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Speaker 1: Big hit check me out on Bootleg CAV podcast.

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Speaker 2: Whoa, whoa, Hey, this interview is brought to you by

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Speaker 2: the interview, yo. Bootleg keV Podcast special guests here. He

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Speaker 2: just dropped his This is his debut album. Yes, sir,

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Speaker 2: the truth is in my eyes. I'd like to point

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Speaker 2: out this is very highly anticipated. Thank you for bringing

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Speaker 2: me a physical copy. Man, guarantee you people ain't doing

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Speaker 2: these no more so. And this is legit. Come on, man,

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Speaker 2: some people some people do a CD. But it's like,

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Speaker 2: see you don't got the book. See this is the fool,

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Speaker 2: you got the whole This is vintage bruh.

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Speaker 1: Yeah, man, this is fire.

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Speaker 2: First of all, before we get into the specifics of

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Speaker 2: the album, what I noticed that you're doing, which I

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Speaker 2: think is actually smart these days, is you can't go

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Speaker 2: to Spotify for this album.

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Speaker 1: No man, you gotta only cop this on big hit

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Speaker 1: noopid dot com. You feel me?

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Speaker 2: Yeah? So what was because obviously for people who don't know, like,

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Speaker 2: if you get a million streams, it's like thirty seven

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Speaker 2: hundred dollars, which is pretty wild. We're being honest, But

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Speaker 2: if people like, what, what, what was the inspiration for

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Speaker 2: you to you know, make people buy the album, like

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Speaker 2: actually spend money on the album.

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Speaker 1: I mean that's you know, that's the mastermind hit you

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Speaker 1: know what I'm saying, hit Boy. So we just basically

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Speaker 1: just said fuck it, just ball hogging, just doing us.

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Speaker 1: We don't lose a daw and I like it to

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Speaker 1: love it. Yeah, you know what I'm saying type situation.

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Speaker 1: We just create good music and uh and pushing full

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Speaker 1: speed ahead with it, you know what I'm saying.

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Speaker 2: The album has been out of a few days. What

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Speaker 2: has been the response and how has how has this

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Speaker 2: business model worked out so far?

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Speaker 1: It's a one man it's all booming. It's their fans

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Speaker 1: is tapping in, they copping the magazines, they copping the shirts,

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Speaker 1: Troopers in my shirt crazy free shirts. Yep.

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Speaker 2: I'm well, I'm glad that you guys are doing it

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Speaker 2: this way because, like I feel like something has to

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Speaker 2: give for like kind of like currently how artists are

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Speaker 2: compensating for their art. You know what I'm saying.

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Speaker 1: You know, I feel it. My niggas like niggas doing

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Speaker 1: shit for free.

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Speaker 2: It's really what it is.

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Speaker 1: Ain't nobody and no other game is doing shit for free.

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Speaker 1: You can't go to the man and get a break, nigga,

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Speaker 1: Ask my nigga, Tell the nigga I got you later.

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Speaker 1: Jesus is doing that. Ship Man and Dudes is really

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Speaker 1: like devalueising, you know, the game, like it as just

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Speaker 1: fucking the game up for you.

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Speaker 2: Talk about because you and ever since you got out

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Speaker 2: this last go round, I feel like you and your

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Speaker 2: son have just been in your bag. Like I mean,

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Speaker 2: it's been crazy to watch just kind of like the

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Speaker 2: buzz that you generated just immediately, the quality of records

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Speaker 2: that you were putting out on his ship. I mean,

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Speaker 2: the visuals have been there. I know you guys celebrated.

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Speaker 2: You guys shot one of one of your videos shot

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Speaker 2: at my club in Arizona. He was out there with

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Speaker 2: all my bottle girls. It's Costan.

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Speaker 1: I love for sure a Z shout out my nigga.

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Speaker 2: But this album, man, like you know it is. It

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Speaker 2: is a highly anticipated album. So you know, for you

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Speaker 2: like kind of give me like the rundown of just

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Speaker 2: how you feel about this man, finally getting it off

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Speaker 2: your chest. It's got to feel good with so many

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Speaker 2: roadblocks that have come up in your life. And you know,

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Speaker 2: we could have got this album a decade ago.

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Speaker 1: Yeah you know, yep, yeah for sure. Which you know

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Speaker 1: it's like a process man, the building process and the

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Speaker 1: learning process and just now just gotta capitalize and you

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Speaker 1: know and uh push full speed ahead man, and uh

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Speaker 1: you know, make it makes sense, you know. For I'm

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Speaker 1: like this all I know right now, That's all I'm doing.

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Speaker 2: You're like a full time rapper for real.

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Speaker 1: Yeah, I ain't out there grinding like one foot in,

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Speaker 1: one foot out like my nigga BENNI said, that's real shit.

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Speaker 1: You know what I'm saying. That's what I was doing

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Speaker 1: last time too, and the shit wasn't working.

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Speaker 2: I feel like anybody who does the one foot out

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Speaker 2: one for anything. Is it's there's like an expiration date

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Speaker 2: on that. We see it every almost every given moment.

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Speaker 2: At any given moment, you might get pulled over with

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Speaker 2: a gun. You might there's so many like little things

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Speaker 2: that could go wrong every day.

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Speaker 1: Or you might kill a nigga of anything. You know

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Speaker 1: what I'm saying.

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Speaker 2: It's like, yeah, it's like you might as well focused.

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Speaker 2: So like for you like talk to me about like, uh,

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Speaker 2: is there gonna be any sort of opportunity for the

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Speaker 2: generic fan to just stream this one day or is

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Speaker 2: it just like, hey, this is only gonna be something

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Speaker 2: you could buy.

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Speaker 1: Yeah, I'm like a piece of art. Yeah, yeah, it's

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Speaker 1: it's some art. Right now, I'm not really sure how

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Speaker 1: they're doing it. Maybe later they feel like they you know,

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Speaker 1: might put him streaming out or whatever. Or right now

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Speaker 1: we're ball hogging and we on to the next. It's

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Speaker 1: like this is done, so I know we got to

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Speaker 1: push this, but we like we still creating music. Man,

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Speaker 1: it was just every day.

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Speaker 2: All the work Ethic over there and hits spot is

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Speaker 2: it's just it's just non stop. I'm sure you already

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Speaker 2: got another album ready.

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Speaker 1: Ten I was That's what I'm saying, like ten, I

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Speaker 1: was ready, man, so.

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Speaker 2: I feel like when he locks in, it's just over.

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Speaker 2: Like look at all the no I mean, just the

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Speaker 2: NAS thing. I don't even know how many NAS albums

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Speaker 2: you've gotten so far. It's been crazy, six on records,

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Speaker 2: six of them another Grammy nomination. What's it like meeting

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Speaker 2: and hanging with Nas?

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Speaker 1: Oh? Man, he is king man, a soldier, man, shout

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Speaker 1: out Nas my naked you know, get my utmost respect man,

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Speaker 1: my highs regards. He like he was mannas like he

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Speaker 1: just like he Nas my nig ukn't like you meet

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Speaker 1: another motherfucker. He's not that dude, you know what I'm saying.

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Speaker 1: Like I didn't know Nas, you know what I'm saying.

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Speaker 1: But but however I seen Nasa and however he portrayed hisself.

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Speaker 1: That's how blood was when I met him. You know

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Speaker 1: what I'm saying. It wasn't no different from the movie

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Speaker 1: Nigga to fucking.

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Speaker 2: From Belly Ship. You felt me that was the really

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Speaker 2: ship poster up there?

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Speaker 1: Oh god, yeah, yeah, my nigga, you know him and

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Speaker 1: X was off that ship.

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Speaker 2: But so he didn't disappoint Nah here real were you

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Speaker 2: able to kind of chop it up with him about

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Speaker 2: like just kind of like because I feel like what

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Speaker 2: your son has done with Nas is unprecedented low key,

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Speaker 2: you know what I mean. Like I feel like, I mean.

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Speaker 1: Tod's just do this ship man, because it's in his heart,

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Speaker 1: it's in his soul, that's a part of him. My

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Speaker 1: nigga like an athlete. It's like bouncing the ball. Nigga

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Speaker 1: is nothing for real.

