WEBVTT - zoë roth the disaster girl: a lifetime of virality

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<v Speaker 1>Cool Zone Media. Hello sixteenth minute listeners. Jamie here just

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<v Speaker 1>reminding you that if you're in the LA area, or

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<v Speaker 1>even if you're not, we're doing a big Bechdel Cast

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<v Speaker 1>celebration show that is my movie podcast that I co

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<v Speaker 1>host with Caitlin Dorante at Dynasty Typewriter right after the

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<v Speaker 1>Oscars on March second, at seven point thirty. It's going

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<v Speaker 1>to be a big show with all of our favorite

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<v Speaker 1>guests from the show and attendance. We're going to be

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<v Speaker 1>cosplaying as Oscar winners, We're going to be talking about

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<v Speaker 1>the ceremony, and we're just going to be doing stand

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<v Speaker 1>up and celebrating women in film. How about it? So

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<v Speaker 1>you can get tickets irl still if you are interested,

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<v Speaker 1>and if you're not in the area, we are also

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<v Speaker 1>selling streaming tickets that you can get at the link

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<v Speaker 1>in the description. See you there. Enjoy the episode. Name

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<v Speaker 1>a story about becoming famous as a kid that is normal.

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<v Speaker 1>You kind of can't like it's an abnormal state of affairs.

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<v Speaker 1>But we only really see a couple different kinds of

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<v Speaker 1>narratives that are centered around this kind of fame. The

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<v Speaker 1>first is this big breakout moment where a kid who

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<v Speaker 1>enjoys performing does so on a larger scale than most

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<v Speaker 1>kids could dream of. In a lot of cases, were

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<v Speaker 1>led to marvel at their media training. Wow, they're a

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<v Speaker 1>little adult. Macaulay Culkin comes to mind.

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<v Speaker 2>Did you want to go into the business or did

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<v Speaker 2>your mom and dad think it would be a good

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<v Speaker 2>thing for you?

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<v Speaker 3>How'd it happened?

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<v Speaker 4>Well, just kind of popped up, like my friend, well

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<v Speaker 4>she was a stage manager, so like.

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<v Speaker 3>At a Broadway show though, right or Broadway.

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<v Speaker 1>Yeah, or as the case may be. Wow, they're a

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<v Speaker 1>little sex object. Here is Natalie Portman reflecting on her

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<v Speaker 1>career as a kid.

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<v Speaker 5>Being sexualized as a child. I think took away from

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<v Speaker 5>my own sexuality because it made me afraid and it

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<v Speaker 5>made me feel like the way that I could be

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<v Speaker 5>safe was to be like, I'm conservative and I'm like

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<v Speaker 5>serious and you should respect me, and I'm smart and like,

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<v Speaker 5>don't look.

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<v Speaker 3>At me that way.

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<v Speaker 1>And then we get a variation on a few adult

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<v Speaker 1>narratives for former child stars. There's the where did they go? Narrative,

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<v Speaker 1>which is almost always answered by they're a person. They

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<v Speaker 1>have a normal life in their normal There's the kid

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<v Speaker 1>that moves seamlessly into stardom as an adult, occasionally referencing

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<v Speaker 1>the more uncomfortable parts of child stardom in interviews. There's

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<v Speaker 1>the most troubling outcome where a child star grows into

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<v Speaker 1>a very troubled adult for myriad reasons, whether it's the

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<v Speaker 1>lingering effects of financial or parental exploitation, abuse at the

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<v Speaker 1>hands of exploitative Hollywood types, or any mix of mental

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<v Speaker 1>health and substance abuse, issues that could happen to anybody

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<v Speaker 1>and can be exacerbated by the pressure of living so

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<v Speaker 1>publicly so young. Because while there are plenty of redemption

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<v Speaker 1>narratives on a longer timeline for stars like this, most

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<v Speaker 1>young celebrities who either struggle or are just normally rebellious

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<v Speaker 1>like kids are, are shamed in the moment, which is

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<v Speaker 1>never in the history of the world helped anybody. But

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<v Speaker 1>as time goes on, the nature of child stardom has

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<v Speaker 1>changed with entertainment mediums. A lot of the narratives that

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<v Speaker 1>I grew up with focused on kids that got their

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<v Speaker 1>start in film or TV, or may have been discovered

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<v Speaker 1>online and then made the transition to film and TV

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<v Speaker 1>and never looked back. So how did it happen?

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<v Speaker 5>Did someone call you and say hey, I saw your

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<v Speaker 5>song on YouTube.

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<v Speaker 1>Well, first basically.

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<v Speaker 6>I got this email from was it.

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<v Speaker 1>I think it was like Mari Povich.

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<v Speaker 7>Oh yeah, he wanted me on his show to do

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<v Speaker 7>this conversation, and my mom.

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<v Speaker 8>Was like no.

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<v Speaker 1>There was a whole generation of millennial and Gen Z

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<v Speaker 1>musicians who were discovered either on YouTube or SoundCloud, and

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<v Speaker 1>slowly you'd stop hearing stories about kids being discovered at

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<v Speaker 1>the mall and started hearing about them being found online.

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<v Speaker 1>And the ethics there are just as murky, if not

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<v Speaker 1>further complicated by that. But the pursuits here are pretty

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<v Speaker 1>consistent music, acting, occasionally dance. The exploitation has been terrifyingly consistent,

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<v Speaker 1>launching kids into a world that they and often their

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<v Speaker 1>families have no understanding of, and into a pretty exploitative

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<v Speaker 1>industry while they're really vulnerable. But when the Internet took over,

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<v Speaker 1>there was this new, separate group of kids who became

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<v Speaker 1>famous just because they did. Sure, some had posted something

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<v Speaker 1>online themselves, but in the internet is a void sense,

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<v Speaker 1>not in the sense that it was attempting to be

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<v Speaker 1>noticed or famous in any meaningful way. And in the

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<v Speaker 1>last few years we've started to hear from the now

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<v Speaker 1>adult former children. Surely there's an easier way to say

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<v Speaker 1>that who were turned into lifestyle content before they could

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<v Speaker 1>possibly consent to it. These young adults are the results

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<v Speaker 1>of family vlogs and reality TV, kids that don't have

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<v Speaker 1>performance aspirations, but who are conditioned to view their life

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<v Speaker 1>as a performance for others, even if things are remarkably

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<v Speaker 1>different for them when the cameras turn off.

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<v Speaker 9>Now, we're going to go to our GMA exclusive with

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<v Speaker 9>the eldest daughter of mom influencer Ruby Frankie, who pleaded

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<v Speaker 9>guilty to child abuse last year. Sherry Frankie is now

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<v Speaker 9>sharing her story in a new book, including allegations about

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<v Speaker 9>her mom's relationship with her former mentor.

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<v Speaker 1>But in the not too distant past, for some kids,

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<v Speaker 1>their fame online was out of the control of them,

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<v Speaker 1>their parents, and basically everybody. These are people whose old

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<v Speaker 1>home videos were up floated before a lot of people

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<v Speaker 1>understood what happened when viral fame came their way. A

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<v Speaker 1>prominent example is the parents of the Charlie Bitme kids

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<v Speaker 1>were not expecting or trying for their video to become

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<v Speaker 1>a global household topic, and in the case of some

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<v Speaker 1>early meme stars, the moment or image that goes viral

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<v Speaker 1>wasn't even uploaded by them, and in some cases was

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<v Speaker 1>a photo or video clip that was from years ago.

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<v Speaker 1>I jump right to the uh irma gird girl if

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<v Speaker 1>you were on the internet in twenty twelve. Here she

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<v Speaker 1>is telling BuzzFeed about how she learned this old image

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<v Speaker 1>had been posted of her. Years later.

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<v Speaker 8>I started getting messages from my mom wondering why my

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<v Speaker 8>photo was all over the internet and that there was

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<v Speaker 8>some kind of German writing on my photo and it

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<v Speaker 8>was all over and I was like, okay, Mom, I

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<v Speaker 8>know she does not know.

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<v Speaker 1>How the internet worked, so I just ignore.

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<v Speaker 3>But then I get a message.

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<v Speaker 8>From a friend from high school and she says, Hey,

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<v Speaker 8>just so you know that this other guy who went

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<v Speaker 8>to high school with is sharing that photo of you

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<v Speaker 8>all over Facebook.

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<v Speaker 10>And I did end up messaging him like.

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<v Speaker 8>Hey, I wouldn't mind if you just ask, but it's

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<v Speaker 8>a really stranger just doing this without my consent, Like

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<v Speaker 8>what's going on.

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<v Speaker 1>But no matter how one becomes famous, whether they're at

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<v Speaker 1>the Oscars or assigning booms to snack foods on TikTok,

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<v Speaker 1>there is this underlying expectation that no matter how fame

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<v Speaker 1>comes your way, you should probably want it right at

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<v Speaker 1>this point. To suggest you wouldn't want it can be

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<v Speaker 1>regarded as kind of weird or anomaly. I mean, we've

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<v Speaker 1>even talked about it on this show with Matt Pacerro

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<v Speaker 1>the Wicked Witch of the Eastborough. But there's something especially

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<v Speaker 1>bizarre to me when this logic is applied to kids

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<v Speaker 1>who have grown up online. It's such a cultural assumption

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<v Speaker 1>that everyone would want this, that it's treated as superhumanly

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<v Speaker 1>humble to not be Internet famous, and as bleak as

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<v Speaker 1>that can sound, it's not based on nothing. Tech understandably

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<v Speaker 1>has shifted kids' aspirations. Just think of all those beermongering

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<v Speaker 1>clickbait articles that say kids used to want to be teachers,

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<v Speaker 1>kids today want to be YouTubers. Should we kill them?

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<v Speaker 1>What I think does hold true is that a desire

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<v Speaker 1>to be prominent is assumed, especially somewhere like the US.

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<v Speaker 1>So what happens if you're a kid who becomes Internet

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<v Speaker 1>famous and you're kind of not into it. It was

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<v Speaker 1>a normal day in Mebane, North Carolina, in two thousand

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<v Speaker 1>and five when the Roth family smelled smoke. They walked

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<v Speaker 1>outside and saw a few blocks down there was a

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<v Speaker 1>house on fire. They panicked at first, but were soon

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<v Speaker 1>put at ease. The burn was a controlled one planned

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<v Speaker 1>by the local fire department, and the home had actually

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<v Speaker 1>been donated by a family that was hoping to clear

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<v Speaker 1>that plot of land. So Dave took his kids, Tristan

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<v Speaker 1>and Zoe over to watch the burn, along with a

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<v Speaker 1>few others in the neighborhood. And Dave was an amateur photographer,

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<v Speaker 1>so he brought his camera. There's actually a few photos

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<v Speaker 1>from this day that are memorable. Tristan was a huge

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<v Speaker 1>Harry Potter kid. It was two thousand and five, many

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<v Speaker 1>such cases, and he was dressed up as Harry basically

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<v Speaker 1>all the time. So a kid in a wizard costume

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<v Speaker 1>in front of a burning house pretty good, pretty weird.

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<v Speaker 1>But Zoe, who was only four at the time, was

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<v Speaker 1>operating on another level. She wasn't wearing a costume with

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<v Speaker 1>a pink T shirt and a sandy brown bob that

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<v Speaker 1>only a four year old girl could pull off, and

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<v Speaker 1>she was transfixed by the fire. Her dad told her

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<v Speaker 1>that no one was inside the house and it was okay,

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<v Speaker 1>But that's kind of a weird concept for a four

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<v Speaker 1>year old to wrap their head around, but after a while,

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<v Speaker 1>she seems to get it and cannot stop staring at

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<v Speaker 1>this fire. So when Dave tells her to turn around

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<v Speaker 1>so he can take a picture, Zoe just turns over

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<v Speaker 1>her shoulder and smiles in what she'll later describe as

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<v Speaker 1>my smile at the time, a close lipped smile with

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<v Speaker 1>her head felted slightly down. It's adorable, but as Zoe's

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<v Speaker 1>dad noticed at the time, it's also a little menacing.

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<v Speaker 1>And a few years later this image would inspire the

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<v Speaker 1>Internet because if you look at this picture, a four

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<v Speaker 1>year old girl smirking in front of a house on fire,

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<v Speaker 1>it kind of looks like she did it. But did

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<v Speaker 1>she want the fame that comes with being a viral star?

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<v Speaker 1>Well that's another story completely. Zoe Roth aka disaster Girl.

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<v Speaker 1>Your sixteenth minute starts now.

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<v Speaker 3>I'm not story.

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<v Speaker 1>Stay get to the moment.

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<v Speaker 3>Six six six.

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<v Speaker 1>Welcome back to sixteenth Minute, the podcast where we take

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<v Speaker 1>a look at the Internet's main characters, see how their

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<v Speaker 1>viral moment affected them and what that moment says about

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<v Speaker 1>us and the Internet. I'm your host, Jamie Loftus, and

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<v Speaker 1>this week I am delivering a long requested episode of

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<v Speaker 1>this show and O g meme Girley Zoe Roth aka

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<v Speaker 1>Disaster Girl, And yes I did get the chance to

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<v Speaker 1>speak with Zoe and she is just so lovely. I

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<v Speaker 1>feel like a proud auntie talking to her. That interview

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<v Speaker 1>will be in a bit And she's a super unique

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<v Speaker 1>subject for this show because while she didn't have much

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<v Speaker 1>of an interest in parleying her virality into a career,

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<v Speaker 1>as we'll talk about, she was never really bumped by

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<v Speaker 1>everyone around her assuming that she would want to turn

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<v Speaker 1>the viral moment into a career. And that's probably because

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<v Speaker 1>she's the first guest I've spoken to on this show

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<v Speaker 1>that's a true died in the wool. Internet native expectations

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<v Speaker 1>that have baffled older guests who grew up with analog

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<v Speaker 1>technology are not bizarre or unfamiliar to her. Zoe went

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<v Speaker 1>viral at a very particular moment in Internet history before

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<v Speaker 1>she was fully forming memories and brings one of the

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<v Speaker 1>most interesting stories around fame and consent that I think

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<v Speaker 1>we've ever got, So return with me if you dare to.

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<v Speaker 1>January two thousand and seven, Irish becomes the twenty first

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<v Speaker 1>language officially recognized by the EU, not that they give

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<v Speaker 1>a shite what the EU thinks. President Bush. The Little

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<v Speaker 1>One says that the NSA has definitely stopped wiretapping American citizens,

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<v Speaker 1>which is kind of just like a funny little joke

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<v Speaker 1>he made. And nearly two years after Dave Roth took

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<v Speaker 1>a photo of his little girl watching a neighbor's house

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<v Speaker 1>burn down, the Internet discovered it too. Dave Roth had

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<v Speaker 1>always been interested in photography, and so like any dad

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<v Speaker 1>with a specific gadget based hobby, his kids quickly became

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<v Speaker 1>a part of it. And he wasn't an idiot. The

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<v Speaker 1>picture of Zoe, which he titled Firestarter, is a really

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<v Speaker 1>good one, but his ambitions for it at first were

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<v Speaker 1>fairly conventional. So bear with me and get ready to

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<v Speaker 1>hear some very very extinct website titles. Dave first uploads

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<v Speaker 1>Firestarter to something called Zoomer, which was a stock image

0:14:08.880 --> 0:14:12.680
<v Speaker 1>hosting service whose website now redirects to a scammy seeming

0:14:12.720 --> 0:14:13.880
<v Speaker 1>Gemstone site.

0:14:14.080 --> 0:14:16.360
<v Speaker 11>But today's going to be killed a day because we're

0:14:16.360 --> 0:14:19.440
<v Speaker 11>going to start to finally release Mark three. Zoomer Mark

0:14:19.480 --> 0:14:22.760
<v Speaker 11>three six months in the making, a work two winner

0:14:22.760 --> 0:14:25.680
<v Speaker 11>from Tenue features the ability to sell your photos of

0:14:25.720 --> 0:14:28.360
<v Speaker 11>stock and keep ninety percent of the sale, but.

0:14:28.560 --> 0:14:32.760
<v Speaker 1>The Firestarter photo doesn't get much traction there. Around the

0:14:32.760 --> 0:14:36.280
<v Speaker 1>time Zoe was heading into elementary school, her dad tried

0:14:36.320 --> 0:14:41.040
<v Speaker 1>submitting Firestarter to a second publication, this time a photo

0:14:41.080 --> 0:14:44.000
<v Speaker 1>publication called Jpeg Magazine.

0:14:44.240 --> 0:14:48.840
<v Speaker 3>Basically, these are really high quality magazines that feature one

0:14:49.000 --> 0:14:52.320
<v Speaker 3>subject matter per an issue, and they're pretty affordable too.

0:14:52.400 --> 0:14:55.880
<v Speaker 1>And Jpeg sees the potential in Dave's now two year

0:14:55.920 --> 0:14:58.800
<v Speaker 1>old image and they publish it in their February March

0:14:58.800 --> 0:15:01.480
<v Speaker 1>print issue in two thousand eight, the theme of which

0:15:01.680 --> 0:15:05.320
<v Speaker 1>was Emotion Captured. And I'll talk to Zoe about how

0:15:05.360 --> 0:15:08.360
<v Speaker 1>she felt seeing her photo in a magazine this young,

0:15:08.880 --> 0:15:12.080
<v Speaker 1>because yes, by this time she was sentient enough to

0:15:12.280 --> 0:15:15.440
<v Speaker 1>understand what was happening. But this is an Internet show,

0:15:15.760 --> 0:15:19.480
<v Speaker 1>and so of course it is online where fire Starter

0:15:19.680 --> 0:15:23.600
<v Speaker 1>starts to get a ton of attention. It was shared

0:15:23.640 --> 0:15:26.480
<v Speaker 1>on the jpeg blog in November two thousand and seven,

0:15:26.760 --> 0:15:30.080
<v Speaker 1>and before the time the image really took off quickly,

0:15:30.160 --> 0:15:33.360
<v Speaker 1>racking up over ninety five thousand views and in time

0:15:33.760 --> 0:15:36.320
<v Speaker 1>ran its way up to the outer reaches of the Internet.

