WEBVTT - Libuše and Her City Touching the Stars

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<v Speaker 1>Welcome to Noble Blood, a production of I Heart Radio

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<v Speaker 1>and Grim and Mild from Aaron Manky. Listener discretion advised.

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<v Speaker 1>There's a book by the nineteenth century check writer Aloise

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<v Speaker 1>Harissak that any listeners who happen to grow up in

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<v Speaker 1>a Zech school system might remember. Old Czech Legends is

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<v Speaker 1>a collection of stories from a rich cultural history, some

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<v Speaker 1>dating back to the days of Bohemia, one of the

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<v Speaker 1>earliest incarnations of a Czech state. One of the tales

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<v Speaker 1>in the book details how the Czech people first found

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<v Speaker 1>their way to their homeland, while other stories talk of

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<v Speaker 1>brutal wars or feats of bravery. There is one legend

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<v Speaker 1>that stands out from the rest, though, about a princess,

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<v Speaker 1>about magic, prophecy, and eventually in uprising by women against men.

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<v Speaker 1>While there is no historical evidence to prove that any

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<v Speaker 1>of these legends are anything more than just that legends,

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<v Speaker 1>the story of LaBouche, the prophetic pagan princess who founded Prague,

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<v Speaker 1>strongly persists in the Czech cultural imagination. I'm Dana Schwartz

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<v Speaker 1>and this is Noble Blood. Like any legend, l Bushes

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<v Speaker 1>differs based on who's telling it and when they're doing

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<v Speaker 1>so here sex version of events is the most popular,

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<v Speaker 1>so it's the one that will default too. He was

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<v Speaker 1>writing during the Czech National Revival in the nineteenth century,

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<v Speaker 1>a cultural movement dedicated to the Czech language and national

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<v Speaker 1>identity during a time of Germanization, spearheaded by the Habsburgs.

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<v Speaker 1>The Kingdom of Bohemia, known today as the Czech Republic,

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<v Speaker 1>was at the time under the rule of the Austrian Empire.

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<v Speaker 1>The Czech language had been essentially erased from the school system,

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<v Speaker 1>so a number of works by here A Second his

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<v Speaker 1>contemporaries were aimed specifically at students in collecting and retelling

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<v Speaker 1>Czech legends first recorded by the eleventh century historian Cosmos

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<v Speaker 1>of Prague. He was seeking to instill national pride back

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<v Speaker 1>into the next generation. So the legend that goes like this,

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<v Speaker 1>A tribe of Slavic people travel west in search of

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<v Speaker 1>plentiful land. They're led by Forefather Czech, who they will

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<v Speaker 1>later be named after a top a mountain. Forefather Check

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<v Speaker 1>sees their land in the distance, inhabited and lush with

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<v Speaker 1>rivers full of fish and fertile soil. During his lifetime,

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<v Speaker 1>the people and land prosper living and working together in harmony.

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<v Speaker 1>After he passes his son, Kroc assumes tribal leadership in

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<v Speaker 1>accordance with an assembly of elders. Kroc was also considered

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<v Speaker 1>a wise leader. During his time, he founded a school

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<v Speaker 1>to teach religion, hymns, prophecy, and magic. Magic was considered

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<v Speaker 1>the highest form of learning. Honoring the gods, Kroc would

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<v Speaker 1>often go into seclusion to ask for the guidance of

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<v Speaker 1>the gods, and prominent men of the tribe built him

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<v Speaker 1>a castle, vi Shrad to do so. Tales of the structure,

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<v Speaker 1>whose name means high castle, remained today. Cosmos. The eleventh

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<v Speaker 1>century writer dates Vishrad's construction to six hundred and eighty

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<v Speaker 1>three CE, but modern historians have concluded that in fact,

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<v Speaker 1>the actual bill thing would have been built closer to

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<v Speaker 1>the tenth century. The disparity in the timeline calls into

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<v Speaker 1>question the legitimacy of the story. It doesn't completely rule

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<v Speaker 1>out Kroc's existence, but it certainly demonstrates a clear divide

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<v Speaker 1>in what anthropologists think of Bohemia's origins and what legend

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<v Speaker 1>tells us for reference. From this point on, these events

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<v Speaker 1>are said to have taken place sometime in the eighth century.

