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Speaker 1: It's nine O gen one Elegie with Jenny Garth and

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Speaker 1: Tory spelling Okay, okay, okay, get excited. It's season seven,

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Speaker 1: episode fifteen, Phantom of CEU, aired January fifteen, nineteen ninety seven.

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Speaker 2: Synopsis. Donna's forecast goes from partly cloudy, it is super

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Speaker 2: scary when a stalker keeps calling. Steve plays police detective

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Speaker 2: when he's asked to find a phantom on the CU campus,

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Speaker 2: and Cupid's arrow is anomenose when Kelly dates a brit

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Speaker 2: who speaks in prose. Plus, Tom Miller makes an impression

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Speaker 2: when he pulls off a Donna Lewis p pad performance.

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Speaker 1: Directed by Leslandau, written by Steve Wasserman. I just realized

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Speaker 1: we didn't say hi hi, oh hi hi, that I

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Speaker 1: was so excited to talk about this the Phantom, that

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Speaker 1: I forgot what we were, what we were even doing.

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Speaker 2: This episode's really exciting. Did you think, yeah, you know

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Speaker 2: what I'm really to sing? Like, oh gosh, the fashion

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Speaker 2: is just totally different now.

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Speaker 1: It's so like end of nineties. It's like mid end, right.

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Speaker 2: Yeah, like it's like happening.

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Speaker 1: It's cool now. It's not well, with some exceptions, specifically

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Speaker 1: for Kelly her date outfit with the weird guy.

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Speaker 2: Oh, I didn't mind that the suit, the two piece

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Speaker 2: like royal blue, that one that one suit. Oh, with

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Speaker 2: that guy, I thought you meant the double date. I

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Speaker 2: like the double date.

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Speaker 1: One double date was great. It seemed appropriate though for

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Speaker 1: that guy, Like she almost dressed for mister Shakespeare and

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Speaker 1: she didn't even know it. Yeah, I don't know. AnyWho,

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Speaker 1: How are we? Everybody's good. Amy's not with us today,

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Speaker 1: you guys. Sorry to disappoint, but she had some things

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Speaker 1: that she needed to take care of.

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Speaker 2: So it's just us today, I know. And she'd be like, Oh,

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Speaker 2: they don't care, but they care. You guys care you love.

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Speaker 1: Amy, We care, you care.

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Speaker 2: Yeah. But I think we can have super fandom.

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Speaker 1: I'll be you and I sound like we're becoming super fans,

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Speaker 1: So I think it's okay.

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Speaker 2: Are do we have to look in our eyes yet?

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Speaker 1: Oh? No, No, I don't have the look. Do you

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Speaker 1: have the look tired eyes?

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Speaker 2: No? I don't think so.

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Speaker 1: And I don't think I have enough energy to have

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Speaker 1: that the same like superfan look. But we love it

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Speaker 1: when we see it. Wow, okay, okay, should we start?

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Speaker 1: Oh my gosh, I feel like I want to jump

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Speaker 1: right to the to the part that maybe people didn't see,

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Speaker 1: which is the Donna Lewis of it all.

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Speaker 2: Hearing her sing brought back all the feels.

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Speaker 1: I love you always forever. I don't think it was

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Speaker 1: such a good song. It really did take me back.

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Speaker 2: That was such a good song.

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Speaker 1: But did everybody get to hear that, like all the

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Speaker 1: people that are listening to our pot or did they

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Speaker 1: get to hear that?

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Speaker 2: I think no? I think no. I hate that. So

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Speaker 2: we want you to envision her playing and singing that

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Speaker 2: song for all of us at the peach pit after dark.

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Speaker 2: Oh my gosh, such memories.

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Speaker 1: I just know that she teamed up with Richard Marx

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Speaker 1: for a hit that they did at the beginning for

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Speaker 1: the Anastagia soundtrack.

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Speaker 2: Are you reading this or you know this from memory research? Lady?

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Speaker 1: But yeah, that's that doesn't even mean anything to me, honestly,

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Speaker 1: because I don't remember that at all. I mean, I know,

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Speaker 1: isn't Richard Marks married to somebody Daisy Flint does. Yes, Yes,

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Speaker 1: they've been married for a long time.

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Speaker 2: I like her.

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Speaker 1: That's a that's a Hollywood success story, right chair.

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Speaker 2: This don't happen often, not for us.

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Speaker 1: We're changing that. We're changing that for those of you

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Speaker 1: that didn't get to see. She was just seated behind

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Speaker 1: a keyboard right mm hmm and singing beautifully.

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Speaker 2: It look good to me.

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Speaker 1: I wanted to get up and dance, like I was like, Hi,

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Speaker 1: Kelly and Donna would absolutely be dancing today, yes.

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Speaker 2: Like I just wanted those boys to all go away

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Speaker 2: and you and I would just like dore our girl

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Speaker 2: thing and.

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Speaker 1: Like, uh huh, there's no chance we would have been

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Speaker 1: still sitting there like grown ups listening to music.

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Speaker 2: Oh my gosh, you know what, music like that, but

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Speaker 2: that was new music then. Like if we had that now,

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Speaker 2: I feel like we would want to do like a

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Speaker 2: slumber party, you know, and have no boys and have

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Speaker 2: like our cozy sweats on and just be dancing eating popcorn.

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Speaker 2: We should bring that back.

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Speaker 1: Doing face masks.

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Speaker 2: Which ones like like the snail excreation or what is it?

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Speaker 1: Or the or the salmon salmon sperm? Is that it?

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Speaker 2: There's so many masks now, you guys, have you seen

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Speaker 2: the zombie one?

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Speaker 1: What's it? It hardens?

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Speaker 2: I don't know. Instagram made me buy it. It showed

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Speaker 2: it showed the Kardashians using it. I was like, okay, so.

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Speaker 1: We're talking about face masks. People, hold on, this is

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Speaker 1: very important because.

