1 00:00:02,200 --> 00:00:07,160 Speaker 1: Welcome back to another episode what abolcom toddition. I'm your host, 2 00:00:07,400 --> 00:00:11,960 Speaker 1: Kevin Poll. I guess that Kevin Well for mushroom, black 3 00:00:11,960 --> 00:00:16,040 Speaker 1: owls and sausage Marinaro sauce only. Of course, thanks for asking, 4 00:00:16,360 --> 00:00:19,320 Speaker 1: but I digress. Let's mean a shower, no particular orders. 5 00:00:19,360 --> 00:00:25,920 Speaker 1: Say hello and welcome back, Gary Anthony. Will may I say, 6 00:00:26,640 --> 00:00:29,840 Speaker 1: this is one of those days when nothing could go wrong, 7 00:00:30,920 --> 00:00:33,239 Speaker 1: And I mean, I'm not. I'm not even kidding. No, 8 00:00:33,560 --> 00:00:36,479 Speaker 1: he's not. Nothing could possibly go wrong today, and it 9 00:00:36,520 --> 00:00:42,240 Speaker 1: feels good knowing it. It must Garbert any memory from 10 00:00:42,280 --> 00:00:47,840 Speaker 1: a trip abroad? Uh? Yeah, oh yes, yes, of course. 11 00:00:48,960 --> 00:00:54,160 Speaker 1: I years ago, I took my son, who as you 12 00:00:54,240 --> 00:00:58,279 Speaker 1: like to call him. He's a Mexican American, he's mixed race, Uh, 13 00:00:58,720 --> 00:01:03,560 Speaker 1: to Fiji with my then white wife, and I only 14 00:01:03,560 --> 00:01:10,040 Speaker 1: see color. I'll be honest. I only took him to Fiji. 15 00:01:10,840 --> 00:01:13,360 Speaker 1: We were he was there longer than I was. I 16 00:01:13,400 --> 00:01:15,400 Speaker 1: was there like ten or eleven days. But he started 17 00:01:15,440 --> 00:01:19,640 Speaker 1: picking up the Fijian language really easily, and because of 18 00:01:19,800 --> 00:01:23,360 Speaker 1: his mix, he looked like a Fijian kid. So people 19 00:01:23,400 --> 00:01:26,040 Speaker 1: were always stopping us on the streets seeing if we 20 00:01:26,040 --> 00:01:31,119 Speaker 1: were trying to kidnap a Fijian kid because he looked 21 00:01:31,160 --> 00:01:34,360 Speaker 1: like them Fijian. Yeah, but I will tell you this, 22 00:01:35,120 --> 00:01:37,600 Speaker 1: We were not trying to kidnap. We were using him. 23 00:01:37,640 --> 00:01:39,520 Speaker 1: He's like, no, he's our kids, and they would speak 24 00:01:39,560 --> 00:01:42,640 Speaker 1: to them, but we say, don't speak in Fijian because 25 00:01:42,680 --> 00:01:45,800 Speaker 1: he was learning Fijian at the time. Um. But that 26 00:01:45,880 --> 00:01:48,720 Speaker 1: was just as a guys, because we really were a 27 00:01:48,800 --> 00:01:59,600 Speaker 1: kidnapping Yeah, yeah, Usa, right right, Hey, look there it's 28 00:01:59,680 --> 00:02:03,160 Speaker 1: James any Lonnie Jim. If I say fire pit, you 29 00:02:03,320 --> 00:02:09,560 Speaker 1: say s'mares smarts. Yeah, I mean that's the first thing 30 00:02:09,600 --> 00:02:11,640 Speaker 1: I thought of. It felt like it was necessary to 31 00:02:11,639 --> 00:02:14,799 Speaker 1: give you the first thing it was, and you passed 32 00:02:14,800 --> 00:02:16,440 Speaker 1: the flying Colors and I thank you for it. Look 33 00:02:16,440 --> 00:02:20,040 Speaker 1: at it's great Kakowski Cocoo. What are the two things 34 00:02:20,040 --> 00:02:26,520 Speaker 1: a song must have for you to even listen to it? Well, 35 00:02:27,320 --> 00:02:30,760 Speaker 1: it's got to have some power and some beauty. Power 36 00:02:30,840 --> 00:02:36,000 Speaker 1: and beauty. Oh now my third horse and now here's 37 00:02:36,080 --> 00:02:39,799 Speaker 1: Christop Verado Sonny's pop. If they could all be as 38 00:02:39,880 --> 00:02:42,800 Speaker 1: perfect as sunny, how many dogs do you think you 39 00:02:42,840 --> 00:02:50,040 Speaker 1: could enjoy having on the rag? Zero to one? Okay, 40 00:02:50,320 --> 00:02:52,520 Speaker 1: just a lot. It's a lot it's a lot. It's 41 00:02:52,520 --> 00:02:55,639 Speaker 1: a lot to have a dog. It's a lot. That's 42 00:02:55,960 --> 00:02:59,880 Speaker 1: sometimes do you wish you just got a chimp? Sometimes 43 00:02:59,880 --> 00:03:05,360 Speaker 1: it so you could just sleep a lot. Yeah. Also 44 00:03:06,200 --> 00:03:07,960 Speaker 1: not a big deal. But I've been to Fiji two 45 00:03:07,960 --> 00:03:11,120 Speaker 1: so I'm just saying I'm also I'm also makes a race, 46 00:03:11,160 --> 00:03:12,640 Speaker 1: so not a big deal. Just does a lot of 47 00:03:12,639 --> 00:03:15,080 Speaker 1: overlap with Gary and I. So I just feel speak 48 00:03:15,200 --> 00:03:26,320 Speaker 1: Fijian bula. I forget it. No black and last, but 49 00:03:26,400 --> 00:03:28,240 Speaker 1: only heath bars this year for you if you think 50 00:03:28,280 --> 00:03:31,280 Speaker 1: of least, it's Joey Greer, Lord Freakington. The third, what 51 00:03:31,440 --> 00:03:36,840 Speaker 1: is your exercise regimen these days? When the wake up 52 00:03:36,920 --> 00:03:44,680 Speaker 1: in the money, Let's power and beauty. I just wanted 53 00:03:44,720 --> 00:03:46,480 Speaker 1: to give an example of power and beauty, and there 54 00:03:46,480 --> 00:03:49,760 Speaker 1: it was. All of our seen suggestions are gathers from you, 55 00:03:49,800 --> 00:03:52,760 Speaker 1: our listener emails, or from our patron v I p 56 00:03:52,920 --> 00:03:54,480 Speaker 1: s to become a patron support of the show and 57 00:03:54,560 --> 00:03:57,760 Speaker 1: enjoy exclusive content like, for example, video of this here, 58 00:03:58,800 --> 00:04:02,080 Speaker 1: just head on over to patreon dot com slash. If 59 00:04:02,120 --> 00:04:04,520 Speaker 1: you'd like to submit a scene suggested by email, please 60 00:04:04,520 --> 00:04:06,640 Speaker 1: write to the podcast at your name here at alchemy 61 00:04:06,680 --> 00:04:12,800 Speaker 1: this dot com that's your name here at number when 62 00:04:12,800 --> 00:04:15,920 Speaker 1: it comes from patron v I. P. Beaker, who wrote, Hey, y'all, 63 00:04:16,200 --> 00:04:19,560 Speaker 1: currently wrestling a panther in the pall and thought of 64 00:04:19,600 --> 00:04:23,040 Speaker 1: this scene suggestion and had to hear it. The concept 65 00:04:23,160 --> 00:04:32,560 Speaker 1: of Pinocchio. But it's not his nose that grows. Jesus alright, Japedal, 66 00:04:32,600 --> 00:04:36,360 Speaker 1: you're under arrest. They would, you're under Arrestpedal. I don't 67 00:04:36,440 --> 00:04:39,200 Speaker 1: understand what you say. I mean, you don't understand what's 68 00:04:39,240 --> 00:04:41,480 Speaker 1: going on here? Are you stealing everybody's would? And you're 69 00:04:41,480 --> 00:04:43,400 Speaker 1: making some creepy fucking puppets in your house? All right, 70 00:04:43,400 --> 00:04:47,159 Speaker 1: you're under arrest. First of all, I don't appreciate this 71 00:04:46,760 --> 00:04:50,800 Speaker 1: U this term you use a creepy. It's if you 72 00:04:50,839 --> 00:04:55,960 Speaker 1: could define for me creepy. That's actually pretty hard to do. Um, 73 00:04:56,800 --> 00:04:59,680 Speaker 1: you want to take a minute or a need, I'm 74 00:04:59,720 --> 00:05:04,320 Speaker 1: gonna s done on this bench right here just a second. 75 00:05:04,480 --> 00:05:10,680 Speaker 1: How does that feel, dumb boy? Now, Pinachio, listen to 76 00:05:10,680 --> 00:05:14,679 Speaker 1: me very carefully. All right, your nose no more grow. 77 00:05:17,640 --> 00:05:20,000 Speaker 1: I don't care if you lie or you tell the truth. 78 00:05:20,680 --> 00:05:23,919 Speaker 1: If you lie, it's a no nose that the grows. 79 00:05:24,760 --> 00:05:27,360 Speaker 1: I'm gonna make another part of you grow? When do 80 00:05:27,520 --> 00:05:36,720 Speaker 1: you lie? Oh? What part? I'm gonna let you select? Really? Yes, well, 81 00:05:38,800 --> 00:05:42,120 Speaker 1: come on into the store. Mr I'm sorry your card, 82 00:05:42,440 --> 00:05:44,640 Speaker 1: your card that you handed me to the door. But 83 00:05:44,839 --> 00:05:52,919 Speaker 1: Mr pet peppetto geppetto, Hey, but how you don't whether today, 84 00:05:53,000 --> 00:05:56,640 Speaker 1: I tell you, is a long morning. And I asked 85 00:05:56,640 --> 00:06:01,560 Speaker 1: the question I didn't really want to answer to. You'll hear, 86 00:06:01,640 --> 00:06:06,840 Speaker 1: my friend, I have a special marath on wood that 87 00:06:07,160 --> 00:06:10,919 Speaker 1: just got in. Tell me more. It ain't from Morocco. 88 00:06:11,200 --> 00:06:16,880 Speaker 1: That's the secret to war exactly from Fiji. There's a 89 00:06:16,960 --> 00:06:20,800 Speaker 1: Fijian the wood. It's not even from Fiji. Don't tell 90 00:06:21,680 --> 00:06:29,599 Speaker 1: don't tell him. It's Norwegian? Would Norwegian? I can't believe it. Yeah, 91 00:06:30,120 --> 00:06:32,280 Speaker 1: look at I wait all my life I thought this 92 00:06:32,440 --> 00:06:34,839 Speaker 1: a Norwegian would Ever since I heard the Beatles song, 93 00:06:35,800 --> 00:06:37,600 Speaker 1: I wait, I wonder is it the thing? Is it? 94 00:06:37,720 --> 00:06:41,159 Speaker 1: The real thing was the metaphor that they were Okay 95 00:06:42,960 --> 00:06:46,919 Speaker 1: can I come in? Yeah? Gone, I missed you. I 96 00:06:47,000 --> 00:06:52,560 Speaker 1: missed you. You're all I think about? You know that? Right? 