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Speaker 1: I don't think there's like a whole lot of benefits

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Speaker 1: for Indy to his parents being in the entertainment industry.

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Speaker 1: If anything, he gets annoyed by people, you know, recognizing me,

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Speaker 1: like yeah, or just just knowing that, like and the

5
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Speaker 1: kids at school know that, like you're dead. Was on

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Speaker 1: a TV show. But I finally, like we just had

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Speaker 1: the coolest I felt so proud to be able to

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Speaker 1: provide an experience for Indy. He's gotten so obsessed with

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Speaker 1: the Simpsons, like just every day, all day, every day,

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Speaker 1: if he has control of the remote, it's Simpsons, Simpsons

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Speaker 1: and I love it, Oh my god, because the show

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Speaker 1: is so good and like I hadn't watched it since

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Speaker 1: I was basically like a teenager or whatever, and to

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Speaker 1: rediscover through his eyes. And he just loves cartoons. He

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Speaker 1: loves animation, he loves voiceover, he loves all of it.

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Speaker 1: And he's figured out how to do all the voices.

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Speaker 1: He wants to know which actors do which voy Anyway,

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Speaker 1: so it is so fun because there are so many

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Speaker 1: Simpsons fans out there, like people you know, like so

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Speaker 1: friends come over and they like quote episodes with him.

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Speaker 1: And anyway, I was talking to my wife's producing partner

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Speaker 1: hit his wife she used to be a writer's PA

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Speaker 1: on The Simpsons, and I was telling her about how

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Speaker 1: you know, oh yeah, and he's going, you know, he's

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Speaker 1: just down the Simpsons rabbit hole. She's like, oh, well,

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Speaker 1: does he want to go to a table read? And

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Speaker 1: I was like, no, yes, and she's like, well, let

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Speaker 1: me see what if they're having one. Three days later,

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Speaker 1: we pulled about a school on a Thursday morning. You know, yeah, yeah,

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Speaker 1: we told him and he just could not He couldn't,

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Speaker 1: you know, he just was his jaw was on the floor.

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Speaker 1: And sure enough, we went to Fox and we parked

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Speaker 1: and it was so fun because you know, we're able

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Speaker 1: to get out and we're like, oh, you know, this

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Speaker 1: is where we met, Like Alex and I met on

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Speaker 1: a Fox TV show on Fox, so I was like,

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Speaker 1: oh yeah. Then we were walking him through the studio

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Speaker 1: and then I'm like, oh, look, I think that's the

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Speaker 1: stage where we shot. And sure enough, they actually had

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Speaker 1: a plaque. You know, a kid couldn't believe because we

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Speaker 1: only did thirteen episodes of Pepper Dennis, but there was

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Speaker 1: a plaque for Pepper Dennis. Were like, that's where your

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Speaker 1: mom and Dad met we like took a photo and

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Speaker 1: next to the plaque, and then and then we walked

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Speaker 1: into the table read and he had never been to

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Speaker 1: a table reading, you know. And well they had like

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Speaker 1: you know, couches around the table, and yeah, you just

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Speaker 1: got to sit and watch this incredible cast do their thing.

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Speaker 2: Uh.

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Speaker 1: He got to see everybody bringing their voices, doing multiple voices.

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Speaker 1: You know. I actually knew Gray Delisle was there, you know,

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Speaker 1: will I kind didn't realize she does the Simpsons, so

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Speaker 1: she's been doing it like the last five years. So

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Speaker 1: I got to say hi to her. And then Matt

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Speaker 1: Greening was there, and he saw Indy and he signed

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Speaker 1: a script for Indy, so Andy has a sign script.

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Speaker 1: I know. It was the like the kid just was

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Speaker 1: so overwhelmed, you know, he was like super quiet and nervous.

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Speaker 1: But then like he got to talk to Matt Greenigg.

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Speaker 1: You got to talk to these actors, and like Gray

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Speaker 1: came over and did a bunch of voices for him,

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Speaker 1: and and then they walked us over to the writer's room. Afterwards.

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Speaker 1: I got to see their beautiful writers.

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Speaker 3: You know.

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Speaker 1: It was just like it was so cool. I was like,

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Speaker 1: this is like the thing we can provide is like

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Speaker 1: access to something like this, so.

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Speaker 4: One unbelievable experience. We'll remember that for the rest.

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Speaker 1: Of his life, I know.

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Speaker 3: I yeah, that's really cool.

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Speaker 4: Memory absolutely made no doubt about it.

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Speaker 3: That's so cool.

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Speaker 4: And that was must have been fun for you too,

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Speaker 4: I mean, like even just aside from Indy, Oh, I know, I.

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Speaker 3: Was like I want to go of course, No, it's school,

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Speaker 3: no problem. Yeah, it was.

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Speaker 1: Just so fun to be at a table read again.

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Speaker 1: It had been so long, you know, I guess basically

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Speaker 1: since Girl Meets World for me like to be you know,

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Speaker 1: but also voiceover table reads are just so fun because

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Speaker 1: you're watching people jump from character to character and hear everybody.

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Speaker 3: Yeah, I mean if you're doing if you're doing a

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Speaker 3: primetime like a Simpsons or a Futurama something like that,

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Speaker 3: then you'll do a table read. But all the episodic

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Speaker 3: stuff we don't ever. Yeah, no, we do a read through.

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Speaker 3: If we did like a Batman or something, just in

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Speaker 3: the room, like all right, let's read through it once

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Speaker 3: real quick. But an actual table read where you're kind

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Speaker 3: of sitting around doing Oh, they're so great and the

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Speaker 3: script was so good.

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Speaker 1: I mean, it was such an honor to be in

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Speaker 1: a room with, like, you know, some of the best

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Speaker 1: writing staff in the world, and it's like and they're

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Speaker 1: just killing it. This episode was hysterical. You can't talk

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Speaker 1: about it because that kind of come out for another year.

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Speaker 1: But it was amazing. It was so fun to be

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Speaker 1: there for it and like, yeah, I just I mean,

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Speaker 1: think about it.

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Speaker 3: The Simpsons has been I think the first time the

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Speaker 3: Simpsons ever did anything whatsoever was on the Tracy Ullman Show, right,

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Speaker 3: and it was like nineteen eighty six or something.

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Speaker 4: I mean about how long it's been going.

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Speaker 3: It's insane.

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Speaker 1: I know, I remember when it was all controversial. When

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Speaker 1: it came out. I was like, ye, Bart was a

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Speaker 1: bad kid, and he said, God, you know, disrespectful things

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Speaker 1: avon middle schools.

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Speaker 3: I think it was middle school. It must have been

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Speaker 3: sixth grade or so. I had my family and I

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Speaker 3: had just gone to Los Angeles. It was like the

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Speaker 3: first time it'd ever been there. And I found a

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Speaker 3: Bart Simpson eat my Shorts T shirt.

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Speaker 5: Wow.

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Speaker 3: Yeah, And I wore it to school and I got

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Speaker 3: called into the principal's office because I had on and

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Speaker 3: ate my shorts that Barts at Mike I walked in

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Speaker 3: and I was the coolest kid in school. It's like,

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Speaker 3: oh my god, it's Barts and no one had seen

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Speaker 3: anything like it in school in Connecticut. It was so cool.

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Speaker 1: Did they make you like, I don't know.

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Speaker 3: I think it was you can't don't wear it again,

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Speaker 3: and so it became like a sleeping shirt. But I

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Speaker 3: eat my shorts. It was the coolest thing in the world.

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Speaker 1: Man.

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Speaker 3: They were everywhere, and I'm one of the there. There's

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Speaker 3: a select group of us where I love Matt Greening

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Speaker 3: so much. I really like The Simpsons, but Futurama, yes.

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Speaker 1: And he's gotten into Futurama. I've never seen an episode

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Speaker 1: of that show, but.

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Speaker 3: Oh, it's so the writing and acting on that show.

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Speaker 3: I mean again, Simpsons is will always be the Simpsons,

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Speaker 3: but oh it's so good.

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Speaker 1: Well, you know that's the other thing. And he's going

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Speaker 1: to be a Bender for Halloween. So he got his

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Speaker 1: Bender outfit and he put it on. And I of

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Speaker 1: course know John Debagio, who did the voice of Bender.

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Speaker 1: I've known him. I actually met John right when he

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Speaker 1: got Futurama and his career just like Launch, and I've

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Speaker 1: worked with him a bunch and he's just the best.

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Speaker 1: He's the nicest guy. So I was like, hey, look

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Speaker 1: who he's in. He's gonna be for Hollywood. He's like,

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Speaker 1: kid's got good taste.

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Speaker 3: Did you see Did he ever tell you the most

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Speaker 3: It's one of the most amazing stories I've ever heard

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Speaker 3: in my entire life. He was it was like eleven

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Speaker 3: thirty at night, and he was driving somewhere and decided

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Speaker 3: randomly to stop off and get a tattoo, and he

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Speaker 3: goes it's like, Hollywood, it's this famous tattoo guy. He

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Speaker 3: was open late and he's like, I'm literally driving by

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Speaker 3: this guy maybe I I don't know where it was,

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Speaker 3: but he said. He's sitting down in the chair getting

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Speaker 3: a tattoo, and there's a guy next to him who's

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Speaker 3: telling him a story, telling his tattoo artist a story

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Speaker 3: about how he's flown all the way from Australia to

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Speaker 3: have this guy tattoo bender on him. So John is

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Speaker 3: sitting next to this guy randomly who's flown across the

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Speaker 3: world to have this one guy put one specific bender

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Speaker 3: tattoo on him, and the guy who voices Bender comes

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Speaker 3: and sits down next to him. The chances of happening

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Speaker 3: are so ridiculous. So of course he goes into the

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Speaker 3: whole I'm bender and the guy starts crying. He's like,

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Speaker 3: it was the most amazing thing that ever. It's such

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Speaker 3: a cool story, so cool, crazy yeah, crazy.

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Speaker 4: Well, we'll never know what that feels like to really

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Speaker 4: change someone's.

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Speaker 1: Life getting a tattoo next to.

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Speaker 6: Him, Bill will for sure.

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Speaker 3: We've seen all the Boy meets World tattoos. People get

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Speaker 3: a toe.

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Speaker 4: I know you're right. I was saying it in jest.

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Speaker 1: We actually get one.

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Speaker 4: Well, just because you like tattoos doesn't mean we all

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Speaker 4: need to like tattoos. Get one. Writer also likes tattoos.

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Speaker 4: Did you ever figure out what your other tattoo was?

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Speaker 4: Did you get your second tattoo?

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Speaker 3: Right? No?

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Speaker 1: No, I haven't still him and nailed it down, but

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Speaker 1: I'm planning to give it one probably.

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Speaker 3: Well.

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Speaker 4: Welcome to Pod Meets World.

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Speaker 3: I'm Daniel Fisher, I'm rather strong, and I'm will Fredell.

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Speaker 4: Welcome to season five, episode seventeen. And then there was sean.

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Speaker 1: Wow, Wow, I can't believe we're here.

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Speaker 4: I can't see.

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Speaker 3: Yeah, I can't either.

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Speaker 4: Feels like the beginning of the end. At this point,

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Speaker 4: you know, because it does kind of like we're turning

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Speaker 4: a corner. We're turning a corner, We've hit it. It

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Speaker 4: feels like this. I remember when we shot this episode

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Speaker 4: feeling like we were so well established at this point.

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Speaker 4: Like I'm sure I felt that at other times, but

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Speaker 4: I really remember this week being like, oh, we are

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Speaker 4: we are a solid show. Our povs are pretty clear,

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Speaker 4: even though now that I'm rewatching them, like.

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Speaker 3: What who's PUV is this? But I remember at.

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Speaker 4: The time thinking we are locked in, we know what

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Speaker 4: we're doing, and.

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Speaker 1: Well, it's just so it was so much fun, right,

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Speaker 1: I mean, And the key, the key to the all

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Speaker 1: the memories of this episode is just that we were

201
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Speaker 1: all together. We're all in scenes together, and we just

202
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Speaker 1: never got to do that. We always had a story

203
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Speaker 1: B story, They split us up based on our school

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Speaker 1: schedules or whatever, and this was one of the few

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Speaker 1: episodes where I feel like we were an ensemble, the

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Speaker 1: entire cast in that classroom in the hallway, just having

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Speaker 1: so much fun. And like, actually watching the episode was

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Speaker 1: a little anti climactic for me. As far as the

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Speaker 1: episode itself, it was like, is that all that happens?

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Speaker 1: Because it's so it looms so large in my mind

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Speaker 1: because I have so many personal memories of it, and

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Speaker 1: like I was just laughing mostly behind the scenes stuff

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Speaker 1: the entire.

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Speaker 3: Yeah, I felt the same. It was also though there

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Speaker 3: was no audience, so it was just ours, right, There

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Speaker 3: was something about it just being ours that I kind.

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Speaker 4: Of There were some weird moments where that kind of

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Speaker 4: bumped me, because at the very beginning of the episode

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Speaker 4: there were moments that were very c clearly a laugh

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Speaker 4: where I laughed out loud, and then they wouldn't put

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Speaker 4: a laugh in right, And then a little farther into

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Speaker 4: the episode they added laughs, but then later they would

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Speaker 4: take the laughs away. And as I was watching, I

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Speaker 4: kept thinking, like, is there a scientific reason for this?

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Speaker 4: Is it because in certain moments it's dream like more dream?

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Speaker 4: I couldn't figure it out, but I.

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Speaker 1: Think they were. I think if they went back, they

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Speaker 1: would have put more laughs in. I think they didn't

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Speaker 1: know how it was going to go, you know, because

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Speaker 1: we'd never had an audience, so they had to put

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Speaker 1: those laughs in, going is this working? And yes, it was,

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Speaker 1: like it should have just because it's absurd.

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Speaker 4: From the gap of all romps, the best way I

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Speaker 4: loved it. I mean I kept seeing all the different references.

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Speaker 4: We had us running back and forth in the hallway

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Speaker 4: looking exactly like Scooby Doo cartoons, Like all of that

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Speaker 4: stuff is so funny, and and we embraced it so fully.

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Speaker 4: It's I know writers mentioned it before when we've done

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Speaker 4: a romp, like if we had taken it further, it

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Speaker 4: would have felt better. There was no taking this one further. Yes,

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Speaker 4: as are as it can go completely unhinged, and I

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Speaker 4: love it.

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Speaker 1: Yeah, it was great fun.

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Speaker 4: So this was not a Halloween episode when it aired.

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Speaker 4: It originally aired February twenty seventh, nineteen ninety eight, so almost.

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Speaker 3: Second Halloween.

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Speaker 4: Halloween.

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Speaker 3: Everybody knows that that second Halloween.

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Speaker 1: And then there was Seawan Day. That's what.

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Speaker 3: Was Salem, Oregon as opposed to Salem, Massachusetts, totally different Halloween.

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Speaker 4: Well, we wanted to fix that issue by airing this

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Speaker 4: recap on Halloween. We are gonna pretend like this was

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Speaker 4: planned because I can't imagine a better, more more perfectly

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Speaker 4: produced idea than releasing and then there was Shawn on Halloween.

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Speaker 4: But the truth is, because we are honest to a fault,

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Speaker 4: this is a coincidence is that possible that.

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Speaker 3: Sue said, She's like, wow, you're areas on Halloween. That

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Speaker 3: was really well planned. I was like, from two years ago.

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Speaker 4: No, couldn't have been land this way.

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Speaker 1: Couldn't.

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Speaker 4: No, absolutely not. So it's just a really fun coincidence,

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Speaker 4: and we're excited about it. So this is constantly regarded

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Speaker 4: as maybe the best episode in Boy Meets World history,

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Speaker 4: and it's a ramp. Also worth noting Scream one had

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Speaker 4: been released a little over a year prior, while Scream

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Speaker 4: two and I Know What You Did Last Summer came

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Speaker 4: out just two months before this episode, so we are

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Speaker 4: definitely smack dab in the renaissance of the meta slasher.

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Speaker 3: Yes, now I was there, I went, I went well

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Speaker 3: while Love was shooting I Know what You Did Las Summer,

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Speaker 3: North Carolina?

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Speaker 4: Did you?

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Speaker 1: Yeah?

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Speaker 3: It was It was fun to see kind of the

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Speaker 3: behind the scenes of how the horror stuff works because

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Speaker 3: I'd never been on a set like that.

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Speaker 2: Wow.

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Speaker 3: Yeah, it was cool.

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Speaker 1: And then they did pickups in Padega, like right by

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Speaker 1: where I grew up in northern California, because I remember

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Speaker 1: I ran into her.

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Speaker 4: Oh that's right a mile from my house.

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Speaker 1: So fun, and she was shooting because yeah, I guess

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Speaker 1: they had to do pic Was it for one or two?

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Speaker 3: Do you know? Oh?

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Speaker 1: Maybe it was two. I don't know it was. It

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Speaker 1: was definitely the weirdest thing to run into love. Like,

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Speaker 1: like a mile from my house, she literally pulled her.

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Speaker 1: She was in a limo and they pulled or a

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Speaker 1: town car or something and they pulled in front of me,

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Speaker 1: like as I'm leaving my house. And I was like what, yeah,

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Speaker 1: I was so and then she yeah. We ended up

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Speaker 1: talking and like catching up and she.

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Speaker 5: How did you know?

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Speaker 4: She was in the car.

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Speaker 1: She got out of the sun roof and waved to.

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Speaker 4: Me because she saw you, because she saw me.

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Speaker 1: Because I was driving my car and I pulled out

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Speaker 1: and she like got it was like Hi, I'm like

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Speaker 1: why is this woman screaming? And I was like that's love,

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Speaker 1: what what's happening? And then we pulled over and she's

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Speaker 1: like I'm shooting the pandego. We're doing you know, reshoots

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Speaker 1: or whatever. I was like, oh my god, yeah, so crazy,

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Speaker 1: what a coincidence.

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Speaker 4: That is so funny. Okay, So the synopsis, the gang

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Speaker 4: finds themselves locked in the school all alone during detention.

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Speaker 4: It was directed by Jeff McCracken. U, poor Jeff. I

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Speaker 4: think this is probably the best place to tell the story.

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Speaker 4: I think it's it's almost like boy meets world lore

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Speaker 4: at this time. We've talked about it a million times.

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Speaker 4: But in case there are any of you who don't

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Speaker 4: know the story, this is the first and only time

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Speaker 4: Jeff McCracken ever yelled at us, ever, ever, ever, ever,

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Speaker 4: And boy, let me tell you, he was mad. He

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Speaker 4: was mad, he was so mad, and we we will talk.

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Speaker 4: Let's talk about it when we get to the scene,

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Speaker 4: because it is we fully deserved it. And the worst

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Speaker 4: part of the memory for me is that he lost

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Speaker 4: his cool so much like just fully lid blue off,

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Speaker 4: was so angry at us, deservedly, so we couldn't keep

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Speaker 4: it together. We were being so unprofessional, and and he

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Speaker 4: stormed off with his big mile long legs and his

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Speaker 4: big limbs as he stormed across the set, and you

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Speaker 4: know what felt like four strides, And the minute he

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Speaker 4: was around the corner, we all just bust out laughing

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Speaker 4: again because it was so it was talking and so

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Speaker 4: out of character, and we couldn't we physically couldn't stop laughing.

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Speaker 4: So yeah, sorry, Jeff, you know how much we love you.

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Speaker 4: If we could go back and do it again, we'd

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Speaker 4: probably do it exactly the same way. But boy, we

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Speaker 4: just love you so much.

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Speaker 3: So.

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Speaker 4: It was written by Jeff Manel and guest starring Jennifer

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Speaker 4: Love Hewitt as Jennifer Love Fefferman, one of the biggest

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Speaker 4: stars in Hollywood at the time and the girlfriend to

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Speaker 4: our young Wilfredell. She broke onto the scene and Disney's

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Speaker 4: Kids Incorporated, and then found fame as Sarah Reeves Marin

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Speaker 4: on Fox's Party five, and her true tie into this episode,

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Speaker 4: besides dating the older brother on it, is her starring

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Speaker 4: role in the aforementioned I Know What You Did Last Summer,

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Speaker 4: a quintessential nineties horror film. Jennifer has appeared in movies

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Speaker 4: like Heartbreakers and Can't Hardly Wait, and infamously in the

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Speaker 4: Enrique Iglesias video for Hero. Most recently, she's been seen

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Speaker 4: on The Client List, Criminal Minds, and as a star

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Speaker 4: of Nine to one one. And then we have Richard

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Speaker 4: Lee Jackson as Kenny. He is the brother of another

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Speaker 4: Boy Meets World guest star that we have coming up soon,

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Speaker 4: Jonathan Jackson, and was seen on Mighty morphin Power Rangers,

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Speaker 4: and in Saved by the Bell The New Class. He

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Speaker 4: is currently the drummer of Inanation, a band with his

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Speaker 4: brother Jonathan as the lead singer.

