00:46:29,280 --> 00:46:33,040 Speaker 9: Review didn't even know what it was until some years later. 825 00:46:33,640 --> 00:46:38,200 Speaker 9: You know, I never questioned that, but man, I was 826 00:46:38,280 --> 00:46:44,840 Speaker 9: there and you know turned into friendships with five Stairsteps, 827 00:46:45,360 --> 00:46:51,000 Speaker 9: with Kenny and Clarence and family, and man, I mean 828 00:46:51,040 --> 00:46:53,680 Speaker 9: I remember times when the Jackson five were there, when 829 00:46:54,560 --> 00:46:57,360 Speaker 9: Michael was running around backstage, up and down the stairs 830 00:46:57,400 --> 00:47:01,640 Speaker 9: and Jermaine you know, you know, if you know Jermaine, 831 00:47:01,680 --> 00:47:07,480 Speaker 9: you know he was the protector and you know, just 832 00:47:07,480 --> 00:47:09,440 Speaker 9: to get to know those guys on a one on 833 00:47:09,440 --> 00:47:14,040 Speaker 9: one basis was was. I enjoyed that in a great deal. 834 00:47:14,600 --> 00:47:17,160 Speaker 1: So you would you were just allowed lee way like 835 00:47:17,400 --> 00:47:18,839 Speaker 1: throughout the theater or just. 836 00:47:19,160 --> 00:47:24,440 Speaker 9: The more the more people noticed me. I was allowed 837 00:47:24,480 --> 00:47:29,719 Speaker 9: to enjoy what I enjoyed doing, and that was you know, 838 00:47:31,239 --> 00:47:34,280 Speaker 9: it was a weird thing. I cannot even remember how 839 00:47:35,160 --> 00:47:39,919 Speaker 9: certain things turned into friendships, but I did that. 840 00:47:39,920 --> 00:47:43,200 Speaker 1: That happened a lot at the Apollo. How many of 841 00:47:43,200 --> 00:47:46,279 Speaker 1: these shows would occur a day? Is it just one 842 00:47:46,400 --> 00:47:50,000 Speaker 1: long concurrent show from like what a typical show just 843 00:47:50,000 --> 00:47:51,759 Speaker 1: be like a two hour experience and then they get 844 00:47:51,840 --> 00:47:54,960 Speaker 1: rid of people and then you come back or yes. 845 00:47:54,840 --> 00:47:58,480 Speaker 9: It was like that. I believe at one time. I 846 00:47:58,560 --> 00:48:02,520 Speaker 9: understand there were several s was a day okay, prior 847 00:48:02,600 --> 00:48:06,839 Speaker 9: to my attending, but I would remember at least two 848 00:48:06,920 --> 00:48:12,240 Speaker 9: shows and they would add a show according to whatever 849 00:48:12,280 --> 00:48:16,360 Speaker 9: it was going on. I watched the documentary on HBO, 850 00:48:17,080 --> 00:48:22,239 Speaker 9: and a lot of it I remembered, but some of 851 00:48:22,280 --> 00:48:29,200 Speaker 9: the acts that were there prior to my going, I 852 00:48:29,239 --> 00:48:31,319 Speaker 9: heard a lot of things. And then Amateur Night I 853 00:48:31,360 --> 00:48:34,440 Speaker 9: believe it was on Wednesday, and that was a guest 854 00:48:34,640 --> 00:48:41,320 Speaker 9: within itself. It was Apollo to me was a finishing school, 855 00:48:41,840 --> 00:48:44,640 Speaker 9: if you want to call it that. But that's where 856 00:48:44,800 --> 00:48:49,320 Speaker 9: I really cut my teeth. I remember George Clinton Parliament 857 00:48:49,480 --> 00:48:53,280 Speaker 9: before it became Funker Delicment I remember the first show 858 00:48:53,960 --> 00:48:58,880 Speaker 9: when it became that, and of course George was wild. 859 00:49:00,320 --> 00:49:03,759 Speaker 9: We've always gone over the years. But there was a 860 00:49:03,800 --> 00:49:08,520 Speaker 9: group called Flamingos then had a song called Funky Broadway, 861 00:49:10,680 --> 00:49:16,520 Speaker 9: and that was the group that, as far as drumas 862 00:49:16,520 --> 00:49:21,800 Speaker 9: were concerned, that turned me out. That solo at the 863 00:49:21,920 --> 00:49:26,160 Speaker 9: end of Funky Broadway was the solo you had to play. 864 00:49:25,960 --> 00:49:28,360 Speaker 1: If you were wait not dying. The Blazers. 