WEBVTT - Indecent Exposure?

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<v Speaker 1>It's nine O gen one Elegie with Jenny Garth and

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<v Speaker 1>Tory spelling Okay, okay, okay, get excited. It's season seven,

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<v Speaker 1>episode fifteen, Phantom of CEU, aired January fifteen, nineteen ninety seven.

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<v Speaker 2>Synopsis. Donna's forecast goes from partly cloudy, it is super

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<v Speaker 2>scary when a stalker keeps calling. Steve plays police detective

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<v Speaker 2>when he's asked to find a phantom on the CU campus,

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<v Speaker 2>and Cupid's arrow is anomenose when Kelly dates a brit

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<v Speaker 2>who speaks in prose. Plus, Tom Miller makes an impression

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<v Speaker 2>when he pulls off a Donna Lewis p pad performance.

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<v Speaker 1>Directed by Leslandau, written by Steve Wasserman. I just realized

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<v Speaker 1>we didn't say hi hi, oh hi hi, that I

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<v Speaker 1>was so excited to talk about this the Phantom, that

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<v Speaker 1>I forgot what we were, what we were even doing.

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<v Speaker 2>This episode's really exciting. Did you think, yeah, you know

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<v Speaker 2>what I'm really to sing? Like, oh gosh, the fashion

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<v Speaker 2>is just totally different now.

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<v Speaker 1>It's so like end of nineties. It's like mid end, right.

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<v Speaker 2>Yeah, like it's like happening.

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<v Speaker 1>It's cool now. It's not well, with some exceptions, specifically

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<v Speaker 1>for Kelly her date outfit with the weird guy.

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<v Speaker 2>Oh, I didn't mind that the suit, the two piece

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<v Speaker 2>like royal blue, that one that one suit. Oh, with

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<v Speaker 2>that guy, I thought you meant the double date. I

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<v Speaker 2>like the double date.

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<v Speaker 1>One double date was great. It seemed appropriate though for

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<v Speaker 1>that guy, Like she almost dressed for mister Shakespeare and

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<v Speaker 1>she didn't even know it. Yeah, I don't know. AnyWho,

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<v Speaker 1>How are we? Everybody's good. Amy's not with us today,

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<v Speaker 1>you guys. Sorry to disappoint, but she had some things

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<v Speaker 1>that she needed to take care of.

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<v Speaker 2>So it's just us today, I know. And she'd be like, Oh,

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<v Speaker 2>they don't care, but they care. You guys care you love.

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<v Speaker 1>Amy, We care, you care.

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<v Speaker 2>Yeah. But I think we can have super fandom.

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<v Speaker 1>I'll be you and I sound like we're becoming super fans,

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<v Speaker 1>So I think it's okay.

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<v Speaker 2>Are do we have to look in our eyes yet?

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<v Speaker 1>Oh? No, No, I don't have the look. Do you

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<v Speaker 1>have the look tired eyes?

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<v Speaker 2>No? I don't think so.

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<v Speaker 1>And I don't think I have enough energy to have

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<v Speaker 1>that the same like superfan look. But we love it

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<v Speaker 1>when we see it. Wow, okay, okay, should we start?

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<v Speaker 1>Oh my gosh, I feel like I want to jump

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<v Speaker 1>right to the to the part that maybe people didn't see,

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<v Speaker 1>which is the Donna Lewis of it all.

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<v Speaker 2>Hearing her sing brought back all the feels.

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<v Speaker 1>I love you always forever. I don't think it was

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<v Speaker 1>such a good song. It really did take me back.

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<v Speaker 2>That was such a good song.

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<v Speaker 1>But did everybody get to hear that, like all the

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<v Speaker 1>people that are listening to our pot or did they

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<v Speaker 1>get to hear that?

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<v Speaker 2>I think no? I think no. I hate that. So

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<v Speaker 2>we want you to envision her playing and singing that

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<v Speaker 2>song for all of us at the peach pit after dark.

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<v Speaker 2>Oh my gosh, such memories.

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<v Speaker 1>I just know that she teamed up with Richard Marx

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<v Speaker 1>for a hit that they did at the beginning for

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<v Speaker 1>the Anastagia soundtrack.

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<v Speaker 2>Are you reading this or you know this from memory research? Lady?

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<v Speaker 1>But yeah, that's that doesn't even mean anything to me, honestly,

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<v Speaker 1>because I don't remember that at all. I mean, I know,

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<v Speaker 1>isn't Richard Marks married to somebody Daisy Flint does. Yes, Yes,

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<v Speaker 1>they've been married for a long time.

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<v Speaker 2>I like her.

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<v Speaker 1>That's a that's a Hollywood success story, right chair.

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<v Speaker 2>This don't happen often, not for us.

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<v Speaker 1>We're changing that. We're changing that for those of you

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<v Speaker 1>that didn't get to see. She was just seated behind

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<v Speaker 1>a keyboard right mm hmm and singing beautifully.

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<v Speaker 2>It look good to me.

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<v Speaker 1>I wanted to get up and dance, like I was like, Hi,

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<v Speaker 1>Kelly and Donna would absolutely be dancing today, yes.

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<v Speaker 2>Like I just wanted those boys to all go away

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<v Speaker 2>and you and I would just like dore our girl

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<v Speaker 2>thing and.

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<v Speaker 1>Like, uh huh, there's no chance we would have been

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<v Speaker 1>still sitting there like grown ups listening to music.

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<v Speaker 2>Oh my gosh, you know what, music like that, but

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<v Speaker 2>that was new music then. Like if we had that now,

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<v Speaker 2>I feel like we would want to do like a

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<v Speaker 2>slumber party, you know, and have no boys and have

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<v Speaker 2>like our cozy sweats on and just be dancing eating popcorn.

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<v Speaker 2>We should bring that back.

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<v Speaker 1>Doing face masks.

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<v Speaker 2>Which ones like like the snail excreation or what is it?

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<v Speaker 1>Or the or the salmon salmon sperm? Is that it?

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<v Speaker 2>There's so many masks now, you guys, have you seen

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<v Speaker 2>the zombie one?

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<v Speaker 1>What's it? It hardens?

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<v Speaker 2>I don't know. Instagram made me buy it. It showed

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<v Speaker 2>it showed the Kardashians using it. I was like, okay, so.

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<v Speaker 1>We're talking about face masks. People, hold on, this is

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<v Speaker 1>very important because.

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<v Speaker 2>Yeah, oh my gosh, there's so many now. So I

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<v Speaker 2>didn't realize that if I look at something like my

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<v Speaker 2>fo you page on Instagram, it starts. So I was

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<v Speaker 2>just like, God, you didn't know this, I know. So

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<v Speaker 2>I just thought like, wow, there's just like everyone's getting

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<v Speaker 2>to see these face masks over and over. It's like, no,

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<v Speaker 2>I'm seeing it because I specifically clicked and bought one.

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<v Speaker 2>Now they're showing me all of them, but the zombie one.

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<v Speaker 2>I haven't gotten it yet, but I guess I don't

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<v Speaker 2>really look at TikTok, but it. I guess that's the

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<v Speaker 2>new thing. But just from namesake, like, would you feel

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<v Speaker 2>like it's going to make you look pulled and lifted

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<v Speaker 2>in younger if you put a zombie mask on? I

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<v Speaker 2>don't get that any sounds.