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Speaker 2: Yeah, oh my gosh, there's so many now. So I

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Speaker 2: didn't realize that if I look at something like my

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Speaker 2: fo you page on Instagram, it starts. So I was

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Speaker 2: just like, God, you didn't know this, I know. So

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Speaker 2: I just thought like, wow, there's just like everyone's getting

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Speaker 2: to see these face masks over and over. It's like, no,

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Speaker 2: I'm seeing it because I specifically clicked and bought one.

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Speaker 2: Now they're showing me all of them, but the zombie one.

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Speaker 2: I haven't gotten it yet, but I guess I don't

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Speaker 2: really look at TikTok, but it. I guess that's the

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Speaker 2: new thing. But just from namesake, like, would you feel

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Speaker 2: like it's going to make you look pulled and lifted

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Speaker 2: in younger if you put a zombie mask on? I

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Speaker 2: don't get that any sounds.

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Speaker 1: Like opposite of what I would want.

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Speaker 2: Exactly, I mean, not what we're going for. But I

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Speaker 2: guess the kids are.

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Speaker 1: Like, oh, it's cool, okay, but what does it do make.

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Speaker 2: You look like a zombie? Like I don't want to look.

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Speaker 1: Like a zombie.

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Speaker 2: D a mask. I told you, it told me. The

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Speaker 2: Kardashians bought it.

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Speaker 1: Who gives up? I'm sorry, but do you come on?

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Speaker 1: You are seasoned pro you know about this marketing BS

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Speaker 1: like that is not to buy something.

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Speaker 2: I immediately bought it.

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Speaker 1: Did you buy the popcorn?

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Speaker 2: What to watch the movie?

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Speaker 1: No? One of the one of the Kardashians has popcorn?

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Speaker 2: Stop it?

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Speaker 1: What you don't? Oh my gosh, Why do I know

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Speaker 1: this about a Kardashian and you don't? This is seeming weird.

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Speaker 1: Chloe has roll popcorn reversal. Also, there is.

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Speaker 2: I should have popcorn and ice cream.

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Speaker 1: There's a gummy line. There's a gummy line that's supposed

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Speaker 1: to Yes, it's called let me play gummies.

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Speaker 2: So she has the lummy line right, let me? I

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Speaker 2: know I'm not. Are we saying it right? I copy?

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Speaker 1: Let me ellie, m m E, let me play.

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Speaker 2: Let me? What does it stand for? Loraine?

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Speaker 1: You know the kids, they don't say all the consonants

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Speaker 1: on whenever we talked about this. It's so frustrating.

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Speaker 2: So instead of let me, it's let me, let me,

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Speaker 2: let me, let me, let me.

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Speaker 1: Focus, let me chill, let me develoat, let me per

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Speaker 1: Oh that's vaginal health. Let me tone all the things,

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Speaker 1: let me purge per like.

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Speaker 2: Oh her, Is that another vaginal reference for the kiddy

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Speaker 2: the puss?

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Speaker 1: Yes, yes, yes, yes.

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Speaker 2: So there's a lot of badge ones here.

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Speaker 1: There's no there's one moodle, one woodle. Think there you go,

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Speaker 1: and then there's now one sexual desire like libido focused. Anyways,

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Speaker 1: let's go to the show, her favorite kind of talk.

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Speaker 1: We'll talk. Yeah, is there a poop one? Probably maybe

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Speaker 1: it's let me to bloat? Yeah, oh m hm, okay,

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Speaker 1: they got you covered in the gummy world.

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Speaker 2: Wait why did we start this? Oh, because you said

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Speaker 2: they have popcorn popcorn?

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Speaker 1: Chloe has popcorn. For what, it's protein? Popcorn.

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Speaker 2: Popcorn is a carb, but.

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Speaker 1: She's added a it's a breakthrough.

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Speaker 2: Wait can we talk about Chris Jenner for one second?

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Speaker 1: This have to okay, what what are you gonna ask?

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Speaker 2: So you've seen her appearance?

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Speaker 1: Yeah, not recently. It's not like I don't follow her

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Speaker 1: or anything.

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Speaker 2: Look at Chris Jenner because oh.

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Speaker 1: I've seen this wowsa.

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Speaker 2: Okay, so not gonna lie. I saw it. I think

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Speaker 2: she looks beautiful and if it makes her feel happy

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Speaker 2: and good about herself. But how old is Chris Jenner?

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Speaker 2: Sixty something something? No, she's not just like ten years

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Speaker 2: older than us. She's sixty nine, So let's say seventy.

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Speaker 2: Let's just say, why, No, you can't round up. That's

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Speaker 2: sixty nine.

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Speaker 1: She's sixty nine. No, that's her. Find get your mind

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Speaker 1: out of the gutter.

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Speaker 2: I can't. Okay. So if a sixty nine year old

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Speaker 2: is now looking like a forty year.

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Speaker 1: Old, what the is gonna happen to the rest of us,

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Speaker 1: ladies in the whole wide world.

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Speaker 2: The rest of us that aren't going to be doing

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Speaker 2: that stuff or can't even she can't thank you.

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Speaker 1: It says it's one hundred thousand dollars facelift.

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Speaker 2: Okay, So what happens to us? She looks younger than

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Speaker 2: her daughters.

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Speaker 1: She looks younger than her daughter's absolutely, do you know

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Speaker 1: what I'm saying.

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Speaker 2: So it's just a mild message. And I love her.

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Speaker 2: I know her very well and grew up with her,

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Speaker 2: and she's an amazing human.

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Speaker 1: Very nice.

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Speaker 2: Yes, but I'm just saying I'm not gonna lie. When

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Speaker 2: I saw it, I was like, oh my god. My

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Speaker 2: first reaction. She looks beautiful, She looks great. Second reaction,

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Speaker 2: which hit me like a gut punch or a throat punch,

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Speaker 2: was I was like, or a face punch. I was like, Wait,

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Speaker 2: what happens to the rest of us that can't afford

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Speaker 2: that can't afford that?

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Speaker 1: I don't know. I just don't know. I don't have

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Speaker 1: the answer.

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Speaker 2: Fifty two and fifty three, like, it's fifty is what

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Speaker 2: we are? Wait, Jen, we got something there. We're fifty

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Speaker 2: that goes against everything you believe in. No, wait, this

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Speaker 2: is bad messaging. It's really funny, though, so don't take

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Speaker 2: We're just being like because we're old friends.