865 00:49:29,520 --> 00:49:32,320 Speaker 9: Dyke in the Blazers, and there was was a not 866 00:49:32,560 --> 00:49:37,080 Speaker 9: called the Dyke in the Blazers was one thing, but 867 00:49:37,160 --> 00:49:41,719 Speaker 9: the Flamingos. It was called the Battle of the Bands. 868 00:49:42,080 --> 00:49:48,799 Speaker 9: Groups from the Manhattan's Parliament's Parliament, and a lot of 869 00:49:48,840 --> 00:49:49,520 Speaker 9: other acts. 870 00:49:55,000 --> 00:49:58,040 Speaker 1: Sometimes the records in the house are children's records, and 871 00:49:58,080 --> 00:50:02,240 Speaker 1: they provide a foundation for folks, especially in the days 872 00:50:02,280 --> 00:50:06,280 Speaker 1: of kitty turntables. One of the records that I hold 873 00:50:06,280 --> 00:50:10,400 Speaker 1: near and deer. My first kid record was you Know. 874 00:50:10,560 --> 00:50:13,520 Speaker 1: As a Sesame Street fan, big fan of Ernie and 875 00:50:13,520 --> 00:50:19,000 Speaker 1: Bert Bert's Blockbusters, I would listen to that record religiously. 876 00:50:19,719 --> 00:50:23,080 Speaker 1: So when I get to school second grade, I would 877 00:50:23,160 --> 00:50:27,080 Speaker 1: sing doing the Pigeon or La La La La, like 878 00:50:27,120 --> 00:50:31,439 Speaker 1: all of Bert's greatest hits. So yeah, man, that was much, 879 00:50:31,480 --> 00:50:36,239 Speaker 1: isn't it. Shout out to Bert bro Gangster. All right, 880 00:50:36,280 --> 00:50:39,799 Speaker 1: and here is Bruce Springsteen. As if you couldn't tell 881 00:50:39,800 --> 00:50:43,959 Speaker 1: by the voice the local sicasty space right now, Like, wait, 882 00:50:44,440 --> 00:50:48,440 Speaker 1: we interviewed Bruce Springsteen. Damn right, we interviewed everybody on 883 00:50:48,480 --> 00:50:55,200 Speaker 1: this show. So since this album is essentially kind of, 884 00:50:55,440 --> 00:50:58,640 Speaker 1: at least the spirit of it is a return to 885 00:50:58,800 --> 00:51:00,879 Speaker 1: the music that you kind of fell in love within 886 00:51:00,960 --> 00:51:05,080 Speaker 1: your childhood, sure, I guess I'll start with the first 887 00:51:05,120 --> 00:51:07,719 Speaker 1: question I asked every guest on the show, even though 888 00:51:07,719 --> 00:51:10,719 Speaker 1: this is like the fourth question. What was your what 889 00:51:10,800 --> 00:51:12,680 Speaker 1: was your very first musical memory. 890 00:51:13,880 --> 00:51:19,080 Speaker 24: My first musical memory was Disney Records. What was these 891 00:51:19,080 --> 00:51:21,600 Speaker 24: seven Snow White and the seven Doors? 892 00:51:21,840 --> 00:51:22,120 Speaker 5: Wow? 893 00:51:22,280 --> 00:51:23,640 Speaker 2: Hi ho hi hole. 894 00:51:23,840 --> 00:51:31,640 Speaker 24: It's so my first recollection was something like that, you know, 895 00:51:31,960 --> 00:51:35,759 Speaker 24: or you know those little yellow records that played on 896 00:51:35,880 --> 00:51:38,799 Speaker 24: seventy eight speed. I don't know if you guys are 897 00:51:38,840 --> 00:51:44,200 Speaker 24: old enough to remember these, oh no, whatever, little seventy 898 00:51:44,200 --> 00:51:48,240 Speaker 24: eight s's, you know, little kid colors, red, yellow, blue, 899 00:51:48,480 --> 00:51:51,080 Speaker 24: and they played at seventy eight and they were basically 900 00:51:51,239 --> 00:51:54,200 Speaker 24: themes from movies. So that would be my first real 901 00:51:54,320 --> 00:51:57,279 Speaker 24: musical memory as a child. But after that, my mother 902 00:51:57,480 --> 00:52:01,359 Speaker 24: was young, she had me when I was when she 903 00:52:01,520 --> 00:52:04,960 Speaker 24: was in her early twenties, she played the radio. She 904 00:52:05,000 --> 00:52:06,920 Speaker 24: had the radio on all time every day, you know, 905 00:52:06,960 --> 00:52:09,800 Speaker 24: in the car and in the kitchen, and she listened 906 00:52:09,840 --> 00:52:13,120 Speaker 24: to Top forty and so right from a very young age, 907 00:52:13,120 --> 00:52:16,840 Speaker 24: I was exposed to like the great music of the fifties, 908 00:52:16,880 --> 00:52:20,920 Speaker 24: and that sort of was where what kind of inspired me, 909 00:52:21,000 --> 00:52:25,600 Speaker 24: you know, And really I'm basically a Top forty influenced musician. 