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Speaker 1: So they were already in a band back then, I.

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Speaker 4: Think, Yeah, I think they'd been banding for a long time.

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Speaker 1: Yeah, so one thing I remember that.

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Speaker 3: The other thing I remember most about this episode was

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Speaker 3: how much we liked him.

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Speaker 4: Yeah, oh yeah, he's such a great so nice.

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Speaker 3: Fit right in with us. We were all just hanging out, like,

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Speaker 3: he could not have fit in better with us. He

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Speaker 3: just it was because I mean, talk about craziness for

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Speaker 3: a guest star coming on to a well established show

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Speaker 3: in an episode like this with no audience where everybody's

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Speaker 3: an ensemble man, that could have been daunting, and he

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Speaker 3: just couldn't have been cooler.

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Speaker 4: Yeah, super relaxed, super fun to work with, and didn't

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Speaker 4: have the benefit like like Love did, where she was

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Speaker 4: already familiar with our set, already familiar with our cast,

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Speaker 4: obviously knew you so like she had that to me, Yeah,

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Speaker 4: she had made she had that to make her feel

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Speaker 4: a little more comfortable. He had none of it and

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Speaker 4: fit right in. It was really really great. I don't

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Speaker 4: even think we need to go over our overall thoughts

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Speaker 4: of the episode, like let's just jump in hate it.

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Speaker 1: Yeah, well I did feel a little bit like, oh

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Speaker 1: this it felt thinner than I remember, you know, in

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Speaker 1: my mind it had gotten so epic. But yeah, mostly

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Speaker 1: I was just laughing at the end jokes and the memories,

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Speaker 1: like you know.

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Speaker 3: That there's so many, so so many that were just

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Speaker 3: us making each other try to laugh. You and I,

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Speaker 3: Wrider couldn't look at each other at times where I

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Speaker 3: mean it was you could tell we're all staring off

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Speaker 3: into space because we can't make eye contact with each other.

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Speaker 3: It was, oh god, it was so much fun.

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Speaker 1: It was so much fun.

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Speaker 4: Jumping into the recap, we start in Phoenie's classroom. Sean

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Speaker 4: strolls into Phoene's classroom and it is confused to see

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Speaker 4: Corey sitting in a seat. Corey explains, the wife and

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Speaker 4: I aren't together anymore, so I figured it would be

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Speaker 4: safer if I had a buffer. Sean.

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Speaker 1: Right off the bat, I was like, oh, right, this

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Speaker 1: was We're very conscious of that whole thing that we

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Speaker 1: were talking about in the last couple episodes where it's

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Speaker 1: like this is this is a story of middle aged marriage.

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Speaker 3: Yeah, well again, they're going to be engaged in five

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Speaker 3: more episodes.

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Speaker 4: True, that's crazy, that is weird thought. Everyone knows that

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Speaker 4: shortly after you get cheated on and lied to, you

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Speaker 4: get engaged.

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Speaker 3: Down exactly. It's the it's the equivalent of our marriage

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Speaker 3: is horrible and failing. Let's have a baby.

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Speaker 4: Let's have a baby, baby, Let's have a third baby?

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Speaker 4: How this does?

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Speaker 3: That'll do it?

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Speaker 4: So Sean sighs, this breakup is now having severe ramifications

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Speaker 4: on me over here is and sarcastically notes, ooh ramifications.

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Speaker 4: Nice word, Jughead. Sean points out, you see now Phoene

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Speaker 4: knows I'm in the class, which is a real funny line.

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Speaker 4: I feel like that's like, again a perfect Sean line

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Speaker 4: where there's two.

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Speaker 1: Lines in here that didn't feel like Phoenie to me.

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Speaker 5: Though.

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Speaker 1: The judge Jughead is like really a random reference and

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Speaker 1: not even a reference that our audience would get. It's

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Speaker 1: like it's out of step with both Foeni and our audience,

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Speaker 1: So I don't really love that. And then the other

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Speaker 1: one where he says shot up or whatever, I.

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Speaker 4: Was like, yeah, this just doesn't sound like fhoemi.

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Speaker 1: It was very different the rest of the episodes, but

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Speaker 1: these two lines right in this first scene.

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Speaker 4: I was like, what I agree, I really felt like

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Speaker 4: watching this, especially this opening scene. I was like, feels

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Speaker 4: like a dream sequence.

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Speaker 3: Like that's what I thought it was too.

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Speaker 4: Yeah, I was like, oh, this could very much be

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Speaker 4: just someone's dream. So Corey pleads his case, if I

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Speaker 4: sit in that seat, I can still smell her hair,

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Speaker 4: hear her breathe, watch her sweater go up when she

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Speaker 4: raises her hand. Suddenly, Sean's okay, was sitting here, however,

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Speaker 4: he notes, I'm only between you two, I'm not in

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Speaker 4: the middle of you. Then we see a cute erring

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Speaker 4: boy Kenny lean over to Topanga to borrow her big pencil.

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Speaker 3: Before pencil pencil again.

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Speaker 4: Again, dream sequence is very much like what yeah.

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Speaker 1: So this whole you think, this whole episode is a

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Speaker 1: dream within a dream within a dream. So Sean's dream

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Speaker 1: and then even this is all part of.

438
00:20:22,600 --> 00:20:25,159
Speaker 4: Even this, It's all part of the fantasy of what

439
00:20:25,200 --> 00:20:26,840
Speaker 4: it's kind of like to be in school, you know,

440
00:20:26,840 --> 00:20:28,439
Speaker 4: when you have a dream and then you tell someone, well,

441
00:20:28,480 --> 00:20:29,800
Speaker 4: this isn't going to make much sense, but I was

442
00:20:29,840 --> 00:20:31,040
Speaker 4: in my house. But it was the house I grew

443
00:20:31,080 --> 00:20:34,080
Speaker 4: up as a child, and that it's like like there's

444
00:20:34,119 --> 00:20:36,240
Speaker 4: a pencil. It didn't make any sense, but it was.

445
00:20:38,320 --> 00:20:39,600
Speaker 3: I think at the end of the day, this is

446
00:20:39,680 --> 00:20:41,440
Speaker 3: all Morgan's dream.

447
00:20:41,680 --> 00:20:49,639
Speaker 1: But what this is?

448
00:20:51,640 --> 00:20:55,000
Speaker 4: My gosh. Before Tepenga can answer, Sean swiftly gets in

449
00:20:55,040 --> 00:20:58,840
Speaker 4: between them. They're not divorced, Kenny, it's just a trial separation.

450
00:20:59,080 --> 00:21:02,439
Speaker 4: Again with the marriage analogies.

451
00:21:02,520 --> 00:21:04,840
Speaker 1: Wow, and why is it just a trial separation?

452
00:21:08,280 --> 00:21:08,879
Speaker 3: No clue?

453
00:21:09,440 --> 00:21:13,359
Speaker 4: Again his dream, so in his fantasy, it's not a

454
00:21:13,359 --> 00:21:16,480
Speaker 4: real breakup. It's this is this is something where they're

455
00:21:16,560 --> 00:21:20,120
Speaker 4: they're gonna come to their senses, right, And don't think

456
00:21:20,160 --> 00:21:23,159
Speaker 4: I don't know what borrow a pencil means. Okay to

457
00:21:23,280 --> 00:21:30,959
Speaker 4: Panga and welcome back Angela, Angela, She's there. So this

458
00:21:31,119 --> 00:21:35,160
Speaker 4: bothered me too. I'm so happy to see Trina back,

459
00:21:35,640 --> 00:21:39,680
Speaker 4: and yet where we have so missed her as as

460
00:21:39,760 --> 00:21:43,200
Speaker 4: the character in these last couple of weeks. And where

461
00:21:43,520 --> 00:21:45,119
Speaker 4: is her? What's her standing with Sean?

462
00:21:45,280 --> 00:21:47,040
Speaker 1: That's the thing. They don't had any We never talked

463
00:21:47,040 --> 00:21:48,240
Speaker 1: to each other the whole episode.

464
00:21:48,720 --> 00:21:50,760
Speaker 4: She grabs your arm when she says she's scared, and

465
00:21:50,800 --> 00:21:54,600
Speaker 4: you go, I like this, so wait, what are you

466
00:21:54,640 --> 00:21:55,800
Speaker 4: guys together? Not together?

467
00:21:55,800 --> 00:21:58,159
Speaker 1: And when I make a joke about being sick as

468
00:21:58,200 --> 00:21:59,960
Speaker 1: you can with it, it's like no reference to her.

469
00:22:00,080 --> 00:22:01,400
Speaker 1: She's all the way on the other side of the room.

470
00:22:01,600 --> 00:22:05,680
Speaker 1: There's no like, oh, it's very yeah, it's it's strange. Yeah,

471
00:22:05,720 --> 00:22:07,680
Speaker 1: I'm not sure what they were kind of thinking. I mean,

472
00:22:07,720 --> 00:22:09,040
Speaker 1: she's hysterical to the screaming.

473
00:22:09,520 --> 00:22:13,639
Speaker 4: She's great, she's so much Yeah, oh my gosh, a

474
00:22:13,800 --> 00:22:17,080
Speaker 4: ton of work, really funny. Happy to see her back.

475
00:22:18,320 --> 00:22:21,400
Speaker 4: But wish they had acknowledged in any way the standing

476
00:22:21,520 --> 00:22:24,600
Speaker 4: of your relationship, even if it's somehow connected to the

477
00:22:24,600 --> 00:22:27,000
Speaker 4: fact that this is about Corey and Tapanga being separated,

478
00:22:27,840 --> 00:22:30,040
Speaker 4: it's a very easy tie in for how it plays

479
00:22:30,040 --> 00:22:31,680
Speaker 4: into your relationships.

480
00:22:31,680 --> 00:22:33,680
Speaker 1: She can easily just say at least we're still together,

481
00:22:33,920 --> 00:22:35,840
Speaker 1: or you or I could say Sean.

482
00:22:35,560 --> 00:22:37,560
Speaker 3: We talked about Sean. We talked about this last night

483
00:22:37,600 --> 00:22:38,040
Speaker 3: on our date.

484
00:22:38,480 --> 00:22:39,880
Speaker 1: You're taking this too seriously.

485
00:22:40,040 --> 00:22:42,440
Speaker 3: We're taking into something one line and it would have been.

486
00:22:42,359 --> 00:22:45,080
Speaker 4: Easy to Panga and Angela stare in shock because he

487
00:22:45,119 --> 00:22:49,680
Speaker 4: aggressively continues. Nobody nobody's borrowed more pencils than Sean Hunter

488
00:22:50,119 --> 00:22:52,480
Speaker 4: Corey pulls his friend back. Thanks for not getting in

489
00:22:52,480 --> 00:22:55,080
Speaker 4: the middle of this. Angela chimes in, Kenny was just

490
00:22:55,160 --> 00:22:58,200
Speaker 4: asking for a pencil. Sean responds in a sassy tone.

491
00:22:58,320 --> 00:23:00,119
Speaker 4: I know what he was asking for, and if he

492
00:23:00,160 --> 00:23:03,040
Speaker 4: asks again, I'll stab that big pencil through his heart.

493
00:23:03,440 --> 00:23:06,040
Speaker 4: Angel asks to Beanga, why is Sean so obsessed with

494
00:23:06,119 --> 00:23:08,640
Speaker 4: you two? Tabenga feels like he's taking it even harder

495
00:23:08,680 --> 00:23:11,600
Speaker 4: than her and Corey. Peoenie interjects, we'll return to the

496
00:23:11,640 --> 00:23:13,959
Speaker 4: Young and the Restless right after this word from Phoenie.

497
00:23:14,200 --> 00:23:17,919
Speaker 4: And here is the word shut up, shut ah. Do

498
00:23:18,040 --> 00:23:22,520
Speaker 4: you think Michael gave that line reading to building.

499
00:23:22,960 --> 00:23:26,080
Speaker 3: We do, because that's it's such a Michael.

500
00:23:29,320 --> 00:23:35,480
Speaker 1: Shut up. I think they wrote it phonetically, probably because yeah,

501
00:23:35,520 --> 00:23:35,960
Speaker 1: I don't know.

502
00:23:35,880 --> 00:23:40,080
Speaker 3: Because I can't imagine I know, or he would have

503
00:23:40,160 --> 00:23:43,199
Speaker 3: said something during the notes like all Bill, oh, I

504
00:23:43,200 --> 00:23:44,800
Speaker 3: got one for you. You got to say it like this,

505
00:23:44,840 --> 00:23:46,040
Speaker 3: and Bill would have been like, are you giving me

506
00:23:46,119 --> 00:23:49,720
Speaker 3: a line? You know the thing? You know? So it's

507
00:23:49,760 --> 00:23:51,640
Speaker 3: but that was totally a Michael read.

508
00:23:52,000 --> 00:23:54,000
Speaker 4: Oh yeah, I mean it's the most Michael read of

509
00:23:54,119 --> 00:23:57,040
Speaker 4: all Michael reads. So Sean stands up. I'm sure if

510
00:23:57,080 --> 00:23:59,119
Speaker 4: you can recall the pain of being stabbed in the

511
00:23:59,160 --> 00:24:02,000
Speaker 4: back by a girlfriend. Topenga slams her hand on her desk.

512
00:24:02,080 --> 00:24:03,960
Speaker 4: I didn't stab him, he stabbed me.

513
00:24:04,720 --> 00:24:07,160
Speaker 3: Yeah what yeh, I'm sorry.

514
00:24:07,200 --> 00:24:11,480
Speaker 4: What now? Cory stands, Oh, I'd stab myself before i'd

515
00:24:11,480 --> 00:24:12,000
Speaker 4: stab you.

516
00:24:13,200 --> 00:24:14,520
Speaker 3: I don't get it because he did.

517
00:24:15,119 --> 00:24:17,200
Speaker 4: Did he did? I don't know what we're doing here.

518
00:24:17,200 --> 00:24:19,280
Speaker 3: You're compulsive eater, like you can't.

519
00:24:19,359 --> 00:24:22,680
Speaker 4: I mean, we're ret hanning something that happened moments before,

520
00:24:23,080 --> 00:24:29,440
Speaker 4: right exactly the winners. Kenny, give me that pencil. Kenny shouts,

521
00:24:29,520 --> 00:24:37,639
Speaker 4: I don't have one. Phoene's had enough. This class will

522
00:24:37,720 --> 00:24:40,159
Speaker 4: not be more interested in the romantic goings on if

523
00:24:40,160 --> 00:24:43,960
Speaker 4: it's students, than it is with whatever the hell I'm teaching.

524
00:24:44,440 --> 00:24:47,359
Speaker 4: Very funny line. Also, he demands Corey sit on one

525
00:24:47,359 --> 00:24:49,000
Speaker 4: side of the room while to Pega sits on the other.

526
00:24:49,040 --> 00:24:51,480
Speaker 4: Sean begs Phoene not to do that. He's only furthering

527
00:24:51,480 --> 00:24:54,280
Speaker 4: their apartness. Mister Phoene's trying to teach a class here,

528
00:24:54,320 --> 00:24:57,320
Speaker 4: asking Sean about Nebraska, but Sean cuts him off. Don't

529
00:24:57,359 --> 00:25:01,280
Speaker 4: try and change the subject, Phoene screams. Quiet one more

530
00:25:01,359 --> 00:25:04,160
Speaker 4: crazy interruption and all of you nuts are going into detention,

531
00:25:04,640 --> 00:25:08,600
Speaker 4: and then on cue creepy janitor Freddy, a man who

532
00:25:08,640 --> 00:25:11,400
Speaker 4: may or may not even exist in real life.

533
00:25:11,440 --> 00:25:12,440
Speaker 3: I think he was real.

534
00:25:13,400 --> 00:25:20,320
Speaker 4: I know, we all our dream within the dream, we're.

535
00:25:20,320 --> 00:25:22,080
Speaker 1: Going to wake up and still be on set trying

536
00:25:22,080 --> 00:25:26,880
Speaker 1: to make this Episode's.

537
00:25:24,880 --> 00:25:25,880
Speaker 4: Going to be screaming at us.

538
00:25:29,320 --> 00:25:34,000
Speaker 3: Yeah how, I mean, nobody can remember this guy's anything

539
00:25:34,040 --> 00:25:36,520
Speaker 3: about him. Somebody out there has.

540
00:25:36,800 --> 00:25:38,960
Speaker 4: Got so wonderful.

541
00:25:39,080 --> 00:25:42,040
Speaker 1: But it's not Janitor Bud, which we remember. We debated

542
00:25:42,080 --> 00:25:46,000
Speaker 1: whether the janitor was, but it's definitely Freddy, creepy and

543
00:25:46,000 --> 00:25:47,240
Speaker 1: he's got his own look.

544
00:25:47,040 --> 00:25:50,240
Speaker 3: And it's got imagine that's why they did it.

545
00:25:50,320 --> 00:25:51,359
Speaker 1: I'm sure, of course.

546
00:25:51,520 --> 00:25:55,240
Speaker 4: Yes. So he enters the classroom with a garbage bin.

547
00:25:55,600 --> 00:25:58,080
Speaker 4: Spooky music begins to play as he dumps a trash

548
00:25:58,119 --> 00:26:01,600
Speaker 4: can and terrifyingly points to the class almost an eerie

549
00:26:01,600 --> 00:26:04,080
Speaker 4: warning for each of them. Phoene throws his arms in

550
00:26:04,080 --> 00:26:09,719
Speaker 4: the air. Oh that's it, and then we go to detention.

551
00:26:09,880 --> 00:26:12,080
Speaker 4: But I don't get what it had nothing to do

552
00:26:12,160 --> 00:26:12,880
Speaker 4: with them.

553
00:26:12,840 --> 00:26:14,640
Speaker 3: But I don't get unfair.

554
00:26:15,880 --> 00:26:18,840
Speaker 1: Set up was one crazy interruption. Yeah, it.

555
00:26:20,840 --> 00:26:24,720
Speaker 4: Feels like like Freddy in third, if not explicitly stated that,

556
00:26:24,840 --> 00:26:26,160
Speaker 4: it's if one of you.

557
00:26:27,840 --> 00:26:29,199
Speaker 1: All it would have taken is one of us to

558
00:26:29,240 --> 00:26:31,400
Speaker 1: react to the janitor, like if Sean had just been

559
00:26:31,440 --> 00:26:33,080
Speaker 1: like that was weird? Wasn't that weird?

560
00:26:33,160 --> 00:26:37,399
Speaker 3: And we're not going to ignore you saw him too, right,

561
00:26:37,480 --> 00:26:39,760
Speaker 3: that's all you?

562
00:26:41,880 --> 00:26:45,359
Speaker 4: Yeah? So anyway, I can't believe we can't find Janitor Freddy.

563
00:26:45,440 --> 00:26:49,480
Speaker 4: If you or someone you know no of Janitor Freddy

564
00:26:49,600 --> 00:26:51,960
Speaker 4: or grew up hearing about your next door neighbor played

565
00:26:52,040 --> 00:26:54,560
Speaker 4: Janitor Freddy in that favorite episode of Boy Meets World,

566
00:26:54,600 --> 00:26:55,480
Speaker 4: please let us know.

567
00:26:56,040 --> 00:26:59,000
Speaker 3: Or if you are Janitor Freddy, that would work too.

568
00:27:00,400 --> 00:27:01,600
Speaker 3: I think he could be a big fan.

569
00:27:03,440 --> 00:27:04,840
Speaker 1: Are we not? Are we?

570
00:27:05,040 --> 00:27:08,959
Speaker 4: Are we not going to not real? Okay, Baba yaga,

571
00:27:09,400 --> 00:27:13,240
Speaker 4: it was it was almost thirty years ago, So okay.

572
00:27:13,880 --> 00:27:18,240
Speaker 3: He still you're saying, you know, say he's gone.

573
00:27:19,600 --> 00:27:20,240
Speaker 1: From this plane?

574
00:27:20,320 --> 00:27:23,080
Speaker 4: Guys, how old do we think Jandorf Freddy wasn't.