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Speaker 2: So yeah, and like that grammy is like a big deal,

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Speaker 2: the grammy that they wanted. That's like that's guy that's like,

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Speaker 2: you know, obviously shot to hit. He's not like his

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Speaker 2: only grammy, But like that grammy to me, I feel

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Speaker 2: like was like it had to have meant so much

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Speaker 2: because it was with Nas and it was like years

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Speaker 2: after his initial run, you know what I'm saying.

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Speaker 1: Yeah, So man, they man took him a long time

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Speaker 1: to break him off. Man, they should have been gave

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Speaker 1: NAS's flowers for sure.

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Speaker 2: Man. You know, talk to me man, just like about

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Speaker 2: you what what first of all, how long have you

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Speaker 2: been rapping? And give me kind of like some of

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Speaker 2: your background, like like what part of Cali are you from?

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Speaker 1: You know what I'm saying?

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Speaker 2: Like, how long have you been making music because you're

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Speaker 2: you're like the o G. You know what I'm saying.

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Speaker 2: I'm sure you you had a lot of the you know,

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Speaker 2: inspiration as to why it ended up taking his career

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Speaker 2: path to where it was.

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Speaker 1: Yeah, I mean I grew up sucking with the old school,

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Speaker 1: you know what I'm saying, The the kr rest want

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Speaker 1: the biz MARKI the fucking know, back to jams army

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Speaker 1: type shit. But but yeah, I'm from Pasadena, pdu shot

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Speaker 1: to Pasadena. Ye whoa city of roses And yeah, I've

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Speaker 1: just been I've been spending all my life real just

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Speaker 1: clowning with it. Though I never you know what I'm saying,

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Speaker 1: It was just a part of me.

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Speaker 2: Like I say, it was just something that you just

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Speaker 2: lived and it was like.

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Speaker 1: Yeah, I always did it and clown with it, and

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Speaker 1: you know he was always say, oh that's tight, But

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Speaker 1: I never took it serious, you know what I'm saying.

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Speaker 2: What was the closest you had taken it to, Like

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Speaker 2: obviously prior to the Hsay seven wave when you when

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Speaker 2: you're on grinding all my life and all that, But

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Speaker 2: was there like an earlier era where you were close

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Speaker 2: to kind of like putting out music or being like

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Speaker 2: more of a serious artist where you were kind of

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Speaker 2: like considering.

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Speaker 1: Nah, that was the only time I really you know

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Speaker 1: what I'm saying. It was si because I was fres

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Speaker 1: shot to have a cham in jail.

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Speaker 2: Before that, it was just like a hobby.

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Speaker 1: Yeah, I'm just spinning, you know. It was young, you

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Speaker 1: know what I'm saying, Just kicking it clown with friends.

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Speaker 1: But other than that, just remixing ship. He was remixing.

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Speaker 1: I was remixing way back then. Just jumping on beats. Yeah,

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Speaker 1: jumping on beats, redoing the same ship like Bobby Jimmy

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Speaker 1: did that roaches to get all these roaches. Yeah, yeah,

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Speaker 1: just clown and ship like that.

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Speaker 2: But yeah, Pasadena is a city that doesn't get a

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Speaker 2: lot of recognition or love when we think.

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Speaker 1: About l A. No, we underrated, my nigga.

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Speaker 2: And I love Pasadena. It's one of my favorite cities

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Speaker 2: to go to to get food.

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Speaker 1: And trend settles. My nigga, Oh God, what do you

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Speaker 1: mean by that man ship? We set the tone, my

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Speaker 1: nigga on a lot of ship and ship. That's that's

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Speaker 1: said my nigga, Like, nope, it all that ship.

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Speaker 2: You know what I'm saying, hasn't saying like what do

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Speaker 2: you what do you think it is about Pasadena that

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Speaker 2: like there's a few areas of l A that kind

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Speaker 2: of are underappreciated, if you will. Yeah, I think Pasadena

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Speaker 2: is one of them, Like Pasadens.

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Speaker 1: Yeah, absolutely, you know what I'm saying. It's just uh yeah,

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Speaker 1: we for show we underrated.

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Speaker 2: But and like people don't understand it also gets it

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Speaker 2: gets up.

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Speaker 1: On and we just you know, saying we had to

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Speaker 1: turn up and we just never turned down, you know

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Speaker 1: what I'm saying, to get all respect.

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Speaker 2: And I think most people go to Pasadena and they

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Speaker 2: go to either the Rose Bowl or they go and

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Speaker 2: they get food because they got that street that's got

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Speaker 2: all the restaurants. But it does get active.

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Speaker 1: O was. Yeah, they was looking at us like I

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Speaker 1: don't know what Hollywood or some shit, but I mean,

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Speaker 1: and it's a nice area. You get tricked if you

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Speaker 1: come over there for sure, you know, say, thinking you

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Speaker 1: you're safe in a good little area, and it start

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Speaker 1: going up. But yeah, that was the that was the

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Speaker 1: main thing. Probably you get tricked by just the surroundings. Yeah,

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Speaker 1: but the individuals in the city is vicious.

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Speaker 2: I feel like anywhere in La you get tricked. They

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Speaker 2: got hoods everywhere they I didn't realize.

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Speaker 1: Some spots, you know that you feel the presence of danger,

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Speaker 1: you know what I'm saying, Like you don't really feel

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Speaker 1: that in Pasadena, you know what I'm saying. Even though

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Speaker 1: right now for shit, for like I'm in fucking West Covinos.

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Speaker 2: I didn't say when you got out, you had to

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Speaker 2: probably be like, damn, this shit changed big time.

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Speaker 1: Yeah, a lot of people in the hood that's not

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Speaker 1: even from the hood nically the homies. They a lot

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Speaker 1: of people moved out. Is the fucking inflation. It's crazy,

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Speaker 1: you know what I'm saying.

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Speaker 2: But I was looking at the house over there.

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Speaker 1: It's crazy. Yeah, you gotta move like it's yeah, we're

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Speaker 1: gonna change that. We're gonna get to these millions and

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Speaker 1: these billions. I'm a bottle hoole hood.

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Speaker 2: I love it. Man. You have a bunch of features

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Speaker 2: on this project. Shout to Jay Worthy, shot to Baby

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Speaker 2: Stone Gorillas. I saw the Alchemist is on here. Obviously

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Speaker 2: your son's on here. What since you've been out, you've

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Speaker 2: worked with so many artists who has been like the

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Speaker 2: funniest studio session where you guys just had a great

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Speaker 2: time recording.

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Speaker 1: Ship Man. All of them been going up, you know,

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Speaker 1: all of them go up, Nigga real man, all of

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Speaker 1: them Man, Mazie ship I guess with Don Kennedy, with Jay,

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Speaker 1: every last one of them. Man, T Flyop probably T

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Speaker 1: fly Man.

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Speaker 2: He's he'd be clown like a He flies like a

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Speaker 2: very underrated guy too. Yeah he's hilarious, but yeah no,

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Speaker 2: he's so fire.

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Speaker 1: For you man.

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Speaker 2: Talk to me about like, you know, you're growing up.

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Speaker 2: We mentioned arras one, We mentioned a lot of that,

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Speaker 2: but like, you know, the music game has changed so much,

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Speaker 2: like hip hop is kind of evolved for like a

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Speaker 2: generation like my son who's eighteen, he's listening to shit

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Speaker 2: I would never even entertain listening to you know what

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Speaker 2: I mean? But I feel like that's why people love you,

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Speaker 2: because you're bringing like an energy. I feel like it's

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Speaker 2: just not a part of the game no more, you

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Speaker 2: know what I'm saying. Do you feel that like do

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Speaker 2: you feel that pressure?

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Speaker 1: Like?

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Speaker 2: I feel like that's why people resonate with you because

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Speaker 2: you're making like the shit that we need, you know

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Speaker 2: what I'm saying, Like, I don't think people even wanted

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Speaker 2: to even like or even knew that we needed.

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Speaker 1: I'm not yup, I'm just doing me man like hoping.

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Speaker 1: I don't even really can't say. I hope they accept it.

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Speaker 1: You know what I'm saying. I mean, I'm just doing regardless,

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Speaker 1: like I'm not trying to please nobody or fit in.

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Speaker 1: You know what I'm saying. I'm tryna basically just dig

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Speaker 1: my own pave my own way. Yeah, you know what

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Speaker 1: I'm saying, to add on to the to the legacy.

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Speaker 1: You know what I'm saying, what Hi Boy built man

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Speaker 1: and ketch.

