WEBVTT - WolfGANG GANG (with Langston Kerman and David Gborie)

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<v Speaker 1>I've been in rooms with Blake Griffin and his intimidating.

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<v Speaker 2>Yeah, I met him once. I hated it.

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<v Speaker 1>Yeah, it doesn't make you feel like a human.

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<v Speaker 2>Being anymore, not a man one, not a male one.

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<v Speaker 2>That's because you're like his hands or three of my hands.

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<v Speaker 1>And he's not. He's he's way skinnier than he appears

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<v Speaker 1>on TV. So he's also like just it's like clearly

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<v Speaker 1>a dude with abs and the old hands and muscles.

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<v Speaker 1>And you're like, all right, bro, that's a cheat code.

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<v Speaker 2>You can't do that, you know. Don't come over here

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<v Speaker 2>being funny. I'm gonna have to kill this man.

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<v Speaker 1>Yeah, you ain't funny to me, bitch.

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<v Speaker 2>Yeah, ain't funny. This clock.

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<v Speaker 1>Empty the clip on your big But I'll take you down.

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<v Speaker 2>Fuck, it's me and you. I don't give a ship

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<v Speaker 2>ready to die today.

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<v Speaker 3>That's a chips in your eas Quali bears are racist,

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<v Speaker 3>the player Fox, the money turning stuff. Y'all can't tell me.

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<v Speaker 1>I want to get with you, but I can't right now.

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<v Speaker 2>Maybe, Girland, that's the issue.

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<v Speaker 1>Through the phone.

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<v Speaker 2>Welcome to another episode of My I've Told Me.

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<v Speaker 1>The podcast when we dive deep, deep into the pockets

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<v Speaker 1>of black cospiracy theories.

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<v Speaker 2>And we finally work to prove that if you connect

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<v Speaker 2>the dots on Morgan Freeman's face, it is a interstellar

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<v Speaker 2>celestial map pointing directly to the black planet that Public

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<v Speaker 2>Enemy told y'all to be feared about. I'm David Borden, WHOA.

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<v Speaker 1>I'm like snick Herman, and okay, let me let me

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<v Speaker 1>make sure I'm understanding this correctly.

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<v Speaker 2>Get it.

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<v Speaker 1>Public Enemy tells us of a planet of black people.

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<v Speaker 1>Mm hmm, this legendary black planet in their in their music.

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<v Speaker 1>And then Morgan Freeman is actually the source, the the map,

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<v Speaker 1>the code that could lead us to said black planet.

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<v Speaker 2>He's the fifth element for black people. Fuck, he's our

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<v Speaker 2>fifth element.

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<v Speaker 1>Yeah yeah, yeah.

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<v Speaker 2>And it's not He's not the first one. There's always

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<v Speaker 2>been a Morgan Freeman. He is actually a part of

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<v Speaker 2>a secret group who are the keepers of the map.

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<v Speaker 1>I like this because it does imply that this is

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<v Speaker 1>just being passed down through time. There's a level of

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<v Speaker 1>truth almost to it this way, whereas like if he

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<v Speaker 1>was just born with a map on his face, it's like,

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<v Speaker 1>now get the fuck out of here. We're not We're

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<v Speaker 1>not mystics. We are real people who have shared a

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<v Speaker 1>history with the people that come after us.

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<v Speaker 2>It's like the Knights of Templar for niggas.

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<v Speaker 1>Whoa damn hell. Yeah, thanks, I'm in, Thank you, I'm in.

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<v Speaker 1>And if I meet him, I'm gonna start drawing on

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<v Speaker 1>his old face immediately, immediately, I'm gonna get a permanent market.

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<v Speaker 1>I'm gonna say, excuse me, mister, doctor Freeman. You've got

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<v Speaker 1>a doctorate somewhere.

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<v Speaker 2>Somebody gave him one.

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<v Speaker 1>You've been on this earth too long not to be

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<v Speaker 1>a doctor. With that voice, Doctor Morgan Freeman, I'm gonna

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<v Speaker 1>need you to step aside because I got some coloring

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<v Speaker 1>to do.

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<v Speaker 2>Exactly. My plan is to become good friends with him

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<v Speaker 2>infiltrated social circle, have a child, name him the child's godfather.

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<v Speaker 2>When the child gets old enough to sit on his lap,

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<v Speaker 2>I give him a sharp and he does it for me.

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<v Speaker 2>Then we all laugh while I furiously take notes.

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<v Speaker 1>Yeah yeah, see. My only issue with that take is

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<v Speaker 1>I wouldn't sit no child on Morgan Freeman's lap. He

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<v Speaker 1>had sex with his step granddaughter, and frankly that that

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<v Speaker 1>makes me nervous about how far you would take it.

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<v Speaker 2>Yeah, that's true. I forgot he's a perd.

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<v Speaker 1>Yeah, listen, I think I think that's right. I think

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<v Speaker 1>Margan Breeman just wanted to I think he was eighty

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<v Speaker 1>eight to one hundred and forty six years old, and

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<v Speaker 1>he said, I want pussy more than I care about

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<v Speaker 1>the morality of a planet that I'm not going to

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<v Speaker 1>be on for much longer.

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<v Speaker 2>Butch is because he understands the truth of the black planet.

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<v Speaker 1>Yeah, He's like, I'm not even from here, dog, Yeah,

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<v Speaker 1>I'm going back home. I've got a map on my face.

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<v Speaker 2>And did he just have sex with her or was

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<v Speaker 2>it like a relationship.

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<v Speaker 1>I think it was like a real relationship. Yeah, if

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<v Speaker 1>I'm not mistaken, and I could be mistaken, but my

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<v Speaker 1>understanding is they were in a real relationship and she

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<v Speaker 1>was actually murdered by her ex boyfriend when he found

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<v Speaker 1>out that she essentially was like having this affair with

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<v Speaker 1>Morgan Freeman.

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<v Speaker 2>Do you think it was he was more upset that

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<v Speaker 2>she was fucking her grandpa or the dude from driving

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<v Speaker 2>Miss Daisy.

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<v Speaker 1>It is. I think I think maybe lean on Me

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<v Speaker 1>might have been the no was a cool one, that's

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<v Speaker 1>where it is. Yeah, But I think that's when he

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<v Speaker 1>starts going like you're imagining him yelling at you and

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<v Speaker 1>telling you to stand up straight and shit, and he's like, oh,

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<v Speaker 1>fuck this dude.

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<v Speaker 2>He's holding that mister Clark.

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<v Speaker 4>Mister Clark.

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<v Speaker 1>Yeah, I think that that's playing in his head and

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<v Speaker 1>he's like, nah, I can't I can't live like this.

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<v Speaker 1>Oh well, complicated life on that guy. Yeah, Morgan's made

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<v Speaker 1>it a long time, and maybe if you make it

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<v Speaker 1>that long, you can do whatever the fuck you want.

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<v Speaker 2>Who knows, hopefully not.

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<v Speaker 1>That's why I'm gonna die at fifty three, just to

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<v Speaker 1>make sure I don't turn into a scoundrel.

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<v Speaker 2>To be fair, that's a black seventy six.

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<v Speaker 1>Come on, I made it a good long time.

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<v Speaker 2>I was like that far. Oh yeah, I'm dark skinned.

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<v Speaker 2>I got four years left.

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<v Speaker 1>And listeners, you better make it a good for you.

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<v Speaker 1>You've got a lot of responsibility on your shoulders. Make

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<v Speaker 1>my boy happy for his final little collegiate run.

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<v Speaker 2>No, I'm doing okay. I quit eating meat for a

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<v Speaker 2>while recently, though. It's freaking me out.

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<v Speaker 1>WHOA like you? You had eaten so much meat that

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<v Speaker 1>you were like, I gotta get off this meat. Don't

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<v Speaker 1>do that to me, I gotta get off this meat,

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<v Speaker 1>is what you said to yourself.

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<v Speaker 2>I just wanted to see if I could do it.

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<v Speaker 2>It makes your inside.

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<v Speaker 1>Stinky though not being on meat.

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<v Speaker 2>Yeah, it's like I've been farting like crazy. Oh damn, yeah,

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<v Speaker 2>farting and poops a while. So we said I gotta

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<v Speaker 2>take some B twelve. I'm also it's just like I

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<v Speaker 2>just wanted to see if I could do for a

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<v Speaker 2>little bit.

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<v Speaker 1>So it's like at the we we had a we

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<v Speaker 1>should let the listeners know. We had our live show

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<v Speaker 1>in Denver recently at Thanks for the Coming Festival. Thank

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<v Speaker 1>you for coming out those of you that did. It

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<v Speaker 1>was packed, it was fun. We certainly had a good time.

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<v Speaker 1>We don't give a ship how you felt about it.

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<v Speaker 1>That said, there was a barbecue and you're wearing the

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<v Speaker 1>hat from your your annual barbecue. It says race wars

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<v Speaker 1>where uh, and it is a double entendre for those

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<v Speaker 1>who are who are.

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<v Speaker 2>Kind of right on the nose of what is anything

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<v Speaker 2>else going on there where?

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<v Speaker 1>Bory commissions young, young, and old people to foot race

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<v Speaker 1>each other based on race, and uh, it's not ethnic background.

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<v Speaker 2>That comes into play. It was not the point initially.

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<v Speaker 1>Sure, Yeah, but it is the motivation.

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<v Speaker 2>Now I would say it's one thing I like about it.

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<v Speaker 1>That said, I guess the question that i'd ask is

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<v Speaker 1>at this barbecue, were you not eating meat? Did you

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<v Speaker 1>not have any of WHOA?

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<v Speaker 2>Yeah? I ate right before I came, because it was

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<v Speaker 2>because I knew it was going to be all this barbecue.

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<v Speaker 1>So you were just sustaining yourself on on peer passion

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<v Speaker 1>for watching people race each other.

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<v Speaker 2>Yeah, in racial politics, Damn, that's beautiful, right.

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<v Speaker 1>That teaches us that that you don't need food, you

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<v Speaker 1>just need to watch a white man run against a

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<v Speaker 1>black man.

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<v Speaker 2>Yeah. Shot the black people though only one loss. Yeah,

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<v Speaker 2>and we will not say his name.

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<v Speaker 1>And I do have footage.

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<v Speaker 2>Shamed him terribly.