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<v Speaker 1>Like opposite of what I would want.

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<v Speaker 2>Exactly, I mean, not what we're going for. But I

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<v Speaker 2>guess the kids are.

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<v Speaker 1>Like, oh, it's cool, okay, but what does it do make.

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<v Speaker 2>You look like a zombie? Like I don't want to look.

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<v Speaker 1>Like a zombie.

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<v Speaker 2>D a mask. I told you, it told me. The

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<v Speaker 2>Kardashians bought it.

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<v Speaker 1>Who gives up? I'm sorry, but do you come on?

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<v Speaker 1>You are seasoned pro you know about this marketing BS

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<v Speaker 1>like that is not to buy something.

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<v Speaker 2>I immediately bought it.

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<v Speaker 1>Did you buy the popcorn?

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<v Speaker 2>What to watch the movie?

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<v Speaker 1>No? One of the one of the Kardashians has popcorn?

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<v Speaker 2>Stop it?

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<v Speaker 1>What you don't? Oh my gosh, Why do I know

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<v Speaker 1>this about a Kardashian and you don't? This is seeming weird.

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<v Speaker 1>Chloe has roll popcorn reversal. Also, there is.

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<v Speaker 2>I should have popcorn and ice cream.

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<v Speaker 1>There's a gummy line. There's a gummy line that's supposed

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<v Speaker 1>to Yes, it's called let me play gummies.

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<v Speaker 2>So she has the lummy line right, let me? I

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<v Speaker 2>know I'm not. Are we saying it right? I copy?

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<v Speaker 1>Let me ellie, m m E, let me play.

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<v Speaker 2>Let me? What does it stand for? Loraine?

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<v Speaker 1>You know the kids, they don't say all the consonants

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<v Speaker 1>on whenever we talked about this. It's so frustrating.

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<v Speaker 2>So instead of let me, it's let me, let me,

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<v Speaker 2>let me, let me, let me.

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<v Speaker 1>Focus, let me chill, let me develoat, let me per

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<v Speaker 1>Oh that's vaginal health. Let me tone all the things,

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<v Speaker 1>let me purge per like.

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<v Speaker 2>Oh her, Is that another vaginal reference for the kiddy

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<v Speaker 2>the puss?

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<v Speaker 1>Yes, yes, yes, yes.

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<v Speaker 2>So there's a lot of badge ones here.

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<v Speaker 1>There's no there's one moodle, one woodle. Think there you go,

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<v Speaker 1>and then there's now one sexual desire like libido focused. Anyways,

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<v Speaker 1>let's go to the show, her favorite kind of talk.

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<v Speaker 1>We'll talk. Yeah, is there a poop one? Probably maybe

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<v Speaker 1>it's let me to bloat? Yeah, oh m hm, okay,

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<v Speaker 1>they got you covered in the gummy world.

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<v Speaker 2>Wait why did we start this? Oh, because you said

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<v Speaker 2>they have popcorn popcorn?

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<v Speaker 1>Chloe has popcorn. For what, it's protein? Popcorn.

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<v Speaker 2>Popcorn is a carb, but.

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<v Speaker 1>She's added a it's a breakthrough.

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<v Speaker 2>Wait can we talk about Chris Jenner for one second?

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<v Speaker 1>This have to okay, what what are you gonna ask?

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<v Speaker 2>So you've seen her appearance?

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<v Speaker 1>Yeah, not recently. It's not like I don't follow her

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<v Speaker 1>or anything.

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<v Speaker 2>Look at Chris Jenner because oh.

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<v Speaker 1>I've seen this wowsa.

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<v Speaker 2>Okay, so not gonna lie. I saw it. I think

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<v Speaker 2>she looks beautiful and if it makes her feel happy

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<v Speaker 2>and good about herself. But how old is Chris Jenner?

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<v Speaker 2>Sixty something something? No, she's not just like ten years

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<v Speaker 2>older than us. She's sixty nine, So let's say seventy.

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<v Speaker 2>Let's just say, why, No, you can't round up. That's

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<v Speaker 2>sixty nine.

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<v Speaker 1>She's sixty nine. No, that's her. Find get your mind

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<v Speaker 1>out of the gutter.

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<v Speaker 2>I can't. Okay. So if a sixty nine year old

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<v Speaker 2>is now looking like a forty year.

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<v Speaker 1>Old, what the is gonna happen to the rest of us,

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<v Speaker 1>ladies in the whole wide world.

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<v Speaker 2>The rest of us that aren't going to be doing

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<v Speaker 2>that stuff or can't even she can't thank you.

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<v Speaker 1>It says it's one hundred thousand dollars facelift.

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<v Speaker 2>Okay, So what happens to us? She looks younger than

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<v Speaker 2>her daughters.

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<v Speaker 1>She looks younger than her daughter's absolutely, do you know

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<v Speaker 1>what I'm saying.

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<v Speaker 2>So it's just a mild message. And I love her.

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<v Speaker 2>I know her very well and grew up with her,

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<v Speaker 2>and she's an amazing human.

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<v Speaker 1>Very nice.

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<v Speaker 2>Yes, but I'm just saying I'm not gonna lie. When

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<v Speaker 2>I saw it, I was like, oh my god. My

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<v Speaker 2>first reaction. She looks beautiful, She looks great. Second reaction,

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<v Speaker 2>which hit me like a gut punch or a throat punch,

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<v Speaker 2>was I was like, or a face punch. I was like, Wait,

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<v Speaker 2>what happens to the rest of us that can't afford

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<v Speaker 2>that can't afford that?

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<v Speaker 1>I don't know. I just don't know. I don't have

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<v Speaker 1>the answer.

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<v Speaker 2>Fifty two and fifty three, like, it's fifty is what

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<v Speaker 2>we are? Wait, Jen, we got something there. We're fifty

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<v Speaker 2>that goes against everything you believe in. No, wait, this

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<v Speaker 2>is bad messaging. It's really funny, though, so don't take

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<v Speaker 2>We're just being like because we're old friends.

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<v Speaker 1>And Amy's not here to tell us to stop.

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<v Speaker 2>Oh man, No, Amy would love this, and she'd be like,

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<v Speaker 2>don't edit a thing, you guys. Stop. It's just I

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<v Speaker 2>don't know, Like it's just if that's what's gonna start

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<v Speaker 2>to happen, I'm not sure what happens to us.

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<v Speaker 1>It's so true. People, I'm quoting one of our producers.

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<v Speaker 1>People are saying her plastic surgeon quote. Understood the assignment quote,

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<v Speaker 1>but it is so sad because kids are growing up

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<v Speaker 1>thinking aging is bad and that you have to do

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<v Speaker 1>this at all costs so that you look younger forever.

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<v Speaker 1>And I get both sides of it, that's the problem.

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<v Speaker 1>Like I get her desire to look as good as

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<v Speaker 1>she can look and feel so great about.

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<v Speaker 2>Herself, feel good, and that's all.

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<v Speaker 1>It's her decision.

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<v Speaker 2>It's up to her to say it's important. Who knows

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<v Speaker 2>about yourself?

