1 00:00:00,680 --> 00:00:04,040 Speaker 1: I am all in again. 2 00:00:09,880 --> 00:00:20,560 Speaker 2: Let's hi Am all in again with Scott Patterson and 3 00:00:20,800 --> 00:00:22,360 Speaker 2: iHeartRadio podcast. 4 00:00:22,760 --> 00:00:26,160 Speaker 1: Hi everybody today, I'm joined by the incredible Biff Jaeger 5 00:00:26,960 --> 00:00:29,360 Speaker 1: known as Tom on Gilmore Girls to recap season two 6 00:00:29,400 --> 00:00:32,959 Speaker 1: episode one, Sadie Sadie. Tom first appears in season two 7 00:00:32,960 --> 00:00:36,519 Speaker 1: episode two, Hammers and Veils as a construction worker on 8 00:00:36,560 --> 00:00:39,800 Speaker 1: the site that Rory is building homes for extracurricular activities 9 00:00:39,800 --> 00:00:42,840 Speaker 1: is to get into Harvard. How you doing, Beff? Thanks 10 00:00:42,880 --> 00:00:43,479 Speaker 1: for joining us? 11 00:00:43,720 --> 00:00:45,440 Speaker 3: Going pretty good? How are you good? 12 00:00:45,479 --> 00:00:49,760 Speaker 1: Good? Good, Sadie. Sadie continues right where the season one 13 00:00:49,880 --> 00:00:54,720 Speaker 1: finale left off, and Laurel lies accepting Max Medina's marriage proposals. 14 00:00:55,080 --> 00:00:57,680 Speaker 1: Have you watched this episode before or is this your 15 00:00:57,720 --> 00:00:58,920 Speaker 1: first episode? Beff? 16 00:00:59,560 --> 00:01:01,880 Speaker 3: Yeah, I watched it before you, did you? 17 00:01:02,600 --> 00:01:02,760 Speaker 1: Yeah? 18 00:01:02,760 --> 00:01:03,240 Speaker 3: A little bit? 19 00:01:03,480 --> 00:01:09,240 Speaker 1: All right, a lot? So this aired October nine, two 20 00:01:09,240 --> 00:01:11,520 Speaker 1: thousand and one. Man, that's a long time ago. It's 21 00:01:11,520 --> 00:01:14,240 Speaker 1: hard to even say that. Rory helps Laurel. I way 22 00:01:14,520 --> 00:01:19,160 Speaker 1: Max's proposal with pros pro and contest, and they decorated 23 00:01:19,160 --> 00:01:21,800 Speaker 1: stars Hollow with all the leftover daisies that he said. 24 00:01:21,800 --> 00:01:24,440 Speaker 1: He said A thousand some people on my team say 25 00:01:24,440 --> 00:01:28,280 Speaker 1: it's way more than a thousand, but I'm not counting it. Meanwhile, 26 00:01:28,560 --> 00:01:31,480 Speaker 1: Laine is upset about being sent to Korea for the 27 00:01:31,520 --> 00:01:35,080 Speaker 1: summer in a very very large suitcase that's actually larger 28 00:01:35,120 --> 00:01:38,240 Speaker 1: than her. Directed by the one and only Amy Sherman 29 00:01:38,280 --> 00:01:42,480 Speaker 1: Palladino and written by her twin sister, Amy Sherman Palladino. 30 00:01:43,440 --> 00:01:45,440 Speaker 1: There has to be two of them. How can one 31 00:01:45,480 --> 00:01:50,880 Speaker 1: person do all of this? Laurel I's engagement? Here we go. 32 00:01:52,720 --> 00:01:55,120 Speaker 1: What'd you think of this romantic gesture? Biff was a 33 00:01:55,120 --> 00:01:57,000 Speaker 1: little over the top of a thousand daisies. 34 00:01:57,960 --> 00:02:00,840 Speaker 3: A thousand daisies. I don't think it could have been 35 00:02:02,120 --> 00:02:07,080 Speaker 3: maybe more. 36 00:02:08,960 --> 00:02:12,079 Speaker 1: It was quite a scene, wasn't it. It was quite a visual. 37 00:02:13,040 --> 00:02:16,560 Speaker 1: I must say it was a very very powerful visual. 38 00:02:16,600 --> 00:02:18,919 Speaker 1: Now she's got to come to a decision, and I 39 00:02:19,000 --> 00:02:22,200 Speaker 1: kind of get the feeling her reaction to all those 40 00:02:22,280 --> 00:02:26,959 Speaker 1: daisies was overwhelming. But I saw a glint of I 41 00:02:27,000 --> 00:02:32,120 Speaker 1: don't know that she wasn't so sure, you know of 42 00:02:32,200 --> 00:02:36,760 Speaker 1: anything right right exactly exactly, but in her body language, 43 00:02:36,760 --> 00:02:39,839 Speaker 1: I kind of got that, oh boy, you know this 44 00:02:39,880 --> 00:02:43,440 Speaker 1: is a little too much. Maybe so she's hesitant about 45 00:02:43,440 --> 00:02:47,120 Speaker 1: her own decision but also sharing that, but also about 46 00:02:47,200 --> 00:02:51,359 Speaker 1: sharing the news with with Luke. And then Luke asked 47 00:02:51,440 --> 00:02:54,760 Speaker 1: us a series of questions about her future that really 48 00:02:54,800 --> 00:02:57,880 Speaker 1: get Laura like thinking. And then interesting part about that 49 00:02:58,040 --> 00:03:00,640 Speaker 1: scene and the reason I think think