WEBVTT - #252 - Phora

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<v Speaker 1>All right, here we go Boutlet Cat Podcast. We got

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<v Speaker 1>a special guest in here. My guy Forah is in

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<v Speaker 1>the building. Man, thank you for having me. New album,

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<v Speaker 1>Butterfly Effect YEP is out right now. Yes, sir, why

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<v Speaker 1>that name because obviously we know the movie, Yeah, some

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<v Speaker 1>of us might know the movie dark movie movie. Yeah.

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<v Speaker 1>I just feel like kind of in the dust shill,

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<v Speaker 1>like everything happens for a reason, and a lot of

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<v Speaker 1>things happened in my life where I felt like I

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<v Speaker 1>wanted this, I wanted that, and I didn't get those things.

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<v Speaker 1>But at the end of the day, I kind of accepted,

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<v Speaker 1>like kind of like accepting fate, manifest destiny kind of thing,

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<v Speaker 1>and you know, everything kind of just works the way

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<v Speaker 1>it's supposed to. And I don't feel like I'll be

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<v Speaker 1>here right now if all those good and bad things

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<v Speaker 1>didn't happen. When you say you wanted certain things, are

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<v Speaker 1>you talking about like industry type success, industry life, you know, success,

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<v Speaker 1>whether it's success, love, family, things, financial, whatever it is.

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<v Speaker 1>You know we all want those things, but sometimes we

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<v Speaker 1>don't get them. Well, listen, man, I got to give

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<v Speaker 1>your flowers because I know you like have kind of

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<v Speaker 1>been through the ringer in the music industry. You've obviously

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<v Speaker 1>been on major labels, You've had a career that's spanned

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<v Speaker 1>over that decade now. But like, dude, you fucking are lit. Bro.

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<v Speaker 1>It's fun. I'm having fun with it, man, It's it's

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<v Speaker 1>a fun job. I don't know if you still have

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<v Speaker 1>your store on Fairfax do you nah? Just okay? But

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<v Speaker 1>you had okay, you had that store for a very

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<v Speaker 1>long time. On facts right, it was fun. Most of

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<v Speaker 1>these rappers couldn't sell a fucking concert tationic let alone

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<v Speaker 1>have a successful clothing line that has a brick and

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<v Speaker 1>mortar store on one of the most expensive streets in

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<v Speaker 1>fucking America. Yeah, it's stressful, man, it's it's a stressful

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<v Speaker 1>thing to maintain big deal while maintaining a you know,

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<v Speaker 1>music career, a brand career, a business, you know what

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<v Speaker 1>I mean, all those type of things. It's stressful. But

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<v Speaker 1>you know, I just have fun with it and I

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<v Speaker 1>just kind of you know, literally the album you put out,

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<v Speaker 1>was it in twenty twenty, your last album? Yeah? Yeah,

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<v Speaker 1>I would love to you did some crazy numbers man, Yeah,

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<v Speaker 1>fun that phone with it, Independent, Independent, Klin and Jane

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<v Speaker 1>and shout Out to the Hemmies. Hey, all the fucking

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<v Speaker 1>I hate I understand that. Like it's easy to like

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<v Speaker 1>compare yourself to other people with your peers or people

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<v Speaker 1>who you feel like, oh man, I see them on

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<v Speaker 1>you know, performing at award shows. That should fuck all that, bro,

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<v Speaker 1>Like you've done a lot of and those are the

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<v Speaker 1>things I'm talking about, Like I want those, you know,

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<v Speaker 1>award shows. I want to be at the Grammys here

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<v Speaker 1>and be it you know this and that. But at

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<v Speaker 1>the same time, like I'm kind of just accepting of

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<v Speaker 1>and grateful mostly of what I have and what's been

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<v Speaker 1>given to me and what I worked for. But you know,

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<v Speaker 1>I feel like not everybody has a fair chance, and

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<v Speaker 1>some people have advantages. But at the end of the day,

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<v Speaker 1>you just kind of find you have to find what's

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<v Speaker 1>you know, what you're grateful for. When you're a hardcore

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<v Speaker 1>fan base and a lot of people would die for

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<v Speaker 1>that shit, dog, yeah, Like sometimes you got to like

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<v Speaker 1>and I'm grateful for it for real, because I wouldn't

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<v Speaker 1>be I wouldn't be here still ten years plus after.

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<v Speaker 1>You know, you got some like talk weird fans too, Yeah, crazy,

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<v Speaker 1>I feel like those are the best ones, most of

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<v Speaker 1>the women who I've come in contact with who are

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<v Speaker 1>Big Four fans are psychos. Yeah, been through. The thing

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<v Speaker 1>is they've been through a lot of they're like crazy bitches.

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<v Speaker 1>Yeah sure, Yeah, I've been through it, been through a

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<v Speaker 1>lot of ships, been through my personal experience, like you

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<v Speaker 1>have love for you, like you had a personal experience,

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<v Speaker 1>you had a you had a she set some clothes

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<v Speaker 1>on fire, or she's you know, busted some windows. Right, Yeah,

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<v Speaker 1>I feel like we all kind of been through that

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<v Speaker 1>for sure. For sure, you might have an extra crazy

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<v Speaker 1>one though. I just I'm not even women I've necessarily

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<v Speaker 1>had any sort of personal relationship, but just that I know,

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<v Speaker 1>I'm just like, oh yeah, yeah, you got like my

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<v Speaker 1>wife's sister, who's a flaming cunt. She loves you, but

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<v Speaker 1>she sucks, she's but she fucking loves you. But you know,

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<v Speaker 1>they might these people, these people like they might need

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<v Speaker 1>something or someone. Some of these some of these people

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<v Speaker 1>have not found the one yet, you know what I'm saying,

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<v Speaker 1>Like somebody, but they need someone to really be their

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<v Speaker 1>form and change their life. I've seen it happen too.

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<v Speaker 1>I've seen someone's life and personality be changed in one day.

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<v Speaker 1>That's a beautiful thing. Man. How have you been dealing

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<v Speaker 1>with because you know, I feel like you do live

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<v Speaker 1>your life outward online sometimes, right. You know, I feel

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<v Speaker 1>like we've kind of seen you go through like public,

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<v Speaker 1>you know, issues when it comes to maybe depression or

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<v Speaker 1>you know, maybe some of your previous relationships. Just you

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<v Speaker 1>kind of gone through a lot of stuff and like

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<v Speaker 1>we've seen it. How are you doing today? That's a

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<v Speaker 1>good question. Uh. Today, I'm still like the same person.

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<v Speaker 1>I'm still kind of the same person, but I'm just less.

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<v Speaker 1>I try to be less open on social media and

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<v Speaker 1>everything just because I don't feel like it makes anything better.

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<v Speaker 1>But the reason why I try to be open on

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<v Speaker 1>social media is because there's a lot of people out

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<v Speaker 1>there going through the same shit. You know, we're all human.

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<v Speaker 1>You could be you get out of ten million followers,

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<v Speaker 1>ten million dollars, like, life's still gonna hit you. You You

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<v Speaker 1>can't get away from life. But at the end of

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<v Speaker 1>the day, I feel like I feel like I'm I'm

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<v Speaker 1>just going through the same thing, but I kind of

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<v Speaker 1>deal with my you know, my thoughts and everything in

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<v Speaker 1>a different way. Now now that I'm getting older, I

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<v Speaker 1>talk to people, I uh you know, just have conversations

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<v Speaker 1>with myself, but I still try to be open. You know,

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<v Speaker 1>have you got a therapy? I have done to therapy?

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<v Speaker 1>Was it helpful? No? It wasn't. No. How many times

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<v Speaker 1>did you go though? I've been to three different therapists,

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<v Speaker 1>and maybe I need to find the right one's that's

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<v Speaker 1>what they say. But I don't know, man, I feel

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<v Speaker 1>I know it's supposed to be like a judge free

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<v Speaker 1>zone kind of thing, but I feel like when I'm

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<v Speaker 1>telling my story not judging, but they kind of don't

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<v Speaker 1>get it, you know, and it's hard to talk to

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<v Speaker 1>someone who doesn't get it when you say this, this

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<v Speaker 1>and that and they're like hmm. But you know, I'm

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<v Speaker 1>not sure. Maybe I need to you know what you need?

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<v Speaker 1>I don't know what I need. You need a hero's

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<v Speaker 1>dose of mushrooms, that is, that's the truth. Yeah, oh, man,

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<v Speaker 1>or you need to hop on a plane with your

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<v Speaker 1>lady go to fucking Costa Rica. Yeah, do some fucking ayahuasca.

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<v Speaker 1>But but here's the crazy thing. Here's a crazy thing. Serious.

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<v Speaker 1>I know, I hear you and i' and I've heard

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<v Speaker 1>that and I've been told that. But I love life, bro. No,

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<v Speaker 1>you're gonna love life more. No, listen, bro, I promise

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<v Speaker 1>you it's not I'm not telling you something like in

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<v Speaker 1>a negative way, like yeah, everyone, not you, not just yeah,

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<v Speaker 1>anybody in the world should do psychedelics at least at

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<v Speaker 1>least once all the time. Yeah. Here's the thing with me, though,

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<v Speaker 1>I feel like I have a great balance, Like I

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<v Speaker 1>love life, but then like I hate life. But having

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<v Speaker 1>having that pain, having that anger, having that internal flame

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<v Speaker 1>inside me, pushes me to do certain things, you know,

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<v Speaker 1>push pushes me to make certain music for people, you

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<v Speaker 1>know what I mean. Who So, like Aaron Rodgers. He's

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<v Speaker 1>a football player. So he's fucking back to back NFL

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<v Speaker 1>MVP this year. He's been terrible. But two years ago

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<v Speaker 1>he said he went to Costa Rica did ayahuasca and

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<v Speaker 1>unlocked something in his brain and he's just like, fucking

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<v Speaker 1>he's an amazing football player. And I mean he's always

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<v Speaker 1>been amazing, but hecuse what what changed? He just said

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<v Speaker 1>that he like understood the world more, he became more

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<v Speaker 1>self aware, he became more like it really kind of

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<v Speaker 1>kills your ego. It kind of like, yeah, you should

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<v Speaker 1>do some shrooms. At least I'm gonna try it. I

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<v Speaker 1>got some for you before you leave here, you'll have some. Okay.

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<v Speaker 1>What I like? I like the balance between between happy

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<v Speaker 1>and side though I don't want to be happy all

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<v Speaker 1>the time. I mean, you don't want to be happy

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<v Speaker 1>all the time, but you also want to like have

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<v Speaker 1>an understanding of why you're Like there's probably a lot

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<v Speaker 1>of like repressed ship that you don't even know is

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<v Speaker 1>there for real? Like I had my homie. Uh I

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<v Speaker 1>would say his name, but he's an industry guy. Uh

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<v Speaker 1>he said that he he Well, I knew this guy

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<v Speaker 1>to be like one of the more degenerate pieces of

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<v Speaker 1>shit of like all time. Gambled, did a bunch of

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<v Speaker 1>fucking cocaine. It's always sniffing blo off hooker's asses. Just

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<v Speaker 1>a psychopath, right, Okay, great guy though I love him.

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<v Speaker 1>But he did ayahuasca and he hasn't touched drugs. He

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<v Speaker 1>hasn't gambled. He got married, had a baby, he got

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<v Speaker 1>fucking Wow, he's like professionally doing better than he's ever done.

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<v Speaker 1>Like ayahuasca. So what's the ayahuasca. It's like a it's

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<v Speaker 1>like a drink, like a tea that stems from a

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<v Speaker 1>root that is DMT based, but it's kind of like

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<v Speaker 1>Paoti different. I'm not too familiar with paoti, but it's

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<v Speaker 1>it's a lot more intense. You drink it and DMT

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<v Speaker 1>kind of No, DMT is like, yeah, it is DMT,

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<v Speaker 1>but it's a slower version of DMC. Like have you

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<v Speaker 1>smoked DMT? Have you ever smoked MT? No? I haven't.

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<v Speaker 1>I can't say I have. Yeah, if you smoked d MT,

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<v Speaker 1>you would just go away for like a half hour

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<v Speaker 1>ayahuasca your present in the moment. It's like six hours. Yeah,

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<v Speaker 1>of like you, but you do it with a shaman

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<v Speaker 1>to work you through it, you know, and they guide you,

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<v Speaker 1>they guide you, and then you come out the other

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<v Speaker 1>side like a fucking Like my friend who we were

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<v Speaker 1>talking about told me it was like doing thirty years

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<v Speaker 1>of therapy in six hours. Wow. Is there anyone that

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<v Speaker 1>it hasn't worked for? Nobody? I know, no one that

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<v Speaker 1>went crazy? Like no, I got a couple of homies,

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<v Speaker 1>so like they go to Costa Rica three times a

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<v Speaker 1>year just to get there, like get just to get it,

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<v Speaker 1>get their fucking their mind right. Fuck hey, because you

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<v Speaker 1>know what, all that fucking all the therapy shit is

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<v Speaker 1>cool and it's helpful. I think everbody should go therapy,

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<v Speaker 1>talk to somebody. But like the medicine that they try

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<v Speaker 1>to put you on some bullshit like medication. All this

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<v Speaker 1>is some fun shit like do some mushrooms, bro, Yeah,

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<v Speaker 1>it is that natural kind of thing. Yeah. Yeah, I

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<v Speaker 1>feel like talking to someone is important, though it isn't

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<v Speaker 1>talking to someone who kind of understands or is willing

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<v Speaker 1>to listen even if they don't understand. Yes. But the

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<v Speaker 1>other thing is is you're in a position where a

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<v Speaker 1>lot of people you probably talk to do they depend

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<v Speaker 1>on you in some way, in some way, So don't

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<v Speaker 1>talk anybody who depends on you for anything. Yeah, but

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<v Speaker 1>there's there are also people who depend on that aren't

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<v Speaker 1>like that makes sense selfish, that makes sense, of course,

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<v Speaker 1>but you know not everyone is like extremely selfish, and

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<v Speaker 1>some people are willing to, you know, kind of step

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<v Speaker 1>outside of who they are and understand you feel me

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<v Speaker 1>no for sure? Man. So this album? What would you

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<v Speaker 1>describe this album as just in terms of like the motivation,

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<v Speaker 1>the message? Yeah, you're at I think it's I think

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<v Speaker 1>it's just a new me. I took a two year

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<v Speaker 1>kind of break, didn't drop a project, and before this.

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<v Speaker 1>I've dropped the album every single year, especially as an

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<v Speaker 1>independent artist, of course have to do that. But I

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<v Speaker 1>took like a year, two years off, and I kind

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<v Speaker 1>of just like did all the bad shit I had

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<v Speaker 1>to do, did all the you know, did all the

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<v Speaker 1>self reflecting I had to do, and just kind of

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<v Speaker 1>did everything. And I feel like it's a new me.

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<v Speaker 1>But at the same time, it's just kind of a

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<v Speaker 1>just a recap of, you know, what I've been through

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<v Speaker 1>and everything. Yeah, what's the jew I forget the exact

0:11:03.080 --> 0:11:05.560
<v Speaker 1>day June. What the song about the June six? June six,

0:11:05.600 --> 0:11:09.280
<v Speaker 1>what's the significance of that date? Yeah, that's that. That's

0:11:09.760 --> 0:11:12.040
<v Speaker 1>it's a more of a personal song. I try to

0:11:12.040 --> 0:11:16.720
<v Speaker 1>get real, like in depth and like deep about someone

0:11:16.760 --> 0:11:20.280
<v Speaker 1>who you know, obviously I had a you know something

0:11:20.280 --> 0:11:23.360
<v Speaker 1>with but I felt like naming that song that just

0:11:23.400 --> 0:11:29.320
<v Speaker 1>because it's a real uh, I don't know that that

0:11:29.440 --> 0:11:32.120
<v Speaker 1>day when it was, yeah, a bad day or a

0:11:32.120 --> 0:11:34.400
<v Speaker 1>good day. A good day, Yeah, a good day. So

0:11:34.480 --> 0:11:36.800
<v Speaker 1>I kind of do that like reflecting on that, and

0:11:36.840 --> 0:11:38.640
<v Speaker 1>when that day passes by, I'm kind of just like,

0:11:39.640 --> 0:11:43.160
<v Speaker 1>you know, I don't know. Yeah, but you are pretty

0:11:43.160 --> 0:11:46.520
<v Speaker 1>outward with your relationships online. I feel like, yeah, I

0:11:46.559 --> 0:11:50.720
<v Speaker 1>feel like it's not it's not that out of the box.