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<v Speaker 1>I not only shamed him, I then spent what should

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<v Speaker 1>have been my nap time afterwards editing a video. You

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<v Speaker 1>came back that night with the video, a fully edited

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<v Speaker 1>video of him losing the race. It was hilarious, So

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<v Speaker 1>I couldn't be prouder of it, and I've watched it

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<v Speaker 1>every day since.

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<v Speaker 2>When you showed him the video, he said.

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<v Speaker 1>Why why would you? Why did you how did you know? Look? Man,

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<v Speaker 1>you lose a foot race to a white man, and

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<v Speaker 1>this is what happens.

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<v Speaker 2>He should have.

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<v Speaker 1>Known better, running into with jeans one jeans on. That's true.

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<v Speaker 2>The young boys can do that. Like the youngest guy

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<v Speaker 2>who was the fastest. He had jeans unlaced, Jordan ones

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<v Speaker 2>and he refused to tie them up. Yeah, and he

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<v Speaker 2>still smoked everybody. Shout you know what, I'll give him

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<v Speaker 2>a shoutout.

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<v Speaker 1>He deserves it.

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<v Speaker 2>Shout out to Eland stribbling. Hell, yeah, the fastest fastest

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<v Speaker 2>young black man.

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<v Speaker 1>Alive, as far as I can tell. Yeah, Yeah, I

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<v Speaker 1>don't know that many young black people anymore. So, as

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<v Speaker 1>far as I know, he's the fastest. And until somebody

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<v Speaker 1>beats him, that's that's my number one.

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<v Speaker 2>Yeah, we said tied shoes. He said, don't need to.

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<v Speaker 1>He's I'm good, I don't need that.

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<v Speaker 2>And then he then he smoked everybody.

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<v Speaker 1>And he didn't need to, and he beat a fair

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<v Speaker 1>amount of people.

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<v Speaker 2>Yeah, he only lost this AJ who had his shoes

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<v Speaker 2>tied and was wearing hose shorts.

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<v Speaker 1>I'm gonna be honest with you, I don't really think

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<v Speaker 1>he lost. The AJ. AJ kept saying he did, bro.

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<v Speaker 2>And I think A needed it. So we had to

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<v Speaker 2>keep it there, but I.

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<v Speaker 1>Didn't want to say anything, you know what I mean.

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<v Speaker 1>I didn't want to take that from him. I'm like, bro,

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<v Speaker 1>you you were a D one athlete. Yeah, you've earned

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<v Speaker 1>the right to declare your victory over this young man,

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<v Speaker 1>and you got that. But like as a as a

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<v Speaker 1>very vocal observer, that.

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<v Speaker 2>Nigga, that nigga didn't win no race. Yeah, that's the

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<v Speaker 2>best part is the vocal man. Listen, if you guys

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<v Speaker 2>are listening to this, you want to fun barbecue activity, Get.

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<v Speaker 1>Him a race, make people race each other.

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<v Speaker 2>It's so good.

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<v Speaker 1>It's really good until somebody gets hurt. And thankfully nobody

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<v Speaker 1>got hurt. Yeah, but he was seriously injured, luckily because

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<v Speaker 1>they were doing it cold. People were racing off a

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<v Speaker 1>two barbecue like to barbecue sandwiches.

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<v Speaker 2>Yeah.

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<v Speaker 1>I didn't see a single person stretched.

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<v Speaker 2>All days, not one at all.

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<v Speaker 1>We should get into this conspiracy. I'm sure you all

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<v Speaker 1>can tell at this point this is a Langston and

0:11:16.800 --> 0:11:20.720
<v Speaker 1>David David and Langston episode. This isn't there ain't no guest.

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<v Speaker 1>We just bullshitting.

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<v Speaker 2>Yeah, nobody's like in the cut waiting to talk.

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<v Speaker 1>What if they were though, and we just wasted all

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<v Speaker 1>that time.

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<v Speaker 2>Yeah, and now welcome our guests.

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<v Speaker 1>She's like, what's up y'all? Bat makes me wait this

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<v Speaker 1>long to talk too. Oh yeah, it's fun.

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<v Speaker 2>I like, I love her.

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<v Speaker 1>She's great.

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<v Speaker 2>Yeah.

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<v Speaker 1>That said, we we have a conspiracy theory. This was

0:11:50.440 --> 0:11:54.360
<v Speaker 1>your pitch. You pitched a conspiracy that. I was very

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<v Speaker 1>excited to hear that that. I don't think has come

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<v Speaker 1>up ever on the podcast. If it has, it was

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<v Speaker 1>like an ancient mini episode, but it is certainly has

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<v Speaker 1>never been a more substantial conversation. But you said my

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<v Speaker 1>mama told me Mozart was black. I actually am one

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<v Speaker 1>point four percent Nigerian African. I'm a sister.

0:12:22.400 --> 0:12:30.920
<v Speaker 2>Okay ah, yes, and tell me everything. You know. Here's

0:12:30.920 --> 0:12:34.320
<v Speaker 2>a funny thing. I don't. It's just it's a weird

0:12:34.400 --> 0:12:37.320
<v Speaker 2>thing that's come up because when I was thinking about

0:12:37.320 --> 0:12:39.880
<v Speaker 2>it after I pitched it. It's because it came up.

0:12:39.960 --> 0:12:42.320
<v Speaker 2>Where did it come up? Oh, I'll talk to some

0:12:42.400 --> 0:12:47.720
<v Speaker 2>niggas brou But I just feel like outside talking to people.

0:12:49.840 --> 0:12:52.079
<v Speaker 1>You man, what do you know about Mozart?

0:12:52.240 --> 0:12:56.400
<v Speaker 2>Yeah? Yeah, my block is active, so like I'll be

0:12:56.520 --> 0:12:59.280
<v Speaker 2>on the phone on the block sometimes because I don't

0:12:59.280 --> 0:13:03.160
<v Speaker 2>want to talk to everybody. Anyways, I've heard it so

0:13:03.800 --> 0:13:06.880
<v Speaker 2>many times, and I realized as soon as I pitched

0:13:06.920 --> 0:13:10.600
<v Speaker 2>it to you that I do not have I've never

0:13:10.679 --> 0:13:13.679
<v Speaker 2>heard any backup other than it just being like, hey,

0:13:13.720 --> 0:13:15.920
<v Speaker 2>you know what, the Mozart was black? Right, And then

0:13:16.160 --> 0:13:19.160
<v Speaker 2>I kind of looked into what made I looked up

0:13:19.200 --> 0:13:22.920
<v Speaker 2>what made Mozart's music unique, Like maybe on some like

0:13:23.040 --> 0:13:26.560
<v Speaker 2>type of maybe there was something like some black trait

0:13:26.679 --> 0:13:29.079
<v Speaker 2>of what he did, but it's really nothing other than

0:13:29.520 --> 0:13:34.720
<v Speaker 2>absolute Michael Jordan level mastery of the craft. Right, he

0:13:34.880 --> 0:13:36.959
<v Speaker 2>was a multi genre. I didn't know he was a

0:13:37.040 --> 0:13:41.000
<v Speaker 2>multi genre over like high output, over six hundred works

0:13:41.840 --> 0:13:45.920
<v Speaker 2>virtuoso right first started composing of five. So there's really

0:13:45.960 --> 0:13:49.040
<v Speaker 2>no there's nothing I have to time to black people

0:13:49.400 --> 0:13:52.880
<v Speaker 2>other than his greatness, you know what I mean. Feels

0:13:52.920 --> 0:13:55.120
<v Speaker 2>like it could be a Michael Jordan type situation.

0:13:54.840 --> 0:13:58.320
<v Speaker 1>Right, You're like, this is legendary work, not unlike so

0:13:58.400 --> 0:14:03.280
<v Speaker 1>many of our black icons. Exactly black person exactly when

0:14:03.360 --> 0:14:06.000
<v Speaker 1>you said this, and this is worth noting, I too

0:14:06.120 --> 0:14:10.000
<v Speaker 1>had heard people say that Mozart is black, but more

0:14:10.080 --> 0:14:13.120
<v Speaker 1>often I think what I had heard was that Beethoven

0:14:13.440 --> 0:14:16.160
<v Speaker 1>is black. That's that's the one that I think i've

0:14:16.720 --> 0:14:20.080
<v Speaker 1>I've heard the most, and so I was surprised a

0:14:20.080 --> 0:14:22.640
<v Speaker 1>little bit when when Mozart came down the line, But

0:14:22.720 --> 0:14:26.120
<v Speaker 1>I was excited because I certainly it gave me a

0:14:26.160 --> 0:14:28.240
<v Speaker 1>reason to look up a bunch of shit that to

0:14:28.280 --> 0:14:31.800
<v Speaker 1>your point, everybody that's ever told me either of them

0:14:31.920 --> 0:14:35.400
<v Speaker 1>was black never backed it up with any evidence. They

0:14:35.400 --> 0:14:37.160
<v Speaker 1>were just like, yeah, you know, they were black, and

0:14:37.200 --> 0:14:39.480
<v Speaker 1>then they sometimes are like and they were deaf and

0:14:40.080 --> 0:14:42.680
<v Speaker 1>blind and had no arms, and they still made the

0:14:42.680 --> 0:14:43.560
<v Speaker 1>best music ever.

0:14:43.920 --> 0:14:46.040
<v Speaker 2>Yeah, I heard they only had sex with women in

0:14:46.080 --> 0:14:47.920
<v Speaker 2>the butt because they didn't want to get caught up

0:14:47.920 --> 0:14:48.600
<v Speaker 2>having babies.

0:14:52.240 --> 0:14:54.240
<v Speaker 1>You ain't gonna get my Mozart money, you know.

0:14:54.720 --> 0:15:02.040
<v Speaker 2>Yeah. Also, I uh so, I will say, full disclosure,

0:15:02.520 --> 0:15:04.680
<v Speaker 2>I could have heard the Beethoven thing as well and

0:15:04.840 --> 0:15:08.000
<v Speaker 2>just conflated the two. In my mind, there's not one

0:15:08.040 --> 0:15:11.680
<v Speaker 2>thing that's like distinctively Beethoven or Mozart that would make

0:15:11.720 --> 0:15:15.239
<v Speaker 2>me remember one or the other in any of these situations.

0:15:15.560 --> 0:15:17.920
<v Speaker 1>I don't know the difference between the two of them

0:15:18.160 --> 0:15:19.240
<v Speaker 1>even for a second.

