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Speaker 1: Quest Love Show is a production of iHeartRadio.

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Speaker 2: I am cousin Jake, producer of The Quest Love Show.

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Speaker 2: Throughout this season, as you've noticed, we've been doing many episodes.

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Speaker 2: I'm sitting here with Amir Thompson aka Questlove and you know,

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Speaker 2: throughout the year it just drop us a line. Hit

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Speaker 2: us in the DMS of the QLs channels. Go to

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Speaker 2: Questlove Supreme dot com. There's a contact us page, but

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Speaker 2: ask questions, give us comments, give us feedback. We're gonna

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Speaker 2: do some themed episodes beyond those questions. If you have

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Speaker 2: any ideas just for these little mini conversations, do let

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Speaker 2: us know and please be liking subscribing Amir. On the

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Speaker 2: latest episode of The Quest Love Show, Jamie Lee Curtis

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Speaker 2: told you how you jarred her with manifesting her oscar

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Speaker 2: win with four words, dust off your mantle. Earlier this season,

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Speaker 2: on the second episode of The Quest Love Show, you

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Speaker 2: also told Autumn durald Archipa from Cinems that she should

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Speaker 2: be prepared for her own award tour. Yeah, you don't

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Speaker 2: say that to everyone for everything. So can you speak

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Speaker 2: on your meter for knowing when something is truly award worthy?

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Speaker 1: I know that I have this rep as a music savant,

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Speaker 1: you know, like with music, I'll get the occasional you know, hey,

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Speaker 1: do you think like Steve gadd uses a process the

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Speaker 1: fifty seven short of mic or does he use fifty

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Speaker 1: eight or does he use a you know, Ribbon Royer,

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Speaker 1: you know, like talking shop. But I've been in this

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Speaker 1: this short six year journey of mine. In the world

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Speaker 1: of film. There is nothing more attimidating than knowing a

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Speaker 1: movie buff. And it's so intimidating. So that said, I mean,

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Speaker 1: I watched way more movies than I probably should, and

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Speaker 1: I think i'm it's probably the over compensatory nature of

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Speaker 1: wanting to really master the art of filmmaking having not

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Speaker 1: went to film school. So that said, I think I

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Speaker 1: have this really good rhythm and knowing like when a

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Speaker 1: person's moment is one. It's not even just judging the work,

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Speaker 1: but it's just like, well for starters. With Jamie Lee one,

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Speaker 1: it took me six minutes like wait, that's Jamie Lee Curtis,

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Speaker 1: even though I knew she was in the movie. Once

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Speaker 1: I started watching it, I lost myself And if you

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Speaker 1: can fool me for six minutes. This also happened the

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Speaker 1: first time I saw Good Time, I had no clue

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Speaker 1: I was watching Robert Pattinson, which is strange because he's

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Speaker 1: the star of Good Time. But when I see movies,

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Speaker 1: i'm more or less I'm I'm a director head and

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Speaker 1: I'm an editor head. So to me, it was like, oh,

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Speaker 1: the Saftie Brothers had this new film out called Good Time.

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Speaker 1: Let me go see that. And it wasn't until you know.

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Speaker 1: I was like walking and leaving the movie theater and

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Speaker 1: there are people talking about Twilight and Robert Pattison, Robert

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Speaker 1: Patterson's and I went back to the poster and I

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Speaker 1: actually went back to see it a second time. So

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Speaker 1: I don't know. It's like when a person loses themselves

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Speaker 1: in a character, I just immediately know. The one time

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Speaker 1: I didn't call it, and I don't think it's my

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Speaker 1: fault was when Mickey Rourke lost to Sean Penn for

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Speaker 1: Best Actor Ystler and the wrestler, Yeah versus Milk. And

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Speaker 1: once I did the research, I realize that I didn't

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Speaker 1: see Mickey Rourke's accepting speech at the Golden Clothes kind

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Speaker 1: of maybe Ben is shallow may moment of where you

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Speaker 1: talk yourself out of your own award or whatever. But yeah,

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Speaker 1: I think he like dedicated to it to his dead

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Speaker 1: dog or whatever. Like he just freak people out a

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Speaker 1: little bit. And I wish I'd known that because there

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Speaker 1: was a period where there was this, uh, this kind

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Speaker 1: of underground. I'm not a gambler at all, but the

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Speaker 1: one thing that I used to bet on were award shows,

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Speaker 1: and like I won great the year that Halle Berry

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Speaker 1: and Denzel Washington won the same year, Like no one

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Speaker 1: called a double wind for black people. So I mean

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Speaker 1: like money and I lost so much money. I just

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Speaker 1: knew Mickey Rourke was gonna take it home. And people

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Speaker 1: were like, nah, man, it's gonna be showing pan. I'm like, no, man,

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Speaker 1: Like I cried at the wrestler, you know. So that's

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Speaker 1: the one time I failed at calling something. But I'm

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Speaker 1: I'm pretty accurate and spot on for what I think

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Speaker 1: the Academy will award someone.