97 00:06:53,520 --> 00:06:57,919 Speaker 1: I mean I I I thought we were serious, but 98 00:06:58,000 --> 00:07:03,159 Speaker 1: I have all that you think about what I do? 99 00:07:03,240 --> 00:07:05,880 Speaker 1: Think we were serious? But I mean I'm the only 100 00:07:05,920 --> 00:07:09,760 Speaker 1: thing you think about. I mean, I guess, not literally. 101 00:07:09,760 --> 00:07:11,840 Speaker 1: I just I missed you, Okay, I just I missed you. 102 00:07:11,880 --> 00:07:14,480 Speaker 1: Come here here, touch me, just touch me. We don't 103 00:07:14,480 --> 00:07:17,800 Speaker 1: have a long time. That's okay. Oh this feels good. 104 00:07:19,600 --> 00:07:21,840 Speaker 1: Tell it feels good. I can tell its good. It's 105 00:07:21,880 --> 00:07:23,440 Speaker 1: definitely Are you coming out? Or what did you find? 106 00:07:23,440 --> 00:07:26,880 Speaker 1: The bathroom? What the hell was this place? It's just 107 00:07:26,960 --> 00:07:33,400 Speaker 1: shut up. I was just showing her the bath what 108 00:07:33,400 --> 00:07:38,239 Speaker 1: what the fuck? Stuff? That's good? At it? Here's good. 109 00:07:40,840 --> 00:07:45,880 Speaker 1: Come here. I want you to meet somebody. I want you. 110 00:07:47,400 --> 00:07:50,960 Speaker 1: I killed him for you, boy, thank you. Oh that 111 00:07:51,200 --> 00:07:55,000 Speaker 1: seems like, uh, we're probably getting get it in trouble. 112 00:07:55,040 --> 00:07:57,200 Speaker 1: You first you killed that cop and now you've killed 113 00:07:57,280 --> 00:08:01,400 Speaker 1: him and you way, it doesn't matter. You're fine. Are 114 00:08:01,400 --> 00:08:03,960 Speaker 1: you confused today? Do you not like me anymore? Like? 115 00:08:04,040 --> 00:08:07,840 Speaker 1: What's going on here? Yester? Sweet sweet love to me? 116 00:08:08,680 --> 00:08:15,800 Speaker 1: I love you? Eric comes hey, Thompson. Uh you want 117 00:08:15,840 --> 00:08:19,480 Speaker 1: to check out the crime scene inside? It looks like 118 00:08:19,480 --> 00:08:21,560 Speaker 1: we've got a couple of dead bodies in the old 119 00:08:21,560 --> 00:08:26,920 Speaker 1: shapetto place. Manetta would be the last guy I would 120 00:08:26,920 --> 00:08:31,880 Speaker 1: have thought, you know, just a kindly old wood carver. Yeah, 121 00:08:31,280 --> 00:08:33,720 Speaker 1: you know, he may or may not have had anything 122 00:08:33,760 --> 00:08:35,600 Speaker 1: to do with this. It's kind of up to you 123 00:08:36,200 --> 00:08:40,000 Speaker 1: to put that nose of yours on the crime scene. Well, 124 00:08:40,160 --> 00:08:42,679 Speaker 1: I'm known for my nose. I mean, let us know 125 00:08:42,760 --> 00:08:46,880 Speaker 1: what you smell. Sniff this one out for us. You 126 00:08:46,960 --> 00:08:56,240 Speaker 1: gotta chief, all right, m a little stuffed up. Ah, 127 00:08:56,360 --> 00:08:59,880 Speaker 1: I didn't take my allergy meds, but okay, I'm good 128 00:09:00,080 --> 00:09:04,520 Speaker 1: at the distinct hint of sawdust. Mm hmm. There's a 129 00:09:04,520 --> 00:09:06,120 Speaker 1: lot of sawdust here, but I mean it's a wood 130 00:09:06,120 --> 00:09:09,160 Speaker 1: carver shot that that would make sense. Yeah, I smelled 131 00:09:09,200 --> 00:09:17,079 Speaker 1: that too. Okay. Uh. Mouse droppings Wait, okay, there's the 132 00:09:17,200 --> 00:09:21,040 Speaker 1: mouse infestation here. I mean their rats, but sure we 133 00:09:21,080 --> 00:09:25,480 Speaker 1: can call them mice. I think they're just really big mice. Ah, 134 00:09:27,200 --> 00:09:32,839 Speaker 1: welcome to rat r MA. You don't have a game words. 135 00:09:32,880 --> 00:09:36,240 Speaker 1: You're gonna have two rodents on stage, no police audience. 136 00:09:36,480 --> 00:09:40,199 Speaker 1: You can cheer after this is these animals will get 137 00:09:40,360 --> 00:09:45,440 Speaker 1: really freaked out if you're cheering in somebody take them 138 00:09:45,440 --> 00:09:51,600 Speaker 1: out of somebody willed son of a Welcome back to 139 00:09:51,880 --> 00:09:57,720 Speaker 1: her at two rodents on stage. You have a simple test, Junior. 140 00:09:57,800 --> 00:10:03,160 Speaker 1: Are you ready? Yes? Janina, are you ready, I believe, 141 00:10:03,200 --> 00:10:07,319 Speaker 1: so believing is half the battle. I'm gonna show you 142 00:10:07,400 --> 00:10:09,560 Speaker 1: these two rotus, and you have to decide one thing 143 00:10:09,640 --> 00:10:12,800 Speaker 1: and one thing only. Is it a rat? Corry? Is 144 00:10:12,840 --> 00:10:22,080 Speaker 1: it a mouth? Robert? Robert? Can I ask a question 145 00:10:22,120 --> 00:10:25,520 Speaker 1: real quick? Please? Don't right at Okay. If we're not 146 00:10:25,800 --> 00:10:28,120 Speaker 1: sure if it's a mouse or a rat, is there 147 00:10:28,120 --> 00:10:31,320 Speaker 1: a middle ground? Is there a third option? If you're 148 00:10:31,400 --> 00:10:35,720 Speaker 1: not sure whether it's a mouse or a rat, always 149 00:10:35,960 --> 00:10:43,680 Speaker 1: choose mouse. That's help. Okay, I'm ready. Sorry, I'm gonna 150 00:10:43,760 --> 00:10:49,599 Speaker 1: lift the dome and rub a mouse. Oh that's a mouse. 151 00:10:49,720 --> 00:10:54,160 Speaker 1: Then I guess I'll go with I'll go with go 152 00:10:54,280 --> 00:11:00,160 Speaker 1: with the incorrect answer. Uh, I'll go with My was 153 00:11:00,200 --> 00:11:10,040 Speaker 1: also about my ship, and the answer is miles follow 154 00:11:10,120 --> 00:11:14,520 Speaker 1: up questions I answered right away, right away, right, and 155 00:11:14,600 --> 00:11:20,199 Speaker 1: my opponent took forever right. There is there any points 156 00:11:20,920 --> 00:11:27,960 Speaker 1: not penocchio, penocio, turn that off, turn that off on? Hey. 157 00:11:28,080 --> 00:11:32,679 Speaker 1: I was thinking, um, there's only one real person that's 158 00:11:32,720 --> 00:11:35,440 Speaker 1: standing in the way of you and I being who 159 00:11:35,440 --> 00:11:37,480 Speaker 1: it is we want to be or going where we will. 160 00:11:38,720 --> 00:11:44,240 Speaker 1: Uh huh Sato. Yeah, but he's like my dad, Yeah, 161 00:11:44,240 --> 00:11:47,680 Speaker 1: but like a really abusive father, I feel like not really, 162 00:11:48,040 --> 00:11:53,480 Speaker 1: not really from from from from all right? Might you 163 00:11:53,520 --> 00:11:56,520 Speaker 1: have to pay for your room? Okay, you're off your time? Okay, 164 00:11:58,000 --> 00:12:02,880 Speaker 1: room where you got the funk out? Okay? Nobody's here, man, 165 00:12:02,920 --> 00:12:05,160 Speaker 1: I see little feet running around. I don't need them 166 00:12:05,800 --> 00:12:07,880 Speaker 1: the daughter. You pay me or you got the funk out? 167 00:12:08,120 --> 00:12:13,240 Speaker 1: Give me one second? H Hello, how do you do? Okay? Okay, sorry, 168 00:12:13,240 --> 00:12:15,280 Speaker 1: we went over time? Is that right? Yeah, that's right. 169 00:12:15,559 --> 00:12:17,320 Speaker 1: Come on in, let me go to my purse. How 170 00:12:17,360 --> 00:12:27,920 Speaker 1: much you being? Seventy dollars? Is that a puppet for you? 171 00:12:28,320 --> 00:12:34,240 Speaker 1: I for you now, Mr the pedal Unlike the other 172 00:12:34,280 --> 00:12:37,880 Speaker 1: woods that I have sold into you. Yes, sir, this 173 00:12:37,920 --> 00:12:43,080 Speaker 1: wood has other mystical and a k a also magical powers. 174 00:12:43,120 --> 00:12:47,560 Speaker 1: I'm a listening. If at any point anything is going 175 00:12:47,600 --> 00:12:52,680 Speaker 1: wrong in your life, my life, anybody's life. If you 176 00:12:52,800 --> 00:12:59,280 Speaker 1: ever threatened, hit them with this Norwegian wood. So it's 177 00:12:59,360 --> 00:13:03,360 Speaker 1: fat you say my life is a threat or anything 178 00:13:03,400 --> 00:13:05,719 Speaker 1: else in my life I want to change. I hit 179 00:13:05,760 --> 00:13:10,599 Speaker 1: them with the wound with this noweedio isn't it the 180 00:13:10,679 --> 00:13:14,560 Speaker 1: good about chief? Another body right here? At there's no 181 00:13:14,640 --> 00:13:17,439 Speaker 1: tell motel. Well, I think we got a serial killer 182 00:13:17,480 --> 00:13:22,440 Speaker 1: on our hands. What makes you say then, Well, first 183 00:13:22,440 --> 00:13:30,719 Speaker 1: of all, mouse, Mouse, get Rats, Rats Mouse Norwegian Rats. Uh, 184 00:13:31,760 --> 00:13:33,760 Speaker 1: thanks for recommending that show. By the way, I benched 185 00:13:33,760 --> 00:13:36,439 Speaker 1: the ship out of it this week, right and got 186 00:13:36,480 --> 00:13:40,800 Speaker 1: really good at identifying wrote it. Oh, I mean, it's 187 00:13:40,800 --> 00:13:42,800 Speaker 1: got all the same tell tell signs of that murder 188 00:13:42,800 --> 00:13:46,880 Speaker 1: at the Geppetto place. Whoever, whoever, it's the same emo, 189 00:13:47,080 --> 00:13:50,600 Speaker 1: it's the same mmo. And what is that mo? Exactly? Well, 190 00:13:50,640 --> 00:13:54,960 Speaker 1: there's wood chips all over the place. Sure, and uh, 191 00:13:55,040 --> 00:13:58,280 Speaker 1: that's it. That's their sign their signature, that's their signature. 