1 00:00:00,040 --> 00:00:02,200 Speaker 1: Bouley Kap Podcast. We got a special guest in here, 2 00:00:02,200 --> 00:00:06,760 Speaker 1: Mike Guy represent but let hell man the boy. Yes, sir, 3 00:00:07,520 --> 00:00:10,360 Speaker 1: what's good? Bro? Man? I ain't know, Man, I'm just 4 00:00:10,400 --> 00:00:13,319 Speaker 1: out your working man zombie right now and got no 5 00:00:13,480 --> 00:00:18,200 Speaker 1: sleep man, straight work mode. Man. You I feel like 6 00:00:18,200 --> 00:00:19,840 Speaker 1: it's been it's been at least a year year and 7 00:00:19,880 --> 00:00:21,400 Speaker 1: a half since you've been back on the show man, 8 00:00:21,440 --> 00:00:24,400 Speaker 1: So welcome back. I appreciate you for having me again. 9 00:00:24,800 --> 00:00:26,560 Speaker 1: So far, you hain't putting out a lot of music 10 00:00:26,600 --> 00:00:28,400 Speaker 1: this year when we're used to you dropping so much. 11 00:00:28,400 --> 00:00:30,800 Speaker 1: So I'm only assuming you got a whole lot of coming. 12 00:00:31,240 --> 00:00:33,320 Speaker 1: I got a whole lot of coming for so, a 13 00:00:33,320 --> 00:00:36,760 Speaker 1: whole lot of coming. Yeah, because you were you were 14 00:00:36,760 --> 00:00:39,440 Speaker 1: putting some high pressure on twenty twenty two. Man, he 15 00:00:39,600 --> 00:00:41,400 Speaker 1: is some high pressure for so, I ain't gonna lie. 16 00:00:41,400 --> 00:00:43,320 Speaker 1: It's gonna be a lot of way more pressure than 17 00:00:43,320 --> 00:00:45,840 Speaker 1: while I was applying at twenty two. For real, I'm 18 00:00:45,920 --> 00:00:48,400 Speaker 1: just getting started, for real, My year is just getting started. 19 00:00:48,920 --> 00:00:51,120 Speaker 1: I had Ralphie the Plug on the show and he 20 00:00:51,159 --> 00:00:54,000 Speaker 1: went viral because he was talking about how your album 21 00:00:54,120 --> 00:00:57,400 Speaker 1: was much better than Kendrick's album. Hey Mama's shout out 22 00:00:57,440 --> 00:01:00,520 Speaker 1: to Ralphie. Good guy. You guys drop that album on 23 00:01:00,560 --> 00:01:03,000 Speaker 1: the same day. How do you Because I do feel 24 00:01:03,040 --> 00:01:05,280 Speaker 1: like the people who give you respect are like the 25 00:01:05,319 --> 00:01:08,400 Speaker 1: people you're like you would really want respect from. But 26 00:01:08,440 --> 00:01:10,679 Speaker 1: do you still feel like you're a little slept on? 27 00:01:12,600 --> 00:01:16,399 Speaker 1: I mean, I ain't. I just put it like this, 28 00:01:16,520 --> 00:01:18,319 Speaker 1: I ain't where I want to be. You feel me. 29 00:01:18,480 --> 00:01:20,200 Speaker 1: I ain't know where where I want to be. I'm 30 00:01:20,400 --> 00:01:22,280 Speaker 1: just key working. You feel me time. I'm just one 31 00:01:22,360 --> 00:01:25,520 Speaker 1: of them. For I already believe. I already believe in 32 00:01:25,560 --> 00:01:27,640 Speaker 1: myself that I wanted to. I just got to put 33 00:01:27,640 --> 00:01:29,479 Speaker 1: it out there. You feel me put it in their face. 34 00:01:29,560 --> 00:01:32,480 Speaker 1: You feel me for to believe that too. I ain't 35 00:01:32,480 --> 00:01:34,679 Speaker 1: gonna lie twenty twenty three, Like you say, I ain't 36 00:01:34,720 --> 00:01:36,440 Speaker 1: been doing it, like I ain't gonna say I ain't 37 00:01:36,440 --> 00:01:38,800 Speaker 1: been doing it. I've been doing it right, recording and 38 00:01:38,920 --> 00:01:41,840 Speaker 1: I ain't been putting out though. Like I ain't gonna lie. 39 00:01:41,880 --> 00:01:44,319 Speaker 1: My year really just start starting to get started for 40 00:01:44,360 --> 00:01:48,480 Speaker 1: real when you got so much pressure. April fourteenth album 41 00:01:48,680 --> 00:01:50,920 Speaker 1: album What's it called? I ain't gonna say album mix 42 00:01:51,240 --> 00:01:56,000 Speaker 1: project seven songs, Nice seven songs? You got a name? 43 00:01:56,040 --> 00:01:58,640 Speaker 1: For it yep, two K twenty three. Oh I like 44 00:01:58,680 --> 00:02:02,120 Speaker 1: it all right, two K twenty three. Man balling on 45 00:02:02,160 --> 00:02:06,960 Speaker 1: these Man, I ain't gonna lie. This might be uh this, 46 00:02:06,960 --> 00:02:11,119 Speaker 1: this might be my last solo album of this year 47 00:02:11,240 --> 00:02:14,440 Speaker 1: for doing some clap albums with people. I got some, 48 00:02:14,639 --> 00:02:16,919 Speaker 1: but I don't they might, they might drop, but I 49 00:02:16,960 --> 00:02:19,120 Speaker 1: don't really count them for You know that when you 50 00:02:19,160 --> 00:02:21,720 Speaker 1: say your last solo album, So what does that