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Speaker 2: Up when now you linked with Snoop?

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Speaker 1: What was that like? Snoop Man, It's like that's unk man.

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Speaker 1: You know what I'm saying. It's he always got something

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Speaker 1: positive to say, you know what I'm saying, And that's

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Speaker 1: that's that's love. You know what I'm saying coming from

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Speaker 1: f he he f he know the struggle, right saying

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Speaker 1: he done been there, He know the struggle my niggas,

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Speaker 1: so he he can relate, you know what I'm saying.

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Speaker 1: And I when I do look at Snoop he you

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Speaker 1: know what I'm saying, eye the eye money, I can

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Speaker 1: look at the nigga in the eye, like damn, it's

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Speaker 1: the homie. Yeah, you know what I'm saying. He ain't

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Speaker 1: no fake ass nigga just on some rapper shit.

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Speaker 2: I'm sure you've been dealing with that a lot too,

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Speaker 2: just dealing with kind of like with this industry so

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Speaker 2: fair like you'll meet somebody, they'll tell you one thing. Yeah,

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Speaker 2: it's just a it's a very shallow industry trip though.

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Speaker 1: I mean, I'll take everybody for face, vite. I don't

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Speaker 1: you know what I'm saying, right, I'm authentic, so I

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Speaker 1: you know, I carry everybody like they authentic too, until

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Speaker 1: they show me different. You know what I'm saying. Talk,

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Speaker 1: I don't underestimate nobody, none of that shit. I know.

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Speaker 1: I got, Like I said, I got a little white parts,

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Speaker 1: niggas one hundred and fifty pounds, soulking, wet like niggas killers.

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Speaker 1: You know what I'm saying. You can't judge nobody bout

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Speaker 1: the book for real.

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Speaker 2: You say, white partners, hell yeah, okay, for sure, the

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Speaker 2: white guys hell yeah.

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Speaker 1: For show like essays, niggas, crips, bloods, gds. I'm universal,

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Speaker 1: you know what I'm saying. Can't put me in a box.

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Speaker 2: All right, let's get back to the interview for you, Like,

359
00:17:02,760 --> 00:17:05,440
Speaker 2: you know, can you give me some advice, Like if

360
00:17:05,480 --> 00:17:08,879
Speaker 2: you if someone was listening to this or they're seeing

361
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Speaker 2: what you're doing and they're incarcerated, and they're like, shit,

362
00:17:11,720 --> 00:17:14,000
Speaker 2: it's crazy. Like one, it's never too late to chase

363
00:17:14,000 --> 00:17:16,280
Speaker 2: your dreams, right, It's never too late to get.

364
00:17:16,160 --> 00:17:17,240
Speaker 1: Your life on the right track.

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Speaker 2: But also like I can only imagine that lows of

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Speaker 2: being incarcerated have to be the extremist of lows.

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Speaker 1: At times.

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Speaker 2: They could break you hard to get out on the

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Speaker 2: other side of that, and like think that your life

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Speaker 2: isn't over, you know what I'm saying, Like what for you,

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Speaker 2: Like what would be your advice if somebody's incarcerated and

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Speaker 2: they just feel like the shit's over, like there's no hope,

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Speaker 2: you know what I'm saying, Like, just.

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Speaker 1: Block everybody out man, the speak negative, you know what

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Speaker 1: I'm saying. Try to focus on my nigga. Just try

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Speaker 1: to make plans my nigga, even if you feel like

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Speaker 1: you're in a fucked up position between rock between the

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Speaker 1: hard play. They denied all your motions, your last, your habes,

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Speaker 1: corpus whatever. You know what I'm saying, Still shoot it in,

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Speaker 1: Still trying, my nigga, because you know, it's like winning

381
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Speaker 1: a lot of You gotta be in it to win it,

382
00:18:07,800 --> 00:18:09,560
Speaker 1: you know what I'm saying, Like a lot of life.

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00:18:09,600 --> 00:18:11,479
Speaker 1: As I knew, they didn't even have nothing in they

384
00:18:11,600 --> 00:18:14,640
Speaker 1: like matter loss already fuck it. You still gotta get

385
00:18:14,600 --> 00:18:16,800
Speaker 1: in that law. Wake up every morning. Now, you gotta

386
00:18:16,800 --> 00:18:18,159
Speaker 1: get in that law. Li like Brary, you gotta you

387
00:18:18,160 --> 00:18:20,800
Speaker 1: gotta search my niggas loopholes. It ain't about you know

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Speaker 1: what I'm saying. Niggas be feeling guilty about what they

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00:18:23,480 --> 00:18:25,800
Speaker 1: did and all this ship, which is cool because you

390
00:18:25,840 --> 00:18:28,840
Speaker 1: know what I'm saying, you got a conscious, but at

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00:18:28,960 --> 00:18:31,840
Speaker 1: sometimes point you don't. You know, the crime don't match

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Speaker 1: the time, you know what I'm saying, And at some

393
00:18:33,640 --> 00:18:36,600
Speaker 1: point you gotta respect it. And it's not about what

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00:18:36,640 --> 00:18:39,200
Speaker 1: we did, It's about what the fuck they did because

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00:18:39,240 --> 00:18:41,280
Speaker 1: they don't even follow their own rules and regulations and

396
00:18:41,280 --> 00:18:47,000
Speaker 1: they lost. Yeah, you know, when they fuck up and

397
00:18:47,040 --> 00:18:49,440
Speaker 1: they when they violate, they not gonna say nothing, you

398
00:18:49,480 --> 00:18:51,119
Speaker 1: know what I'm saying. So you gotta keep searching for

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Speaker 1: the loophole because.

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Speaker 2: Was that something you were doing when you were incarcerated?

401
00:18:54,200 --> 00:18:56,440
Speaker 2: With you you were in the law library, just man,

402
00:18:56,880 --> 00:18:58,679
Speaker 2: did it work? Did you find out? Like, did you

403
00:18:58,720 --> 00:18:59,720
Speaker 2: find any anything?

404
00:19:00,080 --> 00:19:02,679
Speaker 1: Yeah? Hell yeah? And I grinded it out and I

405
00:19:02,760 --> 00:19:04,320
Speaker 1: paid for lawyers and all kinds of ship.

406
00:19:04,480 --> 00:19:06,640
Speaker 2: So you like found where they fucked up and you.

407
00:19:07,240 --> 00:19:09,600
Speaker 1: Already knew you know what I'm saying. Basically they couldn't

408
00:19:09,640 --> 00:19:11,240
Speaker 1: do the ship. That's why they was kind of mad

409
00:19:11,280 --> 00:19:14,960
Speaker 1: at me. Was all represented myself at trial, fire my

410
00:19:15,040 --> 00:19:15,840
Speaker 1: lawyers and ship.

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Speaker 2: But where you fired your lawyers?

412
00:19:18,440 --> 00:19:22,080
Speaker 1: Yeah? Yeah, yeah they Yeah, it was they was trying

413
00:19:22,080 --> 00:19:26,119
Speaker 1: to milk me. Uh fucking Mark garretgos charge me a

414
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Speaker 1: hundred bands, then going to trial try to get seventy

415
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Speaker 1: five more thousand. You know, say, I gave you cars?

416
00:19:33,040 --> 00:19:37,159
Speaker 2: Yeah, all this kill it and you ended up representing yourself.

417
00:19:37,200 --> 00:19:39,440
Speaker 1: Yeah I could. I was broke from the bail bondsmans

418
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Speaker 1: to lawyers. It stripped me of everything, you know what

419
00:19:42,760 --> 00:19:45,240
Speaker 1: I'm saying, And uh shit, all I had leftl of

420
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Speaker 1: cars and I gave those up watches. But other than that, yeah,

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Speaker 1: it was.

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Speaker 2: It was so when you represent yourself, usually you hear

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00:19:54,040 --> 00:19:56,600
Speaker 2: that that's a bad idea. Did How did it go

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Speaker 2: for you though?

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Speaker 1: I mean for sure you're well, I'm sure you didn't

426
00:19:59,800 --> 00:20:03,240
Speaker 1: read Yeah, oh god, I had all my shit tight.

427
00:20:03,320 --> 00:20:06,280
Speaker 1: But it was just they didn't respect that. They didn't

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00:20:06,359 --> 00:20:08,680
Speaker 1: like a nigga up and they're telling them that would

429
00:20:08,680 --> 00:20:11,199
Speaker 1: you know how they lost? What the fuck they lost was?