575
00:27:23,640 --> 00:27:24,720
Speaker 1: He was probably in his forties?

576
00:27:24,720 --> 00:27:28,400
Speaker 3: Maybe you think I would have said probably early sixties.

577
00:27:29,119 --> 00:27:34,800
Speaker 3: He's early hundreds. You said seventies seven. Really, I don't know.

578
00:27:35,000 --> 00:27:37,640
Speaker 4: I'm not good at this game, but listen, I did

579
00:27:37,680 --> 00:27:39,600
Speaker 4: think he was in his seventies, and so I was thinking,

580
00:27:39,640 --> 00:27:41,840
Speaker 4: nearly thirty years from now, we'd be inviting a nearly

581
00:27:41,840 --> 00:27:42,480
Speaker 4: one hundred.

582
00:27:42,280 --> 00:27:45,359
Speaker 3: And seven year old onto the pod gas because he's fine.

583
00:27:46,040 --> 00:27:49,560
Speaker 1: Wow, I assume that they just made him look worse.

584
00:27:49,720 --> 00:27:52,439
Speaker 4: They may have a white makeup. It's not helping anybody

585
00:27:52,440 --> 00:27:54,440
Speaker 4: in the dark hair, it's not helping anybody. I don't

586
00:27:55,480 --> 00:27:58,720
Speaker 4: forties is right or strong. We're in our.

587
00:27:58,640 --> 00:28:02,639
Speaker 1: Forties when we look old. You put me in white makeup.

588
00:28:02,680 --> 00:28:04,040
Speaker 1: I could have been that creepy janitor.

589
00:28:04,359 --> 00:28:06,200
Speaker 3: Do your point thing real quick, do the point thing

590
00:28:06,240 --> 00:28:10,760
Speaker 3: real quick. Oh oh yeah, wow, Okay, you're right, You're right. What'sy?

591
00:28:10,800 --> 00:28:20,359
Speaker 4: You suddenly look Sez, it's amazing. So we are in

592
00:28:20,400 --> 00:28:23,359
Speaker 4: Phoene's classroom in attention to Panga Angela, Sean, Corey, and

593
00:28:23,480 --> 00:28:26,480
Speaker 4: Kenny are all stuck together. As Phoene paces the room,

594
00:28:26,720 --> 00:28:29,480
Speaker 4: Corey whispers to Sean, you know, I didn't think seniors

595
00:28:29,480 --> 00:28:32,640
Speaker 4: still got detention. Phoene's eyebrows raised when he hears this.

596
00:28:32,880 --> 00:28:35,480
Speaker 4: They do when they act like two year olds. Corey

597
00:28:35,560 --> 00:28:38,600
Speaker 4: Mox's teacher repeating the line in a Phoene accent. It's

598
00:28:38,760 --> 00:28:39,680
Speaker 4: just a phoene accent.

599
00:28:39,720 --> 00:28:40,680
Speaker 3: Now I love it too.

600
00:28:41,280 --> 00:28:54,640
Speaker 1: It's a great impression, Like it's great and that this episode,

601
00:28:54,920 --> 00:28:58,480
Speaker 1: like so line by line he is just making he

602
00:28:58,520 --> 00:29:01,880
Speaker 1: was killing me. This he's the funniest, He's the funniest

603
00:29:01,880 --> 00:29:05,640
Speaker 1: he's ever This is probably Ben's best music performance.

604
00:29:05,840 --> 00:29:11,920
Speaker 4: Also the most Ben consistently. Actually, this is this is

605
00:29:12,280 --> 00:29:15,640
Speaker 4: the most Ben Savage you'll ever truly see.

606
00:29:15,880 --> 00:29:17,560
Speaker 1: Doing impressions of people doing.

607
00:29:17,400 --> 00:29:22,280
Speaker 4: The oh my god, I died murderer.

608
00:29:25,080 --> 00:29:28,200
Speaker 1: I mean, that's what he would do every day rehearsal.

609
00:29:28,800 --> 00:29:30,840
Speaker 1: It would make jokes, he would change the tones, and

610
00:29:30,840 --> 00:29:32,680
Speaker 1: then like when it came time to deliver the scene,

611
00:29:32,760 --> 00:29:35,800
Speaker 1: he would do it straightforward. But behind the scenes this

612
00:29:35,880 --> 00:29:40,040
Speaker 1: is all the time, constantly because he just finds funny

613
00:29:40,080 --> 00:29:41,040
Speaker 1: ways to say things.

614
00:29:41,440 --> 00:29:44,520
Speaker 3: The whole the whole thing with the you know, mad

615
00:29:44,640 --> 00:29:47,640
Speaker 3: enough to kill watch that.

616
00:29:53,360 --> 00:29:55,520
Speaker 1: None of us could look at him, and that we're

617
00:29:55,600 --> 00:29:56,640
Speaker 1: all just like gonna lose.

618
00:29:56,680 --> 00:30:01,280
Speaker 4: It's just the best. So this was Oh boy, oh boy,

619
00:30:01,400 --> 00:30:05,200
Speaker 4: absolutely love it so much so. An unamused Phoenie advises

620
00:30:05,280 --> 00:30:08,480
Speaker 4: Corey when one mocks someone, one should wait until they're

621
00:30:08,520 --> 00:30:11,760
Speaker 4: not looking right at them. Corey reminds him he's not

622
00:30:11,800 --> 00:30:16,880
Speaker 4: in his regular seat, which again also in my regular seat.

623
00:30:16,960 --> 00:30:19,320
Speaker 4: Not in my regular seat. Sorry, I'm off, my offa

624
00:30:19,680 --> 00:30:23,120
Speaker 4: my game, you know. Phoene explains that that detention means

625
00:30:23,160 --> 00:30:26,000
Speaker 4: no talking, moving, or fraternizing for the next hour and

626
00:30:26,000 --> 00:30:28,560
Speaker 4: a half. That's a long detention. I've never been inttention

627
00:30:29,440 --> 00:30:34,560
Speaker 4: ever either. No, I didn't. I was usually just col silent.

628
00:30:34,600 --> 00:30:35,880
Speaker 4: How many times have you been in detention?

629
00:30:35,960 --> 00:30:38,400
Speaker 3: Well, I mean I had a Saturday school once because

630
00:30:38,440 --> 00:30:40,960
Speaker 3: I got caught leaving campus because again, you weren't ever

631
00:30:40,960 --> 00:30:42,640
Speaker 3: allowed to leave school, so I and I think went

632
00:30:42,640 --> 00:30:44,040
Speaker 3: to McDonald's of course, something like.

633
00:30:43,960 --> 00:30:50,360
Speaker 1: That, eat my short shirt, eat my short shirts. No

634
00:30:51,160 --> 00:30:52,800
Speaker 1: Saturday school, you had to go to school.

635
00:30:53,320 --> 00:30:56,520
Speaker 3: Wow, that's it's like three hours in the morning. It

636
00:30:56,560 --> 00:30:58,160
Speaker 3: was like, yeah, you get there at like eight, you're

637
00:30:58,160 --> 00:31:01,360
Speaker 3: there from my gay to eleven. Yeah, and then I

638
00:31:01,400 --> 00:31:05,320
Speaker 3: think there's regular detention in my school, though the middle

639
00:31:05,360 --> 00:31:07,200
Speaker 3: school was pretty militant with things where it was like

640
00:31:07,280 --> 00:31:11,440
Speaker 3: if you chew gum detention, you use you know, wrong

641
00:31:11,520 --> 00:31:16,520
Speaker 3: pen detention. It was wrong. It was really random of

642
00:31:16,560 --> 00:31:19,880
Speaker 3: a pencil. If your pencils too big and or you

643
00:31:19,960 --> 00:31:21,960
Speaker 3: use it to stab somebody detention.

644
00:31:21,720 --> 00:31:23,400
Speaker 4: Well, that makes sense. I get the second half of that.

645
00:31:23,600 --> 00:31:24,960
Speaker 3: Yeah, okay, okay, the.

646
00:31:24,880 --> 00:31:26,800
Speaker 4: First there is a little odd, but anyway, As he

647
00:31:26,840 --> 00:31:29,719
Speaker 4: walks toward the door, Sean asks where Phoene's going. Phoene

648
00:31:29,720 --> 00:31:31,840
Speaker 4: says he's not in detention, so he can do as

649
00:31:31,840 --> 00:31:34,640
Speaker 4: he pleases, but he warns the students, don't think because

650
00:31:34,680 --> 00:31:36,600
Speaker 4: of my absence from this room that you're not being

651
00:31:36,640 --> 00:31:40,080
Speaker 4: watched now without a chaperone. Kenny pouts, all I wanted

652
00:31:40,240 --> 00:31:43,200
Speaker 4: was a pencil. Corey responds, Oh, shut up, Kenny, You're

653
00:31:43,280 --> 00:31:45,840
Speaker 4: lucky to even be here. Kenny says he doesn't see

654
00:31:45,880 --> 00:31:49,160
Speaker 4: it that way the script. Then Sean stands to leave

655
00:31:49,200 --> 00:31:50,920
Speaker 4: the classroom. If we're going to be in here for

656
00:31:50,960 --> 00:31:52,760
Speaker 4: over an hour, then I'm going to my locker to

657
00:31:52,800 --> 00:31:54,160
Speaker 4: get my cheese product.

658
00:31:54,840 --> 00:32:00,320
Speaker 3: It's cheese. It's your spread, it's your cheese spread. She's

659
00:32:01,080 --> 00:32:01,400
Speaker 3: just like.

660
00:32:03,160 --> 00:32:05,640
Speaker 4: He tries to open the door, but it's locked. Can

661
00:32:05,680 --> 00:32:06,280
Speaker 4: you believe this?

662
00:32:06,400 --> 00:32:07,320
Speaker 3: Mean he locked us in?

663
00:32:07,560 --> 00:32:09,360
Speaker 4: Corey shocked, he can't do that.

664
00:32:09,720 --> 00:32:12,320
Speaker 3: It's against the Geneva detention convention.

665
00:32:12,840 --> 00:32:15,920
Speaker 1: That line is so brilliant. I mean, how do you

666
00:32:15,960 --> 00:32:16,600
Speaker 1: think like that?

667
00:32:16,600 --> 00:32:18,080
Speaker 3: That is so clever.

668
00:32:18,440 --> 00:32:22,120
Speaker 1: I guess convention so funny.

669
00:32:22,920 --> 00:32:26,240
Speaker 4: God Sean peers out the window. Oh here he comes.

670
00:32:26,400 --> 00:32:28,600
Speaker 4: He darts back to his seat and they all get quiet.

671
00:32:29,000 --> 00:32:32,560
Speaker 4: But instead of feeni, we see the very pale janitor

672
00:32:32,640 --> 00:32:37,600
Speaker 4: Freddy slowly walk past the room, peering inside. Scary music

673
00:32:37,600 --> 00:32:40,480
Speaker 4: plays again, and the kids look very scared. As Freddy

674
00:32:40,520 --> 00:32:44,080
Speaker 4: peruses the room, Corey asks do you think he works

675
00:32:44,120 --> 00:32:47,280
Speaker 4: on that look? Shawn addresses the ghastly janitor beyond the door.

676
00:32:47,680 --> 00:32:58,160
Speaker 7: Hey giggles, there's so many random throwaway lines that are

677
00:32:58,320 --> 00:33:02,000
Speaker 7: just hysterical, and this is the scene again I'm talking about.

678
00:33:02,040 --> 00:33:05,760
Speaker 4: There are laugh out loud moments that get no laugh

679
00:33:05,840 --> 00:33:08,600
Speaker 4: because they just chose not to put them in. But like,

680
00:33:08,880 --> 00:33:11,720
Speaker 4: hey giggles, is very funny.

681
00:33:12,160 --> 00:33:14,360
Speaker 3: I think they wanted to keep it scary and spooky,

682
00:33:14,360 --> 00:33:16,440
Speaker 3: which is probably why they didn't do the laughs. But

683
00:33:16,760 --> 00:33:17,280
Speaker 3: it needed to.

684
00:33:17,320 --> 00:33:20,200
Speaker 4: Laugh, it needed it. Do you have the key? We

685
00:33:20,440 --> 00:33:23,360
Speaker 4: enter some rarely used POV shots for this as we

686
00:33:23,400 --> 00:33:26,560
Speaker 4: see some of the situation from the janitor's perspective. Freddie

687
00:33:26,560 --> 00:33:29,600
Speaker 4: holds up his gigantic janitor filled key ring. Corey nervously

688
00:33:29,640 --> 00:33:32,760
Speaker 4: asks you want to let us out? Instead of responding,

689
00:33:33,560 --> 00:33:36,160
Speaker 4: Freddy just gives them an unnerving smile and walks away

690
00:33:36,480 --> 00:33:39,600
Speaker 4: to Pega. Scene enough, this is getting scary. Angela agrees

691
00:33:39,720 --> 00:33:42,000
Speaker 4: what is going on. She rushes up to Sean and

692
00:33:42,040 --> 00:33:44,760
Speaker 4: holds him tightly. Sean smiles, I don't know, but I

693
00:33:44,960 --> 00:33:47,560
Speaker 4: like it. Then the world map at the front of

694
00:33:47,560 --> 00:33:50,400
Speaker 4: the classroom zips open to reveal a message written on

695
00:33:50,400 --> 00:33:54,120
Speaker 4: the chalkboard. It's possibly blood and it reads no one

696
00:33:54,160 --> 00:34:01,400
Speaker 4: gets out alive. Angela screams the famous scream. John nervously admits, no,

697
00:34:01,560 --> 00:34:03,800
Speaker 4: I don't like it as much, and then we go

698
00:34:03,880 --> 00:34:05,800
Speaker 4: to a suspenseful commercial break.

699
00:34:06,040 --> 00:34:07,560
Speaker 3: I love suspenseful commercial break.

700
00:34:07,640 --> 00:34:09,920
Speaker 4: Can you imagine my favorite type of commercial tuning in?

701
00:34:11,080 --> 00:34:13,640
Speaker 3: Oh yeah, like a kid in February.

702
00:34:13,840 --> 00:34:17,080
Speaker 1: In February, you're like when you're like nine ten, and

703
00:34:17,239 --> 00:34:20,879
Speaker 1: oh my gosh, this must have been so Jarry read that.

704
00:34:20,960 --> 00:34:22,799
Speaker 3: I was gonna say, you read comments from people that

705
00:34:22,840 --> 00:34:24,239
Speaker 3: are like this scarred me.

706
00:34:24,360 --> 00:34:27,760
Speaker 4: Yes, this scared Jesus out of a lot of kids.

707
00:34:28,440 --> 00:34:31,880
Speaker 4: And we're not expecting this. Oh yes, when guys in

708
00:34:31,960 --> 00:34:37,720
Speaker 4: the episode when we kill Fannie, I was I who

709
00:34:37,840 --> 00:34:40,719
Speaker 4: barely but truly barely remembered it happen, was like, I

710
00:34:40,960 --> 00:34:46,400
Speaker 4: cannot believe we kill Kenny. We killed Teenie, not Kenny.

711
00:34:46,400 --> 00:34:47,400
Speaker 4: I believe we kill Kenny.

712
00:34:47,480 --> 00:34:48,640
Speaker 3: I can't believe we killed.

713
00:34:50,040 --> 00:34:50,480
Speaker 4: Well he was.

714
00:34:50,520 --> 00:34:54,000
Speaker 3: Therefore, that the only joke they missed, and it would

715
00:34:54,000 --> 00:34:56,920
Speaker 3: have been brilliant, is if they'd put him in a red.

716
00:34:56,840 --> 00:34:59,040
Speaker 4: Shirt oh, for him to become of.

717
00:34:59,080 --> 00:35:03,160
Speaker 3: Star Trek for Star Trek. Anytime anybody's in a red

718
00:35:03,160 --> 00:35:06,239
Speaker 3: shirt on Star Trek, you know you're dead because you're

719
00:35:06,239 --> 00:35:08,440
Speaker 3: not one of the main casts. So if somebody had

720
00:35:08,560 --> 00:35:10,200
Speaker 3: just from wardrobe and been like, we just need to

721
00:35:10,200 --> 00:35:12,319
Speaker 3: put him in a red shirt, it's the only joke

722
00:35:12,360 --> 00:35:14,200
Speaker 3: that was missed in the entire episode because it would

723
00:35:14,200 --> 00:35:14,560
Speaker 3: have been I.

724
00:35:14,600 --> 00:35:17,200
Speaker 4: Don't know that Julie Yang was a big Star Trek person,

725
00:35:17,400 --> 00:35:19,680
Speaker 4: but we don't know she wasn't either, that's true. She

726
00:35:19,719 --> 00:35:21,960
Speaker 4: could have been Yeah.

727
00:35:21,320 --> 00:35:23,000
Speaker 3: Okay, so very quick tangent.

728
00:35:23,360 --> 00:35:23,800
Speaker 4: Yeah.

729
00:35:24,160 --> 00:35:27,160
Speaker 3: Do either of you have a show that when you

730
00:35:27,200 --> 00:35:30,640
Speaker 3: were growing up, did a freaky episode that scarred you

731
00:35:30,760 --> 00:35:33,799
Speaker 3: or that you remember going like, wow, wasn't expecting that

732
00:35:33,800 --> 00:35:34,920
Speaker 3: that kind of changed my life?

733
00:35:35,840 --> 00:35:39,359
Speaker 1: No? Nothing, No, I mean I never really watched that much,

734
00:35:39,400 --> 00:35:42,360
Speaker 1: so I have this vague memory. I have no idea

735
00:35:42,360 --> 00:35:44,360
Speaker 1: what this is. Maybe you know, will there was like

736
00:35:44,400 --> 00:35:48,240
Speaker 1: a puppet special. Do you remember there's actually a famous

737
00:35:48,280 --> 00:35:50,440
Speaker 1: eighties music video. I think it's a Phil Collins video

738
00:35:50,440 --> 00:35:52,600
Speaker 1: where they use puppets and yeah, kind of creepy.

739
00:35:52,840 --> 00:35:53,680
Speaker 3: Yeah they did.

740
00:35:53,800 --> 00:35:55,839
Speaker 1: I think it was the same people that did that

741
00:35:56,040 --> 00:35:59,320
Speaker 1: did a like TV night special that was like it

742
00:35:59,440 --> 00:36:02,400
Speaker 1: was like all these references to other movies all combined,

743
00:36:02,440 --> 00:36:04,640
Speaker 1: and it was horrifying to me as a kid, because

744
00:36:04,800 --> 00:36:06,759
Speaker 1: I thought it was like a puppet show, like and

745
00:36:06,800 --> 00:36:08,920
Speaker 1: I know how old. I was probably like six or seven,

746
00:36:09,080 --> 00:36:11,000
Speaker 1: and I just remember it was like all these references

747
00:36:11,000 --> 00:36:14,600
Speaker 1: to like old horror movies, and I just remember being terrified.

748
00:36:15,080 --> 00:36:16,000
Speaker 3: I know what it is.

749
00:36:16,160 --> 00:36:18,279
Speaker 1: Anybody knows what I'm talking about. I think it might

750
00:36:18,320 --> 00:36:20,880
Speaker 1: have been an English show, not an American show, but

751
00:36:20,920 --> 00:36:23,160
Speaker 1: it aired on television. I was at my grandmother's house

752
00:36:23,160 --> 00:36:25,839
Speaker 1: so I could watch TV there, and I just remember thinking, oh,

753
00:36:25,880 --> 00:36:28,160
Speaker 1: it's gonna be puppets, this is great, and being so

754
00:36:28,239 --> 00:36:30,520
Speaker 1: disturbed and I mean nightmares for weeks. So but I

755
00:36:30,560 --> 00:36:31,440
Speaker 1: had no idea what it was.

756
00:36:33,000 --> 00:36:35,680
Speaker 3: Yeah, okay, you as an X Files fan, there wasn't

757
00:36:35,680 --> 00:36:37,240
Speaker 3: an episode of X Files that likely.

758
00:36:39,960 --> 00:36:42,120
Speaker 4: I was a teenager at that point and I didn't

759
00:36:42,120 --> 00:36:43,759
Speaker 4: really watch a bunch of TV when I was a

760
00:36:43,800 --> 00:36:47,320
Speaker 4: little kid, Like I have memories of watching Sesame Street,

761
00:36:47,360 --> 00:36:51,000
Speaker 4: but I don't really remember other childhood shows.