0:15:37.080 --> 0:15:40.440
<v Speaker 1>And you know this old chestnut, the site that really

0:15:40.480 --> 0:15:44.200
<v Speaker 1>helped Firestarter, which would soon be rebranded as Disaster Girl,

0:15:44.640 --> 0:15:50.400
<v Speaker 1>Get Really Big was none other than BuzzFeed. On October

0:15:50.440 --> 0:15:54.280
<v Speaker 1>twenty seventh, two thousand and eight, over three years after

0:15:54.280 --> 0:15:58.240
<v Speaker 1>the original picture was taken, BuzzFeed writer Scott Lamb wrote

0:15:58.280 --> 0:15:59.360
<v Speaker 1>the following.

0:16:00.240 --> 0:16:05.120
<v Speaker 12>Is aster Girl. She loves starting fires, but this devilish

0:16:05.200 --> 0:16:10.400
<v Speaker 12>girl is responsible for other disasters too. Upload yours below.

0:16:10.440 --> 0:16:13.200
<v Speaker 1>This text was a tool that helped you meme the image,

0:16:13.280 --> 0:16:16.840
<v Speaker 1>so you could put Zoe's image over any background you

0:16:16.920 --> 0:16:20.520
<v Speaker 1>wanted and then add the primitive look that most memes

0:16:20.520 --> 0:16:25.320
<v Speaker 1>had in the two thousands, that static, customizable white text

0:16:25.360 --> 0:16:27.880
<v Speaker 1>where you could add your own caption and upload it

0:16:27.920 --> 0:16:32.640
<v Speaker 1>to the community. Hilarious examples include she asked me to

0:16:32.680 --> 0:16:37.360
<v Speaker 1>watch the oven. I asked her to watch her attitude.

0:16:37.520 --> 0:16:40.160
<v Speaker 1>My mother told others we had a happy, warm home.

0:16:40.960 --> 0:16:46.320
<v Speaker 1>Now she's not lying. Dark humor is like food. Not

0:16:46.440 --> 0:16:51.240
<v Speaker 1>everyone gets it. This kind of viral spread seems so

0:16:51.960 --> 0:16:56.880
<v Speaker 1>like Hallmark sassy magnet coded to me. Now, So to

0:16:56.880 --> 0:16:59.600
<v Speaker 1>put you in this time, let's take a step back

0:16:59.600 --> 0:17:03.560
<v Speaker 1>to Rember exactly what the internet was like in two

0:17:03.640 --> 0:17:08.320
<v Speaker 1>thousand and eight. The Internet of my unrequited horny youth.

0:17:08.920 --> 0:17:11.760
<v Speaker 1>Around the time this all happened. I was in high

0:17:11.800 --> 0:17:15.160
<v Speaker 1>school and desperately in love with a saxophone player who

0:17:15.160 --> 0:17:18.000
<v Speaker 1>had gone to college for the saxophone and eventually broke

0:17:18.080 --> 0:17:20.280
<v Speaker 1>up with me so he could have more time to

0:17:20.320 --> 0:17:23.879
<v Speaker 1>play the saxophone. This was the year of that really

0:17:23.960 --> 0:17:28.240
<v Speaker 1>bad shil above Indiana Jones movie of the first Obama election.

0:17:28.720 --> 0:17:31.240
<v Speaker 1>The year of low By flow Rider, the year the

0:17:31.280 --> 0:17:36.119
<v Speaker 1>app store launched, The year Netflix and Hulu started streaming online.

0:17:36.160 --> 0:17:38.760
<v Speaker 1>A world where the Jersey Shore was still a place

0:17:38.920 --> 0:17:42.760
<v Speaker 1>and not the most fascinating sociological study ever put on television,

0:17:43.440 --> 0:17:45.520
<v Speaker 1>but for our purposes. Two thousand and eight was a

0:17:45.560 --> 0:17:49.439
<v Speaker 1>time where social media was becoming more important, but it

0:17:49.520 --> 0:17:55.040
<v Speaker 1>still wasn't quite all important. My Space had recently capitulated

0:17:55.080 --> 0:17:57.640
<v Speaker 1>to Facebook as a social network of choice for young

0:17:57.680 --> 0:18:03.000
<v Speaker 1>people at the time. It's hyperstyleed HTML induced seizure backgrounds

0:18:03.040 --> 0:18:07.920
<v Speaker 1>replaced by the smooth land interface of Mark Zuckerberg, where

0:18:07.960 --> 0:18:12.560
<v Speaker 1>teenagers could send each other something called bumper stickers. Everyone

0:18:12.640 --> 0:18:15.280
<v Speaker 1>under twenty five is like, okay, Grandma, go to bed,

0:18:15.880 --> 0:18:20.560
<v Speaker 1>and we were obsessively checking each other's hyperlinked relationship statuses

0:18:21.240 --> 0:18:24.639
<v Speaker 1>like a sixteen year old with the gall to list

0:18:24.720 --> 0:18:29.920
<v Speaker 1>their status as it's complicated with someone else's hyperlinked government

0:18:30.040 --> 0:18:34.080
<v Speaker 1>name beside it. It was a nasty time, and social

0:18:34.160 --> 0:18:37.200
<v Speaker 1>media was one of the venues that the disaster girl

0:18:37.280 --> 0:18:40.280
<v Speaker 1>memes spread, but there were still plenty of places that

0:18:40.520 --> 0:18:45.560
<v Speaker 1>curated this viral content curated by humans. If you can

0:18:45.600 --> 0:18:49.760
<v Speaker 1>imagine before Zoe Roth's four year old face would make

0:18:49.800 --> 0:18:53.719
<v Speaker 1>it to your friend's Facebook page. BuzzFeed was a huge

0:18:53.840 --> 0:18:56.840
<v Speaker 1>viral aggregator in two thousand and seven, having just been

0:18:56.920 --> 0:19:00.520
<v Speaker 1>launched by Jonah Peretti two years before, and our having

0:19:00.560 --> 0:19:03.880
<v Speaker 1>gained the reputation for being a site of aggregated memes,

0:19:04.240 --> 0:19:10.760
<v Speaker 1>viral stories, and these gnarly personality quizzes which were inexplicably

0:19:10.960 --> 0:19:15.480
<v Speaker 1>meth to earnest millennial teenagers. I looked back at some

0:19:15.640 --> 0:19:16.560
<v Speaker 1>here my favorites.

0:19:17.480 --> 0:19:21.240
<v Speaker 12>Create a sampler platter, and we'll guess your age and height?

0:19:22.080 --> 0:19:26.240
<v Speaker 12>What percent nerdy are you? Can you spot the fuck boy?

0:19:27.040 --> 0:19:29.520
<v Speaker 12>We know the name of your next lover based on

0:19:29.560 --> 0:19:37.040
<v Speaker 12>the food you order from McDonald's. How stereotypically white are you?

0:19:37.080 --> 0:19:40.080
<v Speaker 1>No accounting for this? We should be embarrassed. There was

0:19:40.160 --> 0:19:43.400
<v Speaker 1>also cracked dot com, founded in two thousand and five.

0:19:43.520 --> 0:19:45.800
<v Speaker 1>By a guy I've never met before and who certainly

0:19:45.840 --> 0:19:49.480
<v Speaker 1>doesn't hold my livelihood in his very hands. Jack O'Brien,

0:19:50.040 --> 0:19:53.560
<v Speaker 1>who went on to hire some of the world's greatest writers, comedians,

0:19:53.560 --> 0:19:56.440
<v Speaker 1>and journalists who shall not be named no idea who

0:19:56.440 --> 0:20:01.320
<v Speaker 1>they are cracked was an edgier, funnier, more researched version

0:20:01.400 --> 0:20:04.560
<v Speaker 1>of the BuzzFeed model, and they did similar short form,

0:20:04.600 --> 0:20:09.560
<v Speaker 1>written and eventually video pieces. A Disaster Girl thrived on

0:20:09.720 --> 0:20:12.960
<v Speaker 1>both of these websites, and after Zoe's image first popped

0:20:13.040 --> 0:20:18.840
<v Speaker 1>up on BuzzFeed, she or I guess, disaster Girl became

0:20:19.000 --> 0:20:23.560
<v Speaker 1>an overnight sensation. The next day, BuzzFeed posted some of

0:20:23.600 --> 0:20:25.959
<v Speaker 1>the hits of the meme generator from the day before,

0:20:26.359 --> 0:20:29.280
<v Speaker 1>in which Zoe was photoshopped smirking in front of other

0:20:29.440 --> 0:20:35.720
<v Speaker 1>ostensible tragedies, so Zoe's smirking at the dinosaur's extinction, Zoe's

0:20:35.720 --> 0:20:38.399
<v Speaker 1>smirking in front of Jesus on the Cross, Zoe at

0:20:38.440 --> 0:20:43.080
<v Speaker 1>Lincoln's assassination, the Grassy Knoll, and some really in poor taste,

0:20:43.119 --> 0:20:47.560
<v Speaker 1>bone chilling Holocaust images. Today. This really to me, reeks,

0:20:47.680 --> 0:20:51.119
<v Speaker 1>of all of the tragedies that will happen in the world,

0:20:51.240 --> 0:20:56.000
<v Speaker 1>have already happened in this extremely naive and dare say

0:20:56.040 --> 0:21:00.080
<v Speaker 1>neo liberal way, Let's keep moving Jpeg magazine knew this

0:21:00.160 --> 0:21:02.560
<v Speaker 1>was the time to jump on the publicity train for

0:21:02.800 --> 0:21:05.720
<v Speaker 1>Disaster Girl and had an interview with Dave and Zoe

0:21:06.040 --> 0:21:09.320
<v Speaker 1>the next day, October twenty eighth. Here's that piece.

0:21:10.280 --> 0:21:14.359
<v Speaker 12>Disaster Girl is coming for you. Roth's photo has popped

0:21:14.440 --> 0:21:16.879
<v Speaker 12>up on a few bookmarking sites where you can upload

0:21:16.920 --> 0:21:20.880
<v Speaker 12>a Firestarter template to enter in your own background silly fun.

0:21:21.640 --> 0:21:24.800
<v Speaker 12>We recently spoke with Dave about his fifteen minutes. He

0:21:24.960 --> 0:21:28.720
<v Speaker 12>and Zoe the fire Starter herself are digging the photoshop

0:21:28.880 --> 0:21:32.000
<v Speaker 12>versions as well as the captions and our jazz that

0:21:32.080 --> 0:21:35.159
<v Speaker 12>the attention to the photo has gotten. Perhaps the lives of

0:21:35.200 --> 0:21:38.280
<v Speaker 12>a disaster Girl and her father are a bit more

0:21:38.359 --> 0:21:42.000
<v Speaker 12>fun and maybe even more mischievous than one would expect.

0:21:42.400 --> 0:21:46.320
<v Speaker 1>And off of this, Disaster Girl's lore spread across the

0:21:46.359 --> 0:21:50.040
<v Speaker 1>world wide Web to all the must click, pop up,

0:21:50.160 --> 0:21:56.000
<v Speaker 1>nightmare aggregate sites of the day, dig make your own

0:21:56.119 --> 0:21:58.479
<v Speaker 1>Disaster Girl background.

0:21:58.640 --> 0:22:02.000
<v Speaker 12>Ebom's World, Disaster Girl strikes again.

0:22:02.560 --> 0:22:08.720
<v Speaker 1>Best week ever Disaster Girl, thenew fail, Cracked dot Com.

0:22:09.080 --> 0:22:13.119
<v Speaker 12>Six images of kids two insane to be real that

0:22:13.280 --> 0:22:13.919
<v Speaker 12>really are.

0:22:15.600 --> 0:22:19.160
<v Speaker 1>Man, those headline formats really trigger my fighter flight response.

0:22:19.640 --> 0:22:23.159
<v Speaker 1>But people were just not getting sick of using the

0:22:23.240 --> 0:22:27.440
<v Speaker 1>disaster Girl meme. According to the All Knowing Know Your Meme,

0:22:27.840 --> 0:22:31.760
<v Speaker 1>Google search peaks for disaster Girl wouldn't hit until nearly

0:22:32.000 --> 0:22:36.359
<v Speaker 1>three years later, in May twenty eleven. And if this

0:22:36.520 --> 0:22:41.200
<v Speaker 1>image went viral today, there would be a terrifying, albeit

0:22:41.440 --> 0:22:45.960
<v Speaker 1>relatively clear pipeline for the roths to take license the image,

0:22:45.960 --> 0:22:49.040
<v Speaker 1>maybe get her on late night, start a branded social

0:22:49.080 --> 0:22:53.159
<v Speaker 1>media career, participate in I don't know a crypto scam.

0:22:53.480 --> 0:22:55.760
<v Speaker 1>All the waves of things that we'd see on the

0:22:55.800 --> 0:22:59.119
<v Speaker 1>Internet in the years to come from the Ellen pipeline.

0:23:00.000 --> 0:23:02.080
<v Speaker 4>If you haven't been hearing the words damn Daniel in

0:23:02.119 --> 0:23:04.520
<v Speaker 4>the last twenty four hours, you've not been on the internet.

0:23:04.560 --> 0:23:06.880
<v Speaker 4>Our first guests are two friends who posted a video

0:23:06.920 --> 0:23:09.640
<v Speaker 4>showing off some stylish clothes. In a matter of days,

0:23:09.680 --> 0:23:12.600
<v Speaker 4>it's been viewed over forty five million times.

0:23:12.760 --> 0:23:15.280
<v Speaker 1>Take a look to Hey, we wel just doing damage

0:23:15.320 --> 0:23:18.679
<v Speaker 1>control about the hawk coin scam to no avail just

0:23:18.720 --> 0:23:19.600
<v Speaker 1>a couple weeks ago.

0:23:19.840 --> 0:23:22.119
<v Speaker 7>I'm gonna start by saying thank you to all my

0:23:22.200 --> 0:23:24.480
<v Speaker 7>true fans and all the people that actually watch my

0:23:24.520 --> 0:23:27.240
<v Speaker 7>stuff and they keep up with me. We're trying to

0:23:27.240 --> 0:23:29.440
<v Speaker 7>sort out all the pieces and stuff to like get

0:23:29.440 --> 0:23:32.120
<v Speaker 7>all this figured out and make everything right. Oh my god,

0:23:32.119 --> 0:23:32.760
<v Speaker 7>I'm gonna cry.

0:23:33.320 --> 0:23:35.560
<v Speaker 1>But this was two thousand and seven and two thousand

0:23:35.560 --> 0:23:38.160
<v Speaker 1>and eight. It wasn't just the Roths that weren't sure

0:23:38.200 --> 0:23:40.960
<v Speaker 1>how to approach this moment with their now second grade daughter.

0:23:41.560 --> 0:23:43.919
<v Speaker 1>It was that no one would know how to approach

0:23:43.960 --> 0:24:01.680
<v Speaker 1>this moment. I'm not going to give you a full

0:24:01.760 --> 0:24:04.720
<v Speaker 1>history here, but the term meme was coined all the

0:24:04.720 --> 0:24:08.000
<v Speaker 1>way back in nineteen seventy six by Richard Dawkins, and

0:24:08.040 --> 0:24:11.080
<v Speaker 1>became associated with the Internet in nineteen ninety three. In

0:24:11.160 --> 0:24:14.880
<v Speaker 1>a piece by Mike Godwin in Wired, Internet memes were

0:24:14.920 --> 0:24:19.280
<v Speaker 1>revised to mean a pre existing image quote deliberately altered

0:24:19.320 --> 0:24:24.280
<v Speaker 1>by human creativity unquote in twenty thirteen, half a decade

0:24:24.400 --> 0:24:29.240
<v Speaker 1>after Disaster Girl became a popular image. So Zoe Ross

0:24:29.359 --> 0:24:33.639
<v Speaker 1>is unintentionally very early to the meme game. I'm not

0:24:33.680 --> 0:24:36.159
<v Speaker 1>saying she's the first. There were plenty of videos and

0:24:36.200 --> 0:24:42.240
<v Speaker 1>images like the Dancing Baby, Gary Brolsma's Newman Numa video, Lolcats, Rickrolling,

0:24:42.600 --> 0:24:45.879
<v Speaker 1>and my personal favorite will it blend videos that had

0:24:45.920 --> 0:24:49.359
<v Speaker 1>gone viral before her, but the two thousands still have

0:24:49.480 --> 0:24:54.040
<v Speaker 1>this reputation of being the wild West era of memes.

0:24:54.359 --> 0:24:56.120
<v Speaker 1>I want to focus on two thousand and seven here

0:24:56.440 --> 0:24:59.359
<v Speaker 1>because it was arguably the first year that some of

0:24:59.400 --> 0:25:02.760
<v Speaker 1>the most potent means to date entered our lives.

0:25:03.440 --> 0:25:10.440
<v Speaker 6>A brief preview, Lity, Some Stay Dry and the Pain

0:25:10.640 --> 0:25:27.600
<v Speaker 6>chok LITZI Gotta Cry the Best can.

