1
00:00:10,119 --> 00:00:12,040
Speaker 1: You know how we're doing, man, you know what I mean?

2
00:00:12,080 --> 00:00:15,520
Speaker 1: Pat Wood backstage, Man, dig what I'm saying. You got

3
00:00:15,600 --> 00:00:18,079
Speaker 1: dc OO flight eighty five South. You got the beautiful

4
00:00:18,440 --> 00:00:23,440
Speaker 1: pour minds into beauty. Hey man, we got a real

5
00:00:23,520 --> 00:00:26,560
Speaker 1: legend in this motherfucker man coming straight out of South

6
00:00:26,640 --> 00:00:29,480
Speaker 1: can a lot of this trap Dickie.

7
00:00:29,760 --> 00:00:34,680
Speaker 2: Man got my money. Trapped Dickie is more what I'm saying. Now.

8
00:00:34,680 --> 00:00:36,120
Speaker 2: You know we're from the hood. Man, you gotta explain

9
00:00:36,159 --> 00:00:36,640
Speaker 2: the name.

10
00:00:37,040 --> 00:00:39,319
Speaker 3: Trap Dickie is really my real name. Though my real

11
00:00:39,400 --> 00:00:41,360
Speaker 3: name is Travis. My last name is Dickie for real.

12
00:00:41,560 --> 00:00:48,560
Speaker 1: Oh okay, okay, Everybody like who Yeah, we're thinking about

13
00:00:48,600 --> 00:00:49,760
Speaker 1: like trapping and Dickies.

14
00:00:49,440 --> 00:00:53,720
Speaker 3: And I don't know that's the real name, authentic.

15
00:00:53,760 --> 00:00:55,560
Speaker 2: I try to keep it smooth as possible, no care.

16
00:00:55,640 --> 00:00:57,360
Speaker 1: Hey man, you're down here in Dreamville, Man, this is

17
00:00:57,360 --> 00:00:58,840
Speaker 1: a This is a big time festival.

18
00:00:58,840 --> 00:00:59,000
Speaker 2: Man.

19
00:00:59,000 --> 00:01:02,120
Speaker 1: It's over almost twenty thirty thousand people out there.

20
00:01:02,160 --> 00:01:04,680
Speaker 2: Man. Yeah, I said, like, I feel to be down here.

21
00:01:04,840 --> 00:01:07,000
Speaker 3: Mans feel good, especially from Carolina. You know, this is

22
00:01:07,040 --> 00:01:09,200
Speaker 3: the big thing they talk about though. So being from

23
00:01:09,240 --> 00:01:11,959
Speaker 3: Carolina is my first festival, first time being on Dreamville.

24
00:01:11,959 --> 00:01:13,520
Speaker 3: You know, this is while the legends be at Yes, sir,

25
00:01:13,600 --> 00:01:15,400
Speaker 3: for me sitting down with legends talking to DC on

26
00:01:15,480 --> 00:01:15,880
Speaker 3: flat Boy.

27
00:01:15,920 --> 00:01:17,640
Speaker 2: You a legend boy, Dick.

28
00:01:17,920 --> 00:01:20,399
Speaker 4: Yes, So can you tell us a little bit about

29
00:01:20,440 --> 00:01:21,959
Speaker 4: your story because I know you have a little bit

30
00:01:22,000 --> 00:01:24,000
Speaker 4: of a traumatic story, but you turned that around.

31
00:01:24,000 --> 00:01:25,839
Speaker 2: It's inspiration for your music definitely.

32
00:01:25,920 --> 00:01:28,160
Speaker 3: Oh, like I said, for Harnsville, South Carolina, born and

33
00:01:28,240 --> 00:01:30,360
Speaker 3: raised in Tarrot, Oh, you feel me. I've been through

34
00:01:30,360 --> 00:01:32,920
Speaker 3: every obstacle. You feel me, the gunshot, wounds and everything.

35
00:01:33,000 --> 00:01:35,600
Speaker 3: That's how my eye like this got shot in the face. Uh.

36
00:01:35,680 --> 00:01:37,720
Speaker 3: I graduated high school though for all the kids, you know,

37
00:01:37,760 --> 00:01:38,880
Speaker 3: I graduated high school.

