1 00:00:00,040 --> 00:00:02,160 Speaker 1: It is in a minna standing ovation for Lizzo. 2 00:00:11,680 --> 00:00:12,600 Speaker 2: I love this outfit. 3 00:00:14,360 --> 00:00:15,160 Speaker 3: You look so good. 4 00:00:15,520 --> 00:00:17,440 Speaker 4: Oh honey, this is a miracle. 5 00:00:20,320 --> 00:00:21,760 Speaker 1: You're not going to blame it on the juice, now, 6 00:00:21,760 --> 00:00:23,080 Speaker 1: are you? 7 00:00:23,079 --> 00:00:23,960 Speaker 4: Which juice? 8 00:00:26,160 --> 00:00:29,400 Speaker 1: J Okay, So you're really just kind of mowing it 9 00:00:29,480 --> 00:00:31,400 Speaker 1: up in New York City. That's what you're supposed to 10 00:00:31,440 --> 00:00:32,280 Speaker 1: do here. That's good. 11 00:00:32,440 --> 00:00:34,200 Speaker 4: I haven't slept system Yella. 12 00:00:34,560 --> 00:00:37,560 Speaker 1: You know what Mom always says, it's time to sleep 13 00:00:37,560 --> 00:00:38,160 Speaker 1: when you're dead. 14 00:00:38,560 --> 00:00:43,279 Speaker 4: Oh, and I feel so alive, I heard, Liz. 15 00:00:43,440 --> 00:00:45,160 Speaker 1: As soon as we're done, you're going to hope head 16 00:00:45,159 --> 00:00:45,840 Speaker 1: back to the hotel. 17 00:00:46,159 --> 00:00:47,320 Speaker 4: I'm going to sleep. 18 00:00:47,680 --> 00:00:50,360 Speaker 1: What the good news is, you're going to sleep after 19 00:00:50,400 --> 00:00:51,839 Speaker 1: the interview. The bad news is this is like a 20 00:00:51,880 --> 00:00:52,640 Speaker 1: five hour interview. 21 00:00:54,200 --> 00:00:56,160 Speaker 2: No, we're going to work out. 22 00:00:56,240 --> 00:00:58,800 Speaker 4: Well, you know what, I wouldn't want to be anywhere 23 00:00:58,840 --> 00:00:59,440 Speaker 4: else in the world. 24 00:00:59,520 --> 00:01:02,080 Speaker 1: Well, thank you be in here. You know, Lizzo, every 25 00:01:02,080 --> 00:01:03,920 Speaker 1: time we're with you, we always have the best time. 26 00:01:03,960 --> 00:01:06,800 Speaker 1: You always bring us the good vibes, and we needed it. 27 00:01:07,760 --> 00:01:09,680 Speaker 1: This isn't about you, Today's about us and what we need. 28 00:01:09,720 --> 00:01:12,759 Speaker 4: Harry. It's always about a new. 29 00:01:12,680 --> 00:01:14,880 Speaker 1: Album coming out this summer. We've heard a couple of 30 00:01:14,959 --> 00:01:17,280 Speaker 1: cuts already, Yes, and I'm gonna play one in a 31 00:01:17,319 --> 00:01:17,760 Speaker 1: few minutes. 32 00:01:18,280 --> 00:01:23,440 Speaker 4: Which one a minute? 33 00:01:23,880 --> 00:01:26,080 Speaker 1: Okay, Well i'll play what, I'll play whatever you're telling 34 00:01:26,120 --> 00:01:26,480 Speaker 1: me to play. 35 00:01:26,560 --> 00:01:28,520 Speaker 4: Okay, Because I have a new version of Still Bad, 36 00:01:28,600 --> 00:01:30,960 Speaker 4: the demo version, Animal Style dropping, I'm about to just 37 00:01:31,080 --> 00:01:32,120 Speaker 4: drop it today. 38 00:01:32,280 --> 00:01:34,920 Speaker 1: Actually, well, you gotta drop it in my computer in the 39 00:01:34,959 --> 00:01:35,679 Speaker 1: next five minutes. 40 00:01:35,920 --> 00:01:38,679 Speaker 4: How do we do that. Well, we'll figure it out. 41 00:01:38,720 --> 00:01:40,920 Speaker 1: We'll figure it out, and you know, keep in mind, 42 00:01:41,000 --> 00:01:42,480 Speaker 1: we'll play this version and when we get the new one, 43 00:01:42,480 --> 00:01:43,040 Speaker 1: we'll play that one. 44 00:01:43,319 --> 00:01:43,760 Speaker 4: Thank you. 45 00:01:44,040 --> 00:01:44,759 Speaker 1: This is no race. 46 00:01:44,880 --> 00:01:49,560 Speaker 4: Have you seen Lizo's phone case? Look at this moonlight 47 00:01:49,800 --> 00:01:51,440 Speaker 4: it's the Sailor Moon Crescent ones. 48 00:01:53,080 --> 00:01:56,520 Speaker 1: Yeah, that's a very complicated phone case. I like it. 49 00:01:56,560 --> 00:01:58,840 Speaker 4: If I could do this and and cure my hangover 50 00:01:59,000 --> 00:02:05,200 Speaker 4: before it happens. Water, just water, honey, not anymore. 51 00:02:05,400 --> 00:02:08,160 Speaker 1: I need a lecture light. Well, here here's the thing. 52 00:02:08,240 --> 00:02:10,880 Speaker 1: You came to New York to party. You can't have fun. 53 00:02:10,960 --> 00:02:12,919 Speaker 1: I did, so you need to accomplish that and you're 54 00:02:12,919 --> 00:02:13,240 Speaker 1: doing it. 55 00:02:13,320 --> 00:02:13,920 Speaker 4: Oh, thank you. 56 00:02:14,400 --> 00:02:16,000 Speaker 1: Look, you're not the only drinker in this room. 57 00:02:16,600 --> 00:02:18,200 Speaker 4: I know that. I heard that we're supposed to do a. 58 00:02:18,200 --> 00:02:19,480 Speaker 1: Shot together if you want. 59 00:02:19,480 --> 00:02:21,240 Speaker 4: There of the dog, they say. 60 00:02:21,400 --> 00:02:22,680 Speaker 1: Your people just looked at. 61 00:02:22,560 --> 00:02:26,919 Speaker 4: Me like your people are looking at you like yeah, 62 00:02:27,000 --> 00:02:28,000 Speaker 4: my people. 63 00:02:27,800 --> 00:02:29,160 Speaker 1: Look at me like no, you don't need it either. 64 00:02:30,360 --> 00:02:32,680 Speaker 3: How many times Michael Buba has been in here getting 65 00:02:32,720 --> 00:02:35,000 Speaker 3: us strong? Shaggy's come in and gotten us drunk? 66 00:02:35,040 --> 00:02:36,840 Speaker 4: Who else in the morning? 67 00:02:37,120 --> 00:02:43,160 Speaker 1: Yes, a stroke diddy? Oh he did though. No, there's 68 00:02:43,200 --> 00:02:44,120 Speaker 1: not a joke he did. 69 00:02:44,600 --> 00:02:48,919 Speaker 4: I know you weren't joking. It's like, is it too soon? 70 00:02:49,280 --> 00:02:52,119 Speaker 1: No? No, no, no, no. I don't know what else 71 00:02:52,160 --> 00:02:57,679 Speaker 1: he did, but I keep slipping off my chair. What 72 00:02:58,760 --> 00:03:00,720 Speaker 1: you don't say? It you didn't say, Oh my god, 73 00:03:00,720 --> 00:03:01,359 Speaker 1: you're gonna. 74 00:03:01,120 --> 00:03:01,960 Speaker 4: Get me canceled. 75 00:03:02,000 --> 00:03:04,519 Speaker 3: By the way, Michael bo Blaze alcohol is still here 76 00:03:04,560 --> 00:03:06,240 Speaker 3: that we drank and see on the top shelf. 