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Speaker 1: How are you feeling we sold out the more theater

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Speaker 1: in Seattle. How are you feeling like, shit got real?

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Speaker 1: We're doing a live show for a lot of people.

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Speaker 2: That's crazy.

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Speaker 1: It's a lot of people, dude. I went to a

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Speaker 1: show that had about two thousand people a concert and

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Speaker 1: I was like, holy shit, this is a lot of people. Yeah,

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Speaker 1: it's gonna be awesome. Now I'm nervous, I'm excited.

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Speaker 2: Get me wrong to talk about.

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Speaker 3: That would never happen.

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Speaker 1: I think that's gonna happen.

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Speaker 4: You know.

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Speaker 1: The only thing I was obsessing about is like, all right,

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Speaker 1: so cause I'm just now I'm the second is sold out.

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Speaker 1: I got anxious. I was like, oh shit, like we

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Speaker 1: got to be we gotta put on a real show.

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Speaker 1: And I know we're gonna put on a great show.

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Speaker 1: But my brain went to, like, all right, so you

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Speaker 1: come out right, they're super stoked, they're clapping, We come out,

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Speaker 1: we're all super stoked, and then it's amazing, right, But

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Speaker 1: then like it feels like you would then the expectation

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Speaker 1: you go into some sort of like comedy routine or

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Speaker 1: like a stand up and like we're gonna sit down

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Speaker 1: and talk about rewatching a TV show. I know a

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Speaker 1: lot of people do podcasts like live shows, but I

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Speaker 1: just hope that the audience like adjust to like we're

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Speaker 1: not gonna like strut around doing stand up like Eddie

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Speaker 1: Murphy and Delirious Now and mc.

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Speaker 3: Donald's gonna pop up at some point and do either

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Speaker 3: a very dope dance.

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Speaker 1: And to dance to please the crowd.

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Speaker 2: I ain't no monkey man, what the doing? No people dance?

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Speaker 2: Monkey dance, man?

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Speaker 1: People love it when you dance. You did dance a

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Speaker 1: family food.

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Speaker 2: Performed a very dope dance for the audience and everyone

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Speaker 2: was super entertained. I loved you for it. It was amazing.

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Speaker 1: That's true.

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Speaker 2: Don all I hear is oh my god, dance, monkey dance.

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Speaker 1: Well, I'm sorry. I don't want you to feel that way,

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Speaker 1: but people do love it when you dance. But you

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Speaker 1: guys know what I'm saying right like, like we we

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Speaker 1: we have to like elegantly shift from like you're so

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Speaker 1: psyched to be here, We're so psyche to be here.

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Speaker 1: Now we're going to sun couches and talk about a

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Speaker 1: TV show like we're not like doing stand up, you

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Speaker 1: know what I mean? Or am I just being like

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Speaker 1: overthinking it.

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Speaker 2: I think you might be overthinking it.

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Speaker 1: I think everybody you and I have done Q and

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Speaker 1: a's before that like that have been gone awesome and great.

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Speaker 2: It's just I think that's what everybody thinks they're coming

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Speaker 2: to see.

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Speaker 1: Well, they are going to maybe see some of that.

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Speaker 2: There might be a little conversation between us and the audience, right.

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Speaker 1: What was like, No, well, of course, yeah, yeah, Daniel's

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Speaker 1: going to be Phil Donahue and run into the audience

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Speaker 1: with the mic, Right, Daniel, that's one of your responsibilities. Yes, sir,

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Speaker 1: be out there with the little sneakers on. Daniel, maybe

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Speaker 1: you should dress like Phil Donahoe.

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Speaker 2: When you got off the call yesterday, I was saying,

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Speaker 2: maybe Daniel could be, you know, rock the crowd, like

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Speaker 2: before the show starts, to be on the turntables.

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Speaker 1: Oh, that's not a bad idea, a little start. Oh

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Speaker 1: would you be able to earn like Donald Donald's showing

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Speaker 1: how the DJs turn around?

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Speaker 2: Like how did you can?

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Speaker 1: Of course? When you DJ, Daniel, do you do you?

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Speaker 1: Are you one of those people that actually uses the

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Speaker 1: fake turntables?

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Speaker 5: I certainly can. Yeah, I mean, you know, these days

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Speaker 5: you got techniques. I don't personally own techniques. But I

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Speaker 5: used to teach people on techniques, So yes, I am

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Speaker 5: a capable vinyl turntablist.

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Speaker 2: That's what. That's what, that's what matters. All of that

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Speaker 2: button button pressing is kind of cool. If you got

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Speaker 2: the rhythm and stuff like that. The computer does most

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Speaker 2: of it for you. But if you got skills to

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Speaker 2: rocket on techniques, if you can dj jazzy Jeff that shit,

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Speaker 2: you are fire for real with the turntables. I believe

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Speaker 2: Danil knows how to DJ jazzy Jeff that ship. He's

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Speaker 2: old school. He might look like a little baby. Just

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Speaker 2: because he doesn't know what a flopping disc is doesn't

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Speaker 2: mean he doesn't know how to rocket all.

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Speaker 1: Kind of music. Would you DJ for alls while they're

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Speaker 1: coming in? Now, that's not a bad idea. I think

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Speaker 1: you're something kind of like low key but still exciting,

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Speaker 1: something like the kind of like not m that'd be.

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Speaker 2: Hilarious if everybody walked into straights.

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Speaker 1: I don't want, but definitely some uh yeah, but definitely

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Speaker 1: some like nice cool beats that people could sit down

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Speaker 1: and enjoy too. Maybe some head bobbing music. Yeah, what

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Speaker 1: if people were like.

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Speaker 2: In the days on the Boulevard of Landen. We used

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Speaker 2: to get routines and the presence was fitting. It was

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Speaker 2: a good idea, abstracted me the five foot I kicked

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Speaker 2: the mad style, so step off the frank foot.

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Speaker 1: I think it's a good idea, Dane. Would you be

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Speaker 1: open to doing that?

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Speaker 5: Of course absolutely. I already got a contact in Seattle

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Speaker 5: for some decks, so oh you gotta worry, all right,

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Speaker 5: So then you could set up the DJ table. Yeah, yeah,

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Speaker 5: I mean it would be a little you know, it depends.

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Speaker 5: We could talk about this later, but like, depending on

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Speaker 5: how much in front of the crowd you want me

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Speaker 5: to be. Maybe I'm off to the side so that

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Speaker 5: people don't see me necessarily, so it doesn't like break

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Speaker 5: the immersion of Oh wait, that's DJ, Dan.

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Speaker 2: I want you to be DJ. I think I want

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Speaker 2: you to be like straight up marshmallow man, what name is?

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Speaker 2: When you are rocking the crowd and they're just standing

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Speaker 2: there with their phone like that shit is hilarious to me.

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Speaker 2: I love standing bout of DJ and watching, but that

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Speaker 2: ship is crazy to me that people just show up

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Speaker 2: to watch a DJ press buttons. It kills me, dude,

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Speaker 2: It kills me, dude.

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Speaker 1: Those guys are the richest guys in music.

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Speaker 2: I need to get on y'all need to teach me

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Speaker 2: how to press that button properly so that I could

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Speaker 2: be like these cats make is like for real, man.

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Speaker 1: What's to stop someone Daniel from just doing it all

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Speaker 1: on their laptop and doing it all for show and

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Speaker 1: hitting play?

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Speaker 5: Uh it, nothing stops them. And there's lots of very

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Speaker 5: popular DJs who already do it. Really, we're not going

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Speaker 5: to name it.

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Speaker 2: That ship already happening.

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Speaker 1: Yeah. My question is this, these guys who are making

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Speaker 1: a zillion dollars doing like Vegas or whatever, you know,

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Speaker 1: and flying in private jets. Sure are they Are they

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Speaker 1: actually doing it live or or I know you can't

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Speaker 1: speak for all of them, but are some of them

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Speaker 1: just like hitting play on a fucking program? They are

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Speaker 1: hundred percent.

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Speaker 5: What they'll have is like imagine like a whole set

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Speaker 5: and mixed onto an MP three and you go up

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Speaker 5: to the CDJ, you just go bomb and then you know,

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Speaker 5: you do the couple hand things every once in a while.

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Speaker 2: But and it's all acting all acting like a thing

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Speaker 2: that ship in the snow. They're like, yo, you know

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Speaker 2: what I went and saw I could say Gangstar. I

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Speaker 2: went and saw Gangstar perform DJ Premiere and Guru back

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Speaker 2: in the day when I was younger, right, They performed

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Speaker 2: at some spot in New York City, and Premiere is

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Speaker 2: the best DJ I've ever seen in him and freaking

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Speaker 2: Jazzy Jeff for the two best hit that is a

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Speaker 2: spiked her excuse me sorry. Him and DJ Jazzy Jeff

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Speaker 2: are two of the best DJs I have ever seen

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Speaker 2: in my Like, Premiere is not doing the press the

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Speaker 2: tape and just scratching over the track. He's doing everything

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Speaker 2: that you heard on the record. He's doing it live,

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Speaker 2: so the he's actually putting it in. He's taking the

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Speaker 2: record off, putting the other beat on while while while

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Speaker 2: Guru's on stage rapping. It was one of the dopest

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Speaker 2: nights of my life. I was like, you know, and

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Speaker 2: Guru is a dope rapper. When you go rest in Peace,

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Speaker 2: you know he was a dope rapper. But Premiere, holy

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Speaker 2: cow man, that's one of the best, like holy like

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Speaker 2: by far one of my best experiences. And then also

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Speaker 2: like you want to talk about DJs, that's the DJ

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Speaker 2: dude him and Jazzy Jeff. You want to watch Jazzy

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Speaker 2: Jeff right now, just look him up on YouTube right now.

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Speaker 2: And also you want to talk about one more DJ,

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Speaker 2: let's talk about DJ Daniel, who will be doing it

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Speaker 2: at the more.

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Speaker 1: You won't be doing You won't be doing the fake

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Speaker 1: thing though, where you just hit play and pushing the

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Speaker 1: buttons right, never have, never will. I don't want our

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Speaker 1: audience to think that you are up there just pushing buttons,

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Speaker 1: I mean, just faking it.

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Speaker 5: Sure, there will be there will be no faking it,

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Speaker 5: absolutely not, never have never will?

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Speaker 2: You heard that?

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Speaker 1: I think Donald and I should enter? Can you time

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Speaker 1: it out so that Donald and I entered to P?

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Speaker 1: I M P.

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Speaker 2: Maybe? But do you want do you want to? Yeah?

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Speaker 2: Do you want to enter to?

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Speaker 1: I want to enter?

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Speaker 2: Hold on, let me finish. Do you want to enter

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Speaker 2: to the Snoop Dogg version or just the.

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Speaker 1: Dunt I don't know what you heard about me look

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Speaker 1: at a lackno birde and now my motherfucking p I.

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Speaker 1: Can we enter it to that? Donald? You're okay with that?

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Speaker 2: Do you? Do? You turn your key turned?

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Speaker 1: Now? Listen if Joe, if Daniel's on STAF you want that.

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Speaker 2: Ship to start off with do do do do do

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Speaker 2: do do Do do do do do do?

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Speaker 1: I got it? Don't Daniel, make sure you have that

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Speaker 1: on your decks because we're gonna need to enter that

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Speaker 1: No problem, all right? I like that plan is coming together.

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Speaker 1: So Daniel, you'll DJ while the audience comes in? Sure? Now,

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Speaker 1: are you gonna be distracted? If people are like d

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Speaker 1: d Daniel? What's up?

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Speaker 2: Can I take a picture with you?

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Speaker 1: Can I take a selfie with you?

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Speaker 2: From this? From here?

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Speaker 5: I was gonna say, lest we forget that. That was

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Speaker 5: my job for ten years before all of this. So

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Speaker 5: I think I'll be okay, you got this.

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Speaker 1: What if people are like Daniel's show us your jets.

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Speaker 1: I mean, if they're throwing dollars, we should get a

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Speaker 1: banner for Dan switch.

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Speaker 2: Can we throw a twitch banner up? Or is that against?

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Speaker 1: You want to tip jar?

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Speaker 2: Daniel?

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Speaker 1: We can have a tip jar?

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Speaker 2: Remember that show It's a living and the guy with

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Speaker 2: the piano at the bar, that could be you, Daniel,

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Speaker 2: that's me, But you're a DJ. No tips.

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Speaker 1: We don't want him to get a tip jar and

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Speaker 1: no no twitch signage. He's a DJ for the show.

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Speaker 1: I'll just be up there by myself with this. Will

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Speaker 1: you wear a marshmallow head. No marshmallow head, But well,

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Speaker 1: will you wear a funny outfit like like, well.

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Speaker 2: You wear like a gold suit gold? Now?

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Speaker 5: Yeah, I have like a fake Gucci jacket from the eighties,

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Speaker 5: no matter that do that shit.

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Speaker 1: Or any kind of onesie I feel I picture you

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Speaker 1: like in a onesie. Oh wait, he's going to get

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Speaker 1: the jacket.

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Speaker 2: Do do do? Do do?

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Speaker 1: Sorry, audience, that's coming.

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Speaker 2: You heard that's a spoiler. Got this.

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Speaker 1: It's like a fake Gucci Starlar jacket that I got

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Speaker 1: in a flea market.

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Speaker 2: Wow, amazing.

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Speaker 5: It's I mean, like you know, it's obviously not real,

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Speaker 5: but it is very It is very bold, and I

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Speaker 5: to keep a little under bag on it so the

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Speaker 5: moths don't get to it.

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Speaker 1: It might it might be real, Daniel. You don't know

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Speaker 1: if that's fake. You're right, I don't know.

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Speaker 5: Neither did the person at the flea market who sold

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Speaker 5: it to me for twenty dollars.

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Speaker 1: Well, now I'm excited, all right, So we got that covered.

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Speaker 1: Audience in Seattle, you're in for a treat. You're gonna

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Speaker 1: see DG. Daniel do his thing. And I'm sorry it's

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Speaker 1: a spoiler, but we're going to enter to the I

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Speaker 1: m P.

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Speaker 2: We might switch it up.

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Speaker 1: No, I love it.

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Speaker 2: We can't I jam that's your jam. Jam.

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Speaker 1: Well we can if we do more shows, we can.

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Speaker 1: But can we agree that for Seattle we're going to

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Speaker 1: enter to that.

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Speaker 2: He has already been turned bro. I just feel like.

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Speaker 1: I just feel like I just feel like we both

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Speaker 1: would feel nice entering to that. There's lots of secrets

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Speaker 1: that are happening, and we're gonna make it fun. There's

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Speaker 1: lots of secrets that are.

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Speaker 2: All the spoiler uh channels out there to try and

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Speaker 2: spoil our show.

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Speaker 1: No, don't spoil our show. Just try try and figure

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Speaker 1: Daniel and Joelle. Have you done a live podcast show before.

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Speaker 3: H in.

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Speaker 1: On stage at the studio? No? No, But I've.

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Speaker 2: Helped produce and oversee the production of one. Are you

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Speaker 2: gonna rock some Fly? Everybody gonna rock fly snakers for this?

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Speaker 1: Yeah? I got a dope sneaker.

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Speaker 2: Right, everybody got your sneak a game ready for this?

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Speaker 1: Oh yeah, I'm deciding. I'm deciding which ones now? Okay, now,

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Speaker 1: now people are going to film? What if people is

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Speaker 1: like the custom just like a concert that they're going

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Speaker 1: to video the whole thing. Should we be expecting that?

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Speaker 1: I think so.

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Speaker 5: I think people making things like TikTok and Instagram content

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Speaker 5: should be expected.

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Speaker 1: Right Because I went to see a concert, the same

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Speaker 1: concert with the two thousand people, and I would say

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Speaker 1: like forty percent of the audience had their phones up

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Speaker 1: the whole time.

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Speaker 5: I don't think I need to worry about that, but

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Speaker 5: there will be people who, like I think, when certain

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Speaker 5: things happen, don you got to use phones?

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Speaker 1: Because we can't. We can't say Dan cut that.

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Speaker 2: Oh, I know, I'm well aware, I'm well aware.

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Speaker 1: I'm well okay, Daniel, will you make one of my

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Speaker 1: buttons on these things? Me saying Daniel cut that. Yes,

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Speaker 1: Dan't cut that, Daniel cut. I'm laying down some tracks

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Speaker 1: for you right now. Dan cut that. So audience, For

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Speaker 1: those of you who don't know, we often, very often

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Speaker 1: Donald and I say to each other or to Daniel,

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Speaker 1: Daniel cut that, because because one of us has said

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Speaker 1: something that's probably not great to be.

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Speaker 2: All you got to do is just look at Joel's face,

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Speaker 2: and Joel Joel's face.

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Speaker 1: Is like, yeah, that's the Dane cut that face. Now, Donald,

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Speaker 1: will you be high as a kite, during the live show.

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Speaker 2: Not about not as a kite. Maybe they had a right.

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Speaker 1: They have.

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Speaker 2: Light when you send the flying up there.

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Speaker 1: Donald, do you have any concern about being too high

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Speaker 1: for the live show? You know, like when you're smoking,

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Speaker 1: will you be modulating? Will you be going hmmm, it

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Speaker 1: is a live show. Maybe I'm good for now.

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Speaker 2: You know. I think I've reached my limit. I don't

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Speaker 2: think i can get much higher.

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Speaker 4: Girl.

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Speaker 1: We couldn't get much higher so much like Morrison, So

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Speaker 1: you couldn't get like I.

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Speaker 2: Could smoke it like it's cigarettes now, like it's like,

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Speaker 2: you know, I think it's an oral fixation. Now it's

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Speaker 2: not necessarily a it's not necessarily I enjoy the feeling

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Speaker 2: of marijuana. I think I like the feeling of smoke

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Speaker 2: hitting my lungs. I think that's what I like. Now,

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Speaker 2: you know what I mean? It's crazy, man, It's crazy

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Speaker 2: how because then after because when you know it's crazy?

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Speaker 2: The the the thoughts of a stoner are I mean,

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Speaker 2: they make movies about it.

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Speaker 1: They do. It's a very common joke, a stoner and

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Speaker 1: his thinking process.

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Speaker 2: Yeah, very unique.

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Speaker 1: All right, Well, we have a very exciting guest for

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Speaker 1: this episode. It worked out so that we could get

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Speaker 1: Kate magoucci. That's how you say it, rightchi Man, I

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Speaker 1: think it's magucci mccouchie. I think it's with a C,

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Speaker 1: isn't Isn't it Kate McCabe. Her nickname was Gooch, so

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Speaker 1: I always thought it was Magucci.

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Speaker 2: No, never gonna have a character on the show. I

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Speaker 2: thought we're.

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Speaker 1: Gonna ask her. You think it's mccouchie Dale, Yes, all right,

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Speaker 1: we're gonna ask her. She played the Gooch on the show,

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Speaker 1: as you all know, and she I think this is

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Speaker 1: her first episode. Am I right, Joelle?

