WEBVTT - Boxing Day Listener Mail

0:00:00.120 --> 0:00:04.760
<v Speaker 1>My welcome to Stuff to Blow Your Mind, a production

0:00:04.800 --> 0:00:13.520
<v Speaker 1>of I Heart Radios How Stuff Works. Hey, you welcome

0:00:13.560 --> 0:00:15.640
<v Speaker 1>to Stuff to Blow your Mind. My name is Robert

0:00:15.720 --> 0:00:19.320
<v Speaker 1>Lamb and I'm Joe McCormick, and welcome to Boxing Day.

0:00:19.440 --> 0:00:23.160
<v Speaker 1>It is traditionally Boxing day. Uh if if you've ever

0:00:23.200 --> 0:00:25.080
<v Speaker 1>wondered about this one do we call it boxing Day?

0:00:25.280 --> 0:00:27.040
<v Speaker 1>As as I was a kid, I remember it would

0:00:27.040 --> 0:00:30.240
<v Speaker 1>always especially be featured on the Canadian calendar, and I

0:00:30.280 --> 0:00:32.080
<v Speaker 1>always assumed, well, this is when I guess you box

0:00:32.159 --> 0:00:33.960
<v Speaker 1>things back up. Maybe you're not supposed to have all

0:00:34.000 --> 0:00:37.760
<v Speaker 1>these gifts. Um uh. My understanding though, is that it's

0:00:37.760 --> 0:00:39.519
<v Speaker 1>tied in with the idea of this being a day

0:00:39.520 --> 0:00:41.800
<v Speaker 1>when you would traditionally give a box. You would give

0:00:41.840 --> 0:00:45.120
<v Speaker 1>a gift to um uh, you know, to to various

0:00:45.280 --> 0:00:49.360
<v Speaker 1>UM delivery people and whatnot. So it's another day about giving.

0:00:50.000 --> 0:00:52.040
<v Speaker 1>But you could also be inclined to make the mistake

0:00:52.080 --> 0:00:55.280
<v Speaker 1>that our mail bought Carney has made. Uh. He knows

0:00:55.320 --> 0:00:57.960
<v Speaker 1>that it is boxing day. He um. He knows that

0:00:58.080 --> 0:01:02.360
<v Speaker 1>boxing is a physical combat sport in which humans punch

0:01:02.440 --> 0:01:05.760
<v Speaker 1>each other, generally in the head region with with large

0:01:05.800 --> 0:01:08.399
<v Speaker 1>gloves on. And then of course he has the rockham

0:01:08.400 --> 0:01:11.480
<v Speaker 1>stock'em robot example to go by, and so so he's

0:01:11.480 --> 0:01:14.560
<v Speaker 1>become incredibly aggressive, Yes, incredibly so, I mean lucky. He's

0:01:14.560 --> 0:01:17.280
<v Speaker 1>wearing the gluckily, he's learning the gloves because otherwise Carnie's

0:01:17.319 --> 0:01:21.039
<v Speaker 1>hands are metal. But that's what we're having to put

0:01:21.120 --> 0:01:24.360
<v Speaker 1>up with today. Still, he has his primary programming is

0:01:24.360 --> 0:01:27.479
<v Speaker 1>to deliver listener mail to us, and he is still

0:01:27.560 --> 0:01:30.320
<v Speaker 1>doing it, granted with a little more punch than usual. Right,

0:01:30.319 --> 0:01:32.479
<v Speaker 1>we'll just have to dodge the fists of fury every

0:01:32.520 --> 0:01:35.160
<v Speaker 1>time we retrieve one. Right. Well, you know, since it's

0:01:35.160 --> 0:01:40.160
<v Speaker 1>so close to Christmas, since Christmas is still in the air, uh,

0:01:40.280 --> 0:01:43.320
<v Speaker 1>dissipating in the air around us, we should probably kick

0:01:43.319 --> 0:01:47.400
<v Speaker 1>off with some Christmas holiday related listener mail before we

0:01:47.440 --> 0:01:52.360
<v Speaker 1>get into more general listener mail. Okay, let's get ready

0:01:52.360 --> 0:01:55.920
<v Speaker 1>to rumble. Here's the first message. This comes from Corbin.

0:01:56.080 --> 0:01:59.920
<v Speaker 1>It's about our episode is Santa of God? Corbin said,

0:02:00.080 --> 0:02:04.120
<v Speaker 1>is Hey, Robin Joe. Your discussion about minimally counterintuitive narratives

0:02:04.160 --> 0:02:06.400
<v Speaker 1>brought to mind one of my all time favorite sci

0:02:06.440 --> 0:02:11.240
<v Speaker 1>fi series, Dune. I haven't listened to all your podcasts.

0:02:11.360 --> 0:02:14.520
<v Speaker 1>My sincerest apologies, but somehow, I feel like you're familiar

0:02:14.560 --> 0:02:18.800
<v Speaker 1>with the books. How little you know Corbett? Yes? Um.

0:02:18.840 --> 0:02:22.000
<v Speaker 1>I found it interesting that Frank Herbert, when depicting Leto

0:02:22.080 --> 0:02:26.760
<v Speaker 1>the Second as a god emperor, began his transformation remaining

0:02:26.840 --> 0:02:31.120
<v Speaker 1>primarily humanoid and gradually over time became more worm. So

0:02:31.240 --> 0:02:35.000
<v Speaker 1>this is the transformation of a person into a giant sandworm. Right.

0:02:35.240 --> 0:02:38.000
<v Speaker 1>If you only know Doune from the films, you haven't

0:02:38.160 --> 0:02:41.240
<v Speaker 1>really seen this yet. I think the TV mini series

0:02:41.280 --> 0:02:44.200
<v Speaker 1>is about as far into the books as as as

0:02:44.240 --> 0:02:48.920
<v Speaker 1>anyone has visually dared go huh uh. Corbin continues, however,

0:02:49.160 --> 0:02:52.440
<v Speaker 1>even till his last day r I P. He maintained

0:02:52.480 --> 0:02:55.320
<v Speaker 1>his human face despite the fact that his brain was

0:02:55.360 --> 0:02:59.240
<v Speaker 1>a distributed, collective nervous system. It's an interesting thought that

0:02:59.320 --> 0:03:02.840
<v Speaker 1>Frank Herbert this as an illustration not only to the readers,

0:03:02.840 --> 0:03:05.320
<v Speaker 1>but also to the characters in the universe that Letter

0:03:05.400 --> 0:03:08.320
<v Speaker 1>the Second was at one point a human and therefore

0:03:08.440 --> 0:03:12.240
<v Speaker 1>more easy to anthropomorphize. Leto's goal was, after all, who

0:03:12.360 --> 0:03:16.040
<v Speaker 1>rapidly spread his religion across an entire universe, albeit through

0:03:16.080 --> 0:03:19.720
<v Speaker 1>more nefarious means. I feel it's also easier to say, yeah,

0:03:19.760 --> 0:03:21.960
<v Speaker 1>we worship a giant worm, but he used to be

0:03:22.040 --> 0:03:25.120
<v Speaker 1>a human. He still has a human face. Then, yeah,

0:03:25.160 --> 0:03:27.480
<v Speaker 1>we worship a giant worm with a gullet filled with

0:03:27.600 --> 0:03:30.520
<v Speaker 1>rows upon rows of teeth. We won't get into the

0:03:30.520 --> 0:03:34.480
<v Speaker 1>Fremen and how their worship of Shihlu differs fundamentally. Really

0:03:34.600 --> 0:03:37.040
<v Speaker 1>enjoy listening and typing. This email really felt like a

0:03:37.040 --> 0:03:40.240
<v Speaker 1>good way to create some discussion, even just with myself,

0:03:40.360 --> 0:03:43.520
<v Speaker 1>about something I thought was a very interesting concept applied

0:03:43.560 --> 0:03:46.280
<v Speaker 1>to someone fundamentally more badass than a fat man in

0:03:46.400 --> 0:03:50.600
<v Speaker 1>Red Pj's regards. Corbin, Well, I mean you could combine

0:03:50.640 --> 0:03:54.920
<v Speaker 1>them right and you have Santa Santa Leto arriving. But no.

0:03:55.040 --> 0:03:57.400
<v Speaker 1>I yeah, obviously I love this email because it ties

0:03:57.440 --> 0:04:00.600
<v Speaker 1>in with the episode but also drags Dune into the

0:04:00.640 --> 0:04:03.760
<v Speaker 1>whole picture. I like how Corbyn is not sure whether

0:04:03.800 --> 0:04:07.040
<v Speaker 1>we've read Dune or not. Things maybe we have, so

0:04:07.200 --> 0:04:10.800
<v Speaker 1>we definitely we have, of course, uh, and we're we're fans.

0:04:10.960 --> 0:04:14.280
<v Speaker 1>We did a couple of episodes years back about the

0:04:14.320 --> 0:04:17.000
<v Speaker 1>science of done the technology of Dune. We didn't talk

0:04:17.040 --> 0:04:21.919
<v Speaker 1>about everything in the first book or certainly the the series.

0:04:22.240 --> 0:04:23.960
<v Speaker 1>We talked about a few things we talked about still

0:04:23.960 --> 0:04:27.200
<v Speaker 1>suit we talked about sandworm biology. We even got into

0:04:27.320 --> 0:04:31.760
<v Speaker 1>consideration of the the face dancers and how that might

0:04:31.839 --> 0:04:35.880
<v Speaker 1>work based on some folks interpretations. Yeah, somebody was recently

0:04:35.920 --> 0:04:39.200
<v Speaker 1>asking us to do an episode on Goala's Wait Wait

0:04:39.279 --> 0:04:41.560
<v Speaker 1>is that the same as face dancers are different? Different

0:04:41.600 --> 0:04:45.360
<v Speaker 1>difference I've made by the same people. Um, so yeah,

0:04:45.520 --> 0:04:47.520
<v Speaker 1>maybe we could come back and do Dune Part three

0:04:47.600 --> 0:04:50.080
<v Speaker 1>sometime in the future. I think so. I think basically

0:04:50.080 --> 0:04:52.520
<v Speaker 1>we would want to We need to couch the first

0:04:52.560 --> 0:04:54.640
<v Speaker 1>part of it in something familiar, something we would tie

0:04:54.640 --> 0:04:57.680
<v Speaker 1>into the first movie, especially the first book in movie,

0:04:57.760 --> 0:05:01.040
<v Speaker 1>especially since we're getting a new film adaptation coming up

0:05:01.040 --> 0:05:04.560
<v Speaker 1>in So yeah, we definitely definitely need to do it,

0:05:04.600 --> 0:05:08.720
<v Speaker 1>and there's plenty to talk about. Uh, do you want

0:05:08.720 --> 0:05:11.039
<v Speaker 1>to do one more quick one about whether or not

0:05:11.160 --> 0:05:13.919
<v Speaker 1>Santa counts as a god before we move on. This

0:05:13.960 --> 0:05:17.360
<v Speaker 1>comes from Clarence. Clarence says, Hey, guys, my name is Clarence.

0:05:17.480 --> 0:05:19.720
<v Speaker 1>Is my first time writing, although I've been listening for

0:05:19.760 --> 0:05:22.599
<v Speaker 1>a few years now. Um, honestly hoping to get this

0:05:22.680 --> 0:05:26.279
<v Speaker 1>read in the next Listener Mail episode. Well here you go, Clarence. Uh,

0:05:26.400 --> 0:05:29.520
<v Speaker 1>Clara says, anyway, just listened to the episode entitled is

0:05:29.520 --> 0:05:33.120
<v Speaker 1>Santa God? Part One? Interesting? And I oh and Clarence

0:05:33.120 --> 0:05:35.680
<v Speaker 1>appreciated the warning we put in at the beginning of

0:05:35.680 --> 0:05:39.640
<v Speaker 1>the episode. Maybe Clarence listens with some kids. Um, But

0:05:39.839 --> 0:05:42.080
<v Speaker 1>as I was listening, I thought about something few people

0:05:42.160 --> 0:05:45.520
<v Speaker 1>knew about, and even fewer still remember. Santa is actually

0:05:45.600 --> 0:05:49.360
<v Speaker 1>one of the most powerful entities in the Marvel Comics universe.

0:05:49.880 --> 0:05:52.000
<v Speaker 1>It has been alluded to in a few issues I've

0:05:52.040 --> 0:05:54.159
<v Speaker 1>read over the years. Most recently I can remember in

0:05:54.240 --> 0:05:58.880
<v Speaker 1>Spiderman Deadpool issue number twelve Food for thought. I'd like

0:05:58.920 --> 0:06:00.800
<v Speaker 1>to know what you guys think of Santa as a

0:06:00.839 --> 0:06:05.839
<v Speaker 1>Marvel character clearance. Well, obviously I'm in favor of this,

0:06:06.040 --> 0:06:09.000
<v Speaker 1>and I think he absolutely needs to be incorporated into

0:06:09.040 --> 0:06:12.240
<v Speaker 1>the Marvel Cinematic universe. It's a shame that he did.

0:06:12.360 --> 0:06:15.600
<v Speaker 1>He wasn't in there in that big, you know, battle

0:06:15.680 --> 0:06:18.200
<v Speaker 1>against Thanos. I think he'd be fighting on the side

0:06:18.200 --> 0:06:21.120
<v Speaker 1>of Thanos. Right, is Thanos the one that wants everybody

0:06:21.160 --> 0:06:25.520
<v Speaker 1>to be good boys and girls? He will? I think

0:06:25.720 --> 0:06:29.080
<v Speaker 1>I haven't seen them. He's all about overpopulation. Really, really,

0:06:29.720 --> 0:06:31.920
<v Speaker 1>I don't know the whole Thanos thing. Yeah, I think

0:06:32.040 --> 0:06:34.800
<v Speaker 1>that's basically it in the films, it's it's a little

0:06:34.800 --> 0:06:37.279
<v Speaker 1>different in the comics. As I recall the comics is

0:06:37.279 --> 0:06:41.560
<v Speaker 1>more about love, like he's in love with Death daughter

0:06:41.640 --> 0:06:45.200
<v Speaker 1>or something, or Death herself. I'm a little he's trying

0:06:45.200 --> 0:06:48.280
<v Speaker 1>to impress her by like killing everybody. Yeah, sort of thing.

0:06:48.600 --> 0:06:50.760
<v Speaker 1>But no, I would love for SANTAA to pop up

0:06:51.320 --> 0:06:54.240
<v Speaker 1>because there's so many. Every every matchup, every team up

0:06:54.320 --> 0:06:57.040
<v Speaker 1>is great. Like you could have Santa team up with

0:06:57.120 --> 0:07:02.159
<v Speaker 1>Blade to go after Christmas Ferrato's. That would be good.

0:07:02.360 --> 0:07:04.240
<v Speaker 1>That would be good. Um, well, this fits into our

0:07:04.279 --> 0:07:08.680
<v Speaker 1>discussion of is Santa more Superman or is he more Batman? Yeah?

0:07:08.720 --> 0:07:10.600
<v Speaker 1>This this is a good question. I guess in the

0:07:10.640 --> 0:07:15.240
<v Speaker 1>Marvel cinematic, in the Marvel universe, he is more Superman.

0:07:15.280 --> 0:07:18.080
<v Speaker 1>It sounds like I wonder if it's different in d C.

0:07:18.280 --> 0:07:21.400
<v Speaker 1>Does d C also have an incarnation of Santa, And

0:07:21.480 --> 0:07:24.320
<v Speaker 1>if so, is it more Batman esque? I would love

0:07:24.360 --> 0:07:29.720
<v Speaker 1>to know. All right, here is another holiday related bit,

0:07:29.760 --> 0:07:31.320
<v Speaker 1>a bit of listener mail. This one comes to us

0:07:31.320 --> 0:07:34.800
<v Speaker 1>from Martin Martin Wrightson and says, Dear Robert and Joe,

0:07:34.960 --> 0:07:38.120
<v Speaker 1>thank you for the very interesting show on Crampus. Although

0:07:38.120 --> 0:07:40.680
<v Speaker 1>I am from Austria. I've never given this tradition any

0:07:40.720 --> 0:07:43.680
<v Speaker 1>second thought. Crampus was just a natural part of the

0:07:43.720 --> 0:07:46.680
<v Speaker 1>folklore I was brought up with, same as Christmas. In

0:07:46.720 --> 0:07:50.800
<v Speaker 1>the Easter Bunny. On St. Nicholas's Eve, our parents filled

0:07:50.800 --> 0:07:53.880
<v Speaker 1>our stockings with sweets and my father rattled some iron

0:07:54.000 --> 0:07:58.080
<v Speaker 1>chains pretending to chase away Crampus. It was exciting for

0:07:58.160 --> 0:08:02.560
<v Speaker 1>us kids picturing my father Finn ending off some goat demon. Anyway,

0:08:02.600 --> 0:08:04.640
<v Speaker 1>as I grew older, I realized that Crampus was not

0:08:04.760 --> 0:08:07.880
<v Speaker 1>real and kept him as a childhood memory, again, same

0:08:07.920 --> 0:08:10.640
<v Speaker 1>as the Easter penny. One thing that came to my

0:08:10.680 --> 0:08:13.000
<v Speaker 1>mind while listening to your podcast is the role that

0:08:13.040 --> 0:08:16.440
<v Speaker 1>the Crampus actors take on. You focused on the effects

0:08:16.440 --> 0:08:18.720
<v Speaker 1>Crampus has on children, but I think it also has

0:08:18.760 --> 0:08:22.280
<v Speaker 1>some effect on the Crampus impersonator. Not having any studies

0:08:22.320 --> 0:08:24.640
<v Speaker 1>to back this up, I believe that Crampus also serves

0:08:24.680 --> 0:08:27.560
<v Speaker 1>as some kind of outlet, a controlled and socially acceptable

0:08:27.560 --> 0:08:30.120
<v Speaker 1>way for grown men to act out violent acts and

0:08:30.240 --> 0:08:32.880
<v Speaker 1>let go of themselves in a cathartic way. I was

0:08:32.920 --> 0:08:35.840
<v Speaker 1>wondering if you came across such an explanation while researching

0:08:35.920 --> 0:08:39.600
<v Speaker 1>Thanks again for your wonderful show. Kind regards Martin, and

0:08:39.679 --> 0:08:42.480
<v Speaker 1>he has a ps but let's talk about what he

0:08:42.559 --> 0:08:44.600
<v Speaker 1>just said before you get to the PSU. Well, that

0:08:44.679 --> 0:08:48.319
<v Speaker 1>didn't come up with respect to anything specifically about crampus,

0:08:48.320 --> 0:08:51.440
<v Speaker 1>but we absolutely have looked at studies before that, at

0:08:51.480 --> 0:08:55.280
<v Speaker 1>least in some cases show that people have UM reduced

0:08:55.280 --> 0:08:58.600
<v Speaker 1>inhibitions when their identity is hidden. So there have been

0:08:58.640 --> 0:09:02.680
<v Speaker 1>like studies, for example, finding that UM people are more

0:09:02.720 --> 0:09:05.640
<v Speaker 1>willing to march around in public with a sign that

0:09:05.760 --> 0:09:09.280
<v Speaker 1>says something embarrassing if their identity is hidden. That's obviously,

0:09:09.320 --> 0:09:12.200
<v Speaker 1>you know, that's not very surprising. But I guess one

0:09:12.240 --> 0:09:14.080
<v Speaker 1>thing that's interesting is they're more willing to do that

0:09:14.160 --> 0:09:16.640
<v Speaker 1>even probably if they're around people that you know, might

0:09:16.640 --> 0:09:20.720
<v Speaker 1>not recognize them personally. There's something about having your identity hidden,

0:09:20.720 --> 0:09:23.959
<v Speaker 1>putting on the mask, putting on the costume that allows

0:09:23.960 --> 0:09:27.120
<v Speaker 1>you to shed some of the normal barriers to behavior

0:09:27.280 --> 0:09:29.520
<v Speaker 1>that that would be inhibiting you. Yeah, and I think

0:09:29.520 --> 0:09:34.160
<v Speaker 1>there's also a link to animism because you see various

0:09:34.160 --> 0:09:39.080
<v Speaker 1>examples of practices around the world in which someone wears

0:09:39.240 --> 0:09:42.560
<v Speaker 1>the fur or the horn, or the skull of or

0:09:42.600 --> 0:09:46.520
<v Speaker 1>even just the the painted or tattoo likeness of the beast,

0:09:46.679 --> 0:09:49.560
<v Speaker 1>and then as a part of a ritual, becomes the

0:09:49.600 --> 0:09:52.400
<v Speaker 1>beast to some extent, and it sort of enables a

0:09:52.559 --> 0:09:57.319
<v Speaker 1>more you know, a wilder acting out. So I think

0:09:57.320 --> 0:10:00.679
<v Speaker 1>there's there's definite connection to that as well in the

0:10:01.240 --> 0:10:04.840
<v Speaker 1>crampus tradition. Yeah, oh yeah, that that putting on the costume.

0:10:04.960 --> 0:10:08.040
<v Speaker 1>It removes, but it also adds, you know, it takes

0:10:08.040 --> 0:10:10.880
<v Speaker 1>away some of your natural personality and inhibitions and it

0:10:10.960 --> 0:10:13.200
<v Speaker 1>adds to you know, you get to take on the

0:10:13.280 --> 0:10:17.880
<v Speaker 1>qualities of this character, right, And it's uh and certainly

0:10:17.920 --> 0:10:19.960
<v Speaker 1>in terms of it being you know, this outlet and

0:10:20.000 --> 0:10:23.959
<v Speaker 1>being a um me, this release valve and to a

0:10:24.000 --> 0:10:26.240
<v Speaker 1>certain extent, well, I mean we also see examples from

0:10:26.320 --> 0:10:27.720
<v Speaker 1>I think even this year there are a couple of

0:10:27.760 --> 0:10:31.400
<v Speaker 1>news stories about some perhaps overly rowdy or even um

0:10:32.080 --> 0:10:36.360
<v Speaker 1>offensive crampas impersonators in a few uh uh cities, and

0:10:36.640 --> 0:10:38.600
<v Speaker 1>I mean that kind of goes, I think to the

0:10:38.679 --> 0:10:41.760
<v Speaker 1>nature of what this is doing. It's it's like having

0:10:41.920 --> 0:10:45.640
<v Speaker 1>an exhaust valve on say, you know, a boiler, right,

0:10:45.679 --> 0:10:48.840
<v Speaker 1>if it's working properly, it's letting just enough steam out

0:10:48.920 --> 0:10:52.080
<v Speaker 1>to keep the tank from exploding, right, But for some

0:10:52.200 --> 0:10:54.760
<v Speaker 1>it could also be like an excuse to be bad, right,

0:10:55.240 --> 0:10:58.880
<v Speaker 1>So it's uh, it's one of those those aspects of

0:10:58.880 --> 0:11:00.960
<v Speaker 1>of culture that I guess you want the balance to

0:11:00.960 --> 0:11:04.280
<v Speaker 1>be just right. You don't want your crampus is rampaging

0:11:04.320 --> 0:11:07.640
<v Speaker 1>through the city actually terrorizing people. But on the other hand,

0:11:08.000 --> 0:11:10.280
<v Speaker 1>if you have a culture without the cramps, if the

0:11:10.320 --> 0:11:13.840
<v Speaker 1>cramp is cannot actually be unleashed at this part of

0:11:13.840 --> 0:11:15.400
<v Speaker 1>the year, then what does that mean You get like

0:11:15.520 --> 0:11:18.600
<v Speaker 1>a little more crampas in every day. That doesn't sound

0:11:18.600 --> 0:11:23.720
<v Speaker 1>good either. Keep crampas and Christmas. There's your bumper sticker. Okay,

0:11:23.720 --> 0:11:25.920
<v Speaker 1>I think maybe we're going to get away from Christmas. No,

0:11:26.280 --> 0:11:28.960
<v Speaker 1>we have one more bit. We have the psorry. So

0:11:29.160 --> 0:11:33.400
<v Speaker 1>Martin also shares this ps if you like weird traditions,

0:11:34.160 --> 0:11:37.640
<v Speaker 1>I bet you're into shopping. That's s h A P

0:11:37.800 --> 0:11:41.280
<v Speaker 1>P e N. It's a custom prevalent in the southern

0:11:41.320 --> 0:11:44.440
<v Speaker 1>parts of Austria where small children go from door to

0:11:44.480 --> 0:11:47.880
<v Speaker 1>door on the December and whip the grown ups buttocks

0:11:47.920 --> 0:11:51.520
<v Speaker 1>with a rod. Good, very good, And he includes a

0:11:51.559 --> 0:11:54.000
<v Speaker 1>link to a Wikipedia page about this, but it is

0:11:54.040 --> 0:11:57.520
<v Speaker 1>a German only page, so it leads me to suspect

0:11:57.640 --> 0:12:02.000
<v Speaker 1>that shopping is not proper really appreciated or known outside

0:12:02.000 --> 0:12:05.120
<v Speaker 1>of uh, you know, German speaking cultures. Oh, this is

0:12:05.160 --> 0:12:07.280
<v Speaker 1>like making the fool of the pope and like the

0:12:07.320 --> 0:12:10.160
<v Speaker 1>boy king stuff, you know. Uh yeah, yeah, yeah, I

0:12:10.200 --> 0:12:12.440
<v Speaker 1>like it. These kind of reversals are good. They should

0:12:12.440 --> 0:12:19.800
<v Speaker 1>definitely involve children inflicting corporal punishment on adults. All right, Okay,

0:12:20.080 --> 0:12:21.840
<v Speaker 1>so now we are going to get away from Christmas

0:12:21.880 --> 0:12:23.760
<v Speaker 1>for a bit, but we'll come back to some holiday

0:12:23.800 --> 0:12:25.959
<v Speaker 1>theme stuff I think later in the episode. So this

0:12:26.000 --> 0:12:30.720
<v Speaker 1>one is in response to the episode we did uh

0:12:30.800 --> 0:12:32.920
<v Speaker 1>I Drink Your Blood Type, where Robert and I were

0:12:32.960 --> 0:12:37.520
<v Speaker 1>talking about uh, vampires and blood types, the real science

0:12:37.520 --> 0:12:40.479
<v Speaker 1>of blood types and pseudoscience about blood types and personality

0:12:40.960 --> 0:12:44.600
<v Speaker 1>and all that. And this comes from Maya. Maya says, hey, guys,

0:12:44.640 --> 0:12:46.560
<v Speaker 1>I love your podcast. I've been listening to it for

0:12:46.600 --> 0:12:49.240
<v Speaker 1>a while now. In October, I listened to your episode

0:12:49.240 --> 0:12:51.960
<v Speaker 1>on vampires and blood types, and I remember you questioning

0:12:52.320 --> 0:12:56.120
<v Speaker 1>why a vampire might ask about recent dental work. This

0:12:56.200 --> 0:12:58.280
<v Speaker 1>came up on some TV show. Oh, this was an

0:12:58.280 --> 0:13:01.920
<v Speaker 1>episode of Tales from the Cryptos. The start believe Malcolm

0:13:01.960 --> 0:13:05.040
<v Speaker 1>McDowell or was it Roddy McDowell, one of the two McDowell's.

0:13:05.080 --> 0:13:07.560
<v Speaker 1>For sure. Um, I thought i'd let you know that

0:13:07.720 --> 0:13:12.120
<v Speaker 1>recent dental work is a risk factor for infective indocarditis,

0:13:12.440 --> 0:13:16.360
<v Speaker 1>where the heart valves become infected. When this happens, little

0:13:16.400 --> 0:13:19.560
<v Speaker 1>flex of bacteria flick off the valves and through the

0:13:19.559 --> 0:13:23.280
<v Speaker 1>blood circulation, which would probably make the blood taste pretty gross,

0:13:23.400 --> 0:13:26.200
<v Speaker 1>even to a vampire. I'm a medical student and it's

0:13:26.200 --> 0:13:29.079
<v Speaker 1>something we've been told in medical school a bunch of times.

0:13:29.120 --> 0:13:32.640
<v Speaker 1>Thanks so much and love the podcast, Maya. That is interesting.

0:13:32.679 --> 0:13:35.000
<v Speaker 1>That gives me a new respect for that episode. Yeah,

0:13:35.120 --> 0:13:38.240
<v Speaker 1>I've I've heard of this before. Yeah, that like dental work.

0:13:38.280 --> 0:13:40.680
<v Speaker 1>I think some stuff from the mouth, I think maybe

0:13:40.679 --> 0:13:42.800
<v Speaker 1>you can get into the blood and then affects the heart.

0:13:43.200 --> 0:13:45.520
<v Speaker 1>So definitely if you're looking for blood to drink, keep

0:13:45.559 --> 0:13:50.800
<v Speaker 1>an eye out for the dental surgery. Alright. This next

0:13:50.800 --> 0:13:54.240
<v Speaker 1>one comes to us from MICHAELA and it is in

0:13:54.480 --> 0:13:57.880
<v Speaker 1>reference to our episode on prototax It t s Hello,

0:13:58.000 --> 0:14:00.679
<v Speaker 1>just listen to your Prototaxid episode. And since you were

0:14:00.679 --> 0:14:04.240
<v Speaker 1>talking about soil structure as well as fun Guy Algae

0:14:04.640 --> 0:14:07.400
<v Speaker 1>Live rewards and liking. I was a little surprised not

0:14:07.480 --> 0:14:10.960
<v Speaker 1>to hear the mention of biocruss. Biocruss being living soil

0:14:11.040 --> 0:14:15.240
<v Speaker 1>aggregates of soil which host communities of mosses, fun guy

0:14:15.400 --> 0:14:20.600
<v Speaker 1>like in ciano bacteria and other organisms, mainly in desert systems.

0:14:20.640 --> 0:14:24.520
<v Speaker 1>They're their own amazing little ecosystems and keep ground from

0:14:24.520 --> 0:14:28.920
<v Speaker 1>blowing away and by creating mats of filamentous ciano bacteria,

0:14:29.240 --> 0:14:32.400
<v Speaker 1>so possibly the ancient world might have been a bit crusty.

0:14:32.960 --> 0:14:36.760
<v Speaker 1>Biocross are super underappreciated except by the people who passionately

0:14:36.800 --> 0:14:40.520
<v Speaker 1>study them, including my master's advisor, who is uh. And

0:14:40.520 --> 0:14:43.880
<v Speaker 1>then there's a Twitter address here. It is at dry

0:14:44.160 --> 0:14:47.520
<v Speaker 1>Land Algae. That's d r y l A n d

0:14:47.600 --> 0:14:51.200
<v Speaker 1>A l g A on Twitter. I thought you guys

0:14:51.360 --> 0:14:54.560
<v Speaker 1>might be interested anyway as a future astrobiologist and lover

0:14:54.600 --> 0:14:58.320
<v Speaker 1>of all things strange. I adore the show Keep It Weird. Michael, Oh,

0:14:58.320 --> 0:15:01.240
<v Speaker 1>that's great, that's in interesting. I didn't know much about that,

0:15:01.320 --> 0:15:06.240
<v Speaker 1>so maybe we'll come back to that. Yeah, absolutely, all right.

0:15:06.280 --> 0:15:08.720
<v Speaker 1>We got one message from Brett. It actually wasn't much

0:15:08.880 --> 0:15:10.840
<v Speaker 1>of a message. It was it seemed to be in

0:15:10.920 --> 0:15:14.240
<v Speaker 1>response to the Monstrosity Cuteness rerun we did and the

0:15:14.360 --> 0:15:18.040
<v Speaker 1>Uncanny Valley rerun we did. Um, it was a link

0:15:18.120 --> 0:15:21.920
<v Speaker 1>to stuff about the new Sonic movie Sonic the Hedgehog,

0:15:22.320 --> 0:15:25.280
<v Speaker 1>where they had to redo the animation on Sonic the

0:15:25.280 --> 0:15:28.480
<v Speaker 1>Hedgehog because when they first released the trailer, people were

0:15:28.560 --> 0:15:31.680
<v Speaker 1>just horrified by the way Sonic looked. And I gotta admit,

0:15:32.280 --> 0:15:34.960
<v Speaker 1>his eyes were small, and he had human teeth, and

0:15:35.000 --> 0:15:38.080
<v Speaker 1>there's something wrong with human teeth on a non human animal.

0:15:39.040 --> 0:15:41.640
<v Speaker 1>It's like that fish that's got teeth that look too human,

0:15:41.720 --> 0:15:45.440
<v Speaker 1>you know, Yeah, yeah, exactly. I mean, I, for one,

0:15:45.480 --> 0:15:47.440
<v Speaker 1>I did I didn't really have a dog in this hunt. Um,

0:15:47.600 --> 0:15:50.560
<v Speaker 1>I can't say it was particularly excited about a Sonic movie.

0:15:50.760 --> 0:15:53.560
<v Speaker 1>I wasn't. I wasn't really turned off by this image.

0:15:53.720 --> 0:15:57.800
<v Speaker 1>And even I will admit that the new version does

0:15:57.920 --> 0:16:00.400
<v Speaker 1>look a lot more like Sonic character that I did

0:16:00.480 --> 0:16:03.600
<v Speaker 1>enjoy playing the Guys Big Guys looks more like the character,

0:16:03.640 --> 0:16:05.440
<v Speaker 1>and I enjoyed the character in the games back then.

0:16:05.520 --> 0:16:08.040
<v Speaker 1>But um, you know, by and large, I feel like

0:16:08.080 --> 0:16:11.040
<v Speaker 1>this is this was the Internet blowing things out of proportion.

0:16:11.320 --> 0:16:13.960
<v Speaker 1>And uh, the Internet is of course the domain of

0:16:14.080 --> 0:16:17.800
<v Speaker 1>dr robotnick. Uh. That is, it's exactly the kind of

0:16:17.840 --> 0:16:21.880
<v Speaker 1>system he would inflict on the world. So, uh, you know,

0:16:21.960 --> 0:16:26.400
<v Speaker 1>I have suspicions about the the ultimate motivations behind the outrage. Here.

0:16:26.840 --> 0:16:28.760
<v Speaker 1>Wait a minute, I'm not sure I understand like you

0:16:28.760 --> 0:16:31.760
<v Speaker 1>think people were not actually horrified by the appearance of

0:16:31.840 --> 0:16:34.400
<v Speaker 1>the original Sonic. I just I don't know. I mean,

0:16:34.440 --> 0:16:36.880
<v Speaker 1>he it doesn't look that weird. I mean, it looks

0:16:36.920 --> 0:16:41.920
<v Speaker 1>like oh man, but the improvement just looks more like

0:16:41.960 --> 0:16:45.000
<v Speaker 1>a cartoon. Uh. Well, I will say the original looks

0:16:45.000 --> 0:16:47.480
<v Speaker 1>more unique. The new one just looks more like every

0:16:47.520 --> 0:16:50.120
<v Speaker 1>other cartoon character. But I guess there's a reason cartoon

0:16:50.240 --> 0:16:53.400
<v Speaker 1>characters look like that. You know, they're they're tailored to

0:16:53.520 --> 0:16:55.920
<v Speaker 1>look kind of like cute and approachable instead of like

0:16:56.320 --> 0:16:59.800
<v Speaker 1>strange and uh and unsettling. Why does it look like

0:17:00.000 --> 0:17:02.560
<v Speaker 1>Sonic is holding the one ring in this photo here? Well,

0:17:02.600 --> 0:17:06.000
<v Speaker 1>I think because Sonic the Hedgehog collects golden rings. Well,

0:17:06.040 --> 0:17:07.679
<v Speaker 1>that's not the one ring. That's only going to get

0:17:07.720 --> 0:17:12.119
<v Speaker 1>him into trouble if he winds up in Middle Earth. Okay,

0:17:12.200 --> 0:17:13.920
<v Speaker 1>let's let's move on to the next thing. We got

0:17:13.920 --> 0:17:17.159
<v Speaker 1>a couple of messages about our ship of theseus uh,

0:17:17.600 --> 0:17:20.320
<v Speaker 1>of all episode. This comes from Brett. I don't think

0:17:20.400 --> 0:17:22.959
<v Speaker 1>it's the same Brett as the other message. Somehow, this

0:17:23.000 --> 0:17:25.000
<v Speaker 1>is Brett who's a chemist. Yeah, this is Brett who's

0:17:25.000 --> 0:17:28.000
<v Speaker 1>a chemist. Brett says, Hello, gentlemen, great episode. Glad you

0:17:28.040 --> 0:17:30.600
<v Speaker 1>looked at the premise from multiple directions. My two cents.

0:17:30.680 --> 0:17:34.479
<v Speaker 1>Being a chemist, I work with very sensitive instrumentation like

0:17:34.520 --> 0:17:37.040
<v Speaker 1>an hp LC. I'm sure you'll look it up if

0:17:37.040 --> 0:17:39.320
<v Speaker 1>you've not heard of it before. Uh. Yeah, it's a

0:17:39.400 --> 0:17:43.360
<v Speaker 1>high performance liquid chromatography machine. It's a method that's used

0:17:43.359 --> 0:17:46.440
<v Speaker 1>to analyze the chemical constituents of a sample. So you

0:17:46.480 --> 0:17:48.520
<v Speaker 1>put in a sample of something, it'll separate out the

0:17:48.600 --> 0:17:50.479
<v Speaker 1>chemicals and tell you how much of each one there

0:17:50.560 --> 0:17:53.760
<v Speaker 1>is and stuff. Uh So, Brett says, Uh. I also

0:17:53.920 --> 0:17:57.960
<v Speaker 1>do maintenance on the instruments I use, being a GMP facility,

0:17:58.000 --> 0:18:00.800
<v Speaker 1>and I think that's good manufacturing practice. Is just like

0:18:00.880 --> 0:18:04.360
<v Speaker 1>having high standards. Uh. Any changes to the instrument must

0:18:04.400 --> 0:18:07.800
<v Speaker 1>be documented and also validated. Well, what do I mean

0:18:07.800 --> 0:18:10.680
<v Speaker 1>by this? We expect the instrument to reproduce the exact

0:18:10.720 --> 0:18:14.040
<v Speaker 1>same results every time we use it. Therefore, any changes

0:18:14.119 --> 0:18:17.640
<v Speaker 1>to the instrument must not affect the instruments performance. Now,

0:18:17.680 --> 0:18:21.800
<v Speaker 1>over the life of an HPLC, capillaries, frits, pumps, etcetera

0:18:21.840 --> 0:18:25.200
<v Speaker 1>do get changed. It is the same instrument, but if

0:18:25.200 --> 0:18:27.439
<v Speaker 1>it does not produce the same results, we have to

0:18:27.480 --> 0:18:30.240
<v Speaker 1>figure out why and make the proper adjustments in order

0:18:30.280 --> 0:18:31.960
<v Speaker 1>to get it back to where it used to be.

0:18:32.400 --> 0:18:34.960
<v Speaker 1>In this sense, the instrument is not the same anymore

0:18:35.040 --> 0:18:38.400
<v Speaker 1>because of its sensitivity, which leads me to ask if

0:18:38.440 --> 0:18:40.960
<v Speaker 1>a ship has been refurbished, So, if you know, you

0:18:41.000 --> 0:18:43.000
<v Speaker 1>go with the original thought experiment and replace all the

0:18:43.000 --> 0:18:46.040
<v Speaker 1>pieces of ship. Is it the idea of what the

0:18:46.080 --> 0:18:50.280
<v Speaker 1>ship has accomplished that we humans hold onto. The ship

0:18:50.400 --> 0:18:53.480
<v Speaker 1>still performs the same task as before, but what it

0:18:53.520 --> 0:18:55.880
<v Speaker 1>has been through is in the mind of those who

0:18:55.880 --> 0:18:58.240
<v Speaker 1>have used it. We could look at a replica of

0:18:58.240 --> 0:19:00.000
<v Speaker 1>the ship, but it would not conjure up the same

0:19:00.000 --> 0:19:02.520
<v Speaker 1>and thoughts and emotions as someone who used it at sea,

0:19:02.640 --> 0:19:05.720
<v Speaker 1>for example. It seems a physical object can change, but

0:19:05.760 --> 0:19:08.840
<v Speaker 1>the perception we cast upon an object can change, leading

0:19:08.880 --> 0:19:12.119
<v Speaker 1>to how stories are told about it. Wondering what you

0:19:12.160 --> 0:19:14.280
<v Speaker 1>think about this and how the human mind likes to

0:19:14.359 --> 0:19:17.679
<v Speaker 1>cast its perceptions into this world to make us feel reality.

0:19:18.040 --> 0:19:20.640
<v Speaker 1>Keep up the good work. Love thinking about new topics.

0:19:20.640 --> 0:19:23.760
<v Speaker 1>Your show introduces Brett Chemist. Oh wow, well, I mean

0:19:23.800 --> 0:19:26.240
<v Speaker 1>Brett really touches that a number of issues related to that.

0:19:26.320 --> 0:19:30.879
<v Speaker 1>I mean, because yeah, the story changes what the thing is,

0:19:31.040 --> 0:19:34.359
<v Speaker 1>and then the thing itself changes if you're refurbishing it.

0:19:34.400 --> 0:19:35.840
<v Speaker 1>I mean, I guess a lot of it kind of

0:19:35.840 --> 0:19:38.760
<v Speaker 1>swirls around the idea that is, humans were often stuck

0:19:38.880 --> 0:19:41.240
<v Speaker 1>on this idea of there being some level of permanency

0:19:41.320 --> 0:19:44.119
<v Speaker 1>about anything like that there is a me that is me,

0:19:44.280 --> 0:19:48.000
<v Speaker 1>and it's consistent. There's a the ship is a ship,

0:19:48.040 --> 0:19:50.359
<v Speaker 1>and it's a constant that this story is constant. This

0:19:50.520 --> 0:19:53.080
<v Speaker 1>belief for an idea that even the truth is a

0:19:53.200 --> 0:19:55.560
<v Speaker 1>is a is a constant thing that does not change

0:19:55.560 --> 0:19:58.400
<v Speaker 1>over time. Well, this is an interesting idea that's being

0:19:58.440 --> 0:20:02.600
<v Speaker 1>introduced here about like the idea of whether something is

0:20:02.680 --> 0:20:07.120
<v Speaker 1>the same instrument actually having like epistemic relevance, Like it

0:20:07.200 --> 0:20:10.080
<v Speaker 1>matters whether or not it was the same instrument for

0:20:10.240 --> 0:20:12.119
<v Speaker 1>whether or not you can count on it to be

0:20:12.200 --> 0:20:15.360
<v Speaker 1>scientifically reliable. Yeah, And in this example, I mean, it's

0:20:15.400 --> 0:20:17.719
<v Speaker 1>easy to make the case because there's a specific thing

0:20:17.800 --> 0:20:20.360
<v Speaker 1>that needs to be done with this device and it's measurable.

0:20:20.640 --> 0:20:22.600
<v Speaker 1>You can you can tell if it's out of whack, right,

0:20:23.200 --> 0:20:25.879
<v Speaker 1>But with the ship, the experience of the ship, the

0:20:25.920 --> 0:20:29.320
<v Speaker 1>thing that the ship does is kind of it's all

0:20:29.359 --> 0:20:30.920
<v Speaker 1>over the place. Yeah. Is it how it makes me?

0:20:31.359 --> 0:20:33.120
<v Speaker 1>It's about how it makes us think about the ship.

0:20:33.160 --> 0:20:35.359
<v Speaker 1>Is it about the stories told about the ship, about

0:20:35.400 --> 0:20:38.680
<v Speaker 1>thinking back about what the ship once did? Um, you

0:20:39.119 --> 0:20:42.640
<v Speaker 1>can't reduce that to a numerical value. I will say

0:20:42.640 --> 0:20:44.879
<v Speaker 1>that one idea that comes to mind here, and this

0:20:44.920 --> 0:20:46.600
<v Speaker 1>is because you and I were talking about Star Wars

0:20:46.640 --> 0:20:48.920
<v Speaker 1>before we came in here is the idea of the

0:20:48.920 --> 0:20:52.040
<v Speaker 1>original Star Wars trilogy and the you know, of course,

0:20:52.080 --> 0:20:55.320
<v Speaker 1>George Lucas famously came back and refurbished parts of it,

0:20:55.800 --> 0:20:57.960
<v Speaker 1>the parts of the furbish. Yeah, as if they were

0:20:58.080 --> 0:21:00.240
<v Speaker 1>you know, there's the ship of theseus and of the

0:21:00.280 --> 0:21:03.560
<v Speaker 1>boards were a little, by some people's estimates, a little

0:21:04.040 --> 0:21:06.480
<v Speaker 1>out of date and needed to be replaced, and thus

0:21:06.520 --> 0:21:09.240
<v Speaker 1>we had c g I elements added in or other

0:21:09.720 --> 0:21:13.000
<v Speaker 1>slight changes. And from their point of view at the time,

0:21:13.080 --> 0:21:15.240
<v Speaker 1>you know, we're just we're making the ship seaworthy, we're

0:21:15.280 --> 0:21:17.879
<v Speaker 1>keeping it from sinking. But for the most of the

0:21:17.880 --> 0:21:20.479
<v Speaker 1>rest office. We're like, no, that is not that's not

0:21:20.560 --> 0:21:22.920
<v Speaker 1>the ship we fell in love with. You're changing the ship.

0:21:23.160 --> 0:21:25.800
<v Speaker 1>The problem is people have been enjoying this perfectly well

0:21:25.840 --> 0:21:27.560
<v Speaker 1>the way it is. We've got to go in there

0:21:27.560 --> 0:21:29.760
<v Speaker 1>and add a bunch of stuff for the new era. Yeah,

0:21:29.800 --> 0:21:32.040
<v Speaker 1>So in that I think that example would be hold

0:21:32.119 --> 0:21:34.160
<v Speaker 1>up to a certain extent with what he's talking about here.

0:21:34.359 --> 0:21:37.280
<v Speaker 1>If you changed the ship in a way, you change

0:21:37.359 --> 0:21:41.879
<v Speaker 1>the film in a way that it altered the effect

0:21:42.200 --> 0:21:46.520
<v Speaker 1>of experiencing it, You altered the thing that it does. Yeah. Now, this,

0:21:46.640 --> 0:21:49.120
<v Speaker 1>of course, when it comes to works of art like film,

0:21:49.200 --> 0:21:52.119
<v Speaker 1>this becomes more difficult when you start thinking about like, uh,

0:21:52.520 --> 0:21:55.560
<v Speaker 1>preservation type efforts, Like you know, say, if you've got

0:21:55.600 --> 0:21:58.439
<v Speaker 1>like old or damaged pieces of film and that's the

0:21:58.440 --> 0:22:01.360
<v Speaker 1>only copy you have, like, uh, you know, they're they're

0:22:01.400 --> 0:22:04.159
<v Speaker 1>obviously big questions about that, like should you know, should

0:22:04.160 --> 0:22:07.080
<v Speaker 1>you leave it as the damaged version, or like to

0:22:07.359 --> 0:22:10.359
<v Speaker 1>what extents, to what lengths should you go in trying

0:22:10.400 --> 0:22:14.119
<v Speaker 1>to quote restore it? I mean, what what is the

0:22:14.160 --> 0:22:16.840
<v Speaker 1>film at this point? Is that the are you trying

0:22:16.840 --> 0:22:19.679
<v Speaker 1>to get it too? As close to what the people

0:22:20.119 --> 0:22:23.400
<v Speaker 1>at the premiere of the film saw as possible or

0:22:23.480 --> 0:22:26.080
<v Speaker 1>something like that, or do you have another goal in mind? Yeah,

0:22:26.119 --> 0:22:28.119
<v Speaker 1>I mean in many cases when you're when you're dealing

0:22:28.119 --> 0:22:30.760
<v Speaker 1>with with folks who grew up in the age of VHS,

0:22:30.800 --> 0:22:32.520
<v Speaker 1>that's where we saw the film for the first time.

0:22:32.720 --> 0:22:34.320
<v Speaker 1>You know, maybe you saw it on the big screen,

0:22:34.359 --> 0:22:37.200
<v Speaker 1>but in many cases you saw it on VHS format,

0:22:37.240 --> 0:22:39.359
<v Speaker 1>on a on a TV that was maybe not all

0:22:39.400 --> 0:22:42.360
<v Speaker 1>that great. And and I mean that's why so many

0:22:42.359 --> 0:22:46.320
<v Speaker 1>people are nostalgic for the VHS era and for VHS effects,

0:22:46.320 --> 0:22:49.400
<v Speaker 1>and why you still have hardcore VHS enthusiasts who still

0:22:49.480 --> 0:22:53.760
<v Speaker 1>utilize VHS technology to watch their films. Why some releases

0:22:53.800 --> 0:22:57.200
<v Speaker 1>will put it out on VHS as well to uh,

0:22:57.200 --> 0:22:59.760
<v Speaker 1>you know, to to to meet that fan base. Oh yeah,

0:23:00.160 --> 0:23:02.760
<v Speaker 1>I'm also thinking about special effects that don't stand up

0:23:02.760 --> 0:23:05.159
<v Speaker 1>super well to high definition, but they look great on

0:23:05.240 --> 0:23:08.159
<v Speaker 1>you know, the crappy old version of the movie. Alright,

0:23:08.160 --> 0:23:09.760
<v Speaker 1>on that note, we're gonna take a quick break, but

0:23:09.800 --> 0:23:14.199
<v Speaker 1>we'll be right back. Thank thank you, thank you. All Right,

0:23:14.240 --> 0:23:18.080
<v Speaker 1>we're back. So this next one comes to us from

0:23:18.160 --> 0:23:22.600
<v Speaker 1>Landon responding to our Cars, Bodies and Minds episode an

0:23:22.600 --> 0:23:25.600
<v Speaker 1>Automotive episode that we put out in October, which we

0:23:25.720 --> 0:23:27.560
<v Speaker 1>did try and tie in a little bit to Halloween.

0:23:27.720 --> 0:23:29.720
<v Speaker 1>But but it was a really fun episode to do

0:23:29.720 --> 0:23:32.240
<v Speaker 1>because we're talking about what is it what changes about

0:23:32.240 --> 0:23:34.439
<v Speaker 1>the human experience when we're inside of a car, What

0:23:34.560 --> 0:23:38.600
<v Speaker 1>is the psychological effect of driving? Um et cetera. So

0:23:38.720 --> 0:23:41.480
<v Speaker 1>landon Riotson and says hello, I really enjoyed this episode

0:23:41.520 --> 0:23:44.600
<v Speaker 1>as I have had a similar theory about riding lawnmowers.

0:23:45.040 --> 0:23:47.600
<v Speaker 1>I worked at a landscaping and lawn maintenance company for

0:23:47.640 --> 0:23:51.520
<v Speaker 1>many years. We use both walk behind lawnmowers as well

0:23:51.560 --> 0:23:53.920
<v Speaker 1>as the ride on type. A couple of the ride

0:23:53.920 --> 0:23:56.840
<v Speaker 1>on mowers are rather large. I started to notice that

0:23:56.920 --> 0:24:00.040
<v Speaker 1>my fellow employees would drive them off of curbs and

0:24:00.160 --> 0:24:04.200
<v Speaker 1>over trash, even run over rocks. They would not do

0:24:04.280 --> 0:24:07.119
<v Speaker 1>this if they were pushing a mower. It made me

0:24:07.240 --> 0:24:09.680
<v Speaker 1>think that when they are on the bigger machines, they

0:24:09.840 --> 0:24:13.520
<v Speaker 1>feel bigger or maybe more powerful or entitled, as if

0:24:13.520 --> 0:24:15.359
<v Speaker 1>it does not matter what is in the path of

0:24:15.440 --> 0:24:18.760
<v Speaker 1>this giant mower because it's so powerful. I definitely think

0:24:18.800 --> 0:24:20.879
<v Speaker 1>there is something to that. The bigger the vehicle, the

0:24:20.920 --> 0:24:24.040
<v Speaker 1>bigger the bravado. If you can imagine us lowly lawn

0:24:24.119 --> 0:24:27.840
<v Speaker 1>maintenance workers with bravado. Thanks as always, Landing. There's nothing

0:24:27.880 --> 0:24:31.240
<v Speaker 1>lowly about lawn maintenance. I mean that's real work, that's essential.

0:24:31.359 --> 0:24:33.639
<v Speaker 1>But I know what you mean about like like the

0:24:33.720 --> 0:24:36.919
<v Speaker 1>size of the mower and all that, Like, um, I

0:24:36.960 --> 0:24:39.520
<v Speaker 1>feel like the most attuned I've ever been to what's

0:24:39.520 --> 0:24:41.120
<v Speaker 1>in front of my mower is when I was using

0:24:41.119 --> 0:24:44.280
<v Speaker 1>a non motorized push mower. Do you ever use one

0:24:44.320 --> 0:24:49.800
<v Speaker 1>of those? Are already just um my grandfather's at some point, Yeah,

0:24:49.840 --> 0:24:51.159
<v Speaker 1>but I think that was the extent of it. I

0:24:51.240 --> 0:24:54.639
<v Speaker 1>used one for a few years. It is not the easiest. Yeah,

0:24:54.760 --> 0:24:56.560
<v Speaker 1>I want to say I wrote a house stuff Works

0:24:56.640 --> 0:24:59.800
<v Speaker 1>article about the push lawn mower, But maybe I'm mistaking

0:24:59.800 --> 0:25:03.240
<v Speaker 1>their neat gadgets, like there's something attractive about them. But

0:25:03.280 --> 0:25:04.800
<v Speaker 1>I feel like it's a step up there to the

0:25:04.840 --> 0:25:08.600
<v Speaker 1>push motorized one, where you're more indestructible, and then yeah,

0:25:08.680 --> 0:25:10.959
<v Speaker 1>once you get on the seated one, you're just you know,

0:25:11.080 --> 0:25:14.840
<v Speaker 1>you're you are a tank. I felt entirely destructible every

0:25:14.840 --> 0:25:17.720
<v Speaker 1>time I used to push lawnmower, because generally all I

0:25:17.720 --> 0:25:21.280
<v Speaker 1>could imagine is slipping on wet, freshly cut grass and

0:25:22.240 --> 0:25:25.000
<v Speaker 1>going under it. Yeah, yeah, Like I was sure, like

0:25:25.040 --> 0:25:26.760
<v Speaker 1>that's how I'm gonna go. I'm gonna That's how I'm

0:25:26.760 --> 0:25:29.359
<v Speaker 1>gonna die out in the middle of of my parents yard.

0:25:29.680 --> 0:25:32.160
<v Speaker 1>I know that feel like under a lawn Moore. But

0:25:32.200 --> 0:25:35.000
<v Speaker 1>then yeah, I I only ever did the one type

0:25:35.000 --> 0:25:38.480
<v Speaker 1>of of seated lawnmower, and you know, that did feel

0:25:38.520 --> 0:25:40.760
<v Speaker 1>kind of powerful to a certain extent. You're roaring through

0:25:40.800 --> 0:25:45.920
<v Speaker 1>the lawn, the grass is disappearing underneath you and being

0:25:45.920 --> 0:25:49.600
<v Speaker 1>sliced away. You're leaving this nice slick path of clean

0:25:49.680 --> 0:25:51.879
<v Speaker 1>grass behind you. It makes me wonder how different it

0:25:51.960 --> 0:25:53.960
<v Speaker 1>is to use even like the next level up, like

0:25:54.119 --> 0:25:56.960
<v Speaker 1>you're driving a big combine harvester, you know. Yeah, And

0:25:56.960 --> 0:26:01.000
<v Speaker 1>this this also makes me wonder about even larger vehicle. Obviously,

0:26:01.000 --> 0:26:05.000
<v Speaker 1>we have listeners out there who drive large trucks for

0:26:05.040 --> 0:26:07.040
<v Speaker 1>a living. We've heard from some of you like like,

0:26:07.160 --> 0:26:09.359
<v Speaker 1>what's that, Like, what's that experience? Do you feel like

0:26:09.359 --> 0:26:13.159
<v Speaker 1>you're you have an enormous on unbeatable body. Has anyone

0:26:13.200 --> 0:26:17.520
<v Speaker 1>out there ever uh driven a tank? Uh? Now, I

0:26:17.560 --> 0:26:19.840
<v Speaker 1>want to know how the scales at every level. Likewise,

0:26:20.080 --> 0:26:22.520
<v Speaker 1>maybe you're you're a shriner and you drive the little

0:26:22.600 --> 0:26:25.159
<v Speaker 1>uh what is it the little tricycle thing in the

0:26:25.440 --> 0:26:28.240
<v Speaker 1>parade or some of those like microcars or something. What's

0:26:28.320 --> 0:26:31.520
<v Speaker 1>that like? A go kard enthusiasts, Let me know, I

0:26:32.359 --> 0:26:35.240
<v Speaker 1>maybe you know. It's a different experience at every possible

0:26:35.320 --> 0:26:38.440
<v Speaker 1>level up until the ultimate vehicle transcendence, which is driving

0:26:38.480 --> 0:26:45.160
<v Speaker 1>the doofwagon of course. Alright, so we got a couple

0:26:45.200 --> 0:26:48.720
<v Speaker 1>of messages related to our Devour of Memories podcasts that

0:26:48.760 --> 0:26:53.080
<v Speaker 1>we did about a planaria and the research of James McConnell,

0:26:53.200 --> 0:26:56.679
<v Speaker 1>the idea of memories existing outside the brain, whether or

0:26:56.680 --> 0:26:59.080
<v Speaker 1>not there's anything to that, the recent research on that.

0:26:59.720 --> 0:27:02.200
<v Speaker 1>First of all, so in that episode we talked about

0:27:02.280 --> 0:27:05.360
<v Speaker 1>James McConnell, who was born in a town in Oklahoma,

0:27:05.400 --> 0:27:07.359
<v Speaker 1>and then we heard from Jill, who lives in the

0:27:07.400 --> 0:27:10.520
<v Speaker 1>same town where James McConnell was born. Uh, and she

0:27:10.680 --> 0:27:13.680
<v Speaker 1>gently corrects our pronunciation of the town name. I think

0:27:13.680 --> 0:27:16.959
<v Speaker 1>I said oak Mulji. It's apparently oak mule Gie with

0:27:17.000 --> 0:27:20.320
<v Speaker 1>a hard g she said, she cringed. But a lot

0:27:20.359 --> 0:27:22.520
<v Speaker 1>of other very nice things about the podcast. But we

0:27:22.600 --> 0:27:26.080
<v Speaker 1>also heard from Jim who says, hi, guys, since discovering

0:27:26.119 --> 0:27:28.560
<v Speaker 1>your podcast about a year ago, I've not only become

0:27:28.560 --> 0:27:31.240
<v Speaker 1>a devout listener, but I've devoured your whole back catalog,

0:27:31.359 --> 0:27:34.399
<v Speaker 1>mostly in the gym, the shower, and sometimes pretending to work.

0:27:34.920 --> 0:27:37.360
<v Speaker 1>I typically try and then give up on several new

0:27:37.400 --> 0:27:39.840
<v Speaker 1>podcasts per month, and I've found no other podcasts like

0:27:39.880 --> 0:27:42.960
<v Speaker 1>Stuff to Blow Your Mind and Invention that combined scientific

0:27:43.040 --> 0:27:46.000
<v Speaker 1>and philosophical inquiry with history and pop culture with an

0:27:46.119 --> 0:27:49.359
<v Speaker 1>entertaining and comedic vibe. I especially love the science fiction

0:27:49.440 --> 0:27:52.040
<v Speaker 1>tie ins. Based on his references, I suspect Robert and

0:27:52.080 --> 0:27:54.880
<v Speaker 1>I were probably watching reruns of The Twilight Zone late

0:27:55.000 --> 0:27:57.320
<v Speaker 1>night on uh FF and later cable with a bowl

0:27:57.320 --> 0:28:00.480
<v Speaker 1>of Sereal simultaneously in different cities throughout the seventies and

0:28:00.520 --> 0:28:03.040
<v Speaker 1>early eighties. Oh yeah, that would that would be. He

0:28:03.320 --> 0:28:05.399
<v Speaker 1>was maybe a little bit ahead of me, but but

0:28:05.600 --> 0:28:07.440
<v Speaker 1>very much on the same path. Anyway, I wanted to

0:28:07.480 --> 0:28:10.439
<v Speaker 1>write here with some additional information regarding your recent Devour

0:28:10.520 --> 0:28:13.639
<v Speaker 1>of Memories episode. As you discussed James McConnell and the

0:28:13.760 --> 0:28:16.720
<v Speaker 1>unfortunate attack on him by the UNI bomber ted Kazinski,

0:28:17.000 --> 0:28:19.280
<v Speaker 1>I was literally on the edge of my seat expecting

0:28:19.320 --> 0:28:22.400
<v Speaker 1>you to mention another of the UNI bombers serendipitous brushes

0:28:22.400 --> 0:28:25.360
<v Speaker 1>with history, one that may have originally led him down

0:28:25.359 --> 0:28:29.440
<v Speaker 1>his path of violent rebellion against academia, psychology, and technology,

0:28:30.119 --> 0:28:32.600
<v Speaker 1>as has been documented, and then he links to an

0:28:32.680 --> 0:28:35.360
<v Speaker 1>article in the Atlantic. While a student at Harvard, Ted

0:28:35.440 --> 0:28:38.760
<v Speaker 1>Kazinski was himself a victim of a series of brutal, cruel,

0:28:38.800 --> 0:28:43.280
<v Speaker 1>and unethical psychological experiments conducted by Henry A. Murray on

0:28:43.320 --> 0:28:47.000
<v Speaker 1>a group of twenty two undergraduates without their consent or knowledge.

0:28:47.280 --> 0:28:51.440
<v Speaker 1>Murray's experiments used, in his own words, quote, vehemence, sweeping,

0:28:51.480 --> 0:28:56.160
<v Speaker 1>and personally abusive attacks to study how people react under stress.

0:28:56.480 --> 0:28:59.920
<v Speaker 1>In one particularly vile experiment, Murray asked students to write

0:29:00.000 --> 0:29:03.280
<v Speaker 1>about their biggest fear or secret, assuring the students that

0:29:03.320 --> 0:29:05.960
<v Speaker 1>their essays would be confidential, only to read them out

0:29:06.000 --> 0:29:09.160
<v Speaker 1>in front of the entire class. Kazinski was one of

0:29:09.160 --> 0:29:13.120
<v Speaker 1>the students thus humiliated. Well, no one can defend Kazinski's

0:29:13.160 --> 0:29:16.200
<v Speaker 1>use of violence. It seems plausible that this experience at Harvard,

0:29:16.200 --> 0:29:18.600
<v Speaker 1>in addition to the issues you highlighted in your podcast,

0:29:18.920 --> 0:29:22.560
<v Speaker 1>contributed to his selection of a prominent behaviorist like James McConnell.

0:29:22.640 --> 0:29:25.320
<v Speaker 1>Is a victim Anyway, that's it for now. Love the

0:29:25.320 --> 0:29:29.200
<v Speaker 1>show and keep dropping those Twilight Zone references. Oh excellent. Yeah, well,

0:29:29.240 --> 0:29:32.960
<v Speaker 1>hopefully we'll we'll be back with more Twilight Zone related

0:29:33.000 --> 0:29:37.160
<v Speaker 1>episodes when October comes around totally. Maybe we'll do only

0:29:37.400 --> 0:29:44.400
<v Speaker 1>political Twilight Zone episodes. Oh no, what oh no over October. Wow,

0:29:44.440 --> 0:29:47.200
<v Speaker 1>that's going to be a rough time. But anyway, back

0:29:47.200 --> 0:29:50.239
<v Speaker 1>to Jim's main point here, Yeah, I I uh, I

0:29:50.280 --> 0:29:53.200
<v Speaker 1>was not familiar with it, with that aspect of Kazenski's

0:29:53.280 --> 0:29:59.120
<v Speaker 1>Kazinski's background. Um, but but that's that's worth thinking about. Yeah. Yeah,

0:29:59.160 --> 0:30:02.400
<v Speaker 1>and again just to echo what Jim saying here. Obviously,

0:30:02.640 --> 0:30:05.280
<v Speaker 1>stuff like that, you know, doesn't excuse resorting to murder

0:30:05.360 --> 0:30:07.120
<v Speaker 1>or everything like that, but yeah, it doesn't make you

0:30:07.160 --> 0:30:10.880
<v Speaker 1>wonder about, you know, what kinds of stuff contributed to

0:30:10.920 --> 0:30:16.000
<v Speaker 1>his mind state. Yeah, all right. We heard from some

0:30:16.040 --> 0:30:19.640
<v Speaker 1>folks on our episode Psychology of Architecture, and this one

0:30:19.680 --> 0:30:23.520
<v Speaker 1>comes to us from Jonas. Greetings, I really enjoyed your

0:30:23.520 --> 0:30:26.200
<v Speaker 1>episode on architecture. I work in the trades and come

0:30:26.240 --> 0:30:29.120
<v Speaker 1>in contact with a lot of different buildings and architecture styles.

0:30:29.480 --> 0:30:32.200
<v Speaker 1>One thing I have noticed is the underlying feeling towards

0:30:32.240 --> 0:30:35.560
<v Speaker 1>placement of various parts of buildings. For example, doors and

0:30:35.600 --> 0:30:38.640
<v Speaker 1>windows are never placed close together nor close to the

0:30:38.640 --> 0:30:41.600
<v Speaker 1>corner of a room or building, and doing so somehow

0:30:41.680 --> 0:30:45.200
<v Speaker 1>feels looks wrong. This goes for many other things, light

0:30:45.280 --> 0:30:48.840
<v Speaker 1>fixtures off center, and a ceiling a desk play strangely

0:30:48.880 --> 0:30:51.480
<v Speaker 1>in an office, a certain amount of wall between the

0:30:51.520 --> 0:30:54.640
<v Speaker 1>door and ceiling, etcetera. It is as though humans have

0:30:54.760 --> 0:30:58.400
<v Speaker 1>a very strong subconscious preference for certain symmetries and ratios

0:30:58.400 --> 0:31:01.120
<v Speaker 1>in their environment. This site coology seems to play out

0:31:01.160 --> 0:31:03.640
<v Speaker 1>at both the micro and macro level, and things that

0:31:03.680 --> 0:31:08.040
<v Speaker 1>do not abide this can result in cursed architecture. Many

0:31:08.080 --> 0:31:11.120
<v Speaker 1>thanks for the excellent podcast, Jonas. Ps. After listening to

0:31:11.200 --> 0:31:13.640
<v Speaker 1>the squirrel episodes, I have decided to include them in

0:31:13.680 --> 0:31:16.760
<v Speaker 1>my next D and D campaign. Oh nice, Yeah, so

0:31:16.960 --> 0:31:19.120
<v Speaker 1>I certainly love that. I mean so many directions you

0:31:19.120 --> 0:31:21.680
<v Speaker 1>could go with that. You could basically take cranial rats

0:31:21.960 --> 0:31:25.240
<v Speaker 1>and do cranial squirrels instead. What are cranial rats? Cranial

0:31:25.320 --> 0:31:29.480
<v Speaker 1>rats are rats used by the elithid mind flairs, and

0:31:29.560 --> 0:31:32.240
<v Speaker 1>so like one of these rats has the intellect and

0:31:32.280 --> 0:31:35.040
<v Speaker 1>psychic ability of a normal rat, which of course is

0:31:35.080 --> 0:31:37.840
<v Speaker 1>you know, rat like intelligence and no psychic ability, but

0:31:37.960 --> 0:31:41.560
<v Speaker 1>too they have the combined intellect of the rats, and

0:31:41.600 --> 0:31:43.360
<v Speaker 1>so you get a big pile of them, a big

0:31:43.400 --> 0:31:46.400
<v Speaker 1>horde of them, and they have, you know, considerable intellect

0:31:46.400 --> 0:31:49.880
<v Speaker 1>and considerable psionic power. So they they're pretty fun, pretty

0:31:49.880 --> 0:31:54.040
<v Speaker 1>fun monster. How many cranial rats equal a demagargon in intelligence? Oh?

0:31:54.120 --> 0:31:55.680
<v Speaker 1>I would I would have to do the math on that,

0:31:55.760 --> 0:32:00.320
<v Speaker 1>but it would take a lot. All right. This next saidge,

0:32:00.400 --> 0:32:04.480
<v Speaker 1>also about a psychology of architecture, comes from Bruce Breese says, Hello, mates,

0:32:04.920 --> 0:32:07.120
<v Speaker 1>I'm a massive fan first of all, listening to the

0:32:07.120 --> 0:32:09.760
<v Speaker 1>episode on psychology of architecture. Just a thought of a

0:32:09.800 --> 0:32:12.600
<v Speaker 1>personal example. My wife and I first lived in a

0:32:12.680 --> 0:32:15.480
<v Speaker 1>black and white ultra modern home, a home where a

0:32:15.520 --> 0:32:18.600
<v Speaker 1>speck of dirt on the ground was almost blinder. We

0:32:18.680 --> 0:32:22.160
<v Speaker 1>found ourselves vacuuming and mopping daily. For our second home,

0:32:22.200 --> 0:32:25.480
<v Speaker 1>we moved into an older house, mostly timber. I immediately

0:32:25.560 --> 0:32:28.680
<v Speaker 1>noticed we stopped cleaning as often, mostly because the house

0:32:28.720 --> 0:32:31.680
<v Speaker 1>simply didn't look as dirty. This gave us more time

0:32:31.720 --> 0:32:36.320
<v Speaker 1>to relax and spend with the family. Bruce, Wow, Uh, yeah, Well,

0:32:36.320 --> 0:32:37.880
<v Speaker 1>I mean that's like they you know, they say don't

0:32:37.880 --> 0:32:40.400
<v Speaker 1>get a black couch, right, because you'll see all of

0:32:40.480 --> 0:32:44.240
<v Speaker 1>the stuff collecting on it. Yeah yeah, likewise a white couch,

0:32:44.280 --> 0:32:46.200
<v Speaker 1>I guess right. Oh yeah, maybe I think you want

0:32:46.280 --> 0:32:49.000
<v Speaker 1>you want like a textured gray or something and makes

0:32:49.000 --> 0:32:50.880
<v Speaker 1>it nice for all the dirt to just hide in

0:32:50.920 --> 0:32:52.480
<v Speaker 1>there and you don't need to worry about it. Or

0:32:52.600 --> 0:32:55.200
<v Speaker 1>my own experience from a house I lived in growing up.

0:32:55.720 --> 0:32:58.720
<v Speaker 1>Don't have wall to wall white carpeting in a bathroom?

0:32:59.040 --> 0:33:02.960
<v Speaker 1>Oh did we talk about carpeted bathroom? I think this

0:33:03.000 --> 0:33:06.320
<v Speaker 1>probably has come up anytime bad carpeting choices come up.

0:33:06.320 --> 0:33:08.040
<v Speaker 1>I have to share this because it was wall to

0:33:08.120 --> 0:33:12.840
<v Speaker 1>wall and like wall to toilet white carpet in a bathroom.

0:33:12.960 --> 0:33:19.320
<v Speaker 1>It was. It was awful. It was also a rental alright.

0:33:19.360 --> 0:33:21.440
<v Speaker 1>So we mentioned Twilight Zone earlier than had to do

0:33:21.440 --> 0:33:24.200
<v Speaker 1>with our anthology of horror episodes. We've done three of

0:33:24.240 --> 0:33:28.600
<v Speaker 1>them now, one the previous year and then two uh

0:33:28.760 --> 0:33:33.760
<v Speaker 1>parts of two and three in so this one here's

0:33:33.760 --> 0:33:36.520
<v Speaker 1>one in particular though this comes to us from Kelsey.

0:33:37.040 --> 0:33:39.640
<v Speaker 1>Kelsey writes, I'm late to this party, but I just

0:33:39.720 --> 0:33:42.080
<v Speaker 1>now listen to the horror anthology episodes of stuff to

0:33:42.080 --> 0:33:45.080
<v Speaker 1>boil your mind. I foolishly had skipped them, Uh, skipped

0:33:45.080 --> 0:33:47.040
<v Speaker 1>over them earlier in the month, in favor of topics

0:33:47.080 --> 0:33:50.240
<v Speaker 1>more familiar to me. Very foolish. And I had a

0:33:50.280 --> 0:33:53.240
<v Speaker 1>thought about your questions of the elf years on the

0:33:53.360 --> 0:33:56.360
<v Speaker 1>large headed evolved human. Oh yeah, we were asking what

0:33:56.520 --> 0:34:00.200
<v Speaker 1>could what could actually drive the evolution of elf shaped ears? Right,

0:34:00.240 --> 0:34:02.880
<v Speaker 1>because in this it's the sixth finger is the title

0:34:02.880 --> 0:34:07.080
<v Speaker 1>of the Outer Limits episode in question, And the individual

0:34:07.240 --> 0:34:11.800
<v Speaker 1>has had his evolution advanced by some sci fi machinery,

0:34:12.080 --> 0:34:15.000
<v Speaker 1>so he develops a sixth finger on each hand. Uh,

0:34:15.040 --> 0:34:18.680
<v Speaker 1>you know, I guess for improved typing, gets an enormous

0:34:18.680 --> 0:34:21.600
<v Speaker 1>swollen brain, which is supposed to be there because he

0:34:21.640 --> 0:34:24.920
<v Speaker 1>has enhanced brain power and like psychic abilities. But then

0:34:24.960 --> 0:34:29.160
<v Speaker 1>he also has eleven ears, which we kind of dismissed

0:34:29.160 --> 0:34:32.239
<v Speaker 1>as being, you know, purely aesthetic, essentially to create an

0:34:32.239 --> 0:34:37.040
<v Speaker 1>Elvin maybe vulcan look right anyway. Kelsey has thoughts on

0:34:37.080 --> 0:34:40.759
<v Speaker 1>this quote. Typically in animals, large ears are used for

0:34:40.800 --> 0:34:44.279
<v Speaker 1>cooling the body and hot environments. Environment doesn't seem to

0:34:44.280 --> 0:34:47.120
<v Speaker 1>be a factor here unless this evolved human also pressage

0:34:47.120 --> 0:34:51.520
<v Speaker 1>global warming in its predetermined path of refinement. But Perhaps

0:34:51.560 --> 0:34:55.200
<v Speaker 1>the issue is the oversized brain. Pumping so much blood

0:34:55.280 --> 0:34:58.680
<v Speaker 1>upwards would be quite taxing and thus cause an elevated

0:34:58.719 --> 0:35:02.120
<v Speaker 1>heart rate, which in urn would elevate body temperature, no

0:35:02.239 --> 0:35:05.759
<v Speaker 1>good for optimal brain function. Also, the enlarged cranium would

0:35:05.800 --> 0:35:09.160
<v Speaker 1>suffer from the issues associated with mass and surface area

0:35:09.239 --> 0:35:12.360
<v Speaker 1>not increasing at the same rate, causing heat to be

0:35:12.480 --> 0:35:16.040
<v Speaker 1>more and more difficult to disperse from the body. Thus,

0:35:16.080 --> 0:35:19.440
<v Speaker 1>the elephant ears provide the extra surface area needed for

0:35:19.520 --> 0:35:23.759
<v Speaker 1>optimal cooling in the human of the future. Yes, I'm

0:35:23.760 --> 0:35:25.719
<v Speaker 1>aware that all of this is nonsense, but it was

0:35:25.760 --> 0:35:29.759
<v Speaker 1>amusing to pseudoscience my way through that. On a more

0:35:29.840 --> 0:35:31.480
<v Speaker 1>general note, just wanted to say that I'm a new

0:35:31.520 --> 0:35:33.600
<v Speaker 1>listener to Stuff to Blow your mind by way of invention,

0:35:34.200 --> 0:35:37.000
<v Speaker 1>and I really enjoy both podcasts. I can't tell you

0:35:37.040 --> 0:35:39.759
<v Speaker 1>how much I appreciate the thoughtful and sensitive way you

0:35:39.800 --> 0:35:43.759
<v Speaker 1>approach all of your subjects. Kind regards Kelsey, uh No,

0:35:43.880 --> 0:35:46.560
<v Speaker 1>I love that this. I mean this, uh. This exercise

0:35:46.680 --> 0:35:48.760
<v Speaker 1>is the same exercise we employ a lot of times

0:35:48.800 --> 0:35:52.359
<v Speaker 1>when thinking about uh. Generally, you know of fantastic and

0:35:52.480 --> 0:35:56.000
<v Speaker 1>mythical and science fiction creatures from cinema and books, and

0:35:56.000 --> 0:35:59.560
<v Speaker 1>so forth so, um so, yeah, I love that interpretation.

0:35:59.800 --> 0:36:01.520
<v Speaker 1>Um and it does also make me want to do

0:36:02.080 --> 0:36:04.680
<v Speaker 1>We've never really done an episode on ears before. That

0:36:04.719 --> 0:36:08.440
<v Speaker 1>could be quite interesting, just talk about like how hearing works,

0:36:08.480 --> 0:36:12.239
<v Speaker 1>how you know, biological hearing, you know works itself. But

0:36:12.280 --> 0:36:15.120
<v Speaker 1>then also get into the various forms of ear and

0:36:15.200 --> 0:36:17.200
<v Speaker 1>even the human ear. Why does it look like that?

0:36:17.320 --> 0:36:20.239
<v Speaker 1>Why why do we have this strange shape? What's the

0:36:20.280 --> 0:36:23.040
<v Speaker 1>lobe for? What does that accomplish? And then why does

0:36:23.160 --> 0:36:25.960
<v Speaker 1>ear why why do we have ear hair? Like? All

0:36:25.960 --> 0:36:28.680
<v Speaker 1>of these are questions, many of them have answers. It

0:36:28.760 --> 0:36:30.680
<v Speaker 1>would be exactly the kind of thing that would make

0:36:30.719 --> 0:36:32.640
<v Speaker 1>sense to discuss here on the show. We have ear

0:36:32.680 --> 0:36:36.360
<v Speaker 1>hair because it's awesome, and it all depends to what

0:36:36.480 --> 0:36:38.800
<v Speaker 1>which which ear hair A you're talking about the inner

0:36:38.800 --> 0:36:41.680
<v Speaker 1>ear hair or the hair growing on like the lobes

0:36:42.000 --> 0:36:45.759
<v Speaker 1>itself like pokes out of the ears. Yeah. Yeah, it's

0:36:45.760 --> 0:36:50.680
<v Speaker 1>got to be sexual signaling to attract mates. Right, That's

0:36:50.719 --> 0:36:52.719
<v Speaker 1>that's one theory. All Right, we need to take a

0:36:52.800 --> 0:37:01.560
<v Speaker 1>quick break. We'll be right back with more. All right,

0:37:01.640 --> 0:37:03.719
<v Speaker 1>we're back and uh and and Joe, is it is

0:37:03.760 --> 0:37:06.080
<v Speaker 1>it just because we're just we're recording this the week

0:37:06.120 --> 0:37:09.040
<v Speaker 1>before Christmas. But do I hear holiday music? Oh? You do?

0:37:09.239 --> 0:37:12.360
<v Speaker 1>We got so much email about our Christmas music episode.

0:37:12.400 --> 0:37:14.600
<v Speaker 1>People just want to talk about it. I guess the

0:37:14.640 --> 0:37:18.399
<v Speaker 1>bells are ringing, the children are singing, and people are

0:37:18.400 --> 0:37:24.000
<v Speaker 1>sending email. So this first one comes to us from Cecile.

0:37:24.440 --> 0:37:27.640
<v Speaker 1>Cecil says good day, Robert and Joe. This is Cecil

0:37:27.760 --> 0:37:31.160
<v Speaker 1>from Manila, the Philippines. Here in our country, the Christmas

0:37:31.200 --> 0:37:35.040
<v Speaker 1>songs start playing and Christmas decorations start appearing as soon

0:37:35.080 --> 0:37:38.640
<v Speaker 1>as the first dash b e er month arrives, which

0:37:38.680 --> 0:37:42.920
<v Speaker 1>is September. No one knows when and how this tradition started,

0:37:42.960 --> 0:37:45.720
<v Speaker 1>though Searching online brought up this article with some good insight,

0:37:46.120 --> 0:37:49.560
<v Speaker 1>and she links to an NPR article called Love the Holidays.

0:37:49.640 --> 0:37:54.960
<v Speaker 1>The Philippines celebrates four months of Christmas. Uh. We have

0:37:55.040 --> 0:37:57.799
<v Speaker 1>our own Christmas earworm in the song Christmas in Our

0:37:57.840 --> 0:38:01.719
<v Speaker 1>Hearts by local artist jose Marie Chan. Imagine hearing a

0:38:01.760 --> 0:38:04.719
<v Speaker 1>song played incessantly, if not in your own house, from

0:38:04.719 --> 0:38:07.879
<v Speaker 1>a neighbor's house, in malls, restaurants, and even public transportation

0:38:07.920 --> 0:38:10.920
<v Speaker 1>for around four months, as well as being a karaoke

0:38:11.280 --> 0:38:15.160
<v Speaker 1>UH staple at Christmas parties. Here's the singer serenading mall

0:38:15.239 --> 0:38:18.560
<v Speaker 1>goers last year, and then another link here. Luckily, I

0:38:18.600 --> 0:38:20.680
<v Speaker 1>was able to convince my father to put up Christmas

0:38:20.760 --> 0:38:23.120
<v Speaker 1>lights and play Christmas songs in our house only at

0:38:23.160 --> 0:38:26.600
<v Speaker 1>the start of December. Wishing you a I apologize. I'm

0:38:26.600 --> 0:38:30.759
<v Speaker 1>gonna try to say this Mala guyang pasco at Manigong

0:38:30.920 --> 0:38:37.319
<v Speaker 1>Bagong Tawun or town, Merry Christmas and a prosperous New Year. Cecile. Well,

0:38:37.360 --> 0:38:40.000
<v Speaker 1>that is interesting. It does make me wonder does that

0:38:40.040 --> 0:38:42.640
<v Speaker 1>mean there's no Halloween in the Philippines. I don't know.

0:38:43.840 --> 0:38:47.799
<v Speaker 1>I need a I mean, Hallow Halloween is obviously not worldwide. Yeah,

0:38:47.880 --> 0:38:51.560
<v Speaker 1>it's true, and I know it's you know, obviously it's

0:38:51.560 --> 0:38:53.840
<v Speaker 1>celebrated to different extents in different parts of the world.

0:38:53.840 --> 0:38:57.680
<v Speaker 1>And I seem to recall that um in Japanese culture,

0:38:57.719 --> 0:39:01.399
<v Speaker 1>Halloween has been embraced to some extent, but I've never

0:39:01.600 --> 0:39:05.239
<v Speaker 1>thought about to what extend it's uh practiced in the Philippines.

0:39:05.239 --> 0:39:08.200
<v Speaker 1>I need it. I I have friends of Philippine descent.

0:39:08.280 --> 0:39:12.160
<v Speaker 1>I need to ask them. Still, I would on the surface,

0:39:12.160 --> 0:39:14.880
<v Speaker 1>I would agree that four months of Christmas does sound

0:39:14.960 --> 0:39:17.120
<v Speaker 1>like a little much like I say, I'm trying to.

0:39:17.160 --> 0:39:19.239
<v Speaker 1>I'm trying to lean into the holidays this year, but

0:39:20.320 --> 0:39:21.960
<v Speaker 1>that's I don't know if I can lean in that far.

0:39:22.160 --> 0:39:24.360
<v Speaker 1>You know, every culture has their own It's like, you know,

0:39:24.440 --> 0:39:27.040
<v Speaker 1>some cultures are into into my Fiji and other people

0:39:27.320 --> 0:39:30.840
<v Speaker 1>other cultures are not. You just gotta get used to it. Yeah, yeah,

0:39:31.360 --> 0:39:34.560
<v Speaker 1>uh well I'm either way. I'm excited to hear more about,

0:39:34.840 --> 0:39:38.640
<v Speaker 1>you know, the varieties of of holiday experience around the world.

0:39:40.600 --> 0:39:43.879
<v Speaker 1>All right, here's another Christmas music bit of listener mail

0:39:43.920 --> 0:39:46.319
<v Speaker 1>Listen comes to us from Sarah, Dear, Robert, and Joe.

0:39:46.400 --> 0:39:48.520
<v Speaker 1>First of all, this is one of my favorite podcasts,

0:39:48.560 --> 0:39:50.920
<v Speaker 1>so thanks for making it. I just finished listening to

0:39:50.960 --> 0:39:53.120
<v Speaker 1>your latest episode, and I thought there was an important

0:39:53.160 --> 0:39:56.319
<v Speaker 1>perspective which was missing in the discussion. As a practicing Jew,

0:39:56.400 --> 0:39:59.120
<v Speaker 1>being inundated with Christmas music serves to make me really

0:39:59.160 --> 0:40:01.719
<v Speaker 1>feel my other us at this time of year, I

0:40:01.920 --> 0:40:04.480
<v Speaker 1>and many of my friends find going to such places

0:40:04.520 --> 0:40:07.400
<v Speaker 1>to be both unpleasant and depressing, and a few stores

0:40:07.400 --> 0:40:10.080
<v Speaker 1>which throw in a token Hanukah song or two earn

0:40:10.160 --> 0:40:14.320
<v Speaker 1>both my undying loyalty and my dollars. Not everyone celebrates Christmas,

0:40:14.320 --> 0:40:17.440
<v Speaker 1>and I have often wondered at the blinders of marketers

0:40:17.640 --> 0:40:20.000
<v Speaker 1>who think that all shoppers can be wooed this way,

0:40:20.080 --> 0:40:23.760
<v Speaker 1>especially places like grocery stores, which are patronized by folks

0:40:23.760 --> 0:40:27.400
<v Speaker 1>who are looking for normal fare rather than presents. Thanks

0:40:27.400 --> 0:40:31.120
<v Speaker 1>again for your great show regards, Sarah. Yeah, I think

0:40:31.120 --> 0:40:33.200
<v Speaker 1>this is this is an excellent point to make, um

0:40:33.440 --> 0:40:36.279
<v Speaker 1>one that at least I did try to touch on

0:40:36.320 --> 0:40:38.840
<v Speaker 1>this a little bit. Uh. I thought it came up

0:40:38.880 --> 0:40:40.640
<v Speaker 1>a little bit because we talked about the idea of

0:40:40.680 --> 0:40:44.400
<v Speaker 1>like again not comparing like annoying Christmas music to actual

0:40:44.480 --> 0:40:46.719
<v Speaker 1>torture in a significant way, but like, one of the

0:40:46.719 --> 0:40:50.600
<v Speaker 1>things we talked about was like when detainees are blasted

0:40:50.600 --> 0:40:53.520
<v Speaker 1>with music to kind of like break them for interrogation,

0:40:53.920 --> 0:40:58.759
<v Speaker 1>it often intentionally is like culturally unfamiliar music. And so

0:40:58.840 --> 0:41:02.040
<v Speaker 1>what could be geographically culturally unfamiliar could also just be

0:41:02.120 --> 0:41:05.279
<v Speaker 1>like in terms of subculture or religious culture unfamiliar, you know,

0:41:05.320 --> 0:41:09.400
<v Speaker 1>the the music of the other culture. Yeah, yeah, absolutely.

0:41:10.080 --> 0:41:13.400
<v Speaker 1>But I also I will admit that in discussing that

0:41:13.440 --> 0:41:18.359
<v Speaker 1>particular episode especially, I did get an autobiographical a lot,

0:41:18.400 --> 0:41:20.319
<v Speaker 1>and I guess I was considering sort of my own

0:41:20.920 --> 0:41:23.880
<v Speaker 1>stare down with Christmas to a certain extent, which you know,

0:41:24.719 --> 0:41:27.440
<v Speaker 1>for me, it's like Christmas is kind of like this, Um,

0:41:27.840 --> 0:41:31.040
<v Speaker 1>it's like this. Uh it's what is the big tractor

0:41:31.080 --> 0:41:33.919
<v Speaker 1>trailer rig from maximum Overdrive with the with the green

0:41:33.960 --> 0:41:35.560
<v Speaker 1>goblin on the front. I don't know if I had

0:41:35.600 --> 0:41:37.560
<v Speaker 1>a name, but it was it was a goblin like

0:41:37.600 --> 0:41:40.040
<v Speaker 1>that's Christmas, just Christmas hat on it and it's coming

0:41:40.080 --> 0:41:42.359
<v Speaker 1>at you and then you have to react and figure

0:41:42.400 --> 0:41:45.640
<v Speaker 1>out how you're going to take it. Uh So yeah,

0:41:45.680 --> 0:41:48.080
<v Speaker 1>I was probably I probably did lean a bit into

0:41:48.320 --> 0:41:51.880
<v Speaker 1>just thinking about my own relationship with the holiday, with

0:41:51.920 --> 0:41:54.440
<v Speaker 1>the various you know, biases they are going to be

0:41:54.480 --> 0:41:57.319
<v Speaker 1>present to that, but it is it is essential to

0:41:57.320 --> 0:42:00.480
<v Speaker 1>to realize, Yeah, not everybody has the same uh you know,

0:42:00.560 --> 0:42:05.600
<v Speaker 1>cultural experience of the holidays, certainly of Christmas and uh

0:42:05.680 --> 0:42:09.360
<v Speaker 1>and yeah, when you think of of the marketing techniques

0:42:09.440 --> 0:42:12.319
<v Speaker 1>used by something like something like a grocery store, it

0:42:12.360 --> 0:42:14.239
<v Speaker 1>does get get kind of weird, right. I Mean it's

0:42:14.239 --> 0:42:16.240
<v Speaker 1>like people where they're just they want to buy bread,

0:42:16.680 --> 0:42:19.200
<v Speaker 1>they want to buy rice, they want to buy vegetables,

0:42:19.600 --> 0:42:21.879
<v Speaker 1>and they have to listen to jingle bells the whole time.

0:42:22.040 --> 0:42:24.239
<v Speaker 1>I will say, ever, since we did this episode, I

0:42:24.280 --> 0:42:27.560
<v Speaker 1>have actually noticed even more than usual when when in

0:42:27.560 --> 0:42:31.080
<v Speaker 1>which stores are playing Christmas music. And yeah, I'm kind

0:42:31.120 --> 0:42:33.759
<v Speaker 1>of surprised that it happens in grocery stores and stuff.

0:42:33.800 --> 0:42:36.280
<v Speaker 1>I would expect it to be more common in stores

0:42:36.360 --> 0:42:39.160
<v Speaker 1>where you might reasonably be expected to be buying something

0:42:39.200 --> 0:42:42.480
<v Speaker 1>like Christmas gifts. It's strange to go into Kroger or

0:42:42.560 --> 0:42:46.360
<v Speaker 1>Publix or whatever and hear the Christmas music playing. But yeah,

0:42:46.400 --> 0:42:49.359
<v Speaker 1>I guess that's where we're at. But anyway, Yeah, very

0:42:49.400 --> 0:42:51.880
<v Speaker 1>important perspective, Sarah, and thank you so much for sharing.

0:42:53.960 --> 0:42:57.040
<v Speaker 1>All right, This message comes from Michelle. Michelle says, do

0:42:57.200 --> 0:42:59.719
<v Speaker 1>Robert and Joe. I really enjoyed the recent episode on

0:43:00.000 --> 0:43:02.840
<v Speaker 1>of hate relationship with Christmas music. I am an amateur

0:43:02.840 --> 0:43:06.200
<v Speaker 1>classical bassist, and I've been playing in school or community

0:43:06.280 --> 0:43:09.760
<v Speaker 1>orchestras for over thirty years. This means, subjectively, I believe

0:43:09.800 --> 0:43:13.280
<v Speaker 1>I've played at least parts of The Nutcracker approximately eighteen

0:43:13.320 --> 0:43:16.880
<v Speaker 1>million times. I'm sure the actual number is only in

0:43:16.920 --> 0:43:19.480
<v Speaker 1>the hundreds, but it feels like much much more, and

0:43:19.719 --> 0:43:22.759
<v Speaker 1>the hundreds is a lot. I find that my tolerance

0:43:22.800 --> 0:43:25.720
<v Speaker 1>for this music depends largely on the context. I enjoy

0:43:25.840 --> 0:43:28.360
<v Speaker 1>playing it. I love sitting in in a ballet with

0:43:28.400 --> 0:43:31.040
<v Speaker 1>a live orchestra hearing it, but listening to it on

0:43:31.080 --> 0:43:33.800
<v Speaker 1>commercials around the radio makes me in vision swatting the

0:43:33.840 --> 0:43:36.880
<v Speaker 1>sugar plum ferry with a rolled up newspaper. To me,

0:43:37.080 --> 0:43:40.680
<v Speaker 1>the greatest Christmas music offense on commercials is not playing

0:43:40.719 --> 0:43:43.920
<v Speaker 1>the whole song, or at least whole versus so that

0:43:43.960 --> 0:43:46.080
<v Speaker 1>I can mentally finish it and get it out of

0:43:46.120 --> 0:43:49.080
<v Speaker 1>my head. There's currently a car commercial that plays the

0:43:49.120 --> 0:43:52.040
<v Speaker 1>same two measures of a song over and over without

0:43:52.080 --> 0:43:55.960
<v Speaker 1>finishing the phrase. He causes physical discomfort and anxiety, and

0:43:56.000 --> 0:43:58.120
<v Speaker 1>I have to turn the channel or mute the TV.

0:43:58.600 --> 0:44:01.480
<v Speaker 1>I also wanted to thank you fortifying my squirrel phobia.

0:44:01.800 --> 0:44:03.640
<v Speaker 1>There used to be a squirrel near you. No, we're

0:44:03.680 --> 0:44:06.680
<v Speaker 1>not trying to justify phobia. I hope we can do. Okay.

0:44:06.960 --> 0:44:12.279
<v Speaker 1>We we seek to justify a healthy respect and and

0:44:12.320 --> 0:44:15.320
<v Speaker 1>maybe to a certain extent, fear of close contact with

0:44:15.360 --> 0:44:18.640
<v Speaker 1>the squirrel. Fear that is more like awe, yeah, yeah,

0:44:18.840 --> 0:44:21.840
<v Speaker 1>the consideration of the squirrel as indeed a wild creature,

0:44:22.080 --> 0:44:25.480
<v Speaker 1>the way you would react to a sandworm from dune. Uh.

0:44:25.760 --> 0:44:28.000
<v Speaker 1>Michelle goes on there used to be a squirrel near

0:44:28.040 --> 0:44:29.680
<v Speaker 1>my house that would come up to the window and

0:44:29.760 --> 0:44:32.640
<v Speaker 1>torment my indoor cat, or would chase me when I

0:44:32.680 --> 0:44:36.920
<v Speaker 1>walked to my car, and would dive bomb neighbors from trees. Wow,

0:44:37.400 --> 0:44:39.640
<v Speaker 1>I'm glad I wasn't the only one seeing their true

0:44:39.680 --> 0:44:42.600
<v Speaker 1>evil nature. Now again, they're not evil, They're just animals.

0:44:42.640 --> 0:44:47.160
<v Speaker 1>But they don't you know, don't underestimate them. That squirrel sound,

0:44:47.239 --> 0:44:50.680
<v Speaker 1>that sounds excessive though, even what we're looking at, like,

0:44:50.719 --> 0:44:54.680
<v Speaker 1>perhaps that's a squirrel that somebody was feeding, and you

0:44:54.719 --> 0:44:56.360
<v Speaker 1>know that, because this is one of the dangers of

0:44:56.400 --> 0:44:59.960
<v Speaker 1>feeding any wild animal is that it changes it's it's

0:45:00.239 --> 0:45:05.400
<v Speaker 1>like natural inborn association of human beings and human habitats

0:45:05.400 --> 0:45:07.680
<v Speaker 1>and so forth. It begins to associate them with food,

0:45:08.120 --> 0:45:10.880
<v Speaker 1>and then it might be inclined to to violate the

0:45:11.200 --> 0:45:15.680
<v Speaker 1>sort of predetermined safe space between you and itself. Uh So,

0:45:15.719 --> 0:45:18.719
<v Speaker 1>I my, you know, just shooting from the hip here,

0:45:18.719 --> 0:45:20.920
<v Speaker 1>But I wonder if that was a squirrel that had

0:45:20.960 --> 0:45:27.640
<v Speaker 1>been essentially mistreated through feeding. That's a good point. Uh yeah,

0:45:27.680 --> 0:45:30.279
<v Speaker 1>So just a good reminder for everyone out there, do

0:45:30.320 --> 0:45:34.440
<v Speaker 1>not feed wild animals like that. I mean, I mean,

0:45:34.440 --> 0:45:36.160
<v Speaker 1>you might not be able to stop them from getting

0:45:36.160 --> 0:45:38.120
<v Speaker 1>into your meal worms or whatever. Right, Yeah, I mean

0:45:38.120 --> 0:45:40.920
<v Speaker 1>well feeding, it's one thing of the squirrel is eating

0:45:41.000 --> 0:45:43.719
<v Speaker 1>from your bird feeder. If the squirrel is eating from

0:45:43.760 --> 0:45:46.799
<v Speaker 1>your hand, then things have gone too far. Michelle goes

0:45:46.840 --> 0:45:49.120
<v Speaker 1>on going back even further. I wanted to let you

0:45:49.120 --> 0:45:51.920
<v Speaker 1>know how perfectly the timing of your January episode on

0:45:52.000 --> 0:45:55.520
<v Speaker 1>creating the World's Most Unpleasant Room fit into my life.

0:45:55.840 --> 0:45:58.160
<v Speaker 1>It was exactly the episode I needed at a very

0:45:58.160 --> 0:46:01.279
<v Speaker 1>stressful time. I was listening to that episode along with

0:46:01.320 --> 0:46:04.120
<v Speaker 1>several others. It was a long few days while trying

0:46:04.160 --> 0:46:06.759
<v Speaker 1>to make my house as completely perfect as possible for

0:46:06.880 --> 0:46:10.000
<v Speaker 1>my first social worker visit for my adoption home study.

0:46:10.960 --> 0:46:14.280
<v Speaker 1>I know from experience that that can be very stressful. Yeah. Yeah,

0:46:14.400 --> 0:46:16.719
<v Speaker 1>it made me realize how ridiculous I was being in

0:46:16.760 --> 0:46:19.439
<v Speaker 1>my cleaning frenzy. Your show has been a saving grace

0:46:19.480 --> 0:46:21.359
<v Speaker 1>when I get too much in my own head with

0:46:21.400 --> 0:46:23.279
<v Speaker 1>all the ups and downs that go along with the

0:46:23.320 --> 0:46:26.360
<v Speaker 1>adoption process as I wait for a match. Thank you

0:46:26.400 --> 0:46:29.640
<v Speaker 1>so much. Keep the great episodes coming, Michelle. Yeah, well,

0:46:29.680 --> 0:46:31.560
<v Speaker 1>thanks for writing in and best of luck with your

0:46:31.560 --> 0:46:34.759
<v Speaker 1>adoption journey. Absolutely. Oh wait, no, I forgot. Michelle also

0:46:34.800 --> 0:46:37.560
<v Speaker 1>has a ps oh, let's have it. I have had

0:46:37.920 --> 0:46:40.640
<v Speaker 1>simply having a wonderful Christmas time stuck in my head

0:46:40.760 --> 0:46:44.120
<v Speaker 1>all evening just that one line. Don't actually know the

0:46:44.160 --> 0:46:46.439
<v Speaker 1>rest of the song. I'm off to listen to any

0:46:46.480 --> 0:46:48.799
<v Speaker 1>other song to try to get that particular worm out

0:46:48.800 --> 0:46:50.839
<v Speaker 1>of my ear. Well, best of luck with that too,

0:46:50.840 --> 0:46:52.759
<v Speaker 1>I hope it worked out. Yeah, that's your favorite, right,

0:46:52.800 --> 0:46:55.480
<v Speaker 1>That is the worst of all time. In addition to

0:46:55.520 --> 0:46:59.239
<v Speaker 1>the cultural chauvinism of Christmas music, sometimes there is some

0:46:59.320 --> 0:47:03.600
<v Speaker 1>geograph cold Christmas chauvinism as well. UH. That was mentioned

0:47:03.600 --> 0:47:06.840
<v Speaker 1>by several listeners, Like we had several uh people from

0:47:06.880 --> 0:47:09.279
<v Speaker 1>like Australia and New Zealand get in touch with us

0:47:09.280 --> 0:47:12.520
<v Speaker 1>about Christmas music. About the fact that lots of Christmas

0:47:12.600 --> 0:47:15.680
<v Speaker 1>music mentioned snow. It's all about winter time and stuff.

0:47:15.680 --> 0:47:17.960
<v Speaker 1>But if you're in Australia, Christmas is in the middle

0:47:17.960 --> 0:47:21.160
<v Speaker 1>of the summer because the seasons are inverted the southern hemisphere.

0:47:23.200 --> 0:47:26.359
<v Speaker 1>That's right. We heard from an about this, She writes, High,

0:47:26.400 --> 0:47:28.919
<v Speaker 1>Robert and Joe recently listened to your episode about Christmas music.

0:47:28.960 --> 0:47:31.440
<v Speaker 1>You asked for emails from people from other countries and

0:47:31.480 --> 0:47:33.839
<v Speaker 1>people who are subjected to Christmas music. I fit into

0:47:33.880 --> 0:47:36.239
<v Speaker 1>both of these categories. I live in Australia and I

0:47:36.280 --> 0:47:39.320
<v Speaker 1>work in a supermarket. The thing about in Australian Christmas

0:47:39.520 --> 0:47:41.440
<v Speaker 1>is it is very hot right now. We're in the

0:47:41.480 --> 0:47:44.800
<v Speaker 1>middle of a terrible drought and there are catastrophic fire conditions.

0:47:44.960 --> 0:47:47.560
<v Speaker 1>Brush fires have devastated different parts of the country over

0:47:47.600 --> 0:47:50.440
<v Speaker 1>the past few weeks. The annoying thing is retail stores

0:47:50.520 --> 0:47:53.800
<v Speaker 1>will still play songs like Winter Wonderland or let It Snow.

0:47:54.320 --> 0:47:57.640
<v Speaker 1>These seem highly inappropriate, but it is just all part

0:47:57.640 --> 0:48:01.319
<v Speaker 1>of the tradition. In response to this, there there are

0:48:01.360 --> 0:48:04.600
<v Speaker 1>some Awese Christmas songs. Most of them are really annoying

0:48:04.680 --> 0:48:08.200
<v Speaker 1>Awese versions of Christmas carols, but there are a few exceptions.

0:48:08.520 --> 0:48:11.080
<v Speaker 1>One of my favorite is how to Make Gravy by

0:48:11.120 --> 0:48:13.960
<v Speaker 1>Paul Kelly. Okay, this is a song written as a

0:48:14.000 --> 0:48:16.880
<v Speaker 1>man who is in jail at Christmas time. He is

0:48:16.920 --> 0:48:19.680
<v Speaker 1>the one who usually makes the gravy. He is calling

0:48:19.719 --> 0:48:22.160
<v Speaker 1>his brother to get advice on how to make it.

0:48:22.400 --> 0:48:24.680
<v Speaker 1>What he is really calling about is to say how

0:48:24.760 --> 0:48:28.919
<v Speaker 1>much he will miss his family and that he is sorry. Well,

0:48:28.960 --> 0:48:30.760
<v Speaker 1>that makes me think of one of my favorite Christmas

0:48:30.800 --> 0:48:34.600
<v Speaker 1>songs actually Christmas in Prison by John Priyan. It's beautiful. Oh,

0:48:34.680 --> 0:48:37.000
<v Speaker 1>I remember phil Oaks had one called they Don't Have

0:48:37.080 --> 0:48:42.040
<v Speaker 1>Christmas in Kentucky. It was about, you know, impoverished conditions

0:48:42.080 --> 0:48:46.120
<v Speaker 1>and whatnot. Um. You know a good like a good

0:48:46.160 --> 0:48:50.200
<v Speaker 1>sad Christmas song? That's a long way, doesn't it? Um? Anyway?

0:48:50.239 --> 0:48:53.319
<v Speaker 1>Anna continues. Another Christmas song I like is by an

0:48:53.400 --> 0:48:57.920
<v Speaker 1>artist called Darren Handlin. He has a song called The Loaf.

0:48:58.440 --> 0:49:00.759
<v Speaker 1>This is about a family preparing for a Christmas. The

0:49:00.800 --> 0:49:04.040
<v Speaker 1>eldest boy has just been dumped. He spends time crying

0:49:04.520 --> 0:49:07.200
<v Speaker 1>and his family makes fun of him, saying tears will

0:49:07.239 --> 0:49:11.160
<v Speaker 1>never bring her back. It's cold. Yeah. A loaf of

0:49:11.200 --> 0:49:13.960
<v Speaker 1>bread has been put in the oven. During the night,

0:49:14.000 --> 0:49:16.400
<v Speaker 1>the boy creeps in and throws all his love letters

0:49:16.400 --> 0:49:18.840
<v Speaker 1>into the oven so they will all burn up in

0:49:18.880 --> 0:49:21.280
<v Speaker 1>the morning. The loaf is huge, but when they pierce

0:49:21.320 --> 0:49:23.360
<v Speaker 1>it with a knife, all his words explode out and

0:49:23.400 --> 0:49:26.560
<v Speaker 1>the family is killed by exploding bread. What now? That

0:49:26.719 --> 0:49:28.799
<v Speaker 1>is a song that you will never hear in any

0:49:28.880 --> 0:49:32.280
<v Speaker 1>retail setting. It is really about the power of words.

0:49:32.800 --> 0:49:36.680
<v Speaker 1>Thanks and Mary Xmas. Anna. I've never heard the Loaf,

0:49:36.760 --> 0:49:38.680
<v Speaker 1>but I got to look that up right now? That

0:49:38.840 --> 0:49:42.120
<v Speaker 1>is so good? Yeah? How long before that becomes a standard?

0:49:42.760 --> 0:49:45.520
<v Speaker 1>Hopefully soon? In googling it, all I'm getting is meat

0:49:45.560 --> 0:49:50.400
<v Speaker 1>Loaf singing Christmas Thilms songs. Oh, not quite the same thing, So,

0:49:50.520 --> 0:49:53.959
<v Speaker 1>I though it depends. Um, did Jim work on those

0:49:54.200 --> 0:49:58.200
<v Speaker 1>those songs? Stan, No, they're not. I mean they're Christmas songs?

0:49:59.120 --> 0:50:03.520
<v Speaker 1>You mean, like where they Jim Steinman original that I into?

0:50:05.320 --> 0:50:07.400
<v Speaker 1>You had that kind of like, uh, you know, the

0:50:07.440 --> 0:50:11.880
<v Speaker 1>sort of gothic uh, sleazy biker vampire feel that a

0:50:11.920 --> 0:50:16.319
<v Speaker 1>proper a song from that collaboration should have. Sorry, I'm

0:50:16.320 --> 0:50:19.000
<v Speaker 1>trying to think of a good Jim Steinman type song title.

0:50:19.040 --> 0:50:22.720
<v Speaker 1>It would be something like baby, it's not Christmas yet parentheses,

0:50:23.360 --> 0:50:28.440
<v Speaker 1>but it's the New Year. Yeah, it makes you think, Yeah,

0:50:28.680 --> 0:50:30.960
<v Speaker 1>I like it. I would be I would be into that.

0:50:31.520 --> 0:50:33.719
<v Speaker 1>All right. When we're gonna go ahead and close up

0:50:33.719 --> 0:50:37.640
<v Speaker 1>the bag there, we're gonna send Carney back on his

0:50:37.640 --> 0:50:42.239
<v Speaker 1>his his his boxing way and we will uh yeah,

0:50:42.239 --> 0:50:45.080
<v Speaker 1>we'll close out the episode here. In the meantime, if

0:50:45.120 --> 0:50:47.360
<v Speaker 1>you want to check out other episodes of Stuff to

0:50:47.360 --> 0:50:49.320
<v Speaker 1>Blow Your Mind, well, you can go to Stuff to

0:50:49.320 --> 0:50:51.239
<v Speaker 1>Blow Your Mind dot com. That'll get you where you

0:50:51.360 --> 0:50:53.400
<v Speaker 1>you need to go. But you can find the podcast

0:50:53.480 --> 0:50:56.160
<v Speaker 1>anywhere you get your podcast wherever that happens to be.

0:50:56.680 --> 0:50:58.960
<v Speaker 1>Just make sure that you subscribe, make sure that you

0:50:59.080 --> 0:51:01.000
<v Speaker 1>rate and review. These are great ways to help out

0:51:01.040 --> 0:51:04.480
<v Speaker 1>the show. Let's see other things. There is a merch store. Well,

0:51:04.520 --> 0:51:07.200
<v Speaker 1>we've got some new designs coming up. There's the recent

0:51:07.840 --> 0:51:11.960
<v Speaker 1>uh monster map uh T shirt design and I believe

0:51:12.120 --> 0:51:17.800
<v Speaker 1>we have a psychedelic mushroom inspired logo design coming out soon.

0:51:17.880 --> 0:51:19.879
<v Speaker 1>Maybe by the time you hear this, it will be out.

0:51:20.200 --> 0:51:22.239
<v Speaker 1>It's like the stuff to blow your mind glyph but

0:51:22.360 --> 0:51:26.120
<v Speaker 1>in prehistoric fungus. Yeah, they sent us a preliminary illustration.

0:51:26.160 --> 0:51:28.440
<v Speaker 1>I said, it looks good, but could we make it

0:51:28.520 --> 0:51:31.319
<v Speaker 1>look more like a black light poster? And uh and

0:51:31.320 --> 0:51:33.279
<v Speaker 1>and I think that that really brought it in the

0:51:33.360 --> 0:51:36.399
<v Speaker 1>right direction. Uh. So you know, check that out and

0:51:36.520 --> 0:51:38.239
<v Speaker 1>see what I'm talking about. I can only describe the

0:51:38.320 --> 0:51:42.600
<v Speaker 1>visuals so well. Other shows you can check out. There

0:51:42.719 --> 0:51:45.800
<v Speaker 1>is the second oil Age, a little sci fi horror

0:51:45.840 --> 0:51:48.360
<v Speaker 1>thing that a work done. That one is out in

0:51:48.400 --> 0:51:51.640
<v Speaker 1>its entirety now, so you can just binge the whole thing. Invention.

0:51:51.840 --> 0:51:54.560
<v Speaker 1>Our other podcasts that Joe and I do together. Uh.

0:51:54.680 --> 0:51:57.560
<v Speaker 1>We finished the first year of Invention episodes and you

0:51:57.560 --> 0:51:59.560
<v Speaker 1>can find them all at invention pod dot com or

0:51:59.600 --> 0:52:03.440
<v Speaker 1>where every you get your podcasts rate review subscribe to

0:52:03.480 --> 0:52:05.359
<v Speaker 1>that as well, because if you like what we're doing here,

0:52:05.560 --> 0:52:08.520
<v Speaker 1>but we think you'll enjoy Invention as well. Huge thanks

0:52:08.560 --> 0:52:12.040
<v Speaker 1>as always to our excellent audio producer Seth Nicholas Johnson.

0:52:12.360 --> 0:52:13.799
<v Speaker 1>If you would like to get in touch with us

0:52:13.800 --> 0:52:16.200
<v Speaker 1>with feedback on this episode or any other, to suggest

0:52:16.280 --> 0:52:18.600
<v Speaker 1>topic for the future, or just to say hi, you

0:52:18.640 --> 0:52:21.799
<v Speaker 1>can email us at contact at stuff to Blow your

0:52:21.840 --> 0:52:31.480
<v Speaker 1>Mind dot com. Stuff to Blow Your Mind is a

0:52:31.480 --> 0:52:34.240
<v Speaker 1>production of iHeart Radio's How Stuff Works. For more podcasts

0:52:34.239 --> 0:52:36.200
<v Speaker 1>from my heart Radio is at the iHeart Radio app,

0:52:36.360 --> 0:52:48.040
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.

0:52:41.280 --> 0:52:44.080
<v Speaker 1>Bid