77 00:03:06,880 --> 00:03:08,000 Speaker 1: It is top shelf liquor. 78 00:03:08,480 --> 00:03:09,600 Speaker 4: Okay, did you have a question. 79 00:03:09,720 --> 00:03:11,720 Speaker 5: Yes, you've been partying for a couple of days and 80 00:03:11,760 --> 00:03:13,840 Speaker 5: you look good. Is this hair and makeup from last 81 00:03:13,880 --> 00:03:15,280 Speaker 5: night's party? And you just rolled right in. 82 00:03:15,200 --> 00:03:19,760 Speaker 4: Here, literally, ma'am, No, literally, I got a little touch up. 83 00:03:20,200 --> 00:03:23,080 Speaker 4: No shot, by the way, shout out my makeup artist, 84 00:03:23,240 --> 00:03:26,560 Speaker 4: Alex Mayo. He just dropped this well he's dropping this 85 00:03:26,600 --> 00:03:29,520 Speaker 4: thing called eternal water, and it's this thing that he 86 00:03:29,560 --> 00:03:31,560 Speaker 4: puts on my face and so my makeup doesn't move. 87 00:03:31,639 --> 00:03:33,679 Speaker 4: This is this is my makeup from yesterday. 88 00:03:33,840 --> 00:03:34,880 Speaker 1: We need to get Sally. 89 00:03:35,120 --> 00:03:38,680 Speaker 4: I did a magazine shoot like at noon yesterday and 90 00:03:38,720 --> 00:03:40,680 Speaker 4: he put it on my face and I have not 91 00:03:40,760 --> 00:03:41,320 Speaker 4: taken it. 92 00:03:41,240 --> 00:03:46,960 Speaker 1: Off since then. You look good, right, No water. 93 00:03:47,640 --> 00:03:49,680 Speaker 4: Literally eternal water, dream loud water. 94 00:03:50,520 --> 00:03:52,520 Speaker 1: So you're still young, and you know when you're my 95 00:03:52,600 --> 00:03:54,480 Speaker 1: age you look for things like that. 96 00:03:54,640 --> 00:03:56,720 Speaker 4: You did all the You can put a little eternal 97 00:03:56,760 --> 00:03:59,600 Speaker 4: on you, baby, but I just called it nineteen forty two. 98 00:03:59,760 --> 00:04:03,720 Speaker 4: That's my water for you, so warm, honey. 99 00:04:03,800 --> 00:04:07,720 Speaker 1: You can't call you up? Is it what they say 100 00:04:07,960 --> 00:04:09,520 Speaker 1: when you get a shiver all of a sudden, someone's 101 00:04:09,520 --> 00:04:13,000 Speaker 1: stepping on your grave. Whoa, I've had that three times today. 102 00:04:13,640 --> 00:04:20,360 Speaker 4: This is not an interview people who are in their 103 00:04:20,400 --> 00:04:23,240 Speaker 4: cars listening to the radio. I'm so sorry, and I 104 00:04:23,279 --> 00:04:23,839 Speaker 4: love you. 105 00:04:23,920 --> 00:04:26,480 Speaker 1: There are things to talk about, the new albums coming 106 00:04:26,480 --> 00:04:29,400 Speaker 1: out this summer. Okay, what else you want to talk. 107 00:04:29,320 --> 00:04:38,800 Speaker 4: About right now? You know what really press? Can you 108 00:04:38,839 --> 00:04:40,039 Speaker 4: about the met Gala? Okay? 109 00:04:40,320 --> 00:04:42,120 Speaker 1: Yeah, we want to talk about it, can't we do? 110 00:04:42,120 --> 00:04:43,800 Speaker 4: It. We can talk about anything you want. Babies. 111 00:04:43,880 --> 00:04:46,440 Speaker 3: So the rumor is is that the red carpet is 112 00:04:46,480 --> 00:04:48,880 Speaker 3: the most important, and that a lot of people change 113 00:04:48,960 --> 00:04:51,039 Speaker 3: once they get inside, and that once you get inside 114 00:04:51,120 --> 00:04:51,680 Speaker 3: is kind of boring. 115 00:04:52,240 --> 00:04:55,080 Speaker 4: WHOA who said that, We've heard that you do you 116 00:04:55,160 --> 00:04:58,880 Speaker 4: can change. I have never well, except for the time 117 00:04:58,920 --> 00:05:02,000 Speaker 4: I performed. I perform the car Lager Fell year, so 118 00:05:02,040 --> 00:05:03,800 Speaker 4: I had to change some my performance out there. Every 119 00:05:03,839 --> 00:05:06,479 Speaker 4: other time, I'm stuck in a corset and I can't sit, 120 00:05:06,760 --> 00:05:09,520 Speaker 4: So every year it's about finding out how to sit down. 121 00:05:09,560 --> 00:05:11,720 Speaker 4: I had to do like side saddle this time because 122 00:05:11,760 --> 00:05:14,400 Speaker 4: my corset was so tight. Wow. I literally like had 123 00:05:14,400 --> 00:05:16,520 Speaker 4: to straddle a chair on the side, and I had 124 00:05:16,520 --> 00:05:19,320 Speaker 4: like a team of people move like just people inside, 125 00:05:19,360 --> 00:05:21,760 Speaker 4: like moving my skirts, and I was just like kind 126 00:05:21,760 --> 00:05:23,839 Speaker 4: of leaning on the side of my chair. I don't 127 00:05:23,839 --> 00:05:27,040 Speaker 4: think it's boring. I actually have so much fun. You know. 128 00:05:27,120 --> 00:05:30,719 Speaker 4: Social anxiety is afraid of me. So when I'm in there, 129 00:05:30,880 --> 00:05:32,840 Speaker 4: I'm just like looking for people that I don't get 130 00:05:32,839 --> 00:05:35,200 Speaker 4: the opportunity to speak to, and I speak to them. 131 00:05:35,040 --> 00:05:38,080 Speaker 1: Like Nicki Minaj the other day, Nicki Minaj, you saw 132 00:05:38,120 --> 00:05:40,200 Speaker 1: her and you you did get a little nervous, like 133 00:05:40,240 --> 00:05:41,640 Speaker 1: should I go say hi to her? 134 00:05:41,920 --> 00:05:44,520 Speaker 4: Yeah? I always get starstruck when I see Nicki Minaj 135 00:05:44,839 --> 00:05:47,039 Speaker 4: every single time, so you know, I was just like, 136 00:05:47,320 --> 00:05:49,640 Speaker 4: there she is, you know. And then I was like, 137 00:05:49,839 --> 00:05:51,200 Speaker 4: I'm gonna go speak to her. And I got the 138 00:05:51,200 --> 00:05:53,080 Speaker 4: gumpsh and go speak to her. But she was leaving 139 00:05:53,520 --> 00:05:55,200 Speaker 4: and I was like, you look beautiful. She said you 140 00:05:55,200 --> 00:05:58,920 Speaker 4: look beautiful, and she got in her car and she left. 141 00:05:58,920 --> 00:06:02,920 Speaker 4: I said, yeah, home safe. Jeff Goldbloom, Oh my god, 142 00:06:03,160 --> 00:06:05,280 Speaker 4: me and Jeff we just hailed hands and we just 143 00:06:05,680 --> 00:06:08,599 Speaker 4: stared into each other's eyes. He's such a passionate human. 