430
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Speaker 1: Eventually I ended up being right. I got back on

431
00:20:15,400 --> 00:20:17,840
Speaker 1: the pill. You know what I'm saying. They deliberately did

432
00:20:17,880 --> 00:20:21,920
Speaker 1: some ship that basically just violated my rights. I knew

433
00:20:21,920 --> 00:20:23,600
Speaker 1: they couldn't do it, and they still did it.

434
00:20:24,520 --> 00:20:27,240
Speaker 2: But eventually it worked out and you represented yourself.

435
00:20:28,080 --> 00:20:31,639
Speaker 1: Yeah, at trial, I lost, but I got back on

436
00:20:31,680 --> 00:20:34,280
Speaker 1: a pill. Okay, okay, that's gotta be nerves.

437
00:20:34,560 --> 00:20:36,200
Speaker 2: I can only imagine it being in the cell the

438
00:20:36,280 --> 00:20:38,159
Speaker 2: day before you got to go stand in front of

439
00:20:38,200 --> 00:20:41,840
Speaker 2: everybody and represent yourself. You probably got all your notes

440
00:20:41,920 --> 00:20:42,520
Speaker 2: ready to go.

441
00:20:42,760 --> 00:20:44,560
Speaker 1: Now they yeah, they didn't let me do that shit.

442
00:20:44,600 --> 00:20:46,879
Speaker 1: They had me shackled down to the fucking chair. I

443
00:20:46,920 --> 00:20:49,240
Speaker 1: was like, it wasn't it was just violation.

444
00:20:49,040 --> 00:20:51,359
Speaker 2: For real, that's crazy. That they wouldn't even allow you

445
00:20:51,440 --> 00:20:55,879
Speaker 2: to like stand up, have your hands free to read notes.

446
00:20:56,440 --> 00:21:00,800
Speaker 1: Yeah they yeah, you violate. That ship's crazy violent, Uh

447
00:21:01,640 --> 00:21:05,720
Speaker 1: you know, individual whatever. Fuck but that wasn't the case.

448
00:21:05,840 --> 00:21:08,640
Speaker 1: Just trying to discourage me. That ship's wild. Man.

449
00:21:09,040 --> 00:21:10,879
Speaker 2: Damn your life movie is gonna be crazy.

450
00:21:11,000 --> 00:21:15,640
Speaker 1: Uh yeah, absolutely, I got it ready, You got it ready. Yeah,

451
00:21:15,640 --> 00:21:18,080
Speaker 1: it's already written. Just it's open ending.

452
00:21:18,160 --> 00:21:22,280
Speaker 2: So what is your timeline that this album's out. I

453
00:21:22,320 --> 00:21:25,240
Speaker 2: know you guys are working NonStop. I'm sure there's more

454
00:21:25,280 --> 00:21:27,040
Speaker 2: than a few people that probably want to do joint

455
00:21:27,119 --> 00:21:28,480
Speaker 2: joint projects with you.

456
00:21:28,600 --> 00:21:30,480
Speaker 1: Yeah. Yeah, I got a Gang of Ship already.

457
00:21:31,119 --> 00:21:32,960
Speaker 2: Is there? Is there any other any other albums that

458
00:21:33,000 --> 00:21:35,560
Speaker 2: are in the Can any any joint joint.

459
00:21:35,400 --> 00:21:39,440
Speaker 1: Projects album with niggas? Man like Jayworthy? Me and Jay

460
00:21:39,480 --> 00:21:42,200
Speaker 1: Worthy got a whole album. Me and r J got

461
00:21:42,200 --> 00:21:45,240
Speaker 1: a whole album, And Killer Twine got a whole album,

462
00:21:45,280 --> 00:21:47,639
Speaker 1: and T Flying got a whole album. I got albums

463
00:21:47,640 --> 00:21:50,880
Speaker 1: with niggas, you know I'm saying. Me and uh Don

464
00:21:51,000 --> 00:21:53,080
Speaker 1: Kennedy got a whole album. You know what I'm saying.

465
00:21:53,160 --> 00:21:56,680
Speaker 1: So it's like, yeah, and count me and fucking K

466
00:21:56,920 --> 00:22:00,280
Speaker 1: Boy got a whole whole album. I crip Potten talking

467
00:22:00,320 --> 00:22:01,200
Speaker 1: about Jesus.

468
00:22:01,359 --> 00:22:04,600
Speaker 2: Yeah, so you ain't playing? Is that like you? Are

469
00:22:04,640 --> 00:22:06,480
Speaker 2: you treating this shit like a job like Monday through Friday.

470
00:22:06,520 --> 00:22:08,640
Speaker 2: You gotta make sure you're in the studio like I mean.

471
00:22:09,200 --> 00:22:12,160
Speaker 1: No, I'm treating it like the seal, like I'm gonna sale.

472
00:22:12,160 --> 00:22:14,600
Speaker 1: I'm in lock down. Nigga in the hole, but I'm

473
00:22:14,640 --> 00:22:17,359
Speaker 1: in the booth. It is like the best seal in

474
00:22:17,359 --> 00:22:21,520
Speaker 1: the world. Like bullshit, ain't nothing, everything come to me,

475
00:22:22,200 --> 00:22:22,840
Speaker 1: you know what I'm saying.

476
00:22:23,240 --> 00:22:25,639
Speaker 2: That's dope, man. What was it like for you? Like

477
00:22:25,680 --> 00:22:27,320
Speaker 2: working with someone like Alchemists, who.

478
00:22:27,240 --> 00:22:28,920
Speaker 1: Is one of them?

479
00:22:28,960 --> 00:22:30,800
Speaker 2: Once he's like your kid, you know what I mean?

480
00:22:30,840 --> 00:22:32,760
Speaker 2: Like he one of them guys legend.

481
00:22:32,840 --> 00:22:36,080
Speaker 1: Alchemists made got a beautiful soul man and he like

482
00:22:36,600 --> 00:22:39,679
Speaker 1: this or or just you know, if you didn't know him,

483
00:22:39,720 --> 00:22:41,960
Speaker 1: you wouldn't know he he that you know what I'm saying,

484
00:22:42,040 --> 00:22:44,040
Speaker 1: He's a bad nigga. You know what I see down

485
00:22:44,080 --> 00:22:46,560
Speaker 1: the earth? You feel me that nigga down the earth?

486
00:22:47,040 --> 00:22:49,360
Speaker 2: Yeah, No, it's crazy. You mentioned being in the hole.

487
00:22:49,400 --> 00:22:52,000
Speaker 2: What's that like? People don't realize that that that I

488
00:22:52,000 --> 00:22:53,600
Speaker 2: feel like they put you in there to break you.

489
00:22:54,119 --> 00:22:57,040
Speaker 1: Oh yeah the shoe. Yeah, special housing unit, that was

490
00:22:57,160 --> 00:23:02,159
Speaker 1: my second home. So always looking up violations, you know

491
00:23:02,200 --> 00:23:02,720
Speaker 1: what I'm saying.

492
00:23:03,400 --> 00:23:04,920
Speaker 2: So how do you make the time go by?

493
00:23:06,359 --> 00:23:11,520
Speaker 1: Working out, praying, uh, you know, writing or obviously just

494
00:23:11,560 --> 00:23:14,120
Speaker 1: writing for sure. I wake up on my sleep with songs,

495
00:23:14,160 --> 00:23:17,199
Speaker 1: just writing, ready to go. Yep. Damn.

496
00:23:17,359 --> 00:23:19,560
Speaker 2: I can only imagine. I've heard like my cousin's in

497
00:23:19,720 --> 00:23:21,960
Speaker 2: prison and uh, I know the holes.

498
00:23:23,200 --> 00:23:23,640
Speaker 1: Shitty.

499
00:23:24,160 --> 00:23:26,560
Speaker 2: I can only imagine, bro, Like, eventually, I feel like

500
00:23:26,560 --> 00:23:29,240
Speaker 2: you'd be high off your thoughts. Yeah, you be there

501
00:23:29,240 --> 00:23:30,000
Speaker 2: tripping low key.

502
00:23:30,080 --> 00:23:34,000
Speaker 1: You know what I'm saying. For sure, ain't strong, You're gone?