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Speaker 2: This is her first episode? Yes, she's actually not only

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Speaker 2: is she amazing ukulele player, she's a very good actress

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Speaker 2: and a very funny actress. She did a movie a

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Speaker 2: long time ago, well not a long time ago, I could,

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Speaker 2: I guess right around Pandemic her Aubrey Plaza and Dave

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Speaker 2: Franco and Alison Bray like they've they've made this movie

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Speaker 2: and it's pretty funny, and she's in it, and she's

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Speaker 2: very funny in it. She's very talented. So I'm really

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Speaker 2: excited that she's on the show.

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Speaker 1: All right, Should we count in and invite her in

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Speaker 1: for the whole show.

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Speaker 4: St stories. I'm not sure we made about a bunch

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Speaker 4: of talks and nurses, he.

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Speaker 2: Said, he's the stories nets.

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Speaker 4: No, so YadA, rab here, YadA, rad here.

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Speaker 3: Hellolo.

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Speaker 2: Yeah, how are you?

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Speaker 3: I'm good. How are you doing?

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Speaker 1: We're so happy you're here.

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Speaker 3: Oh my gosh, me too. I was like looking forward

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Speaker 3: to this so much, and even when I just saw

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Speaker 3: you know, when you originally started this, I was like, oh,

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Speaker 3: I hope I get to do it when they get

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Speaker 3: to my episode. So thank you.

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Speaker 1: Oh you're so sweet. We were just talking about how

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Speaker 1: talented you were before we invited you onto the program.

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Speaker 2: What was that movie that you did with with Alison

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Speaker 2: Brie and Dave Franco and Aubrey.

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Speaker 3: Plaza, The Little Hours.

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Speaker 2: Yeah, that ship was funny as hell. Man, you guys

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Speaker 2: were crazy in that movie.

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Speaker 3: Yes, I'm super crazy, all of us. That was such

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Speaker 3: a fun thank you, thank you. Yeah, that was such

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00:17:08,280 --> 00:17:09,399
Speaker 3: a fun, crazy movie.

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Speaker 1: Go ahead. I'm just surprised Donald watched the movie that

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Speaker 1: wasn't about Star Wars.

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Speaker 3: So Zach congrat's on your movie. Oh my god, God,

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Speaker 3: just tear my heart out. And I love trains too.

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00:17:19,600 --> 00:17:21,080
Speaker 3: I was like oh, I love trains, And then I

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Speaker 3: was like, if you.

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Speaker 1: Like trains and having your heart broken? Yes, Chris, Wait, Kate,

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Speaker 1: I want to make sure i'm pronouncing You're right. Will

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00:17:30,640 --> 00:17:32,240
Speaker 1: you pronounced your last name for us?

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Speaker 3: Mccuchi? I always say, Yeahci.

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Speaker 1: It's funny because I've made up in my head that

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Speaker 1: it was maguci, which I know the spelling doesn't match up,

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Speaker 1: but I think that's just because we called you the

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Speaker 1: gucha on Scrubs.

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Speaker 3: Yes, that would, I mean it makes sense real.

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Speaker 2: Quick, ladies and gentlemen, okay, Gucci.

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Speaker 3: Yes, Mkuchi, Yes, macuchie, thank you.

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Speaker 1: I think I just had a brain fart because we

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Speaker 1: called you the gooch. I was like, I know it's

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00:18:00,920 --> 00:18:03,840
Speaker 1: this is spelled with the sea, but maybe bizarrely or

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00:18:03,880 --> 00:18:06,640
Speaker 1: someone calls it macgucci, but that is not correct. It's mccucci.

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Speaker 3: It is mkuchie. In fact, I was, I was in

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00:18:08,760 --> 00:18:11,159
Speaker 3: New York like a month ago. Oh are we is

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00:18:11,160 --> 00:18:14,439
Speaker 3: this like officially are we recording or want.

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00:18:14,280 --> 00:18:15,800
Speaker 1: To make sure? Okay you are recording right?

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00:18:15,880 --> 00:18:17,960
Speaker 3: Okay? Yea, I am on my end. I hope it's

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00:18:18,080 --> 00:18:19,560
Speaker 3: I hope the levels are good. I think they are.

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00:18:19,600 --> 00:18:20,520
Speaker 3: I think you can go a.

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00:18:20,440 --> 00:18:23,960
Speaker 1: Little a little louder, a little bit louder for just

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00:18:24,080 --> 00:18:26,480
Speaker 1: for me, not for you, maybe only only if it

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00:18:26,480 --> 00:18:27,680
Speaker 1: looks good on your side, and it's not.

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Speaker 3: It's still yeah, it's not getting blown out or anything.

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Speaker 1: I think it's kas Donald is in a big echoe chamber.

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Speaker 3: So also too, I don't have the best setup I

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00:18:36,560 --> 00:18:36,919
Speaker 3: should have.

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Speaker 2: Looks like you have a great set up than I do.

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00:18:40,200 --> 00:18:42,359
Speaker 1: I think you have a fancier microphone than I do.

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00:18:42,480 --> 00:18:44,280
Speaker 1: And you also have one of those spit guards that

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Speaker 1: they had on the We Are the World video. Donald,

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00:18:46,080 --> 00:18:47,040
Speaker 1: we don't have spit guards.

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Speaker 2: I'm a spit guard.

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00:18:49,240 --> 00:18:51,800
Speaker 1: Oh d have a spit guard. I think we give

402
00:18:51,800 --> 00:18:54,040
Speaker 1: you a spitcar. It comes a time when we eat

403
00:18:54,119 --> 00:18:55,880
Speaker 1: a certain call. That was the first time I ever

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00:18:55,920 --> 00:18:58,080
Speaker 1: saw a spit guard. And I didn't need a spit

405
00:18:58,200 --> 00:19:00,199
Speaker 1: I didn't know what a spit card was. And I

406
00:19:00,200 --> 00:19:01,320
Speaker 1: saw that We Are in the World.

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00:19:01,480 --> 00:19:02,760
Speaker 2: Everybody wanted one after that.

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00:19:03,280 --> 00:19:05,320
Speaker 3: I just remember watching that as a kid and feeling

409
00:19:05,359 --> 00:19:07,440
Speaker 3: really bad for Cindy Lauper because she had all of

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00:19:07,480 --> 00:19:09,760
Speaker 3: this jewelry on and they were like, Cindy, can you

411
00:19:09,760 --> 00:19:11,720
Speaker 3: please take off your jewelry and she's like, oh, yes,

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00:19:11,760 --> 00:19:14,840
Speaker 3: sorry about that, and he's just like, I remember being

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00:19:14,880 --> 00:19:16,840
Speaker 3: a little kid, feeling really sad for her that she

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00:19:16,880 --> 00:19:18,399
Speaker 3: had to take off her jewelry.

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00:19:18,800 --> 00:19:21,440
Speaker 2: That's just hilarious to go ahead and say it.

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00:19:21,480 --> 00:19:23,760
Speaker 1: Well, Donald and Donald and I've been sending these videos

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00:19:23,760 --> 00:19:25,040
Speaker 1: back and forth. I don't know if you've seen them

418
00:19:25,040 --> 00:19:27,880
Speaker 1: on Instagram, but it's like, it's like footage I never

419
00:19:27,920 --> 00:19:31,280
Speaker 1: saw before, Michael Jackson reacting to people being off key

420
00:19:31,600 --> 00:19:36,199
Speaker 1: because he wrote the song right with.

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00:19:35,280 --> 00:19:39,199
Speaker 3: With Jones, right, okay, yeah and.

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00:19:39,240 --> 00:19:42,520
Speaker 1: Quincy Jones right, and so when some people weren't quite

423
00:19:42,600 --> 00:19:45,240
Speaker 1: hitting the note, there's video of Michael like win sing

424
00:19:45,280 --> 00:19:46,200
Speaker 1: like or.

425
00:19:46,200 --> 00:19:53,040
Speaker 2: Just given a really evil look like man, you right now.

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00:19:55,000 --> 00:19:56,520
Speaker 3: There was no auto tune back then.

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00:19:56,760 --> 00:19:59,680
Speaker 2: No, No, that's when they could really sing. Yeah.

428
00:20:00,160 --> 00:20:03,160
Speaker 1: But was that your first time ever seeing his spitguard, Kate.

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00:20:03,560 --> 00:20:06,600
Speaker 3: You know, I don't remember this bitguard. But I've always

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00:20:06,720 --> 00:20:09,880
Speaker 3: I've always really been interested in any kind of footage

431
00:20:09,880 --> 00:20:12,119
Speaker 3: of recording studios, like whenever they show like behind the

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00:20:12,119 --> 00:20:14,520
Speaker 3: scenes of a Disney movie, like that to me was

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00:20:14,760 --> 00:20:17,080
Speaker 3: just the magical part of it. So I love that

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00:20:17,119 --> 00:20:19,800
Speaker 3: I get to be in record well these days. Are different.

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00:20:19,840 --> 00:20:22,240
Speaker 3: But before before COVID, I was in a lot of

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Speaker 3: recording studios.

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00:20:23,160 --> 00:20:25,320
Speaker 1: But the funny thing about whenever you see behind the

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Speaker 1: scenes footage of I'm going have to ruin this forever

439
00:20:27,680 --> 00:20:30,000
Speaker 1: the audience. Whenever you see behind the scenes footage of

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00:20:30,040 --> 00:20:32,760
Speaker 1: someone recording their part in an animated.

441
00:20:32,240 --> 00:20:35,920
Speaker 2: Movie, that's that's that's it's that's not the footage.

442
00:20:36,040 --> 00:20:39,720
Speaker 1: Yeah, staged because they because the camera crew there was

443
00:20:39,760 --> 00:20:43,199
Speaker 1: no lighting in the darkly lit recording studio, and a

444
00:20:43,240 --> 00:20:46,119
Speaker 1: camera crew while you're actually recording. But then there's like

445
00:20:46,119 --> 00:20:48,560
Speaker 1: a press day, so they like light up a beautiful

446
00:20:48,600 --> 00:20:49,920
Speaker 1: microphone and there'll.

447
00:20:49,760 --> 00:20:53,000
Speaker 2: Nobody be showing up to freaking stand in a booth

448
00:20:53,280 --> 00:20:54,919
Speaker 2: look at all fresh and clean.

449
00:20:54,800 --> 00:20:57,960
Speaker 1: Like that exactly, and you have hair and makeup. You

450
00:20:58,000 --> 00:21:00,480
Speaker 1: have like hair and makeup, and like it's lit beautifully,

451
00:21:00,520 --> 00:21:02,440
Speaker 1: and a lot of times people aren't even wearing headphones.

452
00:21:02,560 --> 00:21:05,800
Speaker 1: And I'm always like, oh, most people don't know that

453
00:21:05,800 --> 00:21:08,160
Speaker 1: that's not the real then really doing.

454
00:21:07,960 --> 00:21:12,280
Speaker 3: It but anywhere magic, No, It's it's very true.

455
00:21:12,520 --> 00:21:15,760
Speaker 1: Do you do a lot of voice over and sound work?

456
00:21:15,920 --> 00:21:17,440
Speaker 1: You have such a unique voice.

457
00:21:17,600 --> 00:21:20,720
Speaker 3: Oh thanks, Yeah, I do. I do a lot of

458
00:21:20,800 --> 00:21:25,560
Speaker 3: voiceover I've been Velma in Scooby Doo since twenty forty

459
00:21:25,680 --> 00:21:28,720
Speaker 3: and I want to see oh awesome and ductails and

460
00:21:28,760 --> 00:21:34,520
Speaker 3: a bunch of yeah jinkies according to my calculations. But

461
00:21:34,560 --> 00:21:36,960
Speaker 3: I also and I and I record a lot of music,

462
00:21:37,000 --> 00:21:39,080
Speaker 3: so I have spent a lot of time in studios.

463
00:21:39,080 --> 00:21:41,080
Speaker 3: But I just love recording studios.

464
00:21:41,240 --> 00:21:44,119
Speaker 2: The last time I saw you actually was at Comic Con.

465
00:21:44,200 --> 00:21:46,720
Speaker 2: I was getting off of and I was lost on

466
00:21:46,800 --> 00:21:49,399
Speaker 2: an elevator. We were passing and you were with the

467
00:21:49,520 --> 00:21:52,480
Speaker 2: Ducktails crew, You, Bobby Moynehan, you all were all together

468
00:21:52,640 --> 00:21:53,120
Speaker 2: hanging out.

469
00:21:53,640 --> 00:21:55,800
Speaker 3: Yes, we were like two ships. I was like hi

470
00:21:55,880 --> 00:21:57,280
Speaker 3: and You're like hi, and then that was it.

471
00:21:57,280 --> 00:21:59,760
Speaker 2: It was very that was it, and that was it. Yeah.

472
00:22:00,160 --> 00:22:02,440
Speaker 2: Out with the Disney Press people, man, they really take care.

473
00:22:02,320 --> 00:22:03,520
Speaker 3: Of you, they really.

474
00:22:03,600 --> 00:22:06,280
Speaker 2: Do you think I'm joking when I say this, I

475
00:22:06,320 --> 00:22:06,879
Speaker 2: mean this with.

476
00:22:08,800 --> 00:22:11,439
Speaker 3: Much is tough, and sometimes you know, like you know,

477
00:22:11,680 --> 00:22:18,480
Speaker 3: at least the Disney people you get food and water. Yes,

478
00:22:19,400 --> 00:22:22,000
Speaker 3: it's a true it's a brutal. It's like a marathon.

479
00:22:23,240 --> 00:22:25,560
Speaker 3: But anyway, it's good to see all of you and

480
00:22:25,640 --> 00:22:26,320
Speaker 3: nice to meet you.

481
00:22:26,560 --> 00:22:28,320
Speaker 1: Yeah, that's Joelle and Daniel.

482
00:22:28,080 --> 00:22:30,240
Speaker 3: Hi, Hi, Nice to meet you, Danel, Nice to meet you.

483
00:22:30,400 --> 00:22:33,600
Speaker 1: Daniel's gonna we're doing our first live show and before

484
00:22:33,640 --> 00:22:36,679
Speaker 1: you on the tenth in Seattle, and before you came on,

485
00:22:37,840 --> 00:22:41,240
Speaker 1: we decided, as in a sort of open production meeting

486
00:22:41,280 --> 00:22:43,359
Speaker 1: for the audience, that Daniel was going to be the

487
00:22:43,440 --> 00:22:46,320
Speaker 1: DJ as the audience comes in to the venue.

488
00:22:46,840 --> 00:22:49,399
Speaker 3: Indeed, and are you going to be playing songs from

489
00:22:49,520 --> 00:22:50,000
Speaker 3: the show?

490
00:22:50,080 --> 00:22:52,639
Speaker 1: I miss that's a good question. No, I think that

491
00:22:52,840 --> 00:22:53,600
Speaker 1: is a good question.

492
00:22:53,760 --> 00:22:53,919
Speaker 2: You know.

493
00:22:54,080 --> 00:22:56,760
Speaker 1: Also, we're doing the musical episode. But if you remixed

494
00:22:56,960 --> 00:22:58,320
Speaker 1: some of the musical like.

495
00:22:58,200 --> 00:23:02,320
Speaker 2: With that's just too much work, dude, Oh, turntables, you're

496
00:23:02,320 --> 00:23:02,920
Speaker 2: talking on.

497
00:23:02,880 --> 00:23:04,600
Speaker 1: The turntables, Dane. Here's a question.

498
00:23:04,960 --> 00:23:06,560
Speaker 2: Just find a find a tempo.

499
00:23:06,960 --> 00:23:15,520
Speaker 1: Yeah, here's my question. Yes, exactly could you do that

500
00:23:15,560 --> 00:23:18,800
Speaker 1: with one of the songs from the musical everything? Maybe

501
00:23:18,960 --> 00:23:19,960
Speaker 1: you know what? Yes?

502
00:23:20,600 --> 00:23:20,879
Speaker 2: All right?

503
00:23:20,920 --> 00:23:21,679
Speaker 1: Donald Donald?

504
00:23:24,240 --> 00:23:25,359
Speaker 2: Where there is tom or?

505
00:23:27,359 --> 00:23:30,560
Speaker 1: Yeah, Daniel, could you do that? Well? Maybe I'll surprise

506
00:23:30,600 --> 00:23:36,320
Speaker 1: you guys a couple of haunted. Yeah, I pretend this

507
00:23:36,320 --> 00:23:40,239
Speaker 1: this wood Tang Forever track is is everything comes down

508
00:23:40,320 --> 00:23:41,840
Speaker 1: to Pooh? Could you do this to it?

509
00:23:43,160 --> 00:23:44,080
Speaker 2: Woo Tang Forever?

510
00:23:44,240 --> 00:23:44,960
Speaker 1: Could you do that?

511
00:23:45,280 --> 00:23:45,359
Speaker 2: All?

512
00:23:45,440 --> 00:23:47,400
Speaker 1: Right, we need you to do that. That's a great idea, Kate,

513
00:23:47,480 --> 00:23:48,639
Speaker 1: thank you you inspired that.

514
00:23:48,760 --> 00:23:52,199
Speaker 3: Oh well, I mean, hey, I do what I can.

515
00:23:52,320 --> 00:24:04,560
Speaker 1: I appreciate it. You're so funny in this uhh, and

516
00:24:04,680 --> 00:24:08,120
Speaker 1: so sweet and and I love the song so charming.

517
00:24:08,280 --> 00:24:11,240
Speaker 1: You're very charming though. How did let's just go back

518
00:24:11,280 --> 00:24:14,720
Speaker 1: to the beginning. How did Bill find you? I know

519
00:24:14,760 --> 00:24:18,920
Speaker 1: that you have a band, right called garfunkln Oates. Yes, yeah,

520
00:24:19,040 --> 00:24:21,119
Speaker 1: So tell us about how Bill came across you.

521
00:24:21,320 --> 00:24:24,280
Speaker 3: It was kind of the serendipitous thing that happened because

522
00:24:24,320 --> 00:24:27,000
Speaker 3: I had auditioned to play you know, they were getting

523
00:24:27,040 --> 00:24:29,600
Speaker 3: new interns on the show and I originally auditioned for

524
00:24:29,640 --> 00:24:32,679
Speaker 3: that and in the room, if I remember this correctly,

525
00:24:32,680 --> 00:24:34,840
Speaker 3: Bill had said to me, like, I want to write

526
00:24:34,840 --> 00:24:37,480
Speaker 3: a part for you that's not one of the interns.

527
00:24:37,520 --> 00:24:40,160
Speaker 3: And usually when you hear something like that, you think, oh, well,

528
00:24:40,200 --> 00:24:43,040
Speaker 3: that's that's nice. But you know, okay, that's nice to

529
00:24:43,080 --> 00:24:45,159
Speaker 3: meet you. Thanks for you know. But the truth is

530
00:24:45,240 --> 00:24:47,600
Speaker 3: he's such a good dude and a man of his word.

531
00:24:47,600 --> 00:24:49,240
Speaker 3: And then I got a call that he had written

532
00:24:49,720 --> 00:24:51,919
Speaker 3: this part because he had seen I had at the

533
00:24:51,960 --> 00:24:55,520
Speaker 3: time had uploaded a couple of different ukuleles songs on YouTube.