762
00:36:51,680 --> 00:36:53,920
Speaker 3: It was the eighties. Early eighties used to do that

763
00:36:53,960 --> 00:36:56,120
Speaker 3: a lot. Like you know, Michael J. Fox's best friend

764
00:36:56,200 --> 00:37:00,000
Speaker 3: dies on Family Ties. That was a really freaky episode.

765
00:37:00,040 --> 00:37:02,600
Speaker 3: So Tom Hanks is on Family Ties and throws Alex down.

766
00:37:02,640 --> 00:37:04,840
Speaker 3: He's an uncle who's drunk. I mean, there's some episodes

767
00:37:04,840 --> 00:37:07,400
Speaker 3: that like stick with you after all these years, and

768
00:37:07,440 --> 00:37:09,799
Speaker 3: I think for a generation of kids, this was it

769
00:37:09,920 --> 00:37:12,319
Speaker 3: for them. I mean, this person that really mess them up.

770
00:37:12,400 --> 00:37:12,880
Speaker 3: I love that.

771
00:37:25,160 --> 00:37:27,560
Speaker 4: So we're back in Phoenie's classroom. Angela and to Panga

772
00:37:27,560 --> 00:37:30,360
Speaker 4: are screaming now together and holding each other, which seems

773
00:37:30,400 --> 00:37:33,400
Speaker 4: a bit superfluous since they've already seen the writing before

774
00:37:33,440 --> 00:37:37,759
Speaker 4: the break, but I digress. Yes, Sean declares it's Phoene.

775
00:37:37,840 --> 00:37:40,319
Speaker 4: Angela doesn't get it. There's blood on the chalkboard. Sean,

776
00:37:40,360 --> 00:37:42,200
Speaker 4: I don't think it's because he ran out of chalk.

777
00:37:42,640 --> 00:37:45,640
Speaker 4: Sewn assures them it's all fake. Phoenie's just pulling some

778
00:37:45,719 --> 00:37:49,040
Speaker 4: elaborate hoaks. Kenny asks why, and Corey reminds them that

779
00:37:49,080 --> 00:37:51,960
Speaker 4: Phoenie is always trying to teach them something to Pega

780
00:37:52,000 --> 00:37:54,440
Speaker 4: asks what's the goal with this, and then Corey explains

781
00:37:54,600 --> 00:37:58,200
Speaker 4: to pay attention or we die to Panga tells Corey

782
00:37:58,200 --> 00:38:01,440
Speaker 4: he's nuts. Corey wags his finger at her. Stop attacking me.

783
00:38:01,680 --> 00:38:04,879
Speaker 4: You've given up your right to attack me. Angela tells

784
00:38:04,920 --> 00:38:07,359
Speaker 4: them this doesn't make any sense. Sean says it does

785
00:38:07,400 --> 00:38:09,400
Speaker 4: if you've seen as many horror films as he has.

786
00:38:09,680 --> 00:38:12,520
Speaker 4: This is classic. The locked door, the scary janitor, the

787
00:38:12,520 --> 00:38:16,799
Speaker 4: bloody warning, and there's soon to be first victim. Any

788
00:38:16,880 --> 00:38:18,080
Speaker 4: points to Kenny.

789
00:38:19,719 --> 00:38:21,959
Speaker 1: To keep referring to when they're gonna kill Kenny.

790
00:38:23,400 --> 00:38:27,200
Speaker 4: Kenny gasps, why me? Corey points out the obvious. Well,

791
00:38:27,280 --> 00:38:29,759
Speaker 4: it's certainly not gonna be any of us.

792
00:38:30,960 --> 00:38:33,319
Speaker 1: I remember loving that. We we just thought that was.

793
00:38:33,320 --> 00:38:35,760
Speaker 4: The funniest We really did. We thought it was very funny.

794
00:38:35,800 --> 00:38:38,160
Speaker 4: It was one of those meta jokes. We were like, right, right,

795
00:38:38,520 --> 00:38:39,160
Speaker 4: we get it.

796
00:38:39,360 --> 00:38:41,560
Speaker 1: Do you guys? Have you guys heard this term plot armor?

797
00:38:42,360 --> 00:38:42,640
Speaker 4: No.

798
00:38:42,840 --> 00:38:44,759
Speaker 1: I had never heard this, and India explained it to me.

799
00:38:44,800 --> 00:38:47,479
Speaker 1: It's it's the concept that your your main character can't

800
00:38:47,480 --> 00:38:49,640
Speaker 1: die because that the main character, So you call that

801
00:38:49,680 --> 00:38:52,000
Speaker 1: plot armor. So it's like if a character is like, well,

802
00:38:52,040 --> 00:38:54,480
Speaker 1: they're obviously not going to die, it's because the plot

803
00:38:54,520 --> 00:38:57,279
Speaker 1: is going to protect them. And I love it, Like

804
00:38:57,320 --> 00:39:00,200
Speaker 1: I actually use that term now teaching screenwriting because I'm like, yeah,

805
00:39:00,280 --> 00:39:01,440
Speaker 1: be careful of plot armor.

806
00:39:02,360 --> 00:39:05,040
Speaker 4: The group laughs along with Corey. They're the main cast.

807
00:39:05,320 --> 00:39:08,040
Speaker 4: But then there's a thumping noise coming from beyond the door,

808
00:39:08,120 --> 00:39:11,120
Speaker 4: but we can't see what's outside. Angela asks Sean, you're

809
00:39:11,160 --> 00:39:14,600
Speaker 4: the horror film expert. What's that. Sean dramatically explains, that's

810
00:39:14,640 --> 00:39:17,280
Speaker 4: the sound of our beating hearts. It signifies our heightened

811
00:39:17,280 --> 00:39:19,520
Speaker 4: fear and the fact that something horrible is about to

812
00:39:19,600 --> 00:39:21,600
Speaker 4: walk through that door right now.

813
00:39:21,840 --> 00:39:24,960
Speaker 1: And now the door, the window is closed. I wanted

814
00:39:25,000 --> 00:39:27,240
Speaker 1: us to close it at some point because we've already

815
00:39:27,239 --> 00:39:30,319
Speaker 1: done so many. First of all, yes, and it never

816
00:39:30,360 --> 00:39:32,600
Speaker 1: had a window before this episode, so it's like, yeah,

817
00:39:32,600 --> 00:39:34,640
Speaker 1: we added a window and they had to take it away.

818
00:39:35,680 --> 00:39:38,359
Speaker 4: Right when it's convenient to have a window, we have one.

819
00:39:38,360 --> 00:39:42,040
Speaker 3: When it's not, we don't. It's also a TV hoping

820
00:39:42,320 --> 00:39:46,160
Speaker 3: that the number on the door had some significance to

821
00:39:46,200 --> 00:39:48,160
Speaker 3: a horror movie, like it was the room in the shining.

822
00:39:48,239 --> 00:39:50,920
Speaker 3: So it was two fourteen, but there was As far

823
00:39:50,920 --> 00:39:52,239
Speaker 3: as I could tell that it was just a random

824
00:39:52,280 --> 00:39:52,920
Speaker 3: number they put.

825
00:39:52,800 --> 00:39:53,200
Speaker 5: On the door.

826
00:39:53,640 --> 00:39:56,520
Speaker 4: And then the door flies open. Jack and Eric are

827
00:39:56,560 --> 00:39:59,440
Speaker 4: standing there, and Eric's holding a basketball in his best

828
00:39:59,560 --> 00:40:02,600
Speaker 4: southar Our compression. Eric busts out a hottie.

829
00:40:02,640 --> 00:40:06,480
Speaker 1: How I mean, we were just all we were just

830
00:40:06,520 --> 00:40:08,960
Speaker 1: all obsessed with South Park, right was going on our

831
00:40:08,960 --> 00:40:11,600
Speaker 1: writer's web, says every week we'd come in and be

832
00:40:11,680 --> 00:40:12,239
Speaker 1: quoting it.

833
00:40:12,480 --> 00:40:14,919
Speaker 4: Kenny is only named Kenny, so we could get that joke.

834
00:40:15,160 --> 00:40:16,680
Speaker 3: Yep, absolutely correct.

835
00:40:17,440 --> 00:40:20,319
Speaker 4: Everyone is relieved to see them. Eric explains, Jack and

836
00:40:20,360 --> 00:40:22,239
Speaker 4: I had a hankering for some hoops. Missed the smell

837
00:40:22,280 --> 00:40:24,799
Speaker 4: of the old John Adams locker room. You know, I

838
00:40:24,880 --> 00:40:27,840
Speaker 4: love that they had to give that much explanation about.

839
00:40:27,600 --> 00:40:27,920
Speaker 1: Why we.

840
00:40:30,320 --> 00:40:32,400
Speaker 4: Wanted to play basketball and we had to play it

841
00:40:32,480 --> 00:40:33,920
Speaker 4: here because we liked the smell.

842
00:40:34,320 --> 00:40:37,320
Speaker 3: We passed nine different places on the way, but we

843
00:40:37,360 --> 00:40:38,600
Speaker 3: needed to smell the locker room again.

844
00:40:40,520 --> 00:40:43,239
Speaker 4: Cory worriedly asks, did you guys see Foenie out there?

845
00:40:43,360 --> 00:40:45,920
Speaker 4: Jack shakes his head, Nope, not a soul. Actually it

846
00:40:45,960 --> 00:40:48,279
Speaker 4: was kind of creepy to pang his eyes widen as

847
00:40:48,280 --> 00:40:50,760
Speaker 4: she rushes to ask questions why creepy? Why'd you say creepy?

848
00:40:50,760 --> 00:40:54,120
Speaker 4: Why creepy? Jack is confused. I think it has something

849
00:40:54,160 --> 00:40:57,000
Speaker 4: to do with that janitor. Sean gasps, I knew it.

850
00:40:57,440 --> 00:40:59,759
Speaker 4: Jack explains. Once they finished playing basketball, they went to

851
00:40:59,800 --> 00:41:02,080
Speaker 4: the locker rooms to change. That's where they saw the

852
00:41:02,120 --> 00:41:06,600
Speaker 4: janitor pushing his bin and emptying the waste baskets. Topeka's

853
00:41:06,640 --> 00:41:10,279
Speaker 4: not sold. Well, that's not so creepy. Eric casually adds, oh,

854
00:41:10,280 --> 00:41:14,680
Speaker 4: and there was blood coming out of the showers. To

855
00:41:14,800 --> 00:41:18,280
Speaker 4: Pega lets out an exaggerated gasp of horror. Corey, completely

856
00:41:18,280 --> 00:41:21,560
Speaker 4: ignoring the details, asks how is the pressure, Eric admits,

857
00:41:21,719 --> 00:41:24,399
Speaker 4: really good, got all the soap out of my hair.

858
00:41:30,920 --> 00:41:34,520
Speaker 4: So funny, blood in the showers. This is straight out

859
00:41:34,560 --> 00:41:37,359
Speaker 4: of that horror film classic Blood in the Showers And

860
00:41:37,400 --> 00:41:38,960
Speaker 4: again needed alaugh.

861
00:41:39,080 --> 00:41:40,520
Speaker 3: It's so funny, but.

862
00:41:40,600 --> 00:41:44,880
Speaker 4: Needed a laugh anyway. Shawna tests, no, this isn't the janitor.

863
00:41:44,960 --> 00:41:48,040
Speaker 4: This is the work of a diabolical master villain. Corey

864
00:41:48,120 --> 00:41:53,360
Speaker 4: quickly asks feene. Sean nods, absolutely Feene. I just feel

865
00:41:53,440 --> 00:41:57,399
Speaker 4: so bad that Kenny asked to be the first to die.

866
00:42:00,000 --> 00:42:03,240
Speaker 3: Oh god, my god, it's so good.

867
00:42:04,000 --> 00:42:07,239
Speaker 4: Kenny defeatedly responds, I really wish you'd stop saying that.

868
00:42:07,640 --> 00:42:09,799
Speaker 4: Corey breaks it down. I think he knows we're too

869
00:42:09,880 --> 00:42:11,920
Speaker 4: old for detention to scare us, so he's turned the

870
00:42:11,960 --> 00:42:15,359
Speaker 4: school into a total chamber of horrors. Kenny assures them

871
00:42:15,400 --> 00:42:18,600
Speaker 4: that doesn't scare me. Nothing scares me. Then he turns

872
00:42:18,640 --> 00:42:21,080
Speaker 4: to Sean and Topanga doesn't belong to your best friend

873
00:42:21,120 --> 00:42:23,440
Speaker 4: Corey anymore, and if I want to borrow a pencil

874
00:42:23,480 --> 00:42:25,640
Speaker 4: from her, I will, And what are you gonna do

875
00:42:25,680 --> 00:42:29,600
Speaker 4: about it? Then a mysterious black glove reaches around the

876
00:42:29,600 --> 00:42:32,560
Speaker 4: doorway and turns off the light. Now in complete darkness,

877
00:42:32,560 --> 00:42:36,040
Speaker 4: everyone screams. Sean turns the lights back on. Eric is

878
00:42:36,040 --> 00:42:38,759
Speaker 4: holding Jack like a little baby. Jack asks, have you

879
00:42:38,760 --> 00:42:40,520
Speaker 4: put on a little wait since the last time you

880
00:42:40,560 --> 00:42:43,840
Speaker 4: were scared that you've jumped into his arms many times?

881
00:42:43,960 --> 00:42:45,520
Speaker 3: Of course, of course.

882
00:42:46,040 --> 00:42:49,920
Speaker 4: Eric nods yeah a little. Then Angela lets out a

883
00:42:50,040 --> 00:42:52,759
Speaker 4: terrifying shriek. Sean tries to tell her you scream when

884
00:42:52,760 --> 00:42:54,480
Speaker 4: the lights go off. Doing it when the lights are

885
00:42:54,480 --> 00:42:57,560
Speaker 4: on takes the effect away. She screams again, and Sean says, well,

886
00:42:57,600 --> 00:43:01,080
Speaker 4: now you're just being loud then see what she's pointing at.

887
00:43:01,360 --> 00:43:05,280
Speaker 4: It's Kenny with the giant pencil plunged through his forehead.

888
00:43:05,880 --> 00:43:08,560
Speaker 4: Kenny's body slumps to the floor. As he falls down,

889
00:43:08,880 --> 00:43:11,080
Speaker 4: the pencil marks a line on the wall behind him.

890
00:43:11,280 --> 00:43:13,680
Speaker 4: Everyone watches in horror, and Corey makes his way over

891
00:43:13,680 --> 00:43:15,720
Speaker 4: to the wall. He puts his finger on the highest

892
00:43:15,719 --> 00:43:19,399
Speaker 4: pencil mark and eulogizes, We'll always remember he was that tall.

893
00:43:20,200 --> 00:43:23,279
Speaker 1: It's it's okay. So I was watching with Alex who

894
00:43:23,280 --> 00:43:25,959
Speaker 1: loves horror films and have never seen this episode. I've

895
00:43:26,000 --> 00:43:26,640
Speaker 1: never heard her.

896
00:43:26,640 --> 00:43:30,080
Speaker 4: Laugh harder really that she didn't know it existed.

897
00:43:29,760 --> 00:43:33,160
Speaker 1: Before that, like I'll always know he was this tall.

898
00:43:33,239 --> 00:43:35,520
Speaker 1: She just could not stop. That was like I wanted

899
00:43:35,480 --> 00:43:38,359
Speaker 1: to do so clever, and I was just waiting for it,

900
00:43:38,400 --> 00:43:40,640
Speaker 1: and it's like, oh my god, because you were like

901
00:43:40,680 --> 00:43:44,960
Speaker 1: what how and then they make I mean, is.

902
00:43:44,920 --> 00:43:49,000
Speaker 4: It possible that this is the most perfectly crafted joke

903
00:43:49,440 --> 00:43:50,600
Speaker 4: in all of Boy Meets World?

904
00:43:50,680 --> 00:43:51,880
Speaker 1: Yes, I think it's the funniest.

905
00:43:51,920 --> 00:43:55,160
Speaker 3: It's I could argue that it's one of the best

906
00:43:55,200 --> 00:43:56,120
Speaker 3: sitcom jokes.

907
00:43:56,239 --> 00:44:00,600
Speaker 4: Yeah, yeah, it's soul perfect.

908
00:44:00,840 --> 00:44:03,759
Speaker 3: Yeah it is. I mean, literally, it's up there with

909
00:44:03,840 --> 00:44:06,680
Speaker 3: anything on Seinfelder friends or all in the family or

910
00:44:06,719 --> 00:44:08,920
Speaker 3: any This is a perfect I think, like I have

911
00:44:09,160 --> 00:44:11,440
Speaker 3: other favorite jokes that we've covered on the show, but

912
00:44:11,680 --> 00:44:14,960
Speaker 3: like in the like beyond my personal opinion.

913
00:44:15,080 --> 00:44:17,320
Speaker 4: Correct of course, this is just a perfect.

914
00:44:16,960 --> 00:44:18,800
Speaker 1: Joke, like this is there's yeah, I think.

915
00:44:18,600 --> 00:44:21,719
Speaker 3: It's it's there's a few of those in this episode. Yes,

916
00:44:21,760 --> 00:44:22,759
Speaker 3: I'll get it, as you.

917
00:44:22,680 --> 00:44:24,480
Speaker 4: Can get dying.

918
00:44:24,320 --> 00:44:27,800
Speaker 3: As another perfect joke. Yeah. So yeah, this this episode

919
00:44:27,880 --> 00:44:31,000
Speaker 3: was on just a different level. It's yeah, it was great,

920
00:44:31,120 --> 00:44:31,640
Speaker 3: just so good.

921
00:44:32,360 --> 00:44:35,920
Speaker 4: Eric screams, keeping the south Park theme alive. Oh my gosh,

922
00:44:36,040 --> 00:44:41,080
Speaker 4: they killed Kenny. This throws everyone to go to extreme chaos,

923
00:44:41,160 --> 00:44:42,960
Speaker 4: running out into the hallway screaming at the top of

924
00:44:43,000 --> 00:44:45,640
Speaker 4: their lungs. The lights flicker, and an old timey tune

925
00:44:45,680 --> 00:44:49,280
Speaker 4: plays over the loudspeaker. Welcome to John Adams High where

926
00:44:49,320 --> 00:44:52,560
Speaker 4: you are going to die and it's so great.

927
00:44:52,840 --> 00:44:56,239
Speaker 3: Yeah, we I can't remember they we didn't have the

928
00:44:56,280 --> 00:44:58,080
Speaker 3: songs playing for us, right, they were like and then

929
00:44:58,120 --> 00:45:00,239
Speaker 3: the song plays, but we didn't actually think so hear

930
00:45:00,360 --> 00:45:02,320
Speaker 3: what the song was, and well none of us are talking,

931
00:45:02,400 --> 00:45:04,800
Speaker 3: so we could have played it, but I can't remember.

932
00:45:04,840 --> 00:45:06,320
Speaker 3: They hadn't recorded I didn't.

933
00:45:08,160 --> 00:45:10,319
Speaker 1: Heard this song, like, yeah, yeah, I don't think we.

934
00:45:10,719 --> 00:45:12,520
Speaker 3: I can't remember if they played or if they played

935
00:45:12,520 --> 00:45:13,520
Speaker 3: something for us, or.

936
00:45:13,640 --> 00:45:16,160
Speaker 4: They might have played something. Yeah, I don't. I don't

937
00:45:16,160 --> 00:45:19,480
Speaker 4: remember it in the moment, but they could have. It

938
00:45:19,480 --> 00:45:21,239
Speaker 4: would have been great had we. I mean, but the

939
00:45:21,320 --> 00:45:23,120
Speaker 4: light's going off and the way it shot, all of

940
00:45:23,160 --> 00:45:27,200
Speaker 4: it feeling so out of character is really really fun.

941
00:45:27,280 --> 00:45:29,600
Speaker 3: Kind of keeping it like the twenties, Grab a knife,

942
00:45:29,719 --> 00:45:31,960
Speaker 3: grab it like it's yeah, super creepy.

943
00:45:32,680 --> 00:45:36,200
Speaker 4: While everyone stumbles around, Sean critiques Feoene so low budget.

944
00:45:36,600 --> 00:45:39,120
Speaker 4: Tapangas tell Sean to wake up. This could not be

945
00:45:39,200 --> 00:45:42,279
Speaker 4: mister Feoene. Sean questions her theory, So what then there's

946
00:45:42,280 --> 00:45:45,279
Speaker 4: some psycho killer on the loose. Just then Eric lets

947
00:45:45,280 --> 00:45:48,640
Speaker 4: out a gut wrenching scream. Oh my god. Everyone jumps.