0:15:19.520 --> 0:15:22.560
<v Speaker 2>Yeah, I know, the Beethoven's fifth or whatever, the one

0:15:22.600 --> 0:15:26.680
<v Speaker 2>from the movie Beethoven dud dun dum.

0:15:26.720 --> 0:15:31.560
<v Speaker 1>Okay, I don't know. I could be wrong, you might

0:15:31.600 --> 0:15:34.160
<v Speaker 1>be right. It's the fifth I know he's got He's

0:15:34.200 --> 0:15:37.960
<v Speaker 1>got one through nine. That people yo that first little

0:15:38.080 --> 0:15:40.000
<v Speaker 1>like EP, he dropped whatever.

0:15:41.320 --> 0:15:43.560
<v Speaker 2>Then those first three movies went hard.

0:15:44.160 --> 0:15:45.840
<v Speaker 1>Yeah, Beethove.

0:15:47.720 --> 0:15:48.240
<v Speaker 2>Not for me.

0:15:50.120 --> 0:15:52.920
<v Speaker 1>You can really tell that's not the same dog, you know, Yeah.

0:15:52.800 --> 0:15:54.680
<v Speaker 2>He just I think he got rich. There was. It

0:15:54.760 --> 0:15:57.840
<v Speaker 2>was a money grab. That dog got rich.

0:16:00.800 --> 0:16:03.440
<v Speaker 1>The dog got Richie he started doing weird stuff with

0:16:03.440 --> 0:16:03.960
<v Speaker 1>his money.

0:16:04.080 --> 0:16:20.840
<v Speaker 2>Yeah, the dog got a monkey. It was fucked up.

0:16:23.760 --> 0:16:27.560
<v Speaker 1>So long, and there's like that dead space before it

0:16:27.720 --> 0:16:31.040
<v Speaker 1>starts with that. You can hear that something's happening, but

0:16:31.080 --> 0:16:32.640
<v Speaker 1>you don't know what the fuck is happening.

0:16:32.840 --> 0:16:34.880
<v Speaker 2>No, I know, we might have to cut it down.

0:16:34.880 --> 0:16:36.680
<v Speaker 2>We also have one on here. I don't even know

0:16:36.720 --> 0:16:37.320
<v Speaker 2>what it means.

0:16:37.560 --> 0:16:38.760
<v Speaker 1>I'm excited at present.

0:16:39.800 --> 0:16:40.640
<v Speaker 2>I want you to know this.

0:16:40.800 --> 0:16:44.160
<v Speaker 5>If your prayers include me to stop drinking, stop smoking,

0:16:44.680 --> 0:16:46.760
<v Speaker 5>and stop having fun and stop.

0:16:46.560 --> 0:16:48.240
<v Speaker 2>Watching these little bitches popped the ass.

0:16:48.560 --> 0:16:50.720
<v Speaker 5>If your prayers include any of those things, it's not

0:16:50.800 --> 0:16:53.560
<v Speaker 5>gonna work because of rejecting them all. And I will

0:16:53.600 --> 0:16:56.760
<v Speaker 5>be continued in my saying. We could ask motherfucking ways.

0:16:56.800 --> 0:16:58.520
<v Speaker 5>I gets it that the way you want to put I.

0:16:58.440 --> 0:17:00.360
<v Speaker 1>Think you should label that one the Lord or it's

0:17:00.440 --> 0:17:01.120
<v Speaker 1>prayer and.

0:17:03.680 --> 0:17:04.879
<v Speaker 2>Got to tat it on my chest.

0:17:05.280 --> 0:17:08.400
<v Speaker 1>Yeah, yeah, I think I'd easily identify it that way.

0:17:08.640 --> 0:17:10.239
<v Speaker 2>Yeah, that's a good call here. I didn't know what

0:17:10.280 --> 0:17:12.880
<v Speaker 2>that was. Some of them are named really well, though

0:17:16.320 --> 0:17:17.720
<v Speaker 2>not as straightforward as you think.

0:17:21.760 --> 0:17:26.000
<v Speaker 1>That said. I certainly have heard that Mozart is black.

0:17:26.040 --> 0:17:29.119
<v Speaker 1>I've certainly heard that Beethoven is black. I think before

0:17:29.160 --> 0:17:32.080
<v Speaker 1>we jump into this research, I guess the big question

0:17:32.160 --> 0:17:35.520
<v Speaker 1>I would ask you is how much do you actually

0:17:35.680 --> 0:17:36.480
<v Speaker 1>believe this?

0:17:37.359 --> 0:17:42.800
<v Speaker 2>I mean, here's the thing. I definitely believe, like we've

0:17:42.840 --> 0:17:45.920
<v Speaker 2>talked about, like like Frederick Douglas and shit like that.

0:17:46.280 --> 0:17:49.679
<v Speaker 2>I definitely believe in the changing of one's traits to

0:17:49.800 --> 0:17:54.920
<v Speaker 2>fit whatever history narrative is. And I think that there

0:17:55.080 --> 0:18:00.879
<v Speaker 2>is the distance between us and Mozart so large that

0:18:00.960 --> 0:18:06.560
<v Speaker 2>of course things could have been changed over time. And

0:18:06.600 --> 0:18:10.120
<v Speaker 2>I think I think that like back in that era,

0:18:10.680 --> 0:18:13.800
<v Speaker 2>it would be much easier to convert someone back then

0:18:13.960 --> 0:18:18.159
<v Speaker 2>from anything to white than it would be now. Like nobody,

0:18:18.480 --> 0:18:20.280
<v Speaker 2>You're not gonna be able to come out and be

0:18:20.359 --> 0:18:23.120
<v Speaker 2>like Drake wasn't black one hundred years from now, because

0:18:23.160 --> 0:18:26.439
<v Speaker 2>we've got videos and things like that. Yeah, but I

0:18:26.480 --> 0:18:28.800
<v Speaker 2>think back then and like especially not a lot of

0:18:28.800 --> 0:18:31.199
<v Speaker 2>people read like it's pretty easy to just control that

0:18:31.280 --> 0:18:34.960
<v Speaker 2>narrative and flip it. So like, I, yeah, I don't.

0:18:35.080 --> 0:18:37.359
<v Speaker 2>I don't have any proofs, So I'm not gonna gonna

0:18:37.359 --> 0:18:41.800
<v Speaker 2>say I fully believe it, but I definitely think it's possible,

0:18:41.960 --> 0:18:42.480
<v Speaker 2>no questions.

0:18:44.119 --> 0:18:48.960
<v Speaker 1>Yeah, I feel similarly. I think there's literally no pictures

0:18:49.160 --> 0:18:53.560
<v Speaker 1>of Mozart. It's not possible. The photography was not invented

0:18:53.640 --> 0:18:57.320
<v Speaker 1>when this motherfucker was around, and so like everything is

0:18:57.440 --> 0:19:01.320
<v Speaker 1>just a depiction of these people, and the depictions vary.

0:19:01.640 --> 0:19:03.240
<v Speaker 1>There are times where you look at some of the

0:19:03.320 --> 0:19:06.520
<v Speaker 1>drawings and paintings of these individuals and they do they

0:19:06.520 --> 0:19:09.600
<v Speaker 1>don't even look like the person that was drawn in

0:19:09.640 --> 0:19:12.520
<v Speaker 1>the other picture. And they're both white guys. So the

0:19:12.560 --> 0:19:16.560
<v Speaker 1>possibility that maybe some of the features were reshaped, the

0:19:16.680 --> 0:19:21.680
<v Speaker 1>coloring was was, you know, reimagined, whatever it is, None

0:19:21.680 --> 0:19:24.359
<v Speaker 1>of that feels out of the realm of possibility in

0:19:24.400 --> 0:19:26.520
<v Speaker 1>this case exactly exactly.

0:19:26.560 --> 0:19:28.080
<v Speaker 2>And where is he from? England?

0:19:32.640 --> 0:19:37.359
<v Speaker 1>Yeah, Mozarts from I think Austria. If I'm not mistaken,

0:19:37.560 --> 0:19:45.600
<v Speaker 1>it's yeah, listen, he's from Arnold Schwarzenegger Town versus the

0:19:45.640 --> 0:19:54.320
<v Speaker 1>other guys. Yeah, I think you know there their origins

0:19:54.400 --> 0:19:57.359
<v Speaker 1>are so foreign to me and they're in the Truthfully,

0:19:57.960 --> 0:20:01.040
<v Speaker 1>even what we know about them is so minimal in

0:20:01.119 --> 0:20:05.080
<v Speaker 1>some ways that like there are all these things that

0:20:05.160 --> 0:20:07.680
<v Speaker 1>you sort of discover and reading about these guys that

0:20:08.240 --> 0:20:12.919
<v Speaker 1>frankly have not necessarily been proven or just speculation, including

0:20:13.040 --> 0:20:15.879
<v Speaker 1>whether or not they could hear or see, and so

0:20:15.960 --> 0:20:18.200
<v Speaker 1>it's like, yeah, maybe they could have also been black.

0:20:18.320 --> 0:20:19.320
<v Speaker 1>None of us know anything.

0:20:19.560 --> 0:20:24.480
<v Speaker 2>Yeah, And I also don't know it doesn't sound terrible.

0:20:25.119 --> 0:20:28.560
<v Speaker 2>I don't know where black people were in the world

0:20:28.600 --> 0:20:32.000
<v Speaker 2>at that time. I don't know if there were lots

0:20:32.040 --> 0:20:36.200
<v Speaker 2>of black people on Europe, you know, does that make sense? Yeah,

0:20:36.200 --> 0:20:39.800
<v Speaker 2>the dispersion of black people at that time in the world,

0:20:39.880 --> 0:20:42.760
<v Speaker 2>I don't know, because like now you go to Paris,

0:20:42.960 --> 0:20:46.440
<v Speaker 2>it's like again of black people, But like, I don't

0:20:46.720 --> 0:20:48.680
<v Speaker 2>know if it was like that three hundred years ago.

0:20:48.880 --> 0:20:51.199
<v Speaker 1>And I think that's part of the sort of like

0:20:51.359 --> 0:20:54.880
<v Speaker 1>intentional manipulation of history, right, Like, even if we're not

0:20:54.960 --> 0:20:58.600
<v Speaker 1>saying definitively that Mozart or Beethoven or whoever is black.