534
00:24:55,560 --> 00:24:58,080
Speaker 3: It was like the very early days of YouTube. And

535
00:24:58,119 --> 00:25:00,760
Speaker 3: then at the same time, my friend Ricky Lindhom and

536
00:25:00,800 --> 00:25:03,280
Speaker 3: I had started this duo called Garfunk l Notes where

537
00:25:03,280 --> 00:25:06,040
Speaker 3: I play the ukulelean she plays the guitar, and it

538
00:25:06,359 --> 00:25:07,960
Speaker 3: just was one of those things where she had put

539
00:25:08,040 --> 00:25:11,919
Speaker 3: up a couple of the videos on YouTube. Truly, I

540
00:25:11,960 --> 00:25:13,600
Speaker 3: didn't know, like she was like, I just want my

541
00:25:13,640 --> 00:25:16,119
Speaker 3: family to see what we've written, so I'm uploading it

542
00:25:16,160 --> 00:25:18,719
Speaker 3: on this site. Like this was such early days, and

543
00:25:18,760 --> 00:25:21,560
Speaker 3: then I was like, oh, no, people are watching our songs.

544
00:25:21,600 --> 00:25:24,359
Speaker 3: I was like almost embarrassed. But then all of a

545
00:25:24,359 --> 00:25:26,800
Speaker 3: sudden people seem to like those songs, and one of

546
00:25:26,840 --> 00:25:29,600
Speaker 3: them being the song that Bill saw which can we

547
00:25:29,640 --> 00:25:30,560
Speaker 3: swear on this show?

548
00:25:30,680 --> 00:25:31,920
Speaker 2: Yes, as much as you.

549
00:25:32,280 --> 00:25:35,640
Speaker 1: Unfortunately it's Donald and I occasionally.

550
00:25:35,200 --> 00:25:37,480
Speaker 2: Get to talk about smoking weed on this ship.

551
00:25:37,680 --> 00:25:39,880
Speaker 1: That's the least of the ship you talk about. You're right,

552
00:25:40,359 --> 00:25:45,520
Speaker 1: we goe about their intimate experience.

553
00:25:47,080 --> 00:25:49,359
Speaker 2: All that stuff is no.

554
00:25:51,000 --> 00:25:53,760
Speaker 1: Censor needed, way more context.

555
00:25:53,840 --> 00:25:56,000
Speaker 2: And then if you do go too far, there's always

556
00:25:56,040 --> 00:25:57,280
Speaker 2: the hey, Daniel cut that.

557
00:25:57,359 --> 00:25:59,320
Speaker 1: Yeah, you can always say as we do. Dane cut

558
00:25:59,320 --> 00:26:00,239
Speaker 1: that right.

559
00:26:00,400 --> 00:26:01,879
Speaker 3: Well, I don't think I'll go too far, but I

560
00:26:01,920 --> 00:26:04,439
Speaker 3: will say that the song is called fuck you, but

561
00:26:04,480 --> 00:26:06,640
Speaker 3: it's a it's a happy fuck you. It's a it's

562
00:26:06,680 --> 00:26:08,840
Speaker 3: not like a mean fuck you. It's like fuck you,

563
00:26:09,800 --> 00:26:12,160
Speaker 3: but it's uh. Rick Ricky and I had written this song.

564
00:26:12,240 --> 00:26:14,280
Speaker 3: This is even prior to us having a duo. We

565
00:26:14,359 --> 00:26:17,000
Speaker 3: just wrote this for a musical. She was making a film,

566
00:26:17,080 --> 00:26:19,480
Speaker 3: a short film, and so we had that on YouTube

567
00:26:19,600 --> 00:26:22,000
Speaker 3: and then people started seeing it and then Bill, I

568
00:26:22,000 --> 00:26:24,760
Speaker 3: guess maybe I don't know how he found Maybe when

569
00:26:24,760 --> 00:26:26,400
Speaker 3: I had auditioned, he had looked me up or somebody

570
00:26:26,480 --> 00:26:29,879
Speaker 3: had and he so when they came back and they said,

571
00:26:30,520 --> 00:26:33,760
Speaker 3: you know, there's this part that of the ukulele girl

572
00:26:33,800 --> 00:26:36,800
Speaker 3: on the show You're gonna be Ted's love interest. Can

573
00:26:36,840 --> 00:26:40,119
Speaker 3: we use one of your songs from this YouTube video

574
00:26:40,160 --> 00:26:42,480
Speaker 3: and or you know, from from fuck you know the

575
00:26:42,520 --> 00:26:44,320
Speaker 3: song fucky is what I'm saying. And and so I

576
00:26:44,359 --> 00:26:46,360
Speaker 3: was like, let me call Ricky. I think that would

577
00:26:46,359 --> 00:26:49,639
Speaker 3: be really cool. And so I tried to get Ricky.

578
00:26:49,680 --> 00:26:52,040
Speaker 3: She was like in Spain and this is like, you know,

579
00:26:52,080 --> 00:26:53,680
Speaker 3: it was a lot harder to like get a hold

580
00:26:53,680 --> 00:26:56,640
Speaker 3: of someone back then even so I remember like calling

581
00:26:56,880 --> 00:26:58,640
Speaker 3: trying to figure out if we could use the song,

582
00:26:58,680 --> 00:27:00,000
Speaker 3: and then when I got ahold of her, she was like,

583
00:27:00,119 --> 00:27:03,359
Speaker 3: that's so cool, Yes, use it. So then we we

584
00:27:03,480 --> 00:27:07,160
Speaker 3: ended up having to figure out a different word for five,

585
00:27:07,600 --> 00:27:09,240
Speaker 3: which I usually.

586
00:27:09,400 --> 00:27:13,080
Speaker 2: Were at this time, so it became screw you right.

587
00:27:13,000 --> 00:27:15,680
Speaker 3: Yes, But yesterday I was like, wait, there's an email

588
00:27:15,680 --> 00:27:17,159
Speaker 3: and I found it? Can I share it with you?

589
00:27:17,400 --> 00:27:20,600
Speaker 2: Absolutely from July.

590
00:27:20,680 --> 00:27:25,680
Speaker 3: Of two thousand and eight, and it's uh, basically options

591
00:27:25,720 --> 00:27:29,560
Speaker 3: that ABC that the show had sent to ABC, And

592
00:27:29,840 --> 00:27:31,520
Speaker 3: for some reason in my brain it was like a

593
00:27:31,600 --> 00:27:33,680
Speaker 3: laundry list of options. It's not. It's just a few,

594
00:27:33,720 --> 00:27:36,000
Speaker 3: but I'll give you those. So it says, would any

595
00:27:36,040 --> 00:27:38,640
Speaker 3: of these below phrases be acceptable as an alt for fuck?

596
00:27:39,000 --> 00:27:42,399
Speaker 3: The phrase would I want to? Then says blank you,

597
00:27:42,760 --> 00:27:47,119
Speaker 3: So screw was the first option. Then bang, doink sex

598
00:27:47,240 --> 00:27:53,280
Speaker 3: and nail sex sex you.

599
00:27:52,160 --> 00:27:53,800
Speaker 1: I want to do funny too.

600
00:27:53,840 --> 00:27:54,720
Speaker 3: It's pretty funny.

601
00:27:54,880 --> 00:27:56,920
Speaker 1: I think screw is by far the best choice.

602
00:27:57,200 --> 00:27:58,760
Speaker 3: It's one of the clearer ones.

603
00:27:58,800 --> 00:28:05,639
Speaker 2: I think, Yeah, there's nothing more clearer than sex. Unique.

604
00:28:10,119 --> 00:28:11,080
Speaker 3: You're right, You're right.

605
00:28:11,400 --> 00:28:13,359
Speaker 1: You know what's so unique about it is you play

606
00:28:14,119 --> 00:28:16,440
Speaker 1: the character. Seems like she was such a sweet, innocent

607
00:28:16,560 --> 00:28:19,920
Speaker 1: and of course we should give love to the late

608
00:28:20,440 --> 00:28:23,680
Speaker 1: Sam Lloyd. You two had such a beautiful chemistry.

609
00:28:23,200 --> 00:28:26,239
Speaker 3: Together, you know, watching it it was he I just

610
00:28:26,280 --> 00:28:29,240
Speaker 3: loved him and I uh watching it rewatching the show

611
00:28:29,320 --> 00:28:31,040
Speaker 3: last night, I hadn't seen it since it, you know,

612
00:28:31,080 --> 00:28:34,600
Speaker 3: aired in two thousand and eight or nine, and it

613
00:28:34,640 --> 00:28:36,960
Speaker 3: was it was really bittersweet, just thinking like we really

614
00:28:36,960 --> 00:28:39,280
Speaker 3: did have a good chemistry for sure. He was so

615
00:28:39,360 --> 00:28:42,440
Speaker 3: much fun. And the guys in the Blanks are so great.

616
00:28:42,520 --> 00:28:44,760
Speaker 3: I got to know them a bit. To the Blanks.

617
00:28:44,760 --> 00:28:46,480
Speaker 3: They I was doing a live show at the Steve

618
00:28:46,520 --> 00:28:49,200
Speaker 3: Allen Theater here in LA and they were guests on

619
00:28:49,240 --> 00:28:52,320
Speaker 3: my show, and they were they were just so fun.

620
00:28:52,400 --> 00:28:55,160
Speaker 3: I actually have a funny story. I remember that Sam

621
00:28:55,200 --> 00:28:59,520
Speaker 3: told me about their their band or is it a band,

622
00:28:59,560 --> 00:29:01,560
Speaker 3: it's a it's a.

623
00:29:00,960 --> 00:29:03,400
Speaker 1: A cappella group, an a cappella.

624
00:29:03,040 --> 00:29:06,160
Speaker 3: Group, and they were hired to play at a wedding

625
00:29:06,320 --> 00:29:10,080
Speaker 3: and the wedding song was God Only Knows and the

626
00:29:10,400 --> 00:29:14,400
Speaker 3: end of the song with I may not Always love you,

627
00:29:15,520 --> 00:29:17,560
Speaker 3: and they realized, like I kind of held it and

628
00:29:17,600 --> 00:29:20,560
Speaker 3: they realized that is not a good way to end

629
00:29:21,080 --> 00:29:22,840
Speaker 3: a song at a wedding.

630
00:29:24,760 --> 00:29:28,720
Speaker 1: That's really funny. But you just had a really wonderful chemistry.

631
00:29:28,800 --> 00:29:33,160
Speaker 1: And I remember thinking on set like that, I could

632
00:29:33,240 --> 00:29:35,600
Speaker 1: see you guys really just clicked and got along well

633
00:29:35,640 --> 00:29:39,680
Speaker 1: and had your own you know, just connection and inside jokes.

634
00:29:39,720 --> 00:29:41,080
Speaker 1: I remember I remember thinking that.

635
00:29:41,480 --> 00:29:43,720
Speaker 3: I think I remember being like, this was my first

636
00:29:44,280 --> 00:29:47,000
Speaker 3: kind of really big like being on a show that

637
00:29:47,120 --> 00:29:49,480
Speaker 3: was successful. This was a very big deal for me,

638
00:29:49,520 --> 00:29:52,920
Speaker 3: and so I just remember being like almost like I

639
00:29:53,040 --> 00:29:55,800
Speaker 3: didn't even know what I was getting myself into, you know,

640
00:29:55,840 --> 00:29:57,320
Speaker 3: like it was just like, oh, what what am I

641
00:29:57,400 --> 00:30:00,640
Speaker 3: doing here? I was I was so new and so green.

642
00:30:02,000 --> 00:30:04,240
Speaker 3: So yeah, watching it last night, I was like, oh, hey,

643
00:30:04,320 --> 00:30:09,760
Speaker 3: for for being so new, I did okay, great.

644
00:30:09,800 --> 00:30:13,000
Speaker 1: I just rewatched it as we always do, and I

645
00:30:12,640 --> 00:30:15,120
Speaker 1: I couldn't. I wouldn't have guessed that it was your

646
00:30:15,120 --> 00:30:17,840
Speaker 1: first big job. I thought you were wonderful.

647
00:30:18,440 --> 00:30:18,960
Speaker 3: Thank you.

648
00:30:19,280 --> 00:30:22,640
Speaker 2: I mean, it was, it's it's it's it's really interesting

649
00:30:22,640 --> 00:30:27,280
Speaker 2: how the season is turning out, also compared to the

650
00:30:27,360 --> 00:30:29,320
Speaker 2: other ones, because this is the dynamic shift. We have

651
00:30:29,520 --> 00:30:32,200
Speaker 2: moved to ABC, We're no longer on NBC and stuff

652
00:30:32,240 --> 00:30:37,280
Speaker 2: like that, and you know, you and h the Gucca

653
00:30:37,280 --> 00:30:41,520
Speaker 2: and Ted's relationship was just it's it's new, but it's

654
00:30:41,560 --> 00:30:44,840
Speaker 2: also showing a different side of Ted which nobody has

655
00:30:44,880 --> 00:30:47,920
Speaker 2: seen before, which was really amazing, you know what I mean.

656
00:30:47,960 --> 00:30:53,280
Speaker 2: He's charming, he's smiling, he's happy, and you've never like

657
00:30:53,360 --> 00:30:55,520
Speaker 2: you've seen it as a joke with him, like cheering,

658
00:30:55,920 --> 00:30:58,040
Speaker 2: you know what I mean, But you never see him

659
00:30:58,480 --> 00:31:03,040
Speaker 2: just like smitten and just you know, filled with joy

660
00:31:03,200 --> 00:31:06,480
Speaker 2: and spirit. He's always the down guy, and it was

661
00:31:06,520 --> 00:31:08,840
Speaker 2: just such a you know, everything is shifting, and it

662
00:31:08,880 --> 00:31:12,480
Speaker 2: was just such a great shift because the other tones

663
00:31:12,640 --> 00:31:15,920
Speaker 2: so far, you know, I feel like NBC is I

664
00:31:15,960 --> 00:31:19,640
Speaker 2: mean ABC and NBC. The comparison is a little too

665
00:31:19,720 --> 00:31:22,600
Speaker 2: wholesome on ABC. But this is one that I embrace,

666
00:31:22,840 --> 00:31:25,440
Speaker 2: Like this is one of those things that's like it

667
00:31:25,600 --> 00:31:28,520
Speaker 2: just feels right like you, it feels fresh and new,

668
00:31:29,200 --> 00:31:33,160
Speaker 2: and that's what the show is needing at this point. Ah.

669
00:31:33,280 --> 00:31:36,320
Speaker 3: Yeah, I you know, he is such a charming like

670
00:31:37,160 --> 00:31:39,000
Speaker 3: and just to see him a kind of smitten with

671
00:31:39,520 --> 00:31:42,920
Speaker 3: this character and also that giant pratfall that he did,

672
00:31:42,960 --> 00:31:46,920
Speaker 3: I mean, there's so many funny moments in this. Yeah,

673
00:31:47,120 --> 00:31:48,840
Speaker 3: he's such a talented talented guy.

674
00:31:49,120 --> 00:31:52,080
Speaker 1: Yeah, what a great physical comedian, Like you're really he

675
00:31:52,120 --> 00:31:54,200
Speaker 1: did so much funny shit and he did all of it.

676
00:31:54,280 --> 00:31:57,920
Speaker 1: I mean, you know, I'm sure he occasionally must have

677
00:31:57,920 --> 00:32:00,360
Speaker 1: had a double, but like I remember him being really

678
00:32:00,360 --> 00:32:01,760
Speaker 1: adept at physical comedy and.

679
00:32:02,040 --> 00:32:03,880
Speaker 2: Trying to tell you he was so athletic. He was

680
00:32:03,920 --> 00:32:07,640
Speaker 2: so athletic. Yeah, he would bush ass and basketball like

681
00:32:07,800 --> 00:32:10,560
Speaker 2: for real, for real, he was very athletic. He had

682
00:32:10,600 --> 00:32:14,640
Speaker 2: great footwork, he was fast. Anybody who's ever played a

683
00:32:14,680 --> 00:32:19,120
Speaker 2: sport with him, you'd be like, wow, holy shit, dude,

684
00:32:19,160 --> 00:32:22,000
Speaker 2: you're like he was incredible. Yeah. Wow.

685
00:32:22,080 --> 00:32:24,000
Speaker 1: All right, Well let's get into the episode. Guys. It's

686
00:32:24,040 --> 00:32:25,240
Speaker 1: an elite.

687
00:32:24,960 --> 00:32:27,920
Speaker 2: Dep Forwardam wrote it, directed by Mark Stegman.

688
00:32:28,120 --> 00:32:31,600
Speaker 1: There is unfortunately no Donald or Sarah, which is bizarre.

689
00:32:32,200 --> 00:32:34,240
Speaker 1: You know how I feel about no Donald episode.

690
00:32:34,320 --> 00:32:36,640
Speaker 2: Well, you know what, Usually I'm like, I don't want

691
00:32:36,640 --> 00:32:39,000
Speaker 2: to watch this episode. I don't like this episode, but

692
00:32:39,080 --> 00:32:41,280
Speaker 2: this episode turned out to be so good that.

693
00:32:41,720 --> 00:32:43,520
Speaker 1: Well, I hope, I hope we're done with the noo

694
00:32:43,800 --> 00:32:46,600
Speaker 1: Donald's episodes because I don't like them.

695
00:32:47,960 --> 00:32:49,960
Speaker 2: It's so nice, but you're so full of shit. No,

696
00:32:50,040 --> 00:32:52,120
Speaker 2: I mean it, I mean I don't like this episode.

697
00:32:52,440 --> 00:32:56,040
Speaker 1: I laughed a lot, mostly because of Kate and Sam

698
00:32:56,120 --> 00:33:00,560
Speaker 1: being adorable together. But I do feel that when you

699
00:33:00,640 --> 00:33:03,880
Speaker 1: take Donald and Sarah Chalk out of the episode, it's

700
00:33:03,920 --> 00:33:04,440
Speaker 1: a big hit.

701
00:33:04,800 --> 00:33:08,280
Speaker 3: I have a question what was what was happening. Was

702
00:33:08,280 --> 00:33:10,200
Speaker 3: it something that like they were just trying to get

703
00:33:10,200 --> 00:33:11,400
Speaker 3: as many it was money.

704
00:33:11,440 --> 00:33:15,520
Speaker 1: I think what they did was they tried to get

705
00:33:15,560 --> 00:33:17,920
Speaker 1: the budget of the show down, and so they told

706
00:33:18,000 --> 00:33:20,440
Speaker 1: all of us that we were going to miss X

707
00:33:20,480 --> 00:33:23,160
Speaker 1: amount of episodes a season.

708
00:33:23,000 --> 00:33:25,200
Speaker 2: This is coming right, this is coming back after the

709
00:33:25,280 --> 00:33:28,080
Speaker 2: strike and everything like that. Yes, whether we were going

710
00:33:28,120 --> 00:33:30,800
Speaker 2: to and we had moved and everything.

711
00:33:31,200 --> 00:33:33,680
Speaker 1: Yeah, it was a you know, we were just hanging on.

712
00:33:33,720 --> 00:33:35,240
Speaker 1: We didn't even know if you know, we didn't know

713
00:33:35,240 --> 00:33:35,840
Speaker 1: if that this is.