948
00:45:48,680 --> 00:45:49,200
Speaker 3: What is it?

949
00:45:49,560 --> 00:45:56,839
Speaker 4: Eric shouts, my basketball's gone to Jack walks up behind him.

950
00:45:56,920 --> 00:45:59,480
Speaker 4: No it's not I got it. Eric happily takes the

951
00:45:59,480 --> 00:46:01,719
Speaker 4: ball from him, caresses it to Pega shouts, I don't

952
00:46:01,719 --> 00:46:03,839
Speaker 4: care who's behind this. I'm scared. Can we please get

953
00:46:03,840 --> 00:46:06,080
Speaker 4: out of here? Sean reminds her, of course, we can't

954
00:46:06,080 --> 00:46:07,880
Speaker 4: get out of here. Phoene is the only one with

955
00:46:08,000 --> 00:46:09,880
Speaker 4: keys to all the doors, and they're all locked and

956
00:46:09,960 --> 00:46:11,640
Speaker 4: chained by now everyone.

957
00:46:14,160 --> 00:46:15,120
Speaker 1: Okay, well we.

958
00:46:15,040 --> 00:46:16,040
Speaker 3: Also got it on door.

959
00:46:16,160 --> 00:46:17,680
Speaker 1: Yeah, I know, how did we get out?

960
00:46:18,280 --> 00:46:19,520
Speaker 3: Eric and Jack opened it?

961
00:46:19,680 --> 00:46:21,280
Speaker 1: They could open it from the outside.

962
00:46:21,360 --> 00:46:23,160
Speaker 3: From the outside, apparently, yes.

963
00:46:24,480 --> 00:46:26,640
Speaker 4: Maybe they.

964
00:46:29,360 --> 00:46:31,400
Speaker 3: Dream romp, which is a different kind of romp.

965
00:46:32,840 --> 00:46:35,279
Speaker 4: Everyone bolts to the nearest doors. We get shots of

966
00:46:35,320 --> 00:46:37,279
Speaker 4: them sprinting through a few hallways until they get to

967
00:46:37,280 --> 00:46:39,799
Speaker 4: the doors, which yes, are locked. They pound on them

968
00:46:39,800 --> 00:46:43,480
Speaker 4: and scream for help. We cut to Sean you gause

969
00:46:43,520 --> 00:46:44,920
Speaker 4: remember that exterior door.

970
00:46:45,600 --> 00:46:47,000
Speaker 3: No, no, I didn't.

971
00:46:46,760 --> 00:46:48,960
Speaker 1: Remember ever, like where we set that up and then

972
00:46:49,000 --> 00:46:50,440
Speaker 1: we only use it for that one shot.

973
00:46:50,560 --> 00:46:53,320
Speaker 3: But yeah, and screen you can tell I yell. I

974
00:46:53,360 --> 00:46:57,080
Speaker 3: obviously have a scripted line, and I yell it over

975
00:46:57,200 --> 00:47:00,120
Speaker 3: all the screaming, really, which is yeah, so I I

976
00:47:00,400 --> 00:47:02,080
Speaker 3: because I rewound it. I was like, what am I saying?

977
00:47:02,160 --> 00:47:04,759
Speaker 3: And it's me going like, damnit, he's right.

978
00:47:05,400 --> 00:47:08,280
Speaker 1: You sing everything because you're sitting back like everything's gonna.

979
00:47:08,080 --> 00:47:10,440
Speaker 3: Relocked, And there's Eric going damnit, he's right. But you

980
00:47:10,440 --> 00:47:12,480
Speaker 3: can't cure it over all the yelling. So they set

981
00:47:12,520 --> 00:47:15,840
Speaker 3: up that entire shot just for the entire door, just

982
00:47:15,840 --> 00:47:16,680
Speaker 3: for that one shot.

983
00:47:16,800 --> 00:47:18,800
Speaker 4: Yeah, we'll have to ask you. We cut to Sean

984
00:47:18,840 --> 00:47:21,120
Speaker 4: nonchalantly strolling in the hallway. Why won't you believe me?

985
00:47:21,160 --> 00:47:24,759
Speaker 4: It's all so predictable? Jack asks, If so, then what's

986
00:47:24,800 --> 00:47:27,719
Speaker 4: gonna happen next? Sean gives the script. First, There'll be

987
00:47:27,760 --> 00:47:30,320
Speaker 4: some strange shrouded figure creeping behind us that none of

988
00:47:30,400 --> 00:47:32,759
Speaker 4: us will see. They all quickly turn around to check

989
00:47:32,760 --> 00:47:34,640
Speaker 4: for a figure, and while their backs are turned, a

990
00:47:34,680 --> 00:47:37,480
Speaker 4: person dressed in all black wearing a skeleton mask darts

991
00:47:37,520 --> 00:47:38,080
Speaker 4: past them.

992
00:47:38,040 --> 00:47:39,040
Speaker 1: A great jump scare.

993
00:47:39,560 --> 00:47:42,680
Speaker 4: It's a great jump scare right in front of camera,

994
00:47:42,760 --> 00:47:45,360
Speaker 4: which is so good they don't see it. Sean continues.

995
00:47:45,440 --> 00:47:47,640
Speaker 4: Then the lights will flicker and Feenie will pop up

996
00:47:47,640 --> 00:47:50,360
Speaker 4: and reveal his master planned to us on cue. The

997
00:47:50,440 --> 00:47:53,560
Speaker 4: lights flicker and the scary old timy music plays again.

998
00:47:53,719 --> 00:47:57,239
Speaker 4: Here's a knife, here's a gun. They'll be fun for everyone.

999
00:47:57,680 --> 00:48:02,360
Speaker 4: Death is on the menu tonight cakes. And then Phoenie

1000
00:48:02,440 --> 00:48:05,840
Speaker 4: does appear in the hallway. Everyone's mood lightens. Corey chuckles.

1001
00:48:05,960 --> 00:48:07,960
Speaker 4: I have got to hand it to you, Phoene, you

1002
00:48:08,040 --> 00:48:11,080
Speaker 4: have really outdone yourself this time. I mean killing Kenny

1003
00:48:11,200 --> 00:48:13,320
Speaker 4: obvious choice, but the pencil, George.

1004
00:48:13,400 --> 00:48:18,560
Speaker 3: That was genius of calling him George too, I know George.

1005
00:48:18,760 --> 00:48:23,439
Speaker 4: Also continuing with our theory of Phoenie and the dead

1006
00:48:23,480 --> 00:48:24,200
Speaker 4: bodies in the.

1007
00:48:24,280 --> 00:48:26,400
Speaker 3: Yard, I was thinking the same thing.

1008
00:48:27,360 --> 00:48:30,680
Speaker 4: Phoene hasn't even blinked, standing there motionless, Sean reveals, I

1009
00:48:30,760 --> 00:48:32,960
Speaker 4: knew it was you all along. What's the big lesson?

1010
00:48:32,960 --> 00:48:35,400
Speaker 4: What were you trying to teach us? He playfully smacks

1011
00:48:35,440 --> 00:48:38,520
Speaker 4: the Phoenie on his back, causing their teacher to dramatically

1012
00:48:38,680 --> 00:48:39,760
Speaker 4: fall to the ground.

1013
00:48:40,080 --> 00:48:42,480
Speaker 3: And do you remember Bill doing this? He did every take.

1014
00:48:42,520 --> 00:48:46,520
Speaker 3: He slammed on to his knees, every single take, pads

1015
00:48:46,560 --> 00:48:49,759
Speaker 3: but it was still every take straight down and then

1016
00:48:49,800 --> 00:48:51,680
Speaker 3: straight down to his hand. I remember he done it

1017
00:48:51,719 --> 00:48:52,200
Speaker 3: five times.

1018
00:48:52,320 --> 00:48:56,400
Speaker 4: Yeah, unbelievable the professional that man is and was.

1019
00:48:56,800 --> 00:48:57,040
Speaker 1: Yep.

1020
00:48:57,440 --> 00:48:59,759
Speaker 4: He lands on the floor, face first, revealing a pair

1021
00:48:59,800 --> 00:49:03,680
Speaker 4: of scissors stabbed into his back. Eric shrieks, oh my gosh,

1022
00:49:03,719 --> 00:49:07,240
Speaker 4: they killed Feannie. They all run away, screaming bloody murder.

1023
00:49:07,360 --> 00:49:11,040
Speaker 4: Sean stays behind, staring at Feenie in horror. He was wrong.

1024
00:49:12,239 --> 00:49:14,680
Speaker 4: So we have a dead Feoenie going into commercial break too.

1025
00:49:14,840 --> 00:49:18,640
Speaker 4: I'll call that also A suspends, spends, Will commercial right,

1026
00:49:20,320 --> 00:49:23,560
Speaker 4: and then we're in John Adam's High continuing to Panga's pacing.

1027
00:49:23,560 --> 00:49:27,200
Speaker 4: Phoene's dead. Mister Feoenie is dead. Corey's panicked. Phoene can't die.

1028
00:49:27,239 --> 00:49:30,719
Speaker 4: How can Feenie die? Sean states he was the first suspect.

1029
00:49:30,840 --> 00:49:33,720
Speaker 4: It's my fault. The second I suspected him. I signed

1030
00:49:33,719 --> 00:49:37,160
Speaker 4: his death warrant. Angela shouts, is any one of us safe?

1031
00:49:37,400 --> 00:49:42,600
Speaker 4: Sean nods, yeah, virgins, Virgins never die. Cory smiles and

1032
00:49:42,640 --> 00:49:47,719
Speaker 4: whispers to Topanga, Oh right, thanks for saving me. Eric

1033
00:49:47,760 --> 00:49:51,960
Speaker 4: declares I'm dead. Jack shrugs I'm dead. Sean admits I'll

1034
00:49:51,960 --> 00:49:54,600
Speaker 4: get as sick as you can get without actually dying.

1035
00:49:57,719 --> 00:50:01,959
Speaker 4: Love it so much. Angela wonders, what about Phoenie. He's dead.

1036
00:50:02,320 --> 00:50:04,120
Speaker 4: Eric and Sean smirk and start to dance.

1037
00:50:04,360 --> 00:50:10,399
Speaker 6: Go Feenie, sixty year old man.

1038
00:50:13,040 --> 00:50:16,200
Speaker 3: We're just realizing he's had sex at this point, but

1039
00:50:16,360 --> 00:50:18,200
Speaker 3: that was you and I. Then when we stop, both

1040
00:50:18,200 --> 00:50:19,919
Speaker 3: of us look down.

1041
00:50:23,120 --> 00:50:25,680
Speaker 4: Corey interrupts them, and we get a weird small mistake

1042
00:50:25,719 --> 00:50:27,680
Speaker 4: in the upper left of the camera shot, and Will

1043
00:50:27,800 --> 00:50:31,560
Speaker 4: looks like he's gonna Breaky yells okay, listen as happy

1044
00:50:31,600 --> 00:50:34,080
Speaker 4: as I am for Feenie. I am scared to death here. Okay,

1045
00:50:34,120 --> 00:50:37,440
Speaker 4: what do we do? Sean nods, let's calmly recap. Eric

1046
00:50:37,480 --> 00:50:39,920
Speaker 4: bluntly screams, Kenny's dead, Phoene's dead. We're trapped inside with

1047
00:50:39,960 --> 00:50:42,920
Speaker 4: the killer. Jack chimes in, we have to figure out

1048
00:50:42,920 --> 00:50:45,759
Speaker 4: who the killer is. Angela suggests that they should split up,

1049
00:50:45,800 --> 00:50:49,240
Speaker 4: but Sean cuts her off right away. Wrong, Angela, siye, Okay,

1050
00:50:49,280 --> 00:50:51,080
Speaker 4: we'll just stay right here and we'll all be fine.

1051
00:50:51,600 --> 00:50:54,600
Speaker 4: Then spooky music returns, and a squeaking noise is heard

1052
00:50:54,600 --> 00:50:58,080
Speaker 4: behind beyond the door. Sean beggs, don't say it. Corey

1053
00:50:58,080 --> 00:50:58,640
Speaker 4: doesn't listen.

1054
00:50:59,000 --> 00:51:00,000
Speaker 3: The janitors the killer.

1055
00:51:00,560 --> 00:51:02,880
Speaker 4: Sean's sighs, and that's.

1056
00:51:02,640 --> 00:51:05,280
Speaker 3: The end of the That's the end of the genus.

1057
00:51:05,600 --> 00:51:08,800
Speaker 4: So funny. Corey tells him to stop being crazy to

1058
00:51:08,880 --> 00:51:11,479
Speaker 4: Pega agrees Sean was wrong about Foenie, and he's wrong

1059
00:51:11,480 --> 00:51:14,080
Speaker 4: about this. Sean blurts out, and you were wrong to

1060
00:51:14,080 --> 00:51:17,200
Speaker 4: break up with Corey. The Penga's taken aback. What does

1061
00:51:17,200 --> 00:51:19,480
Speaker 4: that have to do with anything? Sean asks if any

1062
00:51:19,520 --> 00:51:21,080
Speaker 4: of this happened when the two of them were together.

1063
00:51:21,440 --> 00:51:24,200
Speaker 4: Pega says no, and Sean simply states, you've killed us,

1064
00:51:24,440 --> 00:51:25,239
Speaker 4: You've killed us all.

1065
00:51:26,280 --> 00:51:29,520
Speaker 3: Me Yeah, Merka your fault, your fault.

1066
00:51:30,000 --> 00:51:33,000
Speaker 4: Pega killed now, Corey.

1067
00:51:33,520 --> 00:51:38,640
Speaker 3: Yeah, you you your fault and your boyfriend didn't didn't

1068
00:51:38,680 --> 00:51:39,840
Speaker 3: cheat on you, and then.

1069
00:51:39,800 --> 00:51:42,239
Speaker 4: There were repercussions for that action. But so that means

1070
00:51:42,280 --> 00:51:45,279
Speaker 4: it my fault, not his fault. I just want to

1071
00:51:45,360 --> 00:51:49,400
Speaker 4: follow along and make sure we all that's one measure.

1072
00:51:49,760 --> 00:51:53,160
Speaker 4: Don't don't want to let it go exactly quite so easily.

1073
00:51:55,600 --> 00:51:58,200
Speaker 4: Eric jumps in Sean is overreacting. There's only two people

1074
00:51:58,200 --> 00:52:00,680
Speaker 4: that are horribly dead, and that isn't accept loss.

1075
00:52:04,640 --> 00:52:06,279
Speaker 3: Then the squeaking begins again.

1076
00:52:06,360 --> 00:52:08,880
Speaker 4: Angela screams, Oh my god, he's coming, He's coming for

1077
00:52:09,000 --> 00:52:11,520
Speaker 4: us all. They scramble out the door and back out

1078
00:52:11,560 --> 00:52:14,440
Speaker 4: into the hallway. They see the janitor's been moving along,

1079
00:52:14,560 --> 00:52:17,160
Speaker 4: but there's no janitor. Angela points screaming at the top

1080
00:52:17,160 --> 00:52:19,520
Speaker 4: of her lungs. Once again, Jack and myers, you know

1081
00:52:19,840 --> 00:52:22,160
Speaker 4: you really are very good at that. Angela thanks him

1082
00:52:22,160 --> 00:52:24,280
Speaker 4: for the compliment. Sean gives his brother a look of annoy.

1083
00:52:25,320 --> 00:52:27,200
Speaker 4: She's getting great.

1084
00:52:27,400 --> 00:52:30,560
Speaker 1: Because to scream and not like ruin your throat would

1085
00:52:30,560 --> 00:52:33,600
Speaker 1: also still sound like an emotion, and she does it, yes,

1086
00:52:33,800 --> 00:52:37,960
Speaker 1: every times over and every time. You're like, god, she's good.

1087
00:52:38,440 --> 00:52:42,000
Speaker 4: That means she did it every time for every take, Like.

1088
00:52:42,480 --> 00:52:44,640
Speaker 3: Yeah, she probably screamed fifty times. Yeah.

1089
00:52:44,680 --> 00:52:46,480
Speaker 4: Correct, she's screaming.

1090
00:52:46,200 --> 00:52:48,080
Speaker 1: For two She's right.

1091
00:52:48,800 --> 00:52:52,200
Speaker 4: Imagine it's hard to even breathe when you're pregnant. Much'll scream.

1092
00:52:53,280 --> 00:52:55,680
Speaker 4: Corey wonders where the janitor is, and Eric guesses he's

1093
00:52:55,680 --> 00:52:58,319
Speaker 4: on his way, but Sean disagrees. He asks Angela, you're

1094
00:52:58,320 --> 00:53:01,040
Speaker 4: sick of screaming. She says yes, so Sean warns Aer,

1095
00:53:01,280 --> 00:53:03,840
Speaker 4: then don't look in here. Everyone else gathers around the

1096
00:53:03,840 --> 00:53:08,160
Speaker 4: bin and shrieks. Corey shouts, there's like fifteen retainers in there.

1097
00:53:11,160 --> 00:53:12,120
Speaker 1: Such a good line.

1098
00:53:13,239 --> 00:53:15,279
Speaker 4: I had a retainer. I never had braces as a kid,

1099
00:53:15,280 --> 00:53:16,960
Speaker 4: but I did have a retainer. I had two. I

1100
00:53:17,000 --> 00:53:19,000
Speaker 4: had a space over here and a face over here,

1101
00:53:19,200 --> 00:53:20,839
Speaker 4: and I had to wear a retainer. And I threw

1102
00:53:20,880 --> 00:53:21,640
Speaker 4: it in the garbage.

1103
00:53:21,960 --> 00:53:24,160
Speaker 1: I don't know you would wrap it in a napkin

1104
00:53:24,239 --> 00:53:24,480
Speaker 1: right now.

1105
00:53:24,440 --> 00:53:27,960
Speaker 4: No, I had my retainer, my retainer container, but I

1106
00:53:28,000 --> 00:53:30,200
Speaker 4: would then I would take it out to eat my lunch,

1107
00:53:30,239 --> 00:53:32,200
Speaker 4: put it in its container and then put that container

1108
00:53:32,239 --> 00:53:34,280
Speaker 4: in my paper sacks, so it wasn't just like sitting

1109
00:53:34,360 --> 00:53:36,520
Speaker 4: on the table. But then when I was done with

1110
00:53:36,560 --> 00:53:38,879
Speaker 4: my lunch, I would ball up the paper sack.

1111
00:53:38,960 --> 00:53:42,400
Speaker 1: And yeah, always go through the trash looking for a retainer.

1112
00:53:42,560 --> 00:53:45,919
Speaker 4: Yeah. Absolutely they were expensive too, I know my mom.

1113
00:53:46,000 --> 00:53:48,280
Speaker 4: My mom was like, we are not getting another retainer.

1114
00:53:48,280 --> 00:53:51,319
Speaker 4: You'll dig through that trash. It shouldn't sound anything like that,

1115
00:53:51,360 --> 00:53:56,520
Speaker 4: but should we have retainer container. It's like the Geneva

1116
00:53:56,520 --> 00:54:05,880
Speaker 4: detention convention, the retainer can, Sewan adds, and this he

1117
00:54:05,920 --> 00:54:09,440
Speaker 4: pulls out the janitor dead. They all look to Angela

1118
00:54:09,440 --> 00:54:12,319
Speaker 4: and she realizes, oh me okay, and proceeds to let

1119
00:54:12,360 --> 00:54:15,359
Speaker 4: out a shrilling scream. Sean pushes the squeaky bin away

1120
00:54:15,400 --> 00:54:18,200
Speaker 4: and Eric realizes, wait a second, the killer's dead. We're

1121
00:54:18,239 --> 00:54:20,719
Speaker 4: off the hook up top. He looks for a high five,

1122
00:54:20,760 --> 00:54:23,879
Speaker 4: but everyone leaves him hanging. Jack admits, I don't get it.

1123
00:54:23,880 --> 00:54:26,440
Speaker 4: It had to be the janitor. Corey ads, there's nobody

1124
00:54:26,480 --> 00:54:29,359
Speaker 4: else in here, is there. They all turn around to check,

1125
00:54:29,360 --> 00:54:31,680
Speaker 4: but they see nothing. But once they've turned back around,

1126
00:54:31,760 --> 00:54:35,799
Speaker 4: the skeleton man runs by again, undetected. Depega asks Sean

1127
00:54:35,840 --> 00:54:38,320
Speaker 4: to explain this, he responds easy. The death of the

1128
00:54:38,360 --> 00:54:41,719
Speaker 4: Janitor signifies the end of the Last Obvious Suspects, just

1129
00:54:41,760 --> 00:54:44,520
Speaker 4: like in the cult classic The Last of the Obvious Suspects.