910 00:52:25,640 --> 00:52:28,799 Speaker 24: That's how I kind of grew up. And I started there, 911 00:52:28,840 --> 00:52:31,120 Speaker 24: and then I went searching in blues and folk in 912 00:52:31,160 --> 00:52:34,080 Speaker 24: a lot of different other places for influences, but really 913 00:52:34,120 --> 00:52:36,239 Speaker 24: I started out just listening to the Top forty on 914 00:52:36,280 --> 00:52:36,760 Speaker 24: the radio. 915 00:52:37,520 --> 00:52:43,120 Speaker 25: That's a little unusual though, because I would think, I mean, 916 00:52:43,400 --> 00:52:47,120 Speaker 25: I would consider you maybe like the second generation of 917 00:52:47,200 --> 00:52:47,759 Speaker 25: rock and roll. 918 00:52:47,840 --> 00:52:50,880 Speaker 1: So you're not, I mean, you're not exactly a greaser. 919 00:52:51,400 --> 00:52:53,560 Speaker 1: And I know that you in your teen years. You know, 920 00:52:53,719 --> 00:52:55,440 Speaker 1: it was the late sixties. 921 00:52:55,480 --> 00:52:57,920 Speaker 2: But it's very. 922 00:52:57,880 --> 00:53:01,960 Speaker 1: Unusual for me to see not not agreeable, but least 923 00:53:01,960 --> 00:53:07,120 Speaker 1: an amicable musically amicable environment in the household, because normally, 924 00:53:07,200 --> 00:53:11,120 Speaker 1: like the music of the kid is rebellious music and 925 00:53:12,280 --> 00:53:16,239 Speaker 1: turn that you know, right, But you're you're saying that 926 00:53:16,320 --> 00:53:19,160 Speaker 1: your your parents weren't like that at all, like bab. 927 00:53:19,040 --> 00:53:21,440 Speaker 24: Well, my dad was a bit like that, but my 928 00:53:21,560 --> 00:53:25,319 Speaker 24: mother no, she was a young woman and she was 929 00:53:25,440 --> 00:53:30,840 Speaker 24: into uh, you know, we're Southern Italians, which means we 930 00:53:31,040 --> 00:53:35,200 Speaker 24: like music, we can sing and we can perform. 931 00:53:37,600 --> 00:53:41,960 Speaker 1: Next up we have Deborah Harry and Christine known as Blondie. 932 00:53:42,600 --> 00:53:44,080 Speaker 1: I would like to know, oh, I ask them both 933 00:53:44,080 --> 00:53:46,800 Speaker 1: of you. I'll start with Debris. What was your first 934 00:53:46,880 --> 00:53:47,840 Speaker 1: musical memory? 935 00:53:48,760 --> 00:53:49,160 Speaker 4: Oh? 936 00:53:49,680 --> 00:53:56,799 Speaker 20: Wow, I know, Well that's it really goes back, doesn't it. 937 00:53:57,400 --> 00:54:01,080 Speaker 20: I had, you know, children's record, it's back back then. 938 00:54:01,120 --> 00:54:04,759 Speaker 20: I had a Victrola, at least that's what my dad 939 00:54:04,800 --> 00:54:09,200 Speaker 20: called a victrola, and it was in a box, you know, 940 00:54:09,239 --> 00:54:13,880 Speaker 20: a little suitcase, and it had a speaker that was 941 00:54:14,040 --> 00:54:16,520 Speaker 20: attached to the arm where the you know, where the 942 00:54:16,560 --> 00:54:19,439 Speaker 20: needle was and you would just drop it down onto 943 00:54:19,560 --> 00:54:24,320 Speaker 20: the record. And so that those were my earliest things. 944 00:54:24,360 --> 00:54:27,799 Speaker 20: And I think one of my one of my favorites 945 00:54:27,960 --> 00:54:34,480 Speaker 20: was a thing, oddly enough called Little Toott. 946 00:54:34,560 --> 00:54:37,200 Speaker 1: Yeah, was that a Disney record? 947 00:54:37,320 --> 00:54:37,920 Speaker 8: Or enough? 948 00:54:38,120 --> 00:54:39,160 Speaker 4: Was a Disney record? 