WEBVTT - Dune: Prophecy Episode 2 with Haitch and Jason from Escape Hatch

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<v Speaker 1>Warning, Today's episode contains spoilers for Dune Prophecy Episode two

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<v Speaker 1>two Wolves. Hi, folks, I'm a boo and welcome to

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<v Speaker 1>x ray Vision Extras and x Ray Vision Series, where

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<v Speaker 1>we dive deep into even more of your favorite shows, movies, comics,

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<v Speaker 1>and pop culture. Every superhero team needs side quests and

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<v Speaker 1>our rotating panel of producers and guest hosts. We'll be

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<v Speaker 1>suiting up to help Jason and Rosie cover all of

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<v Speaker 1>the amazing nerd content out there today. I'm joined by

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<v Speaker 1>my fellow Dune nerds h and Jason. Let's go from

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<v Speaker 1>the Escape Patch podcast. Guys, thank you so much for

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<v Speaker 1>joining me.

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<v Speaker 2>The Dune Nerd cohort.

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<v Speaker 3>That's right, our legion, we stretch across the galaxy. It's

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<v Speaker 3>our time, stronger than we've ever been down here, it's

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<v Speaker 3>our time.

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<v Speaker 2>Yeah, we've labored in darkness for twenty forty fifty years.

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<v Speaker 2>Now the light of Max has shown upon us.

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<v Speaker 1>That's right. Yeah, so I might say we've waited ten

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<v Speaker 1>thousand years. Yeah, and our plans have finally come to fruition.

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<v Speaker 2>Yeah.

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<v Speaker 1>We're living in a bit of a dunoisance, aren't we.

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<v Speaker 1>Like there's been no better time to be a Dune fan.

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<v Speaker 3>I'd say it's pretty crazy watching this show and I'm like,

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<v Speaker 3>is this too much Dune?

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<v Speaker 2>Am I like, as like a.

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<v Speaker 3>Big dune head who's talked about Dune and has a

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<v Speaker 3>Dune podcasts, I'm like.

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<v Speaker 2>This is a lot. There's a lot of Dune for people.

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<v Speaker 2>I hope the people want Dune because they're getting it

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<v Speaker 2>in spades right now. It's a bumper crop season.

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<v Speaker 4>And then the backdrop of this, you've got the full

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<v Speaker 4>on Dune Part two FYC campaign running. You know, Denise

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<v Speaker 4>sitting down with Nolan and Zendeas out there like those

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<v Speaker 4>people are just on one right now. It is happening. Yeah.

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<v Speaker 1>Yeah, there's a lot of Dune out there, and I

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<v Speaker 1>feel like the people do want Dune. You know, people

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<v Speaker 1>are eating it up and being introduced to this world.

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<v Speaker 1>There's a lot of Spice daddies out there who have

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<v Speaker 1>been Dune fans since the eighties nineties and then passed

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<v Speaker 1>it on to their children. But I think we're getting

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<v Speaker 1>a new cohort of Dune fans as well, thanks to

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<v Speaker 1>the Danny Ville Neve adaptations and all this new Dune

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<v Speaker 1>stuff forgetting I'll.

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<v Speaker 2>Be right back. I got to update my bio to

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<v Speaker 2>say spice Daddy.

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<v Speaker 4>I also think with this episode, I think this show

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<v Speaker 4>is starting to find its footing, yeah, and really starting

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<v Speaker 4>to kick into gears. So it'll be interesting to see

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<v Speaker 4>how that resonates with people out there.

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<v Speaker 1>Yeah, definitely. Well, before we jump into recapping this episode

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<v Speaker 1>and sharing all of our nerdy Dune thoughts about it,

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<v Speaker 1>I am curious for our X ray Vision listeners who

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<v Speaker 1>might not have heard your guys' work. Can you each

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<v Speaker 1>fill me in on what your history with Dune is,

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<v Speaker 1>When did you first come across it, and how's it

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<v Speaker 1>played a role in your life.

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<v Speaker 4>So I read Dune at thirteen and was absolutely obsessed

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<v Speaker 4>with how awesome it was and what it would be

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<v Speaker 4>like to have all these super cool powers and to

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<v Speaker 4>beat Paula Trady's the coolest hero ever out there. And

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<v Speaker 4>I made it most of the way through Children Dune

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<v Speaker 4>before falling off and giving up nerdom for a while

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<v Speaker 4>through high school. So it's just been something that was there,

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<v Speaker 4>and as I circle back around, it has been an

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<v Speaker 4>anchor point for me, so much so that Jason and

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<v Speaker 4>I started a Dune podcast in twenty twenty just in

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<v Speaker 4>anticipation of the new Dune movie coming out, So that's

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<v Speaker 4>how we got into it.

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<v Speaker 1>Nice. What about you, Jason, Yeah, somewhat similar.

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<v Speaker 3>And you know, it's funny because we asked this question

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<v Speaker 3>of people as well who come on our podcast, and

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<v Speaker 3>some of them have no history with Dune, and some

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<v Speaker 3>of them have a very long history. The ones that

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<v Speaker 3>do it does tend to center around the thirteen year old,

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<v Speaker 3>mostly boy but not exclusively audience certainly that found this

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<v Speaker 3>book and like it just was like a prescient drug.

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<v Speaker 3>You know, it was a hallucinatory drug for a certain

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<v Speaker 3>type of nerdy gen X boy who was like, yes,

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<v Speaker 3>like there's a universe of special people. I knew it,

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<v Speaker 3>and if I could only use my brain to like

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<v Speaker 3>hone my attention and harness my body, then I too

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<v Speaker 3>could be the universe's ultimate as super being. I think

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<v Speaker 3>it's a message that does speak particularly to teenagers, and

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<v Speaker 3>then I think the rewarding part of Doune is that

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<v Speaker 3>you get older and you read into it, you realize

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<v Speaker 3>how subversive a lot of that message is actually meant

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<v Speaker 3>to be, and there's actual layers and nuanced to that

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<v Speaker 3>kind of surface the uber Mench story, and that's what

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<v Speaker 3>led us to start a podcast about it, and it's

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<v Speaker 3>been super fun.

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<v Speaker 1>Yeah, the darker side of that power fantasy, right, mm hmmm,

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<v Speaker 1>it would actually maybe be a little awful being Spider

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<v Speaker 1>Man as cool as it would be to swing around. Yeah.

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<v Speaker 2>Yeah.

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<v Speaker 4>And the danger of other people getting caught up in it, right,

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<v Speaker 4>other people being obsessed with this hero as being the

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<v Speaker 4>real challenge.

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<v Speaker 3>And as time has gone on, the message of the

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<v Speaker 3>danger of a charismatic leader generally and the danger of

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<v Speaker 3>a charismatic leader who's also a super nerd has only

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<v Speaker 3>become more relevant to our current state of affairs. So

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<v Speaker 3>it's really funny that Denny finally succeeded in bringing this

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<v Speaker 3>work to the screen after so many kin of there's

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<v Speaker 3>adaptations that we are fond of, but there are haven't

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<v Speaker 3>even ones that really plumb the true depths of what this.

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<v Speaker 2>Work I think Frank Arbin intended.

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<v Speaker 3>And now we're in this place where people are able

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<v Speaker 3>to really see it for what it is, and it's

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<v Speaker 3>pretty great and right on time.

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<v Speaker 1>Yeah, totally. Okay, Well, let's get into Dune Prophecy what

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<v Speaker 1>we're all here to talk about, specifically Dune Prophecy episode two.

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<v Speaker 1>Jumping right into our recap, we begin this episode with

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<v Speaker 1>a credit sequence, yeah, something we didn't get in the

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<v Speaker 1>pilot episode. We get like a very classic HBO credit sequence.

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<v Speaker 1>Lots of sand, lots of dune imagery, lots of worm stuff,

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<v Speaker 1>the blade with the blood.

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<v Speaker 3>Blade with the blood pomegranate, that's right, very sexy pomegranate.

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<v Speaker 1>A lot of imagery here. And certainly I don't know

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<v Speaker 1>if you two watched Foundation on Apple TV Plus, but

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<v Speaker 1>I got shades of Foundation intro sequence, yeah from this

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<v Speaker 1>as well, for sure. And after this credit opening credit sequence,

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<v Speaker 1>we joined Tula back on Wallack nine as she and

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<v Speaker 1>a former Benny Jesuits sister named doctor Nazir, who is

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<v Speaker 1>now a Souk doctor. And we know that from the

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<v Speaker 1>female suk that's right, a female Suk doctor. Yeah, we

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<v Speaker 1>know that from the diamond on her forehead. They examined

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<v Speaker 1>Kasha's body and ultimately the examination is basically inconclusive. All

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<v Speaker 1>they've been able to tell so far is that there

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<v Speaker 1>was no use of a quote unquote accelerant in the

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<v Speaker 1>body to look could not detect anything there, and doctor

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<v Speaker 1>Nazir tells us that there was a quote acute imbalance

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<v Speaker 1>in her meridian network end quote.

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<v Speaker 3>I mean, like, who hasn't been through that honestly, Like

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<v Speaker 3>I have two I have two children, and my meridian

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<v Speaker 3>lines have not been balanced in approximately six to seven years.

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<v Speaker 2>Real.

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<v Speaker 3>Yeah, though that's unreal. She died of like improper Kundalini

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<v Speaker 3>yoga practice, Yeah, exactly, Like it's a it's a real

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<v Speaker 3>indictment of whatever Pilate studio she went to right before

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<v Speaker 3>taking a nap.

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<v Speaker 2>So yeah, bummer for her. She really just went up

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<v Speaker 2>like a Roman candle because of that reformer Mischache. Yeah,

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<v Speaker 2>I don't know, or Casha, Yeah all right, Pete.

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<v Speaker 1>But what I find interesting is I think the show

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<v Speaker 1>is still keeping it very open to interpretation, especially for

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<v Speaker 1>Dene nerds like us. What this was. Are we talking

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<v Speaker 1>in psychic magic power? Are we talking like tlaylac xue, nanobots,

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<v Speaker 1>technology attack?

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<v Speaker 2>Right?

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<v Speaker 1>Doctor Nazir and Toula's examination still leaves both possibilities open

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<v Speaker 1>In my mind totally.

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<v Speaker 3>I think that's one of the most exciting things being

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<v Speaker 3>a dunehead but not familiar with this story in any way,

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<v Speaker 3>is that like, up until literally these two hours of television,

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<v Speaker 3>there is not a thing from Dune Proper that you

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<v Speaker 3>could put on screen where I wouldn't be like, well,

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<v Speaker 3>you know.

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<v Speaker 2>That's doctor Yue.

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<v Speaker 3>He's gonna portray everyone Like yeah, I would know what

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<v Speaker 3>was being signified by even if they were dressing it

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<v Speaker 3>up in different terms, even if it was like Yodoroski's

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<v Speaker 3>doing a Mick Jagger was in it or whatever. It's like,

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<v Speaker 3>I know where the story's going because I know the

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<v Speaker 3>bones of it. This is like this meridian misalignment combustioned situation.

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<v Speaker 2>I don't know, I got nothing on that. I haven't

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<v Speaker 2>seen that before.

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<v Speaker 3>And so it is fun to finally be presented with

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<v Speaker 3>a real mystery. And I would say in Dune there's

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<v Speaker 3>not often a lot of real mystery because Herbert is

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<v Speaker 3>notorious for saying there's a secret plot at work in

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<v Speaker 3>chapter one, right, and then chapter two is the meeting

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<v Speaker 3>of the secret plotters, who tell you exactly what the

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<v Speaker 3>secret plot is, and so there's really not a mystery.

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<v Speaker 3>It's just a question of how the main character is

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<v Speaker 3>going to bump up against the mystery. And even the

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<v Speaker 3>main character is usually a super being who's omnipresent and omniprescient,

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<v Speaker 3>and you know when they finally encounter the plotters, like, yeah, man,

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<v Speaker 3>I know you've been doing this.

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<v Speaker 2>Shit since the beginning. Oh this is that, Like, this

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<v Speaker 2>is not a big surprise for me.

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<v Speaker 3>The universe is super being. What did you think you're

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<v Speaker 3>gonna pull here? But like on this one, like I'm

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<v Speaker 3>completely in the dark age. I don't know if you

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<v Speaker 3>knew what was going on with the combustion.

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<v Speaker 4>No, it's I think this is a fun part. And

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<v Speaker 4>but we specifically have not read any of Brian's books,

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<v Speaker 4>so we are coming into this fairly open. But to me,

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<v Speaker 4>the interesting part of this I had to look up

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<v Speaker 4>what is the Meridian Network, and it's a traditional Chinese

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<v Speaker 4>medicine concept. And this is again Herbert blending all these

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<v Speaker 4>different techniques and all these religions and all these different

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<v Speaker 4>ideas that are not just traditional Western infusing them together

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<v Speaker 4>in a very interesting way. Like, of course the Souk

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<v Speaker 4>would be trained on traditional Chinese medicine and chi and

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<v Speaker 4>that stuff.

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<v Speaker 1>So yeah, of course, y plus the connection to the

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<v Speaker 1>Mandarin that we saw in the Villna films from Doctor.

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<v Speaker 4>YUEI Yeah, yeah, absolutely very cool.

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<v Speaker 1>Well, returning to our recap, Tula gives Folly an update

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<v Speaker 1>on the Kasha situation and Volley declares, Yo, okay, I

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<v Speaker 1>gotta go to Seleucia secundis. Things are up in the air,

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<v Speaker 1>and I need to go fill the gap left by Kasha.

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<v Speaker 1>I gotta get this situation with house for Chesy and

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<v Speaker 1>the Emperor under control while I'm away, Valia, I need

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<v Speaker 1>you to have Lilah undergo the agony.

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<v Speaker 2>Right.

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<v Speaker 4>And so one interesting thing here she does not say like,

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<v Speaker 4>let me go make sure and protect Inez. She says,

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<v Speaker 4>we need to secure the princess to protect our plans. Like,

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<v Speaker 4>it is not about Inez who need to be protected.

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<v Speaker 4>It's just about what Valia wants. That's the only thing

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<v Speaker 4>that matters.

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<v Speaker 1>Yeah, which will come up again later in this episode,

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<v Speaker 1>because Sister Jen will tell Lila, Yeah, they only care

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<v Speaker 1>about the institution. They don't care about you as a

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<v Speaker 1>person in particular. Right, the plan comes first, the sisterhood

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<v Speaker 1>itself comes first for any one person.

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<v Speaker 4>Yeah, And I think you do get this great slice

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<v Speaker 4>of tula here. I love this performance that Olivia is giving,

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<v Speaker 4>and she to me through this, she comes across as

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<v Speaker 4>very genuine. I had moments where I was like questioning,

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<v Speaker 4>is she manipulating things as well? But she does come

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<v Speaker 4>across ultimately as quite genuine.

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<v Speaker 1>Yeah, and we'll touch on it. I do think she

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<v Speaker 1>is doing some manipulating throughout this episode, in particularly with

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<v Speaker 1>Lila in soft convincing her to go through with the agony.

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<v Speaker 1>But the returning to Lylah. The important thing here and

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<v Speaker 1>the big revelation we get in this episode pretty early on,

0:10:52.920 --> 0:10:56.679
<v Speaker 1>is that Lilah's great great grandmother is none other than

0:10:56.800 --> 0:11:01.240
<v Speaker 1>ra Kella from the first episode. And we need Lyla

0:11:01.360 --> 0:11:03.880
<v Speaker 1>to undergo this agony. Is that so that she can

0:11:03.920 --> 0:11:07.319
<v Speaker 1>tap into her other memories and dial in Raquela real

0:11:07.360 --> 0:11:10.959
<v Speaker 1>quick and double check their facts here about the prophecy.

0:11:11.000 --> 0:11:15.200
<v Speaker 3>Yes, she's gonna go check her ancestral voicemail, great great

0:11:15.200 --> 0:11:16.320
<v Speaker 3>grandma find out.

0:11:16.480 --> 0:11:18.959
<v Speaker 2>What exactly were you talking? What did you see? Because

0:11:19.120 --> 0:11:21.560
<v Speaker 2>things have gone sideways right here in the present time.

0:11:21.600 --> 0:11:23.480
<v Speaker 4>So I want to ask you a question here. So

0:11:23.559 --> 0:11:25.440
<v Speaker 4>to me, the big one of the big questions for

0:11:25.480 --> 0:11:28.400
<v Speaker 4>this series is you know what is this tyran rfl

0:11:28.559 --> 0:11:31.080
<v Speaker 4>this reckoning that they keep talking about. Yes, so we

0:11:31.120 --> 0:11:33.880
<v Speaker 4>have an open question of like, A, is it Desmond

0:11:33.960 --> 0:11:37.679
<v Speaker 4>Heart and what is happening right here? B is it

0:11:37.800 --> 0:11:42.680
<v Speaker 4>Paula Trades becoming the emperor and unleashing a jihad that

0:11:42.840 --> 0:11:47.400
<v Speaker 4>will span across the galaxy cee. Is it the events

0:11:47.440 --> 0:11:50.960
<v Speaker 4>in God Emperor of Doune and the Tyrant and all

0:11:50.960 --> 0:11:52.280
<v Speaker 4>of that. I assume we're going to try and be

0:11:52.280 --> 0:11:55.400
<v Speaker 4>spoiler free for that that later stuff or even d

0:11:55.640 --> 0:11:57.719
<v Speaker 4>or E or whatever. Is it like the what you McCall.

0:11:57.720 --> 0:11:59.520
<v Speaker 2>A prince who was promised that we won't get to

0:11:59.600 --> 0:12:01.800
<v Speaker 2>because time compression in the eighth season.