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<v Speaker 1>Kroc had no male heirs, but he did have three

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<v Speaker 1>beautiful daughters, each with unique gifts. Kazi, the eldest, healed

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<v Speaker 1>the sick with her vast knowledge of herbs and use

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<v Speaker 1>of magic incantations. Teta the middle, was a pagan priestess

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<v Speaker 1>who guided the people in sacrifices and prayers. And labushe

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<v Speaker 1>the youngest and wisest, as noted, also the most beautiful,

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<v Speaker 1>possessed the gift of foresight. Emphasis on the three sisters

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<v Speaker 1>beauty with the added emphasis on Labush's particular beauty is

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<v Speaker 1>a pattern we've seen repeated throughout stories of powerful women

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<v Speaker 1>across cultural histories, and one that we've discussed before on

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<v Speaker 1>this show. Why are most of our historical heroines described

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<v Speaker 1>as striking beauties? Whether it serves to soften these women

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<v Speaker 1>with incredible power, reconcile their femininity with masculine constructs of power,

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<v Speaker 1>or further canonize them in the mythological sphere, it's a

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<v Speaker 1>trope that pop culture still hasn't quite escaped from. On

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<v Speaker 1>a simple level, it might just be that society as

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<v Speaker 1>a whole tends to only value women if they're also

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<v Speaker 1>considered attractive, but onward. Labusha's great power came in the

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<v Speaker 1>form of prophecy. It said she was prone to fall

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<v Speaker 1>into a trance and make predictions, which garnered some fear

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<v Speaker 1>among the people. Due to her power and wisdom, the

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<v Speaker 1>Assembly of elders appointed LaBouche, even she was the youngest,

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<v Speaker 1>as the next ruler, and initially there was no dispute

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<v Speaker 1>from the people. As tribe leader, Labusha's role was similar

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<v Speaker 1>to that of a judge, and most of her work

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<v Speaker 1>as ruler revolved around resolving disputes of all manners. After all,

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<v Speaker 1>she was chosen for her wisdom and was known for

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<v Speaker 1>her fair judgments, aided by her prophecies. One day, she

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<v Speaker 1>was presented with a bitter conflict between two men over

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<v Speaker 1>the boundaries of their land. According to Hirisak, when she

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<v Speaker 1>ruled in favor of the younger man, the older launched

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<v Speaker 1>into a fit of rage, beginning a tirade against Labusha

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<v Speaker 1>and women as a whole. Quote, what kind of justice

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<v Speaker 1>can we expect from a woman long haired but short

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<v Speaker 1>on brains? Let her sew in spin, but not be

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<v Speaker 1>a ruler and judge. Where else does a woman rule

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<v Speaker 1>over men? Except here? We are the laughing stock among nations,

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<v Speaker 1>and we can outstand for such a judge any longer

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<v Speaker 1>her to die than bear such a rain end quote.

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<v Speaker 1>Labusha considered her response thoughtfully and quietly, before rising and remarking,

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<v Speaker 1>you are right. I am a woman, and I rule

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<v Speaker 1>like a woman, not with a rod of iron, but

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<v Speaker 1>with compassion, which you take for weakness. You need a

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<v Speaker 1>stricter ruler, and your demand shall be fulfilled. Go now

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<v Speaker 1>in peace. Let the people choose a duke to rule them,

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<v Speaker 1>and I shall marry whomever they choose. Lubusha spent the

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<v Speaker 1>rest of the day in her secluded garden worshiping Perun,

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<v Speaker 1>a wooden idol with a head of silver and a

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<v Speaker 1>beard of gold. She called upon her sisters to join her,

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<v Speaker 1>and their discussions continued throughout the night. The next morning,

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<v Speaker 1>Labusha called for a gathering of the clan leaders, who

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<v Speaker 1>had traveled from far and wide to hear who would

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<v Speaker 1>be chosen. As the duke, trumpets announced Labusha's arrival, who

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<v Speaker 1>was accompanied on your side by her sisters, Lubusha made

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<v Speaker 1>her speech, All of you know why I called you together.