he was so 50 00:03:00,760 --> 00:03:05,320 Speaker 1: cool about it, you know, absorbing that news was. I 51 00:03:05,360 --> 00:03:08,600 Speaker 1: think he just had that conversation, same conversation that broke 52 00:03:08,680 --> 00:03:12,919 Speaker 1: up his own relationship with Rachel. I think maybe they 53 00:03:13,000 --> 00:03:16,320 Speaker 1: got into a back and forth about you know, all 54 00:03:16,360 --> 00:03:18,960 Speaker 1: of the questions, you know, where are we going to live, 55 00:03:19,240 --> 00:03:20,800 Speaker 1: you know, what's it going to look like, what you know, 56 00:03:21,240 --> 00:03:23,400 Speaker 1: how's it going to affect your photography career, You're going 57 00:03:23,480 --> 00:03:26,120 Speaker 1: to travel? You know, all this stuff, and then they 58 00:03:26,120 --> 00:03:29,880 Speaker 1: maybe just realized that heck, he is ain't gonna work out. 59 00:03:29,880 --> 00:03:32,320 Speaker 1: So I think because of that experience, he was cool 60 00:03:32,400 --> 00:03:37,760 Speaker 1: under fire here. I just you know what I mean. 61 00:03:38,560 --> 00:03:44,000 Speaker 1: And and maybe it's the one time that we're seeing 62 00:03:44,120 --> 00:03:47,520 Speaker 1: Luke kind of fight for his territory, you know, like 63 00:03:47,520 --> 00:03:51,119 Speaker 1: like get Max off, like get him out of there, 64 00:03:51,840 --> 00:03:54,240 Speaker 1: you know somehow, And this is how he was doing it, 65 00:03:54,280 --> 00:03:56,960 Speaker 1: because he doesn't really seem like that type of guy. 66 00:03:57,040 --> 00:04:02,080 Speaker 3: But maybe well he's backing into it though, right, you 67 00:04:02,160 --> 00:04:05,720 Speaker 3: know that's smart right right? 68 00:04:06,200 --> 00:04:08,920 Speaker 1: You know, I mean what a what a what a 69 00:04:08,960 --> 00:04:09,800 Speaker 1: smart way to. 70 00:04:10,520 --> 00:04:12,400 Speaker 3: Doesn't want to show his feelings. He was going to 71 00:04:12,480 --> 00:04:13,440 Speaker 3: back into it. 72 00:04:13,280 --> 00:04:18,400 Speaker 1: To sabotage her relationship with Max. I was like, wow, 73 00:04:18,440 --> 00:04:23,760 Speaker 1: this guy man, that's pretty sharp. Anyway, Eventually, Lorelei, you know, 74 00:04:24,920 --> 00:04:31,080 Speaker 1: frantically seeds planted go look uh frantically calls Max about 75 00:04:31,200 --> 00:04:36,440 Speaker 1: what their next steps should be. But she still says yes, yes, 76 00:04:37,320 --> 00:04:41,719 Speaker 1: but she still says yes, And this is like, you know, 77 00:04:43,880 --> 00:04:47,640 Speaker 1: she says yes now, but Luke I don't know. He's waiting. 78 00:04:47,680 --> 00:04:50,600 Speaker 1: He's waiting for the blow up, all right. So later 79 00:04:50,720 --> 00:04:54,479 Speaker 1: Loralai shares news of her engagement with Suki, which makes 80 00:04:54,520 --> 00:04:56,560 Speaker 1: her very emotional. She's proud of the woman she has 81 00:04:56,640 --> 00:04:59,760 Speaker 1: become lorel like that is, and the life she's lived. 82 00:04:59,760 --> 00:05:04,440 Speaker 1: And then and Max calls Rory uh to ask about 83 00:05:04,440 --> 00:05:06,480 Speaker 1: the rings, which I thought was a pretty pretty fun 84 00:05:08,040 --> 00:05:10,479 Speaker 1: That was pretty funny. And this is why we love 85 00:05:11,880 --> 00:05:14,599 Speaker 1: laurl I because she's just so much fun to watch. 86 00:05:15,320 --> 00:05:17,919 Speaker 1: She takes the phone and she's playful, she's you know, 87 00:05:18,000 --> 00:05:22,240 Speaker 1: makes jokes about everything. However, she is she does have 88 00:05:22,279 --> 00:05:24,840 Speaker 1: some doubt. You know, she got that creeping down about 89 00:05:25,400 --> 00:05:26,680 Speaker 1: getting getting married. 90 00:05:27,000 --> 00:05:29,359 Speaker 3: Don't you think Luke pushed her into saying yes with 91 00:05:29,720 --> 00:05:30,280 Speaker 3: his reaction? 