0:12:03.080 --> 0:12:07.000
<v Speaker 1>Exactly exactly right, something something three ad Raven Yeah, yeah,

0:12:07.040 --> 0:12:09.640
<v Speaker 1>you know. I think I think like the interesting part

0:12:09.920 --> 0:12:13.800
<v Speaker 1>and similar to leaving Desmond's powers still up in the

0:12:13.800 --> 0:12:17.520
<v Speaker 1>air and vague, I think we're intentionally leaving a tieran

0:12:17.679 --> 0:12:21.040
<v Speaker 1>RFL super vague, and it could be any of those

0:12:21.040 --> 0:12:23.520
<v Speaker 1>things that you listed. It could also be more Brian

0:12:23.600 --> 0:12:27.040
<v Speaker 1>Herbert type stuff like Omnius the Overmind, who's like the

0:12:27.040 --> 0:12:31.440
<v Speaker 1>big robot brain overmind, evil guy. I still don't think

0:12:31.480 --> 0:12:35.400
<v Speaker 1>we know. I think Valia is assuming it is Desmond,

0:12:35.400 --> 0:12:37.440
<v Speaker 1>and so by the end of this episode we see

0:12:37.440 --> 0:12:39.240
<v Speaker 1>her like really try to go hard in the paint

0:12:39.320 --> 0:12:43.480
<v Speaker 1>against Desmond and fail spectacularly. But I think that's a

0:12:43.600 --> 0:12:47.000
<v Speaker 1>very poignant question and something the show wants us to

0:12:47.000 --> 0:12:49.240
<v Speaker 1>be asking in all of these episodes, and hopefully over

0:12:49.240 --> 0:12:53.119
<v Speaker 1>the next couple episodes we will start getting more answers

0:12:53.200 --> 0:12:54.480
<v Speaker 1>towards what that danger might be.

0:12:54.840 --> 0:12:58.200
<v Speaker 4>It might just be the Benejees where it's like border security.

0:12:59.400 --> 0:13:03.640
<v Speaker 2>Threat. There's a threat we have to protect the Sisterhood homeland.

0:13:03.800 --> 0:13:06.640
<v Speaker 3>That's right, Yeah, like the I think that the interesting

0:13:06.679 --> 0:13:09.160
<v Speaker 3>thing because of the Brian Herbert influence on it. You

0:13:09.200 --> 0:13:13.200
<v Speaker 3>mentioned sort of his interest with like artificial superintelligence, and

0:13:13.280 --> 0:13:15.800
<v Speaker 3>the beginning of the first episode is the first depiction

0:13:15.880 --> 0:13:18.640
<v Speaker 3>we've ever had of the Baan Jahad, and the cover

0:13:18.760 --> 0:13:21.720
<v Speaker 3>story for the Rashek kid dying is that it was

0:13:21.760 --> 0:13:25.680
<v Speaker 3>his forbidden mechanistic toy that did it. I think there

0:13:25.760 --> 0:13:32.520
<v Speaker 3>is an overriding interest in the artificial intelligence part of

0:13:32.640 --> 0:13:37.720
<v Speaker 3>the Herbert universe, which is relatively unexplored in Frank Herbert's Hexology.

0:13:37.880 --> 0:13:41.320
<v Speaker 3>It's backdrop, but like it's ever encountered. Brian brings it

0:13:41.360 --> 0:13:44.080
<v Speaker 3>forward in the conclusion and then writes a lot more

0:13:44.120 --> 0:13:47.439
<v Speaker 3>about it subsequently, and so I wouldn't be surprised that

0:13:47.520 --> 0:13:51.880
<v Speaker 3>the threat of a artificial superintelligence is the lurking Big Bad,

0:13:52.240 --> 0:13:55.760
<v Speaker 3>either in the person of Heart or in some other

0:13:55.880 --> 0:13:58.920
<v Speaker 3>quadrant of the story that's yet to be explored.

0:13:59.160 --> 0:14:02.240
<v Speaker 1>Yeah, and for but it's worth I interviewed Alison Chapter,

0:14:02.400 --> 0:14:06.520
<v Speaker 1>the showrunner for Outside of x Ray, my own Dune

0:14:06.520 --> 0:14:09.920
<v Speaker 1>podcast Outside of x Ray, and she did very much

0:14:09.920 --> 0:14:13.720
<v Speaker 1>confirm that artificial intelligence, the dangers of technology, the human

0:14:13.800 --> 0:14:17.160
<v Speaker 1>technology relationship is a central theme that they will be

0:14:17.200 --> 0:14:19.640
<v Speaker 1>exploring in this show. It was something that they were

0:14:19.760 --> 0:14:20.800
<v Speaker 1>very much keeping in mind.

0:14:20.880 --> 0:14:23.920
<v Speaker 3>Yeah, it would be surprising given current events and that

0:14:24.000 --> 0:14:25.640
<v Speaker 3>if it was just like, actually, we have nothing to

0:14:25.640 --> 0:14:28.040
<v Speaker 3>say about AI, artificial general intelligence.

0:14:28.120 --> 0:14:31.560
<v Speaker 1>Yeah, exactly. All right, let's return to Seleuci Secundus and

0:14:31.680 --> 0:14:35.400
<v Speaker 1>this episode, things in the Imperial Court not going well.

0:14:35.800 --> 0:14:40.840
<v Speaker 1>Duke rich Hazy is absolutely livid, obviously heartbroken, seemingly over

0:14:40.880 --> 0:14:44.000
<v Speaker 1>the death of his son Pruitt. As you stated, Jason,

0:14:44.160 --> 0:14:48.600
<v Speaker 1>the death has been blamed on the little Decepticon robot toy,

0:14:49.640 --> 0:14:52.320
<v Speaker 1>and the Duke doesn't really buy this. We know from

0:14:52.360 --> 0:14:57.000
<v Speaker 1>the larger lore of the story, in particular Brian Herbert's

0:14:57.000 --> 0:15:00.840
<v Speaker 1>books where rich Hazy plays a bigger role, are playing

0:15:00.840 --> 0:15:03.400
<v Speaker 1>around with a lot of tech. I suspect the Duke

0:15:03.520 --> 0:15:05.960
<v Speaker 1>knows this toy would not have been able to harm

0:15:06.280 --> 0:15:09.320
<v Speaker 1>right someone like this and so he's really not buying

0:15:09.360 --> 0:15:12.240
<v Speaker 1>what the Emperor and Empress are trying to sell him.

0:15:12.520 --> 0:15:14.800
<v Speaker 4>You know, you know who is not busted up is

0:15:14.960 --> 0:15:18.840
<v Speaker 4>our man Constantine, who is just he is sending f

0:15:18.960 --> 0:15:20.640
<v Speaker 4>me eyes to Pruitt sisters.

0:15:20.800 --> 0:15:23.000
<v Speaker 2>Yea, so hard throughout the entire.

0:15:24.680 --> 0:15:26.160
<v Speaker 1>Is not the time and place.

0:15:26.280 --> 0:15:27.400
<v Speaker 2>Yes, like, your.

0:15:27.360 --> 0:15:30.240
<v Speaker 3>Little brother just got cooked like a microwave hot dog,

0:15:30.400 --> 0:15:33.640
<v Speaker 3>and maybe you want to go back to my very

0:15:33.800 --> 0:15:38.160
<v Speaker 3>ornate treehouse slumber pad after this wraps up, after we

0:15:38.200 --> 0:15:39.040
<v Speaker 3>have the coffee cake.

0:15:39.880 --> 0:15:42.160
<v Speaker 2>Pretty strong moves from Constantine.

0:15:42.240 --> 0:15:44.880
<v Speaker 1>Yeah, and to be fair, Prud's sisters also given him

0:15:45.080 --> 0:15:45.360
<v Speaker 1>his back.

0:15:45.440 --> 0:15:46.680
<v Speaker 2>Oh for sure doesn't care about this.

0:15:46.800 --> 0:15:48.800
<v Speaker 1>Neither of them are really here for this funeral.

0:15:49.160 --> 0:15:51.000
<v Speaker 3>There's a line of dialogue She's like, I didn't know

0:15:51.040 --> 0:15:55.120
<v Speaker 3>that kid. Whatever, It's fine, I'm here to hook up totally.

0:15:55.160 --> 0:15:57.880
<v Speaker 4>But it's interesting the Emperor doesn't show for that, and

0:15:57.920 --> 0:16:00.440
<v Speaker 4>that the Empress is the one who is Perry. Yeah,

0:16:00.520 --> 0:16:04.160
<v Speaker 4>we're chazy. But then jumping straight to there to Desmond

0:16:04.280 --> 0:16:06.840
<v Speaker 4>and the Emperor, that scene is amazing.

0:16:07.040 --> 0:16:11.240
<v Speaker 1>Yes, I loved this. This was one of my favorite

0:16:11.240 --> 0:16:14.040
<v Speaker 1>scenes in this episode. We cut from that funeral to

0:16:14.720 --> 0:16:18.120
<v Speaker 1>Desmond and the Emperor having a private meeting in what

0:16:18.200 --> 0:16:21.320
<v Speaker 1>I've come to assume is the Emperor's podcast studio.

0:16:21.640 --> 0:16:25.320
<v Speaker 4>Yes, Yes, soundproofing is excellent.

0:16:28.240 --> 0:16:31.480
<v Speaker 2>Where he's like, this week we talk about everything.

0:16:31.560 --> 0:16:34.000
<v Speaker 1>Yeah, and in fact, this week on the podcast episode

0:16:34.080 --> 0:16:37.520
<v Speaker 1>Desmond confessing to murder.

0:16:38.560 --> 0:16:41.360
<v Speaker 3>That's a good Patreon exclusive. If you you wanted it,

0:16:41.440 --> 0:16:46.560
<v Speaker 3>you get the confession. Like any of the episode, it's wild.

0:16:46.640 --> 0:16:49.360
<v Speaker 1>He I mean, he really digs deep and doubles down.

0:16:49.360 --> 0:16:51.760
<v Speaker 1>He's like, look, I killed a young boy for you

0:16:51.840 --> 0:16:54.400
<v Speaker 1>once you want anyone who want to kill who's on

0:16:54.440 --> 0:16:55.280
<v Speaker 1>your ship list?

0:16:55.800 --> 0:16:58.200
<v Speaker 2>He's like, I think you know what you're dealing with here, right,

0:16:58.280 --> 0:17:01.520
<v Speaker 2>Like I kill people, you sort of like wink sideways

0:17:01.560 --> 0:17:04.479
<v Speaker 2>and people turn up burnt from the inside. Like that's right.

0:17:04.600 --> 0:17:05.959
<v Speaker 2>I thought we had an understanding.

0:17:07.200 --> 0:17:09.119
<v Speaker 1>Didn't we talk about this? Do you not remember the

0:17:09.160 --> 0:17:12.440
<v Speaker 1>other night? And I will say, Mark Strong, it has

0:17:12.480 --> 0:17:13.840
<v Speaker 1>been a highlight for me in this show.

0:17:13.960 --> 0:17:14.280
<v Speaker 2>Yeah.

0:17:14.320 --> 0:17:17.400
<v Speaker 1>He plays this like inept dufics of an Emperor really well,

0:17:17.720 --> 0:17:20.160
<v Speaker 1>and he's like, I, this is not what I meant,

0:17:20.240 --> 0:17:22.840
<v Speaker 1>This is not what I wanted. What are you talking about?

0:17:23.040 --> 0:17:25.440
<v Speaker 1>You confessing to my face on my podcast?

0:17:25.520 --> 0:17:25.840
<v Speaker 2>Right now?

0:17:25.960 --> 0:17:28.080
<v Speaker 4>He looks to the side. There's nobody there, dude, I

0:17:28.240 --> 0:17:29.480
<v Speaker 4>know who you're looking to it like.

0:17:29.760 --> 0:17:32.400
<v Speaker 1>I mean, presumably he's looking for Kasha, who's not there,

0:17:32.520 --> 0:17:32.720
<v Speaker 1>you know.

0:17:32.920 --> 0:17:34.359
<v Speaker 4>Yeah, good, good point.

0:17:34.400 --> 0:17:37.680
<v Speaker 1>He like really seems incapable of making his own decisions

0:17:37.720 --> 0:17:40.760
<v Speaker 1>without Kasha. She's become clearly become a crutch for him.

0:17:40.760 --> 0:17:42.720
<v Speaker 1>But he does come to a decision. He says, all right,

0:17:43.160 --> 0:17:44.720
<v Speaker 1>arrest this man, get him out of here. Karin A

0:17:44.800 --> 0:17:48.119
<v Speaker 1>Trades come to your thing, and they take Desmond and

0:17:48.480 --> 0:17:50.119
<v Speaker 1>throw him in the suspenser prison.

0:17:50.280 --> 0:17:53.880
<v Speaker 2>Dude, which looks luxurious? Awesome?

0:17:54.160 --> 0:17:55.359
<v Speaker 1>Does it not look kind of fun?

0:17:55.760 --> 0:17:58.080
<v Speaker 2>Me in the suspenser prison? My god?

0:17:58.480 --> 0:18:01.439
<v Speaker 3>Like, what how much does that treat costs? It seems great.

0:18:01.680 --> 0:18:04.040
<v Speaker 3>It doesn't seem bad at all. Like, what's the downside

0:18:04.040 --> 0:18:06.000
<v Speaker 3>of the suspenser prison? It seems great.

0:18:06.240 --> 0:18:08.680
<v Speaker 1>Maybe you're isolated a little bit, but you know, you're floating.

0:18:08.840 --> 0:18:11.639
<v Speaker 3>It is a good time to point out that the

0:18:11.680 --> 0:18:13.920
<v Speaker 3>production design and the overall like set design of this

0:18:14.040 --> 0:18:15.520
<v Speaker 3>show is riduculous.

0:18:15.680 --> 0:18:16.480
<v Speaker 1>Yeah, oh my goodness.

0:18:16.480 --> 0:18:19.560
<v Speaker 3>I mean it looks like one hundred million dollars every

0:18:19.600 --> 0:18:23.200
<v Speaker 3>single time they show any exterior. It's so ornate, it's

0:18:23.200 --> 0:18:25.679
<v Speaker 3>so well considered. I really like that. It seems to

0:18:25.720 --> 0:18:30.320
<v Speaker 3>have roots in the Patrice Vermett Denny villaneuv designed like

0:18:30.440 --> 0:18:33.800
<v Speaker 3>Dune universe from the movies, but it's got more detail

0:18:33.840 --> 0:18:36.159
<v Speaker 3>of more places than we've just never seen before. So

0:18:36.160 --> 0:18:38.320
<v Speaker 3>there's a lot more kind of there's a lot more

0:18:38.320 --> 0:18:42.359
<v Speaker 3>locations to explore and everything from the aforementioned pleasure treehouse

0:18:42.400 --> 0:18:45.760
<v Speaker 3>place where the Prince has his way with the Rechef's daughter,

0:18:45.920 --> 0:18:50.280
<v Speaker 3>to the Suspenser's spot to like the Emperor's like podcasting studio.

0:18:50.400 --> 0:18:51.959
<v Speaker 2>All these locations.

0:18:51.440 --> 0:18:55.159
<v Speaker 3>Are unreal, like they all look phenomenal, truly.

0:18:55.240 --> 0:18:57.080
<v Speaker 2>That's a real strength of the show.

0:18:57.119 --> 0:18:59.760
<v Speaker 1>I feel I couldn't agree more. Okay, well, let's get

0:18:59.760 --> 0:19:04.040
<v Speaker 1>to an other unreal scene Constantine and Pruitt's sister. As

0:19:04.040 --> 0:19:07.840
<v Speaker 1>we discussed earlier, they're bumping some purple spice and also

0:19:08.040 --> 0:19:12.960
<v Speaker 1>bumping each other, yeah sexually, and we all mourn in our.

0:19:12.880 --> 0:19:15.480
<v Speaker 2>Own ways differently exactly.

0:19:16.000 --> 0:19:17.600
<v Speaker 1>Sometimes you just need to do cocaine.

0:19:17.680 --> 0:19:19.560
<v Speaker 4>This scene is four minutes long.

0:19:20.040 --> 0:19:21.040
<v Speaker 2>It's really long.

0:19:21.600 --> 0:19:24.000
<v Speaker 4>It definitely goes like three.

0:19:23.920 --> 0:19:26.040
<v Speaker 1>And a half minutes too long in my opinion, But.

0:19:26.040 --> 0:19:28.520
<v Speaker 3>I was watching it by myself, and I was like,

0:19:28.640 --> 0:19:31.840
<v Speaker 3>if I get walked in on what is my explanation

0:19:31.960 --> 0:19:36.240
<v Speaker 3>going to be for this, like very extensive, like space

0:19:36.320 --> 0:19:38.680
<v Speaker 3>cocaine or like sexye like this.

0:19:38.760 --> 0:19:41.440
<v Speaker 4>Honey, I have to talk about it for a podcast?

0:19:41.560 --> 0:19:45.480
<v Speaker 2>Is for work, This is I'm taking this is my job.

0:19:47.160 --> 0:19:50.679
<v Speaker 1>Yeah. Well, there's a lot of politics being talked about

0:19:50.800 --> 0:19:53.760
<v Speaker 1>while the cocaine in sex is also being done. And

0:19:54.359 --> 0:19:56.520
<v Speaker 1>to me, I don't know if y'all picked up on this,

0:19:56.640 --> 0:19:59.280
<v Speaker 1>but to me, it's clear Pruet's sister has the upper hand.

0:19:59.359 --> 0:20:02.560
<v Speaker 1>She's mu more politically savvy than a boy Constantine.

0:20:02.600 --> 0:20:04.400
<v Speaker 2>Oh yeah, and he.