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Speaker 1: And Amy's not here to tell us to stop.

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Speaker 2: Oh man, No, Amy would love this, and she'd be like,

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Speaker 2: don't edit a thing, you guys. Stop. It's just I

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Speaker 2: don't know, Like it's just if that's what's gonna start

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Speaker 2: to happen, I'm not sure what happens to us.

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Speaker 1: It's so true. People, I'm quoting one of our producers.

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Speaker 1: People are saying her plastic surgeon quote. Understood the assignment quote,

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Speaker 1: but it is so sad because kids are growing up

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Speaker 1: thinking aging is bad and that you have to do

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Speaker 1: this at all costs so that you look younger forever.

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Speaker 1: And I get both sides of it, that's the problem.

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Speaker 1: Like I get her desire to look as good as

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Speaker 1: she can look and feel so great about.

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Speaker 2: Herself, feel good, and that's all.

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Speaker 1: It's her decision.

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Speaker 2: It's up to her to say it's important. Who knows

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Speaker 2: about yourself?

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Speaker 1: Absolutely, she's true herself.

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Speaker 2: Everybody else.

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Speaker 1: I love it, But what is the message for the

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Speaker 1: young people? Are they able to see both sides of it?

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Speaker 1: Like we are as fifty something year olds or the

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Speaker 1: young twenty something, thirty something, forty something thinking, uh, I

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Speaker 1: don't even look like that now.

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Speaker 2: I'm worried about us, me the fifty something here because

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Speaker 2: I got to say, I had been feeling really good

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Speaker 2: about myself, you know.

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Speaker 1: Like and you should continue starting.

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Speaker 2: To really I was really loving myself now as opposed

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Speaker 2: to not loving myself when I was younger. And it's like, amazing,

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Speaker 2: I'm in my really fifties and I'm starting to really

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Speaker 2: like me. And then this came out, and I'm not

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Speaker 2: gonna lie. It's been on my mind. And there's been

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Speaker 2: a lot of TV shows streamers lately about you know,

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Speaker 2: women aging and how men just trade them in for

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Speaker 2: a younger version, and it's just it's all a lot

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Speaker 2: at once, and it's all happening at the same time,

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Speaker 2: which is kind of weird.

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Speaker 1: It's interesting. Yeah, I think it's interesting. A. When you're older,

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Speaker 1: you notice it more. When you're when it's happening to

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Speaker 1: you around you, you notice it more. And B it's everywhere.

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Speaker 2: It's everywhere.

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Speaker 1: It's really a problem. But again, we see both sides

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Speaker 1: of it, and I just have to say that no

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Speaker 1: matter what you see or what kind of makes you

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Speaker 1: feel like, oh god, I'm screwed, like I can't do that,

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Speaker 1: I can't afford that, I can't look like that. Okay,

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Speaker 1: let yourself be you and don't let it kill your

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Speaker 1: self esteem. This is all about her, her needs, her wants,

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Speaker 1: her life. Has nothing to do with you in your life.

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Speaker 2: True, but it is okay to have the feels, not

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Speaker 2: the feels down there and then the Courtney's providing for everybody,

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Speaker 2: but the feels of it's a human reaction to like

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Speaker 2: it's not like a step back. It's just like, Okay,

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Speaker 2: I'm feeling it, and it's okay to feel that and

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Speaker 2: then go back to being like, but I like me

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Speaker 2: and anyway, Sorry, it's prevalent right now, and I know

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Speaker 2: a lot of people are kind of going through it,

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Speaker 2: and for.

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Speaker 1: Sure we are here for you. Guys. Just listen to

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Speaker 1: us and we'll make you laugh about it. Okay, So

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Speaker 1: let's start with storyline a nemero Uno, Claire and Donna

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Speaker 1: play matchmaker and arranged dates for Kelly. So Claire sets

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Speaker 1: her up with the weird guy with the Shakespearean tongue,

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Speaker 1: Neil Philip say, go to the stuffiest restaurant in their

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Speaker 1: stuffy outfits and terrible hairdoos, and wow, what a date.

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Speaker 2: Here's the thing. Claire is one of Kelly's best friend, right,

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Speaker 2: her roommate. Hello me, Donna, creepy me like, I would

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Speaker 2: never I know you, Kelly, and I would never have

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Speaker 2: set you up with that guy.

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Speaker 1: Absolutely not do this made no sense now because she

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Speaker 1: even vouches him so far to say, I know him, like.

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Speaker 2: Dude, right, my dad Ken want me to go out

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Speaker 2: with him? It doesn't work, But don Chancellor Arnold to

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Speaker 2: want her to go out with him?

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Speaker 1: Yes, debating, Oh god, but then Donna sets her up

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Speaker 1: and I don't so this guy that at your new

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Speaker 1: quote job that just happened out of nowhere with the

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Speaker 1: weather girl.

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Speaker 2: Thank you, Jen. So she's like, so Brandon had an

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Speaker 2: idea and I'm the weather girl. And I was like, wait, shoot,

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Speaker 2: did I miss something last week?

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Speaker 1: I don't think so.

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Speaker 2: So there's no talk about it. It's just that one

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Speaker 2: line and suddenly she's another girl.

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Speaker 1: Yeah, okay, I'm with it. I'm I'm here for it

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Speaker 1: because you're cute and i'd watch you do the weather,

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Speaker 1: and I know a lot of guys would watch you

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Speaker 1: do the nipples. I mean the weather. Okay, So I'm sorry,

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Speaker 1: but why no wonder you have a weird stalker and

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Speaker 1: no wonder the camera man's like, hub.

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Speaker 2: Here's the thing that's kind of odd on our show.

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Speaker 2: I feel like they were like honed in on that

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Speaker 2: type of thing. And if it was ever like your

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Speaker 2: nipples were, I disagree erect Oh really, I feel like

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Speaker 2: they would come in with like the pads. No, am,

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Speaker 2: I are you sure? I'm pretty sure, Jennifer Eve, I don't.