192 00:13:58,800 --> 00:14:04,800 Speaker 1: And wood chips like trumps exactly and uh and somebody 193 00:14:04,840 --> 00:14:10,240 Speaker 1: wrote fu Geppetto on the wall. Somebody, Hey, Robert, Hey, 194 00:14:10,240 --> 00:14:11,719 Speaker 1: I'm so sorry to catch you after one of those. 195 00:14:14,240 --> 00:14:16,360 Speaker 1: I love the show so much. I love the social 196 00:14:17,800 --> 00:14:20,280 Speaker 1: take three take. I don't know if you know about this, 197 00:14:20,880 --> 00:14:24,240 Speaker 1: this alternate Nosco breathing just to calm down. Let's just 198 00:14:24,280 --> 00:14:27,800 Speaker 1: go ahead and alter Nosto breathing, just calm down the 199 00:14:27,840 --> 00:14:31,280 Speaker 1: show so much. He got a question, what what do 200 00:14:31,320 --> 00:14:32,640 Speaker 1: you do with what do you do with the rats 201 00:14:32,640 --> 00:14:36,080 Speaker 1: and nousis after filming? Huh, what do you do with him? Yeah, 202 00:14:36,600 --> 00:14:41,120 Speaker 1: what do you do? Follow me? Okay, this is crazy, 203 00:14:41,480 --> 00:14:46,400 Speaker 1: Robert Robert Shermer, I'm with Robert Shermer. Robert Schmer is 204 00:14:46,480 --> 00:14:51,560 Speaker 1: with you? Pal? Oh following me? Mr? Do you want 205 00:14:51,600 --> 00:14:56,120 Speaker 1: access to the room? Would you please open the room? 206 00:14:56,120 --> 00:15:00,480 Speaker 1: Oh my gosh, that's the password? There you are? Who 207 00:15:04,920 --> 00:15:07,760 Speaker 1: is it? More than everything you've ever dreamt off? Oh 208 00:15:07,800 --> 00:15:10,440 Speaker 1: my god? So they're just they just formed giant rat 209 00:15:10,520 --> 00:15:21,120 Speaker 1: kings balls, the rats willowing, fluffy, undulating balls. Rats. And 210 00:15:28,800 --> 00:15:36,040 Speaker 1: are you feeling okay? You're your balls are gigantic. Well 211 00:15:37,040 --> 00:15:42,400 Speaker 1: they've made a grieve mistake. It's not me, It's not 212 00:15:42,400 --> 00:15:47,440 Speaker 1: not be with me right? Well, you see, I'm something 213 00:15:49,600 --> 00:15:53,080 Speaker 1: for me? Is that why holding off? That's not how 214 00:15:53,080 --> 00:15:56,840 Speaker 1: it's supposed to work. The balls don't usually cruel, that 215 00:15:58,000 --> 00:16:02,280 Speaker 1: is goodness. Ooh we got out just in time. The 216 00:16:02,400 --> 00:16:11,840 Speaker 1: balls don't usually grow. Why would you carved balls? Where 217 00:16:11,880 --> 00:16:14,680 Speaker 1: you wearing wooden balls? We learned more about you, pedal 218 00:16:14,800 --> 00:16:23,240 Speaker 1: than we wanted to come through from David David, who wrote, hellokay, 219 00:16:23,400 --> 00:16:26,320 Speaker 1: you are one of the driving forces getting me through 220 00:16:26,400 --> 00:16:30,640 Speaker 1: this pandemic. Now to the scene idea. So just an 221 00:16:30,640 --> 00:16:33,920 Speaker 1: observation he shared with us I have been watching a 222 00:16:33,920 --> 00:16:38,560 Speaker 1: lot of film noir movies recently, So that's it. Film noir, 223 00:16:39,400 --> 00:16:44,680 Speaker 1: go action. Love you all, David ta Tarzuk. It was 224 00:16:44,720 --> 00:16:48,560 Speaker 1: a cold day, not the cold that you usually feel, 225 00:16:48,600 --> 00:16:51,760 Speaker 1: not bone chilling cold, not the kind of cold that 226 00:16:51,840 --> 00:16:55,040 Speaker 1: blows a man's hat off of his head, Not the 227 00:16:55,120 --> 00:16:58,360 Speaker 1: kind of cold and whistles through the trees making you 228 00:16:58,400 --> 00:17:03,880 Speaker 1: wish he were deaf again. No, it was just mildly cool. Larry, Sorry, 229 00:17:03,920 --> 00:17:05,920 Speaker 1: sorry interrupt you. I know, I know you'd like to 230 00:17:05,960 --> 00:17:09,320 Speaker 1: get through the whole passage. Um, we I feel a 231 00:17:09,400 --> 00:17:12,600 Speaker 1: little bit of aggression, and I would like to just 232 00:17:12,720 --> 00:17:17,159 Speaker 1: taper it back two notches to doing too much welcoming, 233 00:17:17,680 --> 00:17:21,440 Speaker 1: maybe a little more welcoming. We're gonna the actors themselves 234 00:17:21,600 --> 00:17:24,480 Speaker 1: on screen. Yeah, we're gonna leave a lot of that 235 00:17:24,520 --> 00:17:27,600 Speaker 1: acting to them. What we were looking from from you, 236 00:17:27,720 --> 00:17:32,119 Speaker 1: per se, was setting the scene, welcoming the view the 237 00:17:32,200 --> 00:17:35,800 Speaker 1: viewer in bringing them in. Let's try a welcoming book. 238 00:17:36,760 --> 00:17:39,359 Speaker 1: That's it. That's the one. How about this time? I 239 00:17:39,400 --> 00:17:42,200 Speaker 1: just kind of ye have fun with it and make 240 00:17:42,240 --> 00:17:45,760 Speaker 1: it my own, you know what, trying to make it 241 00:17:45,800 --> 00:17:50,040 Speaker 1: everyone else's that. Make this one about you all? Right 242 00:17:52,640 --> 00:17:56,520 Speaker 1: when I woke up that moment, everything seemed to be 243 00:17:56,600 --> 00:18:00,560 Speaker 1: going my way. There's the only reason I couldn't say 244 00:18:00,600 --> 00:18:04,280 Speaker 1: that is it was the sun was shining, just the 245 00:18:04,320 --> 00:18:06,200 Speaker 1: way I like the sun. I hate to cut you off. 246 00:18:06,280 --> 00:18:09,239 Speaker 1: I hate to cut you off, but we still need 247 00:18:09,359 --> 00:18:12,760 Speaker 1: you to redo the lines about the chili cold weather. No, 248 00:18:12,960 --> 00:18:14,680 Speaker 1: you want me to go back to the cold days, 249 00:18:14,680 --> 00:18:19,640 Speaker 1: then yeah, it would be really helpful because you need 250 00:18:19,680 --> 00:18:26,119 Speaker 1: to make it your old very good flip. It was 251 00:18:26,160 --> 00:18:29,639 Speaker 1: a cold day, not the kind of cold that chills 252 00:18:29,720 --> 00:18:33,480 Speaker 1: you to the boom. Gosh, it's cold today. Not the 253 00:18:33,560 --> 00:18:36,920 Speaker 1: kind of cold that rolls a man's hat right off 254 00:18:37,040 --> 00:18:42,600 Speaker 1: his head. You dropped your head. Yes, it is that 255 00:18:42,680 --> 00:18:46,000 Speaker 1: kind of cold day, then, not the kind of cold 256 00:18:46,040 --> 00:18:49,080 Speaker 1: that whistles through the trees. It makes a man wish 257 00:18:49,200 --> 00:18:52,879 Speaker 1: he were deaf and couldn't hear. It was just my 258 00:18:54,080 --> 00:19:01,280 Speaker 1: cool meaning morning more. Please come in, don't be frightened. 259 00:19:01,320 --> 00:19:03,680 Speaker 1: How can they help you, sir? Why would I be afraid? 260 00:19:03,680 --> 00:19:06,200 Speaker 1: I'll just take a cup of coffee place. Most who 261 00:19:06,240 --> 00:19:09,640 Speaker 1: have come to this place? Who am I dealing with here? 262 00:19:10,000 --> 00:19:13,600 Speaker 1: Where my manager is very much on my ask today? 263 00:19:13,760 --> 00:19:17,280 Speaker 1: But good? Actually I'm having a pretty good day. Like 264 00:19:17,320 --> 00:19:18,959 Speaker 1: it's kind of cold out there, but not the kind 265 00:19:18,960 --> 00:19:20,600 Speaker 1: of cold that blows your hat off. Although that did 266 00:19:20,640 --> 00:19:22,359 Speaker 1: happen to me, which is weird. I think it was 267 00:19:22,760 --> 00:19:26,399 Speaker 1: a free gust of wind, but maybe your head just 268 00:19:26,480 --> 00:19:31,119 Speaker 1: fell off. Is it possible? Oh that's possible anyway. Uh nice, 269 00:19:31,280 --> 00:19:33,119 Speaker 1: nice start to my day. I'll tell you what I think. 270 00:19:33,160 --> 00:19:35,399 Speaker 1: A cup of coffee place, what kind of coffee with 271 00:19:35,480 --> 00:19:37,960 Speaker 1: your leg? Well, the narration is going to come back 272 00:19:38,000 --> 00:19:42,120 Speaker 1: in in three two. He wasn't the kind of guy 273 00:19:42,200 --> 00:19:46,280 Speaker 1: who drank regular coffee. Some people like the coffee black. 