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<v Speaker 1>You did not appreciate the freedom I gave you, So

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<v Speaker 1>the gods inspired me to tell you that I shall

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<v Speaker 1>rule you no longer. You want a man, a duke,

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<v Speaker 1>who will take away your children to serve him, who

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<v Speaker 1>will choose the best of your cattle and horses for

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<v Speaker 1>taxes according to his whims. You want to serve a master,

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<v Speaker 1>and to pay for it, as so far you have

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<v Speaker 1>not had to do in return, you will not have

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<v Speaker 1>to be ashamed of having a woman ruler. So be it.

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<v Speaker 1>Go ahead and choose a duke, But do so wisely

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<v Speaker 1>and carefully, because it is easy to put someone in power,

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<v Speaker 1>but hard to get rid of him. However, if you wish,

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<v Speaker 1>I can advise you as to whom to choose. The leaders,

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<v Speaker 1>having no candidate to follow through with enthusiastically excepted Lubusha's aid,

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<v Speaker 1>Lubusha rose, her eyes grew dreamy as she and shared

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<v Speaker 1>a prophetic trance. In a faraway voice, she advised, beyond

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<v Speaker 1>the hills is a small stream called Billina, a hundred

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<v Speaker 1>and twenty paces beyond, in a narrow valley, there is

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<v Speaker 1>a field where you will find your future duke, a plowman.

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<v Speaker 1>Go take along the clothing fit for a duke, Give

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<v Speaker 1>the man my message, and bring him back here to

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<v Speaker 1>be your ruler and my husband. His name is Premissile,

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<v Speaker 1>and our descendants will rule here forever. You will not

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<v Speaker 1>have to ask the way my white horse will lead you.

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<v Speaker 1>Just follow him. You will be certain it is he

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<v Speaker 1>when you see him eating off an iron table. Just

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<v Speaker 1>as Labusha had prophesied, her white horse led the men

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<v Speaker 1>straight to Schmistle. Upon their arrival, she Mustle stuck his

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<v Speaker 1>staff into the ground and invited the men to join

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<v Speaker 1>him for breakfast. The plowman turned over his iron plow

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<v Speaker 1>and made it in to a table, just as the

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<v Speaker 1>queen had prophesied. As the stunned men sat and ate

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<v Speaker 1>the bread Shemissal offered them, they noticed that his staff

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<v Speaker 1>that he had planted in the ground had sprouted three

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<v Speaker 1>green buds. The next time they looked, two of the

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<v Speaker 1>three now leafy branches had triveled and died. They asked

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<v Speaker 1>their future king what this meant, and he answered, quote

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<v Speaker 1>here ye that many of my descendants will rule, but

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<v Speaker 1>only one of them will remain a king and a ruler.

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<v Speaker 1>Their next question was as to the meaning behind the

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<v Speaker 1>iron table. I eat at an iron table, he replied,

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<v Speaker 1>so that you may know that my lineage will rule

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<v Speaker 1>with iron. Take iron seriously, flow with iron in times

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<v Speaker 1>of peace, and in times of war, protect yourself with it.

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<v Speaker 1>As long as the Checks have such an iron table,

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<v Speaker 1>they will always defeat their enemy. When foreigners one day

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<v Speaker 1>take this table from them, Checks will lose their freedom.