949 00:54:40,400 --> 00:54:43,600 Speaker 20: It might have been, might have been, but it was 950 00:54:43,600 --> 00:54:47,960 Speaker 20: a really great little song that went through a lot 951 00:54:48,000 --> 00:54:52,640 Speaker 20: of different emotional interpretations because it told a story up 952 00:54:52,680 --> 00:54:56,480 Speaker 20: this little tougueboat and you know the worthlessness of this 953 00:54:56,560 --> 00:54:59,600 Speaker 20: little and little togueboat and how the big togboats always 954 00:54:59,760 --> 00:55:02,319 Speaker 20: you know, pushed it around. But then a little front 955 00:55:02,320 --> 00:55:05,719 Speaker 20: of it, yeah, little too became like the hero of the. 956 00:55:05,719 --> 00:55:14,520 Speaker 1: Day and so basically off the Retins Reindeer. Chris, what 957 00:55:14,680 --> 00:55:16,040 Speaker 1: was your first musical memory. 958 00:55:16,239 --> 00:55:20,399 Speaker 26: Well, I don't I don't really remember locking onto any 959 00:55:20,400 --> 00:55:21,400 Speaker 26: little kid music. 960 00:55:21,680 --> 00:55:25,920 Speaker 4: My first affinity for music started when I was like, 961 00:55:26,040 --> 00:55:28,600 Speaker 4: I guess, you know, around ten. 962 00:55:28,520 --> 00:55:32,480 Speaker 26: Or eleven, with movie scores, which was and man, some 963 00:55:32,520 --> 00:55:35,759 Speaker 26: of those novelty songs, you know, like the Chipmunks and 964 00:55:36,000 --> 00:55:39,040 Speaker 26: Purple People, Eater and stuff. But I, you know, I 965 00:55:39,040 --> 00:55:42,719 Speaker 26: don't know how much that move me, that stuff. But 966 00:55:42,760 --> 00:55:45,600 Speaker 26: then I started, you know, like Laurence of Arabia and 967 00:55:46,000 --> 00:55:48,839 Speaker 26: West Side Story. I mean, I I it's very hard 968 00:55:48,880 --> 00:55:52,040 Speaker 26: for me to explain to younger people what a huge 969 00:55:52,560 --> 00:55:56,640 Speaker 26: cultural touchstone West Side Story was. West Side Story was 970 00:55:56,719 --> 00:56:00,160 Speaker 26: as big as the damn Beatles, There's no question about it. 971 00:56:00,760 --> 00:56:03,360 Speaker 26: I don't think people people don't get that nowadays. 972 00:56:03,719 --> 00:56:05,960 Speaker 20: My oh god, my mother got so mad at me 973 00:56:06,040 --> 00:56:08,560 Speaker 20: because I took my sister, who is seven years younger 974 00:56:08,560 --> 00:56:12,240 Speaker 20: than me to see West Side Story and she almost 975 00:56:12,239 --> 00:56:15,200 Speaker 20: had a heart. Oh no, you took her, You took 976 00:56:15,239 --> 00:56:18,040 Speaker 20: her to see that? Oh no, how could you? But 977 00:56:18,080 --> 00:56:20,719 Speaker 20: it was fabulous. It was so wonderful. And you know, 978 00:56:21,080 --> 00:56:22,600 Speaker 20: Leonard Bernstein was never better. 979 00:56:22,680 --> 00:56:27,160 Speaker 1: Really, I was going to say that, I'm currently reading 980 00:56:27,600 --> 00:56:33,799 Speaker 1: uh little Stephen Stephen van Zant's autobiography, and he too 981 00:56:35,040 --> 00:56:40,920 Speaker 1: has an immense obsession with West Side Story and pretty 982 00:56:40,960 --> 00:56:43,000 Speaker 1: much described it as the way that you guys did 983 00:56:43,040 --> 00:56:44,080 Speaker 1: like when it came out, it. 984 00:56:44,080 --> 00:56:46,520 Speaker 4: Was a huge deal. 985 00:56:46,600 --> 00:56:48,799 Speaker 26: I don't know, I mean, you're probably all your soundtracks 986 00:56:48,800 --> 00:56:52,920 Speaker 26: that I was praying more obsessed with Lawrence Arabia soundtrack, 987 00:56:53,040 --> 00:56:55,800 Speaker 26: mauriciol are you know great? 988 00:56:55,920 --> 00:56:57,799 Speaker 20: And the other thing that I listened to a lot 989 00:56:58,000 --> 00:57:01,600 Speaker 20: was like the Cowboys sing, which is you know, Western, 990 00:57:02,040 --> 00:57:06,160 Speaker 20: not even country western, it was really Western music and 991 00:57:06,840 --> 00:57:10,279 Speaker 20: those were those were great, you know, great songs and 992 00:57:10,719 --> 00:57:13,400 Speaker 20: people like Burl Lives and stuff lives. 