38
00:01:38,880 --> 00:01:39,280
Speaker 2: You feel me.

39
00:01:39,600 --> 00:01:42,560
Speaker 3: Got my diploma for real, for real, Like I said,

40
00:01:42,720 --> 00:01:43,920
Speaker 3: I came from the arm the streets.

41
00:01:43,959 --> 00:01:47,120
Speaker 2: My granddaddy really is a pastor. His son died at seventeen,

42
00:01:47,160 --> 00:01:48,680
Speaker 2: which is my father. I feel me.

43
00:01:48,760 --> 00:01:50,720
Speaker 3: So I just lived through the obschool. I lived the

44
00:01:50,800 --> 00:01:53,040
Speaker 3: lifestyle of what a lot of screet nigga say they.

45
00:01:52,960 --> 00:01:55,120
Speaker 2: Want to live. So so I hear that.

46
00:01:55,200 --> 00:01:58,120
Speaker 1: So how did that big extra plug situation come about?

47
00:01:58,120 --> 00:02:00,800
Speaker 2: Like how did you fall in line with that? I

48
00:02:00,840 --> 00:02:02,240
Speaker 2: was on my DC young flat ship.

49
00:02:02,280 --> 00:02:02,720
Speaker 4: I just.

50
00:02:04,160 --> 00:02:04,720
Speaker 1: Like with.

51
00:02:07,160 --> 00:02:10,360
Speaker 2: Just that up. Yeah, I tell you. I just say

52
00:02:10,440 --> 00:02:11,640
Speaker 2: I seen you do it.

53
00:02:11,639 --> 00:02:15,359
Speaker 3: Ain't no damn way, I ain't Finela try embossing companies.

54
00:02:19,200 --> 00:02:20,400
Speaker 2: Fuck with me exact.

55
00:02:21,480 --> 00:02:23,480
Speaker 3: I got this song and it sounds like you can

56
00:02:23,520 --> 00:02:26,480
Speaker 3: be on it. He ain't read it that first m

57
00:02:26,520 --> 00:02:28,520
Speaker 3: Boston again, boom, I went down.

58
00:02:28,720 --> 00:02:31,840
Speaker 2: Oh wow. So explain that process, because you know, a

59
00:02:31,880 --> 00:02:33,880
Speaker 2: nigga might feel like nigga.

60
00:02:33,639 --> 00:02:35,760
Speaker 1: Tried them when he ain't read or when he read it,

61
00:02:35,840 --> 00:02:37,760
Speaker 1: or he might not respond in time, and they don't

62
00:02:37,880 --> 00:02:39,000
Speaker 1: understand how that ship go.

63
00:02:39,200 --> 00:02:41,240
Speaker 2: Now, yeah, I read it. I'm gonna get back tell

64
00:02:41,240 --> 00:02:43,880
Speaker 2: you right quick. I'm from the country, so we got

65
00:02:43,919 --> 00:02:44,400
Speaker 2: to think about it.

66
00:02:44,440 --> 00:02:44,560
Speaker 1: Man.

67
00:02:44,560 --> 00:02:46,120
Speaker 3: I got like three phones a bunch of people that

68
00:02:46,240 --> 00:02:49,040
Speaker 3: called my phone, so I know the feeling of people

69
00:02:49,080 --> 00:02:49,720
Speaker 3: calling your phone.

70
00:02:49,760 --> 00:02:50,320
Speaker 2: You might see it.

71
00:02:50,320 --> 00:02:52,359
Speaker 3: You might don't get to it right then and there,

72
00:02:52,400 --> 00:02:54,560
Speaker 3: but if you see about two or three times, you're

73
00:02:54,560 --> 00:02:55,000
Speaker 3: gonna know the.

74
00:02:55,080 --> 00:02:57,440
Speaker 2: Okay, okay, shout to see her. Yeah, okay, let me

75
00:02:57,480 --> 00:02:59,040
Speaker 2: take it back because nigga don't understand.

76
00:02:59,040 --> 00:03:01,440
Speaker 1: We do listen to your mute. That's why we don't

77
00:03:01,480 --> 00:03:03,839
Speaker 1: really want y'all to send a lot because we ain't

78
00:03:03,840 --> 00:03:04,480
Speaker 1: got no te we.