0:11:50.960 --> 0:11:53.720
<v Speaker 1>It's not normal people do that. But do you always

0:11:53.800 --> 0:11:56.680
<v Speaker 1>like you're a famous guy? Right you people? People? Fucking

0:11:57.040 --> 0:11:59.600
<v Speaker 1>fucking bro you're late. I like it, man, it's lit.

0:12:00.080 --> 0:12:01.680
<v Speaker 1>If I'm with someone I like to, I like to

0:12:01.679 --> 0:12:04.200
<v Speaker 1>show him all. Yeah exactly. But is there any like

0:12:04.280 --> 0:12:06.640
<v Speaker 1>downside to that? Because I, I mean, I'm not as

0:12:06.720 --> 0:12:09.280
<v Speaker 1>popping as you, but I fucking feel the downside. Well,

0:12:09.320 --> 0:12:13.200
<v Speaker 1>I mean what can be uh NFL players hopping in

0:12:13.240 --> 0:12:15.719
<v Speaker 1>the d M. I mean what they're like, there's about this?

0:12:15.800 --> 0:12:18.440
<v Speaker 1>How about this? I said? I said Tupac was overrated

0:12:18.440 --> 0:12:21.840
<v Speaker 1>in an interview once ship and I didn't even meet it.

0:12:21.880 --> 0:12:24.040
<v Speaker 1>In like, he's overrated, overrated. I just meant he's not

0:12:24.080 --> 0:12:26.360
<v Speaker 1>top five, he's like top ten maybe you know, he's

0:12:26.400 --> 0:12:29.040
<v Speaker 1>like nine to ten two. He's not top two. He's not.

0:12:30.360 --> 0:12:32.240
<v Speaker 1>I love and I love Tupac. I'm a Tupac fan,

0:12:32.920 --> 0:12:36.120
<v Speaker 1>but dude, there was fucking these maniac motherfucking Tupac fans

0:12:36.120 --> 0:12:38.480
<v Speaker 1>who threatened to murder my wife. They d m her,

0:12:38.679 --> 0:12:42.719
<v Speaker 1>Oh wow, yes, yeah, that'll that'll get you that And

0:12:42.760 --> 0:12:48.040
<v Speaker 1>I didn't even say it in a disrespectful way. Yeah. Yeah,

0:12:48.240 --> 0:12:51.280
<v Speaker 1>So that's social media. Social media is crazy. Social media

0:12:51.360 --> 0:12:53.840
<v Speaker 1>is crazy. But with me, I feel like I'm just

0:12:54.120 --> 0:12:57.320
<v Speaker 1>I don't I feel like it's better man to not

0:12:57.400 --> 0:13:00.080
<v Speaker 1>really have anything to hide. And of course, like if

0:13:00.080 --> 0:13:02.560
<v Speaker 1>you don't feel like putting your business out there is cool.

0:13:02.600 --> 0:13:05.960
<v Speaker 1>But if I'm with someone comfortable with it, I'm comfortable

0:13:05.960 --> 0:13:08.280
<v Speaker 1>with it. And and like and like I said, whatever

0:13:08.320 --> 0:13:11.880
<v Speaker 1>happens happens if someone slides into the you know, NFL

0:13:11.920 --> 0:13:17.000
<v Speaker 1>player and that's it for me, and you know, I

0:13:17.000 --> 0:13:20.480
<v Speaker 1>guess I get swooped on. This is kind of has happen.

0:13:20.679 --> 0:13:23.040
<v Speaker 1>Say he brought it up, but I'm saying, Aaron Rodgers

0:13:23.120 --> 0:13:28.240
<v Speaker 1>take the check. If Aaron if Aaron Rodgers, if Aaron

0:13:28.559 --> 0:13:30.760
<v Speaker 1>Rogers swoops and it was that easy, then it wasn't

0:13:30.800 --> 0:13:32.280
<v Speaker 1>meant to be in the first place. If Aaron Rodgers

0:13:32.360 --> 0:13:35.720
<v Speaker 1>DMS my chick, I'm gonna be like, go ahead, go ahead.

0:13:36.000 --> 0:13:38.280
<v Speaker 1>You got to leave it up to give you some tickets.

0:13:38.559 --> 0:13:39.920
<v Speaker 1>You got to leave it up to the girl to

0:13:39.960 --> 0:13:42.520
<v Speaker 1>the side. You need some good tickets, that's all I need.

0:13:42.600 --> 0:13:45.839
<v Speaker 1>Go ahead, handle it. Let me hang out with him

0:13:45.840 --> 0:13:49.160
<v Speaker 1>once a year, we'll go do Ayahwaska together. Like, how's

0:13:49.200 --> 0:13:51.400
<v Speaker 1>my ex wife? She's good, She's a nice lady, right

0:13:52.320 --> 0:13:57.400
<v Speaker 1>shot to Aaron Rodgers, that's a different level. So for

0:13:57.520 --> 0:14:01.959
<v Speaker 1>you man, going from starting out in Dependently you're on

0:14:02.120 --> 0:14:08.280
<v Speaker 1>RCA right Warner, going through the major label situation where

0:14:08.280 --> 0:14:09.760
<v Speaker 1>it felt like they kind of didn't know what to

0:14:09.800 --> 0:14:11.400
<v Speaker 1>do with you or it just kind of felt like

0:14:11.440 --> 0:14:13.600
<v Speaker 1>obviously it didn't work out how you probably wanted it.

0:14:14.480 --> 0:14:16.400
<v Speaker 1>I'll tell you right now. It was it was just

0:14:17.640 --> 0:14:20.080
<v Speaker 1>I got to do what I wanted to do, but

0:14:20.280 --> 0:14:23.680
<v Speaker 1>they also had to approve certain things and I wasn't

0:14:23.680 --> 0:14:26.320
<v Speaker 1>feeling it. You know. When I got off Warner, I

0:14:26.360 --> 0:14:28.400
<v Speaker 1>was able to make music with who I wanted to

0:14:28.400 --> 0:14:32.800
<v Speaker 1>make music with and blah blah blah like, but when

0:14:32.840 --> 0:14:34.720
<v Speaker 1>I was on on Warner, I was like, I want

0:14:34.720 --> 0:14:36.760
<v Speaker 1>to do this is a perfect song for this person.

0:14:36.840 --> 0:14:38.920
<v Speaker 1>I want to get this record to this person. I

0:14:38.920 --> 0:14:41.160
<v Speaker 1>have someone that wants to make it and they would

0:14:41.200 --> 0:14:46.280
<v Speaker 1>like give their personal personal opinions. You know, I even

0:14:46.960 --> 0:14:50.080
<v Speaker 1>I just have so many crazy like stories. I was

0:14:50.240 --> 0:14:51.960
<v Speaker 1>only on the label for two years, but it was

0:14:52.000 --> 0:14:54.520
<v Speaker 1>just like you got all these people that don't really

0:14:54.600 --> 0:14:57.560
<v Speaker 1>know music that want to tell you how to make

0:14:57.640 --> 0:15:00.080
<v Speaker 1>music and who you should make music with and how

0:15:00.080 --> 0:15:02.240
<v Speaker 1>you should create music, you know what I mean. And

0:15:02.280 --> 0:15:05.400
<v Speaker 1>it just wasn't wasn't my vibe because you're not in

0:15:05.440 --> 0:15:09.360
<v Speaker 1>there with all musicians. You're in there with business people,

0:15:09.440 --> 0:15:13.200
<v Speaker 1>suiting ties, people who know like finance and all that

0:15:13.240 --> 0:15:15.040
<v Speaker 1>kind of stuff. But when it comes to the music, like,

0:15:15.080 --> 0:15:16.960
<v Speaker 1>there's no answers to this. What up, y'all? We got

0:15:17.040 --> 0:15:18.480
<v Speaker 1>to stop the interview real quick. Tell you about our

0:15:18.480 --> 0:15:20.800
<v Speaker 1>partners at my bookie. Man. Look, it's so much to

0:15:20.840 --> 0:15:23.120
<v Speaker 1>gamble on right now. We got World Cup soccer, we

0:15:23.160 --> 0:15:27.840
<v Speaker 1>got Bowl games coming up, NBA basketball of course, NFL. Man,

0:15:27.840 --> 0:15:30.160
<v Speaker 1>we're getting into the playoffs in a few weeks, well

0:15:30.160 --> 0:15:32.760
<v Speaker 1>in like six weeks or something like that. With that

0:15:32.800 --> 0:15:35.240
<v Speaker 1>being said, this wins some money, all right, Go to

0:15:35.320 --> 0:15:38.480
<v Speaker 1>my bookie right now, sign up with that promo code Bootleg,

0:15:38.840 --> 0:15:42.600
<v Speaker 1>and they will match your deposit up to one thousand dollars.

0:15:42.800 --> 0:15:45.360
<v Speaker 1>That's free money to gamble with. That's free money. What

0:15:45.400 --> 0:15:49.600
<v Speaker 1>are we talking about, my bookie. Let's talk about the props.

0:15:49.680 --> 0:15:51.880
<v Speaker 1>You could bet on all kinds of player props. NBA

0:15:52.080 --> 0:15:55.320
<v Speaker 1>points will Yanni's win the MVP. You could do futures

0:15:55.520 --> 0:15:58.080
<v Speaker 1>on the award season for the NBA. So much going on.

0:15:58.080 --> 0:16:00.520
<v Speaker 1>You could also still bet on the NFL MVPR as well.

0:16:00.640 --> 0:16:02.920
<v Speaker 1>There's just so much ways to get money on my bookie.

0:16:02.960 --> 0:16:05.440
<v Speaker 1>But what's most important is that they're giving you free money.

0:16:05.720 --> 0:16:07.680
<v Speaker 1>You sign up in my bookie right now. You use

0:16:07.720 --> 0:16:11.320
<v Speaker 1>the promo code Bootleg, and they won't match your first

0:16:11.400 --> 0:16:15.480
<v Speaker 1>deposit up to one thousand dollars. That's right, free money.

0:16:15.560 --> 0:16:18.040
<v Speaker 1>What are we doing? Head over there, put us some

0:16:18.080 --> 0:16:20.880
<v Speaker 1>bets and let's try to win some fucking money together.

0:16:20.920 --> 0:16:23.360
<v Speaker 1>All right, my bookie, use the promo code Bootleg. Let's

0:16:23.360 --> 0:16:25.520
<v Speaker 1>get back to the interview. You know, what I realized

0:16:25.640 --> 0:16:28.120
<v Speaker 1>is a lot of these people in these buildings and

0:16:28.200 --> 0:16:31.160
<v Speaker 1>these major labels, their number one objective is to not

0:16:31.160 --> 0:16:34.080
<v Speaker 1>get fired. That's all I care about. So they're like,

0:16:34.120 --> 0:16:37.160
<v Speaker 1>how can I not get fired? They want to avoid risks, right,

0:16:37.360 --> 0:16:41.840
<v Speaker 1>exactly right, So their whole thought process is, Okay, I

0:16:41.880 --> 0:16:43.760
<v Speaker 1>don't want to get fired because I got a fucking

0:16:43.800 --> 0:16:46.400
<v Speaker 1>mortgage and these fucking kids. I gotta feed in a side, bitch,

0:16:46.400 --> 0:16:49.520
<v Speaker 1>and all this other shit gets done. And artists are Risks,

0:16:49.640 --> 0:16:52.200
<v Speaker 1>and I have this, I have this artist I want

0:16:52.200 --> 0:16:54.560
<v Speaker 1>to push him to do a song with. I'm playing

0:16:54.560 --> 0:16:57.440
<v Speaker 1>the numbers game. So and so has got a fucking

0:16:57.560 --> 0:16:59.800
<v Speaker 1>viral hit or it's hot right now. Let me try

0:16:59.840 --> 0:17:03.120
<v Speaker 1>to wish that feature to happen, even if it's not organic. Yeah,

0:17:03.120 --> 0:17:05.040
<v Speaker 1>where you might be like, I would rather do this

0:17:05.240 --> 0:17:08.359
<v Speaker 1>because it makes sense and it sounds good, and oh

0:17:08.560 --> 0:17:12.080
<v Speaker 1>that's it. I've I've got the credit. They when I

0:17:12.119 --> 0:17:14.399
<v Speaker 1>was in Warner I mean no shade, but I was.

0:17:14.480 --> 0:17:16.720
<v Speaker 1>They try to push me to do so many songs

0:17:16.720 --> 0:17:19.080
<v Speaker 1>with these artists whose the most random artists. They try

0:17:19.119 --> 0:17:23.320
<v Speaker 1>to have you do I don't know, just random, like E.

0:17:23.440 --> 0:17:25.320
<v Speaker 1>D M kind of thing. I don't even remember the name.

0:17:25.400 --> 0:17:27.159
<v Speaker 1>It's like, yo, you should do a song with fucking

0:17:27.280 --> 0:17:30.880
<v Speaker 1>crazy Yeah. And then I was, by the way, every

0:17:30.960 --> 0:17:33.480
<v Speaker 1>kind of hard marshmows fire. Yeah. It just it just

0:17:33.520 --> 0:17:35.959
<v Speaker 1>has to it's just bad examples. It has to feel right,

0:17:36.480 --> 0:17:38.480
<v Speaker 1>it has to feel right. But I've been in the

0:17:38.560 --> 0:17:40.640
<v Speaker 1>room and I've sat with like the President and I've

0:17:40.640 --> 0:17:43.120
<v Speaker 1>been like, oh, you know, I want to do this song,

0:17:43.200 --> 0:17:45.280
<v Speaker 1>or we're thinking about we want to get this song

0:17:45.320 --> 0:17:46.760
<v Speaker 1>done with. There was one time, I was like, I

0:17:46.800 --> 0:17:49.320
<v Speaker 1>want to get this song done with Juice World, and

0:17:49.320 --> 0:17:51.880
<v Speaker 1>they're like, oh, Juice World, Like wow, we don't think

0:17:51.960 --> 0:17:54.800
<v Speaker 1>that's like necessary or we don't think that's early to

0:17:55.040 --> 0:17:57.160
<v Speaker 1>you know, it was early, super early, and they're like, oh,

0:17:57.440 --> 0:17:59.160
<v Speaker 1>we don't think And I was like it makes sense,

0:17:59.200 --> 0:18:02.440
<v Speaker 1>like the sound music kind of things that would have

0:18:02.440 --> 0:18:04.760
<v Speaker 1>been crazy. They're like, oh no, well we think, you know,

0:18:04.800 --> 0:18:07.560
<v Speaker 1>we should kind of turn that sad around and we

0:18:07.600 --> 0:18:09.639
<v Speaker 1>should do something more up tempo. You know, they always

0:18:09.640 --> 0:18:11.840
<v Speaker 1>want the up tempo kind of thing. I'm just like,

0:18:11.920 --> 0:18:13.600
<v Speaker 1>that's not me. That's not what I'm trying to do.

