1 00:00:01,760 --> 00:00:08,320 Speaker 1: Okay, breaking down right now, it's side what you telling? 2 00:00:08,720 --> 00:00:17,000 Speaker 1: You can tell can inside? Okay, what are you talking? No? 3 00:00:17,120 --> 00:00:20,160 Speaker 1: We keep eating their ship without moping like we see 4 00:00:20,160 --> 00:00:39,360 Speaker 1: ill do like rich On. You know that shoe. See 5 00:00:40,000 --> 00:00:43,480 Speaker 1: he's looking to me make a feeling man at right 6 00:00:44,000 --> 00:00:52,839 Speaker 1: he is name or dag look at that essentially doing 7 00:00:54,120 --> 00:01:14,559 Speaker 1: forgot it was y bother clipping right about this, sending 8 00:01:15,440 --> 00:01:19,800 Speaker 1: this clip on. You still got that build it off? Yeah, 9 00:01:22,040 --> 00:01:30,560 Speaker 1: run that Chad, run after that. Good. We don't want 10 00:01:30,560 --> 00:01:35,559 Speaker 1: to now, Hey, everybody getting play place. Let's get your place. 11 00:01:35,680 --> 00:01:38,440 Speaker 1: We have one more to wait. Win't wrong, wait by me? 12 00:01:38,520 --> 00:01:40,720 Speaker 1: One more? Wat you one more? I don't face. Then 13 00:01:40,760 --> 00:01:48,920 Speaker 1: we're gonna get the fans. That about your face? I 14 00:01:50,720 --> 00:02:02,960 Speaker 1: wanted your face. Damn what you couldn't say with Timmerlan 15 00:02:04,200 --> 00:02:12,680 Speaker 1: really play us? Yeah all y'all song with timber next 16 00:02:14,480 --> 00:02:20,400 Speaker 1: you up from here there boy play when you call me? 17 00:02:20,520 --> 00:02:32,000 Speaker 1: Way can say all of last leave last album stop 18 00:02:32,560 --> 00:02:36,959 Speaker 1: a wine. So I just pauling had a whole and 19 00:02:37,120 --> 00:02:58,440 Speaker 1: the whole world. Yeah, background back down, good sir, Places 20 00:02:58,800 --> 00:03:16,480 Speaker 1: places I don't don't happen to hold you. I'm gonna 21 00:03:16,480 --> 00:03:27,800 Speaker 1: ever we amusis out to drink you're not so don't attention. 22 00:03:31,200 --> 00:03:46,040 Speaker 1: I'm gonna see that the look it's a crazy draw 23 00:03:46,120 --> 00:03:54,920 Speaker 1: said over hey old talk well when anything and he 24 00:03:55,080 --> 00:04:05,280 Speaker 1: always what yah, yeah he always he got a bad balls. 25 00:04:05,320 --> 00:04:12,720 Speaker 1: I don't want to play to stand. I don't every 26 00:04:12,760 --> 00:04:25,640 Speaker 1: type thr y'all already, but I know smart right now, 27 00:04:26,400 --> 00:04:28,240 Speaker 1: No for real, when I'm at my busy, no I 28 00:04:28,279 --> 00:04:36,840 Speaker 1: can use. I'm like that is my conduction right here, man, 29 00:04:37,880 --> 00:04:42,400 Speaker 1: tell your win. Oh yeah, every time we get ready 30 00:04:42,440 --> 00:04:45,000 Speaker 1: started show, I'm making place and we've got some real papers, 31 00:04:46,040 --> 00:04:48,840 Speaker 1: something to stay. That's right for him, just to get 32 00:04:48,920 --> 00:04:53,640 Speaker 1: you moved right, just so that I know, oh got 33 00:04:53,680 --> 00:05:13,280 Speaker 1: the rep I don't ebody take okay that oh go 34 00:05:13,520 --> 00:05:23,200 Speaker 1: say you want to do it? Nigga just cho Yeah 35 00:05:24,240 --> 00:05:29,599 Speaker 1: you ain't singing, Yeah, you ain't bad? Rather that fast 36 00:05:29,839 --> 00:05:34,880 Speaker 1: yeah yeah, I read on that little shake and when 37 00:05:34,920 --> 00:05:52,120 Speaker 1: he's saying it, yeah it's too hot, too hot. I wait. 38 00:05:54,400 --> 00:05:58,080 Speaker 1: That so great to tell a dude, which what's you got? 39 00:05:58,160 --> 00:06:02,719 Speaker 1: Was gonna been waiting too much? Man? That was too 40 00:06:02,720 --> 00:06:07,320 Speaker 1: many to too many niggas in in sincing you. So 41 00:06:07,520 --> 00:06:14,360 Speaker 1: that is white no niggas in sink like ours, right, 42 00:06:14,400 --> 00:06:16,599 Speaker 1: but they was trying to get There was too many 43 00:06:16,720 --> 00:06:25,960 Speaker 1: niggas and sink but niggas and sing but they trying 44 00:06:25,960 --> 00:06:30,920 Speaker 1: to be us. I'm bad street boys. I was on 45 00:06:31,080 --> 00:06:35,400 Speaker 1: the bus, jay Z was in the air and that 46 00:06:35,600 --> 00:06:40,360 Speaker 1: nigga ain't even put it in bard for them niggers. 47 00:06:41,640 --> 00:06:48,200 Speaker 1: But unless that that to it, d niggers, you're gonna 48 00:06:48,240 --> 00:06:50,240 Speaker 1: look around and get our ship bad. You too deep 49 00:06:52,800 --> 00:06:59,120 Speaker 1: to get the white didn't go hit and s I 50 00:06:59,160 --> 00:07:02,039 Speaker 1: want know what to say, we like it, we won't 51 00:07:02,120 --> 00:07:15,400 Speaker 1: like it. Give us to bring this ship. Even the 52 00:07:15,480 --> 00:07:20,679 Speaker 1: favor went out, paper went out, bring my ship back, okay. 53 00:07:20,880 --> 00:08:13,760 Speaker 1: Be the code is Negro spiritual. Okay. That's why your 54 00:08:13,800 --> 00:08:17,320 Speaker 1: girl was on Snapchat and the challenger with a nigger 55 00:08:18,320 --> 00:08:20,320 Speaker 1: and she had a nice self, but you thought she 56 00:08:20,400 --> 00:08:23,400 Speaker 1: was by herself too, so that nigga elbow and there 57 00:08:23,480 --> 00:08:25,960 Speaker 1: was a big as elbow tand it always up the 58 00:08:26,040 --> 00:08:41,240 Speaker 1: all know I'm mann no seatbelt on or nothing? Yeah, yeah, 59 00:08:42,800 --> 00:08:46,800 Speaker 1: oh they thing you're playing, hold on, Hold, what's one 60 00:08:46,840 --> 00:08:49,080 Speaker 1: of them? What's one of your singing that songs? Bro? 61 00:08:50,080 --> 00:08:52,680 Speaker 1: You gotta tell Jane when they were writing that funny 62 00:08:53,160 --> 00:08:55,760 Speaker 1: and not only dude like if will Smith was brother 63 00:08:56,720 --> 00:08:59,040 Speaker 1: one of them flying songs. Bro. Since gonna think it's 64 00:08:59,040 --> 00:09:03,480 Speaker 1: a fucking game. W befo we even do this ship. 65 00:09:03,600 --> 00:09:06,640 Speaker 1: You gotta hit one on, you gotta hit one thing 66 00:09:06,800 --> 00:09:22,760 Speaker 1: one Yeah, he's do you come out each other? Man? 67 00:09:25,440 --> 00:09:30,880 Speaker 1: This plus on right? I know. Yeah. When I first 68 00:09:30,920 --> 00:09:34,640 Speaker 1: saw it, I was like, dude, mix out that on. 69 00:09:34,920 --> 00:10:02,480 Speaker 1: Damn't want to get and ain't sperm nigga. We're playing, man, 70 00:10:03,760 --> 00:10:08,640 Speaker 1: We're playing. Listen, I through this ship. It's comes from 71 00:10:08,760 --> 00:10:12,199 Speaker 1: inspirational niggas like yo, bro, like no cap when I'm 72 00:10:12,240 --> 00:10:16,840 Speaker 1: listening to my music, I'm listening to before I tapped 73 00:10:16,880 --> 00:10:21,800 Speaker 1: into any crazy. This is all of us to be 74 00:10:21,840 --> 00:10:26,520 Speaker 1: seeing y'all Like man, y'all niggas, niggas, everybody name Mama 75 00:10:26,600 --> 00:10:42,240 Speaker 1: wanted to be and Drew Hill. Everybody ain't satday Mama. 76 00:10:46,320 --> 00:10:49,160 Speaker 1: I'm telling you. Look, if you've been listening, if you've 77 00:10:49,200 --> 00:10:52,719 Speaker 1: been paying attention, we got exclusive today. We got the 78 00:10:52,840 --> 00:10:58,959 Speaker 1: whole entire Drew Hill for the first interview Elver for 79 00:10:59,080 --> 00:11:06,960 Speaker 1: the first ever all together around, no bullshit, the first 80 00:11:07,040 --> 00:11:11,000 Speaker 1: time in front. Everybody who wanted to be in that 81 00:11:11,280 --> 00:11:15,280 Speaker 1: wanted to be here. That has contributed to us being 82 00:11:15,400 --> 00:11:18,280 Speaker 1: able to be there for all these years. It's right 83 00:11:18,360 --> 00:11:22,360 Speaker 1: here right now? Can we go? Can we get everybody 84 00:11:23,160 --> 00:11:25,880 Speaker 1: break down? Just break it down to introduce yourself first 85 00:11:25,880 --> 00:11:34,800 Speaker 1: of all. And you in that jail, Yeah, I take 86 00:11:34,880 --> 00:11:41,600 Speaker 1: your numbers. Yeah, go with the liver representing be more 87 00:11:41,679 --> 00:11:46,839 Speaker 1: with it. Yeah, you hold the album. Man, shout out 88 00:11:46,840 --> 00:11:49,920 Speaker 1: too much, plot them album, get me out of Baltimore. Man, 89 00:11:49,920 --> 00:11:51,839 Speaker 1: I couldn't see the light at first, but thanks to them, 90 00:11:52,200 --> 00:11:57,720 Speaker 1: I'm national and international massim shout out to all that. Second, 91 00:11:58,640 --> 00:12:04,079 Speaker 1: let's go over there. Oh yeah, beauty, right, yeah, this 92 00:12:04,240 --> 00:12:07,800 Speaker 1: is jazz. You know what I'm saying. Uh, remember it's right. Yeah, 93 00:12:08,080 --> 00:12:11,160 Speaker 1: I'm beginning, man, yea further beginner, Like I put my 94 00:12:11,280 --> 00:12:13,199 Speaker 1: best friend out the group to put jazz in the 95 00:12:13,280 --> 00:12:19,160 Speaker 1: grow fast I was. I was then witness that nobody 96 00:12:19,200 --> 00:12:22,920 Speaker 1: know who's that story now? Whatever happened to him, still 97 00:12:23,360 --> 00:12:25,760 Speaker 1: friend and that's my man. Like if it wan't for him, 98 00:12:25,840 --> 00:12:29,160 Speaker 1: I wouldn't have met nobody that turned into this group 99 00:12:29,240 --> 00:12:32,640 Speaker 1: for really. Yeah, and you know it took a lot 100 00:12:32,720 --> 00:12:35,959 Speaker 1: of years for us that I guess kind of had 101 00:12:36,040 --> 00:12:39,760 Speaker 1: a conversation about that because he literally like took me 102 00:12:39,840 --> 00:12:43,200 Speaker 1: to meet anybody that became this group. So that shout 103 00:12:43,200 --> 00:12:53,440 Speaker 1: out to my man bro Jack. So I don't know smoke. 104 00:12:53,640 --> 00:13:00,719 Speaker 1: My number is eighteen there four years. Man been going 105 00:13:00,840 --> 00:13:06,640 Speaker 1: Drew since what like nineties? What? Yeah? You know? So 106 00:13:07,559 --> 00:13:10,040 Speaker 1: I mean it's just like a fanly of Union right now. Man, 107 00:13:10,200 --> 00:13:16,360 Speaker 1: were crazy at the boy black two dollars eighteen um, 108 00:13:17,240 --> 00:13:22,400 Speaker 1: but restipe static major. You know what I'm saying. You 109 00:13:22,600 --> 00:13:28,679 Speaker 1: play you know what I'm saying. Uh, yeah, Player es 110 00:13:28,960 --> 00:13:34,000 Speaker 1: seven we met these cats and affiliate um from the brotherhood. 111 00:13:34,040 --> 00:13:35,160 Speaker 1: You know what I'm saying. But if you know anything 112 00:13:35,200 --> 00:13:37,840 Speaker 1: about Player, you know we're from players from the Timberland 113 00:13:38,200 --> 00:13:41,240 Speaker 1: DeVante count basement. You know what I'm saying. So Leo 114 00:13:41,320 --> 00:13:44,360 Speaker 1: genuine missed demeanor. You know what I'm saying. Tweak Tank, 115 00:13:44,520 --> 00:13:48,600 Speaker 1: what I'm saying, let's go. Let's go on two thousand. 116 00:13:49,000 --> 00:13:51,600 Speaker 1: So every time you heard a male voice on Leah's music, 117 00:13:52,360 --> 00:14:01,199 Speaker 1: that was all I say. From the the Doctor do 118 00:14:01,240 --> 00:14:12,360 Speaker 1: a little soundtrack yo. Also, Also when y'all remember when 119 00:14:12,480 --> 00:14:22,200 Speaker 1: jodasy So held a different on the third album, Yeah 120 00:14:23,360 --> 00:14:30,360 Speaker 1: game for a little Well, um, since what's up? What's up? 121 00:14:30,360 --> 00:14:33,880 Speaker 1: Oh don't say this, y'all totally went in on me 122 00:14:34,200 --> 00:14:47,280 Speaker 1: for having my show close on y'all see my first 123 00:14:47,640 --> 00:14:53,080 Speaker 1: siould not let you walk out on stage. You listen 124 00:14:53,160 --> 00:14:57,000 Speaker 1: to me, hold on, hold on, I gotta say this. 125 00:14:58,360 --> 00:15:01,600 Speaker 1: I can't say that. Can y'all please? Played the actual performance, 126 00:15:02,320 --> 00:15:05,640 Speaker 1: it was dope because I had my performance clothes on. 127 00:15:05,920 --> 00:15:08,800 Speaker 1: That's my jack trip. You didn't have on this trip. 128 00:15:08,960 --> 00:15:12,640 Speaker 1: You didn't have to shoes cost more than anybody else's. Fact, 129 00:15:13,480 --> 00:15:16,680 Speaker 1: I don't have to shoes, you fucking walk. But I 130 00:15:16,760 --> 00:15:20,600 Speaker 1: had never born correctly out to the show. I had 131 00:15:20,640 --> 00:15:24,600 Speaker 1: to put so you know what, switch shoes worman's matters. 132 00:15:24,760 --> 00:15:27,440 Speaker 1: You could have switched. Remember my regular clothes. You could 133 00:15:27,440 --> 00:15:29,560 Speaker 1: have switched shoes, and that's really not had to win 134 00:15:29,680 --> 00:15:36,520 Speaker 1: them shoes that goes up. It was flops. Remember they 135 00:15:36,600 --> 00:15:39,320 Speaker 1: came out with the shoes. You turn that off from 136 00:15:39,320 --> 00:15:47,160 Speaker 1: the shoes. Brother, I know I don't want to see 137 00:15:47,240 --> 00:15:50,960 Speaker 1: him really goddamn shoes. And you know what else nobody 138 00:15:51,040 --> 00:15:53,360 Speaker 1: else wanted to see nobody with blowing hand, but now 139 00:15:53,440 --> 00:15:59,760 Speaker 1: everybody had. But I'm gonna tell you something. It's like 140 00:16:01,000 --> 00:16:05,720 Speaker 1: you want you want to because you can't play because 141 00:16:05,760 --> 00:16:16,560 Speaker 1: he won't throwing them asses on that beach. What didn't 142 00:16:16,560 --> 00:16:23,000 Speaker 1: get to yet. No, we ain't talk to this jendn't 143 00:16:23,040 --> 00:16:32,200 Speaker 1: really I'm telling I've been here since, tell soprano. Tell 144 00:16:32,320 --> 00:16:37,080 Speaker 1: soprano that you know what I'm saying, ain't mean the 145 00:16:37,160 --> 00:16:38,760 Speaker 1: path of the way. You know what I'm saying, that's 146 00:16:38,880 --> 00:16:41,000 Speaker 1: that's just what it means that it was. It's about 147 00:16:41,080 --> 00:16:44,000 Speaker 1: the struggle, like you know, Black and Smoke was talking about, 148 00:16:44,080 --> 00:16:48,720 Speaker 1: like just making it to this platform and actually getting 149 00:16:48,720 --> 00:16:52,320 Speaker 1: to live and experience this great you know this greatness. 