92 00:05:30,839 --> 00:05:33,719 Speaker 1: I do, okay, I think, you know, I think Luke 93 00:05:33,800 --> 00:05:37,000 Speaker 1: knows what he's doing here, like force a quick yes 94 00:05:37,440 --> 00:05:42,920 Speaker 1: and then get her to go like ah, yeah, you know, yeah. 95 00:05:43,240 --> 00:05:46,080 Speaker 1: I never saw him that way, but in this scene 96 00:05:46,120 --> 00:05:49,640 Speaker 1: I thought maybe there's a part of him that is 97 00:05:51,120 --> 00:05:52,920 Speaker 1: you know, I don't want to use the word manipulative, 98 00:05:52,960 --> 00:05:56,480 Speaker 1: but that's kind of what it is. But yeah, somewhat 99 00:05:56,800 --> 00:06:01,760 Speaker 1: all's fair in love war, right, I mean exactly. It's 100 00:06:01,800 --> 00:06:05,560 Speaker 1: like Max is a worthy adversary. He sees that he's 101 00:06:05,560 --> 00:06:08,160 Speaker 1: got up his game, and I think he did all right, 102 00:06:08,279 --> 00:06:11,000 Speaker 1: So you know, this is an interesting insight in here. 103 00:06:11,400 --> 00:06:15,960 Speaker 1: It's an impulsive reaction her. Yes. It's maybe the thing 104 00:06:16,000 --> 00:06:18,200 Speaker 1: that Luke was trying to get her to do is 105 00:06:18,240 --> 00:06:24,479 Speaker 1: to be impulsive rather than you know, a fully confident decision, 106 00:06:25,080 --> 00:06:28,360 Speaker 1: which would be you know, the death knell for Luke, right, 107 00:06:28,520 --> 00:06:32,760 Speaker 1: that would be the end of that so brilliant storyline. 108 00:06:33,279 --> 00:06:36,520 Speaker 1: And something I hadn't noticed the first time around, but 109 00:06:36,600 --> 00:06:41,360 Speaker 1: it really stuck out to me this time is Luke's intentionality. 110 00:06:42,279 --> 00:06:44,960 Speaker 1: All right, now we're now we're with Rory and Dean, 111 00:06:46,640 --> 00:06:52,080 Speaker 1: and these two are are back, you know. He comes 112 00:06:52,120 --> 00:06:57,240 Speaker 1: over and Laurelin Roy immediately start helping. He starts helping 113 00:06:57,320 --> 00:06:59,359 Speaker 1: him out with chores around the house, the water bottle, 114 00:06:59,440 --> 00:07:03,160 Speaker 1: the thing. Laura I says, I missed you. I'm glad 115 00:07:03,200 --> 00:07:09,520 Speaker 1: you're back, you know. And then the faithful invite from 116 00:07:09,600 --> 00:07:13,240 Speaker 1: Rory to Dean to come to Friday night dinner at 117 00:07:13,240 --> 00:07:19,000 Speaker 1: the Gilmours, and he says, he says, why right. He hesitates, 118 00:07:19,040 --> 00:07:20,880 Speaker 1: He's like, what do you I don't want to do that. 119 00:07:30,200 --> 00:07:33,240 Speaker 1: So let me ask you this, Tom. How does Dean's 120 00:07:33,320 --> 00:07:37,800 Speaker 1: return right and his immediate helpfelmust reflect his effort to 121 00:07:37,840 --> 00:07:40,160 Speaker 1: be a more present and supportive boyfriend. Do you think 122 00:07:40,160 --> 00:07:41,440 Speaker 1: he's trying too hard? 123 00:07:42,400 --> 00:07:45,800 Speaker 3: Oh? No, Actually I don't think he's trying enough. I don't. 124 00:07:45,920 --> 00:07:49,320 Speaker 3: I thought. I like the part where where they're in 125 00:07:49,360 --> 00:07:53,600 Speaker 3: the house and Laurelai brings up the beer that was 126 00:07:53,680 --> 00:07:56,480 Speaker 3: that was kind of fun, and he was starting to 127 00:07:56,480 --> 00:07:59,520 Speaker 3: go along with that, but then he got nervous again 128 00:07:59,600 --> 00:08:03,240 Speaker 3: and fro himself. I think, right, I don't think he's 129 00:08:03,280 --> 00:08:06,160 Speaker 3: trying too hard. I think he's I think he was. 130 00:08:08,400 --> 00:08:10,080 Speaker 3: I don't know. I think he was more in a moment, 131 00:08:11,000 --> 00:08:12,760 Speaker 3: you know, just trying to go along with it, but 132 00:08:12,840 --> 00:08:14,600 Speaker 3: not knowing really what the hell do you? 133 00:08:15,520 --> 00:08:19,880 Speaker 1: Right? But he's probably a little gunshy, right he got rejected. Yeah, 134 00:08:19,960 --> 00:08:22,200 Speaker 1: he really went over the top building her a car 135 00:08:22,280 --> 00:08:24,800 Speaker 1: and all that and didn't get the I love you 136 00:08:24,920 --> 00:08:28,640 Speaker 1: back and all that. But he yeah, yeah, now maybe 137 00:08:28,640 --> 00:08:30,520 Speaker 1: he's he's back in, but it maybe he's going to 138 00:08:30,600 --> 00:08:33,640 Speaker 1: be a little more circumspect, right. Yeah. So that's kind 139 00:08:33,640 --> 00:08:36,520 Speaker 1: of how it seems different from season one to season two, 140 00:08:37,520 --> 00:08:39,400 Speaker 1: and we'll see, we'll see how it develops. All right, 141 00:08:39,440 --> 00:08:47,079 Speaker 1: here's Emily's reaction And what a great scene Suki calling 142 00:08:47,760 --> 00:08:51,920 Speaker 1: Emily to plan a surprise engagement party for Laura l I, 143 00:08:52,480 --> 00:08:55,880 Speaker 1: which is the first Emily has heard of this proposal 144 00:08:56,480 --> 00:09:01,120 Speaker 1: and acceptance of the proposal. And I just thought, you know, 145 00:09:03,040 --> 00:09:05,760 Speaker 1: it was just played so well. Kelly just does such 146 00:09:05,760 --> 00:09:08,880 Speaker 1: a great job, and you can just see you feel 147 00:09:08,880 --> 00:09:12,520 Speaker 1: her pain and she really you know, she stopped and 148 00:09:12,600 --> 00:09:15,240 Speaker 1: it really gutted her, you know, and you could you 149 00:09:15,280 --> 00:09:20,360 Speaker 1: could feel that and see that. So why did Laura 150 00:09:20,440 --> 00:09:23,800 Speaker 1: I hesitate to tell Emily about the engagement. 