0:18:13.680 --> 0:18:15.600
<v Speaker 1>Like I'm trying to you know, I have this vision

0:18:16.000 --> 0:18:17.960
<v Speaker 1>and they're like, oh, well this song and these songs

0:18:17.960 --> 0:18:22.000
<v Speaker 1>are doing good. It's just too much like like analysis

0:18:22.040 --> 0:18:26.199
<v Speaker 1>from people who aren't really like taking in, like well,

0:18:26.200 --> 0:18:29.000
<v Speaker 1>they're just worried about losing their job. Yeah, that's what

0:18:28.960 --> 0:18:31.879
<v Speaker 1>it is, and that's what But sometimes they think they

0:18:32.240 --> 0:18:34.280
<v Speaker 1>know just bably want to put numbers on the wall, bro,

0:18:34.840 --> 0:18:37.199
<v Speaker 1>but they think they know based off previous numbers, and

0:18:37.200 --> 0:18:41.200
<v Speaker 1>there's always going to be something, everything's always evolving, yeah exactly, Yeah, sure,

0:18:41.200 --> 0:18:43.360
<v Speaker 1>they go off the past. So now right now, they're

0:18:43.400 --> 0:18:46.239
<v Speaker 1>going off like TikTok and and you know it has

0:18:46.320 --> 0:18:47.560
<v Speaker 1>to be like this, it has to be like this

0:18:47.600 --> 0:18:50.520
<v Speaker 1>because this is doing good. But what's after that? You know,

0:18:50.680 --> 0:18:53.320
<v Speaker 1>what TikTok thing is is the best and worst thing

0:18:53.359 --> 0:18:55.520
<v Speaker 1>that's probably ever happened there oh music, because it's like

0:18:55.720 --> 0:18:57.760
<v Speaker 1>it's dope because you get discovered and if you know,

0:18:57.800 --> 0:19:00.000
<v Speaker 1>there's people who've gotten discovered on TikTok that are actually

0:19:00.040 --> 0:19:03.120
<v Speaker 1>really talented and yeah, but then there's other ship where

0:19:03.119 --> 0:19:06.480
<v Speaker 1>it's like these labels are just signing motherfucker's based on

0:19:06.560 --> 0:19:09.680
<v Speaker 1>a five second clip, a twenty five second of a song.

0:19:09.840 --> 0:19:11.639
<v Speaker 1>It's like and then you hear the whole song and

0:19:11.640 --> 0:19:15.400
<v Speaker 1>you're like this, what is this? You know, but it's

0:19:15.440 --> 0:19:17.840
<v Speaker 1>giving more power to independent artists. So at the same time,

0:19:18.000 --> 0:19:20.160
<v Speaker 1>right because people, you know, you have a hit song

0:19:20.440 --> 0:19:21.960
<v Speaker 1>and you're just like, fuck, I don't need no label.

0:19:22.040 --> 0:19:24.960
<v Speaker 1>Well talk, It also is good if you're on it

0:19:25.080 --> 0:19:27.639
<v Speaker 1>and you're doing the right shit, you're creating the right content,

0:19:27.720 --> 0:19:30.280
<v Speaker 1>you're engaging with your fans. It's like it's a way

0:19:30.280 --> 0:19:33.600
<v Speaker 1>to pop your ship, right, you know, Like someone who

0:19:34.240 --> 0:19:37.280
<v Speaker 1>kind of had a similar career path in terms of

0:19:37.320 --> 0:19:40.399
<v Speaker 1>like dealing with major labels, starting off independent, ending up

0:19:40.480 --> 0:19:43.240
<v Speaker 1>independent again. It's like Snow the product. Yeah, she's on

0:19:43.280 --> 0:19:46.640
<v Speaker 1>Atlantic forever. She's dope, and they fucking fumbled that whole situation.

0:19:46.720 --> 0:19:48.080
<v Speaker 1>Then she got off and then she went and did

0:19:48.080 --> 0:19:50.639
<v Speaker 1>a fucking freestyle that went viral. Yeah, and then it

0:19:50.680 --> 0:19:52.640
<v Speaker 1>got Grammy nominated. I've seen it. I've seen it. I've

0:19:52.680 --> 0:19:57.880
<v Speaker 1>known Snow for a long time years, six plus years.

0:19:57.400 --> 0:19:59.399
<v Speaker 1>She's she's a beast, and she really got that. She

0:19:59.440 --> 0:20:01.960
<v Speaker 1>got the Latin side to her too, so she got

0:20:01.960 --> 0:20:05.840
<v Speaker 1>a wild Yeah, yeah, crazy, she's super dope, underrated, under

0:20:06.119 --> 0:20:09.159
<v Speaker 1>super underrated. What is for you having the type of

0:20:09.200 --> 0:20:11.080
<v Speaker 1>fans you have? Has there ever been a situation with

0:20:11.160 --> 0:20:14.119
<v Speaker 1>a fan that like they went a little overboard? We

0:20:14.240 --> 0:20:17.320
<v Speaker 1>talked about them today. I had I've had stalkers. I've

0:20:17.320 --> 0:20:19.760
<v Speaker 1>had stockers. I had people like waiting outside my house

0:20:19.840 --> 0:20:22.360
<v Speaker 1>like kind of thing like, oh no, where you live?

0:20:22.440 --> 0:20:25.960
<v Speaker 1>Be with them? Yeah? Yeah, crazy, fucking weird, like real,

0:20:26.080 --> 0:20:32.000
<v Speaker 1>like real story, like stalker outside waiting outside, Call the cops, cops, chicker, dude,

0:20:32.720 --> 0:20:35.720
<v Speaker 1>chick Yeah girl, Yeah, I don't know, man, I mean no,

0:20:36.000 --> 0:20:38.560
<v Speaker 1>but it's not that it's not it's not the attention

0:20:38.760 --> 0:20:42.000
<v Speaker 1>you want. It sounds like, oh wow, but that sounds terrible. Yeah,

0:20:42.040 --> 0:20:44.360
<v Speaker 1>it's bad. You call the cops, cops come and they're

0:20:44.400 --> 0:20:46.840
<v Speaker 1>just like oh and cops leave. You're like, damn, she's

0:20:46.840 --> 0:20:49.800
<v Speaker 1>still here here? Then what do you do? You know?

0:20:50.040 --> 0:20:52.760
<v Speaker 1>And it's just like you gotta get a what's that

0:20:52.800 --> 0:20:55.840
<v Speaker 1>thing called order of protection? Man? But what order of protection?

0:20:56.760 --> 0:20:59.240
<v Speaker 1>It's like where they can't restrain in order. Yeah. I

0:20:59.280 --> 0:21:01.400
<v Speaker 1>don't even know the person's name or who they are

0:21:01.520 --> 0:21:03.520
<v Speaker 1>or anything about them. And I'm like, we're all scared

0:21:03.520 --> 0:21:05.360
<v Speaker 1>to go down there. We don't know if she's there

0:21:05.359 --> 0:21:07.840
<v Speaker 1>with the knife or anything. That's fucking crazy. You can't

0:21:07.840 --> 0:21:11.400
<v Speaker 1>even sleep, you're outside the window. Yes, crazy, it's crazy.

0:21:11.480 --> 0:21:14.760
<v Speaker 1>Would you say because you have had some You've had

0:21:14.760 --> 0:21:17.520
<v Speaker 1>some pretty crazy like brushes with almost losing your life

0:21:17.560 --> 0:21:21.520
<v Speaker 1>over the years, MANE was it last year that someone

0:21:21.560 --> 0:21:23.040
<v Speaker 1>tried to shoot at you were going to Vegas? I

0:21:23.040 --> 0:21:25.040
<v Speaker 1>think it was like last year, two years ago. Yeah,

0:21:25.080 --> 0:21:27.040
<v Speaker 1>and then something like that also kind of happened in

0:21:27.080 --> 0:21:31.520
<v Speaker 1>like twenty fifteen, twenty fifteen. Yeah, I got I got shot,

0:21:31.760 --> 0:21:35.840
<v Speaker 1>got object. Yeah. I mean, you've had some serious brushes

0:21:35.880 --> 0:21:39.720
<v Speaker 1>with death. LA is crazy though, it's fucked for sure,

0:21:40.240 --> 0:21:42.280
<v Speaker 1>it's only getting worse. But do you like when that

0:21:42.359 --> 0:21:47.720
<v Speaker 1>has happened to you. I had a similar situation. I

0:21:47.760 --> 0:21:49.639
<v Speaker 1>didn't have anyone try to kill me almost kill my

0:21:49.640 --> 0:21:54.160
<v Speaker 1>fucking cell phone. Not not on purpose, but uh yes,

0:21:54.240 --> 0:21:56.560
<v Speaker 1>it like shook me. Man. I'm like, damn, I could

0:21:56.600 --> 0:21:59.920
<v Speaker 1>have fucking like literally died. Like, yeah, you know, I've

0:22:00.160 --> 0:22:02.600
<v Speaker 1>I've had a lot of experiences with that. One thing

0:22:02.600 --> 0:22:05.919
<v Speaker 1>I kind of learned is like riding around with you know,

0:22:05.960 --> 0:22:09.119
<v Speaker 1>in the lambos and three corvettes following behind you and

0:22:09.200 --> 0:22:12.080
<v Speaker 1>riding around in these cars and just being kind of loud.

0:22:12.520 --> 0:22:15.000
<v Speaker 1>It's not really like the smartest thing to do or

0:22:15.040 --> 0:22:17.640
<v Speaker 1>the safest thing to do, you know. And I used

0:22:17.640 --> 0:22:20.160
<v Speaker 1>to roll around like that a lot, but these days

0:22:20.160 --> 0:22:23.679
<v Speaker 1>I'm kind of like more, I'm just smarter about it.

0:22:23.880 --> 0:22:27.040
<v Speaker 1>I don't really like the all the crazy, loud, bright

0:22:27.119 --> 0:22:30.760
<v Speaker 1>color cars. You seem to be like a pretty peaceful guy. Yeah,

0:22:30.800 --> 0:22:32.480
<v Speaker 1>I could get wild at times, No, but I just

0:22:32.600 --> 0:22:34.600
<v Speaker 1>mean in terms of like you put a lot of

0:22:34.800 --> 0:22:37.600
<v Speaker 1>positive energy into the world. Ye. Your music is like

0:22:38.280 --> 0:22:40.480
<v Speaker 1>it's not very negative. It's not like you're talking like

0:22:40.520 --> 0:22:42.840
<v Speaker 1>a bunch of crazy, but I like to have fun though.

0:22:43.160 --> 0:22:44.960
<v Speaker 1>You do like to have fun a lot of fun.

0:22:45.200 --> 0:22:49.080
<v Speaker 1>You do like to have fun sometimes on Instagram life. Yeah,

0:22:49.240 --> 0:22:51.600
<v Speaker 1>sometimes your ig lives fucking starts up, bro, you know.

0:22:52.840 --> 0:22:55.919
<v Speaker 1>But you know, I just the older I get, the

0:22:55.920 --> 0:23:00.000
<v Speaker 1>more I realize, like, Okay, I gotta move smart because

0:23:00.240 --> 0:23:02.359
<v Speaker 1>and I've learned from a lot in the past, but

0:23:02.560 --> 0:23:04.320
<v Speaker 1>now I'm just like, Okay, if we go somewhere, if

0:23:04.320 --> 0:23:06.920
<v Speaker 1>we do something, we have to be strategic and militant,

0:23:06.960 --> 0:23:09.640
<v Speaker 1>and you know, moved the right way, especially with what's

0:23:09.680 --> 0:23:12.080
<v Speaker 1>going on, you know, these days, it's just it's fucked

0:23:12.119 --> 0:23:15.200
<v Speaker 1>right now, It's fuck it's too crazy, yeah, because LA's

0:23:15.240 --> 0:23:17.199
<v Speaker 1>kind of always had that element, right, But it's like,

0:23:17.880 --> 0:23:20.440
<v Speaker 1>I feel like the ed D thing was so strong

0:23:20.520 --> 0:23:23.800
<v Speaker 1>here compared to everywhere else. Yea, I had I had

0:23:23.840 --> 0:23:28.480
<v Speaker 1>friends that were coming here from out of town, yeah,

0:23:28.760 --> 0:23:31.200
<v Speaker 1>to like commit edd fraud and they didn't get it

0:23:31.280 --> 0:23:34.960
<v Speaker 1>from here, but they were just getting money money. Yeah,

0:23:35.000 --> 0:23:36.840
<v Speaker 1>And that's what we're talking about that too. And I

0:23:36.840 --> 0:23:39.160
<v Speaker 1>think people are just getting away with shit out here

0:23:39.320 --> 0:23:42.040
<v Speaker 1>and they're just like fuck, like not fearing the consequences

0:23:42.080 --> 0:23:44.080
<v Speaker 1>and not knowing, like what's what's going to come back?

0:23:44.119 --> 0:23:46.080
<v Speaker 1>So people are just down to do whatever they were

0:23:46.119 --> 0:23:48.440
<v Speaker 1>just like you could find like a homeless guy and

0:23:48.520 --> 0:23:51.440
<v Speaker 1>just paying for his social and his information and then

0:23:52.440 --> 0:23:55.320
<v Speaker 1>collect I fuck I home. He's hitting the ATM for

0:23:55.400 --> 0:24:01.040
<v Speaker 1>like five or six grand every Friday. Just mask yes

0:24:01.720 --> 0:24:04.480
<v Speaker 1>and that's it and that's it. And it was so easy.

0:24:04.600 --> 0:24:06.359
<v Speaker 1>I was like, what the fuck is going on? Bro,

0:24:06.880 --> 0:24:08.560
<v Speaker 1>They're trying to convince me to do it. I thought

0:24:08.560 --> 0:24:12.359
<v Speaker 1>about it. I'm like, wow, I'm like, yo, y'all are

0:24:12.400 --> 0:24:17.280
<v Speaker 1>getting away with this ship. I'm like what But what

0:24:17.359 --> 0:24:20.200
<v Speaker 1>I feel this is fucked. I feel I've never seen

0:24:20.600 --> 0:24:22.680
<v Speaker 1>that ship happened. Like, I've never seen people get money

0:24:22.720 --> 0:24:24.600
<v Speaker 1>so easily in my life. So it was like scary.

0:24:24.600 --> 0:24:26.400
<v Speaker 1>It's almost like the Bitcoin thing, where's like it might

0:24:26.440 --> 0:24:29.040
<v Speaker 1>be a little fucked eventually, Like but what I fear

0:24:29.119 --> 0:24:32.080
<v Speaker 1>is karma though, because it always comes back, you know. Yeah,

0:24:32.119 --> 0:24:33.560
<v Speaker 1>So I was. I thought about it. So I'm like,

0:24:33.600 --> 0:24:39.000
<v Speaker 1>damn that comes it comes back to federal prison. Federal

0:24:39.040 --> 0:24:40.920
<v Speaker 1>prison is how it comes back for you. Oh yeah,

0:24:41.040 --> 0:24:44.000
<v Speaker 1>everyone's going to prison right now for sure, especially with

0:24:44.040 --> 0:24:47.159
<v Speaker 1>the VPS. Oh my god. Oh man. There was a

0:24:47.200 --> 0:24:50.960
<v Speaker 1>guy later you're going to jail. There's a huge company,

0:24:51.720 --> 0:24:56.000
<v Speaker 1>huge company, one might venture. We might be wearing some

0:24:56.040 --> 0:25:00.280
<v Speaker 1>of this brand in this room right now. They're in

0:25:00.280 --> 0:25:07.280
<v Speaker 1>Orange County, Okay, the owner imagine starting a business that's

0:25:07.320 --> 0:25:12.480
<v Speaker 1>fake and then so you not to put if I

0:25:12.520 --> 0:25:15.000
<v Speaker 1>say too much. This motherfucker did all this ship and

0:25:15.040 --> 0:25:17.400
<v Speaker 1>then got a fucking he started a whole new business

0:25:18.480 --> 0:25:22.320
<v Speaker 1>just to fucking get a PPP own with pretty much

0:25:22.320 --> 0:25:26.159
<v Speaker 1>fake employees, made everyone work like one hour, and then

0:25:26.200 --> 0:25:30.120
<v Speaker 1>bought a fucking private jet. Crazy, And now the Alphabet

0:25:30.160 --> 0:25:32.000
<v Speaker 1>boys are on their ass and it's like, Bro, what'd

0:25:32.040 --> 0:25:34.840
<v Speaker 1>you think was gonna yeah? Done? What did you think

0:25:34.960 --> 0:25:37.959
<v Speaker 1>was gonna happen? Yeah? This is I mean, especially you

0:25:37.960 --> 0:25:40.000
<v Speaker 1>do it on a big level like that, they're gonna

0:25:40.040 --> 0:25:43.040
<v Speaker 1>find you. I think that that that that that is

0:25:43.080 --> 0:25:45.919
<v Speaker 1>also a big attribution ast to why like LA's kind

0:25:45.960 --> 0:25:47.600
<v Speaker 1>of gotten a little more crazier because like people got

0:25:47.640 --> 0:25:49.080
<v Speaker 1>a little bit of taste of that, you know, and

0:25:49.119 --> 0:25:50.840
<v Speaker 1>they want and they want it and they want more.