150 00:16:52,600 --> 00:16:58,600 Speaker 1: And he also has six obums, this natural voice not 151 00:16:58,800 --> 00:17:09,960 Speaker 1: even natural yo, motherfucker's yo. And also tell yo and 152 00:17:10,880 --> 00:17:13,239 Speaker 1: Jack Thriller set this up for us to be here 153 00:17:13,280 --> 00:17:17,920 Speaker 1: to talk to y'all to night and appreciate Jack. He 154 00:17:18,000 --> 00:17:20,360 Speaker 1: ain't get that out of leading up like gonna say 155 00:17:20,359 --> 00:17:27,720 Speaker 1: that man shot a surreal ship. People always making fun 156 00:17:27,800 --> 00:17:30,000 Speaker 1: of my nigga, Jack to about this I ship man, 157 00:17:30,240 --> 00:17:43,200 Speaker 1: But that nigga really be looking out. You don't see 158 00:17:43,840 --> 00:17:50,119 Speaker 1: even when he can't see looking out. Man, man yourself, 159 00:17:50,960 --> 00:17:53,920 Speaker 1: get my first show. I'm the motherfucker. That's the reason 160 00:17:53,960 --> 00:17:58,240 Speaker 1: to everybody here fat like I ain't even being front 161 00:17:58,240 --> 00:18:03,840 Speaker 1: of put the mother thing. Ye put it on. I 162 00:18:03,920 --> 00:18:15,560 Speaker 1: got talking about like like's not even you're not even 163 00:18:15,600 --> 00:18:19,200 Speaker 1: saying that like or no, like ego ship, but it's 164 00:18:19,280 --> 00:18:24,040 Speaker 1: like for real, like it's a it's it's a thing 165 00:18:24,160 --> 00:18:26,440 Speaker 1: for real. We all got like the thing that made 166 00:18:26,520 --> 00:18:28,520 Speaker 1: us who we were was like we all got wrote 167 00:18:29,119 --> 00:18:32,440 Speaker 1: And my role is the role when it's kind of roll, 168 00:18:32,840 --> 00:18:34,840 Speaker 1: you know, right, No, man, I don't saying a lot 169 00:18:34,840 --> 00:18:38,320 Speaker 1: of cuss words and ship, but and you know I'm 170 00:18:39,000 --> 00:18:42,359 Speaker 1: I'm I'm a crazy saying ship at the end of 171 00:18:42,400 --> 00:18:46,359 Speaker 1: the day, like we're here because I used to make 172 00:18:46,480 --> 00:18:52,120 Speaker 1: nigga's bad when singing songs, so you know, like that's neat. 173 00:18:52,840 --> 00:18:56,680 Speaker 1: And also, can I just interject on yours when y'all 174 00:18:56,720 --> 00:18:59,800 Speaker 1: listen to Beauty, that's all Nokia on the back when 175 00:19:01,160 --> 00:19:04,119 Speaker 1: we cannay, we only we only did, we only did, 176 00:19:04,240 --> 00:19:07,080 Speaker 1: We only did like one part he singing one. No, 177 00:19:08,760 --> 00:19:11,320 Speaker 1: this sh sounds good, but I need to text it 178 00:19:11,520 --> 00:19:14,720 Speaker 1: on the song so people believe it's is Drew Hill, right. 179 00:19:14,880 --> 00:19:17,520 Speaker 1: It was like anything you want in time of Hunt, 180 00:19:18,040 --> 00:19:21,080 Speaker 1: the only but all that walks come in hoping I 181 00:19:21,160 --> 00:19:24,560 Speaker 1: can make you. Man, all of that was him, So 182 00:19:24,800 --> 00:19:26,320 Speaker 1: go back and listen to them Beauty. You know what 183 00:19:26,359 --> 00:19:30,159 Speaker 1: I'm thinking about my baby mother. Oh man, So not 184 00:19:30,320 --> 00:19:33,000 Speaker 1: only not only is he a producer and a writer, 185 00:19:33,520 --> 00:19:36,639 Speaker 1: but he nobody can actually sing when he feels like, 186 00:19:41,680 --> 00:19:48,200 Speaker 1: I ain't the hell of the fun that got don't 187 00:19:48,240 --> 00:19:53,080 Speaker 1: do that, girl, I'm shut off some ship because I'm not. 188 00:19:53,640 --> 00:19:56,080 Speaker 1: I just at last two years and learned how to 189 00:19:56,119 --> 00:19:58,479 Speaker 1: do or run because I never wanted to know how 190 00:19:58,520 --> 00:20:01,320 Speaker 1: I sing for real, because I figured it was too 191 00:20:01,400 --> 00:20:04,440 Speaker 1: Maine niggers around that can sing. And I like to 192 00:20:04,520 --> 00:20:08,960 Speaker 1: talk like I wanted to be DeVante. I ain't wanna 193 00:20:08,960 --> 00:20:15,560 Speaker 1: be like that Lane wins. Like I could kind of 194 00:20:15,640 --> 00:20:17,720 Speaker 1: laid back and I could write the records, but I 195 00:20:17,800 --> 00:20:20,000 Speaker 1: could be there and if I got sing people like 196 00:20:20,080 --> 00:20:23,800 Speaker 1: oh Ship, then sing for real, that's yo. But these 197 00:20:23,880 --> 00:20:27,760 Speaker 1: guys can sing so well that like when it's time 198 00:20:27,840 --> 00:20:38,159 Speaker 1: to actually sing yo, you gotta pushed through nerves, you know. 199 00:20:38,280 --> 00:20:40,000 Speaker 1: I was. I was just saying that these guys can 200 00:20:40,080 --> 00:20:43,320 Speaker 1: sing so well that when it's your turn to sing yo, 201 00:20:43,480 --> 00:20:48,159 Speaker 1: it's like it's like getting It's like getting in the 202 00:20:48,240 --> 00:20:50,840 Speaker 1: boxing ring, Like you gotta get out there. You gots 203 00:20:50,880 --> 00:20:54,119 Speaker 1: showing through or me will definitely say your notes like 204 00:20:54,880 --> 00:21:00,199 Speaker 1: yet and showing through because sister is gonna sing if 205 00:21:00,280 --> 00:21:05,880 Speaker 1: you can't sing and do one the one j jam 206 00:21:06,359 --> 00:21:09,000 Speaker 1: at the same time and being upside down while you're singing. 207 00:21:09,119 --> 00:21:12,760 Speaker 1: Running He's like, I can't do that. First of all, 208 00:21:13,600 --> 00:21:17,440 Speaker 1: these two, these two and then this, and start with them. 209 00:21:18,200 --> 00:21:21,720 Speaker 1: He will hit a note in his natural voice that's 210 00:21:22,160 --> 00:21:25,120 Speaker 1: the same as this guy's singing. First of all, Jack 211 00:21:25,119 --> 00:21:28,280 Speaker 1: got the basketball settle on the planet in my personal pay, 212 00:21:29,359 --> 00:21:34,080 Speaker 1: and they brown and they will h some notes that 213 00:21:34,240 --> 00:21:37,520 Speaker 1: will make you sing. And then these guys who come 214 00:21:37,600 --> 00:21:41,440 Speaker 1: through hold the harmony down so you ain't got no choice. 215 00:21:42,240 --> 00:21:48,439 Speaker 1: But they're doing no, no, no, he said. He had 216 00:21:48,480 --> 00:21:50,679 Speaker 1: to say the day it was our first time singing, 217 00:21:51,359 --> 00:21:57,320 Speaker 1: um this song that that um that he's leading. I won't, 218 00:21:57,480 --> 00:21:59,960 Speaker 1: I wrote, I really wrote that first yez to be honest, 219 00:22:00,040 --> 00:22:04,920 Speaker 1: and I referenced it what it was like, and it 220 00:22:05,040 --> 00:22:09,720 Speaker 1: was like, no, you staying on that. I'm just keeping 221 00:22:09,800 --> 00:22:11,960 Speaker 1: the fun. They're like to write it for jail. I 222 00:22:12,080 --> 00:22:13,920 Speaker 1: was just hunting to even be able to kiss it. 223 00:22:14,280 --> 00:22:17,000 Speaker 1: But just bad story. Before we get into a whole 224 00:22:17,040 --> 00:22:21,000 Speaker 1: bunch of ships. Like Scholar when we were teenagers, I 225 00:22:21,080 --> 00:22:24,160 Speaker 1: mean like kids like Scholar was one of the first 226 00:22:24,240 --> 00:22:28,000 Speaker 1: people that we sought out to like write songs for 227 00:22:28,160 --> 00:22:31,280 Speaker 1: us or even being part of you because he's like 228 00:22:32,000 --> 00:22:34,960 Speaker 1: I mean in the early nineties he already had like 229 00:22:37,160 --> 00:22:39,399 Speaker 1: on his own coming out of Baltimore. So it was 230 00:22:39,520 --> 00:22:42,639 Speaker 1: like we just wanted to, you know, constantly connect with 231 00:22:42,800 --> 00:22:46,120 Speaker 1: people that was doing that thing. So you know, it's 232 00:22:46,200 --> 00:22:52,600 Speaker 1: like he's like it was like O Genas, that's been 233 00:22:52,720 --> 00:23:02,000 Speaker 1: personal for us. You listen man Mads Chris from movie. 234 00:23:02,280 --> 00:23:06,200 Speaker 1: It was the movie A t L. And I'm not 235 00:23:06,359 --> 00:23:10,200 Speaker 1: the Game girl because business early two. Yeah, this day man, Chris, 236 00:23:10,240 --> 00:23:13,800 Speaker 1: show the video and complete exactly and then shot and 237 00:23:13,880 --> 00:23:20,480 Speaker 1: then shot. I should be oh, yeah, that's what you're 238 00:23:20,480 --> 00:23:22,280 Speaker 1: looking out. Let's get a person who in the movie 239 00:23:22,320 --> 00:23:25,760 Speaker 1: A t L. Man. So I'm still saying, let's go 240 00:23:26,000 --> 00:23:28,920 Speaker 1: what's your what's your favorite? Like Mac. Then the videos 241 00:23:29,240 --> 00:23:35,320 Speaker 1: was always we would go there, like when we went 242 00:23:35,400 --> 00:23:37,800 Speaker 1: there with the with the Man with the Iron Man 243 00:23:38,240 --> 00:23:45,360 Speaker 1: was the medieval ship. They're doing it now. They're doing 244 00:23:45,359 --> 00:23:50,680 Speaker 1: it now because because drinking the future. But it was 245 00:23:50,840 --> 00:23:54,359 Speaker 1: like we went ahead of our ideas. The cool thing 246 00:23:54,440 --> 00:23:57,840 Speaker 1: about I would say, if I look bad man, was 247 00:23:57,880 --> 00:24:01,560 Speaker 1: that like as many is as we had, like the 248 00:24:01,640 --> 00:24:04,080 Speaker 1: record company had out did, so they were bringing us 249 00:24:04,119 --> 00:24:06,879 Speaker 1: stuff that we would kind of be like like in 250 00:24:07,000 --> 00:24:10,239 Speaker 1: my bed. Yeah, it was like I was like, they 251 00:24:10,240 --> 00:24:14,480 Speaker 1: ain't doing that. The girls gonna do what because it 252 00:24:14,640 --> 00:24:17,240 Speaker 1: wasn't something that people were doing them. But you know, 253 00:24:17,320 --> 00:24:20,240 Speaker 1: in the hindsight is like we said, I feel like 254 00:24:20,359 --> 00:24:25,680 Speaker 1: we set the tone for people being able to means lesbian. 255 00:24:27,280 --> 00:24:30,400 Speaker 1: We were the first, like we were if you want 256 00:24:30,440 --> 00:24:33,520 Speaker 1: me to be no there because I'm trying come on, 257 00:24:34,119 --> 00:24:36,760 Speaker 1: come on, it ain't myself. That's how we do. Feel 258 00:24:36,880 --> 00:24:41,360 Speaker 1: like they have last beans in the video. Like literally 259 00:24:41,600 --> 00:24:45,520 Speaker 1: like just but you created the term rainbow Girls. We 260 00:24:45,640 --> 00:24:49,320 Speaker 1: love you guys. No no, actually actually shout up to 261 00:24:49,440 --> 00:24:54,640 Speaker 1: my man and heaven rainlo g Rainbow Girls came from 262 00:24:54,680 --> 00:24:59,240 Speaker 1: Prince Oh wow, I never knew that because the Rainbow 263 00:24:59,280 --> 00:25:01,960 Speaker 1: Girls a another us. Yeah. I don't know why, but 264 00:25:02,240 --> 00:25:04,879 Speaker 1: you know what I'm saying, just that that that that whole, 265 00:25:06,200 --> 00:25:09,040 Speaker 1: that whole you know thing like and when they came 266 00:25:09,119 --> 00:25:11,880 Speaker 1: to us, like it was almost like we didn't really 267 00:25:12,040 --> 00:25:14,159 Speaker 1: know what was gonna happen in the video to the 268 00:25:14,400 --> 00:25:17,879 Speaker 1: end and then it was like oh yeah, and you 269 00:25:18,000 --> 00:25:21,600 Speaker 1: know the girl gonna tickle you with the feather and whatever, 270 00:25:22,280 --> 00:25:27,080 Speaker 1: and you know, can we tell a real story. The 271 00:25:27,200 --> 00:25:33,040 Speaker 1: real story is everybody sang in right once well, jacket 272 00:25:33,080 --> 00:25:38,280 Speaker 1: age usher, everybody sang the record, um, but nobody was 273 00:25:38,359 --> 00:25:40,840 Speaker 1: able You want to play that game right now, I'm 274 00:25:40,920 --> 00:25:42,920 Speaker 1: just saying that nobody was able to bring it. First 275 00:25:42,960 --> 00:25:45,960 Speaker 1: of all, I don't even want sing you absolutely, that's why. 276 00:25:46,080 --> 00:25:52,480 Speaker 1: That's why you don't. Yeah, I wonder why I was 277 00:25:52,600 --> 00:26:02,640 Speaker 1: like sitting in my yah. I know about everybody. Every 278 00:26:02,720 --> 00:26:06,880 Speaker 1: song's gonna every song sis going on like it's gonna 279 00:26:06,880 --> 00:26:10,560 Speaker 1: be there right. Oh that's how you know, Yeah, except 280 00:26:10,560 --> 00:26:12,800 Speaker 1: for the ones that I wrote right and I don't 281 00:26:12,800 --> 00:26:24,720 Speaker 1: know the maths was the fact got y'all about who 282 00:26:24,800 --> 00:26:27,040 Speaker 1: the funk won't sing about somebody sleeping in their bad 283 00:26:27,359 --> 00:26:31,920 Speaker 1: you know's gonna like that? Its lead it down, looking 284 00:26:31,920 --> 00:26:54,080 Speaker 1: at need it down. First of all, first heat rega 285 00:26:55,800 --> 00:27:03,920 Speaker 1: nigger understand, like I don't want to be that guy. 286 00:27:08,880 --> 00:27:12,200 Speaker 1: But for these new niggers, if these new niggers the 287 00:27:12,320 --> 00:27:15,480 Speaker 1: same in my bed right and it went through the 288 00:27:15,600 --> 00:27:19,200 Speaker 1: roof because they emoted and they want to be like 289 00:27:19,600 --> 00:27:22,000 Speaker 1: we was. We were still I was like for real, 290 00:27:22,119 --> 00:27:24,119 Speaker 1: we were still coming out of the lights in R 291 00:27:24,240 --> 00:27:37,640 Speaker 1: and B. Fact, you would the big y'all dog Wait 292 00:27:37,680 --> 00:27:42,560 Speaker 1: a minute, y'all would tell the business how y'all like 293 00:27:42,680 --> 00:27:44,280 Speaker 1: they need to break up when they need didn't come 294 00:27:44,320 --> 00:28:04,720 Speaker 1: to y'all, y'all st he wants you don't love you bright? 