79
00:03:04,480 --> 00:03:06,360
Speaker 2: Like, well, let me see what he's talking about.

80
00:03:06,600 --> 00:03:09,079
Speaker 1: But then when we actually hear something that's really good, bro,

81
00:03:09,200 --> 00:03:11,560
Speaker 1: Like you a real nigga, Bro, you gonna say something. Bro,

82
00:03:12,240 --> 00:03:14,320
Speaker 1: it's just in your nature to be like, hey, little Homer,

83
00:03:14,440 --> 00:03:18,200
Speaker 1: keep doing your thing. Matter of fact, it ain't knocking

84
00:03:18,280 --> 00:03:19,240
Speaker 1: me if I help.

85
00:03:19,120 --> 00:03:22,560
Speaker 2: You for real, nor it ain't even stopping thathing. It

86
00:03:22,560 --> 00:03:23,960
Speaker 2: ain't stopping that a blessing.

87
00:03:24,000 --> 00:03:26,280
Speaker 3: It's a blessing. So I feel like he did that.

88
00:03:26,480 --> 00:03:28,160
Speaker 3: One of my biggest songs in my career is like

89
00:03:28,160 --> 00:03:28,919
Speaker 3: a blessing forever.

90
00:03:29,200 --> 00:03:32,280
Speaker 1: Talk you talk now coming from a small city in

91
00:03:32,480 --> 00:03:35,000
Speaker 1: South cat Like, you know, I got family in Chara, Yeah,

92
00:03:35,320 --> 00:03:35,880
Speaker 1: the Gainess.

93
00:03:36,000 --> 00:03:38,160
Speaker 2: I know y'all hearing like that my cousin.

94
00:03:39,720 --> 00:03:43,440
Speaker 1: Like explain bro, like not getting that recognition to finally

95
00:03:43,480 --> 00:03:46,040
Speaker 1: getting that recognition and just staying down because you never

96
00:03:46,120 --> 00:03:47,560
Speaker 1: know where where it may lead you.

97
00:03:47,840 --> 00:03:50,360
Speaker 3: I gotta said, man, where I'm from a Tara, it's

98
00:03:50,400 --> 00:03:52,200
Speaker 3: only world Walmart in the Countess.

99
00:03:52,240 --> 00:03:55,400
Speaker 2: So it's like in all they'll.

100
00:03:56,600 --> 00:04:00,080
Speaker 3: Super similar. All the gas stations closed at twelve. It

101
00:04:00,120 --> 00:04:01,160
Speaker 3: ain't you.

102
00:04:01,240 --> 00:04:03,320
Speaker 2: It ain't no where to go. What thirty boy? You're

103
00:04:03,360 --> 00:04:03,480
Speaker 2: up to?

104
00:04:04,120 --> 00:04:04,480
Speaker 4: No good?

105
00:04:04,560 --> 00:04:06,480
Speaker 2: You know what I'm saying. So it's like I can't

106
00:04:06,480 --> 00:04:07,000
Speaker 2: even lie to you.

107
00:04:07,080 --> 00:04:09,200
Speaker 3: It's like a blessing though, Man, it's really a blessing

108
00:04:09,200 --> 00:04:10,119
Speaker 3: coming from where I come from.

109
00:04:10,120 --> 00:04:13,560
Speaker 2: It ain't nothing like four thousand people Like I.

110
00:04:13,440 --> 00:04:16,400
Speaker 1: Take ed Min, the same middle everything, all the school's

111
00:04:16,440 --> 00:04:17,279
Speaker 1: on to new high school.

112
00:04:17,279 --> 00:04:19,920
Speaker 2: You might have had one same ring. It's the same

113
00:04:20,000 --> 00:04:22,080
Speaker 2: high school. One high school. You know what I'm saying.

114
00:04:22,200 --> 00:04:24,600
Speaker 2: One high school, what elementary? You know what I'm saying.

115
00:04:24,600 --> 00:04:27,359
Speaker 2: So everybody know everybody, everybody you know.

116
00:04:27,360 --> 00:04:29,120
Speaker 3: You gotta be humble. You gotta take it in. You

117
00:04:29,120 --> 00:04:30,960
Speaker 3: gotta you for real because it can be gone in

118
00:04:31,160 --> 00:04:32,040
Speaker 3: in a split second.