714
00:33:35,760 --> 00:33:39,280
Speaker 2: The last People don't know this, but every year, every year,

715
00:33:39,320 --> 00:33:43,280
Speaker 2: we were just hanging on. Every year Bill always found

716
00:33:43,280 --> 00:33:43,560
Speaker 2: a way.

717
00:33:44,280 --> 00:33:46,520
Speaker 1: Yeah. Bill did always find a way. And in two

718
00:33:46,560 --> 00:33:49,560
Speaker 1: thousand and eight, this is the last strike that happened.

719
00:33:49,560 --> 00:33:53,080
Speaker 1: The Right Writers Guild strike really shortened our previous season

720
00:33:53,240 --> 00:33:57,320
Speaker 1: and pretty much we thought we were done. NBC told

721
00:33:57,400 --> 00:34:00,600
Speaker 1: us we were done, and then ABC ped us up.

722
00:34:00,920 --> 00:34:02,520
Speaker 1: So I think in picking us up, they said we

723
00:34:02,560 --> 00:34:04,800
Speaker 1: want to find some ways to make the show for cheaper,

724
00:34:04,800 --> 00:34:06,719
Speaker 1: and they came up with this bizarre scheme.

725
00:34:07,440 --> 00:34:10,160
Speaker 2: Well, salaries changed and everything, like so many things, so

726
00:34:10,200 --> 00:34:11,120
Speaker 2: many things happened.

727
00:34:11,320 --> 00:34:14,720
Speaker 1: But anyway, so when the show opens with Sam saying,

728
00:34:14,880 --> 00:34:19,640
Speaker 1: Peon's assemble and they all come together.

729
00:34:19,880 --> 00:34:20,880
Speaker 2: They're always around.

730
00:34:21,280 --> 00:34:22,959
Speaker 1: He has to them always around, right.

731
00:34:22,880 --> 00:34:25,879
Speaker 2: Donald they're near. There is superpower. We learned that later

732
00:34:25,920 --> 00:34:27,040
Speaker 2: that there is superpower.

733
00:34:27,040 --> 00:34:30,840
Speaker 1: But he has confidence when he's looking like the badass

734
00:34:30,880 --> 00:34:33,000
Speaker 1: that he is. When he's singing with his group. Everyone

735
00:34:33,040 --> 00:34:36,320
Speaker 1: feels a greater self esteem when they're in their element

736
00:34:36,440 --> 00:34:39,080
Speaker 1: doing the thing that they that they're great at. And

737
00:34:39,120 --> 00:34:40,399
Speaker 1: he's a great singer.

738
00:34:40,360 --> 00:34:42,600
Speaker 2: And he's the leader of this band. He's the leader

739
00:34:42,640 --> 00:34:43,240
Speaker 2: of this group.

740
00:34:44,160 --> 00:34:47,360
Speaker 1: Now he wants to sing in pediatrics and he's pitching

741
00:34:47,400 --> 00:34:53,040
Speaker 1: to sing Seasons Don't Fear the Reaper, which is not

742
00:34:53,080 --> 00:34:59,600
Speaker 1: really the best song for pediatrics, and but they do

743
00:34:59,640 --> 00:35:01,359
Speaker 1: sound right right, So.

744
00:35:02,960 --> 00:35:08,160
Speaker 2: With an early montage, early montage right at the start

745
00:35:08,200 --> 00:35:10,320
Speaker 2: of the show, right in the cold open.

746
00:35:10,680 --> 00:35:12,480
Speaker 1: Right, that's right in the cold open. And also the

747
00:35:12,480 --> 00:35:15,560
Speaker 1: band does the sting out of the of the cold open,

748
00:35:15,640 --> 00:35:19,840
Speaker 1: so it usually goes, I can't do this, So I

749
00:35:19,920 --> 00:35:23,239
Speaker 1: believe the band does an acapella version of like that, right,

750
00:35:23,360 --> 00:35:23,840
Speaker 1: don't they do?

751
00:35:23,920 --> 00:35:29,040
Speaker 2: Like huge? But that's it, Yeah, it doesn't. Do You

752
00:35:29,040 --> 00:35:32,399
Speaker 2: remember when Family Ties used to change like the song

753
00:35:32,520 --> 00:35:35,040
Speaker 2: every year. It would always be the same song, but

754
00:35:35,080 --> 00:35:36,440
Speaker 2: it would be a different version of it.

755
00:35:36,920 --> 00:35:37,920
Speaker 1: Oh, I don't remember that.

756
00:35:38,400 --> 00:35:39,879
Speaker 2: A Different World used to do that too.

757
00:35:40,840 --> 00:35:43,080
Speaker 1: They were a different credit sequence, but they changed the song.

758
00:35:43,360 --> 00:35:45,760
Speaker 2: It would be the same song, but a different version

759
00:35:46,239 --> 00:35:49,400
Speaker 2: of the song. I believe, so maybe it was a

760
00:35:49,400 --> 00:35:51,480
Speaker 2: different credit sequence, and maybe that's what I remember. In

761
00:35:51,480 --> 00:35:52,000
Speaker 2: the Different World.

762
00:35:52,239 --> 00:35:54,520
Speaker 1: We tried to change our credit sequence once and the

763
00:35:54,560 --> 00:35:58,360
Speaker 1: fans that did not go well. Fans were like, no way,

764
00:35:59,280 --> 00:36:03,000
Speaker 1: fuck that new credit sequeence, do get that ship out.

765
00:36:03,080 --> 00:36:05,120
Speaker 1: The whole idea was to add Neil because Neil had

766
00:36:05,120 --> 00:36:07,719
Speaker 1: become a regular, right and.

767
00:36:07,640 --> 00:36:10,400
Speaker 2: That we know he's a regular. We don't care these.

768
00:36:10,960 --> 00:36:14,040
Speaker 1: You know, fans are very loyal to certain things, and

769
00:36:14,080 --> 00:36:16,600
Speaker 1: they definitely did not want their beloved credit sequence being

770
00:36:16,640 --> 00:36:20,040
Speaker 1: fucked with. So we see the beautiful Kate.

771
00:36:21,080 --> 00:36:23,879
Speaker 2: Kuchie she Yep being introduced.

772
00:36:24,800 --> 00:36:27,480
Speaker 1: She's singing a lovely song to the kids and pediatrics,

773
00:36:27,520 --> 00:36:32,400
Speaker 1: way more appropriate than fear the reaper. Do you remember

774
00:36:32,440 --> 00:36:34,520
Speaker 1: shooting your first uh, that scene?

775
00:36:36,080 --> 00:36:38,600
Speaker 3: I remember shooting that. And that's a little song I wrote.

776
00:36:38,640 --> 00:36:40,279
Speaker 3: I used to babysit a ton and it was one

777
00:36:40,280 --> 00:36:42,080
Speaker 3: of the first songs I ever wrote on ukulele, called

778
00:36:42,120 --> 00:36:44,400
Speaker 3: Mister Moon. I was so flattered that they wanted to

779
00:36:44,480 --> 00:36:47,920
Speaker 3: use so many of my songs, and in later episodes

780
00:36:47,960 --> 00:36:52,160
Speaker 3: I even wrote like specifically for the episode, but like yeah,

781
00:36:52,200 --> 00:36:53,880
Speaker 3: I remember being like, yeah, mister Moon would be a

782
00:36:53,920 --> 00:36:56,680
Speaker 3: great song for the kids. And I still play. I

783
00:36:56,719 --> 00:36:58,320
Speaker 3: just played it the other day at the Bob Baker

784
00:36:58,320 --> 00:37:00,359
Speaker 3: Mariy and Net Theater. It's one, it's a it's an

785
00:37:00,360 --> 00:37:03,960
Speaker 3: old stand by. At this point, you can you play

786
00:37:04,000 --> 00:37:05,400
Speaker 3: a little bit of it? Oh you want to hear

787
00:37:05,440 --> 00:37:06,600
Speaker 3: mister Moon, just a little bit?

788
00:37:06,600 --> 00:37:07,840
Speaker 1: You have to play the whole song, Just give us

789
00:37:07,840 --> 00:37:08,520
Speaker 1: a little song.

790
00:37:09,000 --> 00:37:09,239
Speaker 2: Sure?

791
00:37:09,400 --> 00:37:11,760
Speaker 3: Well, oh look how funny I have my nikolele.

792
00:37:14,200 --> 00:37:16,560
Speaker 1: It was like she audience, She pulled it like someone

793
00:37:16,640 --> 00:37:18,440
Speaker 1: might pull an arrow out of a quiver off of

794
00:37:18,440 --> 00:37:18,799
Speaker 1: her back.

795
00:37:23,360 --> 00:37:24,879
Speaker 3: Okay, here's a little bit of mister Moon.

796
00:37:25,040 --> 00:37:25,640
Speaker 1: All right. Great.

797
00:37:28,239 --> 00:37:32,120
Speaker 3: One day the moon got tired of be him up

798
00:37:32,160 --> 00:37:35,799
Speaker 3: in the sky. He wandered down through the starlight and

799
00:37:35,960 --> 00:37:39,279
Speaker 3: landed on the ocean side, and he smiled while he

800
00:37:39,360 --> 00:37:42,040
Speaker 3: jumped in the water and laughed about as he danced

801
00:37:42,040 --> 00:37:44,800
Speaker 3: in the sand. He pull it on his swim trunks

802
00:37:44,800 --> 00:37:47,960
Speaker 3: and snorkel and guess what, mister moon swam.

803
00:37:49,000 --> 00:37:52,400
Speaker 1: Oh my gosh, yes, I love.

804
00:37:56,719 --> 00:37:56,759
Speaker 2: You.

805
00:37:57,040 --> 00:37:59,080
Speaker 1: I love it when you sing. It's just seeing you

806
00:37:59,120 --> 00:38:01,080
Speaker 1: do it is so cute too, because you like switch

807
00:38:01,120 --> 00:38:03,200
Speaker 1: into a little like ukulele mode. It's so cuy.

808
00:38:03,840 --> 00:38:07,200
Speaker 3: It's so funny that I just, I mean, it's crazy

809
00:38:07,239 --> 00:38:09,040
Speaker 3: to me that the ukulele was just something I kind

810
00:38:09,040 --> 00:38:10,760
Speaker 3: of like picked up for fun and then I didn't

811
00:38:10,760 --> 00:38:12,480
Speaker 3: never I never thought it would be the thing I

812
00:38:12,520 --> 00:38:17,399
Speaker 3: was like always playing. But were you always thinking, oh

813
00:38:17,440 --> 00:38:19,600
Speaker 3: my gosh, no, I like, I actually don't think of

814
00:38:19,640 --> 00:38:22,359
Speaker 3: myself like I'm not a great sor.

815
00:38:22,160 --> 00:38:26,680
Speaker 1: I'm a range voice. It's very unique too. I think

816
00:38:26,719 --> 00:38:29,279
Speaker 1: the combination of the ukulele and your voice and and

817
00:38:29,320 --> 00:38:31,239
Speaker 1: of course they wanted to use your songs because they're

818
00:38:31,239 --> 00:38:33,920
Speaker 1: funny and they're clever, and they were never going to

819
00:38:33,960 --> 00:38:37,279
Speaker 1: write something as perfect as and and and bespoke for

820
00:38:37,320 --> 00:38:38,440
Speaker 1: you as you could do.

821
00:38:38,440 --> 00:38:41,080
Speaker 3: You know, Yeah, thank thank you. I think here's a

822
00:38:41,120 --> 00:38:45,799
Speaker 3: fun ukulele fact In two thousand and eight, the sale

823
00:38:45,800 --> 00:38:47,800
Speaker 3: of the ukulele went up three hundred percent.

824
00:38:48,760 --> 00:38:55,200
Speaker 1: Oh wow, because to right, I wonder, what do you

825
00:38:55,239 --> 00:38:56,520
Speaker 1: think it was you on scrubs.

826
00:38:56,600 --> 00:38:58,560
Speaker 3: I mean I don't think. I think you know, maybe

827
00:38:58,560 --> 00:39:00,000
Speaker 3: I helped that by five percent.

828
00:39:00,040 --> 00:39:06,400
Speaker 1: Under that we also used what was the name of

829
00:39:06,440 --> 00:39:10,480
Speaker 1: the is? It wasn't there a famous ukuile player? A

830
00:39:10,520 --> 00:39:12,200
Speaker 1: Hawaiian guy? Did he play ukulele?

831
00:39:12,440 --> 00:39:12,560
Speaker 2: Oh?

832
00:39:12,600 --> 00:39:13,719
Speaker 3: Brother is is?

833
00:39:15,320 --> 00:39:15,520
Speaker 2: Yeah?

834
00:39:15,600 --> 00:39:17,880
Speaker 3: That was a big deal for sure for the ukulele.

835
00:39:18,320 --> 00:39:20,400
Speaker 1: Yeah, I remember that. I think we used one of

836
00:39:20,440 --> 00:39:22,520
Speaker 1: his songs.

837
00:39:22,320 --> 00:39:24,200
Speaker 3: Somewhere over the Rainbow. He had that version.

838
00:39:24,480 --> 00:39:27,520
Speaker 2: Yeah, well it was. It's not his song, but it's

839
00:39:27,560 --> 00:39:28,320
Speaker 2: his cover.

840
00:39:28,239 --> 00:39:32,480
Speaker 1: That Yes, actually, with Sam's band we had do a

841
00:39:32,760 --> 00:39:36,680
Speaker 1: Ted's band did a cover of his version. Yeah, okay.

842
00:39:36,719 --> 00:39:39,399
Speaker 1: So Cox has taught his son to call j D's

843
00:39:39,480 --> 00:39:45,360
Speaker 1: baby ugly. So that's new.

844
00:39:49,360 --> 00:39:51,160
Speaker 2: For those of you who have kids. That's not a

845
00:39:51,160 --> 00:39:51,720
Speaker 2: great moment.

846
00:39:53,480 --> 00:39:56,279
Speaker 1: Yeah, not a good moment. Basically, one of the main

847
00:39:56,280 --> 00:39:58,880
Speaker 1: things of this story of this episode is that Cox

848
00:39:58,920 --> 00:40:00,719
Speaker 1: is so busy, but he's trying to do it all.

849
00:40:00,840 --> 00:40:02,640
Speaker 1: He's he's trying to be the chief medicine. He's trying

850
00:40:02,640 --> 00:40:07,320
Speaker 1: to give his favorite patients bedside attention. He's trying to

851
00:40:07,360 --> 00:40:07,920
Speaker 1: be a father.

852
00:40:08,640 --> 00:40:10,200
Speaker 2: Are you a do it all kind of guy?

853
00:40:10,320 --> 00:40:13,200
Speaker 1: Zach, Well, I don't have a full family and I

854
00:40:13,239 --> 00:40:14,200
Speaker 1: don't work out.

855
00:40:14,600 --> 00:40:17,040
Speaker 2: Let's take the family part out, and let's take the

856
00:40:18,040 --> 00:40:20,080
Speaker 2: nine to five out. Are you a do it all

857
00:40:20,160 --> 00:40:22,360
Speaker 2: kind of guy? I'm gonna say.

858
00:40:22,239 --> 00:40:24,680
Speaker 1: Yes, I think so, because you know, well, all I

859
00:40:24,719 --> 00:40:27,560
Speaker 1: can point to is when I make my projects, I

860
00:40:27,640 --> 00:40:29,760
Speaker 1: definitely try and do as much of it as possible

861
00:40:29,760 --> 00:40:30,799
Speaker 1: because it's so important to me.

862
00:40:30,840 --> 00:40:31,920
Speaker 2: I want to dude, you can do it all the

863
00:40:31,920 --> 00:40:34,560
Speaker 2: way down to the soundtrack, bro, all the way down

864
00:40:34,640 --> 00:40:37,000
Speaker 2: to the soundtrack, BRO, thank you.

865
00:40:37,200 --> 00:40:39,160
Speaker 1: I wish I could play the ukulele. Actually I played

866
00:40:39,160 --> 00:40:41,400
Speaker 1: the ukulele only one song I learned to play, and

867
00:40:41,440 --> 00:40:44,080
Speaker 1: when I was in Bullets over Broadway, I my entrance

868
00:40:44,160 --> 00:40:46,759
Speaker 1: into the play was rising through the stage on a

869
00:40:46,920 --> 00:40:50,880
Speaker 1: on a on a faint roof, playing playing the ukulele.

870
00:40:51,080 --> 00:40:51,759
Speaker 3: What was the song?

871
00:40:52,239 --> 00:40:55,560
Speaker 1: Love makes Me treat You the way that I do?

872
00:40:56,239 --> 00:40:59,840
Speaker 1: G Baby ain't not good to you? There's nothing to

873
00:41:00,520 --> 00:41:03,959
Speaker 1: the girl it is too Gee, baby ain't a good

874
00:41:04,000 --> 00:41:04,960
Speaker 1: do you know?

875
00:41:05,160 --> 00:41:08,160
Speaker 2: Standing quickly that shit goes away from you.

876
00:41:08,400 --> 00:41:10,120
Speaker 1: I forgot the word, but I used to know the

877
00:41:10,200 --> 00:41:11,960
Speaker 1: chords on the yuke and everything, and it was.

878
00:41:12,000 --> 00:41:13,840
Speaker 3: Would you rise through the stage? Is that what it was?

879
00:41:13,880 --> 00:41:14,399
Speaker 3: That was your interest?

880
00:41:14,480 --> 00:41:14,640
Speaker 2: Yeah?

881
00:41:14,640 --> 00:41:16,799
Speaker 1: It was like a very big, large budget Broadway show.

882
00:41:16,920 --> 00:41:19,399
Speaker 1: They had these lifts. They had these lifts, multiple lifts

883
00:41:19,440 --> 00:41:21,000
Speaker 1: that would come up, and so it was pretty cool.

884
00:41:21,040 --> 00:41:24,480
Speaker 1: It was a full twenty seven piece orchestra, and and

885
00:41:24,560 --> 00:41:28,400
Speaker 1: my ukulele was miked along with myself obviously, and I

886
00:41:28,440 --> 00:41:32,400
Speaker 1: would me and Betsy Wolf, amazing Broadway singer rose on

887
00:41:32,440 --> 00:41:34,440
Speaker 1: this set piece that was made to look like a

888
00:41:34,440 --> 00:41:38,120
Speaker 1: New York City rooftop, and we rose singing that song.

889
00:41:38,400 --> 00:41:38,959
Speaker 1: Yeah cool.

890
00:41:39,080 --> 00:41:42,600
Speaker 3: So can I ask? I'm just like a I love

891
00:41:42,640 --> 00:41:45,400
Speaker 3: the theater. What was your thought like when you're like

892
00:41:45,680 --> 00:41:47,880
Speaker 3: sitting on that roof waiting for it to be like

893
00:41:48,160 --> 00:41:48,800
Speaker 3: so nervous.

894
00:41:48,840 --> 00:41:50,879
Speaker 1: No one's ever asked me that question. I'll tell you something.