0:20:58.960 --> 0:21:01.600
<v Speaker 1>I think there has been sort of like this intentional

0:21:01.640 --> 0:21:04.840
<v Speaker 1>manipulation to make it feel as if Europe was a

0:21:05.000 --> 0:21:08.240
<v Speaker 1>white place at all times, that like this was just

0:21:08.320 --> 0:21:11.359
<v Speaker 1>a place where white people originated or built or whatever

0:21:11.400 --> 0:21:13.919
<v Speaker 1>it is, and they dominated this space. And to some

0:21:14.080 --> 0:21:15.600
<v Speaker 1>extent that may have been true.

0:21:15.880 --> 0:21:16.439
<v Speaker 2>But I think.

0:21:16.320 --> 0:21:22.000
<v Speaker 1>There's also a massive population of European people who were

0:21:22.080 --> 0:21:24.840
<v Speaker 1>dark skinned, people who were black, who were from other

0:21:25.000 --> 0:21:29.480
<v Speaker 1>countries originally and then migrated to these spaces, and it's

0:21:29.520 --> 0:21:34.080
<v Speaker 1>not really acknowledged throughout history. And really even now as

0:21:34.119 --> 0:21:37.000
<v Speaker 1>a world traveler, there are times where I go places

0:21:37.040 --> 0:21:41.199
<v Speaker 1>and I'm surprised at how large the black population.

0:21:40.880 --> 0:21:44.280
<v Speaker 2>Is everywhere I went to Europe. Everywhere I went to Europe,

0:21:44.320 --> 0:21:49.320
<v Speaker 2>I was like very surprised. Yeah, like specifically France, but

0:21:49.440 --> 0:21:52.720
<v Speaker 2>everywhere where it was like, oh, this was I thought

0:21:52.720 --> 0:21:56.119
<v Speaker 2>we had no footprint here, you know what I'm saying.

0:21:56.800 --> 0:21:59.840
<v Speaker 1>And it's a big one. We have a big foot yeah. Yeah,

0:22:00.359 --> 0:22:02.480
<v Speaker 1>and they don't talk. I mean I heard Australia doesn't

0:22:02.480 --> 0:22:04.720
<v Speaker 1>have a lot of us. Yeah, I didn't see it.

0:22:04.720 --> 0:22:06.160
<v Speaker 1>I'm not gonna lie to you. I wouldn't.

0:22:06.200 --> 0:22:06.320
<v Speaker 2>Uh.

0:22:06.800 --> 0:22:09.240
<v Speaker 1>I wasn't wowed by the numbers when I went out

0:22:09.280 --> 0:22:11.119
<v Speaker 1>there and just.

0:22:11.080 --> 0:22:27.200
<v Speaker 2>Speaking Australia, not a little black fellers. Yeah, it's funny

0:22:27.200 --> 0:22:27.720
<v Speaker 2>to be too.

0:22:28.080 --> 0:22:30.440
<v Speaker 1>Yeah, I love that. God damn it. All right, we're

0:22:30.480 --> 0:22:32.199
<v Speaker 1>gonna take a break. We'll be back with more at

0:22:32.240 --> 0:22:44.639
<v Speaker 1>lengths than more, David and more. My mama told me, you.

0:22:44.800 --> 0:22:47.800
<v Speaker 2>Think the bigger the booty, the finer idiot, And now

0:22:47.920 --> 0:22:48.880
<v Speaker 2>we can convince her.

0:22:48.960 --> 0:22:51.680
<v Speaker 3>She walked switching that big old booty and all that,

0:22:52.160 --> 0:22:53.560
<v Speaker 3>it ain't nothing but do.

0:22:53.760 --> 0:22:54.760
<v Speaker 2>Do in there.

0:22:55.720 --> 0:22:59.280
<v Speaker 1>It ain't nothing but do do in here either. You

0:22:59.359 --> 0:22:59.800
<v Speaker 1>are back.

0:23:00.200 --> 0:23:04.560
<v Speaker 2>My mama told me, we're talking about the possibility of

0:23:04.600 --> 0:23:08.879
<v Speaker 2>whether most Mozart and maybe Beethoven was black.

0:23:09.480 --> 0:23:15.200
<v Speaker 1>M possibly Beethoven, possibly Beethoven. So I did look this up.

0:23:15.320 --> 0:23:17.479
<v Speaker 1>I did do a little bit of research on this,

0:23:17.560 --> 0:23:20.440
<v Speaker 1>and one of the things that fascinated me most about

0:23:20.440 --> 0:23:22.640
<v Speaker 1>this conspiracy, and we talked about this a little bit,

0:23:23.000 --> 0:23:25.440
<v Speaker 1>is that even the people who entertained the theory, the

0:23:25.440 --> 0:23:30.520
<v Speaker 1>theory like pretty substantially do plainly state that there is

0:23:30.680 --> 0:23:35.280
<v Speaker 1>no definitive evidence of this claim Mozart being black. There

0:23:35.359 --> 0:23:39.800
<v Speaker 1>is no definitive evidence whatsoever. However, they do point to

0:23:39.880 --> 0:23:43.919
<v Speaker 1>a few pieces of small evidence that potentially suggest he

0:23:44.080 --> 0:23:47.800
<v Speaker 1>has a hidden racial identity. That's all I need, That's

0:23:47.840 --> 0:23:50.880
<v Speaker 1>all you need is a little taste. And I think

0:23:50.920 --> 0:23:54.080
<v Speaker 1>this was the first clip of information. Would you say

0:23:54.119 --> 0:23:58.119
<v Speaker 1>that you're racist? No, no, look at a dog.

0:23:58.200 --> 0:24:01.040
<v Speaker 2>He's as black as can be, right, and.

0:24:03.119 --> 0:24:05.480
<v Speaker 1>Yeah, and then it's sort of trees out from there.

0:24:06.800 --> 0:24:09.600
<v Speaker 1>One of the first things that they point to is that,

0:24:09.800 --> 0:24:12.680
<v Speaker 1>and this feels stupid to say out loud, but it is.

0:24:13.000 --> 0:24:15.159
<v Speaker 1>Some of the information that I found is that his

0:24:15.400 --> 0:24:20.200
<v Speaker 1>great great, great, great great great grandfather, that's a lot

0:24:20.320 --> 0:24:23.760
<v Speaker 1>of them, it's six greats was born in this place

0:24:23.840 --> 0:24:27.520
<v Speaker 1>called Lake Constance. I believe it's Germany, which is right

0:24:27.600 --> 0:24:31.199
<v Speaker 1>on the border of Germany, Austria and Switzerland. It's in

0:24:31.280 --> 0:24:34.800
<v Speaker 1>that weird sort of like trifecta area that the song

0:24:34.880 --> 0:24:37.800
<v Speaker 1>of the Sound of Music was you know, them Niggas was.

0:24:37.800 --> 0:24:39.439
<v Speaker 2>Right around that Bavaria.

0:24:40.359 --> 0:24:44.040
<v Speaker 1>No, yeah, come on, man, what are you trying to

0:24:44.080 --> 0:24:45.720
<v Speaker 1>put pressure on me that you know I didn't know

0:24:45.760 --> 0:24:46.320
<v Speaker 1>the answer to.

0:24:46.480 --> 0:24:48.919
<v Speaker 2>Wow, it's very pretty Oh you're.

0:24:48.800 --> 0:24:53.399
<v Speaker 1>Looking it up. Yeah, yeah. Anyway, well, that's that's where

0:24:53.400 --> 0:24:58.480
<v Speaker 1>his fucking six times. Granddaddy is from right, and they

0:24:58.560 --> 0:25:02.800
<v Speaker 1>say that that place apparently was a very popular destination

0:25:03.040 --> 0:25:07.600
<v Speaker 1>for African traders, and it creates an increased likelihood that

0:25:07.720 --> 0:25:11.920
<v Speaker 1>someone from there would have African ancestry. That it's very

0:25:12.280 --> 0:25:16.199
<v Speaker 1>likely based off of just being from that place, that

0:25:16.320 --> 0:25:19.919
<v Speaker 1>is great great great great great great great grandfather was

0:25:20.200 --> 0:25:22.359
<v Speaker 1>of African descent. In some way.

0:25:22.640 --> 0:25:27.160
<v Speaker 2>I love the idea of these African traders, like I'm

0:25:27.160 --> 0:25:29.840
<v Speaker 2>gonna go up to Germany sell these spices, get a

0:25:29.840 --> 0:25:30.480
<v Speaker 2>little pussy.

0:25:30.800 --> 0:25:37.240
<v Speaker 1>I'm just gonna knock down a bitch. I'm playing some

0:25:37.440 --> 0:25:39.160
<v Speaker 1>seed and I'm riding out of there.

0:25:40.200 --> 0:25:42.720
<v Speaker 2>I'm not gonna be back till, you know, next season

0:25:42.720 --> 0:25:44.080
<v Speaker 2>when he needs some oil or whatever.

0:25:44.080 --> 0:25:50.560
<v Speaker 1>The I'm gonna lift up my baby in her and

0:25:50.640 --> 0:25:53.960
<v Speaker 1>get the fuck out down here. Yeah. Yeah, I'll be

0:25:54.040 --> 0:25:55.359
<v Speaker 1>gone before the devil knows.

0:25:55.400 --> 0:26:02.040
<v Speaker 2>I notuse You're just cool like this.

0:26:03.080 --> 0:26:06.159
<v Speaker 1>Yeah there was a fly. Oh I was chewing your

0:26:06.320 --> 0:26:07.919
<v Speaker 1>joke away. If that's how you took it.

0:26:08.000 --> 0:26:09.640
<v Speaker 2>I thought you were like a grandpa.

0:26:10.200 --> 0:26:14.960
<v Speaker 1>No, I was like, oh, David, you are some.

0:26:19.119 --> 0:26:19.199
<v Speaker 2>So.

0:26:19.480 --> 0:26:24.200
<v Speaker 1>Additionally, besides, like this very loose lineage that they attempt

0:26:24.280 --> 0:26:26.560
<v Speaker 1>to trace for him, which even if that is true,

0:26:26.920 --> 0:26:35.879
<v Speaker 1>this motherfucker would have been barely black, right, Yeah, big

0:26:35.880 --> 0:26:41.720
<v Speaker 1>as l but it's not very dark. Biggest goddamn fuck.