144 00:06:09,040 --> 00:06:12,279 Speaker 4: It's like he's like eating everything that you're saying. He's like, yes, 145 00:06:12,600 --> 00:06:17,440 Speaker 4: flute Jack, that was really fun. 146 00:06:17,600 --> 00:06:20,679 Speaker 1: That's actually Jeff off the cuff. 147 00:06:20,720 --> 00:06:21,040 Speaker 4: Guys. 148 00:06:21,600 --> 00:06:23,200 Speaker 1: You know, he is a fascinating guy. 149 00:06:23,480 --> 00:06:24,120 Speaker 4: Fascinating. 150 00:06:24,720 --> 00:06:28,000 Speaker 1: Do you find yourself attracted No, not sexually, but in 151 00:06:28,360 --> 00:06:31,120 Speaker 1: arid and a conversation. At tried to to be like 152 00:06:31,200 --> 00:06:34,800 Speaker 1: quirky people like that, people that they're always that picture 153 00:06:34,839 --> 00:06:36,640 Speaker 1: on the wall that's crooked and you straightened up and 154 00:06:36,680 --> 00:06:38,640 Speaker 1: it's crooked again. Jeff gold Bloom is one of those, 155 00:06:38,760 --> 00:06:40,520 Speaker 1: Oh my, who else fascinates you. 156 00:06:41,200 --> 00:06:43,080 Speaker 4: Oh, who is that? 157 00:06:43,160 --> 00:06:45,520 Speaker 1: The megal or enjoy anywhere in life? I mean, just 158 00:06:45,680 --> 00:06:46,720 Speaker 1: I know that's kind of like. 159 00:06:46,920 --> 00:06:49,080 Speaker 4: It's so broad, just a broad question. But I can 160 00:06:49,120 --> 00:06:52,000 Speaker 4: also take it back to the megala. Andre three thousand, 161 00:06:52,560 --> 00:06:57,400 Speaker 4: super fascinating person, you know, because he's like arguably the 162 00:06:57,440 --> 00:07:00,839 Speaker 4: most talented rapper of all time, and he just like 163 00:07:00,960 --> 00:07:04,320 Speaker 4: decides to not give us albums. He's like, I'm just 164 00:07:04,360 --> 00:07:05,920 Speaker 4: not going to do it for you anymore. As a matter 165 00:07:05,920 --> 00:07:07,880 Speaker 4: of fact, I'm going to do a flute album. So 166 00:07:08,040 --> 00:07:09,040 Speaker 4: I downloaded the whole thing. 167 00:07:09,320 --> 00:07:11,040 Speaker 1: Did a keyboard like a piano? 168 00:07:11,280 --> 00:07:11,840 Speaker 4: The piano. 169 00:07:11,960 --> 00:07:13,920 Speaker 3: Yeah, that's why he wore a piano. 170 00:07:14,280 --> 00:07:15,960 Speaker 4: Wait, that was to promote his eyes. 171 00:07:16,000 --> 00:07:17,360 Speaker 3: He dropped something that same day. 172 00:07:17,360 --> 00:07:20,520 Speaker 4: A genius. Are these fan questions? 173 00:07:20,560 --> 00:07:23,680 Speaker 1: If you can't can I see what he says? 174 00:07:26,440 --> 00:07:28,520 Speaker 4: You know, literally we can't say that on the radio, 175 00:07:28,600 --> 00:07:32,000 Speaker 4: but actually, guys inaccurate. 176 00:07:32,080 --> 00:07:33,200 Speaker 1: If we gotta get to noon. 177 00:07:34,400 --> 00:07:39,000 Speaker 5: Oh my god, you know I have more questions about 178 00:07:39,000 --> 00:07:40,880 Speaker 5: the Matt Gatherer One. 179 00:07:40,960 --> 00:07:42,160 Speaker 2: Do people talk business there? 180 00:07:42,200 --> 00:07:44,240 Speaker 5: So you run into Andre three thousand and you love him, 181 00:07:44,240 --> 00:07:45,640 Speaker 5: would you ever be like, hey, you know we should 182 00:07:45,640 --> 00:07:46,480 Speaker 5: collaborate sometimes? 183 00:07:46,720 --> 00:07:50,320 Speaker 4: Oh, I absolutely did I read that's my only chance 184 00:07:50,320 --> 00:07:52,440 Speaker 4: to talk to and most people, if I see them 185 00:07:52,440 --> 00:07:54,760 Speaker 4: all the time, I'm like, I'm not gonna bore you 186 00:07:54,840 --> 00:07:57,120 Speaker 4: with work. But with him, I was like, when do 187 00:07:57,160 --> 00:07:59,040 Speaker 4: you see He's like a unicorn, like when do you 188 00:07:59,080 --> 00:08:01,080 Speaker 4: see him? So I rolled up on him and I said, 189 00:08:01,080 --> 00:08:03,320 Speaker 4: if you ever want to jam out on flute, I 190 00:08:03,360 --> 00:08:06,600 Speaker 4: am available. I know people you work with, So if 191 00:08:06,640 --> 00:08:08,840 Speaker 4: I call them and you're jamming on flute, can I come? 192 00:08:08,920 --> 00:08:10,960 Speaker 4: And he was like yeah, And I was like that's 193 00:08:11,000 --> 00:08:12,160 Speaker 4: all I need to note, and I ran away. 194 00:08:12,200 --> 00:08:12,920 Speaker 2: I will be there yea. 195 00:08:12,960 --> 00:08:15,040 Speaker 5: And then too do people eat at the metcalan? 196 00:08:15,160 --> 00:08:17,600 Speaker 4: I just can't imagine it happened. If you have a 197 00:08:17,640 --> 00:08:20,920 Speaker 4: corset on your came occasion. I ate my food, He 198 00:08:21,080 --> 00:08:23,480 Speaker 4: ate his food in it. I didn't eat because I 199 00:08:23,520 --> 00:08:25,520 Speaker 4: don't know. I don't eat at the met gala because 200 00:08:25,520 --> 00:08:28,800 Speaker 4: I'm too busy yapping. So I'm just like drinking and yeah, 201 00:08:28,840 --> 00:08:31,440 Speaker 4: the corset, and so I just look over your kids 202 00:08:31,440 --> 00:08:33,040 Speaker 4: and I'm like, you're gonna eat that. I was like, 203 00:08:33,200 --> 00:08:35,160 Speaker 4: oh my god, baby, you're not here eat my food. 204 00:08:35,200 --> 00:08:38,600 Speaker 4: And so he took my he tore my food up. 205 00:08:38,679 --> 00:08:42,040 Speaker 4: I said, okay, it's very maternal. You like here here, baby, 206 00:08:42,040 --> 00:08:44,120 Speaker 4: You're not toys here baby. 207 00:08:45,000 --> 00:08:46,760 Speaker 1: I'm gonna go back to something you said earlier about 208 00:08:46,800 --> 00:08:50,559 Speaker 1: going there. Social anxiety is afraid of me. See, I'm 209 00:08:50,600 --> 00:08:52,840 Speaker 1: the opposite. We went to kind of a fancy schmancy 210 00:08:52,840 --> 00:08:54,600 Speaker 1: party down in Miami Friday night. 211 00:08:55,320 --> 00:08:56,880 Speaker 4: Wait, you were just in the n I A. And 212 00:08:56,920 --> 00:08:58,760 Speaker 4: now you're here for the shoe party. Boy. 213 00:08:59,000 --> 00:09:01,240 Speaker 1: We went to uh car Carbone Beach. 