503
00:23:34,320 --> 00:23:37,680
Speaker 2: Yeah, That'shit's crazy? Man? Is there anything? Because I only

504
00:23:37,720 --> 00:23:39,400
Speaker 2: can assume so many people have been trying to sign

505
00:23:39,480 --> 00:23:41,960
Speaker 2: you to a bigger, bigger deal. Yeah, I'm sure that

506
00:23:42,119 --> 00:23:46,120
Speaker 2: calls them been coming in offers. That's got to feel good,

507
00:23:46,200 --> 00:23:47,040
Speaker 2: right man.

508
00:23:47,240 --> 00:23:50,040
Speaker 1: I'm yeah, but shit, they a don't feel good turning

509
00:23:50,080 --> 00:23:53,000
Speaker 1: down that much, like you know, Nigga turned down a

510
00:23:53,080 --> 00:23:56,040
Speaker 1: half a million dollars like, and I understand it.

511
00:23:56,600 --> 00:23:59,960
Speaker 2: So I have a ticket for the advance.

512
00:24:00,160 --> 00:24:03,480
Speaker 1: Yeah, have a ticket for that van. I want of them,

513
00:24:03,760 --> 00:24:05,120
Speaker 1: you know, a couple.

514
00:24:05,160 --> 00:24:06,280
Speaker 2: How many albums was that?

515
00:24:07,560 --> 00:24:14,200
Speaker 1: Oh? Ship they wanted, Uh, they wanted twelve songs.

516
00:24:14,440 --> 00:24:16,280
Speaker 2: That's it.

517
00:24:16,600 --> 00:24:17,640
Speaker 1: One of twelve songs.

518
00:24:17,880 --> 00:24:21,399
Speaker 2: So White White obviously, you know, White White turned that

519
00:24:21,440 --> 00:24:22,600
Speaker 2: down keeping it independent.

520
00:24:23,440 --> 00:24:27,119
Speaker 1: I mean, Ship hit, but blew that already on me, nigga.

521
00:24:27,119 --> 00:24:30,120
Speaker 1: I was like breaking even. You know what I'm saying,

522
00:24:30,480 --> 00:24:34,399
Speaker 1: I'm gonna get way more than that. Yeah, so you

523
00:24:33,440 --> 00:24:37,359
Speaker 1: kind of on our masters. Man, We're just making a statement, man, pushing.

524
00:24:38,600 --> 00:24:40,359
Speaker 2: You know the thing that was double about hip boys,

525
00:24:40,440 --> 00:24:42,640
Speaker 2: He's like being extremely transparent about some of the stuff

526
00:24:42,640 --> 00:24:44,760
Speaker 2: he's gone through with like predatory record deals and or

527
00:24:45,119 --> 00:24:47,680
Speaker 2: pup deals specifically in the music industry. So I feel

528
00:24:47,720 --> 00:24:49,720
Speaker 2: like there's anybody who could kind of be like, hey,

529
00:24:50,760 --> 00:24:53,400
Speaker 2: that sounds good until it ain't good.

530
00:24:53,400 --> 00:24:56,399
Speaker 1: Way more. Yeah, for sure, you know, we're just pushing.

531
00:24:56,480 --> 00:24:59,320
Speaker 1: I mean we're just working, man, We're not really even

532
00:24:59,359 --> 00:25:02,879
Speaker 1: tripping off the bread right now. We're comfortable, you know,

533
00:25:04,200 --> 00:25:06,720
Speaker 1: we know it's gonna come later. It's like planting seeds,

534
00:25:07,400 --> 00:25:09,560
Speaker 1: you know what I'm saying. So we're trying to control

535
00:25:09,600 --> 00:25:12,919
Speaker 1: the market, my nigga, control our market and just create

536
00:25:12,960 --> 00:25:14,880
Speaker 1: a whole new lane. You know what, I'm saying, we're

537
00:25:14,920 --> 00:25:18,560
Speaker 1: gonna come through the podcast. We're gonna do our own

538
00:25:18,600 --> 00:25:21,040
Speaker 1: fucking you guys gonna do a podcast. Yeah, I have

539
00:25:21,119 --> 00:25:23,280
Speaker 1: my own podcast fire.

540
00:25:24,400 --> 00:25:25,440
Speaker 2: Just you interviewing people.

541
00:25:25,480 --> 00:25:28,359
Speaker 1: You're talking about me. Yeah, we gonna be you know KK.

542
00:25:28,640 --> 00:25:32,480
Speaker 1: That's my uh, that's my uh my ship career Criminal

543
00:25:32,560 --> 00:25:36,840
Speaker 1: Entertainment Fire. So we're gonna be fucking with everybody fresh

544
00:25:36,840 --> 00:25:38,679
Speaker 1: out the pen, niggas that got our niggas that are

545
00:25:38,720 --> 00:25:42,520
Speaker 1: still in the prison, you know, and just uh, basically

546
00:25:42,560 --> 00:25:46,280
Speaker 1: trying to change some ship because man, we had we

547
00:25:46,280 --> 00:25:49,479
Speaker 1: we have a snowball chance in hell, like everything we

548
00:25:49,520 --> 00:25:55,000
Speaker 1: did we get convicted of because we was basically judged

549
00:25:55,000 --> 00:25:56,720
Speaker 1: by the bigger brother in the system, you know.

550
00:25:57,320 --> 00:25:58,560
Speaker 2: And then you get out and now and then you

551
00:25:58,640 --> 00:26:00,760
Speaker 2: got that on your it's almost like like a you know,

552
00:26:00,800 --> 00:26:03,760
Speaker 2: like the scarlet letter, Like you can't get jobs. You know,

553
00:26:03,800 --> 00:26:05,920
Speaker 2: there's certain things you can't get qualified for if you're

554
00:26:05,920 --> 00:26:07,960
Speaker 2: a feeling like they really make your life living hell

555
00:26:08,119 --> 00:26:10,399
Speaker 2: like for real, like you really got to kind of

556
00:26:10,680 --> 00:26:12,280
Speaker 2: they almost make it to where you want to go

557
00:26:12,359 --> 00:26:14,080
Speaker 2: do some more legal ship because they make it hard

558
00:26:14,080 --> 00:26:15,600
Speaker 2: for you to do legal ship once you get out.

559
00:26:15,640 --> 00:26:17,760
Speaker 1: To it. You got to get back to it on me.

560
00:26:18,600 --> 00:26:19,760
Speaker 2: Yeah, because that's not for this.

561
00:26:19,840 --> 00:26:22,080
Speaker 1: I would have been I would have been on one.

562
00:26:22,160 --> 00:26:24,720
Speaker 2: Once you apply for that job, you gotta hear are

563
00:26:24,760 --> 00:26:26,520
Speaker 2: you a feling yes or no?

564
00:26:26,520 --> 00:26:27,720
Speaker 1: Nobody applying for the job.

565
00:26:28,359 --> 00:26:30,320
Speaker 2: I'm just saying, I'm I'm talking about just like most

566
00:26:30,320 --> 00:26:32,200
Speaker 2: people who get out, they want they want to try

567
00:26:32,280 --> 00:26:33,600
Speaker 2: to like Traden their ship up.

568
00:26:33,640 --> 00:26:36,600
Speaker 1: You know. Yeah, man, that'd be dope.

569
00:26:36,920 --> 00:26:38,159
Speaker 2: I love the podcast direction.

570
00:26:38,240 --> 00:26:39,400
Speaker 1: That'll be hard. Yeah.

571
00:26:39,560 --> 00:26:41,240
Speaker 2: Yeah, would you ever write a book?

572
00:26:41,840 --> 00:26:43,320
Speaker 1: Yeah, that's what I'll tell you. I'll finish.

573
00:26:43,480 --> 00:26:45,760
Speaker 2: You gotta do the book first, then then the show

574
00:26:45,800 --> 00:26:46,359
Speaker 2: with the movie.

575
00:26:46,640 --> 00:26:50,800
Speaker 1: Uh yeah, that's how it's probably supposed to go.

576
00:26:51,240 --> 00:26:53,680
Speaker 2: You would think, right then based on the number one

577
00:26:53,720 --> 00:26:56,399
Speaker 2: best selling novel. Right then you got the movie.

578
00:26:56,560 --> 00:26:58,600
Speaker 1: Yeah, we're doing a documentary. You know what I'm saying.