0:26:42.280 --> 0:26:42.879
<v Speaker 2>Anyways.

0:26:43.240 --> 0:26:46.800
<v Speaker 1>The additional evidence there's this famous writer that was from

0:26:47.000 --> 0:26:52.160
<v Speaker 1>his time, right from Mozart's time, This dude, Johann Wolfgang

0:26:52.280 --> 0:26:55.159
<v Speaker 1>von Goeth. And why aren't we naming our kids like

0:26:55.200 --> 0:26:55.920
<v Speaker 1>this anymore?

0:26:56.040 --> 0:26:59.400
<v Speaker 2>I don't know, man, I like that a lot.

0:27:00.080 --> 0:27:05.800
<v Speaker 1>Yeah, it's pretty fucking cool. Johann Wolfgang von Goeth Goth.

0:27:06.080 --> 0:27:08.120
<v Speaker 1>I don't I don't know. I say some of this ship,

0:27:09.160 --> 0:27:12.600
<v Speaker 1>maybe Chris, it could be its g O E. T

0:27:12.920 --> 0:27:24.480
<v Speaker 1>h e Keith Gith g wolf Gang von Rick Ross

0:27:24.480 --> 0:27:34.320
<v Speaker 1>sound Luck nine thousand described Mozart as the Blackamore's delight.

0:27:35.119 --> 0:27:37.680
<v Speaker 1>That that is how he described him. Now, when I

0:27:37.760 --> 0:27:40.919
<v Speaker 1>heard that, it became very unclear to me he was

0:27:40.960 --> 0:27:45.080
<v Speaker 1>saying that he's black or if he's saying like this

0:27:45.160 --> 0:27:48.919
<v Speaker 1>is like a Bobby Caldwell situation, right, and niggas just

0:27:49.119 --> 0:27:50.480
<v Speaker 1>like him a lot. You know what I mean?

0:27:50.640 --> 0:27:56.840
<v Speaker 2>It sounds like a candy Yeah, you know what, like

0:27:56.880 --> 0:27:59.960
<v Speaker 2>a candy in like the Lion the Witch on the world.

0:28:00.720 --> 0:28:03.760
<v Speaker 1>It's like a big old fruit punch that you suck on.

0:28:04.080 --> 0:28:06.159
<v Speaker 2>Yeah, but like in the in the in the in

0:28:06.240 --> 0:28:10.159
<v Speaker 2>the can with the can opener, remember that this punch.

0:28:10.400 --> 0:28:13.280
<v Speaker 1>Yeah, it's like a real you gotta work for this candy.

0:28:13.320 --> 0:28:14.119
<v Speaker 1>It's fermenting.

0:28:14.359 --> 0:28:16.720
<v Speaker 2>Also, don't drink it straight from the can. You'll go blind.

0:28:17.600 --> 0:28:18.800
<v Speaker 1>You're gonna get real sick.

0:28:18.880 --> 0:28:20.679
<v Speaker 2>That's how they got Ray Charles. He fell into some

0:28:20.720 --> 0:28:22.680
<v Speaker 2>of that Hawaiian punching the can when he's a little kid.

0:28:22.880 --> 0:28:25.280
<v Speaker 1>Yeah, he was eating all that that Blackamore's delight.

0:28:30.720 --> 0:28:32.760
<v Speaker 2>As long as it's clean, I'll eat the black bush delight.

0:28:33.240 --> 0:28:34.760
<v Speaker 4>Ah.

0:28:34.840 --> 0:28:35.119
<v Speaker 2>Yeah.

0:28:35.200 --> 0:28:37.959
<v Speaker 1>And so that's that's the other piece of evidence. There

0:28:37.960 --> 0:28:43.160
<v Speaker 1>are a few others. So another writer, Henry Gretrey, also

0:28:43.280 --> 0:28:47.800
<v Speaker 1>described Mozart as quote unquote the little Negro, and then

0:28:47.920 --> 0:28:52.920
<v Speaker 1>Mozart's biographer Herman Abert wrote that Mozart had a somewhat

0:28:53.040 --> 0:28:54.440
<v Speaker 1>negroid appearance.

0:28:55.160 --> 0:28:59.480
<v Speaker 2>See, and this is interesting to me because like, you

0:28:59.520 --> 0:29:01.720
<v Speaker 2>know how you mean some people and you're like, man,

0:29:02.000 --> 0:29:04.240
<v Speaker 2>I think there's some in there. You think it was

0:29:04.320 --> 0:29:07.560
<v Speaker 2>like that kind of a thing. I think so, because

0:29:07.560 --> 0:29:10.880
<v Speaker 2>it sounds like the characteristics must be at least broad

0:29:11.000 --> 0:29:13.800
<v Speaker 2>nose and big lips, right, like to even get that.

0:29:15.400 --> 0:29:20.720
<v Speaker 1>Yeah, I think it's like that Michelle Wolf shit right.

0:29:20.600 --> 0:29:22.720
<v Speaker 2>Right, what if it was just like he could dance,

0:29:29.040 --> 0:29:32.680
<v Speaker 2>that's an I don't know what I saw him hooping yesterday.

0:29:35.400 --> 0:29:43.240
<v Speaker 1>Mozart just had hoop shorts underneath his tails. They're like, nah,

0:29:43.280 --> 0:29:46.040
<v Speaker 1>a game could break out anywhere. Yeah yeah, yeah yeah.

0:29:46.040 --> 0:29:47.920
<v Speaker 2>He took the powdered wig off. He said, it's time

0:29:47.960 --> 0:29:48.240
<v Speaker 2>to go.

0:29:48.520 --> 0:29:51.520
<v Speaker 1>The music is cool, but ball, it's life. I'm trying

0:29:51.520 --> 0:29:51.880
<v Speaker 1>to hoop.

0:29:52.400 --> 0:29:58.600
<v Speaker 2>I mean that second one, those dudes seem very You

0:29:58.640 --> 0:30:00.520
<v Speaker 2>don't get that on accident, you know what I'm.

0:30:00.360 --> 0:30:03.560
<v Speaker 1>Saying, Like if you're a little negro, like.

0:30:03.520 --> 0:30:05.960
<v Speaker 2>I wouldn't call Michelle Wolf the little negro.

0:30:06.200 --> 0:30:08.360
<v Speaker 1>No, and she would like it if you did. But no,

0:30:08.560 --> 0:30:14.160
<v Speaker 1>you don't give her that. But like you know what

0:30:14.240 --> 0:30:16.000
<v Speaker 1>I mean, Like that's like a very.

0:30:17.480 --> 0:30:17.560
<v Speaker 2>That.

0:30:17.720 --> 0:30:20.200
<v Speaker 1>That's that's very that. That seems like a tell to me.

0:30:20.480 --> 0:30:21.240
<v Speaker 1>That feels big.

0:30:21.760 --> 0:30:22.000
<v Speaker 4>M h.

0:30:22.960 --> 0:30:26.680
<v Speaker 1>So the other piece of evidence that I actually think

0:30:26.880 --> 0:30:31.600
<v Speaker 1>might be maybe the most substantial piece of information that

0:30:31.640 --> 0:30:34.880
<v Speaker 1>I came across and reading about this ship is, uh,

0:30:34.920 --> 0:30:39.160
<v Speaker 1>there was actually this dude, a a I guess contemporary

0:30:39.200 --> 0:30:42.080
<v Speaker 1>of Mozart, although apparently he came first, but there was

0:30:42.120 --> 0:30:49.040
<v Speaker 1>this French black musician named Joseph Bolonne Chevalier de Saint George's.

0:30:49.360 --> 0:30:52.440
<v Speaker 2>Yeah, they just made a movie about him, did they. Yeah,

0:30:53.120 --> 0:30:55.120
<v Speaker 2>I think it might still be in theaters.

0:30:55.480 --> 0:30:59.200
<v Speaker 1>Oh shit, yeah, the Chevalier, Yeah Chevalier. Am I saying

0:30:59.200 --> 0:30:59.560
<v Speaker 1>it wrong?

0:30:59.600 --> 0:31:01.960
<v Speaker 2>You're did you think it was Chevalier?

0:31:02.760 --> 0:31:10.800
<v Speaker 1>Yeah? I was like, I think it was a Chevy Cavalier.

0:31:11.640 --> 0:31:15.920
<v Speaker 1>Chevy Cavalier got a movie about him. But that dude

0:31:16.000 --> 0:31:20.200
<v Speaker 1>apparently was sort of the uh. They often referred to

0:31:20.320 --> 0:31:25.040
<v Speaker 1>him as the black Mozart because he was composed the

0:31:25.160 --> 0:31:29.040
<v Speaker 1>first black classical composer in history, and he's considered a

0:31:29.160 --> 0:31:33.360
<v Speaker 1>major influence on Mozart, Like Mozart looked to him as

0:31:33.520 --> 0:31:35.680
<v Speaker 1>like a motherfucker he fucks with, right.

0:31:35.800 --> 0:31:37.760
<v Speaker 2>And it's like an Elvis situation.

0:31:38.480 --> 0:31:41.040
<v Speaker 1>That's the problem, right, is that they call him the

0:31:41.040 --> 0:31:44.920
<v Speaker 1>black Mozart, but he technically came before Mozart or they

0:31:44.960 --> 0:31:48.080
<v Speaker 1>at least like existed at the same time. But because

0:31:48.200 --> 0:31:51.640
<v Speaker 1>he was definitively a black man, a black man who

0:31:51.680 --> 0:31:55.200
<v Speaker 1>came out of slavery and in the Caribbean and shit,

0:31:55.560 --> 0:31:59.880
<v Speaker 1>they basically he couldn't reach the popularity that Mozart could reap,

0:32:00.360 --> 0:32:03.280
<v Speaker 1>and so Mozart, despite the fact that they probably are

0:32:03.320 --> 0:32:07.200
<v Speaker 1>contemporaries of each other and maybe even rivals. In some sense,

0:32:07.880 --> 0:32:11.200
<v Speaker 1>Mozart gets all the acclaim as like the dude sort

0:32:11.200 --> 0:32:15.720
<v Speaker 1>of inventing this cool, fucking, amazing style of shit, when

0:32:15.720 --> 0:32:18.760
<v Speaker 1>in fact, my boy Chevy Cavalier was doing it the

0:32:18.760 --> 0:32:19.760
<v Speaker 1>whole time, right.