295 00:28:06,040 --> 00:28:17,840 Speaker 1: I should be nil be you know you know why 296 00:28:18,080 --> 00:28:30,480 Speaker 1: I'll even said it might see like ating wi that 297 00:28:30,720 --> 00:28:48,160 Speaker 1: god me love the man. Some shoy come to me 298 00:28:49,640 --> 00:28:58,720 Speaker 1: sail for I love you all shoot me. But that's 299 00:29:02,440 --> 00:29:22,360 Speaker 1: oh yeah, yeah right now now I'm I'm about to 300 00:29:22,440 --> 00:29:27,760 Speaker 1: tell if I got someone puts you want to say, 301 00:29:27,800 --> 00:29:33,080 Speaker 1: I guess to out of hood follow James songs and 302 00:29:33,200 --> 00:29:36,320 Speaker 1: everything you want to say, that's gotta we gotta dress 303 00:29:36,320 --> 00:29:38,720 Speaker 1: the alp. Y'all s pleusn't get the legends that I 304 00:29:38,720 --> 00:29:43,320 Speaker 1: don't hit in the room. Where's wood? Where's I's gonna 305 00:29:43,320 --> 00:29:44,880 Speaker 1: say that? But I kept looking at him like that 306 00:29:45,000 --> 00:29:56,720 Speaker 1: ain't him? Second, Just so everybody can want, I want 307 00:29:56,760 --> 00:30:01,360 Speaker 1: to say, I want to say one time, whoever wants 308 00:30:01,400 --> 00:30:07,640 Speaker 1: to be a part of celebration, because every member that's 309 00:30:07,680 --> 00:30:11,360 Speaker 1: ever been a Drill has always been like, so if 310 00:30:11,400 --> 00:30:14,080 Speaker 1: you don't want to be here, and that's okay, But 311 00:30:14,680 --> 00:30:19,480 Speaker 1: just so you know whomever, which is only one other person. Okay, 312 00:30:20,640 --> 00:30:25,480 Speaker 1: how many niggas have been something? Can I say something 313 00:30:25,520 --> 00:30:32,120 Speaker 1: forever and it's just for one time. If you don't 314 00:30:32,160 --> 00:30:35,560 Speaker 1: want to be a part of the group, and not 315 00:30:35,840 --> 00:30:38,040 Speaker 1: wanting to be a part of the group, please don't 316 00:30:38,120 --> 00:30:43,000 Speaker 1: say that I'm the president of the name. Nay, he 317 00:30:43,160 --> 00:30:45,800 Speaker 1: did say he was a president of the like I 318 00:30:45,880 --> 00:30:49,520 Speaker 1: signed my name in blood in our contract for everybody 319 00:30:49,600 --> 00:30:51,480 Speaker 1: and all the something. But it's okay, we all go 320 00:30:51,600 --> 00:30:54,280 Speaker 1: through our things. He just just want I just I 321 00:30:54,440 --> 00:30:56,920 Speaker 1: just want to say once and for all y'all want 322 00:30:56,920 --> 00:31:00,680 Speaker 1: to elementary. And if he ever used to be and 323 00:31:01,160 --> 00:31:04,120 Speaker 1: it back in through him, he can always come get 324 00:31:04,200 --> 00:31:06,880 Speaker 1: his check, his check. We we got his name, he 325 00:31:07,000 --> 00:31:10,080 Speaker 1: got his own office. It's a bunch of mail for you. Brother, 326 00:31:10,600 --> 00:31:16,000 Speaker 1: Uh come in everybody like and and And the reason 327 00:31:16,080 --> 00:31:20,560 Speaker 1: why I said that because like we go through we brothers. 328 00:31:20,640 --> 00:31:23,440 Speaker 1: So you're gonna be crazy. Ship and so like my 329 00:31:23,640 --> 00:31:27,240 Speaker 1: mother called me up about that ship, like a lot 330 00:31:27,280 --> 00:31:29,240 Speaker 1: of ships that he was saying that it was like 331 00:31:30,080 --> 00:31:33,479 Speaker 1: I just saw him. And a lot of times when 332 00:31:33,560 --> 00:31:36,040 Speaker 1: stuff would happened, when people would see ship, it would 333 00:31:36,080 --> 00:31:38,920 Speaker 1: be like we just saw him, so we didn't understand. 334 00:31:39,000 --> 00:31:42,600 Speaker 1: So when we when we came to when we came 335 00:31:44,040 --> 00:31:46,080 Speaker 1: hanging out with him, but when I said, that's when 336 00:31:46,160 --> 00:31:48,480 Speaker 1: we came together to do what we're doing right now. 337 00:31:49,440 --> 00:31:52,400 Speaker 1: I think the bottom line of everything we're saying is 338 00:31:52,520 --> 00:31:56,160 Speaker 1: that we reached outed with it. It wasn't like we 339 00:31:56,320 --> 00:31:59,240 Speaker 1: just did it and said all right, whatever, because he 340 00:31:59,280 --> 00:32:02,640 Speaker 1: said whatever, even down on you the wire, I'm starting 341 00:32:02,640 --> 00:32:05,560 Speaker 1: to think out and we're from Baltimore and the one 342 00:32:05,640 --> 00:32:10,360 Speaker 1: and you know he said that, you know, he's a 343 00:32:10,480 --> 00:32:15,040 Speaker 1: peach way. So it's like because a lot of times, 344 00:32:15,120 --> 00:32:17,240 Speaker 1: like people are coming to a pages and it's like, 345 00:32:18,200 --> 00:32:20,560 Speaker 1: y'all kind of like harassing us. Man that just like 346 00:32:20,680 --> 00:32:23,760 Speaker 1: we're telling y'all that this man say he's cool, and 347 00:32:23,960 --> 00:32:27,120 Speaker 1: y'all like harassing us and kind of like by where 348 00:32:27,240 --> 00:32:30,520 Speaker 1: that harassing him? Like to do something that he's saying 349 00:32:30,640 --> 00:32:34,760 Speaker 1: him want dude right now? Like that's not like maybe 350 00:32:34,840 --> 00:32:37,160 Speaker 1: one day it might be because for real, was all 351 00:32:37,200 --> 00:32:39,280 Speaker 1: the time when one of us was somewhere else, I 352 00:32:39,360 --> 00:32:42,160 Speaker 1: got a chance to talk with him on the phone back, okay, 353 00:32:42,840 --> 00:32:46,880 Speaker 1: and what it was like, Cinsco he wanted to take 354 00:32:46,960 --> 00:32:50,520 Speaker 1: his shirt off too, and you you was you were 355 00:32:51,320 --> 00:32:58,120 Speaker 1: christ He said, well, I didn't take my sure off. 356 00:32:58,920 --> 00:33:04,880 Speaker 1: I just wear it up because you know what. To 357 00:33:04,960 --> 00:33:10,600 Speaker 1: take your head out, well, because I'm gonna ask you 358 00:33:10,760 --> 00:33:15,000 Speaker 1: to not if I got two sisters and they say, 359 00:33:15,200 --> 00:33:18,520 Speaker 1: all right, if you stuff ain't if everything ain't tight, 360 00:33:19,280 --> 00:33:21,560 Speaker 1: keep your shirt off. What if he take my shirt off? 361 00:33:21,680 --> 00:33:26,600 Speaker 1: Now it's a different demographic. Old women don't like niggas. 362 00:33:26,640 --> 00:33:41,400 Speaker 1: That shake takes out. Well, I don't take out. I 363 00:33:41,520 --> 00:33:45,200 Speaker 1: don't want to make that shape. Some women like drug 364 00:33:45,400 --> 00:33:49,200 Speaker 1: dealift it to the shirt off with Jesus. Women know what, 365 00:33:49,920 --> 00:33:52,440 Speaker 1: Just like niggas. We're looking at women who had kids. 366 00:33:52,520 --> 00:33:54,640 Speaker 1: They don't want to make it. Ask some kids, you 367 00:33:54,720 --> 00:33:57,840 Speaker 1: know that nigga shaped like somebody dad? They like this. 368 00:33:58,480 --> 00:34:04,960 Speaker 1: You know what. I don't know, but I couldn'tmit when 369 00:34:05,000 --> 00:34:08,160 Speaker 1: I was wrong. Okay, tell what. They don't give a funk. 370 00:34:08,200 --> 00:34:13,160 Speaker 1: If you gotta stomach, give your own strowm that ship 371 00:34:16,239 --> 00:34:24,920 Speaker 1: like strong four, you're gonna say, I like, for real, 372 00:34:25,480 --> 00:34:27,960 Speaker 1: and it's not being funny. I lived in joy to 373 00:34:28,040 --> 00:34:31,479 Speaker 1: see and I was like, yeah, I'm skinny. I weighed 374 00:34:31,480 --> 00:34:35,720 Speaker 1: like a hundred fifteen pounds. I got tattoos, listening weights 375 00:34:36,280 --> 00:34:38,520 Speaker 1: had a chest when I take it, you know I 376 00:34:38,640 --> 00:34:41,719 Speaker 1: was crazy and everybody else around it. But you get 377 00:34:44,760 --> 00:34:47,560 Speaker 1: in the group, you're not about to all get the 378 00:34:47,719 --> 00:34:52,759 Speaker 1: same kind of holes anyway. What everybody want to be 379 00:34:52,960 --> 00:34:57,480 Speaker 1: in shape for the same bitch book? Come on, no, no, 380 00:34:57,840 --> 00:35:01,520 Speaker 1: I'm taking my shirt off, just getting you. It's some 381 00:35:01,640 --> 00:35:08,439 Speaker 1: big sadday over that. Let's go up. Don't worry about 382 00:35:08,480 --> 00:35:13,319 Speaker 1: what I'm doing over here. Hold the rights. You can't 383 00:35:13,360 --> 00:35:16,799 Speaker 1: help the front and rights. Damn Jay like to get 384 00:35:16,840 --> 00:35:19,600 Speaker 1: the left? Come on, say you get the left? Your 385 00:35:19,640 --> 00:35:21,719 Speaker 1: shut up and let him out to see you to this, y'all. 386 00:35:23,320 --> 00:35:25,560 Speaker 1: So for the record, on my It's out, came a 387 00:35:25,760 --> 00:35:28,600 Speaker 1: top scholar, got the first three roles in the middle. 388 00:35:28,680 --> 00:35:32,520 Speaker 1: Anyway to know, I'll tell you some can I tell 389 00:35:32,560 --> 00:35:42,239 Speaker 1: you point see to my hole? You know, I just 390 00:35:42,320 --> 00:35:46,319 Speaker 1: came down for the record. Just don't know where at 391 00:35:46,360 --> 00:35:50,920 Speaker 1: the point in life where motherfucker's in the record company 392 00:35:51,320 --> 00:35:56,399 Speaker 1: trip was like Nocchio got stopped taking his shirt off 393 00:35:57,040 --> 00:35:59,439 Speaker 1: because he'd be taking his shirt off at the same 394 00:35:59,520 --> 00:36:03,520 Speaker 1: time as Cisco and they on the morning one nigga 395 00:36:03,560 --> 00:36:11,120 Speaker 1: to be sex Oh, y'all, man cave hold on, no, no, no, 396 00:36:11,280 --> 00:36:16,000 Speaker 1: Who're gonna be called old? I don't know who's what 397 00:36:16,160 --> 00:36:22,279 Speaker 1: I'm saying? What did you got this? Ya I see 398 00:36:22,280 --> 00:36:26,000 Speaker 1: why ya an don't come around? What know? Just what 399 00:36:26,080 --> 00:36:38,240 Speaker 1: I'm saying shocking meeting and your mother company's gonna understand. 400 00:36:38,280 --> 00:36:40,719 Speaker 1: I just leave you let itself. Don't say where you're 401 00:36:40,760 --> 00:36:45,359 Speaker 1: gonna understand the means where it's gold. I don't want meeting. 402 00:36:45,719 --> 00:36:48,480 Speaker 1: And he said, I'm no, hen't gotta stop taking that. 403 00:36:48,600 --> 00:36:51,880 Speaker 1: Shut y'all thinking because I'm like, get competing with Cisco 404 00:36:52,560 --> 00:36:56,759 Speaker 1: and no, okay you mo out this, imna say, I'm 405 00:36:56,800 --> 00:36:59,239 Speaker 1: gonna say something right old yeah, y'all just making me dead. Friend, 406 00:36:59,320 --> 00:37:02,399 Speaker 1: I'm gonna say something. Okay, we got now we got 407 00:37:02,800 --> 00:37:06,400 Speaker 1: me and want a skin when this will come out right? 408 00:37:06,719 --> 00:37:12,560 Speaker 1: Then have him overall all for our for them, overall 409 00:37:12,840 --> 00:37:17,239 Speaker 1: we didn't really you want to buy it with the 410 00:37:17,320 --> 00:37:19,680 Speaker 1: bad but looking with all that, y'all look bod y'all 411 00:37:19,719 --> 00:37:22,839 Speaker 1: want to dance and actually the same so he didn't 412 00:37:22,840 --> 00:37:26,320 Speaker 1: even look. Yea, who was the look? It didn't not 413 00:37:26,400 --> 00:37:29,560 Speaker 1: a watch y'all. Game going on behind the door with 414 00:37:29,680 --> 00:37:31,400 Speaker 1: Nia was like put the shirt on, put your shirt on. 415 00:37:32,239 --> 00:37:37,600 Speaker 1: Didn't give them fight. Let me tell you a murder story. 416 00:37:38,680 --> 00:37:43,680 Speaker 1: This is the set understanding music right, right, And it 417 00:37:43,880 --> 00:37:47,759 Speaker 1: was for me it was like damn likely. But I 418 00:37:47,920 --> 00:37:50,640 Speaker 1: spent so much time before we had a didn't learning 419 00:37:50,719 --> 00:37:53,319 Speaker 1: the business that I was like, nigga, I just want 420 00:37:53,320 --> 00:37:55,640 Speaker 1: to be the best background singing and they could ever 421 00:37:55,719 --> 00:37:58,239 Speaker 1: walked on the face of right, but I was I 422 00:37:58,360 --> 00:38:01,920 Speaker 1: wanted to be if somebody was doing need But what 423 00:38:02,080 --> 00:38:08,560 Speaker 1: you gotta understanding this ship? Mean somebody you ship? You 424 00:38:12,840 --> 00:38:24,919 Speaker 1: ain't ship? It is his job. What do you put 425 00:38:27,120 --> 00:38:32,239 Speaker 1: that song? First of all, no, no, but no, like 426 00:38:38,040 --> 00:38:44,080 Speaker 1: really like right, because your mom progression is really ship. 427 00:38:44,640 --> 00:38:47,360 Speaker 1: And there's the problem with niggers and R and B 428 00:38:47,600 --> 00:38:53,520 Speaker 1: and right. I was young, you ain't got Now you're 429 00:38:53,760 --> 00:38:58,920 Speaker 1: going to have a leader, right, real ship And then 430 00:38:58,960 --> 00:39:02,479 Speaker 1: there's something that you to figure out what you harm 431 00:39:02,600 --> 00:39:07,640 Speaker 1: did fact, because the mother fucking premise of this ship 432 00:39:08,320 --> 00:39:11,600 Speaker 1: is to break this ship. That chaos, one chad, break 433 00:39:11,680 --> 00:39:15,840 Speaker 1: this ship down to the commist denominator. The commist denominator 434 00:39:15,920 --> 00:39:18,879 Speaker 1: is one person. There's a lot of your niggas. How 435 00:39:18,920 --> 00:39:21,200 Speaker 1: can we get you the center of the motherfucking tis 436 00:39:21,440 --> 00:39:24,840 Speaker 1: roll pop that don't mean the person do nothing. But 437 00:39:25,080 --> 00:39:38,000 Speaker 1: that's the motherfucking mentality. No matter what happened, it was like, 438 00:39:38,280 --> 00:39:41,160 Speaker 1: we're gonna form votron fact and that's what you did. 439 00:39:41,400 --> 00:39:43,600 Speaker 1: Y'all can't funk with us, Like a lot of niggas 440 00:39:43,680 --> 00:39:46,360 Speaker 1: got broken up, a lot of niggas got you know, 441 00:39:46,640 --> 00:39:50,200 Speaker 1: ship and you know, like this ship don't be what 442 00:39:50,400 --> 00:39:52,839 Speaker 1: it is like with us, Like no matter what, we've 443 00:39:52,880 --> 00:39:55,239 Speaker 1: been in this ship since we was kids. Like I 444 00:39:55,360 --> 00:39:58,720 Speaker 1: think that's one thing that people forget, Like we've literally 445 00:39:58,840 --> 00:40:02,399 Speaker 1: been in this ships we were We've spent more time 446 00:40:02,600 --> 00:40:04,920 Speaker 1: around each other and than we spent around our parents. 447 00:40:06,880 --> 00:40:09,719 Speaker 1: That dropped me with it ship what it told me. 448 00:40:09,840 --> 00:40:14,200 Speaker 1: I feel like you're taking him now like anything you 449 00:40:14,280 --> 00:40:23,680 Speaker 1: want me to say. He's working like niging so over here, 450 00:40:23,840 --> 00:40:29,320 Speaker 1: my fucking chip. The last time he told me that 451 00:40:29,600 --> 00:40:31,600 Speaker 1: one of other reasons why he had quit the boot, 452 00:40:32,040 --> 00:40:36,680 Speaker 1: that's because Frank's told him, got the dragon represent the deal, Jesus. 453 00:40:38,040 --> 00:40:46,759 Speaker 1: That's when my son name is Dragon, I probably got 454 00:40:46,960 --> 00:40:50,200 Speaker 1: he's a dragon tooth, so I probably got more dragon's tattoo. 