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<v Speaker 1>Absolutely, she's true herself.

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<v Speaker 2>Everybody else.

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<v Speaker 1>I love it, But what is the message for the

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<v Speaker 1>young people? Are they able to see both sides of it?

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<v Speaker 1>Like we are as fifty something year olds or the

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<v Speaker 1>young twenty something, thirty something, forty something thinking, uh, I

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<v Speaker 1>don't even look like that now.

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<v Speaker 2>I'm worried about us, me the fifty something here because

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<v Speaker 2>I got to say, I had been feeling really good

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<v Speaker 2>about myself, you know.

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<v Speaker 1>Like and you should continue starting.

0:12:09.320 --> 0:12:13.319
<v Speaker 2>To really I was really loving myself now as opposed

0:12:13.360 --> 0:12:16.840
<v Speaker 2>to not loving myself when I was younger. And it's like, amazing,

0:12:16.880 --> 0:12:19.880
<v Speaker 2>I'm in my really fifties and I'm starting to really

0:12:20.080 --> 0:12:22.360
<v Speaker 2>like me. And then this came out, and I'm not

0:12:22.440 --> 0:12:25.880
<v Speaker 2>gonna lie. It's been on my mind. And there's been

0:12:25.920 --> 0:12:31.800
<v Speaker 2>a lot of TV shows streamers lately about you know,

0:12:33.480 --> 0:12:37.120
<v Speaker 2>women aging and how men just trade them in for

0:12:37.160 --> 0:12:39.920
<v Speaker 2>a younger version, and it's just it's all a lot

0:12:40.040 --> 0:12:42.200
<v Speaker 2>at once, and it's all happening at the same time,

0:12:42.240 --> 0:12:43.400
<v Speaker 2>which is kind of weird.

0:12:43.880 --> 0:12:47.680
<v Speaker 1>It's interesting. Yeah, I think it's interesting. A. When you're older,

0:12:47.720 --> 0:12:50.600
<v Speaker 1>you notice it more. When you're when it's happening to

0:12:50.720 --> 0:12:55.360
<v Speaker 1>you around you, you notice it more. And B it's everywhere.

0:12:56.559 --> 0:12:57.599
<v Speaker 2>It's everywhere.

0:12:57.880 --> 0:13:02.319
<v Speaker 1>It's really a problem. But again, we see both sides

0:13:02.320 --> 0:13:06.000
<v Speaker 1>of it, and I just have to say that no

0:13:06.080 --> 0:13:10.280
<v Speaker 1>matter what you see or what kind of makes you

0:13:10.360 --> 0:13:13.920
<v Speaker 1>feel like, oh god, I'm screwed, like I can't do that,

0:13:14.000 --> 0:13:17.160
<v Speaker 1>I can't afford that, I can't look like that. Okay,

0:13:17.760 --> 0:13:20.400
<v Speaker 1>let yourself be you and don't let it kill your

0:13:20.400 --> 0:13:24.199
<v Speaker 1>self esteem. This is all about her, her needs, her wants,

0:13:24.760 --> 0:13:28.520
<v Speaker 1>her life. Has nothing to do with you in your life.

0:13:28.960 --> 0:13:32.840
<v Speaker 2>True, but it is okay to have the feels, not

0:13:32.920 --> 0:13:36.280
<v Speaker 2>the feels down there and then the Courtney's providing for everybody,

0:13:36.600 --> 0:13:39.440
<v Speaker 2>but the feels of it's a human reaction to like

0:13:39.559 --> 0:13:43.400
<v Speaker 2>it's not like a step back. It's just like, Okay,

0:13:43.440 --> 0:13:45.560
<v Speaker 2>I'm feeling it, and it's okay to feel that and

0:13:45.559 --> 0:13:47.439
<v Speaker 2>then go back to being like, but I like me

0:13:47.679 --> 0:13:51.440
<v Speaker 2>and anyway, Sorry, it's prevalent right now, and I know

0:13:51.480 --> 0:13:53.960
<v Speaker 2>a lot of people are kind of going through it,

0:13:54.120 --> 0:13:55.560
<v Speaker 2>and for.

0:13:55.480 --> 0:14:01.240
<v Speaker 1>Sure we are here for you. Guys. Just listen to

0:14:01.320 --> 0:14:15.120
<v Speaker 1>us and we'll make you laugh about it. Okay, So

0:14:15.200 --> 0:14:18.480
<v Speaker 1>let's start with storyline a nemero Uno, Claire and Donna

0:14:18.520 --> 0:14:23.040
<v Speaker 1>play matchmaker and arranged dates for Kelly. So Claire sets

0:14:23.040 --> 0:14:29.280
<v Speaker 1>her up with the weird guy with the Shakespearean tongue,

0:14:30.000 --> 0:14:34.080
<v Speaker 1>Neil Philip say, go to the stuffiest restaurant in their

0:14:34.360 --> 0:14:40.040
<v Speaker 1>stuffy outfits and terrible hairdoos, and wow, what a date.

0:14:40.760 --> 0:14:44.920
<v Speaker 2>Here's the thing. Claire is one of Kelly's best friend, right,

0:14:45.440 --> 0:14:53.560
<v Speaker 2>her roommate. Hello me, Donna, creepy me like, I would

0:14:53.720 --> 0:14:58.240
<v Speaker 2>never I know you, Kelly, and I would never have

0:14:58.320 --> 0:14:59.440
<v Speaker 2>set you up with that guy.

0:15:00.080 --> 0:15:03.960
<v Speaker 1>Absolutely not do this made no sense now because she

0:15:04.080 --> 0:15:08.960
<v Speaker 1>even vouches him so far to say, I know him, like.

0:15:09.560 --> 0:15:12.120
<v Speaker 2>Dude, right, my dad Ken want me to go out

0:15:12.160 --> 0:15:15.160
<v Speaker 2>with him? It doesn't work, But don Chancellor Arnold to

0:15:15.280 --> 0:15:16.360
<v Speaker 2>want her to go out with him?

0:15:16.400 --> 0:15:21.000
<v Speaker 1>Yes, debating, Oh god, but then Donna sets her up

0:15:22.240 --> 0:15:25.840
<v Speaker 1>and I don't so this guy that at your new

0:15:26.000 --> 0:15:30.480
<v Speaker 1>quote job that just happened out of nowhere with the

0:15:30.480 --> 0:15:31.080
<v Speaker 1>weather girl.

0:15:31.640 --> 0:15:35.840
<v Speaker 2>Thank you, Jen. So she's like, so Brandon had an

0:15:35.880 --> 0:15:39.200
<v Speaker 2>idea and I'm the weather girl. And I was like, wait, shoot,

0:15:39.600 --> 0:15:41.400
<v Speaker 2>did I miss something last week?

0:15:41.680 --> 0:15:43.960
<v Speaker 1>I don't think so.

0:15:43.960 --> 0:15:47.240
<v Speaker 2>So there's no talk about it. It's just that one

0:15:47.320 --> 0:15:50.240
<v Speaker 2>line and suddenly she's another girl.

0:15:50.320 --> 0:15:54.160
<v Speaker 1>Yeah, okay, I'm with it. I'm I'm here for it

0:15:54.200 --> 0:15:57.400
<v Speaker 1>because you're cute and i'd watch you do the weather,

0:15:57.640 --> 0:15:59.720
<v Speaker 1>and I know a lot of guys would watch you

0:15:59.760 --> 0:16:05.040
<v Speaker 1>do the nipples. I mean the weather. Okay, So I'm sorry,

0:16:05.160 --> 0:16:08.640
<v Speaker 1>but why no wonder you have a weird stalker and

0:16:08.680 --> 0:16:11.480
<v Speaker 1>no wonder the camera man's like, hub.

0:16:12.960 --> 0:16:16.400
<v Speaker 2>Here's the thing that's kind of odd on our show.

0:16:16.600 --> 0:16:21.520
<v Speaker 2>I feel like they were like honed in on that

0:16:21.600 --> 0:16:24.640
<v Speaker 2>type of thing. And if it was ever like your

0:16:24.680 --> 0:16:29.520
<v Speaker 2>nipples were, I disagree erect Oh really, I feel like

0:16:29.600 --> 0:16:32.560
<v Speaker 2>they would come in with like the pads. No, am,

0:16:32.560 --> 0:16:36.720
<v Speaker 2>I are you sure? I'm pretty sure, Jennifer Eve, I don't.

0:16:36.960 --> 0:16:39.400
<v Speaker 1>I never had anybody come to me, but I've always

0:16:39.440 --> 0:16:41.920
<v Speaker 1>had like kind of a strong stance on no nipples

0:16:42.720 --> 0:16:47.920
<v Speaker 1>on TV. And I know some perhaps even you were

0:16:48.360 --> 0:16:53.560
<v Speaker 1>interested in happy to show your nipples. What I don't know.

0:16:53.680 --> 0:16:55.800
<v Speaker 1>Why were they showing Why didn't you wear a brawl

0:16:55.840 --> 0:16:58.120
<v Speaker 1>like eye wore that was like lightly padded so that

0:16:58.160 --> 0:17:02.560
<v Speaker 1>you couldn't see the nips. You knew your nipples were

0:17:02.560 --> 0:17:04.719
<v Speaker 1>sticking out, don't what do you do?

0:17:04.920 --> 0:17:07.240
<v Speaker 2>You're interrogating me. I'll be having a chance.

0:17:07.600 --> 0:17:08.480
<v Speaker 1>You are.

0:17:10.440 --> 0:17:16.400
<v Speaker 2>Waiting, my friend. Okay, did you know as you would say?

0:17:16.680 --> 0:17:22.880
<v Speaker 2>I remember? Okay, all I do know. First of all,

0:17:23.080 --> 0:17:27.280
<v Speaker 2>I was a nervous rack. Okay, I was very nervous

0:17:27.320 --> 0:17:27.679
<v Speaker 2>doing that.

0:17:28.280 --> 0:17:32.760
<v Speaker 1>And when I for asked Donna in getting confused, okay.

0:17:32.480 --> 0:17:35.399
<v Speaker 2>No in real life because it was like it.

0:17:35.480 --> 0:17:37.960
<v Speaker 1>Was a big scene, a big like a lot of physicality,

0:17:38.000 --> 0:17:39.200
<v Speaker 1>a lot of props.

0:17:39.119 --> 0:17:43.439
<v Speaker 2>Yes, and I wanted to get the community the props.

0:17:43.440 --> 0:17:47.840
<v Speaker 2>And I was like, what if I forget? And and

0:17:48.080 --> 0:17:51.639
<v Speaker 2>you know, Jason was watching, and Brian was watching, and

0:17:53.600 --> 0:17:57.320
<v Speaker 2>Trevor who plays Evan was watching. We'll get to that later.

0:17:58.840 --> 0:18:03.280
<v Speaker 2>And it was cold. It was freezing in there.

0:18:04.240 --> 0:18:04.960
<v Speaker 1>Uh huh.

0:18:05.000 --> 0:18:08.080
<v Speaker 2>But I don't know. You know what good news is

0:18:08.119 --> 0:18:11.600
<v Speaker 2>they were perfectly aligned, yescause they could have been askew,

0:18:11.800 --> 0:18:14.520
<v Speaker 2>and that would have really but I took a picture

0:18:14.560 --> 0:18:16.560
<v Speaker 2>on my phone as I was watching it on my

0:18:16.600 --> 0:18:19.639
<v Speaker 2>phone and I was just like, is this it? I

0:18:19.680 --> 0:18:22.399
<v Speaker 2>was like, I cannot believe no one said anything.

0:18:22.520 --> 0:18:27.800
<v Speaker 1>M M, what do you think our male crew was

0:18:27.840 --> 0:18:31.359
<v Speaker 1>gonna say anything? And the wardrobe ladies weren't on the set.

0:18:31.400 --> 0:18:33.840
<v Speaker 1>And if they were on the set, maybe they weren't

0:18:33.920 --> 0:18:37.320
<v Speaker 1>paying close attention. Sometimes maybe they're at craft service. I

0:18:37.320 --> 0:18:44.000
<v Speaker 1>don't know. Uh, scripty, she didn't say a coordinator like

0:18:44.480 --> 0:18:47.040
<v Speaker 1>she might have said something and then some maybe somebody

0:18:47.040 --> 0:18:48.480
<v Speaker 1>said it's she's fine, it's good.

0:18:48.560 --> 0:18:51.840
<v Speaker 2>Jill Novac like, help help her friend. Now. Joe didn't

0:18:51.840 --> 0:18:54.600
<v Speaker 2>even tell her to say anything. I'm telling you I didn't.

0:18:54.720 --> 0:18:56.560
<v Speaker 1>I would have literally come up to you and said, hey,

0:18:56.880 --> 0:18:59.439
<v Speaker 1>do you want your nipples to show? Yes or no?

0:19:00.160 --> 0:19:02.280
<v Speaker 1>And then I would have helped you figure out how

0:19:02.280 --> 0:19:04.399
<v Speaker 1>to deal with it or not deal with it.

0:19:05.720 --> 0:19:07.800
<v Speaker 2>I don't feel like I knew they were showing.

0:19:08.359 --> 0:19:12.800
<v Speaker 1>But anyway, tell you great and it all makes sense.

0:19:13.640 --> 0:19:16.760
<v Speaker 1>And yeah, I watch it again, not for the nipples,

0:19:16.760 --> 0:19:19.359
<v Speaker 1>but because you're cute. Your whole shtick was cute. With

0:19:19.400 --> 0:19:20.280
<v Speaker 1>the clothes.

0:19:21.640 --> 0:19:25.000
<v Speaker 2>That was cute. Wait, do you notice a lot lately

0:19:25.320 --> 0:19:27.880
<v Speaker 2>I am wearing my hair back. You know that freaks

0:19:27.960 --> 0:19:30.320
<v Speaker 2>me out, I don't do that. Now you don't.

0:19:30.359 --> 0:19:34.479
<v Speaker 1>It's not a lot like a couple of times in

0:19:34.480 --> 0:19:36.960
<v Speaker 1>this episode a lot. Maybe you were just hating this

0:19:37.160 --> 0:19:39.399
<v Speaker 1>length and you were like, I can't look like a

0:19:39.440 --> 0:19:43.840
<v Speaker 1>cue tip. What uh? Everybody who gets their haircut as

0:19:43.880 --> 0:19:45.920
<v Speaker 1>it grows out starts to look like a cue tip.

0:19:45.960 --> 0:19:48.120
<v Speaker 1>At one point it was poofy.

0:19:48.320 --> 0:19:53.240
<v Speaker 2>But but here's the thing, like, I don't know, it's

0:19:53.320 --> 0:19:57.880
<v Speaker 2>just so unme because I have I was uncomfortable then

0:19:58.920 --> 0:20:00.159
<v Speaker 2>with my face, and.

0:20:00.320 --> 0:20:04.960
<v Speaker 1>What do you think about it? Looking back seeing it.

0:20:04.240 --> 0:20:10.159
<v Speaker 2>I'm uncomfortable with my face and no, no, no, I was like,

0:20:10.280 --> 0:20:15.120
<v Speaker 2>I think you look beautiful, Like that's all in your head, girl, Okay,

0:20:15.640 --> 0:20:18.720
<v Speaker 2>I'll give it that because I can semi separate and

0:20:18.760 --> 0:20:22.439
<v Speaker 2>I'm like, yeah, she looks pretty. I like her with

0:20:22.480 --> 0:20:25.240
<v Speaker 2>the little bangs down a little bit, a little bit of.

0:20:25.160 --> 0:20:29.320
<v Speaker 1>That and pull back or I honestly like it pulled

0:20:29.320 --> 0:20:31.640
<v Speaker 1>back more than I like it when it's like down

0:20:31.680 --> 0:20:34.359
<v Speaker 1>and flipped up like he was doing it. I didn't

0:20:34.400 --> 0:20:34.840
<v Speaker 1>like that.

0:20:35.040 --> 0:20:36.159
<v Speaker 2>Or the curly.

0:20:37.560 --> 0:20:41.520
<v Speaker 1>What we listen, we like to switch things up, we

0:20:41.560 --> 0:20:44.080
<v Speaker 1>like to try different hairdoos. We have We did it

0:20:44.280 --> 0:20:45.840
<v Speaker 1>so many times on the show.

0:20:46.160 --> 0:20:48.080
<v Speaker 2>You're right, I like it, and you know what, you

0:20:48.080 --> 0:20:51.360
<v Speaker 2>should always take a chance. Sometimes it works, sometimes it doesn't.

0:20:51.480 --> 0:20:55.200
<v Speaker 2>But if you don't try, you never know. But here's

0:20:55.240 --> 0:20:57.960
<v Speaker 2>the thing. Thirty plus years later, now we know exactly.

0:20:58.440 --> 0:21:01.520
<v Speaker 1>Here's the thing. I don't understand the Kelly. Why Donna

0:21:01.680 --> 0:21:04.280
<v Speaker 1>would be like, please go on this date with this

0:21:04.320 --> 0:21:08.560
<v Speaker 1>guy I literally just met as a camera operator on

0:21:09.040 --> 0:21:09.760
<v Speaker 1>my new job.

0:21:10.280 --> 0:21:14.320
<v Speaker 2>Because she wants to please everybody, and he asked her,

0:21:14.520 --> 0:21:18.200
<v Speaker 2>and so she yeah, I don't know, she's like invested, it's.

0:21:18.080 --> 0:21:23.040
<v Speaker 1>Too much, too much, Yeah, but Kelly seems game for it,

0:21:23.200 --> 0:21:26.880
<v Speaker 1>so she went. They had a good time. She did

0:21:26.880 --> 0:21:29.120
<v Speaker 1>it curious. Yeah, I don't know where this is going.

0:21:29.240 --> 0:21:32.919
<v Speaker 1>Do not tell me because I have a feeling that

0:21:33.040 --> 0:21:34.119
<v Speaker 1>he might be the stock.

0:21:35.160 --> 0:21:36.720
<v Speaker 2>And why why do you think that?

0:21:37.560 --> 0:21:40.359
<v Speaker 1>Because a it came on out of nowhere, just like

0:21:40.400 --> 0:21:44.359
<v Speaker 1>the job, the weather girl job came on. He's super

0:21:45.720 --> 0:21:48.920
<v Speaker 1>he's her best friend. She cares so much about sweet

0:21:48.920 --> 0:21:53.080
<v Speaker 1>sweet Evan, and she's just it's just so heavy handed

0:21:54.119 --> 0:21:56.680
<v Speaker 1>that it makes me think something's coming.

0:21:57.760 --> 0:22:01.560
<v Speaker 2>So it does bum me out. Looking back, I'm like,

0:22:03.800 --> 0:22:07.119
<v Speaker 2>it's a little too much, unless unless my friend it's

0:22:07.200 --> 0:22:08.200
<v Speaker 2>a red Herring.

0:22:10.800 --> 0:22:14.160
<v Speaker 1>That's what I thought they were doing. Yes, Yes, that's

0:22:14.160 --> 0:22:15.960
<v Speaker 1>what I thought they were doing. With the other guy,

0:22:16.080 --> 0:22:19.560
<v Speaker 1>the phantom guy, the Phantom of CU. I was like, Oh,

0:22:19.600 --> 0:22:25.080
<v Speaker 1>he's her stalker. That's what I thought. He's the red Herring.

0:22:25.960 --> 0:22:27.000
<v Speaker 2>Oh which one.

0:22:27.680 --> 0:22:30.080
<v Speaker 1>Maybe the Phantom of Phantom of C. You guy is

0:22:30.119 --> 0:22:32.200
<v Speaker 1>like the red Herring. We're supposed to think he's the guy,

0:22:32.600 --> 0:22:35.120
<v Speaker 1>but that's really the camera guy.

0:22:36.000 --> 0:22:38.800
<v Speaker 2>Yeah, but Evan's a little too much when he's like,

0:22:39.080 --> 0:22:42.680
<v Speaker 2>you're the one for me anyway, when she's like sorry, yeah,

0:22:42.720 --> 0:22:45.760
<v Speaker 2>you know, Helly won't and then she's like what and

0:22:45.800 --> 0:22:47.159
<v Speaker 2>he's like, I'm just kidding.

0:22:47.560 --> 0:22:50.359
<v Speaker 1>So maybe they're just trying to fool us around and.

0:22:50.400 --> 0:22:54.399
<v Speaker 2>Around, throwing red herrings. You know what. Tracy has no

0:22:54.520 --> 0:22:57.639
<v Speaker 2>place in this, So maybe she's the stalker because.

0:22:57.280 --> 0:22:59.840
<v Speaker 1>She just did nothing, does nothing.

0:23:00.080 --> 0:23:02.840
<v Speaker 2>And I love Jill so much and she's so good,

0:23:02.960 --> 0:23:06.880
<v Speaker 2>but they just really sure.

0:23:09.960 --> 0:23:14.240
<v Speaker 1>Donna, Donna, Donna, We're gonna be together very soon. I'm

0:23:14.280 --> 0:23:16.919
<v Speaker 1>gonna make you very happy, even if I have to

0:23:17.040 --> 0:23:31.679
<v Speaker 1>kill you. Steve I like it when he has to

0:23:31.760 --> 0:23:39.119
<v Speaker 1>do security work for his plagiarism crimes. Yeah, he's so

0:23:39.400 --> 0:23:42.200
<v Speaker 1>cute in the little outfit with a little flashlight running,

0:23:42.240 --> 0:23:45.000
<v Speaker 1>and I was like, oh my god, I'm sharknadoing right now.

0:23:45.040 --> 0:23:50.000
<v Speaker 1>I feeling I'm like foreshadowing Sharknado, this whole you know,

0:23:50.200 --> 0:23:51.800
<v Speaker 1>action Iron.

0:23:53.080 --> 0:23:53.359
<v Speaker 2>Life.

0:23:53.480 --> 0:23:54.080
<v Speaker 1>I loved it.

0:23:55.480 --> 0:24:00.679
<v Speaker 2>I loved it too, which made me okay, the whole lagiarism,

0:24:00.840 --> 0:24:04.560
<v Speaker 2>Like if it amounted to this, this is a good payoff.

0:24:04.720 --> 0:24:05.640
<v Speaker 1>Yes, it's okay.

0:24:05.960 --> 0:24:09.200
<v Speaker 2>We went through all of that being like oh God.

0:24:10.119 --> 0:24:12.359
<v Speaker 1>But the thing is, like, I he got out of

0:24:12.400 --> 0:24:14.800
<v Speaker 1>one mess and he's kind of getting himself into another

0:24:14.800 --> 0:24:18.320
<v Speaker 1>one potentially, like aiding and a betting, this guy giving

0:24:18.359 --> 0:24:21.520
<v Speaker 1>him money. Has this guy vandalized stuff?

0:24:21.520 --> 0:24:22.240
<v Speaker 2>Has he is he?

0:24:22.359 --> 0:24:26.720
<v Speaker 1>Like? Is he breaking laws by like what's that called

0:24:26.800 --> 0:24:31.000
<v Speaker 1>when you live somewhere you're not supposed to? Oh, squatting

0:24:31.080 --> 0:24:35.359
<v Speaker 1>And oh he's squatting. Yeah, Like I don't know, ge squatter. Wow.

0:24:36.480 --> 0:24:38.480
<v Speaker 1>So I'm just like worried that something is going to

0:24:38.520 --> 0:24:41.919
<v Speaker 1>come out of this negatively, for Steve always does.

0:24:42.240 --> 0:24:45.800
<v Speaker 2>But he's aiding and a betting. Yeah, yeah, you're right.

0:24:46.320 --> 0:24:51.040
<v Speaker 2>But he sees him in this guy because he's a prankster.

0:24:52.200 --> 0:24:54.600
<v Speaker 1>Yeah, that's that's all the that's he's getting out of

0:24:54.640 --> 0:24:56.199
<v Speaker 1>this this what's his name?

0:24:56.320 --> 0:24:56.639
<v Speaker 2>Larry?

0:24:57.600 --> 0:25:01.000
<v Speaker 1>Larry is just getting to Harry. Who's l Larry's this

0:25:01.119 --> 0:25:03.359
<v Speaker 1>phantom of cu He's a guy that lives in the

0:25:03.440 --> 0:25:09.280
<v Speaker 1>basement or whatever. Rusty, No very Larry Lincoln Lincoln, you're right?

0:25:10.040 --> 0:25:16.359
<v Speaker 2>Wait you guys, Yes, I wish I had dated him.

0:25:17.280 --> 0:25:19.399
<v Speaker 1>Please cut grace in the couch.

0:25:19.880 --> 0:25:21.720
<v Speaker 2>Let's see what he looks like. Now, let's see if

0:25:21.720 --> 0:25:23.800
<v Speaker 2>he's wait wait, I don't know.

0:25:25.119 --> 0:25:26.680
<v Speaker 1>Oh that's so exciting for you.

0:25:27.359 --> 0:25:29.359
<v Speaker 2>I mean, someone's got to be I'm not going to

0:25:29.400 --> 0:25:33.240
<v Speaker 2>go on an app so please, friends, no, not please.

0:25:33.320 --> 0:25:35.080
<v Speaker 2>I don't even want to ever date again.

0:25:35.240 --> 0:25:36.240
<v Speaker 1>Yeah, what are you doing?

0:25:36.320 --> 0:25:39.920
<v Speaker 2>Don't Going on a first date and making small talk

0:25:40.240 --> 0:25:40.760
<v Speaker 2>is just like.

0:25:41.920 --> 0:25:43.800
<v Speaker 1>Does it make you want to lick the bottom of

0:25:43.800 --> 0:25:46.640
<v Speaker 1>your shoe? Because that's what I always thought.

0:25:48.119 --> 0:25:49.720
<v Speaker 2>No, not that.

0:25:51.359 --> 0:25:53.159
<v Speaker 1>Lick anything disgusting. I don't know.

0:25:53.640 --> 0:25:57.639
<v Speaker 2>It just makes me not want to engage. It makes

0:25:57.640 --> 0:26:01.520
<v Speaker 2>me feel like, okay, so you know this lifetime, I'm

0:26:01.800 --> 0:26:03.920
<v Speaker 2>a mom and a workhorse and that's it.

0:26:09.920 --> 0:26:10.000
<v Speaker 1>No.

0:26:10.440 --> 0:26:15.400
<v Speaker 2>I mean, yeah, sure, I don't know. You're I work

0:26:15.440 --> 0:26:15.760
<v Speaker 2>a lot.

0:26:16.119 --> 0:26:17.280
<v Speaker 1>You're a professional, lady.

0:26:18.080 --> 0:26:28.600
<v Speaker 2>I'm professional sometimes. Okay, So Grayson, excuse me, does he

0:26:28.680 --> 0:26:29.280
<v Speaker 2>have kids.

0:26:29.800 --> 0:26:32.240
<v Speaker 1>Oh my god, can we stop talking about Grayson? Now?

0:26:32.320 --> 0:26:34.080
<v Speaker 1>We'll have him on the We'll have him on you'll

0:26:34.080 --> 0:26:39.640
<v Speaker 1>get a good look. Okay, we'll take it from there. Okay, perfect, Okay.

0:26:39.240 --> 0:26:39.760
<v Speaker 2>Moving on.

0:26:40.040 --> 0:26:43.360
<v Speaker 1>So Steve is about is about to get him. I'm

0:26:43.400 --> 0:26:47.199
<v Speaker 1>doing it. Steve's about to get himself into somewhere trouble.

0:26:47.840 --> 0:26:51.399
<v Speaker 1>It looks like, yeah, and then for some reason Claire

0:26:52.000 --> 0:26:56.960
<v Speaker 1>assists him in these efforts. I mean, if Larry Lincoln

0:26:57.440 --> 0:27:00.919
<v Speaker 1>is being honest and he has the six siblings and

0:27:01.000 --> 0:27:03.720
<v Speaker 1>he can't his family can't pay afford to pay for

0:27:03.760 --> 0:27:09.080
<v Speaker 1>his tuition without giving up food and housing, like, then okay.

0:27:09.240 --> 0:27:11.479
<v Speaker 2>Oh you think he is lying?

0:27:12.000 --> 0:27:12.760
<v Speaker 1>He could be.

0:27:12.880 --> 0:27:16.080
<v Speaker 2>What do we know? I don't know. He was just

0:27:16.119 --> 0:27:18.800
<v Speaker 2>so cute. I believed everything he said.

0:27:18.840 --> 0:27:22.320
<v Speaker 1>I did too. I did too. I want to believe him,

0:27:22.640 --> 0:27:26.320
<v Speaker 1>But I don't know where is this going further? Is

0:27:26.320 --> 0:27:30.280
<v Speaker 1>is this Larry Lincoln going to be Steve's little protege

0:27:30.400 --> 0:27:33.000
<v Speaker 1>or buddy moving forward and he's going to get him

0:27:33.040 --> 0:27:35.679
<v Speaker 1>across the graduation line?

0:27:35.920 --> 0:27:39.679
<v Speaker 2>I don't know, Larry Lincoln, is that a mix? To remember?

0:27:39.800 --> 0:27:42.040
<v Speaker 2>We do we have an ad or what do you do?

0:27:42.080 --> 0:27:47.720
<v Speaker 2>His name was Lincoln. Was he a pa like long hair? Yes, yes,

0:27:47.840 --> 0:27:51.520
<v Speaker 2>talk and Larry Mullen was still like.

0:27:52.720 --> 0:27:56.399
<v Speaker 1>Yeah, maybe they're just pulling you know, names, really crueless. Okay,

0:27:57.280 --> 0:28:02.119
<v Speaker 1>I want to talk about Tom Miller. Oh wait a second,

0:28:02.160 --> 0:28:04.920
<v Speaker 1>of course I do. Wait wait, just got word that

0:28:05.000 --> 0:28:08.240
<v Speaker 1>this is Larry Lincoln's only episode, so this is a

0:28:08.240 --> 0:28:12.160
<v Speaker 1>one and done. No, I'm sorry.

0:28:12.400 --> 0:28:14.520
<v Speaker 2>How much do you think Steve gave him?

0:28:15.280 --> 0:28:18.320
<v Speaker 1>Well, there was a stag of honeys, right, there was,

0:28:18.480 --> 0:28:20.520
<v Speaker 1>but maybe a thousand dollars?

0:28:22.600 --> 0:28:24.400
<v Speaker 2>What did you say it was for? It was for

0:28:24.600 --> 0:28:29.200
<v Speaker 2>like housing? It was for how far is a thousand gonna? Well?

0:28:29.240 --> 0:28:31.320
<v Speaker 1>What do you want from it? Steve?

0:28:31.640 --> 0:28:37.600
<v Speaker 2>I mean Samantha Sanders kid, he's got big bucks dollar

0:28:37.680 --> 0:28:42.520
<v Speaker 2>dollar bills, yo, like he's I don't know, wait, this

0:28:42.600 --> 0:28:47.560
<v Speaker 2>is the episode it's over see that Yeah, doesn't make sense. Well,

0:28:47.720 --> 0:28:50.719
<v Speaker 2>some of these storylines we drag and drag and drag.

0:28:50.880 --> 0:28:53.720
<v Speaker 2>Here's something like, oh is something going to happen?

0:28:54.640 --> 0:28:59.120
<v Speaker 1>And no? Or is this a meaningful like lesson?

0:29:00.160 --> 0:29:02.880
<v Speaker 2>You know what? They should have kept him on longer,

0:29:03.200 --> 0:29:04.840
<v Speaker 2>just for red herrings sake.

0:29:05.800 --> 0:29:09.320
<v Speaker 1>Yeah, because that because we you and I the super

0:29:09.320 --> 0:29:11.680
<v Speaker 1>fans that we are. Yeah, he could be a red herring.

0:29:12.760 --> 0:29:16.240
<v Speaker 1>Oh well, we want to talk about Tom Miller. I

0:29:16.280 --> 0:29:17.880
<v Speaker 1>still like him.

0:29:18.560 --> 0:29:20.640
<v Speaker 2>I like him more now more.

0:29:22.400 --> 0:29:24.920
<v Speaker 1>Yeah, why I.

0:29:24.920 --> 0:29:29.560
<v Speaker 2>Wasn't sold at first. But I don't know. Do you

0:29:29.600 --> 0:29:36.400
<v Speaker 2>feel like his acting in his tone, in how he

0:29:36.520 --> 0:29:39.960
<v Speaker 2>kind of I don't know, does he feel a little

0:29:40.000 --> 0:29:43.600
<v Speaker 2>bit like No, I don't know, James dean ish like

0:29:43.720 --> 0:29:49.720
<v Speaker 2>kind of it's a very what am I trying to say, like.

0:29:49.520 --> 0:29:54.920
<v Speaker 1>Like one level? Oh no, this is coming into my mind,

0:29:55.840 --> 0:29:57.520
<v Speaker 1>but not in a mean way. I'm just trying to

0:29:57.520 --> 0:29:58.440
<v Speaker 1>figure out what you're saying.

0:29:58.960 --> 0:30:03.640
<v Speaker 2>I don't know, like heart, like Luke always had a knack.

0:30:04.520 --> 0:30:07.480
<v Speaker 2>I feel like Je's gold Bloom has it where a

0:30:07.560 --> 0:30:13.400
<v Speaker 2>line is written and a hundred actors would put the

0:30:13.400 --> 0:30:19.240
<v Speaker 2>the enunciation or the what's the word intonation? No, no

0:30:22.320 --> 0:30:26.719
<v Speaker 2>emphasis that on certain words. He does it kind of different,

0:30:28.400 --> 0:30:30.320
<v Speaker 2>like I feel like he kind of reads it like,

0:30:30.480 --> 0:30:31.840
<v Speaker 2>oh I see one note.

0:30:32.560 --> 0:30:33.080
<v Speaker 1>I don't know.

0:30:33.520 --> 0:30:34.440
<v Speaker 2>I'm just learning.

0:30:36.920 --> 0:30:38.520
<v Speaker 1>No, no, no, I'm going to look for it next

0:30:38.520 --> 0:30:40.560
<v Speaker 1>time and kind of get a different rate on it

0:30:40.560 --> 0:30:45.360
<v Speaker 1>because I'm not sure their chemistry. Yeah, their chemistry is good.

0:30:46.640 --> 0:30:48.720
<v Speaker 1>I feel like they've known each other a long time.

0:30:49.920 --> 0:30:55.680
<v Speaker 1>But she's all in so fast. But then she says

0:30:56.160 --> 0:30:59.400
<v Speaker 1>she doesn't want a relationship, and then she says, I

0:30:59.440 --> 0:31:01.640
<v Speaker 1>want you to kiss me, and he says, wait, you

0:31:01.680 --> 0:31:04.200
<v Speaker 1>just told me you don't want a relationship, and she said, yeah,

0:31:04.320 --> 0:31:06.160
<v Speaker 1>I told you what I don't want, and now I'm

0:31:06.160 --> 0:31:07.560
<v Speaker 1>telling you what I do want.

0:31:08.440 --> 0:31:14.160
<v Speaker 2>So it is odd not odd. I don't know. Is

0:31:14.160 --> 0:31:17.640
<v Speaker 2>it empowering? We would call it empowering now that a

0:31:17.680 --> 0:31:19.880
<v Speaker 2>female is just like I can want what I want.

0:31:19.960 --> 0:31:22.160
<v Speaker 2>I don't care what you think, Like, this is all

0:31:22.200 --> 0:31:24.320
<v Speaker 2>I want? Yeah, what all she wants?

0:31:24.360 --> 0:31:29.560
<v Speaker 1>Though, I don't know what else could she want from him?

0:31:30.120 --> 0:31:33.200
<v Speaker 1>You never know with her, I don't want more musical acts.

0:31:33.640 --> 0:31:36.080
<v Speaker 2>I think she I don't know.

0:31:37.520 --> 0:31:38.440
<v Speaker 1>She's controlling.

0:31:39.080 --> 0:31:43.560
<v Speaker 2>She likes control. So she's like, no relationship and he's like, okay,

0:31:43.600 --> 0:31:47.160
<v Speaker 2>I'm confused, but kiss me what? And it's like she

0:31:47.280 --> 0:31:50.920
<v Speaker 2>likes to disarm people so that she has the power. Correct.

0:31:51.400 --> 0:31:53.320
<v Speaker 1>She comes out of the gate strong.

0:31:54.080 --> 0:31:55.680
<v Speaker 2>Really strong to men like that.

0:31:57.400 --> 0:32:02.800
<v Speaker 1>I think sometimes perhaps Yeah, until they don't and then

0:32:02.840 --> 0:32:04.600
<v Speaker 1>they're like, oh she's bossy and controlling.

0:32:05.960 --> 0:32:08.719
<v Speaker 2>Yes, oh yeah, I don't know.

0:32:09.800 --> 0:32:11.840
<v Speaker 1>Yeah, this is deep, this is deep.

0:32:13.240 --> 0:32:17.760
<v Speaker 2>We've gone deep. Yeah, I like his style. I like his.

0:32:17.800 --> 0:32:20.040
<v Speaker 1>Clues, like his look is good.

0:32:20.080 --> 0:32:22.640
<v Speaker 2>His look looks good, and I remember he dressed like that,

0:32:22.840 --> 0:32:25.120
<v Speaker 2>so he encouraged that.

0:32:26.600 --> 0:32:30.600
<v Speaker 1>Yeah, so I wish I could remember. Well, hopefully we're

0:32:30.600 --> 0:32:33.200
<v Speaker 1>going to have him on and i'll remember more. Anyway,

0:32:33.520 --> 0:32:36.800
<v Speaker 1>Valerie's pissed at David for how he treated them, and

0:32:36.840 --> 0:32:39.360
<v Speaker 1>now all of a sudden, David's inviting him to move

0:32:39.400 --> 0:32:42.880
<v Speaker 1>into his Hollywood Hills home, which I thought belonged to Mark.

0:32:42.960 --> 0:32:46.320
<v Speaker 1>And if Mark left c U to go to wo'sey

0:32:46.400 --> 0:32:50.440
<v Speaker 1>bought Harvard or wherever he's going, then why does he

0:32:50.480 --> 0:32:52.200
<v Speaker 1>still have the house and why is he still letting

0:32:52.280 --> 0:32:54.120
<v Speaker 1>David stay in it? I'm confused.

0:32:55.000 --> 0:32:58.760
<v Speaker 2>Well, sub let it like David.

0:32:59.040 --> 0:32:59.760
<v Speaker 1>Took over the lease.

0:33:01.440 --> 0:33:05.080
<v Speaker 2>Yeah yeah, let's assume that he needs a roommate now

0:33:05.240 --> 0:33:08.120
<v Speaker 2>because he's paying a lot now, because he's the Mark

0:33:08.360 --> 0:33:15.400
<v Speaker 2>in that house now, Tom Miller living with David in

0:33:15.480 --> 0:33:18.640
<v Speaker 2>that house doesn't makes sense.

0:33:18.880 --> 0:33:22.400
<v Speaker 1>Doesn't sound like a good time. I don't know. I

0:33:22.440 --> 0:33:27.320
<v Speaker 1>feel like you and I have done an exceptional job today. Okay,

0:33:27.360 --> 0:33:31.240
<v Speaker 1>we're down this episode. Yes, it's time to go. I'm sorry.

0:33:31.480 --> 0:33:33.120
<v Speaker 2>I'm having so much fun though.

0:33:34.920 --> 0:33:36.840
<v Speaker 1>Okay, well, guess what we get to do it again

0:33:36.880 --> 0:33:40.600
<v Speaker 1>next week? Yay? Oh wait wait, wait, what do you

0:33:40.640 --> 0:33:41.640
<v Speaker 1>read it? What do you read it?

0:33:44.000 --> 0:33:55.280
<v Speaker 2>Reddit? Bridian slip Reddit. Everyone loves the Reddit. Ooh, I

0:33:55.560 --> 0:33:56.120
<v Speaker 2>like a nine.

0:33:57.200 --> 0:34:00.360
<v Speaker 1>That's what I was thinking. Oh yay, yeah, like.

0:34:00.480 --> 0:34:03.160
<v Speaker 2>He's feeling guilty, Like oh am I saying that because

0:34:03.160 --> 0:34:05.440
<v Speaker 2>it's like I have a big storyline. But no, I

0:34:05.480 --> 0:34:09.400
<v Speaker 2>really liked everything else too. Yeah, it was snappy. It

0:34:09.440 --> 0:34:13.160
<v Speaker 2>moved to my future ex husband. I liked his storyline.

0:34:13.280 --> 0:34:19.879
<v Speaker 2>I liked yeah, okay, Claire looked good, Kelly, everyone looked good.

0:34:20.360 --> 0:34:21.040
<v Speaker 1>Thumbs up.

0:34:21.400 --> 0:34:23.839
<v Speaker 2>We liked it, poodle do. Yeah, what's next week?

0:34:24.040 --> 0:34:29.080
<v Speaker 1>Season seven, Episode sixteen, Unnecessary Roughness. Oh oh.

0:34:30.560 --> 0:34:34.840
<v Speaker 2>God. If this is a football reference, I'm gonna be furious.

0:34:35.080 --> 0:34:43.200
<v Speaker 1>What do you hope it is? I'm setting you up. Sorry,

0:34:43.840 --> 0:34:45.319
<v Speaker 1>I know what you hope it is.

0:34:46.600 --> 0:34:48.360
<v Speaker 2>We what's it gonna be?

0:34:49.520 --> 0:34:51.279
<v Speaker 1>Probably about football? Sorry to break it to you.

0:34:52.239 --> 0:34:55.640
<v Speaker 2>Oh my gosh. Well you'll be happy. They'll be happy

0:34:55.680 --> 0:34:57.920
<v Speaker 2>watching it with you. Great. Good for you guys.

0:34:58.360 --> 0:35:02.439
<v Speaker 1>Yeah, well, everybody have a great week, and we will

0:35:02.480 --> 0:35:07.160
<v Speaker 1>be back to talk about the next episode.

0:35:07.280 --> 0:35:10.200
<v Speaker 2>And we love you, love you. Look up the zombie

0:35:10.239 --> 0:35:12.240
<v Speaker 2>mask or don't

0:35:13.880 --> 0:35:19.560
<v Speaker 1>Bye,