895
00:41:50,920 --> 00:41:52,839
Speaker 1: Betsy and I she got mad at me one time,

896
00:41:52,880 --> 00:41:55,279
Speaker 1: because Betsy Wolf is the kind of person that will

897
00:41:55,320 --> 00:41:58,000
Speaker 1: show up Basically these little light Nabi's que lights, right,

898
00:41:58,000 --> 00:41:59,919
Speaker 1: and when the que light would go on, that would

899
00:42:00,040 --> 00:42:02,160
Speaker 1: mean like stand by, the lift's going to move. And

900
00:42:02,200 --> 00:42:04,200
Speaker 1: then when we go off, the lift's about to rise,

901
00:42:04,480 --> 00:42:06,200
Speaker 1: and Betsy's the kind of person that I would go

902
00:42:06,280 --> 00:42:08,040
Speaker 1: down there for the whole opening scene because it was

903
00:42:08,080 --> 00:42:10,840
Speaker 1: the second scene and just kind of pace nervously underneath

904
00:42:10,880 --> 00:42:12,920
Speaker 1: the stage and talk to the stage hands and shoot

905
00:42:12,960 --> 00:42:14,880
Speaker 1: the ship just to be there. Betsy's the kind of

906
00:42:14,880 --> 00:42:17,239
Speaker 1: person that would show up the second the light lit up,

907
00:42:17,360 --> 00:42:20,080
Speaker 1: meaning like the lift's about to go up, and so

908
00:42:20,239 --> 00:42:22,200
Speaker 1: often I was so anxious because I was like, where

909
00:42:22,239 --> 00:42:23,759
Speaker 1: is she. Oh, she's gonna miss the cue. Oh boy,

910
00:42:23,840 --> 00:42:26,720
Speaker 1: oh boy, oh where is she? But it's nerve wracking.

911
00:42:26,800 --> 00:42:28,600
Speaker 1: And then you so you got you get a position,

912
00:42:29,040 --> 00:42:31,160
Speaker 1: and then the thing starts to move, and then you

913
00:42:31,200 --> 00:42:34,600
Speaker 1: go up and it just reveals three thousand people standing there.

914
00:42:34,719 --> 00:42:35,760
Speaker 1: It's pretty crazy.

915
00:42:36,040 --> 00:42:39,120
Speaker 3: That is so I love. It's so fun to think about,

916
00:42:39,440 --> 00:42:41,840
Speaker 3: And yeah, I would be I'd be so scared.

917
00:42:42,080 --> 00:42:43,760
Speaker 1: I was nervous. I think if it was the beginning

918
00:42:43,800 --> 00:42:45,320
Speaker 1: of the show, it would have been less nerve wracking.

919
00:42:45,320 --> 00:42:47,520
Speaker 1: But because it was the second scene, you had a

920
00:42:47,520 --> 00:42:51,480
Speaker 1: whole first scene to be like pacing about, right, But

921
00:42:51,520 --> 00:42:53,200
Speaker 1: it was pretty cool if I never do another.

922
00:42:54,280 --> 00:42:56,680
Speaker 2: Yeah, Also, you had to play the ukulele, so there

923
00:42:56,760 --> 00:42:57,560
Speaker 2: was that too.

924
00:42:57,440 --> 00:42:59,759
Speaker 1: So I think they I think that I did the

925
00:42:59,800 --> 00:43:01,480
Speaker 1: best I could. I think they had a guy doubling

926
00:43:01,520 --> 00:43:02,120
Speaker 1: me in the.

927
00:43:02,200 --> 00:43:04,239
Speaker 2: Pretty sure they had a guitar under you like this.

928
00:43:06,080 --> 00:43:08,640
Speaker 1: I think it was probably No, I'm sure. I'm sure

929
00:43:08,640 --> 00:43:11,480
Speaker 1: it was a guitar player in the band that was

930
00:43:11,520 --> 00:43:13,640
Speaker 1: on you just doubling me to make it sound better,

931
00:43:13,680 --> 00:43:16,160
Speaker 1: because I certainly wasn't going to hit every note right

932
00:43:16,239 --> 00:43:17,040
Speaker 1: every time.

933
00:43:19,480 --> 00:43:19,759
Speaker 2: The show.

934
00:43:20,200 --> 00:43:22,560
Speaker 1: They probably turned the volume on my on mind down

935
00:43:22,600 --> 00:43:27,040
Speaker 1: to zero and put his on tens. The way you

936
00:43:27,040 --> 00:43:28,759
Speaker 1: can listen to the song. By the way, it's if

937
00:43:28,760 --> 00:43:30,480
Speaker 1: you if you go in Spotify where you listen to

938
00:43:30,600 --> 00:43:32,440
Speaker 1: music the Bullets over Broadway.

939
00:43:32,560 --> 00:43:34,359
Speaker 2: That was your shot, and then he got right there.

940
00:43:34,719 --> 00:43:36,400
Speaker 2: All that shit had to do was win the fucking

941
00:43:36,480 --> 00:43:42,520
Speaker 2: award for Best Revival Original Player. Oh so best Original

942
00:43:42,719 --> 00:43:45,360
Speaker 2: That's all I had to do. That was your shot.

943
00:43:45,560 --> 00:43:47,720
Speaker 2: That was your he got shot the music.

944
00:43:48,680 --> 00:43:50,799
Speaker 1: I hope to do another Broadway show, so maybe I'll

945
00:43:50,800 --> 00:43:52,479
Speaker 1: have another chance that the t and he got.

946
00:43:52,719 --> 00:43:56,360
Speaker 2: But no, because if it's a record, listen, this is

947
00:43:56,360 --> 00:43:59,160
Speaker 2: why it's dope. If it's a record and it wins

948
00:43:59,480 --> 00:44:02,320
Speaker 2: for brought, well you already got the no I already

949
00:44:02,320 --> 00:44:03,600
Speaker 2: got the Grammy. You already got the Grammy.

950
00:44:03,600 --> 00:44:05,680
Speaker 1: But anyway, long wind way of saying that, if you're

951
00:44:05,680 --> 00:44:07,520
Speaker 1: curious about this song, you can go on and look

952
00:44:07,520 --> 00:44:12,719
Speaker 1: at the Bullets Over Broadway original cast album and you

953
00:44:12,719 --> 00:44:14,759
Speaker 1: can find the song love makes Me Treat You. I

954
00:44:14,800 --> 00:44:16,719
Speaker 1: think it's called g Baby. Ain't I good to you?

955
00:44:17,440 --> 00:44:19,200
Speaker 1: All Right, we're gonna say a quick break and we'll

956
00:44:19,239 --> 00:44:21,680
Speaker 1: come back right after these fine words.

957
00:44:22,200 --> 00:44:24,080
Speaker 2: Fuck your sound effects machine.

958
00:44:31,320 --> 00:44:36,640
Speaker 1: We're back, all right. So we learned that Jordan takes

959
00:44:36,760 --> 00:44:40,719
Speaker 1: naps from eleven thirty to three. That's some new information.

960
00:44:41,200 --> 00:44:44,840
Speaker 2: I appreciate that. Yeah, in my old age, in my

961
00:44:45,280 --> 00:44:46,879
Speaker 2: I'm not my old age. I take that back. I'm

962
00:44:46,880 --> 00:44:49,320
Speaker 2: not old, but am I? As I get older?

963
00:44:49,840 --> 00:44:52,160
Speaker 1: Can you take a midday nap and then snap back?

964
00:44:52,520 --> 00:44:54,040
Speaker 2: If you smoke enough weed? You can't?

965
00:44:55,160 --> 00:44:56,600
Speaker 1: Okay, what if you don't smoke weed.

966
00:44:57,680 --> 00:44:59,319
Speaker 2: If you don't smoke weed, I'm gonna have a hard

967
00:44:59,360 --> 00:44:59,880
Speaker 2: time doing that.

968
00:45:01,760 --> 00:45:04,239
Speaker 1: No, I just find I do like an occasional midday nap,

969
00:45:04,239 --> 00:45:05,840
Speaker 1: but it's hard to bounce back sometimes.

970
00:45:06,440 --> 00:45:09,440
Speaker 2: You mean when you wake up, you know, like acting

971
00:45:09,600 --> 00:45:11,440
Speaker 2: like right after you wake in up from a nap.

972
00:45:11,880 --> 00:45:14,360
Speaker 1: Well on scrubs because the hours were so cuckoo. I

973
00:45:14,360 --> 00:45:16,640
Speaker 1: would definitely we would Donald and I would both take

974
00:45:16,719 --> 00:45:19,759
Speaker 1: naps and then we drink red bulls to get our

975
00:45:19,880 --> 00:45:20,359
Speaker 1: energy up.

976
00:45:20,640 --> 00:45:22,239
Speaker 2: No, but I like the field now, I would say,

977
00:45:22,280 --> 00:45:25,200
Speaker 2: I remember early on in my career and sitting on

978
00:45:25,280 --> 00:45:28,560
Speaker 2: set and waiting. I like the feeling of falling asleep

979
00:45:28,560 --> 00:45:31,760
Speaker 2: in my trailer and waking up and going directly Donald,

980
00:45:31,800 --> 00:45:34,600
Speaker 2: they're ready for you, and going directly to set. Just

981
00:45:34,719 --> 00:45:38,640
Speaker 2: like not thinking about anything, not overthinking anything, and going

982
00:45:38,719 --> 00:45:41,920
Speaker 2: right to set and going to work. I really I

983
00:45:41,960 --> 00:45:45,360
Speaker 2: felt really early on. I felt really creative about that.

984
00:45:45,440 --> 00:45:47,560
Speaker 2: And so when you talked about naps and how you needed,

985
00:45:47,719 --> 00:45:49,840
Speaker 2: how you felt groggy and everything.

986
00:45:49,719 --> 00:45:52,440
Speaker 1: Yeah, on sets, I definitely definitely sometimes take a lunchtime

987
00:45:52,520 --> 00:45:55,040
Speaker 1: nap just because you're so groggy. But then I always

988
00:45:55,120 --> 00:45:58,080
Speaker 1: have to pound a red bull to snap to do

989
00:45:58,320 --> 00:46:04,680
Speaker 1: CPR to my brain to get back in the game. Okay, So, well,

990
00:46:04,680 --> 00:46:07,040
Speaker 1: before we get to disease, Kelso brings Cox a latte.

991
00:46:07,040 --> 00:46:08,800
Speaker 1: They have a secret friendship.

992
00:46:08,320 --> 00:46:11,319
Speaker 2: Now, but everybody knows about it.

993
00:46:11,840 --> 00:46:15,120
Speaker 1: Yeah, everyone seems to know about it. We learned that

994
00:46:15,160 --> 00:46:18,800
Speaker 1: Harrison Kelso's son, Harrison has a new life partner, Caleb,

995
00:46:19,719 --> 00:46:22,920
Speaker 1: and he's just opened a boutique on Fire Island called

996
00:46:23,040 --> 00:46:24,839
Speaker 1: Everything Mesh.

997
00:46:25,600 --> 00:46:26,680
Speaker 3: It's such a good line.

998
00:46:30,080 --> 00:46:34,279
Speaker 1: Everything Mesh is pretty funny on Fire Island. On fire

999
00:46:34,320 --> 00:46:36,560
Speaker 1: I'm in a history called everything Mesh on Fireland would do

1000
00:46:36,560 --> 00:46:37,080
Speaker 1: pretty well.

1001
00:46:37,960 --> 00:46:40,359
Speaker 2: Fire Island is one of the most popular islands in

1002
00:46:40,400 --> 00:46:42,839
Speaker 2: the history of islands, dude, like.

1003
00:46:43,440 --> 00:46:44,719
Speaker 1: In the history of islands.

1004
00:46:44,960 --> 00:46:47,560
Speaker 2: Like, think about it. It's it's in everything. Everybody knows

1005
00:46:47,600 --> 00:46:48,480
Speaker 2: about Fire Island.

1006
00:46:48,520 --> 00:46:51,000
Speaker 1: Everybody is very as I understand it. I've never been

1007
00:46:51,040 --> 00:46:55,480
Speaker 1: to Fireland, but it's a very lot of very popular

1008
00:46:55,520 --> 00:46:58,319
Speaker 1: with the gay community. It's a place to go where

1009
00:46:58,360 --> 00:47:01,840
Speaker 1: there's a big gay sea. We don't have Jowell in

1010
00:47:01,880 --> 00:47:05,560
Speaker 1: here to weigh in as our as our gay ambassador.

1011
00:47:05,719 --> 00:47:09,319
Speaker 1: You are correct, though, as our ambassador. Yes, but that's

1012
00:47:09,320 --> 00:47:13,200
Speaker 1: why Harrison has a shop there Donald called just Mesh

1013
00:47:13,320 --> 00:47:14,040
Speaker 1: Everything Mash.

1014
00:47:14,239 --> 00:47:15,000
Speaker 2: Yes, I know this.

1015
00:47:16,320 --> 00:47:20,400
Speaker 1: We meet Craig, who is JD's patient who has down syndrome,

1016
00:47:20,960 --> 00:47:25,560
Speaker 1: and uh, he's one of Johnny's c doctor Cox's favorite patients,

1017
00:47:26,200 --> 00:47:29,160
Speaker 1: and JD is looking after him. But Cox really wants

1018
00:47:29,200 --> 00:47:31,400
Speaker 1: to be there because he loves this young man and

1019
00:47:31,400 --> 00:47:33,120
Speaker 1: he wants to, you know, he doesn't want to let

1020
00:47:33,160 --> 00:47:37,720
Speaker 1: any of his beloved patients down. He's really struggling. Craig

1021
00:47:37,800 --> 00:47:39,960
Speaker 1: wants a root beer, so JD goes to get a

1022
00:47:40,040 --> 00:47:43,600
Speaker 1: root beer. There's only two left, and the janitor has

1023
00:47:43,719 --> 00:47:46,600
Speaker 1: licked uh the root beer can.

1024
00:47:46,680 --> 00:47:47,920
Speaker 2: He's probably licked both of them.

1025
00:47:47,960 --> 00:47:50,200
Speaker 1: To be honest with you, Yes, he definitely licked both

1026
00:47:50,239 --> 00:47:52,399
Speaker 1: of them. And then we learned that he also licked

1027
00:47:52,480 --> 00:47:53,360
Speaker 1: JD's cell phone.

1028
00:47:54,800 --> 00:47:56,720
Speaker 2: Why.

1029
00:47:57,920 --> 00:48:00,840
Speaker 1: I think he just hates JD so anything. He although this.

1030
00:48:03,520 --> 00:48:06,480
Speaker 2: Later there's a team up though, the first team up ever.

1031
00:48:06,840 --> 00:48:10,839
Speaker 1: Well, they both share a common love of Ted, and

1032
00:48:10,880 --> 00:48:14,160
Speaker 1: I think they both see that Ted finally likes a woman.

1033
00:48:14,600 --> 00:48:17,320
Speaker 1: Ted's finally going to have a chance some some tiny

1034
00:48:17,360 --> 00:48:20,040
Speaker 1: bit of happiness, and that they're going to team up,

1035
00:48:20,880 --> 00:48:22,439
Speaker 1: which is bizarre because I don't think it's the first

1036
00:48:22,840 --> 00:48:24,960
Speaker 1: ever in eight seasons.

1037
00:48:25,440 --> 00:48:25,839
Speaker 2: What is.

1038
00:48:27,480 --> 00:48:29,799
Speaker 1: Scrubs wiki. I don't think he spoke directly. I looked.

1039
00:48:29,800 --> 00:48:34,040
Speaker 1: I don't think he says anything specifically about the team up. Oh,

1040
00:48:34,120 --> 00:48:36,200
Speaker 1: it is a it is a reference. Ted mentions that

1041
00:48:37,400 --> 00:48:40,960
Speaker 1: ukulele players are usually heavy Hawaiians. This is a real

1042
00:48:41,160 --> 00:48:43,600
Speaker 1: likely a reference to Israel and I don't know how

1043
00:48:43,600 --> 00:48:44,520
Speaker 1: to say his last name.

1044
00:48:45,520 --> 00:48:46,279
Speaker 3: I don't know either.

1045
00:48:46,840 --> 00:48:50,040
Speaker 1: Didn't you think it's nice?

1046
00:48:50,640 --> 00:48:52,719
Speaker 2: Have you guys been watching Dance Moms? No?

1047
00:48:52,760 --> 00:48:54,480
Speaker 1: Why would any of us watch Dance Moms?

1048
00:48:54,480 --> 00:48:55,680
Speaker 2: What is it? Dance Moms?

1049
00:48:55,920 --> 00:48:56,480
Speaker 3: Dance Moms?

1050
00:48:56,560 --> 00:48:58,879
Speaker 2: No, go back and watch it. Oh my god, it's

1051
00:48:58,920 --> 00:48:59,520
Speaker 2: the best showing.

1052
00:49:00,840 --> 00:49:03,640
Speaker 1: There's so much good TV. And Donald's watching Dance Moms.

1053
00:49:03,880 --> 00:49:09,200
Speaker 2: Yeah, yo, I'm tasting right now. The mom's on this show.

1054
00:49:10,160 --> 00:49:13,279
Speaker 2: You think. Look, we all know about because we're all

1055
00:49:13,360 --> 00:49:16,800
Speaker 2: in entertainment industry. You know about mamagers. You know about

1056
00:49:17,440 --> 00:49:19,880
Speaker 2: I used to go on auditions and see kids with

1057
00:49:19,960 --> 00:49:22,960
Speaker 2: their moms and their moms giving them the ultimate pep

1058
00:49:23,040 --> 00:49:25,560
Speaker 2: talk of you know, you better nail this ship or

1059
00:49:25,600 --> 00:49:29,760
Speaker 2: you don't eat type stuff. I've seen it. Watch Dance Moms.

1060
00:49:29,840 --> 00:49:34,680
Speaker 2: They trump all of that, They trump it all. I

1061
00:49:34,719 --> 00:49:38,279
Speaker 2: think that's the rewatch podcast. After we finished, it's definitely I.

1062
00:49:38,160 --> 00:49:40,879
Speaker 1: Think that's the red don't worry, don't worry, audience, it's

1063
00:49:40,920 --> 00:49:45,160
Speaker 1: definitely all right. So Ted chickens out and hits his

1064
00:49:45,280 --> 00:49:49,480
Speaker 1: head in glorious fashion, and he's riding his bike home

1065
00:49:49,520 --> 00:49:52,759
Speaker 1: and he says, cherish the paint. Heed it means you're

1066
00:49:52,800 --> 00:49:57,560
Speaker 1: still alive. The janitor, as we said, decides to team

1067
00:49:57,640 --> 00:50:03,440
Speaker 1: up with JD. We learned that JD was fooled by

1068
00:50:03,600 --> 00:50:09,000
Speaker 1: Cocks and flew to the Ozarks for a spontaneous water

1069
00:50:09,080 --> 00:50:13,600
Speaker 1: ski getaway. And when he's asked was he there, he

1070
00:50:13,640 --> 00:50:16,919
Speaker 1: said he was not there, nor was his legs near,

1071
00:50:17,160 --> 00:50:22,760
Speaker 1: nor was his leg side cabin. JD really falls for anything.

1072
00:50:22,800 --> 00:50:26,439
Speaker 2: That isn't that how the show opens up with him

1073
00:50:26,440 --> 00:50:26,960
Speaker 2: going to.

1074
00:50:29,239 --> 00:50:31,160
Speaker 1: Oh and j D also says that there had also

1075
00:50:31,200 --> 00:50:35,200
Speaker 1: been talk of a tire swing. What do you mean

1076
00:50:35,239 --> 00:50:36,120
Speaker 1: how the show opens up?