0:20:04.400 --> 0:20:07.440
<v Speaker 1>Basically just like wiki leaks state secrets, right, he lets

0:20:07.480 --> 0:20:10.560
<v Speaker 1>the secret about Desmond out and obviously that's going to

0:20:10.640 --> 0:20:11.960
<v Speaker 1>come back to bite him in the ass in just

0:20:12.080 --> 0:20:15.760
<v Speaker 1>a little bit here. It's a weak moment for Constantine, Toughly.

0:20:15.520 --> 0:20:17.480
<v Speaker 4>It is weak for him, but it also is is

0:20:17.560 --> 0:20:19.760
<v Speaker 4>a good moment for her, Like she is playing the

0:20:19.800 --> 0:20:22.440
<v Speaker 4>game right, so she knows what's happening, and this kind

0:20:22.480 --> 0:20:25.400
<v Speaker 4>of like gambit just to say, like, hey, if we

0:20:25.480 --> 0:20:28.480
<v Speaker 4>take a racus like it doesn't really matter. I was

0:20:28.520 --> 0:20:30.320
<v Speaker 4>taking that as her reaching out to him to see

0:20:30.320 --> 0:20:33.040
<v Speaker 4>if she could pull him in. Maybe he does become

0:20:33.240 --> 0:20:35.800
<v Speaker 4>the Emperor, they can still seize it, pushing as out

0:20:35.800 --> 0:20:36.520
<v Speaker 4>of the way or something.

0:20:36.600 --> 0:20:40.560
<v Speaker 3>Yeah, this current crop of Carinos seems distink, like they're

0:20:40.680 --> 0:20:44.040
<v Speaker 3>just not really good. The Emperor's befuddled all the time,

0:20:44.160 --> 0:20:47.840
<v Speaker 3>seemingly dependent on one of his subordinates.

0:20:47.160 --> 0:20:49.560
<v Speaker 2>For his entire military, which is not a great position

0:20:50.000 --> 0:20:50.439
<v Speaker 2>to be in.

0:20:51.040 --> 0:20:54.679
<v Speaker 3>It Like may have accidentally, on purpose ordered the death

0:20:54.720 --> 0:20:57.000
<v Speaker 3>of a kid. And then you've got, you know, his

0:20:57.280 --> 0:20:59.880
<v Speaker 3>son who's kind of a f boy, just out there

0:21:00.400 --> 0:21:04.080
<v Speaker 3>doing drugs and telling family secrets around pillow Talk and

0:21:04.160 --> 0:21:06.639
<v Speaker 3>his treehouse for it. It's not a great situation for

0:21:06.680 --> 0:21:08.520
<v Speaker 3>the Carinos at this point in time.

0:21:08.600 --> 0:21:10.840
<v Speaker 1>Yeah, Yanez seems to be perhaps one of the only

0:21:10.880 --> 0:21:14.720
<v Speaker 1>capable ones. But the thing that bothered me was where

0:21:14.760 --> 0:21:17.879
<v Speaker 1>is she this whole right? So she's very much been sidelined.

0:21:17.920 --> 0:21:20.280
<v Speaker 1>Does she not know about Desmond? Does she not know

0:21:20.320 --> 0:21:22.199
<v Speaker 1>what the Emperor's doing right now? Is she just in

0:21:22.280 --> 0:21:25.920
<v Speaker 1>her room grieving the whole time? She seems weirdly out

0:21:25.920 --> 0:21:27.119
<v Speaker 1>of the bubble at the moment.

0:21:27.760 --> 0:21:29.719
<v Speaker 3>How grief stricken can she be? It's not like she

0:21:29.800 --> 0:21:32.240
<v Speaker 3>was like madly in love with through it.

0:21:32.720 --> 0:21:33.639
<v Speaker 2>No, No, it's not that.

0:21:33.720 --> 0:21:36.840
<v Speaker 4>It's when Valia shows up for Kasha.

0:21:37.000 --> 0:21:38.879
<v Speaker 1>For Kasha, yeah, because I think they had a bit

0:21:38.920 --> 0:21:41.120
<v Speaker 1>of a maternal relationship there.

0:21:41.160 --> 0:21:41.880
<v Speaker 4>Oh yeah, yeah.

0:21:41.920 --> 0:21:42.160
<v Speaker 2>Well.

0:21:42.160 --> 0:21:45.119
<v Speaker 1>Returning to Wallach nine eight in our episode, here, Lila

0:21:45.520 --> 0:21:49.040
<v Speaker 1>is struggling with this major decision that Tula has asked

0:21:49.080 --> 0:21:51.040
<v Speaker 1>of her to go through the Agne or not two.

0:21:51.600 --> 0:21:55.440
<v Speaker 1>She consults her fellow sisters for some advice. Sister Emmeline,

0:21:55.440 --> 0:21:59.359
<v Speaker 1>for example, tells her, Hey, sacrificing a human life is

0:21:59.400 --> 0:22:02.760
<v Speaker 1>one of the greatest honors one can do. And you know,

0:22:02.800 --> 0:22:04.639
<v Speaker 1>if things go bad and you like die or whatever,

0:22:04.920 --> 0:22:06.639
<v Speaker 1>you'll just go live in other memory with all our

0:22:06.760 --> 0:22:08.400
<v Speaker 1>fellow sisters. It's like heaven for the.

0:22:08.400 --> 0:22:10.560
<v Speaker 2>Sister totally chill, yeah.

0:22:10.640 --> 0:22:13.000
<v Speaker 1>Whereas Sister Jen has a bit more of a grounded approach.

0:22:13.240 --> 0:22:15.960
<v Speaker 1>I for one, agreed with Sister Jen, my girl. She

0:22:16.160 --> 0:22:18.800
<v Speaker 1>was basically like, fuck that. Yeah, should you be taking

0:22:18.840 --> 0:22:21.800
<v Speaker 1>this risk or is Tula pushing you into it? Because

0:22:22.200 --> 0:22:24.760
<v Speaker 1>Tula's allegiance is more to the sisterhood than it is

0:22:24.760 --> 0:22:25.000
<v Speaker 1>to you.

0:22:25.200 --> 0:22:27.520
<v Speaker 4>All Right, I'm just gonna I'm going out on a limb,

0:22:27.600 --> 0:22:29.960
<v Speaker 4>and like, I do not trust Jen as far as

0:22:30.040 --> 0:22:30.760
<v Speaker 4>I can throw her.

0:22:30.880 --> 0:22:32.400
<v Speaker 2>I really, yeah, no, I.

0:22:32.359 --> 0:22:35.360
<v Speaker 4>Think she's a plant or that whole thing with her

0:22:35.720 --> 0:22:39.200
<v Speaker 4>like lying in the first episode or whatever. I'm very

0:22:39.240 --> 0:22:42.679
<v Speaker 4>sus on her. I did not expect her. If you

0:22:43.320 --> 0:22:46.240
<v Speaker 4>Volyya and your plans and Tula, that was a pretty

0:22:46.280 --> 0:22:49.640
<v Speaker 4>strong move for a position for an acolyte to take.

0:22:49.920 --> 0:22:50.360
<v Speaker 2>Yeah.

0:22:50.680 --> 0:22:53.440
<v Speaker 3>In general, one of my criticisms of the show would

0:22:53.440 --> 0:22:55.840
<v Speaker 3>be that the Benny Jeserit and It's maybe is just

0:22:56.040 --> 0:22:59.119
<v Speaker 3>era appropriate, like that Benny Jeserit a more immature or

0:22:59.280 --> 0:23:01.560
<v Speaker 3>order at this point in time, but like that they

0:23:01.640 --> 0:23:05.879
<v Speaker 3>seem more volatile, that there's less discipline, and we know

0:23:05.960 --> 0:23:09.040
<v Speaker 3>from later from chapter House and Heretics that like there's

0:23:09.080 --> 0:23:11.840
<v Speaker 3>often schisms within the Sisterhood in terms of like what

0:23:12.000 --> 0:23:13.919
<v Speaker 3>people think the right direction is, and that's like a

0:23:14.000 --> 0:23:17.800
<v Speaker 3>very interesting part of the Benny Jzerit dynamic. But at

0:23:17.800 --> 0:23:20.200
<v Speaker 3>this point in time, all of the main characters seem

0:23:20.240 --> 0:23:24.320
<v Speaker 3>a little bit more high strung and emotionally like volatile

0:23:24.600 --> 0:23:28.680
<v Speaker 3>and not as in control as I imagine the Benny

0:23:28.760 --> 0:23:31.600
<v Speaker 3>Jazzerit being like the Benny Jeserit are meant to be

0:23:31.840 --> 0:23:37.920
<v Speaker 3>bloodless and inflappable and capable of these fairly ruthless, utilitarian

0:23:37.960 --> 0:23:41.880
<v Speaker 3>decision making schemes, and both the acolytes and the folks

0:23:41.960 --> 0:23:44.199
<v Speaker 3>running the show seem to be kind of figuring it

0:23:44.240 --> 0:23:46.119
<v Speaker 3>out as they go along, and there's a lot of

0:23:46.160 --> 0:23:49.720
<v Speaker 3>like quivering lip action as it relates to that figuring,

0:23:49.800 --> 0:23:52.760
<v Speaker 3>which seems a little out of character for Benny Jazerit

0:23:52.840 --> 0:23:53.040
<v Speaker 3>to me.

0:23:53.200 --> 0:23:57.680
<v Speaker 4>Yeah, in fairness. When the episode finished, HBO Max suggested,

0:23:57.760 --> 0:23:59.560
<v Speaker 4>I watched Dune, so I just threw it on and

0:23:59.560 --> 0:24:05.200
<v Speaker 4>started watching it, and like, Rebecca Ferguson is off the map. Yes, yeah,

0:24:05.280 --> 0:24:07.359
<v Speaker 4>she is like falling apart, and I get it. I

0:24:07.400 --> 0:24:09.320
<v Speaker 4>actually like it. I like the fact that she pulls

0:24:09.320 --> 0:24:11.960
<v Speaker 4>herself to They show her pulling herself together before she

0:24:12.000 --> 0:24:13.640
<v Speaker 4>walks in to talk to the Duke, so you can

0:24:13.680 --> 0:24:15.639
<v Speaker 4>see that she can exert control when she needs to.

0:24:16.160 --> 0:24:18.160
<v Speaker 4>But they haven't got it dial Dan, I think, is.

0:24:18.119 --> 0:24:20.639
<v Speaker 3>That yeah, but you can trast that with after she

0:24:20.760 --> 0:24:24.160
<v Speaker 3>becomes a reverend mother in part two and she does sort.

0:24:23.920 --> 0:24:25.920
<v Speaker 1>Of like the bloodless, very stowic.

0:24:25.680 --> 0:24:28.320
<v Speaker 2>Yeah, like the like you know, we're just gonna get

0:24:28.359 --> 0:24:29.400
<v Speaker 2>this business done.

0:24:29.160 --> 0:24:30.080
<v Speaker 4>All right, you got me there.

0:24:30.160 --> 0:24:32.600
<v Speaker 3>But I don't know I would have, particularly from like

0:24:32.680 --> 0:24:34.400
<v Speaker 3>value or something like that. I would have I think

0:24:34.480 --> 0:24:38.080
<v Speaker 3>like a slightly more Charlotte ramplay deserved. There should be

0:24:38.119 --> 0:24:40.479
<v Speaker 3>some character in there who's just like our plans are

0:24:40.520 --> 0:24:43.240
<v Speaker 3>measured in millennia and like, yeah, whether or not this

0:24:43.320 --> 0:24:45.480
<v Speaker 3>kid lives or dies is really not the problem.

0:24:45.960 --> 0:24:48.119
<v Speaker 1>And so in my opinion on that has always been like,

0:24:48.240 --> 0:24:50.800
<v Speaker 1>I think this is a just a challenge with a

0:24:50.880 --> 0:24:53.800
<v Speaker 1>translation from the page to the screen. Yeah, you can

0:24:53.920 --> 0:24:57.080
<v Speaker 1>have a very stoic, cold, distant character on the page

0:24:57.200 --> 0:24:59.520
<v Speaker 1>because we can be inside their head and still be

0:24:59.600 --> 0:25:02.840
<v Speaker 1>understand their emotions on the screen. If you just have

0:25:02.920 --> 0:25:06.040
<v Speaker 1>like a cardboard cutout of a character the whole time,

0:25:06.080 --> 0:25:08.320
<v Speaker 1>we're not react. You're not giving the actor anything to

0:25:08.359 --> 0:25:10.720
<v Speaker 1>work with, and you're not giving the audience anything to

0:25:10.800 --> 0:25:14.520
<v Speaker 1>read on the screen. So I think it's an inherent challenge.

0:25:14.560 --> 0:25:18.159
<v Speaker 4>What if you just put their inner monologues as voiceover

0:25:19.240 --> 0:25:20.560
<v Speaker 4>there we go I could never go.

0:25:20.880 --> 0:25:24.880
<v Speaker 3>H, I think you're onto something, So Benny Jesuit track,

0:25:25.640 --> 0:25:26.760
<v Speaker 3>it was like a bonus feature.

0:25:26.920 --> 0:25:28.160
<v Speaker 1>That's right, that's right.

0:25:28.920 --> 0:25:29.239
<v Speaker 2>All right.

0:25:29.320 --> 0:25:32.800
<v Speaker 1>Returning to our recap, what I find absolutely hilarious is

0:25:33.160 --> 0:25:37.160
<v Speaker 1>while Tula is preparing the Russick poison, one of Volia's

0:25:37.160 --> 0:25:40.400
<v Speaker 1>confidants comes in and she's like, he is the agony

0:25:40.440 --> 0:25:43.120
<v Speaker 1>still happening right? Just to get done?

0:25:43.200 --> 0:25:44.840
<v Speaker 2>He's still doing the agony tonight, right?

0:25:45.040 --> 0:25:47.000
<v Speaker 1>Are we still doing it? Or is it still on

0:25:47.040 --> 0:25:47.640
<v Speaker 1>the agenda?

0:25:47.800 --> 0:25:47.919
<v Speaker 2>Like?

0:25:47.960 --> 0:25:48.600
<v Speaker 1>I haven't gone.

0:25:48.560 --> 0:25:50.520
<v Speaker 2>Because I made meat loads right right?

0:25:50.640 --> 0:25:52.840
<v Speaker 1>I made the meat loaf. I didn't get the calendar invite.

0:25:52.840 --> 0:25:56.400
<v Speaker 1>Where's the meat loaf going? And I found this really

0:25:56.400 --> 0:25:58.520
<v Speaker 1>interesting because I think it tells us a lot about

0:25:58.640 --> 0:26:02.840
<v Speaker 1>Vallia herself. Valia very much clearly a bit of a

0:26:02.880 --> 0:26:05.840
<v Speaker 1>control freak here, even someone as close to her as

0:26:05.880 --> 0:26:08.840
<v Speaker 1>her sister Tula, she does not trust to run things

0:26:08.880 --> 0:26:13.359
<v Speaker 1>and make the hard decisions, and she's left someone behind us.

0:26:13.359 --> 0:26:15.480
<v Speaker 1>It's sort of like a watcher and caretaker to make

0:26:15.520 --> 0:26:19.240
<v Speaker 1>sure things get done. In a following scene, we then

0:26:19.359 --> 0:26:22.399
<v Speaker 1>see Tula trying to get things done. She speaks with

0:26:22.520 --> 0:26:25.679
<v Speaker 1>Lilah and reinforces like, Lilah, this is your choice. I

0:26:25.760 --> 0:26:27.960
<v Speaker 1>want you to be the one who decides to do

0:26:28.000 --> 0:26:30.760
<v Speaker 1>the agony or not. But also, like.

0:26:30.800 --> 0:26:32.680
<v Speaker 2>Your mom might be, maybe you'll meet your mom.

0:26:33.920 --> 0:26:35.240
<v Speaker 1>Don't you want to meet your mom?

0:26:36.560 --> 0:26:39.960
<v Speaker 2>This is one hundred percent your choice, but it is

0:26:40.080 --> 0:26:42.639
<v Speaker 2>also your one chance to see your dead mom. So

0:26:42.720 --> 0:26:46.560
<v Speaker 2>weigh that, uh huh in your general calculus, and yeah,

0:26:46.600 --> 0:26:48.920
<v Speaker 2>let's let me know what you decide. Chill either way,

0:26:48.960 --> 0:26:49.480
<v Speaker 2>no problem.

0:26:49.640 --> 0:26:52.479
<v Speaker 4>Yeah, I mean it's an interesting position to put Tula in.

0:26:52.960 --> 0:26:57.159
<v Speaker 4>She obviously cares desperately about Lila, yes, but she also

0:26:57.760 --> 0:27:00.280
<v Speaker 4>knows that she quote unquote has to do that it

0:27:00.359 --> 0:27:02.840
<v Speaker 4>has to happen. So I felt like she was genuine.

0:27:02.880 --> 0:27:05.440
<v Speaker 4>I give her like maybe at least sixty forty or

0:27:05.440 --> 0:27:09.560
<v Speaker 4>maybe seventy percent innocent, maybe thirty percent tainted, I don't.

0:27:09.400 --> 0:27:13.240
<v Speaker 3>Know, only thirty percent sending her to her death using

0:27:13.240 --> 0:27:14.160
<v Speaker 3>her dead mother.

0:27:14.080 --> 0:27:15.040
<v Speaker 2>That's right, Yeah, that's good.

0:27:15.200 --> 0:27:19.159
<v Speaker 1>Only thirty percent emotional manipulation and blackmail exactly. I agree, though.