151 00:09:24,240 --> 00:09:27,160 Speaker 3: Well, I not to be a spoils work when it 152 00:09:27,200 --> 00:09:30,000 Speaker 3: comes later when she tells her mother about in the 153 00:09:30,000 --> 00:09:33,640 Speaker 3: next episode, actually, when she tells her mother about being 154 00:09:33,720 --> 00:09:37,400 Speaker 3: disappointed in all the things her mother has done for 155 00:09:37,480 --> 00:09:40,640 Speaker 3: her and she was afraid to tell her that you 156 00:09:40,640 --> 00:09:44,280 Speaker 3: would be disappointed again in the way her mother reacted, right, 157 00:09:44,559 --> 00:09:47,320 Speaker 3: And I felt that was I felt that in that scene. 158 00:09:48,040 --> 00:09:50,200 Speaker 3: But it does drum lend the shows later. 159 00:09:50,240 --> 00:09:54,680 Speaker 1: I think I feel that's fair. I feel that's fair 160 00:09:54,760 --> 00:09:58,000 Speaker 1: given how Emily reacts to Laurel I and is constantly 161 00:09:58,040 --> 00:10:03,840 Speaker 1: trying to get her to behave or to stop talking 162 00:10:04,360 --> 00:10:06,600 Speaker 1: or or to stop making. 163 00:10:06,360 --> 00:10:12,240 Speaker 4: Jokes or which is useless, right, right, And do we 164 00:10:12,320 --> 00:10:18,600 Speaker 4: really feel that that. 165 00:10:15,559 --> 00:10:20,360 Speaker 1: That Emily is being left out of Laurlized life? I 166 00:10:20,360 --> 00:10:23,640 Speaker 1: mean that was intentional. Laurel I moved away, she cut 167 00:10:23,640 --> 00:10:27,880 Speaker 1: off contact, and yeah, she was left out of the 168 00:10:27,920 --> 00:10:31,680 Speaker 1: Laurelized life because of how they reacted to her pregnancy 169 00:10:31,760 --> 00:10:38,680 Speaker 1: and how they reacted to you know, you know that 170 00:10:38,800 --> 00:10:42,640 Speaker 1: in the sixth sixteen year old girl, I mean. 171 00:10:42,800 --> 00:10:46,840 Speaker 3: Man without their parents' support. Yeah, I mean she's gone. 172 00:10:47,520 --> 00:10:52,480 Speaker 1: Yeah, that's it. So Karmecy, you know what, right now, 173 00:10:52,640 --> 00:11:00,400 Speaker 1: we have another storyline, Richard's interest in Rory's future. I'mously 174 00:11:00,720 --> 00:11:04,960 Speaker 1: they are thrilled that Rory is in the top three 175 00:11:05,640 --> 00:11:08,400 Speaker 1: of her class. That's quite an accomplishment. It's such a 176 00:11:08,520 --> 00:11:14,080 Speaker 1: prestigious private school. Dean's over Richard asked past in questions 177 00:11:14,120 --> 00:11:16,200 Speaker 1: to see if Dean has his future line? And what 178 00:11:16,240 --> 00:11:18,520 Speaker 1: did you did that make you feel as uncomfortable as 179 00:11:18,559 --> 00:11:19,280 Speaker 1: it made me feel? 180 00:11:19,760 --> 00:11:24,079 Speaker 3: Yeah? Yeah, and I was supposed to a quizzing the grilling, 181 00:11:24,160 --> 00:11:27,079 Speaker 3: not quizzing grilling my boyfriend. Yeah. 182 00:11:27,720 --> 00:11:29,360 Speaker 1: Do you think Richard had a right to do that? 183 00:11:29,840 --> 00:11:32,360 Speaker 1: I mean, it's his house, it's his granddaughter depends. 184 00:11:32,440 --> 00:11:36,280 Speaker 3: I mean a lot of thoughts are so protective of daughters, 185 00:11:36,960 --> 00:11:40,080 Speaker 3: and he didn't have his daughter to protect because she left, 186 00:11:40,559 --> 00:11:46,640 Speaker 3: so he's taken on Rory's protected and I can kind 187 00:11:46,679 --> 00:11:51,880 Speaker 3: of see it. But it does make me uncomfortable for sure. 188 00:11:52,440 --> 00:11:55,720 Speaker 1: It was a tough scene to watch, It really was. 189 00:11:56,600 --> 00:11:58,160 Speaker 1: And that's great Dean's pain. 190 00:11:58,440 --> 00:11:59,880 Speaker 3: You feel Dean's pain, right. 