mean? 51 00:02:21,760 --> 00:02:23,760 Speaker 1: Probably just for the year. I'm really just on some. 52 00:02:24,000 --> 00:02:26,000 Speaker 1: I'm gonna just be dropping, but I probably ain't gonna 53 00:02:26,040 --> 00:02:29,040 Speaker 1: drop no tape for it, just like singles and probably 54 00:02:29,080 --> 00:02:31,240 Speaker 1: just singles for it, just dropping. You know, the attention 55 00:02:31,360 --> 00:02:34,560 Speaker 1: span so short, you feel me. He's just gonna keep 56 00:02:34,560 --> 00:02:37,720 Speaker 1: it lit with some singles for real. What is uh? 57 00:02:38,160 --> 00:02:39,560 Speaker 1: You know, we were just talking a little bit about 58 00:02:39,680 --> 00:02:44,000 Speaker 1: Russell obviously coming out of your town. So many legends 59 00:02:44,040 --> 00:02:47,360 Speaker 1: to come out of Vallejo too, By the way, what 60 00:02:47,480 --> 00:02:48,840 Speaker 1: is it like to kind of see someone like l 61 00:02:48,919 --> 00:02:52,040 Speaker 1: Russell kind of take a different approach to the music industry? 62 00:02:52,600 --> 00:02:55,560 Speaker 1: Obviously he's not really kind of right now, we get 63 00:02:55,600 --> 00:02:57,440 Speaker 1: so much of the street music from Valletjo. He's kind 64 00:02:57,440 --> 00:02:59,080 Speaker 1: of giving us a whole different side of the coin. 65 00:02:59,320 --> 00:03:02,240 Speaker 1: I tell so every time I see him, he'll tell you, 66 00:03:02,320 --> 00:03:05,560 Speaker 1: I call him baby Jesus, right, baby Jesus, Like when 67 00:03:05,600 --> 00:03:09,000 Speaker 1: we see the Russell, we believe type like that really 68 00:03:09,240 --> 00:03:12,880 Speaker 1: really like he walking around his with angel wings and 69 00:03:12,919 --> 00:03:15,760 Speaker 1: the heylole around his right when you walk around this 70 00:03:16,360 --> 00:03:19,080 Speaker 1: to go like he's showing the way and he not. 71 00:03:19,720 --> 00:03:22,280 Speaker 1: He's not putting on negativity in the world. Like he 72 00:03:22,440 --> 00:03:26,200 Speaker 1: pushing all positivity. Like I tell that, like you you're 73 00:03:26,360 --> 00:03:28,200 Speaker 1: you're going to Evan for the show, like you got 74 00:03:28,240 --> 00:03:30,920 Speaker 1: to like you spreading a good message like he want to. 75 00:03:30,960 --> 00:03:33,200 Speaker 1: Like you know that, you know because in the Bible 76 00:03:33,400 --> 00:03:36,280 Speaker 1: that they talk about that spreading by message. Here he 77 00:03:36,360 --> 00:03:39,440 Speaker 1: a prophet. He wanted them no cat. Have you been 78 00:03:39,480 --> 00:03:41,839 Speaker 1: to his house for any of his shows yet? Yeah? 79 00:03:42,320 --> 00:03:45,080 Speaker 1: Pretty crazy. You got the backyard going crazy. It's right 80 00:03:45,120 --> 00:03:49,440 Speaker 1: in the neighborhood. So and they and they so respectful. 81 00:03:50,240 --> 00:03:52,320 Speaker 1: He be on some pay what you want to like 82 00:03:52,360 --> 00:03:55,480 Speaker 1: a mug. When you're doing like that, like to give 83 00:03:55,520 --> 00:03:57,560 Speaker 1: you a hundred for a shirt, you feel you might 84 00:03:57,600 --> 00:03:59,800 Speaker 1: have some little low ballers, but you're gonna run into 85 00:03:59,800 --> 00:04:03,120 Speaker 1: some go even out. It's gonna even out for so, 86 00:04:03,600 --> 00:04:05,960 Speaker 1: probably he's done. They're getting molded even out for so, 87 00:04:06,000 --> 00:04:08,640 Speaker 1: I was gonna say, how far are you from compared 88 00:04:08,680 --> 00:04:10,760 Speaker 1: to where his house is at? Are you that? Kind 89 00:04:10,760 --> 00:04:13,000 Speaker 1: of like I ain't even in valid you talking about 90 00:04:13,000 --> 00:04:14,920 Speaker 1: like where we're from though, like where you're from? Yeah, 91 00:04:14,960 --> 00:04:17,560 Speaker 1: like we're from around the corner for sure, Like we're 92 00:04:17,600 --> 00:04:20,600 Speaker 1: both in the north. The North Hell is small, like 93 00:04:20,720 --> 00:04:23,720 Speaker 1: really like it is very small. It's as small as 94 00:04:23,720 --> 00:04:28,120 Speaker 1: an island. For I guess island's bigger than Vali. You 95 00:04:28,279 --> 00:04:31,120 Speaker 1: obviously have's been somebody who tapped in with us what's 96 00:04:31,160 --> 00:04:33,440 Speaker 1: going on in Stockton because Stockton's kind of on fire 97 00:04:33,520 --> 00:04:37,080 Speaker 1: right now, man, kind of the Bay's cousin a little bit, 98 00:04:37,120 --> 00:04:40,159 Speaker 1: you know. Yeah, a lot of people who aren't from 99 00:04:40,160 --> 00:04:43,839 Speaker 1: the Bay, lump, Sacramento, Stockton in the