274 00:19:47,040 --> 00:19:50,960 Speaker 1: He liked his African American I wasn't afraid to think 275 00:19:51,000 --> 00:19:58,720 Speaker 1: so African American? Please? What you heard me? What did 276 00:19:58,720 --> 00:20:01,080 Speaker 1: you say? Is there an issue here? I like my 277 00:20:01,200 --> 00:20:06,320 Speaker 1: coffee African American plays? The fund is wrong with you? 278 00:20:06,359 --> 00:20:09,119 Speaker 1: What are you talking about? That was that supposed to me? Boss? 279 00:20:09,200 --> 00:20:11,000 Speaker 1: If I may, I think it means he doesn't have 280 00:20:11,040 --> 00:20:17,680 Speaker 1: one any cream of any kind? That get you? What 281 00:20:17,800 --> 00:20:20,199 Speaker 1: do you? What do you think it means? And the 282 00:20:20,280 --> 00:20:22,480 Speaker 1: fucking idea of the show, let's get out of this 283 00:20:22,520 --> 00:20:24,720 Speaker 1: coffee shop on it's something bad is about to go down. 284 00:20:27,720 --> 00:20:31,560 Speaker 1: I don't think It's a metaphor. Three doors down, little 285 00:20:31,640 --> 00:20:35,320 Speaker 1: Lucifer a k a. The peg leg boy stop at 286 00:20:35,359 --> 00:20:39,159 Speaker 1: the candy shopper. He always stopped every morning, but he 287 00:20:39,240 --> 00:20:45,040 Speaker 1: stopped here extra hard on such a cold whole day. Hey, Mr, 288 00:20:45,320 --> 00:20:51,800 Speaker 1: where's my caramel creams? Coming? Right up? You're supposed to 289 00:20:51,840 --> 00:20:56,840 Speaker 1: have my camel creams ready right when I show up? Yeah? Yeah, yeah, yeah, 290 00:20:57,119 --> 00:21:03,639 Speaker 1: you know who I am? Yeah, a little peg like boy. 291 00:21:03,960 --> 00:21:06,080 Speaker 1: You don't. You don't get to say that, you don't. 292 00:21:08,000 --> 00:21:12,399 Speaker 1: We tell you all. I'm a little Lucifer, son of 293 00:21:12,440 --> 00:21:18,840 Speaker 1: the devil. Alright, good whatever. I do have a peg leg, 294 00:21:18,920 --> 00:21:24,560 Speaker 1: but I'm not defined by it. Man and this and 295 00:21:24,600 --> 00:21:30,720 Speaker 1: this establishment you are. Oh, I see your sign. We 296 00:21:30,800 --> 00:21:34,160 Speaker 1: have the right to discriminate. The sign of the wall 297 00:21:34,280 --> 00:21:37,320 Speaker 1: did say we have the right to discriminate. But what 298 00:21:37,440 --> 00:21:41,160 Speaker 1: Little Lucifer didn't realize is the word right wasn't spelled 299 00:21:41,640 --> 00:21:44,800 Speaker 1: r I g h T. It was a spelling he'd 300 00:21:44,840 --> 00:21:51,520 Speaker 1: never seen before, not in his wildest, wildest dreams. Hey, 301 00:21:51,720 --> 00:21:56,720 Speaker 1: who spells right like that? Anyway? What you're talking about? 302 00:21:56,760 --> 00:22:04,080 Speaker 1: How you spell it? W R I g h T? Yeah? 303 00:22:04,440 --> 00:22:06,359 Speaker 1: Who the hell taught you to read? I thought you 304 00:22:06,400 --> 00:22:08,399 Speaker 1: were just grown up alone, abandoned in that little apartment 305 00:22:08,400 --> 00:22:11,919 Speaker 1: building up there. I picked up reading on the street. 306 00:22:12,960 --> 00:22:14,520 Speaker 1: Yeah all right, you know you're pretty smart. You know 307 00:22:14,560 --> 00:22:16,440 Speaker 1: I got some I got some candy. I need running. 308 00:22:16,440 --> 00:22:17,800 Speaker 1: Maybe you could do me a little favorite. Get you 309 00:22:18,040 --> 00:22:21,040 Speaker 1: get some extra corny to pucket. Does that sound? Oh yeah? 310 00:22:21,240 --> 00:22:24,480 Speaker 1: Who needs candy? Run? A lot of kids, a lot 311 00:22:24,480 --> 00:22:27,840 Speaker 1: of fat, fat kids, and even right some of the 312 00:22:27,880 --> 00:22:31,560 Speaker 1: fattest kids in town. We're running candy. That's big Foot, 313 00:22:31,680 --> 00:22:42,040 Speaker 1: Timothy gut Lamar, give me that appens happen and Jolly 314 00:22:42,280 --> 00:22:47,920 Speaker 1: John the candy run. I just want some Patana tips. 315 00:22:49,320 --> 00:22:51,600 Speaker 1: It looks like those kids have been sampling the merchandise 316 00:22:51,680 --> 00:22:56,080 Speaker 1: a little bit. Yeah, yeah, Lucifer, maybe they have. So 317 00:22:56,200 --> 00:22:57,920 Speaker 1: maybe they need some fiction, if you know what I mean. 318 00:22:59,520 --> 00:23:02,840 Speaker 1: Oh yeah, yeah, I think I know what you mean. Listen, 319 00:23:02,880 --> 00:23:04,880 Speaker 1: if your father really is Satan, maybe you should open 320 00:23:04,960 --> 00:23:08,040 Speaker 1: up some kind of interdimensional portal, bring him here and 321 00:23:08,080 --> 00:23:10,480 Speaker 1: sacrifice them in some way to get your legs back. 322 00:23:10,560 --> 00:23:14,480 Speaker 1: Or maybe, I don't know, just just a spitball here. Look. 323 00:23:14,720 --> 00:23:16,800 Speaker 1: I was told by the woman who I thought was 324 00:23:16,880 --> 00:23:19,320 Speaker 1: my mother that my dad was the devil. I've never 325 00:23:19,359 --> 00:23:23,359 Speaker 1: seen him in real life. That's what I'm saying. I'm 326 00:23:23,359 --> 00:23:25,480 Speaker 1: saying sacrifice. The kids maybe have an opportunity to kind 327 00:23:25,480 --> 00:23:32,280 Speaker 1: of have amends, you know what I mean? This run 328 00:23:32,400 --> 00:23:35,480 Speaker 1: one shift running Chandy and we'll see if this works 329 00:23:35,480 --> 00:23:39,119 Speaker 1: out one for both of us. They don't think about sacrificing. Okay, 330 00:23:39,160 --> 00:23:44,119 Speaker 1: I got a customer. What's going on? The streets were cold. 331 00:23:44,840 --> 00:23:47,440 Speaker 1: The Lucifers sat out on his one good foot and 332 00:23:47,520 --> 00:23:51,160 Speaker 1: his big leg. You could hear the step chump, step chump, 333 00:23:51,320 --> 00:23:54,520 Speaker 1: step chump as he ran down the streets, right into 334 00:23:54,600 --> 00:23:57,480 Speaker 1: the man with a cup of African American coffee in 335 00:23:57,560 --> 00:24:01,840 Speaker 1: his head. Oh hey, what what are you going? Hey? 336 00:24:01,920 --> 00:24:03,760 Speaker 1: Why don't you watch me? You're going a little man 337 00:24:03,960 --> 00:24:08,440 Speaker 1: just nearly burned me with that black coffee. Hey, African 338 00:24:08,440 --> 00:24:13,000 Speaker 1: American coffee? If you please? What what is your deal? 339 00:24:13,359 --> 00:24:16,080 Speaker 1: I can see you're down here. Look, here's fifteen cents 340 00:24:16,080 --> 00:24:18,720 Speaker 1: that the dime and the nickel. I don't know what 341 00:24:18,840 --> 00:24:24,359 Speaker 1: fifties senses. Hey, do you need any smarties? I'm selling 342 00:24:24,440 --> 00:24:27,639 Speaker 1: loose smarties? Aren't you that pegg boy who lives in 343 00:24:27,680 --> 00:24:32,600 Speaker 1: the apartment. What I'm not defined by that? Okay, Look, 344 00:24:32,640 --> 00:24:34,520 Speaker 1: clearly I have a peg leg, but you don't have 345 00:24:34,560 --> 00:24:38,880 Speaker 1: to lead with that. What's your name, little Lucifer? Hey, 346 00:24:38,920 --> 00:24:46,400 Speaker 1: little Lucifer, you got my snickers? Yeah? Here you go. Hey, hey, hey, uh, 347 00:24:46,680 --> 00:24:48,600 Speaker 1: why are you doing this type of stuff? Huh out 348 00:24:48,640 --> 00:24:50,280 Speaker 1: here in the streets. You know, I can get you 349 00:24:50,280 --> 00:24:54,879 Speaker 1: a real job, a good job running kiddies, a real job. No, 350 00:24:55,040 --> 00:24:59,679 Speaker 1: I'm talking about it for seven minutes. Look, kid, I 351 00:24:59,760 --> 00:25:02,240 Speaker 1: like you, okay, and I think there's more to you 352 00:25:02,280 --> 00:25:06,080 Speaker 1: than you even know. So this is the kid you 353 00:25:06,119 --> 00:25:08,440 Speaker 1: brought in great okay. So we make the souls of 354 00:25:08,480 --> 00:25:10,399 Speaker 1: the sneakers right here, all right, then we lace them 355 00:25:10,480 --> 00:25:14,920 Speaker 1: up on this side here. Okay, wait a minute, there's 356 00:25:14,920 --> 00:25:20,600 Speaker 1: tons of kids working here with tiny hands. Welcome to 357 00:25:20,640 --> 00:25:25,919 Speaker 1: the workforce. Oh no, this is like Pinocchio where the capture. 358 00:25:25,920 --> 00:25:29,920 Speaker 1: All those kids have the turn to the donkeys, want 359 00:25:29,920 --> 00:25:34,360 Speaker 1: to break buss No, sir, now, these kids were your 360 00:25:34,480 --> 00:25:37,679 Speaker 1: chance as your work. Where's the narrator to get me 361 00:25:37,720 --> 00:25:40,800 Speaker 1: out of this? The narrator was where he always is, 362 00:25:41,720 --> 00:25:46,040 Speaker 1: having a zip of African American cuff made with some 363 00:25:46,119 --> 00:25:50,960 Speaker 1: of the finest beings that you can ever had. It's 364 00:25:50,960 --> 00:25:54,000 Speaker 1: cool when he says it on a cold day. A 365 00:25:54,119 --> 00:25:58,359 Speaker 1: man needs that kind of cuff. Okay, so this is 366 00:25:58,400 --> 00:26:01,520 Speaker 1: the Folders commercial. We're just gonna switch it over to 367 00:26:01,640 --> 00:26:06,080 Speaker 1: African American coffee. M there's nothing funny about this. It's 368 00:26:06,080 --> 00:26:10,400 Speaker 1: not funny. This is crazy. I can't run this. When 369 00:26:10,440 --> 00:26:12,719 Speaker 1: you deal with a guy, I can't take him anymore. 370 00:26:12,760 --> 00:26:15,920 Speaker 1: Could you please explain to him what we're doing here? Laughing? 371 00:26:16,840 --> 00:26:19,400 Speaker 1: Can you just record and do your job? You're either 372 00:26:19,480 --> 00:26:23,000 Speaker 1: the engineer for this gig or you're not. Then you 373 00:26:23,000 --> 00:26:26,760 Speaker 1: know what I'm not. Okay, great, I'm not on the 374 00:26:26,760 --> 00:26:29,960 Speaker 1: way out, and you know what, I have the button. 375 00:26:30,040 --> 00:26:32,960 Speaker 1: Then you're an idiot. Yeah, well I would have the 376 00:26:33,000 --> 00:26:35,320 Speaker 1: only keys to the bathroom, So good luck taking a 377 00:26:36,600 --> 00:26:39,600 Speaker 1: Could we get this commercial recorded? It has to be 378 00:26:39,640 --> 00:26:42,280 Speaker 1: on the air and under five minutes. Of course we can. 379 00:26:42,320 --> 00:26:45,760 Speaker 1: I'm so sorry. I'll run the board. It's fine. Let's 380 00:26:45,760 --> 00:26:48,360 Speaker 1: get the actor in there. You know, another thing, another thing. 