579
00:26:58,600 --> 00:27:02,439
Speaker 1: We already chopped with my uncle from New York. You

580
00:27:02,480 --> 00:27:04,600
Speaker 1: know what I'm saying. My dad from New York. You

581
00:27:04,640 --> 00:27:06,639
Speaker 1: know what I'm saying. So let's start with him. You

582
00:27:06,680 --> 00:27:08,320
Speaker 1: know what I'm saying. He was an orphan and shit,

583
00:27:08,880 --> 00:27:12,280
Speaker 1: and his mama was a dope fan. My grandmama hairon addict.

584
00:27:12,359 --> 00:27:14,480
Speaker 1: You know, what I'm saying. He was a whole baby.

585
00:27:14,800 --> 00:27:16,920
Speaker 1: He feel me, So she did with a whoop. And

586
00:27:16,960 --> 00:27:19,919
Speaker 1: they lived the rough ast life, my nigga. And and

587
00:27:20,040 --> 00:27:21,640
Speaker 1: you know, he grew up in the orphanage and ship

588
00:27:21,720 --> 00:27:23,720
Speaker 1: and he was out there niggas singing in front of

589
00:27:23,800 --> 00:27:26,160
Speaker 1: trash cans and all that shit in New York. Niggas great,

590
00:27:26,320 --> 00:27:28,400
Speaker 1: like you know what I'm saying, robbing niggas and all

591
00:27:28,400 --> 00:27:31,480
Speaker 1: that shit. And then he went to the Marines and

592
00:27:31,480 --> 00:27:33,760
Speaker 1: and did this thing up up there in Vietnam and

593
00:27:33,840 --> 00:27:36,439
Speaker 1: got out, you know, and spoiled the shit out of me.

594
00:27:36,720 --> 00:27:39,360
Speaker 2: You know, I was like, you know, I heard Vietnam

595
00:27:39,480 --> 00:27:40,600
Speaker 2: was wild man.

596
00:27:40,640 --> 00:27:43,000
Speaker 1: Buck fucking wild, crazy bro.

597
00:27:43,760 --> 00:27:45,280
Speaker 2: So your pops was in Vietnam.

598
00:27:45,800 --> 00:27:47,280
Speaker 1: Yeah, he was a tunnel rack nigga.

599
00:27:47,320 --> 00:27:49,320
Speaker 2: He probably he probably told you some crazy stories.

600
00:27:49,400 --> 00:27:53,560
Speaker 1: Huh man, This nigga was killing niggas bigging holes and

601
00:27:53,640 --> 00:27:57,160
Speaker 1: they walked by, slipped their throat, pull him in, pull

602
00:27:57,240 --> 00:28:00,520
Speaker 1: him in there and sleep with them. Oh man, hole,

603
00:28:00,600 --> 00:28:04,560
Speaker 1: get fully dig another hole, getting closer to the count.

604
00:28:05,280 --> 00:28:06,320
Speaker 1: That's just crazy.

605
00:28:06,400 --> 00:28:08,040
Speaker 2: Hey, we gotta stop the interview real quick.

606
00:28:08,080 --> 00:28:08,199
Speaker 1: Man.

607
00:28:08,240 --> 00:28:10,720
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647
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648
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649
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650
00:30:02,160 --> 00:30:05,240
Speaker 2: No doctor's a point. It's all online, discrete packaging in

651
00:30:05,320 --> 00:30:08,280
Speaker 2: a blue cheol before him. Come on, fellas, it's getting

652
00:30:08,280 --> 00:30:10,480
Speaker 2: caught outside. Let's make sure those cocks stay harder. Right,

653
00:30:10,560 --> 00:30:12,800
Speaker 2: let's get back of the interview. I always heard like

654
00:30:13,080 --> 00:30:15,240
Speaker 2: Vietnam like in terms of the more modern like Wars

655
00:30:15,360 --> 00:30:19,400
Speaker 2: was like the most brutal. Yeah, they weren't playing over there,

656
00:30:19,440 --> 00:30:19,880
Speaker 2: Yeah he was.

657
00:30:20,000 --> 00:30:22,160
Speaker 1: Yeah, Yeah, he slept with his eyes open.

658
00:30:22,240 --> 00:30:25,680
Speaker 2: Again, that's just crazy with their eyes open.

659
00:30:25,800 --> 00:30:29,120
Speaker 1: I like that he like this and the fourth of July.

660
00:30:29,520 --> 00:30:31,160
Speaker 1: But I'm even tweaking.

661
00:30:31,720 --> 00:30:34,440
Speaker 2: Because he had PTSD. So if you heard like fireworks

662
00:30:34,480 --> 00:30:38,240
Speaker 2: are probably Jesus, I can only imagine. Man, that's what

663
00:30:38,280 --> 00:30:40,480
Speaker 2: they say. They say mushrooms carry your PTSD.

664
00:30:40,600 --> 00:30:41,680
Speaker 1: Man, damn.

665
00:30:42,080 --> 00:30:44,520
Speaker 2: So if you got PTSD.

666
00:30:45,320 --> 00:30:48,640
Speaker 1: Psilocybin, man, yeah, I'm a little something. Sound like people

667
00:30:48,680 --> 00:30:52,520
Speaker 1: standing behind me for sure, That's what I'm saying.

668
00:30:52,760 --> 00:30:54,320
Speaker 2: Now, we gotta do what we got document we did.

669
00:30:54,360 --> 00:30:56,400
Speaker 2: We gotta do a podcast with you on mushrooms. They

670
00:30:56,480 --> 00:31:04,120
Speaker 2: don't know that should have got platinum. Yo, how do

671
00:31:04,160 --> 00:31:08,200
Speaker 2: you feel being because I'm thinking like next year. Soon

672
00:31:08,200 --> 00:31:10,440
Speaker 2: we're gonna have the new Freshman cover. I feel like

673
00:31:10,440 --> 00:31:12,240
Speaker 2: it'd be kind of crazy if you made the Freshman cover.

674
00:31:12,280 --> 00:31:12,600
Speaker 2: How old are you?

675
00:31:12,560 --> 00:31:14,280
Speaker 1: If you don't mind me asking, fifty two?

676
00:31:14,480 --> 00:31:16,200
Speaker 2: If you made the Freshman cover at fifty two, that'd

677
00:31:16,200 --> 00:31:16,760
Speaker 2: be fucking.

678
00:31:16,560 --> 00:31:18,880
Speaker 1: Wild with Freshman cover the double XL.

679
00:31:19,760 --> 00:31:21,560
Speaker 2: You know, have you heard of the double XEL Freshman cover?

680
00:31:22,200 --> 00:31:23,960
Speaker 2: So they double XL every year they put a cover

681
00:31:24,040 --> 00:31:26,719
Speaker 2: out with like the hot Freshman class of rappers. Like,

682
00:31:26,960 --> 00:31:29,720
Speaker 2: you're kind of like you're a new artist, this is

683
00:31:29,720 --> 00:31:32,200
Speaker 2: your first album. Yeah, for so you know what I'm saying,

684
00:31:32,240 --> 00:31:34,360
Speaker 2: Like that shit's crazy, Like how do you feel like

685
00:31:35,040 --> 00:31:38,840
Speaker 2: because you don't, like, you know, your kid is kind

686
00:31:38,840 --> 00:31:40,640
Speaker 2: of like the og in the music game for you, right,

687
00:31:40,800 --> 00:31:43,560
Speaker 2: even though you're his og, right, but you're in a

688
00:31:43,680 --> 00:31:46,200
Speaker 2: very we've never seen this happen before, man, but I

689
00:31:46,200 --> 00:31:47,920
Speaker 2: feel like that's like a real thing that could happen.

690
00:31:47,960 --> 00:31:49,520
Speaker 2: Like I feel like you could be on the Freshman cover.

691
00:31:49,400 --> 00:31:52,880
Speaker 1: In like three or four months, man, for real, don't sleep.

692
00:31:52,760 --> 00:31:54,800
Speaker 2: Try to put you got to pitch yourself for that

693
00:31:54,840 --> 00:31:55,440
Speaker 2: shit though.

694
00:31:55,320 --> 00:31:58,880
Speaker 1: Like yeah, I mean the Billboard, I mean anything you

695
00:31:58,920 --> 00:31:59,520
Speaker 1: have with shit.