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Speaker 2: So from Questlove Supreme in the Quest Love Show, it's

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Speaker 2: very curated. I mean there are so many times where

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Speaker 2: there's somebody will say you want to speak to or

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Speaker 2: you'll run into somebody, and why haven't we had a conversation?

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Speaker 2: I have to say in my four years running with

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Speaker 2: this team. When we brought Autumn's name to you, it

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Speaker 2: was one of the fastest resounding yeses. And not only

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Speaker 2: did you say yes, you said I dream of working

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Speaker 2: with her one day.

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Speaker 1: Yeah.

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Speaker 2: And you know, I'm just very curious because in your

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Speaker 2: space so far, you know, cinematography is very different. But

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Speaker 2: in seeing the film as many times as you did,

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Speaker 2: what really stood out to you that was so amazing

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Speaker 2: in the camera work.

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Speaker 1: I was in la and there was a meeting I

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Speaker 1: was supposed to have and I knew that Sinners was

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Speaker 1: going to be shown in seventy milimeter at one of

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Speaker 1: my two favorite destinations of all time is both of

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Speaker 1: Tarantino's the movie theaters. He has the New Beverly and

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Speaker 1: he also has the L Ray. Yeah, I knew it

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Speaker 1: was going to play at the L Ray. And I

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Speaker 1: know this is like real nerd shit, but if like,

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Speaker 1: there's something I've been dying to see on film in

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Speaker 1: thirty five millimeter in a way that I know in

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Speaker 1: movie snob will come in and curate the sound and

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Speaker 1: make sure even down to the butter used on the popcorn,

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Speaker 1: Like when you go to the New Beverly. Tarantino's whole

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Speaker 1: structure is trying to bring you into what a Grindhouse

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Speaker 1: was like back in nineteen seventy eight, seventy nine. Like

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Speaker 1: everything he shows cartoons and previews very much like the

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Speaker 1: Grindhouse movie. I won't hesitate for a second to just

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Speaker 1: hop on a plane to go out there just to

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Speaker 1: watch it and catch the Red Eye and come back home.

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Speaker 1: I know it's like weird FLEXI shit to say, but

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Speaker 1: I wanted to experience Centers on seventy millimeter in its prime,

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Speaker 1: like when audiences are like packed and whatnot. And it

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Speaker 1: just so happened that I had a major career breakthrough

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Speaker 1: that day news. So I was already in my feelings

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Speaker 1: with like, you know, oh my god, you know, so

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Speaker 1: the news that I got had hit me in mo

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Speaker 1: like I had to sit in my car and cry

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Speaker 1: for like a half hour. You know. It's like I

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Speaker 1: got the roller or whatever, like no, no, no, no happened.

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Speaker 1: And so I was already in my feelings about the

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Speaker 1: breakthrough that just happened, and I just sat there in

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Speaker 1: a movie theater still. It was like I was subconsciously

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Speaker 1: watching the film because I was just thinking of, like

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Speaker 1: I can't believe this is about to happen. I can't

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Speaker 1: believe this is about to happen. And so I saw it,

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Speaker 1: but I didn't experience, but I'm still the visuals were

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Speaker 1: just keeping me ground.

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Speaker 2: The thing you paid attention to the most that first time.

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Speaker 1: Yeah, Like I sat like, this is a project I've

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Speaker 1: been dying to do for like twelve years, and so

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Speaker 1: when I finally got the green light, I just sat

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Speaker 1: in the back of that theater like I can't believe it.

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Speaker 1: I can't believe it's happening. It happened. So I really

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Speaker 1: didn't consciously pay attention to the film because I just

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Speaker 1: sat there like in the daze. But I'm still like

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Speaker 1: still aware of the visuals and whatnot. And then I

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Speaker 1: was like, well, I have just stay and see it.