214 00:09:01,920 --> 00:09:06,760 Speaker 4: You took the PJ the Carbone. Yeah, he did big 215 00:09:06,880 --> 00:09:08,280 Speaker 4: Daddy Elvis. 216 00:09:07,800 --> 00:09:11,240 Speaker 1: I but see those events with the you know, the 217 00:09:11,320 --> 00:09:12,679 Speaker 1: lamb lambou driving people. 218 00:09:12,760 --> 00:09:13,120 Speaker 4: I don't. 219 00:09:13,520 --> 00:09:16,800 Speaker 1: I'm that's so not that person, right, And I get very. 220 00:09:16,960 --> 00:09:19,360 Speaker 4: Sure because I saw your lambou out front. 221 00:09:21,440 --> 00:09:25,240 Speaker 1: I drive a Prius. I don't really, but it's electric car. 222 00:09:25,880 --> 00:09:29,760 Speaker 1: So you don't get nervous around the people that are 223 00:09:30,200 --> 00:09:34,160 Speaker 1: you know, like the like the type faced leather p 224 00:09:34,440 --> 00:09:37,840 Speaker 1: wearing you know what I'm saying, type face leather you 225 00:09:37,880 --> 00:09:40,160 Speaker 1: know people people I can't relate with him. Yeah, And 226 00:09:40,200 --> 00:09:42,200 Speaker 1: so I get nervous at the met gala. I don't. 227 00:09:42,240 --> 00:09:43,800 Speaker 1: I don't know if I would do well, I would 228 00:09:43,800 --> 00:09:45,720 Speaker 1: I would vomit all over myself and crack my pants. 229 00:09:45,720 --> 00:09:48,360 Speaker 1: I just but you're you love that talk about that. 230 00:09:48,400 --> 00:09:50,520 Speaker 1: You live for it, you live them for that energy. Well, 231 00:09:50,559 --> 00:09:52,760 Speaker 1: I cracked the code. I realized, what's that. 232 00:09:53,200 --> 00:09:58,600 Speaker 4: Everybody's awkward and everybody's anxious. So if everyone's anxious, I 233 00:09:58,640 --> 00:10:00,480 Speaker 4: can do whatever, I can say whatever I want. And 234 00:10:00,559 --> 00:10:03,440 Speaker 4: they're actually I'm actually a relief to people like that. 235 00:10:03,559 --> 00:10:06,440 Speaker 4: They're like, oh thank god, because sometimes when people just 236 00:10:06,480 --> 00:10:07,920 Speaker 4: kind of look at you when you're talking, they'll be 237 00:10:07,960 --> 00:10:10,240 Speaker 4: like this, and I'm like, oh my god, I'm scaring 238 00:10:10,240 --> 00:10:12,200 Speaker 4: them off. I need to stop talking to them. But 239 00:10:12,280 --> 00:10:14,320 Speaker 4: I realize, no, they just don't know what to say. 240 00:10:14,480 --> 00:10:17,160 Speaker 4: So I just keep running my mouth and it makes 241 00:10:17,200 --> 00:10:18,800 Speaker 4: them comfort. It makes them comfortable. 242 00:10:18,800 --> 00:10:21,280 Speaker 1: So that's why you're great at any in any social setting, 243 00:10:21,320 --> 00:10:23,559 Speaker 1: because you are the spark plug that makes it room. 244 00:10:23,800 --> 00:10:26,960 Speaker 1: Like you threw my notes away and I'm gonna I 245 00:10:26,960 --> 00:10:28,200 Speaker 1: want to talk. I want to talk about the. 246 00:10:28,200 --> 00:10:31,680 Speaker 5: Album he's talking about. Is exactly what this album sort 247 00:10:31,679 --> 00:10:32,120 Speaker 5: of is about. 248 00:10:32,160 --> 00:10:32,840 Speaker 1: Because we look. 249 00:10:32,679 --> 00:10:35,240 Speaker 5: At celebrities and we think they're so smooth, they're so cool, 250 00:10:35,280 --> 00:10:39,320 Speaker 5: they're amazing, no awkwardness because they're famous, which is not reality. 251 00:10:39,360 --> 00:10:41,440 Speaker 5: That's just what we're saying, which is just like social media, 252 00:10:41,520 --> 00:10:42,480 Speaker 5: it is not reality. 253 00:10:42,880 --> 00:10:43,880 Speaker 4: It's what people see. 254 00:10:44,000 --> 00:10:44,840 Speaker 2: And that's what you. 255 00:10:44,920 --> 00:10:47,880 Speaker 5: Are talking about with this album, Like your real friends 256 00:10:48,000 --> 00:10:50,360 Speaker 5: are the important thing. Love is in the real life 257 00:10:50,400 --> 00:10:54,439 Speaker 5: online that's not real. That's not gratifying, no at all. 258 00:10:54,559 --> 00:10:57,280 Speaker 4: Like the real love is in the room. This is 259 00:10:57,360 --> 00:10:59,960 Speaker 4: like real love, Like you know, this is better than 260 00:11:00,040 --> 00:11:02,480 Speaker 4: in the zoom for me or a FaceTime to be 261 00:11:02,520 --> 00:11:04,600 Speaker 4: able to see you. I remember once I think we 262 00:11:04,679 --> 00:11:06,480 Speaker 4: had to do an interview over zoom and we did 263 00:11:06,480 --> 00:11:08,679 Speaker 4: a couple of my heart ached. I was like, I 264 00:11:08,720 --> 00:11:10,600 Speaker 4: miss you guys, like I want to be in the studio. 265 00:11:10,720 --> 00:11:15,800 Speaker 1: Nothing hits like we couldn't breathe on each other back then. 266 00:11:16,920 --> 00:11:19,720 Speaker 1: So the album is about what's real in your circle. 267 00:11:19,760 --> 00:11:22,040 Speaker 1: That and you know it's real. You know, social media 268 00:11:22,160 --> 00:11:24,600 Speaker 1: just isn't real, but sometimes we allow it to be 269 00:11:24,800 --> 00:11:26,640 Speaker 1: a little too real and it really fs us up. 270 00:11:26,760 --> 00:11:27,440 Speaker 1: You know, I. 271 00:11:27,360 --> 00:11:30,120 Speaker 4: Actually don't know that it's not real. I actually made it. 272 00:11:30,160 --> 00:11:32,880 Speaker 4: I actually made it very real to me in a 273 00:11:32,880 --> 00:11:37,000 Speaker 4: lot of ways. Like you know, if people loved my outfit, 274 00:11:37,360 --> 00:11:40,000 Speaker 4: you know, the night before I'm like, oh my god, 275 00:11:40,080 --> 00:11:42,839 Speaker 4: people love me, people really love me. I don't think 276 00:11:42,840 --> 00:11:45,560 Speaker 4: that the love is fake. And I think when it's 277 00:11:45,600 --> 00:11:49,640 Speaker 4: hate everyone hated my outfit, I can't differentiate and be like, 278 00:11:49,679 --> 00:11:51,040 Speaker 4: I can't pick and choose and be like, well, if 279 00:11:51,080 --> 00:11:52,600 Speaker 4: they love my outfit, then it's real, and if they 280 00:11:52,640 --> 00:11:54,840 Speaker 4: hate my outfit, then it's fake. So it's kind of 281 00:11:54,880 --> 