0:25:29.000 --> 0:25:30.480
<v Speaker 1>Lay Ready Alone?

0:25:32.000 --> 0:25:32.359
<v Speaker 10>Please?

0:25:33.400 --> 0:25:36.760
<v Speaker 1>These all came out in two thousand and seven. It's

0:25:36.840 --> 0:25:39.679
<v Speaker 1>pretty wild, But I don't think that this was because

0:25:39.760 --> 0:25:44.360
<v Speaker 1>it was a particularly potent year for creativity. For context,

0:25:44.520 --> 0:25:46.960
<v Speaker 1>this is also the year that b Movie came out,

0:25:47.680 --> 0:25:51.080
<v Speaker 1>but it was a big year for increased success on

0:25:51.240 --> 0:25:54.840
<v Speaker 1>aggregate websites like BuzzFeed and cracked at a time when

0:25:54.960 --> 0:25:59.160
<v Speaker 1>social media and YouTube were becoming increasingly popular and easier

0:25:59.280 --> 0:26:02.600
<v Speaker 1>for people to add access, and some of the subjects

0:26:02.600 --> 0:26:05.400
<v Speaker 1>of these memes were able to parlay their fame into

0:26:05.440 --> 0:26:11.480
<v Speaker 1>sustained popularity through a combination of luck and early meme managers.

0:26:12.000 --> 0:26:15.240
<v Speaker 1>And the most successful meme manager maybe of all time,

0:26:16.000 --> 0:26:19.840
<v Speaker 1>is this guy named Ben Lashes. He didn't represent the

0:26:19.960 --> 0:26:23.600
<v Speaker 1>roths or the disaster Girl meme during its heyday because

0:26:23.680 --> 0:26:26.520
<v Speaker 1>the family didn't seek out management, as we'll get into,

0:26:27.200 --> 0:26:31.200
<v Speaker 1>but Ben Lashes does become a weirdly important player in

0:26:31.359 --> 0:26:37.320
<v Speaker 1>this story. So how do you become a prominent meme manager? Well,

0:26:37.760 --> 0:26:40.520
<v Speaker 1>he started as a musician in the two thousands.

0:26:41.320 --> 0:26:42.639
<v Speaker 2>Is so long.

0:26:42.800 --> 0:26:46.720
<v Speaker 13>Inside say success inside of mind.

0:26:48.000 --> 0:26:50.360
<v Speaker 1>I was seeing in the comments that this track came

0:26:50.440 --> 0:26:53.600
<v Speaker 1>for free on the Sony Ericsson brick phone in the

0:26:53.680 --> 0:26:57.200
<v Speaker 1>mid two thousands. Pretty sick. But after he left music behind,

0:26:57.800 --> 0:27:01.040
<v Speaker 1>Lashes pivoted to media in the late two thousands and

0:27:01.200 --> 0:27:03.120
<v Speaker 1>interviewed musicians for Spin dot com.

0:27:03.480 --> 0:27:06.200
<v Speaker 13>All right, folks, it's the biggest night in Hollywood. It's

0:27:06.240 --> 0:27:09.840
<v Speaker 13>being again Ben Lashes. You're ace reporter, stuck in traffic

0:27:09.880 --> 0:27:13.600
<v Speaker 13>at its rush hour the Hollywood Freeway one oh one North,

0:27:13.680 --> 0:27:16.639
<v Speaker 13>going to see Slash at Guitar Center in north Ridge.

0:27:16.920 --> 0:27:20.080
<v Speaker 1>And in two thousand and nine, he pivoted again and

0:27:20.280 --> 0:27:24.399
<v Speaker 1>made his first prominent meme discovery. You know him, you

0:27:24.520 --> 0:27:28.440
<v Speaker 1>love him Keyboard Cat And I'm not gonna harp on

0:27:28.520 --> 0:27:30.879
<v Speaker 1>this because it really should be its own episode. But

0:27:31.080 --> 0:27:34.879
<v Speaker 1>not for nothing. The Keyboard Cat video, you've seen it.

0:27:35.320 --> 0:27:38.240
<v Speaker 1>It's a tabby cat and a Little Blue Shirt playing

0:27:38.320 --> 0:27:41.680
<v Speaker 1>the ones and twos. This video was shot in nineteen

0:27:41.720 --> 0:27:44.640
<v Speaker 1>eighty four by a family friend of the Lashes, which

0:27:44.720 --> 0:27:46.760
<v Speaker 1>is how he knew about it in the first place.

0:27:47.200 --> 0:27:50.399
<v Speaker 1>But the meme doesn't happen until two thousand and seven,

0:27:50.920 --> 0:27:53.560
<v Speaker 1>So think about that math. With regards to how long

0:27:53.680 --> 0:27:58.480
<v Speaker 1>cats live, Keyboard Cat had, in fact died twenty years

0:27:59.000 --> 0:28:06.160
<v Speaker 1>before he became famous. Rip de Fatso the cat, which

0:28:06.200 --> 0:28:08.760
<v Speaker 1>begs the question how does a dead cat have a

0:28:08.880 --> 0:28:14.560
<v Speaker 1>manager and create new content? They recast Keyboard Cat after

0:28:14.640 --> 0:28:16.920
<v Speaker 1>two thousand and seven. They hired a similar looking cat

0:28:17.040 --> 0:28:21.160
<v Speaker 1>named Bento, who debuted in a video called Keyboard Cat

0:28:21.600 --> 0:28:30.720
<v Speaker 1>Reincarnated being a cat. Bento also died. Rip Bento, here's

0:28:30.760 --> 0:28:31.120
<v Speaker 1>his owner.

0:28:31.680 --> 0:28:35.160
<v Speaker 3>He had a big start and and it stayed big

0:28:35.280 --> 0:28:35.760
<v Speaker 3>all the way.

0:28:35.840 --> 0:28:37.199
<v Speaker 14>He had quite a run and.

0:28:37.960 --> 0:28:40.320
<v Speaker 2>Well, he says there's a chance of a third Keyboard

0:28:40.400 --> 0:28:43.120
<v Speaker 2>Cat if he finds one with the right personality at

0:28:43.240 --> 0:28:43.760
<v Speaker 2>a shelter.

0:28:44.640 --> 0:28:47.600
<v Speaker 1>And we will get to that another day, but for context,

0:28:47.960 --> 0:28:51.640
<v Speaker 1>Ben Lashes describes his pivot from music to management like

0:28:51.800 --> 0:28:55.480
<v Speaker 1>this in an interview with Digital Trends in twenty thirteen.

0:28:56.120 --> 0:28:58.800
<v Speaker 12>I was the singer in a band called The lashes.

0:28:59.240 --> 0:29:02.320
<v Speaker 12>We started in age, got signed to an indie label,

0:29:02.680 --> 0:29:05.680
<v Speaker 12>then a major label. We rode the roller coaster of

0:29:05.760 --> 0:29:08.360
<v Speaker 12>success and failure in the music industry and all that

0:29:08.480 --> 0:29:11.080
<v Speaker 12>kind of stuff. I've always been really into the business

0:29:11.120 --> 0:29:14.320
<v Speaker 12>side of things, of marketing and hype and pop culture,

0:29:14.440 --> 0:29:17.080
<v Speaker 12>the way it works together. I'm really kind of a nerd.

0:29:17.680 --> 0:29:20.880
<v Speaker 1>And he had a knack for plucking out and effectively

0:29:20.960 --> 0:29:25.760
<v Speaker 1>promoting meme successes like Scumbag, Steve, the success Kid, the

0:29:25.920 --> 0:29:31.720
<v Speaker 1>ridiculously photogenic guy, Neon Cat, and Grumpy Cat very successful

0:29:31.760 --> 0:29:34.520
<v Speaker 1>in the cat market I've noticed, and Grumpy Cat has

0:29:34.600 --> 0:29:38.160
<v Speaker 1>in fact become his most successful client to date, in

0:29:38.240 --> 0:29:41.080
<v Speaker 1>spite of the fact that Grumpy Cat has been dead

0:29:41.160 --> 0:29:44.440
<v Speaker 1>for six years. Rip Tartar sauce the cat. But if

0:29:44.520 --> 0:29:47.920
<v Speaker 1>you remember the Grumpy Cat heyday, it genuinely was huge.

0:29:48.200 --> 0:29:51.480
<v Speaker 1>There was even this TV movie starring Aubrey Plaza as

0:29:52.040 --> 0:29:56.080
<v Speaker 1>Christmas Grumpy Cat. Don't get sappy on me it I forgot.

0:29:56.280 --> 0:29:57.160
<v Speaker 3>It's a lifetime movie.

0:29:57.280 --> 0:30:00.560
<v Speaker 1>All pets are off Cat.

0:30:02.400 --> 0:30:02.600
<v Speaker 6>Cat.

0:30:03.320 --> 0:30:05.440
<v Speaker 1>They don't even make paintball guns.

0:30:05.240 --> 0:30:05.880
<v Speaker 7>For the cats.

0:30:07.760 --> 0:30:10.320
<v Speaker 1>Fodrey Plaza brings the Internet sensation to life.

0:30:10.400 --> 0:30:13.160
<v Speaker 10>This is the best Christmas ever, go ahead ignore the

0:30:13.240 --> 0:30:15.880
<v Speaker 10>title of my movie Pluffie Cat's Worst Christmas.

0:30:15.960 --> 0:30:16.120
<v Speaker 15>Ever.

0:30:16.800 --> 0:30:19.800
<v Speaker 1>So, while it's not clear if Ben Lashes reached out

0:30:19.840 --> 0:30:22.600
<v Speaker 1>to the Roth family in the moment, he tends to

0:30:22.680 --> 0:30:26.800
<v Speaker 1>work with clients or I guess grieving pet owners to

0:30:26.920 --> 0:30:30.640
<v Speaker 1>make their memes their whole livelihood, hopefully to the tune

0:30:30.680 --> 0:30:34.160
<v Speaker 1>of millions of dollars. But the Robs don't really seem

0:30:34.200 --> 0:30:37.160
<v Speaker 1>to want to do that in part, as we'll discuss,

0:30:37.600 --> 0:30:40.200
<v Speaker 1>because Zoe was a normal kid who wasn't into the

0:30:40.320 --> 0:30:45.200
<v Speaker 1>idea of being hyper exposed. From that same interview, here

0:30:45.320 --> 0:30:47.720
<v Speaker 1>is Ben Lash's philosophy of promotion.

0:30:48.520 --> 0:30:50.840
<v Speaker 12>Once it got to a point where there was a

0:30:50.960 --> 0:30:54.720
<v Speaker 12>foundation of stuff that we'd done, I'd become so immersed

0:30:54.840 --> 0:30:57.560
<v Speaker 12>in the meme world and thinking it was kind of

0:30:57.600 --> 0:31:01.720
<v Speaker 12>a wild West where certain companies would take images and

0:31:01.960 --> 0:31:04.720
<v Speaker 12>sell them and make t shirts, and everyone kind of

0:31:04.800 --> 0:31:07.720
<v Speaker 12>had this idea that once it hits the Internet, it's free.

0:31:08.440 --> 0:31:10.960
<v Speaker 12>I'm a huge fan of pop art, and the digital

0:31:11.040 --> 0:31:14.360
<v Speaker 12>memes that go around now are a social form that's

0:31:14.400 --> 0:31:17.000
<v Speaker 12>going to be studied four years to come, and it's

0:31:17.080 --> 0:31:19.720
<v Speaker 12>totally a new way of communicating with people. So I

0:31:19.880 --> 0:31:23.520
<v Speaker 12>love the art side of it, the sharing and the

0:31:23.640 --> 0:31:26.960
<v Speaker 12>mashing up. But I hate when the snakes get in

0:31:27.040 --> 0:31:30.520
<v Speaker 12>there and start making products and squatting on sites. It

0:31:30.720 --> 0:31:32.400
<v Speaker 12>just steals the fun out of it.

0:31:33.000 --> 0:31:36.560
<v Speaker 1>And again, I cannot overstate his success in this world.

0:31:37.280 --> 0:31:40.600
<v Speaker 1>While Tartar Sauce the Grumpy Cat passed away and to

0:31:40.760 --> 0:31:45.120
<v Speaker 1>my knowledge, had no use for human money, Ben Lashes

0:31:45.320 --> 0:31:49.840
<v Speaker 1>and the cat's owner, Tabitha Bundsen, made her the wealthiest

0:31:49.960 --> 0:31:57.200
<v Speaker 1>pet on earth, valued at an approximate ninety nine million dollars.

0:31:58.320 --> 0:32:04.560
<v Speaker 1>What labor episode forthcoming, probably so we'll come back to

0:32:04.640 --> 0:32:07.480
<v Speaker 1>Ben Lashes in a bit. But in the moment, Zoe

0:32:07.640 --> 0:32:10.760
<v Speaker 1>recalls in the late two thousands that her family didn't

0:32:10.800 --> 0:32:15.120
<v Speaker 1>really know how to and weren't particularly motivated to engage

0:32:15.160 --> 0:32:18.680
<v Speaker 1>with it, so life went on. Zoe grew up in

0:32:18.920 --> 0:32:23.000
<v Speaker 1>relative anonymity. There were some local people who knew, but luckily,

0:32:23.280 --> 0:32:25.640
<v Speaker 1>people rarely look like their four year old selves. For

0:32:25.800 --> 0:32:29.280
<v Speaker 1>long as she got older, she had an Internet presence

0:32:29.440 --> 0:32:31.400
<v Speaker 1>like any kid who came of age in the early

0:32:31.520 --> 0:32:34.280
<v Speaker 1>to mid twenty tens, but these profiles were just for

0:32:34.360 --> 0:32:38.040
<v Speaker 1>her friends and family, outside of occasional family photos that

0:32:38.160 --> 0:32:41.760
<v Speaker 1>her dad would post on the Flicker photo platform, the

0:32:41.840 --> 0:32:44.920
<v Speaker 1>public kind of lost track of Zoe, even though throughout

0:32:44.960 --> 0:32:50.160
<v Speaker 1>these years, the disaster Girl meme remained extremely popular, so

0:32:50.240 --> 0:32:52.840
<v Speaker 1>while she was still a kid, there was only one

0:32:53.000 --> 0:32:57.440
<v Speaker 1>time that the family engaged with monetizing Zoe's fame. In

0:32:57.520 --> 0:33:00.760
<v Speaker 1>twenty sixteen, when Zoe was in high school, they were

0:33:00.800 --> 0:33:03.920
<v Speaker 1>asked by a company called Fuck Jerry to have the

0:33:04.040 --> 0:33:07.200
<v Speaker 1>meme featured in a card game they were kickstarting, called,

0:33:07.840 --> 0:33:11.280
<v Speaker 1>and I hate to tell you this, what do you meme?

0:33:12.800 --> 0:33:14.000
<v Speaker 3>Do you like spicy memes?

0:33:14.800 --> 0:33:17.600
<v Speaker 10>Of course you do, That's why I Fucked Jared created.

0:33:19.640 --> 0:33:21.960
<v Speaker 3>What do you mean? What the cards? Chrisby?

0:33:22.560 --> 0:33:24.560
<v Speaker 10>The rules are simple, just like the memes that you

0:33:24.600 --> 0:33:27.400
<v Speaker 10>see on Instagram. There are photos and there are captions.

0:33:27.680 --> 0:33:30.400
<v Speaker 12>Your job is to match the best caption with the photo.

0:33:31.040 --> 0:33:34.360
<v Speaker 1>For what it's worth, Zoe's image is featured twice in

0:33:34.480 --> 0:33:37.720
<v Speaker 1>this trailer, and the game is what It sounds like

0:33:38.160 --> 0:33:41.360
<v Speaker 1>a ripoff of Cards against Humanity or Apples to Apples,

0:33:41.680 --> 0:33:45.360
<v Speaker 1>but with memes. The game quickly raised its ten thousand

0:33:45.360 --> 0:33:48.920
<v Speaker 1>dollars goal on Kickstarter and then some, and went on

0:33:49.080 --> 0:33:52.600
<v Speaker 1>to haunt the impulse by area of urban outfitter stores

0:33:52.800 --> 0:33:56.680
<v Speaker 1>for years to come now if it sounds familiar, Fuck

0:33:56.840 --> 0:33:59.960
<v Speaker 1>Jerry is an Instagram account that was started by one

0:34:00.240 --> 0:34:03.360
<v Speaker 1>guy not named Jerry and then turned into a bunch

0:34:03.440 --> 0:34:06.360
<v Speaker 1>of guys not named Jerry. And those there aren't hard

0:34:06.480 --> 0:34:09.560
<v Speaker 1>numbers on the sales of what do You Mean? It

0:34:09.680 --> 0:34:13.600
<v Speaker 1>did very well. The games still exist today, and they

0:34:13.719 --> 0:34:18.640
<v Speaker 1>later partnered with big brands like SpongeBob, Friends, Seinfeld's, and

0:34:19.400 --> 0:34:23.239
<v Speaker 1>Tricia Patus to make other versions of the game, and

0:34:23.400 --> 0:34:27.080
<v Speaker 1>Zoe's image is featured prominently in the first run of

0:34:27.239 --> 0:34:30.840
<v Speaker 1>the game, including an appearance on the back of the box,

0:34:31.680 --> 0:34:33.960
<v Speaker 1>and as we'll talk about in the interview, she says

0:34:34.040 --> 0:34:36.800
<v Speaker 1>that her family didn't really know what to ask for

0:34:37.160 --> 0:34:40.800
<v Speaker 1>in terms of money here, so they were compensated, but

0:34:41.160 --> 0:34:43.439
<v Speaker 1>not to the degree that it seems like the game

0:34:43.719 --> 0:34:47.880
<v Speaker 1>was successful, And in part that's because the Roths brokeer

0:34:47.960 --> 0:34:51.480
<v Speaker 1>this agreement with fuck Jerry without representation, and so they

0:34:51.520 --> 0:34:54.759
<v Speaker 1>seem to get ripped off because Fuck Jerry, if their

0:34:54.880 --> 0:35:00.560
<v Speaker 1>name and demeanor weren't a tip already are notorious rifters,

0:35:01.480 --> 0:35:04.080
<v Speaker 1>though to the family's credit, that wasn't well known at

0:35:04.080 --> 0:35:07.040
<v Speaker 1>this time. If you've heard the name FuG Jerry, before.