0:32:19.600 --> 0:32:22.200
<v Speaker 2>And then like twenty years later, at the Hip Hop

0:32:22.240 --> 0:32:26.080
<v Speaker 2>Honors Award, Mozart is like, hey, I couldn't have done

0:32:26.080 --> 0:32:30.040
<v Speaker 2>it without Chevy Cavalier. Yeah, you know, Cavalier's back. He's

0:32:30.040 --> 0:32:31.960
<v Speaker 2>in Cleveland, his life is not going good.

0:32:32.240 --> 0:32:34.760
<v Speaker 1>Nah, he's down bad baby, but he gets that shout

0:32:34.760 --> 0:32:37.320
<v Speaker 1>out and he's like, see I told you and Joe

0:32:37.400 --> 0:32:38.760
<v Speaker 1>Dumbas yeah yeah.

0:32:38.920 --> 0:32:41.040
<v Speaker 2>His wife is like, are you gonna take out the trash?

0:32:41.280 --> 0:32:43.160
<v Speaker 2>He's like, bitch, I could have been somebody.

0:32:44.120 --> 0:32:47.240
<v Speaker 1>Them little shout outs don't feed your family, Chevy Cavalier.

0:32:49.440 --> 0:32:49.640
<v Speaker 2>No.

0:32:50.320 --> 0:32:52.640
<v Speaker 1>And so I do think in some ways maybe this

0:32:52.840 --> 0:32:57.080
<v Speaker 1>black Mozart story, this history of Mozart being a black man,

0:32:57.200 --> 0:33:01.320
<v Speaker 1>is in fact a conflation of the literal black quote

0:33:01.360 --> 0:33:05.959
<v Speaker 1>unquote black Mozart that did exist, and we we just

0:33:06.160 --> 0:33:08.520
<v Speaker 1>ignore because history made it that way.

0:33:09.440 --> 0:33:13.080
<v Speaker 2>I that that is fair. I do wonder about though

0:33:13.560 --> 0:33:17.640
<v Speaker 2>the direct descriptions of it are interesting. Maybe it's like,

0:33:17.840 --> 0:33:21.360
<v Speaker 2>uh now, the more I'm thinking about it, though, like

0:33:21.440 --> 0:33:24.880
<v Speaker 2>the idea of saying his face was negroid, that's almost

0:33:24.880 --> 0:33:27.880
<v Speaker 2>how you know he wasn't black, right, Like, you don't

0:33:27.920 --> 0:33:29.760
<v Speaker 2>have to describe my face as that because that's what.

0:33:29.720 --> 0:33:33.560
<v Speaker 1>It looks like, right that they're sort of like just

0:33:33.560 --> 0:33:37.120
<v Speaker 1>just trying to describe a funny looking man to them

0:33:37.880 --> 0:33:41.120
<v Speaker 1>by using what they consider to be funny looking, which

0:33:41.160 --> 0:33:42.840
<v Speaker 1>is negro features.

0:33:42.600 --> 0:33:45.160
<v Speaker 2>Right right, right right, I mean you put the funny

0:33:45.160 --> 0:33:45.760
<v Speaker 2>thing on it.

0:33:46.360 --> 0:33:48.520
<v Speaker 1>I think I'm trying to speak for the people of

0:33:48.560 --> 0:33:51.160
<v Speaker 1>the time period, not that I think that black people

0:33:51.240 --> 0:33:57.280
<v Speaker 1>look funny looking. Yeah, oh facts, Come on, let me

0:33:57.320 --> 0:33:59.160
<v Speaker 1>be clear. I don't think all of y'all are beautiful.

0:33:59.200 --> 0:34:01.920
<v Speaker 1>I think some of y'all very odd. But I don't

0:34:01.960 --> 0:34:05.040
<v Speaker 1>think that's a racial thing as much as a specific.

0:34:05.000 --> 0:34:07.920
<v Speaker 2>That's a familiar thing. And it's like, yeah, I've never

0:34:07.960 --> 0:34:10.239
<v Speaker 2>seen Craig mackin a leprecha in the same room.

0:34:13.239 --> 0:34:16.040
<v Speaker 1>Come on, Sam, because what you got, yo, that's a

0:34:16.080 --> 0:34:20.080
<v Speaker 1>weird face. But no, I it does seem like there

0:34:20.160 --> 0:34:23.080
<v Speaker 1>may be is a little bit of a conflation here,

0:34:23.120 --> 0:34:27.800
<v Speaker 1>and Mozart is Elvis to Chevy Cavaliers, little Richard.

0:34:28.000 --> 0:34:31.600
<v Speaker 2>Damn, that's a that's a that that makes it also

0:34:31.680 --> 0:34:33.000
<v Speaker 2>really it tales all this time.

0:34:33.560 --> 0:34:36.479
<v Speaker 1>Yeah, it does feel more honest that way.

0:34:36.760 --> 0:34:40.880
<v Speaker 2>Yeah. History repeats itself over and over again as we

0:34:40.960 --> 0:34:44.080
<v Speaker 2>find all the time, and that feels like that right.

0:34:45.440 --> 0:34:50.360
<v Speaker 1>Now. I did also want to look up the Beethoven question, because,

0:34:50.400 --> 0:34:52.520
<v Speaker 1>like I said, Beethoven was the thing that I'm more

0:34:52.600 --> 0:34:56.440
<v Speaker 1>cowered the the suggestion I more commonly heard when I

0:34:56.560 --> 0:35:00.560
<v Speaker 1>was a kid, And as it turns out, that almost

0:35:00.680 --> 0:35:04.920
<v Speaker 1>has sort of an identical level of proof that it

0:35:05.080 --> 0:35:08.719
<v Speaker 1>mostly is people sort of like suggesting that he had

0:35:08.800 --> 0:35:12.959
<v Speaker 1>like negro Ish features. At one point, there's a little

0:35:13.000 --> 0:35:16.879
<v Speaker 1>more definitive proof that he's just Flemish and not necessarily

0:35:16.960 --> 0:35:19.520
<v Speaker 1>a black man, but a lot of people sort of

0:35:19.560 --> 0:35:23.160
<v Speaker 1>saying he had like a black quality about him and

0:35:23.200 --> 0:35:28.320
<v Speaker 1>all of that shit. That said, the Beethoven being black

0:35:28.400 --> 0:35:33.480
<v Speaker 1>actually has a more substantial historical imprint than I realized.

0:35:33.960 --> 0:35:40.759
<v Speaker 1>So there's this dude, this dude, Samuel Coleridge Taylor, who

0:35:41.160 --> 0:35:44.680
<v Speaker 1>was this mixed British composer. He was half black British

0:35:44.680 --> 0:35:47.919
<v Speaker 1>composer who started speculating that Beethoven.

0:35:47.440 --> 0:35:49.680
<v Speaker 2>Was huh oh, I was just gonna say to Bridgman,

0:35:49.760 --> 0:35:51.160
<v Speaker 2>getting interracial for a minute.

0:35:51.520 --> 0:35:54.680
<v Speaker 1>Yeah. They they ended slavery way before we did, and

0:35:54.680 --> 0:35:56.319
<v Speaker 1>they were like, we did it for a reason. We

0:35:56.400 --> 0:36:01.640
<v Speaker 1>talked to fuck on each other all that ass in

0:36:01.719 --> 0:36:07.400
<v Speaker 1>those bridges, in those pantaloons.

0:36:07.880 --> 0:36:22.520
<v Speaker 4>That's how they get you.

0:36:21.760 --> 0:36:24.760
<v Speaker 2>So who's okay, go ahead, sorry, I got you.

0:36:24.800 --> 0:36:28.120
<v Speaker 1>No, this is that's exactly what you're meant to do this.

0:36:28.480 --> 0:36:34.160
<v Speaker 1>Samuel Coleridge Taylor in nineteen oh seven starts speculating that

0:36:34.239 --> 0:36:37.920
<v Speaker 1>Beethoven was black. His theory is mostly driven by him

0:36:37.920 --> 0:36:40.799
<v Speaker 1>seeing pictures of Beethoven and saying that they shared a

0:36:40.800 --> 0:36:43.440
<v Speaker 1>lot of the same features that Basically, he looks at

0:36:43.480 --> 0:36:46.680
<v Speaker 1>Beethoven and goes, there's no way this dude, if he

0:36:46.760 --> 0:36:49.799
<v Speaker 1>were born in our era, would be depicted the way

0:36:49.840 --> 0:36:51.960
<v Speaker 1>that he's being depicted in a lot of these other

0:36:52.040 --> 0:36:54.840
<v Speaker 1>pictures because of how much we look alike, both in

0:36:54.920 --> 0:36:58.080
<v Speaker 1>skin color and the wideness of our nose, the thickness

0:36:58.120 --> 0:37:01.600
<v Speaker 1>of our lips, all the shit. Right, So he starts

0:37:01.600 --> 0:37:05.239
<v Speaker 1>spreading this rumor, and this rumor catches fire in sort

0:37:05.239 --> 0:37:08.279
<v Speaker 1>of like this underground way, so much so that it

0:37:08.360 --> 0:37:12.000
<v Speaker 1>actually becomes a major talking point in the civil rights

0:37:12.040 --> 0:37:16.439
<v Speaker 1>movement that like during the era of like like our

0:37:16.560 --> 0:37:20.400
<v Speaker 1>civil rights movement in the sixties and seventies, we're seeing

0:37:21.040 --> 0:37:25.320
<v Speaker 1>our fifties and sixties more. We're seeing people like Malcolm

0:37:25.520 --> 0:37:29.839
<v Speaker 1>X and Stokely Carmichael use Beethoven was Black as a

0:37:29.920 --> 0:37:32.960
<v Speaker 1>talking point in their speeches and in sort of like

0:37:33.000 --> 0:37:38.960
<v Speaker 1>their advocacy for black civil rights. And specifically they're not

0:37:39.160 --> 0:37:42.359
<v Speaker 1>saying it on some like scientific shit like yo, we

0:37:42.719 --> 0:37:45.680
<v Speaker 1>here's the evidence, as much as they are using it

0:37:45.760 --> 0:37:49.200
<v Speaker 1>as sort of like a metaphor for the greatness of

0:37:49.360 --> 0:37:53.560
<v Speaker 1>black people and the manipulation of black history. So they're

0:37:53.920 --> 0:37:57.799
<v Speaker 1>using what ultimately is a rumor as a weapon of

0:37:57.960 --> 0:38:02.319
<v Speaker 1>choice to basically be like, yo, our whole history as

0:38:02.400 --> 0:38:06.400
<v Speaker 1>a human race, our greatest shit comes from Black people,

0:38:06.440 --> 0:38:09.440
<v Speaker 1>and the fact that y'all can't acknowledge our humanity is

0:38:09.520 --> 0:38:11.200
<v Speaker 1>your brokenness, not ours.