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Speaker 1: I never had anybody come to me, but I've always

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Speaker 1: had like kind of a strong stance on no nipples

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Speaker 1: on TV. And I know some perhaps even you were

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Speaker 1: interested in happy to show your nipples. What I don't know.

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Speaker 1: Why were they showing Why didn't you wear a brawl

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Speaker 1: like eye wore that was like lightly padded so that

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Speaker 1: you couldn't see the nips. You knew your nipples were

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Speaker 1: sticking out, don't what do you do?

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Speaker 2: You're interrogating me. I'll be having a chance.

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Speaker 1: You are.

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Speaker 2: Waiting, my friend. Okay, did you know as you would say?

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Speaker 2: I remember? Okay, all I do know. First of all,

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Speaker 2: I was a nervous rack. Okay, I was very nervous

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Speaker 2: doing that.

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Speaker 1: And when I for asked Donna in getting confused, okay.

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Speaker 2: No in real life because it was like it.

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Speaker 1: Was a big scene, a big like a lot of physicality,

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Speaker 1: a lot of props.

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Speaker 2: Yes, and I wanted to get the community the props.

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Speaker 2: And I was like, what if I forget? And and

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Speaker 2: you know, Jason was watching, and Brian was watching, and

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Speaker 2: Trevor who plays Evan was watching. We'll get to that later.

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Speaker 2: And it was cold. It was freezing in there.

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Speaker 1: Uh huh.

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Speaker 2: But I don't know. You know what good news is

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Speaker 2: they were perfectly aligned, yescause they could have been askew,

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Speaker 2: and that would have really but I took a picture

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Speaker 2: on my phone as I was watching it on my

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Speaker 2: phone and I was just like, is this it? I

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Speaker 2: was like, I cannot believe no one said anything.

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Speaker 1: M M, what do you think our male crew was

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Speaker 1: gonna say anything? And the wardrobe ladies weren't on the set.

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Speaker 1: And if they were on the set, maybe they weren't

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Speaker 1: paying close attention. Sometimes maybe they're at craft service. I

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Speaker 1: don't know. Uh, scripty, she didn't say a coordinator like

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Speaker 1: she might have said something and then some maybe somebody

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Speaker 1: said it's she's fine, it's good.

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Speaker 2: Jill Novac like, help help her friend. Now. Joe didn't

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Speaker 2: even tell her to say anything. I'm telling you I didn't.

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Speaker 1: I would have literally come up to you and said, hey,

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Speaker 1: do you want your nipples to show? Yes or no?

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Speaker 1: And then I would have helped you figure out how

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Speaker 1: to deal with it or not deal with it.

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Speaker 2: I don't feel like I knew they were showing.

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Speaker 1: But anyway, tell you great and it all makes sense.

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Speaker 1: And yeah, I watch it again, not for the nipples,

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Speaker 1: but because you're cute. Your whole shtick was cute. With

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Speaker 1: the clothes.

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Speaker 2: That was cute. Wait, do you notice a lot lately

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Speaker 2: I am wearing my hair back. You know that freaks

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Speaker 2: me out, I don't do that. Now you don't.

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Speaker 1: It's not a lot like a couple of times in

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Speaker 1: this episode a lot. Maybe you were just hating this

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Speaker 1: length and you were like, I can't look like a

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Speaker 1: cue tip. What uh? Everybody who gets their haircut as

355
00:19:43,880 --> 00:19:45,920
Speaker 1: it grows out starts to look like a cue tip.

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Speaker 1: At one point it was poofy.

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Speaker 2: But but here's the thing, like, I don't know, it's

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Speaker 2: just so unme because I have I was uncomfortable then

359
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Speaker 2: with my face, and.

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Speaker 1: What do you think about it? Looking back seeing it.

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Speaker 2: I'm uncomfortable with my face and no, no, no, I was like,

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Speaker 2: I think you look beautiful, Like that's all in your head, girl, Okay,

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Speaker 2: I'll give it that because I can semi separate and

364
00:20:18,760 --> 00:20:22,439
Speaker 2: I'm like, yeah, she looks pretty. I like her with

365
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Speaker 2: the little bangs down a little bit, a little bit of.

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Speaker 1: That and pull back or I honestly like it pulled

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Speaker 1: back more than I like it when it's like down

368
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Speaker 1: and flipped up like he was doing it. I didn't

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Speaker 1: like that.

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Speaker 2: Or the curly.

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Speaker 1: What we listen, we like to switch things up, we

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Speaker 1: like to try different hairdoos. We have We did it

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Speaker 1: so many times on the show.

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Speaker 2: You're right, I like it, and you know what, you

375
00:20:48,080 --> 00:20:51,360
Speaker 2: should always take a chance. Sometimes it works, sometimes it doesn't.

376
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Speaker 2: But if you don't try, you never know. But here's

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Speaker 2: the thing. Thirty plus years later, now we know exactly.

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Speaker 1: Here's the thing. I don't understand the Kelly. Why Donna

379
00:21:01,680 --> 00:21:04,280
Speaker 1: would be like, please go on this date with this

380
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Speaker 1: guy I literally just met as a camera operator on

381
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Speaker 1: my new job.

382
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Speaker 2: Because she wants to please everybody, and he asked her,

383
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Speaker 2: and so she yeah, I don't know, she's like invested, it's.

384
00:21:18,080 --> 00:21:23,040
Speaker 1: Too much, too much, Yeah, but Kelly seems game for it,

385
00:21:23,200 --> 00:21:26,880
Speaker 1: so she went. They had a good time. She did

386
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Speaker 1: it curious. Yeah, I don't know where this is going.

387
00:21:29,240 --> 00:21:32,919
Speaker 1: Do not tell me because I have a feeling that

388
00:21:33,040 --> 00:21:34,119
Speaker 1: he might be the stock.

389
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Speaker 2: And why why do you think that?

390
00:21:37,560 --> 00:21:40,359
Speaker 1: Because a it came on out of nowhere, just like

391
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Speaker 1: the job, the weather girl job came on. He's super

392
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Speaker 1: he's her best friend. She cares so much about sweet

393
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Speaker 1: sweet Evan, and she's just it's just so heavy handed

394
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Speaker 1: that it makes me think something's coming.