119
00:04:32,240 --> 00:04:35,280
Speaker 4: Right that being from because I'm from a small town too,

120
00:04:35,279 --> 00:04:37,520
Speaker 4: do you feel a lot of support from your seat?

121
00:04:37,600 --> 00:04:40,200
Speaker 2: Oh yeah, like the male know me. Everybody come from

122
00:04:40,600 --> 00:04:41,520
Speaker 2: crazy when the male know.

123
00:04:43,760 --> 00:04:47,920
Speaker 4: Yeah, you a key to the city.

124
00:04:48,320 --> 00:04:48,480
Speaker 2: Now.

125
00:04:48,480 --> 00:04:50,359
Speaker 3: I've been doing for the city though, Like before I

126
00:04:50,480 --> 00:04:53,440
Speaker 3: was big and rapping though, like donating to the schools,

127
00:04:53,480 --> 00:04:55,680
Speaker 3: buy the shoes and stuff like that. You feel me,

128
00:04:55,800 --> 00:04:57,760
Speaker 3: like by the school basketball shoes on me and my

129
00:04:57,839 --> 00:04:59,200
Speaker 3: partner about a football.

130
00:04:58,880 --> 00:05:01,240
Speaker 2: Jerseys for school and stuff like that. See, people don't

131
00:05:01,279 --> 00:05:02,719
Speaker 2: understand like they give the kids.

132
00:05:02,800 --> 00:05:06,160
Speaker 1: Hope, bro, They give the kids understanding that somebody is

133
00:05:06,200 --> 00:05:09,640
Speaker 1: supporting your dreams, supporting your success and where you want

134
00:05:09,640 --> 00:05:11,640
Speaker 1: to go, because a lot of people don't understand that.

135
00:05:11,839 --> 00:05:13,600
Speaker 1: When they feel like they ain't got nobody, they don't

136
00:05:13,640 --> 00:05:16,599
Speaker 1: really want to put for the effort into the real dream.

137
00:05:17,839 --> 00:05:19,800
Speaker 3: Like I said, I ain't want to be known for

138
00:05:19,960 --> 00:05:21,720
Speaker 3: just messing up the community. I always want to give

139
00:05:21,760 --> 00:05:22,960
Speaker 3: back to the right.

140
00:05:23,080 --> 00:05:25,200
Speaker 2: Now you know this, but this couch right here is real.

141
00:05:25,440 --> 00:05:25,680
Speaker 1: Uh.

142
00:05:26,279 --> 00:05:28,720
Speaker 2: I want to say we speak things into.

143
00:05:28,560 --> 00:05:32,120
Speaker 1: Fruition rounds just like you just d M big eggs

144
00:05:32,160 --> 00:05:33,840
Speaker 1: and he like ship.

145
00:05:34,120 --> 00:05:41,040
Speaker 2: I'm the largest pull it up. Who else do you

146
00:05:41,120 --> 00:05:46,560
Speaker 2: see yourself collaborate with? Uh? Outcasts? Outcasts. I'm trying hard

147
00:05:46,560 --> 00:05:47,200
Speaker 2: to get somewhere.

148
00:05:47,720 --> 00:05:50,160
Speaker 3: I'm trying to get the outcore feature I'm really trying

149
00:05:50,160 --> 00:05:52,080
Speaker 3: to get. I don't care if Andre play the flute,

150
00:05:54,080 --> 00:05:54,480
Speaker 3: don't care.

151
00:05:56,839 --> 00:05:57,479
Speaker 2: I just need.

152
00:05:57,480 --> 00:05:59,920
Speaker 3: I just needed to say Andre three thousand all he

153
00:06:00,240 --> 00:06:01,839
Speaker 3: guess that's all I need.

154
00:06:02,200 --> 00:06:05,560
Speaker 2: Could you tell us a little bit about your new project, trampadi.

155
00:06:05,240 --> 00:06:08,000
Speaker 3: Oh yeah, Tramperd was really one of the first projects

156
00:06:08,040 --> 00:06:10,799
Speaker 3: I dropped coming back into the rap industry.

157
00:06:10,839 --> 00:06:11,520
Speaker 2: Like the rap game.