993 00:57:13,440 --> 00:57:14,920 Speaker 4: Yeah. 994 00:57:16,480 --> 00:57:19,560 Speaker 1: Okay, So now that you you know, declared your love 995 00:57:19,600 --> 00:57:23,280 Speaker 1: for Lawrence of Varibia, I gotta ask. You know, it's 996 00:57:23,280 --> 00:57:26,640 Speaker 1: important because the very first Okay, So, I grew up 997 00:57:26,640 --> 00:57:31,400 Speaker 1: in the household with an older sibling who, you know, 998 00:57:31,560 --> 00:57:37,040 Speaker 1: because of my sisters, because of her school situation. You know, 999 00:57:37,120 --> 00:57:40,160 Speaker 1: she was fitting in with her girlfriends what they were 1000 00:57:40,160 --> 00:57:42,160 Speaker 1: listening to at the time. So you know, she's bringing 1001 00:57:42,160 --> 00:57:45,360 Speaker 1: in a lot of you know, the classic new wave 1002 00:57:45,360 --> 00:57:49,840 Speaker 1: of punk stuff or whatever. But the one album that 1003 00:57:50,000 --> 00:57:52,880 Speaker 1: I remember, even though she had like you know, each 1004 00:57:52,880 --> 00:57:55,560 Speaker 1: of Me and all that stuff, like, I remember the 1005 00:57:55,640 --> 00:57:57,080 Speaker 1: day that she brought Auto American. 1006 00:57:57,800 --> 00:58:01,760 Speaker 26: Okay, okay, okay, okay. So, now, in on the orchestral session, 1007 00:58:02,240 --> 00:58:05,000 Speaker 26: there was a bait one of the bass players played 1008 00:58:05,080 --> 00:58:10,960 Speaker 26: on the Lawrence of Arabia soundtrack, right, So that. 1009 00:58:11,360 --> 00:58:13,760 Speaker 1: I was going to ask, is your obsession because you 1010 00:58:13,760 --> 00:58:15,680 Speaker 1: know the way that you open up Auto American with 1011 00:58:16,120 --> 00:58:17,520 Speaker 1: the Europa score. 1012 00:58:17,680 --> 00:58:19,560 Speaker 26: Yeah, I mean you know you know that by then 1013 00:58:19,600 --> 00:58:22,360 Speaker 26: I was at Adito Roda very deep and all this 1014 00:58:22,440 --> 00:58:23,040 Speaker 26: other stuff. 1015 00:58:23,080 --> 00:58:27,200 Speaker 4: You know, I always had a thing for soundtracks. 1016 00:58:27,240 --> 00:58:30,200 Speaker 26: I think soundtracks nowadays that's a whole other topic, are 1017 00:58:30,320 --> 00:58:34,200 Speaker 26: way overused. Uh They're becoming like laugh tracks, you know, 1018 00:58:34,240 --> 00:58:39,560 Speaker 26: where they steer your emotions in the direction, right, of where, whoever, whoever, 1019 00:58:39,600 --> 00:58:40,560 Speaker 26: the committee. 1020 00:58:40,120 --> 00:58:42,960 Speaker 4: That wrote the thing, they think you should be feeling, 1021 00:58:43,000 --> 00:58:43,200 Speaker 4: you know. 1022 00:58:43,720 --> 00:58:47,560 Speaker 26: And then, you know, gradually I started assimilating the pop 1023 00:58:47,640 --> 00:58:49,400 Speaker 26: music that was around me, like locomotion. 1024 00:58:49,520 --> 00:58:52,720 Speaker 4: Everybody loved the locomotion no matter what, you know. 1025 00:58:53,440 --> 00:58:57,960 Speaker 26: And you know, this stuff like the Shambra Laws, I 1026 00:58:57,960 --> 00:59:01,439 Speaker 26: didn't really appreciate till later when we were doing the band. 1027 00:59:01,880 --> 00:59:04,320 Speaker 4: I was kind of like commercial to me at the time. 1028 00:59:04,800 --> 00:59:07,680 Speaker 20: You know, well, I'm older than Chris and I remember 1029 00:59:08,280 --> 00:59:11,320 Speaker 20: this thing. I used to listen to radio a lot. 1030 00:59:11,480 --> 00:59:14,200 Speaker 20: I had a little radio and I always had my 1031 00:59:14,280 --> 00:59:17,240 Speaker 20: ear right next to the speaker. The speaker was only 1032 00:59:17,760 --> 00:59:22,680 Speaker 20: at this big and they had a radio thing called 1033 00:59:22,720 --> 00:59:27,480 Speaker 20: the Hit Parade. Yeah, and all those like crooners and 1034 00:59:27,600 --> 00:59:31,520 Speaker 20: you know, band singers and stuff like that. There was 1035 00:59:31,560 --> 00:59:34,160 Speaker 20: a lot of that. It was kind of great yeah 1036 00:59:34,800 --> 00:59:36,000 Speaker 20: before yeah. 1037 00:59:35,800 --> 00:59:36,320 Speaker 4: And then it was. 1038 00:59:36,440 --> 00:59:38,760 Speaker 26: And then I went into folk music, of course, you know, 1039 00:59:38,760 --> 00:59:42,760 Speaker 26: because I was fifteen and sixty five and by that 1040 00:59:42,760 --> 00:59:45,200 Speaker 26: time I've been playing I've been playing guitar for since 1041 00:59:45,200 --> 00:59:48,280 Speaker 26: I was twelve, and folk music was it. And I 1042 00:59:48,320 --> 00:59:51,160 Speaker 26: remember learning how to play house at the Rising Sun 1043 00:59:51,440 --> 00:59:52,760 Speaker 26: was such a big deal to me. 1044 00:59:53,560 --> 00:59:56,440 Speaker 1: The one and only Mark ronson Mark, What was your 1045 00:59:56,560 --> 00:59:58,120 Speaker 1: first musical memory? 