1 00:00:03,920 --> 00:00:11,280 Speaker 1: It's that time time, time, time, luck and load. So 2 00:00:11,480 --> 00:00:48,680 Speaker 1: Michael Very Show is on the air. My wife had 3 00:00:48,680 --> 00:00:51,000 Speaker 1: to send some things up to the studio with me today, 4 00:00:51,040 --> 00:00:53,960 Speaker 1: so she put it in a brown paper bag, rolled 5 00:00:53,960 --> 00:00:58,600 Speaker 1: it down, and wrote me a note inside it, and 6 00:00:58,720 --> 00:01:02,240 Speaker 1: she said, I knew you would enjoy that immensely, so 7 00:01:02,480 --> 00:01:06,040 Speaker 1: I couldn't couldn't let you miss out on the experience, 8 00:01:07,160 --> 00:01:14,520 Speaker 1: because I have always glamorized the concept of the wife 9 00:01:15,000 --> 00:01:22,120 Speaker 1: making lunch for her husband as he heads off to 10 00:01:22,200 --> 00:01:25,280 Speaker 1: the construction site or the plant, which is what I'm 11 00:01:25,360 --> 00:01:29,600 Speaker 1: used to, my dad having worked at a plant, as 12 00:01:29,600 --> 00:01:32,760 Speaker 1: she sends him away with the brown paper bag with 13 00:01:32,800 --> 00:01:34,800 Speaker 1: his name on it and a note inside, and then 14 00:01:35,040 --> 00:01:38,559 Speaker 1: all the little treats that he has. You remember years ago, Ramment, 15 00:01:38,760 --> 00:01:41,200 Speaker 1: when we had the woman on that her husband was 16 00:01:41,240 --> 00:01:46,120 Speaker 1: working at the Her husband was a he was a 17 00:01:46,160 --> 00:01:52,600 Speaker 1: supervisor for a remodeling company, a renovation company, and basically 18 00:01:52,640 --> 00:01:55,320 Speaker 1: they were doing tenant improvement type stuff in the medical 19 00:01:55,320 --> 00:01:57,160 Speaker 1: center there. They were working on a project in the 20 00:01:57,160 --> 00:01:59,840 Speaker 1: medical center. And she went through everything that she had 21 00:01:59,840 --> 00:02:02,640 Speaker 1: sent in his lunch that day, all the little, the 22 00:02:02,680 --> 00:02:07,760 Speaker 1: little treats. That was it, Linda, It could be a Linda. 23 00:02:07,880 --> 00:02:13,040 Speaker 1: Yeah you found it. Were you looking for it? Did 24 00:02:13,040 --> 00:02:17,200 Speaker 1: you come across Linda? Okay, Linda sounds as right as 25 00:02:17,240 --> 00:02:21,040 Speaker 1: anything anyway. So my wife sent me off with that 26 00:02:22,440 --> 00:02:25,040 Speaker 1: today and we were talking about that when I got 27 00:02:25,040 --> 00:02:29,280 Speaker 1: here and I come walking in and Ramon's kids are 28 00:02:29,320 --> 00:02:34,839 Speaker 1: here because it's a Jewish holiday on Kapoor, and he said, oh, 29 00:02:35,120 --> 00:02:37,280 Speaker 1: what's in the bag? I said, that's just some stuff 30 00:02:37,320 --> 00:02:41,600 Speaker 1: that nothing had sent up for me today. He said, ah, 31 00:02:41,639 --> 00:02:44,640 Speaker 1: I love a brown paper bag. And then there we 32 00:02:44,680 --> 00:02:47,440 Speaker 1: went back into the nostalgia of the brown paper bag, 33 00:02:47,800 --> 00:02:51,400 Speaker 1: the paper bag lunch, that whole thing is very glamorized 34 00:02:51,440 --> 00:02:56,799 Speaker 1: to me, going to school with your brown paper bag 35 00:02:56,880 --> 00:02:59,720 Speaker 1: that you've rolled at the top in such a way 36 00:02:59,720 --> 00:03:02,320 Speaker 1: that you can clasp it, that the claw can clasp 37 00:03:02,360 --> 00:03:07,000 Speaker 1: it properly. So here is my tribute to all the 38 00:03:07,120 --> 00:03:12,120 Speaker 1: ladies out there who don't just throw something into a 39 00:03:12,200 --> 00:03:17,760 Speaker 1: bag for your husband, but actually take the time to 40 00:03:17,880 --> 00:03:20,720 Speaker 1: put nice little things in there, and little treats and 41 00:03:20,760 --> 00:03:25,200 Speaker 1: stuff that you make him. And if there's a certain 42 00:03:25,240 --> 00:03:29,120 Speaker 1: little something that is his thing, even if it's hard 43 00:03:29,120 --> 00:03:31,720 Speaker 1: to make or hard to get, you make sure to 44 00:03:31,800 --> 00:03:34,760 Speaker 1: put it in there. Is his little treat. I'll tell 45 00:03:34,760 --> 00:03:40,680 Speaker 1: you what. You never see contentment in the daylight hours, 46 00:03:41,480 --> 00:03:43,760 Speaker 1: quite like when you see a guy that's been working 47 00:03:43,800 --> 00:03:46,520 Speaker 1: all day and he's got he's got his back leaned 48 00:03:46,560 --> 00:03:49,920 Speaker 1: against a tree and he's over there eating out of 49 00:03:49,920 --> 00:03:54,760 Speaker 1: his bag. Or I'll tell you and tell you who 50 00:03:54,760 --> 00:03:58,320 Speaker 1: else is the Mexican women. You can be here and 51 00:03:58,360 --> 00:04:03,440 Speaker 1: be legal, ramon, so don't get nervos. But these Mexican women, 52 00:04:03,480 --> 00:04:06,240 Speaker 1: they'll send their men with the little what my wife 53 00:04:06,320 --> 00:04:09,360 Speaker 1: calls tiffins, you know, the little containers, you know, a 54 00:04:09,400 --> 00:04:14,720 Speaker 1: little uh like uh not rubber made, but tupperware type things, 55 00:04:15,120 --> 00:04:17,120 Speaker 1: and they'll send them off and they'll have their uh, 56 00:04:18,160 --> 00:04:20,480 Speaker 1: you know, their the beans over here, and their rice 57 00:04:20,560 --> 00:04:24,840 Speaker 1: over here, and their little sauces over here, and they 58 00:04:24,880 --> 00:04:27,280 Speaker 1: got their whole little thing and they pull it out 59 00:04:27,279 --> 00:04:29,679 Speaker 1: and you see, boy, man, they look like they're about 60 00:04:29,720 --> 00:04:32,120 Speaker 1: to eat. And there is there is a level of 61 00:04:32,160 --> 00:04:38,960 Speaker 1: contentment and just mouth hung down that you will very 62 00:04:39,080 --> 00:04:41,839 Speaker 1: rarely see in public unless you go to a strip 63 00:04:41,880 --> 00:04:43,720 Speaker 1: club and you watch the guy down front and he's 64 00:04:43,720 --> 00:04:46,120 Speaker 1: got eighteen one dollar bills and by god, he can't 65 00:04:46,160 --> 00:04:49,000 Speaker 1: get a single dance, but he is going to get 66 00:04:49,080 --> 00:04:53,799 Speaker 1: eighteen awkward encounters for sure, sign him up today, front rope. 67 00:04:54,320 --> 00:04:56,200 Speaker 1: But you're gonna drag it out a little and if 68 00:04:56,279 --> 00:04:59,200 Speaker 1: y'all could bring another water, so I've heard is a 69 00:04:59,240 --> 00:05:02,320 Speaker 1: movie about the whole deal. But anyway, so this is 70 00:05:02,360 --> 00:05:07,040 Speaker 1: my tribute to all of you wives out there who 71 00:05:07,920 --> 00:05:12,839 Speaker 1: packed the most amazing lunch for your men, and for 72 00:05:12,920 --> 00:05:15,599 Speaker 1: all of you fellas that are listening, that you show 73 00:05:15,640 --> 00:05:18,640 Speaker 1: your appreciation and if you got a story of what 74 00:05:19,360 --> 00:05:24,400 Speaker 1: in particular you pack for your men, and the only 75 00:05:24,480 --> 00:05:27,400 Speaker 1: reason it matters is you know that's the thing that 76 00:05:27,440 --> 00:05:30,839 Speaker 1: he really likes and you want to make him happy. 77 00:05:31,000 --> 00:05:35,640 Speaker 1: You know. It amazes me. In the era of what 78 00:05:35,839 --> 00:05:41,000 Speaker 1: was supposed to be called feminism, older women who were 79 00:05:41,120 --> 00:05:45,320 Speaker 1: the doyens, that the leaders, the mentor for the next generation, 80 00:05:46,480 --> 00:05:51,599 Speaker 1: Somewhere along the way they convinced women, young women that 81 00:05:51,680 --> 00:05:53,960 Speaker 1: you don't want to do anything nice for your man 82 00:05:54,600 --> 00:05:58,560 Speaker 1: because that's an insult to you, that is beneath you. 83 00:05:59,520 --> 00:06:03,640 Speaker 1: So you know, he needs to handle everything himself. Don't 84 00:06:03,680 --> 00:06:07,640 Speaker 1: do anything nice to him. Where's the feminine charm to that? 85 00:06:09,240 --> 00:06:16,880 Speaker 1: If if the feminist plays out to the end degree 86 00:06:17,040 --> 00:06:25,000 Speaker 1: their manifesto, there is nothing resembling traditional courtship or traditional 87 00:06:25,080 --> 00:06:30,160 Speaker 1: affection or intimacy. And that's not a stretch because if 88 00:06:30,200 --> 00:06:34,440 Speaker 1: you watch the television shows and you see this play 89 00:06:34,480 --> 00:06:37,400 Speaker 1: out as to what that looks like. This liberated woman, 90 00:06:37,520 --> 00:06:41,479 Speaker 1: she's free, she can if every man she wants. And 91 00:06:41,520 --> 00:06:44,040 Speaker 1: then she's thirty eight years Then she wakes up one 92 00:06:44,120 --> 00:06:48,680 Speaker 1: day and she's Chelsea Handler and you know, or uh, 93 00:06:49,120 --> 00:06:52,560 Speaker 1: Nikki's the what's the comedian? She wakes up one day 94 00:06:52,720 --> 00:06:58,640 Speaker 1: and she's Sarah Silverman. She's making very graphic, gross jokes 95 00:06:59,120 --> 00:07:02,599 Speaker 1: about her reproductive organ and about some dude and his 96 00:07:02,720 --> 00:07:06,040 Speaker 1: willie was too small, or when she was done having 97 00:07:06,080 --> 00:07:07,760 Speaker 1: sex with him, she wanted to kick him out of 98 00:07:07,800 --> 00:07:13,600 Speaker 1: the bed. And you're just thinking, oh, man, goodness, you 99 00:07:13,680 --> 00:07:16,559 Speaker 1: don't have children. Can you imagine this as a mother? 100 00:07:17,480 --> 00:07:21,640 Speaker 1: And that's that's what that whole movement of feminism has 101 00:07:21,680 --> 00:07:25,160 Speaker 1: grown up to be. Not me, m M, sign me 102 00:07:25,240 --> 00:07:27,880 Speaker 1: up for men being men and women being women. And 103 00:07:27,960 --> 00:07:31,480 Speaker 1: a woman who loves her man enough that she wants 104 00:07:31,520 --> 00:07:34,760 Speaker 1: to please him, and a man who loves his woman 105 00:07:34,880 --> 00:07:39,240 Speaker 1: enough that he spoils her like crazy, not just his 106 00:07:39,400 --> 00:07:43,000 Speaker 1: daughter's but his wife, and she he'll do anything in 107 00:07:43,000 --> 00:07:45,239 Speaker 1: the world for her because he loves her so much. 108 00:07:45,600 --> 00:07:49,200 Speaker 1: I don't understand how it came to pass it that 109 00:07:49,680 --> 00:07:53,040 Speaker 1: some women decided, oh no, I can't do I can't 110 00:07:53,080 --> 00:07:55,520 Speaker 1: do that nice thing for him. Why would I do 111 00:07:55,560 --> 00:07:58,720 Speaker 1: that nice thing for him? Then I would be beneath him, 112 00:07:58,760 --> 00:08:01,040 Speaker 1: Then I would be taken granted, then I would be 113 00:08:01,360 --> 00:08:04,240 Speaker 1: And I just think to myself, that is a sad, 114 00:08:04,480 --> 00:08:08,520 Speaker 1: sad state of affairs, that that's how you view this relationship, 115 00:08:09,360 --> 00:08:12,280 Speaker 1: because it could be special, it could be wonderful, it 116 00:08:12,360 --> 00:08:14,520 Speaker 1: should be. So anyway, we'll open the phone lines. We're 117 00:08:14,520 --> 00:08:16,680 Speaker 1: gonna get to the show. But if anybody happens to 118 00:08:16,680 --> 00:08:18,960 Speaker 1: call in with that that sweet little thing you put 119 00:08:18,960 --> 00:08:22,200 Speaker 1: in your your man's box or falls if you want 120 00:08:22,200 --> 00:08:25,080 Speaker 1: to tell that sweet thing that your wife does te 121 00:08:25,120 --> 00:08:28,200 Speaker 1: we want three nine nine nine one thousand, depart of 122 00:08:28,400 --> 00:08:39,440 Speaker 1: your life. King Jeffries was at the White House as 123 00:08:39,520 --> 00:08:42,640 Speaker 1: part of the negotiations because they've shut down the government 124 00:08:42,960 --> 00:08:46,839 Speaker 1: because they want health care for illegal aliens. They want 125 00:08:46,840 --> 00:08:49,679 Speaker 1: to provide health care for people from other countries who 126 00:08:49,679 --> 00:08:52,959 Speaker 1: break into our country, and they finally now just had 127 00:08:52,960 --> 00:08:57,079 Speaker 1: to break down and admit it. So Trump to troll 128 00:08:57,559 --> 00:09:03,320 Speaker 1: Hakim Jeffries playing mariachi music, and of course he posted 129 00:09:03,360 --> 00:09:07,760 Speaker 1: the meme of Hakeem Jeffries