381 00:26:48,440 --> 00:26:51,440 Speaker 1: It's just it's just crazy to me. Crazy to me. 382 00:26:51,680 --> 00:26:53,240 Speaker 1: This company just come in here and think they're like, hey, 383 00:26:53,280 --> 00:26:55,120 Speaker 1: I can I can just get a commercial off there 384 00:26:55,119 --> 00:26:57,080 Speaker 1: in five minutes. You know, takes a lot of time 385 00:26:57,080 --> 00:27:01,640 Speaker 1: and behind you, but but you hit me the back 386 00:27:01,640 --> 00:27:11,720 Speaker 1: of the head with salt. That's a salt. That's two times. 387 00:27:11,800 --> 00:27:15,600 Speaker 1: I had three minutes to get this commercial from the air. Ready, 388 00:27:15,640 --> 00:27:20,880 Speaker 1: when you are sup up, We're going live in ten seconds. 389 00:27:21,000 --> 00:27:22,760 Speaker 1: If you don't have a prerecorded we need to do 390 00:27:22,760 --> 00:27:25,080 Speaker 1: a live ready of the commercial. Do it live. We'll 391 00:27:25,119 --> 00:27:27,719 Speaker 1: do it lore And it's always nice to end the 392 00:27:27,720 --> 00:27:32,080 Speaker 1: news on a heartwarming story. Marty Carruthers. And that's your news. 393 00:27:32,080 --> 00:27:39,840 Speaker 1: And now a word from our sponsor, Folger. Say you 394 00:27:39,960 --> 00:27:44,240 Speaker 1: had a hard day sitting down with the family, little 395 00:27:44,280 --> 00:27:47,959 Speaker 1: Billy and his mom. Also, you're white. Don't you think 396 00:27:48,000 --> 00:27:50,880 Speaker 1: it's time to kick back and take off your shoes 397 00:27:51,040 --> 00:27:54,520 Speaker 1: and have a good cup of Folgers coffee. I don't 398 00:27:54,560 --> 00:27:58,480 Speaker 1: like mine with crim, No, sir, an African American coffee 399 00:27:58,480 --> 00:28:03,040 Speaker 1: to meat? What's smooth? This that way? There's those roast 400 00:28:03,080 --> 00:28:09,240 Speaker 1: did African American being rolling down your tongue? Soothing you? 401 00:28:10,359 --> 00:28:17,359 Speaker 1: Fifteen thousand Americans couldn't disagree. African American for me? And 402 00:28:17,440 --> 00:28:21,600 Speaker 1: we're out. I mean, we did it, we did it. 403 00:28:21,760 --> 00:28:25,080 Speaker 1: It went live. It was great, great raids day, fantastic, perfect, 404 00:28:25,600 --> 00:28:29,879 Speaker 1: Thank you so much for krim. Excuse me, baby, did 405 00:28:29,960 --> 00:28:35,080 Speaker 1: you hear that? Commercial. Mm hmm. Did he say African 406 00:28:35,119 --> 00:28:39,760 Speaker 1: American coffee? Yes, he did. Huh, why don't we have 407 00:28:39,800 --> 00:28:43,840 Speaker 1: African American coffee in our house? Who honey? They said 408 00:28:43,880 --> 00:28:47,240 Speaker 1: fifteen thousand Americans couldn't disagree. I would like a cup 409 00:28:47,280 --> 00:28:50,160 Speaker 1: of African American coffee right now. Then let me just 410 00:28:50,200 --> 00:28:51,479 Speaker 1: go in the kitchen. I think I have a tin 411 00:28:51,560 --> 00:28:54,600 Speaker 1: of of of folders and vulgers. We see which one 412 00:28:54,640 --> 00:28:56,920 Speaker 1: I got. Yep, there's folgers, and let me just I 413 00:28:56,960 --> 00:28:59,720 Speaker 1: can make you one real quick. Didn't you want krim if? 414 00:29:00,040 --> 00:29:05,440 Speaker 1: Of course I like cream. Five minutes later. African American 415 00:29:05,520 --> 00:29:07,840 Speaker 1: coffee as a whole lot better than the black coffee 416 00:29:07,880 --> 00:29:13,920 Speaker 1: I usually enjoy. Yeah, this is fantastic. It tastes richer. Yeah. No, 417 00:29:14,480 --> 00:29:18,600 Speaker 1: after tapes, say call over the Murphy's and let's get 418 00:29:18,640 --> 00:29:22,960 Speaker 1: some African American coffee and mu, let's do it. H 419 00:29:23,520 --> 00:29:28,720 Speaker 1: Hello Sean, Hi there, Ye you've reached the Murphy home. Sorry, 420 00:29:28,720 --> 00:29:31,400 Speaker 1: we're not here right now. Please leave a message if 421 00:29:31,400 --> 00:29:34,320 Speaker 1: you would, and someone in the family will go get 422 00:29:34,360 --> 00:29:36,959 Speaker 1: the funk back. Someone will get back to you as 423 00:29:36,960 --> 00:29:43,160 Speaker 1: soon as they can. Then wait for the baby. There's 424 00:29:43,160 --> 00:29:45,800 Speaker 1: two PEPs. I'm not sure which one was the right one. 425 00:29:45,880 --> 00:29:48,040 Speaker 1: I'm I'm trying to think this is the message. Beep, 426 00:29:48,320 --> 00:29:52,680 Speaker 1: m hi, this is uh, this is Deborah over over 427 00:29:52,760 --> 00:29:58,960 Speaker 1: on sixteen sixteen. And hey, sorry, I don't know what. 428 00:29:59,000 --> 00:30:00,400 Speaker 1: I don't know. You in the family are doing, you 429 00:30:00,440 --> 00:30:02,120 Speaker 1: and your twenty kids. But if you want to come 430 00:30:02,120 --> 00:30:05,640 Speaker 1: over supper then sharing a tape? Would you like to 431 00:30:05,640 --> 00:30:10,840 Speaker 1: come over? Actually yes we would. Uh yeah, me and 432 00:30:10,840 --> 00:30:13,800 Speaker 1: Henry have something we'd really like to show you. Fine, 433 00:30:13,920 --> 00:30:17,720 Speaker 1: but pay here. Patricia put that down, now, let your 434 00:30:17,720 --> 00:30:22,240 Speaker 1: brother have that. The couple left the house, headed for 435 00:30:22,320 --> 00:30:26,400 Speaker 1: their friends, but the wind was blowing. It was a 436 00:30:26,440 --> 00:30:33,800 Speaker 1: cold day when the unexpected happened. Oh my god, Oh 437 00:30:33,840 --> 00:30:35,680 Speaker 1: my god, a tree just went through my chest. Oh 438 00:30:35,800 --> 00:30:41,000 Speaker 1: my god, the same tree just pierce my duo denim 439 00:30:41,720 --> 00:30:49,040 Speaker 1: or do I know? Maybe maybe that little boy can 440 00:30:49,160 --> 00:30:55,360 Speaker 1: help us out? A little boy. Yeah, a tree just 441 00:30:55,800 --> 00:31:00,640 Speaker 1: pierced my wife and I yeah, I can see that. 442 00:31:00,720 --> 00:31:05,560 Speaker 1: It looks like you bleed to death. Help us owl. 443 00:31:06,800 --> 00:31:10,640 Speaker 1: I got some Hershey's kisses and some Reese's pieces and 444 00:31:10,800 --> 00:31:20,760 Speaker 1: that scene to scene to scene three come from Patron 445 00:31:20,920 --> 00:31:24,160 Speaker 1: v I. P. Lisa from New Zealand, who wrote High 446 00:31:24,160 --> 00:31:27,920 Speaker 1: Alchemists even though it feels a little greedy to submit 447 00:31:27,960 --> 00:31:31,760 Speaker 1: a third scene suggestion. I have another scene an idea, though, 448 00:31:31,840 --> 00:31:35,120 Speaker 1: given what you did with my last suggestion the Alchemists 449 00:31:35,160 --> 00:31:38,520 Speaker 1: get kidnapped, I'm also a little afraid. My suggestion is 450 00:31:39,160 --> 00:31:42,880 Speaker 1: a close knit sales and marketing team really let loose 451 00:31:42,880 --> 00:31:45,680 Speaker 1: get drunk on the last night of a conference. They 452 00:31:45,680 --> 00:31:48,400 Speaker 1: wake up the next morning to find themselves in each 453 00:31:48,400 --> 00:31:51,560 Speaker 1: other's bodies. I love Freaky Friday. I'm dying to hear 454 00:31:51,600 --> 00:31:54,560 Speaker 1: what craziness you come up with. Cheers Lisa from New Zealand. 455 00:31:56,680 --> 00:31:59,440 Speaker 1: I totally agree. You know, I can't think of another 456 00:31:59,680 --> 00:32:01,840 Speaker 1: unit it that I've I've had just more joy and 457 00:32:01,920 --> 00:32:07,360 Speaker 1: excitement around it because we all exactly exactly, exactly exactly exactly. Yes, 458 00:32:07,400 --> 00:32:09,680 Speaker 1: sure it's business, Sure we run downs, but we also 459 00:32:09,760 --> 00:32:14,040 Speaker 1: get each other we do. This is the most joyful 460 00:32:14,080 --> 00:32:19,000 Speaker 1: time that I've had in sales since I've I've started sales. Yes, 461 00:32:20,000 --> 00:32:24,520 Speaker 1: oh my gosh, we're all so different. We're all so different, right, 462 00:32:24,800 --> 00:32:27,280 Speaker 1: I'm very athletic. I'm very athletic. We know that I 463 00:32:27,880 --> 00:32:31,680 Speaker 1: love sports, not me. You can have your sports. I 464 00:32:31,720 --> 00:32:39,000 Speaker 1: love a good long book, pictures, whatever, and my hobby 465 00:32:39,040 --> 00:32:42,840 Speaker 1: with marine biology. Please don't even get me started. We couldn't. 466 00:32:42,880 --> 00:32:48,000 Speaker 1: We wouldn't know where to begin. How wasn't to get 467 00:32:48,080 --> 00:32:51,480 Speaker 1: cheers in his conference. Listen, they say there's work life 468 00:32:51,480 --> 00:32:53,640 Speaker 1: and there's home life. But with you two fellas, I 469 00:32:53,680 --> 00:32:58,520 Speaker 1: want to say, work has become home. Michael Michael. I 470 00:32:58,640 --> 00:33:08,200 Speaker 1: second that. Cheers Michael Michael. Seven hours later, where'd you 471 00:33:08,200 --> 00:33:13,040 Speaker 1: put the cocaine? Where does cocaine? You keep looking at 472 00:33:13,080 --> 00:33:14,720 Speaker 1: me when you say that, like like I would pinch, 473 00:33:14,840 --> 00:33:16,840 Speaker 1: like you're you're assuming that when I go to the bathroom, 474 00:33:16,840 --> 00:33:18,360 Speaker 1: when I do my key bum and I'm taking a 475 00:33:18,400 --> 00:33:21,440 Speaker 1: little bit for myself, that's not I don't. I don't 476 00:33:21,480 --> 00:33:23,600 Speaker 1: care what you're doing. You tell me where the cocaine is, Okay, 477 00:33:23,760 --> 00:33:28,720 Speaker 1: where it is? Tell him where the cocaine is. Look 478 00:33:29,000 --> 00:33:30,440 Speaker 1: just where the cocaine is. All right, Just let me 479 00:33:30,440 --> 00:33:35,000 Speaker 1: know where the coca is. What it must be the lobby, 480 00:33:35,000 --> 00:33:36,880 Speaker 1: I don't know what. We're a team. Let's all answer 481 00:33:36,880 --> 00:33:43,240 Speaker 1: to two three three. Hello, Yes, this is a room service. 