00:11:57,120 Speaker 4: a strange thing and it kind of messes with your 282 00:11:57,160 --> 00:12:00,360 Speaker 4: head a lot. And I think it's like actually just 283 00:12:01,080 --> 00:12:04,040 Speaker 4: learning how to curate you know what, I mean, your 284 00:12:04,080 --> 00:12:06,959 Speaker 4: experience in the access the Internet has to you and 285 00:12:07,280 --> 00:12:08,040 Speaker 4: that you have to it. 286 00:12:08,400 --> 00:12:11,040 Speaker 1: Well, so in love in real life. Now me trying 287 00:12:11,040 --> 00:12:18,640 Speaker 1: to sound smart while drunk, But so, why this message 288 00:12:18,679 --> 00:12:20,160 Speaker 1: this album right now? 289 00:12:21,200 --> 00:12:21,280 Speaker 2: What? 290 00:12:22,559 --> 00:12:25,640 Speaker 1: Why'd you merge into this lane for this album you? 291 00:12:25,840 --> 00:12:28,600 Speaker 1: Because obviously you merged into this lane in your life. 292 00:12:29,080 --> 00:12:32,040 Speaker 4: Yeah. I think that every album I've ever written has 293 00:12:32,160 --> 00:12:35,160 Speaker 4: always been very parallel to what I'm actually going through, 294 00:12:35,559 --> 00:12:38,679 Speaker 4: you know, so because I love you, hoof baby, I 295 00:12:38,760 --> 00:12:40,880 Speaker 4: was going through it. I was, you know, trying to 296 00:12:40,920 --> 00:12:44,160 Speaker 4: discover how to love and be loved. And then with 297 00:12:44,280 --> 00:12:46,960 Speaker 4: Special I Want, I learned how to love and be 298 00:12:47,040 --> 00:12:49,920 Speaker 4: loved and I wanted to help people see the love 299 00:12:49,920 --> 00:12:53,400 Speaker 4: in themselves. And then with this album Love. In real life, 300 00:12:53,960 --> 00:12:59,600 Speaker 4: I had my whole like perception of self destroyed like 301 00:13:00,480 --> 00:13:03,840 Speaker 4: an instant, because I kind of gleaned all of my 302 00:13:04,080 --> 00:13:10,160 Speaker 4: like identity from the Internet, you know, and my validation 303 00:13:10,400 --> 00:13:13,400 Speaker 4: from the internet, from my social media, from people liking me. 304 00:13:13,840 --> 00:13:16,600 Speaker 4: And when one day everyone on the Internet is like 305 00:13:16,760 --> 00:13:19,000 Speaker 4: I don't like you, I hate you and you should die, 306 00:13:19,080 --> 00:13:21,640 Speaker 4: You're like, oh my god, it must be true, and 307 00:13:22,040 --> 00:13:24,839 Speaker 4: I'm so I had to like separate myself from that. 308 00:13:25,320 --> 00:13:27,360 Speaker 4: And then I wrote an album during that time, which 309 00:13:27,440 --> 00:13:30,800 Speaker 4: was like peaks and Valleys and learning, and then now 310 00:13:30,880 --> 00:13:33,200 Speaker 4: I'm coming back to it. I'm coming back to being 311 00:13:33,200 --> 00:13:36,199 Speaker 4: able to get on the Internet and also still get 312 00:13:36,240 --> 00:13:38,160 Speaker 4: a little bit of validation from it, honey, because my 313 00:13:38,160 --> 00:13:39,920 Speaker 4: megal ad dress was cute and everybody loved it, and 314 00:13:40,000 --> 00:13:41,880 Speaker 4: I was like, yeah, I'm gonna accept this, you know 315 00:13:41,920 --> 00:13:44,840 Speaker 4: what I mean. But also, if I see a hate comment, 316 00:13:44,880 --> 00:13:46,959 Speaker 4: I'm not going to like read into it and let 317 00:13:46,960 --> 00:13:48,040 Speaker 4: it define my day. 318 00:13:48,320 --> 00:13:50,800 Speaker 1: You know you shouldn't. But but keep in mind, these 319 00:13:51,640 --> 00:13:55,360 Speaker 1: these comments from people are coming from who they are. 320 00:13:56,040 --> 00:13:59,000 Speaker 1: If I look at you in your met Galla outfit 321 00:13:59,040 --> 00:14:03,560 Speaker 1: and go that is hot, well that's from a complimentary 322 00:14:03,600 --> 00:14:07,040 Speaker 1: wonderful place in a person who obviously wants to give 323 00:14:07,080 --> 00:14:09,480 Speaker 1: a compliment. But if I say something really rude and 324 00:14:09,559 --> 00:14:12,160 Speaker 1: just slicing and dicing you, that's coming from a place 325 00:14:12,160 --> 00:14:14,280 Speaker 1: where it says a lot about me and nothing about you. 326 00:14:14,640 --> 00:14:16,200 Speaker 1: It's hard for us to figure that out. 327 00:14:16,520 --> 00:14:18,559 Speaker 4: Yeah, sometimes it's like why did you want to Why 328 00:14:18,640 --> 00:14:22,240 Speaker 4: you had to say that? Like what possessed you to be? 329 00:14:22,360 --> 00:14:24,880 Speaker 4: Like you know what I'm gonna say, I don't like this, 330 00:14:25,080 --> 00:14:27,040 Speaker 4: Like just look at it and keeps growing. 331 00:14:26,920 --> 00:14:28,560 Speaker 1: You know, why take time to do that? 332 00:14:28,640 --> 00:14:31,120 Speaker 4: Yeah, And it doesn't just happen to famous people. It 333 00:14:31,120 --> 00:14:34,800 Speaker 4: doesn't just happen to celebrities or influencers anymore. It happens 334 00:14:34,840 --> 00:14:37,880 Speaker 4: to everybody. And so I felt like this album Love 335 00:14:37,920 --> 00:14:40,280 Speaker 4: and real Life or the theme isn't just like something 336 00:14:40,360 --> 00:14:44,040 Speaker 4: very unrelatable, like kids in high school are dealing with this. 337 00:14:44,160 --> 00:14:46,720 Speaker 4: Kids in high school are getting backlash and hate comments 338 00:14:46,760 --> 00:14:50,840 Speaker 4: and death threats just for posting their prom outfit. So 339 00:14:50,920 --> 00:14:52,680 Speaker 4: it's like we can all relate to this, and I 340 00:14:52,680 --> 00:14:55,480 Speaker 4: think we all, especially the younger generation, need to learn 341 00:14:55,520 --> 00:15:00,000 Speaker 4: how to get ahead of this before it controls us. 342 00:15:00,120 --> 00:15:02,400 Speaker 5: Say, happy bitches ain't hayten and hayten bitches ain't happy. 