1077
00:50:36,239 --> 00:50:38,600
Speaker 2: Isn't there something where he tries to trick him where

1078
00:50:38,600 --> 00:50:42,799
Speaker 2: he tricks him into going back outside and knocking and

1079
00:50:42,880 --> 00:50:43,919
Speaker 2: he knocks on the door.

1080
00:50:44,120 --> 00:50:46,680
Speaker 1: Oh yeah, and he gets locked locked out? Yeah?

1081
00:50:46,719 --> 00:50:51,800
Speaker 2: Why is the gooch holding a banana? Away?

1082
00:50:52,080 --> 00:51:00,880
Speaker 1: Very very inappropriate introduction. Wow, hey, do you remember on

1083
00:51:00,920 --> 00:51:02,960
Speaker 1: the day thinking, really, guys a banana?

1084
00:51:03,440 --> 00:51:03,680
Speaker 2: No?

1085
00:51:03,920 --> 00:51:07,040
Speaker 3: I don't remember that, but I totally that it caught

1086
00:51:07,080 --> 00:51:10,200
Speaker 3: me by surprise. There were two things that caught me

1087
00:51:10,239 --> 00:51:12,360
Speaker 3: by surprise yesterday when I was rewatching it. That and

1088
00:51:12,400 --> 00:51:14,239
Speaker 3: then the last scene, which I guess we'll get to.

1089
00:51:14,360 --> 00:51:18,600
Speaker 3: But but yeah, the banana was a really funny choice.

1090
00:51:19,080 --> 00:51:21,400
Speaker 1: I just loved that someone was like, what if she's

1091
00:51:21,400 --> 00:51:25,960
Speaker 1: holding a banana, and like, it's like so so obviously suggested,

1092
00:51:26,040 --> 00:51:27,320
Speaker 1: like the most blatant.

1093
00:51:28,760 --> 00:51:30,360
Speaker 3: I had a friend that said it's so embarrassing to

1094
00:51:30,360 --> 00:51:32,920
Speaker 3: eat a banana in public, and I thought, that's so funny.

1095
00:51:33,360 --> 00:51:33,839
Speaker 1: That's true.

1096
00:51:33,880 --> 00:51:37,520
Speaker 2: I agree on how you eat a banana tells a

1097
00:51:37,520 --> 00:51:38,719
Speaker 2: lot about you.

1098
00:51:38,800 --> 00:51:41,520
Speaker 1: Yeah, Donald, when you eat a banana, do you.

1099
00:51:41,600 --> 00:51:43,640
Speaker 2: I break that shit off? I break you break it off,

1100
00:51:43,680 --> 00:51:47,080
Speaker 2: I break it off, throw it a tall grass. No, Illi, listen,

1101
00:51:47,160 --> 00:51:50,560
Speaker 2: I'm not bananas. Actually, I'm not afraid to eat a banana. Bananas.

1102
00:51:50,840 --> 00:51:52,760
Speaker 1: I love when you when you do eat a banana,

1103
00:51:53,080 --> 00:51:55,359
Speaker 1: either in public or private. Have you ever just seen

1104
00:51:55,400 --> 00:51:57,520
Speaker 1: how much of it you can get down before you gag?

1105
00:51:57,719 --> 00:51:58,480
Speaker 2: Absolutely?

1106
00:51:58,840 --> 00:52:04,600
Speaker 1: I had to Yeah a second, Kate, I'm sorry you

1107
00:52:04,640 --> 00:52:07,280
Speaker 1: had to hear this. I'm sorry, I'm just curious.

1108
00:52:07,360 --> 00:52:09,960
Speaker 2: I'm just nervous because if it breaks, do you die?

1109
00:52:10,640 --> 00:52:11,880
Speaker 1: Like swallow it?

1110
00:52:11,920 --> 00:52:12,160
Speaker 2: Hole?

1111
00:52:12,280 --> 00:52:14,080
Speaker 1: Donald? You don't want to swallow it, well, you can

1112
00:52:14,160 --> 00:52:16,400
Speaker 1: choke on it. As a child, I tried to swallow

1113
00:52:16,440 --> 00:52:19,120
Speaker 1: a grapehole and I remember thinking I'm going to die.

1114
00:52:19,239 --> 00:52:20,759
Speaker 2: Like, yeah, I remember I put a freaking what you

1115
00:52:20,840 --> 00:52:27,520
Speaker 2: might call it a popcorn, uh seed, Colonel, Yeah, No.

1116
00:52:27,600 --> 00:52:29,400
Speaker 2: I put it up there, thinking, oh, this looks like

1117
00:52:29,440 --> 00:52:32,399
Speaker 2: it's a nice cozy place, and I couldn't get it out.

1118
00:52:33,360 --> 00:52:34,280
Speaker 2: Couldn't get it out.

1119
00:52:34,360 --> 00:52:34,839
Speaker 1: Get it out.

1120
00:52:34,880 --> 00:52:36,360
Speaker 3: What happened is my uncle came.

1121
00:52:36,239 --> 00:52:38,160
Speaker 2: And took that ship out. My uncle came and freaking

1122
00:52:38,920 --> 00:52:40,560
Speaker 2: found a way to pop that thing out.

1123
00:52:40,560 --> 00:52:45,160
Speaker 1: I would have gotten a vacuum. Oh man, Cox finally

1124
00:52:45,239 --> 00:52:49,440
Speaker 1: sits head down enough with his laziness. Now spoiler alert,

1125
00:52:49,960 --> 00:52:53,240
Speaker 1: they had to fire Asease because he had been cast

1126
00:52:53,400 --> 00:52:57,120
Speaker 1: in Parks and wreck So this gave them a good

1127
00:52:57,160 --> 00:53:00,400
Speaker 1: reason and a good storyline to tee up that. You

1128
00:53:00,440 --> 00:53:02,319
Speaker 1: know what, if you don't perform, there is a point

1129
00:53:02,320 --> 00:53:06,120
Speaker 1: where you get fired and diseases well character ed is

1130
00:53:06,200 --> 00:53:10,879
Speaker 1: so not present and lazy and basically it was a.

1131
00:53:10,880 --> 00:53:14,880
Speaker 2: Complete switch though from what his character was before. His

1132
00:53:15,040 --> 00:53:17,960
Speaker 2: character might might have been lazy, but his character was

1133
00:53:18,480 --> 00:53:23,640
Speaker 2: adequate and efficient and now, all of a sudden, out

1134
00:53:23,640 --> 00:53:28,200
Speaker 2: of nowhere, this dude's freaking online with his buddies playing

1135
00:53:28,239 --> 00:53:31,520
Speaker 2: trivial games, right instead of learning how to save people?

1136
00:53:32,280 --> 00:53:34,759
Speaker 1: Right? That is right, Donald, And it was initially that

1137
00:53:34,840 --> 00:53:37,600
Speaker 1: he's so smart he doesn't even need to study. And

1138
00:53:37,640 --> 00:53:39,960
Speaker 1: now Cox is like, you don't know the answers sit

1139
00:53:40,040 --> 00:53:45,400
Speaker 1: here and memorize this book on hearts. That is a

1140
00:53:45,440 --> 00:53:49,319
Speaker 1: tweak anyway, he had to go, But I think it's good.

1141
00:53:49,360 --> 00:53:51,319
Speaker 1: They showed that you can be fired if you're a

1142
00:53:51,360 --> 00:53:54,359
Speaker 1: shitty doctor and don't show up and don't don't hold

1143
00:53:54,360 --> 00:53:54,719
Speaker 1: your own.

1144
00:53:55,920 --> 00:53:57,680
Speaker 2: It takes a lot for somebody to fire you. And

1145
00:53:57,680 --> 00:53:59,800
Speaker 2: then also look at least it took a lot for

1146
00:54:00,200 --> 00:54:01,960
Speaker 2: to fire people. He didn't like to do it.

1147
00:54:02,560 --> 00:54:05,000
Speaker 1: No, he didn't love firing people. No one likes firing people.

1148
00:54:05,000 --> 00:54:08,800
Speaker 1: But you got to be careful that people that aren't

1149
00:54:08,840 --> 00:54:10,840
Speaker 1: good are stuck doing their jobs.

1150
00:54:10,880 --> 00:54:13,400
Speaker 2: If well as these was great, and it was, it

1151
00:54:13,480 --> 00:54:14,360
Speaker 2: was just amazing.

1152
00:54:14,600 --> 00:54:16,879
Speaker 1: These would have been on a long time, I bet.

1153
00:54:16,880 --> 00:54:21,480
Speaker 1: But uh, he got parks and rec so we Oh.

1154
00:54:21,520 --> 00:54:23,680
Speaker 1: This is a famous meme I've seen so many times

1155
00:54:24,920 --> 00:54:27,799
Speaker 1: about Ted when someone says we found you in the

1156
00:54:27,840 --> 00:54:31,000
Speaker 1: park throwing rocks at old couples, and he says, why

1157
00:54:31,000 --> 00:54:33,000
Speaker 1: should they be happy?

1158
00:54:37,080 --> 00:54:39,520
Speaker 2: This is the whole episode where the janitor talks about

1159
00:54:39,520 --> 00:54:39,879
Speaker 2: the duck.

1160
00:54:40,600 --> 00:54:41,960
Speaker 1: Yes, this is one of Bill's.

1161
00:54:41,640 --> 00:54:45,440
Speaker 3: Favorite jah that is such an amazing I watched it twice.

1162
00:54:45,480 --> 00:54:47,160
Speaker 3: I had to rewind it. It was so good.

1163
00:54:47,480 --> 00:54:51,000
Speaker 1: Neil made that all up, obviously. I just saw Bill

1164
00:54:51,800 --> 00:54:54,080
Speaker 1: last night and he I told him that we were

1165
00:54:54,080 --> 00:54:57,520
Speaker 1: doing this episode, and he just started cracking up and

1166
00:54:57,560 --> 00:55:01,040
Speaker 1: going into the whole improv that Neil came up with

1167
00:55:01,120 --> 00:55:02,200
Speaker 1: about fighting the duck.

1168
00:55:03,320 --> 00:55:04,560
Speaker 3: I can't believe that was an improv.

1169
00:55:04,600 --> 00:55:05,080
Speaker 2: That's increat.

1170
00:55:05,120 --> 00:55:07,920
Speaker 1: He totally made it up on the spot. Wow, and

1171
00:55:07,960 --> 00:55:09,839
Speaker 1: he's fighting a duck. I think that I forgot if

1172
00:55:09,840 --> 00:55:12,160
Speaker 1: it made the show or not. But when Bill did it,

1173
00:55:12,200 --> 00:55:14,799
Speaker 1: he was saying that He says, we both took our

1174
00:55:14,840 --> 00:55:17,279
Speaker 1: shirts off, as if to say the duck was wearing

1175
00:55:17,320 --> 00:55:25,120
Speaker 1: a shirt shirt. Yeah, wow, And yeah, so that's just

1176
00:55:25,160 --> 00:55:28,720
Speaker 1: crazy Neil being being uh funny. But that's that's definitely

1177
00:55:28,719 --> 00:55:31,480
Speaker 1: in this episode too. We also learned the janitor makes

1178
00:55:32,120 --> 00:55:38,719
Speaker 1: something called jum which is jump and tonic, which is

1179
00:55:38,880 --> 00:55:46,279
Speaker 1: jin ram and tonic. And then he says to he

1180
00:55:46,360 --> 00:55:51,200
Speaker 1: says to Ted, he's like him alcohol.

1181
00:55:51,600 --> 00:55:54,320
Speaker 2: He's like, it's not alcohol, it's a breakfast liquor.

1182
00:55:55,000 --> 00:55:58,840
Speaker 1: Yeah, that's right. And then he says his advice is

1183
00:55:58,920 --> 00:56:03,480
Speaker 1: give give of her a present that you made my

1184
00:56:03,520 --> 00:56:05,920
Speaker 1: first day with lady, I made her a duck that

1185
00:56:05,960 --> 00:56:06,440
Speaker 1: I killed.

1186
00:56:06,680 --> 00:56:07,680
Speaker 2: Oh my gosh.

1187
00:56:08,120 --> 00:56:10,360
Speaker 1: This is when he talks about how he got in

1188
00:56:10,360 --> 00:56:13,320
Speaker 1: a fight with the duck. Then Ted tries to stand

1189
00:56:13,400 --> 00:56:16,560
Speaker 1: up and he's hammered, and the janitor says, those are

1190
00:56:16,600 --> 00:56:17,280
Speaker 1: jum legs.

1191
00:56:22,480 --> 00:56:26,239
Speaker 2: What adult would leave a kid like that? I mean,

1192
00:56:28,040 --> 00:56:30,840
Speaker 2: that's right. Who dropped the kid off there? It's not okay,

1193
00:56:30,920 --> 00:56:33,160
Speaker 2: I get it. Doctor Cox was supposed to pick his

1194
00:56:33,280 --> 00:56:36,040
Speaker 2: child up. He missed the opportunity because he was He's

1195
00:56:36,080 --> 00:56:40,640
Speaker 2: busy doing so many things. Things like that. I hope

1196
00:56:40,760 --> 00:56:43,160
Speaker 2: never happened to me with my kids, but I could

1197
00:56:43,160 --> 00:56:45,920
Speaker 2: see how something like that would happen. But who was

1198
00:56:46,000 --> 00:56:49,880
Speaker 2: the asshole? That's like, all right, now, get out the

1199
00:56:49,920 --> 00:56:53,319
Speaker 2: car and you stay right here on this corner with

1200
00:56:53,480 --> 00:56:56,520
Speaker 2: these busy cars while I leave you to do the

1201
00:56:56,520 --> 00:56:57,319
Speaker 2: rest of my day.

1202
00:56:57,600 --> 00:57:00,120
Speaker 1: I know, or I assume. Yeah. I was nervous just

1203
00:57:00,120 --> 00:57:02,879
Speaker 1: even watching the kid, knowing that there was obviously tons

1204
00:57:02,920 --> 00:57:05,600
Speaker 1: of adults around. It was just nerve racking to watch it.

1205
00:57:06,480 --> 00:57:13,000
Speaker 2: Crazy. Who does that? Nobody, nobody. It'll just be mad

1206
00:57:13,040 --> 00:57:15,879
Speaker 2: at you when you get there. I had ship to do.

1207
00:57:17,680 --> 00:57:18,760
Speaker 2: Put your kid and you.

1208
00:57:20,040 --> 00:57:24,760
Speaker 1: Jad and the janitors throw ted in the elevator with Gooch. Yes,

1209
00:57:24,800 --> 00:57:30,600
Speaker 1: and and when the elevator door opens, uh kate you.

1210
00:57:30,640 --> 00:57:32,840
Speaker 1: They ask you what's going on and you say something

1211
00:57:32,880 --> 00:57:34,720
Speaker 1: like he's he's hiding in the corner.

1212
00:57:34,960 --> 00:57:40,400
Speaker 3: Yeah, And then he's just in the corner. I remember.

1213
00:57:40,520 --> 00:57:42,240
Speaker 3: I remember when we were shooting this and I was like,

1214
00:57:42,280 --> 00:57:44,520
Speaker 3: this is so weird, and you're like, have you seen

1215
00:57:44,560 --> 00:57:45,040
Speaker 3: our show?

1216
00:57:48,080 --> 00:57:50,280
Speaker 1: I love that. An actor coming in to do like

1217
00:57:50,320 --> 00:57:53,160
Speaker 1: a recurring part is like, is this is this too weird?

1218
00:57:53,280 --> 00:57:56,320
Speaker 1: I mean hiding in the corner of the elevator or like, no,

1219
00:57:56,400 --> 00:57:58,000
Speaker 1: have you watched the show?

1220
00:57:58,440 --> 00:57:59,200
Speaker 3: Anything goes?

1221
00:58:00,480 --> 00:58:04,160
Speaker 2: But then he says he says that the janitor goes. Yeah.

1222
00:58:04,160 --> 00:58:06,040
Speaker 2: He does this often. He'll come out in a second

1223
00:58:06,040 --> 00:58:08,480
Speaker 2: when he feels like the coast is clear, and he

1224
00:58:08,520 --> 00:58:11,680
Speaker 2: comes out after looking around like a little animal looking

1225
00:58:11,720 --> 00:58:14,120
Speaker 2: to see if it's safe. And he comes out and

1226
00:58:14,120 --> 00:58:17,760
Speaker 2: then finally stands up and gets the nerve to finally

1227
00:58:17,840 --> 00:58:21,640
Speaker 2: talk to the touch right. But he gets the nerve

1228
00:58:22,240 --> 00:58:25,040
Speaker 2: by calling the peans peons a symbol.

1229
00:58:25,120 --> 00:58:27,240
Speaker 1: Right that gives him his superpower.

1230
00:58:27,360 --> 00:58:28,680
Speaker 2: That's where his power shows up.

1231
00:58:28,920 --> 00:58:30,000
Speaker 1: And what song do you guys sing?

1232
00:58:30,040 --> 00:58:32,760
Speaker 3: I forgot there, carry on my wayward side.

1233
00:58:33,040 --> 00:58:38,200
Speaker 2: Yeah. I learned that song through rock Man. That's how

1234
00:58:38,240 --> 00:58:38,600
Speaker 2: I learned that.

1235
00:58:40,880 --> 00:58:47,720
Speaker 1: Yeah, it's Kansas. I just looked it up.

1236
00:58:48,160 --> 00:58:50,680
Speaker 3: I remember one of my favorite I have so many

1237
00:58:50,720 --> 00:58:53,960
Speaker 3: really clear memories from shooting this episode. But we were

1238
00:58:54,000 --> 00:58:57,280
Speaker 3: in the stairwell of the hospital, practicing, all of us,

1239
00:58:57,400 --> 00:58:59,640
Speaker 3: and it was it just sounded so cool because it

1240
00:58:59,640 --> 00:59:02,280
Speaker 3: was all and these guys are so good and then

1241
00:59:02,520 --> 00:59:04,560
Speaker 3: there I was with my ukulele and like singing along

1242
00:59:04,560 --> 00:59:06,840
Speaker 3: with them, and I just remember feeling like my heart

1243
00:59:06,880 --> 00:59:09,160
Speaker 3: was so full. I was like this, like it doesn't

1244
00:59:09,200 --> 00:59:12,160
Speaker 3: get better than this, like practicing, we're just about to

1245
00:59:12,200 --> 00:59:14,040
Speaker 3: shoot this thing. These guys are so good, Like it

1246
00:59:14,120 --> 00:59:16,160
Speaker 3: was just a really great moment. I still remember it.

1247
00:59:16,520 --> 00:59:21,000
Speaker 2: Do they make electric ukuleles? Yeah, sound like electric guitars

1248
00:59:21,320 --> 00:59:22,600
Speaker 2: kind of you want to.

1249
00:59:22,600 --> 00:59:23,880
Speaker 3: See you want to see one of them?

1250
00:59:24,080 --> 00:59:24,280
Speaker 2: Yeah?

1251
00:59:24,840 --> 00:59:26,720
Speaker 1: Oh wait, okay, hang on, we'll have to describe it

1252
00:59:26,720 --> 00:59:31,160
Speaker 1: to the audience because this is not a visual production. Excited.