Bay all is 100 00:04:43,880 --> 00:04:47,240 Speaker 1: one even though they're not. You worked with young Slope 101 00:04:47,320 --> 00:04:49,920 Speaker 1: before they passed away. Talk about your guys' relationship. Obviously 102 00:04:49,960 --> 00:04:52,080 Speaker 1: rest in peace to him, but you know that was 103 00:04:52,120 --> 00:04:55,440 Speaker 1: a big loss for Stockton or p my nigga, man, 104 00:04:55,640 --> 00:04:57,400 Speaker 1: since I tapped in with him, like you feel me 105 00:04:57,400 --> 00:05:00,159 Speaker 1: because you've just been genuine for as my nigga, like 106 00:05:00,880 --> 00:05:02,840 Speaker 1: I call that nigga like we was just talk on 107 00:05:02,880 --> 00:05:05,320 Speaker 1: some other shit, not even on no music shit for real, 108 00:05:05,440 --> 00:05:08,440 Speaker 1: Like he'll come pull up on me. You feel me? Uh? 109 00:05:08,960 --> 00:05:11,640 Speaker 1: I had Eyeline a little plays for him to go 110 00:05:11,720 --> 00:05:13,600 Speaker 1: get this so you feel me? All type of little 111 00:05:13,600 --> 00:05:17,039 Speaker 1: ship as my nigga or p that nigga. Man, I 112 00:05:17,040 --> 00:05:19,599 Speaker 1: fuck with I really fuck with mostly. I fuck with 113 00:05:19,640 --> 00:05:21,120 Speaker 1: a lot of E B K niggas though I ain't 114 00:05:21,120 --> 00:05:23,000 Speaker 1: gonna lie. I fuck with Jack, I fuck with j 115 00:05:23,160 --> 00:05:26,440 Speaker 1: Bo Trey b Little Mable. I fuck with a lot 116 00:05:26,480 --> 00:05:28,880 Speaker 1: of them niggas. Niggas cool. Do you ever do like 117 00:05:28,920 --> 00:05:32,799 Speaker 1: shows and stocking? Uh? I did it so stacked him before. 118 00:05:33,279 --> 00:05:37,840 Speaker 1: Probably I probably did a solo show like not too 119 00:05:37,880 --> 00:05:40,480 Speaker 1: long ago, but yeah, it'd be so much shit going 120 00:05:40,480 --> 00:05:42,560 Speaker 1: to I wouldn't even remember, for you've been a part 121 00:05:42,560 --> 00:05:45,159 Speaker 1: of some crazy shit man, for sure moments. I probably 122 00:05:45,760 --> 00:05:47,520 Speaker 1: the last time I probably did it so stacked them, 123 00:05:47,520 --> 00:05:49,560 Speaker 1: probably like a year or two ago. I don't remember 124 00:05:49,600 --> 00:05:51,360 Speaker 1: being out there, but I know a nigga did a 125 00:05:51,400 --> 00:05:53,160 Speaker 1: couple of shows out there for so Yeo, what was 126 00:05:53,200 --> 00:05:57,040 Speaker 1: it like being a part of the Black Panther soundtrack, 127 00:05:57,960 --> 00:06:02,000 Speaker 1: because that kind of was a moment Mama's Kendrick was 128 00:06:02,000 --> 00:06:04,920 Speaker 1: on that record too. Yeah, that's a big deal. Now. 129 00:06:04,960 --> 00:06:06,400 Speaker 1: First of all, not a lot of people these days 130 00:06:06,440 --> 00:06:08,680 Speaker 1: to sharing records with Kendrick, And that's one of the 131 00:06:08,720 --> 00:06:11,760 Speaker 1: biggest movies of all time. So that's my biggest song 132 00:06:11,839 --> 00:06:14,839 Speaker 1: to this day. That motherfucking with like double platinum in 133 00:06:14,920 --> 00:06:17,040 Speaker 1: that muf for just the song itself. And they ain't 134 00:06:17,040 --> 00:06:19,640 Speaker 1: got no video, you feel me, no video nothing. I 135 00:06:19,680 --> 00:06:21,880 Speaker 1: feel like that was kind of like the last Hurrah 136 00:06:21,960 --> 00:06:24,600 Speaker 1: for Soob kind of yeah, that was like our biggest 137 00:06:25,080 --> 00:06:27,200 Speaker 1: I feel like after that ship is when ship kind 138 00:06:27,200 --> 00:06:30,680 Speaker 1: of started a yeah, man, a lot of shit started happening. Man, 139 00:06:30,760 --> 00:06:32,960 Speaker 1: behind the scenes, you know that shit go, man, just 140 00:06:32,960 --> 00:06:35,679 Speaker 1: some old brother ship though niggas fighting behind the scenes, 141 00:06:35,720 --> 00:06:38,680 Speaker 1: like we brothers and we was young, you know how 142 00:06:38,720 --> 00:06:40,800 Speaker 1: that shit go. Like, But what was that moment like 143 00:06:40,839 --> 00:06:42,839 Speaker 1: for you, Like just kind of knowing you're making it 144 00:06:42,880 --> 00:06:46,000 Speaker 1: onto a Marvel movie soundtrack and Kendrick's hopping on the record. 