455 00:40:50,239 --> 00:40:54,839 Speaker 1: You're gonna lead than anybody in this group beside that. Yeah, 456 00:40:55,040 --> 00:40:58,000 Speaker 1: at the end, of the day. You gotta respect all cultures. 457 00:40:58,680 --> 00:41:04,560 Speaker 1: And when there are several writings of the Bible, there 458 00:41:04,920 --> 00:41:09,360 Speaker 1: is the King Jagers and it's version that version, some versions, 459 00:41:09,480 --> 00:41:13,879 Speaker 1: some persons say that that it's a worm. Another dragon says, 460 00:41:14,160 --> 00:41:16,640 Speaker 1: I mean another version says, that's what I'm gonna say. 461 00:41:17,400 --> 00:41:21,359 Speaker 1: We're gonna, We're gonna. I'm just saying my kids are 462 00:41:22,200 --> 00:41:27,879 Speaker 1: half Asian. They don't look at the dragon's bad day. 463 00:41:28,400 --> 00:41:30,480 Speaker 1: You're not gonna tell me that you're not gonna be 464 00:41:30,600 --> 00:41:35,040 Speaker 1: in a good because go to my son, because my 465 00:41:35,200 --> 00:41:39,040 Speaker 1: son named is dragon. Look, it's real. You look at 466 00:41:40,640 --> 00:41:47,440 Speaker 1: in Japanese. Let the long short person right the short 467 00:41:47,520 --> 00:41:50,440 Speaker 1: what he was trying to go home while we were 468 00:41:50,480 --> 00:41:53,759 Speaker 1: still recording our first half. I would be in the 469 00:41:53,880 --> 00:41:56,880 Speaker 1: lobby of the hotel in Philly while we was recording 470 00:41:56,920 --> 00:41:59,760 Speaker 1: the Sigma while you will be pleading to the dude 471 00:42:00,080 --> 00:42:02,360 Speaker 1: signed to you to lay him off the cars, right whatever, 472 00:42:04,200 --> 00:42:11,080 Speaker 1: hold on, so this ship, we're gonna give it. So 473 00:42:11,360 --> 00:42:13,640 Speaker 1: so we're gonna give it all that. So so you 474 00:42:13,880 --> 00:42:20,120 Speaker 1: had that compartment right right, we I'm the person the 475 00:42:20,280 --> 00:42:24,200 Speaker 1: songs that what he had by himself, we would go into. 476 00:42:27,000 --> 00:42:29,360 Speaker 1: It was at my house what he wanted the wrote 477 00:42:29,400 --> 00:42:31,920 Speaker 1: songs if it wanted for me, being like, yo, you 478 00:42:32,000 --> 00:42:37,600 Speaker 1: can write come on my house. And he wanted to 479 00:42:37,840 --> 00:42:40,800 Speaker 1: be a bod. We got him a game not to 480 00:42:41,680 --> 00:42:43,040 Speaker 1: let me give it, let me give it, let me 481 00:42:43,080 --> 00:42:45,640 Speaker 1: give it all the way. So the reason why what 482 00:42:45,840 --> 00:42:49,600 Speaker 1: he had the individual songs on the album was it 483 00:42:49,640 --> 00:42:51,920 Speaker 1: because I'm like sitting this room and we're gonna go 484 00:42:52,080 --> 00:42:55,640 Speaker 1: through this notebook until we find a song that everybody 485 00:42:55,760 --> 00:43:04,760 Speaker 1: wanna love so U because how babies your love from me? Crazy? 486 00:43:04,880 --> 00:43:09,520 Speaker 1: I didn't want to sing the craziest and the same ships. 487 00:43:09,560 --> 00:43:13,399 Speaker 1: See what the problem is? Tell me what ain't nothing? 488 00:43:13,680 --> 00:43:17,880 Speaker 1: Tell me if we if we wanted to tell me 489 00:43:19,760 --> 00:43:22,880 Speaker 1: I wanted to do. Tell me hen about two songs 490 00:43:23,120 --> 00:43:29,799 Speaker 1: and that what is right? Alright? But the two songs 491 00:43:29,880 --> 00:43:37,680 Speaker 1: that I wanted my biggest ship, like the beds the 492 00:43:37,800 --> 00:43:41,160 Speaker 1: big yah to put this the bit regardless of what 493 00:43:41,320 --> 00:43:45,600 Speaker 1: you see online, right, And I don't because I ain't 494 00:43:45,719 --> 00:43:48,719 Speaker 1: what I'm saying nothing at the end of the day, 495 00:43:49,160 --> 00:43:53,880 Speaker 1: regardless of what you see online. Set on sun what 496 00:43:54,080 --> 00:43:57,000 Speaker 1: he said he went home because he wasn't getting enough shot. 497 00:43:57,400 --> 00:44:00,440 Speaker 1: He said it on on shot. Oh damn, he said it. 498 00:44:00,480 --> 00:44:02,719 Speaker 1: All that's out, but he told us he went home 499 00:44:03,080 --> 00:44:05,440 Speaker 1: because it's something completely different than I ain't gonna put 500 00:44:05,520 --> 00:44:10,480 Speaker 1: that on. So what I'm saying, So what I'm saying, 501 00:44:10,920 --> 00:44:14,560 Speaker 1: when it comes down to that, don't get mad that 502 00:44:14,800 --> 00:44:18,080 Speaker 1: what you thought was gonna work out for you didn't work. 503 00:44:18,880 --> 00:44:23,040 Speaker 1: You wanted to work out because everybody gave you the opportunity, 504 00:44:23,640 --> 00:44:26,120 Speaker 1: and you literally could have came back here and did 505 00:44:26,280 --> 00:44:29,040 Speaker 1: nothing but standing in make money, right, And now you 506 00:44:29,239 --> 00:44:32,840 Speaker 1: just say that I went the devil. You decided to 507 00:44:32,920 --> 00:44:34,839 Speaker 1: just say that to sign my name and bladden our 508 00:44:34,960 --> 00:44:38,880 Speaker 1: contract and all the sofa stuff that I literally just 509 00:44:39,120 --> 00:44:41,560 Speaker 1: saw you when you ain't say that, And that's where 510 00:44:41,560 --> 00:44:44,719 Speaker 1: it hurts you. That's where it don't mad about all 511 00:44:44,760 --> 00:44:47,320 Speaker 1: the whatever. It's just like when you look in my 512 00:44:47,480 --> 00:44:50,800 Speaker 1: face when you when I introduced you to my kids 513 00:44:52,719 --> 00:44:55,320 Speaker 1: and you say ship like that. I'm gonna say this 514 00:44:55,440 --> 00:44:57,440 Speaker 1: real quickly though, for you to see what you just 515 00:44:57,480 --> 00:45:01,080 Speaker 1: said with the intensity you just said it. But you 516 00:45:01,160 --> 00:45:03,920 Speaker 1: just say that they wouldn't face the face. You know. 517 00:45:04,120 --> 00:45:07,000 Speaker 1: We just don't know. He's not going I don't say 518 00:45:07,200 --> 00:45:12,080 Speaker 1: I know, I know you know relief. But I'm the 519 00:45:12,200 --> 00:45:15,080 Speaker 1: first day I'm talking about I'm living in Baltimore from 520 00:45:15,120 --> 00:45:17,480 Speaker 1: telling you catch I hacked on my house and nigga 521 00:45:18,200 --> 00:45:21,440 Speaker 1: to write these songs. That's sitting on this steps to drink. 522 00:45:21,760 --> 00:45:23,360 Speaker 1: We were just talking about this on the way with 523 00:45:23,480 --> 00:45:26,880 Speaker 1: my house. I'm a bad influence. Nobody did nothing for 524 00:45:27,000 --> 00:45:29,239 Speaker 1: that matter. You come over my house smoked, drinking without 525 00:45:29,239 --> 00:45:32,400 Speaker 1: because of my mother. I'm a total drunk, a sole 526 00:45:34,120 --> 00:45:38,120 Speaker 1: all that. And then like, look, I didn't laugh for 527 00:45:38,160 --> 00:45:40,480 Speaker 1: a bunch of times. I don't leave more than any 528 00:45:40,560 --> 00:45:42,960 Speaker 1: nigger hit. And when I leave him the table, why 529 00:45:42,960 --> 00:45:45,319 Speaker 1: I'm leaving. Want some real ship. I ain't gonna tell 530 00:45:45,320 --> 00:45:47,160 Speaker 1: you no sugarcoat of ship or whatever. Soode to do 531 00:45:47,320 --> 00:45:49,719 Speaker 1: what you do and then to do something to the point. 532 00:45:49,800 --> 00:45:52,840 Speaker 1: But my mother got called me up and all you 533 00:45:53,000 --> 00:45:55,960 Speaker 1: had to do was say, I feel like I didn't 534 00:45:56,040 --> 00:45:59,240 Speaker 1: get enough attention, but you got work for that attention 535 00:45:59,280 --> 00:46:01,680 Speaker 1: and the attention and just be me being in the 536 00:46:01,800 --> 00:46:04,000 Speaker 1: room telling you the song and singing, putting you with 537 00:46:04,160 --> 00:46:07,600 Speaker 1: the producer or producing myself. Because at the end of 538 00:46:07,640 --> 00:46:10,960 Speaker 1: the day, man this and they're gonna fight your busy 539 00:46:11,280 --> 00:46:13,359 Speaker 1: the end of the day to make sure we got 540 00:46:13,440 --> 00:46:16,279 Speaker 1: the best ship possible, calling each other all kinds of 541 00:46:16,360 --> 00:46:19,840 Speaker 1: ship whatever, and you know, just now we were just 542 00:46:20,880 --> 00:46:22,839 Speaker 1: that video the job did was that the last one? 543 00:46:23,080 --> 00:46:28,719 Speaker 1: You know, wait what No, he was looking good and 544 00:46:28,800 --> 00:46:36,799 Speaker 1: all that. No, that was that was before that. If 545 00:46:36,800 --> 00:46:39,439 Speaker 1: you look at while West, if you look at West, 546 00:46:39,920 --> 00:46:45,000 Speaker 1: Will Smith Didink's smack nobody in that. But if you 547 00:46:45,040 --> 00:46:47,200 Speaker 1: look at while West, you see it's four of us 548 00:46:47,280 --> 00:46:51,080 Speaker 1: in the beginning, and it's only three of us because 549 00:46:51,560 --> 00:46:53,640 Speaker 1: because what he quit the group and he was like, 550 00:46:53,840 --> 00:46:55,840 Speaker 1: in the middle of the d I could just finish 551 00:46:56,360 --> 00:46:59,239 Speaker 1: the group and made us say a gospel song in 552 00:46:59,320 --> 00:47:02,040 Speaker 1: the middle of the video. We didn't sing this song. No, 553 00:47:02,200 --> 00:47:05,920 Speaker 1: he did sing gon on you put the coussroe some more. 554 00:47:06,360 --> 00:47:08,400 Speaker 1: I don't give a funk who ain't seen it. He 555 00:47:08,520 --> 00:47:11,000 Speaker 1: put the gospel song. He did put the gospel. He 556 00:47:11,120 --> 00:47:14,120 Speaker 1: did play that I'll be in his friend, y'all sun 557 00:47:14,200 --> 00:47:18,759 Speaker 1: it with a right now like he did every song 558 00:47:19,200 --> 00:47:24,280 Speaker 1: towards the everybody guy. So Nigga left and he said 559 00:47:24,600 --> 00:47:27,239 Speaker 1: he was leaving because of it. But he was like, 560 00:47:27,360 --> 00:47:29,239 Speaker 1: I finished the video. I was like, and he said, 561 00:47:30,840 --> 00:47:34,000 Speaker 1: now they what ain't doing ship to y'all ude? He 562 00:47:34,200 --> 00:47:45,279 Speaker 1: was man and then I'm talking to him till this ship. 563 00:47:46,840 --> 00:47:51,560 Speaker 1: Yell everybody, goddamn nerves in this group? What was going 564 00:47:51,640 --> 00:47:55,400 Speaker 1: on in player? It ain't in the fountain getting what 565 00:47:55,520 --> 00:47:57,480 Speaker 1: y'all we're doing over there with till bro I would 566 00:47:57,560 --> 00:48:03,359 Speaker 1: missing be doing right, Mr mean shout out to shout 567 00:48:03,360 --> 00:48:16,960 Speaker 1: out the big one, Tim this mother what you wrote that? 568 00:48:18,320 --> 00:48:22,799 Speaker 1: You know you wrote rot but you know what I'm saying, 569 00:48:23,040 --> 00:48:24,799 Speaker 1: but out the background of the stuff and I'm saying, 570 00:48:25,040 --> 00:48:28,960 Speaker 1: vokrang on that's that's us. Yeah, Alia's last album. I 571 00:48:29,000 --> 00:48:31,800 Speaker 1: read album. We worked on that. Yeah, that was happy. 572 00:48:32,200 --> 00:48:36,440 Speaker 1: It was it was um the doctor do a little soundtrack, 573 00:48:36,600 --> 00:48:40,440 Speaker 1: you know, humble brothers. Man. What's your favorite song that 574 00:48:40,480 --> 00:48:45,400 Speaker 1: you did over that up? When did you most memorable? 575 00:48:46,520 --> 00:48:49,920 Speaker 1: Wrote the song for Leo called Erica Kane that you 576 00:48:49,960 --> 00:48:52,200 Speaker 1: can probably find it online just on some others, just 577 00:48:52,320 --> 00:48:55,360 Speaker 1: on some search ship. But it was just that was 578 00:48:55,360 --> 00:48:59,439 Speaker 1: probably one of my favorite because it was it wasn't 579 00:48:59,480 --> 00:49:02,800 Speaker 1: about this, I went about love anything. It was about life, 580 00:49:03,200 --> 00:49:05,000 Speaker 1: you know what I'm saying. But it was a little 581 00:49:05,320 --> 00:49:07,000 Speaker 1: bred company felt like it was a little too harsh. 582 00:49:07,040 --> 00:49:09,759 Speaker 1: She was called Kane was about a family member being 583 00:49:09,800 --> 00:49:12,200 Speaker 1: on drugs. Eric Cane being you know, saying it's a 584 00:49:12,320 --> 00:49:18,640 Speaker 1: cool way to say talk about crack. The crack she 585 00:49:18,800 --> 00:49:20,960 Speaker 1: actually recorded, but the record it didn't make that appence 586 00:49:20,960 --> 00:49:22,960 Speaker 1: because they felt like it was, you know, it looks 587 00:49:22,960 --> 00:49:28,560 Speaker 1: too harsh for help for what the perceptive they don't understand, 588 00:49:32,520 --> 00:49:36,120 Speaker 1: for people that don't really understand, and you know, may 589 00:49:36,239 --> 00:49:39,319 Speaker 1: look at you know a group of times like how 590 00:49:39,360 --> 00:49:46,720 Speaker 1: did all that happen? Like want so many niggs and seven? 591 00:49:48,080 --> 00:49:51,400 Speaker 1: Matter of fact was like when we have finished the 592 00:49:51,680 --> 00:49:55,040 Speaker 1: um Our second album, we got a chance to do 593 00:49:55,440 --> 00:49:58,239 Speaker 1: the first tour that we could do by talk like 594 00:49:58,320 --> 00:50:04,760 Speaker 1: it was a tour and you know, my oldest son's 595 00:50:04,880 --> 00:50:14,560 Speaker 1: lover and my son was just graduating for she used it. 596 00:50:14,840 --> 00:50:17,640 Speaker 1: She used to be on me every day like ya, 597 00:50:17,719 --> 00:50:20,880 Speaker 1: if you don't work with player and if you don't 598 00:50:21,040 --> 00:50:24,319 Speaker 1: do a song with Smoky like real like I'm gonna 599 00:50:24,360 --> 00:50:28,200 Speaker 1: cut you out. So, you know, the first tour that 600 00:50:28,280 --> 00:50:31,080 Speaker 1: we got to do by ourself, I was like we 601 00:50:31,200 --> 00:50:35,680 Speaker 1: didn't you know, can I just just just put everything 602 00:50:35,880 --> 00:50:42,120 Speaker 1: into perspective. No. Kio has been orchestrated the maestro of 603 00:50:42,560 --> 00:50:45,840 Speaker 1: Drew Hill the whole time since the beginning. Yeah, and 604 00:50:45,960 --> 00:50:49,480 Speaker 1: it's like even when people I want to be a 605 00:50:49,560 --> 00:50:51,920 Speaker 1: part or don't want to be a part. You know 606 00:50:52,160 --> 00:50:57,120 Speaker 1: the whole story about it. He asked those guys when 607 00:50:57,360 --> 00:51:01,200 Speaker 1: when Jan needed to take some time off. This nigga 608 00:51:01,239 --> 00:51:05,680 Speaker 1: is so dope. It took two people to fill his 609 00:51:05,880 --> 00:51:10,680 Speaker 1: place and he found it. He found it, Yo, and 610 00:51:10,920 --> 00:51:14,360 Speaker 1: Jazz was the one who found this since active nigga. Yeah, 611 00:51:15,600 --> 00:51:28,960 Speaker 1: and me and met me and Ski me scols like 612 00:51:29,040 --> 00:51:32,040 Speaker 1: we're on the back, back to the wall supposed to be. 613 00:51:32,680 --> 00:51:36,640 Speaker 1: That's what I'm saying. What I'm saying is Yo scholar. Yo. 614 00:51:37,000 --> 00:51:40,000 Speaker 1: I've always had like a lot of respect for him, 615 00:51:40,600 --> 00:51:44,640 Speaker 1: um as an as an artist, UM as a professional artist, 616 00:51:45,320 --> 00:51:50,960 Speaker 1: And anytime I reached out, he's always just like being accommodating. 