1130
00:54:45,200 --> 00:54:48,120
Speaker 4: Angela puts two and two together. That would mean Eric

1131
00:54:48,160 --> 00:54:51,680
Speaker 4: interrupts with a dundun du Cory looks around. The killer

1132
00:54:52,200 --> 00:54:55,520
Speaker 4: is one of us? Sean agrees, like in The.

1133
00:54:55,520 --> 00:55:01,239
Speaker 1: Killer one, Hito, Oh boy, it the movie is the

1134
00:55:01,239 --> 00:55:03,680
Speaker 1: line that we just said, that's four times.

1135
00:55:03,400 --> 00:55:06,680
Speaker 4: We do listen if it's funny one time, it's funny.

1136
00:55:06,400 --> 00:55:10,680
Speaker 1: Seventy, it's funny times. Because of the dune, Dunn finally

1137
00:55:10,719 --> 00:55:11,080
Speaker 1: helps it.

1138
00:55:11,160 --> 00:55:14,399
Speaker 4: Yeah you had a button. Yes, Eric hadds another Dune

1139
00:55:14,440 --> 00:55:16,840
Speaker 4: dundune and to Panga snaps at him and off. Already

1140
00:55:17,040 --> 00:55:21,200
Speaker 4: Sean looks at her with suspicion. Why do we upset you?

1141
00:55:22,400 --> 00:55:24,360
Speaker 1: And this is where we just could not keep it together.

1142
00:55:24,400 --> 00:55:28,160
Speaker 4: But this is so good, it's so funny and by

1143
00:55:28,200 --> 00:55:31,719
Speaker 4: the way I know we are we are. We have

1144
00:55:31,760 --> 00:55:34,440
Speaker 4: already talked about Ben being hysterical and the way he

1145
00:55:34,440 --> 00:55:38,920
Speaker 4: says enough to kill but writer you the way you deliver,

1146
00:55:39,920 --> 00:55:41,960
Speaker 4: why do we upset you?

1147
00:55:42,000 --> 00:55:42,880
Speaker 3: Do we upset you?

1148
00:55:44,080 --> 00:55:48,960
Speaker 4: So funny, so funny. It just the minute you started.

1149
00:55:49,000 --> 00:55:51,160
Speaker 4: I was like, I can feel myself, I can feel

1150
00:55:51,160 --> 00:55:51,759
Speaker 4: I can feel it.

1151
00:55:51,880 --> 00:55:53,160
Speaker 3: I couldn't feel it already.

1152
00:55:53,719 --> 00:55:59,239
Speaker 1: Yeah, but the murderer was what sent me over night

1153
00:55:59,640 --> 00:56:01,560
Speaker 1: because I I didn't remember that he actually did it

1154
00:56:01,600 --> 00:56:03,960
Speaker 1: in the episode. That's the kind of crap that Ben

1155
00:56:04,000 --> 00:56:06,960
Speaker 1: would do all the time. Yes, and I remembered it.

1156
00:56:07,400 --> 00:56:09,560
Speaker 1: Oh yeah.

1157
00:56:09,680 --> 00:56:15,200
Speaker 4: Cory narrows his eyes, upset you enough to kill? Eric

1158
00:56:15,239 --> 00:56:18,400
Speaker 4: adds a dramatic but it doesn't land well and he

1159
00:56:18,480 --> 00:56:21,440
Speaker 4: promises he's done. Corey announces we need to face it.

1160
00:56:21,480 --> 00:56:24,719
Speaker 4: Everybody one of us is a crazy, psychopathic said in

1161
00:56:24,760 --> 00:56:26,840
Speaker 4: a French accent, murdering.

1162
00:56:30,440 --> 00:56:33,440
Speaker 3: I'm starting to realize this is why this episode is

1163
00:56:33,440 --> 00:56:35,160
Speaker 3: so funny, not just to us, but why it's so

1164
00:56:35,239 --> 00:56:37,160
Speaker 3: natural when we look so good. It's because, for some

1165
00:56:37,239 --> 00:56:41,720
Speaker 3: reason this week, the stuff we used to do during

1166
00:56:42,040 --> 00:56:45,759
Speaker 3: only rehearsal for each other, we decided to do for

1167
00:56:45,800 --> 00:56:46,200
Speaker 3: the show.

1168
00:56:46,560 --> 00:56:47,080
Speaker 1: Yeah.

1169
00:56:47,120 --> 00:56:49,960
Speaker 3: So if it makes you wonder what the other episodes

1170
00:56:49,960 --> 00:56:52,600
Speaker 3: would have been like had we when we're screwing around

1171
00:56:52,640 --> 00:56:55,520
Speaker 3: during this rehearsal unhinged as we did, if we just

1172
00:56:55,600 --> 00:56:57,399
Speaker 3: did that, because we would do that all the time,

1173
00:56:57,400 --> 00:56:59,359
Speaker 3: trying to make each other laugh doing whatever. This entire

1174
00:56:59,400 --> 00:57:00,359
Speaker 3: episode was just.

1175
00:57:00,560 --> 00:57:02,719
Speaker 4: One moment of those after another, of the.

1176
00:57:02,640 --> 00:57:16,840
Speaker 5: Rehearsal, like it was great, oh so funny.

1177
00:57:17,720 --> 00:57:21,400
Speaker 4: The question is which one of us is it? Everyone

1178
00:57:21,480 --> 00:57:24,440
Speaker 4: stares at one another suspiciously, except Eric, who is the king?

1179
00:57:24,720 --> 00:57:26,840
Speaker 1: You guys, remember how many times we had to do this?

1180
00:57:26,840 --> 00:57:28,680
Speaker 3: This is the this is.

1181
00:57:32,000 --> 00:57:34,800
Speaker 1: He lost it in the library. This is just we

1182
00:57:34,840 --> 00:57:37,480
Speaker 1: couldn't I think if I remember, he was yelling in

1183
00:57:37,520 --> 00:57:39,600
Speaker 1: the library, Oh it was here, it was there where

1184
00:57:39,600 --> 00:57:41,560
Speaker 1: he wanted to get. Yes, he wanted to get the

1185
00:57:41,920 --> 00:57:42,560
Speaker 1: single shots.

1186
00:57:42,600 --> 00:57:45,000
Speaker 4: And we couldn't look at we couldn't do it. We

1187
00:57:45,040 --> 00:57:47,320
Speaker 4: would all we would all look at each other to

1188
00:57:47,360 --> 00:57:48,840
Speaker 4: know when okay, So the camera was right in front

1189
00:57:48,840 --> 00:57:50,600
Speaker 4: of us, and then we would look at each other

1190
00:57:50,720 --> 00:57:53,320
Speaker 4: as they were, as we were each making our faces

1191
00:57:53,360 --> 00:57:57,080
Speaker 4: to camera, and it would send us all into hysterics.

1192
00:57:57,120 --> 00:57:59,160
Speaker 4: So then it was like stop looking at it, just

1193
00:57:59,200 --> 00:58:02,040
Speaker 4: look straight ahead. But then we could feel it happening,

1194
00:58:02,080 --> 00:58:04,240
Speaker 4: and we could feel the camera coming to us, and

1195
00:58:04,280 --> 00:58:06,360
Speaker 4: then it was like we we literally had done it

1196
00:58:06,480 --> 00:58:09,680
Speaker 4: so many times and we couldn't stop laughing, and they

1197
00:58:09,760 --> 00:58:12,520
Speaker 4: couldn't get the shots that we needed, and.

1198
00:58:12,560 --> 00:58:14,160
Speaker 1: I don't think they ever got them because I think

1199
00:58:14,160 --> 00:58:17,840
Speaker 1: it didn't do it and started isolated to twos because

1200
00:58:17,880 --> 00:58:19,200
Speaker 1: they couldn't.

1201
00:58:21,680 --> 00:58:23,120
Speaker 3: Yes, we couldn't do it.

1202
00:58:23,160 --> 00:58:26,720
Speaker 4: And Jeff, I mean, I don't even remember exactly what

1203
00:58:26,800 --> 00:58:30,240
Speaker 4: he said, but I do remember I'm leaving. Let me

1204
00:58:30,360 --> 00:58:33,680
Speaker 4: know when you guys are ready to do your jobs.

1205
00:58:33,720 --> 00:58:36,400
Speaker 4: That's like the one thing I remember. And it was

1206
00:58:37,040 --> 00:58:41,880
Speaker 4: very loud, and he's an intimidatingly tall man. And then

1207
00:58:41,920 --> 00:58:44,640
Speaker 4: he took his big, long strides out of the set

1208
00:58:44,680 --> 00:58:46,280
Speaker 4: and the minute he was around the corner, I think

1209
00:58:46,320 --> 00:58:48,800
Speaker 4: I heard the door either like open or slam, one

1210
00:58:48,800 --> 00:58:54,600
Speaker 4: of the two, and then just went just because we couldn't.

1211
00:58:54,640 --> 00:58:56,440
Speaker 4: It was just and then and then he yelled and

1212
00:58:56,480 --> 00:58:58,400
Speaker 4: it was like, oh, we really made him mad. I'm

1213
00:58:58,400 --> 00:59:01,479
Speaker 4: never seeing Yeah, I think he's mad.

1214
00:59:01,680 --> 00:59:04,800
Speaker 3: I think he's mad. If it's also anybody who's experienced this,

1215
00:59:05,680 --> 00:59:07,720
Speaker 3: Once the giggles.

1216
00:59:07,120 --> 00:59:09,440
Speaker 4: Start and then they.

1217
00:59:09,400 --> 00:59:12,760
Speaker 3: Just they get bigger and bigger, and you can't stop them.

1218
00:59:12,760 --> 00:59:14,560
Speaker 3: It's like trying to stop a sneeze. Yeah, you just

1219
00:59:14,640 --> 00:59:16,680
Speaker 3: you can't do it. It's impossible.

1220
00:59:16,760 --> 00:59:18,880
Speaker 4: And well we had to separate. Remember that is finally

1221
00:59:18,880 --> 00:59:19,880
Speaker 4: what we had to do. We all had to go

1222
00:59:19,920 --> 00:59:22,080
Speaker 4: to different parts of the set. Yeah, we literally had

1223
00:59:22,120 --> 00:59:24,439
Speaker 4: to go and like take five away from each other.

1224
00:59:24,720 --> 00:59:26,720
Speaker 1: Oh god, it's so funny.

1225
00:59:27,080 --> 00:59:29,160
Speaker 3: Those are the moments I miss most. Those are the

1226
00:59:29,160 --> 00:59:30,680
Speaker 3: moments of doing the show, or.

1227
00:59:30,720 --> 00:59:33,080
Speaker 4: Jess like, maybe maybe the worst moment of his life

1228
00:59:33,120 --> 00:59:34,800
Speaker 4: directing us is the moments you missed the most.

1229
00:59:34,960 --> 00:59:38,480
Speaker 3: Yes, it's sure, just giggle, moments of just you can't

1230
00:59:38,520 --> 00:59:40,680
Speaker 3: stop it and oh god, there's so much fun.

1231
00:59:41,840 --> 00:59:43,080
Speaker 4: Well, what are you doing here?

1232
00:59:43,120 --> 00:59:46,800
Speaker 6: Are you like licking your thumb and are talking to

1233
00:59:46,840 --> 00:59:53,160
Speaker 6: my thumb? And weird to Panga breaks the tension.

1234
00:59:53,280 --> 00:59:54,960
Speaker 4: None of us is a killer. There has to be

1235
00:59:55,000 --> 00:59:56,720
Speaker 4: someone else in here, and there has to be another

1236
00:59:56,720 --> 01:00:00,000
Speaker 4: way out. Somebody has to find a way out. Eric volunteers, fine,

1237
01:00:00,040 --> 01:00:02,600
Speaker 4: and I'll do it. I'm the oldest. Jack corrects him,

1238
01:00:02,680 --> 01:00:05,800
Speaker 4: Actually I'm the oldest. Eric responds, yeah, but I've lived

1239
01:00:05,800 --> 01:00:09,800
Speaker 4: the longest. Jack size, Fine, you can go, Eric asks,

1240
01:00:09,800 --> 01:00:12,240
Speaker 4: what now. Corey explains that he needs to stay in

1241
01:00:12,240 --> 01:00:15,120
Speaker 4: the hall all by himself, and Eric's pumped. Then everyone

1242
01:00:15,160 --> 01:00:17,720
Speaker 4: walks back into the classroom and Eric slowly realizes the

1243
01:00:17,800 --> 01:00:21,320
Speaker 4: terrifying task at hand. He starts to sing to himself.

1244
01:00:21,040 --> 01:00:26,720
Speaker 1: This, of course not I know, but but I get it.

1245
01:00:26,840 --> 01:00:29,600
Speaker 1: Nothing makes sense. But like Sean has been driving all

1246
01:00:29,640 --> 01:00:31,960
Speaker 1: the decisions, and yet Sean has nothing to do with

1247
01:00:32,040 --> 01:00:35,439
Speaker 1: this decision like it should have been, you know, because

1248
01:00:35,640 --> 01:00:37,280
Speaker 1: I don't know. It was just I was like, oh,

1249
01:00:37,280 --> 01:00:39,720
Speaker 1: we just needed Will to be alone, so love come

1250
01:00:39,760 --> 01:00:41,920
Speaker 1: into the episode pretty much. Yeah, and it's like pretty much.

1251
01:00:42,240 --> 01:00:43,880
Speaker 1: I think we could have done a little bit more

1252
01:00:43,880 --> 01:00:46,240
Speaker 1: work with figuring that out, because that's all we needed

1253
01:00:46,280 --> 01:00:47,760
Speaker 1: is you to be alone in the hallway for her,

1254
01:00:48,120 --> 01:00:50,240
Speaker 1: for you to pounce on her and start kicking out

1255
01:00:50,240 --> 01:00:56,360
Speaker 1: with her, which is way intense.

1256
01:00:55,400 --> 01:00:58,760
Speaker 4: Even like how none of us thought. We know that

1257
01:00:58,800 --> 01:01:01,560
Speaker 4: they are a couple in real real life, but if

1258
01:01:01,600 --> 01:01:05,200
Speaker 4: you still make that. As far as the.

1259
01:01:05,160 --> 01:01:09,120
Speaker 3: Show, I don't remember it going that far. I was like,

1260
01:01:09,120 --> 01:01:12,360
Speaker 3: oh my god, nice to meet you. And then and

1261
01:01:12,400 --> 01:01:16,000
Speaker 3: also then just like kiss and all that kind of stuff.

1262
01:01:16,080 --> 01:01:19,000
Speaker 3: It was seriously like, wow, that's uncomfortable.

1263
01:01:19,040 --> 01:01:21,760
Speaker 1: Yeah, that's the only part of this episode. I'd be like, guys, really,

1264
01:01:21,760 --> 01:01:24,520
Speaker 1: don't do That's really not cool. And I don't know why

1265
01:01:24,600 --> 01:01:27,760
Speaker 1: we all thought it was cool, Like why because we

1266
01:01:27,920 --> 01:01:28,880
Speaker 1: knew we were.

1267
01:01:28,680 --> 01:01:31,240
Speaker 3: Dating and it was funny because it was like, oh

1268
01:01:31,240 --> 01:01:33,240
Speaker 3: my god. Then they just start making out in the holidays.

1269
01:01:33,320 --> 01:01:35,320
Speaker 1: Assume that our audience would know that you guys are

1270
01:01:35,400 --> 01:01:37,600
Speaker 1: dating now, you couldn't do that.

1271
01:01:37,680 --> 01:01:40,560
Speaker 3: It was super intense, and I've had people even say

1272
01:01:40,560 --> 01:01:42,880
Speaker 3: to me like, oh, I didn't when I was a kid,

1273
01:01:42,920 --> 01:01:44,680
Speaker 3: I didn't realize you guys were together. So it was

1274
01:01:44,800 --> 01:01:46,600
Speaker 3: just like, what the hell is going on?

1275
01:01:47,000 --> 01:01:49,680
Speaker 1: Eric, just like macing on some Oh my god, and I.

1276
01:01:49,680 --> 01:01:52,640
Speaker 3: Mean like it's full on making That is the most

1277
01:01:52,640 --> 01:01:55,520
Speaker 3: intense makeout we have on the seven years of the show.

1278
01:01:56,080 --> 01:01:58,080
Speaker 3: Is right there in the hallway, then kissing her neck

1279
01:01:58,120 --> 01:02:00,400
Speaker 3: while she's trying to talk and all this like we

1280
01:02:00,440 --> 01:02:03,240
Speaker 3: haven't even said our names yet. It's intense.

1281
01:02:03,480 --> 01:02:06,720
Speaker 4: It's intense, Yeah, for sure. He starts to sing to himself,

1282
01:02:06,800 --> 01:02:09,439
Speaker 4: Dun Dun dun and paces the hallway. Then he runs

1283
01:02:09,440 --> 01:02:11,920
Speaker 4: into a stranger. It's movie star Jennifer love you it.

1284
01:02:12,360 --> 01:02:15,600
Speaker 4: He starts screaming in her face, killer Keller, you're the killer.

1285
01:02:15,880 --> 01:02:17,200
Speaker 4: And I know you're gonna tell me you're not the

1286
01:02:17,280 --> 01:02:19,520
Speaker 4: killer because you're beautiful and you think I'm gonna believe you,

1287
01:02:19,560 --> 01:02:22,240
Speaker 4: but I'm not. This is like that movie killer killer.

1288
01:02:22,320 --> 01:02:26,040
Speaker 4: You're the killer and I know Josh, just keep doing

1289
01:02:26,040 --> 01:02:28,920
Speaker 4: it now you give it to someone else. No, my

1290
01:02:28,960 --> 01:02:31,439
Speaker 4: go She cuts him off. I'm not the killer. Eric

1291
01:02:31,520 --> 01:02:33,960
Speaker 4: is convinced I believe you, and he leans in for

1292
01:02:34,000 --> 01:02:37,400
Speaker 4: a passionate kiss. They start to make out, and as

1293
01:02:37,520 --> 01:02:40,280
Speaker 4: Eric kisses her neck, she explains, I'm a new student

1294
01:02:40,320 --> 01:02:42,040
Speaker 4: here and I was in study hall and I got

1295
01:02:42,080 --> 01:02:44,880
Speaker 4: locked in and I was frightened. Wow, you're very friendly,

1296
01:02:44,960 --> 01:02:48,080
Speaker 4: aren't you. Eric pulls away. I'm friendly enough to keep

1297
01:02:48,120 --> 01:02:51,120
Speaker 4: you safe from the bad, bad killer man. He introduces himself,

1298
01:02:51,120 --> 01:02:55,800
Speaker 4: and she returns the gesture. Her name is Jennifer Loveferman.

1299
01:02:56,920 --> 01:02:58,280
Speaker 3: Great, I call you Fefy.

1300
01:02:59,080 --> 01:03:02,080
Speaker 4: Eric memes, that's a beautiful name. Can I call you Feffi?

1301
01:03:02,520 --> 01:03:05,640
Speaker 4: She smiles. Everybody does. Then the two go back to

1302
01:03:05,680 --> 01:03:09,480
Speaker 4: making out. The others stand in the doorway watching Eric

1303
01:03:09,560 --> 01:03:12,360
Speaker 4: and Feffi. Jack admits she doesn't look like the killer,

1304
01:03:12,400 --> 01:03:14,840
Speaker 4: and Corey agrees, but he's not too sure about Eric.

1305
01:03:15,040 --> 01:03:17,960
Speaker 4: Sean reminds him, it's always the one you think can't

1306
01:03:18,040 --> 01:03:21,360
Speaker 4: be the killer. Corey to Panga and Angela walk out

1307
01:03:21,400 --> 01:03:23,360
Speaker 4: into the hallway and tell Feffe she can hang out

1308
01:03:23,360 --> 01:03:25,880
Speaker 4: with them. To Panga assures them if they all stay together,

1309
01:03:25,960 --> 01:03:28,800
Speaker 4: they'll be safe. Then the payphone rings and Feffi lets

1310
01:03:28,800 --> 01:03:32,160
Speaker 4: out an extremely high pitched scream. Angela is not pleased,

1311
01:03:32,200 --> 01:03:34,840
Speaker 4: and Trina's face that she gives her a ripe when

1312
01:03:34,920 --> 01:03:37,680
Speaker 4: she gives her that luck of like how dare you

1313
01:03:38,160 --> 01:03:41,200
Speaker 4: so good? And she lets out a scream of her own.