0:38:12.360 --> 0:38:14.640
<v Speaker 2>I do love that. I'm in hell.

0:38:14.719 --> 0:38:17.960
<v Speaker 1>Yeah, I love.

0:38:17.920 --> 0:38:18.640
<v Speaker 2>Some good rhetoric.

0:38:19.360 --> 0:38:22.560
<v Speaker 1>Yeah, And it did feel like that when I read it,

0:38:22.600 --> 0:38:24.560
<v Speaker 1>where it was like, damn, I don't know that there's

0:38:24.600 --> 0:38:27.960
<v Speaker 1>ever gonna be the definitive proof of these guys being black.

0:38:28.239 --> 0:38:31.000
<v Speaker 1>But I'm not mad at it being a piece of

0:38:31.080 --> 0:38:37.600
<v Speaker 1>rhetoric for the growth, the effectiveness, the salvation of our people,

0:38:37.719 --> 0:38:40.080
<v Speaker 1>right that, Like, if this is just functions as a

0:38:40.120 --> 0:38:45.759
<v Speaker 1>reminder that none of our history is necessarily proven and

0:38:46.440 --> 0:38:49.480
<v Speaker 1>they could be black, then y'all, motherfuckers better take that

0:38:49.640 --> 0:38:53.120
<v Speaker 1>seriously and treat us with the same respect you treat

0:38:53.160 --> 0:38:55.240
<v Speaker 1>your greatest composers.

0:38:55.080 --> 0:38:59.360
<v Speaker 2>Right I get. My question is, so for this to

0:38:59.480 --> 0:39:04.120
<v Speaker 2>a PSU did a pretty long time, what is it

0:39:04.160 --> 0:39:06.080
<v Speaker 2>that made this fart? Like for it to be a

0:39:06.120 --> 0:39:10.719
<v Speaker 2>talking point just fifty years, sixty years ago? Was there

0:39:10.800 --> 0:39:14.239
<v Speaker 2>some type of proof that came out to make it

0:39:14.320 --> 0:39:17.880
<v Speaker 2>irrelevant in the last couple weeks, Like what took this

0:39:17.920 --> 0:39:18.640
<v Speaker 2>out of fashion?

0:39:19.239 --> 0:39:21.320
<v Speaker 1>I don't know that it has been taken out of fashion.

0:39:21.360 --> 0:39:23.480
<v Speaker 2>I mean, I guess we've heard about it, and we've

0:39:23.480 --> 0:39:25.319
<v Speaker 2>heard about it in the same type of context, right

0:39:25.440 --> 0:39:28.960
<v Speaker 2>as it being like a hey, you know, which feels

0:39:29.040 --> 0:39:32.279
<v Speaker 2>like what it was always you know what I mean?

0:39:32.680 --> 0:39:35.160
<v Speaker 1>I think that's that's sort of the point, right is

0:39:35.200 --> 0:39:38.200
<v Speaker 1>that like it cannot it can only go out of

0:39:38.239 --> 0:39:41.440
<v Speaker 1>fashion if we stop repeating it to each other. And

0:39:41.520 --> 0:39:45.000
<v Speaker 1>I think the reality is there is neither proof in

0:39:45.040 --> 0:39:47.440
<v Speaker 1>either case. There is no proof that they are black,

0:39:47.480 --> 0:39:49.400
<v Speaker 1>but there is no proof that they are not black.

0:39:49.760 --> 0:39:52.719
<v Speaker 1>And all we can do is trace like family lineage

0:39:53.160 --> 0:39:56.920
<v Speaker 1>and weird cartoons of these motherfuckers to decide whether or

0:39:57.000 --> 0:39:58.360
<v Speaker 1>not they are in fact black.

0:39:58.920 --> 0:40:03.160
<v Speaker 2>Yeah, and that okay, I will. I do want to

0:40:03.239 --> 0:40:07.080
<v Speaker 2>say that I think, even though I just said I

0:40:07.080 --> 0:40:09.799
<v Speaker 2>do like the rhetoric, I think there is a slippery

0:40:09.920 --> 0:40:16.280
<v Speaker 2>slope of trying to use greatness to justify what should

0:40:16.320 --> 0:40:20.440
<v Speaker 2>be just basic human decency or whatever, you know what

0:40:20.520 --> 0:40:22.359
<v Speaker 2>I mean, Like, I don't think that we have to

0:40:22.400 --> 0:40:26.719
<v Speaker 2>be the greatest composer to ever.

0:40:26.560 --> 0:40:30.360
<v Speaker 1>Live to deserve.

0:40:30.520 --> 0:40:33.920
<v Speaker 2>An equal piece of the pie. And I sometimes I

0:40:34.239 --> 0:40:39.080
<v Speaker 2>get worried of that type of thing where it's like

0:40:39.160 --> 0:40:43.200
<v Speaker 2>we want to take someone because they're great to justify

0:40:43.840 --> 0:40:45.240
<v Speaker 2>what should we should just be getting.

0:40:45.280 --> 0:40:49.840
<v Speaker 1>Anyways, Yeah, I don't disagree with you. I do sometimes

0:40:49.880 --> 0:40:54.719
<v Speaker 1>find myself feeling frustrated by black people's want to sort

0:40:54.760 --> 0:40:59.400
<v Speaker 1>of like prove our ownership inside of history as a

0:40:59.440 --> 0:41:02.759
<v Speaker 1>way of life, I guess, advocating for ourselves when in fact,

0:41:02.760 --> 0:41:04.839
<v Speaker 1>it should just be y know, we are human and

0:41:04.880 --> 0:41:08.799
<v Speaker 1>therefore deserving of all of the things that every other

0:41:08.920 --> 0:41:09.840
<v Speaker 1>human deserves.

0:41:10.000 --> 0:41:14.320
<v Speaker 2>Because it also feels like trying to satisfy white standards

0:41:14.360 --> 0:41:15.120
<v Speaker 2>and things.

0:41:15.520 --> 0:41:18.560
<v Speaker 1>That said, I don't know that they can hear it

0:41:18.920 --> 0:41:22.440
<v Speaker 1>any other way, and so I do recognize that, like,

0:41:22.719 --> 0:41:25.600
<v Speaker 1>especially if we're talking about like the civil rights movement,

0:41:25.680 --> 0:41:28.440
<v Speaker 1>it's sort of like this, this attempt to advocate for

0:41:28.560 --> 0:41:32.200
<v Speaker 1>a group of people that, like literally the law is saying,

0:41:32.280 --> 0:41:34.920
<v Speaker 1>are not people, or at least not the same level

0:41:34.960 --> 0:41:38.799
<v Speaker 1>of people. I recognize where this holds value. It just

0:41:38.840 --> 0:41:42.319
<v Speaker 1>feels a little cornier. In twenty twenty three, we still

0:41:42.360 --> 0:41:44.640
<v Speaker 1>got to be like Beethoven was black because like Nigga,

0:41:44.680 --> 0:41:46.799
<v Speaker 1>I don't listen to Beethoven. Yeah, I don't give a

0:41:46.800 --> 0:41:49.160
<v Speaker 1>fuck about mozarts, you know what I mean, I don't

0:41:49.320 --> 0:41:54.280
<v Speaker 1>none of that means anything. Yeah, it's like I don't.

0:41:54.440 --> 0:41:58.000
<v Speaker 1>I don't need them too. Yeah, And I shouldn't need

0:41:58.080 --> 0:42:01.920
<v Speaker 1>Tiger Woods to be able to like exists, especially given

0:42:02.000 --> 0:42:06.040
<v Speaker 1>how little he fucks with anything I am and represent.

0:42:05.920 --> 0:42:09.680
<v Speaker 2>Yeah exactly exactly. But all that, oh yeah, all that

0:42:09.760 --> 0:42:14.399
<v Speaker 2>being said, I'm for this one. Yeah fuck yeah, sure, man, Yeah,

0:42:14.480 --> 0:42:17.640
<v Speaker 2>maybe I'm gonna start telling people. I'm gonna tell people

0:42:17.680 --> 0:42:19.280
<v Speaker 2>both of them. I'm gonna add some other ones.

0:42:19.760 --> 0:42:24.080
<v Speaker 1>But boo, dumb, blind deaf men who made I guess

0:42:24.120 --> 0:42:27.280
<v Speaker 1>the greatest songs of all time, apparently six hundred of them.

0:42:27.560 --> 0:42:31.840
<v Speaker 1>We're black as hell, and and y'all can't say otherwise,

0:42:32.080 --> 0:42:33.080
<v Speaker 1>prove it if they ain't.

0:42:33.719 --> 0:42:36.160
<v Speaker 2>I think that movie that is the because I saw

0:42:36.200 --> 0:42:38.600
<v Speaker 2>the ad for the movie, and I feel like there's

0:42:38.640 --> 0:42:41.560
<v Speaker 2>a scene where he like shows up in corn rows

0:42:41.600 --> 0:42:42.160
<v Speaker 2>and they're.

0:42:41.920 --> 0:42:51.160
<v Speaker 1>Like, they're like, Chevy, what are you doing it? Oh no,

0:42:51.160 --> 0:42:53.239
<v Speaker 1>I'm gonna watch it. I'm gonna watch I'll watch it.

0:42:53.360 --> 0:42:56.480
<v Speaker 1>I'll report back. That's a curse on your house. All

0:42:56.520 --> 0:43:00.239
<v Speaker 1>of your people will drive mediocre cars until they are

0:43:00.320 --> 0:43:01.280
<v Speaker 1>running to the ground.

0:43:02.080 --> 0:43:04.960
<v Speaker 2>Hey, but the newer car. It's like if you get

0:43:05.000 --> 0:43:05.960
<v Speaker 2>a new car and still.

0:43:05.800 --> 0:43:08.879
<v Speaker 1>Got some good ship Chevy Cavalier, any new car.