617 00:51:51,640 --> 00:51:53,520 Speaker 1: And at the end of the day, man, I really 618 00:51:53,520 --> 00:51:58,160 Speaker 1: appreciate you guys having us on the show because, um, 619 00:51:59,080 --> 00:52:02,279 Speaker 1: we don't really get a lot of the accolades day. 620 00:52:02,800 --> 00:52:09,120 Speaker 1: We feel maybe we should get ship, but man, ship 621 00:52:11,920 --> 00:52:16,919 Speaker 1: better than a lot of No, we never really cared 622 00:52:16,960 --> 00:52:19,640 Speaker 1: about that. We just do it for them. I'll tell 623 00:52:19,640 --> 00:52:21,800 Speaker 1: you something like, and we were talking about this, I 624 00:52:22,000 --> 00:52:26,040 Speaker 1: was saying, it's like a lot of day Like for real, 625 00:52:27,040 --> 00:52:32,839 Speaker 1: I never cared about how Man records more than I did. 626 00:52:35,160 --> 00:52:39,440 Speaker 1: You care about some ship then, because we didn't. You know, 627 00:52:39,600 --> 00:52:44,799 Speaker 1: they want to shine, We chart the highest, right, we're 628 00:52:44,920 --> 00:52:49,239 Speaker 1: the best. We're fucking pop R and B and hip hop. Right, 629 00:52:49,239 --> 00:53:03,120 Speaker 1: I'm going to back from one, just go out, and 630 00:53:03,160 --> 00:53:06,480 Speaker 1: I wanted to prove it off the jazz. Yeah, man, 631 00:53:06,680 --> 00:53:09,560 Speaker 1: you always be told you you always been background. Man, 632 00:53:09,680 --> 00:53:13,480 Speaker 1: you'll be sucking your ass o ge man, it's enough 633 00:53:13,680 --> 00:53:16,680 Speaker 1: into my group. But I play. Listen when I say 634 00:53:16,960 --> 00:53:21,239 Speaker 1: when I don't giving y'all playing, they let every time 635 00:53:21,239 --> 00:53:23,560 Speaker 1: i'd be having your video beat degree be like, who't 636 00:53:23,600 --> 00:53:34,399 Speaker 1: beat me? Yeah? I was that beat man, a DVD player, 637 00:53:39,400 --> 00:53:43,760 Speaker 1: like like one of the thing that made us dope. 638 00:53:44,520 --> 00:53:47,960 Speaker 1: Where is the fact that like sis of course that 639 00:53:48,040 --> 00:53:50,320 Speaker 1: could do what he did? But it was like Jazz 640 00:53:50,400 --> 00:53:56,480 Speaker 1: is right there dashing with sister ship, you know ship 641 00:53:57,040 --> 00:54:00,799 Speaker 1: these second best dancer and no cat for real. Yeah 642 00:54:01,280 --> 00:54:04,320 Speaker 1: I put that on anything because I don't about dancing 643 00:54:05,480 --> 00:54:07,480 Speaker 1: the same ship my body and be like, nick, I'm 644 00:54:07,520 --> 00:54:10,600 Speaker 1: not doing that, so let's stick to whatever. But this 645 00:54:10,719 --> 00:54:14,239 Speaker 1: nigger right here, like but not even even beyond all that, 646 00:54:14,480 --> 00:54:18,080 Speaker 1: like this motherfucking to pick up any instrument and within 647 00:54:18,360 --> 00:54:24,120 Speaker 1: like minutes he playing soul Ship how An instruments played 648 00:54:25,120 --> 00:54:31,120 Speaker 1: everything he said, like frish basically drums, key, Yeah, a 649 00:54:31,200 --> 00:54:34,360 Speaker 1: little lottle little something people always wanted over the jazz 650 00:54:35,560 --> 00:54:38,600 Speaker 1: project for uself. Yes, oh yeah, yeah, I got a 651 00:54:38,719 --> 00:54:41,839 Speaker 1: lot of the songs you heard from like music Soul 652 00:54:42,000 --> 00:54:45,160 Speaker 1: Child and stuff like that was actually it had music 653 00:54:45,239 --> 00:54:50,080 Speaker 1: soul Child, so um, well yeah, I mean music record 654 00:54:56,800 --> 00:54:59,360 Speaker 1: here the things I don't first do that with Jill Scott, 655 00:54:59,440 --> 00:55:02,560 Speaker 1: she had just like five million records and the motherfucker 656 00:55:02,760 --> 00:55:04,880 Speaker 1: is hot. I mean like still to today. I got. 657 00:55:04,920 --> 00:55:11,840 Speaker 1: I got a lot of records, man, so uh, a 658 00:55:11,880 --> 00:55:16,160 Speaker 1: lot of stuffy so yeah, crazy birds. Yeah, that's a 659 00:55:16,239 --> 00:55:22,680 Speaker 1: last songs that yo yo yo, no no no talk. 660 00:55:23,239 --> 00:55:26,680 Speaker 1: We called Noe the Mayden because maybe if you look 661 00:55:26,719 --> 00:55:30,680 Speaker 1: it up in the dictionary, means wisdom. The thing is 662 00:55:30,960 --> 00:55:34,799 Speaker 1: that Noe talks very fast. A lot of times, y'a 663 00:55:34,800 --> 00:55:37,640 Speaker 1: don't really get all of the information, and they're given 664 00:55:37,719 --> 00:55:43,080 Speaker 1: you guys. He was a part of my album The 665 00:55:43,200 --> 00:55:47,400 Speaker 1: Best Ballot I ever saying was written by Nokio And 666 00:55:47,520 --> 00:55:53,160 Speaker 1: I'm asking this album facts and I didn't even know that. No. 667 00:55:53,640 --> 00:55:56,920 Speaker 1: The first one went with with the with the planet 668 00:55:57,960 --> 00:56:01,960 Speaker 1: two Doe and y'all get the best trip on like 669 00:56:02,239 --> 00:56:11,040 Speaker 1: I they this come come that one. Yea, Hello, I'm 670 00:56:11,080 --> 00:56:26,960 Speaker 1: so was my best yea right now, Yah's just what 671 00:56:27,080 --> 00:56:30,520 Speaker 1: I called your earlier Exstacy John's right, yeah you know 672 00:56:30,560 --> 00:56:35,000 Speaker 1: about that. Yeah, you have tough for me. It's to 673 00:56:35,560 --> 00:56:40,640 Speaker 1: like ecstasy, remember that Joan who you know you go down? 674 00:56:41,200 --> 00:56:48,840 Speaker 1: I know you get ship Okay, okay. Dig Da was like, 675 00:56:57,360 --> 00:57:03,360 Speaker 1: I do you white out of goat? You found your ants? 676 00:57:03,840 --> 00:57:12,640 Speaker 1: We have never singing, so we'll figure that I wouldn't. 677 00:57:13,120 --> 00:57:21,200 Speaker 1: I don't somebody I don't even don't know what how 678 00:57:21,280 --> 00:57:27,280 Speaker 1: did we know? Everybody got that row in the group. 679 00:57:28,320 --> 00:57:31,280 Speaker 1: And I never gave a funk about singing for real, 680 00:57:31,440 --> 00:57:34,040 Speaker 1: Like my ruple used to be like if I can't 681 00:57:34,080 --> 00:57:36,840 Speaker 1: do it fifteen minutes, give me out the booth because 682 00:57:37,560 --> 00:57:39,720 Speaker 1: that ain't what I do. And like from the beginning 683 00:57:39,880 --> 00:57:43,280 Speaker 1: it was like man sister used to sing on the lead, 684 00:57:44,160 --> 00:57:46,960 Speaker 1: and then the morning niggers that I met that could 685 00:57:47,000 --> 00:57:54,560 Speaker 1: sing better, it was like, yeah, you're back, when you're 686 00:57:54,560 --> 00:57:58,200 Speaker 1: going When I didn't want to be Javante as you know, 687 00:57:58,400 --> 00:58:02,720 Speaker 1: like motherfucker's wont like many people liked. And I've met Devonte. 688 00:58:02,880 --> 00:58:05,640 Speaker 1: We had a good conversation about a lot of ship. 689 00:58:06,320 --> 00:58:09,520 Speaker 1: But my thing with Devonte was like I was like, yeah, 690 00:58:09,600 --> 00:58:11,800 Speaker 1: I could be digging in the group. They could write 691 00:58:11,840 --> 00:58:16,320 Speaker 1: the songs. I ain't gonna sing ship and I get bitches. Yeah, 692 00:58:16,400 --> 00:58:25,560 Speaker 1: but you were singing yell, I'm trying to you. Don't 693 00:58:25,560 --> 00:58:27,360 Speaker 1: trying to get to sing a song on the DREWI 694 00:58:27,560 --> 00:58:31,360 Speaker 1: or the album called they always great getting new. Yeah, okay, 695 00:58:31,400 --> 00:58:33,840 Speaker 1: I went to boot the door, right, Okay, I can 696 00:58:33,960 --> 00:58:40,360 Speaker 1: hold my own. He let the whole song Mago man 697 00:58:40,440 --> 00:58:42,480 Speaker 1: always with great get that's the name of the rectord. 698 00:58:42,600 --> 00:58:47,600 Speaker 1: I felt like when he when he when you're referested, right, 699 00:58:47,640 --> 00:58:50,880 Speaker 1: I felt like I didn't. I didn't know what that 700 00:58:51,040 --> 00:58:54,040 Speaker 1: was a bullshit. I knew what I say. You sing 701 00:58:54,160 --> 00:59:00,120 Speaker 1: that real talk, I real talk, not y'all ride All 702 00:59:00,200 --> 00:59:04,040 Speaker 1: these years later and I feel, I feel, I really 703 00:59:04,400 --> 00:59:07,880 Speaker 1: he didn't tell me that that girl. Ya. He's a 704 00:59:07,920 --> 00:59:11,120 Speaker 1: lot of secrets from me, y'all I need to tell 705 00:59:13,480 --> 00:59:18,280 Speaker 1: so thank you ya yall, now for real, all right, 706 00:59:18,360 --> 00:59:27,520 Speaker 1: this way I shout that this ship you know about 707 00:59:27,560 --> 00:59:35,160 Speaker 1: that you're not the first Christa that was I think himself, 708 00:59:35,360 --> 00:59:39,480 Speaker 1: like no family like baby mother gone, like keening like 709 00:59:39,600 --> 00:59:42,640 Speaker 1: the first you know Christmas like that, right getting And 710 00:59:42,760 --> 00:59:45,120 Speaker 1: I started writing a song and I called him, I know, 711 00:59:45,360 --> 00:59:48,280 Speaker 1: I started playing for him on the keyboard. Uh and 712 00:59:48,920 --> 00:59:52,080 Speaker 1: I was like, oh yeah, snitch nine and Shanon be 713 00:59:52,520 --> 00:59:56,120 Speaker 1: changed my life and you know whatever. And I'm like, yeah, 714 00:59:56,160 --> 00:59:58,080 Speaker 1: you gotta sing this song. And by telling him I 715 00:59:58,160 --> 01:00:01,480 Speaker 1: got you to hook, he was like, no, yeah, I'm 716 01:00:01,520 --> 01:00:05,880 Speaker 1: not singing that. Yo. Remember when I was when I 717 01:00:05,960 --> 01:00:09,440 Speaker 1: was gonna singing, I had the goddamn fluke. No, but 718 01:00:09,840 --> 01:00:12,800 Speaker 1: like one thing so on that song, did you hear me? 719 01:00:13,080 --> 01:00:18,360 Speaker 1: I'm sick? No? But but like like if I was 720 01:00:22,680 --> 01:00:28,480 Speaker 1: just come through, I couldn't do just singing about everybody 721 01:00:28,560 --> 01:00:32,920 Speaker 1: would come in and like sing whatever the pain was 722 01:00:33,120 --> 01:00:35,400 Speaker 1: the day I remember didn't say it to me, like 723 01:00:35,840 --> 01:00:37,640 Speaker 1: I went through this very way. I want to write 724 01:00:37,680 --> 01:00:39,720 Speaker 1: a whole bunch of songs because I'm like, I write 725 01:00:39,720 --> 01:00:41,720 Speaker 1: all this sad stuff. And he was like, yo, you 726 01:00:42,760 --> 01:00:44,960 Speaker 1: know how to write pain. And I was like, but 727 01:00:45,080 --> 01:00:47,240 Speaker 1: I want I'm happy right now, like I don't want 728 01:00:47,240 --> 01:00:50,800 Speaker 1: to write. It was like, but sometimes that's just what 729 01:00:51,000 --> 01:00:53,400 Speaker 1: it is. And it's me a long time. You know, 730 01:00:53,840 --> 01:00:58,800 Speaker 1: you know who I credited to you for real? J Blige? Real, Yeah, 731 01:00:59,160 --> 01:01:02,400 Speaker 1: she said, didn't mean I'm day and you know I 732 01:01:02,440 --> 01:01:05,200 Speaker 1: ain't gonna go through all or whatever. But she was 733 01:01:05,440 --> 01:01:07,720 Speaker 1: talking to me about some stuff and she asked me 734 01:01:07,760 --> 01:01:09,640 Speaker 1: if I were still writing and producing and I was 735 01:01:09,840 --> 01:01:11,600 Speaker 1: at the time. I was like, no, I'm going through 736 01:01:11,880 --> 01:01:14,240 Speaker 1: And she was like I had to wake up one 737 01:01:14,320 --> 01:01:16,520 Speaker 1: day and basically would be like, this is my gift, 738 01:01:16,640 --> 01:01:19,720 Speaker 1: Like I gotta like, how can I not do what 739 01:01:19,800 --> 01:01:22,000 Speaker 1: I was supposed to do with this gift that I got. 740 01:01:22,880 --> 01:01:24,960 Speaker 1: You know, it took me a long time, but like 741 01:01:25,600 --> 01:01:27,919 Speaker 1: she was definitely like the person because at the time 742 01:01:27,960 --> 01:01:30,240 Speaker 1: I was just kind of like you being on top 743 01:01:30,280 --> 01:01:34,440 Speaker 1: of the world and then like this business. And I 744 01:01:34,520 --> 01:01:39,000 Speaker 1: remember one day was at a radio station. Michael Bivins 745 01:01:39,080 --> 01:01:41,160 Speaker 1: called us at the station. He was like, man, don't 746 01:01:41,280 --> 01:01:45,080 Speaker 1: let these shots of stuff dictate who you are, like 747 01:01:45,240 --> 01:01:48,400 Speaker 1: this business that how you feel you ain't do this 748 01:01:48,480 --> 01:01:54,800 Speaker 1: ship for real, like like get me with some ship 749 01:01:55,080 --> 01:01:57,840 Speaker 1: at that time that you know, just help me get 750 01:01:57,920 --> 01:02:10,760 Speaker 1: back until you know. I'm gonna tell y'all, I want 751 01:02:10,800 --> 01:02:13,120 Speaker 1: to say something that's prepper. I always wanted to go 752 01:02:13,160 --> 01:02:16,600 Speaker 1: over Mary J Blige house that ain't got ship to 753 01:02:16,640 --> 01:02:20,600 Speaker 1: do with nothing. I just like, I just wanted to 754 01:02:20,680 --> 01:02:22,800 Speaker 1: go over there. Man, I don't know like she was 755 01:02:22,840 --> 01:02:26,840 Speaker 1: saving people. I want to be Mary Yo. One of 756 01:02:26,920 --> 01:02:30,640 Speaker 1: my favorite songs ever my real ship, Like, I just 757 01:02:30,720 --> 01:02:33,320 Speaker 1: feel like the vivid maryor J. Blasche has is different 758 01:02:36,360 --> 01:02:43,840 Speaker 1: one of my favorite songs. I know what I'm saying, Like, 759 01:02:43,920 --> 01:02:51,680 Speaker 1: how do you like come up when? When when a girl? 760 01:02:54,080 --> 01:02:59,360 Speaker 1: When when a girl can wear thongs? Right? It's nothing 761 01:02:59,400 --> 01:03:12,240 Speaker 1: else to say, is your mind? Yeah, but I'm not 762 01:03:12,760 --> 01:03:29,080 Speaker 1: say that. I mean I love with one finger my 763 01:03:29,280 --> 01:03:36,840 Speaker 1: fat on it that nig the pool in sane More 764 01:03:39,360 --> 01:03:50,480 Speaker 1: were brown like dad, it was hard. Yeah, No, but 765 01:03:50,680 --> 01:03:55,240 Speaker 1: you know what, like that was the way that one 766 01:03:55,280 --> 01:04:00,960 Speaker 1: finger with John People lie niggers. A lot of niggas 767 01:04:01,000 --> 01:04:04,280 Speaker 1: just sold platinum records or whatever. I'm like, how many 768 01:04:04,440 --> 01:04:07,280 Speaker 1: niggas know a nigga you grew up with from a teenager? 