with the sombrero and the 130 00:09:07,840 --> 00:09:11,640 Speaker 1: over the top Mexican mustache, the big black mustache on 131 00:09:11,679 --> 00:09:15,040 Speaker 1: his face. And apparently it is very much under Hakeem 132 00:09:15,120 --> 00:09:19,920 Speaker 1: Jeffrey's skin because he's gone on television shows, on talk 133 00:09:20,000 --> 00:09:22,880 Speaker 1: shows and you know, just over the top. Oh, this 134 00:09:23,040 --> 00:09:26,880 Speaker 1: is so upsetting. There's no upsetting, dude. Y'all, y'all, y'all 135 00:09:26,920 --> 00:09:28,719 Speaker 1: have broken the rules. There's no You don't get to 136 00:09:28,760 --> 00:09:31,920 Speaker 1: be upset. You just get to be trolled. You just 137 00:09:32,120 --> 00:09:35,959 Speaker 1: get to be controlled. There. Hakeem doesn't even have a 138 00:09:36,040 --> 00:09:40,680 Speaker 1: dream shake going around with that. You know, they retire numbers, 139 00:09:40,679 --> 00:09:45,000 Speaker 1: we should retire names. We're retiring Hakim. You are not Hakeem. 140 00:09:45,320 --> 00:09:51,360 Speaker 1: You are quite useless. Actually, a barbecue dynasty's feud, according 141 00:09:51,360 --> 00:09:54,960 Speaker 1: to the Wall Street Journal, is rocking a Texas town. 142 00:09:55,080 --> 00:09:58,760 Speaker 1: It's the Black brothers of the famed Blacks Barbecue and Lockhart. 143 00:09:59,360 --> 00:10:02,600 Speaker 1: They split years ago. So now there's the original Blacks 144 00:10:02,640 --> 00:10:07,160 Speaker 1: Barbecue and there's Terry Blacks Barbecue. Story from k x 145 00:10:07,280 --> 00:10:08,079 Speaker 1: A n TV. 146 00:10:09,400 --> 00:10:11,440 Speaker 2: You may have mixed them up. At one point or 147 00:10:11,559 --> 00:10:15,640 Speaker 2: not known the difference original Blacks and Terry Black's Barbecue. 148 00:10:16,080 --> 00:10:18,920 Speaker 2: What started as one Lockhart restaurant in nineteen thirty two 149 00:10:19,080 --> 00:10:22,440 Speaker 2: splintered in twenty fourteen. It's when the nephews of the 150 00:10:22,520 --> 00:10:25,760 Speaker 2: current owner opened an Austin location and named it after 151 00:10:25,840 --> 00:10:29,839 Speaker 2: their dad and his brother Terry. We explore what turned 152 00:10:29,840 --> 00:10:34,280 Speaker 2: into lawsuits, name changes and claims of a billboard cut 153 00:10:34,360 --> 00:10:38,959 Speaker 2: down by a chainsaw even before. 154 00:10:38,720 --> 00:10:40,680 Speaker 3: We ever got Terry Likes Farbau opened. You know, my 155 00:10:40,800 --> 00:10:44,040 Speaker 3: uncle and the attorney in him constantly firing off law 156 00:10:44,080 --> 00:10:47,720 Speaker 3: seats at us. There's been an ongoing lawsuit or threat 157 00:10:47,720 --> 00:10:50,559 Speaker 3: of lawsuit, you know, since day one of operations. That's 158 00:10:50,600 --> 00:10:52,880 Speaker 3: kind of his im is to just keep fire in 159 00:10:52,920 --> 00:10:55,080 Speaker 3: lawsuits at us for whatever reason. 160 00:11:00,000 --> 00:11:02,280 Speaker 4: My dad owns the property just south of town towards 161 00:11:02,320 --> 00:11:04,920 Speaker 4: a Loving He has a tire shot there that he 162 00:11:05,000 --> 00:11:08,120 Speaker 4: leases to and there was a billboard on there. Well, 163 00:11:08,320 --> 00:11:10,880 Speaker 4: we told Ken, hey, since we're no ller involved in 164 00:11:11,160 --> 00:11:13,439 Speaker 4: Blacks Barbecue organ prior billboard up, so you need to 165 00:11:13,480 --> 00:11:14,160 Speaker 4: take years down. 166 00:11:14,280 --> 00:11:16,959 Speaker 5: It was a sign that I owned and I had 167 00:11:16,960 --> 00:11:17,680 Speaker 5: the permits. 168 00:11:17,920 --> 00:11:19,600 Speaker 1: He cut the polls down at the base. 169 00:11:19,960 --> 00:11:23,400 Speaker 5: Yeah, I took the sign down because it was my sign. 170 00:11:23,480 --> 00:11:26,000 Speaker 4: We filed ants. I slapped lawsuit against Sam. 171 00:11:26,720 --> 00:11:28,520 Speaker 1: Signs are personal property. 172 00:11:28,679 --> 00:11:31,880 Speaker 5: It was my sign and so I took down my sign. 173 00:11:32,160 --> 00:11:34,320 Speaker 4: Anyway, we got a new billboard, brand new that he 174 00:11:34,360 --> 00:11:34,800 Speaker 4: paid for. 175 00:11:35,160 --> 00:11:37,800 Speaker 1: I think it was somewhere on three thousand dollars, give 176 00:11:37,880 --> 00:11:38,160 Speaker 1: or take. 177 00:11:38,880 --> 00:11:42,520 Speaker 5: The settlement said they were not supposed to discuss the case, 178 00:11:42,960 --> 00:11:47,679 Speaker 5: and so I'm respecting the settlement order that says to 179 00:11:47,720 --> 00:11:48,920 Speaker 5: not discuss the case. 180 00:11:56,240 --> 00:12:01,160 Speaker 1: Okay, nothing like a little drama. Family drama. 181 00:12:01,200 --> 00:12:01,480 Speaker 4: There. 182 00:12:03,200 --> 00:12:06,280 Speaker 1: Crime is so rampant and an apartment complex in the 183 00:12:06,360 --> 00:12:10,839 Speaker 1: Miyerland area. The City of Houston has filed a nuisance lawsuit. 184 00:12:11,920 --> 00:12:16,920 Speaker 1: The city attorney sites murders, aggravated assaults, robberies and shootings 185 00:12:17,040 --> 00:12:23,199 Speaker 1: at the Life at Jackson Square apartments off North Braiswood. 186 00:12:23,760 --> 00:12:27,480 Speaker 1: The latest crime caught on surveillance video shows residents confronting 187 00:12:27,520 --> 00:12:32,120 Speaker 1: burglars inside their apartment as the residents returned home. Story 188 00:12:32,120 --> 00:12:33,640 Speaker 1: from KHOU. 189 00:12:33,640 --> 00:12:36,680 Speaker 6: They don't waste any time. In home surveillance video released 190 00:12:36,679 --> 00:12:40,120 Speaker 6: by HPD, the two suspects start grabbing things as soon 191 00:12:40,160 --> 00:12:43,600 Speaker 6: as they walk inside, but moments later, the apartments residents 192 00:12:43,640 --> 00:12:46,760 Speaker 6: show up and confront them. After that, the video appears 193 00:12:46,760 --> 00:12:49,400 Speaker 6: to be edited, jumping to the end of the encounter 194 00:12:49,520 --> 00:12:53,000 Speaker 6: with the two suspects taking off. Police say the residents 195 00:12:53,040 --> 00:12:57,640 Speaker 6: told investigators they were attacked and assaulted. Today. Other residents 196 00:12:57,640 --> 00:13:00,440 Speaker 6: we showed that video to told us it was just disturbing, 197 00:13:00,520 --> 00:13:01,520 Speaker 6: but not surprising. 