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<v Speaker 1>Their third question, as the group made their way back

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<v Speaker 1>to the castle, was to ask their future king why

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<v Speaker 1>he was bringing his leather purse and best sandals when

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<v Speaker 1>they had provided him with entirely new clothing. I give

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<v Speaker 1>them to you to keep forever, so that my descendants

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<v Speaker 1>may know where they came from, so that they may

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<v Speaker 1>live in humility without pridefully oppressing the people entrusted to them,

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<v Speaker 1>for we all are equal, he answered. As she promised,

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<v Speaker 1>Labusha married Shemissle, who began to rule and judge as

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<v Speaker 1>Labusha had, but manlier. Some versions of the story believe

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<v Speaker 1>he consulted Labusha in his rule, but no matter the circumstances,

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<v Speaker 1>it remains that Labusha did not have the position that

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<v Speaker 1>she once did. The couple had three children, as Shemissule's

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<v Speaker 1>buds had predicted. The most renowned element of Labusha's story

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<v Speaker 1>was still yet to come, as described in the book

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<v Speaker 1>Prague in Black and gold by Peter Demittz. Sometime later,

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<v Speaker 1>on a mild summer night, Labusha, her husband, and the

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<v Speaker 1>elders were standing on a cliff above the Voltava River.

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<v Speaker 1>While looking across the water to the wooded hills, Labusha

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<v Speaker 1>entered a trance, raised her hands towards the other shore,

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<v Speaker 1>and uttered her prophecy, I see a great city whose

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<v Speaker 1>fame will touch the stars. This is her most famous line,

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<v Speaker 1>but Cosmos of Prague, the original writer, actually ripped it

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<v Speaker 1>off of virgils a Kneed. She guided her people to

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<v Speaker 1>cross the river and to find a man there who

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<v Speaker 1>was busy hewing the threshold in check pra of a house,

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<v Speaker 1>and asked him to build a castle to be called Prah.

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<v Speaker 1>Right on the spot. Just as princes and army commanders

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<v Speaker 1>bow their heads when they enter a house, Labusha proclaimed,

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<v Speaker 1>so will they bow their head to my city. It

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<v Speaker 1>will be honored, noble and respected by all the world.

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<v Speaker 1>This prophesied city would of course become Prague, and it's

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<v Speaker 1>with her vision of glory that Labusha's legend ends. But

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<v Speaker 1>Labusha's legacy is the catalyst for one of the following stories.

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<v Speaker 1>In Old Czech legends, Schmissul was the ruler check men wanted,

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<v Speaker 1>but he was rejected by many of the land's women.

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<v Speaker 1>Under Labusha's rule, men and women enjoyed equal rights and treatment,

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<v Speaker 1>But just as Labusha had predicted, the Duke ushered in

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<v Speaker 1>an age of patriarchal rule. It said that he struckt

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<v Speaker 1>women of their rights and implemented practices associated with patriarchal societies,

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<v Speaker 1>such as feudalism and serfdom. There was particular unrest among

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<v Speaker 1>Labusha's former maidens, who felt abandoned and quote angry when

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<v Speaker 1>the men held them up to ridicule and called them

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<v Speaker 1>quote lost sheep end quote. The legend tells that a

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<v Speaker 1>maiden named Vlassa, Labusha's favorite, was the one who first

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<v Speaker 1>took up arms and gathered an army of tired, angry

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<v Speaker 1>women across the land, beginning what became known as the

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<v Speaker 1>Maiden's War against men. Last of strategically organized and trained

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<v Speaker 1>the women who were leaving their husbands, brothers, and fathers

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<v Speaker 1>to join their fight. The strongest women were chosen to

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<v Speaker 1>lead the attack, and the most beautiful were chosen to

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<v Speaker 1>entice the men away from their battle groups so that

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<v Speaker 1>they could be killed. She Missile's army openly mocked the

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<v Speaker 1>female warriors, but the king warned them not to underestimate

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<v Speaker 1>the women's strength. He was right to do so. The

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<v Speaker 1>bloody battles began and the women were winning. They fortified

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<v Speaker 1>the castle Devine, utilizing it as a military base, and

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<v Speaker 1>they warded off the men from even attempting a breach.

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<v Speaker 1>Aiding Vlasta was another high ranking lieutenant and clever tactician,

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<v Speaker 1>a woman named Charka. In her boldest plot, Charka staged

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<v Speaker 1>a mock betrayal and feigned helplessness as she was quote

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<v Speaker 1>tied to a tree and the left to die end quote.