769 01:04:07,840 --> 01:04:11,840 Speaker 1: They got world musical war? Come on the world musical war? 770 01:04:12,520 --> 01:04:15,640 Speaker 1: Musical war? Like, Hey, you got the best all the 771 01:04:18,120 --> 01:04:25,160 Speaker 1: world for the world. How didn't mean that I don't 772 01:04:25,160 --> 01:04:28,800 Speaker 1: even know the man. You don't get invited to the 773 01:04:28,920 --> 01:04:34,320 Speaker 1: world Musical wards, who's over there? You get? Who else 774 01:04:34,400 --> 01:04:38,680 Speaker 1: you get to? The words? Your chance the World Music Awards. 775 01:04:39,240 --> 01:04:41,480 Speaker 1: You didn't even add that ship no more because the 776 01:04:41,560 --> 01:04:55,000 Speaker 1: earthcake motherfucking handled Oh ship. That's crazy, sigga, that niggas said. 777 01:04:55,000 --> 01:04:59,000 Speaker 1: I know the war is boys, the man you did? 778 01:04:59,160 --> 01:05:03,040 Speaker 1: You work with Michael Jacksons. Yeah, tell me that. Tell 779 01:05:03,080 --> 01:05:06,120 Speaker 1: me that. Tell me that Michael flew me out to 780 01:05:06,240 --> 01:05:09,840 Speaker 1: meet him. Tell me that that's the cold ship. Wait 781 01:05:09,840 --> 01:05:13,920 Speaker 1: a minute for the minutes you're not leaving little bit 782 01:05:14,080 --> 01:05:17,080 Speaker 1: when I'm talking about four years why I wanted to 783 01:05:17,200 --> 01:05:21,480 Speaker 1: be abody to come down just the part of the 784 01:05:21,520 --> 01:05:24,600 Speaker 1: show we gotta get you take out Michael Jacksons ship. 785 01:05:24,720 --> 01:05:31,840 Speaker 1: Real serious. If you're gonna tell you, I gotta let 786 01:05:31,960 --> 01:05:38,160 Speaker 1: each gonna tell you before eas telling tell Michael Jackson 787 01:05:39,640 --> 01:05:44,440 Speaker 1: after I was there for that with go ahead. So Michael. 788 01:05:44,960 --> 01:05:48,280 Speaker 1: Um So when I was like four years and I 789 01:05:48,360 --> 01:05:51,920 Speaker 1: was thought about four years old, I told Michael do 790 01:05:52,000 --> 01:05:54,800 Speaker 1: the move right, And I was like, oh, ship, That's 791 01:05:54,840 --> 01:05:58,600 Speaker 1: what I wanted, dude, And so that that was the 792 01:05:58,760 --> 01:06:04,200 Speaker 1: journey right. So we were just doing our ship and 793 01:06:04,280 --> 01:06:08,600 Speaker 1: then uh, one day our nigga was like, I Michael 794 01:06:08,640 --> 01:06:11,360 Speaker 1: want to meet you. And I was like what. We 795 01:06:11,440 --> 01:06:14,840 Speaker 1: were flying back from Japan at the time, and he 796 01:06:15,040 --> 01:06:17,320 Speaker 1: was like, Michael, want to meet you. And I was like, 797 01:06:18,440 --> 01:06:21,480 Speaker 1: all right, well, look I'm not I'm not rocking, and 798 01:06:21,600 --> 01:06:24,120 Speaker 1: that's my and that's me and my man can go 799 01:06:24,760 --> 01:06:28,600 Speaker 1: because you know, we're just going over, you know what 800 01:06:28,680 --> 01:06:32,440 Speaker 1: I mean. So we went over. He was like, whatever, nigga, 801 01:06:32,440 --> 01:06:35,960 Speaker 1: I'm Michael Jackson. So he flew us over and then 802 01:06:36,040 --> 01:06:40,560 Speaker 1: I was I was hanging out with his kids, and 803 01:06:40,680 --> 01:07:03,320 Speaker 1: his kids was watching um bamby what all right, what 804 01:07:03,400 --> 01:07:05,840 Speaker 1: are you gonna fight you? I told what, you can 805 01:07:05,920 --> 01:07:09,920 Speaker 1: fight me. He wants whatever he wants anyway, but you're 806 01:07:10,000 --> 01:07:13,520 Speaker 1: watching what I was thinking that. I also watched the 807 01:07:13,600 --> 01:07:21,600 Speaker 1: baby kids watching Michael. So the whole time I'm on 808 01:07:21,760 --> 01:07:26,440 Speaker 1: the way to the trailer where Michael is, I'm practicing 809 01:07:26,640 --> 01:07:29,920 Speaker 1: what I'm gonna say to Michael cool right, because I'm like, uh, 810 01:07:30,840 --> 01:07:32,400 Speaker 1: I don't know what the fund to say, you know 811 01:07:32,440 --> 01:07:35,080 Speaker 1: what I mean. So I get there and I'm thinking, 812 01:07:35,120 --> 01:07:40,520 Speaker 1: I'm like, hey, Mike, so I still pretty much what 813 01:07:40,640 --> 01:07:44,480 Speaker 1: I said. I'm like, I like, I think he emerged 814 01:07:44,520 --> 01:07:48,600 Speaker 1: from the back, so he didn't walk he emerged kind 815 01:07:48,640 --> 01:07:56,360 Speaker 1: of emerge, see a little bit so and and so 816 01:07:57,400 --> 01:08:00,520 Speaker 1: I shook his hand and said, hey man, why did 817 01:08:00,560 --> 01:08:02,880 Speaker 1: you fly me out to meet you? Like like we 818 01:08:03,040 --> 01:08:06,920 Speaker 1: all doing our best Michael Jackson impression. He was like, 819 01:08:07,040 --> 01:08:10,600 Speaker 1: I think you're gonna go far in this industry and 820 01:08:11,400 --> 01:08:15,000 Speaker 1: your bird talent. That was the mic drop moment. And 821 01:08:15,080 --> 01:08:18,880 Speaker 1: that's when I disappeared in two thousand one. What what 822 01:08:19,360 --> 01:08:22,479 Speaker 1: because I was like, funk this, Like the whole reason 823 01:08:22,520 --> 01:08:24,679 Speaker 1: why I'm doing this just told me I'm the ship. 824 01:08:25,320 --> 01:08:28,160 Speaker 1: So I was like fucking them out. So my story 825 01:08:28,439 --> 01:08:43,320 Speaker 1: was way more finished. Let's say, so I never you'll 826 01:08:43,360 --> 01:08:49,120 Speaker 1: never left me story. He got the better story, but 827 01:08:49,520 --> 01:08:54,720 Speaker 1: a little bit more so. I'm met Michael Jackson right, 828 01:08:55,760 --> 01:09:00,680 Speaker 1: and I was working with Rodney Jerkers. Yeah, no, at 829 01:09:01,040 --> 01:09:04,880 Speaker 1: um do cham. I was called third story and Rodney 830 01:09:04,960 --> 01:09:10,840 Speaker 1: Jerkins was he humble and I'm meeting words enough beyond 831 01:09:10,920 --> 01:09:12,720 Speaker 1: that work on my group, I was one of the 832 01:09:12,800 --> 01:09:15,720 Speaker 1: first people had Joe Button or that R and B 833 01:09:15,880 --> 01:09:18,800 Speaker 1: rightfad and we had half Way. So remember halfway we 834 01:09:18,920 --> 01:09:24,040 Speaker 1: went to We're sitting in the studio and Ron, one 835 01:09:24,040 --> 01:09:26,840 Speaker 1: of the guys from the group, over the day Michael 836 01:09:26,880 --> 01:09:41,600 Speaker 1: Jackson's and that So come on, Scooby, come on. He 837 01:09:41,680 --> 01:09:45,559 Speaker 1: got and I'm just sitting there normal, so I'm high, 838 01:09:47,160 --> 01:09:49,519 Speaker 1: you know, smoking weed and ship and all off the sees. 839 01:09:49,640 --> 01:09:52,280 Speaker 1: Motherfucker's peeking in the window. And actually, you know, I'm 840 01:09:52,360 --> 01:09:54,960 Speaker 1: like turning this way and I'm turning around and Michael 841 01:09:55,040 --> 01:09:58,800 Speaker 1: Jackson standing right there, and I'm like, holy ship, it's 842 01:09:58,880 --> 01:10:01,880 Speaker 1: Michael jacks Love. How did you know it was Michael 843 01:10:01,920 --> 01:10:05,960 Speaker 1: Jackson Because he had on a shirt that Michael Jackson 844 01:10:06,240 --> 01:10:13,000 Speaker 1: have on and Mike Na, I'll say when we get 845 01:10:13,360 --> 01:10:16,240 Speaker 1: off the without yo, when I pay Michael up. He 846 01:10:16,400 --> 01:10:18,760 Speaker 1: was strong. He's gonna get to that. I'm gonna get that. 847 01:10:21,920 --> 01:10:25,439 Speaker 1: He had real nig So this like we're sitting there, 848 01:10:25,680 --> 01:10:30,040 Speaker 1: y'all sitting there and Ship like he was like, hey, no, Kio, 849 01:10:30,680 --> 01:10:34,920 Speaker 1: Like he's gonna into my mind. And I'm like, my 850 01:10:35,080 --> 01:10:37,840 Speaker 1: name is and I shaped this nigger hat and I 851 01:10:38,000 --> 01:10:40,439 Speaker 1: always try to show it like I'm a a lot 852 01:10:40,479 --> 01:10:43,960 Speaker 1: of rappers in life, Like whose hands when you shake 853 01:10:44,040 --> 01:10:47,760 Speaker 1: him feel like the US from out Michael Jackson And 854 01:10:47,920 --> 01:10:52,200 Speaker 1: when you shake it's like real nagger. So just the 855 01:10:52,360 --> 01:10:54,960 Speaker 1: fact that he need my name and he took my 856 01:10:55,120 --> 01:10:58,560 Speaker 1: man over there, that's bigger due to not say the 857 01:10:58,680 --> 01:11:02,360 Speaker 1: person that had it soft. I wasn't going, yeah, we know, 858 01:11:02,640 --> 01:11:07,519 Speaker 1: we know the person that's enough. So like was like, 859 01:11:08,000 --> 01:11:12,400 Speaker 1: what happened? Was I blacked? I blacked that I'm black 860 01:11:12,479 --> 01:11:14,960 Speaker 1: that when he shook my hands off, and like five 861 01:11:15,000 --> 01:11:18,160 Speaker 1: minutes later, my fuckers, I just came back. Motherfucking's was 862 01:11:18,240 --> 01:11:26,280 Speaker 1: shaking me because Michael Jackson scinned and here Le scinned. 863 01:11:26,360 --> 01:11:30,040 Speaker 1: He's it was. It was like it was just like 864 01:11:30,439 --> 01:11:35,240 Speaker 1: something same thing when I'm at Prince first time, I'm 865 01:11:35,280 --> 01:11:39,479 Speaker 1: at Prince Prince with he invited towards the concert was 866 01:11:39,600 --> 01:11:43,479 Speaker 1: in the Hollywood. We had the um it's called it. 867 01:11:43,640 --> 01:11:45,599 Speaker 1: It went to the Key Club whatever, but it used 868 01:11:45,600 --> 01:11:48,120 Speaker 1: to be build board Alive on sunset. So I go 869 01:11:48,240 --> 01:11:52,360 Speaker 1: to the second flo ship the Prince at the top 870 01:11:52,360 --> 01:11:56,559 Speaker 1: of the steps with a lolly pop and I'm looking 871 01:11:56,600 --> 01:11:59,639 Speaker 1: at this nigger and he's looking at me and yeah, 872 01:11:59,720 --> 01:12:03,920 Speaker 1: it was you're gonna say, you don't know that this 873 01:12:04,040 --> 01:12:08,840 Speaker 1: is not true. Then the second time I matter, I 874 01:12:08,960 --> 01:12:13,200 Speaker 1: was working in the Electric Lagging studio and the nigga 875 01:12:13,240 --> 01:12:15,840 Speaker 1: walked in the studio with my child when he was married, 876 01:12:17,240 --> 01:12:19,840 Speaker 1: and this nigga opened up the door for him and 877 01:12:19,960 --> 01:12:21,960 Speaker 1: he said my name. He was like, what's up? No, yo? 878 01:12:22,320 --> 01:12:29,600 Speaker 1: That what I mean? I mean Jimmy Andrew studio and 879 01:12:29,760 --> 01:12:33,880 Speaker 1: printians just walked. Then I'm this nigga door like, I'm 880 01:12:33,920 --> 01:12:37,000 Speaker 1: on Fifth Avenue is funding and he know my name 881 01:12:37,120 --> 01:12:38,960 Speaker 1: and his wife know me. Nigga, you can't tell me 882 01:12:39,120 --> 01:12:44,679 Speaker 1: that between meeting him like that and Devarte nigga, my head, 883 01:12:45,080 --> 01:12:48,920 Speaker 1: you can't tell me back. I mean, Mike I was 884 01:12:49,000 --> 01:12:52,800 Speaker 1: in the studio um when dream Vida recorded Uh Butterflies 885 01:12:54,240 --> 01:13:00,400 Speaker 1: that that I really got to be with, be around 886 01:13:00,479 --> 01:13:02,760 Speaker 1: Mike I met as far as the father was funny 887 01:13:02,800 --> 01:13:07,559 Speaker 1: as motherfucker too jokes. That is real. It's crazy because 888 01:13:07,560 --> 01:13:10,240 Speaker 1: I'm sitting there, we all talking and he like, jadd 889 01:13:10,280 --> 01:13:13,240 Speaker 1: you try and case me. You can't case me. Let 890 01:13:13,320 --> 01:13:16,640 Speaker 1: you talking. I'm just said each other right, But that 891 01:13:16,760 --> 01:13:19,840 Speaker 1: was def was experienced man. Jackson said no, this this 892 01:13:19,960 --> 01:13:25,320 Speaker 1: was Joe Jackson. Yeah, but Joe's a real mother father 893 01:13:26,240 --> 01:13:29,320 Speaker 1: you dream and then um, Prince I was, I was performance. 894 01:13:29,320 --> 01:13:32,760 Speaker 1: I went and Prince was in the orders and this 895 01:13:32,920 --> 01:13:35,560 Speaker 1: nigga howled out the crowd. I hear you jazz, What 896 01:13:35,760 --> 01:13:40,200 Speaker 1: the fuck is right? You know that was in the 897 01:13:40,280 --> 01:13:55,160 Speaker 1: same room with friend and that was it. You know, 898 01:13:55,240 --> 01:13:58,760 Speaker 1: when I was in the same room with Prince, his 899 01:13:59,280 --> 01:14:02,760 Speaker 1: backup saying was like, hey, sis go. He was like, 900 01:14:03,320 --> 01:14:09,560 Speaker 1: I'm talking to me, you say that you get so 901 01:14:20,160 --> 01:14:32,200 Speaker 1: I'm sorry I'm saying first, let me saying say fer 902 01:14:34,360 --> 01:14:37,960 Speaker 1: I was working space and piano that happened came nowhere 903 01:14:38,920 --> 01:14:41,840 Speaker 1: and just hit this run. I stopped and I just 904 01:14:42,080 --> 01:14:59,640 Speaker 1: I said, my listening, I can tell you know what 905 01:15:00,160 --> 01:15:03,920 Speaker 1: I don't want to hear tell stories. Get quick. Yeah, 906 01:15:25,240 --> 01:15:38,720 Speaker 1: because he never turned ship. He's going in ship. Yeah, scout, 907 01:15:39,080 --> 01:15:50,080 Speaker 1: Oh my god, you gotta understand. You got him say, 908 01:15:50,439 --> 01:15:55,960 Speaker 1: I m the hun I am to explain groups of people. 909 01:15:56,640 --> 01:16:01,560 Speaker 1: Just think that he can. So what I'm see. I 910 01:16:01,680 --> 01:16:09,799 Speaker 1: wanted to make sure you'll the story story gonna beginning 911 01:16:10,040 --> 01:16:18,200 Speaker 1: that you wanted ship. Everyone all right? Ain't down? All right? 