0:25:50.960 --> 0:25:54.000
<v Speaker 1>So it's like, are you pretty like uh careful about

0:25:54.040 --> 0:25:56.480
<v Speaker 1>like not like if you're gonna go out to eat

0:25:56.640 --> 0:25:59.240
<v Speaker 1>or something, not posting or like I mean even like

0:25:59.359 --> 0:26:03.000
<v Speaker 1>bars leaving the story at home. Oh yeah, well when

0:26:03.000 --> 0:26:05.560
<v Speaker 1>I go anytime I go out anywhere that's not like

0:26:05.760 --> 0:26:07.920
<v Speaker 1>down the street or if like I'm in a public

0:26:07.960 --> 0:26:11.520
<v Speaker 1>situation like this is a private situation, so yeah, a podcast.

0:26:11.520 --> 0:26:13.040
<v Speaker 1>But if I go out to eat food, like I'm

0:26:13.040 --> 0:26:18.879
<v Speaker 1>wearing shorts like dirty shoes in a hoodie and like nothing, no, no, nothing,

0:26:18.920 --> 0:26:22.359
<v Speaker 1>and I'm just like, no one's gonna look twice at

0:26:22.359 --> 0:26:25.000
<v Speaker 1>me because I'm just like I have nothing for you, bro,

0:26:25.119 --> 0:26:28.520
<v Speaker 1>you know, yeah, but you can also always I'm trying

0:26:28.520 --> 0:26:31.600
<v Speaker 1>to push this narrative to rappers and start rocking fake jewelry. Yeah,

0:26:32.760 --> 0:26:36.120
<v Speaker 1>who gives a fuck? Yeah, who's gonna question I've had

0:26:36.119 --> 0:26:38.159
<v Speaker 1>my share of. You know, if you're a little baby

0:26:38.280 --> 0:26:42.160
<v Speaker 1>and you have a fake like fucking Rolex besides fake watchbuster,

0:26:42.200 --> 0:26:44.680
<v Speaker 1>he's gonna call you out for sure. Yeah, but who's

0:26:44.680 --> 0:26:48.199
<v Speaker 1>gonna question you? Fuck? That's what no one, no one,

0:26:48.240 --> 0:26:49.560
<v Speaker 1>no one could walk up to a little baby with

0:26:49.600 --> 0:26:52.320
<v Speaker 1>a diamond testing. I'm like, funk off, bro, Yeah like

0:26:52.359 --> 0:26:54.440
<v Speaker 1>what he don't even got to say. He got his security,

0:26:54.440 --> 0:26:57.199
<v Speaker 1>he got his people, yo back up? Yeah you know

0:26:57.520 --> 0:27:00.800
<v Speaker 1>do you? Yeah? I mean, not a bad idea when

0:27:00.840 --> 0:27:02.119
<v Speaker 1>you first got into the game, did you do the

0:27:02.160 --> 0:27:06.040
<v Speaker 1>fake jewels? Of course, just because, And it's less about like, oh,

0:27:06.080 --> 0:27:09.080
<v Speaker 1>fake dreelry, but more like people kind of give you,

0:27:09.240 --> 0:27:12.320
<v Speaker 1>gift you this and that, and you find out like, oh,

0:27:12.840 --> 0:27:15.840
<v Speaker 1>he's not giving me real diamonds. He's giving me you know,

0:27:16.200 --> 0:27:18.159
<v Speaker 1>and it's cool, like fuck, I'll take it. Whatever. That

0:27:18.200 --> 0:27:20.119
<v Speaker 1>happened to me. And I was living in Tampa and

0:27:20.119 --> 0:27:22.240
<v Speaker 1>shout out to my guy, Jane the jeweler. He does

0:27:22.280 --> 0:27:25.720
<v Speaker 1>all russ Is jewelry. Great guy, but Jane gifted me

0:27:25.800 --> 0:27:28.960
<v Speaker 1>this giant fucking Jaine and I'm thinking, I'm rocking some

0:27:29.160 --> 0:27:32.840
<v Speaker 1>real shit. It's happened. It's happened to me. For that

0:27:32.920 --> 0:27:38.520
<v Speaker 1>ship was played as fuck and the diamonds were not real.

0:27:38.800 --> 0:27:40.640
<v Speaker 1>But if it's free, it's free. And if it looks

0:27:40.680 --> 0:27:42.879
<v Speaker 1>good on you, fucking why not. And if you and

0:27:42.920 --> 0:27:45.919
<v Speaker 1>if you get robbed, you're kind of just like take it. Yeah. No.

0:27:45.960 --> 0:27:48.000
<v Speaker 1>My boy was like he gave you that, and he

0:27:48.080 --> 0:27:49.280
<v Speaker 1>was like, let me see it. He just held it.

0:27:49.280 --> 0:27:51.280
<v Speaker 1>He's like, it's not real. I was like, I don't

0:27:51.320 --> 0:27:54.879
<v Speaker 1>know shit about jewelry. How active do you plan on

0:27:54.920 --> 0:27:56.879
<v Speaker 1>being after now? Obviously you were talking earlier. You know,

0:27:57.240 --> 0:27:59.880
<v Speaker 1>you're used to kind of dropping yearly. Are you gonna

0:28:00.480 --> 0:28:03.720
<v Speaker 1>make fans wait a lot longer this time or no?

0:28:04.080 --> 0:28:06.720
<v Speaker 1>I think I really just it was just these kind

0:28:06.720 --> 0:28:08.840
<v Speaker 1>of like two years or that year and a half,

0:28:09.160 --> 0:28:11.640
<v Speaker 1>and I needed to take that time off to really

0:28:11.720 --> 0:28:13.920
<v Speaker 1>kind of you know, find myself and self reflect, like

0:28:14.000 --> 0:28:16.560
<v Speaker 1>I said, But now I'm on go mode. I have

0:28:16.960 --> 0:28:20.480
<v Speaker 1>one hundred plus songs already already already planned out, ready

0:28:20.520 --> 0:28:23.399
<v Speaker 1>to come out. So I'm ready to go. And with

0:28:23.520 --> 0:28:25.679
<v Speaker 1>being independent, I kind of look back on it, I'm like,

0:28:26.000 --> 0:28:27.840
<v Speaker 1>why did I wait so long? But it's more of

0:28:27.840 --> 0:28:30.840
<v Speaker 1>a personal reason because now in this day and age especially,

0:28:31.359 --> 0:28:33.520
<v Speaker 1>you have to be consistent. You have to be ten

0:28:33.560 --> 0:28:36.480
<v Speaker 1>times more consistent than four years ago, five years ago,

0:28:36.520 --> 0:28:40.120
<v Speaker 1>six years ago. You're in competition with everyone. Now yeah

0:28:40.880 --> 0:28:43.200
<v Speaker 1>it is everybody. Everybody who has an iPhone, you're in

0:28:43.240 --> 0:28:47.240
<v Speaker 1>competition with them. And you're not only competing with with

0:28:47.360 --> 0:28:51.120
<v Speaker 1>other artists, you're competing with just attention. Yeah, I don't, bro,

0:28:51.200 --> 0:28:53.840
<v Speaker 1>I'm telling you, bro, Like I'm a huge rap fan

0:28:53.880 --> 0:28:55.480
<v Speaker 1>and I listened to I listened to I mean, I

0:28:55.480 --> 0:28:57.160
<v Speaker 1>put in my Spotify recap I think I listened to

0:28:57.160 --> 0:28:59.080
<v Speaker 1>like twenty eight thousand minutes of music or some shit.

0:28:59.200 --> 0:29:03.280
<v Speaker 1>But Broby on podcast Dog, Yeah, Like, if I'm riding around,

0:29:03.400 --> 0:29:07.440
<v Speaker 1>I'm usually listening to somebody talk about fucking fantasy football

0:29:07.480 --> 0:29:11.360
<v Speaker 1>or sports, or Joe Rogan talking about ayahuasca and artists

0:29:11.360 --> 0:29:14.360
<v Speaker 1>and musicians. They're in competition with Well with that shit

0:29:14.440 --> 0:29:16.400
<v Speaker 1>for sure, everything because you just need the attention. What

0:29:16.400 --> 0:29:18.440
<v Speaker 1>are you doing in your spare time these days? Like,

0:29:19.440 --> 0:29:21.840
<v Speaker 1>how do you spend time? It's funny you mention it.

0:29:21.880 --> 0:29:23.520
<v Speaker 1>I gamble a lot. I have a lot of fun

0:29:23.520 --> 0:29:28.120
<v Speaker 1>doing that. I play everything, poker, black jack, everything kind

0:29:28.120 --> 0:29:30.800
<v Speaker 1>of you know. I mean, listen, I happen to be

0:29:30.880 --> 0:29:34.920
<v Speaker 1>a degenerate. Yeah, and it's same. You say that in

0:29:34.960 --> 0:29:38.640
<v Speaker 1>a very like playful way, but oh, it's not playful.

0:29:38.840 --> 0:29:40.640
<v Speaker 1>You've probably had some terrible nights where you wanted to

0:29:40.640 --> 0:29:43.520
<v Speaker 1>fuck it. Bro I've been at the casino and I've

0:29:43.800 --> 0:29:50.840
<v Speaker 1>genuinely thought about robbing people. Yeah that's not recently, not recently,

0:29:50.920 --> 0:29:54.040
<v Speaker 1>but like ten years ago, like twelve years ago, when

0:29:54.040 --> 0:29:56.160
<v Speaker 1>I was doing radio in Vegas, and I'd be at

0:29:56.160 --> 0:29:58.520
<v Speaker 1>the fucking Mandola Bay across the street from the radio station,

0:29:58.560 --> 0:30:00.440
<v Speaker 1>I'd be down like three bands. When it's like my

0:30:00.480 --> 0:30:03.240
<v Speaker 1>fucking everything I made for the month, I'll just start.

0:30:03.400 --> 0:30:04.600
<v Speaker 1>I'll be like, yo, man, I go to this fucking

0:30:04.640 --> 0:30:09.960
<v Speaker 1>high roller room and try to catch somebody fucking slipping. Yeah, mana, yo,

0:30:10.000 --> 0:30:13.000
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<v Speaker 1>do you do you you play everything equally? Yeah, I

0:31:37.840 --> 0:31:39.720
<v Speaker 1>play everything kind of equally. You know. What I learned

0:31:40.400 --> 0:31:43.640
<v Speaker 1>about gambling is everything it opened my eyes to, like

0:31:43.800 --> 0:31:46.480
<v Speaker 1>not even money. But everything is relative, you know, So

0:31:46.600 --> 0:31:49.760
<v Speaker 1>when when someone loses one hundred dollars, it's like I've

0:31:49.800 --> 0:31:52.520
<v Speaker 1>seen rich people lose, you know, at a table in

0:31:53.000 --> 0:31:55.680
<v Speaker 1>an hour. I've seen them lose five hundred thousand dollars.

0:31:56.040 --> 0:31:58.480
<v Speaker 1>But everything is relative. So when you see someone rob

0:31:58.520 --> 0:32:00.920
<v Speaker 1>someone or kill someone over you know that one hundred

0:32:00.920 --> 0:32:02.960
<v Speaker 1>dollars and you're like, oh, it's just one hundred dollars.

0:32:03.200 --> 0:32:06.760
<v Speaker 1>It might have been you know everything, yeah, exactly, and

0:32:06.800 --> 0:32:09.800
<v Speaker 1>every It kind of like put everything into perspective for

0:32:09.880 --> 0:32:12.200
<v Speaker 1>me and seeing all these different walks of life, like

0:32:12.520 --> 0:32:15.280
<v Speaker 1>play with all this different type of money, and it's

0:32:15.280 --> 0:32:19.200
<v Speaker 1>opened my eyes, you know, to like to how kind

0:32:19.200 --> 0:32:21.840
<v Speaker 1>of fucked up and twisted money is, you know it.

0:32:21.960 --> 0:32:26.040
<v Speaker 1>And it made me value money a lot less, you

0:32:26.040 --> 0:32:28.360
<v Speaker 1>know how, because I used to be like, Yo, this

0:32:28.480 --> 0:32:31.000
<v Speaker 1>is what money is, what we need to survive. But

0:32:31.920 --> 0:32:35.240
<v Speaker 1>I've just seen so so many things, so many crazy

0:32:35.600 --> 0:32:39.560
<v Speaker 1>gamble there. It almost like desensitizes you to the factor

0:32:39.640 --> 0:32:41.760
<v Speaker 1>giving money. It feels like you're playing a game, yeah,

0:32:41.800 --> 0:32:43.480
<v Speaker 1>because they give you the chips and it's like this

0:32:43.560 --> 0:32:46.040
<v Speaker 1>is little chips and then you walk away, you go

0:32:46.200 --> 0:32:49.000
<v Speaker 1>you go home, and then and you're like, oh, that

0:32:49.040 --> 0:32:54.960
<v Speaker 1>shit was real moneys. Yeah. The worst is like I

0:32:55.000 --> 0:32:58.400
<v Speaker 1>have a friend who's made millions of dollars gambling, but

0:32:58.400 --> 0:33:00.440
<v Speaker 1>I've also seen it like he goes to the high

0:33:00.480 --> 0:33:05.400
<v Speaker 1>limit slots and he'll do loser. You'll do like thousand,

0:33:05.400 --> 0:33:08.440
<v Speaker 1>two thousand of fucking spin And like I've seen him

0:33:08.480 --> 0:33:10.720
<v Speaker 1>hit for like nine hundred k yeah, like one point

0:33:10.720 --> 0:33:12.560
<v Speaker 1>two million, but I also see him lose. I've also

0:33:12.600 --> 0:33:14.760
<v Speaker 1>seen him been down three hundred thousand dollars on one day,

0:33:14.800 --> 0:33:17.080
<v Speaker 1>and I was like, it's a part of it. My god.

0:33:17.320 --> 0:33:21.400
<v Speaker 1>What is your biggest uh win in gambling and the

0:33:21.440 --> 0:33:23.600
<v Speaker 1>worst night you've ever had in terms of loss of homes.

0:33:23.800 --> 0:33:26.720
<v Speaker 1>I've had bad nights, but y'all like just little little nights.

0:33:27.720 --> 0:33:31.040
<v Speaker 1>My biggest win in gambling was about quarter million on

0:33:31.160 --> 0:33:33.600
<v Speaker 1>my birthday, And it was like, I was like, what

0:33:33.680 --> 0:33:35.400
<v Speaker 1>the hell like cause I don't really like I believe

0:33:35.440 --> 0:33:38.760
<v Speaker 1>in luck, but I believe in like like reality too,

0:33:38.800 --> 0:33:40.400
<v Speaker 1>you know, Like I don't think like you go to

0:33:40.480 --> 0:33:43.719
<v Speaker 1>Vegas and you just you're gonna win because it's your birthday.

0:33:43.720 --> 0:33:45.720
<v Speaker 1>But I won quarter million on my birthday and I'm

0:33:45.760 --> 0:33:49.880
<v Speaker 1>just like, what were you playing black blackjack? Only? Yeah?

0:33:50.000 --> 0:33:53.320
<v Speaker 1>Quarter million? That was like a slow come up now.

0:33:53.400 --> 0:33:55.000
<v Speaker 1>I was like one day, you know what I mean

0:33:55.040 --> 0:33:57.080
<v Speaker 1>in terms of like you know, some some people will

0:33:57.080 --> 0:33:58.680
<v Speaker 1>sit down at a slot machine and hit a quarter

0:33:58.680 --> 0:34:02.040
<v Speaker 1>million in fucking life, oh yeah yeah, or they'll play roulette,

0:34:02.120 --> 0:34:04.000
<v Speaker 1>and you know roulette you could win fast like black

0:34:04.160 --> 0:34:06.480
<v Speaker 1>I was just slow. Yeah, it's not slow. When you're

0:34:06.480 --> 0:34:09.480
<v Speaker 1>betting five thousand, ten thousand, it's pretty fast. You'd be

0:34:09.520 --> 0:34:11.520
<v Speaker 1>there for three four hours. You either lose everything or

0:34:11.520 --> 0:34:14.000
<v Speaker 1>you win up to fifty to fifty. And I'm like,

0:34:14.080 --> 0:34:15.880
<v Speaker 1>that must have been the best birthday of your life.