0:35:07.560 --> 0:35:10.640
<v Speaker 1>It's probably because of the Fire Festival.

0:35:11.160 --> 0:35:12.680
<v Speaker 16>We're going to turn now of that trouble for the

0:35:12.760 --> 0:35:15.480
<v Speaker 16>Fire Music Festival, hit with a class action lawsuit from

0:35:15.560 --> 0:35:17.640
<v Speaker 16>concert goers who spent thousands of dollars for what was

0:35:17.640 --> 0:35:20.040
<v Speaker 16>supposed to be a luxury weekend of food, art, and

0:35:20.200 --> 0:35:22.480
<v Speaker 16>music in the Bahamas, didn't turn out quite that way.

0:35:22.520 --> 0:35:24.680
<v Speaker 16>ABC's Gio Benitez in Miami with the details.

0:35:24.719 --> 0:35:28.520
<v Speaker 2>Good morning, Geo, Hey George, Good morning to you those

0:35:28.560 --> 0:35:31.239
<v Speaker 2>concertgoers coming here to Miami all week and long. The

0:35:31.280 --> 0:35:33.760
<v Speaker 2>event's co founder, Joe Rule says it's not his fault,

0:35:33.960 --> 0:35:35.240
<v Speaker 2>but that he's deeply sorry.

0:35:36.000 --> 0:35:36.200
<v Speaker 3>Ah.

0:35:36.400 --> 0:35:36.640
<v Speaker 6>Yes.

0:35:37.040 --> 0:35:41.600
<v Speaker 1>Fire Festival the notorious twenty seventeen shit show where influencers

0:35:41.640 --> 0:35:44.680
<v Speaker 1>paid thousands of dollars to attend a luxury concert on

0:35:44.760 --> 0:35:47.279
<v Speaker 1>an island that resulted in a Lord of the Fly

0:35:47.520 --> 0:35:51.200
<v Speaker 1>situation and leaving the founder in jail for fraud, and

0:35:51.360 --> 0:35:56.480
<v Speaker 1>this inspired two documentaries, one which was suspiciously produced by

0:35:57.400 --> 0:35:59.000
<v Speaker 1>Fuck Jerry to.

0:35:59.040 --> 0:36:02.759
<v Speaker 10>Hudoc actually draws attention to this, not only bringing up

0:36:02.880 --> 0:36:06.400
<v Speaker 10>the competing Netflix documentary, but also calling them out for

0:36:06.680 --> 0:36:10.320
<v Speaker 10>being co produced by none other than Jerry Media, the

0:36:10.400 --> 0:36:12.920
<v Speaker 10>company that did the advertising for Fire festival in the

0:36:12.960 --> 0:36:16.560
<v Speaker 10>first place. Remember how I said that the Netflix documentary

0:36:16.719 --> 0:36:20.239
<v Speaker 10>tended to have better looking footage. That's largely because it

0:36:20.440 --> 0:36:25.640
<v Speaker 10>looks like its old, unused advertising footage, which naturally Jerry

0:36:25.719 --> 0:36:26.880
<v Speaker 10>Media had access to.

0:36:27.719 --> 0:36:31.440
<v Speaker 1>As you just heard, there were two competing documentaries that

0:36:31.600 --> 0:36:35.360
<v Speaker 1>streamed about this nightmare situation around the same time, on

0:36:35.520 --> 0:36:39.600
<v Speaker 1>Netflix and Hulu respectively, one of which was produced by

0:36:39.840 --> 0:36:42.800
<v Speaker 1>Fuck Jerry, who claimed to have been involved in the

0:36:42.920 --> 0:36:46.280
<v Speaker 1>early promotion of the festival but left when things got sketchy.

0:36:46.960 --> 0:36:50.320
<v Speaker 1>But on the Hulu doc they are directly implicated in

0:36:50.480 --> 0:36:54.400
<v Speaker 1>promoting and being aware of the scheme throughout, along with

0:36:54.520 --> 0:36:57.680
<v Speaker 1>the agreed upon villains of the story Billy McFarland and

0:36:57.880 --> 0:37:00.719
<v Speaker 1>jah Ruhle or maybe you for of them from the

0:37:01.160 --> 0:37:06.320
<v Speaker 1>hashtag fuck fuck Jerry campaign of twenty nineteen, where prominent

0:37:06.400 --> 0:37:09.600
<v Speaker 1>comedians accused the company of stealing their jokes without credit

0:37:09.719 --> 0:37:13.239
<v Speaker 1>or compensation, either to use on the fuck Jerry Instagram

0:37:13.680 --> 0:37:16.840
<v Speaker 1>or wait for it, in prompt cards for what do

0:37:16.960 --> 0:37:22.520
<v Speaker 1>you mean? These guys famously fucking suck, and they suck

0:37:22.640 --> 0:37:26.279
<v Speaker 1>even worse for screwing Zoe and her family over. But

0:37:26.400 --> 0:37:30.440
<v Speaker 1>whatever frustration that caused was short lived because outside of this,

0:37:30.800 --> 0:37:34.160
<v Speaker 1>particularly as Zoe came into her own and enrolled at

0:37:34.320 --> 0:37:37.640
<v Speaker 1>UNC Chapel Hill for college, she didn't seem to want

0:37:37.719 --> 0:37:40.000
<v Speaker 1>much to do with the meme. She popped up a

0:37:40.040 --> 0:37:43.080
<v Speaker 1>few years later at a BuzzFeed event called Internet Live

0:37:43.280 --> 0:37:46.080
<v Speaker 1>in twenty nineteen, which was sort of a best of

0:37:46.520 --> 0:37:49.600
<v Speaker 1>of the Internet of the twenty tens. There were performances

0:37:49.680 --> 0:37:53.000
<v Speaker 1>from Lil nas X and Jojo Siua, The Damn Daniel

0:37:53.040 --> 0:37:55.640
<v Speaker 1>Guys were there, the Jersey Shore Girls, there was some

0:37:55.880 --> 0:37:57.880
<v Speaker 1>nine year old I've never heard of, and one of

0:37:57.920 --> 0:38:03.279
<v Speaker 1>the Internet's most noxious senior citizen, Jason Nash, and Zoe

0:38:03.440 --> 0:38:06.960
<v Speaker 1>the Disaster Girl. She pops up again in late twenty twenties,

0:38:07.280 --> 0:38:09.960
<v Speaker 1>in the throes of the pandemic lockdown, in a very

0:38:10.000 --> 0:38:14.279
<v Speaker 1>successful BuzzFeed video series called I Accidentally Became a Meme.

0:38:14.960 --> 0:38:18.399
<v Speaker 1>It's currently hovering around eight million views because for most

0:38:18.440 --> 0:38:22.000
<v Speaker 1>people this was their first time seeing Zoe speak, much

0:38:22.120 --> 0:38:24.160
<v Speaker 1>less speak as a full grown adult.

0:38:24.719 --> 0:38:27.560
<v Speaker 17>I Accidentally Became a meme, and this is that story.

0:38:27.920 --> 0:38:29.719
<v Speaker 17>My name is Zoe Roth, but you may know me

0:38:29.800 --> 0:38:34.600
<v Speaker 17>as Disaster Girl. This all started in two thousand.

0:38:34.280 --> 0:38:36.520
<v Speaker 1>And five, but even though she dipped her toe in

0:38:36.680 --> 0:38:40.399
<v Speaker 1>engaging with Disaster Girl. In her young adulthood, she said

0:38:40.440 --> 0:38:42.759
<v Speaker 1>she viewed it as more of a fun fact about

0:38:42.800 --> 0:38:45.960
<v Speaker 1>her than a defining quality in her life. This is

0:38:46.000 --> 0:38:49.000
<v Speaker 1>from April twenty twenty one, during her senior year of college.

0:38:49.480 --> 0:38:52.600
<v Speaker 15>Yeah, honestly, I've thought about this so much, like why

0:38:52.920 --> 0:38:55.319
<v Speaker 15>it's so viral, why it comes back up every year,

0:38:55.360 --> 0:38:57.719
<v Speaker 15>because most of the memes that came out when mine

0:38:57.719 --> 0:38:59.160
<v Speaker 15>did two thousand and four, two thousand and five are

0:38:59.200 --> 0:39:01.600
<v Speaker 15>like dead memes, people don't use them anymore. But I

0:39:01.719 --> 0:39:04.520
<v Speaker 15>see mind recycled more often, and I think especially with

0:39:04.600 --> 0:39:07.680
<v Speaker 15>twenty twenty, because twenty twenty was just such a horrible

0:39:07.760 --> 0:39:09.239
<v Speaker 15>year for a lot of people. It was like the

0:39:09.320 --> 0:39:11.719
<v Speaker 15>perfect meme for that because everything was on fire, nothing

0:39:11.840 --> 0:39:14.480
<v Speaker 15>was going right, like everybody was struggling with so many

0:39:14.480 --> 0:39:16.760
<v Speaker 15>different things, it was like, and that meme is just chaos,

0:39:16.960 --> 0:39:18.640
<v Speaker 15>so perfect for twenty twenty eight.

0:39:19.480 --> 0:39:22.720
<v Speaker 1>So by early twenty twenty one, Zoe is talking about

0:39:22.760 --> 0:39:26.279
<v Speaker 1>the meme more than she ever has publicly, and later

0:39:26.400 --> 0:39:30.680
<v Speaker 1>this month it becomes clear maybe why that was re

0:39:31.000 --> 0:39:35.680
<v Speaker 1>enter Ben Lash's late April twenty twenty one. Only since

0:39:35.719 --> 0:39:40.080
<v Speaker 1>we last encountered him. He's gotten really into Is it

0:39:40.360 --> 0:39:46.080
<v Speaker 1>a heypop? Is it b Instagram infographics on tolerance or

0:39:46.280 --> 0:39:49.480
<v Speaker 1>is it c an all but inevitable footnote in every

0:39:49.560 --> 0:39:55.360
<v Speaker 1>story we talk about here crypto and NFTs, it is,

0:39:56.600 --> 0:39:58.960
<v Speaker 1>of course c. He was into crypto now and wanted

0:39:59.080 --> 0:40:02.840
<v Speaker 1>to mint an fts and was very successful at this,

0:40:03.120 --> 0:40:06.440
<v Speaker 1>I might add. So he combined this new passion with

0:40:06.600 --> 0:40:10.320
<v Speaker 1>his past experience and meme representation of the twenty tens

0:40:10.719 --> 0:40:13.200
<v Speaker 1>and ends up teaming up with a number of meme

0:40:13.280 --> 0:40:16.680
<v Speaker 1>subjects like Zoe Like past guest of the show Lena

0:40:16.800 --> 0:40:21.360
<v Speaker 1>Morris aka Overly Attacked Girlfriend, as well as others like Padlock,

0:40:21.440 --> 0:40:25.640
<v Speaker 1>Brian success Kid, and Irma gard Girl, who all teamed

0:40:25.719 --> 0:40:29.200
<v Speaker 1>up with Lashes to sell their iconic memes as NFTs.

0:40:30.000 --> 0:40:32.040
<v Speaker 1>He told The New York Times that his clients had

0:40:32.200 --> 0:40:36.600
<v Speaker 1>cumulatively made over two million dollars in late April twenty

0:40:36.640 --> 0:40:40.200
<v Speaker 1>twenty one, and Zoe Rot's NFT was the top earner.

0:40:40.800 --> 0:40:44.120
<v Speaker 1>It sold for one hundred and eighty ether, which around

0:40:44.120 --> 0:40:48.120
<v Speaker 1>the time was half a million dollars. And if you're

0:40:48.160 --> 0:40:50.960
<v Speaker 1>a regular listener, you'll know we also talked about this

0:40:51.160 --> 0:40:54.680
<v Speaker 1>in our Lena Morris episode. I am not a fan

0:40:55.400 --> 0:40:59.200
<v Speaker 1>of NFTs, but the way that most have characterized this

0:40:59.440 --> 0:41:03.040
<v Speaker 1>decision to sell their meme as an NFT during this

0:41:03.200 --> 0:41:07.600
<v Speaker 1>big pandemic era boom was because they had been previously

0:41:07.840 --> 0:41:12.600
<v Speaker 1>unable to control the Internet proliferation of their image, and

0:41:12.719 --> 0:41:16.400
<v Speaker 1>so this seemed like a chance to get compensated in

0:41:16.600 --> 0:41:19.759
<v Speaker 1>some way for years of being out of control of

0:41:19.840 --> 0:41:22.880
<v Speaker 1>their own image. And that's a tricky thing to argue

0:41:22.960 --> 0:41:27.080
<v Speaker 1>with because how do you quantify that. Really there's no

0:41:27.239 --> 0:41:31.160
<v Speaker 1>direct answer, But I do understand the appeal of finally

0:41:31.320 --> 0:41:35.280
<v Speaker 1>getting something out of this weird element that has haunted

0:41:35.320 --> 0:41:39.239
<v Speaker 1>you your entire life, after growing up with people photoshopping

0:41:39.320 --> 0:41:42.520
<v Speaker 1>your image over Hitler rallies and getting screwed over by

0:41:42.560 --> 0:41:46.040
<v Speaker 1>the likes of Fuck Jerry. At the time, Zoe Roth

0:41:46.120 --> 0:41:49.360
<v Speaker 1>told The New York Times this people who are in

0:41:49.480 --> 0:41:52.400
<v Speaker 1>memes didn't really have a choice in it. The Internet

0:41:52.520 --> 0:41:54.960
<v Speaker 1>is big. Whether you're having a good experience or a

0:41:55.040 --> 0:41:57.520
<v Speaker 1>bad experience, you kind of just have to make the

0:41:57.560 --> 0:41:59.920
<v Speaker 1>most of it. Zoe and I talk more about that

0:42:00.239 --> 0:42:04.320
<v Speaker 1>in the interview, including the heavy speculation of how she

0:42:04.560 --> 0:42:08.440
<v Speaker 1>used that money, But after the NFT sale, Zoe graduates

0:42:08.480 --> 0:42:11.960
<v Speaker 1>from school, and in a poetic turn, I think she

0:42:12.040 --> 0:42:16.040
<v Speaker 1>stumbles into a career in tech research analysis. So the

0:42:16.120 --> 0:42:19.759
<v Speaker 1>kid who became a child meme is now the same

0:42:19.880 --> 0:42:24.400
<v Speaker 1>person advising tech companies on how to grow their businesses. Honestly,

0:42:24.480 --> 0:42:28.200
<v Speaker 1>I'm not exactly clear on what Zobe does, but I

0:42:28.280 --> 0:42:31.400
<v Speaker 1>know she's really smart. Sorry I can't get more specific.

0:42:31.560 --> 0:42:33.840
<v Speaker 1>I just write MP three's that will soon be considered

0:42:33.880 --> 0:42:52.399
<v Speaker 1>thought crimes our talk when we come back. Welcome back

0:42:52.400 --> 0:42:55.440
<v Speaker 1>to sixteenth minute. Here's a thought I have never quite

0:42:55.719 --> 0:43:01.840
<v Speaker 1>mastered the late capitalism email initiation that something like, hey, guys,

0:43:02.040 --> 0:43:06.760
<v Speaker 1>hope everything's well except the world is ending, but otherwise

0:43:06.840 --> 0:43:09.840
<v Speaker 1>hope everything's well. Like I don't know, I just like

0:43:09.880 --> 0:43:12.760
<v Speaker 1>don't want that kind of email coming from my dentist.

0:43:13.360 --> 0:43:15.200
<v Speaker 1>I don't know. If you're listening to this and there's

0:43:15.239 --> 0:43:17.560
<v Speaker 1>a protest for trans writes in your area, you should

0:43:17.560 --> 0:43:20.640
<v Speaker 1>fucking go. And here's my interview with the one the

0:43:20.800 --> 0:43:23.080
<v Speaker 1>Only disaster girl, Zoe Roth.

0:43:23.760 --> 0:43:25.000
<v Speaker 3>Yeah, I'm Zoe Roth.

0:43:25.280 --> 0:43:27.880
<v Speaker 17>I'm most well known for a viral photo of me

0:43:28.000 --> 0:43:31.239
<v Speaker 17>that was taken of me standing in front of a

0:43:31.360 --> 0:43:32.520
<v Speaker 17>burning house and smiling.

0:43:33.000 --> 0:43:35.760
<v Speaker 1>I want to go through the beats of the story

0:43:35.960 --> 0:43:38.359
<v Speaker 1>very quickly to get the stuff out of the way

0:43:38.400 --> 0:43:41.120
<v Speaker 1>that everyone has questions about and then get into the

0:43:41.280 --> 0:43:44.719
<v Speaker 1>meat of this interview. Do you remember this day with

0:43:44.800 --> 0:43:45.520
<v Speaker 1>any clarity?