145 00:06:46,080 --> 00:06:48,560 Speaker 1: I ain't gonna lie when we first got in the studio, 146 00:06:48,720 --> 00:06:52,040 Speaker 1: we got on that ship, like, I really ain't think 147 00:06:52,080 --> 00:06:54,480 Speaker 1: it was gonna really come out. He's like, yep, we 148 00:06:54,760 --> 00:06:56,440 Speaker 1: at least got the chance to be in the studio 149 00:06:56,480 --> 00:06:58,680 Speaker 1: with that nigga and give us what. Oh you guys 150 00:06:58,680 --> 00:07:02,839 Speaker 1: are in the studio, we got the So niggas really 151 00:07:02,880 --> 00:07:04,880 Speaker 1: just had the mindset like shit. At least we got 152 00:07:04,920 --> 00:07:06,920 Speaker 1: up in the studio and got the chance to you 153 00:07:06,960 --> 00:07:09,600 Speaker 1: feel me, show that nigga what we got for real. 154 00:07:09,680 --> 00:07:12,880 Speaker 1: You feel it's a banger. But when that shit came out, 155 00:07:13,280 --> 00:07:16,000 Speaker 1: I heard the Black Panther shit came out, but niggas 156 00:07:16,000 --> 00:07:18,280 Speaker 1: ain't really think you feel me our shit was on there, 157 00:07:18,360 --> 00:07:21,400 Speaker 1: so I really didn't nigga check like motherfuckers was just 158 00:07:21,480 --> 00:07:24,920 Speaker 1: calling the nigga like, Yo, make the Black Panther soundtrack, y'all. 159 00:07:24,960 --> 00:07:28,080 Speaker 1: Nigga's going crazy. Nigga your first stupid woo whoop. I'm like, 160 00:07:28,120 --> 00:07:31,160 Speaker 1: hell nah, I'm in the studio at the time to record. 161 00:07:31,680 --> 00:07:33,880 Speaker 1: I go straight to the soundtrack. I listened to that 162 00:07:33,960 --> 00:07:36,560 Speaker 1: shit the way you put the little pause on my ship. 163 00:07:36,680 --> 00:07:38,720 Speaker 1: I was like, Oh, ain't gonna lie like that shit 164 00:07:38,800 --> 00:07:41,440 Speaker 1: in there, like gaving nigga goose bumps. You feel me 165 00:07:41,480 --> 00:07:43,920 Speaker 1: the way that that nigga hit the nigga with the boy, 166 00:07:44,080 --> 00:07:47,480 Speaker 1: you feel me, then change the tempo for like folk boars, like, 167 00:07:47,480 --> 00:07:49,280 Speaker 1: I ain't gonna lie that shit had a nigga feeling 168 00:07:49,320 --> 00:07:52,720 Speaker 1: like a champion, you know, like when you growing up, 169 00:07:52,760 --> 00:07:55,480 Speaker 1: a nigga got you. You in sports, you in the 170 00:07:55,520 --> 00:07:57,920 Speaker 1: trophies and shit, when I was playing sports, ain't gonna lie. 171 00:07:57,920 --> 00:08:00,800 Speaker 1: I ain't really win too many trophies. Like I was 172 00:08:00,840 --> 00:08:03,960 Speaker 1: really a street ball player, I wouldn't really you fd 173 00:08:04,000 --> 00:08:06,200 Speaker 1: me one of the ones really really on the court, 174 00:08:06,280 --> 00:08:08,000 Speaker 1: so you found me shit like that, Like that's a 175 00:08:08,080 --> 00:08:11,080 Speaker 1: trophy for me. Listen, do you want to win some money? 176 00:08:11,240 --> 00:08:13,440 Speaker 1: Got to stop the interview, but listen, there's so many 177 00:08:13,440 --> 00:08:16,800 Speaker 1: opportunities to gamble, to bet on your favorite sports, to 178 00:08:16,840 --> 00:08:20,360 Speaker 1: make sports more interesting. NFL season is over, but it's 179 00:08:20,400 --> 00:08:24,920 Speaker 1: all good because the opportunities to win are just getting started. Yeah. Look, 180 00:08:24,960 --> 00:08:29,720 Speaker 1: there's so many things you can do. 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You 215 00:10:20,280 --> 00:10:23,600 Speaker 1: got to follow him at Hardan Underscore Las Vegas right now. 216 00:10:23,600 --> 00:10:26,080 Speaker 1: Shoot him a follow on Instagram while you're at it, 217 00:10:26,120 --> 00:10:29,160 Speaker 1: Go to the website Hardeinlasvegas dot com. So much fly gear, 218 00:10:29,600 --> 00:10:32,520 Speaker 1: so much flyweed. What are we talking about? Baby? Shout 219 00:10:32,520 --> 00:10:34,880 Speaker 1: out to Hardean man. That's the family. Man. Go if 220 00:10:34,920 --> 00:10:37,720 Speaker 1: you're in Vegas, pull up on the man Hardean, Las Vegas. 221 00:10:37,880 --> 00:10:40,840 Speaker 1: Do you ever kind of because I saw low jjus 222 00:10:40,880 --> 00:10:46,079 Speaker 1: got sentenced to some serious prison time, and we think 223 00:10:46,160 --> 00:10:49,000 Speaker 1: kind of like everybody kind of went their own way 224 00:10:49,040 --> 00:10:51,079 Speaker 1: when it came to the group. It feels like you're 225 00:10:51,160 --> 00:10:52,920 Speaker 1: kind of the one guy who's kind of cut through 226 00:10:52,960 --> 00:10:56,160 Speaker 1: and like been able to really be consistent and really 227 00:10:56,320 --> 00:10:59,240 Speaker 1: kind of show and prove as a solo artist. A 228 00:10:59,280 --> 00:11:00,839 Speaker 1: shout out to Young Al he's up. You know, he's 229 00:11:00,840 --> 00:11:03,520 Speaker 1: obviously had some dope solo shit too. But for you, like, 230 00:11:05,240 --> 00:11:07,880 Speaker 1: I'm not knowing your