191 00:12:01,000 --> 00:12:06,839 Speaker 1: It really is quite extraordinary. Lane's rebellion. Here's another storyline 192 00:12:08,679 --> 00:12:12,720 Speaker 1: Lane discovers. And I don't know how this fit into 193 00:12:12,720 --> 00:12:16,800 Speaker 1: the episode so much, but it was really funny. She 194 00:12:16,880 --> 00:12:18,960 Speaker 1: discovers her parents and ship bring her off to Korea 195 00:12:19,000 --> 00:12:22,920 Speaker 1: for the summer, and a massive suitcase. It's it's it's 196 00:12:22,920 --> 00:12:28,200 Speaker 1: a it's a five foot suitcase that could three people 197 00:12:28,320 --> 00:12:31,679 Speaker 1: could have fit in that thing. And we see as 198 00:12:31,679 --> 00:12:34,440 Speaker 1: we see the genial omer suitcase. Now, in terms of 199 00:12:34,440 --> 00:12:39,240 Speaker 1: future aspiration, how does this contrast with Rory's storyline. 200 00:12:39,120 --> 00:12:42,160 Speaker 3: Lanes Uh gee, I don't know. I think it's uh. 201 00:12:42,320 --> 00:12:47,040 Speaker 3: I didn't think of that well. Her aspirations of of course, 202 00:12:47,040 --> 00:12:48,800 Speaker 3: the stay in America. She didn't want to go back 203 00:12:48,840 --> 00:12:49,360 Speaker 3: to Korea. 204 00:12:49,880 --> 00:12:54,400 Speaker 1: Mm hmm. She's getting a little cultural in Richmond. 205 00:12:54,880 --> 00:12:59,440 Speaker 3: Yeah, that's true. My granddad Japan, you know. 206 00:12:59,559 --> 00:13:03,160 Speaker 1: So it's it could be getting in touch with her roots. 207 00:13:03,200 --> 00:13:05,920 Speaker 1: And I'm sure they have cousins over there and family 208 00:13:05,960 --> 00:13:06,720 Speaker 1: over there. No. 209 00:13:06,840 --> 00:13:10,239 Speaker 3: Yeah, but I feel she's more Americanized and doesn't really 210 00:13:10,280 --> 00:13:12,920 Speaker 3: care about getting in touch with her roots at this age. 211 00:13:13,600 --> 00:13:17,320 Speaker 3: Maybe older when she's older, but at this sage, I 212 00:13:17,360 --> 00:13:19,720 Speaker 3: like I said, my granddaughter just went to Japan with 213 00:13:19,760 --> 00:13:26,319 Speaker 3: her father and she loved it. And if if Lane 214 00:13:26,480 --> 00:13:29,840 Speaker 3: was not, if she's born in America and lived in 215 00:13:29,840 --> 00:13:32,840 Speaker 3: America all her life, and I could see something where 216 00:13:32,880 --> 00:13:36,200 Speaker 3: she would want to go maybe explore it. But I 217 00:13:36,240 --> 00:13:40,040 Speaker 3: think she came from Korea with her mother. I don't 218 00:13:40,040 --> 00:13:42,840 Speaker 3: think she I didn't feel she wanted to go back. 219 00:13:43,200 --> 00:13:46,640 Speaker 3: I mean, it's obvious she was reacting. She didn't want 220 00:13:46,640 --> 00:13:46,880 Speaker 3: to go. 221 00:13:46,880 --> 00:13:51,360 Speaker 1: Back, right, Well, she just met that henry Cho too. 222 00:13:51,720 --> 00:13:54,840 Speaker 3: Yes, of course I didn't think of that, of course. Yes, 223 00:13:54,920 --> 00:13:56,960 Speaker 3: that's one of the one of the one of the 224 00:13:57,000 --> 00:14:01,080 Speaker 3: ways that Chard sides with Rory's line, of course, is 225 00:14:01,120 --> 00:14:06,040 Speaker 3: because they both have boyfriends now and anything else disrupts 226 00:14:06,040 --> 00:14:08,520 Speaker 3: their their love life, so to speak. 227 00:14:09,880 --> 00:14:13,800 Speaker 1: Yeah, that's a big deal at that age. Overall. What 228 00:14:13,840 --> 00:14:14,760 Speaker 1: do you think of the episode? 229 00:14:15,120 --> 00:14:17,080 Speaker 3: It's cute, like all of them. I mean, I get 230 00:14:17,760 --> 00:14:19,880 Speaker 3: I haven't watched them all in a long time. I 231 00:14:19,920 --> 00:14:23,960 Speaker 3: didn't go through it last year, all the seasons, but 232 00:14:25,640 --> 00:14:27,440 Speaker 3: I don't know. I just think that the writing and 233 00:14:27,800 --> 00:14:33,800 Speaker 3: acting and characterizations are just fantastic. It's just just a 234 00:14:33,840 --> 00:14:37,280 Speaker 3: great show. My actually, my granddaughter going to Japan has 235 00:14:37,320 --> 00:14:41,240 Speaker 3: been started watching this series about two years ago, and 236 00:14:41,280 --> 00:14:42,960 Speaker 3: she's a love of them. My daughter was in love, 237 00:14:43,680 --> 00:14:46,560 Speaker 3: so you know, it's a great thing for mothers and 238 00:14:46,640 --> 00:14:49,480 Speaker 3: daughters to watch together, right series. 