395
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Speaker 2: So it does bum me out. Looking back, I'm like,

396
00:22:03,800 --> 00:22:07,119
Speaker 2: it's a little too much, unless unless my friend it's

397
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Speaker 2: a red Herring.

398
00:22:10,800 --> 00:22:14,160
Speaker 1: That's what I thought they were doing. Yes, Yes, that's

399
00:22:14,160 --> 00:22:15,960
Speaker 1: what I thought they were doing. With the other guy,

400
00:22:16,080 --> 00:22:19,560
Speaker 1: the phantom guy, the Phantom of CU. I was like, Oh,

401
00:22:19,600 --> 00:22:25,080
Speaker 1: he's her stalker. That's what I thought. He's the red Herring.

402
00:22:25,960 --> 00:22:27,000
Speaker 2: Oh which one.

403
00:22:27,680 --> 00:22:30,080
Speaker 1: Maybe the Phantom of Phantom of C. You guy is

404
00:22:30,119 --> 00:22:32,200
Speaker 1: like the red Herring. We're supposed to think he's the guy,

405
00:22:32,600 --> 00:22:35,120
Speaker 1: but that's really the camera guy.

406
00:22:36,000 --> 00:22:38,800
Speaker 2: Yeah, but Evan's a little too much when he's like,

407
00:22:39,080 --> 00:22:42,680
Speaker 2: you're the one for me anyway, when she's like sorry, yeah,

408
00:22:42,720 --> 00:22:45,760
Speaker 2: you know, Helly won't and then she's like what and

409
00:22:45,800 --> 00:22:47,159
Speaker 2: he's like, I'm just kidding.

410
00:22:47,560 --> 00:22:50,359
Speaker 1: So maybe they're just trying to fool us around and.

411
00:22:50,400 --> 00:22:54,399
Speaker 2: Around, throwing red herrings. You know what. Tracy has no

412
00:22:54,520 --> 00:22:57,639
Speaker 2: place in this, So maybe she's the stalker because.

413
00:22:57,280 --> 00:22:59,840
Speaker 1: She just did nothing, does nothing.

414
00:23:00,080 --> 00:23:02,840
Speaker 2: And I love Jill so much and she's so good,

415
00:23:02,960 --> 00:23:06,880
Speaker 2: but they just really sure.

416
00:23:09,960 --> 00:23:14,240
Speaker 1: Donna, Donna, Donna, We're gonna be together very soon. I'm

417
00:23:14,280 --> 00:23:16,919
Speaker 1: gonna make you very happy, even if I have to

418
00:23:17,040 --> 00:23:31,679
Speaker 1: kill you. Steve I like it when he has to

419
00:23:31,760 --> 00:23:39,119
Speaker 1: do security work for his plagiarism crimes. Yeah, he's so

420
00:23:39,400 --> 00:23:42,200
Speaker 1: cute in the little outfit with a little flashlight running,

421
00:23:42,240 --> 00:23:45,000
Speaker 1: and I was like, oh my god, I'm sharknadoing right now.

422
00:23:45,040 --> 00:23:50,000
Speaker 1: I feeling I'm like foreshadowing Sharknado, this whole you know,

423
00:23:50,200 --> 00:23:51,800
Speaker 1: action Iron.

424
00:23:53,080 --> 00:23:53,359
Speaker 2: Life.

425
00:23:53,480 --> 00:23:54,080
Speaker 1: I loved it.

426
00:23:55,480 --> 00:24:00,679
Speaker 2: I loved it too, which made me okay, the whole lagiarism,

427
00:24:00,840 --> 00:24:04,560
Speaker 2: Like if it amounted to this, this is a good payoff.

428
00:24:04,720 --> 00:24:05,640
Speaker 1: Yes, it's okay.

429
00:24:05,960 --> 00:24:09,200
Speaker 2: We went through all of that being like oh God.

430
00:24:10,119 --> 00:24:12,359
Speaker 1: But the thing is, like, I he got out of

431
00:24:12,400 --> 00:24:14,800
Speaker 1: one mess and he's kind of getting himself into another

432
00:24:14,800 --> 00:24:18,320
Speaker 1: one potentially, like aiding and a betting, this guy giving

433
00:24:18,359 --> 00:24:21,520
Speaker 1: him money. Has this guy vandalized stuff?

434
00:24:21,520 --> 00:24:22,240
Speaker 2: Has he is he?

435
00:24:22,359 --> 00:24:26,720
Speaker 1: Like? Is he breaking laws by like what's that called

436
00:24:26,800 --> 00:24:31,000
Speaker 1: when you live somewhere you're not supposed to? Oh, squatting

437
00:24:31,080 --> 00:24:35,359
Speaker 1: And oh he's squatting. Yeah, Like I don't know, ge squatter. Wow.

438
00:24:36,480 --> 00:24:38,480
Speaker 1: So I'm just like worried that something is going to

439
00:24:38,520 --> 00:24:41,919
Speaker 1: come out of this negatively, for Steve always does.

440
00:24:42,240 --> 00:24:45,800
Speaker 2: But he's aiding and a betting. Yeah, yeah, you're right.

441
00:24:46,320 --> 00:24:51,040
Speaker 2: But he sees him in this guy because he's a prankster.

442
00:24:52,200 --> 00:24:54,600
Speaker 1: Yeah, that's that's all the that's he's getting out of

443
00:24:54,640 --> 00:24:56,199
Speaker 1: this this what's his name?

444
00:24:56,320 --> 00:24:56,639
Speaker 2: Larry?

445
00:24:57,600 --> 00:25:01,000
Speaker 1: Larry is just getting to Harry. Who's l Larry's this

446
00:25:01,119 --> 00:25:03,359
Speaker 1: phantom of cu He's a guy that lives in the

447
00:25:03,440 --> 00:25:09,280
Speaker 1: basement or whatever. Rusty, No very Larry Lincoln Lincoln, you're right?

448
00:25:10,040 --> 00:25:16,359
Speaker 2: Wait you guys, Yes, I wish I had dated him.