1046 00:59:59,120 --> 01:00:04,160 Speaker 13: I have like almost snapshots in my head, like partial memories. 1047 01:00:04,320 --> 01:00:08,840 Speaker 13: I remember having a little trap drum kit when I 1048 01:00:08,960 --> 01:00:15,000 Speaker 13: was three or four. I remember also having it was 1049 01:00:15,040 --> 01:00:17,800 Speaker 13: either a Sony or Fisher Price record. 1050 01:00:17,560 --> 01:00:20,000 Speaker 2: Player that was like plastic, like. 1051 01:00:20,200 --> 01:00:22,400 Speaker 1: A brown joint or like a little tan one, like 1052 01:00:22,400 --> 01:00:23,440 Speaker 1: a little tan joint. 1053 01:00:23,520 --> 01:00:27,480 Speaker 13: Whereas no, this was like primary colors. 1054 01:00:27,560 --> 01:00:28,400 Speaker 1: It was like red. 1055 01:00:28,520 --> 01:00:30,040 Speaker 13: Maybe it was just like an English one. It was 1056 01:00:30,080 --> 01:00:35,400 Speaker 13: like red, yellow, green, And I just remember lifting the 1057 01:00:35,440 --> 01:00:37,920 Speaker 13: needle and putting it down on the record and just 1058 01:00:38,000 --> 01:00:41,120 Speaker 13: that excitement when the first like crackle happened, and then 1059 01:00:41,440 --> 01:00:44,040 Speaker 13: like just being like whoa, I can control this. I 1060 01:00:44,120 --> 01:00:46,520 Speaker 13: mean it's so not I mean it's not even deep 1061 01:00:46,640 --> 01:00:49,680 Speaker 13: enough to compare it to DJ because it literally is DJing. 1062 01:00:49,920 --> 01:00:52,960 Speaker 13: But yeah, those are some of my first first memories, 1063 01:00:54,080 --> 01:00:54,400 Speaker 13: all right. 1064 01:00:54,440 --> 01:00:55,840 Speaker 2: So instruments are important too. 1065 01:00:56,480 --> 01:00:56,680 Speaker 11: You know. 1066 01:00:56,720 --> 01:00:59,920 Speaker 1: The drums chose me because my birth doctor and cur 1067 01:01:00,240 --> 01:01:03,160 Speaker 1: my mother to let me be as creative as I 1068 01:01:03,200 --> 01:01:05,720 Speaker 1: want to be. You know, he's one of those hippies 1069 01:01:05,800 --> 01:01:08,400 Speaker 1: like let him play in his food, let him draw 1070 01:01:08,440 --> 01:01:10,840 Speaker 1: on the walls, like things that you should not do 1071 01:01:10,920 --> 01:01:13,240 Speaker 1: in a black household with a bunch of plastic on 1072 01:01:13,800 --> 01:01:18,600 Speaker 1: the furniture. But my mother pretty much took his advice 1073 01:01:18,640 --> 01:01:23,400 Speaker 1: and let me just run rampant, but kind of drew 1074 01:01:23,400 --> 01:01:26,280 Speaker 1: the line when it was like beating up the furniture. 1075 01:01:26,360 --> 01:01:30,720 Speaker 1: So pretty much, I'll basically say that after beating the 1076 01:01:30,760 --> 01:01:34,480 Speaker 1: furniture to death, my parents got me my first drum 1077 01:01:34,520 --> 01:01:38,760 Speaker 1: set in nineteen seventy four when I was three years old. 1078 01:01:38,960 --> 01:01:41,840 Speaker 2: What is your actual first musical memory that you. 1079 01:01:43,000 --> 01:01:45,160 Speaker 23: I think for me, I was like a kid who 1080 01:01:45,200 --> 01:01:47,440 Speaker 23: like who had you know, you know, you have to 1081 01:01:47,480 --> 01:01:49,880 Speaker 23: be outside playing with individuals and your friends and am 1082 01:01:49,880 --> 01:01:53,240 Speaker 23: I really great friends. But I think mine was when 1083 01:01:53,240 --> 01:01:59,120 Speaker 23: I first got my first bass amplifier, had this univox, 