0:43:45.680 --> 0:43:46.960
<v Speaker 3>Yeah, I do remember the day.

0:43:47.160 --> 0:43:49.840
<v Speaker 17>All I remember of it was looking in the windows

0:43:49.880 --> 0:43:52.200
<v Speaker 17>of the house and looking at things that were burning

0:43:52.640 --> 0:43:53.560
<v Speaker 17>and thinking.

0:43:53.360 --> 0:43:55.960
<v Speaker 3>Like, oh my god, this sucks, Like I wish I'm

0:43:56.040 --> 0:43:57.280
<v Speaker 3>so glad this isn't my house.

0:43:57.400 --> 0:43:59.520
<v Speaker 17>We were two blocks down the road, and at the

0:43:59.560 --> 0:44:01.720
<v Speaker 17>time we didn't know it was like a test fire,

0:44:02.280 --> 0:44:05.240
<v Speaker 17>so it was planned and organized and it was totally safe,

0:44:05.400 --> 0:44:05.879
<v Speaker 17>they say.

0:44:06.000 --> 0:44:08.320
<v Speaker 3>But all I remember was looking in the windows of

0:44:08.360 --> 0:44:10.520
<v Speaker 3>the house and being like, wow, that sucks.

0:44:10.960 --> 0:44:13.560
<v Speaker 1>I feel like the added context of it being a

0:44:13.760 --> 0:44:16.360
<v Speaker 1>planned burn, which I don't even think I realized was

0:44:16.400 --> 0:44:19.440
<v Speaker 1>a thing, completely changes the image.

0:44:19.960 --> 0:44:20.680
<v Speaker 3>Yeah, exactly.

0:44:21.000 --> 0:44:22.400
<v Speaker 17>I had a friend reach out and she was like,

0:44:22.440 --> 0:44:24.840
<v Speaker 17>I'm so sorry if that was traumatizing to you, to

0:44:24.920 --> 0:44:27.000
<v Speaker 17>like watch a house burn down, and now this meme is.

0:44:27.000 --> 0:44:27.719
<v Speaker 3>All over the place.

0:44:27.840 --> 0:44:30.160
<v Speaker 17>I was like, Oh, it's really fine, Like it wasn't

0:44:30.200 --> 0:44:32.640
<v Speaker 17>traumatizing at the time, even though I didn't know that

0:44:32.719 --> 0:44:33.800
<v Speaker 17>it was a planned burn.

0:44:34.080 --> 0:44:36.120
<v Speaker 1>Tell me a little bit more about how you grew

0:44:36.239 --> 0:44:37.120
<v Speaker 1>up where you grew up.

0:44:37.760 --> 0:44:40.520
<v Speaker 17>Yeah, so I grew up in mepin North Carolina, which

0:44:40.560 --> 0:44:43.719
<v Speaker 17>is right in the middle of the state. I have

0:44:43.800 --> 0:44:44.520
<v Speaker 17>an older brother.

0:44:44.920 --> 0:44:46.160
<v Speaker 3>I feel like I grew up.

0:44:46.200 --> 0:44:49.960
<v Speaker 17>I had a pretty average childhood, like I did sports,

0:44:50.000 --> 0:44:52.640
<v Speaker 17>I did running, I traveled a bit as a kid.

0:44:52.800 --> 0:44:55.239
<v Speaker 3>But yeah, I feel like pretty average as far as

0:44:55.280 --> 0:44:55.680
<v Speaker 3>it comes.

0:44:55.960 --> 0:44:58.240
<v Speaker 1>And you're four years old at the time this picture

0:44:58.360 --> 0:44:58.680
<v Speaker 1>was taken.

0:44:58.880 --> 0:45:00.960
<v Speaker 3>Yes, I was four, about to turn five.

0:45:01.200 --> 0:45:04.080
<v Speaker 1>Your dad enters the picture into a contest.

0:45:04.680 --> 0:45:06.279
<v Speaker 3>Yeah, So my dad posted it.

0:45:06.440 --> 0:45:09.160
<v Speaker 17>It was either on Zoomer or flicker like all of

0:45:09.239 --> 0:45:13.200
<v Speaker 17>these old old like photo sharing early Instagram type apps,

0:45:13.760 --> 0:45:16.680
<v Speaker 17>and he submitted it to JPEG magazine, which was a

0:45:16.760 --> 0:45:19.399
<v Speaker 17>physical and I guess they had an online magazine as well,

0:45:19.800 --> 0:45:22.560
<v Speaker 17>and that's as far as we know probably where it

0:45:22.600 --> 0:45:25.840
<v Speaker 17>got picked up. So there was they had a submission

0:45:26.000 --> 0:45:29.720
<v Speaker 17>of like Emotion. It was the Emotion series of the magazine.

0:45:29.760 --> 0:45:31.800
<v Speaker 17>So he submitted it and it got printed. And I

0:45:31.960 --> 0:45:34.560
<v Speaker 17>was in second grade at the time, and they've emailed

0:45:34.640 --> 0:45:36.360
<v Speaker 17>us or they gave us the physical magazine.

0:45:36.400 --> 0:45:38.120
<v Speaker 3>I brought it to school. I was like, oh my god,

0:45:38.160 --> 0:45:39.600
<v Speaker 3>I'm so famous, Like to.

0:45:39.719 --> 0:45:41.600
<v Speaker 17>This day, that is the most famous I've ever felt

0:45:41.600 --> 0:45:44.160
<v Speaker 17>in second grade, like with this magazine of myself. But

0:45:44.280 --> 0:45:46.560
<v Speaker 17>they posted on the website as well, so we figure

0:45:46.680 --> 0:45:49.080
<v Speaker 17>that's probably where it got the traction.

0:45:49.280 --> 0:45:51.600
<v Speaker 3>And then from there, like my dad saw.

0:45:51.440 --> 0:45:53.680
<v Speaker 17>His coworkers like had it in their Cubic goals, and

0:45:53.800 --> 0:45:55.800
<v Speaker 17>like my aunts and uncles would be like, oh, somebody

0:45:55.840 --> 0:45:58.040
<v Speaker 17>I know just posted this on Facebook.

0:45:57.640 --> 0:46:00.480
<v Speaker 3>Or I funny, and we're like what, like, I don't

0:46:00.520 --> 0:46:02.440
<v Speaker 3>know how that got there, Like wait, isn't this zoey?

0:46:02.560 --> 0:46:04.719
<v Speaker 3>Like why why do wait? Why is this photo on

0:46:04.840 --> 0:46:06.840
<v Speaker 3>my Facebook feed? And we're like, we have no idea.

0:46:07.840 --> 0:46:12.080
<v Speaker 1>That's really wild. I also just the very two thousands

0:46:12.120 --> 0:46:17.200
<v Speaker 1>nis of a physical magazine called Jpeg Magazine. Yes, it's beautiful.

0:46:17.520 --> 0:46:21.960
<v Speaker 1>So you're not totally sure how the image went viral online.

0:46:22.120 --> 0:46:24.239
<v Speaker 3>I know we've always wondered. I'm like, maybe when I'm old,

0:46:24.280 --> 0:46:26.200
<v Speaker 3>I'll try to like track the provenance down.

0:46:26.280 --> 0:46:28.720
<v Speaker 17>I'm like, it's probably just one person sent it somewhere

0:46:28.800 --> 0:46:31.319
<v Speaker 17>else from there and it's like blown up, but we've

0:46:31.400 --> 0:46:33.480
<v Speaker 17>never known exactly where it took off from.

0:46:33.560 --> 0:46:35.440
<v Speaker 3>That's just my theory, the jpeg theory.

0:46:35.800 --> 0:46:40.560
<v Speaker 1>The sounds menacing, so you're in second grade when this

0:46:40.680 --> 0:46:44.000
<v Speaker 1>comes out, the feeling of like, oh my god, I'm famous,

0:46:44.080 --> 0:46:47.160
<v Speaker 1>I'm cool, I'm in a magazine. Do you remember that feeling?

0:46:47.239 --> 0:46:49.040
<v Speaker 1>Do you remember talking to other kids about it, like

0:46:49.080 --> 0:46:50.320
<v Speaker 1>how do people react to it?

0:46:50.840 --> 0:46:51.040
<v Speaker 7>Yeah?

0:46:51.200 --> 0:46:53.319
<v Speaker 17>At the time, I mean jpeg was the coolest thing,

0:46:53.520 --> 0:46:55.560
<v Speaker 17>and then I think, no, your meme made a video

0:46:55.560 --> 0:46:57.560
<v Speaker 17>about it that same year, which is two thousand and eight.

0:46:57.960 --> 0:47:00.360
<v Speaker 17>So both of those was just like awesome. You know,

0:47:00.400 --> 0:47:01.960
<v Speaker 17>they were awesome for a few days, and then I

0:47:02.040 --> 0:47:04.560
<v Speaker 17>kind of forgot about it. It was mostly more interesting

0:47:04.600 --> 0:47:07.000
<v Speaker 17>when people would like send it to me on Instagram

0:47:07.120 --> 0:47:09.040
<v Speaker 17>or I Funny, or send me texts like oh my god,

0:47:09.080 --> 0:47:10.960
<v Speaker 17>I saw this and it has a million hits on

0:47:11.120 --> 0:47:13.560
<v Speaker 17>I Funny or like Twitter. And as a kid, it

0:47:13.680 --> 0:47:16.520
<v Speaker 17>was just like these sporadic interactions. I would have people

0:47:16.520 --> 0:47:18.360
<v Speaker 17>who already knew me and saying like, oh look, I

0:47:18.400 --> 0:47:20.160
<v Speaker 17>saw this. This is crazy, and I'd be like, yeah,

0:47:20.200 --> 0:47:22.120
<v Speaker 17>that is crazy, and they're like, oh, so, what's the story.

0:47:22.600 --> 0:47:24.560
<v Speaker 17>I'm like, oh my gosh, I need a video record.

0:47:24.600 --> 0:47:26.560
<v Speaker 17>I needed like an audio thing I just send.

0:47:26.440 --> 0:47:29.600
<v Speaker 1>Out very early. And do you forming memories a part

0:47:29.880 --> 0:47:33.600
<v Speaker 1>of your life? What was your relationship with the Internet,

0:47:33.800 --> 0:47:36.440
<v Speaker 1>like as I feel like I was.

0:47:36.560 --> 0:47:39.280
<v Speaker 17>Very early on the Internet, like I got on Facebook

0:47:39.360 --> 0:47:41.759
<v Speaker 17>and like elementary school, which looking back, I was like,

0:47:41.920 --> 0:47:43.480
<v Speaker 17>that's probably not a great idea.

0:47:44.160 --> 0:47:46.200
<v Speaker 3>Like Instagram, as early as you could have it.

0:47:46.360 --> 0:47:49.360
<v Speaker 17>I was always kind of like looking to be on

0:47:49.480 --> 0:47:51.759
<v Speaker 17>these new platforms, and then anytime I was on a

0:47:51.800 --> 0:47:53.560
<v Speaker 17>new platform, I would end up seeing the meme and

0:47:53.600 --> 0:47:54.720
<v Speaker 17>I was like, that's kind of funny.

0:47:54.760 --> 0:47:57.480
<v Speaker 3>It's like following me wherever I'm going on the Internet.

0:47:57.520 --> 0:47:59.840
<v Speaker 17>But it definitely I feel like I was on the

0:48:00.120 --> 0:48:01.920
<v Speaker 17>It kind of grew up with me on the Internet.

0:48:01.960 --> 0:48:03.640
<v Speaker 3>As long as I've been on the Internet, it was

0:48:03.840 --> 0:48:05.360
<v Speaker 3>there as well, like living.

0:48:05.200 --> 0:48:08.359
<v Speaker 17>Its own life. So that's always kind of an interesting thing.

0:48:08.680 --> 0:48:10.799
<v Speaker 17>When there's new platforms, it shows up there as well,

0:48:10.880 --> 0:48:11.080
<v Speaker 17>and I.

0:48:11.200 --> 0:48:13.360
<v Speaker 1>Just kind of let it be What personalities were you

0:48:13.480 --> 0:48:15.040
<v Speaker 1>drawn to? What areas of the Internet.

0:48:15.200 --> 0:48:17.120
<v Speaker 17>I feel like I was a big I mean initially

0:48:17.200 --> 0:48:21.040
<v Speaker 17>I loved I funny, and I've always been like on Instagram.

0:48:21.280 --> 0:48:23.040
<v Speaker 17>There's a lot of times growing up, like in high

0:48:23.080 --> 0:48:25.120
<v Speaker 17>school and in college, I was like, should I like

0:48:25.239 --> 0:48:27.720
<v Speaker 17>make this my bit, Like should I make a YouTube channel?

0:48:27.880 --> 0:48:30.520
<v Speaker 17>Like should I like figure out how to monetize this.

0:48:31.200 --> 0:48:32.840
<v Speaker 17>But I was just like, I don't really want to

0:48:32.880 --> 0:48:35.239
<v Speaker 17>be I never wanted it to be my whole thing,

0:48:35.400 --> 0:48:37.080
<v Speaker 17>Like I didn't want to build my life around it,

0:48:37.400 --> 0:48:40.000
<v Speaker 17>and so I kind of actively made that choice, like

0:48:40.040 --> 0:48:41.520
<v Speaker 17>when I was pretty young, like I'm going to go

0:48:41.560 --> 0:48:43.560
<v Speaker 17>to college, I'm going to get a career, Like this

0:48:43.760 --> 0:48:45.120
<v Speaker 17>is going to live on its own and I'm going

0:48:45.200 --> 0:48:48.680
<v Speaker 17>to do my own thing. But I've kind of, yeah,

0:48:48.680 --> 0:48:50.560
<v Speaker 17>I kind of try to like decenter it in my life,

0:48:50.600 --> 0:48:52.080
<v Speaker 17>and when it comes up, it comes up, and it's

0:48:52.120 --> 0:48:54.120
<v Speaker 17>like a fun little party conversation.

0:48:54.440 --> 0:48:56.520
<v Speaker 3>But that's kind of what I try to keep it up.

0:48:56.680 --> 0:48:58.360
<v Speaker 1>I want to sort of get into the idea of

0:48:58.760 --> 0:49:04.440
<v Speaker 1>you know, your becoming this famous symbol. Did you experience

0:49:04.600 --> 0:49:08.920
<v Speaker 1>any internal or external pressure, like walk me through that decision?

0:49:09.000 --> 0:49:11.880
<v Speaker 1>And what were people around you sort of recommending or

0:49:11.960 --> 0:49:12.719
<v Speaker 1>saying at the time.

0:49:13.480 --> 0:49:15.920
<v Speaker 17>Yeah, I think I always had friends that would be like, oh,

0:49:15.920 --> 0:49:17.840
<v Speaker 17>it would be so cool if you do a YouTube channel,

0:49:17.960 --> 0:49:20.520
<v Speaker 17>And there would be occasional times where I would go

0:49:20.600 --> 0:49:22.359
<v Speaker 17>to a meme event and people would be like, oh,

0:49:22.400 --> 0:49:23.759
<v Speaker 17>what's your handle, what's your.

0:49:23.719 --> 0:49:26.000
<v Speaker 3>Channel, and like I don't, I'm not I don't really

0:49:26.080 --> 0:49:28.080
<v Speaker 3>have that. Me and some of the other memes.

0:49:28.239 --> 0:49:30.359
<v Speaker 17>We all get in touch like every once in a while,

0:49:30.560 --> 0:49:33.040
<v Speaker 17>like when there's something going on, like when the NFT

0:49:33.200 --> 0:49:35.160
<v Speaker 17>thing happened and we're all like, what are you guys doing,

0:49:35.280 --> 0:49:38.000
<v Speaker 17>Like we hadn't really talked before that. But I've never

0:49:38.120 --> 0:49:40.800
<v Speaker 17>felt like an internal pressure to do anything with it

0:49:41.000 --> 0:49:44.880
<v Speaker 17>or really externally like to me, this is like satisfying

0:49:45.000 --> 0:49:47.239
<v Speaker 17>enough to do an occasional interview and like see it

0:49:47.280 --> 0:49:49.480
<v Speaker 17>every once in a while, and I've never felt like

0:49:49.520 --> 0:49:50.880
<v Speaker 17>I needed to do something more with.

0:49:50.960 --> 0:49:53.920
<v Speaker 3>It for purposes of like satisfying or like you know,

0:49:54.120 --> 0:49:54.920
<v Speaker 3>me or others.

0:49:55.120 --> 0:49:58.640
<v Speaker 1>And as you're getting older, you're realizing, like I don't

0:49:58.680 --> 0:50:01.960
<v Speaker 1>want to be a full time YouTuber just because technically

0:50:02.080 --> 0:50:05.600
<v Speaker 1>that is on offer. What were your interests? What was

0:50:05.640 --> 0:50:09.880
<v Speaker 1>sort of developing as you were becoming a person growing up?

0:50:10.160 --> 0:50:13.320
<v Speaker 17>I spent my summers like working in Tahoe. I have

0:50:13.360 --> 0:50:15.080
<v Speaker 17>an uncle that has a restaurant there, so I'd go

0:50:15.200 --> 0:50:17.000
<v Speaker 17>to work in Tahoe. I was always working, like I

0:50:17.040 --> 0:50:19.120
<v Speaker 17>always had a job in high school. A big part

0:50:19.160 --> 0:50:22.200
<v Speaker 17>of my life growing up was speaking and learning Chinese.