449
00:25:17,280 --> 00:25:19,399
Speaker 1: Please cut grace in the couch.

450
00:25:19,880 --> 00:25:21,720
Speaker 2: Let's see what he looks like. Now, let's see if

451
00:25:21,720 --> 00:25:23,800
Speaker 2: he's wait wait, I don't know.

452
00:25:25,119 --> 00:25:26,680
Speaker 1: Oh that's so exciting for you.

453
00:25:27,359 --> 00:25:29,359
Speaker 2: I mean, someone's got to be I'm not going to

454
00:25:29,400 --> 00:25:33,240
Speaker 2: go on an app so please, friends, no, not please.

455
00:25:33,320 --> 00:25:35,080
Speaker 2: I don't even want to ever date again.

456
00:25:35,240 --> 00:25:36,240
Speaker 1: Yeah, what are you doing?

457
00:25:36,320 --> 00:25:39,920
Speaker 2: Don't Going on a first date and making small talk

458
00:25:40,240 --> 00:25:40,760
Speaker 2: is just like.

459
00:25:41,920 --> 00:25:43,800
Speaker 1: Does it make you want to lick the bottom of

460
00:25:43,800 --> 00:25:46,640
Speaker 1: your shoe? Because that's what I always thought.

461
00:25:48,119 --> 00:25:49,720
Speaker 2: No, not that.

462
00:25:51,359 --> 00:25:53,159
Speaker 1: Lick anything disgusting. I don't know.

463
00:25:53,640 --> 00:25:57,639
Speaker 2: It just makes me not want to engage. It makes

464
00:25:57,640 --> 00:26:01,520
Speaker 2: me feel like, okay, so you know this lifetime, I'm

465
00:26:01,800 --> 00:26:03,920
Speaker 2: a mom and a workhorse and that's it.

466
00:26:09,920 --> 00:26:10,000
Speaker 1: No.

467
00:26:10,440 --> 00:26:15,400
Speaker 2: I mean, yeah, sure, I don't know. You're I work

468
00:26:15,440 --> 00:26:15,760
Speaker 2: a lot.

469
00:26:16,119 --> 00:26:17,280
Speaker 1: You're a professional, lady.

470
00:26:18,080 --> 00:26:28,600
Speaker 2: I'm professional sometimes. Okay, So Grayson, excuse me, does he

471
00:26:28,680 --> 00:26:29,280
Speaker 2: have kids.

472
00:26:29,800 --> 00:26:32,240
Speaker 1: Oh my god, can we stop talking about Grayson? Now?

473
00:26:32,320 --> 00:26:34,080
Speaker 1: We'll have him on the We'll have him on you'll

474
00:26:34,080 --> 00:26:39,640
Speaker 1: get a good look. Okay, we'll take it from there. Okay, perfect, Okay.

475
00:26:39,240 --> 00:26:39,760
Speaker 2: Moving on.

476
00:26:40,040 --> 00:26:43,360
Speaker 1: So Steve is about is about to get him. I'm

477
00:26:43,400 --> 00:26:47,199
Speaker 1: doing it. Steve's about to get himself into somewhere trouble.

478
00:26:47,840 --> 00:26:51,399
Speaker 1: It looks like, yeah, and then for some reason Claire

479
00:26:52,000 --> 00:26:56,960
Speaker 1: assists him in these efforts. I mean, if Larry Lincoln

480
00:26:57,440 --> 00:27:00,919
Speaker 1: is being honest and he has the six siblings and

481
00:27:01,000 --> 00:27:03,720
Speaker 1: he can't his family can't pay afford to pay for

482
00:27:03,760 --> 00:27:09,080
Speaker 1: his tuition without giving up food and housing, like, then okay.

483
00:27:09,240 --> 00:27:11,479
Speaker 2: Oh you think he is lying?

484
00:27:12,000 --> 00:27:12,760
Speaker 1: He could be.

485
00:27:12,880 --> 00:27:16,080
Speaker 2: What do we know? I don't know. He was just

486
00:27:16,119 --> 00:27:18,800
Speaker 2: so cute. I believed everything he said.

487
00:27:18,840 --> 00:27:22,320
Speaker 1: I did too. I did too. I want to believe him,

488
00:27:22,640 --> 00:27:26,320
Speaker 1: But I don't know where is this going further? Is

489
00:27:26,320 --> 00:27:30,280
Speaker 1: is this Larry Lincoln going to be Steve's little protege

490
00:27:30,400 --> 00:27:33,000
Speaker 1: or buddy moving forward and he's going to get him

491
00:27:33,040 --> 00:27:35,679
Speaker 1: across the graduation line?

492
00:27:35,920 --> 00:27:39,679
Speaker 2: I don't know, Larry Lincoln, is that a mix? To remember?

493
00:27:39,800 --> 00:27:42,040
Speaker 2: We do we have an ad or what do you do?

494
00:27:42,080 --> 00:27:47,720
Speaker 2: His name was Lincoln. Was he a pa like long hair? Yes, yes,

495
00:27:47,840 --> 00:27:51,520
Speaker 2: talk and Larry Mullen was still like.

496
00:27:52,720 --> 00:27:56,399
Speaker 1: Yeah, maybe they're just pulling you know, names, really crueless. Okay,

497
00:27:57,280 --> 00:28:02,119
Speaker 1: I want to talk about Tom Miller. Oh wait a second,

498
00:28:02,160 --> 00:28:04,920
Speaker 1: of course I do. Wait wait, just got word that

499
00:28:05,000 --> 00:28:08,240
Speaker 1: this is Larry Lincoln's only episode, so this is a

500
00:28:08,240 --> 00:28:12,160
Speaker 1: one and done. No, I'm sorry.

501
00:28:12,400 --> 00:28:14,520
Speaker 2: How much do you think Steve gave him?

502
00:28:15,280 --> 00:28:18,320
Speaker 1: Well, there was a stag of honeys, right, there was,

503
00:28:18,480 --> 00:28:20,520
Speaker 1: but maybe a thousand dollars?

504
00:28:22,600 --> 00:28:24,400
Speaker 2: What did you say it was for? It was for

505
00:28:24,600 --> 00:28:29,200
Speaker 2: like housing? It was for how far is a thousand gonna? Well?