239 00:14:49,560 --> 00:14:52,720 Speaker 1: And I think we now the seeds of doubt have 240 00:14:52,800 --> 00:14:59,560 Speaker 1: been planted within Laurelai about her feeling truly joyful about 241 00:14:59,640 --> 00:15:05,520 Speaker 1: receiving this ring, you know, the giant rock, the gold bend, 242 00:15:05,800 --> 00:15:10,640 Speaker 1: the antique accents that it has perfect for her, right, 243 00:15:11,520 --> 00:15:12,760 Speaker 1: but really is it? 244 00:15:13,000 --> 00:15:13,600 Speaker 3: Maybe? 245 00:15:14,320 --> 00:15:16,760 Speaker 1: Is it? Is he the right guy? Is he the 246 00:15:16,840 --> 00:15:17,360 Speaker 1: right guy? 247 00:15:17,960 --> 00:15:18,400 Speaker 3: Yeah? 248 00:15:18,520 --> 00:15:21,320 Speaker 1: Well, I guess we're gonna find out. All right, here's 249 00:15:21,360 --> 00:15:23,680 Speaker 1: some questions. Tommy, Ready, how did you first get the 250 00:15:23,760 --> 00:15:26,360 Speaker 1: role of Tom offer audition? What? 251 00:15:26,640 --> 00:15:29,120 Speaker 3: Yeah? And actually I read for Taylor first. 252 00:15:29,480 --> 00:15:30,280 Speaker 1: Oh did you really? 253 00:15:30,600 --> 00:15:33,560 Speaker 3: Yes? I did, and I'm so glad that he got 254 00:15:33,560 --> 00:15:35,560 Speaker 3: it because nobody could do it as good as Ship. 255 00:15:37,840 --> 00:15:40,200 Speaker 3: And then they called me back for this, which is 256 00:15:40,240 --> 00:15:42,720 Speaker 3: supposed to be the one one off, you know, the episode, 257 00:15:43,160 --> 00:15:46,520 Speaker 3: but evidently went into they wanted to keep Tomic hindaacting 258 00:15:46,600 --> 00:15:47,760 Speaker 3: on which I was happy for. 259 00:15:49,600 --> 00:15:51,960 Speaker 1: How many how many episodes did you expect to. 260 00:15:51,920 --> 00:15:54,480 Speaker 3: Be in just that one? I thought it was just 261 00:15:54,560 --> 00:15:55,360 Speaker 3: that one. 262 00:15:55,160 --> 00:15:56,520 Speaker 1: And that turned into how many. 263 00:15:56,680 --> 00:15:59,840 Speaker 3: Like three and a half years, thirteen, fourteen, fifteen episodes? 264 00:16:00,200 --> 00:16:03,880 Speaker 1: Nice? What's your favorite tom moment or favorite line? 265 00:16:04,680 --> 00:16:07,600 Speaker 3: Oh, there's a bunch of them, but I don't know 266 00:16:07,680 --> 00:16:15,920 Speaker 3: the exact phrase, something like oh, I'll tell her she's 267 00:16:15,960 --> 00:16:20,440 Speaker 3: a two dollars hooker or something like that. But a 268 00:16:20,480 --> 00:16:22,440 Speaker 3: lot of fans come up to me and tell me 269 00:16:22,520 --> 00:16:24,400 Speaker 3: the lines, you know when I when I see them 270 00:16:24,400 --> 00:16:25,280 Speaker 3: on the street, though. 271 00:16:27,320 --> 00:16:31,720 Speaker 1: Recognize a lot to you do. Yeah, yeah, it seems 272 00:16:31,720 --> 00:16:33,720 Speaker 1: to be picking up. I mean, it's like the show 273 00:16:33,840 --> 00:16:35,800 Speaker 1: is getting more and more popular. 274 00:16:35,320 --> 00:16:41,880 Speaker 3: Every Netflix is fantastic for us, you know, Yeah, that's great, 275 00:16:42,120 --> 00:16:43,080 Speaker 3: more fans every. 276 00:16:42,960 --> 00:16:45,800 Speaker 1: Year every year. If what was it like working with 277 00:16:45,880 --> 00:16:49,320 Speaker 1: Laura and Scott Cohen? Uh and those construction scenes? 278 00:16:49,920 --> 00:16:53,080 Speaker 3: It was fantastic, especially working with Laura. I mean, I 279 00:16:53,200 --> 00:16:57,280 Speaker 3: love it. It fascinated me that that all you guys 280 00:16:57,760 --> 00:17:01,680 Speaker 3: could learn all those lines so fast and speaking so fast, 281 00:17:02,240 --> 00:17:05,719 Speaker 3: and I don't know, it's just something that uh, I 282 00:17:05,800 --> 00:17:08,000 Speaker 3: wasn't that used to when I first went into it. 283 00:17:08,160 --> 00:17:13,280 Speaker 3: You know, there's something really to work on for me. 284 00:17:13,320 --> 00:17:16,480 Speaker 3: The construction seems are great. I mean, I especially building 285 00:17:16,560 --> 00:17:19,440 Speaker 3: me in. I loved that, uh and the lions that 286 00:17:19,720 --> 00:17:23,159 Speaker 3: Amy gave me. You know, we gave everybody, but she 287 00:17:23,200 --> 00:17:26,040 Speaker 3: always seemed to give me a kind of a catch 288 00:17:26,080 --> 00:17:29,919 Speaker 3: a line, which that's what the fans seem to love too. 289 00:17:30,320 --> 00:17:33,200 Speaker 1: Any favorite moments from filming all of them. 290 