343 00:15:02,680 --> 00:15:03,680 Speaker 1: That's just how that goes. 344 00:15:04,080 --> 00:15:07,960 Speaker 4: But for you say that on the radio, you think 345 00:15:07,960 --> 00:15:10,160 Speaker 4: we just did Oh my gosh. 346 00:15:10,280 --> 00:15:14,000 Speaker 5: But were there times like I mean something to myself, 347 00:15:14,600 --> 00:15:17,160 Speaker 5: you think, and you have such a big presence on 348 00:15:17,400 --> 00:15:19,680 Speaker 5: Instagram or wherever where there were times that you just say, 349 00:15:19,720 --> 00:15:21,680 Speaker 5: I'm just going to deactivate. I can't do this. And 350 00:15:21,720 --> 00:15:23,640 Speaker 5: how important is that as far as your brand goes 351 00:15:23,640 --> 00:15:24,200 Speaker 5: and marketing? 352 00:15:24,800 --> 00:15:28,800 Speaker 4: Oh honey, that was tough. I've done it a lot. 353 00:15:28,880 --> 00:15:32,680 Speaker 4: Oh me and me and the social media app that 354 00:15:32,760 --> 00:15:40,000 Speaker 4: shall not be named it rhymes with litter. I mean, 355 00:15:40,120 --> 00:15:43,160 Speaker 4: I've broken up with her so many times and we 356 00:15:43,200 --> 00:15:47,160 Speaker 4: officially are, you know, broken up because that is one 357 00:15:47,160 --> 00:15:50,560 Speaker 4: of the most toxic apps. And at a certain point 358 00:15:50,560 --> 00:15:52,880 Speaker 4: you just have to say, ef it. I don't I 359 00:15:52,920 --> 00:15:55,400 Speaker 4: don't even need this a part of my brand or 360 00:15:55,480 --> 00:15:57,640 Speaker 4: part of my marketing. If I if what I do 361 00:15:58,360 --> 00:16:01,760 Speaker 4: is impactful, it'll reach her, It'll reach the areas that 362 00:16:01,840 --> 00:16:04,400 Speaker 4: it needs to reach. Yeah, I always say that I 363 00:16:04,400 --> 00:16:06,760 Speaker 4: don't need social media. Social media needs me. I've always 364 00:16:06,760 --> 00:16:07,040 Speaker 4: said that. 365 00:16:09,360 --> 00:16:10,400 Speaker 1: Looking at that, and we. 366 00:16:10,360 --> 00:16:12,160 Speaker 5: Talk about all the time, how when people are hating 367 00:16:12,200 --> 00:16:14,920 Speaker 5: at you. They're hating from the arena seats, and you're 368 00:16:14,960 --> 00:16:17,400 Speaker 5: in the arena, so really they can say whatever they 369 00:16:17,440 --> 00:16:18,400 Speaker 5: want you, but they're still watching you. 370 00:16:18,600 --> 00:16:21,200 Speaker 1: That is such a great analogy, And that's that's an old, 371 00:16:21,280 --> 00:16:24,840 Speaker 1: old analogy, an old Yeah, you can hate me all 372 00:16:24,880 --> 00:16:28,240 Speaker 1: you want, but you're way up in the nosebleed section. 373 00:16:28,400 --> 00:16:31,600 Speaker 1: I'm on the field in the arena, playing the game. 374 00:16:32,080 --> 00:16:32,760 Speaker 1: So it's so easy. 375 00:16:32,800 --> 00:16:35,080 Speaker 4: You paid to get in, so right. But also it's 376 00:16:35,160 --> 00:16:38,320 Speaker 4: like just someone who could relate who's also in the 377 00:16:38,320 --> 00:16:42,000 Speaker 4: arena with somebody who's hating. It's like, what's you hating for? 378 00:16:42,040 --> 00:16:44,120 Speaker 4: Are we all here trying to have a good time? Smile? 379 00:16:47,800 --> 00:16:48,320 Speaker 2: Do you know that? 380 00:16:50,360 --> 00:16:52,560 Speaker 3: I always I always wonder about like when someone makes 381 00:16:52,560 --> 00:16:55,240 Speaker 3: a comment, like if someone said that to your brother 382 00:16:55,400 --> 00:16:57,400 Speaker 3: or your mother or your sister. 383 00:16:57,600 --> 00:16:59,520 Speaker 2: Would you be okay with that? Why would you say 384 00:16:59,520 --> 00:17:00,400 Speaker 2: that to some else? 385 00:17:00,720 --> 00:17:04,760 Speaker 4: Right? Or give grace to people too. It's like if 386 00:17:04,880 --> 00:17:07,800 Speaker 4: your loved one or your friend or your favor bestie 387 00:17:07,920 --> 00:17:11,240 Speaker 4: or mother or somebody did what you saw this person 388 00:17:11,320 --> 00:17:13,640 Speaker 4: do on the internet, would you condemn them or would 389 00:17:13,680 --> 00:17:15,440 Speaker 4: you give them grace and the benefit of the doubt. 390 00:17:16,560 --> 00:17:18,320 Speaker 1: Keep it in mind. Next time you go online and 391 00:17:18,359 --> 00:17:19,800 Speaker 1: want to be a hag. 392 00:17:22,280 --> 00:17:24,280 Speaker 4: Shout, don't she at the mess? She did was she 393 00:17:24,320 --> 00:17:26,040 Speaker 4: asserted herself and did what she had to do. 394 00:17:27,359 --> 00:17:34,600 Speaker 1: Where's my umbrella? Exactly? You know, got a couple of things, 395 00:17:34,640 --> 00:17:40,200 Speaker 1: memories of Lizzo. When you your career was really going 396 00:17:40,480 --> 00:17:45,000 Speaker 1: into way back in the day, way back in the day, 397 00:17:45,040 --> 00:17:47,760 Speaker 1: it was, it was really it was hitting in. We 398 00:17:47,840 --> 00:17:51,200 Speaker 1: did this kickoff to summer at Jenkinson's at at the 399 00:17:51,480 --> 00:17:54,040 Speaker 1: Churchy Shore and you had already signed up to do 400 00:17:54,080 --> 00:17:57,639 Speaker 1: it and then I'll see, but from the moment you 401 00:17:57,720 --> 00:17:59,960 Speaker 1: signed on the dotted line to the moment you did it, 402 00:18:00,480 --> 00:18:03,600 Speaker 1: your career was an outer space. When your sunned on 403 00:18:03,640 --> 00:18:05,560 Speaker 1: the dog line, it was almost an out of space. 404 00:18:05,960 --> 00:18:08,320 Speaker 1: Did you regret having to go to a Jersey shore 405 00:18:08,480 --> 00:18:12,280 Speaker 1: appearance with us? I mean you could have filled it 406 00:18:12,280 --> 00:18:15,040 Speaker 1: in at that point, Radio City, you could have filled it. 407 00:18:15,240 --> 00:18:19,359 Speaker 1: You were at a on the shore at the beach 408 00:18:19,720 --> 00:18:21,960 Speaker 1: and we loved you for it. But were you sitting 409 00:18:22,000 --> 00:18:23,359 Speaker 1: there going hmmm. 410 00:18:23,720 --> 00:18:24,560 Speaker 2: I had so. 411 00:18:24,680 --> 00:18:26,320 Speaker 4: Much fun during that time of my life and it 412 00:18:26,400 --> 00:18:30,320 Speaker 4: was such a blur. I lack self awareness of what 413 00:18:30,480 --> 00:18:34,760 Speaker 4: was actually going on, going, going, going, I didn't even 414 00:18:34,840 --> 00:18:37,200 Speaker 4: realize that my career, you know, what's a lot. I 415 00:18:37,440 --> 00:18:39,600 Speaker 4: just realized I didn't actually because what that was like 416 00:18:39,600 --> 00:18:44,880 Speaker 4: twenty nineteen, right, I don't believe I truly blew up 417 00:18:45,000 --> 00:18:48,040 Speaker 4: or became famous until twenty twenty. And then we were 418 00:18:48,040 --> 00:18:51,560 Speaker 4: on lockdown. So it was kind of a weird experience 419 00:18:51,560 --> 00:18:53,480 Speaker 4: for me being like locked in the house and being like, 420 00:18:53,560 --> 00:18:55,720 Speaker 4: wait a minute, experiencing like fame for the first time. 421 00:18:55,720 --> 00:18:58,960 Speaker 4: Twenty nineteen, I was just I was trying to survive, Honey. 