506
00:28:29,240 --> 00:28:31,320
Speaker 1: What do you want from it? Steve?

507
00:28:31,640 --> 00:28:37,600
Speaker 2: I mean Samantha Sanders kid, he's got big bucks dollar

508
00:28:37,680 --> 00:28:42,520
Speaker 2: dollar bills, yo, like he's I don't know, wait, this

509
00:28:42,600 --> 00:28:47,560
Speaker 2: is the episode it's over see that Yeah, doesn't make sense. Well,

510
00:28:47,720 --> 00:28:50,719
Speaker 2: some of these storylines we drag and drag and drag.

511
00:28:50,880 --> 00:28:53,720
Speaker 2: Here's something like, oh is something going to happen?

512
00:28:54,640 --> 00:28:59,120
Speaker 1: And no? Or is this a meaningful like lesson?

513
00:29:00,160 --> 00:29:02,880
Speaker 2: You know what? They should have kept him on longer,

514
00:29:03,200 --> 00:29:04,840
Speaker 2: just for red herrings sake.

515
00:29:05,800 --> 00:29:09,320
Speaker 1: Yeah, because that because we you and I the super

516
00:29:09,320 --> 00:29:11,680
Speaker 1: fans that we are. Yeah, he could be a red herring.

517
00:29:12,760 --> 00:29:16,240
Speaker 1: Oh well, we want to talk about Tom Miller. I

518
00:29:16,280 --> 00:29:17,880
Speaker 1: still like him.

519
00:29:18,560 --> 00:29:20,640
Speaker 2: I like him more now more.

520
00:29:22,400 --> 00:29:24,920
Speaker 1: Yeah, why I.

521
00:29:24,920 --> 00:29:29,560
Speaker 2: Wasn't sold at first. But I don't know. Do you

522
00:29:29,600 --> 00:29:36,400
Speaker 2: feel like his acting in his tone, in how he

523
00:29:36,520 --> 00:29:39,960
Speaker 2: kind of I don't know, does he feel a little

524
00:29:40,000 --> 00:29:43,600
Speaker 2: bit like No, I don't know, James dean ish like

525
00:29:43,720 --> 00:29:49,720
Speaker 2: kind of it's a very what am I trying to say, like.

526
00:29:49,520 --> 00:29:54,920
Speaker 1: Like one level? Oh no, this is coming into my mind,

527
00:29:55,840 --> 00:29:57,520
Speaker 1: but not in a mean way. I'm just trying to

528
00:29:57,520 --> 00:29:58,440
Speaker 1: figure out what you're saying.

529
00:29:58,960 --> 00:30:03,640
Speaker 2: I don't know, like heart, like Luke always had a knack.

530
00:30:04,520 --> 00:30:07,480
Speaker 2: I feel like Je's gold Bloom has it where a

531
00:30:07,560 --> 00:30:13,400
Speaker 2: line is written and a hundred actors would put the

532
00:30:13,400 --> 00:30:19,240
Speaker 2: the enunciation or the what's the word intonation? No, no

533
00:30:22,320 --> 00:30:26,719
Speaker 2: emphasis that on certain words. He does it kind of different,

534
00:30:28,400 --> 00:30:30,320
Speaker 2: like I feel like he kind of reads it like,

535
00:30:30,480 --> 00:30:31,840
Speaker 2: oh I see one note.

536
00:30:32,560 --> 00:30:33,080
Speaker 1: I don't know.

537
00:30:33,520 --> 00:30:34,440
Speaker 2: I'm just learning.

538
00:30:36,920 --> 00:30:38,520
Speaker 1: No, no, no, I'm going to look for it next

539
00:30:38,520 --> 00:30:40,560
Speaker 1: time and kind of get a different rate on it

540
00:30:40,560 --> 00:30:45,360
Speaker 1: because I'm not sure their chemistry. Yeah, their chemistry is good.

541
00:30:46,640 --> 00:30:48,720
Speaker 1: I feel like they've known each other a long time.

542
00:30:49,920 --> 00:30:55,680
Speaker 1: But she's all in so fast. But then she says

543
00:30:56,160 --> 00:30:59,400
Speaker 1: she doesn't want a relationship, and then she says, I

544
00:30:59,440 --> 00:31:01,640
Speaker 1: want you to kiss me, and he says, wait, you

545
00:31:01,680 --> 00:31:04,200
Speaker 1: just told me you don't want a relationship, and she said, yeah,

546
00:31:04,320 --> 00:31:06,160
Speaker 1: I told you what I don't want, and now I'm

547
00:31:06,160 --> 00:31:07,560
Speaker 1: telling you what I do want.

548
00:31:08,440 --> 00:31:14,160
Speaker 2: So it is odd not odd. I don't know. Is

549
00:31:14,160 --> 00:31:17,640
Speaker 2: it empowering? We would call it empowering now that a

550
00:31:17,680 --> 00:31:19,880
Speaker 2: female is just like I can want what I want.

551
00:31:19,960 --> 00:31:22,160
Speaker 2: I don't care what you think, Like, this is all

552
00:31:22,200 --> 00:31:24,320
Speaker 2: I want? Yeah, what all she wants?

553
00:31:24,360 --> 00:31:29,560
Speaker 1: Though, I don't know what else could she want from him?

554
00:31:30,120 --> 00:31:33,200
Speaker 1: You never know with her, I don't want more musical acts.

555
00:31:33,640 --> 00:31:36,080
Speaker 2: I think she I don't know.

556
00:31:37,520 --> 00:31:38,440
Speaker 1: She's controlling.

557
00:31:39,080 --> 00:31:43,560
Speaker 2: She likes control. So she's like, no relationship and he's like, okay,

558
00:31:43,600 --> 00:31:47,160
Speaker 2: I'm confused, but kiss me what? And it's like she

559
00:31:47,280 --> 00:31:50,920
Speaker 2: likes to disarm people so that she has the power. Correct.

560
00:31:51,400 --> 00:31:53,320
Speaker 1: She comes out of the gate strong.