0:50:22.280 --> 0:50:24.680
<v Speaker 17>So the school I went to in Chapel Hill was

0:50:24.719 --> 0:50:28.560
<v Speaker 17>an immersion Chinese school, so it was always like a

0:50:28.640 --> 0:50:31.040
<v Speaker 17>big part of my identity, like trying to figure out

0:50:31.080 --> 0:50:33.200
<v Speaker 17>how I could go to China, Like I ended up

0:50:33.239 --> 0:50:35.880
<v Speaker 17>studying abroad in China and high school, and that was

0:50:35.960 --> 0:50:38.120
<v Speaker 17>kind of like my focus, Like how can I like

0:50:38.560 --> 0:50:41.919
<v Speaker 17>go to college for this, How can I like set

0:50:42.000 --> 0:50:45.680
<v Speaker 17>up my professional career around like Chinese and international relations?

0:50:45.800 --> 0:50:48.560
<v Speaker 17>Like that was really my focus as long as I

0:50:48.600 --> 0:50:52.000
<v Speaker 17>can remember, figuring out what did I wanted to do professionally, and.

0:50:52.040 --> 0:50:53.800
<v Speaker 3>This just was never a part of that.

0:50:54.320 --> 0:50:57.440
<v Speaker 1>Yeah, I mean that seems really farfield. That's so fascinating.

0:50:57.800 --> 0:51:00.960
<v Speaker 1>Did you become interested in Chinese culture because of the

0:51:01.080 --> 0:51:04.239
<v Speaker 1>immersion school? Yeah? How did that come about? That's really cool?

0:51:04.400 --> 0:51:06.520
<v Speaker 17>Yeah, I think it was just the immersion school, Like

0:51:06.680 --> 0:51:09.200
<v Speaker 17>it was kind of a pilot project that the school

0:51:09.239 --> 0:51:11.320
<v Speaker 17>I went to in Chuckle Hill was working on. So

0:51:11.920 --> 0:51:14.200
<v Speaker 17>I was the first or second class, so we spent

0:51:14.280 --> 0:51:16.200
<v Speaker 17>half the day in Chinese and the other half in English,

0:51:16.239 --> 0:51:17.800
<v Speaker 17>and I did it all the way through college.

0:51:18.200 --> 0:51:19.640
<v Speaker 3>So it's always just been something like.

0:51:19.600 --> 0:51:21.920
<v Speaker 17>I've always been like that's kind of cooler, Like everyone's like, oh,

0:51:21.960 --> 0:51:23.080
<v Speaker 17>the meme, Like that's your fun fact.

0:51:23.120 --> 0:51:25.400
<v Speaker 3>I'm like, oh, okay, well there's other things too.

0:51:25.719 --> 0:51:29.160
<v Speaker 1>You're also yeah, like these nets that is cooler objectively,

0:51:29.320 --> 0:51:30.400
<v Speaker 1>what did you go to school for?

0:51:31.080 --> 0:51:33.719
<v Speaker 17>So I ended up going to school for international relations

0:51:33.800 --> 0:51:36.360
<v Speaker 17>and Chinese boats, so I kind of stuck with that.

0:51:37.080 --> 0:51:39.000
<v Speaker 17>And then my first job out of college I was

0:51:39.040 --> 0:51:41.680
<v Speaker 17>doing something similar, and then I pivoted over to doing

0:51:41.760 --> 0:51:44.719
<v Speaker 17>technology research. So that's what I do now, basically a

0:51:44.800 --> 0:51:48.319
<v Speaker 17>technology journalist. So again like nothing related to what I've

0:51:48.360 --> 0:51:50.480
<v Speaker 17>done in the past, and nothing related to the meme.

0:51:50.560 --> 0:51:54.920
<v Speaker 17>Everything is so like jumping around between different different things.

0:51:55.320 --> 0:51:58.560
<v Speaker 1>You're becoming like this very interesting person with a wide

0:51:58.640 --> 0:52:02.160
<v Speaker 1>variety of interest, and there is just always this thing.

0:52:03.160 --> 0:52:06.239
<v Speaker 1>Was there any point growing up with this and then

0:52:06.320 --> 0:52:08.640
<v Speaker 1>being an adult with this and it's just it's going

0:52:08.719 --> 0:52:11.200
<v Speaker 1>to be there forever. Were there ever moments where it

0:52:11.440 --> 0:52:15.000
<v Speaker 1>was like frustrating or uncomfortable or like enough?

0:52:15.280 --> 0:52:18.000
<v Speaker 17>It's definitely there's times where it gets frustrating. I think

0:52:18.160 --> 0:52:20.400
<v Speaker 17>like a lot of people use it in ways that

0:52:20.520 --> 0:52:21.880
<v Speaker 17>I don't like condone.

0:52:21.600 --> 0:52:22.080
<v Speaker 3>Or agree with.

0:52:22.360 --> 0:52:25.000
<v Speaker 17>But pretty from an early age, I've kind of had

0:52:25.040 --> 0:52:27.560
<v Speaker 17>the mindset that I can't control, like how people are

0:52:27.600 --> 0:52:28.319
<v Speaker 17>going to use it or.

0:52:28.320 --> 0:52:31.680
<v Speaker 3>How it's going to like travel across the internet.

0:52:31.800 --> 0:52:34.600
<v Speaker 17>So being like frustrated or irritated about it isn't going

0:52:34.640 --> 0:52:36.120
<v Speaker 17>to change the fact that I'm going to see it.

0:52:36.440 --> 0:52:38.359
<v Speaker 17>I'm going to see like old interviews that I've done,

0:52:38.480 --> 0:52:40.839
<v Speaker 17>like it's going to be there, and like that's kind

0:52:40.840 --> 0:52:43.440
<v Speaker 17>of how it's been. What frustrates me most now is like,

0:52:43.560 --> 0:52:45.880
<v Speaker 17>as I'm trying to build like a professional career and

0:52:46.000 --> 0:52:48.200
<v Speaker 17>like obviously an identity out of this if you.

0:52:48.239 --> 0:52:50.399
<v Speaker 3>Look me up, like that is the first thing that's

0:52:50.400 --> 0:52:51.000
<v Speaker 3>going to show up.

0:52:51.040 --> 0:52:52.640
<v Speaker 17>Like if I wanted to get a new job, or

0:52:52.719 --> 0:52:55.040
<v Speaker 17>if I'm interviewing somebody and they want to see like,

0:52:55.120 --> 0:52:56.880
<v Speaker 17>oh what does she write about? First, They're going to

0:52:56.920 --> 0:52:59.880
<v Speaker 17>see all this meme shit. Instead I'm like, oh mind there.

0:53:00.120 --> 0:53:02.160
<v Speaker 17>Wait then it's like, oh, well tell me the story,

0:53:02.320 --> 0:53:03.360
<v Speaker 17>like wait, how old are you?

0:53:03.680 --> 0:53:04.279
<v Speaker 3>Like how is this?

0:53:04.719 --> 0:53:06.800
<v Speaker 17>And it kind of like overshadows, So it's more like

0:53:06.880 --> 0:53:09.480
<v Speaker 17>the digital privacy thing, like I'm like, oh my god,

0:53:09.520 --> 0:53:10.919
<v Speaker 17>I can't wait to get a new last name.

0:53:11.040 --> 0:53:11.960
<v Speaker 3>Like I can't wait till.

0:53:11.920 --> 0:53:13.560
<v Speaker 17>Because right now you can look up, you can find

0:53:13.600 --> 0:53:16.520
<v Speaker 17>out anything that you want to do vertty much about me,

0:53:16.560 --> 0:53:18.560
<v Speaker 17>which I think that is the thing that kind of

0:53:18.760 --> 0:53:22.120
<v Speaker 17>scares me the most, and it's like the biggest externality

0:53:22.160 --> 0:53:22.520
<v Speaker 17>about it.

0:53:22.760 --> 0:53:26.440
<v Speaker 1>Again, I think it's like an interesting conversation generationally that

0:53:26.719 --> 0:53:30.680
<v Speaker 1>because you grew up online, what's the point of getting

0:53:30.719 --> 0:53:33.040
<v Speaker 1>mad about it? It's an inevitability. When I talk to

0:53:33.120 --> 0:53:35.440
<v Speaker 1>people who are you know, like gen X or even older,

0:53:35.680 --> 0:53:38.400
<v Speaker 1>they're like, what the fuck? Why can't I get this

0:53:38.520 --> 0:53:39.080
<v Speaker 1>to go away?

0:53:39.480 --> 0:53:39.680
<v Speaker 12>Yeah?

0:53:39.880 --> 0:53:43.680
<v Speaker 1>Yeah, exactly because their relationship with the Internet is so different.

0:53:43.960 --> 0:53:47.600
<v Speaker 1>But just bizarre to have this thing that happened when

0:53:47.640 --> 0:53:51.000
<v Speaker 1>you were four years old come up at a job interview.

0:53:51.120 --> 0:53:53.359
<v Speaker 17>Yes, it came up in this interview. The first time

0:53:53.440 --> 0:53:55.640
<v Speaker 17>I did like a webinar for my job, I was

0:53:55.719 --> 0:53:58.160
<v Speaker 17>so nervous. I didn't sleep the night before, so nervous.

0:53:58.360 --> 0:54:00.520
<v Speaker 17>The first piece of feedback that comes in, wait are

0:54:00.560 --> 0:54:03.080
<v Speaker 17>you Zoe Roth? That's the meme, I'm like, oh my god,

0:54:03.280 --> 0:54:05.440
<v Speaker 17>I prepared all this stuff, like no questions about the

0:54:05.480 --> 0:54:08.040
<v Speaker 17>topics of like the webinar, just like wait are you her?

0:54:08.160 --> 0:54:10.560
<v Speaker 3>I'm like, look it up, like do I look like her? Like,

0:54:10.719 --> 0:54:13.719
<v Speaker 3>let's not. I'm not engaging with this conversation right now.

0:54:14.360 --> 0:54:16.600
<v Speaker 1>Good for you, Like I think you are well within

0:54:16.640 --> 0:54:17.400
<v Speaker 1>your rights to be like.

0:54:17.880 --> 0:54:20.719
<v Speaker 3>Fuck off, yeah, look it up, Like I can't. I'm

0:54:20.719 --> 0:54:22.480
<v Speaker 3>always just like look up, tell me the story. I'm like,

0:54:22.560 --> 0:54:24.400
<v Speaker 3>look it up. I'm not telling you this story.

0:54:25.080 --> 0:54:27.080
<v Speaker 17>And it's like, honestly, when I meet people, like when

0:54:27.120 --> 0:54:29.120
<v Speaker 17>I make new friends, like I recently moved to Utah,

0:54:29.520 --> 0:54:32.560
<v Speaker 17>I never tell anybody because they end up finding out,

0:54:32.680 --> 0:54:34.360
<v Speaker 17>like they will find out on their own and they're like.

0:54:34.400 --> 0:54:35.920
<v Speaker 3>Wait, what you didn't tell me about this? Like I

0:54:35.960 --> 0:54:36.520
<v Speaker 3>can't believe.

0:54:36.840 --> 0:54:38.840
<v Speaker 17>Recently, it was like the twenty year anniversary, so I

0:54:38.880 --> 0:54:40.960
<v Speaker 17>posted all these stories and a bunch of my friends

0:54:41.000 --> 0:54:42.800
<v Speaker 17>in new chart are like wait what, like that's you? Like,

0:54:42.880 --> 0:54:45.799
<v Speaker 17>why didn't you tell me? I'm like, well, I'll tell

0:54:45.840 --> 0:54:48.520
<v Speaker 17>you now, Like now you know I like that.

0:54:48.600 --> 0:54:50.040
<v Speaker 1>It's like, how dare you keep this?

0:54:50.480 --> 0:54:50.680
<v Speaker 3>Yeah?

0:54:50.880 --> 0:54:54.759
<v Speaker 1>Exactly, answering secret I want to. Yeah, I mean talk

0:54:54.840 --> 0:54:58.560
<v Speaker 1>about first these like meme conventions and stuff like that,

0:54:58.640 --> 0:55:01.440
<v Speaker 1>which now feel kind of like this weird bygone era.

0:55:01.760 --> 0:55:04.239
<v Speaker 1>How did appearances like that come together? And then what

0:55:04.560 --> 0:55:05.280
<v Speaker 1>was that experience?

0:55:05.400 --> 0:55:05.440
<v Speaker 8>Like?

0:55:05.680 --> 0:55:08.960
<v Speaker 17>So, I honestly didn't have any like opportunities to travel

0:55:09.080 --> 0:55:11.760
<v Speaker 17>or anything for this until I was in high school.

0:55:11.840 --> 0:55:14.360
<v Speaker 17>So I never ended up even going to like the convent,

0:55:14.440 --> 0:55:17.200
<v Speaker 17>like the Comic cons or whatever. The first like big

0:55:17.239 --> 0:55:19.840
<v Speaker 17>event I did was actually hilarious. I was in Shanghai

0:55:19.960 --> 0:55:24.040
<v Speaker 17>for the summer as a summer camp counselor, like with kindergarteners,

0:55:24.120 --> 0:55:26.759
<v Speaker 17>like literally just like in the weeds with these like

0:55:27.120 --> 0:55:29.920
<v Speaker 17>kindergarteners who didn't speak English, being a camp counselor, and

0:55:30.080 --> 0:55:32.480
<v Speaker 17>BuzzFeed like emails me and they're like, hey, we're doing

0:55:32.520 --> 0:55:34.279
<v Speaker 17>this event next week in New.

0:55:34.239 --> 0:55:35.319
<v Speaker 3>York, like do you want to come?

0:55:35.400 --> 0:55:36.800
<v Speaker 17>And I was like, well, that would be great, but

0:55:37.080 --> 0:55:39.160
<v Speaker 17>I'm in Shanghai, like and I have a job like

0:55:39.239 --> 0:55:41.000
<v Speaker 17>at the summer camp, so I need to get off

0:55:41.040 --> 0:55:42.600
<v Speaker 17>the summer camp and then you guys have to fly

0:55:42.719 --> 0:55:44.280
<v Speaker 17>me back to New York and then back to Shanghai.

0:55:44.480 --> 0:55:45.800
<v Speaker 3>And they're like, okay, yeah, we can do that.

0:55:46.040 --> 0:55:48.080
<v Speaker 17>So I need to explain to my boss like another

0:55:48.160 --> 0:55:50.880
<v Speaker 17>camp counselor, like, hey, so someone's offering to fly me

0:55:50.960 --> 0:55:51.600
<v Speaker 17>to New York.

0:55:51.480 --> 0:55:53.360
<v Speaker 3>For the weekend, Like can I have Friday off so

0:55:53.440 --> 0:55:55.719
<v Speaker 3>I can go and do that? Like with that be okay.

0:55:56.080 --> 0:55:59.040
<v Speaker 17>And so it was like the BuzzFeed Internet Awards or something,

0:55:59.120 --> 0:56:02.360
<v Speaker 17>and Jojo c like gave me and the Dan Daniels

0:56:02.680 --> 0:56:05.640
<v Speaker 17>kids like this like a meme trophy, which now I'm like,

0:56:05.680 --> 0:56:06.800
<v Speaker 17>where is my meme trophy?

0:56:06.920 --> 0:56:08.360
<v Speaker 3>Like I do wonder where that is. But that is

0:56:08.440 --> 0:56:10.879
<v Speaker 3>definitely That's probably the only event, like I think I've

0:56:10.920 --> 0:56:12.040
<v Speaker 3>ever been to I.

0:56:12.120 --> 0:56:14.239
<v Speaker 1>Have seen that picture and you're just like, Wow, what

0:56:14.360 --> 0:56:15.279
<v Speaker 1>a time, what a moment?

0:56:16.120 --> 0:56:18.120
<v Speaker 17>Oh my god, I hate it. It was so uncomfortable.

0:56:18.280 --> 0:56:20.200
<v Speaker 17>It was like walking out in front of all these people.

0:56:20.360 --> 0:56:22.080
<v Speaker 17>I was like, I'm never going to do something.

0:56:21.920 --> 0:56:22.439
<v Speaker 3>Like this again.

0:56:22.640 --> 0:56:26.279
<v Speaker 1>By that point, what it's been at least ten years, Yeah,

0:56:26.840 --> 0:56:29.719
<v Speaker 1>it's happened. If you're not interested in like performing, it

0:56:30.040 --> 0:56:31.080
<v Speaker 1>sounds uncomfortable.

0:56:31.520 --> 0:56:34.920
<v Speaker 3>Yeah, it was definitely uncomfortable and like and everyone's like cheering.

0:56:35.000 --> 0:56:37.080
<v Speaker 17>I'm like, I know, I could never be like an actual,

0:56:37.239 --> 0:56:39.520
<v Speaker 17>like famous person, Like I do not like this level

0:56:39.600 --> 0:56:40.640
<v Speaker 17>of like recognition.

0:56:41.000 --> 0:56:44.360
<v Speaker 1>Because I want to talk a little bit about the NFTs,

0:56:44.360 --> 0:56:46.719
<v Speaker 1>because I talked to Lena about that as well, this

0:56:46.920 --> 0:56:52.360
<v Speaker 1>idea of not having control over your own likeness, because

0:56:53.080 --> 0:56:54.960
<v Speaker 1>this took off during a time where I feel like

0:56:55.000 --> 0:56:57.959
<v Speaker 1>that discussion basically didn't happen and no one was thinking

0:56:58.000 --> 0:57:01.640
<v Speaker 1>about like what is this gonna feel like in twenty years?