0:43:08.960 --> 0:43:10.480
<v Speaker 2>You ever met a guy who has a new mid

0:43:10.560 --> 0:43:13.719
<v Speaker 2>range car and he's always just like, buddy.

0:43:13.480 --> 0:43:16.319
<v Speaker 1>Have I I'm a new mid range car kind of man.

0:43:17.120 --> 0:43:18.919
<v Speaker 2>What do you got? I thought you were. I thought

0:43:18.960 --> 0:43:20.320
<v Speaker 2>you'd be driving something saucy.

0:43:20.719 --> 0:43:25.719
<v Speaker 1>No, I stay in a Honda Civic. Baby, really, Now

0:43:25.760 --> 0:43:28.839
<v Speaker 1>we do we have a like a you know, a

0:43:28.880 --> 0:43:33.920
<v Speaker 1>better car for that we bought. But for the Yeah, no,

0:43:33.960 --> 0:43:36.720
<v Speaker 1>I'm not going to do I don't want that pressure

0:43:36.719 --> 0:43:40.760
<v Speaker 1>on me. But it's not crazy. I ain't do nothing crazy.

0:43:40.800 --> 0:43:43.680
<v Speaker 1>But it is like a nicer more like, you know,

0:43:44.040 --> 0:43:47.000
<v Speaker 1>whatever kind of vehicle. But that said, what I prefer

0:43:47.160 --> 0:43:49.840
<v Speaker 1>is I love a good ass Honda Civic.

0:43:50.080 --> 0:43:54.520
<v Speaker 2>Yeah, the day to day they're they're built for major use.

0:43:55.200 --> 0:43:58.320
<v Speaker 2>Come on, that's the point. They're like a fleet fleet vehicle.

0:43:58.760 --> 0:43:59.840
<v Speaker 2>Fuck you all right?

0:44:00.360 --> 0:44:04.040
<v Speaker 1>Yeah, bug, just flewing my goddamn I in my own home. No,

0:44:04.080 --> 0:44:10.719
<v Speaker 1>shut a window, bro, No, it's fruitflies. Oh man, Yeah,

0:44:10.840 --> 0:44:12.360
<v Speaker 1>you gotta you gotta nip that in the bud. You

0:44:12.360 --> 0:44:15.439
<v Speaker 1>gotta stop that before it starts. It's too late. These

0:44:15.480 --> 0:44:16.640
<v Speaker 1>motherfuckers run the town.

0:44:16.719 --> 0:44:19.359
<v Speaker 2>Now. I think there's some kind of candle you could get.

0:44:19.600 --> 0:44:21.560
<v Speaker 2>This is good podcasting.

0:44:22.760 --> 0:44:25.120
<v Speaker 1>Watching a man lose his eye to a fruit fly.

0:44:25.280 --> 0:44:30.800
<v Speaker 1>You being like, you gotta get a candle, man, Yeah, brother, brother,

0:44:31.160 --> 0:44:33.320
<v Speaker 1>do you have fruit fly candle?

0:44:33.840 --> 0:44:37.600
<v Speaker 2>Obviously someone did not spread to making black cast or.

0:44:38.360 --> 0:44:42.719
<v Speaker 1>Is that your solution for every issue is making black asteroid.

0:44:42.800 --> 0:44:43.560
<v Speaker 2>It's my robot.

0:44:44.320 --> 0:44:47.799
<v Speaker 1>God damn, I'll be honest, I haven't tried it, so

0:44:47.880 --> 0:44:48.880
<v Speaker 1>maybe I'm fucking up.

0:44:48.960 --> 0:44:51.839
<v Speaker 2>Oh it's good. It did bring my beard to life though.

0:44:51.880 --> 0:44:54.239
<v Speaker 2>That's for real. Okay, Yeah, that's for real.

0:44:56.040 --> 0:45:00.760
<v Speaker 1>Well, I think we did it. I think we landed

0:45:00.920 --> 0:45:07.759
<v Speaker 1>this plane. We both are advocating for the possibility of

0:45:07.880 --> 0:45:11.440
<v Speaker 1>blackness in both Mozart and Beethoven, and it sounds like

0:45:11.440 --> 0:45:19.280
<v Speaker 1>we're also plugging fruitfly candles in Jamaican black castor oil. Yeah, yeah, right,

0:45:19.880 --> 0:45:22.640
<v Speaker 1>m yeah. Do you want to tell the people where

0:45:22.640 --> 0:45:24.360
<v Speaker 1>they can find you on what cool shit you have

0:45:24.440 --> 0:45:24.839
<v Speaker 1>going on?

0:45:24.960 --> 0:45:27.920
<v Speaker 2>Yeah? I got another month left on my Aluminum Foil tour.

0:45:28.320 --> 0:45:32.080
<v Speaker 2>Come to bring David to plate dot com. The dates

0:45:32.520 --> 0:45:37.480
<v Speaker 2>I got Columbus, Ohio on October fifth, Pittsburgh, Pennsylvania, October

0:45:37.520 --> 0:45:41.120
<v Speaker 2>sixth and seventh. That's two shows each night. Springfield, Missouri,

0:45:41.120 --> 0:45:46.640
<v Speaker 2>October twelfth, Saint Louis, Missouri, October thirteenth and fourteenth, New

0:45:46.760 --> 0:45:51.520
<v Speaker 2>York City October twenty first, Worcestern, Massachusetts, October twenty second.

0:45:51.880 --> 0:45:56.240
<v Speaker 2>Kansas City, what's that? I never been there? Kansas City, Missouri,

0:45:56.320 --> 0:46:02.040
<v Speaker 2>October twenty fifth. Suit Falls, South Dakota October twenty Minneapolis, Minnesota,

0:46:02.480 --> 0:46:06.320
<v Speaker 2>October twenty seventh and twenty eighth. Cool Guy joke eighty

0:46:06.360 --> 0:46:09.280
<v Speaker 2>seven on Instagram. Come on out, It'll be a good time.

0:46:10.280 --> 0:46:16.200
<v Speaker 1>Fuck yeah. Go follow David on his endless tour, And

0:46:16.800 --> 0:46:19.520
<v Speaker 1>as always, you can follow me at Langston Kerman. And

0:46:19.560 --> 0:46:21.319
<v Speaker 1>if you want to see me live, I'll be at

0:46:21.320 --> 0:46:26.440
<v Speaker 1>the House of Comedy in New Westminster October thirteenth and

0:46:26.680 --> 0:46:30.719
<v Speaker 1>October fourteenth, and then I'll be at Dead Crow Comedy

0:46:30.840 --> 0:46:35.920
<v Speaker 1>Room October twentieth and twenty first. November tenth through eleventh,

0:46:35.960 --> 0:46:38.520
<v Speaker 1>I'll be at the Vermont Comedy Club, and then I

0:46:38.600 --> 0:46:44.120
<v Speaker 1>will also be at Hyena's Comedy Club in Dallas, Texas,

0:46:44.280 --> 0:46:47.160
<v Speaker 1>November seventeenth through the eighteenth. And if you want to

0:46:47.200 --> 0:46:49.200
<v Speaker 1>send us your own drops, if you want to send

0:46:49.239 --> 0:46:52.040
<v Speaker 1>us your own conspiracies, if you want to draw your

0:46:52.080 --> 0:46:56.480
<v Speaker 1>own pictures of what Beethoven and Mozarts might have looked like,

0:46:56.880 --> 0:47:00.120
<v Speaker 1>and you better make sure them dick's are long and

0:47:00.120 --> 0:47:04.200
<v Speaker 1>them asses are fat. When come on, I don't care

0:47:04.280 --> 0:47:07.400
<v Speaker 1>what they're them noses and and lips look like that.

0:47:07.680 --> 0:47:10.319
<v Speaker 1>I want big old long dicks and big old fat

0:47:10.360 --> 0:47:13.719
<v Speaker 1>asses on some hips. Come on, make them fit and

0:47:13.760 --> 0:47:16.319
<v Speaker 1>send it all to my mama pot at gmail dot com.

0:47:16.320 --> 0:47:19.120
<v Speaker 1>We would love to hear from you and follow us

0:47:19.200 --> 0:47:22.240
<v Speaker 1>on YouTube. Subscribe, I think is what the young people

0:47:22.280 --> 0:47:22.920
<v Speaker 1>tell you.

0:47:23.120 --> 0:47:24.440
<v Speaker 2>Like and subscribe.

0:47:24.440 --> 0:47:27.920
<v Speaker 1>I think like and subscribe. We want to get those

0:47:28.000 --> 0:47:30.840
<v Speaker 1>numbers up, even though it means we're going to have

0:47:30.880 --> 0:47:33.520
<v Speaker 1>to do something very terrible as a result of this.

0:47:35.000 --> 0:47:36.840
<v Speaker 1>It's it's eerily close.

0:47:36.920 --> 0:47:40.160
<v Speaker 2>I've been noticing they go up. The views go up

0:47:40.200 --> 0:47:44.640
<v Speaker 2>every week to on the thing. That's unfortunate, Like each

0:47:44.760 --> 0:47:47.280
<v Speaker 2>video has more views, so I'm like, God, it's just catch.

0:47:47.120 --> 0:47:50.360
<v Speaker 1>The Yeah, it's starting to catch a little bit of fire,

0:47:50.440 --> 0:47:54.440
<v Speaker 1>and that's unfortunate. But we will hold ourselves accountable to

0:47:54.520 --> 0:47:58.560
<v Speaker 1>what we owe. And that's the whole shebang. Bye bitch

0:48:00.360 --> 0:48:03.760
<v Speaker 1>on he rona born to a fortune.

0:48:03.840 --> 0:48:06.680
<v Speaker 3>They live me o Christmas Day he put it.

0:48:06.840 --> 0:48:10.160
<v Speaker 1>He died on the cross to take sid away. You

0:48:10.320 --> 0:48:13.400
<v Speaker 1>take him high, you can't kid him low.

0:48:14.080 --> 0:48:15.720
<v Speaker 3>You take jac.

0:48:15.800 --> 0:48:17.160
<v Speaker 1>Wherever you go.

0:48:21.200 --> 0:48:25.680
<v Speaker 3>The couesn me bronies, my crumb chips in your eighties.

0:48:27.200 --> 0:48:33.800
<v Speaker 3>A Kwala Bears are racist. The hostal Layer host the

0:48:34.000 --> 0:48:39.160
<v Speaker 3>money versions invented turning stuff. I can't tell me