personal relationship with these guys anymore, 231 00:11:07,920 --> 00:11:10,280 Speaker 1: but do you tap in with somebody like little g 232 00:11:10,440 --> 00:11:12,679 Speaker 1: if he you know, gets he has to go sit 233 00:11:12,760 --> 00:11:15,240 Speaker 1: down for twenty years, like just on something like you said, 234 00:11:15,240 --> 00:11:17,360 Speaker 1: some brothershit or is that relationship kind of a rap? 235 00:11:18,000 --> 00:11:24,160 Speaker 1: Slimmy my brother? That's it, Slimmy my brother. That's fair. 236 00:11:24,440 --> 00:11:28,440 Speaker 1: Who's gonna be on the epauh shit? Really? Just kallin 237 00:11:28,520 --> 00:11:30,240 Speaker 1: for real, for real, for real. I can't wait to 238 00:11:30,240 --> 00:11:32,280 Speaker 1: hear that. You know, Mama's you know, I'm trying to 239 00:11:32,320 --> 00:11:35,400 Speaker 1: push that. I'm trying to push that one. Uh, I'm 240 00:11:35,400 --> 00:11:37,240 Speaker 1: trying to push that one sign. Man, I'm trying to 241 00:11:37,280 --> 00:11:39,760 Speaker 1: gain my my lady fan base, you feel me? So 242 00:11:39,880 --> 00:11:43,320 Speaker 1: he's on the hook. Yeah, for so that's sir. Was 243 00:11:43,360 --> 00:11:45,160 Speaker 1: there something you guys got in the studio together on 244 00:11:45,480 --> 00:11:47,840 Speaker 1: Yup Yup? I called that nigga that nigga pulled up, 245 00:11:47,920 --> 00:11:51,200 Speaker 1: laid that bitch down, lay my shit down, Boom classic. 246 00:11:51,240 --> 00:11:54,160 Speaker 1: It's one of the ones too, My mama, Yo speak 247 00:11:54,200 --> 00:11:57,800 Speaker 1: to me because Mac Tres from Vallejo and obviously you know, 248 00:11:58,480 --> 00:12:01,800 Speaker 1: one of the more celebrated artists to come out of 249 00:12:01,800 --> 00:12:04,280 Speaker 1: the Bay, especially if you're from the Bay. Did you 250 00:12:04,320 --> 00:12:07,120 Speaker 1: grow up listening to Mac dre or was he? I 251 00:12:07,120 --> 00:12:09,240 Speaker 1: mean that was kind of like past your generation a bit, 252 00:12:09,960 --> 00:12:11,440 Speaker 1: Like was that something that you just kind of had 253 00:12:11,440 --> 00:12:14,120 Speaker 1: to go back to your dre? Was you feel me? 254 00:12:14,240 --> 00:12:18,080 Speaker 1: Like his music was always around like of course, like 255 00:12:18,160 --> 00:12:20,679 Speaker 1: niggas knew like all the all the big shit, like 256 00:12:20,920 --> 00:12:23,120 Speaker 1: even like even like the big the songs that was 257 00:12:23,120 --> 00:12:25,079 Speaker 1: like big in the streets, like niggas knew mostly and 258 00:12:25,160 --> 00:12:27,959 Speaker 1: then like most of that ship though, like I really 259 00:12:28,000 --> 00:12:30,000 Speaker 1: had to go back and go you feel me dig 260 00:12:30,240 --> 00:12:33,480 Speaker 1: do my own little researching for real when I was young, 261 00:12:33,559 --> 00:12:37,400 Speaker 1: like I was really into sit like like I was 262 00:12:37,440 --> 00:12:40,400 Speaker 1: really into like the mainstream niggas like Lil Wayne, like 263 00:12:40,520 --> 00:12:43,520 Speaker 1: of course a young nigga at that time, like Soldier Boy, 264 00:12:44,320 --> 00:12:45,920 Speaker 1: like I had to really do my own dig of 265 00:12:45,960 --> 00:12:48,440 Speaker 1: course I knew the main shit though, but like to 266 00:12:48,480 --> 00:12:50,440 Speaker 1: hear him on his gangster shit, like when he first 267 00:12:50,440 --> 00:12:54,480 Speaker 1: came out, I had to go do my own research 268 00:12:54,520 --> 00:12:57,480 Speaker 1: for sure. I do feel like you guys kind of 269 00:12:57,600 --> 00:13:04,280 Speaker 1: influenced a generation. I feel like s ob y'all probably 270 00:13:04,320 --> 00:13:07,480 Speaker 1: don't get as a group the credit you deserve in 271 00:13:07,600 --> 00:13:10,320 Speaker 1: terms of you guys influenced a lot of LA guys. 272 00:13:11,480 --> 00:13:13,400 Speaker 1: I feel like a lot of like how you guys 273 00:13:13,440 --> 00:13:16,400 Speaker 1: are rapping the flow, y'all had like kind of the 274 00:13:16,440 --> 00:13:19,440 Speaker 1: slightly offbeat shit like I feel like you guys kind 275 00:13:19,440 --> 00:13:21,960 Speaker 1: of And this can be said about the Bay Area 276 00:13:22,000 --> 00:13:24,800 Speaker 1: in general with a lot of shit that happens. You 277 00:13:24,840 --> 00:13:27,199 Speaker 1: guys influence a lot of shit, but don't necessarily get 278 00:13:27,200 --> 00:13:29,280 Speaker 1: the credit for the influence that you guys have on 279 00:13:29,520 --> 00:13:31,600 Speaker 1: hip hop, even LA hip hop. Do you guys, did 280 00:13:31,600 --> 