0:27:19.240 --> 0:27:24.320
<v Speaker 1>I also read Tula's emotional moments in this episode as genuine,

0:27:24.480 --> 0:27:28.119
<v Speaker 1>and I think she does care for Elilah, but she

0:27:28.359 --> 0:27:30.879
<v Speaker 1>has been sort of living under the thumb of her older,

0:27:31.480 --> 0:27:35.320
<v Speaker 1>much more colder sister for the last thirty plus years

0:27:35.480 --> 0:27:38.440
<v Speaker 1>and clearly knows what has to get done, and here

0:27:38.480 --> 0:27:40.679
<v Speaker 1>she is doing it. All right, guys, let's take a

0:27:40.720 --> 0:27:42.720
<v Speaker 1>quick ad break here as we do. We got to

0:27:42.720 --> 0:27:44.919
<v Speaker 1>pay our spice bills, but we'll be right back in

0:27:44.920 --> 0:27:47.200
<v Speaker 1>a little bit. Folks to continue our recap and keep

0:27:47.200 --> 0:28:04.440
<v Speaker 1>talking about doing prophecy. All right, welcome back everyone, Let's

0:28:04.480 --> 0:28:09.600
<v Speaker 1>continue talking about doing prophecy. Episode two, returning to Seleucias, Secundas,

0:28:10.119 --> 0:28:14.600
<v Speaker 1>Vallia arrives just in time to diffuse a very heated

0:28:14.640 --> 0:28:18.639
<v Speaker 1>confrontation between Havoco and to crit Chesy. Obviously, Rachesy has

0:28:18.680 --> 0:28:20.800
<v Speaker 1>learned about Desmond. He's demanding to meet the man who

0:28:20.880 --> 0:28:24.680
<v Speaker 1>killed a pru it. Havoco's trying to bluff his poorly

0:28:24.760 --> 0:28:27.200
<v Speaker 1>bluff his way out of this. Yeah, and how about

0:28:27.240 --> 0:28:27.639
<v Speaker 1>just when.

0:28:27.520 --> 0:28:29.719
<v Speaker 4>The doors just pop open and she walks in.

0:28:30.160 --> 0:28:33.680
<v Speaker 1>It's like a very mic drop moment, a pretty cool, very.

0:28:33.480 --> 0:28:36.200
<v Speaker 4>Big entrance that she makes, and she like does a

0:28:36.280 --> 0:28:40.280
<v Speaker 4>quick hand signal to Richesi's Benajezra advisor, and he is

0:28:40.600 --> 0:28:42.880
<v Speaker 4>on the leash and on his way out the room,

0:28:42.960 --> 0:28:44.120
<v Speaker 4>like very strong.

0:28:43.840 --> 0:28:46.720
<v Speaker 2>Get him out of here, move this party outside. Yeah.

0:28:46.800 --> 0:28:48.960
<v Speaker 1>Yeah, I do think this show is at its strongest

0:28:48.960 --> 0:28:52.040
<v Speaker 1>when we see very directly in scenes like this, the

0:28:52.040 --> 0:28:55.920
<v Speaker 1>Benny Jesuit pulling strings, pulling the strings of the very powerful.

0:28:56.160 --> 0:28:58.480
<v Speaker 4>It's a little weird that like these guys can't figure

0:28:58.520 --> 0:29:01.680
<v Speaker 4>this out. Watch she shakes her hand and like the

0:29:01.720 --> 0:29:02.600
<v Speaker 4>guy gets pulled out.

0:29:02.720 --> 0:29:03.760
<v Speaker 2>Well, I have like what's her face?

0:29:03.840 --> 0:29:06.480
<v Speaker 3>The ri chazy Betty jesuit like literally nods like okay,

0:29:06.560 --> 0:29:09.520
<v Speaker 3>you got it, Like it's not like it's not as

0:29:09.560 --> 0:29:12.680
<v Speaker 3>her subtle hand signal back for yes is nodding.

0:29:12.360 --> 0:29:18.360
<v Speaker 2>Directly at her right. I don't know. I don't know

0:29:18.360 --> 0:29:20.840
<v Speaker 2>if you need Prano Bindu training to decipher that and

0:29:20.920 --> 0:29:23.040
<v Speaker 2>the meaning behind that one. Yeah, but you know it's

0:29:23.080 --> 0:29:25.160
<v Speaker 2>still fun to see them, yeah, you know, use their

0:29:25.160 --> 0:29:25.840
<v Speaker 2>special powers.

0:29:26.040 --> 0:29:28.000
<v Speaker 1>I do agree. As much as I like seeing the

0:29:28.000 --> 0:29:30.240
<v Speaker 1>Benny Jesuit pull the strings, Yeah, I would like some

0:29:30.280 --> 0:29:33.160
<v Speaker 1>pushback as well. I'd like some nuance there. Yeah, and

0:29:33.200 --> 0:29:34.920
<v Speaker 1>we get a little bit. I mean, the Emperor's like,

0:29:35.040 --> 0:29:38.000
<v Speaker 1>was Kasha lying to me? Falia? Did you tell Kasha

0:29:38.080 --> 0:29:41.240
<v Speaker 1>to lie to me? There's a bit of questioning, but yeah,

0:29:41.320 --> 0:29:43.520
<v Speaker 1>all of these men in charge do seem to just

0:29:43.600 --> 0:29:45.880
<v Speaker 1>be going along with what their advisors are telling them.

0:29:45.960 --> 0:29:48.520
<v Speaker 4>This is interesting though, when she says that she wants

0:29:48.560 --> 0:29:52.280
<v Speaker 4>to When Balio says that she wants to interview Desmond, yes,

0:29:52.360 --> 0:29:55.880
<v Speaker 4>the Emperor initially says no, and the Empress says.

0:29:56.040 --> 0:29:57.280
<v Speaker 2>No, why don't you go ahead?

0:29:57.320 --> 0:30:00.000
<v Speaker 4>And let her interview. Yeah, and he's like, oh, yeah,

0:30:00.120 --> 0:30:01.120
<v Speaker 4>she likes debate or whatever.

0:30:01.200 --> 0:30:05.440
<v Speaker 1>So like she likes debate, the debate team.

0:30:06.520 --> 0:30:09.840
<v Speaker 3>She did debate back in you know, finishing school, Empire,

0:30:09.920 --> 0:30:11.680
<v Speaker 3>finishing school, she was a Lincoln.

0:30:11.440 --> 0:30:15.640
<v Speaker 2>Douglas champion, And that's her viewpoint on the whole thing.

0:30:15.760 --> 0:30:18.080
<v Speaker 4>But in my opinion, the Empress has been giving big

0:30:18.160 --> 0:30:20.240
<v Speaker 4>warning red lights, big big.

0:30:21.400 --> 0:30:22.840
<v Speaker 2>Yeah Lady Macbeth vibes.

0:30:23.040 --> 0:30:26.479
<v Speaker 4>So do you think her take was that Desmond would

0:30:26.600 --> 0:30:29.280
<v Speaker 4>just deal with her, like putting her in front of

0:30:29.320 --> 0:30:30.880
<v Speaker 4>Desmond would allow her to get taken out.

0:30:31.320 --> 0:30:35.520
<v Speaker 1>I think I agree that I'm getting major vibes, weird

0:30:35.600 --> 0:30:39.560
<v Speaker 1>vibes from the Empress. I think this was her chance

0:30:39.600 --> 0:30:41.640
<v Speaker 1>to learn more about Desmond. I think she very much

0:30:41.720 --> 0:30:45.920
<v Speaker 1>wants to use Desmond. But again, if you've never shot

0:30:45.960 --> 0:30:48.680
<v Speaker 1>a gun and someone's like, you want a loaded gun,

0:30:49.560 --> 0:30:52.800
<v Speaker 1>she's maybe wanting someone to just check that the safety

0:30:52.840 --> 0:30:54.840
<v Speaker 1>is still on before she picks up the gun. Right,

0:30:54.960 --> 0:30:58.520
<v Speaker 1>she wants, perhaps Volia to do a bit of a

0:30:58.560 --> 0:30:59.640
<v Speaker 1>gut check on Desmond.

0:30:59.720 --> 0:31:00.800
<v Speaker 2>Yeah, I think that's right.

0:31:00.840 --> 0:31:02.600
<v Speaker 3>I write it as like, let's see what this thing

0:31:02.640 --> 0:31:04.880
<v Speaker 3>can do, Like we got this guy, like we've got

0:31:04.880 --> 0:31:07.600
<v Speaker 3>this child toaster, Let's see, you know what he can

0:31:07.640 --> 0:31:09.320
<v Speaker 3>do against the Benny juzzer with truth there?

0:31:09.400 --> 0:31:11.560
<v Speaker 2>Yeah, like find out what else it might be useful.

0:31:11.600 --> 0:31:14.440
<v Speaker 3>Like it goes along with the general theme, which is

0:31:14.720 --> 0:31:17.000
<v Speaker 3>best example fight in this episode of this it's not

0:31:17.040 --> 0:31:20.120
<v Speaker 3>the spice azing but the Rosac poisoning agony, which is

0:31:20.640 --> 0:31:24.680
<v Speaker 3>like that crisis is what's necessary to bring about change. Yes,

0:31:24.760 --> 0:31:27.960
<v Speaker 3>and so that's why the poison brings out these special

0:31:28.000 --> 0:31:30.680
<v Speaker 3>abilities and people because it puts them through this crisis.

0:31:30.520 --> 0:31:31.880
<v Speaker 2>And she's similarly like.

0:31:31.800 --> 0:31:34.560
<v Speaker 3>Trying to provoke a crisis by seeing what happens when

0:31:34.560 --> 0:31:38.320
<v Speaker 3>she puts this kind of untested weapon with the Mother Superior,

0:31:38.360 --> 0:31:40.200
<v Speaker 3>and she says, oh, it's not every day we get

0:31:40.200 --> 0:31:42.280
<v Speaker 3>the Mother superioror it's like, let's see what kind of

0:31:42.480 --> 0:31:43.680
<v Speaker 3>trouble we can get into.

0:31:43.480 --> 0:31:46.320
<v Speaker 1>Here, right, Ken Desmond danced toe to toe with the

0:31:46.320 --> 0:31:48.120
<v Speaker 1>best of the best. Yeah, the Mother Superior.

0:31:48.200 --> 0:31:51.240
<v Speaker 4>She has not had any beg training, right, the Empress,

0:31:51.280 --> 0:31:52.320
<v Speaker 4>not that I know of.

0:31:52.600 --> 0:31:55.240
<v Speaker 1>Okay, certainly not in the books either. Yeah, but she

0:31:55.320 --> 0:31:57.800
<v Speaker 1>does seem to be giving off some religious fives. Later

0:31:57.840 --> 0:31:59.760
<v Speaker 1>on in the episode, she like ask Desmond if he's

0:31:59.760 --> 0:32:02.600
<v Speaker 1>a price you don't just like go around asking people

0:32:02.720 --> 0:32:06.560
<v Speaker 1>whether their profits unless you already have something religious in mind.

0:32:06.600 --> 0:32:09.080
<v Speaker 1>So I agree there's a big question mark about the

0:32:09.120 --> 0:32:12.440
<v Speaker 1>Empress till that I think we will learn more about. Well,

0:32:12.520 --> 0:32:17.840
<v Speaker 1>let's go to the interview itself. Vollia interviews Desmond. They

0:32:17.840 --> 0:32:19.800
<v Speaker 1>do a bit of shit, talking back and forth for

0:32:19.880 --> 0:32:23.760
<v Speaker 1>a little bit, and ultimately Desmond once again confesses that

0:32:23.840 --> 0:32:25.320
<v Speaker 1>he has killed pruing. He loves it.

0:32:25.360 --> 0:32:26.200
<v Speaker 4>He loves confessing.

0:32:26.280 --> 0:32:27.600
<v Speaker 2>He loves to confess.

0:32:27.680 --> 0:32:30.320
<v Speaker 1>Honestly, he can't wait to confess, Like, my guy, can

0:32:30.320 --> 0:32:32.560
<v Speaker 1>you wait. It's like, look, can you plead the fifth verse?

0:32:32.720 --> 0:32:36.360
<v Speaker 1>I burn kids with my eyes. That's my thing. His

0:32:36.480 --> 0:32:38.640
<v Speaker 1>lawyers like, God, damn it, stop.

0:32:38.400 --> 0:32:40.760
<v Speaker 2>Kink shaming me. That is just what I do.

0:32:41.560 --> 0:32:44.280
<v Speaker 4>I saw one of the showrunners say that the specifically

0:32:44.320 --> 0:32:46.640
<v Speaker 4>the way they what they like about him is that

0:32:46.640 --> 0:32:49.320
<v Speaker 4>that's his thing. He just tells the truth and he

0:32:49.400 --> 0:32:51.360
<v Speaker 4>is moving forward, which I think is an interesting idea.

0:32:51.360 --> 0:32:53.160
<v Speaker 4>And Jason, to what you were saying earlier of Herbert

0:32:53.160 --> 0:32:56.440
<v Speaker 4>putting stuff out there for people to see, it's interesting.

0:32:56.520 --> 0:32:56.760
<v Speaker 2>Yeah.

0:32:56.800 --> 0:32:59.560
<v Speaker 1>I think that's a strong point age because in a world,

0:33:00.000 --> 0:33:04.000
<v Speaker 1>in an imperium where lies are a major currency. Here

0:33:04.040 --> 0:33:06.240
<v Speaker 1>is a man who comes in and keeps saying the

0:33:06.400 --> 0:33:10.440
<v Speaker 1>uncomfortable right truth about killing children out loud, right, and

0:33:10.520 --> 0:33:12.480
<v Speaker 1>I think that that makes them quite dangerous but also

0:33:12.560 --> 0:33:15.560
<v Speaker 1>quite attractive, as we'll see with the Emperor and Empress

0:33:15.560 --> 0:33:16.520
<v Speaker 1>wanting to utilize him.

0:33:16.600 --> 0:33:20.320
<v Speaker 4>But he's not. He doesn't have a positive vision that

0:33:20.360 --> 0:33:23.120
<v Speaker 4>he's communicating for what the imp He says, he's a

0:33:23.120 --> 0:33:26.160
<v Speaker 4>soldier of the Imperium. He's working only for the Imperium.

0:33:26.160 --> 0:33:28.640
<v Speaker 4>But it's not clear that, like Kieran, we have a

0:33:28.680 --> 0:33:30.800
<v Speaker 4>sense is motivated by.

0:33:30.720 --> 0:33:32.360
<v Speaker 2>Some ideological ideals.

0:33:32.640 --> 0:33:35.280
<v Speaker 4>Yeah, there's inequity that needs to be addressed, but we

0:33:35.320 --> 0:33:37.320
<v Speaker 4>don't get that sense from Desmond that this is like

0:33:37.360 --> 0:33:39.160
<v Speaker 4>a crusade for him for a reason.

0:33:39.000 --> 0:33:40.920
<v Speaker 1>Right right, he's the wild card friend.

0:33:41.120 --> 0:33:45.719
<v Speaker 3>It's almost as if Desmond is has got some underlying

0:33:46.040 --> 0:33:49.480
<v Speaker 3>programming per se that like says, oh, like he's meant

0:33:49.520 --> 0:33:53.320
<v Speaker 3>to serve the imperium. And if that means that everyone

0:33:53.400 --> 0:33:55.280
<v Speaker 3>needs to be turned into a paper clip in order

0:33:55.320 --> 0:33:57.959
<v Speaker 3>to better serve the efficiency of the imperium, like that

0:33:58.080 --> 0:34:00.560
<v Speaker 3>is how he will execute the commands.

0:34:00.600 --> 0:34:04.480
<v Speaker 1>Yeah, well, he also admits, in addition to admitting to

0:34:04.560 --> 0:34:07.600
<v Speaker 1>killing Pruitt. He admits to killing Kasha as well. Yeah,

0:34:07.800 --> 0:34:09.560
<v Speaker 1>mostly right, yeah, mostly.

0:34:09.800 --> 0:34:12.080
<v Speaker 4>He didn't say yes, I killed her, but he did say,

0:34:12.120 --> 0:34:14.719
<v Speaker 4>like I found her wanting or whatever what. I can't remember.

0:34:14.640 --> 0:34:16.279
<v Speaker 2>Exactly she had to go.

0:34:16.360 --> 0:34:18.000
<v Speaker 1>He kind of talked around, yeah.

0:34:17.800 --> 0:34:20.000
<v Speaker 4>But you definitely got the impression. Yes, But I thought

0:34:20.040 --> 0:34:22.600
<v Speaker 4>that was an interesting choice that he didn't. As much

0:34:22.600 --> 0:34:23.560
<v Speaker 4>as he loves saying.

0:34:23.320 --> 0:34:25.960
<v Speaker 1>It right, he was a little more circumspect with that one.

0:34:26.440 --> 0:34:30.000
<v Speaker 1>He also tells Valia that Shai Hallud has taken his eye,

0:34:30.080 --> 0:34:31.799
<v Speaker 1>the eye that we keep getting like close ups on

0:34:31.840 --> 0:34:35.120
<v Speaker 1>and camera, and given him the power to see things

0:34:35.160 --> 0:34:38.839
<v Speaker 1>that even you, Valia Harken in Mother Superior cannot see.

0:34:38.960 --> 0:34:39.160
<v Speaker 2>Right.

0:34:39.560 --> 0:34:43.560
<v Speaker 4>So obviously that makes us think of quez Asterak, the

0:34:43.600 --> 0:34:45.439
<v Speaker 4>idea that he can go to the place where they're

0:34:45.480 --> 0:34:48.319
<v Speaker 4>afraid to look. Yeah, and so right, you're getting us,

0:34:48.800 --> 0:34:49.920
<v Speaker 4>You're putting the hooks in, right.