158
00:06:12,000 --> 00:06:15,279
Speaker 3: So it was like, actually Sean Cotton helped me redrop

159
00:06:15,320 --> 00:06:17,719
Speaker 3: it to get more noticeable, like to get it noticeable.

160
00:06:18,320 --> 00:06:21,600
Speaker 3: Cheese shout out, say cheese helped me out a lot.

161
00:06:21,640 --> 00:06:23,120
Speaker 3: But on Tramp that was like one of my first

162
00:06:23,160 --> 00:06:26,240
Speaker 3: tapes coming into the rap game, the old trap, the

163
00:06:26,440 --> 00:06:27,000
Speaker 3: street Trap.

164
00:06:27,080 --> 00:06:28,840
Speaker 2: It was fun doing it real.

165
00:06:32,440 --> 00:06:33,360
Speaker 4: Okay, So what we're gonna do.

166
00:06:33,400 --> 00:06:34,680
Speaker 2: We have a little wheel of.

167
00:06:34,680 --> 00:06:36,839
Speaker 4: Fun right here. Okay, Okay, So I'm gonna spend it

168
00:06:36,880 --> 00:06:43,920
Speaker 4: for you. Whatever I got mind, you gotta ask you.

169
00:06:46,880 --> 00:06:51,400
Speaker 4: Let's see what we laying on. Okay, J call boom.

170
00:06:51,440 --> 00:06:52,080
Speaker 2: That's crazy.

171
00:06:52,160 --> 00:06:56,800
Speaker 4: What's your favorite favorite J Cole songs or lyric?

172
00:06:56,960 --> 00:07:01,480
Speaker 2: Oh? Jesus, oh, that's crazy. I got so.

173
00:07:01,640 --> 00:07:05,479
Speaker 3: Many though, man, I don't know because the new ones

174
00:07:05,480 --> 00:07:06,680
Speaker 3: he just dropped.

175
00:07:06,320 --> 00:07:09,920
Speaker 2: The old ones. It's a lot of large.

176
00:07:10,160 --> 00:07:16,000
Speaker 3: That's a large catalog on the spot. You think I'm

177
00:07:16,000 --> 00:07:23,160
Speaker 3: trying to think because I only want to be like,

178
00:07:23,680 --> 00:07:25,960
Speaker 3: that's a favorite song by J Cole, you know what

179
00:07:25,960 --> 00:07:26,360
Speaker 3: I'm saying.

180
00:07:27,120 --> 00:07:29,280
Speaker 2: But I'm gonna do the one where he did with Cameron,

181
00:07:29,360 --> 00:07:32,760
Speaker 2: the last one. Okay, the last week just did with

182
00:07:33,680 --> 00:07:34,040
Speaker 2: last week?

183
00:07:34,360 --> 00:07:36,160
Speaker 4: All right, Well, let us know you know where we

184
00:07:36,200 --> 00:07:37,920
Speaker 4: can find you at what you got coming up?

185
00:07:37,920 --> 00:07:40,920
Speaker 3: And all social networks and spelled just like it. Sound

186
00:07:41,120 --> 00:07:43,360
Speaker 3: trapped Dickie, t R A P d I c K

187
00:07:43,520 --> 00:07:44,160
Speaker 3: e y.

188
00:07:44,400 --> 00:07:45,160
Speaker 2: I'm on all.

189
00:07:45,080 --> 00:07:51,760
Speaker 3: Social networks Instagram, Facebook, Twitter, TikTok, any social just google it,

190
00:07:52,000 --> 00:07:56,679
Speaker 3: social security, yes, Spotify, everything. Just just google trap Dickie,

191
00:07:56,680 --> 00:07:58,200
Speaker 3: and I'm there. I'm gonna pop up.

192
00:07:58,520 --> 00:08:01,440
Speaker 2: Okay, well, thank you, but I appreciate that. I appreciate it.

193
00:08:02,120 --> 00:08:03,920
Speaker 1: You know what time it is, DC, You on fly

194
00:08:04,040 --> 00:08:07,000
Speaker 1: eighty five? Sound poor mine trap Diggie we a bat

195
00:08:07,040 --> 00:08:07,720
Speaker 1: Woodman's stake