198 00:13:01,800 --> 00:13:02,640 Speaker 1: That's sad, man. 199 00:13:02,960 --> 00:13:05,880 Speaker 6: They got to rob people, just don't know, find them 200 00:13:05,960 --> 00:13:06,880 Speaker 6: some money, I guess. 201 00:13:07,120 --> 00:13:07,800 Speaker 1: And it's sad. 202 00:13:08,360 --> 00:13:08,640 Speaker 4: You know. 203 00:13:09,640 --> 00:13:12,800 Speaker 6: I'm on my own business. The home invasion happening August 204 00:13:12,840 --> 00:13:15,760 Speaker 6: twenty sixth at the Life of Jackson Square Apartments, the 205 00:13:15,800 --> 00:13:18,640 Speaker 6: same complex the city sued in July and a so 206 00:13:18,800 --> 00:13:22,920 Speaker 6: called nuisance lawsuit. Attorneys cited some of the most serious crimes, 207 00:13:23,080 --> 00:13:26,200 Speaker 6: including the murder of a woman last October, along with 208 00:13:26,280 --> 00:13:29,000 Speaker 6: aggravated assaults, robberies, and shootings. 209 00:13:29,160 --> 00:13:32,760 Speaker 4: They always on TVC is always this dead body found 210 00:13:32,800 --> 00:13:35,320 Speaker 4: here are the police running in this apartment? 211 00:13:35,440 --> 00:13:38,280 Speaker 1: That apartment? Literally you never know what. 212 00:13:38,240 --> 00:13:40,840 Speaker 6: You're gonna give. At the time, the apartment owners denied 213 00:13:40,880 --> 00:13:43,840 Speaker 6: the allegations, but the city says since the lawsuit, the 214 00:13:43,880 --> 00:13:48,079 Speaker 6: owners have replaced management and begun legally required crime reduction 215 00:13:48,240 --> 00:13:52,480 Speaker 6: measures that includes new security cameras, and better lighting, repaired gates, 216 00:13:52,520 --> 00:13:56,640 Speaker 6: and on site private security officers. Still, some residents say 217 00:13:56,640 --> 00:13:59,080 Speaker 6: they don't always feel safe. What kind of things are 218 00:13:59,120 --> 00:14:01,240 Speaker 6: you seeing out here make you worried about your safety? 219 00:14:01,760 --> 00:14:04,280 Speaker 1: A lot of break ins, a lot of harassment. 220 00:14:04,760 --> 00:14:07,840 Speaker 6: The city attorney claims that calls for service have already 221 00:14:07,880 --> 00:14:11,079 Speaker 6: decreased here, but also says if crime does not improve, 222 00:14:11,320 --> 00:14:13,480 Speaker 6: the city's prepared to push the lawsuit further. 223 00:14:14,080 --> 00:14:19,400 Speaker 1: I'm all for using everything you can to fix the problem. 224 00:14:20,480 --> 00:14:25,480 Speaker 1: But isn't it interesting that we have a really, really 225 00:14:25,800 --> 00:14:31,120 Speaker 1: bad crime problem at an apartment complex and the answer 226 00:14:32,240 --> 00:14:40,040 Speaker 1: is to file law suits against the owner. Wait a minute, 227 00:14:43,720 --> 00:14:48,680 Speaker 1: how about we take some personal responsibility and put some 228 00:14:48,840 --> 00:14:56,760 Speaker 1: cops on the scene. How about we put law enforcement 229 00:14:57,120 --> 00:15:05,840 Speaker 1: into enforcing the law. We're dragging an apartment owner who granted, 230 00:15:06,120 --> 00:15:11,840 Speaker 1: maybe he could should do more in the court because 231 00:15:11,920 --> 00:15:16,600 Speaker 1: thugs are being thugs. How about we put some officers 232 00:15:16,680 --> 00:15:20,920 Speaker 1: on the scene and arrest the punks. This is a 233 00:15:21,760 --> 00:15:27,560 Speaker 1: this is a classic shift of responsibility. We pay for taxes, 234 00:15:27,640 --> 00:15:31,920 Speaker 1: all of us so that we have law enforcement officers 235 00:15:32,200 --> 00:15:36,360 Speaker 1: to prevent crime, and when it's committed, to catch them. 236 00:15:36,400 --> 00:15:40,080 Speaker 1: That's what they're for. We're going to court now. It 237 00:15:40,280 --> 00:15:41,479 Speaker 1: was a little squirrely. 238 00:15:43,000 --> 00:16:10,880 Speaker 7: Michael Berry's soles move me. 239 00:16:12,240 --> 00:16:15,920 Speaker 1: I love a good Mariachi nothing. I used to go 240 00:16:16,000 --> 00:16:20,320 Speaker 1: to uh Spanish Flowers over on North Maine in the 241 00:16:20,320 --> 00:16:26,640 Speaker 1: hour of the day, and that was doable because you know, 242 00:16:26,720 --> 00:16:31,280 Speaker 1: there was one little group of Mariacci's old Mexican dudes 243 00:16:32,200 --> 00:16:38,080 Speaker 1: walking around, truthfully kind of listless. Why why is your 244 00:16:38,080 --> 00:16:43,880 Speaker 1: shirt off? Oh oh, so you're gonna take your white 245 00:16:43,880 --> 00:16:49,040 Speaker 1: shirt off because you're drinking coffee and do the show shirtless. Okay, 246 00:16:50,440 --> 00:16:57,040 Speaker 1: that's weird, Okay, all right, Uh not the first time 247 00:16:57,040 --> 00:17:01,280 Speaker 1: you want a white shirt. You don't. You've never worn 248 00:17:01,320 --> 00:17:05,640 Speaker 1: a white shirt. Okay, well, maybe don't wear white shirts anymore. 249 00:17:06,000 --> 00:17:07,760 Speaker 1: The other thing I forget is you got all those 250 00:17:08,240 --> 00:17:12,239 Speaker 1: all those tattoos. The other thing that's weird is that 251 00:17:12,280 --> 00:17:14,480 Speaker 1: Ramona used to be really really fat. Now he's not. 252 00:17:15,320 --> 00:17:17,840 Speaker 1: And so when you look across on my glasses on, 253 00:17:17,960 --> 00:17:21,840 Speaker 1: but the size of the image has shrunk. Yeah, and 254 00:17:21,880 --> 00:17:23,880 Speaker 1: it looks like he hasn't showered or something, because there's 255 00:17:23,920 --> 00:17:27,000 Speaker 1: like there's like blurs on his arm. But I realize 256 00:17:27,040 --> 00:17:29,800 Speaker 1: that's probably his tattoos. I take my glasses off to 257 00:17:29,880 --> 00:17:31,960 Speaker 1: do the show, so I can I can see it close. 258 00:17:32,600 --> 00:17:37,160 Speaker 1: But anyway, the mariachis at Spanish Flowers. That was manageable. 