1084 01:02:00,000 --> 01:02:03,920 Speaker 23: I had a copy Fender Jazz called the Orlando, and 1085 01:02:04,040 --> 01:02:05,760 Speaker 23: I opened up the case and I thought it was 1086 01:02:05,840 --> 01:02:08,760 Speaker 23: real fur. I thought I was rich because I had 1087 01:02:08,760 --> 01:02:11,480 Speaker 23: this bass guitarist fur was the fur inside of it. 1088 01:02:11,560 --> 01:02:16,040 Speaker 23: That was my first musical experience, experience really, And then 1089 01:02:16,240 --> 01:02:18,880 Speaker 23: I played trump. I played first trombone and jazz man too, 1090 01:02:19,800 --> 01:02:23,280 Speaker 23: so I wanted to play saxophone, but they I wanted 1091 01:02:23,280 --> 01:02:24,240 Speaker 23: to play saxophone, but. 1092 01:02:24,200 --> 01:02:25,080 Speaker 21: They didn't have anymore? 1093 01:02:25,360 --> 01:02:26,320 Speaker 17: What age is this again? 1094 01:02:27,000 --> 01:02:28,480 Speaker 4: This isn't just in grade school? 1095 01:02:28,480 --> 01:02:30,440 Speaker 23: Well, grade school I was just starting to play. But 1096 01:02:30,640 --> 01:02:32,800 Speaker 23: by the time I got to high school, I sat 1097 01:02:32,840 --> 01:02:36,920 Speaker 23: in the first chair playing trombone. 1098 01:02:35,800 --> 01:02:37,400 Speaker 2: And that was Raphael Sadec. 1099 01:02:37,720 --> 01:02:42,160 Speaker 1: In twenty twenty one, here is bass God, Nathan East. 1100 01:02:43,400 --> 01:02:47,120 Speaker 2: What was your first musical memory that you had. 1101 01:02:47,400 --> 01:02:49,480 Speaker 27: Yeah, there was there was always a piano kind of 1102 01:02:49,520 --> 01:02:53,840 Speaker 27: around the house that uh, pops and moms both would play. 1103 01:02:54,440 --> 01:02:58,480 Speaker 27: But you know, it was like, you know, music, music 1104 01:02:58,480 --> 01:03:01,080 Speaker 27: filled the neighborhood and you know, so you'd hear gl 1105 01:03:01,080 --> 01:03:03,840 Speaker 27: Oudys Night, Marvin Gay out, you know, blasting through the 1106 01:03:03,880 --> 01:03:05,800 Speaker 27: homes of this of the neighborhood. 1107 01:03:05,840 --> 01:03:08,400 Speaker 2: But it was really I'll never forget. 1108 01:03:08,480 --> 01:03:11,960 Speaker 27: My first forty five was more Love by Smokey Robinson. 1109 01:03:12,560 --> 01:03:15,560 Speaker 27: We were just always gathered around the radio and listening 1110 01:03:15,640 --> 01:03:20,440 Speaker 27: to music. And I remember when I played cello for 1111 01:03:20,480 --> 01:03:23,320 Speaker 27: three years and then I discovered the base and it 1112 01:03:23,360 --> 01:03:26,680 Speaker 27: was it was actually in church my brothers and I 1113 01:03:26,720 --> 01:03:30,000 Speaker 27: were doing that. They were doing like these folk masters 1114 01:03:30,040 --> 01:03:32,400 Speaker 27: back in the day when all that started, and uh, 1115 01:03:32,440 --> 01:03:34,040 Speaker 27: and then there was a base on the altar and 1116 01:03:34,080 --> 01:03:38,160 Speaker 27: I went up picked it up and nobody claimed it, 1117 01:03:38,200 --> 01:03:40,520 Speaker 27: and I picked it up and I said, oh lord, 1118 01:03:43,040 --> 01:03:45,760 Speaker 27: what was your first musical memory? 1119 01:03:46,680 --> 01:03:49,400 Speaker 11: My dad was in my ass because I wasn't practice 1120 01:03:49,440 --> 01:03:53,560 Speaker 11: my piano in my ass because I had to practice 1121 01:03:53,560 --> 01:03:56,000 Speaker 11: a half hour every day. And sometimes I would like 1122 01:03:56,040 --> 01:03:58,240 Speaker 11: wait till he fell asleep, and after sleep and then 1123 01:03:59,080 --> 01:04:01,480 Speaker 11: and then I would say, yeah, practice and he did. 1124 01:04:01,520 --> 01:04:04,240 Speaker 11: I would get a whooping if I if I didn't practice. 1125 01:04:03,880 --> 01:04:07,800 Speaker 1: If you didn't practice your skills, yeah, man. So wait, 1126 01:04:07,800 --> 01:04:09,680 Speaker 1: how old were you when you first started playing piano? 1127 01:04:10,080 --> 01:04:10,440 Speaker 11: Seven? 