482 00:33:43,280 --> 00:33:47,560 Speaker 1: Their room service waiter is outside your door, so please 483 00:33:47,920 --> 00:33:52,880 Speaker 1: open and let him in. Okay, thank you, all right, 484 00:33:53,360 --> 00:33:56,440 Speaker 1: Michael Michael, Michael Michael do you want to get Michael, 485 00:33:56,480 --> 00:34:00,840 Speaker 1: let's get at the same time, the same time, one, 486 00:34:00,840 --> 00:34:08,839 Speaker 1: one to two three. Hello, all right, come on, come 487 00:34:08,880 --> 00:34:11,640 Speaker 1: on in, thank you, come on, I've brought you. Come 488 00:34:11,640 --> 00:34:14,799 Speaker 1: on in, come on here, come on it okay, I 489 00:34:14,840 --> 00:34:16,960 Speaker 1: didn't come on, come on in, just come on, come on, 490 00:34:17,040 --> 00:34:21,640 Speaker 1: come on, all right, come on. So you work your long, 491 00:34:21,800 --> 00:34:26,160 Speaker 1: working long. I've got a secret to tell you. I 492 00:34:26,239 --> 00:34:34,480 Speaker 1: don't really work for the hotel stripper, Michael, Michael, what's 493 00:34:34,480 --> 00:34:44,000 Speaker 1: going on. I'm feeling hold on, I'm going freaky, a 494 00:34:44,120 --> 00:34:53,600 Speaker 1: Tale of two Cities. I'm feeling off flippy floppy. I'm 495 00:34:53,640 --> 00:34:57,920 Speaker 1: going to leave this magic eight ball with you. Cocaine. 496 00:34:58,000 --> 00:35:08,439 Speaker 1: We got an eight ball cocaine right now. I gotta 497 00:35:08,440 --> 00:35:14,880 Speaker 1: go read. I gotta go read two hours later. And 498 00:35:14,880 --> 00:35:16,640 Speaker 1: then that's why your traps should be this big, because 499 00:35:16,640 --> 00:35:20,520 Speaker 1: you your traps should be bulging out of your fucking back. Right, 500 00:35:20,520 --> 00:35:23,440 Speaker 1: There've been a bulging out of the bag. I gotta 501 00:35:23,480 --> 00:35:26,839 Speaker 1: tell you. The dorsal fan, the dorsal fan on the 502 00:35:26,880 --> 00:35:30,399 Speaker 1: stone whelle is twice as large as a dorsal fan 503 00:35:30,560 --> 00:35:33,799 Speaker 1: on the rapture whale, twice as large, twice as large 504 00:35:33,800 --> 00:35:36,719 Speaker 1: as they say the world's shortest book is only two 505 00:35:36,719 --> 00:35:39,160 Speaker 1: pages long, right, which is crazy, but it's got two 506 00:35:39,160 --> 00:35:41,960 Speaker 1: times the amount of information in those two pages. But 507 00:35:42,760 --> 00:35:46,359 Speaker 1: it does. Let's let's let's turn my phone around so 508 00:35:46,400 --> 00:35:50,359 Speaker 1: we can all take a selfie at this moment. And 509 00:35:51,280 --> 00:35:54,600 Speaker 1: what the what the hell? What is this? Wait? I 510 00:35:54,680 --> 00:35:57,160 Speaker 1: was in the middle, but I was on the Why 511 00:35:57,160 --> 00:35:59,000 Speaker 1: do I look like Michael? Why do I? Wait? But 512 00:36:00,560 --> 00:36:04,640 Speaker 1: wait a second? Look, boys, I gotta go home. Okay, 513 00:36:04,640 --> 00:36:06,720 Speaker 1: I'm gonna go home. I'm gonna check out with my wife. 514 00:36:06,880 --> 00:36:09,920 Speaker 1: Kind of settled down. This has been a good conference. 515 00:36:10,719 --> 00:36:14,879 Speaker 1: I will see you guys later. Okay. It's taco night 516 00:36:14,920 --> 00:36:19,280 Speaker 1: at my house like every Tuesday night, and I'm gonna 517 00:36:19,320 --> 00:36:23,080 Speaker 1: go home with my wife and have a wonderful taco Okay, Mike, 518 00:36:23,280 --> 00:36:27,919 Speaker 1: Well I live alone. So lights place, lights Okay. So 519 00:36:27,960 --> 00:36:30,799 Speaker 1: that's our first scene, everybody, and what we're looking for 520 00:36:30,960 --> 00:36:34,439 Speaker 1: is any sort of feedback, comments and no holds bar. 521 00:36:35,000 --> 00:36:39,120 Speaker 1: There's no bad suggestions or questions about the scene you've 522 00:36:39,160 --> 00:36:44,120 Speaker 1: just seen in Freaky Fight fourteen. So anybody wanna ask 523 00:36:44,160 --> 00:36:46,040 Speaker 1: a question or make it? I got a question, you know. 524 00:36:47,560 --> 00:36:49,520 Speaker 1: Oh my god, I'm just coming down a little bit. 525 00:36:49,920 --> 00:36:54,040 Speaker 1: I mean my two buddies we had um at first, 526 00:36:54,080 --> 00:36:55,719 Speaker 1: I've love the movie. I love you right and directed it. 527 00:36:55,840 --> 00:36:58,560 Speaker 1: I'm it's a pleasure to be here. Um is I 528 00:36:58,560 --> 00:37:01,520 Speaker 1: mean there's gotta be in some way this could be real. Okay, 529 00:37:01,719 --> 00:37:03,120 Speaker 1: there's gotta be a little bit that this could this 530 00:37:03,160 --> 00:37:04,759 Speaker 1: could be I mean the idea of this could be real. 531 00:37:05,160 --> 00:37:08,439 Speaker 1: So your comment is this could be real, This could 532 00:37:08,480 --> 00:37:10,920 Speaker 1: be real. Yeah, did you have a question or that's 533 00:37:10,960 --> 00:37:12,879 Speaker 1: just it? Just my question is like, how did how 534 00:37:12,880 --> 00:37:14,400 Speaker 1: did you do this in the movie, Like what was 535 00:37:14,440 --> 00:37:16,600 Speaker 1: the way to break the spell? How did you break 536 00:37:16,600 --> 00:37:18,640 Speaker 1: the spell? That's going to be in a later scene, 537 00:37:19,000 --> 00:37:22,040 Speaker 1: So I'm just telling how to spell. I love that 538 00:37:22,080 --> 00:37:24,440 Speaker 1: you want to know and you want more. That's exciting 539 00:37:24,440 --> 00:37:27,080 Speaker 1: to me. Yes, sir in the back, Yeah, I wanted to. 540 00:37:27,200 --> 00:37:29,719 Speaker 1: I just wanted to follow up with his question how 541 00:37:29,719 --> 00:37:32,279 Speaker 1: did you break the spell? And how long does it 542 00:37:32,280 --> 00:37:34,839 Speaker 1: take you to break the spell? Great question? This want 543 00:37:34,920 --> 00:37:38,640 Speaker 1: to follow up. That's in the third act. Okay, so 544 00:37:38,880 --> 00:37:42,160 Speaker 1: I have a question again. I love that you want more. Yes, yes, 545 00:37:42,160 --> 00:37:44,920 Speaker 1: sir in the Red Hair, I feel slightly offended by 546 00:37:44,960 --> 00:37:47,040 Speaker 1: some of the language in the movie. Is there gonna 547 00:37:47,080 --> 00:37:49,560 Speaker 1: be is this gonna be the wating that's released in 548 00:37:49,600 --> 00:37:53,120 Speaker 1: the movie theater? So it's the language a little salty 549 00:37:53,200 --> 00:37:55,520 Speaker 1: for you? Well, I feel like if it's supposed to 550 00:37:55,560 --> 00:37:59,759 Speaker 1: be a family movie, so you're also you're not the 551 00:37:59,800 --> 00:38:01,680 Speaker 1: red head. You're not supposed to be eating in the theater. Yes, 552 00:38:01,719 --> 00:38:03,759 Speaker 1: there's just quick. So I'm gonna I'm gonna skip the 553 00:38:03,840 --> 00:38:05,759 Speaker 1: last question and follow up with the two questions that 554 00:38:05,760 --> 00:38:09,480 Speaker 1: were before this. This weird one, um so, but just 555 00:38:09,719 --> 00:38:14,799 Speaker 1: so it can be reversed, the freaky Friday aspect, it 556 00:38:14,880 --> 00:38:19,120 Speaker 1: can the spell A great word for it. Um So, 557 00:38:19,239 --> 00:38:21,800 Speaker 1: you want to know whether that spell can be reversed 558 00:38:22,600 --> 00:38:24,799 Speaker 1: and how to do it? That's right, This guy's a question. 