259 00:17:37,680 --> 00:17:40,560 Speaker 1: What you don't want to do is go to one 260 00:17:40,600 --> 00:17:46,000 Speaker 1: of those places like me Tienda in San Anton where 261 00:17:46,040 --> 00:17:49,640 Speaker 1: they've allowed anybody and everybody in there. So you've got say, 262 00:17:50,280 --> 00:17:54,720 Speaker 1: forty mariachi bands and forty tables, and so they're all 263 00:17:54,840 --> 00:17:57,440 Speaker 1: so you're trying to eat, you know, and you down 264 00:17:57,480 --> 00:18:01,679 Speaker 1: there digging into a tortilla, and one on do you 265 00:18:01,760 --> 00:18:05,720 Speaker 1: like music? No, No, I'm okay, John Kay, And so 266 00:18:05,800 --> 00:18:08,119 Speaker 1: then they all sort of like ah, and now it 267 00:18:08,160 --> 00:18:11,760 Speaker 1: becomes like you're at the intersection, right, Like, if you're 268 00:18:11,760 --> 00:18:14,760 Speaker 1: gonna sit at the intersection, sit over to my right 269 00:18:14,840 --> 00:18:16,560 Speaker 1: so I don't have to look at you, and don't 270 00:18:16,640 --> 00:18:18,680 Speaker 1: let the dog look at me, because no matter how 271 00:18:18,720 --> 00:18:22,680 Speaker 1: flea ridden it is, those damn things are sympathetic. If 272 00:18:22,680 --> 00:18:25,520 Speaker 1: you'll make a clever sign and we'll talk. And if 273 00:18:25,560 --> 00:18:27,200 Speaker 1: you're gonna sit there without a sign and all that, 274 00:18:27,960 --> 00:18:29,280 Speaker 1: just at least stay out of the way and don't 275 00:18:29,320 --> 00:18:32,760 Speaker 1: bother me. But then there's that one, you know, you know, 276 00:18:32,840 --> 00:18:35,440 Speaker 1: that one, you know what I'm talking about. He gets up, 277 00:18:36,320 --> 00:18:38,480 Speaker 1: he goes out in front of you. He can't run 278 00:18:38,600 --> 00:18:40,639 Speaker 1: him over. He goes out in front of you. He 279 00:18:40,720 --> 00:18:44,960 Speaker 1: shrugs his shoulders, like you got to give him credit 280 00:18:45,000 --> 00:18:47,280 Speaker 1: for the effort, because how many times does he have 281 00:18:47,359 --> 00:18:49,359 Speaker 1: to look disappointed in the course of a day to 282 00:18:49,400 --> 00:18:53,359 Speaker 1: get through his job like that? That's exhausting, right, because 283 00:18:53,600 --> 00:18:56,680 Speaker 1: most people aren't gonna give. So he does the could 284 00:18:56,720 --> 00:19:01,199 Speaker 1: you give? And you go nah, and you always overdo. 285 00:19:01,280 --> 00:19:05,640 Speaker 1: Then no, some of them you can ignore and they'll 286 00:19:05,720 --> 00:19:08,600 Speaker 1: keep going. But then there's some are like, now, you're 287 00:19:08,640 --> 00:19:11,480 Speaker 1: not ignoring me. You can tell me no, but you're 288 00:19:11,480 --> 00:19:13,800 Speaker 1: not ignoring me if you ignore him and look off 289 00:19:13,800 --> 00:19:16,400 Speaker 1: to the left, so off the driver's side window. They'll 290 00:19:16,400 --> 00:19:19,040 Speaker 1: come around there and lock down on you like kujo, 291 00:19:19,880 --> 00:19:22,360 Speaker 1: And so they're right on your eyeball to eyeball. There 292 00:19:22,440 --> 00:19:27,160 Speaker 1: you all are. And then there's that one. This one's 293 00:19:27,160 --> 00:19:29,840 Speaker 1: the one that gets me. He starts into the to 294 00:19:29,960 --> 00:19:32,840 Speaker 1: the window wash. He knows you don't want your window washed. 295 00:19:33,200 --> 00:19:36,639 Speaker 1: Why would you. The water's filthy, he's filthy. Your window 296 00:19:36,800 --> 00:19:38,919 Speaker 1: will look worse after he's done than when he started. 297 00:19:40,320 --> 00:19:45,679 Speaker 1: But he knows that there's this emotional contract that occurs 298 00:19:46,240 --> 00:19:50,200 Speaker 1: that if he washes your windows, you have to pay him. 299 00:19:50,680 --> 00:19:53,760 Speaker 1: You don't, but that's the way the game is played, right, 300 00:19:54,000 --> 00:19:55,919 Speaker 1: So if he can just get good and started on 301 00:19:55,960 --> 00:19:59,480 Speaker 1: your windows and then at the end of he's like, hey, 302 00:20:00,200 --> 00:20:02,879 Speaker 1: look what I did, and you don't want your windows 303 00:20:02,880 --> 00:20:05,760 Speaker 1: to watch not that way. But you kind of have 304 00:20:05,880 --> 00:20:11,600 Speaker 1: this emotional tie, should I? That is why like it 305 00:20:11,720 --> 00:20:15,520 Speaker 1: or not. When I pull up at an intersection, I'm 306 00:20:15,560 --> 00:20:18,199 Speaker 1: not getting right up on the person behind me. I 307 00:20:18,320 --> 00:20:22,200 Speaker 1: never understood how people let themselves get pinned in. I've 308 00:20:22,240 --> 00:20:25,520 Speaker 1: got my I've got my exit strategy prepared. I got 309 00:20:25,600 --> 00:20:28,560 Speaker 1: plenty of room. You come out there on me. You 310 00:20:28,560 --> 00:20:31,040 Speaker 1: you start trying to wash the back window, I'll just 311 00:20:31,119 --> 00:20:34,159 Speaker 1: ease up a little bit and now I got a 312 00:20:34,160 --> 00:20:35,960 Speaker 1: little way. I got a little ways to do that 313 00:20:36,119 --> 00:20:40,400 Speaker 1: on or I'll accidentally hit that rear that uh rear 314 00:20:40,480 --> 00:20:44,240 Speaker 1: wind uh window washer thing and maybe shoot shoot a 315 00:20:44,240 --> 00:20:46,960 Speaker 1: little stream on you on that. I can't stand that, 316 00:20:47,640 --> 00:20:52,280 Speaker 1: but you know what what Uh anyway, the mariachi is 317 00:20:52,320 --> 00:20:57,160 Speaker 1: at me tienda. They come around and they aggressively ask 318 00:20:57,280 --> 00:20:59,520 Speaker 1: you if you would like to be serenaded. You know 319 00:20:59,560 --> 00:21:01,720 Speaker 1: the other thing, it's kind of like Mario. It's kind 320 00:21:01,720 --> 00:21:09,360 Speaker 1: of like, uh, karaoke, Ramon is having a mariachi seems 321 00:21:09,400 --> 00:21:13,880 Speaker 1: like a good idea for a moment. Oh it's mom's birthday. Yeah, 322 00:21:14,200 --> 00:21:17,159 Speaker 1: go ahead and do. And there's only like three songs 323 00:21:17,160 --> 00:21:19,960 Speaker 1: it's ever requested because it's the only three songs that 324 00:21:20,040 --> 00:21:23,160 Speaker 1: white people know, and they feel like, yeah, I could 325 00:21:23,160 --> 00:21:25,480 Speaker 1: come up with some songs they'll know. Watch this, kids, 326 00:21:25,960 --> 00:21:28,200 Speaker 1: can you do via condios? 