0:57:02.160 --> 0:57:02.359
<v Speaker 3>Yeah?

0:57:02.719 --> 0:57:05.719
<v Speaker 1>Is there a way to get control of this? Like

0:57:05.800 --> 0:57:07.239
<v Speaker 1>what are your options?

0:57:08.160 --> 0:57:10.200
<v Speaker 3>We never like, we never like sat down as a family.

0:57:10.239 --> 0:57:10.840
<v Speaker 3>We're like, what do we do?

0:57:10.920 --> 0:57:12.840
<v Speaker 17>How can we get this back? We've always known like

0:57:13.040 --> 0:57:15.080
<v Speaker 17>you know, once it's out, the cats out of the bag.

0:57:15.640 --> 0:57:18.560
<v Speaker 17>There was like like for a while we had a

0:57:18.600 --> 0:57:20.600
<v Speaker 17>relationship with fuck Jerry who made that game?

0:57:20.720 --> 0:57:21.920
<v Speaker 3>What do you mean? And it was on the back

0:57:21.960 --> 0:57:22.480
<v Speaker 3>of the box.

0:57:22.520 --> 0:57:25.560
<v Speaker 17>And that's probably like the biggest thing that happened, like

0:57:25.720 --> 0:57:28.000
<v Speaker 17>for the most part, besides the NFT because on the box,

0:57:28.120 --> 0:57:30.200
<v Speaker 17>like on every box, you can spin it around in

0:57:30.400 --> 0:57:32.640
<v Speaker 17>my photo, so anytime you're shopping in an urban or

0:57:32.720 --> 0:57:34.840
<v Speaker 17>like at the airport, like, oh my god, where's me, Like,

0:57:34.920 --> 0:57:37.240
<v Speaker 17>let's go find Zoe. I'm in the I'm in the box.

0:57:37.280 --> 0:57:38.840
<v Speaker 17>And we're like, this is just going to be probably

0:57:38.960 --> 0:57:40.520
<v Speaker 17>the biggest thing. And that was the first time we

0:57:40.560 --> 0:57:42.120
<v Speaker 17>ever got paid for us, so we're like, wow, we're

0:57:42.160 --> 0:57:44.480
<v Speaker 17>so rich. Looking back, it was, Yeah, it was not

0:57:44.600 --> 0:57:46.640
<v Speaker 17>a great deal. They were not great to work with.

0:57:46.880 --> 0:57:49.360
<v Speaker 17>That is kind of like something that looking back on

0:57:49.560 --> 0:57:53.080
<v Speaker 17>we're like, oh, we were not well informed on this negotiation.

0:57:53.520 --> 0:57:55.919
<v Speaker 17>I think it was like twenty sixteen, so a full

0:57:55.960 --> 0:57:57.480
<v Speaker 17>like ten to twelve years later, and we're like.

0:57:57.480 --> 0:57:59.680
<v Speaker 3>Wow, this is so cool, Like finally we can get

0:57:59.720 --> 0:58:00.320
<v Speaker 3>paid for this.

0:58:00.520 --> 0:58:02.080
<v Speaker 17>Like before that, it was like, oh, my dad had

0:58:02.120 --> 0:58:04.200
<v Speaker 17>a red bubble shop, but so did all these other

0:58:04.240 --> 0:58:06.680
<v Speaker 17>people that were just like stealing the photo and posting

0:58:06.720 --> 0:58:07.080
<v Speaker 17>their own.

0:58:07.320 --> 0:58:08.920
<v Speaker 3>Like we're like, what are we going to do? Like

0:58:09.040 --> 0:58:11.000
<v Speaker 3>hey take this down? Like we didn't have lawyers, we

0:58:11.040 --> 0:58:12.560
<v Speaker 3>didn't have a team. It was just like me and

0:58:12.680 --> 0:58:13.080
<v Speaker 3>my dad.

0:58:13.200 --> 0:58:15.120
<v Speaker 17>So we're just like, well, every once in a while,

0:58:15.280 --> 0:58:17.320
<v Speaker 17>like somebody would be like, oh, can I get an autograph?

0:58:17.400 --> 0:58:19.440
<v Speaker 17>Like somehow they would find us on the internet, like, hey,

0:58:19.480 --> 0:58:20.440
<v Speaker 17>can I have an autograph?

0:58:20.760 --> 0:58:24.080
<v Speaker 1>How did your like family feel about this as time

0:58:24.120 --> 0:58:25.600
<v Speaker 1>went on, because it seems like the kind of thing

0:58:25.640 --> 0:58:28.040
<v Speaker 1>where it's really cool at first, but then it keeps

0:58:28.080 --> 0:58:29.000
<v Speaker 1>going and going and going.

0:58:29.120 --> 0:58:30.840
<v Speaker 3>I feel like it's mostly been me and my dad

0:58:31.040 --> 0:58:33.240
<v Speaker 3>like managing all of it. Like he took the photo,

0:58:33.320 --> 0:58:33.680
<v Speaker 3>I'm in it.

0:58:33.840 --> 0:58:36.000
<v Speaker 17>My brother was there and there's pictures of him too,

0:58:36.120 --> 0:58:37.680
<v Speaker 17>and we're always like, oh, it should have been him,

0:58:37.880 --> 0:58:39.840
<v Speaker 17>Like what are the odds? Like they were all posted

0:58:39.840 --> 0:58:42.400
<v Speaker 17>in the same places, but like Tristan didn't get famous.

0:58:42.440 --> 0:58:44.600
<v Speaker 17>I'm so sorry, Tristan. But me and my dad are

0:58:44.600 --> 0:58:47.400
<v Speaker 17>always the ones kind of like managing those conversations and

0:58:47.480 --> 0:58:50.240
<v Speaker 17>figuring out the opportunities when they're bigger, like we'll involve

0:58:50.320 --> 0:58:51.720
<v Speaker 17>everybody and be like, oh, what do you guys think?

0:58:51.760 --> 0:58:53.200
<v Speaker 17>But for the most part that I was like, oh,

0:58:53.240 --> 0:58:55.040
<v Speaker 17>this is so cool, Like what a fun, cool little

0:58:55.120 --> 0:58:56.040
<v Speaker 17>side gig for y'all.

0:58:56.240 --> 0:58:59.640
<v Speaker 1>So you are able to capitalize it a little bit

0:58:59.760 --> 0:59:03.440
<v Speaker 1>with the sport game is the next time that comes up.

0:59:04.000 --> 0:59:05.040
<v Speaker 1>For the NFTs.

0:59:05.240 --> 0:59:06.880
<v Speaker 3>It was very sporadic like it was.

0:59:06.960 --> 0:59:09.480
<v Speaker 17>I would get a lot of like random interview requests

0:59:09.640 --> 0:59:12.040
<v Speaker 17>from people. Sometimes I would do them, sometimes I wouldn't,

0:59:12.120 --> 0:59:15.040
<v Speaker 17>But like big opportunity wise, it was it was like

0:59:15.160 --> 0:59:16.400
<v Speaker 17>the fuck Jerry game and then the.

0:59:16.520 --> 0:59:18.640
<v Speaker 1>NFT because I talked about it with Lene as well.

0:59:18.640 --> 0:59:20.760
<v Speaker 1>I don't know if you were in conversation with her directly,

0:59:20.880 --> 0:59:22.560
<v Speaker 1>but she also mentioned She's like, yeah, we were all

0:59:22.880 --> 0:59:24.760
<v Speaker 1>talking to each other trying to figure out, first of all,

0:59:24.800 --> 0:59:27.040
<v Speaker 1>what this is, what we can accomplish by doing it?

0:59:27.200 --> 0:59:29.880
<v Speaker 17>Yeah, yeah, exactly, So I'll paint the picture. It was

0:59:29.960 --> 0:59:33.080
<v Speaker 17>my last semester of college, so I'm like senior year,

0:59:33.480 --> 0:59:34.680
<v Speaker 17>like I'm just gonna chill out.

0:59:34.760 --> 0:59:35.360
<v Speaker 3>It's gonna be so.

0:59:35.520 --> 0:59:38.160
<v Speaker 17>Fun, Like I've taken barely any classes. And I start

0:59:38.200 --> 0:59:39.840
<v Speaker 17>getting all these emails, which I'm also.

0:59:39.720 --> 0:59:40.360
<v Speaker 3>Like, how do these people?

0:59:40.400 --> 0:59:42.600
<v Speaker 17>I guess my email is like pretty easy to guess,

0:59:42.680 --> 0:59:45.440
<v Speaker 17>but anyway, all these people start emailing me like you

0:59:45.520 --> 0:59:48.080
<v Speaker 17>should make this token. It was all about this token,

0:59:48.160 --> 0:59:50.240
<v Speaker 17>this fungible token, and I was like, what is this

0:59:50.320 --> 0:59:52.080
<v Speaker 17>and I'm looking it up. It's all these like web

0:59:52.200 --> 0:59:53.480
<v Speaker 17>three discourse.

0:59:53.680 --> 0:59:54.400
<v Speaker 3>I don't know what this is.

0:59:54.600 --> 0:59:56.120
<v Speaker 17>And at this point it was just still me and

0:59:56.200 --> 0:59:59.120
<v Speaker 17>my dad. So I think I like DMed Lena and

0:59:59.240 --> 1:00:01.720
<v Speaker 17>bad Luck Brian and maybe like the Success Kid. I

1:00:01.800 --> 1:00:03.760
<v Speaker 17>was like, are you guys like doing this? We had

1:00:03.760 --> 1:00:05.240
<v Speaker 17>a few people reach out and like we'll sell it

1:00:05.360 --> 1:00:07.600
<v Speaker 17>for you and we'll give you ten percent. I was like,

1:00:07.840 --> 1:00:11.040
<v Speaker 17>I'm not that's not really like giving Like I don't

1:00:11.040 --> 1:00:12.960
<v Speaker 17>think we're going to let that happen, right, And so

1:00:13.080 --> 1:00:14.880
<v Speaker 17>I talked to Baut like Brian, and he was like, yeah,

1:00:14.920 --> 1:00:16.920
<v Speaker 17>you can like pretty much do it yourself, like you

1:00:17.120 --> 1:00:20.240
<v Speaker 17>can if you want to. And then I reached out

1:00:20.280 --> 1:00:23.840
<v Speaker 17>to the Success Kid his mom laany manages that, and

1:00:23.920 --> 1:00:25.640
<v Speaker 17>she's like, yeah, we have like a manager, like a

1:00:25.760 --> 1:00:28.400
<v Speaker 17>me manager and lawyer like combo that will like do

1:00:28.520 --> 1:00:30.240
<v Speaker 17>this for you. And so I was like, oh, put

1:00:30.280 --> 1:00:32.920
<v Speaker 17>me in contact with him. And so now that at

1:00:32.960 --> 1:00:34.640
<v Speaker 17>that point, I was like, Okay, well we'll have this

1:00:34.800 --> 1:00:37.080
<v Speaker 17>me manager and lawyer like set this all up. And

1:00:37.160 --> 1:00:39.080
<v Speaker 17>then we're like, yeah, let's do it, like let's set

1:00:39.160 --> 1:00:41.000
<v Speaker 17>up the NFT and see what happens.

1:00:41.200 --> 1:00:42.880
<v Speaker 1>I mean, and then it was it seemed like it

1:00:43.000 --> 1:00:44.000
<v Speaker 1>was really successful.

1:00:44.480 --> 1:00:47.240
<v Speaker 17>Yeah, that day of my life was like, oh my god,

1:00:47.320 --> 1:00:49.080
<v Speaker 17>I wish i'd like live streamed it for my own

1:00:49.120 --> 1:00:51.320
<v Speaker 17>personal because it was like a like an eBay bid,

1:00:51.440 --> 1:00:54.480
<v Speaker 17>so people are just like bidding on it every few hours,

1:00:54.520 --> 1:00:56.120
<v Speaker 17>and me and my dad were like, I'm only going

1:00:56.200 --> 1:00:57.680
<v Speaker 17>to look every two hours. I'm only going to look

1:00:57.680 --> 1:00:59.040
<v Speaker 17>every three hours, like I don't want and then we

1:00:59.080 --> 1:01:00.840
<v Speaker 17>go to bed and we go wake up, and I

1:01:00.880 --> 1:01:02.680
<v Speaker 17>went to work that day, like I worked at a

1:01:03.720 --> 1:01:06.640
<v Speaker 17>restaurant inside of a hotel, so all my coworkers knew

1:01:06.680 --> 1:01:08.800
<v Speaker 17>that I was like doing that, didn't know what it was. Like, Yeah,

1:01:08.880 --> 1:01:12.479
<v Speaker 17>Zoe's selling like a something and like the bid keeps

1:01:12.520 --> 1:01:14.600
<v Speaker 17>going up and I was like seating tables and taking

1:01:14.640 --> 1:01:16.880
<v Speaker 17>people back and it would go up in ethereum.

1:01:17.000 --> 1:01:19.160
<v Speaker 3>I'm like, wait, do the math how much ethereum is? Like,

1:01:19.640 --> 1:01:21.720
<v Speaker 3>so that day was just yeah crazy.

1:01:22.120 --> 1:01:24.920
<v Speaker 1>I was wondering if this was your like introduction to

1:01:25.000 --> 1:01:27.800
<v Speaker 1>web three in blockchain, and what a weird introduction that

1:01:27.920 --> 1:01:29.920
<v Speaker 1>must be. So when who works in tech now? Were

1:01:29.960 --> 1:01:33.160
<v Speaker 1>you happy with sort of the management situation that ended

1:01:33.200 --> 1:01:34.920
<v Speaker 1>up coming together, because it sounds like there were some

1:01:35.080 --> 1:01:37.040
<v Speaker 1>scammy or people reaching out to you earlier.

1:01:37.520 --> 1:01:39.440
<v Speaker 17>Yeah, in the end, it is really nice to have

1:01:39.600 --> 1:01:41.680
<v Speaker 17>we still have the same like management team and they

1:01:41.800 --> 1:01:43.960
<v Speaker 17>handle everything and then when we get a contract, Like

1:01:44.120 --> 1:01:46.120
<v Speaker 17>if we had this team when we got that contract

1:01:46.200 --> 1:01:48.120
<v Speaker 17>ten years ago for the game, like, it would not

1:01:48.200 --> 1:01:50.640
<v Speaker 17>have happened like it did. So they can definitely like

1:01:50.720 --> 1:01:53.000
<v Speaker 17>do the negotiation and cut through the bullshit better than

1:01:53.280 --> 1:01:54.760
<v Speaker 17>me and my dad that are just like, yep, this

1:01:54.880 --> 1:01:56.800
<v Speaker 17>looks good enough to us, like I'm not reading the

1:01:56.880 --> 1:01:59.280
<v Speaker 17>fine print, like, so we really like working with them.

1:01:59.520 --> 1:02:04.040
<v Speaker 1>Once the kind of tea happens, the auction closes, are

1:02:04.120 --> 1:02:04.959
<v Speaker 1>you still at work?

1:02:05.080 --> 1:02:05.120
<v Speaker 3>Like?

1:02:05.160 --> 1:02:06.080
<v Speaker 1>How does the rest of that day?

1:02:06.160 --> 1:02:06.280
<v Speaker 6>Though?

1:02:06.400 --> 1:02:08.880
<v Speaker 17>So I did get to leave work early because everyone's like, oh,

1:02:08.960 --> 1:02:10.680
<v Speaker 17>so you're quitting, like this is gonna shame.

1:02:10.760 --> 1:02:11.440
<v Speaker 3>I'm like, no, I will.

1:02:11.520 --> 1:02:12.600
<v Speaker 17>And I came back to work and I say the

1:02:12.680 --> 1:02:14.480
<v Speaker 17>right pump, like I thought you like left the country

1:02:14.600 --> 1:02:17.640
<v Speaker 17>or something. I'm like no, like I'm still here. At first,

1:02:17.760 --> 1:02:18.960
<v Speaker 17>I was like, oh, I'm gonna buy a new car

1:02:19.080 --> 1:02:20.959
<v Speaker 17>with my money. I have like not touched that money,

1:02:21.080 --> 1:02:23.640
<v Speaker 17>like it's still like sitting in like a crypto wallet.

1:02:24.040 --> 1:02:25.920
<v Speaker 17>Like I'm not going to like go crazy and like

1:02:26.320 --> 1:02:28.320
<v Speaker 17>change my life about this. Like if I need this

1:02:28.760 --> 1:02:30.400
<v Speaker 17>for like a house, like that's kind of my plan,

1:02:30.520 --> 1:02:31.040
<v Speaker 17>Like oh okay.

1:02:30.880 --> 1:02:31.520
<v Speaker 3>I'll use it then.

1:02:31.640 --> 1:02:33.600
<v Speaker 17>But all in all, like there was a lot of

1:02:33.640 --> 1:02:36.440
<v Speaker 17>like media outreach like oh, like Good Morning America like

1:02:36.520 --> 1:02:38.320
<v Speaker 17>New York Times, and I was like, I do not

1:02:38.760 --> 1:02:40.560
<v Speaker 17>I'm not going to be on Good Running America. Like

1:02:40.760 --> 1:02:44.080
<v Speaker 17>I would rather die like emailing somebody from work like hey, no,

1:02:44.200 --> 1:02:45.720
<v Speaker 17>thank you, like thank you for the offer, But I

1:02:45.720 --> 1:02:48.640
<v Speaker 17>don't want to go do that. And so I was

1:02:48.720 --> 1:02:50.880
<v Speaker 17>like after that same deal, I was like, I'm going

1:02:50.960 --> 1:02:52.800
<v Speaker 17>to do one interview about this because I don't need

1:02:52.840 --> 1:02:54.480
<v Speaker 17>to talk to ten people and say the same thing.