912 01:16:20,520 --> 01:16:25,519 Speaker 1: Come on? Come on, I can two counts of ways. 913 01:16:27,479 --> 01:16:30,880 Speaker 1: Pretty much I need Jazz before I've met everybody asked 914 01:16:31,360 --> 01:16:35,240 Speaker 1: and I was in the boud in Maryland whatever, so 915 01:16:35,360 --> 01:16:37,240 Speaker 1: pretty much Jazz asked me to be on this olt 916 01:16:37,400 --> 01:16:41,400 Speaker 1: whatever whatever boat. So I met everybody out we had 917 01:16:41,760 --> 01:16:51,599 Speaker 1: the same polusist those houses ship shot. Yeah. So now anyway, 918 01:16:51,680 --> 01:16:53,719 Speaker 1: so we used to all sing around. You know since 919 01:16:53,760 --> 01:16:56,599 Speaker 1: those islands kitchen whatever. You ain't telling the white ship 920 01:16:56,760 --> 01:17:02,360 Speaker 1: because I'm trying to look, yes, hey, this is what jack. 921 01:17:02,400 --> 01:17:04,640 Speaker 1: You know me, I'm not trying to nobody shut up 922 01:17:05,920 --> 01:17:09,160 Speaker 1: jas No, because he's not telling the punt with Chas 923 01:17:09,760 --> 01:17:13,880 Speaker 1: Jail years to be fun. He got the group when 924 01:17:14,000 --> 01:17:21,040 Speaker 1: Jazz said so ded jass more him to the ship 925 01:17:21,680 --> 01:17:24,639 Speaker 1: years before he got in the group to be around though, 926 01:17:27,280 --> 01:17:36,080 Speaker 1: what I'm getting it safe, I'm listening to tell his 927 01:17:36,200 --> 01:17:42,240 Speaker 1: whole story. What happened. I met Jazz on the road, 928 01:17:43,040 --> 01:17:49,240 Speaker 1: right smooth. I gave him a copy of the CD. Yeah, 929 01:17:49,760 --> 01:17:51,840 Speaker 1: Jazz called me like a half an hour later. I 930 01:17:51,920 --> 01:17:55,080 Speaker 1: got down the road, heard the message. That's when he 931 01:17:55,200 --> 01:17:56,760 Speaker 1: called me. He was like, look, I want you me 932 01:17:56,840 --> 01:17:58,800 Speaker 1: on my album. He was recording this a little album. 933 01:17:59,600 --> 01:18:08,360 Speaker 1: I said, So anyway from there after anyway, so, like 934 01:18:08,479 --> 01:18:10,639 Speaker 1: I said, after me and Jazz went on the road 935 01:18:10,680 --> 01:18:13,920 Speaker 1: for a little bit, I met Nocchio, Cisco, I met No, 936 01:18:14,000 --> 01:18:16,280 Speaker 1: I met Woody first. You know what I'm saying. So 937 01:18:16,400 --> 01:18:18,080 Speaker 1: I got to do it in a little Boody because 938 01:18:18,120 --> 01:18:21,720 Speaker 1: his um, his mom or somebody just passed. So we 939 01:18:21,800 --> 01:18:25,120 Speaker 1: did like a nice little interlude for his album, and 940 01:18:25,439 --> 01:18:28,960 Speaker 1: um from there, UM A couple of years go by, 941 01:18:29,840 --> 01:18:32,439 Speaker 1: I think Cisco was doing Gone Country or something wasn't 942 01:18:33,200 --> 01:18:35,840 Speaker 1: so anyway, um, I had known him body and so 943 01:18:36,000 --> 01:18:40,560 Speaker 1: I called him. So now I called him up to 944 01:18:40,680 --> 01:18:42,720 Speaker 1: just like congratulate him, and he was like, Yo, we 945 01:18:42,840 --> 01:18:44,960 Speaker 1: were just talking about you. And I was like, Yo, 946 01:18:45,080 --> 01:18:46,840 Speaker 1: that's what you know. I ain't want to ask you 947 01:18:46,880 --> 01:18:50,920 Speaker 1: know what I mean? But so anybody, um, after you know, 948 01:18:51,120 --> 01:18:52,640 Speaker 1: he said that or whatever, I get a call the 949 01:18:52,760 --> 01:18:55,080 Speaker 1: next day and they're like, Yo, come up to the crib. 950 01:18:55,160 --> 01:18:57,280 Speaker 1: We want how I'll let you whatever whatever. So they 951 01:18:57,320 --> 01:18:59,320 Speaker 1: sat me down and was like, look, we want to 952 01:18:59,320 --> 01:19:01,360 Speaker 1: put you in a but we know a whole lot 953 01:19:01,439 --> 01:19:03,720 Speaker 1: of other people in Baltimore, so we want to do 954 01:19:03,800 --> 01:19:05,439 Speaker 1: a context you know what I'm saying for you to 955 01:19:05,479 --> 01:19:07,599 Speaker 1: get in and you know what I mean, the best 956 01:19:07,640 --> 01:19:13,200 Speaker 1: man what we did. We did that contest. Yeah, he nigga, 957 01:19:13,200 --> 01:19:17,800 Speaker 1: I'm trying to you know, your body doing your ship, 958 01:19:18,000 --> 01:19:21,679 Speaker 1: you know what, like you really like for real, because 959 01:19:21,760 --> 01:19:25,639 Speaker 1: like I mean, I don't anybody off, but I want 960 01:19:25,680 --> 01:19:28,479 Speaker 1: to like a life like this. Nigga been here for 961 01:19:28,560 --> 01:19:30,599 Speaker 1: a long time. You know what I'm saying a lot 962 01:19:30,640 --> 01:19:34,679 Speaker 1: of things. I don't understand the whole story. I'm trying 963 01:19:34,720 --> 01:19:36,920 Speaker 1: to take over. What I'm trying to make sure nigga's 964 01:19:36,960 --> 01:19:39,240 Speaker 1: know this man being here and all the shitty with 965 01:19:40,760 --> 01:19:44,320 Speaker 1: for real. So motherfucker's understand that, Like we're fair, man, 966 01:19:44,479 --> 01:19:47,759 Speaker 1: but we want to make sure some singing here around. 967 01:19:49,320 --> 01:19:51,400 Speaker 1: I tried to sign this nigga to death game when 968 01:19:51,439 --> 01:19:54,880 Speaker 1: I was mother. Yeah, like that's the that's the ship 969 01:19:54,960 --> 01:19:57,479 Speaker 1: on my motherfucker's understand this nigga ain't just come out 970 01:19:57,520 --> 01:20:01,240 Speaker 1: of no where and he fought his way your degree, nobody, 971 01:20:01,680 --> 01:20:05,760 Speaker 1: nobody he had what I'm saying, like, that's that's that's 972 01:20:05,880 --> 01:20:11,920 Speaker 1: that's what will Who did it? Give it? Mega? We 973 01:20:12,040 --> 01:20:16,240 Speaker 1: already fucking wanted whore talking about beginning. No, no, no no, 974 01:20:23,920 --> 01:20:32,840 Speaker 1: I gotta ain't him ship. You know what I hold 975 01:20:32,880 --> 01:20:36,800 Speaker 1: on you? What I said to do? SI, so you 976 01:20:36,880 --> 01:20:39,280 Speaker 1: had to do? You know what the best way to 977 01:20:39,400 --> 01:20:44,640 Speaker 1: in this hole? What podcast? Hey? The best way to 978 01:20:44,720 --> 01:20:53,599 Speaker 1: in this whole podcast is a singing song, Well spotting 979 01:20:53,880 --> 01:21:17,600 Speaker 1: heavy day, talking ship love stones. I'm Dr mad say, 980 01:21:21,720 --> 01:21:29,040 Speaker 1: you never seen you giving me? You can't mean what 981 01:21:29,080 --> 01:21:32,639 Speaker 1: I tell him my texting story. Now I've seen this. Yeah, 982 01:21:33,640 --> 01:21:36,280 Speaker 1: he said he was following him around the party. He said, 983 01:21:36,640 --> 01:21:43,320 Speaker 1: so kid like. First of all, I never heard of first. 984 01:21:44,880 --> 01:21:47,919 Speaker 1: First of all, I'm your motherfucking dragon. I don't follow nobody. 985 01:21:49,520 --> 01:21:52,280 Speaker 1: What I'm saying is that this is what happened, all right, 986 01:21:52,320 --> 01:21:56,200 Speaker 1: Bay and Mage Jackson was at I mean me and 987 01:21:56,280 --> 01:22:00,479 Speaker 1: my Texon was at a party in his house. Okay 988 01:22:02,200 --> 01:22:04,280 Speaker 1: the party was it? So you was at his party? 989 01:22:05,000 --> 01:22:24,120 Speaker 1: I was were Joy Fosson's party. His recollection of the 990 01:22:24,240 --> 01:22:27,639 Speaker 1: parties are completely different of what actually happened. What happened. 991 01:22:28,240 --> 01:22:32,600 Speaker 1: What happened was his artists were singing, and she sounded 992 01:22:33,960 --> 01:22:44,880 Speaker 1: uh different. I just said she was terrible. First of all, 993 01:22:45,400 --> 01:22:48,519 Speaker 1: First of all, me and Mike Tyson, I would be 994 01:22:48,680 --> 01:22:52,040 Speaker 1: little mad and he would be my. What you do 995 01:22:52,120 --> 01:22:56,360 Speaker 1: if you're seeing stop stops because you know for that 996 01:22:56,720 --> 01:23:03,560 Speaker 1: stop listen. I don't like this ship already happened. But 997 01:23:03,720 --> 01:23:08,240 Speaker 1: what I'm saying is that he, uh, we were at 998 01:23:08,479 --> 01:23:14,599 Speaker 1: his house and we did not want his His artists 999 01:23:14,840 --> 01:23:18,120 Speaker 1: was singing the way she could say, Okay, it was 1000 01:23:18,240 --> 01:23:22,360 Speaker 1: different it was different, and I was like, I guess 1001 01:23:22,400 --> 01:23:25,080 Speaker 1: what I got that the bath friend and then Jamie 1002 01:23:25,080 --> 01:23:28,479 Speaker 1: Foxx looked at me like because he was so happy 1003 01:23:29,280 --> 01:23:46,120 Speaker 1: that I found a way out. He jaz No, then 1004 01:23:46,240 --> 01:23:53,360 Speaker 1: you don't got no problem. Why do you instigate? Always 1005 01:23:53,360 --> 01:23:56,960 Speaker 1: do jack ships? Don't talk to jack man, don't no 1006 01:23:57,080 --> 01:24:01,680 Speaker 1: more this question that way? Why on elevator gate did 1007 01:24:01,760 --> 01:24:05,280 Speaker 1: he posted picture? I mean did never mind? Don't worry 1008 01:24:05,320 --> 01:24:14,560 Speaker 1: about it. H's stupid anyway. I don't know, okay, I 1009 01:24:14,680 --> 01:24:18,640 Speaker 1: don't want to know what everybody's favorite song like, like 1010 01:24:18,760 --> 01:24:21,040 Speaker 1: you know, futer fact, when this song played on stage, 1011 01:24:21,160 --> 01:24:26,600 Speaker 1: you're like the side, I know what we practice, Like 1012 01:24:26,640 --> 01:24:31,080 Speaker 1: I know what we practiced. I ain't got that. We're 1013 01:24:31,120 --> 01:24:36,519 Speaker 1: just saying were practice, yo. Honestly, it's beauty and Beauty 1014 01:24:36,680 --> 01:24:38,720 Speaker 1: is the one song that I did not want to 1015 01:24:38,800 --> 01:24:41,920 Speaker 1: think you don't never want to send ship, want to 1016 01:24:45,400 --> 01:24:52,040 Speaker 1: never played the song in the studio and this want that. 1017 01:24:54,920 --> 01:24:57,479 Speaker 1: So what's song with you was your favorite? I'm gonna say, like, 1018 01:25:00,640 --> 01:25:05,040 Speaker 1: tell me rock time. Once they hear the music, you 1019 01:25:05,120 --> 01:25:07,160 Speaker 1: know me come in and we started doing the dance 1020 01:25:07,240 --> 01:25:09,639 Speaker 1: or whatever. You see the whole crowd like just jumping 1021 01:25:09,760 --> 01:25:13,439 Speaker 1: up down, So that's that's one of them. I would 1022 01:25:15,400 --> 01:25:22,000 Speaker 1: you want what I'm making when what's your favorite brother? 1023 01:25:22,640 --> 01:25:27,400 Speaker 1: The whole motherfucker like everything about it from beginning, and 1024 01:25:27,520 --> 01:25:29,360 Speaker 1: I guess who was that girl selling the baby faces 1025 01:25:29,439 --> 01:25:34,680 Speaker 1: or whatever? Treat like man shot up. That's what I 1026 01:25:34,800 --> 01:25:39,640 Speaker 1: had to pick us. What about your man? Tell to 1027 01:25:39,720 --> 01:25:44,639 Speaker 1: him last go ahead? I would say beauty just because 1028 01:25:44,800 --> 01:25:47,000 Speaker 1: it didn't come out as a single, but it gets 1029 01:25:47,000 --> 01:25:50,920 Speaker 1: it gets a bigger applause sound like nothing that wouldn't 1030 01:25:50,920 --> 01:25:57,960 Speaker 1: come out as a single album money didn't get crazy. 1031 01:25:58,040 --> 01:26:06,040 Speaker 1: And I know that I'm saying that Beauty they really 1032 01:26:06,080 --> 01:26:08,640 Speaker 1: want to see it. That's the only single that we 1033 01:26:08,880 --> 01:26:15,640 Speaker 1: ever had as far as people. People made it. You 1034 01:26:15,720 --> 01:26:23,559 Speaker 1: don't freck the company, No, no people, And that's why 1035 01:26:23,600 --> 01:26:26,080 Speaker 1: I that's what that's what music supposed to do. Touch you. 1036 01:26:26,520 --> 01:26:38,400 Speaker 1: People have that record and what's that song? For what 1037 01:26:39,520 --> 01:26:43,759 Speaker 1: it was? It was attracted on We had the furnace 1038 01:26:44,240 --> 01:26:46,920 Speaker 1: played the Kanye track first. That's why it was from 1039 01:26:46,920 --> 01:26:51,200 Speaker 1: my second album's second album. That's my second album, and 1040 01:26:51,479 --> 01:26:54,800 Speaker 1: you know we wanted we was making money righting, so 1041 01:26:55,120 --> 01:26:58,080 Speaker 1: you know we're getting the business. And you know when 1042 01:26:58,080 --> 01:27:00,080 Speaker 1: you started having families and ship. It ain't always is 1043 01:27:00,120 --> 01:27:02,559 Speaker 1: about what you want to do. Is it's always about 1044 01:27:02,560 --> 01:27:04,200 Speaker 1: what you gotta do. So you know what I'm saying. 1045 01:27:04,760 --> 01:27:07,400 Speaker 1: How when you when you write in you're knowing your 1046 01:27:07,560 --> 01:27:10,000 Speaker 1: artists and you want to be out there stage, mailbox, 1047 01:27:10,640 --> 01:27:14,920 Speaker 1: mailbox and mail aboux money. So it wasn't you know 1048 01:27:14,920 --> 01:27:18,000 Speaker 1: what I'm saying. I sing every day any day you're feeling, 1049 01:27:18,400 --> 01:27:20,679 Speaker 1: but I'm always doing it tasted to take to secure 1050 01:27:20,720 --> 01:27:23,920 Speaker 1: the bag. So that's what happened. So coming back to 1051 01:27:24,360 --> 01:27:26,680 Speaker 1: being able to you know, to come back do it 1052 01:27:26,800 --> 01:27:28,640 Speaker 1: with you here has been a blessing because we get 1053 01:27:28,720 --> 01:27:30,760 Speaker 1: this see the other side of it. You know what 1054 01:27:30,760 --> 01:27:33,320 Speaker 1: I'm saying. You know we've been, We've been. We've been 1055 01:27:33,760 --> 01:27:37,400 Speaker 1: sapping by Drake Chris Brown. You know what I'm saying, Um, 1056 01:27:37,720 --> 01:27:40,240 Speaker 1: a lot of pop smoke, you know what I'm saying. 1057 01:27:40,280 --> 01:27:43,640 Speaker 1: So music gonna always I'm always be you know what 1058 01:27:43,640 --> 01:27:45,880 Speaker 1: I'm saying around So, but to be able to do 1059 01:27:46,400 --> 01:27:48,799 Speaker 1: what you actually came in the game to do, saying, perform, 1060 01:27:49,120 --> 01:27:52,160 Speaker 1: it's a blessing. Man's appreciate. I love these guys for 1061 01:27:52,320 --> 01:28:01,280 Speaker 1: you know what I'm saying. Yards time we're not making 1062 01:28:06,439 --> 01:28:14,799 Speaker 1: that's your favorite years crazy worship, Okay, what about you? Okay, 1063 01:28:15,040 --> 01:28:28,320 Speaker 1: Jack over the gam Yeah, what's your marvorite songs like before? 