559 00:38:24,800 --> 00:38:27,600 Speaker 1: I don't know. I love that you want to find 560 00:38:27,640 --> 00:38:30,480 Speaker 1: that out. That tells us so far in the first act, 561 00:38:30,840 --> 00:38:33,279 Speaker 1: we've set up the story and we've left and you 562 00:38:33,400 --> 00:38:35,560 Speaker 1: can't wait to get to the next chapter. That makes 563 00:38:35,560 --> 00:38:37,880 Speaker 1: me excited. Thank you for that, Yes, sir, you with 564 00:38:37,920 --> 00:38:40,640 Speaker 1: the gray Beard. I have three questions. First of all, 565 00:38:40,960 --> 00:38:43,920 Speaker 1: is is it standard to do focus group feedback on 566 00:38:43,920 --> 00:38:48,799 Speaker 1: a scene by scene basis? No, it isn't standards. Great, 567 00:38:49,120 --> 00:38:52,759 Speaker 1: have there really been twelve subsequent freaky Fridays. Maybe not 568 00:38:52,800 --> 00:38:55,279 Speaker 1: that you've seen, but yes, they definitely have not seen them. 569 00:38:55,440 --> 00:39:00,480 Speaker 1: And are they all named mikel Yes? Wow. So these 570 00:39:00,520 --> 00:39:02,920 Speaker 1: are great questions, and I thank you for them. Um. 571 00:39:03,239 --> 00:39:07,040 Speaker 1: I mean that's a common name, very com hey fellas. Um. 572 00:39:07,040 --> 00:39:09,240 Speaker 1: So obviously we didn't learn as much as we hoped 573 00:39:09,360 --> 00:39:11,399 Speaker 1: to in that. I do want to say a couple 574 00:39:11,400 --> 00:39:14,080 Speaker 1: of things. I'm taking care of your wife, dude. Okay, 575 00:39:14,120 --> 00:39:17,160 Speaker 1: she doesn't she doesn't suspect anything. I'm not doing anything 576 00:39:17,200 --> 00:39:18,640 Speaker 1: that you wouldn't do, if you know what I mean. 577 00:39:19,080 --> 00:39:21,000 Speaker 1: I will say this. I went, I went to what 578 00:39:21,160 --> 00:39:23,480 Speaker 1: I thought was going to be my house for taco night, 579 00:39:23,600 --> 00:39:26,879 Speaker 1: was turned out to be your house. Yeah, that's right. 580 00:39:27,040 --> 00:39:31,480 Speaker 1: I made very passionate, very thorough love to your wife, 581 00:39:31,840 --> 00:39:34,600 Speaker 1: very thorough. What's so crazy is I went back to 582 00:39:34,640 --> 00:39:39,720 Speaker 1: my single apartment and uh didn't seem like that switched 583 00:39:39,760 --> 00:39:45,839 Speaker 1: in any ways. That's mm hmm. Okay, so that's I mean, 584 00:39:45,880 --> 00:39:48,239 Speaker 1: that's that's good news. I actually have a few more 585 00:39:48,520 --> 00:39:53,240 Speaker 1: questions now that we watched that next scene. Okay, so Michael, 586 00:39:53,680 --> 00:39:59,400 Speaker 1: Michael and Michael all swapped bodies. Two of them looked 587 00:39:59,440 --> 00:40:02,640 Speaker 1: the same or two of them look different but feel 588 00:40:02,680 --> 00:40:05,399 Speaker 1: the same. One of them swap with another, but has 589 00:40:05,440 --> 00:40:08,440 Speaker 1: the same life. That's right that he has. That's right. 590 00:40:08,640 --> 00:40:12,960 Speaker 1: You followed wonderfully. Did you have a question? No, I'm 591 00:40:13,000 --> 00:40:16,920 Speaker 1: just I'm just gonna call things out as I see them, David, 592 00:40:17,000 --> 00:40:22,720 Speaker 1: did you ask any of your open ended questions today? 593 00:40:23,120 --> 00:40:25,840 Speaker 1: And did they answer them or did they leave them? 594 00:40:26,080 --> 00:40:28,520 Speaker 1: Did they leave the answer as open ended as your 595 00:40:28,600 --> 00:40:35,920 Speaker 1: questions are, I think they did. They look me in 596 00:40:35,960 --> 00:40:40,560 Speaker 1: the eye, just one of them. You're choosing mm hm, 597 00:40:41,080 --> 00:40:45,360 Speaker 1: and tell me if you really got your open ended 598 00:40:45,520 --> 00:40:51,200 Speaker 1: questions answered. Okay, I have I have three questions about 599 00:40:51,200 --> 00:40:57,960 Speaker 1: your request. Okay, Um, listen, uh Sarah, lovely meal as usual. 600 00:40:58,719 --> 00:41:06,480 Speaker 1: I gotta tell you something that's gonna be a little shock. Okay, okay, Um, 601 00:41:06,520 --> 00:41:10,920 Speaker 1: I'm um. I'm not the Michael you think I am. 602 00:41:10,920 --> 00:41:14,120 Speaker 1: Oh me neither. I'm not who you think I am. 603 00:41:14,160 --> 00:41:18,880 Speaker 1: We've grown so much, we have grown so much. No, 604 00:41:19,120 --> 00:41:24,319 Speaker 1: I'm I'm I'm Michael Davenport. You know. Really, I'm the 605 00:41:24,360 --> 00:41:33,719 Speaker 1: one you know from the office. Um, listen, Tina, I 606 00:41:33,760 --> 00:41:39,680 Speaker 1: need to talk to you. I'm not the Michael that 607 00:41:39,840 --> 00:41:43,920 Speaker 1: you think I am, and I'm not the Tina, you 608 00:41:43,960 --> 00:41:48,600 Speaker 1: think I am. What do you mean? Remember how I 609 00:41:48,600 --> 00:41:50,480 Speaker 1: went to that bachelor at party last weekend in Palm 610 00:41:50,520 --> 00:41:56,400 Speaker 1: Springs and did you tell him you eight puss? Yeah? 611 00:41:56,480 --> 00:41:59,640 Speaker 1: I told him that we all did and that we're 612 00:41:59,640 --> 00:42:02,840 Speaker 1: all trapping each other's bodies. But she couldn't get past 613 00:42:03,040 --> 00:42:07,040 Speaker 1: me eating puss part. So, Oh, Michael, I got something 614 00:42:07,040 --> 00:42:10,080 Speaker 1: to tell you about your wife. Man, I got something 615 00:42:10,120 --> 00:42:17,040 Speaker 1: to tell you about your wife. Okay from from Hulio. 616 00:42:17,280 --> 00:42:19,920 Speaker 1: It's uh, it's Michael. I have something to tell you. 617 00:42:19,920 --> 00:42:22,719 Speaker 1: Are you up? What's your name? Man? What's your name? 618 00:42:26,520 --> 00:42:28,719 Speaker 1: I mean, I know you don't really come over. You 619 00:42:28,840 --> 00:42:32,799 Speaker 1: need What do you need? Look wet, a lot of 620 00:42:32,800 --> 00:42:35,799 Speaker 1: people in there. Yeah, we got some things going on. 621 00:42:35,840 --> 00:42:37,920 Speaker 1: What do you want, Michael? What do you want? Michael? 622 00:42:37,960 --> 00:42:41,160 Speaker 1: It's fun. Look I'm not the Michael you know. Okay, 623 00:42:41,360 --> 00:42:47,719 Speaker 1: you know what. I'm not the Julio. Okay, this isn't 624 00:42:47,719 --> 00:42:51,319 Speaker 1: so much a question as an observation. Now having seen 625 00:42:51,360 --> 00:42:53,920 Speaker 1: the whole thing, I feel bad about calling things out 626 00:42:53,960 --> 00:42:57,520 Speaker 1: on a scene by scene basis because everything was justified 627 00:42:57,680 --> 00:43:00,839 Speaker 1: in the end. It all it okay together and made 628 00:43:00,880 --> 00:43:03,160 Speaker 1: perfect sense. But I do love that you wanted more 629 00:43:03,200 --> 00:43:06,680 Speaker 1: information that you felt a little confused. It was convoluted purposely, 630 00:43:06,880 --> 00:43:11,360 Speaker 1: and your response made me feel as a filmmaker storyteller 631 00:43:11,400 --> 00:43:13,960 Speaker 1: that I had succeeded. So thank you for that. I 632 00:43:14,040 --> 00:43:18,680 Speaker 1: have another question, Yes, sure the Redhead again. First of all, 633 00:43:18,680 --> 00:43:21,120 Speaker 1: all of the other Freaky Fridays that's really had at 634 00:43:21,200 --> 00:43:24,799 Speaker 1: least one animal to joy in, and this is no animals. 635 00:43:24,920 --> 00:43:27,840 Speaker 1: And secondly, there were stream men in here earlier that 636 00:43:27,960 --> 00:43:32,480 Speaker 1: I believe we're at the very least inspired to this movie, 637 00:43:32,760 --> 00:43:36,200 Speaker 1: if not started this movie. Can you answer that question? 638 00:43:36,560 --> 00:43:38,480 Speaker 1: I'm not sure there was a question. What would it be? 639 00:43:38,520 --> 00:43:41,280 Speaker 1: What the question? Alright? Fellas we're back in the hotel 640 00:43:41,360 --> 00:43:43,920 Speaker 1: room more it all happened. Here's what I think. I 641 00:43:43,920 --> 00:43:46,880 Speaker 1: think we do the rest of this cocaine and maybe 642 00:43:47,600 --> 00:43:53,000 Speaker 1: we'll switch back. I do suggest this as a marine biologist. Yeah, 643 00:43:53,040 --> 00:43:54,680 Speaker 1: I think that if any of us fall asleep, we 644 00:43:54,719 --> 00:43:57,480 Speaker 1: should do like dolphins doing a pod sleep with only 645 00:43:57,560 --> 00:44:01,120 Speaker 1: half of our brain. Keep one open. Its that ey 646 00:44:01,239 --> 00:44:04,000 Speaker 1: towards the outside of the pod. Actually it towards the 647 00:44:04,040 --> 00:44:06,279 Speaker 1: inside of the pod, so we know where the rest 648 00:44:06,320 --> 00:44:09,560 Speaker 1: of the pod is. So we stayed. Again, I don't 649 00:44:09,600 --> 00:44:11,719 Speaker 1: I don't I don't care about switching back or not. Man. 650 00:44:11,760 --> 00:44:15,880 Speaker 1: I hate my life. Man, I hate it, and I 651 00:44:15,880 --> 00:44:18,080 Speaker 1: don't got anything to go to. I don't got anything 652 00:44:18,080 --> 00:44:20,480 Speaker 1: to look forward to, you know. I mean once we 653 00:44:20,600 --> 00:44:22,759 Speaker 1: stopped selling for the last three weeks to figure this 654 00:44:22,760 --> 00:44:25,000 Speaker 1: ship out, and I realized that's the only thing I did. 655 00:44:25,719 --> 00:44:27,840 Speaker 1: I just so little I hear this anymore. Man, we 656 00:44:27,920 --> 00:44:33,000 Speaker 1: gotte Wait a minute, Michael, I'm starting to agree with him. 657 00:44:32,520 --> 00:44:36,479 Speaker 1: I've enjoyed the time I've spent with your wife, even 658 00:44:36,520 --> 00:44:40,800 Speaker 1: her stories about going off with her girlfriends and eating 659 00:44:40,840 --> 00:44:44,560 Speaker 1: poon tank. Maybe this is where we should have been 660 00:44:44,560 --> 00:44:49,239 Speaker 1: all along. Well, I'm not gonna lie. I like a 661 00:44:49,239 --> 00:44:52,920 Speaker 1: goddamn book. I like a goddamn book, maybe more than 