00:13:33,800 Speaker 1: you guys notice that like happening? Because you guys are 281 00:13:33,840 --> 00:13:36,360 Speaker 1: hot of ship moving and a lot of people in 282 00:13:36,480 --> 00:13:38,880 Speaker 1: LA started to pop up that in my opinion, sounded 283 00:13:38,880 --> 00:13:41,560 Speaker 1: a lot like what you guys are doing. Did you 284 00:13:41,600 --> 00:13:44,800 Speaker 1: notice that? Yeah? For so you know how that shit go? Like, 285 00:13:45,920 --> 00:13:47,719 Speaker 1: we don't really you know how that shit go? Like, 286 00:13:47,760 --> 00:13:49,640 Speaker 1: we don't really get No, we don't get credit for 287 00:13:49,720 --> 00:13:52,480 Speaker 1: a lot of shit, but you feel me like Nigga 288 00:13:52,600 --> 00:13:56,000 Speaker 1: not gonna hit the scene, cry about it and pout 289 00:13:56,120 --> 00:13:58,440 Speaker 1: for real. I mean like it is what it is 290 00:13:58,440 --> 00:13:59,679 Speaker 1: at the end of the day. Though, a lot of 291 00:13:59,760 --> 00:14:01,559 Speaker 1: niggaggas that you feel me, A lot of niggas I'll 292 00:14:01,600 --> 00:14:04,199 Speaker 1: run into, like they'll pay a nigga humus like when 293 00:14:04,200 --> 00:14:07,040 Speaker 1: they see a nigga, but like Nigga probably not just gone. 294 00:14:07,520 --> 00:14:09,440 Speaker 1: Ain't nobody's gonna want to put it out there like, 295 00:14:09,480 --> 00:14:14,240 Speaker 1: oh shit, I ain't gonna lie. I relieve like nigga 296 00:14:14,280 --> 00:14:16,760 Speaker 1: really based my flow off the young niggas, like if 297 00:14:16,800 --> 00:14:19,920 Speaker 1: we're young niggas, like maybe if we was like some 298 00:14:20,080 --> 00:14:23,080 Speaker 1: OG's or something in the game, like motherfuckers, it'd be 299 00:14:23,160 --> 00:14:25,920 Speaker 1: easier to pay hamas to be like, oh I really 300 00:14:26,080 --> 00:14:28,840 Speaker 1: been grew up listening to Woo Woo woo young niggas. 301 00:14:28,840 --> 00:14:31,480 Speaker 1: You feel me, don't nobody. Not too many motherfuckers want 302 00:14:31,480 --> 00:14:33,600 Speaker 1: to give a young nigga too much credit, you feel me. 303 00:14:33,600 --> 00:14:36,520 Speaker 1: They think a young nigga big headed wool. They don't 304 00:14:36,520 --> 00:14:38,920 Speaker 1: want to give a young nigga that much juice, that 305 00:14:39,000 --> 00:14:42,000 Speaker 1: much power. But niggas don't be you feel me like 306 00:14:42,280 --> 00:14:44,800 Speaker 1: niggas be on some humble shit nigga not really chripping 307 00:14:44,840 --> 00:14:46,680 Speaker 1: off that shit like it is what it is, Like 308 00:14:46,840 --> 00:14:48,120 Speaker 1: I can't think of you guys, and I think it 309 00:14:48,200 --> 00:14:53,160 Speaker 1: like Shortlin Mafia had like a lot of sons, Like yeah, 310 00:14:53,200 --> 00:14:57,240 Speaker 1: for so you remember, like one motherfucker might copy us, 311 00:14:57,600 --> 00:15:00,920 Speaker 1: and then a motherfucker that copy us, a motherfucker might 312 00:15:00,960 --> 00:15:04,560 Speaker 1: have copied them might not even listen to me, Like 313 00:15:04,600 --> 00:15:07,120 Speaker 1: it's just it's just so much recycled shit going on. 314 00:15:07,840 --> 00:15:10,200 Speaker 1: You don't know who a motherfucker really getting ship from. 315 00:15:10,280 --> 00:15:12,880 Speaker 1: Like we started a lot of shit, but like a 316 00:15:12,920 --> 00:15:15,120 Speaker 1: lot of shit got recycled, like you feel me, like 317 00:15:15,840 --> 00:15:19,120 Speaker 1: motherfuckers get it's like lost files, Like motherfuckers don't know 318 00:15:19,120 --> 00:15:21,920 Speaker 1: where they got this. In that front, It's all good though, 319 00:15:22,000 --> 00:15:25,240 Speaker 1: Like I'm glad to see that motherfuckers created away for 320 00:15:25,320 --> 00:15:27,680 Speaker 1: everybody to eat for real, because a lot of the 321 00:15:27,720 --> 00:15:30,240 Speaker 1: young niggas seen was dead. It wasn't no young niggas 322 00:15:30,240 --> 00:15:32,480 Speaker 1: really rapping for real, Like we taught young niggas how 323 00:15:32,480 --> 00:15:34,440 Speaker 1: to talk shit. You feel me just be free, You 324 00:15:34,480 --> 00:15:37,680 Speaker 1: feel me speaking mind. It's a lot of cappers up 325 00:15:37,720 --> 00:15:39,560 Speaker 1: on this bitch tool that you feel they making a 326 00:15:39,600 --> 00:15:42,840 Speaker 1: way though you feel me congratulate them boys, feeding a 327 00:15:42,840 --> 00:15:45,800 Speaker 1: lot of young niggas off the way. But a motherfucker started. 