327 00:21:29,760 --> 00:21:29,879 Speaker 7: Oh? 328 00:21:29,960 --> 00:21:33,240 Speaker 1: Yeah, sure, see boys, I do that another thing or two. 329 00:21:33,280 --> 00:21:35,920 Speaker 1: I went hunting down there one time. Well, yeah, it's 330 00:21:36,040 --> 00:21:40,080 Speaker 1: called lio Byo Condello's. And dad sits there and sits 331 00:21:40,080 --> 00:21:42,480 Speaker 1: there and sits there and sits there. In about forty seconds, 332 00:21:42,520 --> 00:21:47,000 Speaker 1: he and here Vaya condeos my darling, and then they 333 00:21:47,000 --> 00:21:51,200 Speaker 1: go along. But the problem with mariachi is, just like karaoke, 334 00:21:51,880 --> 00:21:54,520 Speaker 1: it seems like a real good idea when it started, 335 00:21:54,760 --> 00:21:58,200 Speaker 1: but then you find out that song is long. Woo, 336 00:21:59,640 --> 00:22:02,879 Speaker 1: it is long. So what starts as a really clever 337 00:22:03,160 --> 00:22:07,400 Speaker 1: cute if they're saying, everybody's looking around, maybe maybe you've 338 00:22:07,440 --> 00:22:10,880 Speaker 1: pulled out your camera and you're filming, the kids are 339 00:22:10,960 --> 00:22:14,639 Speaker 1: having fun, moms feeling the mom's blushing, but she's flattered. 340 00:22:14,680 --> 00:22:17,440 Speaker 1: You know, this is all really really nice, and now 341 00:22:17,480 --> 00:22:21,720 Speaker 1: you you filmed the mariachi singers and then it's still 342 00:22:21,760 --> 00:22:25,800 Speaker 1: going on and you're two minutes into the thing, and 343 00:22:25,840 --> 00:22:27,919 Speaker 1: you you kind of don't want to go back and 344 00:22:27,960 --> 00:22:31,960 Speaker 1: pan back through everybody. Everybody's been on the video videos 345 00:22:32,800 --> 00:22:36,879 Speaker 1: run for a while. This is really taking a long time, 346 00:22:36,960 --> 00:22:39,600 Speaker 1: and they show no signs of letting up. I don't 347 00:22:39,640 --> 00:22:42,280 Speaker 1: know if they're getting overtime for the song. And when 348 00:22:42,320 --> 00:22:47,640 Speaker 1: they're done, you're like, whoa, thank you you lack anohing, No, no, don't. 349 00:22:48,400 --> 00:22:50,520 Speaker 1: You got a lot of other tables. We don't want 350 00:22:50,560 --> 00:22:54,440 Speaker 1: to keep it to ourselves. You you know, you've been 351 00:22:54,680 --> 00:22:58,960 Speaker 1: too kind already, and so then they but you know 352 00:22:59,040 --> 00:23:03,280 Speaker 1: where I do like tomorrow, jeez, Texans games. I don't 353 00:23:03,280 --> 00:23:07,159 Speaker 1: know who came up with this strategy. Somebody in the 354 00:23:07,200 --> 00:23:11,560 Speaker 1: Texans organization said, listen, we are going to live or 355 00:23:11,680 --> 00:23:17,320 Speaker 1: die by first generation Mexicans becoming Texans fans because they're 356 00:23:17,359 --> 00:23:20,359 Speaker 1: just not enough white people willing to come, and black 357 00:23:20,359 --> 00:23:23,880 Speaker 1: people don't hardly go to NFL games. Don't be mad 358 00:23:23,920 --> 00:23:27,400 Speaker 1: at me. That's just the way it is, which is ironic, 359 00:23:27,520 --> 00:23:29,639 Speaker 1: but it's the way it is, but you get the 360 00:23:29,680 --> 00:23:32,280 Speaker 1: first generation Mexicans and then if you get it, if 361 00:23:32,320 --> 00:23:34,760 Speaker 1: you can tap into second third, if you get tapped 362 00:23:34,760 --> 00:23:38,040 Speaker 1: into just Latinos that live here with a little bit 363 00:23:38,080 --> 00:23:40,719 Speaker 1: of you know, Latino. Oh you got it, You got it. 364 00:23:40,720 --> 00:23:44,240 Speaker 1: And that's I asked Crockett on Sunday. On the way, 365 00:23:44,280 --> 00:23:47,160 Speaker 1: I said, Crockett, I want you to notice how many 366 00:23:47,240 --> 00:23:53,399 Speaker 1: Latinos have how many I was reading I'm sorry, I 367 00:23:53,400 --> 00:23:56,840 Speaker 1: was reading your comment. How many Latinos are at the game, 368 00:23:57,320 --> 00:24:01,080 Speaker 1: and notice how how high that person is. Just take 369 00:24:01,119 --> 00:24:02,560 Speaker 1: a note of it in case you hadn't a right 370 00:24:02,680 --> 00:24:07,200 Speaker 1: okay into the first quarter He's like, wow, Dad, you're right. 371 00:24:07,600 --> 00:24:10,080 Speaker 1: So that's why they got like the mariachi and truth 372 00:24:10,119 --> 00:24:12,399 Speaker 1: be told, every white dude and those Mario they got 373 00:24:12,520 --> 00:24:15,600 Speaker 1: nice uniforms. Have you seen the mariachis at halftime? It's 374 00:24:15,640 --> 00:24:16,119 Speaker 1: a show. 375 00:24:18,280 --> 00:24:20,320 Speaker 3: And what I see it all over the place is 376 00:24:20,320 --> 00:24:23,479 Speaker 3: people who care about looking good while doing evil. 377 00:24:25,280 --> 00:24:30,560 Speaker 1: The Michael Barry Show. I want you to make for 378 00:24:30,680 --> 00:24:36,879 Speaker 1: me the list of the five most requested mariachi songs. 379 00:24:37,200 --> 00:24:38,720 Speaker 1: I can just go ahead and tell you right now 380 00:24:39,080 --> 00:24:43,000 Speaker 1: that one oarms LaBamba. The problem is. 381 00:24:45,440 --> 00:24:46,040 Speaker 8: You go to. 382 00:24:47,520 --> 00:24:52,280 Speaker 1: A tex mex restaurant where they've got Mariachi's. And the 383 00:24:52,320 --> 00:24:57,280 Speaker 1: first time you hear lobamba, you're like, oh, lobamba, what happened? 384 00:24:57,640 --> 00:25:01,240 Speaker 1: Can we get some case over here? We're having queso 385 00:25:01,480 --> 00:25:06,120 Speaker 1: and chips and beer, and we're all having a good time. 386 00:25:06,160 --> 00:25:07,919 Speaker 1: There's a bunch of us and we don't care that 387 00:25:07,920 --> 00:25:11,320 Speaker 1: the food service is slow because we got chips in queso. 