1064 01:28:28,439 --> 01:28:33,840 Speaker 1: While my stay what um like you know, like this 1065 01:28:33,920 --> 01:28:35,880 Speaker 1: is the one out of come when you're being once 1066 01:28:35,920 --> 01:28:39,360 Speaker 1: it times saying you you you you him. Yeah. Well, 1067 01:28:39,400 --> 01:28:42,640 Speaker 1: over the years, it kind of like moved around, like 1068 01:28:42,680 --> 01:28:47,560 Speaker 1: because I know we're still in my bed, and I 1069 01:28:47,680 --> 01:28:51,519 Speaker 1: called Sisco Goldie, right, Goldie, be fucking serious as motherfucker, 1070 01:28:51,600 --> 01:28:56,000 Speaker 1: move over here and be fucking clowning the whole time. 1071 01:28:57,479 --> 01:28:59,360 Speaker 1: So I mean, and then then they went from just 1072 01:28:59,600 --> 01:29:02,040 Speaker 1: us doing on the stage, just clowning and having fun 1073 01:29:02,160 --> 01:29:06,280 Speaker 1: to paying attention to the crowd's response. So the crowd's 1074 01:29:06,280 --> 01:29:13,160 Speaker 1: biggest response is promised, um, beauty um where I'm making 1075 01:29:13,200 --> 01:29:17,600 Speaker 1: love when we do that joint? Uh yeah, no, of 1076 01:29:17,640 --> 01:29:20,240 Speaker 1: course tell me is this yeah? And the remix coming man, 1077 01:29:20,439 --> 01:29:24,360 Speaker 1: you know, but and then we all have fun when 1078 01:29:24,439 --> 01:29:26,680 Speaker 1: this nigga through the throng song now, because I know 1079 01:29:26,760 --> 01:29:29,000 Speaker 1: it's a difference when he go do the ship versus 1080 01:29:29,040 --> 01:29:30,720 Speaker 1: when he's doing the Ship with Drew Hill only. So 1081 01:29:31,360 --> 01:29:33,840 Speaker 1: you know, so that I probably named like five songs. 1082 01:29:33,960 --> 01:29:39,320 Speaker 1: Now we had like five songs on the radio all 1083 01:29:39,360 --> 01:29:43,320 Speaker 1: the damn times, and that was different from anybody else, 1084 01:29:43,360 --> 01:29:44,519 Speaker 1: you know what I mean that I can say that 1085 01:29:44,720 --> 01:29:47,760 Speaker 1: that you know that we went out with man, you know, 1086 01:29:47,880 --> 01:29:50,280 Speaker 1: and I'm just looking at the whole career. Was like 1087 01:29:50,479 --> 01:29:52,360 Speaker 1: when we sat around like we're sitting here now, this 1088 01:29:52,560 --> 01:29:54,160 Speaker 1: is us in the hood out of people s ship, 1089 01:29:54,240 --> 01:29:57,599 Speaker 1: motherfucker's doing whatever. You're looking at your idols, your ship 1090 01:29:57,600 --> 01:29:59,040 Speaker 1: and you know what I mean, wanting to get there yo. 1091 01:29:59,240 --> 01:30:03,160 Speaker 1: And then we funking around and do that ship for real. Yeah, 1092 01:30:03,560 --> 01:30:07,760 Speaker 1: that's the whole that's you said, some bad ship, you 1093 01:30:07,840 --> 01:30:10,880 Speaker 1: know it just for this by the gamble here, gamble. 1094 01:30:11,000 --> 01:30:13,760 Speaker 1: They gotta do pass well, sill story, tell, let's story, 1095 01:30:13,800 --> 01:30:34,599 Speaker 1: do kill We songs we got did a lot of them, right. 1096 01:30:34,840 --> 01:30:40,479 Speaker 1: But so it's like I'm gonna always say beauty because 1097 01:30:42,160 --> 01:30:44,240 Speaker 1: I feel like that was this song I bat my 1098 01:30:44,320 --> 01:30:47,160 Speaker 1: career on. I feel like that was this song. I 1099 01:30:47,360 --> 01:30:52,280 Speaker 1: thought every piece of capital I had on and getting 1100 01:30:52,479 --> 01:30:55,400 Speaker 1: niggers in the studio, like it was like, if y'all 1101 01:30:55,520 --> 01:30:59,000 Speaker 1: just sing this all, you'll get what the funk I'm doing, 1102 01:31:00,040 --> 01:31:03,080 Speaker 1: And took me singing the whole song. He sang that 1103 01:31:03,160 --> 01:31:06,360 Speaker 1: Oung didn't want to sing it. When you say you 1104 01:31:06,439 --> 01:31:13,519 Speaker 1: say you know they didn't sell enoughing, No, I didn't enough. 1105 01:31:13,600 --> 01:31:16,960 Speaker 1: Like this is what people gotta understand, Like on give 1106 01:31:17,000 --> 01:31:22,439 Speaker 1: you like for real, then they didn't want nothing. That's 1107 01:31:22,640 --> 01:31:29,559 Speaker 1: like it's literally just jazz and Cisco singing the lead 1108 01:31:29,840 --> 01:31:33,599 Speaker 1: all the backgrounds on that song. So when so when 1109 01:31:33,640 --> 01:31:36,160 Speaker 1: we're looking at the drew here now that it's jazz 1110 01:31:36,240 --> 01:31:41,120 Speaker 1: and cisco doing the me and hear a thing. Yeah 1111 01:31:42,400 --> 01:31:45,679 Speaker 1: on that song, yea on that song, on our best 1112 01:31:45,800 --> 01:31:54,000 Speaker 1: song on dres best song all uh Nokio singing the background. 1113 01:31:55,280 --> 01:32:03,479 Speaker 1: Want great brothers ain't he wrote this song? Godamn, that's 1114 01:32:03,520 --> 01:32:08,800 Speaker 1: my favorite true? So you know what, like one, I 1115 01:32:08,920 --> 01:32:14,599 Speaker 1: can only write what I feel, and like I don't 1116 01:32:14,600 --> 01:32:17,680 Speaker 1: want to give it to nobody ever than my people. Man, 1117 01:32:20,120 --> 01:32:25,959 Speaker 1: So y'all about to go out like that? No, so tomorrow, 1118 01:32:26,400 --> 01:32:30,280 Speaker 1: tomorrow we're going to rehearsals and then we're going to 1119 01:32:30,400 --> 01:32:41,840 Speaker 1: get a Black Excellence Irvian Icon Music Award because seems 1120 01:32:41,920 --> 01:32:46,760 Speaker 1: like you gotta understand, man, Like the thing that I 1121 01:32:46,840 --> 01:32:48,560 Speaker 1: feel like I got to shoot the point where we 1122 01:32:48,640 --> 01:32:51,120 Speaker 1: are is that you gotta understand what you would do, 1123 01:32:52,160 --> 01:32:55,960 Speaker 1: like I could sing, like for people that know it's 1124 01:32:55,960 --> 01:32:58,640 Speaker 1: from Baltimore, like what we first started from realm. Me 1125 01:32:58,680 --> 01:33:01,880 Speaker 1: and Cisco was singing all and the more people that 1126 01:33:02,200 --> 01:33:05,320 Speaker 1: I met that could sing, I'm like that singing. Ship 1127 01:33:05,439 --> 01:33:07,519 Speaker 1: n't write the songs and Ship and like I'm a 1128 01:33:07,720 --> 01:33:13,000 Speaker 1: I'm a farmer. A Live groups don't last because you 1129 01:33:13,120 --> 01:33:16,080 Speaker 1: guys don't know how to pass. You gotta learn how 1130 01:33:16,160 --> 01:33:19,880 Speaker 1: to be a great number two before you get to 1131 01:33:19,960 --> 01:33:22,960 Speaker 1: be a great number one. Man. Everybody want to be 1132 01:33:23,120 --> 01:33:25,719 Speaker 1: number one first, and that's when ship get on whatever. 1133 01:33:26,960 --> 01:33:39,800 Speaker 1: Figure out what you do. Know what I'm saying, God man, 1134 01:33:51,080 --> 01:33:55,040 Speaker 1: how one thing you take that? Ain't it you? Pad 1135 01:33:55,240 --> 01:34:00,080 Speaker 1: MoMA um. I will pass the ball. I pass the 1136 01:34:00,160 --> 01:34:04,559 Speaker 1: ball when the motherfucker don't bounce no more. Damn damn. 1137 01:34:05,040 --> 01:34:09,120 Speaker 1: We're gonna start talking up of this therapy. I feel 1138 01:34:09,160 --> 01:34:14,120 Speaker 1: like y'all ain't talked years. No, we talked. I talked 1139 01:34:14,160 --> 01:34:17,040 Speaker 1: real loud, and I've been cussing and Ship and then 1140 01:34:17,280 --> 01:34:19,000 Speaker 1: and then and then they're trying to to you like 1141 01:34:19,479 --> 01:34:22,839 Speaker 1: it's just nigked and crazy. It's just they got breakdown. 1142 01:34:22,880 --> 01:34:27,719 Speaker 1: I'm not crazy, but you know what I'm no wen't 1143 01:34:27,920 --> 01:34:35,400 Speaker 1: literally when it comes down the right right. So if 1144 01:34:35,439 --> 01:34:46,519 Speaker 1: I tell what you mean, the end of the day, 1145 01:34:50,880 --> 01:34:55,280 Speaker 1: I got did well, got to see the company, gotta 1146 01:34:55,320 --> 01:35:00,439 Speaker 1: have discourse because we found discourse. Y'all real realize how 1147 01:35:00,560 --> 01:35:04,519 Speaker 1: niggas really feel. So my whole thing from the beginning is, Nigga, 1148 01:35:04,520 --> 01:35:06,920 Speaker 1: I'm gonna make you mad to do what you gotta do, 1149 01:35:07,439 --> 01:35:09,040 Speaker 1: and then you're gonna look at me and be like 1150 01:35:09,160 --> 01:35:19,840 Speaker 1: fucking you and I'm gonna say thank you said because 1151 01:35:19,920 --> 01:35:24,479 Speaker 1: you don't understand something like if you read books, you 1152 01:35:24,520 --> 01:35:28,080 Speaker 1: know I didn't say that, But what I'm saying now 1153 01:35:28,439 --> 01:35:31,559 Speaker 1: there with the take the emotions out of ship right, 1154 01:35:31,920 --> 01:35:34,760 Speaker 1: Emotional niggas fuck up because they beat in their motion. 1155 01:35:34,840 --> 01:35:38,000 Speaker 1: I'm not I'm gonna pull you into I'm gonna saying, Nikka, 1156 01:35:38,080 --> 01:35:42,439 Speaker 1: can you sing the song? Yeah for you, for you, 1157 01:35:42,600 --> 01:35:44,640 Speaker 1: whatever I mean, and even you're gonna do that or 1158 01:35:44,680 --> 01:35:46,360 Speaker 1: you're gonna get mad. But at the end of the day, 1159 01:35:46,400 --> 01:35:49,360 Speaker 1: if you get mad and going that perfect example we're 1160 01:35:49,400 --> 01:35:52,720 Speaker 1: doing all along. First off, I'm saying I'm talking ship 1161 01:35:52,800 --> 01:35:55,800 Speaker 1: to this nigga, and eventually I'm like, you want to 1162 01:35:55,920 --> 01:35:58,439 Speaker 1: read write the song? Can you do it? Like right? 1163 01:35:58,600 --> 01:36:00,760 Speaker 1: And eventually I said, some ship that made this nigger 1164 01:36:00,840 --> 01:36:05,240 Speaker 1: say all of love and hit that note. He thought 1165 01:36:05,320 --> 01:36:07,600 Speaker 1: I was mad at. I was mad at. I just 1166 01:36:07,760 --> 01:36:09,559 Speaker 1: need to nig to get to the point to send 1167 01:36:09,600 --> 01:36:11,640 Speaker 1: the ship. So he come out the booth looking at 1168 01:36:11,680 --> 01:36:17,160 Speaker 1: me like nigga fucker, and I'm like you right, you 1169 01:36:17,240 --> 01:36:29,760 Speaker 1: know yet, y'all. Man, Hey man, y'all, we appreciate your 1170 01:36:29,880 --> 01:36:41,920 Speaker 1: bread the entire room any time world when whenever you 1171 01:36:42,000 --> 01:36:52,040 Speaker 1: want to come back, come into it first, ye whenever 1172 01:36:52,280 --> 01:36:55,320 Speaker 1: wheneveryone come back. We could do it right here. Yeah. Yeah, 1173 01:36:55,400 --> 01:36:58,040 Speaker 1: where you can come today to fast episode, tell your 1174 01:36:58,080 --> 01:37:00,000 Speaker 1: sad at the story. You can come back by yourself 1175 01:37:00,040 --> 01:37:04,880 Speaker 1: up first and didn't come back. I let's go. I've 1176 01:37:06,479 --> 01:37:09,720 Speaker 1: not real ship, real ship, I told the same ship 1177 01:37:09,920 --> 01:37:13,120 Speaker 1: and don't wear my mother worn shirt. But the great 1178 01:37:13,160 --> 01:37:16,040 Speaker 1: part about it is every time I looked y'all post chick, 1179 01:37:16,240 --> 01:37:19,479 Speaker 1: I followed. I followed the drew here my fag that 1180 01:37:19,520 --> 01:37:26,880 Speaker 1: I follow drew ya understand like individually, I followed like 1181 01:37:28,280 --> 01:37:33,360 Speaker 1: I want to see all y'all. Every time I go 1182 01:37:33,479 --> 01:37:36,120 Speaker 1: look at up, I'm either busy so I don't looked up, 1183 01:37:36,160 --> 01:37:39,240 Speaker 1: probably like teen dates for real, just I pop up 1184 01:37:39,240 --> 01:37:41,439 Speaker 1: with your niggas and look at the show. But I 1185 01:37:41,520 --> 01:37:43,599 Speaker 1: was like, funk, I can't keep I can't care one. 1186 01:37:43,920 --> 01:37:59,439 Speaker 1: But I'm never trying. I never trying. What's up my shirt? 1187 01:37:59,520 --> 01:38:04,920 Speaker 1: Up a thing? Take it off? Can I take my 1188 01:38:06,280 --> 01:38:12,920 Speaker 1: boat to take my seat? You can't tell little you 1189 01:38:13,040 --> 01:38:15,840 Speaker 1: didn't tell me that because I think a real boy 1190 01:38:15,920 --> 01:38:19,560 Speaker 1: ship through a lot of ships. We've been thing like, 1191 01:38:20,439 --> 01:38:23,400 Speaker 1: you know, aside from what we went through from when 1192 01:38:23,439 --> 01:38:27,240 Speaker 1: we were jelling like Jack Jack Driller, Brother, let's give 1193 01:38:27,240 --> 01:38:42,360 Speaker 1: it up for Jack Triller. Your bodies great, give it 1194 01:38:42,520 --> 01:38:58,639 Speaker 1: to we all now, little little lot of to make 1195 01:38:58,760 --> 01:39:17,240 Speaker 1: you old crazy me get please out me want ship. Yeah, 1196 01:39:20,800 --> 01:39:22,519 Speaker 1: I love y'all. Wait a minute, man, it's my boy 1197 01:39:22,640 --> 01:39:29,920 Speaker 1: Jack through the birthday boy today, Tony jam today today, 1198 01:39:30,800 --> 01:39:37,519 Speaker 1: you didn't see it. I don't drop a mule on 1199 01:39:37,640 --> 01:39:45,559 Speaker 1: me though I don't want to drop. Ain't might drop 1200 01:39:45,640 --> 01:39:55,559 Speaker 1: nigga alone? Man, ain't a stid yourself short, Julia, Yeah, yeah, yeah, 1201 01:39:55,600 --> 01:39:59,840 Speaker 1: gotta say my first. I wanted to drop beauty we do. 1202 01:40:00,680 --> 01:40:07,720 Speaker 1: I didn't I would hit dute these days. Hold, I 1203 01:40:07,960 --> 01:40:13,519 Speaker 1: can make you mind for another mess to your heart, 1204 01:40:16,320 --> 01:40:29,920 Speaker 1: Billy in mind all beaunion when I'm down. I USI 1205 01:40:30,120 --> 01:40:53,200 Speaker 1: to get tired you. I'm trying to be inside me. 1206 01:40:59,040 --> 01:41:09,120 Speaker 1: Had ship. It wasn't for you. Let's getten to say 1207 01:41:09,200 --> 01:41:11,080 Speaker 1: that part. I didn't want to hear that ship from you. 1208 01:41:15,360 --> 01:41:20,040 Speaker 1: Look ill I see what the I This was my shot. 1209 01:41:30,160 --> 01:41:38,720 Speaker 1: This is what hey man, it was an honor man, 1210 01:41:38,800 --> 01:41:43,920 Speaker 1: no cap man, real ship. Well, y'all legends goats, you 1211 01:41:44,040 --> 01:41:48,040 Speaker 1: hit me, don't let nobody to tell y'all Chip, That's 1212 01:41:48,040 --> 01:42:01,439 Speaker 1: why I shall the Holy sit