0:34:16.000 --> 0:34:18.160
<v Speaker 1>I was like, this is so crap. I was telling

0:34:18.160 --> 0:34:20.240
<v Speaker 1>my girl. I was like, this is like is this birthday?

0:34:20.280 --> 0:34:22.840
<v Speaker 1>Look like? What's going on? It was? My goodness, it

0:34:22.880 --> 0:34:26.480
<v Speaker 1>was I can't imagine a better birthday. Yeah, ever, yeah,

0:34:26.520 --> 0:34:28.520
<v Speaker 1>but then it also made me realize, like, you know,

0:34:28.760 --> 0:34:32.840
<v Speaker 1>all this money, like, uh, it's it's I don't know.

0:34:32.880 --> 0:34:34.960
<v Speaker 1>I don't have been a fucking problem that night. Bro,

0:34:35.600 --> 0:34:37.520
<v Speaker 1>don't let me be up to fifty on my birthday

0:34:37.560 --> 0:34:40.040
<v Speaker 1>in Vegas. Be at the fun. I don't know if

0:34:40.080 --> 0:34:42.600
<v Speaker 1>you know who he is, you know Mickey, Mickey, the

0:34:42.800 --> 0:34:45.919
<v Speaker 1>dude who'll be rolling around Vegas crazy. That's my Homi.

0:34:46.000 --> 0:34:49.479
<v Speaker 1>He's he's like I learned from him, the real degenerate life.

0:34:49.520 --> 0:34:53.520
<v Speaker 1>Like he's he's he's won millions, millions and a weekend stretch.

0:34:53.680 --> 0:34:57.760
<v Speaker 1>There is like real like strategy if you really gamble

0:34:57.840 --> 0:35:01.239
<v Speaker 1>the right way, that all it's luck base, But there

0:35:01.360 --> 0:35:03.640
<v Speaker 1>is certain things like roulette. There's certain ways you could

0:35:03.640 --> 0:35:06.360
<v Speaker 1>play exactly where you have like an advantage on the

0:35:06.360 --> 0:35:08.960
<v Speaker 1>house if you got a big enough bank roll. That's

0:35:08.760 --> 0:35:11.800
<v Speaker 1>the only the only advantage you have really in gambling.

0:35:11.800 --> 0:35:13.960
<v Speaker 1>You just have to have the bankroll, you know, don't

0:35:14.000 --> 0:35:16.920
<v Speaker 1>try to to be able to back your losses. Yeah, exactly.

0:35:16.960 --> 0:35:19.800
<v Speaker 1>So if you play, you playlet. Yeah. So have you

0:35:19.800 --> 0:35:23.879
<v Speaker 1>ever done the strategy where you bet two thirds at once? So, yeah,

0:35:23.880 --> 0:35:27.080
<v Speaker 1>the second, third, third, third, first second. Yeah, but on

0:35:27.120 --> 0:35:28.960
<v Speaker 1>the first song that's one of those two hits you're

0:35:29.760 --> 0:35:32.239
<v Speaker 1>and then if you lose, you triple each time, and

0:35:32.280 --> 0:35:35.560
<v Speaker 1>then when you eventually hit, that's like a slow, slow strategy.

0:35:35.800 --> 0:35:37.920
<v Speaker 1>You got to sit there. I like to drink, I

0:35:37.960 --> 0:35:40.640
<v Speaker 1>like to have you know. When I was living in Vegas, Yeah,

0:35:41.360 --> 0:35:43.240
<v Speaker 1>that's what I would do. I'd go to like Fremont

0:35:43.280 --> 0:35:46.000
<v Speaker 1>Street where it was like it worked out for you mostly. Yeah,

0:35:46.120 --> 0:35:47.759
<v Speaker 1>but I'd be there for like five or six hours

0:35:47.760 --> 0:35:49.239
<v Speaker 1>and be up like four hundred bucks. But for me

0:35:49.320 --> 0:35:52.319
<v Speaker 1>at the time, I was messing year. It's yeah, it's

0:35:52.520 --> 0:35:54.879
<v Speaker 1>it's all relative. But Roulette's fun. I like to bet

0:35:54.920 --> 0:35:56.800
<v Speaker 1>on the numbers because when that shit hits you just

0:35:56.840 --> 0:35:59.319
<v Speaker 1>get high. You're like, no, that's the dopamine hit of

0:35:59.360 --> 0:36:01.759
<v Speaker 1>winning in gam is like nothing else. Yeah, and that's

0:36:01.760 --> 0:36:04.080
<v Speaker 1>why it's a problem. Like when I watch sports and

0:36:04.120 --> 0:36:05.720
<v Speaker 1>I have a bunch of money going on a fucking

0:36:05.760 --> 0:36:08.960
<v Speaker 1>game and it's close and I win, bro, it's like

0:36:09.000 --> 0:36:12.319
<v Speaker 1>I have thirty orgasms. Yeah, no, for real, that's what.

0:36:12.400 --> 0:36:14.640
<v Speaker 1>But that's why when I problem, that's why it's addicting.

0:36:14.680 --> 0:36:20.200
<v Speaker 1>I'm fucking sick. Oh, I've been there. I've been there. Yeah, stumbach.

0:36:20.280 --> 0:36:23.319
<v Speaker 1>So my worst gambling stretches always had to do with sports,

0:36:23.640 --> 0:36:27.880
<v Speaker 1>and it was always sports betting from my house. Yeah,

0:36:28.080 --> 0:36:30.080
<v Speaker 1>I've had some rough run when I gamble, man, I

0:36:30.400 --> 0:36:33.640
<v Speaker 1>really like to just have fun. If I'm there stressing

0:36:33.719 --> 0:36:35.840
<v Speaker 1>or anything like that, it usually never works out for me.

0:36:36.120 --> 0:36:37.680
<v Speaker 1>And it's kind of a waste when you lose, because

0:36:37.680 --> 0:36:39.440
<v Speaker 1>it's like, damn, you didn't. So if you were up

0:36:39.440 --> 0:36:42.000
<v Speaker 1>to fifty in a night, the biggest worst night that

0:36:42.080 --> 0:36:45.640
<v Speaker 1>you've walked away, noise, nothing, nothing bad because I don't

0:36:45.640 --> 0:36:49.439
<v Speaker 1>I'm not like doing anything crazy. Maybe you know ten

0:36:49.560 --> 0:36:54.120
<v Speaker 1>twenty thirty, I like that, but you know, everything, it

0:36:54.320 --> 0:37:02.160
<v Speaker 1>kind of all even I'd probably be divorced. Yeah, i'd

0:37:02.160 --> 0:37:07.239
<v Speaker 1>be like, sorry, shit's uh, you know, I don't know

0:37:07.280 --> 0:37:14.080
<v Speaker 1>what happened. I was James Harden fucked up. Blaming on

0:37:14.120 --> 0:37:16.799
<v Speaker 1>the players. It's literally all I could do, right because

0:37:16.840 --> 0:37:21.439
<v Speaker 1>I lost like fifteen Christmas Week ones. Oh no, Christmas Week,

0:37:21.440 --> 0:37:23.240
<v Speaker 1>that's the one. I just blamed it on James Harden

0:37:23.320 --> 0:37:28.040
<v Speaker 1>because it was his fucking fault. That's the worst Christmas Week.

0:37:28.719 --> 0:37:31.400
<v Speaker 1>Fuck James Harden. Yeah, I love Vegas. Man. There's a

0:37:31.440 --> 0:37:33.840
<v Speaker 1>guy named Mike White from the Jets who fucking started

0:37:33.840 --> 0:37:36.280
<v Speaker 1>a game last year against the Bengals cost me ten bands.

0:37:36.280 --> 0:37:41.120
<v Speaker 1>Fuck Mike White too. Yeah, you got sports gamis fun now? Yeah,

0:37:41.200 --> 0:37:43.800
<v Speaker 1>I'm just not too not too in the sports. I

0:37:43.840 --> 0:37:45.759
<v Speaker 1>feel like you have no control. And the other thing, too,

0:37:45.840 --> 0:37:47.360
<v Speaker 1>is like you could also bet on like these like

0:37:47.480 --> 0:37:50.719
<v Speaker 1>really zany weird like celebrity boxing matches, yeah, which I

0:37:50.800 --> 0:37:53.279
<v Speaker 1>haven't done yet. I've seen. I have not done that.

0:37:53.680 --> 0:37:56.879
<v Speaker 1>But there's like online sports books that will like take

0:37:56.920 --> 0:37:59.680
<v Speaker 1>your like blue face fight money or whatever whoever's fighting,

0:37:59.719 --> 0:38:01.960
<v Speaker 1>like yeah, and it's like those I feel like you

0:38:02.000 --> 0:38:03.439
<v Speaker 1>can kind of figure out, what do you think about

0:38:03.480 --> 0:38:10.800
<v Speaker 1>tanking Garcia? Oh? Who would win? I like Ryan Garcia. Yeah, school,

0:38:10.800 --> 0:38:13.040
<v Speaker 1>I played poker with him before a couple of times. Nice,

0:38:13.360 --> 0:38:16.120
<v Speaker 1>I think once something like that. Who would you take?

0:38:17.280 --> 0:38:19.799
<v Speaker 1>Oh man, I don't I don't know tang Man, but

0:38:19.840 --> 0:38:22.640
<v Speaker 1>I feel like he's just the beast. Yeah. He's also

0:38:22.719 --> 0:38:26.080
<v Speaker 1>like the kind of guy that like, I don't know, man,

0:38:26.520 --> 0:38:30.000
<v Speaker 1>some of these boxes he's he's like a fucking he's like,

0:38:30.239 --> 0:38:31.560
<v Speaker 1>you know, he might as well be part of y

0:38:31.680 --> 0:38:34.560
<v Speaker 1>Sol the way you'd be fucking acting. I like that ship.

0:38:34.719 --> 0:38:36.440
<v Speaker 1>I'm like, bro, you gotta chill out. Bro, you're a

0:38:36.440 --> 0:38:40.200
<v Speaker 1>fucking professional athlete. Dog like that. Can't just be threatening.

0:38:40.320 --> 0:38:43.000
<v Speaker 1>People want to be entertained, man, I like that ship.

0:38:43.080 --> 0:38:45.640
<v Speaker 1>I'm like, dog, they gonna put a rico on you. Bro,

0:38:45.800 --> 0:38:50.040
<v Speaker 1>chill out. Motherfucker's beefing with every rapper alive for I'm like, no,

0:38:50.160 --> 0:38:53.160
<v Speaker 1>why are you beefing with rappers? Yeah? People want to

0:38:53.160 --> 0:38:55.560
<v Speaker 1>be entertained, man, People like that shit. No, he's dope.

0:38:55.640 --> 0:38:57.319
<v Speaker 1>Especially this day and age, you just got to be

0:38:57.680 --> 0:38:59.920
<v Speaker 1>outlandish crazy. That's why I six ' nine had so

0:39:00.760 --> 0:39:02.880
<v Speaker 1>you know, people want to be entertained. And still to

0:39:02.920 --> 0:39:04.839
<v Speaker 1>this day, when someone talks about six ' nine, they'll

0:39:04.840 --> 0:39:07.399
<v Speaker 1>be like Yeah, fucking they might hate him, they might

0:39:07.440 --> 0:39:09.600
<v Speaker 1>love him, but they're always gonna say, like, I miss

0:39:09.680 --> 0:39:11.560
<v Speaker 1>him all my timeline. He was entertaining why I say

0:39:11.560 --> 0:39:13.920
<v Speaker 1>this about six ' nine. Well, in general, what you

0:39:13.960 --> 0:39:16.359
<v Speaker 1>just said, the outlander shit only lasts so long. Oh,

0:39:16.400 --> 0:39:20.920
<v Speaker 1>of course, it's no longevity in that. But at least

0:39:21.120 --> 0:39:25.920
<v Speaker 1>six ' nine, who was pretty much mastered the Internet

0:39:26.000 --> 0:39:29.200
<v Speaker 1>at the time, at least he had some good records.

0:39:29.600 --> 0:39:32.600
<v Speaker 1>He did, he had some records that didn't suck. Yeah, yeah,

0:39:32.719 --> 0:39:35.720
<v Speaker 1>I mean, Gamo was a joint in the club, Yeah, bangers.

0:39:36.400 --> 0:39:39.000
<v Speaker 1>Even the Nikki record was fire like that. Uh what

0:39:39.040 --> 0:39:42.880
<v Speaker 1>was that shit called Kiki Kiki whatever? The fuck? Y'all know,

0:39:42.880 --> 0:39:44.920
<v Speaker 1>he'd be having all these fucking weird ass song games.

0:39:45.719 --> 0:39:47.480
<v Speaker 1>But at least he had some records to kind of

0:39:47.520 --> 0:39:50.319
<v Speaker 1>back it up. Yeah, but because it wouldn't have worked

0:39:50.320 --> 0:39:52.400
<v Speaker 1>if he didn't, he's I mean, it would have worked

0:39:52.560 --> 0:39:56.520
<v Speaker 1>momentarily super a lot more gimmicky though. Yeah, it would

0:39:56.560 --> 0:39:58.560
<v Speaker 1>have worked in the sense of like Little Pump works,

0:39:58.600 --> 0:40:01.960
<v Speaker 1>you know, and I guess they probably had similar careers.

0:40:02.560 --> 0:40:05.080
<v Speaker 1>And by the way, for the second time, and uh,

0:40:05.160 --> 0:40:06.840
<v Speaker 1>fuck Little Pump he put my number up on his

0:40:06.880 --> 0:40:11.040
<v Speaker 1>fucking story. Fuck him, damn because I was it because

0:40:11.080 --> 0:40:13.359
<v Speaker 1>the J cole thing. Yes, you saw that right? Yeah.

0:40:13.440 --> 0:40:16.040
<v Speaker 1>Oh by the way, I love J cole Man, Jacob No, No,

0:40:16.120 --> 0:40:17.960
<v Speaker 1>so me and Pump we're cool. Like I've always defended

0:40:18.040 --> 0:40:20.560
<v Speaker 1>him throughout the years. Yeah, a fucking solid question. Ask.

0:40:20.719 --> 0:40:23.560
<v Speaker 1>I figured this kid might have been humbled from the

0:40:23.680 --> 0:40:28.239
<v Speaker 1>last few years. Let's have like a conversation in which

0:40:28.280 --> 0:40:30.680
<v Speaker 1>he can actually kind of seem like a dude and

0:40:30.719 --> 0:40:35.560
<v Speaker 1>not like a fucking clout robot. You know that was wrong? Yeah,

0:40:36.040 --> 0:40:40.240
<v Speaker 1>hey man, some but sometimes I on that kind of subject,

0:40:40.280 --> 0:40:43.879
<v Speaker 1>like some people don't want to kind of admitt kind

0:40:43.880 --> 0:40:45.920
<v Speaker 1>of like where they're at. You know, well, dude, like

0:40:46.000 --> 0:40:48.160
<v Speaker 1>that's the thing is, like you don't really participate in

0:40:48.160 --> 0:40:50.880
<v Speaker 1>a lot of that, and you're you have a track

0:40:50.920 --> 0:40:54.719
<v Speaker 1>record of like like, dude, you've made more money off

0:40:54.719 --> 0:40:57.520
<v Speaker 1>of rap music than ninety percent of your peers and

0:40:57.560 --> 0:41:01.440
<v Speaker 1>it's not even close. Fuck, these motherfuckers aren't getting woralty check.