328 00:15:45,840 --> 00:15:48,120 Speaker 1: But I ain't gonna say motherfucker. We all started this 329 00:15:48,200 --> 00:15:52,240 Speaker 1: ship as a group. But you feel me like they 330 00:15:52,320 --> 00:15:54,600 Speaker 1: ain't tripping out that shit. Let them boys go crazy. 331 00:15:54,680 --> 00:15:58,240 Speaker 1: What's up guys, Hey shot to our family at blue Choo. Man, listen, 332 00:15:58,360 --> 00:16:01,400 Speaker 1: I know we always are getting feedback about our blue 333 00:16:01,480 --> 00:16:07,200 Speaker 1: Choo interviews. They're not interviews, yeah, they're commercials, and we're 334 00:16:07,200 --> 00:16:11,480 Speaker 1: always getting feedback about them. Usually it's they're fucking hilarious. Man. 335 00:16:12,400 --> 00:16:14,360 Speaker 1: You know, people love it when we talk about Bluechoo. 336 00:16:14,400 --> 00:16:15,960 Speaker 1: But let me say this shit works. 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That's it, and 347 00:16:48,800 --> 00:16:51,720 Speaker 1: they'll be like, damn keV, you were right, bro. My 348 00:16:51,840 --> 00:16:55,400 Speaker 1: erections are lit as they should be. Every erection should 349 00:16:55,440 --> 00:16:59,240 Speaker 1: be as erect as possible. You know, you don't want 350 00:16:59,240 --> 00:17:01,280 Speaker 1: to be flaccid. You don't want to be one of 351 00:17:01,320 --> 00:17:04,280 Speaker 1: those seventy thirty guys. You know that means that thirty 352 00:17:04,280 --> 00:17:09,800 Speaker 1: percent of your dicks, potentially hardness is being uh underutilized. 353 00:17:11,040 --> 00:17:13,520 Speaker 1: Could you use an extra thirty percent hard? Maybe fifty 354 00:17:13,560 --> 00:17:15,280 Speaker 1: percent hard? I don't know. It depends on what you're 355 00:17:15,280 --> 00:17:16,840 Speaker 1: dealing with. 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Try the odd Socks Basics 384 00:18:42,720 --> 00:18:45,119 Speaker 1: if you're one of those guys who wears other plain 385 00:18:45,200 --> 00:18:49,640 Speaker 1: white branded socks, plain black socks, I promise you go 386 00:18:49,680 --> 00:18:53,080 Speaker 1: with the odd socks basics and you will believe me. 387 00:18:53,359 --> 00:18:56,560 Speaker 1: But just you will convert over. They're way more comfortable, 388 00:18:57,119 --> 00:19:01,760 Speaker 1: they're way more durable, just their odd socks. Why would 389 00:19:01,800 --> 00:19:03,680 Speaker 1: you wear those other socks? We could wear odd socks. 390 00:19:03,680 --> 00:19:06,239 Speaker 1: Bro stand down beyond go to odd Socks. Official dot 391 00:19:06,280 --> 00:19:08,919 Speaker 1: Com used the promo code bootleg. Let's get back to 392 00:19:08,920 --> 00:19:11,720 Speaker 1: the interview. How are you feeling about the younger generation 393 00:19:11,800 --> 00:19:12,879 Speaker 1: in the bay right now? Who are some of the 394 00:19:12,840 --> 00:19:14,840 Speaker 1: young guys that you're fucking with that are kind of 395 00:19:14,960 --> 00:19:18,200 Speaker 1: obviously coming up? It's some young niggas going crazy. EBK 396 00:19:18,440 --> 00:19:23,600 Speaker 1: Camp going crazy from Stockton, Yeah, DBD from Zaxville, Oh yeah, 397 00:19:23,680 --> 00:19:27,040 Speaker 1: dB by the Bag he going crazy, young nigga, mids 398 00:19:27,119 --> 00:19:31,440 Speaker 1: Foel he going crazy. Who the fuck else? My young 399 00:19:31,480 --> 00:19:36,320 Speaker 1: nigga's going crazy, Little butters Jewski, little Skoopie baby Brothers, 400 00:19:36,480 --> 00:19:40,000 Speaker 1: all the dbs. Who else they off from Valeale too? 401 00:19:41,880 --> 00:19:45,199 Speaker 1: Who else going crazy? Fredo Bags? It's a lot of 402 00:19:45,200 --> 00:19:47,640 Speaker 1: young niggas going crazy. It's really a young nigga world 403 00:19:47,720 --> 00:19:49,760 Speaker 1: right now too. I can't even keep up with who 404 00:19:49,800 --> 00:19:52,280 Speaker 1: are really going crazy? But shout out all them boys 405 00:19:52,320 --> 00:19:55,520 Speaker 1: like are you would you you said solo projects? Really 406 00:19:55,560 --> 00:19:57,280 Speaker 1: does that mean you got any collapshit coming? Would you 407 00:19:57,320 --> 00:19:58,720 Speaker 1: drop like a whole tape with somebody or a whole 408 00:19:58,720 --> 00:20:02,480 Speaker 1: ep with the artist a year? I probably I probably 409 00:20:02,600 --> 00:20:04,879 Speaker 1: end up releasing one or two of them by the 410 00:20:04,960 --> 00:20:08,159 Speaker 1: end of the year. Who I ain't gonna say all that, 411 00:20:08,440 --> 00:20:10,480 Speaker 1: you feel me? It's some shit in the way because 412 00:20:10,480 --> 00:20:12,440 Speaker 1: I got I gotta, I got some shit. I got 413 00:20:12,440 --> 