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<v Speaker 1>She screamed and cursed the rebel forces to gain the

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<v Speaker 1>attention and sympathy of a band of men patrolling the

0:15:25.720 --> 0:15:30.160
<v Speaker 1>forest for women. This group of men on patrol included

0:15:30.200 --> 0:15:34.160
<v Speaker 1>one of the men's best fighters, Citrod, who believed charka

0:15:34.280 --> 0:15:37.760
<v Speaker 1>story and freed her from her restraints. The men set

0:15:37.840 --> 0:15:41.080
<v Speaker 1>up camp for the night, and thanking them, Charca board

0:15:41.200 --> 0:15:44.200
<v Speaker 1>mead for all the men, which she had, of course

0:15:44.560 --> 0:15:49.240
<v Speaker 1>spiked with a potent sleeping powder. Once the men fell asleep,

0:15:49.440 --> 0:15:53.560
<v Speaker 1>the rebel forces emerged from the tree line. They slaughtered

0:15:53.600 --> 0:15:56.600
<v Speaker 1>them all except Sir Trod, who was taken back to

0:15:56.720 --> 0:16:01.120
<v Speaker 1>Devon and tortured to death. The men were so enraged

0:16:01.200 --> 0:16:04.400
<v Speaker 1>that they abandoned the formalities of battle and began to

0:16:04.440 --> 0:16:09.200
<v Speaker 1>attack all innocent women traveling on the roads. Vlosta, unable

0:16:09.240 --> 0:16:11.480
<v Speaker 1>to bear the weight of the torment that the men

0:16:11.560 --> 0:16:15.320
<v Speaker 1>were inflicting, ceded to their strategy and met the men

0:16:15.440 --> 0:16:19.720
<v Speaker 1>in open combat. She was slain and the army disbanded

0:16:19.760 --> 0:16:23.800
<v Speaker 1>soon after their leader fell. For their victory, lap the

0:16:23.840 --> 0:16:28.400
<v Speaker 1>men burned Divine or the Castle of Maidens to the ground.

0:16:29.120 --> 0:16:32.480
<v Speaker 1>In his telling, Hirosek would like to side with the women,

0:16:32.800 --> 0:16:36.120
<v Speaker 1>but the narrative turns against them because he says they

0:16:36.120 --> 0:16:41.800
<v Speaker 1>had quote no heart, okay, whatever that means. It was

0:16:42.000 --> 0:16:45.320
<v Speaker 1>as Labusha predicted, the men would get what they wanted

0:16:45.640 --> 0:16:49.320
<v Speaker 1>of patriarch a master at the expense of the freedom

0:16:49.520 --> 0:16:52.920
<v Speaker 1>she had once ruled by. As is always the case,

0:16:53.320 --> 0:16:56.920
<v Speaker 1>the casualties of patriarchy are the women whose voices are

0:16:56.960 --> 0:17:04.200
<v Speaker 1>stripped away. Persistent as these legends are in Czech culture,

0:17:04.400 --> 0:17:10.120
<v Speaker 1>there unfortunately is no real anthropological evidence supporting that they're

0:17:10.200 --> 0:17:15.520
<v Speaker 1>anything more than well legends. Really, that applies to Labusha's

0:17:15.640 --> 0:17:20.080
<v Speaker 1>entire existence too. The more likely founder of the stronghold

0:17:20.119 --> 0:17:24.480
<v Speaker 1>of Praha was Duke Bogevois, whose rule began circa eight

0:17:24.600 --> 0:17:28.480
<v Speaker 1>hundred and seventy. He was the first documented duke of

0:17:28.520 --> 0:17:33.119
<v Speaker 1>Bohemia and progenitor of the Shemissed dynasty. He was said

0:17:33.160 --> 0:17:36.639
<v Speaker 1>to be the last son of the mythical Bohemian princes,

0:17:36.800 --> 0:17:41.040
<v Speaker 1>and therefore a direct descendant of Laboushe and Shemissul. This