0:41:01.520 --> 0:41:03.120
<v Speaker 1>It don't seem like it though. No, but they're not

0:41:03.120 --> 0:41:07.640
<v Speaker 1>getting royalty checks. Nobody's getting royalty checks. They're fucking getting

0:41:07.680 --> 0:41:10.960
<v Speaker 1>their advance and then they're parlaying that into show money

0:41:11.080 --> 0:41:15.640
<v Speaker 1>or whatever the fuck, but motherfuckers ain't getting woralty checks, right,

0:41:16.280 --> 0:41:19.000
<v Speaker 1>like Meek Mill. I think he just said his whole

0:41:19.000 --> 0:41:21.680
<v Speaker 1>career on Atlantic. I think he said, yeah, I've seen that.

0:41:21.920 --> 0:41:24.040
<v Speaker 1>It was like a wildly low amount of money for

0:41:24.080 --> 0:41:27.120
<v Speaker 1>as many records, like a million dollars or something something crazy.

0:41:27.239 --> 0:41:31.319
<v Speaker 1>I said. He asked how much Going Bad made at

0:41:31.360 --> 0:41:33.080
<v Speaker 1>like twenty five million. He's like, how much did I

0:41:33.120 --> 0:41:36.279
<v Speaker 1>make off that song? No one told him anything. I'm like, man,

0:41:36.760 --> 0:41:39.160
<v Speaker 1>so that's the problem, though, Like, that's those are the

0:41:39.320 --> 0:41:42.400
<v Speaker 1>that's label issues, right, but stay away. But this is

0:41:42.440 --> 0:41:46.239
<v Speaker 1>the thing, right, Like it's a gamble because you could

0:41:46.280 --> 0:41:49.640
<v Speaker 1>also be the guy who's independent who well, you could

0:41:49.640 --> 0:41:52.960
<v Speaker 1>be the guy who really ain't who you're. You might

0:41:52.960 --> 0:41:54.560
<v Speaker 1>be a flash in the pan and someone offers you

0:41:54.600 --> 0:41:58.160
<v Speaker 1>a two million dollar deal. Yeah you better take that. Hey,

0:41:58.200 --> 0:41:59.960
<v Speaker 1>what up, y'all? We gotta stop the interview real quick

0:42:00.080 --> 0:42:03.120
<v Speaker 1>to tell you about our folks at Hardan Las Vegas.

0:42:03.120 --> 0:42:04.520
<v Speaker 1>You see them right there, you know what I mean.

0:42:04.520 --> 0:42:06.680
<v Speaker 1>Shout the hard Dean man. Shout out to everybody over there.

0:42:06.680 --> 0:42:09.359
<v Speaker 1>It's the ills dispensary in the world, Number one. They

0:42:09.360 --> 0:42:11.640
<v Speaker 1>got the craziest selection of weed you'll ever go to.

0:42:12.080 --> 0:42:14.160
<v Speaker 1>When you're in Las Vegas, there's only one place to go.

0:42:14.280 --> 0:42:16.000
<v Speaker 1>That's Hardian. You pull up, you say, hey, I heard

0:42:16.000 --> 0:42:18.919
<v Speaker 1>about this place on the boutleg Cap podcast and they're

0:42:18.960 --> 0:42:20.879
<v Speaker 1>gonna get you hooked up with some fucking weed, all right,

0:42:20.920 --> 0:42:24.200
<v Speaker 1>So go to hard Dean Las Vegas right now. If

0:42:24.200 --> 0:42:26.600
<v Speaker 1>you're in the city of a sin or you're going,

0:42:26.960 --> 0:42:29.360
<v Speaker 1>make sure you, you know, put put together a little

0:42:29.360 --> 0:42:30.960
<v Speaker 1>hour off to the side to make sure you go

0:42:31.000 --> 0:42:34.000
<v Speaker 1>get your nice fucking hardying bag full of just the

0:42:34.080 --> 0:42:36.839
<v Speaker 1>premium weed, all right. And not only that, you got

0:42:36.840 --> 0:42:39.440
<v Speaker 1>to shoot them a follow Hardening Underscore Las Vegas. I'm

0:42:39.440 --> 0:42:42.880
<v Speaker 1>gonna shoot them out though, because Harding smells the best.

0:42:43.040 --> 0:42:45.720
<v Speaker 1>The dispensary is just it's not only the best dispensary

0:42:45.680 --> 0:42:47.520
<v Speaker 1>in the world, it's the best smelling dispensary in the world.

0:42:47.680 --> 0:42:50.800
<v Speaker 1>And look now the bootleg Cat podcast smells like Hardien

0:42:50.880 --> 0:42:53.680
<v Speaker 1>because I have the Harden signature scent candle. You could

0:42:53.680 --> 0:42:57.000
<v Speaker 1>have one too. You could go to fucking Harding Las Vegas.

0:42:57.280 --> 0:43:00.120
<v Speaker 1>Just saying, also make sure you follow them online and

0:43:00.680 --> 0:43:05.200
<v Speaker 1>hard Dean Underscore Las Vegas. That is important. You have

0:43:05.239 --> 0:43:07.600
<v Speaker 1>to follow them because there's some bullshit accounts out there.

0:43:07.800 --> 0:43:10.640
<v Speaker 1>We appreciate Hard Dean. When you're in Vegas. Pull up,

0:43:10.719 --> 0:43:13.200
<v Speaker 1>go get you some smoke, get you some edibles, Go

0:43:13.239 --> 0:43:16.200
<v Speaker 1>get you some fucking carts. Whatever it is, they got it,

0:43:16.239 --> 0:43:17.840
<v Speaker 1>and they got it at the highest quality. It's the

0:43:17.840 --> 0:43:21.080
<v Speaker 1>only place I'm smoking from. That's Hard Dean lost Vegas.

0:43:21.160 --> 0:43:23.640
<v Speaker 1>Let's get back to the interview exactly. And that's how

0:43:23.640 --> 0:43:26.239
<v Speaker 1>people think sometimes. I think Bettle Pump did that. He

0:43:26.600 --> 0:43:28.919
<v Speaker 1>got a bag, and good for him. You gotta bet

0:43:28.960 --> 0:43:31.239
<v Speaker 1>on yourself. And when you're an artist and if it

0:43:31.280 --> 0:43:33.440
<v Speaker 1>happens quick, then I get it. But if you're if

0:43:33.440 --> 0:43:35.799
<v Speaker 1>you're building up and building up and building up and

0:43:35.840 --> 0:43:37.560
<v Speaker 1>you see it's working for you and you have a

0:43:37.560 --> 0:43:40.040
<v Speaker 1>shot and this shit, bet on yourself, man, gamble on

0:43:40.080 --> 0:43:45.279
<v Speaker 1>yourself and fucking don't take that quick money that you know,

0:43:45.400 --> 0:43:49.000
<v Speaker 1>instant gratification, build it up, keep going. It might take

0:43:49.040 --> 0:43:52.359
<v Speaker 1>five years, but where you're gonna be like like rest

0:43:52.440 --> 0:43:55.080
<v Speaker 1>these days, who like kind of like pamped the label

0:43:55.120 --> 0:43:57.080
<v Speaker 1>for two albums and then got the fuck out and

0:43:57.120 --> 0:43:59.560
<v Speaker 1>stillings his masters and now he's you know, like he

0:43:59.719 --> 0:44:01.960
<v Speaker 1>just ops a song every week or every two weeks.

0:44:01.960 --> 0:44:04.240
<v Speaker 1>It's like you just do what you want, you feed

0:44:04.280 --> 0:44:08.080
<v Speaker 1>your fans. Yeah, and that's a that's another thing. But

0:44:08.239 --> 0:44:11.240
<v Speaker 1>it's also aside from the label thing, it's not following

0:44:11.280 --> 0:44:13.480
<v Speaker 1>the trends, you know. And I don't think I don't

0:44:13.520 --> 0:44:17.239
<v Speaker 1>think he followed like super trendy, like what was going

0:44:17.280 --> 0:44:19.600
<v Speaker 1>on in the music when like when Pump was hot,

0:44:19.760 --> 0:44:21.839
<v Speaker 1>Like you know, there was a lot of people trying

0:44:21.880 --> 0:44:24.920
<v Speaker 1>to do that, you know, coloring their dreads doing all that.

0:44:25.040 --> 0:44:27.439
<v Speaker 1>Pump was like, he's like the he's like the Cloud era,

0:44:27.600 --> 0:44:30.760
<v Speaker 1>like mascot for sure, But everybody followed his whole fucking

0:44:30.800 --> 0:44:33.799
<v Speaker 1>those three years or every four years we given like

0:44:33.880 --> 0:44:35.680
<v Speaker 1>six nine low. He followed a lot of like the

0:44:35.719 --> 0:44:38.080
<v Speaker 1>Pump ship even like oh yeah, I mean, I mean

0:44:38.360 --> 0:44:41.680
<v Speaker 1>fucking shock, you know what I'm saying. Shot shot, Yeah, value,

0:44:41.800 --> 0:44:44.160
<v Speaker 1>there was the fuck I'm not even gonna say to

0:44:44.200 --> 0:44:47.080
<v Speaker 1>do his name because I was dming with him Chief.

0:44:47.160 --> 0:44:48.719
<v Speaker 1>He set the tone for a lot of ship too.

0:44:48.760 --> 0:44:51.120
<v Speaker 1>There's there's there's a bunch of people, the Clone guy,

0:44:51.200 --> 0:44:53.359
<v Speaker 1>what's his fucking name? I was just dming with him

0:44:53.360 --> 0:44:55.840
<v Speaker 1>because he's mad that I forgot his fucking name. Clone

0:44:56.640 --> 0:44:59.680
<v Speaker 1>kid Boo, kid Boo, Yeah, shots kid Boo. I'm having

0:44:59.719 --> 0:45:00.959
<v Speaker 1>on the pop. I guess we're gonna a really honest

0:45:00.960 --> 0:45:06.480
<v Speaker 1>conversation about his whole fucking thing. But that was, like, yeah,

0:45:06.560 --> 0:45:10.960
<v Speaker 1>an egregious era of music. Oh, it was all it was.

0:45:11.040 --> 0:45:14.480
<v Speaker 1>I think they call it the SoundCloud era. SoundCloud. I

0:45:14.600 --> 0:45:18.200
<v Speaker 1>want to say Supreme pat everything was Supreme Patty got

0:45:18.239 --> 0:45:23.040
<v Speaker 1>a record deal. I think he did know Supreme Patty.

0:45:23.320 --> 0:45:25.960
<v Speaker 1>Supreme Patty the lemon juice in his eyes got put

0:45:26.000 --> 0:45:28.600
<v Speaker 1>out a record that was produced by Scott storchro Wow,

0:45:28.640 --> 0:45:31.080
<v Speaker 1>shout out Scott, that's my guy. Get the bag. Yeah,

0:45:31.120 --> 0:45:34.600
<v Speaker 1>but I'm pretty sure somebody gave him a deal. I

0:45:34.600 --> 0:45:37.480
<v Speaker 1>don't want to speculate on which company it was, but

0:45:37.600 --> 0:45:42.279
<v Speaker 1>let's just say it's a number. The company is named

0:45:42.280 --> 0:45:44.560
<v Speaker 1>after a number. I'm pretty sure they gave him a bag.

0:45:44.880 --> 0:45:47.160
<v Speaker 1>I might be wrong, but the fact that and Supreme

0:45:47.160 --> 0:45:49.040
<v Speaker 1>Patty is a nice kid. But the fact those kind

0:45:49.040 --> 0:45:51.120
<v Speaker 1>of people are getting record deals in the cloud era,

0:45:51.320 --> 0:45:54.760
<v Speaker 1>let me let me let me say this man, the industry,

0:45:54.880 --> 0:45:58.719
<v Speaker 1>these labels, it's it's like at first, it was like embarrassing,

0:45:58.760 --> 0:46:00.879
<v Speaker 1>but they tried to hide it. Now they just don't

0:46:00.880 --> 0:46:03.440
<v Speaker 1>have any pride, Like they're like, fuck it, we're already embarrassed.

0:46:03.680 --> 0:46:06.840
<v Speaker 1>They just did the fake crypto rapper. Yeah, they're like,

0:46:06.840 --> 0:46:09.319
<v Speaker 1>we're already fucking losing. We're just gonna fucking go all out.

0:46:09.360 --> 0:46:11.400
<v Speaker 1>You know how when someone just gets super desperate to

0:46:11.440 --> 0:46:14.160
<v Speaker 1>fucking just start doing ship and they're fucking you're just like, dude,

0:46:14.160 --> 0:46:17.160
<v Speaker 1>you don't have no fucking shame. I feel like right now,

0:46:17.320 --> 0:46:19.680
<v Speaker 1>that's where we're at with fucking labels. They're just like, Oh,

0:46:19.719 --> 0:46:22.799
<v Speaker 1>he has a fucking hot TikTok five second slippe, like

0:46:22.880 --> 0:46:25.240
<v Speaker 1>we need him, we need him. It's just it's embarrassing

0:46:25.320 --> 0:46:29.520
<v Speaker 1>that fake AI rapper that Capital signed and then dropped

0:46:29.560 --> 0:46:32.440
<v Speaker 1>within five days because of the outrage. What was the

0:46:32.480 --> 0:46:35.680
<v Speaker 1>name of that fucking you know what I'm talking about?

0:46:36.360 --> 0:46:39.280
<v Speaker 1>There was like this meta rapper who was like a

0:46:41.040 --> 0:46:44.160
<v Speaker 1>oh my bad, so what I'm but it was like

0:46:44.160 --> 0:46:46.840
<v Speaker 1>a fake rapper right that they made on the metaverse

0:46:47.480 --> 0:46:51.680
<v Speaker 1>and fn Mecca right, so that dude, well, it's not

0:46:51.760 --> 0:46:55.759
<v Speaker 1>a dude. It's a fucking like an avatar that was

0:46:55.800 --> 0:46:58.000
<v Speaker 1>like saying the N word in its music and like

0:46:58.200 --> 0:46:59.879
<v Speaker 1>I never heard it. I'm I'm surprised I never heard

0:46:59.920 --> 0:47:01.520
<v Speaker 1>of bro. It was all over the place for about

0:47:01.520 --> 0:47:06.000
<v Speaker 1>two weeks, but so so Capital announced that they signed

0:47:06.000 --> 0:47:10.640
<v Speaker 1>the first ever AI rapper, right. But then once you

0:47:10.719 --> 0:47:13.319
<v Speaker 1>dive into it, you're like, oh, this is just kind

0:47:13.320 --> 0:47:16.800
<v Speaker 1>of like a lot of black stereotypes. And the people

0:47:16.840 --> 0:47:18.879
<v Speaker 1>behind it, from what I understand, you would know more

0:47:18.880 --> 0:47:21.279
<v Speaker 1>than me because she worked with I'm not sure that

0:47:21.360 --> 0:47:24.160
<v Speaker 1>the person who created it was black. Am I tripping

0:47:25.040 --> 0:47:34.640
<v Speaker 1>the guy behind the exactly right, right, So it was

0:47:34.640 --> 0:47:38.359
<v Speaker 1>almost like the Milli Vanilli thing, but with like a cartoon, right,

0:47:38.719 --> 0:47:41.160
<v Speaker 1>and it was just like it was the cringiest ship

0:47:41.200 --> 0:47:44.800
<v Speaker 1>I seen what I think. What I think is labels

0:47:44.800 --> 0:47:47.799
<v Speaker 1>and all these things they want like instant gratification kind

0:47:47.800 --> 0:47:50.600
<v Speaker 1>of thing, like they don't value longevity anymore. They don't

0:47:50.680 --> 0:47:53.800
<v Speaker 1>value good music or just artist development, yeah, or artists development.

0:47:54.120 --> 0:47:56.719
<v Speaker 1>But then I get it, because so much shit's going on,

0:47:56.800 --> 0:47:59.080
<v Speaker 1>they just want to grab, you know, grab whatever's coming

0:47:59.120 --> 0:48:01.320
<v Speaker 1>to the numbers game. Man, I'll sign a fifty acts

0:48:01.320 --> 0:48:03.279
<v Speaker 1>and hope one of them becomes a weekend Yeah, But

0:48:03.320 --> 0:48:05.920
<v Speaker 1>the independent artists like me and and you know all

0:48:05.920 --> 0:48:07.640
<v Speaker 1>these other artists that are doing it. The right way.