0:34:50.080 --> 0:34:52.560
<v Speaker 1>A lot of fun little breadcrumbs like that for Dune

0:34:52.560 --> 0:34:56.520
<v Speaker 1>fans to pick up on throughout these episodes. Unfortunately, I

0:34:56.520 --> 0:35:01.359
<v Speaker 1>guess confessing to multiple murders doesn't really have any consequences

0:35:01.360 --> 0:35:04.520
<v Speaker 1>here for our guy Desmond. No, because by this point,

0:35:04.520 --> 0:35:06.799
<v Speaker 1>the Emperor and Empress are much more interested in using

0:35:06.880 --> 0:35:10.280
<v Speaker 1>him as a political weapon against we're chasing in particular,

0:35:10.280 --> 0:35:12.239
<v Speaker 1>but I'm sure other enemies they have as well.

0:35:12.440 --> 0:35:15.560
<v Speaker 3>Yes, well we know they're short on weapons, Like we

0:35:15.600 --> 0:35:17.600
<v Speaker 3>know these Carinos are somehow in powered just right, not

0:35:17.640 --> 0:35:18.760
<v Speaker 3>how many ships or anything.

0:35:18.840 --> 0:35:18.920
<v Speaker 5>Like.

0:35:18.960 --> 0:35:21.640
<v Speaker 2>All they've got is this like amazing architecture. So then

0:35:21.680 --> 0:35:24.359
<v Speaker 2>now they've got Now they've got a guy who can

0:35:24.400 --> 0:35:27.280
<v Speaker 2>barbecue people from across the galaxy.

0:35:27.400 --> 0:35:29.719
<v Speaker 3>Like all right, well that's gotta be good for something. Yeah,

0:35:29.719 --> 0:35:31.640
<v Speaker 3>we're just trying to rub two sticks together and you.

0:35:31.600 --> 0:35:33.439
<v Speaker 2>Know, make a fire. You're like, you know, like see

0:35:33.480 --> 0:35:34.399
<v Speaker 2>what we can get done.

0:35:34.560 --> 0:35:35.360
<v Speaker 1>That's a great point.

0:35:35.600 --> 0:35:37.719
<v Speaker 4>These guys are going to rule this the Imperium for

0:35:37.760 --> 0:35:38.680
<v Speaker 4>ten thousand years.

0:35:39.239 --> 0:35:40.560
<v Speaker 2>They're at a weak point right now.

0:35:40.600 --> 0:35:45.560
<v Speaker 3>They've become too reliant on influence from outside activist groups

0:35:45.560 --> 0:35:47.680
<v Speaker 3>and they need to really reconfigure how they're thinking about

0:35:47.680 --> 0:35:48.919
<v Speaker 3>the administration of their state.

0:35:49.080 --> 0:35:54.160
<v Speaker 1>Certainly. Well, meanwhile, we cut to here into Treadees doing

0:35:54.200 --> 0:35:56.520
<v Speaker 1>some like three D scanning for like a school project.

0:35:56.520 --> 0:35:59.719
<v Speaker 1>I'm sure in the palace we also hear in the

0:35:59.719 --> 0:36:03.000
<v Speaker 1>back garn Constantine getting yelled at, which I thought was hilarious.

0:36:03.120 --> 0:36:03.799
<v Speaker 2>I love that.

0:36:03.960 --> 0:36:06.080
<v Speaker 4>I didn't get it until I put the subtitles on.

0:36:06.320 --> 0:36:08.200
<v Speaker 4>I was like, why don't you stop talking? Go play

0:36:08.200 --> 0:36:08.720
<v Speaker 4>your ballast?

0:36:09.040 --> 0:36:12.719
<v Speaker 2>Yeah, right, go to your room.

0:36:13.840 --> 0:36:16.839
<v Speaker 1>I did like that detail. We cut from Kieran doing

0:36:16.840 --> 0:36:20.120
<v Speaker 1>his three D scanning back to what I think is

0:36:20.160 --> 0:36:24.200
<v Speaker 1>the Club Barbara on the first episode Club, and here

0:36:24.239 --> 0:36:26.879
<v Speaker 1>he is meeting with his fellow rebels. As we come

0:36:26.920 --> 0:36:30.440
<v Speaker 1>to learn, he is part of a larger rebel plot

0:36:31.120 --> 0:36:36.319
<v Speaker 1>and they are seemingly working against the Carinos or the

0:36:36.360 --> 0:36:39.440
<v Speaker 1>great Houses, the lands Ride in general, people in power.

0:36:39.480 --> 0:36:42.160
<v Speaker 1>I guess in general, their mission statement seems quite vague.

0:36:42.719 --> 0:36:44.880
<v Speaker 3>I will say, yeah, this is where when I was

0:36:44.960 --> 0:36:49.080
<v Speaker 3>reading your very helpful show rundown of what was going on,

0:36:49.160 --> 0:36:51.600
<v Speaker 3>I was like, okay, thank you for letting me know

0:36:51.640 --> 0:36:53.799
<v Speaker 3>what was going on in this scene. Because, and this

0:36:53.960 --> 0:36:56.080
<v Speaker 3>is one of my other criticisms of the show, is

0:36:56.120 --> 0:36:57.720
<v Speaker 3>that I love the set and setting.

0:36:58.040 --> 0:36:59.560
<v Speaker 2>I love the doomedness of it.

0:36:59.560 --> 0:37:02.080
<v Speaker 3>I think it's very faithful to like Dune vibes, both

0:37:02.120 --> 0:37:05.000
<v Speaker 3>in production design and palace intrigueness of it all. I

0:37:05.000 --> 0:37:07.759
<v Speaker 3>think there's cool, mysterious hooks in it. I think some

0:37:07.840 --> 0:37:11.560
<v Speaker 3>of the actual writing is a little bit clunky or

0:37:11.640 --> 0:37:14.360
<v Speaker 3>opaque are I think just from a dialogue perspective, it

0:37:14.360 --> 0:37:18.319
<v Speaker 3>doesn't really sing in any particular way. It's very serviceable,

0:37:18.600 --> 0:37:21.680
<v Speaker 3>but it often devolves into exposition theater of like, oh,

0:37:21.760 --> 0:37:24.400
<v Speaker 3>here comes that guy who's descended from Like in this scene,

0:37:24.400 --> 0:37:26.960
<v Speaker 3>it's like he's literally descended from a new traders who.

0:37:26.840 --> 0:37:29.200
<v Speaker 2>Fought against a little buddy. It's like, all right, great,

0:37:29.480 --> 0:37:31.560
<v Speaker 2>well you could have put that on a title guard

0:37:31.640 --> 0:37:32.920
<v Speaker 2>or something, mean, you know, like you had.

0:37:32.840 --> 0:37:34.719
<v Speaker 4>Us on a tradees like we were in.

0:37:34.840 --> 0:37:36.760
<v Speaker 2>Yeah, we know who they are. I agree.

0:37:36.760 --> 0:37:39.200
<v Speaker 3>I think what the motivation of this group is who

0:37:39.520 --> 0:37:42.640
<v Speaker 3>you know meets at the only bar on Solucis Secundas

0:37:42.760 --> 0:37:45.719
<v Speaker 3>repeatedly it's a very hot bar that to me was

0:37:45.719 --> 0:37:46.640
<v Speaker 3>not drawing me in.

0:37:46.920 --> 0:37:49.160
<v Speaker 4>Well, okay, listen two things. First of all, when the

0:37:49.200 --> 0:37:52.360
<v Speaker 4>guy started talking about the guy that was there opening

0:37:52.360 --> 0:37:54.640
<v Speaker 4>the briefcase or whatever looking at it. When he's like,

0:37:54.680 --> 0:37:57.480
<v Speaker 4>we got to take this rebellion public, I was like, oh, okay,

0:37:57.680 --> 0:38:00.160
<v Speaker 4>So the note they got with somebody you know two

0:38:00.239 --> 0:38:02.760
<v Speaker 4>years ago, three years ago, they're working on the show

0:38:02.840 --> 0:38:06.560
<v Speaker 4>and and and Or's happening, and they're like, okay, yea, yeah,

0:38:06.640 --> 0:38:08.719
<v Speaker 4>this is the greatest thing. Ever, how do we shoehorn

0:38:08.760 --> 0:38:09.520
<v Speaker 4>and or in here?

0:38:09.680 --> 0:38:10.399
<v Speaker 2>Yeah?

0:38:10.719 --> 0:38:12.800
<v Speaker 4>Then the second was there was a question last week

0:38:12.960 --> 0:38:15.120
<v Speaker 4>for the first episode of why is there such a

0:38:15.120 --> 0:38:17.359
<v Speaker 4>big deal with this Fremen character that's working in the bar.

0:38:17.680 --> 0:38:19.759
<v Speaker 4>She's got the blue on blue eyes. But she's a

0:38:19.840 --> 0:38:21.719
<v Speaker 4>named cast member, so we know we're going to see

0:38:21.760 --> 0:38:23.759
<v Speaker 4>her again, And here we see her as part of

0:38:23.800 --> 0:38:25.920
<v Speaker 4>the resistance, and then in the very next scene we

0:38:26.040 --> 0:38:28.719
<v Speaker 4>learned that she is in fact Sister Mikayla of the

0:38:28.719 --> 0:38:31.719
<v Speaker 4>Benejezer Order, who is helping to orchestrate this whole thing.

0:38:31.800 --> 0:38:33.719
<v Speaker 4>That's right, Yeah, which I will say, we went from

0:38:33.719 --> 0:38:36.160
<v Speaker 4>a scene that absolutely didn't work for me, this rebel scene,

0:38:36.160 --> 0:38:38.120
<v Speaker 4>this here in the trade scene. Jason, I agree with

0:38:38.200 --> 0:38:41.319
<v Speaker 4>all of your criticisms here about the writing. I think

0:38:41.360 --> 0:38:43.600
<v Speaker 4>you put it beautifully like the writing does not sing

0:38:43.880 --> 0:38:44.800
<v Speaker 4>at all in the scene.

0:38:44.800 --> 0:38:47.959
<v Speaker 1>It's very clunky. It's all tell and practically no show.

0:38:49.200 --> 0:38:52.439
<v Speaker 1>We then cut to a scene that really worked for me, Yeah,

0:38:52.440 --> 0:38:55.600
<v Speaker 1>because we cut to then Volia meeting with Sister Mikayla

0:38:55.719 --> 0:38:59.560
<v Speaker 1>on a pretty cozy looking boat, and here we learn

0:38:59.760 --> 0:39:03.960
<v Speaker 1>that sister Mikayla was responsible for the attack that Desmond

0:39:03.960 --> 0:39:08.279
<v Speaker 1>survived on Aracus. So the Sisterhood is orchestrating things on

0:39:08.320 --> 0:39:11.799
<v Speaker 1>a Racus. They're pulling much bigger strings than we thought

0:39:11.800 --> 0:39:15.040
<v Speaker 1>from behind the scenes, right, And this whole plot that

0:39:15.120 --> 0:39:18.120
<v Speaker 1>Kiaran Atrades has wrapped up in is also just another

0:39:18.239 --> 0:39:20.920
<v Speaker 1>Sisterhood scheme that they're using to undermine the Emperor.

0:39:21.000 --> 0:39:21.200
<v Speaker 5>Yeah.

0:39:21.239 --> 0:39:22.520
<v Speaker 1>I think that was a lot of fun.

0:39:22.400 --> 0:39:23.960
<v Speaker 2>And I like, I do like this.

0:39:23.960 --> 0:39:25.680
<v Speaker 3>This is what I'm talking about with like the ruthlessness

0:39:25.680 --> 0:39:27.319
<v Speaker 3>of the Benny Jeser was like, well, look, we're gonna

0:39:27.320 --> 0:39:28.480
<v Speaker 3>have to give him something. It's like, all right, we'll

0:39:28.480 --> 0:39:31.040
<v Speaker 3>give him this a trading sword master. I really like that,

0:39:31.800 --> 0:39:34.239
<v Speaker 3>just like throw him over, Like that's fun. And I

0:39:34.280 --> 0:39:37.239
<v Speaker 3>think to Age's point, it does feel like an and or,

0:39:37.520 --> 0:39:39.840
<v Speaker 3>Like it gives me the and or fuzzies, because I'm like,

0:39:39.840 --> 0:39:42.000
<v Speaker 3>all right, it's like, you know, yeah, talk to me

0:39:42.000 --> 0:39:43.279
<v Speaker 3>about the Sunless space.

0:39:43.120 --> 0:39:47.319
<v Speaker 2>Just please, Like I just need I just need a

0:39:47.360 --> 0:39:50.040
<v Speaker 2>little hit to last me over until I Door season

0:39:50.040 --> 0:39:50.719
<v Speaker 2>two comes out.

0:39:50.680 --> 0:39:51.600
<v Speaker 4>April of twenty five.

0:39:51.920 --> 0:39:53.520
<v Speaker 1>Yeah, yeah, close.

0:39:53.640 --> 0:39:54.040
<v Speaker 2>So far.

0:39:54.280 --> 0:39:55.720
<v Speaker 4>Oh man, oh my gosh.

0:39:55.760 --> 0:39:55.960
<v Speaker 2>Well.

0:39:56.360 --> 0:39:59.800
<v Speaker 1>We then cut to the spy himself, Kieran a trade's

0:40:00.480 --> 0:40:04.280
<v Speaker 1>he is sparring with the princess once again. Princess Yez

0:40:04.360 --> 0:40:07.680
<v Speaker 1>working through some grief and anger about Kasha's death, and

0:40:07.760 --> 0:40:12.239
<v Speaker 1>she shares with Kieran a traumatic kidnapping that has been

0:40:12.239 --> 0:40:14.560
<v Speaker 1>scrubbed from the history books because you don't want to

0:40:14.840 --> 0:40:17.160
<v Speaker 1>make the Karinas look bad. But it has a great name,

0:40:17.360 --> 0:40:22.520
<v Speaker 1>the Broken Chain, the Broken Chain rebellion. And she sort

0:40:22.520 --> 0:40:25.040
<v Speaker 1>of lays out I think for me again, a little

0:40:25.040 --> 0:40:28.000
<v Speaker 1>clunkily and on the nose, opaque writing here, but she

0:40:28.080 --> 0:40:29.879
<v Speaker 1>kind of lays out the thesis statement of the show.

0:40:30.120 --> 0:40:32.320
<v Speaker 1>It's all politics. We're all just pieces on the board

0:40:32.560 --> 0:40:36.600
<v Speaker 1>to be played in pursuit of power and spice.

0:40:36.880 --> 0:40:37.799
<v Speaker 4>Did we mention this price?

0:40:38.520 --> 0:40:40.600
<v Speaker 2>I wish she had said it exactly like that. I

0:40:40.640 --> 0:40:42.400
<v Speaker 2>wish it'd have been the ASMR space.

0:40:42.560 --> 0:40:45.359
<v Speaker 4>Well, it's interesting because when we had last episode when

0:40:45.440 --> 0:40:47.640
<v Speaker 4>Kasha said when I first found you and you'd been

0:40:47.719 --> 0:40:48.640
<v Speaker 4>captive for years.

0:40:48.440 --> 0:40:49.640
<v Speaker 2>And we were like, what is that about?

0:40:49.640 --> 0:40:52.200
<v Speaker 4>What is that story? It is very clear here that

0:40:52.280 --> 0:40:54.880
<v Speaker 4>this was a Benejeza plot to have her be kidnapped

0:40:54.880 --> 0:40:56.960
<v Speaker 4>and then to have her be rescued, like this whole

0:40:56.960 --> 0:41:01.000
<v Speaker 4>thing has been completely set into motion controlled every step

0:41:01.000 --> 0:41:01.640
<v Speaker 4>of the way.

0:41:01.520 --> 0:41:04.080
<v Speaker 2>And that's fun. That's what the Beg should be doing.

0:41:04.120 --> 0:41:07.839
<v Speaker 3>They should be kidnapping royal princesses for plans that pay

0:41:07.840 --> 0:41:09.240
<v Speaker 3>off in twenty five years.

0:41:09.320 --> 0:41:10.560
<v Speaker 2>That is their bread and butter.

0:41:10.680 --> 0:41:12.719
<v Speaker 3>If they're not good at that, all they have left

0:41:12.760 --> 0:41:15.560
<v Speaker 3>is some fish soup recipes. I'm like, they don't really

0:41:15.560 --> 0:41:18.440
<v Speaker 3>have a lie going the meat loaf, Yeah, that's right.

0:41:18.560 --> 0:41:22.279
<v Speaker 2>Salia's some questionable dinners back on Wallach nine.

0:41:22.520 --> 0:41:23.560
<v Speaker 1>That's right, But she does.

0:41:23.880 --> 0:41:27.080
<v Speaker 4>Inez does call it off with Kiri. He tries to

0:41:27.120 --> 0:41:29.080
<v Speaker 4>get close to her and she's like, look now, it

0:41:29.120 --> 0:41:29.760
<v Speaker 4>ain't happening.

0:41:30.000 --> 0:41:30.839
<v Speaker 1>So that's right.

0:41:30.920 --> 0:41:33.200
<v Speaker 4>That's some space. That's interesting to see how he develops.

0:41:33.400 --> 0:41:33.680
<v Speaker 2>Yeah.

0:41:33.760 --> 0:41:36.879
<v Speaker 1>I also liked that in this scene we confirmed an

0:41:36.920 --> 0:41:40.360
<v Speaker 1>extra bit of lore about shields technology. The soft cheek

0:41:40.440 --> 0:41:42.760
<v Speaker 1>caress does pierce the shields.

0:41:43.960 --> 0:41:44.160
<v Speaker 2>Yeah.

0:41:44.719 --> 0:41:46.879
<v Speaker 1>Yeah, so you can have your shield on and still

0:41:46.880 --> 0:41:48.200
<v Speaker 1>be making out. That's great tonight.