1253
00:59:32,360 --> 00:59:36,000
Speaker 1: I'm excited for Daniel to remix Scrubs.

1254
00:59:35,640 --> 00:59:38,920
Speaker 2: Music song Holy Cat. Look at that? Wow, So it

1255
00:59:38,960 --> 00:59:41,320
Speaker 2: looks like it looks like a I guess it looks

1256
00:59:41,360 --> 00:59:41,920
Speaker 2: like a fender.

1257
00:59:42,360 --> 00:59:44,080
Speaker 1: It looks like a tiny electric guitars.

1258
00:59:45,000 --> 00:59:47,240
Speaker 3: It's a brand called Ella Yuk. They gave it to

1259
00:59:47,280 --> 00:59:48,320
Speaker 3: me a long time ago. I don't know. And it

1260
00:59:48,360 --> 00:59:50,840
Speaker 3: actually has batteries, so but I don't think the batteries

1261
00:59:50,840 --> 00:59:54,320
Speaker 3: are in it right now. But I've I've messed around

1262
00:59:54,320 --> 00:59:55,680
Speaker 3: with it and like you can just like you know,

1263
00:59:55,760 --> 00:59:57,520
Speaker 3: put a pedal on it and like a you know,

1264
00:59:57,680 --> 00:59:59,160
Speaker 3: make some crazy sounds.

1265
00:59:59,200 --> 01:00:01,320
Speaker 2: Because you have fast hands. I was wondering if you've

1266
01:00:01,360 --> 01:00:02,760
Speaker 2: ever done solos like on the.

1267
01:00:08,000 --> 01:00:11,360
Speaker 1: Event. We can YouTube and search for people doing insane

1268
01:00:11,440 --> 01:00:12,600
Speaker 1: solos on the dude.

1269
01:00:12,640 --> 01:00:15,160
Speaker 2: I found a dude doing the e Walk song from

1270
01:00:15,200 --> 01:00:20,800
Speaker 2: Return to the Jedi on That's cool.

1271
01:00:20,840 --> 01:00:22,360
Speaker 1: I think it's uku lily, you keep saying.

1272
01:00:23,240 --> 01:00:24,320
Speaker 3: I think it's either either.

1273
01:00:25,240 --> 01:00:27,640
Speaker 1: Oh really, I think because you're the expert, tell us

1274
01:00:27,680 --> 01:00:29,000
Speaker 1: is it? You can say uk lily.

1275
01:00:29,440 --> 01:00:33,320
Speaker 3: I think in Hawaii they say lily, you say kallely.

1276
01:00:34,040 --> 01:00:35,520
Speaker 2: I say klely.

1277
01:00:36,840 --> 01:00:38,920
Speaker 1: Donald. Did you know that on purpose that you were

1278
01:00:39,000 --> 01:00:40,840
Speaker 1: using the Hawaiian pronunciation?

1279
01:00:41,040 --> 01:00:50,480
Speaker 2: I did, you didn't, but yeah no, but I found.

1280
01:00:51,600 --> 01:00:57,680
Speaker 1: Yo nope, chiky Why why celebrate the live?

1281
01:00:58,120 --> 01:01:02,440
Speaker 2: Yeah? No, yep, no Hallelun.

1282
01:01:03,480 --> 01:01:04,360
Speaker 1: Do you know the whole song.

1283
01:01:04,680 --> 01:01:11,479
Speaker 2: No, Yo, I'm not I'm just making up sounds.

1284
01:01:11,480 --> 01:01:13,040
Speaker 1: The only part I remember, and I think we've talked

1285
01:01:13,080 --> 01:01:14,960
Speaker 1: about this on the podcast, is that all of a sudden,

1286
01:01:15,320 --> 01:01:16,960
Speaker 1: Donald and I you have joked you and I have

1287
01:01:17,000 --> 01:01:20,600
Speaker 1: joked about this that it's any wakes and then it

1288
01:01:20,720 --> 01:01:24,640
Speaker 1: cuts to celebrate the life which we have, which we

1289
01:01:24,760 --> 01:01:28,160
Speaker 1: surmised that there was no Ewoks for celebrate the life.

1290
01:01:28,960 --> 01:01:32,760
Speaker 2: All of a sudden can speak English, celebrate the life.

1291
01:01:33,200 --> 01:01:35,360
Speaker 1: I think it goes yub nub it chicky. Why why

1292
01:01:35,520 --> 01:01:36,880
Speaker 1: celebrate the life?

1293
01:01:37,160 --> 01:01:37,360
Speaker 3: Yeah?

1294
01:01:37,520 --> 01:01:39,720
Speaker 2: No, but then they changed the music completely.

1295
01:01:41,080 --> 01:01:43,760
Speaker 3: See if there's a recording session of this on YouTube

1296
01:01:44,000 --> 01:01:44,400
Speaker 3: like you.

1297
01:01:44,560 --> 01:01:46,600
Speaker 2: That would be amazing. I would love to see a

1298
01:01:46,640 --> 01:01:50,840
Speaker 2: bunch of grown folks in a room banging drums. I

1299
01:01:50,840 --> 01:01:52,840
Speaker 2: think that's speaking. I don't know. I think they might

1300
01:01:52,840 --> 01:01:57,320
Speaker 2: be speaking actually in an African language, actually the Ewoks.

1301
01:01:57,600 --> 01:02:01,240
Speaker 5: I could be wrong, but look that up for googling

1302
01:02:01,240 --> 01:02:02,920
Speaker 5: at this very moment, Daniel, what.

1303
01:02:03,840 --> 01:02:06,640
Speaker 1: Can you look up the origins of the Ewok language.

1304
01:02:06,320 --> 01:02:08,360
Speaker 2: Daniel, Swahili or something like that.

1305
01:02:08,640 --> 01:02:11,160
Speaker 1: You walk speak their native language of Ewalk is a

1306
01:02:11,200 --> 01:02:13,360
Speaker 1: fictional language created for the film I.

1307
01:02:13,320 --> 01:02:15,080
Speaker 2: Got it right, oh, it's created.

1308
01:02:15,280 --> 01:02:17,760
Speaker 1: So Danel can you google the lyrics to the end song?

1309
01:02:18,000 --> 01:02:18,680
Speaker 1: And am I right in?

1310
01:02:20,400 --> 01:02:23,760
Speaker 2: Yeah? No, Daniel, don't feel bad making fun of it

1311
01:02:23,840 --> 01:02:26,800
Speaker 2: because it's it's it's it's made up for the movie.

1312
01:02:26,800 --> 01:02:30,040
Speaker 2: So I could say it and not offend anybody, ye.

1313
01:02:29,960 --> 01:02:34,800
Speaker 1: Have, No, Daniel, can you confirm that in the lyrics

1314
01:02:34,800 --> 01:02:37,400
Speaker 1: to the final e walk song that celebrate the Life

1315
01:02:37,520 --> 01:02:38,840
Speaker 1: is the only English in the song?

1316
01:02:39,200 --> 01:02:43,960
Speaker 2: Sure? You ce imagine because if they're like Bad Bunny

1317
01:02:43,960 --> 01:02:46,840
Speaker 2: and they just sneak English words in these in the song,

1318
01:02:47,600 --> 01:02:48,800
Speaker 2: you listen to Bad Bunny at all?

1319
01:02:49,240 --> 01:02:50,960
Speaker 1: No, you don't listen to bad I mean, I know,

1320
01:02:50,960 --> 01:02:54,960
Speaker 1: with a big hit that's always on the top baby.

1321
01:02:55,160 --> 01:02:58,200
Speaker 2: No, no, you don't listen to that.

1322
01:02:58,800 --> 01:03:01,760
Speaker 1: No. I only listen to Kate's music.

1323
01:03:02,760 --> 01:03:03,640
Speaker 2: All right, well, all.

1324
01:03:03,560 --> 01:03:06,520
Speaker 1: Right, well then we got to I really wanted to

1325
01:03:06,520 --> 01:03:08,520
Speaker 1: get to what, Daniel, what are you learning?

1326
01:03:08,800 --> 01:03:12,040
Speaker 2: Uh? There is no celebrate the Life in the song.

1327
01:03:12,120 --> 01:03:14,640
Speaker 5: I was gonna say, well, that is the lyric, it's

1328
01:03:14,680 --> 01:03:18,480
Speaker 5: actually celebrate the Light, Celebrate the Light. But also all

1329
01:03:18,520 --> 01:03:21,200
Speaker 5: of the all the lyrics are apparently in e Walkies,

1330
01:03:21,240 --> 01:03:22,360
Speaker 5: but there's an English translation.

1331
01:03:23,000 --> 01:03:24,400
Speaker 1: I'm telling you, I don't know, I don't know.

1332
01:03:24,400 --> 01:03:27,120
Speaker 2: What hold on time out. I've been dying to know

1333
01:03:27,200 --> 01:03:28,400
Speaker 2: what they're singing in this song.

1334
01:03:29,360 --> 01:03:32,280
Speaker 1: I mean, please just read it the English translation, the

1335
01:03:32,320 --> 01:03:34,720
Speaker 1: English translations. Just one verse. Please freedom.

1336
01:03:34,840 --> 01:03:38,880
Speaker 5: We got freedom and now that we can be comebrate

1337
01:03:39,040 --> 01:03:47,440
Speaker 5: no stop stop that, you know that's what the freedom.

1338
01:03:47,600 --> 01:03:50,800
Speaker 5: We got freedom and now that we can be free.

1339
01:03:50,840 --> 01:03:54,120
Speaker 5: Come and celebrate power. We got power and now that

1340
01:03:54,160 --> 01:03:57,560
Speaker 5: we can be free. It's time to celebrate. Celebrate the freedom,

1341
01:03:57,840 --> 01:04:01,400
Speaker 5: celebrate the power, celebrate the glory, celebrate the love.

1342
01:04:02,280 --> 01:04:07,880
Speaker 1: Yubub what's yeah, I'm just I just inserted that for flavor,

1343
01:04:07,920 --> 01:04:12,520
Speaker 1: but it just celebrate the love you yub nub must

1344
01:04:12,560 --> 01:04:15,040
Speaker 1: mean celebrate freedom.

1345
01:04:15,600 --> 01:04:18,480
Speaker 2: No, yubnub is freedom, yub freedom.

1346
01:04:18,960 --> 01:04:21,680
Speaker 1: Actually yeah it is yub no is freedom. Wow. Totally

1347
01:04:21,760 --> 01:04:28,280
Speaker 1: nice Donald, good work. All right, yup, number, Let's take

1348
01:04:28,280 --> 01:04:37,840
Speaker 1: a break. We'll be right back after these fine words. Kate,

1349
01:04:37,880 --> 01:04:41,320
Speaker 1: would you honor us by singing, uh this song, the

1350
01:04:42,480 --> 01:04:43,160
Speaker 1: fuck you song?

1351
01:04:43,280 --> 01:04:43,480
Speaker 2: Oh?

1352
01:04:43,720 --> 01:04:46,520
Speaker 3: Yeah, sure, I I'll do. You know, I'll just do

1353
01:04:46,600 --> 01:04:47,800
Speaker 3: both parts. It's a duet.

1354
01:04:47,920 --> 01:04:50,840
Speaker 1: But if you wouldn't mind doing both parts?

1355
01:04:51,000 --> 01:04:53,600
Speaker 3: Yeah, and yeah, I'll you.

1356
01:04:53,560 --> 01:04:57,360
Speaker 1: Can't harmonize well well she she can't she can't harmonize

1357
01:04:57,360 --> 01:04:57,840
Speaker 1: with herself?

1358
01:04:57,880 --> 01:05:00,480
Speaker 3: But yeah, it would be hard and and.

1359
01:05:00,480 --> 01:05:04,800
Speaker 1: Does anyone ever harmonized with themselves? Kate without electronic recording.

1360
01:05:04,440 --> 01:05:07,479
Speaker 3: Equipment that has like an interesting vocal chord or something.

1361
01:05:08,120 --> 01:05:10,520
Speaker 3: I don't know, I'd love to say, all.

1362
01:05:10,440 --> 01:05:13,080
Speaker 1: Right, well, okay, here is here is a fuck you

1363
01:05:13,880 --> 01:05:14,880
Speaker 1: like Kate mccoochee.

1364
01:05:15,080 --> 01:05:19,320
Speaker 3: All right, This one goes out to sam Oh speak.

1365
01:05:23,720 --> 01:05:29,000
Speaker 3: I've got so many questions in my mind, and I've

1366
01:05:29,760 --> 01:05:36,040
Speaker 3: got too many answers to find ken, I give up

1367
01:05:36,120 --> 01:05:42,000
Speaker 3: all I've imagined? Am I am magical enough for this

1368
01:05:42,120 --> 01:05:44,920
Speaker 3: to happen? Because I like you, I like you, I

1369
01:05:45,040 --> 01:05:49,760
Speaker 3: like you, I like you, and like can lead to

1370
01:05:50,040 --> 01:05:54,720
Speaker 3: like like and like like can lead to sure as

1371
01:05:54,720 --> 01:05:58,840
Speaker 3: the stars above, I'd really like to screw you. Oh Oh?

1372
01:06:00,520 --> 01:06:05,120
Speaker 3: Can I be the man you are looking for? Can

1373
01:06:06,000 --> 01:06:12,920
Speaker 3: I be your girl forevermore? I'll try real hard not

1374
01:06:13,040 --> 01:06:18,000
Speaker 3: to lose her. I'll try to be less of a

1375
01:06:18,080 --> 01:06:21,160
Speaker 3: loser because I like you, I like you, I like you,

1376
01:06:21,240 --> 01:06:26,040
Speaker 3: I like you, and like can lead to like like,

1377
01:06:26,640 --> 01:06:30,240
Speaker 3: and like like can lead to love. Sure as the

1378
01:06:30,280 --> 01:06:33,720
Speaker 3: stars above, I really like to doink you, bang you,

1379
01:06:34,040 --> 01:06:36,520
Speaker 3: nail you sex you screw.

1380
01:06:36,440 --> 01:06:42,360
Speaker 1: You when you do the high When you do that

1381
01:06:42,440 --> 01:06:43,400
Speaker 1: high note, it makes.

1382
01:06:43,280 --> 01:06:46,960
Speaker 3: Me thanks because I really can't quite hit it.

1383
01:06:47,040 --> 01:06:50,400
Speaker 1: But oh, okay, you should write a musical.

1384
01:06:50,760 --> 01:06:53,560
Speaker 3: Oh I thank you. I mean someday, maybe it is

1385
01:06:53,600 --> 01:06:54,360
Speaker 3: a dream of mine.

1386
01:06:54,800 --> 01:06:56,880
Speaker 1: I really think that. I'm just listening to you. Then

1387
01:06:56,920 --> 01:07:00,440
Speaker 1: I thought you because you're a funny, talented lyric assist

1388
01:07:00,520 --> 01:07:04,200
Speaker 1: and musician. You can do both and their storytelling songs.

1389
01:07:04,240 --> 01:07:06,920
Speaker 1: I really think that you'd be such a good creator

1390
01:07:06,960 --> 01:07:07,560
Speaker 1: of a musical.

1391
01:07:07,800 --> 01:07:11,240
Speaker 3: Thank you. Yeah, I mean, it's definitely something I want

1392
01:07:11,240 --> 01:07:12,760
Speaker 3: to do. So I appreciate that.

1393
01:07:12,800 --> 01:07:15,280
Speaker 1: Donald and I will do the play for yours when

1394
01:07:15,320 --> 01:07:16,920
Speaker 1: you when you're ready, Donald and I will do.

1395
01:07:16,880 --> 01:07:19,120
Speaker 3: The play reading okay, perfect, And if.

1396
01:07:19,000 --> 01:07:21,360
Speaker 1: There's a moment for me to rise through the stage playing.

1397
01:07:22,280 --> 01:07:25,080
Speaker 3: On a roof, yes, I'm willing to.

1398
01:07:25,160 --> 01:07:28,600
Speaker 1: I'm willing to expand to other set pieces, but I

1399
01:07:28,600 --> 01:07:30,880
Speaker 1: do want to come through the stage perfect.

1400
01:07:31,200 --> 01:07:33,240
Speaker 3: Well, thank you thanks for letting me do that.

1401
01:07:33,680 --> 01:07:35,919
Speaker 2: We should go back and talk about how that all

1402
01:07:35,960 --> 01:07:41,760
Speaker 2: comes from. You got Ted and Gooch rehearsing together all

1403
01:07:41,800 --> 01:07:46,960
Speaker 2: the time, and Ted coming and running in and saying, yo, dude.

1404
01:07:47,160 --> 01:07:49,160
Speaker 2: I think she likes me, and they're like, how do

1405
01:07:49,200 --> 01:07:53,040
Speaker 2: you know she likes you? And then we flash back

1406
01:07:53,200 --> 01:07:56,800
Speaker 2: to this moment, right and then she comes in and

1407
01:07:56,840 --> 01:08:01,120
Speaker 2: then Gooch comes in again and asks Ted for to

1408
01:08:01,160 --> 01:08:05,320
Speaker 2: go to coffee, and Ted calls the peons. This was

1409
01:08:05,400 --> 01:08:08,040
Speaker 2: I mean, it's such great storytelling. Man. He calls the

1410
01:08:08,080 --> 01:08:10,280
Speaker 2: peons and she was like, well, I was kind of

1411
01:08:10,360 --> 01:08:14,360
Speaker 2: just thinking it would be you and me. And he

1412
01:08:14,440 --> 01:08:17,519
Speaker 2: looks back and it's that look back of you know,

1413
01:08:18,360 --> 01:08:20,880
Speaker 2: I don't need you, guys, I want you here, and

1414
01:08:20,920 --> 01:08:23,320
Speaker 2: they look at him like you're gonna be okay. But

1415
01:08:23,360 --> 01:08:25,320
Speaker 2: then they don't have no place to go after Like,

1416
01:08:25,360 --> 01:08:27,640
Speaker 2: it's such a great moment, and then you know, this

1417
01:08:27,760 --> 01:08:29,880
Speaker 2: is the beginning of a beautiful friendship. It's the great

1418
01:08:30,000 --> 01:08:32,800
Speaker 2: It's one of the best meet cutes on Scrubs and

1419
01:08:32,880 --> 01:08:35,640
Speaker 2: the Turk and Carla got the best one. But you know,

1420
01:08:35,840 --> 01:08:37,840
Speaker 2: after that, it's very sweet.

1421
01:08:37,520 --> 01:08:39,920
Speaker 1: And instantly you just root for them. You just root

1422
01:08:39,960 --> 01:08:43,000
Speaker 1: for these right away. Yeah, because gree one wants people

1423
01:08:43,040 --> 01:08:46,719
Speaker 1: to be in love, and especially someone who's socially awkward

1424
01:08:46,760 --> 01:08:49,240
Speaker 1: and timid, as the character of Ted, You're like, oh,

1425
01:08:49,280 --> 01:08:51,360
Speaker 1: come on, I want love for him. This is so exciting.

1426
01:08:51,360 --> 01:08:52,599
Speaker 1: You just get invested, you know.