1314
01:03:41,520 --> 01:03:44,640
Speaker 4: She's the screamer around here. The phone rings and Jack

1315
01:03:44,680 --> 01:03:46,880
Speaker 4: answers The man on the other line, and his scream

1316
01:03:46,880 --> 01:03:51,000
Speaker 4: impersonation asks do you like scary movies? What's your favorite?

1317
01:03:51,480 --> 01:03:54,240
Speaker 4: Jack's aloof okay, Well, I like the one about I

1318
01:03:54,320 --> 01:03:56,240
Speaker 4: like the one with the hotty Hot hot from Party

1319
01:03:56,240 --> 01:04:01,480
Speaker 4: of five, Feffi asks Nev Campbell Eric's sideyes, duh. Corey

1320
01:04:01,520 --> 01:04:03,880
Speaker 4: feels saved. He realizes we can use the phone to

1321
01:04:03,880 --> 01:04:06,440
Speaker 4: help us. Eric agrees and snatches the phone out of

1322
01:04:06,480 --> 01:04:08,640
Speaker 4: Jack's hand. When we find out who the killer is,

1323
01:04:08,680 --> 01:04:11,280
Speaker 4: we can hit him with this, and then he detaches

1324
01:04:11,320 --> 01:04:12,240
Speaker 4: the phone from the wall.

1325
01:04:12,560 --> 01:04:19,960
Speaker 3: But even though it is a makeout session makes Eric strong.

1326
01:04:19,760 --> 01:04:26,440
Speaker 4: Everybody knows that everybody knows it's rum. The phone is

1327
01:04:26,480 --> 01:04:29,200
Speaker 4: still ringing, so Eric answers it. He tells the group

1328
01:04:29,280 --> 01:04:32,040
Speaker 4: it's the killer. He motions that the killer is rambling on, and.

1329
01:04:32,800 --> 01:04:35,280
Speaker 1: Now we can't hear the killer. My brain was like, wait,

1330
01:04:35,480 --> 01:04:38,200
Speaker 1: I thought we were gonna get this is also so writer.

1331
01:04:38,360 --> 01:04:39,800
Speaker 3: You and I were just talking about him, my friend

1332
01:04:39,840 --> 01:04:42,320
Speaker 3: George Wong, who wrote and directed a great film called

1333
01:04:42,320 --> 01:04:46,240
Speaker 3: Swimming with Sharks. There's a scene where Frank Whaley's character

1334
01:04:46,560 --> 01:04:49,880
Speaker 3: is listening to another producer rambling on and I'm just

1335
01:04:49,920 --> 01:04:53,880
Speaker 3: doing straight up Frank Whaley's Yeah. He's going like, oh,

1336
01:04:53,920 --> 01:04:55,920
Speaker 3: like all the all the responses that I do are

1337
01:04:55,920 --> 01:04:59,240
Speaker 3: all straight from Swimming with Sharks. So I called George afterwards, like, George,

1338
01:04:59,280 --> 01:05:01,560
Speaker 3: that was for you. Yeah, it's a straight steal of

1339
01:05:01,600 --> 01:05:03,440
Speaker 3: Frank Whyley and Swimming a Sharks.

1340
01:05:04,360 --> 01:05:08,320
Speaker 4: Corey asks what he said? Was he mad there?

1341
01:05:08,960 --> 01:05:11,560
Speaker 1: But it's not as like he was doing it bigger

1342
01:05:11,600 --> 01:05:14,960
Speaker 1: during rehearsal jur rehearsal, he would go was he mad?

1343
01:05:15,520 --> 01:05:19,160
Speaker 4: Was he mad? Eric calmly tells the group he said

1344
01:05:19,160 --> 01:05:21,120
Speaker 4: what all killers say. He wants to come here. He

1345
01:05:21,160 --> 01:05:23,280
Speaker 4: wants to kill us. He wants us to wait right.

1346
01:05:23,120 --> 01:05:24,919
Speaker 3: Here with this news.

1347
01:05:24,960 --> 01:05:27,280
Speaker 4: They all run away at top speed, but Eric returns

1348
01:05:27,320 --> 01:05:29,280
Speaker 4: the phone back to its rightful place and checks for

1349
01:05:29,400 --> 01:05:34,680
Speaker 4: change that I remember that yet, And then we're in

1350
01:05:34,720 --> 01:05:37,280
Speaker 4: the dark library. Sean opens the door and the rest

1351
01:05:37,320 --> 01:05:39,520
Speaker 4: of the group creep in behind him. We get another

1352
01:05:39,560 --> 01:05:42,560
Speaker 4: perspective shot of someone standing behind a bookcase, looking directly

1353
01:05:42,560 --> 01:05:45,560
Speaker 4: at Sean and breathing heavily. To Panga whispers to Angela,

1354
01:05:45,760 --> 01:05:48,280
Speaker 4: I don't trust this Jennifer love Fefferman anymore than I

1355
01:05:48,320 --> 01:05:51,240
Speaker 4: can throw her. Angela agrees we don't know anything about her.

1356
01:05:51,520 --> 01:05:53,880
Speaker 4: Eric is tiptoeing through the room and asks Jack when

1357
01:05:53,920 --> 01:06:03,640
Speaker 4: did this place get a library? Jack sarcastically responds, every

1358
01:06:03,720 --> 01:06:09,800
Speaker 4: day is a new adventure. Sean makes an announcement, as

1359
01:06:09,880 --> 01:06:12,200
Speaker 4: much as this goes against my horror movie instincts, I

1360
01:06:12,200 --> 01:06:14,560
Speaker 4: think we should split up. That way, the killer can't

1361
01:06:14,600 --> 01:06:17,440
Speaker 4: get to us all at once. Everyone separates into various

1362
01:06:17,440 --> 01:06:19,800
Speaker 4: parts of the library. Corey and Feffe are together, and

1363
01:06:19,800 --> 01:06:21,920
Speaker 4: he admits, I don't understand why anyone would do this

1364
01:06:21,960 --> 01:06:25,520
Speaker 4: to us. I mean, we're good kids. Topanga dramatically walks

1365
01:06:25,520 --> 01:06:27,360
Speaker 4: past the two of them with her eyes narrowed.

1366
01:06:27,680 --> 01:06:30,120
Speaker 3: Very it's a great walk.

1367
01:06:29,920 --> 01:06:33,040
Speaker 4: By FEFI tells Cory, we're all scared, but you know what,

1368
01:06:33,200 --> 01:06:35,200
Speaker 4: don't worry we're going to get out of this, and

1369
01:06:35,240 --> 01:06:37,880
Speaker 4: she gives him a little peck on the cheek, which

1370
01:06:38,880 --> 01:06:44,000
Speaker 4: no one ever in my life ever has pecked someone

1371
01:06:44,160 --> 01:06:47,040
Speaker 4: on the cheek to comfort a friend, like.

1372
01:06:47,520 --> 01:06:49,560
Speaker 3: After putting their hand. If you know this. She doesn't

1373
01:06:49,560 --> 01:06:51,840
Speaker 3: even put her hands on like I paused it. She

1374
01:06:51,880 --> 01:06:53,840
Speaker 3: doesn't put her hands on his arms. She puts her

1375
01:06:53,840 --> 01:06:57,320
Speaker 3: hands on his waist like that's so, and then kisses

1376
01:06:57,360 --> 01:06:59,320
Speaker 3: his chee. It's like, ooh, that was a whole weird.

1377
01:06:59,400 --> 01:07:02,440
Speaker 3: SU have been friends with many of people.

1378
01:07:02,640 --> 01:07:05,880
Speaker 4: I have given hugs to people the second I've met them.

1379
01:07:05,920 --> 01:07:08,360
Speaker 4: There's a lot of things that some people probably that

1380
01:07:08,360 --> 01:07:10,520
Speaker 4: I've done that some people probably don't do. But like,

1381
01:07:10,680 --> 01:07:13,440
Speaker 4: I have never once been like, oh, come here.

1382
01:07:15,760 --> 01:07:19,200
Speaker 3: Someone on the cheek. Does it to comfort them? It

1383
01:07:19,240 --> 01:07:19,760
Speaker 3: doesn't do.

1384
01:07:19,720 --> 01:07:26,160
Speaker 6: It never happened once in my entire forty three years.

1385
01:07:27,960 --> 01:07:30,240
Speaker 4: But I guess I'm the cheek. Then we've done it.

1386
01:07:30,240 --> 01:07:30,400
Speaker 2: Now.

1387
01:07:30,600 --> 01:07:36,000
Speaker 4: Sean Kissedapanga on the mouth. Yes, that's very strange. The

1388
01:07:36,040 --> 01:07:39,880
Speaker 4: boy means world universe does things where it's like, oh,

1389
01:07:39,920 --> 01:07:40,920
Speaker 4: that doesn't mean anything.

1390
01:07:40,920 --> 01:07:43,040
Speaker 3: It was totally benign, and yet you're like, but why

1391
01:07:43,280 --> 01:07:45,760
Speaker 3: was it done? At all, and were we doing.

1392
01:07:45,520 --> 01:07:46,000
Speaker 4: That at all?

1393
01:07:46,280 --> 01:07:49,920
Speaker 3: Yeah, I think we should make it a thing strangers

1394
01:07:50,200 --> 01:07:52,080
Speaker 3: after putting our hands on their waist.

1395
01:07:52,640 --> 01:07:54,320
Speaker 4: I'll let Susan know the next time we're on a

1396
01:07:54,320 --> 01:07:56,160
Speaker 4: plane together and the plane takes off and you're scared,

1397
01:07:56,200 --> 01:07:58,520
Speaker 4: I'm just gonna lean over and gole it's gonna be okay.

1398
01:07:58,560 --> 01:08:06,280
Speaker 3: Well to the lift. It's totally normal. Every morning, I'm

1399
01:08:06,320 --> 01:08:08,120
Speaker 3: just going to give you a good morning shoulder kiss,

1400
01:08:08,600 --> 01:08:10,160
Speaker 3: just fuck you.

1401
01:08:10,200 --> 01:08:12,760
Speaker 4: To know you and I haven't seen you since the

1402
01:08:12,840 --> 01:08:13,400
Speaker 4: night before.

1403
01:08:13,560 --> 01:08:18,320
Speaker 3: Exactly. That's the new normal people, Oh my gosh.

1404
01:08:18,360 --> 01:08:22,519
Speaker 4: Okay. Then she walks a couple of steps away and

1405
01:08:22,600 --> 01:08:25,200
Speaker 4: the books above her begin to shift. They fall onto

1406
01:08:25,200 --> 01:08:29,519
Speaker 4: her from the top shelf and she collapses. Man books, Yes, writer,

1407
01:08:30,040 --> 01:08:31,800
Speaker 4: Favorite Way to Go.

1408
01:08:33,560 --> 01:08:36,680
Speaker 1: I love it. There's like four of them to kill you.

1409
01:08:36,520 --> 01:08:40,920
Speaker 3: Of course, so exactly. Well, so I remember there's a

1410
01:08:40,960 --> 01:08:45,320
Speaker 3: story here where Michael told me later that he claims

1411
01:08:46,280 --> 01:08:49,880
Speaker 3: that the reason he brought love on was because I

1412
01:08:50,040 --> 01:08:53,760
Speaker 3: went to him. He and I were talking and I said, oh, yeah, no,

1413
01:08:53,880 --> 01:08:55,680
Speaker 3: we're going to be together forever, and He's like, I

1414
01:08:55,760 --> 01:08:57,120
Speaker 3: knew you weren't going to be so I wanted to

1415
01:08:57,160 --> 01:08:59,240
Speaker 3: bring her on and kill her right in front of you,

1416
01:08:59,280 --> 01:09:01,800
Speaker 3: so you'd see that this is what swear to God,

1417
01:09:01,800 --> 01:09:02,960
Speaker 3: what he told me, I'm going to bring around and

1418
01:09:03,000 --> 01:09:04,280
Speaker 3: kill he right in front of you, so you'd see

1419
01:09:04,280 --> 01:09:06,640
Speaker 3: that this was just kind of another relationship that you know.

1420
01:09:07,000 --> 01:09:08,640
Speaker 3: I knew as an adult that you weren't going to

1421
01:09:08,680 --> 01:09:10,519
Speaker 3: be together forever. So I brought her on and I

1422
01:09:10,600 --> 01:09:15,519
Speaker 3: killed her. I'll never forget that conversation, was like to say,

1423
01:09:16,640 --> 01:09:19,880
Speaker 3: weird yep, So it's like, I brought her on so

1424
01:09:19,920 --> 01:09:24,080
Speaker 3: I can kill her. I used our fictional show to

1425
01:09:24,120 --> 01:09:27,439
Speaker 3: teach you a lesson about your life. That is, yes,

1426
01:09:27,479 --> 01:09:30,320
Speaker 3: that you're in and it's the most Michael Jacobs story

1427
01:09:30,320 --> 01:09:33,920
Speaker 3: I've ever how about this though? How about also the

1428
01:09:34,160 --> 01:09:38,640
Speaker 3: contradiction of knowing we'd never be together, where Corey to

1429
01:09:38,720 --> 01:09:40,280
Speaker 3: Panger is supposed to be together for the rest of

1430
01:09:40,320 --> 01:09:43,240
Speaker 3: their lives, so strange. I will never forget that I

1431
01:09:43,280 --> 01:09:44,360
Speaker 3: brought around so I could kill her.

1432
01:09:45,160 --> 01:09:45,800
Speaker 4: When did he tell you?

1433
01:09:45,800 --> 01:09:45,920
Speaker 3: That?

1434
01:09:45,960 --> 01:09:46,559
Speaker 4: Was that during girl?

1435
01:09:47,800 --> 01:09:48,000
Speaker 3: No?

1436
01:09:48,000 --> 01:09:48,360
Speaker 1: No, no, no?

1437
01:09:48,400 --> 01:09:50,840
Speaker 3: This was this was shortly after she and I broke up.

1438
01:09:51,400 --> 01:09:53,640
Speaker 3: Oh yeah, this is he probably told me, because I

1439
01:09:53,640 --> 01:09:57,280
Speaker 3: think this was right towards the end of my relationship

1440
01:09:57,320 --> 01:09:59,960
Speaker 3: with love. I believe we weren't together too much longer

1441
01:10:00,160 --> 01:10:03,880
Speaker 3: after the scream episode, maybe another six months if that.

1442
01:10:04,680 --> 01:10:07,840
Speaker 3: And because he killed her in front of you, and that's.

1443
01:10:09,960 --> 01:10:10,400
Speaker 1: To get out of that.

1444
01:10:10,560 --> 01:10:12,559
Speaker 3: Believe that that's why he's That's why I brought her

1445
01:10:12,560 --> 01:10:15,400
Speaker 3: onto killer because I know and I'm like, okay, this is.

1446
01:10:15,360 --> 01:10:17,040
Speaker 1: The self serving logic.

1447
01:10:17,560 --> 01:10:21,439
Speaker 4: Yes, okay, wow, Well, the man in the skeleton mask

1448
01:10:21,560 --> 01:10:24,599
Speaker 4: is shown as the culprit he did it. She sprawled

1449
01:10:24,600 --> 01:10:27,040
Speaker 4: out on the floor with books surrounding her. Eric screams

1450
01:10:27,080 --> 01:10:30,519
Speaker 4: and horror. Fefe, I'll save you, He rushes to her side,

1451
01:10:30,520 --> 01:10:33,800
Speaker 4: but she weakly tells him, no, it's too late. But

1452
01:10:33,920 --> 01:10:36,960
Speaker 4: I think I know who the killer is. He protests, Oh,

1453
01:10:37,080 --> 01:10:39,519
Speaker 4: save your breath, Fefe. There will be plenty of time

1454
01:10:39,520 --> 01:10:42,720
Speaker 4: for that later. She reminds him that she's dying. Oh yes,

1455
01:10:42,760 --> 01:10:46,479
Speaker 4: then he'll take that information now, And just as Fefi

1456
01:10:46,560 --> 01:10:48,400
Speaker 4: is about to tell him who the killer is, another

1457
01:10:48,520 --> 01:10:51,160
Speaker 4: stack of books falls onto the two of them. It's

1458
01:10:51,360 --> 01:10:55,440
Speaker 4: instant death for both. Books are killers.

1459
01:10:55,800 --> 01:10:58,640
Speaker 3: We can kill you. And then Matt Lawrence is the

1460
01:10:58,960 --> 01:11:00,400
Speaker 3: ultimate Matt. Laura's here.

1461
01:11:00,439 --> 01:11:02,920
Speaker 1: It's the greatest straight up Matt Lawrence.

1462
01:11:03,640 --> 01:11:07,879
Speaker 4: Jack is extremely distraught. He's lost his friend and his roommate.

1463
01:11:08,160 --> 01:11:09,360
Speaker 3: But he didn't really know Feffe.

1464
01:11:09,720 --> 01:11:13,759
Speaker 4: That's it's like a call.

1465
01:11:13,680 --> 01:11:14,760
Speaker 1: Back to the tapangle line.

1466
01:11:15,080 --> 01:11:19,160
Speaker 3: It's not the same joke, but he's got that whole.

1467
01:11:20,120 --> 01:11:21,160
Speaker 4: I didn't really know her.

1468
01:11:21,240 --> 01:11:22,120
Speaker 3: I didn't really know her.

1469
01:11:22,520 --> 01:11:26,679
Speaker 1: None of this makes that he has no reference to Sean.

1470
01:11:27,280 --> 01:11:29,560
Speaker 1: He says he was my roommate. Half the wrench, and

1471
01:11:29,720 --> 01:11:30,960
Speaker 1: I went, who's.

1472
01:11:30,760 --> 01:11:32,240
Speaker 3: Paid should on?

1473
01:11:32,479 --> 01:11:35,679
Speaker 4: I did think until it comes back around and and

1474
01:11:36,040 --> 01:11:40,519
Speaker 4: Trina's Angela reminds him and brings it up. I did think, Oh,

1475
01:11:40,600 --> 01:11:44,759
Speaker 4: there's our answer. Jack is paying Sean to be able

1476
01:11:44,800 --> 01:11:48,160
Speaker 4: to live there, as like I don't know, to make up.

1477
01:11:48,080 --> 01:11:50,280
Speaker 1: For it that Eric would be paying a third, not fifty,

1478
01:11:50,600 --> 01:11:51,040
Speaker 1: which is what.

1479
01:11:51,040 --> 01:11:52,719
Speaker 4: He knows Jack.

1480
01:11:53,240 --> 01:11:54,040
Speaker 3: Jack would be paying to.

1481
01:11:55,920 --> 01:12:01,280
Speaker 4: H And I know unless he's not part two roommates,

1482
01:12:02,040 --> 01:12:04,160
Speaker 4: there's only two of us. There's a third person living here,

1483
01:12:04,160 --> 01:12:06,960
Speaker 4: but he isn't count I only have to pay.

1484
01:12:07,680 --> 01:12:11,920
Speaker 1: Also my brother. It's it's so bizarre, this whole.

1485
01:12:12,120 --> 01:12:13,679
Speaker 3: We were just killed by books.

1486
01:12:13,880 --> 01:12:15,600
Speaker 1: I understand.

1487
01:12:16,520 --> 01:12:18,880
Speaker 4: To be two thirds to the one third, and.

1488
01:12:21,200 --> 01:12:24,360
Speaker 3: It's just about the rent.

1489
01:12:25,000 --> 01:12:27,240
Speaker 4: Jack realizes that Eric paid for half the rent of

1490
01:12:27,240 --> 01:12:29,200
Speaker 4: their apartment. Now we won't be able to afford to

1491
01:12:29,240 --> 01:12:31,640
Speaker 4: live there anymore, he declares. If I can't afford to

1492
01:12:31,680 --> 01:12:33,559
Speaker 4: live there, then I don't want to live. And that

1493
01:12:33,640 --> 01:12:37,080
Speaker 4: is an unhealthy attachment to your place. It is fyn

1494
01:12:37,479 --> 01:12:40,920
Speaker 4: If you or someone you know that's your apartment that much,

1495
01:12:41,240 --> 01:12:42,519
Speaker 4: please get home, or if.

1496
01:12:42,439 --> 01:12:45,640
Speaker 1: Someone you know is killed by books, don't take it

1497
01:12:45,640 --> 01:12:45,920
Speaker 1: to heart.