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Speaker 1: I wound up sitting there for three showings in a

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Speaker 1: row froday. Yes, from the first showing, I think it

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Speaker 1: was like eleven I left there and it was like

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Speaker 1: ten eleven PM. Before I was making movies, I was

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Speaker 1: just seeing movies and see movies. But now I am

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Speaker 1: aware of sound and lighting and film stock. I'm looking

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Speaker 1: at every aspect of so I almost have to see

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Speaker 1: a film like three or four times once as a

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Speaker 1: film and then like, okay, see what the editing is, Like, oh,

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Speaker 1: let me see. And I was just really really impressed

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Speaker 1: because oftentimes, like period pieces might get it wrong. And

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Speaker 1: I literally had no notes of well why did they

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Speaker 1: do it? And is too the film stocks too clean

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Speaker 1: and whatever? Like, I had no notes whatsoever. So I

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Speaker 1: was just in love with the look of it, like

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Speaker 1: I'm with her. I was that way with Ernest Dickerson

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Speaker 1: with Spike films, like I love Spike, but I love

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Speaker 1: Ernest Dickerson, you know what I mean. So like, for me,

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Speaker 1: cinematography and the look of a film is what gives

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Speaker 1: you the feels.

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Speaker 2: Yeah, and I mean Autumn, Ernest had the fish eye

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Speaker 2: up here Autumn. It seems like it's a lot about motion.

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Speaker 2: And she talked to you about building her own lenses. Yeah,

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Speaker 2: anamorphic structure of it all. I'm curious when you drive

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Speaker 2: the point home of seeing on seventy is it correct

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Speaker 2: to say that you really capture the difference in the motion.

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Speaker 2: Is it like how the film dances? What about seventy

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Speaker 2: millimeter makes that experience enhanced? Well?

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Speaker 1: One being born in seventy one is really just I

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Speaker 1: mean there's so many invisible timelines between what was life

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Speaker 1: before nineteen seventy one and what life is in the future, socially, musically, entertainment,

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Speaker 1: all those things. I think the first movie that I

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Speaker 1: consciously remember seeing as a kid, I think my sister

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Speaker 1: took me to go see King Kong. And it's only

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Speaker 1: because of a particular movie theater we were in. I

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Speaker 1: found an old advertisement and I saw that, oh seventy milimeter.

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Speaker 1: Someone schooled me to the difference between seventy and thirty

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Speaker 1: five millimeter, and so you know, since then, especially in

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Speaker 1: those eighteen years of touring with the Roots, I became

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Speaker 1: my own ze guide for every vintage movie house. So

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Speaker 1: I meant pretty much the one thing that like I

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Speaker 1: spent the most time doing, besides record shopping, my number

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Speaker 1: one priority was driving movie theaters. And this way before

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Speaker 1: the pandemic, like I was going to if we go

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Speaker 1: to LA I might on a day off. Okay, it's

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Speaker 1: like two hours and twenty minute drive, but I'm gonna

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Speaker 1: go ceet at, you know. So I love driving movie theaters.

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Speaker 1: I like second run movie theaters where they'll you know,

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Speaker 1: shows space aliens, you know, attack my father and you know,

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Speaker 1: they'll always show like a cowboy film, science fiction film,

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Speaker 1: really bad you know b film. I mean, I'm in

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Speaker 1: New York right now. There's a couple of niche spots.

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Speaker 1: There's there's a someone turned their house in Brooklyn into

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Speaker 1: this like niche movie theater where they show like Italian cinema.

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Speaker 1: This is how I learned about what Dogma ninety five

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Speaker 1: was like, even if I'm not into the genre or whatever.

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Speaker 2: Like I'll just go there just to Lars von Tree

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Speaker 2: or all that stuff.

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Speaker 1: Yes, just to just to expand, you know. And yeah,

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Speaker 1: sometimes it might be mister Thompson. Oh, I'm sorry, it's

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Speaker 1: two am. So I really really love I love going

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Speaker 1: to movies.

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Speaker 2: So this mini episode is just to show some love

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Speaker 2: to sinners and also call back to the conversation with Autumn.

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Speaker 2: I know there's other folks involved with that movie that

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Speaker 2: that film that we were supposed to have on, that

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Speaker 2: we will have on, but just leaving it with a

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Speaker 2: blanket statement. You referenced the film a lot in conversations

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Speaker 2: with different guests this season. How would you say today

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Speaker 2: that film has affected you.

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Speaker 1: I love the art of the Hail Mary throw. The

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Speaker 1: four seconds left in the game and you gotta fe

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Speaker 1: this thing for ninety nine yards and pray to guy

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Speaker 1: that someone catches it in the end zone to win

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Speaker 1: the game. I think all the odds were against it.

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Speaker 1: I read that Variety review and like, ah, man, damn.

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Speaker 1: Variety is sort of like the first the first voice

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Speaker 1: in the direction or the temperature of what a film's

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Speaker 1: going to do, the first review that most people go.

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Speaker 2: To, or Canary in the coal mine.

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Speaker 1: Yeah yeah, I mean even dude, even during Sly Lives,

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Speaker 1: like the second the credits went up, Zarah's like, oh

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Speaker 1: my god, look and I'm like, wait, are they reviewing

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Speaker 1: Live on the spot? Like as we show this thing?