0:41:48.400 --> 0:41:48.640
<v Speaker 4>Nice.

0:41:48.680 --> 0:41:49.560
<v Speaker 2>Oh my gosh.

0:41:49.920 --> 0:41:53.520
<v Speaker 1>Meanwhile, while all of this is happening, Empress Natalia goes

0:41:53.560 --> 0:41:57.000
<v Speaker 1>to Desmond and asks him the question that perks my

0:41:57.080 --> 0:42:00.399
<v Speaker 1>ears up? Are you a prophet? Desmond Heart? His answer

0:42:00.440 --> 0:42:02.279
<v Speaker 1>is quite interesting. He says, I would have said no

0:42:02.400 --> 0:42:05.040
<v Speaker 1>in the past, but now I don't know. Clearly he's

0:42:05.080 --> 0:42:08.239
<v Speaker 1>had a bit of a rebirth as well, perhaps a

0:42:08.280 --> 0:42:11.719
<v Speaker 1>spiritual rebirth or a physical one. Still TBD on that,

0:42:12.640 --> 0:42:16.480
<v Speaker 1>and Natalia decides to free Desmond because it's time. It's

0:42:16.560 --> 0:42:19.600
<v Speaker 1>time to point the loaded gun at Duke for Chazy,

0:42:20.320 --> 0:42:22.640
<v Speaker 1>and that's exactly what we see happen in a couple

0:42:22.680 --> 0:42:25.680
<v Speaker 1>of scenes here Duke for Chesy once again confronting Havgo,

0:42:26.080 --> 0:42:29.480
<v Speaker 1>but this time Desmond makes an entrance and sort of

0:42:29.920 --> 0:42:30.880
<v Speaker 1>lightly cooks.

0:42:30.640 --> 0:42:34.319
<v Speaker 2>Him, puts him on defrost. Yeah.

0:42:34.719 --> 0:42:37.360
<v Speaker 3>I was like, oh, he's just as it was happening.

0:42:37.480 --> 0:42:39.799
<v Speaker 3>I was like, how are they gonna explain this? They're

0:42:39.840 --> 0:42:42.480
<v Speaker 3>just gonna kill the head of like a major house. Yeah,

0:42:42.520 --> 0:42:45.040
<v Speaker 3>And I was like, oh, okay, they're not gonna kill him,

0:42:45.040 --> 0:42:47.399
<v Speaker 3>They're just gonna toast the marshmallow a little bit here.

0:42:47.440 --> 0:42:50.160
<v Speaker 2>I was like, is that easier to explain that? Yeah? Like,

0:42:50.239 --> 0:42:52.560
<v Speaker 2>my guy ended up getting Freddy Krueger a bit.

0:42:52.960 --> 0:42:55.719
<v Speaker 3>I'm in the throne room and now is going to

0:42:55.760 --> 0:42:58.040
<v Speaker 3>show up at the next Lanzard meeting with a little

0:42:58.040 --> 0:42:59.520
<v Speaker 3>bit of the hound makeover.

0:42:59.600 --> 0:43:01.440
<v Speaker 1>He's going to show up like Jay Leno and be like,

0:43:01.480 --> 0:43:04.440
<v Speaker 1>I fell down set of stairs exactly.

0:43:04.560 --> 0:43:07.239
<v Speaker 2>Bro, you didn't fall down stairs. I was staying out

0:43:07.280 --> 0:43:10.120
<v Speaker 2>of the Kinton. I'm a lay billionaire, was staying on

0:43:10.200 --> 0:43:13.080
<v Speaker 2>the kit in and I fell. I was taking a ramp.

0:43:13.160 --> 0:43:14.520
<v Speaker 4>I fell and uh yeah.

0:43:15.080 --> 0:43:15.480
<v Speaker 2>Yeah.

0:43:15.520 --> 0:43:18.400
<v Speaker 3>It's very confusing how they think that's gonna work out.

0:43:18.440 --> 0:43:20.120
<v Speaker 3>But I do think it's sort of there, like, well,

0:43:20.160 --> 0:43:21.759
<v Speaker 3>you know, now we've got this guy, we can get

0:43:21.760 --> 0:43:23.080
<v Speaker 3>away with stuff that we didn't before.

0:43:23.120 --> 0:43:24.080
<v Speaker 2>They feel emboldened.

0:43:24.120 --> 0:43:26.839
<v Speaker 1>They are emboldened, certainly, I just don't feel like they

0:43:26.840 --> 0:43:27.680
<v Speaker 1>should be that bold.

0:43:27.840 --> 0:43:32.480
<v Speaker 4>That's my take. Fundamentally. It just doesn't feel like it's

0:43:32.520 --> 0:43:35.000
<v Speaker 4>that much of a game changing power. I mean, maybe

0:43:35.000 --> 0:43:37.080
<v Speaker 4>if you can nuke people from across the galaxy that

0:43:37.120 --> 0:43:38.000
<v Speaker 4>that's actually pretty good.

0:43:38.040 --> 0:43:38.719
<v Speaker 2>That's what he can do.

0:43:39.040 --> 0:43:41.359
<v Speaker 1>Yeah, and perhaps that's what he should have done, you know,

0:43:41.560 --> 0:43:43.319
<v Speaker 1>like why play your trump card in a way where

0:43:43.400 --> 0:43:45.440
<v Speaker 1>Duke for Chazy's just gonna go to the Landstrode and

0:43:45.440 --> 0:43:47.680
<v Speaker 1>be like, hey, he's got like a he's got like

0:43:47.680 --> 0:43:48.799
<v Speaker 1>a bluetooth like.

0:43:49.280 --> 0:43:54.319
<v Speaker 2>Rose, he's got this remote activated laser cooker. Not good.

0:43:54.440 --> 0:43:55.839
<v Speaker 2>You can use it against you too.

0:43:55.880 --> 0:43:58.040
<v Speaker 1>If the guy in the trench code walks into the room.

0:43:58.160 --> 0:44:01.800
<v Speaker 1>You gotta leave get it exactly. Yeah, it's a questionable

0:44:01.880 --> 0:44:04.680
<v Speaker 1>political move, and I can maybe come to terms with

0:44:04.719 --> 0:44:06.759
<v Speaker 1>it by just writing it off as like Havoco is

0:44:06.800 --> 0:44:08.959
<v Speaker 1>not the most politically savvy emperor, right.

0:44:08.880 --> 0:44:10.200
<v Speaker 2>And I think he likes feeling.

0:44:10.360 --> 0:44:13.800
<v Speaker 3>I think he's felt so unempowered, he's felt so weak

0:44:13.880 --> 0:44:16.200
<v Speaker 3>and dependent on that he's willing to just like run

0:44:16.239 --> 0:44:18.600
<v Speaker 3>with it. And like, you know, he's kind of been

0:44:18.600 --> 0:44:20.880
<v Speaker 3>worked into a corner now by his wife and you know,

0:44:20.920 --> 0:44:22.359
<v Speaker 3>everything else. So it's like, all right, I guess we're

0:44:22.360 --> 0:44:23.920
<v Speaker 3>gonna run with it. It is like kind of a big

0:44:23.920 --> 0:44:24.960
<v Speaker 3>beast situation.

0:44:24.719 --> 0:44:28.279
<v Speaker 1>Totally all right. Returning to Wallach nine, we see what

0:44:28.360 --> 0:44:31.600
<v Speaker 1>I think is actually my favorite sequence of this episode. Yes,

0:44:31.760 --> 0:44:36.600
<v Speaker 1>Lilah undergoes the agony. I thought, this is this is incredible,

0:44:36.640 --> 0:44:37.440
<v Speaker 1>this is top.

0:44:37.440 --> 0:44:40.120
<v Speaker 2>This is what can make a series. This scene of

0:44:40.160 --> 0:44:41.480
<v Speaker 2>the other memory.

0:44:41.880 --> 0:44:45.000
<v Speaker 4>Is hold on before we even get to it, just

0:44:45.040 --> 0:44:48.239
<v Speaker 4>like I poisons that location where they're doing it. She

0:44:48.320 --> 0:44:50.279
<v Speaker 4>goes to caress her, but then takes her head and

0:44:50.320 --> 0:44:54.440
<v Speaker 4>lays her down. All of the acolytes are watching, and

0:44:54.480 --> 0:44:57.560
<v Speaker 4>then the language all that matters is the light for

0:44:57.719 --> 0:45:01.640
<v Speaker 4>this poison. There is no antidote. I was like, hell, yes,

0:45:01.800 --> 0:45:02.400
<v Speaker 4>let's yes.

0:45:02.360 --> 0:45:02.919
<v Speaker 2>Yeah, it's good.

0:45:02.960 --> 0:45:04.160
<v Speaker 1>Yes, it was good.

0:45:04.320 --> 0:45:06.120
<v Speaker 3>I think you're right to call out the setting because

0:45:06.160 --> 0:45:09.520
<v Speaker 3>it does do this fun thing that like Dune does well,

0:45:09.560 --> 0:45:13.319
<v Speaker 3>which is this combination of ritual and science right where

0:45:13.360 --> 0:45:15.799
<v Speaker 3>like it looks like a laboratory, but they're doing like

0:45:15.840 --> 0:45:19.879
<v Speaker 3>a religious ceremony of some sort. That combination is very

0:45:19.920 --> 0:45:23.200
<v Speaker 3>fun and very on brand for the universe. And we've

0:45:23.239 --> 0:45:25.640
<v Speaker 3>just never seen this, like, this isn't the Spice agony,

0:45:25.800 --> 0:45:28.960
<v Speaker 3>and this is canonical, Like they do not always make

0:45:29.000 --> 0:45:32.239
<v Speaker 3>reverend mothers using the Spice essence, like they use other

0:45:32.360 --> 0:45:35.960
<v Speaker 3>forms of agony and treatments that they just need to

0:45:35.960 --> 0:45:39.680
<v Speaker 3>provoke some kind of interior crisis. But we've never we've

0:45:39.719 --> 0:45:42.640
<v Speaker 3>really never seen this. Even in Villano's Dune, we don't

0:45:42.680 --> 0:45:45.759
<v Speaker 3>get the interior life of what the contact with other

0:45:45.800 --> 0:45:49.600
<v Speaker 3>memory looks like. So it's a new development for Dune heads.

0:45:49.719 --> 0:45:54.080
<v Speaker 1>Yeah, and I think appropriately horror coded. Yeah, you know,

0:45:54.480 --> 0:45:59.320
<v Speaker 1>appropriately a difficult thing to undergo. Yeah, and it explains

0:45:59.360 --> 0:46:01.480
<v Speaker 1>so much about how the Benny Jesuit will operate for

0:46:01.520 --> 0:46:04.480
<v Speaker 1>the next ten thousand years in terms of abomination, in

0:46:04.600 --> 0:46:07.319
<v Speaker 1>terms of how delicate they are with other memory and

0:46:07.360 --> 0:46:09.719
<v Speaker 1>the use of it. I think it shows us like,

0:46:09.880 --> 0:46:13.120
<v Speaker 1>oh yeah, if I underwent this, I too would be

0:46:13.320 --> 0:46:17.240
<v Speaker 1>very careful around this sort of superpower. It's horrifying stuff.

0:46:17.360 --> 0:46:20.000
<v Speaker 4>I also just want to call out briefly, there hasn't

0:46:20.040 --> 0:46:24.160
<v Speaker 4>been consistency in how other memory works over the course

0:46:24.200 --> 0:46:24.760
<v Speaker 4>of the series.

0:46:24.800 --> 0:46:26.319
<v Speaker 2>That's true within Herbert as well.

0:46:26.440 --> 0:46:29.399
<v Speaker 4>Yeah, like initially it was like reverend mothers would share

0:46:29.440 --> 0:46:31.520
<v Speaker 4>with each other. In the later books, like at the

0:46:31.560 --> 0:46:34.040
<v Speaker 4>moment of death, they connect and then they pass over

0:46:34.239 --> 0:46:37.840
<v Speaker 4>their essentially their consciousness as opposed to just having the

0:46:37.880 --> 0:46:42.120
<v Speaker 4>memory or you have in God Emperor, like someone is

0:46:42.120 --> 0:46:45.400
<v Speaker 4>reliving memories of being on Canterbury Tales like walking.

0:46:45.800 --> 0:46:48.240
<v Speaker 2>So like my question is it's unclear.

0:46:48.400 --> 0:46:52.440
<v Speaker 4>Yeah, well, if you are accessing your genetic memory, but

0:46:52.640 --> 0:46:55.239
<v Speaker 4>sometimes the person who shows up at the end of

0:46:55.320 --> 0:46:59.520
<v Speaker 4>this episode in other memory, their reactions were based on

0:46:59.560 --> 0:47:02.440
<v Speaker 4>having been betrayed, which was something that happened after they

0:47:02.440 --> 0:47:05.920
<v Speaker 4>had passed on their genetic material. Yes, so is the

0:47:05.960 --> 0:47:10.800
<v Speaker 4>concept here that consciousness is something that transcends time and space,

0:47:11.320 --> 0:47:14.640
<v Speaker 4>and that access through genetic memory is what allows you

0:47:14.680 --> 0:47:17.120
<v Speaker 4>to basically get a beacon to connect to that consciousness

0:47:17.160 --> 0:47:18.720
<v Speaker 4>which still exists in some way.

0:47:19.040 --> 0:47:22.960
<v Speaker 3>Or there's a simulacrum of that person's consciousness that persists

0:47:23.080 --> 0:47:26.120
<v Speaker 3>in this like the memory space. It's not actually like

0:47:26.239 --> 0:47:29.359
<v Speaker 3>the real person, but it's the matrix uploaded version of

0:47:29.400 --> 0:47:32.839
<v Speaker 3>that person that like has like agentic will as though

0:47:32.840 --> 0:47:33.760
<v Speaker 3>they were that person.

0:47:33.880 --> 0:47:34.640
<v Speaker 2>But abu, where is.

0:47:34.600 --> 0:47:37.120
<v Speaker 4>That running aws? Or like where is that?

0:47:37.640 --> 0:47:41.040
<v Speaker 1>And that's the thing which cloud server is. We're all

0:47:41.239 --> 0:47:42.160
<v Speaker 1>where we're uploading.

0:47:42.360 --> 0:47:42.520
<v Speaker 2>You know.

0:47:42.560 --> 0:47:44.680
<v Speaker 1>It's that Black Mirror episode where they upload all the

0:47:44.960 --> 0:47:48.160
<v Speaker 1>after people die and they upload the consciousness. Right, yeah, yeah,

0:47:48.200 --> 0:47:51.400
<v Speaker 1>there is no law answer to this, right, I think, Jason,

0:47:51.440 --> 0:47:54.480
<v Speaker 1>you just said it. Frank Herbert himself just did whatever

0:47:54.480 --> 0:47:57.400
<v Speaker 1>he wanted with other memories as far as like telling

0:47:57.400 --> 0:48:00.160
<v Speaker 1>his stories. I don't think he nailed down exactly how

0:48:00.200 --> 0:48:02.440
<v Speaker 1>other memory worked. It continued to evolve and change in

0:48:02.480 --> 0:48:05.839
<v Speaker 1>every book. There's other examples. There's a certain character that

0:48:05.880 --> 0:48:08.400
<v Speaker 1>returns to Children of Dune for folks who know that

0:48:08.440 --> 0:48:11.280
<v Speaker 1>comes back via other memory and is like doing stuff

0:48:11.280 --> 0:48:13.560
<v Speaker 1>that like practically makes no sense for another memory to do.

0:48:14.239 --> 0:48:17.560
<v Speaker 1>I think the show, at least for me, gets a

0:48:17.600 --> 0:48:19.719
<v Speaker 1>free lore pass to use other memory how they want

0:48:19.760 --> 0:48:22.640
<v Speaker 1>in this instance, and Age, you're right, we are getting

0:48:22.640 --> 0:48:26.040
<v Speaker 1>this like we're tapping into Dorote who comes back and

0:48:26.040 --> 0:48:28.480
<v Speaker 1>takes over Lila in like a truly horrific moment. Dude,

0:48:28.640 --> 0:48:28.960
<v Speaker 1>got me?

0:48:29.360 --> 0:48:29.840
<v Speaker 4>That got me?

0:48:29.880 --> 0:48:32.560
<v Speaker 1>That was great. Yeah, to see abomination in that way

0:48:32.760 --> 0:48:36.120
<v Speaker 1>was and huge props to the actor as well.

0:48:36.080 --> 0:48:38.840
<v Speaker 4>And the visual effects of the dead face and stuff

0:48:38.880 --> 0:48:39.400
<v Speaker 4>like that.

0:48:39.360 --> 0:48:43.080
<v Speaker 1>Was really amazing stuff. But yeah, they really are sort

0:48:43.120 --> 0:48:45.680
<v Speaker 1>of like they're on who Wants to be a Millionaire

0:48:45.680 --> 0:48:47.719
<v Speaker 1>and they're just dialing in Riquella for help on the

0:48:47.760 --> 0:48:51.720
<v Speaker 1>million dollar question. And is that how Frank Kerbert intended

0:48:51.760 --> 0:48:54.040
<v Speaker 1>other memories to work. We don't know. I think it's

0:48:54.120 --> 0:48:56.319
<v Speaker 1>quite elusive and the lore never quite nails it down.

0:48:57.120 --> 0:48:59.279
<v Speaker 1>But it was still really fun to see here. And

0:48:59.320 --> 0:49:03.560
<v Speaker 1>I think the interpretation of all these spooky personas closing

0:49:03.640 --> 0:49:07.120
<v Speaker 1>in on you and you perhaps losing yourself within them

0:49:07.160 --> 0:49:09.720
<v Speaker 1>as they drown you. I thought it was really well done.