1128 01:04:11,440 --> 01:04:13,760 Speaker 1: Was this like a church requirement thing or like just 1129 01:04:14,200 --> 01:04:17,160 Speaker 1: something to do to pass the time, or no, it's 1130 01:04:17,280 --> 01:04:17,760 Speaker 1: my mom. 1131 01:04:17,840 --> 01:04:20,000 Speaker 11: My mom had this thing for signing me up for 1132 01:04:20,240 --> 01:04:23,760 Speaker 11: activities so she could go do what she was gonna do. 1133 01:04:23,840 --> 01:04:25,960 Speaker 11: That was like my babysitter. So if I was at 1134 01:04:25,960 --> 01:04:28,800 Speaker 11: the y MCA all day, then you know I was coming. 1135 01:04:29,960 --> 01:04:32,720 Speaker 11: That was just or like after school I went to 1136 01:04:32,800 --> 01:04:35,600 Speaker 11: piano and then she would drop me off and she 1137 01:04:35,600 --> 01:04:38,240 Speaker 11: would like go grocery shop like that was her, Like 1138 01:04:38,800 --> 01:04:42,240 Speaker 11: you know that those were all my babysitters. But but 1139 01:04:42,320 --> 01:04:44,280 Speaker 11: I learned, you know, I learned how to play the piano. 1140 01:04:44,720 --> 01:04:47,560 Speaker 11: And she had me an archery swimming. I could do 1141 01:04:47,600 --> 01:04:48,280 Speaker 11: anything when. 1142 01:04:48,120 --> 01:04:48,640 Speaker 16: I was little. 1143 01:04:49,360 --> 01:04:51,960 Speaker 11: Oh wow, okay, you guys didn't have the white the 1144 01:04:52,000 --> 01:04:54,080 Speaker 11: white mom just dropping you off on sething. 1145 01:04:54,160 --> 01:04:56,080 Speaker 1: Yeah, boys and girls, summer time. 1146 01:04:56,160 --> 01:05:04,640 Speaker 23: Yeah yeah, basketball, gymnastics, everything I know in gymnastics, Forward Road. 1147 01:05:06,080 --> 01:05:09,080 Speaker 1: Get dropped off with the y and got dropped off 1148 01:05:09,120 --> 01:05:10,280 Speaker 1: at Hebrew School on Sundays. 1149 01:05:10,360 --> 01:05:15,600 Speaker 2: Yeah sure, yeah, schools are why really? Yeah? 1150 01:05:15,640 --> 01:05:16,080 Speaker 17: We had that. 1151 01:05:16,280 --> 01:05:18,360 Speaker 11: We had a Jewish center and I had to go 1152 01:05:18,440 --> 01:05:18,920 Speaker 11: to that too. 1153 01:05:19,640 --> 01:05:20,560 Speaker 12: Why'd you have to go to that? 1154 01:05:21,520 --> 01:05:24,000 Speaker 11: Because they had What class did I take? 1155 01:05:24,200 --> 01:05:26,560 Speaker 2: That's why I took a cleaner? Why a cleaner gym? 1156 01:05:26,960 --> 01:05:27,280 Speaker 13: I took? 1157 01:05:27,360 --> 01:05:27,400 Speaker 9: This? 1158 01:05:27,680 --> 01:05:30,840 Speaker 11: I took That's why I put swimming lessons. 1159 01:05:31,720 --> 01:05:34,360 Speaker 6: You're right, that's funny, Yeah. 1160 01:05:34,640 --> 01:05:36,040 Speaker 8: Because it wasn't tho swimming pool that. 1161 01:05:36,080 --> 01:05:36,640 Speaker 4: Was nice like that. 1162 01:05:36,960 --> 01:05:39,080 Speaker 2: Yeah, I couldn't go to the fifty second Street. Why 1163 01:05:39,560 --> 01:05:41,520 Speaker 2: I could go to the Jewish y on Broad Street 1164 01:05:41,560 --> 01:05:45,160 Speaker 2: but not fifty second Street? You get to ask the 1165 01:05:45,600 --> 01:05:48,360 Speaker 2: second Street why that's really? 1166 01:05:50,440 --> 01:05:54,120 Speaker 1: And closing out the betch that is Mason Gray, another 1167 01:05:54,200 --> 01:05:58,720 Speaker 1: one of a kind voice. Thank you guys for tuning in. 1168 01:05:59,440 --> 01:06:02,240 Speaker 1: Come back next week and check out your podcast feed. 1169 01:06:02,480 --> 01:06:05,640 Speaker 1: Part two of QL's first musical memories as we kick 1170 01:06:05,680 --> 01:06:09,520 Speaker 1: off a new year, new season, and more great episodes ahead. 1171 01:06:10,000 --> 01:06:17,680 Speaker 1: All Right, What's Love Supreme is a production of iHeartRadio. 1172 01:06:21,280 --> 01:06:25,680 Speaker 1: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, 1173 01:06:26,120 --> 01:06:27,800 Speaker 1: or wherever you listen to your favorite shows.