0:17:41.160 --> 0:17:44.800
<v Speaker 1>lineage can of course not be confirmed by historians, and

0:17:45.119 --> 0:17:48.320
<v Speaker 1>an opposing theory believes that he was instead related to

0:17:48.359 --> 0:17:52.480
<v Speaker 1>a Slavic dynasty. The writer of the first Bohemian Chronicle,

0:17:52.640 --> 0:17:56.359
<v Speaker 1>published about two hundred years after the Duke's death, believed

0:17:56.400 --> 0:18:01.040
<v Speaker 1>that the distinction between myth and real history begins with

0:18:01.119 --> 0:18:06.679
<v Speaker 1>Bogevoy's rule. Bougevoy was also notably Bohemia's first Christian ruler,

0:18:06.920 --> 0:18:11.520
<v Speaker 1>and he built Bohemia's first church, dedicated to Saint Clement's.

0:18:12.200 --> 0:18:17.159
<v Speaker 1>Despite revolts from traditional rivals, Bougevoy continued on to build

0:18:17.200 --> 0:18:20.639
<v Speaker 1>a second church, this one to worship the Virgin Mary.

0:18:21.359 --> 0:18:24.200
<v Speaker 1>Later in his life, he decided to move his resident

0:18:24.359 --> 0:18:27.840
<v Speaker 1>closer to the latter church, and the castle built was

0:18:27.920 --> 0:18:32.919
<v Speaker 1>called Praha or Prague Castle, which still stands today. The

0:18:33.000 --> 0:18:37.040
<v Speaker 1>etymology of Praha is debated still to day among historians,

0:18:37.480 --> 0:18:41.160
<v Speaker 1>with some believing its origin comes from the idea of napras,

0:18:41.400 --> 0:18:45.120
<v Speaker 1>or a barren place on which the sun beat down mercilessly.

0:18:45.680 --> 0:18:48.720
<v Speaker 1>It could also reference quote, the cleaning of the forest

0:18:48.840 --> 0:18:53.200
<v Speaker 1>by fire or bracchiti. There are still, some, however, who

0:18:53.280 --> 0:18:58.359
<v Speaker 1>find la Boush's idea of the threshold or pra most compelling.

0:18:58.920 --> 0:19:02.920
<v Speaker 1>The idea the t wanted people to lower their heads

0:19:02.960 --> 0:19:06.760
<v Speaker 1>and enter a city as they would a home. As

0:19:06.800 --> 0:19:09.159
<v Speaker 1>for the Maiden's War, there is even less of a

0:19:09.200 --> 0:19:13.480
<v Speaker 1>connection to recorded history. Some historians argue that the story

0:19:13.600 --> 0:19:17.280
<v Speaker 1>is based on tales of the Amazonian warriors, while others

0:19:17.280 --> 0:19:21.600
<v Speaker 1>believe it could have roots in Bohemia's factual past. Speaking

0:19:21.640 --> 0:19:26.320
<v Speaker 1>to Radio Prague International, Voslav Ladvinka, the director of Prague's

0:19:26.359 --> 0:19:30.560
<v Speaker 1>City Archives, tells us quote, there are some historians who have,

0:19:30.800 --> 0:19:35.800
<v Speaker 1>in my opinion, a somewhat fertile imagination. They claim that

0:19:36.080 --> 0:19:39.800
<v Speaker 1>there could have been a matriarchal society, that women had

0:19:39.840 --> 0:19:43.520
<v Speaker 1>primacy and that they were overthrown by men. This could

0:19:43.600 --> 0:19:46.320
<v Speaker 1>be true, but then the same could be said about

0:19:46.359 --> 0:19:50.679
<v Speaker 1>the ancient Greeks, so it seems most likely that Cosmos

0:19:50.720 --> 0:19:54.560
<v Speaker 1>took the basis for his tales from those ancient texts,

0:19:55.520 --> 0:19:59.639
<v Speaker 1>and as we know, Cosmos did enjoy stealing from Roman