0:49:09.640 --> 0:49:12.399
<v Speaker 4>Yea Tula saying that they wake up hungry was amazing. Yes,

0:49:12.440 --> 0:49:15.279
<v Speaker 4>that was scary, But then Rackuella's message, the key to

0:49:15.320 --> 0:49:18.479
<v Speaker 4>the reckoning is one born twice once in blood once

0:49:18.600 --> 0:49:21.279
<v Speaker 4>in Spice, a revenant full of scars, a weapon of

0:49:21.360 --> 0:49:23.640
<v Speaker 4>war on a path too short.

0:49:23.840 --> 0:49:26.880
<v Speaker 1>Yeah, this made me think doctor SEUs could never honestly.

0:49:27.360 --> 0:49:32.400
<v Speaker 4>Yeah, but this read Paul to me, right, like he

0:49:32.400 --> 0:49:34.960
<v Speaker 4>he did not take the Golden Path. So like that

0:49:35.080 --> 0:49:36.120
<v Speaker 4>was how I was looking at it.

0:49:36.160 --> 0:49:39.719
<v Speaker 3>Well, one born twice is very hard to read. Is

0:49:39.800 --> 0:49:43.120
<v Speaker 3>not Gola related, right, I mean, like that is certainly

0:49:43.200 --> 0:49:44.080
<v Speaker 3>very Gola coded.

0:49:44.160 --> 0:49:46.919
<v Speaker 4>No born the second born in Spice? Is the water life?

0:49:46.960 --> 0:49:48.040
<v Speaker 4>Is Paul taking the water of life?

0:49:48.120 --> 0:49:48.359
<v Speaker 2>Yeah?

0:49:48.400 --> 0:49:52.239
<v Speaker 1>The coma scene perhaps, yeah? Yeah, maybe again vague, it's fair,

0:49:52.320 --> 0:49:55.320
<v Speaker 1>It's fair. Gola seems realistic. I think you could transplant

0:49:55.360 --> 0:49:59.200
<v Speaker 1>this on practically anyone, you know, Desmond, Yeah, for sure,

0:49:59.640 --> 0:50:02.680
<v Speaker 1>which maybe is the obvious red herring that the show

0:50:02.719 --> 0:50:05.400
<v Speaker 1>is wanting you to guess. But yes, Paul, certainly, I

0:50:05.440 --> 0:50:08.880
<v Speaker 1>think is a strong candidate. Another character after Paul, I

0:50:08.920 --> 0:50:12.359
<v Speaker 1>think is perhaps a great candidate as well. I will say,

0:50:12.440 --> 0:50:15.759
<v Speaker 1>I think the thing that this maybe shoots down is

0:50:15.840 --> 0:50:20.359
<v Speaker 1>like Omnius ai overlord, because like that, to me, is

0:50:20.400 --> 0:50:22.480
<v Speaker 1>not a character who is born in blood once and

0:50:22.520 --> 0:50:23.319
<v Speaker 1>then reborn in.

0:50:23.360 --> 0:50:25.360
<v Speaker 2>Spice, right, definitely not born in blood.

0:50:25.640 --> 0:50:28.440
<v Speaker 1>So this to me, at least is pointing towards a

0:50:28.480 --> 0:50:30.840
<v Speaker 1>person and perhaps not a robot.

0:50:30.920 --> 0:50:33.440
<v Speaker 3>I would like it not to be in a Trade's

0:50:33.600 --> 0:50:36.160
<v Speaker 3>ten thousand years from now. Like similarly, you know, I

0:50:37.200 --> 0:50:39.920
<v Speaker 3>would like it not to be somehow Paul Trade's returned.

0:50:40.040 --> 0:50:42.840
<v Speaker 2>I would like it to be something that's like a

0:50:42.880 --> 0:50:43.640
<v Speaker 2>new bit of lore.

0:50:43.760 --> 0:50:45.880
<v Speaker 3>And like I kind of agree that Desmond feels like

0:50:45.920 --> 0:50:48.640
<v Speaker 3>a head fake, like he's the obvious one right now,

0:50:48.840 --> 0:50:51.120
<v Speaker 3>but I would like it to be something else. But yeah,

0:50:51.120 --> 0:50:53.720
<v Speaker 3>it's fun. We get a prophecy. The name of the

0:50:53.760 --> 0:50:58.880
<v Speaker 3>show is like and it rhymes. It's a classic one.

0:50:59.440 --> 0:51:04.280
<v Speaker 3>I like that were in this dark, ghosty afterlife insane

0:51:04.320 --> 0:51:06.640
<v Speaker 3>asylum with their melty faces or whatever.

0:51:06.680 --> 0:51:08.239
<v Speaker 2>It's like, all right when we pass this message on.

0:51:08.400 --> 0:51:10.520
<v Speaker 2>The important thing is that it's in rhyming couplets.

0:51:10.560 --> 0:51:13.040
<v Speaker 3>Yes, like we've got we've got Yeah, We've got to

0:51:13.040 --> 0:51:14.080
<v Speaker 3>make sure we've got a good meter.

0:51:14.239 --> 0:51:16.640
<v Speaker 1>Riquello's other memory is like real bored and coming up

0:51:16.680 --> 0:51:18.719
<v Speaker 1>with a number of different rounds. She's got like a

0:51:18.719 --> 0:51:20.640
<v Speaker 1>notepad with scratched out, so it was.

0:51:20.840 --> 0:51:23.239
<v Speaker 3>Like, we're not doing it as a limerick for Christ's sake,

0:51:23.360 --> 0:51:24.719
<v Speaker 3>Like how many times I have.

0:51:24.680 --> 0:51:29.200
<v Speaker 1>To tell you I am a big pentameter sixteen sixty nine.

0:51:29.840 --> 0:51:32.319
<v Speaker 4>Yeah, but then that ancestor from sixteen sixty nine is no,

0:51:32.400 --> 0:51:33.239
<v Speaker 4>we gotta have it.

0:51:33.320 --> 0:51:37.560
<v Speaker 1>This is the I A bet that. All right, Let's

0:51:37.560 --> 0:51:41.680
<v Speaker 1>wrap up this summary with the final scene, which, oh oh,

0:51:41.719 --> 0:51:44.960
<v Speaker 1>this was juicy. In our final scene of episode two,

0:51:45.080 --> 0:51:49.600
<v Speaker 1>Valia returns to the palace, only to be confronted by Desmond,

0:51:50.000 --> 0:51:52.960
<v Speaker 1>who lets her know that she's been laid off. This

0:51:53.040 --> 0:51:54.640
<v Speaker 1>is a tough way to leave your job.

0:51:55.160 --> 0:51:56.480
<v Speaker 4>She's not extremely hardcore.

0:51:56.600 --> 0:51:59.480
<v Speaker 1>Your replacement is the one who tells who hands you

0:51:59.480 --> 0:52:01.280
<v Speaker 1>the pink slip and is like, you're laid off today.

0:52:02.040 --> 0:52:03.279
<v Speaker 2>Your email no longer worries.

0:52:03.680 --> 0:52:06.440
<v Speaker 1>Yeah, her slack account has been new to deactivated. A

0:52:06.480 --> 0:52:10.160
<v Speaker 1>tough day for Volley in the office. Desmond is like, look,

0:52:10.200 --> 0:52:12.920
<v Speaker 1>the Emperor doesn't trust you and the Sisterhood anymore. It's

0:52:12.960 --> 0:52:16.399
<v Speaker 1>all me, all the time now, baby, and Vollo puls

0:52:16.440 --> 0:52:18.480
<v Speaker 1>her trump card, the thing that she came up with

0:52:18.480 --> 0:52:21.399
<v Speaker 1>that we know that she invented the voice. She tries

0:52:21.440 --> 0:52:25.160
<v Speaker 1>to pull another Dorotea on Desmond and orders him to

0:52:25.239 --> 0:52:27.760
<v Speaker 1>remove the knife from his jacket, hold it to his throat,

0:52:28.160 --> 0:52:32.400
<v Speaker 1>drive it into his throat and seemingly he's able to

0:52:32.560 --> 0:52:36.640
<v Speaker 1>resist it, or maybe he's just playing along and duping

0:52:36.640 --> 0:52:40.640
<v Speaker 1>her on purpose, but we see him completely resist the voice. Valia,

0:52:41.040 --> 0:52:43.440
<v Speaker 1>shaken to her core, doesn't know what to do in

0:52:43.480 --> 0:52:46.480
<v Speaker 1>this moment, and Desmond does have a zinger for her

0:52:46.480 --> 0:52:49.440
<v Speaker 1>because he's like, your worst fear is to speak and

0:52:49.480 --> 0:52:52.200
<v Speaker 1>not be heard, which I thought was quite poignant.

0:52:52.600 --> 0:52:53.080
<v Speaker 2>Yeah.

0:52:53.239 --> 0:52:55.160
<v Speaker 4>Well yeah, not that they wouldn't get, not that they

0:52:55.200 --> 0:52:57.560
<v Speaker 4>wouldn't hear you, but that they would hear you and

0:52:57.880 --> 0:52:59.320
<v Speaker 4>just and just not care.

0:52:59.640 --> 0:53:05.160
<v Speaker 1>Yes, which takes even further, you know, for an institution

0:53:05.280 --> 0:53:07.200
<v Speaker 1>whose entire purpose is to influence.

0:53:07.239 --> 0:53:09.439
<v Speaker 4>And there were high fives in the writer's room that day.

0:53:09.480 --> 0:53:13.520
<v Speaker 2>I will tell you we got one on that one. Yeah, yeah, Yeah,

0:53:13.600 --> 0:53:14.040
<v Speaker 2>it was good.

0:53:14.120 --> 0:53:15.880
<v Speaker 1>This was a great scene to end on I think.

0:53:15.880 --> 0:53:17.720
<v Speaker 4>Super strong, super strong.

0:53:17.920 --> 0:53:20.480
<v Speaker 3>Yeah, it made me very excited for the like, But

0:53:20.680 --> 0:53:23.360
<v Speaker 3>like I had my critiques, Like I was confessed in

0:53:23.400 --> 0:53:27.319
<v Speaker 3>the first half of this episode, I sort of had

0:53:27.360 --> 0:53:30.640
<v Speaker 3>my doubts about episode one as well, where I was like, Okay,

0:53:30.640 --> 0:53:32.759
<v Speaker 3>it's a lot of setup, Like we're getting a lot

0:53:32.760 --> 0:53:34.200
<v Speaker 3>of set up and I don't know really what it's

0:53:34.239 --> 0:53:35.880
<v Speaker 3>point to. They're kind of making a lot of bets.

0:53:35.880 --> 0:53:37.640
<v Speaker 3>We'll see what they can pay off. And then this

0:53:37.719 --> 0:53:39.680
<v Speaker 3>episode two is like, we're still getting a lot of

0:53:39.680 --> 0:53:42.120
<v Speaker 3>set up. I don't really know what we're pointing at yet.

0:53:42.440 --> 0:53:44.680
<v Speaker 3>And then the second half getting the scene of other

0:53:44.760 --> 0:53:47.320
<v Speaker 3>memory is like enough to lock me into this series

0:53:47.600 --> 0:53:50.640
<v Speaker 3>for the whole thing. And then this you know, oh,

0:53:50.680 --> 0:53:53.520
<v Speaker 3>actually I've got the voice combo breaker and you're gonna

0:53:53.560 --> 0:53:54.960
<v Speaker 3>have to like take You're gonna have to take that

0:53:55.000 --> 0:53:56.480
<v Speaker 3>power pack to the shop and see if you can

0:53:56.520 --> 0:53:59.680
<v Speaker 3>work on another version. That was real strong. So I

0:53:59.760 --> 0:54:01.960
<v Speaker 3>was very excited about the second half of the episode went.

0:54:02.280 --> 0:54:05.759
<v Speaker 4>But ABU, if you're flying in from Wallach nine to

0:54:06.000 --> 0:54:09.640
<v Speaker 4>like set things right, maybe don't take off for four

0:54:09.680 --> 0:54:12.319
<v Speaker 4>to six hours to go meet your secret agent on

0:54:12.400 --> 0:54:15.399
<v Speaker 4>the nice boat while everything is happening and then show

0:54:15.480 --> 0:54:18.000
<v Speaker 4>up in the middle of the night and you're already right,

0:54:18.120 --> 0:54:19.480
<v Speaker 4>Maybe stick around.

0:54:19.239 --> 0:54:24.480
<v Speaker 1>Totally, Delegate, delegate, delegate right, like exactly, the mother Superior

0:54:25.000 --> 0:54:27.359
<v Speaker 1>be in the most important spot, which is right next

0:54:27.400 --> 0:54:29.680
<v Speaker 1>to the emperor, you know, send somebody else to meet Mikayla.

0:54:29.840 --> 0:54:33.640
<v Speaker 3>Yes, she does, bring dear Theodosia with her back to

0:54:34.040 --> 0:54:36.759
<v Speaker 3>Solici Sekonda's that's right, one of the accolades for no

0:54:37.040 --> 0:54:40.120
<v Speaker 3>particular reason in this episode, well, just a bond.

0:54:40.160 --> 0:54:43.480
<v Speaker 2>But like I like this character. I like this Theodosia character,

0:54:43.600 --> 0:54:44.080
<v Speaker 2>so I'm.

0:54:43.960 --> 0:54:45.799
<v Speaker 1>Interested to see. I think there's more to come. I

0:54:45.840 --> 0:54:48.200
<v Speaker 1>think that this was a setup for potential stuff in

0:54:48.280 --> 0:54:51.840
<v Speaker 1>episode three. Perhaps, well let's take another quick breather, guys

0:54:52.320 --> 0:54:54.120
<v Speaker 1>and toss to an ad break. But we'll be right

0:54:54.160 --> 0:54:58.759
<v Speaker 1>back with our final thoughts, and maybe we'll tap into

0:54:58.760 --> 0:55:01.840
<v Speaker 1>presciens and predict what we might see in the future episodes.

0:55:01.880 --> 0:55:16.120
<v Speaker 5>We'll see you in a minute.

0:55:17.320 --> 0:55:21.000
<v Speaker 1>All right, we're back, Jason h. This has been such

0:55:21.080 --> 0:55:23.520
<v Speaker 1>an incredible conversation. I've loved geeking out with the two

0:55:23.560 --> 0:55:27.080
<v Speaker 1>of you. To wrap up today, I'm very curious zooming

0:55:27.080 --> 0:55:29.840
<v Speaker 1>out big picture thoughts were now two episodes into a

0:55:29.880 --> 0:55:33.000
<v Speaker 1>six episode first season of Dune Prophecy. Where are you

0:55:33.040 --> 0:55:35.040
<v Speaker 1>at with this show and where do you think we're headed?

0:55:35.840 --> 0:55:39.120
<v Speaker 4>I think the show is firing now. I'm stoked to

0:55:39.120 --> 0:55:41.040
<v Speaker 4>see how it's going to develop. It's going to be

0:55:41.040 --> 0:55:43.560
<v Speaker 4>super interesting. Now we're going to jump back right and

0:55:43.600 --> 0:55:46.560
<v Speaker 4>see young Valia and her story with her family and

0:55:46.600 --> 0:55:48.919
<v Speaker 4>how she got going and I actually think the young

0:55:49.000 --> 0:55:52.920
<v Speaker 4>actresses that are playing in those early days with Raquela,

0:55:53.120 --> 0:55:55.120
<v Speaker 4>I think that is a part I would have almost

0:55:55.200 --> 0:55:56.920
<v Speaker 4>liked for them to have just started there and rolled

0:55:56.920 --> 0:55:59.600
<v Speaker 4>through so that we were established with them from the beginning.

0:56:00.080 --> 0:56:01.840
<v Speaker 4>So yeah, I can't wait to see what that turn is.

0:56:02.160 --> 0:56:05.759
<v Speaker 4>I'm also super curious, like in Denise World, we've never

0:56:05.800 --> 0:56:09.800
<v Speaker 4>met the Tilaxu, we've never met the Ixians, we haven't

0:56:09.840 --> 0:56:13.920
<v Speaker 4>seen navigators. So I'm curious if there's any stuff that

0:56:13.920 --> 0:56:16.560
<v Speaker 4>they're gonna be able to drop here or whether they

0:56:16.640 --> 0:56:19.960
<v Speaker 4>just like WB like holding them in check. So I'm

0:56:20.000 --> 0:56:22.080
<v Speaker 4>just curious to see how that develops and as they

0:56:22.120 --> 0:56:24.960
<v Speaker 4>just get more more confident and roll through the season.

0:56:25.880 --> 0:56:28.719
<v Speaker 3>It is interesting we've gotten through the first act I

0:56:28.760 --> 0:56:31.319
<v Speaker 3>guess of the show, and you know, we've seen sort

0:56:31.360 --> 0:56:32.800
<v Speaker 3>of the limits of like the main.

0:56:32.640 --> 0:56:33.560
<v Speaker 2>Pieces on the board.

0:56:33.880 --> 0:56:36.439
<v Speaker 3>I don't know if, given like the relative limited run

0:56:36.480 --> 0:56:38.280
<v Speaker 3>of the show, if they have a lot of leeway

0:56:38.320 --> 0:56:41.120
<v Speaker 3>to start bringing in a lot more different pieces in

0:56:41.239 --> 0:56:43.600
<v Speaker 3>terms of yeah, you know, and like okay, and now

0:56:43.600 --> 0:56:46.239
<v Speaker 3>the Ixians are here now, like the tile Laxu. You know,

0:56:46.280 --> 0:56:48.200
<v Speaker 3>it's like it will require a lot more sort of

0:56:48.440 --> 0:56:51.080
<v Speaker 3>exposition to start bringing that in, and I'm loathed for

0:56:51.120 --> 0:56:53.200
<v Speaker 3>them to do that because i think they've got some

0:56:53.360 --> 0:56:55.520
<v Speaker 3>cool pieces on right on the board right now. And

0:56:55.560 --> 0:56:59.000
<v Speaker 3>I like the structure of this where it's kind of

0:56:59.080 --> 0:57:02.879
<v Speaker 3>unclear who the protagonist of this show is at this point. Yeah,

0:57:02.920 --> 0:57:06.319
<v Speaker 3>you know, who are you actually four on this show?