388 00:25:11,880 --> 00:25:21,520 Speaker 1: We're happy. And then you hear la bamba again, you go, oh, okay, Well, 389 00:25:21,560 --> 00:25:24,119 Speaker 1: you know it's a very popular song. You know, LaBamba. No, 390 00:25:24,760 --> 00:25:28,280 Speaker 1: everybody likes LaBamba. You know Ritchie Valens and you know 391 00:25:28,359 --> 00:25:31,880 Speaker 1: Buddy Holly and kids. You know, you know, he was there, 392 00:25:32,000 --> 00:25:34,600 Speaker 1: you know the day the music died. And yeah he's 393 00:25:34,640 --> 00:25:37,960 Speaker 1: a young father. He's seventeen, eighteen years old when he died. Yeah, yeah, 394 00:25:38,000 --> 00:25:41,000 Speaker 1: this was his song. No, he really didn't have much more. 395 00:25:41,080 --> 00:25:43,879 Speaker 1: This was about it. But heck, he was barely I 396 00:25:43,920 --> 00:25:45,520 Speaker 1: mean if he going to high school, he wouldn't even 397 00:25:45,520 --> 00:25:48,040 Speaker 1: be a senior in high school. I mean, she'sa LaBamba 398 00:25:48,080 --> 00:25:50,040 Speaker 1: was a lot for such a young age. You got 399 00:25:50,080 --> 00:25:53,840 Speaker 1: to understand. So instead of playing all his songs, they're 400 00:25:53,880 --> 00:25:56,080 Speaker 1: just gonna play this one. Song a bunch of times, 401 00:25:56,320 --> 00:25:58,320 Speaker 1: and that'll represent a body of work that he would 402 00:25:58,359 --> 00:26:01,000 Speaker 1: have had had he lived to be sixty and no deed. 403 00:26:01,320 --> 00:26:03,680 Speaker 1: So there you go, and now you got Lebama the 404 00:26:03,720 --> 00:26:07,119 Speaker 1: second time. About ten minutes later, another one strikes up 405 00:26:07,160 --> 00:26:13,040 Speaker 1: over there because somehow someway people with no sense of 406 00:26:13,080 --> 00:26:19,640 Speaker 1: irony say, hey, uh, let's get let's get a mariachi 407 00:26:19,760 --> 00:26:23,600 Speaker 1: for our table. Oh no, honey, don't, no, no, no, no, 408 00:26:23,680 --> 00:26:27,080 Speaker 1: don't do it. Don't do it all? Hey, ma, man 409 00:26:27,280 --> 00:26:28,560 Speaker 1: oh her music? 410 00:26:28,640 --> 00:26:28,840 Speaker 4: Man? 411 00:26:29,000 --> 00:26:32,400 Speaker 1: Oh? Dad, Dad, No, Mom, I don't think she really 412 00:26:32,400 --> 00:26:35,320 Speaker 1: wants it. Dad, I don't think she really wants Yeah yeah, hey, 413 00:26:35,440 --> 00:26:39,040 Speaker 1: oh hurt, sir, Honey, please, you're embarrassing. You're embarrassing me. 414 00:26:39,080 --> 00:26:40,920 Speaker 1: You're embarrassing all of us. Honey, you've had too much. 415 00:26:40,920 --> 00:26:46,560 Speaker 1: You've had too much mariachi. Come here, hey, do us 416 00:26:46,640 --> 00:26:50,320 Speaker 1: a song, new one for us. It's my wife's birthday, Honey, 417 00:26:50,320 --> 00:26:51,840 Speaker 1: you know it's not my birthday. Why are you doing this? 418 00:26:51,880 --> 00:26:54,600 Speaker 1: Why are you doing this? This is my my wife birthday? 419 00:26:55,680 --> 00:27:00,200 Speaker 1: Say because sing her something? What do you want de 420 00:27:00,320 --> 00:27:04,080 Speaker 1: la bamba that we just we just heard Obama? Three 421 00:27:04,119 --> 00:27:07,880 Speaker 1: tails over? Is that Obama I paid for Obama. It's 422 00:27:07,880 --> 00:27:11,240 Speaker 1: twenty dollars of Lobama. And now you got another LaBamba 423 00:27:11,960 --> 00:27:14,560 Speaker 1: that can go on for a while. It's like a 424 00:27:15,960 --> 00:27:18,720 Speaker 1: it's like a virus. It spreads, all right. So you 425 00:27:18,760 --> 00:27:23,040 Speaker 1: got via Condio's condos and lbamba? What else you got? 426 00:27:23,080 --> 00:27:26,760 Speaker 1: Are you serious? You didn't come up with that on 427 00:27:26,800 --> 00:27:27,160 Speaker 1: your own? 428 00:27:27,760 --> 00:27:28,120 Speaker 7: You know? 429 00:27:28,200 --> 00:27:30,919 Speaker 8: That? Is it? 430 00:27:30,960 --> 00:27:35,200 Speaker 1: Conci concion de mariacci Okay, I'm gonna put that down. 431 00:27:35,280 --> 00:27:39,879 Speaker 1: The truth is you're feeling awkward because your name is 432 00:27:39,960 --> 00:27:42,200 Speaker 1: Ramon Roles and your shirt is off, and you're standing 433 00:27:42,240 --> 00:27:45,320 Speaker 1: up for some reason, and you don't know any mariacchi songs, 434 00:27:45,320 --> 00:27:47,679 Speaker 1: and you feel like you're kind of supposed to, you know, 435 00:27:48,119 --> 00:27:49,920 Speaker 1: like kids from India that grew up in this country 436 00:27:49,960 --> 00:27:52,280 Speaker 1: and they go off to college and their friends are like, 437 00:27:52,359 --> 00:27:55,719 Speaker 1: let's go eat Indian and like, ooh, they don't want to, 438 00:27:55,840 --> 00:27:59,520 Speaker 1: but yeah, I love Indian food. And then they get 439 00:27:59,520 --> 00:28:02,400 Speaker 1: there and they go, hey, uh, what's what's this green 440 00:28:02,440 --> 00:28:06,000 Speaker 1: spinachy looking stuff called? And they're called they're texting your 441 00:28:06,040 --> 00:28:09,639 Speaker 1: parents back home, Hey, what what is the dupreoneer stuff 442 00:28:09,640 --> 00:28:13,080 Speaker 1: that they're everybody's asking me what what it's? What it's called? 443 00:28:14,280 --> 00:28:18,280 Speaker 1: All right, So you got bi Va Condio's La Bamba 444 00:28:18,760 --> 00:28:22,400 Speaker 1: and Concion de Mariacci, which I'm putting an asterisk beside 445 00:28:22,440 --> 00:28:26,359 Speaker 1: that one I wanted to get to. There is a 446 00:28:26,400 --> 00:28:30,440 Speaker 1: story that I definitely definitely want to get to. And 447 00:28:30,520 --> 00:28:32,840 Speaker 1: let me see if I can find it here. Oh, 448 00:28:32,920 --> 00:28:35,040 Speaker 1: let me do this call while I'm finding it. All Right, 449 00:28:35,080 --> 00:28:36,679 Speaker 1: there we go, Brian, you're up. 450 00:28:36,680 --> 00:28:40,440 Speaker 8: Go ahead, Yes, sir, Michael A longtime listener. 