00:17:33,520 --> 00:17:35,480 Speaker 3: What can I say? I mean every time I worked 291 00:17:35,480 --> 00:17:39,040 Speaker 3: on the on the set, I loved it. The crew 292 00:17:39,040 --> 00:17:43,320 Speaker 3: and the cast, especially working with Lawns fantastic and working 293 00:17:43,359 --> 00:17:45,360 Speaker 3: with you in a diner. I mean it was fun 294 00:17:45,480 --> 00:17:48,000 Speaker 3: back and forth, you know. Yeah, enjoyed it a lot. 295 00:17:48,359 --> 00:17:50,119 Speaker 1: Yeah, we get to say those lines and be in 296 00:17:50,119 --> 00:17:54,680 Speaker 1: those situations. It's I don't know fans understand how special 297 00:17:54,720 --> 00:17:56,719 Speaker 1: it was. I hope they. I hope they understand how 298 00:17:56,760 --> 00:17:59,879 Speaker 1: special it was for us. Yeah, to be placed in 299 00:18:00,080 --> 00:18:03,840 Speaker 1: those situations and be able to say those words, because 300 00:18:03,880 --> 00:18:08,199 Speaker 1: it's not always like that, you know, No, it's not. 301 00:18:08,480 --> 00:18:12,240 Speaker 1: I mean, and you really have to try to justify things, 302 00:18:12,320 --> 00:18:15,760 Speaker 1: and you you want to rewrite your lines. You go 303 00:18:15,840 --> 00:18:18,880 Speaker 1: to the director and say, hey, could I change this 304 00:18:19,080 --> 00:18:22,359 Speaker 1: or that? And then you sort of like then people 305 00:18:22,400 --> 00:18:24,960 Speaker 1: think you're a headache and the whole dale and it's like, 306 00:18:25,080 --> 00:18:26,919 Speaker 1: but you're just trying to make it better, you know. 307 00:18:28,840 --> 00:18:32,840 Speaker 1: But this this writing that was not necessary. 308 00:18:33,560 --> 00:18:38,360 Speaker 3: It was fantastic. I haven't kept up with her too much. 309 00:18:38,440 --> 00:18:39,440 Speaker 3: Is she doing another show? 310 00:18:39,480 --> 00:18:45,000 Speaker 1: And she's doing a show called Ittoi, which is about 311 00:18:46,080 --> 00:18:50,600 Speaker 1: ballet in New York and Paris? Yeah, because she you know, 312 00:18:50,640 --> 00:18:55,760 Speaker 1: she grew up dancing, so she'sik's got a part in it. Yeah, 313 00:18:55,840 --> 00:18:59,040 Speaker 1: me too. I'm ready to go. So you've worked on 314 00:18:59,119 --> 00:19:02,840 Speaker 1: a lot of iconic shows. How does Gilmore Girls stack 315 00:19:02,960 --> 00:19:06,960 Speaker 1: up and in your memory compared to all the other 316 00:19:07,560 --> 00:19:08,400 Speaker 1: shows that you've done. 317 00:19:08,440 --> 00:19:10,680 Speaker 3: Actually, you know, there's always there's only been a few 318 00:19:10,720 --> 00:19:15,720 Speaker 3: that I really enjoyed working with people I enjoyed working proves. 319 00:19:16,480 --> 00:19:19,479 Speaker 3: Amy is one on top of the list. Tim Burton 320 00:19:19,600 --> 00:19:24,680 Speaker 3: was another, Alex Cox was another, and a lot of 321 00:19:24,760 --> 00:19:26,560 Speaker 3: them I forgotten because a lot of my stuff was 322 00:19:26,600 --> 00:19:28,760 Speaker 3: one day parts or a week here or something like that, 323 00:19:28,800 --> 00:19:34,960 Speaker 3: and not continuous stuff. Even Gilmore Girls every eight ten 324 00:19:35,400 --> 00:19:38,679 Speaker 3: episode or something. But it just stuck in my mind 325 00:19:38,680 --> 00:19:42,160 Speaker 3: because it was so much fun to work with. Everybody 326 00:19:42,200 --> 00:19:46,000 Speaker 3: was something fun and the writing. That's the thing I 327 00:19:46,040 --> 00:19:49,359 Speaker 3: look for the most is the writing. It's something that's 328 00:19:49,400 --> 00:19:53,320 Speaker 3: interesting to do and fun to do, and it sticks 329 00:19:53,320 --> 00:19:56,680 Speaker 3: in my mind if it's not. I mean, I've done 330 00:19:56,720 --> 00:19:58,720 Speaker 3: over one hundred shows one day here and there, and 331 00:19:58,760 --> 00:20:04,399 Speaker 3: there and there, and I've forgotten most of them. 332 00:20:01,760 --> 00:20:09,359 Speaker 1: Yeah, Yeah, pretty special gig. Gilmore was you played Bob 333 00:20:09,600 --> 00:20:15,439 Speaker 1: and Bunheads another obviously, Amy Shrimp Paladino series. So what 334 00:20:15,520 --> 00:20:18,000 Speaker 1: was that set? Like? Same as Gilmore, same vibe. 335 00:20:17,840 --> 00:20:21,320 Speaker 3: Pretty much the same, I mean, and I think one 336 00:20:21,320 --> 00:20:25,880 Speaker 3: of the episodes I did there was with Paris Lisa 337 00:20:26,760 --> 00:20:31,920 Speaker 3: that was in I'm trying to remember now exactly what 338 00:20:31,960 --> 00:20:37,080 Speaker 3: we did. But again that was the dialogue Quick Quick, Quick, 339 00:20:37,680 --> 00:20:42,560 Speaker 3: which was fun to do. I don't know, I just 340 00:20:42,760 --> 00:20:45,800 Speaker 3: working for am just working for her with her words. 