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Speaker 1: And sure enough, like the person was in the back.

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Speaker 1: But you know, for me, I just the odds were

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Speaker 1: against it. And you know, I'm not big on the

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Speaker 1: horror genre. I like thrillers, Like for me, seven is

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Speaker 1: the type of thriller I like, or Silence of the Lambs,

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Speaker 1: you know, and if you're going to go into like

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Speaker 1: even with Beyond Centers, what was the film that Robert

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Speaker 1: Rodriguez and oh Dussell Dorn like those sort of things

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Speaker 1: where you might turn into a vampire. I was never

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Speaker 1: into that, So like I mean, the odds were working

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Speaker 1: against them. And even when I saw the first scene,

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Speaker 1: I had one snark where they're inside the juke joint.

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Speaker 1: I was like, wait, why why is he putting an

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Speaker 1: eight to eight inside of the song? It's not twenty

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Speaker 1: twenty six? And I sat there like what the fuck?

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Speaker 1: And I was about to get my phone out, like yo, dog,

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Speaker 1: like why are you doing? Trap me? Oh shit? And

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Speaker 1: then like once that scene to me, that entire music sequence.

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Speaker 1: The last time I saw a sequence that jarring to

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Speaker 1: me or that was when Ernest and Spike did the

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Speaker 1: seven minute taj Mahal Cracks for under Stevie Wonders, Living

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Speaker 1: for the City for Jungle Fever, which until recently just

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Speaker 1: started you know, in iTunes and you know you can

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Speaker 1: see it now, but previously that was the one Spike

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Speaker 1: Lee film you couldn't see. I don't know, like for me,

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Speaker 1: I just think that it's felt like the odds were

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Speaker 1: against it, and I think it was expected to just like,

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Speaker 1: you know, accept the seat of the table, like at

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Speaker 1: least you got here whatever. I don't know, I got

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Speaker 1: personally invested in that entire journey and and I'm a

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Speaker 1: board for whatever happens next with for anyone from mikeel

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Speaker 1: to literally anyone inside of that whole film experience, Like

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Speaker 1: I'm emotionally invested in now.

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Speaker 2: One last thought, because I've never heard you speak on

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Speaker 2: this since it's Sinners related, what is your favorite blue

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Speaker 2: song or blues album? Give us something from that genre.

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Speaker 1: Oh God, I'm taking this back to one of the

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Speaker 1: last conversations with DiAngelo. We were talking about him first

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Speaker 1: starting out like he thought he was going to be

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Speaker 1: a beat maker. You know. I was like, well, your

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Speaker 1: beat maker just happened to lead like your church choir

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Speaker 1: at the age of four. Like, were you're going to

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Speaker 1: sing on your beats or whatever? He says, Nah, man,

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Speaker 1: I just you know, I wanted to make some beats.

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Speaker 1: I was like, so, what's the first thing you sampled?

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Speaker 1: And he said that. You know, him and his cousin

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Speaker 1: Marlon had a copy of bb Kings Live at Cook

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Speaker 1: County and I was like really, and He's like, yo, man,

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Speaker 1: so much like that entire record we took from Dad.

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Speaker 1: And you know, the last night I saw him on

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Speaker 1: the drive home, I happened to have that record queued

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Speaker 1: up because I never heard it. I have this thing

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Speaker 1: where like music sounds way different to me when death

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Speaker 1: is kind of on the horizon, Like when someone dies,

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Speaker 1: their music sounds different to me when I'm in a

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Speaker 1: mournful state. Maybe it's just me not wanting to hear

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Speaker 1: the silence of the natural silence of this music just

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Speaker 1: speaks to me way different that way, And so I

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Speaker 1: decided to put it on to see if I get

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Speaker 1: to hear it as a ten year old Michael Archer

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Speaker 1: hearing it for the first time in his household. And

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Speaker 1: so that's kind of how It's almost like I have

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Speaker 1: to ask for travel ask someone to hear music the

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Speaker 1: way they hear it. That's kind of how I receive it.

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Speaker 1: I know it's a weird answer, but that's how it is. Guys,

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Speaker 1: this is the Quest Love Show. I really appreciate all

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Speaker 1: your feedback. We do read the comments and all your feedback.

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Speaker 1: Please like and subscribe the show. Spread the word of

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Speaker 1: this show and give us suggestions. People you want to

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Speaker 1: see on the show. Let us know and we will

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Speaker 1: try to make your dreams come true. All right, Quest

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Speaker 1: Love Show. It is a production of iHeart Radio