422 00:18:59,240 --> 00:19:01,479 Speaker 4: I was trying to put food on my family table. 423 00:19:03,600 --> 00:19:05,880 Speaker 1: Now you're trying to put food on the guy's plate 424 00:19:05,920 --> 00:19:07,000 Speaker 1: that's next to you at the met. 425 00:19:07,600 --> 00:19:10,159 Speaker 4: Hey, I'm trying to Kanada's tape. No, I'm trying to 426 00:19:10,200 --> 00:19:13,280 Speaker 4: feed I'm trying to feed everybody. This this music is 427 00:19:13,280 --> 00:19:15,880 Speaker 4: is food for the soul. And I'm trying to trying 428 00:19:15,920 --> 00:19:17,719 Speaker 4: to feed everybody right now. We all need it. 429 00:19:17,760 --> 00:19:19,280 Speaker 1: And you know you came out on that stage and 430 00:19:19,280 --> 00:19:21,280 Speaker 1: you gave it. You're all right there at the Jersey 431 00:19:21,280 --> 00:19:24,760 Speaker 1: shore with the Atlantic Ocean lapping at the thing. And 432 00:19:24,800 --> 00:19:27,360 Speaker 1: then another memory of Lizzo. I loved you were doing 433 00:19:27,440 --> 00:19:29,080 Speaker 1: jingle Ball at the Garden. 434 00:19:29,160 --> 00:19:30,080 Speaker 4: Period and I. 435 00:19:31,800 --> 00:19:34,000 Speaker 1: And we gave you a little sweater for your flute. 436 00:19:34,359 --> 00:19:35,040 Speaker 4: Oh my god. 437 00:19:36,640 --> 00:19:39,040 Speaker 1: And I'm like, you know what if she doesn't. So 438 00:19:39,080 --> 00:19:41,080 Speaker 1: I went to your dressing room after you left the garden, 439 00:19:41,880 --> 00:19:45,159 Speaker 1: hoping I wouldn't find your flute sweater left behind along 440 00:19:45,200 --> 00:19:47,680 Speaker 1: with you know, the catering, and and it wasn't there. 441 00:19:48,080 --> 00:19:51,600 Speaker 1: Had you left on that cold winter night, had you 442 00:19:51,680 --> 00:19:54,159 Speaker 1: left your flute sweater in the dressing room, I was 443 00:19:54,160 --> 00:19:56,040 Speaker 1: going to use it as a penis warmer for my 444 00:19:56,080 --> 00:20:03,200 Speaker 1: own I was going to repurpose that. But you didn't leave. 445 00:20:04,800 --> 00:20:08,439 Speaker 3: The same Sasha still wear the sweater. 446 00:20:09,040 --> 00:20:14,560 Speaker 4: What she likes. She likes the Louis Vuitton. She does 447 00:20:14,600 --> 00:20:15,159 Speaker 4: Gucci now. 448 00:20:18,480 --> 00:20:20,680 Speaker 1: But ever since then, I've been kind of cold down there. 449 00:20:22,080 --> 00:20:27,320 Speaker 4: Elvis. You I thought I was crazy crazy talked about 450 00:20:27,920 --> 00:20:28,760 Speaker 4: wee wee sweater. 451 00:20:32,440 --> 00:20:35,719 Speaker 1: Lizzo, Lizzo, Lizzo, all right, there's just something in and 452 00:20:35,720 --> 00:20:37,600 Speaker 1: look a lot of people ask us what's it like 453 00:20:37,640 --> 00:20:40,840 Speaker 1: when you meet the artists, and I will usually give 454 00:20:40,840 --> 00:20:43,920 Speaker 1: you an answer. When Lizzo walks into the room, you 455 00:20:43,960 --> 00:20:48,560 Speaker 1: feel warm, you feel loved, and you feel safe because 456 00:20:48,560 --> 00:20:50,320 Speaker 1: I know if anyone walked through the door to trying 457 00:20:50,320 --> 00:20:53,399 Speaker 1: to mess with me, Lizzo would kick their ass. I 458 00:20:53,440 --> 00:20:55,520 Speaker 1: just feel that to please say you would. 459 00:20:56,040 --> 00:21:01,520 Speaker 4: I yes, purposes would never hurt a fly. 460 00:21:04,160 --> 00:21:07,439 Speaker 1: The flies aren't bothered. The flies won't touch me. So 461 00:21:07,560 --> 00:21:10,440 Speaker 1: this album, you must be so so excited. I mean, 462 00:21:10,520 --> 00:21:13,760 Speaker 1: it's not since this summer, but this summer is do 463 00:21:13,800 --> 00:21:16,200 Speaker 1: we have a date yet? Or is just this summer. 464 00:21:15,880 --> 00:21:18,639 Speaker 4: We don't have a date. I've kind of gone a 465 00:21:18,640 --> 00:21:20,960 Speaker 4: little rogue and I'm just doing whatever I want to do. 466 00:21:20,960 --> 00:21:24,680 Speaker 4: I'm dropping like the demo version of Still Bad tonight. 467 00:21:24,840 --> 00:21:27,159 Speaker 4: I just shot a music video for it after the 468 00:21:27,240 --> 00:21:29,200 Speaker 4: met like I was running through the streets in New York, 469 00:21:29,760 --> 00:21:34,119 Speaker 4: running and gunning. So I we don't know yet, I 470 00:21:34,440 --> 00:21:37,600 Speaker 4: promise I'm not being cryptic and like, hey, mysterious. No, 471 00:21:37,760 --> 00:21:39,919 Speaker 4: I really don't know. But as soon as I know, 472 00:21:40,000 --> 00:21:41,159 Speaker 4: you will be the first to know. 473 00:21:41,560 --> 00:21:43,760 Speaker 5: Do you have a favorite song of all the babies? 474 00:21:43,920 --> 00:21:47,000 Speaker 4: Oh my gosh, they're all my babies. They're all my babies. 475 00:21:47,080 --> 00:21:50,680 Speaker 4: I don't I don't have a favorite right now. For 476 00:21:50,720 --> 00:21:54,800 Speaker 4: the sake of promotion, Still Bad Animal Style coming soon, 477 00:21:55,640 --> 00:21:57,119 Speaker 4: come right now. I wish I could play it for 478 00:21:57,160 --> 00:21:59,159 Speaker 4: you guys, like right now. But I also don't have 479 00:21:59,240 --> 00:22:00,000 Speaker 4: like the clean version. 