1427
01:08:53,439 --> 01:08:56,519
Speaker 2: You just want something more than the tragedy that was

1428
01:08:57,160 --> 01:08:57,360
Speaker 2: you know.

1429
01:08:58,960 --> 01:09:02,519
Speaker 3: Yeah, I remember being very nervous for that scene. Like

1430
01:09:02,520 --> 01:09:04,280
Speaker 3: I said, this was like very early on for me,

1431
01:09:04,320 --> 01:09:07,280
Speaker 3: and so it was like a longer scene than the

1432
01:09:07,360 --> 01:09:09,559
Speaker 3: other ones had been. So I was like, Okay, I've

1433
01:09:09,560 --> 01:09:11,800
Speaker 3: got I've got dialogue here. I've got to get this right.

1434
01:09:12,080 --> 01:09:14,040
Speaker 3: And I remember thinking every time we did a take,

1435
01:09:14,080 --> 01:09:16,040
Speaker 3: I was like, what, why are my eyes all messed up?

1436
01:09:16,080 --> 01:09:17,600
Speaker 3: Why are my eyes all messed up? And I was

1437
01:09:17,640 --> 01:09:22,960
Speaker 3: so nervous. I wasn't blinking. It's all right, blank.

1438
01:09:24,680 --> 01:09:27,040
Speaker 2: I found myself doing that in scenes too where but

1439
01:09:27,080 --> 01:09:30,040
Speaker 2: it's not blinking. I'll sometimes just freeze in a position

1440
01:09:30,240 --> 01:09:33,080
Speaker 2: and hold a position for like way too long. I'd

1441
01:09:33,080 --> 01:09:34,439
Speaker 2: be like I should have put my hands down.

1442
01:09:36,439 --> 01:09:37,920
Speaker 3: But then you're like, oh, I just do that for now.

1443
01:09:37,920 --> 01:09:39,479
Speaker 3: I've got to be doing that now.

1444
01:09:39,479 --> 01:09:41,120
Speaker 2: I got it right. For every take, I have to

1445
01:09:41,120 --> 01:09:41,400
Speaker 2: hold it.

1446
01:09:42,840 --> 01:09:45,439
Speaker 1: That's true. You have to kind of commit to what

1447
01:09:45,479 --> 01:09:48,519
Speaker 1: you did, yeah, which is so frustrating sometimes because you're like,

1448
01:09:48,520 --> 01:09:50,000
Speaker 1: why did I do that right?

1449
01:09:50,720 --> 01:09:52,479
Speaker 2: And you second guess here, Yeah, but you know it's

1450
01:09:52,479 --> 01:09:55,040
Speaker 2: from this It's the work. The work is the work.

1451
01:09:55,080 --> 01:09:57,080
Speaker 1: I want to say, One funny, interesting thing that most

1452
01:09:57,080 --> 01:09:59,680
Speaker 1: people wouldn't get is that Christa has this necklace that

1453
01:09:59,720 --> 01:10:03,520
Speaker 1: she would in her real life that is the letters

1454
01:10:04,320 --> 01:10:07,280
Speaker 1: of all her children. Each one is a little charm

1455
01:10:07,439 --> 01:10:10,800
Speaker 1: of all her children. And I noticed that she was

1456
01:10:10,840 --> 01:10:13,160
Speaker 1: wearing it in one of these scenes walking down the hallway,

1457
01:10:13,280 --> 01:10:17,120
Speaker 1: and her the h was on top these stacked charms.

1458
01:10:17,280 --> 01:10:20,120
Speaker 1: H for Henry was the one that was stacked on top,

1459
01:10:20,240 --> 01:10:22,479
Speaker 1: just a tiny thing. I noticed that most people, not

1460
01:10:22,520 --> 01:10:23,960
Speaker 1: even Scrubs Wiki would notice.

1461
01:10:24,800 --> 01:10:25,559
Speaker 3: That's so sweet.

1462
01:10:26,080 --> 01:10:28,800
Speaker 1: Yeah, so Henry. She was wearing a Henry basically a

1463
01:10:28,840 --> 01:10:30,400
Speaker 1: Henry charm necklace for her son.

1464
01:10:31,439 --> 01:10:34,120
Speaker 2: You know, this episode really does show you, you know,

1465
01:10:34,160 --> 01:10:36,479
Speaker 2: because Cox he really tries to do it all on

1466
01:10:36,520 --> 01:10:39,320
Speaker 2: his own, and he fails at the end, and he

1467
01:10:39,360 --> 01:10:42,639
Speaker 2: fails at the one thing that he really really cares

1468
01:10:42,680 --> 01:10:44,519
Speaker 2: about the most, and that's being with his son and

1469
01:10:44,560 --> 01:10:47,479
Speaker 2: being able to read his son a bedtime story at night. Yeah,

1470
01:10:47,560 --> 01:10:50,000
Speaker 2: and if he would just you know, accept the help.

1471
01:10:50,040 --> 01:10:52,040
Speaker 2: You know, he bends a little bit and he takes

1472
01:10:52,680 --> 01:10:58,400
Speaker 2: you know, he allows Karla to help with the schedule,

1473
01:10:58,880 --> 01:11:00,639
Speaker 2: But if he would have just gave her the schedule

1474
01:11:00,680 --> 01:11:02,320
Speaker 2: in the first place, maybe that would have been off

1475
01:11:02,320 --> 01:11:04,400
Speaker 2: the plate. But because he has to do everything, he

1476
01:11:04,439 --> 01:11:08,439
Speaker 2: missed the one thing he sacrifices, the one thing that

1477
01:11:08,720 --> 01:11:13,320
Speaker 2: he enjoys doing the most, the reason why he you know,

1478
01:11:13,439 --> 01:11:15,599
Speaker 2: works in the hospital and does what he does too,

1479
01:11:16,320 --> 01:11:21,559
Speaker 2: you know. And it was, it's it's, it's it's really

1480
01:11:21,920 --> 01:11:26,960
Speaker 2: it's it's paced over really fast. But at that moment,

1481
01:11:27,000 --> 01:11:29,720
Speaker 2: I've come home and the kids have been asleep and

1482
01:11:29,760 --> 01:11:32,880
Speaker 2: been like, you know, ship that was I was hoping

1483
01:11:32,920 --> 01:11:36,000
Speaker 2: to I was hoping to catch them and the disappointment.

1484
01:11:38,240 --> 01:11:41,120
Speaker 2: But yeah, man, that was a really interesting that was

1485
01:11:41,200 --> 01:11:44,760
Speaker 2: It was it's a relatable moment, and it's also the

1486
01:11:44,840 --> 01:11:47,759
Speaker 2: show in a nutshell, and you can't do this by yourself.

1487
01:11:47,840 --> 01:11:49,439
Speaker 1: Yeah, that's the whole show. I can't do this all

1488
01:11:49,439 --> 01:11:53,439
Speaker 1: on my own. It's it's the whole premise, thesis, statement

1489
01:11:53,479 --> 01:11:53,960
Speaker 1: of the show.

1490
01:11:54,920 --> 01:11:57,200
Speaker 3: I just got shills thinking about it.

1491
01:11:57,680 --> 01:11:59,519
Speaker 1: I also thinking, as you were saying that, Donald, that

1492
01:11:59,600 --> 01:12:02,240
Speaker 1: I bet Bill was thinking about all this, because you know,

1493
01:12:02,280 --> 01:12:04,679
Speaker 1: being a showrunner is like being the chief of medicine.

1494
01:12:05,320 --> 01:12:08,759
Speaker 1: You're in charge of everything and every department is asking

1495
01:12:08,800 --> 01:12:12,439
Speaker 1: for your attention. In editing and writing, in production where

1496
01:12:12,439 --> 01:12:16,760
Speaker 1: they're shooting actively in wardrobe for next week's costumes, and

1497
01:12:16,840 --> 01:12:21,160
Speaker 1: location scouting for next week's location. Everyone is pulling you

1498
01:12:21,200 --> 01:12:24,200
Speaker 1: in every single direction and you have to delegate. And

1499
01:12:24,280 --> 01:12:29,280
Speaker 1: also Bill has has and had three children and a wife.

1500
01:12:29,520 --> 01:12:32,439
Speaker 1: So I couldn't help but think as I was watching this, thinking, gosh,

1501
01:12:32,880 --> 01:12:35,719
Speaker 1: he's writing this for Cox, but it also really overlaps

1502
01:12:35,760 --> 01:12:36,519
Speaker 1: with his own life.

1503
01:12:36,760 --> 01:12:39,479
Speaker 2: I've always thought that Cox and Bill are pretty much

1504
01:12:39,520 --> 01:12:43,320
Speaker 2: the same character, not like really outright, but yeah, you know,

1505
01:12:43,560 --> 01:12:47,439
Speaker 2: I mean, the relationship that they have with JD is

1506
01:12:47,520 --> 01:12:50,760
Speaker 2: kind of the relation Jordan and Cox. I'm saying, it's

1507
01:12:50,840 --> 01:12:53,360
Speaker 2: kind of the relationship that they have with everybody. They're

1508
01:12:53,400 --> 01:12:56,840
Speaker 2: so sincere and so loving and so grateful. But it

1509
01:12:56,960 --> 01:12:59,760
Speaker 2: comes with the bit of you know, I don't want

1510
01:12:59,760 --> 01:13:01,559
Speaker 2: to say, I don't want to misuse the word, but

1511
01:13:01,600 --> 01:13:03,400
Speaker 2: it comes with a bit of snark. It comes with

1512
01:13:03,439 --> 01:13:08,200
Speaker 2: a bit of you know, uh, it's not tough love.

1513
01:13:08,280 --> 01:13:10,519
Speaker 2: It comes it comes with a jab here and there.

1514
01:13:10,560 --> 01:13:12,599
Speaker 2: You know what I mean. You ever hear you talk

1515
01:13:12,680 --> 01:13:16,400
Speaker 2: to Bill, you have conversations with Bill, He'll make fun

1516
01:13:16,400 --> 01:13:18,200
Speaker 2: of you a couple of times and you'll be like,

1517
01:13:18,280 --> 01:13:21,000
Speaker 2: oh shit, that was tough. But it's all coming from

1518
01:13:21,000 --> 01:13:25,880
Speaker 2: love and from back, from back then quite a bit.

1519
01:13:26,120 --> 01:13:28,160
Speaker 2: But I feel like when he writes Cox and JD,

1520
01:13:28,360 --> 01:13:32,400
Speaker 2: that's him. I feel like Cox is his reflection of

1521
01:13:32,439 --> 01:13:35,120
Speaker 2: how he is to everybody in some ways, like it's

1522
01:13:35,200 --> 01:13:37,720
Speaker 2: like I don't want to really fuck with y'all, but

1523
01:13:37,800 --> 01:13:39,479
Speaker 2: I do fuck with y'all because I love you. But

1524
01:13:39,880 --> 01:13:43,280
Speaker 2: you know, I prefer it if you know, you'd give

1525
01:13:43,280 --> 01:13:45,759
Speaker 2: me my space and let me have my wall up. Yeah,

1526
01:13:45,800 --> 01:13:48,559
Speaker 2: but he's dropped that completely. I remember what he didn't hug.

1527
01:13:48,760 --> 01:13:49,839
Speaker 2: I remember what he didn't.

1528
01:13:50,200 --> 01:13:52,080
Speaker 1: He used to not hug, and you have to be like, dude,

1529
01:13:52,760 --> 01:13:54,360
Speaker 1: Me and Donald were like, we're huggers. Dud, you're gonna

1530
01:13:54,400 --> 01:13:56,439
Speaker 1: have to drop this because we need to hug you

1531
01:13:56,680 --> 01:13:58,080
Speaker 1: right now. He's a big hugger.

1532
01:13:58,280 --> 01:14:01,839
Speaker 2: It's a huge minute. It took many long time, long time.

1533
01:14:03,360 --> 01:14:06,160
Speaker 1: Well that's pretty much the show, Kate, this has been

1534
01:14:06,200 --> 01:14:08,160
Speaker 1: so fun and thank you so much. How about by

1535
01:14:08,160 --> 01:14:09,840
Speaker 1: the way, how do people who want to hear your

1536
01:14:10,000 --> 01:14:12,360
Speaker 1: music tell them how they could find your you and

1537
01:14:12,360 --> 01:14:14,000
Speaker 1: in your band? How do they find you singing?

1538
01:14:14,160 --> 01:14:14,280
Speaker 2: Oh?

1539
01:14:14,360 --> 01:14:18,160
Speaker 3: Yeah, I think mostly just on Spotify, I mean Garfunkle notes.

1540
01:14:18,160 --> 01:14:20,800
Speaker 3: We have a ton of YouTube videos. Uh just you know,

1541
01:14:21,360 --> 01:14:23,519
Speaker 3: but we also have albums on Spotify. I have some

1542
01:14:23,520 --> 01:14:26,360
Speaker 3: solo music on Spotify. I'm gonna have a new album

1543
01:14:26,880 --> 01:14:31,600
Speaker 3: of songs coming out in September. But but yeah, so,

1544
01:14:31,720 --> 01:14:34,479
Speaker 3: I mean, I don't know. I always making songs.

1545
01:14:34,520 --> 01:14:38,840
Speaker 1: So that's how you find Kate's music every garfunkling notes

1546
01:14:40,800 --> 01:14:43,520
Speaker 1: or Kate mccucie spelled spell.

1547
01:14:43,240 --> 01:14:45,800
Speaker 3: It Kate m I see u c c I Oh.

1548
01:14:45,840 --> 01:14:47,439
Speaker 3: I was going to tell you this funny story real

1549
01:14:47,479 --> 01:14:50,320
Speaker 3: quick to do it. So I'm in New York City

1550
01:14:50,400 --> 01:14:52,160
Speaker 3: like a month ago, and I'm running because we're rushing

1551
01:14:52,200 --> 01:14:53,800
Speaker 3: to get We had to go to the airport and

1552
01:14:53,880 --> 01:14:58,519
Speaker 3: I see this guy selling T shirts and instead of Gucci,

1553
01:14:58,600 --> 01:15:02,040
Speaker 3: it said Coucie see you Yeah, And a lot of

1554
01:15:02,080 --> 01:15:04,519
Speaker 3: people call me Kucci or you know, which is funny

1555
01:15:04,560 --> 01:15:07,519
Speaker 3: because this character is gucc But and I said, hold on,

1556
01:15:07,920 --> 01:15:10,400
Speaker 3: does that say Kucci And he's like no, it says Gucci.

1557
01:15:10,840 --> 01:15:12,439
Speaker 3: And I was like, no, I want it to say

1558
01:15:12,520 --> 01:15:17,040
Speaker 3: Kucci and it goes, yeah, that's Cuchie. I have to

1559
01:15:17,080 --> 01:15:19,880
Speaker 3: buy it. It's like the best twenty dollars I've ever spent.

1560
01:15:19,920 --> 01:15:20,960
Speaker 3: It's my favorite T shirt.

1561
01:15:22,400 --> 01:15:25,200
Speaker 2: So it's like the Gucci font, but it's a sea exactly.

1562
01:15:25,439 --> 01:15:28,080
Speaker 1: That's hilarious. Donald, you could rock that.

1563
01:15:28,960 --> 01:15:33,320
Speaker 2: I could listen. Man, I have no problem rocking Cucci

1564
01:15:33,400 --> 01:15:33,960
Speaker 2: on my shirt.

1565
01:15:34,320 --> 01:15:36,800
Speaker 1: Are you thinking about your outfit for the live show?

1566
01:15:36,840 --> 01:15:39,120
Speaker 1: I want you to Daniels already thinking about his especially not.

1567
01:15:39,520 --> 01:15:43,040
Speaker 2: This is getting real. Okay, it's getting real. Talk about

1568
01:15:43,040 --> 01:15:45,519
Speaker 2: things that are that? Are you know I'm not in

1569
01:15:45,600 --> 01:15:46,800
Speaker 2: my fighting weight yet?

1570
01:15:47,160 --> 01:15:49,439
Speaker 1: Yeah? Well you have you have eight days to get to.

1571
01:15:49,400 --> 01:15:51,800
Speaker 2: Your fighting Yeah. I need I need to get on that.

1572
01:15:51,880 --> 01:15:53,000
Speaker 1: Are you going to go on to cleanse?

1573
01:15:53,880 --> 01:15:54,880
Speaker 2: You want to know what I'm gonna do?

1574
01:15:56,640 --> 01:15:58,160
Speaker 1: Get high and eat toritos.

1575
01:15:58,360 --> 01:16:01,240
Speaker 2: I'm not going to smoke weed for the whole week.

1576
01:16:01,439 --> 01:16:03,040
Speaker 1: Yeah right, here it is folks.

1577
01:16:03,080 --> 01:16:03,840
Speaker 2: You heard it here live?

1578
01:16:03,920 --> 01:16:05,800
Speaker 1: Yeah right? Are you? Are you really committing to this?

1579
01:16:05,800 --> 01:16:07,120
Speaker 2: This is how you get skinny.

1580
01:16:09,000 --> 01:16:10,879
Speaker 1: The audience is going to ask you live in Seattle?

1581
01:16:10,920 --> 01:16:13,800
Speaker 2: If you lied to them, they'll see that'll the proof

1582
01:16:13,880 --> 01:16:17,800
Speaker 2: is in the motherfucking pud in Seattle. It is there

1583
01:16:18,040 --> 01:16:19,360
Speaker 2: is Seattle. All right.

1584
01:16:20,000 --> 01:16:24,080
Speaker 1: Well, this iss on Tuesday. This airs on Tuesday. So Seattle.

1585
01:16:24,120 --> 01:16:26,120
Speaker 1: We will see you this Saturday at the More Theater.

1586
01:16:26,200 --> 01:16:29,000
Speaker 1: That's gonna be a lot of fun. Please check out

1587
01:16:29,040 --> 01:16:31,360
Speaker 1: A Good Person, which is now available to rent only

1588
01:16:31,400 --> 01:16:34,160
Speaker 1: for five ninety nine. Everywhere you watch movies. Check it

1589
01:16:34,160 --> 01:16:37,280
Speaker 1: out on Apple or Amazon or Voodoo or wherever you

1590
01:16:37,320 --> 01:16:39,080
Speaker 1: rent movies. You can get it now finally, for just

1591
01:16:39,080 --> 01:16:42,120
Speaker 1: five ninety nine. Please check it out. And Uh and Kate,

1592
01:16:42,160 --> 01:16:43,880
Speaker 1: thank you so much for being here. And Daniel, I'm

1593
01:16:43,920 --> 01:16:46,719
Speaker 1: excited to have you spinning at the live show. Happy

1594
01:16:46,720 --> 01:16:48,679
Speaker 1: to do it all right. We love you guys. Five

1595
01:16:48,800 --> 01:16:56,080
Speaker 1: six stories that show we made about a bunch of Don.

1596
01:16:59,040 --> 01:17:01,760
Speaker 2: Storry nephew. All should know.

1597
01:17:03,360 --> 01:17:07,360
Speaker 4: So gadder round you here, op, gather round you here

1598
01:17:07,479 --> 01:17:08,280
Speaker 4: our Scotch.

1599
01:17:08,360 --> 01:17:12,559
Speaker 2: We watch a viz and no mm hmm,