1:02:54.840 --> 1:02:56.600
<v Speaker 3>And I decided to do my one interview, and that

1:02:56.760 --> 1:02:56.960
<v Speaker 3>was that.

1:02:57.320 --> 1:03:00.680
<v Speaker 1>That moment is so fascinating because even outside of like

1:03:00.840 --> 1:03:03.680
<v Speaker 1>the nft of it all, it is so interesting to

1:03:03.760 --> 1:03:06.080
<v Speaker 1>me that it's like this is some sort of exchange

1:03:06.160 --> 1:03:10.400
<v Speaker 1>or like compensation for your likeness being outside of your

1:03:10.480 --> 1:03:14.640
<v Speaker 1>control for twenty years. It feels like you should get

1:03:15.080 --> 1:03:19.040
<v Speaker 1>something for that having happened to you. But qualifying what

1:03:19.240 --> 1:03:21.520
<v Speaker 1>it is is so hard to do.

1:03:22.320 --> 1:03:24.320
<v Speaker 17>Yeah, it is challenging, and I feel like a lot

1:03:24.400 --> 1:03:26.800
<v Speaker 17>of people, like afterwards, people would ask me, like, oh,

1:03:26.800 --> 1:03:28.440
<v Speaker 17>do you feel like you finally have control over it?

1:03:28.640 --> 1:03:30.640
<v Speaker 17>Like not really, like it's still going to do what

1:03:30.720 --> 1:03:33.040
<v Speaker 17>it does, Like it didn't change the fact that anybody

1:03:33.080 --> 1:03:35.000
<v Speaker 17>could use it however they wanted to, and people can

1:03:35.040 --> 1:03:38.280
<v Speaker 17>still print shirts and people can make like horrifying text

1:03:38.400 --> 1:03:38.880
<v Speaker 17>on top of it.

1:03:39.000 --> 1:03:41.040
<v Speaker 3>Like, we still don't have control over it, but at

1:03:41.160 --> 1:03:42.400
<v Speaker 3>least we finally got paid.

1:03:43.040 --> 1:03:47.160
<v Speaker 1>Is that enough? Like what would be ideal? I guess

1:03:47.200 --> 1:03:47.960
<v Speaker 1>in that situation.

1:03:48.400 --> 1:03:50.760
<v Speaker 3>Yeah, I don't know, like what's enough? Like who owes

1:03:50.840 --> 1:03:51.080
<v Speaker 3>me what?

1:03:51.280 --> 1:03:53.880
<v Speaker 17>Like everybody uses it and that's always been how it's been,

1:03:54.000 --> 1:03:56.920
<v Speaker 17>Like I've never thought that I deserved anything out of it,

1:03:57.000 --> 1:03:58.440
<v Speaker 17>And that's kind of like you know, this could have

1:03:58.480 --> 1:04:00.600
<v Speaker 17>happened to anybody. The fact that that memes viral and

1:04:00.680 --> 1:04:03.160
<v Speaker 17>it's still viral now like poof speed to this day.

1:04:03.320 --> 1:04:05.880
<v Speaker 17>Like I didn't do anything unique for that to happen,

1:04:06.080 --> 1:04:08.440
<v Speaker 17>So I don't feel like I deserved anything out of it,

1:04:08.520 --> 1:04:10.360
<v Speaker 17>which is why I've kind of like tried to build

1:04:10.480 --> 1:04:12.840
<v Speaker 17>my life, you know, as it is around it, like

1:04:12.920 --> 1:04:15.080
<v Speaker 17>I'll keep that on the side, and as it comes

1:04:15.160 --> 1:04:18.000
<v Speaker 17>up and there's opportunities, I'll engage with that, but I

1:04:18.200 --> 1:04:20.560
<v Speaker 17>will keep doing my own like thing, getting a job,

1:04:20.720 --> 1:04:23.760
<v Speaker 17>like having my life, because it's just kind of something.

1:04:23.560 --> 1:04:24.200
<v Speaker 3>That happened to me.

1:04:24.800 --> 1:04:28.840
<v Speaker 1>Yeah. I mean, I'm like weirdly like proud of you

1:04:28.960 --> 1:04:32.479
<v Speaker 1>for doing that, because if everyone around you is like whoa,

1:04:32.600 --> 1:04:34.480
<v Speaker 1>you could like totally change your life.

1:04:34.320 --> 1:04:36.000
<v Speaker 3>And yeah, yeah exactly.

1:04:36.080 --> 1:04:37.520
<v Speaker 17>There was like a few times when I was super

1:04:37.560 --> 1:04:40.360
<v Speaker 17>broken college, like Okay, how am I going to figure

1:04:40.400 --> 1:04:42.360
<v Speaker 17>this out? And then of course, right before I graduate,

1:04:42.400 --> 1:04:44.240
<v Speaker 17>we get the NFT money. I'm like, if I knew

1:04:44.360 --> 1:04:46.720
<v Speaker 17>I wasn't going to be broke this whole time, Like, oh,

1:04:46.800 --> 1:04:49.000
<v Speaker 17>come on the fact that I happened right before my graduation,

1:04:49.080 --> 1:04:50.480
<v Speaker 17>I was like, that's just the cherry on top of

1:04:50.560 --> 1:04:53.480
<v Speaker 17>the cake. After being like working all these horrible jobs

1:04:53.520 --> 1:04:55.320
<v Speaker 17>in college, I'm like, oh, so the mean money was

1:04:55.400 --> 1:04:56.160
<v Speaker 17>coming in the end.

1:04:56.440 --> 1:04:56.840
<v Speaker 7>What are you.

1:04:56.920 --> 1:05:01.200
<v Speaker 1>Excited about right now we're in and how are we

1:05:01.280 --> 1:05:04.560
<v Speaker 1>going to move this to page two of your Google results?

1:05:04.960 --> 1:05:07.360
<v Speaker 3>Oh my gosh. Yeah, that's kind of like the burden

1:05:07.440 --> 1:05:08.000
<v Speaker 3>of my life.

1:05:08.080 --> 1:05:09.720
<v Speaker 17>I'm like, I need to figure out what I can

1:05:09.800 --> 1:05:11.880
<v Speaker 17>do that could pretend that could be bigger than this,

1:05:12.160 --> 1:05:15.160
<v Speaker 17>Like could I ever do anything that would displace like

1:05:15.280 --> 1:05:18.160
<v Speaker 17>when you look me up that it's like auto fills

1:05:18.240 --> 1:05:20.880
<v Speaker 17>like meme smiling disaster girl. Like I don't know if

1:05:20.920 --> 1:05:22.840
<v Speaker 17>that's and I don't know if that's like fair to

1:05:22.920 --> 1:05:25.560
<v Speaker 17>myself to be like thinking I need to do something

1:05:25.600 --> 1:05:28.520
<v Speaker 17>bigger than something that I didn't really like having control over.

1:05:28.400 --> 1:05:29.120
<v Speaker 3>In the first place.

1:05:29.800 --> 1:05:33.360
<v Speaker 17>I think it's just generally like yeah, growing in my career,

1:05:33.560 --> 1:05:35.720
<v Speaker 17>like I might go back to school, Like I just

1:05:35.880 --> 1:05:37.760
<v Speaker 17>want people to know me, like for what I do

1:05:37.880 --> 1:05:40.200
<v Speaker 17>at work, and like I like these you know this

1:05:40.320 --> 1:05:42.520
<v Speaker 17>niche I'm in, like these companies know me, and like

1:05:42.600 --> 1:05:45.200
<v Speaker 17>these people know me. But I think just growing that

1:05:45.440 --> 1:05:48.920
<v Speaker 17>and kind of keeping that trajectory on my career and

1:05:49.120 --> 1:05:51.160
<v Speaker 17>you know, keeping this in the backseat.

1:05:51.040 --> 1:05:53.920
<v Speaker 1>Right, and also like, like you're saying, is such a

1:05:54.640 --> 1:05:58.080
<v Speaker 1>bizarrely specific burden to have put on you because who

1:05:58.120 --> 1:05:59.440
<v Speaker 1>else has this problem?

1:05:59.680 --> 1:06:02.240
<v Speaker 17>Yeah, exactly, Like we need like a meme support group

1:06:02.360 --> 1:06:04.080
<v Speaker 17>or something like we just need to get together for

1:06:04.200 --> 1:06:06.280
<v Speaker 17>like a twenty four hour period, Like they're the only

1:06:06.320 --> 1:06:08.240
<v Speaker 17>people that get it, Like there's like ten of us

1:06:08.360 --> 1:06:09.920
<v Speaker 17>that will like truly understand.

1:06:10.360 --> 1:06:11.440
<v Speaker 3>And even like the way.

1:06:11.320 --> 1:06:13.920
<v Speaker 17>We've all navigated it has been so different, like it's

1:06:14.040 --> 1:06:16.280
<v Speaker 17>not anything like you know, some people have leaned more

1:06:16.320 --> 1:06:18.560
<v Speaker 17>into it, some have kept it more private. It's very

1:06:18.600 --> 1:06:21.040
<v Speaker 17>different when it happens. She was a kid and like, Okay,

1:06:21.120 --> 1:06:22.560
<v Speaker 17>I can go to the grocery store, no one's going

1:06:22.600 --> 1:06:25.000
<v Speaker 17>to recognize me. Like only once in my life have

1:06:25.080 --> 1:06:26.480
<v Speaker 17>I ever been recognized in person.

1:06:26.560 --> 1:06:27.600
<v Speaker 3>And it was like shocking.

1:06:27.720 --> 1:06:29.280
<v Speaker 17>I was like I can't do this right now, Like

1:06:29.320 --> 1:06:31.200
<v Speaker 17>I don't know how you know who I am, but

1:06:31.600 --> 1:06:33.080
<v Speaker 17>this is not like my vibe.

1:06:33.440 --> 1:06:33.640
<v Speaker 7>Yeah.

1:06:33.680 --> 1:06:35.600
<v Speaker 3>I was like at a bar in Salt Lake City

1:06:35.640 --> 1:06:37.680
<v Speaker 3>where I live, Someone's like, are you the girl? Are

1:06:37.760 --> 1:06:39.720
<v Speaker 3>you the disaster girl? And I was like no, and

1:06:39.840 --> 1:06:42.080
<v Speaker 3>I just walked away like I don't know what you're

1:06:42.120 --> 1:06:43.920
<v Speaker 3>talking about. I've never heard of that before.

1:06:45.080 --> 1:06:47.560
<v Speaker 1>Thank you so much to Zoe Roth. You can follow

1:06:47.600 --> 1:06:49.640
<v Speaker 1>her at the link in the description, but I'm going

1:06:49.720 --> 1:06:52.280
<v Speaker 1>to request that you don't bug her with the same

1:06:52.440 --> 1:06:55.800
<v Speaker 1>three jokes She's been hearing for her entire sentient life,

1:06:56.360 --> 1:06:59.040
<v Speaker 1>and I'm very, very grateful she took the time to talk.

1:07:00.480 --> 1:07:03.640
<v Speaker 1>Something that really stuck with me about this interview is

1:07:03.840 --> 1:07:07.800
<v Speaker 1>how regardless of someone's generation, there are still a million

1:07:07.960 --> 1:07:11.080
<v Speaker 1>ways to relate to the Internet, and that that can

1:07:11.200 --> 1:07:14.400
<v Speaker 1>be a good thing. Recently, I've seen discussions around gen

1:07:14.480 --> 1:07:18.480
<v Speaker 1>Z slip into some disdain after this same generation was

1:07:18.560 --> 1:07:21.600
<v Speaker 1>being hailed as the kids who will save the world

1:07:21.920 --> 1:07:25.880
<v Speaker 1>just a couple years ago, but with time the reputations

1:07:26.000 --> 1:07:29.280
<v Speaker 1>of most generations sour, and gen Z has been more

1:07:29.320 --> 1:07:33.520
<v Speaker 1>recently typecast as excessively nihilistic and addicted to their phones.

1:07:34.200 --> 1:07:38.960
<v Speaker 1>I wonder why two recent subjects on this show, Zoe Roth,

1:07:39.080 --> 1:07:42.040
<v Speaker 1>the Disaster Girl and Haley Welch be talked to a

1:07:42.120 --> 1:07:45.439
<v Speaker 1>girl because we just love to call a main character girl.

1:07:45.560 --> 1:07:49.680
<v Speaker 1>Lady and wife are very close in age. Zoe was

1:07:49.760 --> 1:07:53.120
<v Speaker 1>born around two thousand and Haley was born around two

1:07:53.160 --> 1:07:56.680
<v Speaker 1>thousand and two. And they both became very famous online

1:07:56.720 --> 1:07:59.920
<v Speaker 1>at times that they couldn't really consent to it. Zo

1:08:00.120 --> 1:08:02.480
<v Speaker 1>he was just a kid, and Haley was drunk and

1:08:02.640 --> 1:08:05.960
<v Speaker 1>never formally agreed to her clip being aired. But their

1:08:06.040 --> 1:08:10.480
<v Speaker 1>reactions to this virality couldn't be more different, with Zoe

1:08:10.680 --> 1:08:13.920
<v Speaker 1>actively choosing to cash out once and otherwise stay the

1:08:14.000 --> 1:08:17.200
<v Speaker 1>course and explore her other passions, while Haley tried to

1:08:17.280 --> 1:08:20.439
<v Speaker 1>reclaim her image through a series of sketchy cations and

1:08:20.560 --> 1:08:25.120
<v Speaker 1>sketchy management. Everyone has a different relationship to the Internet,

1:08:25.600 --> 1:08:28.200
<v Speaker 1>and while it has something to do with generational trends,

1:08:28.360 --> 1:08:31.960
<v Speaker 1>not to mention that these stories happened seventeen years apart,

1:08:32.720 --> 1:08:34.519
<v Speaker 1>I think it has just as much to do with

1:08:34.600 --> 1:08:38.519
<v Speaker 1>the issues that always affect people, the level of familial

1:08:38.600 --> 1:08:43.360
<v Speaker 1>stability and educational access people have, race, class ability, mental health,

1:08:43.760 --> 1:08:46.960
<v Speaker 1>whether you think TikTok is really addictive or you're like

1:08:47.120 --> 1:08:50.200
<v Speaker 1>me and think it's too loud. The list goes on,

1:08:50.920 --> 1:08:54.599
<v Speaker 1>and the Internet is programmed to respond to these factors

1:08:54.640 --> 1:08:57.880
<v Speaker 1>about us. But there is a commonality to Internet natives

1:08:57.960 --> 1:09:00.680
<v Speaker 1>that I've noticed, Like we talked about last week on

1:09:00.760 --> 1:09:04.800
<v Speaker 1>The Backroom's episode, there has been this distinct change in

1:09:04.960 --> 1:09:07.479
<v Speaker 1>how someone who doesn't remember a world before the Internet

1:09:07.920 --> 1:09:13.000
<v Speaker 1>approaches the phenomenon of becoming a main character. To younger people,

1:09:13.640 --> 1:09:16.360
<v Speaker 1>this is just a fact of life, and whether you

1:09:16.479 --> 1:09:20.000
<v Speaker 1>have any interest in becoming the main character, there's always

1:09:20.040 --> 1:09:23.920
<v Speaker 1>a chance that one day you'll just be that. And

1:09:24.000 --> 1:09:27.839
<v Speaker 1>how will you handle it? Because it seems increasingly expected

1:09:27.960 --> 1:09:30.920
<v Speaker 1>that if you don't want it, that doesn't really matter.

1:09:31.680 --> 1:09:34.120
<v Speaker 1>It doesn't seem easy. But I find a lot of

1:09:34.200 --> 1:09:38.120
<v Speaker 1>comfort in seeing someone like Zoe who says fuck you,

1:09:38.360 --> 1:09:43.840
<v Speaker 1>no thanks, Zoe Roth the disaster Girl. Your sixteenth minute

1:09:44.040 --> 1:09:52.160
<v Speaker 1>ends now enjoy and for your moment of fun, question Mark,

1:09:52.560 --> 1:09:55.160
<v Speaker 1>here's a clip of the most recent disaster girl trend.

1:09:55.200 --> 1:09:58.519
<v Speaker 1>I was able to find some disgusting AI slop that

1:09:58.720 --> 1:10:13.719
<v Speaker 1>envisioned Zoe as a real child murderer. Sweet Dreams sixteenth

1:10:13.760 --> 1:10:16.840
<v Speaker 1>Minute is a production of Cool Zone Media and iHeart Radio.

1:10:17.400 --> 1:10:20.719
<v Speaker 1>It is written, posted, and produced by me Jamie Lostus.

1:10:20.920 --> 1:10:24.639
<v Speaker 1>Our executive producers are Sophie Elekterman and Robert Evans Limas.

1:10:24.680 --> 1:10:28.280
<v Speaker 14>Me Ian Johnson is our supervising producer and our editor.

1:10:28.880 --> 1:10:32.640
<v Speaker 14>Our theme song is by Sad thirteen. Voice acting is

1:10:32.720 --> 1:10:34.919
<v Speaker 14>from a grant creator and pet.

1:10:34.720 --> 1:10:38.160
<v Speaker 1>Shout outs to our dog producer Anderson, my kat's flea Casper,

1:10:38.320 --> 1:10:41.280
<v Speaker 1>and my pet Rockberd, who will outlive us all. Bye.