0:48:07.680 --> 0:48:09.880
<v Speaker 1>We're we're playing the real numbers game. We're trying to

0:48:09.880 --> 0:48:11.640
<v Speaker 1>make We're trying to be here for twenty years. What's

0:48:11.640 --> 0:48:14.239
<v Speaker 1>your distro is? Are you doing like distro caunidation? Oh

0:48:14.280 --> 0:48:16.680
<v Speaker 1>you do for Shout out my guy Lee. Yeah, shout

0:48:16.719 --> 0:48:18.799
<v Speaker 1>out Lee Lee. When I was when I was on

0:48:18.920 --> 0:48:21.399
<v Speaker 1>when I was on Warner, Lee was the radio guy

0:48:21.440 --> 0:48:23.960
<v Speaker 1>at Warner, of course he was. Yeah, shouts to Lee.

0:48:24.000 --> 0:48:25.759
<v Speaker 1>He just announced today he's got he's got a big,

0:48:25.800 --> 0:48:27.799
<v Speaker 1>big thing coming. Shout out to my guy Lee. What

0:48:27.880 --> 0:48:29.239
<v Speaker 1>is he doing? What is he doing? He just left?

0:48:30.000 --> 0:48:32.719
<v Speaker 1>Oh wow, he announced that today. So he's going to Uh, well,

0:48:32.719 --> 0:48:36.319
<v Speaker 1>I can't say he's going. Yeah, my distribution Foundation is done.

0:48:36.640 --> 0:48:40.560
<v Speaker 1>I want to say more for me than any well

0:48:40.640 --> 0:48:44.440
<v Speaker 1>then Warner than you know, and Warner had my masters

0:48:44.640 --> 0:48:46.879
<v Speaker 1>and now I'm just doing Lease great guy man. Yeah.

0:48:46.960 --> 0:48:49.600
<v Speaker 1>Foundation is a great company. Yeah, amazing. And the one

0:48:49.640 --> 0:48:52.120
<v Speaker 1>thing about Foundations, you could just call Lee and be like, Ao,

0:48:53.800 --> 0:48:56.600
<v Speaker 1>what I'm trying to drop some ship tomorrow, and who's good.

0:48:57.160 --> 0:48:59.120
<v Speaker 1>Let me call the stories. We'll figure it out. Yeah,

0:48:59.280 --> 0:49:01.200
<v Speaker 1>let's do it. Shout out to Hey, that's dope. I

0:49:01.200 --> 0:49:03.239
<v Speaker 1>didn't know you were on the Foundation. That makes sense though. Yeah,

0:49:03.280 --> 0:49:04.759
<v Speaker 1>I've been with them for about two years. I did

0:49:04.760 --> 0:49:08.279
<v Speaker 1>my last project with them too, it makes sense, and

0:49:08.320 --> 0:49:11.360
<v Speaker 1>that last project was did Numbers Bro. You were on

0:49:11.440 --> 0:49:14.680
<v Speaker 1>hell A Playlist and that's in Foundation helped with that.

0:49:14.760 --> 0:49:16.799
<v Speaker 1>Feel like a couple of years ago you were. I

0:49:16.840 --> 0:49:19.279
<v Speaker 1>felt like I was like Forest kind of hanging out

0:49:19.320 --> 0:49:22.879
<v Speaker 1>with some of these industrydutions a little. I gotta try

0:49:22.920 --> 0:49:25.359
<v Speaker 1>to pull them back in a little bit. Yeah, yeah,

0:49:25.360 --> 0:49:29.920
<v Speaker 1>I almost got pulled back into I was like, oh,

0:49:30.040 --> 0:49:32.719
<v Speaker 1>there were certain people mentioning you to me that. I

0:49:32.800 --> 0:49:37.360
<v Speaker 1>was like, yeah, you like seven figure deals on the table.

0:49:37.440 --> 0:49:39.960
<v Speaker 1>I bet you did. I might need this right now,

0:49:40.080 --> 0:49:42.840
<v Speaker 1>like I bet you did. But when it comes to

0:49:42.840 --> 0:49:45.960
<v Speaker 1>building catalog, you gotta really, you gotta you got to

0:49:45.960 --> 0:49:48.759
<v Speaker 1>bite the bullet and think long term, right, you know,

0:49:48.960 --> 0:49:51.080
<v Speaker 1>especially for me. For me, if I if I only

0:49:51.120 --> 0:49:52.680
<v Speaker 1>made music for two years and I have a seven

0:49:52.680 --> 0:49:55.200
<v Speaker 1>figure deal on the table, I'm like, let me take it,

0:49:55.280 --> 0:49:57.680
<v Speaker 1>you know. But now I'm kind of like, man, I've

0:49:57.680 --> 0:50:01.960
<v Speaker 1>had this seven figure deal to that include your independent catalog. No, okay,

0:50:02.000 --> 0:50:03.480
<v Speaker 1>well then that's that's different because you know a lot

0:50:03.520 --> 0:50:04.759
<v Speaker 1>of that's what they're doing now. They're like, we want

0:50:04.760 --> 0:50:07.279
<v Speaker 1>to roll up your whole ship. Everyone wants catalogs now,

0:50:07.440 --> 0:50:10.520
<v Speaker 1>everyone for sure. But but yeah, I was like, I

0:50:10.560 --> 0:50:13.319
<v Speaker 1>have songs that are already making second seven figures. I

0:50:13.360 --> 0:50:16.840
<v Speaker 1>have songs that are you know, not albums, just singles

0:50:16.840 --> 0:50:19.440
<v Speaker 1>that already did seven figures. Like I just need to

0:50:19.560 --> 0:50:21.879
<v Speaker 1>push another one or two of those out. I don't

0:50:21.880 --> 0:50:24.080
<v Speaker 1>need to sign for four albums, sign for three albums

0:50:24.080 --> 0:50:26.640
<v Speaker 1>with you for saying like you have like a lot

0:50:26.640 --> 0:50:31.240
<v Speaker 1>of dude, I mean fucking you got songs with people

0:50:31.239 --> 0:50:34.000
<v Speaker 1>that the fact that you were able to have a

0:50:34.080 --> 0:50:37.080
<v Speaker 1>Kailani and Janet feature on an independent project and like,

0:50:37.760 --> 0:50:39.719
<v Speaker 1>you know, that's a big deal man. That says a

0:50:39.760 --> 0:50:42.400
<v Speaker 1>lot about your relationships that you built over the years. Yeah,

0:50:42.440 --> 0:50:44.480
<v Speaker 1>and it takes, it takes grind, it takes hard working,

0:50:44.600 --> 0:50:47.120
<v Speaker 1>especially artists of that statue. Well, those are also the

0:50:47.120 --> 0:50:51.719
<v Speaker 1>type of artists that have high artistic integrities going to

0:50:51.760 --> 0:50:53.399
<v Speaker 1>don't want to work with someone and you can make

0:50:53.400 --> 0:50:55.880
<v Speaker 1>the greatest music, but they don't want to work with

0:50:55.960 --> 0:51:00.080
<v Speaker 1>you if you have any you know, they also like

0:51:00.320 --> 0:51:02.759
<v Speaker 1>art the time. I'm assuming like you just can't pay

0:51:02.800 --> 0:51:04.839
<v Speaker 1>for like features from some of these artists oh no,

0:51:05.600 --> 0:51:09.080
<v Speaker 1>you know, they gotta love this song, got to be great.

0:51:09.480 --> 0:51:12.800
<v Speaker 1>It has to be something that's like, yeah, I'm gonna

0:51:12.840 --> 0:51:14.359
<v Speaker 1>do it. And most of the time, you know, those

0:51:14.360 --> 0:51:16.279
<v Speaker 1>are artists that will really just get in there and

0:51:16.320 --> 0:51:18.719
<v Speaker 1>just do it and create because they love music. It's

0:51:18.800 --> 0:51:21.520
<v Speaker 1>way I'm in. It's weird because I'm in both industries.

0:51:21.560 --> 0:51:23.239
<v Speaker 1>You know, I'm in the R and B and I'm

0:51:23.239 --> 0:51:25.719
<v Speaker 1>in the rap, and I see the difference. I feel

0:51:25.719 --> 0:51:28.880
<v Speaker 1>like the R and B side they really appreciate music

0:51:29.000 --> 0:51:30.799
<v Speaker 1>a lot more and they're less of like trying to

0:51:30.840 --> 0:51:32.759
<v Speaker 1>bang out a bunch of songs and just get in

0:51:32.760 --> 0:51:35.400
<v Speaker 1>the studio and I'll put the shit out. There's a

0:51:35.440 --> 0:51:38.440
<v Speaker 1>lot more integrity behind it, you know. In the rap world,

0:51:38.440 --> 0:51:42.080
<v Speaker 1>it's a little more aggressive, like fuck it, We'll just

0:51:42.120 --> 0:51:44.040
<v Speaker 1>do this shit. It's a lot it's a lot more

0:51:44.200 --> 0:51:47.960
<v Speaker 1>like fake and toxic and twisted for sure. Well, I mean,

0:51:48.000 --> 0:51:52.880
<v Speaker 1>like I think like you. I mean, nowadays, you know,

0:51:53.080 --> 0:51:56.040
<v Speaker 1>guys like Road Waiver considered hip hop. I mean I'm sure,

0:51:56.120 --> 0:51:58.200
<v Speaker 1>like sure he's got like you know, but it's like

0:51:59.080 --> 0:52:00.560
<v Speaker 1>you guys are and be hippy. You guys are really

0:52:00.600 --> 0:52:03.440
<v Speaker 1>just doing like kind of like your own thing, Like

0:52:03.560 --> 0:52:05.360
<v Speaker 1>you know, it's almost like when like people would consider

0:52:05.440 --> 0:52:07.200
<v Speaker 1>post Malone a rapper, I'd get like sick when I

0:52:07.200 --> 0:52:09.600
<v Speaker 1>would hear that out loud. I'm like, he's just an artist. Yeah,

0:52:09.680 --> 0:52:12.600
<v Speaker 1>he's an artist, dude, Like you're one of the to me,

0:52:12.840 --> 0:52:15.680
<v Speaker 1>you're an artist, like you could rap, you could do

0:52:15.719 --> 0:52:18.439
<v Speaker 1>this seeing melodic ship, but you're like an artist. Yeah

0:52:18.440 --> 0:52:21.839
<v Speaker 1>you know what I'm saying. So but you know, but

0:52:21.880 --> 0:52:24.200
<v Speaker 1>there's those worlds like rap world, where it's like like

0:52:24.239 --> 0:52:27.160
<v Speaker 1>these are rappers, Like Doja Cat is a rapper technically

0:52:27.200 --> 0:52:30.319
<v Speaker 1>she raps. She's also like too though, yeah she's a

0:52:30.360 --> 0:52:33.480
<v Speaker 1>pop star bro like she's a fucking yeah. When I

0:52:33.480 --> 0:52:35.480
<v Speaker 1>see like, yo, she's the hardest female rapper, I'm like,

0:52:36.320 --> 0:52:39.320
<v Speaker 1>but then you'll get really look at her in that lens. Yeah. Yeah,

0:52:39.360 --> 0:52:41.399
<v Speaker 1>But you'll get into those industries where it's like this

0:52:41.480 --> 0:52:43.960
<v Speaker 1>is this is R and B. This is like these

0:52:44.000 --> 0:52:46.120
<v Speaker 1>people are the most R and B you could get,

0:52:46.200 --> 0:52:48.000
<v Speaker 1>Like you know that R and B shit is firing.

0:52:48.719 --> 0:52:50.279
<v Speaker 1>I think R and b's have like a dope like

0:52:50.600 --> 0:52:52.919
<v Speaker 1>four or five year run of kind of coming back

0:52:52.960 --> 0:52:57.479
<v Speaker 1>and yeah, the soul music side of ships, like uh yeah,

0:52:57.480 --> 0:52:59.359
<v Speaker 1>there's just been some great R and B shit getting made.

0:52:59.400 --> 0:53:02.719
<v Speaker 1>It's like like Underground but not underground. Yeah right, it's

0:53:02.800 --> 0:53:05.520
<v Speaker 1>like shots like Selection Radio and Apple and shit. They

0:53:05.600 --> 0:53:09.360
<v Speaker 1>did a good job of kind of like pushing that line.

0:53:09.520 --> 0:53:12.360
<v Speaker 1>Yeah for sure. Hey, we got to stop the interview

0:53:12.360 --> 0:53:14.839
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0:54:02.560 --> 0:54:04.319
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<v Speaker 1>socks Casino, great fucking movie, you know what I mean.

0:54:13.239 --> 0:54:18.600
<v Speaker 1>These are pretty fly bubblicious. Yeah, that's right, little bubblicious.

0:54:19.160 --> 0:54:22.560
<v Speaker 1>And this is the big, one, big deal here. We

0:54:22.640 --> 0:54:25.800
<v Speaker 1>got Coca Cola socks. Baby, that's right. Coke's on board.

0:54:26.840 --> 0:54:29.440
<v Speaker 1>Coke is on board, you know what I mean. We

0:54:29.480 --> 0:54:32.080
<v Speaker 1>get to put the coke hat on. This hat doesn't

0:54:32.080 --> 0:54:34.560
<v Speaker 1>work for me, does It doesn't work for me? Anyway?

0:54:34.920 --> 0:54:37.680
<v Speaker 1>You could get you this hat though, Hey, Cyrus, take

0:54:37.680 --> 0:54:40.439
<v Speaker 1>a Coke hat. There you go, go to odd socksoficial

0:54:40.480 --> 0:54:43.919
<v Speaker 1>dot com, use the promo code bootleg right now, save

0:54:44.000 --> 0:54:47.520
<v Speaker 1>twenty percent off, and go purge their website for Black Friday.

0:54:47.800 --> 0:54:51.200
<v Speaker 1>Get gifts for your family. Your fucking family will love

0:54:51.239 --> 0:54:52.880
<v Speaker 1>you if you buy them the most comfortable socks in

0:54:52.920 --> 0:54:55.080
<v Speaker 1>the world. It's that simple. Or you could buy them

0:54:55.080 --> 0:54:57.719
<v Speaker 1>some fucking bullshit socks. You could go buy them some

0:54:57.760 --> 0:55:01.640
<v Speaker 1>garbage ass fucking ethhica or some bullshit ass fucking Nike socks.

0:55:01.920 --> 0:55:04.840
<v Speaker 1>Fuck them, get odd socks. Let's get back to the interview.

0:55:05.480 --> 0:55:09.480
<v Speaker 1>So the album is out, not a lot of features you,

0:55:09.520 --> 0:55:14.360
<v Speaker 1>No Sky and garyn Yeah, Garan Sky my girl she

0:55:14.440 --> 0:55:17.759
<v Speaker 1>did amazing. That's your girl, that's her girl. Yeah, just

0:55:17.800 --> 0:55:22.000
<v Speaker 1>in the studio vibing or artists first, did you like

0:55:22.040 --> 0:55:24.720
<v Speaker 1>say hey try this? Yeah? No, she she she showed

0:55:24.719 --> 0:55:26.480
<v Speaker 1>me stuff like when we met. She showed me, like,

0:55:26.680 --> 0:55:28.880
<v Speaker 1>you know, singing stuff, and I was like, wow, like

0:55:28.920 --> 0:55:31.319
<v Speaker 1>you're really good. She's like like I just did a

0:55:31.360 --> 0:55:33.920
<v Speaker 1>fun type thing. I'm like, but you know, just get

0:55:34.000 --> 0:55:35.759
<v Speaker 1>drunk in the studio and just vibe and have a

0:55:35.800 --> 0:55:39.160
<v Speaker 1>good time and whatever happens, whatever we create and feel

0:55:39.200 --> 0:55:41.359
<v Speaker 1>good about. We just kind of put together like that.