0:57:06.400 --> 0:57:09.680
<v Speaker 2>Yeah? Like, who are you actually hoping to succeed? And

0:57:09.719 --> 0:57:10.600
<v Speaker 2>it's like they.

0:57:10.520 --> 0:57:13.120
<v Speaker 3>Killed off one of the people that was maybe a

0:57:13.160 --> 0:57:16.920
<v Speaker 3>cannon for that in this episode, and so I'm interested

0:57:16.920 --> 0:57:19.360
<v Speaker 3>to see who end up who ends up being the

0:57:19.400 --> 0:57:22.960
<v Speaker 3>audience proxy most closely in the next couple episodes.

0:57:23.360 --> 0:57:24.920
<v Speaker 2>I think you can make an argument for five or

0:57:24.960 --> 0:57:26.360
<v Speaker 2>six different characters at this point.

0:57:26.480 --> 0:57:30.320
<v Speaker 4>Well, spoiler, Lilah is still alive. Right in the Coming Attractions,

0:57:30.360 --> 0:57:33.560
<v Speaker 4>they showed Lilah like in some sort of tank or something.

0:57:33.800 --> 0:57:35.000
<v Speaker 2>Oh they tanked her.

0:57:35.160 --> 0:57:38.040
<v Speaker 1>Yes, I believe she's in some sort of coma based

0:57:38.080 --> 0:57:39.360
<v Speaker 1>on the preview thing that they showed.

0:57:39.360 --> 0:57:42.040
<v Speaker 4>Okay, all right, right, so maybe she'll find her way back.

0:57:42.080 --> 0:57:44.240
<v Speaker 1>I'm rooting for her then, But I do agree. I

0:57:44.280 --> 0:57:47.160
<v Speaker 1>think one of my central criticisms so far, as much

0:57:47.200 --> 0:57:49.840
<v Speaker 1>as I'm enjoying the show, I'm still feeling a little

0:57:50.040 --> 0:57:52.840
<v Speaker 1>emotionally lost right right, Like who am I supposed to

0:57:52.880 --> 0:57:53.640
<v Speaker 1>invest myself?

0:57:53.720 --> 0:57:53.919
<v Speaker 2>Yeah?

0:57:53.960 --> 0:57:56.520
<v Speaker 1>Connect to who am I supposed to connect to most?

0:57:57.000 --> 0:57:59.200
<v Speaker 1>And I would have hoped that by the time we

0:57:59.200 --> 0:58:01.600
<v Speaker 1>were at the end of this first act again a

0:58:01.720 --> 0:58:03.880
<v Speaker 1>very short season where a third of the way through

0:58:03.920 --> 0:58:06.400
<v Speaker 1>it already with episodes one and two. I would have

0:58:06.440 --> 0:58:09.479
<v Speaker 1>hoped by now that I the viewer would have known

0:58:10.080 --> 0:58:10.840
<v Speaker 1>who I've been rooted for.

0:58:10.920 --> 0:58:13.000
<v Speaker 3>Yeah, because I'm deminitely not rooting for these like rebel

0:58:13.280 --> 0:58:17.640
<v Speaker 3>right weirdos, like they seem like clowns like they do. Yeah,

0:58:17.760 --> 0:58:19.440
<v Speaker 3>I'm gonna need I'm gonna need someone else to be

0:58:19.480 --> 0:58:19.960
<v Speaker 3>four than them.

0:58:20.040 --> 0:58:22.160
<v Speaker 1>And Mark Strong is fun to watch, but like, am

0:58:22.200 --> 0:58:24.320
<v Speaker 1>I rooting for these seems terrible?

0:58:24.720 --> 0:58:26.240
<v Speaker 2>Yeah, we don't want them to do well.

0:58:26.480 --> 0:58:30.440
<v Speaker 3>Valia like kind of Vala seems like actually might just

0:58:30.440 --> 0:58:32.160
<v Speaker 3>be the antagonist of the show, like it might be

0:58:32.200 --> 0:58:34.200
<v Speaker 3>the one that has to like might have to go

0:58:34.280 --> 0:58:36.920
<v Speaker 3>away because she's just done a bit too much murder.

0:58:37.240 --> 0:58:39.160
<v Speaker 2>Yeah, so it's hard to know who we're supposed.

0:58:38.880 --> 0:58:40.680
<v Speaker 3>To be for in this And like Tula, like going

0:58:40.680 --> 0:58:42.840
<v Speaker 3>back to the beginning of our conversation, like reads as

0:58:42.880 --> 0:58:46.560
<v Speaker 3>like the nice cop, Benny juzzer it who has more

0:58:46.600 --> 0:58:50.240
<v Speaker 3>interest in still Acab exactly.

0:58:50.040 --> 0:58:52.320
<v Speaker 2>I'm not really I'm not really buying it. Like I

0:58:52.320 --> 0:58:54.480
<v Speaker 2>think she might be I think she might be sus too.

0:58:54.560 --> 0:58:57.080
<v Speaker 2>So yeah, hard to say who we're for, hard to

0:58:57.080 --> 0:58:58.640
<v Speaker 2>say who we're emotionally invested in.

0:58:58.800 --> 0:59:01.280
<v Speaker 1>Yeah, I like he know I'm with ing z.

0:59:01.560 --> 0:59:04.080
<v Speaker 2>Yeah, I do too, she's my ride or I I agree.

0:59:04.160 --> 0:59:07.240
<v Speaker 1>Yeah, I really hope that in the third episode things

0:59:07.280 --> 0:59:10.480
<v Speaker 1>start to coalesce. Like Jason, to your point, adding more

0:59:10.600 --> 0:59:13.560
<v Speaker 1>things now I think would be a bad idea because

0:59:13.600 --> 0:59:16.960
<v Speaker 1>of the shorts run time. I think actually more focus

0:59:17.120 --> 0:59:18.920
<v Speaker 1>is what's needed now, Like I would like thanks to

0:59:18.960 --> 0:59:21.840
<v Speaker 1>coals together and for a forward thrust.

0:59:21.920 --> 0:59:26.000
<v Speaker 4>But somebody's behind Desmond, Yes, right, that's the thing. It's

0:59:26.040 --> 0:59:29.520
<v Speaker 4>not just I don't think Shai Halud chose Desmond and

0:59:29.600 --> 0:59:32.760
<v Speaker 4>turned him into something. I think that's I think that's

0:59:32.800 --> 0:59:35.360
<v Speaker 4>our story that we have. But I think someone else

0:59:35.520 --> 0:59:37.720
<v Speaker 4>is doing something for Desmond, and we don't know who

0:59:37.720 --> 0:59:41.240
<v Speaker 4>that is yet, gotcha. So that's what I'm waiting to see.

0:59:41.000 --> 0:59:44.200
<v Speaker 1>Right, and whether that's till till I lack you Exian,

0:59:45.480 --> 0:59:48.000
<v Speaker 1>I suppose that's whatever Guild whoever that might be.

0:59:48.040 --> 0:59:49.600
<v Speaker 4>We'll find out, We'll find out.

0:59:49.640 --> 0:59:50.280
<v Speaker 2>I'm excited.

0:59:50.560 --> 0:59:52.560
<v Speaker 3>Yeah, I'm definitely gonna I'm definitely gonna watch it if

0:59:52.600 --> 0:59:54.600
<v Speaker 3>you convince me. Yeah, Well, last thirty minutes of this

0:59:54.640 --> 0:59:57.080
<v Speaker 3>one convinced me that I was excited for the show,

0:59:57.160 --> 0:59:58.200
<v Speaker 3>which was yes, which was great.

0:59:58.240 --> 1:00:00.240
<v Speaker 4>It's for us, It is for the three of us

1:00:00.240 --> 1:00:00.560
<v Speaker 4>for sure.

1:00:00.680 --> 1:00:01.720
<v Speaker 2>Yeah, exactly.

1:00:01.880 --> 1:00:04.480
<v Speaker 4>I don't know about anybody else, but I mean that is.

1:00:04.520 --> 1:00:06.840
<v Speaker 2>I mean maybe we could if you have, like who's

1:00:06.880 --> 1:00:09.040
<v Speaker 2>watching this show? Like is this working for each meal?

1:00:09.160 --> 1:00:11.680
<v Speaker 3>Like cause it's it is a deeply nerdy show like

1:00:11.720 --> 1:00:15.000
<v Speaker 3>this one's even compared to like the Expanse or something.

1:00:15.280 --> 1:00:16.160
<v Speaker 2>The Expanse has.

1:00:16.080 --> 1:00:19.720
<v Speaker 3>A bit more of like a whizbang kind of space

1:00:19.760 --> 1:00:21.560
<v Speaker 3>adventure aspect to it.

1:00:21.560 --> 1:00:23.560
<v Speaker 1>It's got it's got sort of like a Western vibe

1:00:23.560 --> 1:00:25.360
<v Speaker 1>to it that I think might attract to Yeah.

1:00:25.480 --> 1:00:28.600
<v Speaker 3>Maybe Foundation is like the closest analog for this one,

1:00:28.680 --> 1:00:34.080
<v Speaker 3>where it is like this pretty cerebral, intricate, galaxy spanning

1:00:34.680 --> 1:00:37.280
<v Speaker 3>like generational, weird kind of thing.

1:00:37.360 --> 1:00:38.040
<v Speaker 2>Yeah, yeah, I don't know.

1:00:38.120 --> 1:00:40.040
<v Speaker 1>I think that's a great question. I will be very

1:00:40.080 --> 1:00:42.439
<v Speaker 1>interested to see at the end of a six episode run,

1:00:42.720 --> 1:00:45.400
<v Speaker 1>are they stoked where this show lands, yeah, and who

1:00:45.480 --> 1:00:49.400
<v Speaker 1>it's captured, right, Like, I don't necessarily have I'm obviously

1:00:49.440 --> 1:00:51.560
<v Speaker 1>known among my friends and family as the as the

1:00:51.640 --> 1:00:56.000
<v Speaker 1>Dune guy, So I don't really have like any aunts

1:00:56.240 --> 1:01:00.240
<v Speaker 1>or moms texting me questions about Testamond, you know, which

1:01:00.240 --> 1:01:02.640
<v Speaker 1>is usually a good barometer, right, like for shows that

1:01:02.720 --> 1:01:06.000
<v Speaker 1>are really popping into the mainstream. Yes, I will get

1:01:06.040 --> 1:01:09.480
<v Speaker 1>texts from like weird people I don't talk to, you know,

1:01:09.560 --> 1:01:11.320
<v Speaker 1>family members, is what I mean by that. Yeah, but

1:01:11.680 --> 1:01:14.600
<v Speaker 1>family members, Like what's happening in House of Dragon right now?

1:01:14.600 --> 1:01:15.360
<v Speaker 1>Can you explain it?

1:01:15.400 --> 1:01:15.880
<v Speaker 2>Yes?

1:01:16.040 --> 1:01:17.200
<v Speaker 1>Yes, And I haven't gotten it.

1:01:17.200 --> 1:01:19.200
<v Speaker 4>It's not there. It's not doing House of Dragons numbers

1:01:19.240 --> 1:01:22.160
<v Speaker 4>for sure, Yeah, for sure, for sure some penguin people

1:01:22.320 --> 1:01:23.240
<v Speaker 4>may be asking, but.

1:01:23.320 --> 1:01:26.920
<v Speaker 1>Yeah, exactly. Well, Jason h. This has been so lovely.

1:01:27.360 --> 1:01:29.320
<v Speaker 1>I want to give you both space here at the

1:01:29.400 --> 1:01:31.760
<v Speaker 1>end of the episode to sort of tell the X

1:01:31.840 --> 1:01:34.920
<v Speaker 1>ray Vision listeners where they can find you and your

1:01:34.920 --> 1:01:37.600
<v Speaker 1>work online and what you're up to and plug anything

1:01:37.640 --> 1:01:38.160
<v Speaker 1>you want to share.

1:01:38.480 --> 1:01:41.480
<v Speaker 4>Well, definitely check out the podcast. So we have done

1:01:41.520 --> 1:01:44.400
<v Speaker 4>two hundred and twenty three episodes over the last four years.

1:01:44.400 --> 1:01:48.000
<v Speaker 4>We get into all of your favorite movies. We've done

1:01:48.080 --> 1:01:52.040
<v Speaker 4>all the Dune books, the first six books that Frank wrote,

1:01:52.600 --> 1:01:54.760
<v Speaker 4>and we have guests every single week. I boo, we

1:01:54.800 --> 1:01:56.880
<v Speaker 4>got to get you on the pod. Absolutely, I would

1:01:56.880 --> 1:01:59.720
<v Speaker 4>love to. We just had Rosy on last month for Twilight.

1:02:00.040 --> 1:02:02.520
<v Speaker 4>We had Rosie on for Chronicles of Riddick. We had

1:02:02.640 --> 1:02:06.240
<v Speaker 4>Jason and Rosie on for X Men two thousand and

1:02:06.320 --> 1:02:08.520
<v Speaker 4>so it's just we have a great time and we

1:02:08.560 --> 1:02:11.080
<v Speaker 4>get deep into the movies you love, so come check

1:02:11.120 --> 1:02:11.439
<v Speaker 4>it out.

1:02:11.600 --> 1:02:12.040
<v Speaker 2>That's right.

1:02:12.320 --> 1:02:15.120
<v Speaker 3>I think we started off as a Dune podcast during

1:02:15.200 --> 1:02:16.960
<v Speaker 3>the pandemic, So if you go back to the earliest

1:02:17.000 --> 1:02:18.680
<v Speaker 3>run of the show and you're into Dune, you can

1:02:18.720 --> 1:02:21.920
<v Speaker 3>find literally hours and hours on Dune stuff. And then

1:02:22.320 --> 1:02:26.040
<v Speaker 3>because the movie got pushed and we just kept and

1:02:26.080 --> 1:02:27.880
<v Speaker 3>we found like a community of people were interested in

1:02:28.200 --> 1:02:30.280
<v Speaker 3>listening to the pod. We just kept doing things that

1:02:30.320 --> 1:02:32.919
<v Speaker 3>we liked, and that for me was like, I want

1:02:32.920 --> 1:02:34.520
<v Speaker 3>to cover war games. It's like, we what does that

1:02:34.560 --> 1:02:38.440
<v Speaker 3>have to do with Dune? Absolutely nothing that tries to

1:02:38.480 --> 1:02:41.200
<v Speaker 3>destroy the world. And so we just started doing movies

1:02:41.200 --> 1:02:43.560
<v Speaker 3>that we liked, mostly from our childhood, and it's been

1:02:43.600 --> 1:02:45.800
<v Speaker 3>really fun and we have like you know, discord with

1:02:45.960 --> 1:02:48.600
<v Speaker 3>people that we hang out with online. And it's I

1:02:48.680 --> 1:02:51.080
<v Speaker 3>think one of the reasons we call the podcast escape patches,

1:02:51.160 --> 1:02:53.880
<v Speaker 3>both because the movies represent, you know, an escape from

1:02:53.880 --> 1:02:56.640
<v Speaker 3>everyday life, but the community, the online community that we

1:02:56.680 --> 1:02:59.560
<v Speaker 3>founded proved to be a nice escape patch from the

1:02:59.600 --> 1:03:02.920
<v Speaker 3>dominant paradigm of social media that was descending into madness

1:03:03.000 --> 1:03:05.040
<v Speaker 3>over the last couple of years, and it's proven to

1:03:05.080 --> 1:03:07.880
<v Speaker 3>be a nice respite from the broader discourse.

1:03:08.000 --> 1:03:09.080
<v Speaker 2>As I say, you're.

1:03:08.920 --> 1:03:11.200
<v Speaker 1>Here, that's wonderful. And we'll have links to all that

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<v Speaker 1>stuff in the show notes below, folks, so definitely check

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<v Speaker 1>out Jason n H's work. On tomorrow's very thankful episode

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<v Speaker 1>of X ray Vision, Jason and Rosie will be sharing

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<v Speaker 1>their favorite Thanksgiving movies and asking the very important and

1:03:25.760 --> 1:03:30.080
<v Speaker 1>confounding question what even is a Thanksgiving movie? And then

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<v Speaker 1>on Friday's episode, Joelle and Carmen are beginning their journey

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<v Speaker 1>into the Robert Eggers cinematic universe with a deep dive

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<v Speaker 1>into which and they will be working through the Robert

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<v Speaker 1>Eggers movie catalog leading up to Nos Faratu on Christmas.

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<v Speaker 2>Incredible, very excited for that one.

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<v Speaker 1>Oh yeah, that's it. For the episode. Thanks so much

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<v Speaker 1>for listening everyone, Bye, Thank you, Jason nho.

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<v Speaker 6>X ray Vision is hosted by Jason Gisubson and Rosie

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<v Speaker 6>Knight and is a production of iHeart Podcasts. Our executive

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<v Speaker 6>producers are Joelle Smith and Aaron Kaufman. Our supervising producer

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<v Speaker 6>is a Boo Zafar. Our producers are Carmen Laurent and

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<v Speaker 6>Mia Taylor. Our theme song is by Brian Basquez. Special

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<v Speaker 6>thanks to Soul Rubin and Chris Laude, Kenny Goodman and

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<v Speaker 6>Heidi

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<v Speaker 5>Our discolld Moderata