00:20:15,040 Speaker 1: some ship done. Anybody from Is it from the bay 414 00:20:15,320 --> 00:20:19,480 Speaker 1: or outside of the bay? Uh? Yep? You out front 415 00:20:19,520 --> 00:20:23,159 Speaker 1: of bay, front of bay, You and Lo Russell will 416 00:20:23,200 --> 00:20:26,440 Speaker 1: be crazy. Yeah. For so that'd be like a very 417 00:20:26,560 --> 00:20:30,399 Speaker 1: good contrast of styles and content. It had me on 418 00:20:30,480 --> 00:20:33,679 Speaker 1: my profit ship. We fucking around do some shit for 419 00:20:33,760 --> 00:20:36,479 Speaker 1: so we gotta do some shit like modens just once on, 420 00:20:36,640 --> 00:20:38,600 Speaker 1: like we gotta do a couple like for the culture 421 00:20:38,760 --> 00:20:43,119 Speaker 1: for sure, for man for sure. Okay, so we got 422 00:20:42,960 --> 00:20:47,919 Speaker 1: April Twelfthy said April fourteen, April fourteenth, NBA two K 423 00:20:48,000 --> 00:20:51,480 Speaker 1: twenty three. Is that what's going on? Just two K 424 00:20:51,000 --> 00:20:55,679 Speaker 1: two K twenty three The EP Caitlin for real for 425 00:20:55,680 --> 00:20:58,359 Speaker 1: real on it. Yeah, anything else you got working on? 426 00:20:58,440 --> 00:21:02,520 Speaker 1: Brother man, shit, really Nigga's just working like I'm just 427 00:21:02,800 --> 00:21:04,919 Speaker 1: I'm just going. I'm just going like it ain't no, 428 00:21:05,560 --> 00:21:08,240 Speaker 1: it ain't no stop to this shit, Like I'm really not. 429 00:21:08,400 --> 00:21:11,440 Speaker 1: I'm really just not focused on dropping tapes and EPs 430 00:21:11,600 --> 00:21:14,240 Speaker 1: like I'm gonna just you feel me, just drop songs 431 00:21:14,280 --> 00:21:16,400 Speaker 1: here and there, me see how that shit play out 432 00:21:16,440 --> 00:21:19,320 Speaker 1: one time, just worry about not getting bipped out in 433 00:21:19,359 --> 00:21:23,200 Speaker 1: the Bay was so hot time. Do you feel like 434 00:21:23,240 --> 00:21:25,640 Speaker 1: it's finally starting to because I feel like during the pandemic, 435 00:21:25,800 --> 00:21:27,600 Speaker 1: like at least the city got like way worse. Do 436 00:21:27,600 --> 00:21:29,160 Speaker 1: you feel like it's like starting get a little bit better. 437 00:21:29,840 --> 00:21:31,840 Speaker 1: And for people who don't know, Bleha was not close 438 00:21:31,840 --> 00:21:34,680 Speaker 1: to San Francisco, it's a it's what about forty five 439 00:21:34,720 --> 00:21:38,320 Speaker 1: minutes like fucky five, like catch it then there'd be 440 00:21:38,359 --> 00:21:41,480 Speaker 1: an hour on a bad day for sure. Yeah for so, 441 00:21:41,960 --> 00:21:43,480 Speaker 1: But like I do feel like the Bay kind of 442 00:21:43,480 --> 00:21:48,520 Speaker 1: got pretty crazy in terms of just like lawlessness, homeless people, 443 00:21:48,840 --> 00:21:52,560 Speaker 1: fucking motherfuckers running into CBS's and coming up as long 444 00:21:52,600 --> 00:21:54,840 Speaker 1: as it's under a thousand dollars, do you feel like 445 00:21:54,840 --> 00:21:57,400 Speaker 1: it's getting like a little better. It's starting to get 446 00:21:57,400 --> 00:22:01,960 Speaker 1: a little old. Not really, it's just it's a lot 447 00:22:01,960 --> 00:22:04,800 Speaker 1: of shit going on, like that don't get posted like right, 448 00:22:05,880 --> 00:22:07,960 Speaker 1: I be like me and my niggas like we be 449 00:22:08,000 --> 00:22:10,520 Speaker 1: on the it's like a little app and let you 450 00:22:10,560 --> 00:22:13,400 Speaker 1: know everything that's going with Citizen the Sity. Yeah, that's ship, 451 00:22:13,560 --> 00:22:15,919 Speaker 1: Like it's hell and shit that be going on, but 452 00:22:16,200 --> 00:22:19,080 Speaker 1: it don't hit the news like you feel like that 453 00:22:19,160 --> 00:22:22,880 Speaker 1: shit that ship. Then they're like it's regular out there, 454 00:22:22,960 --> 00:22:26,400 Speaker 1: like like it'd be so much crazy shit out there, 455 00:22:26,440 --> 00:22:28,439 Speaker 1: like when that ship do get posted, like it hit 456 00:22:28,480 --> 00:22:30,680 Speaker 1: the Gram and everybody laughing about it, Like that ship 457 00:22:30,800 --> 00:22:33,879 Speaker 1: main me, Like it's just regular though. Well listen man 458 00:22:33,920 --> 00:22:36,480 Speaker 1: two K twenty three April fourteen, make sure you look 459 00:22:36,480 --> 00:22:38,360 Speaker 1: out for that new music all the rest of the year. 460 00:22:39,240 --> 00:22:43,320 Speaker 1: The boy appreciate you, brother, My nigga appreciate you having me. Yeah, 461 00:22:43,400 --> 00:22:44,679 Speaker 1: sure on the game, right,