0:55:41.719 --> 0:55:46.600
<v Speaker 1>But yeah, she's she's amazing and talented, and yeah, I

0:55:46.640 --> 0:55:48.200
<v Speaker 1>don't want to make it work. Man, if you put

0:55:48.239 --> 0:55:51.799
<v Speaker 1>her on your album, I know, right, that's what One

0:55:51.800 --> 0:55:54.160
<v Speaker 1>of the songs with her goes like double platinum, right,

0:55:54.440 --> 0:55:56.040
<v Speaker 1>and then you have to perform it and you guys

0:55:56.080 --> 0:55:58.680
<v Speaker 1>break up. Like, I feel so bad for our good

0:55:58.680 --> 0:56:01.480
<v Speaker 1>friend Gezy because I me, man, that's my god, not

0:56:01.520 --> 0:56:03.279
<v Speaker 1>me myself, and I the fucking him and I and

0:56:04.040 --> 0:56:06.839
<v Speaker 1>that record is a smash. He has to perform the song,

0:56:06.960 --> 0:56:08.879
<v Speaker 1>but it's him and his axe talking about each other.

0:56:08.880 --> 0:56:11.000
<v Speaker 1>But you know record, I think, I think, and this

0:56:11.040 --> 0:56:13.040
<v Speaker 1>is kind of how I see it too, like like

0:56:13.160 --> 0:56:16.560
<v Speaker 1>once again, like whatever happens happens, and life can lead

0:56:16.560 --> 0:56:19.319
<v Speaker 1>you in a million different ways. But I've seen him.

0:56:19.360 --> 0:56:22.399
<v Speaker 1>I've seen him perform it without her after the whole

0:56:22.440 --> 0:56:25.399
<v Speaker 1>thing too. And and I think, you know, as when

0:56:25.400 --> 0:56:27.279
<v Speaker 1>you grow, when you get older as adults, you kind

0:56:27.280 --> 0:56:30.120
<v Speaker 1>of just accept certain things and you realize, like, you

0:56:30.120 --> 0:56:32.279
<v Speaker 1>know what, this was a beautiful thing at the time.

0:56:32.640 --> 0:56:34.440
<v Speaker 1>This was a beautiful moment at the time, and I'm

0:56:34.440 --> 0:56:37.200
<v Speaker 1>still going to respect that instead of letting that eat

0:56:37.239 --> 0:56:40.000
<v Speaker 1>away at me or become bitter about it. What was

0:56:40.000 --> 0:56:45.320
<v Speaker 1>it like touring with him? Oh, man maniac ship Right, Yeah,

0:56:46.360 --> 0:56:48.600
<v Speaker 1>let's let's just say it was fun. They set up

0:56:48.600 --> 0:56:51.000
<v Speaker 1>like the little pre party and after party, little section

0:56:51.160 --> 0:56:54.160
<v Speaker 1>still house. Yeah, Vibes. Trippy was on that tour too

0:56:54.160 --> 0:56:58.239
<v Speaker 1>with us Me Me Gazy and Trippy. Yeah, We're had

0:56:58.239 --> 0:57:02.560
<v Speaker 1>it a lot of real debauch. Yeah, yeah, I think

0:57:02.560 --> 0:57:04.680
<v Speaker 1>I might have signed a contract. I cannot say. I

0:57:04.719 --> 0:57:07.799
<v Speaker 1>can't say anything. I didn't sign ship, but some of

0:57:07.800 --> 0:57:10.520
<v Speaker 1>the fast nights of my life for that crazy white man. Yeah,

0:57:10.560 --> 0:57:13.080
<v Speaker 1>it was fun. Man. Jeez is an amazing dude. Man,

0:57:13.120 --> 0:57:15.440
<v Speaker 1>Tippy has fucking seen a lot of success bringing that

0:57:15.480 --> 0:57:20.400
<v Speaker 1>fucking Cinnamon Apple, fucking Still House House and the Mint Stillhouse.

0:57:21.000 --> 0:57:23.240
<v Speaker 1>By the way, he's not with Steel House anymore from

0:57:23.240 --> 0:57:25.480
<v Speaker 1>what I hear from what he told me actually, so

0:57:26.040 --> 0:57:28.200
<v Speaker 1>uh yeah, Well look, man, I appreciate you pulling up

0:57:29.040 --> 0:57:31.720
<v Speaker 1>Go Sport the new album Butterfly Effect. It's out, yes, sir,

0:57:31.760 --> 0:57:33.280
<v Speaker 1>more than music on the way anything else. Is the

0:57:33.280 --> 0:57:37.480
<v Speaker 1>clothing line still booming obviously, Yeah, man, we're re rebranding

0:57:37.720 --> 0:57:41.400
<v Speaker 1>the clothing line. I had some I just had some

0:57:41.480 --> 0:57:43.840
<v Speaker 1>internal kind of things, conflicts and stuff like that where

0:57:43.840 --> 0:57:46.120
<v Speaker 1>I had with you know, people I trusted and people

0:57:46.160 --> 0:57:51.080
<v Speaker 1>that didn't really you know, suit what I was going

0:57:51.120 --> 0:57:56.360
<v Speaker 1>through and you know, my views on things. But I

0:57:56.400 --> 0:57:59.560
<v Speaker 1>stepped I had to step in and kind of control

0:57:59.600 --> 0:58:03.320
<v Speaker 1>everything and rebuild it the way I wanted it to be.

0:58:03.840 --> 0:58:06.720
<v Speaker 1>But just so much shit. I spent so much time

0:58:06.760 --> 0:58:12.320
<v Speaker 1>on the brand, and I think, uh yeah, just bringing

0:58:12.320 --> 0:58:15.000
<v Speaker 1>in people that you know, weren't really good for me

0:58:15.120 --> 0:58:18.400
<v Speaker 1>or whatever, and you know, being able to trust people.

0:58:18.400 --> 0:58:20.600
<v Speaker 1>I trusted people that maybe I shouldn't have or put

0:58:20.600 --> 0:58:22.560
<v Speaker 1>too much trust into people. I'm gonna be honest, bro,

0:58:22.720 --> 0:58:25.480
<v Speaker 1>I've met two or three random dudes that they were

0:58:25.520 --> 0:58:28.360
<v Speaker 1>your manager of the last like three years for sure,

0:58:28.720 --> 0:58:31.000
<v Speaker 1>and I'm like, I don't know, I don't know if

0:58:31.040 --> 0:58:35.720
<v Speaker 1>I'm the problem. I don't know if like very random dudes, yeah,

0:58:36.040 --> 0:58:39.760
<v Speaker 1>R'd be like, oh yeah, that's the homie hit me yeah,

0:58:39.880 --> 0:58:41.400
<v Speaker 1>and then I give them my number and then they

0:58:41.440 --> 0:58:44.640
<v Speaker 1>just keep hitting me on some like hey, yo, it's

0:58:44.720 --> 0:58:48.720
<v Speaker 1>for as manager. And I'm like, bro, the industry, I mean,

0:58:48.760 --> 0:58:50.600
<v Speaker 1>you know, but it's it's crazy. You just got to

0:58:50.600 --> 0:58:53.280
<v Speaker 1>be careful. We keep around you, bro, right. And I'm

0:58:53.320 --> 0:58:55.800
<v Speaker 1>learning that because I usually because I move with good

0:58:55.800 --> 0:58:58.440
<v Speaker 1>intentions and I expect the same of others and I

0:58:58.440 --> 0:59:01.920
<v Speaker 1>think the same of others. But it's not always like that.

0:59:02.040 --> 0:59:04.640
<v Speaker 1>You know how many people have like for or Yours

0:59:04.680 --> 0:59:07.920
<v Speaker 1>Truly tattoos? Too many? We're looking at pictures the other

0:59:08.000 --> 0:59:12.240
<v Speaker 1>day it's straight like my face, you know, my whole

0:59:12.320 --> 0:59:16.520
<v Speaker 1>like from Upper Torso just tattooed, Like it's crazy. It's crazy.

0:59:16.560 --> 0:59:20.120
<v Speaker 1>The Yours Truly logo too, like it's it's insane, man.

0:59:20.200 --> 0:59:23.440
<v Speaker 1>Every time I see it. If someone gets your face

0:59:23.480 --> 0:59:30.200
<v Speaker 1>tattooed on them, is there a benefit that comes? That's

0:59:30.240 --> 0:59:32.800
<v Speaker 1>that's a good question. I mean, you're not a direct benefit,

0:59:32.840 --> 0:59:34.600
<v Speaker 1>but if I see it, I'm just like, I'm gonna

0:59:34.600 --> 0:59:38.320
<v Speaker 1>remember them forever, right, you know, if I like to

0:59:38.320 --> 0:59:42.080
<v Speaker 1>get into the show, not like that. If you know,

0:59:42.360 --> 0:59:45.120
<v Speaker 1>and even people that don't have you know, my face

0:59:45.200 --> 0:59:48.680
<v Speaker 1>or my name tattooed, like I connect with my fans

0:59:48.680 --> 0:59:53.000
<v Speaker 1>group chats, you know, Instagram. If someone's like, yo, I

0:59:53.000 --> 0:59:54.840
<v Speaker 1>got your name tattooed. Me and my sister and me

0:59:54.840 --> 0:59:56.640
<v Speaker 1>and my cousin want to get in, Like, I'm like, yo,

0:59:56.680 --> 0:59:58.360
<v Speaker 1>I'll put you on the guest list easier. I want

0:59:58.400 --> 1:00:01.200
<v Speaker 1>everyone at my shows. I don't. I'm not like, oh,

1:00:01.240 --> 1:00:03.560
<v Speaker 1>fucking you have to pay the fifteen. If it gets

1:00:03.600 --> 1:00:04.880
<v Speaker 1>out of hand and you end up like you know,

1:00:04.920 --> 1:00:06.880
<v Speaker 1>like Tech nine and Strange Music, where like all their

1:00:06.880 --> 1:00:09.360
<v Speaker 1>fans have like some sort of tattoo, You're not fucking

1:00:09.400 --> 1:00:12.040
<v Speaker 1>making any money on the road. But that's where you

1:00:12.080 --> 1:00:14.439
<v Speaker 1>want to get man, because it's not about ticket sales

1:00:14.520 --> 1:00:16.520
<v Speaker 1>or album sales. It's about people. You want to touch

1:00:16.560 --> 1:00:21.000
<v Speaker 1>the people yeah, and that someone tattooed forever. You know,

1:00:21.160 --> 1:00:23.960
<v Speaker 1>they're they're a fan of you forever, you know. Yeah,

1:00:23.960 --> 1:00:27.720
<v Speaker 1>I've seen that work the bad way too, with ICP tattoos.

1:00:28.120 --> 1:00:30.920
<v Speaker 1>Oh yeah, the hatchet Man. Yeah, they're crazy. Yeah, Juggalo

1:00:31.080 --> 1:00:34.240
<v Speaker 1>Juggolo vibes. Yeah, there's like fifty year old dudes teaching

1:00:34.480 --> 1:00:38.400
<v Speaker 1>fucking seventh grade that were ex Juggalos. Nice and they'll

1:00:38.440 --> 1:00:39.600
<v Speaker 1>never be able to get rid of it. I have

1:00:39.600 --> 1:00:43.600
<v Speaker 1>you've been to the Gathering of the Juggalos. I actually was.

1:00:44.600 --> 1:00:47.080
<v Speaker 1>I've never been, but they tried to book me to

1:00:47.240 --> 1:00:50.520
<v Speaker 1>do something there in like twenty fifteen, and I was like,

1:00:50.800 --> 1:00:53.360
<v Speaker 1>once you go Juggalo, you never go. Yeah, I want

1:00:53.360 --> 1:00:55.480
<v Speaker 1>to go. I would love to. I think they get

1:00:55.480 --> 1:00:58.200
<v Speaker 1>a I think they get a bad, bad rap because

1:00:58.600 --> 1:01:00.600
<v Speaker 1>I think they're really like good people. I've seen a

1:01:00.600 --> 1:01:03.160
<v Speaker 1>lot of like videos and stuff on like Gathering of

1:01:03.200 --> 1:01:06.320
<v Speaker 1>the Juggalos, and they're really their whole model and their

1:01:06.360 --> 1:01:08.880
<v Speaker 1>whole thing is like family for sure, you know. And

1:01:08.920 --> 1:01:10.920
<v Speaker 1>I love that it's like a cult kind of thing.

1:01:11.120 --> 1:01:15.400
<v Speaker 1>And it looks fun. Yeah, it looks like white Latino.

1:01:15.640 --> 1:01:18.480
<v Speaker 1>There's a fun hut there. Yeah, it's crazy and people

1:01:18.680 --> 1:01:21.240
<v Speaker 1>it's like a it's an open, free environment. There's a

1:01:21.320 --> 1:01:24.080
<v Speaker 1>drug bridge. Have you heard about the drug bridge? No,

1:01:24.120 --> 1:01:26.920
<v Speaker 1>but so they got a bridge, sounds like, and you

1:01:26.960 --> 1:01:31.000
<v Speaker 1>go to the bridge. Yeah, and it's anything you want, man,

1:01:31.800 --> 1:01:34.080
<v Speaker 1>but it's I I gotta give my respects to those

1:01:34.080 --> 1:01:36.240
<v Speaker 1>people because for sure, for sure, you know, shout out

1:01:36.240 --> 1:01:38.040
<v Speaker 1>to the Juggalos. I'm for Phoenix. We got none but

1:01:38.160 --> 1:01:41.800
<v Speaker 1>Juggalos there, but they got it. I heard. I mean,

1:01:41.800 --> 1:01:44.080
<v Speaker 1>this is my boy, jelly Roll told me. Jelly rolls

1:01:44.080 --> 1:01:46.160
<v Speaker 1>like jelly Roll. Yeah, He's like, bro, they got a

1:01:46.200 --> 1:01:48.560
<v Speaker 1>fucking tent there. That's just you just go in and

1:01:48.600 --> 1:01:50.800
<v Speaker 1>everyone's fucking and he's like, bro, but it's like the

1:01:50.840 --> 1:01:54.000
<v Speaker 1>type of people you don't want to see fucking He's like, bro,

1:01:54.280 --> 1:01:58.200
<v Speaker 1>they look like me, broy, Man, everyone needs someone. The

1:01:58.280 --> 1:02:02.880
<v Speaker 1>stench in that motherfucker is crazy. Everyone needs someone. Can

1:02:02.920 --> 1:02:07.400
<v Speaker 1>you imagine? Like Juggalos don't have the highest personal hygiene.

1:02:07.560 --> 1:02:09.840
<v Speaker 1>Based on my experience with them over the years, and

1:02:09.840 --> 1:02:12.800
<v Speaker 1>I've had vast experience with them, I've been to some

1:02:12.960 --> 1:02:18.040
<v Speaker 1>ICP shows that whole c P, cotton Mouth Kings, Strange Music,

1:02:18.320 --> 1:02:24.919
<v Speaker 1>fucking yeah, yeah, shout out. There were guys yeah, good people.

1:02:25.000 --> 1:02:28.640
<v Speaker 1>They just misunderstood. Let's call them misunderstood. Did you grow

1:02:28.720 --> 1:02:30.320
<v Speaker 1>up like you grew up in Cali? Where the cotton

1:02:30.320 --> 1:02:31.960
<v Speaker 1>Mouth Kings popping? I mean, I don't know. They might

1:02:32.000 --> 1:02:35.240
<v Speaker 1>have been done from Anaheim. They're from Riverside? Are they from?

1:02:35.400 --> 1:02:38.840
<v Speaker 1>They were OC guys. I mean maybe some might have

1:02:38.840 --> 1:02:41.480
<v Speaker 1>came from OC. But I think there's seven then, I E.

1:02:41.560 --> 1:02:44.560
<v Speaker 1>Thing the hot, the high white socks, a little spade socks,

1:02:44.600 --> 1:02:47.840
<v Speaker 1>and the big monster trucks. Cotton Mouth Kings. Yeah that's

1:02:47.960 --> 1:02:52.080
<v Speaker 1>r H. Yeah, stoner's weak ston it Yeah, yeah, look

1:02:52.120 --> 1:02:53.920
<v Speaker 1>at us all right, shout out to the I E.

1:02:54.240 --> 1:02:56.360
<v Speaker 1>That's what I man. Appreciate you pulling up, brother, Yes,

1:02:56.360 --> 1:02:57.520
<v Speaker 1>sir fire