341 00:20:46,200 --> 00:20:58,119 Speaker 1: Mm hmmm, are you ready for rapid fire? Uh? Oh, 342 00:20:58,680 --> 00:21:01,920 Speaker 1: there's another task? Really well on that, but here's another one. 343 00:21:02,960 --> 00:21:04,080 Speaker 1: This is twice as hard. 344 00:21:04,160 --> 00:21:05,239 Speaker 3: Ready all right? 345 00:21:05,560 --> 00:21:06,240 Speaker 1: Coffee or tea? 346 00:21:07,160 --> 00:21:07,760 Speaker 3: Coffee? 347 00:21:08,119 --> 00:21:11,920 Speaker 1: How do you take your coffee black? With Honny Chiltern 348 00:21:12,040 --> 00:21:12,520 Speaker 1: or Yale? 349 00:21:13,040 --> 00:21:18,760 Speaker 3: Thomas Edison's right? What the hell? 350 00:21:19,440 --> 00:21:23,640 Speaker 1: Team Dean Jess or Logan Dean? Why Dean? 351 00:21:24,400 --> 00:21:26,080 Speaker 3: I think as I worked with him, I liked him. 352 00:21:27,200 --> 00:21:31,680 Speaker 1: He's a good kid. Richard or Emily. 353 00:21:33,680 --> 00:21:37,840 Speaker 3: Emily. I guess I'd have to say favorite season, Oh, 354 00:21:37,960 --> 00:21:39,840 Speaker 3: second season of course where I started. 355 00:21:40,160 --> 00:21:43,320 Speaker 1: Okay, there you go. One word to describe Gilmour Girls. 356 00:21:43,640 --> 00:21:49,960 Speaker 1: Fantastic favorite character, Urla, most iconic Gilmore Girls quote. 357 00:21:50,800 --> 00:21:56,960 Speaker 3: Oh god, mom, that's great. 358 00:21:57,119 --> 00:21:57,720 Speaker 1: Who said that? 359 00:21:57,800 --> 00:21:58,200 Speaker 3: Lie? 360 00:21:58,359 --> 00:22:05,439 Speaker 1: I guess, I guess Luke's Diner or Friday night dinner. 361 00:22:05,840 --> 00:22:10,679 Speaker 1: Oh looks Lukes Diner, Biff Jaeger, ladies and gentleman. So 362 00:22:10,760 --> 00:22:12,960 Speaker 1: what are you up to now? What? What are you? 363 00:22:13,000 --> 00:22:13,720 Speaker 1: What are you doing now? 364 00:22:14,160 --> 00:22:17,199 Speaker 3: Actually, I'm I I found out last year I got 365 00:22:17,200 --> 00:22:19,440 Speaker 3: a bad kidney, so I'm Monday Alice was three days 366 00:22:19,440 --> 00:22:22,040 Speaker 3: a week, and from that I figured I better withdraw 367 00:22:22,200 --> 00:22:24,480 Speaker 3: from the screen actors Jim, because nobody wants to hire 368 00:22:24,480 --> 00:22:26,240 Speaker 3: at work three days a week. 369 00:22:26,359 --> 00:22:27,960 Speaker 1: Oh jeez, I'm sorry about that. 370 00:22:28,040 --> 00:22:32,639 Speaker 3: Oh that's all right, It's just it just takes time, right, Okay. Besides, 371 00:22:32,680 --> 00:22:34,960 Speaker 3: I'm getting too old for this stuff. You leave it 372 00:22:35,000 --> 00:22:35,840 Speaker 3: to you young guys. 373 00:22:35,840 --> 00:22:42,640 Speaker 1: You're staying right, sure. Yeah, I'm sixty six. Yeah what yeah? 374 00:22:42,840 --> 00:22:46,120 Speaker 1: Are you kidding me? Oh you don't look eighty two. 375 00:22:46,359 --> 00:22:51,320 Speaker 1: Oh my god, No, you're not. You are not. You're 376 00:22:51,320 --> 00:22:51,920 Speaker 1: looking great. 377 00:22:52,000 --> 00:22:53,960 Speaker 3: But twenty years to go though. 378 00:22:54,280 --> 00:22:58,000 Speaker 1: There you go, the great talking to you feel better? 379 00:22:58,680 --> 00:23:00,760 Speaker 3: Oh I feel great. I feel It just takes the 380 00:23:00,800 --> 00:23:02,360 Speaker 3: time to go in there and sit in that chair 381 00:23:02,400 --> 00:23:02,879 Speaker 3: for four. 382 00:23:04,560 --> 00:23:07,399 Speaker 1: All right, good deal? If you anger everybody, Thank you 383 00:23:07,440 --> 00:23:10,120 Speaker 1: so much, thanks for all the downloads, best fans on 384 00:23:10,160 --> 00:23:12,600 Speaker 1: the planet, and we will see you next time for 385 00:23:12,640 --> 00:23:17,040 Speaker 1: another episode, and remember where you lead, we will follow, Yes, 386 00:23:17,400 --> 00:23:48,560 Speaker 1: stay safe, hey everybody, and hope forget. Follow us on 387 00:23:48,640 --> 00:23:53,040 Speaker 1: Instagram at i Am all In Podcast and email us 388 00:23:53,080 --> 00:24:04,760 Speaker 1: at Gilmour at iHeartRadio dot com