1498
01:12:46,840 --> 01:12:49,240
Speaker 4: He runs to the library's window and makes his way

1499
01:12:49,240 --> 01:12:51,880
Speaker 4: out onto the ledge. Angela quickly follows and tells him

1500
01:12:51,880 --> 01:12:54,519
Speaker 4: to wait, Sean is still your roommate. Together, you can

1501
01:12:54,560 --> 01:12:57,960
Speaker 4: make the rent. Jack realizes she's right. He's relieved. They

1502
01:12:57,960 --> 01:12:59,840
Speaker 4: should head back inside now, but as they turn to

1503
01:12:59,840 --> 01:13:02,559
Speaker 4: go back in, the skeleton man gives them both a

1504
01:13:02,560 --> 01:13:04,240
Speaker 4: push and they fall off the ledge.

1505
01:13:04,840 --> 01:13:08,000
Speaker 3: She goes out on the ledge after him. Yes, not

1506
01:13:08,120 --> 01:13:10,759
Speaker 3: just through the window like, no, you're also would.

1507
01:13:10,560 --> 01:13:11,640
Speaker 4: Be two thirds.

1508
01:13:11,840 --> 01:13:13,120
Speaker 3: It'd be two thirds.

1509
01:13:13,200 --> 01:13:16,519
Speaker 4: It wouldn't be wouldn't be half. It would be right,

1510
01:13:16,720 --> 01:13:19,839
Speaker 4: It would very honestly, it would. He'd be paying two thirds.

1511
01:13:20,280 --> 01:13:22,840
Speaker 3: Right, but the pencil is supposed to be that big. Well,

1512
01:13:22,840 --> 01:13:24,000
Speaker 3: we'll remember he's this tall.

1513
01:13:24,160 --> 01:13:27,479
Speaker 4: So now, with nowhere to go, the skeleton is face

1514
01:13:27,520 --> 01:13:30,719
Speaker 4: to face with Corey, Sean, and Topanga. Sean tells his friends,

1515
01:13:30,840 --> 01:13:33,559
Speaker 4: I know I was wrong before, but I really really

1516
01:13:33,600 --> 01:13:36,479
Speaker 4: think this guy is the killer. Corey shouts at the

1517
01:13:36,479 --> 01:13:39,000
Speaker 4: anonymous figure, why are you doing this to us? He

1518
01:13:39,040 --> 01:13:44,160
Speaker 4: grabs Corey into Panga's hands and places them together. The

1519
01:13:44,280 --> 01:13:47,559
Speaker 4: killer just wanted them to be a couple again. Sean

1520
01:13:47,600 --> 01:13:50,759
Speaker 4: approaches the skeleton and unmasks him. We see the killer

1521
01:13:50,800 --> 01:13:54,360
Speaker 4: from behind, and it sure looks like it's Sean himself.

1522
01:13:54,960 --> 01:13:57,760
Speaker 4: Sean stares at his face in horror. We start to

1523
01:13:57,760 --> 01:14:01,280
Speaker 4: fade out and we find ourselves back in Poene's classroom.

1524
01:14:01,320 --> 01:14:04,320
Speaker 4: But before we get there, you think this is the

1525
01:14:04,360 --> 01:14:06,639
Speaker 4: scene where Jeff yelled at us because we couldn't keep

1526
01:14:06,640 --> 01:14:09,479
Speaker 4: it together, staring at our background actor that we had.

1527
01:14:09,439 --> 01:14:12,479
Speaker 1: Our actor who was who was not? We were laughing

1528
01:14:12,560 --> 01:14:17,000
Speaker 1: on his coverage, and Jeff was unfortunately.

1529
01:14:16,360 --> 01:14:20,280
Speaker 4: Yelling the background actor we wasn't taking it out on us,

1530
01:14:20,320 --> 01:14:21,240
Speaker 4: which he should have been.

1531
01:14:21,760 --> 01:14:23,960
Speaker 1: We felt so bad because this poor guy who had

1532
01:14:23,960 --> 01:14:25,760
Speaker 1: no lines and had been running around all week as

1533
01:14:25,760 --> 01:14:29,320
Speaker 1: the killer. Yeah, it sucked, that's what I remember.

1534
01:14:30,240 --> 01:14:34,320
Speaker 4: Well, yes, I remember that too, But and this of

1535
01:14:35,000 --> 01:14:38,120
Speaker 4: all the times where we've joked that we were being unprofessional.

1536
01:14:38,560 --> 01:14:44,559
Speaker 4: This was the worst because there was no way he

1537
01:14:45,080 --> 01:14:47,320
Speaker 4: the background actor whose name we do not remember, and

1538
01:14:47,520 --> 01:14:50,599
Speaker 4: we've asked now, also, if you are that background actor

1539
01:14:51,080 --> 01:14:54,240
Speaker 4: or you know that background actor, will you please reach

1540
01:14:54,240 --> 01:14:55,840
Speaker 4: out to us, because boy, we would love to talk to.

1541
01:14:55,800 --> 01:14:59,000
Speaker 6: You and apologize.

1542
01:14:59,000 --> 01:15:12,719
Speaker 2: Oh God, so Phoene's classroom.

1543
01:15:12,720 --> 01:15:14,640
Speaker 4: We're back in reality. Corey is trying to wake up

1544
01:15:14,680 --> 01:15:21,200
Speaker 4: Sean from a dream. Finally, I'm right. Finally Sean comes

1545
01:15:21,240 --> 01:15:24,439
Speaker 4: too and looks around. Everything's back to normal. Corey tells

1546
01:15:24,479 --> 01:15:26,519
Speaker 4: him that he fell asleep. He says, Phoenie looks like

1547
01:15:26,520 --> 01:15:28,479
Speaker 4: he's gonna kill him, and we see Phoenie at his

1548
01:15:28,520 --> 01:15:32,920
Speaker 4: desk utterly unamused, Sean corrects Corey, No, he's not the killer.

1549
01:15:33,400 --> 01:15:37,160
Speaker 4: I am. Corey's confused what. Sean tells mister Feenie to

1550
01:15:37,200 --> 01:15:39,320
Speaker 4: let everyone else go. It's not their fault they're here,

1551
01:15:39,400 --> 01:15:43,320
Speaker 4: it's Sean's. Phoene asks how he figured that. Well, Corey

1552
01:15:43,320 --> 01:15:47,240
Speaker 4: and Panga aren't together anymore. Phoenie nods, yes, I know,

1553
01:15:47,600 --> 01:15:52,400
Speaker 4: I too read team beat mister hunter. Sean goes on,

1554
01:15:52,520 --> 01:15:54,920
Speaker 4: I've been taking it really hard and I'm sorry, I

1555
01:15:54,920 --> 01:15:57,519
Speaker 4: disrupted the class and killed everybody, But I think I

1556
01:15:57,560 --> 01:15:59,479
Speaker 4: know why I did it, Phoene asks him.

1557
01:16:00,080 --> 01:16:00,240
Speaker 3: Tell.

1558
01:16:00,840 --> 01:16:03,439
Speaker 4: Sean turns to Corey into Panga. You guys have been

1559
01:16:03,439 --> 01:16:06,080
Speaker 4: together since before I even knew you.

1560
01:16:06,120 --> 01:16:13,120
Speaker 1: No, No, we all met together. Pen well, no, and

1561
01:16:13,240 --> 01:16:14,000
Speaker 1: the Lama.

1562
01:16:13,680 --> 01:16:19,040
Speaker 3: Pen doesn't he say this is the wife? So yeah, no,

1563
01:16:19,080 --> 01:16:21,760
Speaker 3: they're supposed to have been according to Lama Pen history, right,

1564
01:16:22,200 --> 01:16:24,439
Speaker 3: they're supposed to have been together when they met Sean.

1565
01:16:24,520 --> 01:16:28,160
Speaker 4: That's right, all right, okay, all right, And if you're not,

1566
01:16:28,320 --> 01:16:30,080
Speaker 4: then I guess I feel like there's nothing I can

1567
01:16:30,080 --> 01:16:32,599
Speaker 4: depend on, and it really makes me angry that there's

1568
01:16:32,640 --> 01:16:33,800
Speaker 4: nothing I can do to fix that.

1569
01:16:35,760 --> 01:16:36,200
Speaker 1: Parents.

1570
01:16:37,720 --> 01:16:41,280
Speaker 3: This has nothing relationship.

1571
01:16:42,320 --> 01:16:45,120
Speaker 4: Cory iss, sure, Sean, he's not responsible for this. To

1572
01:16:45,200 --> 01:16:48,360
Speaker 4: Panga chimes in, this isn't your fault. Phoene tells him,

1573
01:16:48,400 --> 01:16:51,479
Speaker 4: something bad happened, but for the very first time, you're

1574
01:16:51,479 --> 01:16:52,920
Speaker 4: not responsible.

1575
01:16:54,080 --> 01:16:59,360
Speaker 3: The very otherwise, as you didn't do this one thing.

1576
01:17:00,080 --> 01:17:02,519
Speaker 3: What yeah, what is happening?

1577
01:17:03,439 --> 01:17:07,599
Speaker 4: Because it's Panga's fault, it's a romp. Sean questions them,

1578
01:17:07,840 --> 01:17:11,120
Speaker 4: how come I feel so bad? Phoene explains, Well, because

1579
01:17:11,160 --> 01:17:14,519
Speaker 4: you're a troubled young man, I recognize that from the movie.

1580
01:17:19,520 --> 01:17:25,240
Speaker 4: Given everybody, Phoenie tells the detention crew that they all

1581
01:17:25,280 --> 01:17:28,320
Speaker 4: may go. It's obvious they've been punished enough. Everyone gets

1582
01:17:28,400 --> 01:17:30,759
Speaker 4: up to leave, and Phoenia follows after them. He turns

1583
01:17:30,760 --> 01:17:33,719
Speaker 4: off the light and closes the door. Then, once everyone

1584
01:17:33,800 --> 01:17:36,920
Speaker 4: is gone, we get the scary music and the skeleton

1585
01:17:36,960 --> 01:17:40,280
Speaker 4: appears from behind the computer monitor. He quickly sneaks out

1586
01:17:40,320 --> 01:17:43,479
Speaker 4: of the room into the hallway. What does that mean?

1587
01:17:44,320 --> 01:17:46,759
Speaker 1: We're still in the dream. We're still in the dream.

1588
01:17:46,800 --> 01:17:48,920
Speaker 1: And then it was not all a dream. It really

1589
01:17:49,000 --> 01:17:51,200
Speaker 1: is a killer? Is sean doppelganger?

1590
01:17:52,439 --> 01:17:54,880
Speaker 4: And then we're in the tag in Phoenie's classroom. Mister

1591
01:17:54,920 --> 01:17:57,080
Speaker 4: Phoenie is lecturing and Corey is back in his regular

1592
01:17:57,080 --> 01:17:58,160
Speaker 4: seat right behind Tapega.

1593
01:17:58,240 --> 01:17:59,519
Speaker 1: Did you guys remember this tag?

1594
01:18:00,040 --> 01:18:00,280
Speaker 3: Yeah?

1595
01:18:00,360 --> 01:18:02,439
Speaker 1: No, oh, I remember it once I started seeing but

1596
01:18:02,439 --> 01:18:04,280
Speaker 1: I didn't remember that it was part of this episode.

1597
01:18:04,439 --> 01:18:07,519
Speaker 1: It was oh really yeah, it's it's really funny. I

1598
01:18:07,560 --> 01:18:10,000
Speaker 1: just love it so funny, completely, like, let's just give

1599
01:18:10,439 --> 01:18:12,879
Speaker 1: his dream secret dream. It's so funny.

1600
01:18:13,000 --> 01:18:13,280
Speaker 4: I know.

1601
01:18:13,560 --> 01:18:15,280
Speaker 1: Did you guys tell that Bill had a cold?

1602
01:18:15,600 --> 01:18:19,000
Speaker 3: Yes? Yeah, yes, I'm like, oh, Bill has a cold? Right,

1603
01:18:19,040 --> 01:18:22,040
Speaker 3: now I said the same thing to Syeh, so funny.

1604
01:18:22,240 --> 01:18:24,360
Speaker 4: Mister Feoene is lecturing and Corey is back in his

1605
01:18:24,400 --> 01:18:27,519
Speaker 4: regular seat right behind Vega. Phoene asks the Great Society,

1606
01:18:27,560 --> 01:18:31,120
Speaker 4: mister Matthews. Corey proudly stands and answers Lyndon Johnson's agenda

1607
01:18:31,160 --> 01:18:34,080
Speaker 4: for his public policy. Sir mister Phoene, Sir, I love

1608
01:18:34,120 --> 01:18:37,000
Speaker 4: that in his dream we call him, Sir, mister Phoenie's.

1609
01:18:37,320 --> 01:18:40,879
Speaker 4: Sir Phoene shoots his next question. It's a panga Nebraska

1610
01:18:41,040 --> 01:18:44,000
Speaker 4: is Lawrence Tapanga swiftly stands, Gee, I don't know. You

1611
01:18:44,120 --> 01:18:47,720
Speaker 4: actually stumped me, Sir mister Feenie, Sir, He's ecstatic with

1612
01:18:47,800 --> 01:18:50,880
Speaker 4: this answer. He directs the same question to Sean Nebraska,

1613
01:18:50,880 --> 01:18:53,880
Speaker 4: mister Hunter. Sean stands and proudly answers the only state

1614
01:18:53,920 --> 01:18:56,840
Speaker 4: with the U nic cameral legislature, Sir, mister Feene. Sir

1615
01:18:57,200 --> 01:18:59,200
Speaker 4: Phoene gives some fist bumps for this, before directing his

1616
01:18:59,280 --> 01:19:03,080
Speaker 4: last question to Anne Pathagorean theorem is more. Angela stands

1617
01:19:03,080 --> 01:19:06,280
Speaker 4: and recites A squared plus B squared equals C squared,

1618
01:19:06,320 --> 01:19:09,240
Speaker 4: Sir mister Phoenie. Sir Phoene's grinning from ear to ear,

1619
01:19:10,160 --> 01:19:12,759
Speaker 4: Corey stands up and reveals, actually, I've written a thesis

1620
01:19:12,760 --> 01:19:15,200
Speaker 4: which disputes that theory. And when I accept my feelings

1621
01:19:15,200 --> 01:19:17,720
Speaker 4: met from Matthew, it's.

1622
01:19:17,479 --> 01:19:21,360
Speaker 3: Just like what in his dream sequence Phoene does. Teach everything. Man,

1623
01:19:21,439 --> 01:19:24,600
Speaker 3: I know history, government doesn't matter what it is.

1624
01:19:25,439 --> 01:19:27,320
Speaker 4: He says, I will be sure to thank you, sir,

1625
01:19:27,400 --> 01:19:30,519
Speaker 4: mister Phoenie. Sir. Then Corey rallies for the entire class

1626
01:19:30,520 --> 01:19:32,400
Speaker 4: to give it up for mister Feenie. They all give

1627
01:19:32,479 --> 01:19:34,920
Speaker 4: him a round of applause, and we fade out. This

1628
01:19:35,120 --> 01:19:38,519
Speaker 4: was also just a dream. In reality, the students are

1629
01:19:38,560 --> 01:19:41,280
Speaker 4: throwing crumpled up pieces of paper at one another, the

1630
01:19:41,320 --> 01:19:45,360
Speaker 4: classes in shambles, and Phoenie tries to corrus.

1631
01:19:44,520 --> 01:19:46,760
Speaker 1: Guys came out of the dream sequence. I could hear

1632
01:19:46,800 --> 01:19:50,160
Speaker 1: Ben doing his like like getting us over. He used

1633
01:19:50,200 --> 01:19:52,120
Speaker 1: to do the like let's be crazy. It's the kids

1634
01:19:52,200 --> 01:19:52,719
Speaker 1: want to jump.

1635
01:19:52,760 --> 01:19:53,559
Speaker 4: The kids want to jump.

1636
01:19:53,720 --> 01:19:56,479
Speaker 1: He's doing the kids want to jump, like tone to

1637
01:19:56,600 --> 01:19:59,400
Speaker 1: start us, like let's be crazy. It's I knew it.

1638
01:19:59,439 --> 01:20:03,040
Speaker 4: Oh my god. Sean Yell's back the seventy fifth State

1639
01:20:03,240 --> 01:20:07,160
Speaker 4: major export tortillas to Pangas sticks her arms up in

1640
01:20:07,160 --> 01:20:11,439
Speaker 4: the air and goes. The students continue to throw papers

1641
01:20:11,439 --> 01:20:14,120
Speaker 4: around the room and Poene clutches the metal scissors in

1642
01:20:14,160 --> 01:20:17,280
Speaker 4: his hand. Scary music plays as they zoom in on

1643
01:20:17,360 --> 01:20:20,280
Speaker 4: a very frustrated teacher who may bury bodies in his

1644
01:20:20,400 --> 01:20:28,679
Speaker 4: side slash backyard. And that is our episode. Really fun,

1645
01:20:28,760 --> 01:20:30,760
Speaker 4: talk about talk about it.

1646
01:20:30,880 --> 01:20:34,000
Speaker 1: We should have done this every season. I've seen this

1647
01:20:34,120 --> 01:20:37,040
Speaker 1: absurd yes, and it's you know what bums me out

1648
01:20:37,120 --> 01:20:39,240
Speaker 1: is that like we did actually have like the World

1649
01:20:39,280 --> 01:20:43,000
Speaker 1: War two episode. We had episodes that were but they

1650
01:20:43,000 --> 01:20:46,080
Speaker 1: never were quite this clever, right, or they never went

1651
01:20:46,160 --> 01:20:48,280
Speaker 1: this far. I didn't wish we could have allowed to

1652
01:20:48,320 --> 01:20:50,679
Speaker 1: go this far more often because it's so funny.

1653
01:20:50,800 --> 01:20:53,320
Speaker 4: It is so funny, so great. Well, thank you all

1654
01:20:53,360 --> 01:20:55,840
Speaker 4: for joining us for this episode of Podmets World. As always,

1655
01:20:55,880 --> 01:20:58,240
Speaker 4: you can follow us on Instagram pod Meets World Show.

1656
01:20:58,479 --> 01:21:00,679
Speaker 4: You can send us your emails Podmets World Show at

1657
01:21:00,680 --> 01:21:01,799
Speaker 4: gmail dot com.

1658
01:21:01,840 --> 01:21:04,519
Speaker 3: And we have Merch March.

1659
01:21:04,320 --> 01:21:07,040
Speaker 1: March Merch by Merch. I think you can go.

1660
01:21:07,439 --> 01:21:12,720
Speaker 4: Mitch reminds me of the movie Merch.

1661
01:21:13,720 --> 01:21:17,440
Speaker 3: It's just like we also have merch also Merch.

1662
01:21:19,920 --> 01:21:23,920
Speaker 4: Besome Merch. There's so many good ones, so many good

1663
01:21:23,960 --> 01:21:26,479
Speaker 4: ones of this episode. Our next episode recap will be

1664
01:21:26,560 --> 01:21:29,760
Speaker 4: season five, episode eighteen, If you Can't Be with the

1665
01:21:29,800 --> 01:21:33,320
Speaker 4: One You Love, which originally aired March sixth, nineteen ninety eight.

1666
01:21:33,920 --> 01:21:35,800
Speaker 4: Writer send us out, We.

1667
01:21:35,840 --> 01:21:40,679
Speaker 1: Love you all, pod dismissed. Podmeets World is an iHeart

1668
01:21:40,720 --> 01:21:44,320
Speaker 1: podcast producer hosted by Danielle Fischel, Wilfridell and Ryder Strong

1669
01:21:44,479 --> 01:21:47,920
Speaker 1: executive producers Jensen Karp and Amy Sugarman. Executive in charge

1670
01:21:47,920 --> 01:21:52,360
Speaker 1: of production, Danielle Romo, producer and editor, Tarasubach, producer, Maddie Moore,

1671
01:21:52,640 --> 01:21:55,599
Speaker 1: engineer and boy Mets World Superman Easton Allen. Our theme

1672
01:21:55,680 --> 01:21:58,640
Speaker 1: song is by Kyle Morton of Typhoon. Follow us on

1673
01:21:58,680 --> 01:22:02,240
Speaker 1: Instagram at Podmets World Show or email us at Hodbytworld

1674
01:22:02,280 --> 01:22:07,200
Speaker 1: Show at gmail dot com