451 00:28:40,600 --> 00:28:41,440 Speaker 1: Yes, sirs, I'm on. 452 00:28:41,400 --> 00:28:44,480 Speaker 8: The on the radio. My memories from Friday. I couldn't 453 00:28:44,480 --> 00:28:47,640 Speaker 8: get in, but the oilers. I remember seeing coach bum 454 00:28:48,320 --> 00:28:50,880 Speaker 8: walking across the street there in the Highway six when 455 00:28:50,880 --> 00:28:53,520 Speaker 8: it was a two later, and going to the country 456 00:28:53,560 --> 00:28:55,960 Speaker 8: store and there in d Wall and uh, I pulled 457 00:28:56,040 --> 00:28:58,680 Speaker 8: back around and went in and there was well he 458 00:28:58,720 --> 00:29:00,920 Speaker 8: used with several of the old oilers from Mike Barber, 459 00:29:01,560 --> 00:29:05,360 Speaker 8: Billy White's Shoes and Pearl Campbell. And I said, oh 460 00:29:05,440 --> 00:29:08,360 Speaker 8: my gosh, but that was a Love You Blue with 461 00:29:08,400 --> 00:29:10,440 Speaker 8: the first I Love You Blue are in nineteen seventy 462 00:29:10,600 --> 00:29:12,240 Speaker 8: seven or seventy eight, seventy eight. 463 00:29:13,240 --> 00:29:18,479 Speaker 1: Oh, you're in the era itself. Yes, Oh that's awesome. 464 00:29:18,520 --> 00:29:20,800 Speaker 8: I was just I didn't know much about the oilers 465 00:29:20,800 --> 00:29:23,320 Speaker 8: in but I just remember Love You Blue, and I 466 00:29:23,360 --> 00:29:25,560 Speaker 8: grew up a kind of a RAMS fan in the 467 00:29:25,560 --> 00:29:29,680 Speaker 8: Los Angeles area, but I'd died and gone to heaven 468 00:29:29,720 --> 00:29:33,600 Speaker 8: with the oilers. I never It's just amazing time, and 469 00:29:33,760 --> 00:29:35,680 Speaker 8: I was kind of hoping too. My question was what 470 00:29:35,800 --> 00:29:38,520 Speaker 8: happened to all the memorabilia used to be down their 471 00:29:38,640 --> 00:29:42,000 Speaker 8: fingers Fursture off Color and I took my daughters down there, 472 00:29:43,120 --> 00:29:45,800 Speaker 8: and they really enjoyed that home plate. And I don't 473 00:29:45,800 --> 00:29:47,640 Speaker 8: know what happened to all that. That was my question. 474 00:29:48,480 --> 00:29:49,160 Speaker 8: Where did it go? 475 00:29:51,400 --> 00:29:54,520 Speaker 1: I'm sure that a collector ended up buying it. I 476 00:29:54,520 --> 00:29:56,600 Speaker 1: mean that stuff, you know. I get these questions a 477 00:29:56,640 --> 00:30:03,160 Speaker 1: lot when somebody has this or that collection, but typically 478 00:30:03,680 --> 00:30:06,120 Speaker 1: there's somebody that comes in. Used to be a guy 479 00:30:06,560 --> 00:30:10,600 Speaker 1: who was Jerry Hart. It was heart Galleries Hart, and 480 00:30:10,640 --> 00:30:14,280 Speaker 1: he was off of Hillcroft and he would go in 481 00:30:15,600 --> 00:30:18,160 Speaker 1: and sometimes he would buy out somebody's collection and then 482 00:30:18,200 --> 00:30:19,959 Speaker 1: he would auction it or he would do it on 483 00:30:20,000 --> 00:30:23,080 Speaker 1: a consignment. But that was one of the guys I 484 00:30:23,160 --> 00:30:24,800 Speaker 1: ended up at a lunch he was at one time. 485 00:30:24,800 --> 00:30:30,160 Speaker 1: I didn't really know him, but he that was kind 486 00:30:30,360 --> 00:30:33,680 Speaker 1: of one of his areas of expertise, is he would 487 00:30:33,680 --> 00:30:36,120 Speaker 1: go in and do that. That's how those things kind 488 00:30:36,120 --> 00:30:39,320 Speaker 1: of get disposed of, is you know, you try to 489 00:30:39,600 --> 00:30:43,640 Speaker 1: you try to buy really any memorabilia, but especially a 490 00:30:43,720 --> 00:30:51,880 Speaker 1: time specific, very emotional sense of memorabilia like that. It'll 491 00:30:51,880 --> 00:30:54,320 Speaker 1: cost you an arm and a leg. But then the 492 00:30:54,400 --> 00:30:58,040 Speaker 1: owner dies or the business closes or whatever else, and 493 00:30:58,080 --> 00:31:00,680 Speaker 1: then it's kind of catches catch can, And so the 494 00:31:00,760 --> 00:31:04,040 Speaker 1: trick is to find when when places go out of 495 00:31:04,040 --> 00:31:07,400 Speaker 1: business that have a collection, the trick is to find 496 00:31:07,640 --> 00:31:11,640 Speaker 1: a person like that and go in and get as 497 00:31:11,720 --> 00:31:14,000 Speaker 1: much of it as as you can because they'll sell 498 00:31:14,040 --> 00:31:17,239 Speaker 1: it to you for cheap. They're they're not. It's a 499 00:31:17,280 --> 00:31:20,440 Speaker 1: lot easier for them to part with it. At that point, 500 00:31:21,280 --> 00:31:27,160 Speaker 1: I had several professional hunters text me ramon from the 501 00:31:27,440 --> 00:31:31,959 Speaker 1: round top send and tone utility areas to tell me 502 00:31:32,040 --> 00:31:35,760 Speaker 1: that it's not me Tierra, it's not me Tenda, it's 503 00:31:35,840 --> 00:31:40,720 Speaker 1: me Tierra, which is interesting because if you think about it, 504 00:31:40,720 --> 00:31:43,520 Speaker 1: it might have been a subliminal slip because it is 505 00:31:43,640 --> 00:31:45,520 Speaker 1: kind of me Tender because they're always trying to sell 506 00:31:45,520 --> 00:31:49,760 Speaker 1: you something. Maybe that's what my mind was going to. 507 00:31:51,880 --> 00:31:54,880 Speaker 1: That's right, we have an interview at nine. I'm out 508 00:31:54,880 --> 00:31:58,720 Speaker 1: of sorts because at an audio clip I wanted to play. Now, 509 00:31:58,760 --> 00:32:02,440 Speaker 1: I can't find this game the thing, and I'm aggravating. 510 00:32:08,960 --> 00:32:14,800 Speaker 1: That's it, Charlie Colliam. Yeah, who is that? He's not 511 00:32:14,880 --> 00:32:19,360 Speaker 1: a martial arts expert. Oh I know what it is? Yeah, yeah, yeah, yeah, 512 00:32:19,480 --> 00:32:24,200 Speaker 1: I set this up. I wonder if he knows any 513 00:32:24,400 --> 00:32:27,200 Speaker 1: Mariachi song. I wonder if he ends up at a 514 00:32:27,240 --> 00:32:31,600 Speaker 1: restaurant and Mariachi says, well, what she want us to play? 515 00:32:32,440 --> 00:32:35,800 Speaker 1: There's something else that I'm trying to remember that you 516 00:32:36,000 --> 00:32:38,800 Speaker 1: always hear if I went over there right now, I 517 00:32:38,800 --> 00:32:41,440 Speaker 1: guarantee that song would start to you go, oh god, 518 00:32:41,560 --> 00:32:42,520 Speaker 1: there he goes again