696
00:32:00,200 --> 00:32:03,520
Speaker 2: That shit crazy man ship, you could be my dad.

697
00:32:03,560 --> 00:32:04,920
Speaker 2: Low key, bro, I'm thirty cent.

698
00:32:05,560 --> 00:32:08,320
Speaker 1: Oh god, this nigga older than you, hit boy, older

699
00:32:08,320 --> 00:32:09,960
Speaker 1: than you?

700
00:32:09,960 --> 00:32:12,720
Speaker 2: You was getting it in. Yeah yeah so wait, so

701
00:32:12,720 --> 00:32:15,720
Speaker 2: how old were you when you had hit fourteen? Oh shit,

702
00:32:16,080 --> 00:32:18,480
Speaker 2: that's how my sister was. My sister had my niece

703
00:32:18,520 --> 00:32:19,360
Speaker 2: when she was fourteen?

704
00:32:19,720 --> 00:32:20,200
Speaker 1: Yeah?

705
00:32:20,600 --> 00:32:21,560
Speaker 2: What's your was?

706
00:32:21,560 --> 00:32:22,160
Speaker 1: Was your?

707
00:32:22,760 --> 00:32:24,160
Speaker 2: Was his mom fourteen as well?

708
00:32:24,680 --> 00:32:27,400
Speaker 1: Yeah? Oh so that was like, yeah I matter that?

709
00:32:27,520 --> 00:32:31,480
Speaker 1: But what baby was? Thirteen? It was a high school

710
00:32:32,440 --> 00:32:33,480
Speaker 1: summer school?

711
00:32:33,960 --> 00:32:37,200
Speaker 2: Was that your first time with what was hits mom?

712
00:32:37,240 --> 00:32:38,200
Speaker 2: Your first girl?

713
00:32:38,320 --> 00:32:40,840
Speaker 1: Like? Did you mean that was my first baby? Mama?

714
00:32:41,080 --> 00:32:42,720
Speaker 2: What I'm talking about? But you ain't lose your virginity

715
00:32:42,720 --> 00:32:43,000
Speaker 2: with her?

716
00:32:43,200 --> 00:32:45,600
Speaker 1: Na? Man? I was like, man, I was young? Dug

717
00:32:45,800 --> 00:32:47,400
Speaker 1: he was snapped? How old were you when you lost

718
00:32:47,400 --> 00:32:50,600
Speaker 1: your virginity? Man? Young?

719
00:32:51,280 --> 00:32:54,000
Speaker 2: Like fucking like twelve?

720
00:32:54,840 --> 00:32:58,600
Speaker 1: Fucking though, like fucking eight or nine? Nigga, Like how

721
00:32:58,600 --> 00:33:00,480
Speaker 1: old was the girl you fucked with? You? And ready

722
00:33:00,600 --> 00:33:05,200
Speaker 1: like almost she probably was like twenty? Oh she was

723
00:33:05,200 --> 00:33:06,080
Speaker 1: a child molester.

724
00:33:09,600 --> 00:33:15,200
Speaker 2: She should be imprinted. It was the reverse r Kelly happened.

725
00:33:15,640 --> 00:33:17,440
Speaker 2: I mean, I just wasn't. Was she a teacher?

726
00:33:18,160 --> 00:33:18,440
Speaker 1: Nah?

727
00:33:18,600 --> 00:33:20,800
Speaker 2: Because you know these days teachers is out here fucking

728
00:33:20,840 --> 00:33:23,640
Speaker 2: hell of kids. Nah nah, I feel I wish I

729
00:33:23,680 --> 00:33:24,520
Speaker 2: would have caught that way.

730
00:33:24,520 --> 00:33:26,360
Speaker 1: Well, for real, my hommy called me up there and

731
00:33:26,480 --> 00:33:28,600
Speaker 1: he's like, come and get some pussy. And I was like,

732
00:33:28,600 --> 00:33:31,520
Speaker 1: where are you at? She went to cracking? Nah no,

733
00:33:32,160 --> 00:33:34,400
Speaker 1: you never went up there, and they was really pulling

734
00:33:34,400 --> 00:33:34,760
Speaker 1: the trade.

735
00:33:34,800 --> 00:33:38,840
Speaker 2: It was everybody was just getting it in. He was like,

736
00:33:38,920 --> 00:33:43,600
Speaker 2: come on, like, no cool, so you just hopped in. Yeah.

737
00:33:43,640 --> 00:33:46,240
Speaker 2: When they left out, that ship's amazing.

738
00:33:46,600 --> 00:33:51,080
Speaker 1: God, oh my god, I left. I raised up Jesus.

739
00:33:51,080 --> 00:33:55,520
Speaker 2: I see I didn't lose my virginity. So I was fifteen,

740
00:33:56,680 --> 00:33:58,959
Speaker 2: but I fingered sucked the chick when I was twelve,

741
00:33:58,960 --> 00:34:00,720
Speaker 2: and then I got my dick sect in a Mexican

742
00:34:00,800 --> 00:34:05,160
Speaker 2: strip club when I was thirteen. I went there with

743
00:34:05,240 --> 00:34:07,600
Speaker 2: my cousin. Were on vacation, and he paid to get

744
00:34:07,600 --> 00:34:10,160
Speaker 2: me in the strip clubs and Rocky Point and yeah,

745
00:34:10,160 --> 00:34:11,800
Speaker 2: I got domed up by this chicken.

746
00:34:12,600 --> 00:34:12,920
Speaker 1: It was.

747
00:34:13,440 --> 00:34:18,680
Speaker 2: It was like fifteen dollars, super cheap, cheap as fuck,

748
00:34:18,920 --> 00:34:19,720
Speaker 2: fifteen dollars.

749
00:34:19,719 --> 00:34:21,640
Speaker 1: And you know what I'm saying, I don't even won't That.

750
00:34:22,000 --> 00:34:26,359
Speaker 2: Strip club is still there, wild wows great place where? Yeah,

751
00:34:26,400 --> 00:34:29,440
Speaker 2: Rocky Point, Porto Pinasco is a place called wild Ways Cray.

752
00:34:29,520 --> 00:34:31,279
Speaker 2: I went in there with a with my girl and

753
00:34:31,320 --> 00:34:33,040
Speaker 2: I was like, you know, I've got my first fucking

754
00:34:33,040 --> 00:34:39,680
Speaker 2: blow drove. Well, I've heard of that place. How was it, dad?

755
00:34:39,840 --> 00:34:40,879
Speaker 1: Man? It was turned up?

756
00:34:41,080 --> 00:34:43,040
Speaker 2: I've only heard of it. I've never been it was

757
00:34:43,080 --> 00:34:45,680
Speaker 2: turned up. Yeah, there's a new place out there to

758
00:34:45,680 --> 00:34:48,279
Speaker 2: bring them back over. There's a new place out there

759
00:34:48,280 --> 00:34:50,400
Speaker 2: I've heard about. It's called Hong Kong. I heard it's good.

760
00:34:51,440 --> 00:34:54,000
Speaker 2: I wouldn't go, obviously I'm married, but I heard it's

761
00:34:54,000 --> 00:34:55,239
Speaker 2: a good place. Yeah.

762
00:34:55,440 --> 00:34:56,920
Speaker 1: I went over there when I first got out.

763
00:34:57,680 --> 00:35:00,120
Speaker 2: Oh you went over there like like this this go

764
00:35:00,160 --> 00:35:03,680
Speaker 2: around to the Alasta Okay? And you didn't you didn't participate?

765
00:35:04,120 --> 00:35:06,200
Speaker 1: No, nah, hell no, I was spoke. They was too

766
00:35:06,440 --> 00:35:09,720
Speaker 1: like too cheap, too cheap? And two four like.

767
00:35:10,040 --> 00:35:12,160
Speaker 2: What do you want their prostitutes? You want them to

768
00:35:12,200 --> 00:35:14,040
Speaker 2: like do you want them to take you on a date?

769
00:35:14,080 --> 00:35:15,400
Speaker 1: I wanted it is easy.

770
00:35:15,440 --> 00:35:18,360
Speaker 2: You say, that's the whole point of the place and

771
00:35:18,440 --> 00:35:22,080
Speaker 2: ship back back then, because what was that twenty twelve

772
00:35:22,120 --> 00:35:23,719
Speaker 2: you got out or twenty eleven.