480 00:22:02,320 --> 00:22:03,639 Speaker 1: But you know what this button is here? Do you 481 00:22:03,640 --> 00:22:07,240 Speaker 1: see this button right here? It's called dump or if 482 00:22:07,240 --> 00:22:09,159 Speaker 1: you if ever you say a curse word, or you 483 00:22:09,160 --> 00:22:10,520 Speaker 1: play a song of the curse word, you just push 484 00:22:10,600 --> 00:22:13,680 Speaker 1: that button and it's just erases the last with three 485 00:22:13,720 --> 00:22:15,800 Speaker 1: seconds of our lives. Really jot. You wish you had 486 00:22:15,800 --> 00:22:19,160 Speaker 1: that in real life, you say, you say something, where's 487 00:22:19,160 --> 00:22:19,800 Speaker 1: my dumb button? 488 00:22:20,040 --> 00:22:23,800 Speaker 4: Oh? My god? All the time. 489 00:22:24,040 --> 00:22:25,840 Speaker 5: We could get the song and give it to our 490 00:22:25,840 --> 00:22:28,120 Speaker 5: production team and they could replace all the bad words 491 00:22:28,119 --> 00:22:30,040 Speaker 5: with the quacks again, Oh I love quack. 492 00:22:30,520 --> 00:22:32,879 Speaker 1: Well give us further. I'll give you an example on 493 00:22:33,000 --> 00:22:45,360 Speaker 1: single the Myoh. Listen, here's how we. 494 00:22:45,440 --> 00:22:48,240 Speaker 4: Said, I'll just put on a we Wi sweater. That 495 00:22:48,400 --> 00:22:49,200 Speaker 4: what I was gonna say. 496 00:22:49,200 --> 00:22:51,760 Speaker 1: Here's how we edited one Margaritas. 497 00:22:52,720 --> 00:23:05,280 Speaker 2: I'm an open plame, not the affleck. 498 00:23:08,480 --> 00:23:11,119 Speaker 1: If you you should, you know, just you should have 499 00:23:11,240 --> 00:23:13,879 Speaker 1: little albums that come out with edited version for the 500 00:23:13,960 --> 00:23:15,960 Speaker 1: kids and kids. 501 00:23:15,960 --> 00:23:21,040 Speaker 4: Bop, I'm about to throw my phone away. Can't let 502 00:23:21,080 --> 00:23:23,840 Speaker 4: my girls know? Broban whacking with my bedad. 503 00:23:25,720 --> 00:23:26,880 Speaker 2: And that's called animal salad. 504 00:23:26,920 --> 00:23:27,959 Speaker 5: Could be all kinds of animals. 505 00:23:28,520 --> 00:23:35,879 Speaker 4: We could exactly editing animal was that that's what. 506 00:23:37,440 --> 00:23:39,879 Speaker 1: Okay, So you're you got New York City waiting for you, 507 00:23:39,920 --> 00:23:41,399 Speaker 1: and you're gonna choose to go to the hotel and 508 00:23:41,440 --> 00:23:42,800 Speaker 1: crawl in that most comfortable there. 509 00:23:42,920 --> 00:23:45,840 Speaker 4: Yes, I haven't slept in so long. I'm about to 510 00:23:45,880 --> 00:23:46,560 Speaker 4: have bedrot. 511 00:23:46,600 --> 00:23:48,560 Speaker 1: Honey. Are you? 512 00:23:48,840 --> 00:23:51,440 Speaker 4: Are you quacking? Are you? Are you duck? And serious? 513 00:23:51,520 --> 00:23:51,880 Speaker 4: Right now? 514 00:23:52,359 --> 00:23:54,240 Speaker 1: I'm gonna send that to your producer they got for 515 00:23:54,280 --> 00:23:58,280 Speaker 1: the next album. Well, look, Lizzo, we adore you, We 516 00:23:58,320 --> 00:24:00,880 Speaker 1: adore your music. We love that in album's coming out 517 00:24:00,960 --> 00:24:04,639 Speaker 1: during the summer on some date, and uh, I just 518 00:24:04,720 --> 00:24:07,840 Speaker 1: thank you for being you. You know, never apologize for 519 00:24:07,880 --> 00:24:10,200 Speaker 1: being you, because sometimes people make you feel like you 520 00:24:10,240 --> 00:24:11,520 Speaker 1: want to. I'm sure how cold I am? 521 00:24:11,640 --> 00:24:13,560 Speaker 4: No warm up, honey, get a little bit of this 522 00:24:13,600 --> 00:24:18,000 Speaker 4: warm you can. Oh no, don't touch my hand and 523 00:24:18,000 --> 00:24:20,920 Speaker 4: then talk about the weaving sweater father God. 524 00:24:21,160 --> 00:24:24,080 Speaker 1: Listen to early. Here's a text. Please let Lizza and 525 00:24:24,119 --> 00:24:26,720 Speaker 1: the rest of the morning show remember lions don't lose 526 00:24:26,760 --> 00:24:29,040 Speaker 1: sleep over the opinions of Sheep. 527 00:24:29,760 --> 00:24:30,199 Speaker 4: I love that. 528 00:24:30,200 --> 00:24:32,359 Speaker 1: That's a baby I can't hate from the outside of 529 00:24:32,400 --> 00:24:34,119 Speaker 1: the club that you can't even get in. 530 00:24:34,600 --> 00:24:35,119 Speaker 4: Baby. 531 00:24:36,119 --> 00:24:37,600 Speaker 1: We got a lot of We've got a lot of 532 00:24:37,600 --> 00:24:38,840 Speaker 1: philosophers listening today. 533 00:24:39,160 --> 00:24:40,760 Speaker 4: Yeah, very wise listeners. 534 00:24:40,760 --> 00:24:43,199 Speaker 1: All right, we're gonna play Still Bad the It's not 535 00:24:43,240 --> 00:24:46,200 Speaker 1: the animal version quite yet. Are are you live? 536 00:24:46,600 --> 00:24:51,160 Speaker 4: Should I go live? No? I just you doing live 537 00:24:51,280 --> 00:24:53,480 Speaker 4: on my on my irl account, Liz I r l 538 00:24:57,440 --> 00:24:58,040 Speaker 4: Oh my god? 539 00:24:58,560 --> 00:24:59,320 Speaker 1: Are we live? Really? 540 00:24:59,400 --> 00:25:01,960 Speaker 4: We're about to be I have a secret account. 541 00:25:02,000 --> 00:25:03,879 Speaker 1: We're on a secret account. 542 00:25:04,000 --> 00:25:04,320 Speaker 4: Yeah. 543 00:25:04,480 --> 00:25:08,480 Speaker 1: Hi, hey money, Oh my god, why would you tell 544 00:25:08,520 --> 00:25:10,760 Speaker 1: her you owe me money? 545 00:25:11,080 --> 00:25:15,120 Speaker 4: Infernal wee Wee Sweater? That was like my fifth time 546 00:25:15,160 --> 00:25:17,359 Speaker 4: referencing the Wei So I'm never gonna forget we we Sweater? 547 00:25:17,920 --> 00:25:19,920 Speaker 4: Hi brain, nobody in live yet? 548 00:25:21,640 --> 00:25:23,560 Speaker 1: Don't you love me to told party? No one shows up? 549 00:25:23,920 --> 00:25:26,679 Speaker 1: All right, we gotta get Still Bad on here. Of course. 550 00:25:26,840 --> 00:25:29,320 Speaker 1: The album Love in Real Life is out very soon 551 00:25:29,960 --> 00:25:32,120 Speaker 1: and we love you whenever you want to come visit 552 00:25:32,240 --> 00:25:35,720 Speaker 1: us on