561
00:31:54,080 --> 00:31:55,680
Speaker 2: Really strong to men like that.

562
00:31:57,400 --> 00:32:02,800
Speaker 1: I think sometimes perhaps Yeah, until they don't and then

563
00:32:02,840 --> 00:32:04,600
Speaker 1: they're like, oh she's bossy and controlling.

564
00:32:05,960 --> 00:32:08,719
Speaker 2: Yes, oh yeah, I don't know.

565
00:32:09,800 --> 00:32:11,840
Speaker 1: Yeah, this is deep, this is deep.

566
00:32:13,240 --> 00:32:17,760
Speaker 2: We've gone deep. Yeah, I like his style. I like his.

567
00:32:17,800 --> 00:32:20,040
Speaker 1: Clues, like his look is good.

568
00:32:20,080 --> 00:32:22,640
Speaker 2: His look looks good, and I remember he dressed like that,

569
00:32:22,840 --> 00:32:25,120
Speaker 2: so he encouraged that.

570
00:32:26,600 --> 00:32:30,600
Speaker 1: Yeah, so I wish I could remember. Well, hopefully we're

571
00:32:30,600 --> 00:32:33,200
Speaker 1: going to have him on and i'll remember more. Anyway,

572
00:32:33,520 --> 00:32:36,800
Speaker 1: Valerie's pissed at David for how he treated them, and

573
00:32:36,840 --> 00:32:39,360
Speaker 1: now all of a sudden, David's inviting him to move

574
00:32:39,400 --> 00:32:42,880
Speaker 1: into his Hollywood Hills home, which I thought belonged to Mark.

575
00:32:42,960 --> 00:32:46,320
Speaker 1: And if Mark left c U to go to wo'sey

576
00:32:46,400 --> 00:32:50,440
Speaker 1: bought Harvard or wherever he's going, then why does he

577
00:32:50,480 --> 00:32:52,200
Speaker 1: still have the house and why is he still letting

578
00:32:52,280 --> 00:32:54,120
Speaker 1: David stay in it? I'm confused.

579
00:32:55,000 --> 00:32:58,760
Speaker 2: Well, sub let it like David.

580
00:32:59,040 --> 00:32:59,760
Speaker 1: Took over the lease.

581
00:33:01,440 --> 00:33:05,080
Speaker 2: Yeah yeah, let's assume that he needs a roommate now

582
00:33:05,240 --> 00:33:08,120
Speaker 2: because he's paying a lot now, because he's the Mark

583
00:33:08,360 --> 00:33:15,400
Speaker 2: in that house now, Tom Miller living with David in

584
00:33:15,480 --> 00:33:18,640
Speaker 2: that house doesn't makes sense.

585
00:33:18,880 --> 00:33:22,400
Speaker 1: Doesn't sound like a good time. I don't know. I

586
00:33:22,440 --> 00:33:27,320
Speaker 1: feel like you and I have done an exceptional job today. Okay,

587
00:33:27,360 --> 00:33:31,240
Speaker 1: we're down this episode. Yes, it's time to go. I'm sorry.

588
00:33:31,480 --> 00:33:33,120
Speaker 2: I'm having so much fun though.

589
00:33:34,920 --> 00:33:36,840
Speaker 1: Okay, well, guess what we get to do it again

590
00:33:36,880 --> 00:33:40,600
Speaker 1: next week? Yay? Oh wait wait, wait, what do you

591
00:33:40,640 --> 00:33:41,640
Speaker 1: read it? What do you read it?

592
00:33:44,000 --> 00:33:55,280
Speaker 2: Reddit? Bridian slip Reddit. Everyone loves the Reddit. Ooh, I

593
00:33:55,560 --> 00:33:56,120
Speaker 2: like a nine.

594
00:33:57,200 --> 00:34:00,360
Speaker 1: That's what I was thinking. Oh yay, yeah, like.

595
00:34:00,480 --> 00:34:03,160
Speaker 2: He's feeling guilty, Like oh am I saying that because

596
00:34:03,160 --> 00:34:05,440
Speaker 2: it's like I have a big storyline. But no, I

597
00:34:05,480 --> 00:34:09,400
Speaker 2: really liked everything else too. Yeah, it was snappy. It

598
00:34:09,440 --> 00:34:13,160
Speaker 2: moved to my future ex husband. I liked his storyline.

599
00:34:13,280 --> 00:34:19,879
Speaker 2: I liked yeah, okay, Claire looked good, Kelly, everyone looked good.

600
00:34:20,360 --> 00:34:21,040
Speaker 1: Thumbs up.

601
00:34:21,400 --> 00:34:23,839
Speaker 2: We liked it, poodle do. Yeah, what's next week?

602
00:34:24,040 --> 00:34:29,080
Speaker 1: Season seven, Episode sixteen, Unnecessary Roughness. Oh oh.

603
00:34:30,560 --> 00:34:34,840
Speaker 2: God. If this is a football reference, I'm gonna be furious.

604
00:34:35,080 --> 00:34:43,200
Speaker 1: What do you hope it is? I'm setting you up. Sorry,

605
00:34:43,840 --> 00:34:45,319
Speaker 1: I know what you hope it is.

606
00:34:46,600 --> 00:34:48,360
Speaker 2: We what's it gonna be?

607
00:34:49,520 --> 00:34:51,279
Speaker 1: Probably about football? Sorry to break it to you.

608
00:34:52,239 --> 00:34:55,640
Speaker 2: Oh my gosh. Well you'll be happy. They'll be happy

609
00:34:55,680 --> 00:34:57,920
Speaker 2: watching it with you. Great. Good for you guys.

610
00:34:58,360 --> 00:35:02,439
Speaker 1: Yeah, well, everybody have a great week, and we will

611
00:35:02,480 --> 00:35:07,160
Speaker 1: be back to talk about the next episode.

612
00:35:07,280 --> 00:35:10,200
Speaker 2: And we love you, love you. Look up the zombie

613
00:35:10,239 --> 00:35:12,240
Speaker 2: mask or don't

614
00:35:13,880 --> 00:35:19,560
Speaker 1: Bye,