0:19:59.640 --> 0:20:18.520
<v Speaker 1>epic X. That's the story or the legend of Labusha

0:20:18.520 --> 0:20:21.879
<v Speaker 1>of Bohemia. But keep listening after a brief sponsor break

0:20:21.960 --> 0:20:24.600
<v Speaker 1>to hear a little bit about how the legend has

0:20:24.640 --> 0:20:41.720
<v Speaker 1>been translated into modern culture. Labusha's story has inspired the

0:20:41.760 --> 0:20:45.480
<v Speaker 1>works of many Czech and European artists, and perhaps the

0:20:45.520 --> 0:20:50.359
<v Speaker 1>most famous is her namesake opera, containing music by Czech

0:20:50.440 --> 0:20:54.800
<v Speaker 1>composer Bedrick's Mantana and written first in German by author

0:20:54.880 --> 0:20:59.160
<v Speaker 1>Joseph Lindzig. The opera was written in eighteen seventy one

0:20:59.320 --> 0:21:02.879
<v Speaker 1>for the coronation of Franz Joseph as King of Bohemia,

0:21:03.200 --> 0:21:06.919
<v Speaker 1>but Smitana ended up saving Labusha for the opening of

0:21:06.960 --> 0:21:10.840
<v Speaker 1>the National Theater in Prague, which took place nine years

0:21:10.960 --> 0:21:16.760
<v Speaker 1>later on June eleven. Act one of the opera depicts

0:21:17.040 --> 0:21:20.840
<v Speaker 1>Labusha's ruling over the land dispute, but in a departure

0:21:20.920 --> 0:21:25.200
<v Speaker 1>from the myth, Act two decides to develop the backgrounds

0:21:25.240 --> 0:21:28.439
<v Speaker 1>of the men in the conflict and deepen all of

0:21:28.480 --> 0:21:32.800
<v Speaker 1>the characters. This involves a love triangle in which a

0:21:32.880 --> 0:21:36.600
<v Speaker 1>classically conniving woman feigns interest in one of the men

0:21:37.040 --> 0:21:41.280
<v Speaker 1>to make the other jealous. All is eventually resolved, and

0:21:41.400 --> 0:21:45.840
<v Speaker 1>Act three depicts a Midsummer Night's dream esque double wedding

0:21:46.119 --> 0:21:50.760
<v Speaker 1>between all the lovers and Labusha and Schmissul, before Labusha

0:21:50.840 --> 0:21:54.359
<v Speaker 1>has her prophecy of Prague, a reminder to all of

0:21:54.400 --> 0:21:58.040
<v Speaker 1>the hopeful witches out there that, no matter how powerful

0:21:58.119 --> 0:22:01.400
<v Speaker 1>you are, you may end up in only two thirds

0:22:01.480 --> 0:22:05.040
<v Speaker 1>of your own opera in favor of some random men

0:22:05.200 --> 0:22:24.760
<v Speaker 1>in a land dispute. Noble Blood is a production of

0:22:24.840 --> 0:22:28.000
<v Speaker 1>I Heart Radio and Grim and Mild from Aaron Mankey.

0:22:28.440 --> 0:22:32.560
<v Speaker 1>Noble Blood is hosted by me Danis Shwartz. Additional writing

0:22:32.600 --> 0:22:36.840
<v Speaker 1>and researching done by Hannah Johnston, hannah's Wick, Mira Hayward,

0:22:36.960 --> 0:22:40.639
<v Speaker 1>Courtney Sunder, and Laurie Goodman. The show is produced by

0:22:40.720 --> 0:22:45.719
<v Speaker 1>rema Il Kali, with supervising producer Josh Thane and executive

0:22:45.760 --> 0:22:50.000
<v Speaker 1>producers Aaron Mankey, Alex Williams, and Matt Frederick. For more

0:22:50.040 --> 0:22:53.800
<v Speaker 1>podcasts from I Heart Radio, visit the I Heart Radio app,

0:22:54.040 --> 0:22:57.159
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows