1 00:00:01,600 --> 00:00:04,840 Speaker 1: Hi, I'm buzznight, and welcome back to another highlight from 2 00:00:04,880 --> 00:00:08,400 Speaker 1: our top five of twenty twenty five. Countdown here on 3 00:00:08,440 --> 00:00:11,520 Speaker 1: the Taken a Walk podcast to look at music history, 4 00:00:11,880 --> 00:00:16,560 Speaker 1: now coming in at number three. This episode ran in 5 00:00:16,880 --> 00:00:22,560 Speaker 1: early February and it's an absolutely unforgettable conversation with Michael 6 00:00:22,800 --> 00:00:27,520 Speaker 1: and Tanya Trotter of The Warren Treaty. This episode captured 7 00:00:27,640 --> 00:00:30,720 Speaker 1: lightning in a bottle as we explored the remarkable journey 8 00:00:30,760 --> 00:00:35,000 Speaker 1: of this husband and wife duo who've been redefining Americana 9 00:00:35,120 --> 00:00:40,160 Speaker 1: music with their powerful blend of soul, gospel, and roots music. 10 00:00:40,720 --> 00:00:44,640 Speaker 1: From Michael's experiences as an Army veteran to their breakthrough 11 00:00:44,680 --> 00:00:49,159 Speaker 1: performances that have captivated audiences from the Grand Old Opry 12 00:00:49,479 --> 00:00:53,400 Speaker 1: to NPR's Tiny Desk, the war In Treaty story is 13 00:00:53,440 --> 00:00:58,560 Speaker 1: one of resilience, love, and the transformative power of music. 14 00:00:58,920 --> 00:01:03,680 Speaker 1: Their Grammy nominade and collaborations with icons like Brandy Carlyle 15 00:01:03,880 --> 00:01:06,959 Speaker 1: have cemented their place as one of the most compelling 16 00:01:07,120 --> 00:01:11,199 Speaker 1: acts in contemporary music. It's number three on the Top 17 00:01:11,319 --> 00:01:15,880 Speaker 1: five of twenty twenty five The war Intreaty Coming up 18 00:01:15,920 --> 00:01:17,279 Speaker 1: next on Taking a Walk. 19 00:01:21,080 --> 00:01:23,440 Speaker 2: Taking a Walk Well it's so great having you guys 20 00:01:23,520 --> 00:01:26,280 Speaker 2: on the Taking a Walk podcast. That really appreciate it. 21 00:01:26,959 --> 00:01:30,600 Speaker 2: Since it's called taking a walk. First of all, who 22 00:01:30,840 --> 00:01:37,240 Speaker 2: living or dead? Musician preferred but not mandatory. Would either 23 00:01:37,280 --> 00:01:39,040 Speaker 2: one of you or both of you like to take 24 00:01:39,080 --> 00:01:39,880 Speaker 2: a walk with them? 25 00:01:40,000 --> 00:01:40,720 Speaker 3: Where would that be? 26 00:01:41,640 --> 00:01:45,720 Speaker 4: M I used to take a walk with my mom 27 00:01:45,760 --> 00:01:48,400 Speaker 4: all the time, and she passed ten years ago this year, 28 00:01:48,440 --> 00:01:49,080 Speaker 4: mixed ten years. 29 00:01:49,120 --> 00:01:50,560 Speaker 5: I'd like to take another walk with her. 30 00:01:51,280 --> 00:01:51,840 Speaker 3: That's nice. 31 00:01:52,120 --> 00:01:52,360 Speaker 5: Yeah. 32 00:01:52,840 --> 00:01:59,160 Speaker 6: Musician I like to walk with is mister Nat Kingcole. 33 00:02:01,200 --> 00:02:04,200 Speaker 2: That's a good one. Yeah, where would you go with that? 34 00:02:04,360 --> 00:02:05,480 Speaker 2: Where would you walk with him? 35 00:02:06,240 --> 00:02:11,560 Speaker 6: I walk with that up the Sunset Boulevard? Or I'll 36 00:02:11,560 --> 00:02:13,560 Speaker 6: take a walk with him on roup sixty six. 37 00:02:14,760 --> 00:02:17,240 Speaker 3: Oh I like that. That's good. That's a good one. 38 00:02:17,800 --> 00:02:20,800 Speaker 2: Congrats on the new album plus one and a tour 39 00:02:20,919 --> 00:02:25,000 Speaker 2: that's going to take you into historic venues all over 40 00:02:25,040 --> 00:02:27,720 Speaker 2: the place. We'll talk more in detail about that, but 41 00:02:28,240 --> 00:02:31,160 Speaker 2: I want to ask you. Can you if I was 42 00:02:31,200 --> 00:02:34,800 Speaker 2: a space alien and didn't know who the war Entreaty 43 00:02:36,040 --> 00:02:39,639 Speaker 2: is and it never heard you, how would you describe 44 00:02:39,680 --> 00:02:43,320 Speaker 2: the war entreaty to me the space alien? 45 00:02:48,720 --> 00:02:53,600 Speaker 6: I'm sorry, I have very little common sense. But Tony, 46 00:02:53,600 --> 00:02:55,359 Speaker 6: you won't go first, do you want to take it? 47 00:02:55,440 --> 00:02:57,960 Speaker 4: I would, I would tell the space and we have 48 00:02:58,000 --> 00:03:01,519 Speaker 4: a lot in common. I mean, you know, it's kind 49 00:03:01,520 --> 00:03:02,120 Speaker 4: of hard to. 50 00:03:04,120 --> 00:03:06,880 Speaker 5: You know, you've heard it before, you probably haven't seen 51 00:03:06,919 --> 00:03:09,359 Speaker 5: it before. But we are a mixture. 52 00:03:09,520 --> 00:03:12,160 Speaker 4: If the aden like music, of all the things that 53 00:03:12,200 --> 00:03:16,960 Speaker 4: it would like about music, every genre of music we love, 54 00:03:17,240 --> 00:03:23,680 Speaker 4: and somehow musically are able to tell the story with 55 00:03:23,840 --> 00:03:28,079 Speaker 4: all those sounds without it being complicated or I believe, 56 00:03:28,160 --> 00:03:30,560 Speaker 4: compromising what each genre means. 57 00:03:31,320 --> 00:03:35,280 Speaker 2: I mean, I think the Warren Treaty represents some folks, 58 00:03:35,280 --> 00:03:40,400 Speaker 2: some Americana, some country, some soul. I was trying to 59 00:03:40,480 --> 00:03:44,160 Speaker 2: describe you guys to someone that I was turning them 60 00:03:44,200 --> 00:03:49,200 Speaker 2: onto you, and I said, imagine the Staples singers in 61 00:03:49,320 --> 00:03:50,440 Speaker 2: twenty twenty five. 62 00:03:50,520 --> 00:03:51,840 Speaker 3: How would you guys feel about that? 63 00:03:52,880 --> 00:03:53,280 Speaker 6: Honored? 64 00:03:54,200 --> 00:03:57,400 Speaker 3: Completely honored, Michael. 65 00:03:57,440 --> 00:04:00,640 Speaker 2: I want to talk about your service to your country. 66 00:04:00,920 --> 00:04:05,440 Speaker 2: And there's a charity that is local in Boston, but 67 00:04:05,480 --> 00:04:10,240 Speaker 2: it's national called home Base. It's a venture with the 68 00:04:10,280 --> 00:04:13,360 Speaker 2: mass General and the Boston Red Sox and they do 69 00:04:14,160 --> 00:04:19,320 Speaker 2: important work obviously with the veterans community. But first of all, 70 00:04:19,360 --> 00:04:22,039 Speaker 2: if someone is a veteran in listening and struggling, would 71 00:04:22,080 --> 00:04:25,159 Speaker 2: you talk to them about how important it is to 72 00:04:25,240 --> 00:04:28,640 Speaker 2: seek out places such as home Base for help. 73 00:04:29,680 --> 00:04:35,640 Speaker 6: Yeah, veterans community is a very unique community and it's 74 00:04:35,800 --> 00:04:41,280 Speaker 6: very hard to find organizations you can trust that would 75 00:04:41,360 --> 00:04:45,640 Speaker 6: understand what a veteran is going through. So anytime we 76 00:04:45,800 --> 00:04:49,840 Speaker 6: hear of organizations like home Base who just get it, 77 00:04:50,440 --> 00:04:53,919 Speaker 6: I like to go ahead and tell that veteran to 78 00:04:54,040 --> 00:04:59,520 Speaker 6: go on and trust them, let them in. But for 79 00:04:59,560 --> 00:05:02,599 Speaker 6: all the vetter out there listening, it's very important to 80 00:05:02,640 --> 00:05:06,000 Speaker 6: remember that you have battle buddies. You aren't the only veteran. 81 00:05:06,040 --> 00:05:08,040 Speaker 6: You aren't the first veteran, you want to be the last. 82 00:05:09,000 --> 00:05:11,919 Speaker 6: There are veterans out there who have been through what 83 00:05:11,960 --> 00:05:15,480 Speaker 6: you've been through. They've rugged in your combat boots. They 84 00:05:15,560 --> 00:05:17,160 Speaker 6: know what it is to take off and put on 85 00:05:17,200 --> 00:05:21,560 Speaker 6: that uniform, and they know what you feel. So reach 86 00:05:21,600 --> 00:05:24,800 Speaker 6: out to your buddies so that you could feel a 87 00:05:24,880 --> 00:05:26,080 Speaker 6: sense of been longing again. 88 00:05:27,240 --> 00:05:30,240 Speaker 2: And Tanya, as someone who has lived with the love 89 00:05:30,279 --> 00:05:37,640 Speaker 2: of your life struggling at certain points, talk about how 90 00:05:38,160 --> 00:05:43,320 Speaker 2: you had that you know, profound help and influence there too, 91 00:05:44,839 --> 00:05:47,159 Speaker 2: have your love, you know, see help when he needed it. 92 00:05:48,040 --> 00:05:51,159 Speaker 4: I think you know, what I would say to the 93 00:05:51,200 --> 00:05:54,560 Speaker 4: person that is the caretaker is to be compassionate, you know, 94 00:05:54,680 --> 00:05:58,679 Speaker 4: really lead with empathy and you may not be able 95 00:05:58,720 --> 00:06:02,279 Speaker 4: to understand what they're going through, but I think when 96 00:06:02,320 --> 00:06:07,080 Speaker 4: you leap with compassion and empathy and you're listening and 97 00:06:07,160 --> 00:06:08,880 Speaker 4: not trying to respond or. 98 00:06:08,920 --> 00:06:14,479 Speaker 5: Make it better, it's just a safe place for your loved. 99 00:06:14,320 --> 00:06:17,200 Speaker 4: One to be able to express themselves and let out 100 00:06:17,240 --> 00:06:21,240 Speaker 4: those feelings. And that's where I was stars just telling 101 00:06:21,240 --> 00:06:23,360 Speaker 4: them just be a safe place to listen. 102 00:06:24,640 --> 00:06:28,440 Speaker 2: I produced this other podcast that's hosted by Linn Hoffman. 103 00:06:28,480 --> 00:06:31,720 Speaker 3: It's called Music Save Me. It's about the power of music, the. 104 00:06:31,640 --> 00:06:34,520 Speaker 2: Healing power of music, and I think I know the 105 00:06:34,600 --> 00:06:36,719 Speaker 2: answer to the question I'm going to ask you on 106 00:06:36,760 --> 00:06:40,200 Speaker 2: how you feel, But either one of you jump in 107 00:06:40,240 --> 00:06:43,200 Speaker 2: on this or both of you, do you feel music 108 00:06:43,320 --> 00:06:44,880 Speaker 2: has healing power? 109 00:06:46,120 --> 00:06:54,800 Speaker 6: Absolutely? Absolutely? Music is the voice of God in my life. 110 00:06:55,080 --> 00:06:59,120 Speaker 6: I love music and music hasn't failed me when it 111 00:06:59,160 --> 00:07:02,640 Speaker 6: comes to getting the message of healing across. 112 00:07:03,000 --> 00:07:06,280 Speaker 3: So yes, I do I think you agree? Tanya? 113 00:07:06,480 --> 00:07:07,560 Speaker 5: Oh yeah, definitely. 114 00:07:07,680 --> 00:07:11,040 Speaker 4: It's a soothing bomb, you know, and it has always 115 00:07:11,040 --> 00:07:12,800 Speaker 4: been since I was a Little Girl. 116 00:07:14,120 --> 00:07:17,760 Speaker 2: Can you guys talk about some music specifically, either artists 117 00:07:17,840 --> 00:07:22,960 Speaker 2: or songs that have really impacted you over your life 118 00:07:23,040 --> 00:07:26,120 Speaker 2: that you know, whether it was a difficult time or 119 00:07:26,200 --> 00:07:28,720 Speaker 2: just in general, have have lifted you up. 120 00:07:30,560 --> 00:07:36,880 Speaker 6: I would say simply Beautiful by Al Green lifts me 121 00:07:37,040 --> 00:07:39,800 Speaker 6: up pretty good there, especially when I'm with my lady here. 122 00:07:42,600 --> 00:07:44,360 Speaker 4: There was a song I used to sing, I guess 123 00:07:44,400 --> 00:07:46,440 Speaker 4: since I was like maybe seven or eight, and I 124 00:07:46,520 --> 00:07:50,400 Speaker 4: sang it all through high school. And everything must change 125 00:07:51,200 --> 00:07:53,680 Speaker 4: he guys to sing that song, and I believe it 126 00:07:53,720 --> 00:07:56,720 Speaker 4: was Johnny had the way that saying that everything was 127 00:07:56,880 --> 00:08:03,200 Speaker 4: changed now these days the same. Everyone must changed now 128 00:08:03,240 --> 00:08:04,360 Speaker 4: these days the same. 129 00:08:05,400 --> 00:08:08,200 Speaker 5: They're an't not many things and life. 130 00:08:09,640 --> 00:08:10,120 Speaker 6: Right there. 131 00:08:11,040 --> 00:08:14,280 Speaker 5: I love that song. Yeah, that's one of my favorite songs. 132 00:08:16,120 --> 00:08:18,960 Speaker 7: Michael, that's good enough. I was here melting in my 133 00:08:19,240 --> 00:08:22,720 Speaker 7: in my chair of the beauty of it. Can you 134 00:08:22,760 --> 00:08:26,480 Speaker 7: see that the smile on my face here, it's smile. 135 00:08:26,800 --> 00:08:30,760 Speaker 6: But the thing is Bo's conversation with you at thirty 136 00:08:30,800 --> 00:08:31,679 Speaker 6: minutes will allow. 137 00:08:31,880 --> 00:08:38,520 Speaker 2: So that was a magical moment for our listeners, and certainly. 138 00:08:38,160 --> 00:08:51,680 Speaker 5: Michael messed up the magic well they can. Oh god, he's. 139 00:08:47,200 --> 00:08:51,280 Speaker 2: Oh that was wonderful. 140 00:08:51,720 --> 00:08:52,960 Speaker 3: I saw you, guys. 141 00:08:53,120 --> 00:08:55,480 Speaker 2: I was mentioning this before we started. I saw you 142 00:08:55,520 --> 00:08:58,120 Speaker 2: bring down the house at the Rhyme and a couple 143 00:08:58,200 --> 00:09:02,320 Speaker 2: of years ago it was at the UMG Country Radio 144 00:09:02,440 --> 00:09:06,319 Speaker 2: some of our luncheon. You just knocked everybody out. 145 00:09:06,400 --> 00:09:06,800 Speaker 3: That's when I. 146 00:09:06,840 --> 00:09:09,040 Speaker 2: Said, I have to get these guys on the podcast 147 00:09:09,240 --> 00:09:13,040 Speaker 2: and tell me though, describe to us, both of you, 148 00:09:13,760 --> 00:09:17,040 Speaker 2: what's it like, Because you're doing this all the time, 149 00:09:17,120 --> 00:09:18,280 Speaker 2: it's a regular occurrence. 150 00:09:18,440 --> 00:09:21,960 Speaker 3: What's it like bringing a house down? What's that feeling like? 151 00:09:22,640 --> 00:09:24,800 Speaker 2: M I don't. 152 00:09:25,160 --> 00:09:27,440 Speaker 4: I mean, every time it happens, it just takes my 153 00:09:27,480 --> 00:09:29,560 Speaker 4: breath away because you just don't know that it's going 154 00:09:29,640 --> 00:09:32,720 Speaker 4: to happen. You know, people are just sitting there, they're watching, 155 00:09:32,800 --> 00:09:35,800 Speaker 4: and you don't know what that final response is going 156 00:09:35,880 --> 00:09:38,400 Speaker 4: to be. And so when it happens, it really sweeps 157 00:09:38,440 --> 00:09:41,560 Speaker 4: you off your feet and it's a reminder that it's 158 00:09:41,559 --> 00:09:43,760 Speaker 4: so much bigger than you. Every single time it happens, 159 00:09:43,800 --> 00:09:46,600 Speaker 4: you're like, there's something, there's a god, there's a force 160 00:09:47,160 --> 00:09:51,600 Speaker 4: that's magically connecting all these hearts at the same time 161 00:09:51,960 --> 00:09:54,840 Speaker 4: from what's coming out of your mouth, and they're erupting 162 00:09:55,080 --> 00:09:57,280 Speaker 4: and they are feeling it all at the same time, 163 00:09:57,400 --> 00:10:01,440 Speaker 4: you know, So it's a spiritual experience. I have to 164 00:10:01,640 --> 00:10:03,920 Speaker 4: that's my only way to describe it. 165 00:10:04,520 --> 00:10:10,840 Speaker 6: Yeah, buzz, I pray that we never become jaded. I 166 00:10:10,880 --> 00:10:13,880 Speaker 6: pray that it's an earnest prayer. Minds that we never 167 00:10:13,920 --> 00:10:18,160 Speaker 6: take for granted the opportunity to touch an audience, whether 168 00:10:18,280 --> 00:10:22,760 Speaker 6: there be audience of fans or an audience of professionals 169 00:10:22,760 --> 00:10:25,840 Speaker 6: such as yourself who has heard it all and seen 170 00:10:25,880 --> 00:10:28,559 Speaker 6: it all. I want to give my all. I want 171 00:10:28,559 --> 00:10:30,600 Speaker 6: to give my best. I want my wife to give 172 00:10:30,640 --> 00:10:33,000 Speaker 6: her on our best. I want to show what we've 173 00:10:33,000 --> 00:10:36,040 Speaker 6: been working so hard to craft for the people, that 174 00:10:36,120 --> 00:10:40,600 Speaker 6: we took great pride in our work. So when we 175 00:10:40,720 --> 00:10:44,000 Speaker 6: do that and we see this kind of reaction, it's 176 00:10:44,080 --> 00:10:45,319 Speaker 6: humbling for us. 177 00:10:46,480 --> 00:10:50,720 Speaker 2: Well, let's talk about new music, the album plus one 178 00:10:51,360 --> 00:10:53,400 Speaker 2: and a tour also that's going to take you to 179 00:10:53,520 --> 00:10:57,840 Speaker 2: some pretty amazing places all across the country. The Troubadour, 180 00:10:57,920 --> 00:11:01,040 Speaker 2: I think is one of the places, and Irving Irving 181 00:11:01,080 --> 00:11:05,480 Speaker 2: Plaza and New York and and some other places. Let's 182 00:11:05,480 --> 00:11:08,440 Speaker 2: talk about some songs in particular that that I love, 183 00:11:08,559 --> 00:11:11,760 Speaker 2: and then I'm sure we're going to go through every 184 00:11:11,800 --> 00:11:14,200 Speaker 2: song probably, but we'll talk about the ones that I 185 00:11:14,320 --> 00:11:15,720 Speaker 2: left out or you love as well. 186 00:11:15,760 --> 00:11:21,120 Speaker 3: First of all, the song carried Away, that's that is 187 00:11:21,440 --> 00:11:22,680 Speaker 3: so amazing. 188 00:11:23,240 --> 00:11:27,320 Speaker 2: Talk to me about that song and and why for 189 00:11:27,520 --> 00:11:28,360 Speaker 2: you it's special. 190 00:11:28,640 --> 00:11:32,720 Speaker 6: Oh well, carried Away. I'm so happy, Buzz that you 191 00:11:33,000 --> 00:11:38,400 Speaker 6: acknowledged carried Away. It's our journey musically, definitely. I think 192 00:11:38,440 --> 00:11:42,320 Speaker 6: that we'll be start off with our love for country music. 193 00:11:42,760 --> 00:11:47,400 Speaker 6: You can hear the opening of the song like Hank 194 00:11:47,440 --> 00:11:51,120 Speaker 6: William's band just stepped on the scene and has that 195 00:11:51,200 --> 00:11:59,280 Speaker 6: good old country walks, and you're walking with me and 196 00:11:59,600 --> 00:12:03,000 Speaker 6: care what you're asking me. We're doing all the things, 197 00:12:03,040 --> 00:12:07,360 Speaker 6: and then we get to the intentional switch to R 198 00:12:07,360 --> 00:12:12,880 Speaker 6: and B and I would say things like, man, it's 199 00:12:12,920 --> 00:12:16,880 Speaker 6: like Giangelo the R and B artist, or Joe walked 200 00:12:16,880 --> 00:12:20,560 Speaker 6: out or you know, and just started singing in the 201 00:12:20,600 --> 00:12:24,800 Speaker 6: middle of Hank Williams's song. But when I'm well, I 202 00:12:24,840 --> 00:12:29,560 Speaker 6: will say, is this I believe country music would sound 203 00:12:29,720 --> 00:12:34,760 Speaker 6: like this today if Kenny Rogers was still living and 204 00:12:34,800 --> 00:12:39,079 Speaker 6: he produced a record on himself. He want that intentionality 205 00:12:39,120 --> 00:12:41,880 Speaker 6: to be present, and that's what carried Away is. 206 00:12:43,120 --> 00:12:45,240 Speaker 3: I think there's a sense of elegance. 207 00:12:44,760 --> 00:12:50,160 Speaker 5: To him as well, thank you, thank you so much. Bus. 208 00:12:51,200 --> 00:12:54,160 Speaker 2: And then there's the song save Me, which you know, 209 00:12:54,400 --> 00:12:59,280 Speaker 2: as we were talking about healing and redemption, but to 210 00:12:59,480 --> 00:13:01,480 Speaker 2: talk about that's so yeah. 211 00:13:01,760 --> 00:13:03,960 Speaker 4: I mean, you know, it's interesting because you don't hear 212 00:13:04,080 --> 00:13:08,200 Speaker 4: people say things like, you know, this person saved me, 213 00:13:08,760 --> 00:13:09,880 Speaker 4: you know. Uh. 214 00:13:10,040 --> 00:13:12,680 Speaker 5: And I think it's okay. I think it's okay to. 215 00:13:14,640 --> 00:13:18,320 Speaker 4: Have those moments when you want to be saved or 216 00:13:18,320 --> 00:13:22,360 Speaker 4: you have been saved, you know. I think that's really 217 00:13:22,400 --> 00:13:25,320 Speaker 4: what's missing a lot of times in love, you know, 218 00:13:25,400 --> 00:13:30,040 Speaker 4: and love stories is the I'm a I like to 219 00:13:30,080 --> 00:13:31,000 Speaker 4: be a romantic. 220 00:13:31,280 --> 00:13:32,280 Speaker 5: I think it's a great. 221 00:13:32,120 --> 00:13:36,800 Speaker 4: Way hopeless romantic when you you know, approach a relationship 222 00:13:36,840 --> 00:13:39,840 Speaker 4: from that that way or a friendship from that way. 223 00:13:39,920 --> 00:13:44,640 Speaker 4: You know, everybody in a in their own way, wants 224 00:13:44,640 --> 00:13:47,720 Speaker 4: to be saved from something. You know, if you're if 225 00:13:47,760 --> 00:13:50,439 Speaker 4: I'm on a I'm on a health craze and I'm 226 00:13:50,480 --> 00:13:52,839 Speaker 4: about to shove three donuts in my mouth, I'm hoping 227 00:13:52,880 --> 00:13:53,960 Speaker 4: Michael would save me. 228 00:13:53,920 --> 00:13:57,600 Speaker 5: From don't save me from from doing that. 229 00:13:57,720 --> 00:13:59,800 Speaker 4: You know, let me go down with the half of 230 00:13:59,840 --> 00:14:02,559 Speaker 4: my going and you know, but with our. 231 00:14:02,400 --> 00:14:13,079 Speaker 5: Love and without he's messing up the magic. Please, I 232 00:14:13,080 --> 00:14:13,600 Speaker 5: would want to. 233 00:14:13,720 --> 00:14:17,160 Speaker 4: I mean, in our relationship, we kind of not kind 234 00:14:17,200 --> 00:14:18,360 Speaker 4: of we did save each other. 235 00:14:18,520 --> 00:14:18,680 Speaker 2: You know. 236 00:14:18,880 --> 00:14:20,960 Speaker 4: I was kind of done with music and didn't want 237 00:14:20,960 --> 00:14:23,240 Speaker 4: to really keep going on. And you know, when my 238 00:14:23,240 --> 00:14:25,960 Speaker 4: mom passed and Michael saved me from making the biggest 239 00:14:26,480 --> 00:14:27,160 Speaker 4: mistake of. 240 00:14:27,080 --> 00:14:32,400 Speaker 5: My life, you know, and I remember not saying that. 241 00:14:32,360 --> 00:14:35,600 Speaker 4: I kind of didn't believe in love anymore, but I 242 00:14:35,600 --> 00:14:38,400 Speaker 4: didn't have the hope that I would actually have this 243 00:14:38,520 --> 00:14:42,040 Speaker 4: kind of love, and he saved me from my negative thinking, 244 00:14:42,280 --> 00:14:45,120 Speaker 4: you know, and that I would. And now I'm in 245 00:14:45,120 --> 00:14:46,760 Speaker 4: love with the love of my life. And we are 246 00:14:46,800 --> 00:14:50,080 Speaker 4: traveling the world doing what we love to do and 247 00:14:50,560 --> 00:14:54,600 Speaker 4: allowing people to share in, you know, our love experience, 248 00:14:54,680 --> 00:14:58,080 Speaker 4: and in some way the audience and Michael and I 249 00:14:58,160 --> 00:15:00,680 Speaker 4: we save each other, you know, when we you're having 250 00:15:00,720 --> 00:15:03,080 Speaker 4: a bad day and we got on the stage and 251 00:15:03,080 --> 00:15:06,080 Speaker 4: that audience is giving us that love that we need 252 00:15:06,120 --> 00:15:07,920 Speaker 4: to receive, or if they're having a bad day and 253 00:15:07,920 --> 00:15:10,680 Speaker 4: we're on stage and we're singing and we're giving them 254 00:15:11,080 --> 00:15:11,800 Speaker 4: what they need. 255 00:15:12,000 --> 00:15:13,800 Speaker 5: We save each other in those moments. 256 00:15:13,880 --> 00:15:16,440 Speaker 8: You know, we'll be right back with more of the 257 00:15:16,520 --> 00:15:24,320 Speaker 8: taking a Walk Podcast. Welcome back to the Taking a 258 00:15:24,360 --> 00:15:25,200 Speaker 8: Walk Podcast. 259 00:15:26,600 --> 00:15:29,200 Speaker 3: Talk about a special song in Skyscraper. 260 00:15:29,240 --> 00:15:32,440 Speaker 2: You talk about collaboration, the beauty of collaboration. 261 00:15:32,920 --> 00:15:36,200 Speaker 3: Not only would you two, but some family members. 262 00:15:36,200 --> 00:15:39,080 Speaker 2: Why don't you talk about that? 263 00:15:39,880 --> 00:15:40,160 Speaker 3: Well? 264 00:15:40,280 --> 00:15:44,400 Speaker 6: I had our baby daughter joined us on that song 265 00:15:44,480 --> 00:15:49,480 Speaker 6: Skyscraper and singing the choir. So it was my baby 266 00:15:49,520 --> 00:15:53,880 Speaker 6: daughter and then my mom, my sweet mother Debbie, my 267 00:15:53,960 --> 00:15:57,200 Speaker 6: baby daughter Courtney. They joined and sang with us on 268 00:15:57,240 --> 00:16:01,560 Speaker 6: the backgrounds. And Skyscraper is a very personal journeys, very 269 00:16:02,960 --> 00:16:08,200 Speaker 6: It's quite telling about my frustrations with weight and how 270 00:16:08,400 --> 00:16:13,440 Speaker 6: I tied it directly to my self esteem. But now 271 00:16:13,480 --> 00:16:17,880 Speaker 6: I'm letting go and now I'm I'm dropping the weight 272 00:16:18,640 --> 00:16:24,240 Speaker 6: and I'm going forward and realizing that skyscrapers don't get 273 00:16:24,240 --> 00:16:28,000 Speaker 6: beautiful overnight. There's a process there, and that's what the 274 00:16:28,040 --> 00:16:29,359 Speaker 6: song is talking about. 275 00:16:29,840 --> 00:16:31,920 Speaker 2: It sounds like you might have studied a little bit 276 00:16:31,960 --> 00:16:33,640 Speaker 2: of the how the mind works. 277 00:16:33,760 --> 00:16:35,000 Speaker 3: I'm like, cool, is that true? 278 00:16:36,120 --> 00:16:40,360 Speaker 2: I think so the mind and the heart works. I 279 00:16:40,400 --> 00:16:43,320 Speaker 2: think that's maybe a better way to approach it. 280 00:16:43,640 --> 00:16:44,080 Speaker 6: You have it. 281 00:16:46,480 --> 00:16:49,440 Speaker 3: Another one I like is tear Drops. 282 00:16:49,800 --> 00:16:54,600 Speaker 4: Oh yeah, that's a sweet one. 283 00:16:54,760 --> 00:16:58,440 Speaker 6: I love the fact that Tanya is so I can't 284 00:16:58,440 --> 00:17:00,840 Speaker 6: wait for you to see the video to this, and 285 00:17:00,960 --> 00:17:06,160 Speaker 6: all our videos are it's just tying in myself. We're 286 00:17:06,200 --> 00:17:08,639 Speaker 6: focusing on really honing in on this love story so 287 00:17:08,640 --> 00:17:12,560 Speaker 6: that people can really get it. But tear Drops in 288 00:17:12,600 --> 00:17:17,040 Speaker 6: the Rain is really dealing with our own insecurities in 289 00:17:17,119 --> 00:17:22,639 Speaker 6: this relationship, you know, and and how it's been a 290 00:17:22,640 --> 00:17:27,040 Speaker 6: beautiful journey to share my doubts, like sometimes I feel 291 00:17:27,119 --> 00:17:29,160 Speaker 6: you don't love me. I feel that you don't love 292 00:17:29,200 --> 00:17:33,280 Speaker 6: me as much as the last guy because you were 293 00:17:33,320 --> 00:17:38,159 Speaker 6: more tolerant, or sometimes you don't feel that you that 294 00:17:38,280 --> 00:17:40,439 Speaker 6: I love you as much as the last You know, 295 00:17:40,640 --> 00:17:45,600 Speaker 6: this conversation is it's so beautiful, and we're like, does 296 00:17:45,600 --> 00:17:47,280 Speaker 6: any of this matter? Or is it just like a 297 00:17:47,320 --> 00:17:50,320 Speaker 6: tear drop in the rain? And you know, and and 298 00:17:51,760 --> 00:17:53,400 Speaker 6: it's a necessary moment. 299 00:17:53,200 --> 00:17:55,600 Speaker 5: In the album. 300 00:17:55,640 --> 00:17:57,320 Speaker 3: It's beautiful, it really is. 301 00:17:57,520 --> 00:18:00,159 Speaker 2: And then the other one I want to single out 302 00:18:00,240 --> 00:18:03,680 Speaker 2: is your collaboration with this this Billy Strings guy. 303 00:18:03,720 --> 00:18:06,480 Speaker 6: I think I've heard of little Fellow there. 304 00:18:06,600 --> 00:18:10,200 Speaker 5: Oh yeah, oh man, yeah. 305 00:18:12,280 --> 00:18:15,359 Speaker 6: I remember him. We're giving him a song. He's sitting 306 00:18:15,400 --> 00:18:18,560 Speaker 6: at home, He's like, man, what's what is that chord? 307 00:18:18,680 --> 00:18:20,080 Speaker 5: Man, is that is. 308 00:18:20,040 --> 00:18:23,400 Speaker 9: That the minute seventh, He's like, you know, the these 309 00:18:23,480 --> 00:18:27,800 Speaker 9: kind of dark chords aren't in bluegrass, And I'm like, really, 310 00:18:27,920 --> 00:18:29,920 Speaker 9: if there's gonna be anyone that can bend the rules, 311 00:18:29,960 --> 00:18:31,200 Speaker 9: it's you. 312 00:18:31,200 --> 00:18:34,800 Speaker 6: You're a rule breaker. But the song is just talking 313 00:18:34,800 --> 00:18:40,359 Speaker 6: about the moments where I was thirstying for something, Tanya 314 00:18:40,440 --> 00:18:45,000 Speaker 6: was thirsting for something, and we found out that the 315 00:18:45,000 --> 00:18:48,080 Speaker 6: the drink was inside of each other. We drank from 316 00:18:48,080 --> 00:18:50,639 Speaker 6: one another and from each other as well, and our 317 00:18:50,680 --> 00:18:54,800 Speaker 6: thirst was clans quinched. This is a This is poetry 318 00:18:54,840 --> 00:18:58,280 Speaker 6: in the making, and we love the fact that it 319 00:18:58,359 --> 00:19:03,439 Speaker 6: has this blue graund as gospel backbeat charge as well 320 00:19:03,480 --> 00:19:06,360 Speaker 6: as in our earlier song we had released, called Called 321 00:19:06,400 --> 00:19:10,119 Speaker 6: You by Her Name, which is a scripture in Isaiah 322 00:19:10,200 --> 00:19:13,960 Speaker 6: forty three ten, he says, I you are my witness. 323 00:19:14,440 --> 00:19:18,560 Speaker 6: I called you by your name because you are mine. 324 00:19:19,560 --> 00:19:21,920 Speaker 6: Even in that scripture, he goes on, God says, I've 325 00:19:22,040 --> 00:19:27,400 Speaker 6: traded men for you, countries for you. You know, I gave 326 00:19:27,480 --> 00:19:31,000 Speaker 6: up this one just to keep you. And it's just 327 00:19:31,040 --> 00:19:36,719 Speaker 6: a beautiful love poem from the Creator to us. And 328 00:19:36,760 --> 00:19:40,440 Speaker 6: so called You by Her Name is that's what we 329 00:19:40,840 --> 00:19:43,679 Speaker 6: talk about, you know, even in this verse times she 330 00:19:43,800 --> 00:19:46,840 Speaker 6: opens up with there's a lily in the valley. There's 331 00:19:46,920 --> 00:19:50,200 Speaker 6: a bright and morning star, you know, and we may 332 00:19:50,240 --> 00:19:53,960 Speaker 6: never even see it, but you can definitely feel it. 333 00:19:54,760 --> 00:19:59,879 Speaker 2: And uh, yeah, it's beautiful and the whole album is 334 00:20:00,160 --> 00:20:04,320 Speaker 2: is beautiful. Can you take us inside that studio in 335 00:20:04,520 --> 00:20:10,160 Speaker 2: Muscle Shoals, What was that experience like? Give us an 336 00:20:10,240 --> 00:20:13,760 Speaker 2: inside look at how creators like you make all the 337 00:20:14,200 --> 00:20:15,840 Speaker 2: beautiful magic happen. 338 00:20:17,280 --> 00:20:21,320 Speaker 4: What I loved about being at the studio fame is 339 00:20:21,640 --> 00:20:25,520 Speaker 4: the freedom that you feel when you walk into a 340 00:20:25,640 --> 00:20:29,199 Speaker 4: room and you know that someone that you look up to, 341 00:20:29,280 --> 00:20:32,439 Speaker 4: you marvel at, you read the Franklins, you're you know 342 00:20:32,560 --> 00:20:35,720 Speaker 4: at A James or you know all those musicians that 343 00:20:36,200 --> 00:20:39,040 Speaker 4: Kilson Picket that walk through these doors, they were at 344 00:20:39,080 --> 00:20:41,120 Speaker 4: the highest level of what you know they. 345 00:20:41,000 --> 00:20:43,080 Speaker 6: Could give us as artists. 346 00:20:43,200 --> 00:20:47,080 Speaker 4: Yeah, it puts you in a place where you have 347 00:20:47,160 --> 00:20:49,879 Speaker 4: an expectation to meet, you know, and you have to 348 00:20:49,920 --> 00:20:54,000 Speaker 4: suspend all logic when you go into that because there's 349 00:20:54,040 --> 00:20:58,560 Speaker 4: an expectation. So you don't bring any anything but your heart, 350 00:20:58,680 --> 00:21:02,360 Speaker 4: your soul and allowed your mind. You allow the spirit 351 00:21:02,440 --> 00:21:04,800 Speaker 4: of that place to take over. And that's kind of 352 00:21:04,800 --> 00:21:06,600 Speaker 4: what I did, because there were days where I think 353 00:21:06,600 --> 00:21:08,720 Speaker 4: we did a day and we were kind of sick 354 00:21:08,760 --> 00:21:10,879 Speaker 4: and we couldn't really hit the notes the way we 355 00:21:10,920 --> 00:21:13,280 Speaker 4: wanted to. But then when you go back and you 356 00:21:13,320 --> 00:21:15,600 Speaker 4: listen to those records and you allow that spirit to 357 00:21:15,600 --> 00:21:17,480 Speaker 4: take over, that's exactly what you want. 358 00:21:18,359 --> 00:21:19,400 Speaker 5: The rawness on some. 359 00:21:19,320 --> 00:21:22,600 Speaker 6: Of the I interject here to tell you this about Tanya, 360 00:21:22,600 --> 00:21:27,240 Speaker 6: And now Tanya was very sick and tear drops in 361 00:21:27,320 --> 00:21:32,800 Speaker 6: the rain and a good part about being the producer 362 00:21:33,760 --> 00:21:38,120 Speaker 6: me Michael Trott Junior. Good and bad part is that 363 00:21:38,280 --> 00:21:43,440 Speaker 6: was one take. Her vocal performance was one take while 364 00:21:43,480 --> 00:21:45,040 Speaker 6: she was sick, and that is one of the songs 365 00:21:45,080 --> 00:21:48,560 Speaker 6: she wanted to go back in and I said no, 366 00:21:49,320 --> 00:21:53,040 Speaker 6: I said absolutely not. I was like, what you're keeping 367 00:21:53,119 --> 00:21:56,960 Speaker 6: that take? There's something beautiful about the rawness of your 368 00:21:57,040 --> 00:22:01,479 Speaker 6: vocal cord, the pure honesty. You weren't relying one skill, 369 00:22:01,640 --> 00:22:03,760 Speaker 6: You're relying strictly on feel. 370 00:22:04,080 --> 00:22:08,160 Speaker 5: And you were sick too. Not that one, not that song. 371 00:22:09,280 --> 00:22:12,800 Speaker 6: But you were all My six songs never made it 372 00:22:12,920 --> 00:22:13,359 Speaker 6: to track. 373 00:22:13,440 --> 00:22:15,240 Speaker 5: Look at that, How convenient. 374 00:22:16,960 --> 00:22:18,199 Speaker 6: Of how the boss? 375 00:22:18,280 --> 00:22:20,280 Speaker 5: How well you have two bosses? 376 00:22:20,320 --> 00:22:25,920 Speaker 6: Well not when I'm the producer on the. 377 00:22:24,359 --> 00:22:30,560 Speaker 5: Se how's all right? Oh yeah, they don't know. 378 00:22:32,600 --> 00:22:36,400 Speaker 2: See are our audience is getting a glimpse into where 379 00:22:36,520 --> 00:22:39,080 Speaker 2: where the name the war and treaty came from. 380 00:22:39,760 --> 00:22:43,080 Speaker 6: And that's why your buzz night, that's right, it comes 381 00:22:43,080 --> 00:22:43,440 Speaker 6: from that. 382 00:22:43,480 --> 00:22:45,920 Speaker 5: We we go back and forth, in and out. 383 00:22:46,080 --> 00:22:50,480 Speaker 4: There's always war brewing inside of yep and inside and 384 00:22:50,520 --> 00:22:52,080 Speaker 4: there's always piece on the other side. 385 00:22:53,040 --> 00:22:55,160 Speaker 3: So back to the studio for a second, though. 386 00:22:55,400 --> 00:22:58,520 Speaker 2: How much humor goes on while you're in the middle 387 00:22:58,560 --> 00:23:00,000 Speaker 2: of your process of create. 388 00:23:00,680 --> 00:23:01,440 Speaker 3: I think a little. 389 00:23:01,480 --> 00:23:05,920 Speaker 6: I'm guessing a lot, a lot, a lot of you. 390 00:23:05,920 --> 00:23:11,399 Speaker 4: You know, Telly Is, Michael Is, he was commander in 391 00:23:11,520 --> 00:23:14,840 Speaker 4: chief in the studio. I've told him he has to 392 00:23:14,920 --> 00:23:19,840 Speaker 4: let up in the studio. He lightens up a lot. 393 00:23:19,880 --> 00:23:22,240 Speaker 4: He's he is learning to lighten up. He's very funny. 394 00:23:22,359 --> 00:23:27,360 Speaker 4: If you ever just experienced him away from music, he's hilarious. 395 00:23:27,600 --> 00:23:31,240 Speaker 5: So he's learning to bring that into the studio experience. 396 00:23:30,840 --> 00:23:33,480 Speaker 4: Now because it's so it's a lot of weight on you, 397 00:23:33,480 --> 00:23:36,199 Speaker 4: you know, as a producer to be able to you know, 398 00:23:37,240 --> 00:23:40,080 Speaker 4: produce a product, especially with us being now with a 399 00:23:40,119 --> 00:23:45,080 Speaker 4: major label that is going to present itself the way 400 00:23:45,119 --> 00:23:48,440 Speaker 4: you want to, you know, so I understand that it's 401 00:23:48,480 --> 00:23:51,000 Speaker 4: serious as well, you know, for him, but he's very 402 00:23:51,000 --> 00:23:54,760 Speaker 4: funny and and and we've learned to make a light 403 00:23:54,800 --> 00:23:57,360 Speaker 4: of it. It's it's yes, an album and it's serious, 404 00:23:57,400 --> 00:24:00,000 Speaker 4: but we're having a good time and this is our nine. 405 00:24:00,320 --> 00:24:01,800 Speaker 5: You know, a lot of people wish they came in. 406 00:24:02,040 --> 00:24:06,200 Speaker 10: So yeah, but this is who you are. I mean, 407 00:24:06,480 --> 00:24:11,240 Speaker 10: I will confess too. I haven't told anybody this because 408 00:24:11,280 --> 00:24:14,920 Speaker 10: I was alone. I then was leaving the rhyme and 409 00:24:15,160 --> 00:24:18,639 Speaker 10: at that event that I mentioned, so I happened to 410 00:24:18,640 --> 00:24:23,920 Speaker 10: see these these two stars off behind the barrier walking 411 00:24:23,960 --> 00:24:25,240 Speaker 10: out named. 412 00:24:25,000 --> 00:24:29,640 Speaker 2: The War in Treaty, and you were both busting on 413 00:24:29,680 --> 00:24:32,240 Speaker 2: each other. You were not in the middle of anything 414 00:24:32,280 --> 00:24:35,399 Speaker 2: other than being yourself. So I think one of the 415 00:24:35,440 --> 00:24:40,639 Speaker 2: things besides your amazing talent and music that connects you, 416 00:24:40,760 --> 00:24:43,240 Speaker 2: I feel with people is this is who you are. 417 00:24:43,359 --> 00:24:46,160 Speaker 3: This is your your real your real thing. 418 00:24:46,760 --> 00:24:50,840 Speaker 5: Yeah, it's it is the real thing. 419 00:24:50,920 --> 00:24:54,240 Speaker 6: We ain't nothing like the real thing. 420 00:24:54,359 --> 00:24:57,080 Speaker 4: It makes people uncomfortable though, because when they see, you know, 421 00:24:57,160 --> 00:24:59,960 Speaker 4: a couple going back and forth, they're like, what's happening here? 422 00:25:00,040 --> 00:25:02,000 Speaker 4: You know, our music director at the time, he's our 423 00:25:02,359 --> 00:25:05,600 Speaker 4: production manager. Now Max Brown, he's like now, he just 424 00:25:06,080 --> 00:25:07,640 Speaker 4: looks back and he's like, I'm not in it. 425 00:25:07,680 --> 00:25:08,320 Speaker 5: I'm not in it. 426 00:25:08,359 --> 00:25:10,879 Speaker 4: I'm staying out of it, you know. So it's so funny. 427 00:25:10,880 --> 00:25:12,080 Speaker 4: But we have a good time together. 428 00:25:12,680 --> 00:25:14,359 Speaker 6: Well a man couldn't jokes. 429 00:25:14,400 --> 00:25:16,480 Speaker 5: Yeah, we cut jokes on each other all the time. Yeah. 430 00:25:16,640 --> 00:25:19,920 Speaker 2: I think it's the secret to that You've been married 431 00:25:20,080 --> 00:25:20,800 Speaker 2: fifteen years? 432 00:25:20,840 --> 00:25:21,440 Speaker 3: Is that right? 433 00:25:22,000 --> 00:25:22,200 Speaker 5: Yeah? 434 00:25:22,240 --> 00:25:22,400 Speaker 2: Oh? 435 00:25:22,520 --> 00:25:23,840 Speaker 6: Man, bulls, you got it, you got it? 436 00:25:23,880 --> 00:25:27,840 Speaker 2: Going home, bro, I think it's the secret to another 437 00:25:29,080 --> 00:25:33,120 Speaker 2: fifteen or thirty or however, has someone by the way, 438 00:25:33,200 --> 00:25:35,879 Speaker 2: who just celebrated his fortieth. 439 00:25:35,440 --> 00:25:38,800 Speaker 5: So wow, it's amazing. 440 00:25:39,920 --> 00:25:42,479 Speaker 3: And as you could tell, I'm only fifty two, So 441 00:25:42,520 --> 00:25:43,359 Speaker 3: how did that happen? 442 00:25:44,560 --> 00:25:48,680 Speaker 6: Yeah, don't put it back. Yeah, I've seen some people 443 00:25:48,720 --> 00:25:49,640 Speaker 6: get married pretty well. 444 00:25:49,720 --> 00:25:49,960 Speaker 3: Yeah. 445 00:25:50,840 --> 00:25:53,359 Speaker 5: Secret, what's your secret? Give us? Give us a secret? 446 00:25:53,480 --> 00:25:57,040 Speaker 2: Honestly, sense of humors is a major part of it. 447 00:25:57,240 --> 00:26:00,639 Speaker 2: Just being able to really through through good and bad. 448 00:26:00,400 --> 00:26:05,119 Speaker 3: Be consistent with that, you know what. Awesome? Yeah, because 449 00:26:05,119 --> 00:26:06,560 Speaker 3: it's easy when it's good. 450 00:26:06,400 --> 00:26:10,159 Speaker 2: To laugh and have that, but when it's you know, 451 00:26:10,320 --> 00:26:12,320 Speaker 2: times are tough, which everybody goes through. 452 00:26:13,280 --> 00:26:16,359 Speaker 3: What are my doctor Joyce Brothers listen to me. What's 453 00:26:16,440 --> 00:26:20,240 Speaker 3: going on here? Suddenly? Suddenly I've gone off course. Snap 454 00:26:20,280 --> 00:26:22,840 Speaker 3: me out of it, Snap me out of it, would 455 00:26:22,840 --> 00:26:23,320 Speaker 3: you please? 456 00:26:25,400 --> 00:26:29,040 Speaker 2: I want to close with who you want to collaborate 457 00:26:29,119 --> 00:26:32,280 Speaker 2: with in the future that would be on the dream list. 458 00:26:32,320 --> 00:26:34,520 Speaker 2: I've heard some rumors about this, but I wanted to 459 00:26:34,520 --> 00:26:36,160 Speaker 2: hear it straight from both of you. 460 00:26:37,280 --> 00:26:41,040 Speaker 4: We're just talking about this yesterday, Chris Stapleton and Morgan State. 461 00:26:41,720 --> 00:26:45,640 Speaker 5: We're calling them out. Who do you say, Michael, Who do. 462 00:26:45,640 --> 00:26:50,720 Speaker 6: I say, Michael? Okay, I'm gonna throw I'm gonna throw 463 00:26:51,280 --> 00:26:55,080 Speaker 6: a while. I'm going to bend the rules a little. 464 00:26:55,400 --> 00:26:57,439 Speaker 6: I'm going to give you current, but I'm also going 465 00:26:57,480 --> 00:27:02,239 Speaker 6: to give you pass. If I could have collaborated with 466 00:27:02,480 --> 00:27:06,800 Speaker 6: anyone in the past, it would I would have loved 467 00:27:06,800 --> 00:27:12,800 Speaker 6: to have done something with Ray Charles. If I can 468 00:27:12,960 --> 00:27:20,480 Speaker 6: collaborate with anyone other than the Stapletons moving forward, it's 469 00:27:20,520 --> 00:27:23,640 Speaker 6: so weird. Josh Groban was on my list, and now 470 00:27:23,680 --> 00:27:25,320 Speaker 6: that we've done it, I want to do it again 471 00:27:26,040 --> 00:27:29,720 Speaker 6: and again and again. Michael Buble is somebody I would 472 00:27:29,760 --> 00:27:34,440 Speaker 6: love to have a chance to sing with, collaborate with 473 00:27:35,280 --> 00:27:41,160 Speaker 6: Momford and Sons. The buddies of ours and yeah, Brandy. 474 00:27:40,800 --> 00:27:42,879 Speaker 3: Carlisle, there we go. 475 00:27:44,080 --> 00:27:48,880 Speaker 2: Well, that showcases that list, showcases the. 476 00:27:47,960 --> 00:27:51,600 Speaker 3: Diversity and genre bending. I love saying. 477 00:27:51,640 --> 00:27:57,840 Speaker 11: Genre bending the nature of you guys, but I just 478 00:27:57,920 --> 00:28:00,359 Speaker 11: have to say, my god, this is one of those 479 00:28:00,359 --> 00:28:04,200 Speaker 11: moments where I sit and go, Man, am I lucky 480 00:28:04,560 --> 00:28:08,399 Speaker 11: doing this podcast and making this happen with the great 481 00:28:09,000 --> 00:28:10,040 Speaker 11: the War and Treaty. 482 00:28:10,119 --> 00:28:12,480 Speaker 3: Michael and Tanya, thank you so much. 483 00:28:12,600 --> 00:28:15,640 Speaker 5: Thank you appreciate it so much. Are you taking time 484 00:28:15,800 --> 00:28:16,479 Speaker 5: to be with us? 485 00:28:16,640 --> 00:28:20,440 Speaker 2: I really appreciate it. Congratulations on the new music. Thank 486 00:28:20,480 --> 00:28:23,439 Speaker 2: you for all that you continue to give us and 487 00:28:23,440 --> 00:28:26,440 Speaker 2: you're going to be giving us for many years to come. 488 00:28:28,200 --> 00:28:30,679 Speaker 8: Thanks for listening to this episode of the Taking a 489 00:28:30,720 --> 00:28:34,640 Speaker 8: Walk podcast. Share this and other episodes with your friends 490 00:28:34,720 --> 00:28:38,200 Speaker 8: and follow us so you never miss an episode. Taking 491 00:28:38,240 --> 00:28:42,120 Speaker 8: a Walk is available on the iHeartRadio app, Apple Podcasts, 492 00:28:42,320 --> 00:28:44,640 Speaker 8: and wherever you get your podcasts.