662 00:44:52,960 --> 00:44:57,520 Speaker 1: I like my previous life. So you, Michael, are enjoying 663 00:44:57,520 --> 00:45:00,200 Speaker 1: the switch. I'm enjoying the switch, and you, Michael are not. 664 00:45:01,360 --> 00:45:05,120 Speaker 1: Maybe we just leave it as it is. Yeah, I guess, 665 00:45:05,160 --> 00:45:08,799 Speaker 1: I guess that's fine. I I would like to say 666 00:45:08,840 --> 00:45:12,320 Speaker 1: goodbye to my wife, and uh, actually I don't have 667 00:45:12,320 --> 00:45:16,280 Speaker 1: a wife. I don't know why I said that. Okay, 668 00:45:16,320 --> 00:45:18,680 Speaker 1: when when I made that earlier observation, you have showed 669 00:45:18,680 --> 00:45:22,480 Speaker 1: me this scene yet and now I'm I'm confused all 670 00:45:22,520 --> 00:45:25,600 Speaker 1: over again. It's the epilogue and we're thinking about cutting it. Yeah, 671 00:45:25,600 --> 00:45:27,640 Speaker 1: it does. So is it standard for the writer director 672 00:45:27,680 --> 00:45:32,280 Speaker 1: to run these focus groups? No, no, it isn't wrong. Okay, 673 00:45:32,719 --> 00:45:35,520 Speaker 1: That's why I greatly appreciate your feedback. You know, a 674 00:45:35,520 --> 00:45:37,239 Speaker 1: lot of times the right director will sit in the 675 00:45:37,239 --> 00:45:40,719 Speaker 1: shadows or behind a double ways window and not let 676 00:45:40,760 --> 00:45:42,880 Speaker 1: anyone know they're there. And I feel like I'm going 677 00:45:42,920 --> 00:45:45,360 Speaker 1: to get some honesty like some of you. If you 678 00:45:45,440 --> 00:45:48,120 Speaker 1: had this adverse reaction, you're gonna want to get my 679 00:45:48,200 --> 00:45:53,400 Speaker 1: face about it. And I appreciate that. Yes, morning, Sarah, 680 00:45:53,800 --> 00:45:57,080 Speaker 1: I just want to say it looks so beautiful this morning. 681 00:45:57,120 --> 00:46:01,960 Speaker 1: I just love you. I'm happy where I am. And hey, 682 00:46:02,480 --> 00:46:03,719 Speaker 1: why don't you get out of bed and making some 683 00:46:03,760 --> 00:46:09,080 Speaker 1: of that coffee, some of that African American coffee. Okay, 684 00:46:09,560 --> 00:46:15,080 Speaker 1: I'll do that. I love you. Oh morning stuff mee. 685 00:46:17,120 --> 00:46:21,439 Speaker 1: I just wanted to say that where I am, Yeah, 686 00:46:21,480 --> 00:46:27,040 Speaker 1: I'm happy. Hum, why don't you get out of bed, 687 00:46:28,520 --> 00:46:30,960 Speaker 1: give me a cup of ice cold milk, not the 688 00:46:31,040 --> 00:46:40,800 Speaker 1: chocolate stuff there the Caucasian what is it? Oh? Yeah, 689 00:46:40,840 --> 00:46:43,600 Speaker 1: what's going on? Hullo. I just whce you. I brought 690 00:46:43,600 --> 00:46:48,480 Speaker 1: ouver a cup of coffee here? Yeah? What is it? Yeah? 691 00:46:49,239 --> 00:46:51,799 Speaker 1: A lot of people sleeping in their own You know 692 00:46:51,920 --> 00:46:55,399 Speaker 1: what I just realized years ago when you came over 693 00:46:55,440 --> 00:46:56,800 Speaker 1: and you did on my door and I said we 694 00:46:56,840 --> 00:47:02,360 Speaker 1: will never be friends. I made them I won't do 695 00:47:02,480 --> 00:47:07,960 Speaker 1: to join my friendship circle. You serious? I never lied. 696 00:47:08,440 --> 00:47:13,160 Speaker 1: I never joke. I literally cannot joke. I have a 697 00:47:13,239 --> 00:47:18,719 Speaker 1: frontal low problem. I cannot jokes. It's not hortable. It's 698 00:47:18,800 --> 00:47:23,000 Speaker 1: just a man standing in front of another man telling 699 00:47:23,000 --> 00:47:26,560 Speaker 1: the jew. So these are the scenes that will play 700 00:47:26,680 --> 00:47:32,520 Speaker 1: after the epilog during the credits. And that's what oh 701 00:47:33,640 --> 00:47:38,200 Speaker 1: oh mad. Too much fun and too much giggling. But 702 00:47:38,280 --> 00:47:40,640 Speaker 1: I can't get enough. James Heeny, thank you very much 703 00:47:40,680 --> 00:47:44,120 Speaker 1: for joining us today. Thanks for having me. And remember 704 00:47:44,160 --> 00:47:47,759 Speaker 1: if it's a Wednesday, sometime between seven pm and nine 705 00:47:47,800 --> 00:47:50,880 Speaker 1: pm Pacific Standard time, there's gonna be a bare supply 706 00:47:50,960 --> 00:47:54,399 Speaker 1: show on Twitch at bs comedy So Twitch dot com 707 00:47:54,480 --> 00:47:58,680 Speaker 1: slash well, it's Twitch dot tv forward slash well. I 708 00:47:58,680 --> 00:48:06,720 Speaker 1: guess I learned just count Okay, thank you for that. Gary, 709 00:48:06,760 --> 00:48:10,799 Speaker 1: Anthony Williams. Anthony Williams, just tell us just to coach 710 00:48:10,880 --> 00:48:13,239 Speaker 1: more about the Netflix series you dropped on us last time. 711 00:48:13,440 --> 00:48:17,680 Speaker 1: Very cool. It's called The Crew on Netflix. Kevin James 712 00:48:18,000 --> 00:48:21,840 Speaker 1: is a lead. I'm one of the series regulars. Contest 713 00:48:21,920 --> 00:48:25,520 Speaker 1: about NASCAR racing. NASCAR got us our own car that 714 00:48:25,840 --> 00:48:29,160 Speaker 1: actually races during their races that we use in the 715 00:48:29,200 --> 00:48:35,440 Speaker 1: show as well. Jesus, it's fantastic and uh, when can 716 00:48:35,480 --> 00:48:39,239 Speaker 1: folks see that? It Probably not until late January or 717 00:48:39,280 --> 00:48:43,440 Speaker 1: early February. Something to look forward to. Finally, it's a sitcom, 718 00:48:43,480 --> 00:48:46,160 Speaker 1: a multiicam sitcom. If you don't if you don't like it, 719 00:48:46,560 --> 00:48:49,400 Speaker 1: you know I'm loaded, you know I'm rich. I will 720 00:48:49,440 --> 00:48:52,399 Speaker 1: I will come to you and bring you, seriously to 721 00:48:52,440 --> 00:48:54,640 Speaker 1: anybody who doesn't like it, I will come and bring 722 00:48:54,640 --> 00:48:57,880 Speaker 1: them to their homes twenty dollar bills. If you don't 723 00:48:57,880 --> 00:48:59,759 Speaker 1: like it, right to us at your name here, al Coemy, 724 00:48:59,760 --> 00:49:02,479 Speaker 1: there's dot com. Thank you for I didn't like it. 725 00:49:03,000 --> 00:49:07,200 Speaker 1: Joey Graham would like twenty bucks? Anything else? Joe that 726 00:49:07,360 --> 00:49:10,120 Speaker 1: it hasn't even aired yet. I don't know. I just 727 00:49:10,160 --> 00:49:17,480 Speaker 1: a feeling, ye feeling well, thanks a little buddy. Anything 728 00:49:17,480 --> 00:49:20,120 Speaker 1: else you want to add, Joseph, No, not that anyone 729 00:49:20,160 --> 00:49:23,480 Speaker 1: wants to hear Craig at Kowski, thank you so much 730 00:49:23,480 --> 00:49:27,040 Speaker 1: as always. How's that spool key time Craigslist going. Well, 731 00:49:27,080 --> 00:49:29,080 Speaker 1: I'm just gonna keep plugging it until it's at least 732 00:49:29,080 --> 00:49:32,520 Speaker 1: mid November. But we're doing thirty one Halloween related movies 733 00:49:32,520 --> 00:49:35,920 Speaker 1: and thirty one days. We got a Zombies episode yet 734 00:49:35,960 --> 00:49:39,400 Speaker 1: to record. We're doing the exciting Dead series, and then 735 00:49:39,440 --> 00:49:43,200 Speaker 1: we're ending on some meta horror movies. So check us 736 00:49:43,200 --> 00:49:46,520 Speaker 1: out at Craigslist, pea cast on Twitter for more information. 737 00:49:47,000 --> 00:49:51,040 Speaker 1: Chris Avarado, So this is going to air after the 738 00:49:51,120 --> 00:49:56,759 Speaker 1: election Thursday. Afterwards a year, and then for years after that. 739 00:49:58,320 --> 00:50:01,680 Speaker 1: You look outside, you might see cars are on fire. 740 00:50:04,040 --> 00:50:09,840 Speaker 1: It relaxed, it relaxed, or or entire buildings are in flames. 741 00:50:10,320 --> 00:50:13,160 Speaker 1: Either way, you made the right choice in listening to 742 00:50:13,200 --> 00:50:18,040 Speaker 1: this episode today. We love you. That's a positive thought. 743 00:50:18,400 --> 00:50:29,160 Speaker 1: There's a positive thought. Thank you for that. Let's get 744 00:50:29,200 --> 00:50:34,879 Speaker 1: thanks to our engineering producer, the stars, Mr Dougan, Fine folks, 745 00:50:34,880 --> 00:50:39,560 Speaker 1: and I Harmonia Mum. I'm your host, Kevin POLLACKERMANI. If 746 00:50:39,560 --> 00:50:42,439 Speaker 1: you have time write a review, we'd appreciate that very much. 747 00:50:42,719 --> 00:50:44,720 Speaker 1: Stay in contact with us, let us know your thoughts 748 00:50:45,040 --> 00:50:47,399 Speaker 1: about the show. We're seeing suggestions, love hearing from you 749 00:50:47,960 --> 00:50:49,520 Speaker 1: by writing to us at your name here to love 750 00:50:49,560 --> 00:50:52,960 Speaker 1: me this dot com when you go outside. If it's 751 00:50:53,040 --> 00:50:55,360 Speaker 1: still makes sense, I don't know how far in the 752 00:50:55,440 --> 00:50:59,960 Speaker 1: future you're listening to this, whether it's still wearing masks 753 00:51:00,080 --> 00:51:02,920 Speaker 1: time or not. Just be kind to each other. Dammit, 754 00:51:03,400 --> 00:51:07,560 Speaker 1: it doesn't hurt, it helps. Thank you again until next time.