773
00:35:24,840 --> 00:35:28,239
Speaker 1: Thirteen, twenty fucking nah. Damn the fuck did I get out?

774
00:35:28,239 --> 00:35:29,840
Speaker 1: I don't even know when the fuck I got.

775
00:35:29,640 --> 00:35:32,080
Speaker 2: Out because it was grounded. My whole life was at

776
00:35:32,120 --> 00:35:32,720
Speaker 2: twenty fourteen.

777
00:35:32,719 --> 00:35:35,840
Speaker 1: I was twenty yeah, thirteen thirteen fourteen. Yeah, so I

778
00:35:35,840 --> 00:35:36,680
Speaker 1: got out twenty thirty.

779
00:35:36,719 --> 00:35:38,319
Speaker 2: Oh yeah, Adelete has had to be cheap as hell

780
00:35:38,360 --> 00:35:38,719
Speaker 2: back then.

781
00:35:39,520 --> 00:35:43,200
Speaker 1: Yeah, you're tripping twenty dollars easy for a girl something

782
00:35:43,239 --> 00:35:43,520
Speaker 1: like that.

783
00:35:44,000 --> 00:35:46,040
Speaker 2: Would you ever have like girls visit you? Like, like,

784
00:35:46,080 --> 00:35:48,080
Speaker 2: I always wonder how the visitation ship works, cause you

785
00:35:48,120 --> 00:35:50,240
Speaker 2: know there's some guys who get the conjugal visits.

786
00:35:50,360 --> 00:35:51,440
Speaker 1: Yeah, I ain't getting none of that.

787
00:35:51,480 --> 00:35:53,240
Speaker 2: None of that because you got to be married, right.

788
00:35:53,719 --> 00:35:56,719
Speaker 1: Married, I got married and ship that didn't. I still

789
00:35:56,840 --> 00:35:57,560
Speaker 1: lost my ship.

790
00:35:58,160 --> 00:36:01,160
Speaker 2: You lost your rights because you got in trouble, right. Yeah,

791
00:36:01,719 --> 00:36:04,400
Speaker 2: we're like guards, like, uh.

792
00:36:04,239 --> 00:36:06,239
Speaker 1: I was in the state this last round in the fairs.

793
00:36:06,360 --> 00:36:12,160
Speaker 1: We don't get none of that. We don't get no nothing. Damn. Yeah.

794
00:36:12,239 --> 00:36:14,560
Speaker 2: Yeah, I always wonder because you'll see like the conjugal

795
00:36:14,640 --> 00:36:17,759
Speaker 2: visits on TV or like, uh, these female guards be

796
00:36:18,080 --> 00:36:21,160
Speaker 2: out here phone in love with prisoners. And then did

797
00:36:21,160 --> 00:36:24,719
Speaker 2: you see that the chick who helped the guy break out? Yeah,

798
00:36:25,160 --> 00:36:29,640
Speaker 2: that ship's crazy on me and now she's he tripped. Yeah,

799
00:36:29,800 --> 00:36:32,200
Speaker 2: like you fuck that up, bro, like it up? Yeah,

800
00:36:32,200 --> 00:36:32,880
Speaker 2: that shit crazy.

801
00:36:33,000 --> 00:36:33,200
Speaker 1: Look.

802
00:36:33,239 --> 00:36:35,080
Speaker 2: Hey, the new album is out, man, I hope everybody.

803
00:36:35,200 --> 00:36:38,160
Speaker 2: Uh So, obviously people can go by the album and

804
00:36:38,200 --> 00:36:38,720
Speaker 2: get one.

805
00:36:38,560 --> 00:36:43,120
Speaker 1: Of these absolutely big hit loop dot com my nigga,

806
00:36:43,280 --> 00:36:46,480
Speaker 1: spell it out b I G h I T n

807
00:36:46,640 --> 00:36:51,560
Speaker 1: U p I D dot com merchants there, mercher is.

808
00:36:51,600 --> 00:36:54,560
Speaker 1: The truth is in My eyes teas the big hit

809
00:36:55,239 --> 00:36:58,279
Speaker 1: of free teas. I'm talking about the truth is in

810
00:36:58,320 --> 00:37:00,799
Speaker 1: my eyes. T's the the yam tease.

811
00:37:01,120 --> 00:37:03,960
Speaker 2: All that, and this is one of the crazier the

812
00:37:04,000 --> 00:37:07,319
Speaker 2: magazine Oh the hood he just said the hoodie too,

813
00:37:08,360 --> 00:37:12,480
Speaker 2: my nigga, and this is one of the crazy for

814
00:37:12,840 --> 00:37:14,839
Speaker 2: this being your debut album. Just for people who are

815
00:37:15,120 --> 00:37:18,680
Speaker 2: not clear on who's on this album, r J J Worthy,

816
00:37:18,680 --> 00:37:21,879
Speaker 2: Baby Stone, Guerrilla's Mazi, your Son, hit Boy Snoop Dogg,

817
00:37:22,080 --> 00:37:25,760
Speaker 2: Alchemist Music, Sochiut, Dom Kennedy, the Homie, J Stone, Trady

818
00:37:25,800 --> 00:37:32,200
Speaker 2: from the East Side of Benny the Butcher. Jesus. It's impressive, man, man,

819
00:37:32,239 --> 00:37:35,919
Speaker 2: thank you go buy Wait, this is new. I didn't

820
00:37:35,960 --> 00:37:39,120
Speaker 2: see this. This is the crazy in the hood. That's

821
00:37:39,360 --> 00:37:43,560
Speaker 2: crazy truth. So make sure you go support man buy

822
00:37:43,600 --> 00:37:47,400
Speaker 2: it and if you if yeah, I mean ship, you

823
00:37:47,400 --> 00:37:49,000
Speaker 2: can't stream it, so you gotta buy.

824
00:37:48,880 --> 00:37:51,120
Speaker 1: It on me. You got a bott I'm about the

825
00:37:51,120 --> 00:37:53,520
Speaker 1: trunk with it, my nigga, like like Nip did with

826
00:37:53,560 --> 00:37:55,719
Speaker 1: the Proud to Pay you feel me, I'm about the

827
00:37:55,760 --> 00:37:57,520
Speaker 1: trunk with it, my nigga. I ain't selling no bricks

828
00:37:57,560 --> 00:38:00,680
Speaker 1: from selling CDs. Love to support you, big hit.

829
00:38:00,719 --> 00:38:03,920
Speaker 2: I appreciate you, bro, Thank you, Yes, sir, respect fire

830
00:38:04,400 --> 00:38:06,240
Speaker 2: good Ship. Can we show some love to our family

831
00:38:06,280 --> 00:38:09,000
Speaker 2: at Hard Dean Man shout out to Hard Dean Man. Look,

832
00:38:09,160 --> 00:38:11,480
Speaker 2: if you're in Vegas, you gotta pull up. You gotta say,

833
00:38:11,480 --> 00:38:12,960
Speaker 2: take me to Hard Dean right now. I need to

834
00:38:12,960 --> 00:38:14,360
Speaker 2: go to Hard Dean. They're gonna take you.

835
00:38:14,400 --> 00:38:15,520
Speaker 1: They're gonna get you situated.

836
00:38:15,680 --> 00:38:20,040
Speaker 2: Hardyan Las Vegas the best cannabis dispensary I've ever walked

837
00:38:20,040 --> 00:38:23,040
Speaker 2: into my life, the most craziest selection of premium cannabis

838
00:38:23,120 --> 00:38:25,319
Speaker 2: in the entire world. I mean that place smells like

839
00:38:25,440 --> 00:38:29,399
Speaker 2: God's uh sweat, it feels it just smells so good

840
00:38:29,400 --> 00:38:31,640
Speaker 2: in there. It's just, oh, they got their own scent.

841
00:38:32,000 --> 00:38:34,080
Speaker 2: They're our family too, man, So it makes you follow

842
00:38:34,080 --> 00:38:37,120
Speaker 2: them online Harding Underscore Los Vegas all right, shoot them

843
00:38:37,120 --> 00:38:41,400
Speaker 2: a follow on Instagram. Also go to Hardeanlasvegas dot com,

844
00:38:41,440 --> 00:38:43,759
Speaker 2: and when you're in Vegas, make sure you pull up

845
00:38:43,960 --> 00:38:45,000
Speaker 2: to hard Dean Baby