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Speaker 1: The volume.

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Speaker 2: Salute to America New And I saw the disco bowling

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Speaker 2: alley he opened. I saw his his wife working with

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Speaker 2: kids there. It looks like cool set up that they

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Speaker 2: got going to. Yeah, that that would be a cool

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Speaker 2: retirement plan.

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Speaker 3: Bowling alley. I would. I would own a bowling alley.

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Speaker 3: Just open up this bowl every day.

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Speaker 2: I don't know if anyone bowls anymore, but like that

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Speaker 2: would be a fun thing to do. And I like

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Speaker 2: what game they have a stage over there? Like like

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Speaker 2: remember when bowling Alley's worth thing?

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Speaker 3: Like what happened?

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Speaker 1: I mean people's people's idea of fun and what they

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Speaker 1: wanted to do on their free time changed.

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Speaker 3: Yeah, really what people did and which is something that

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Speaker 3: I like.

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Speaker 1: I think people started traveling more because I've noticed that

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Speaker 1: over you is a lot I would.

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Speaker 2: I would go to a bowling alley in Sweden see

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Speaker 2: how the see how the Swedes bowl.

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Speaker 3: That just sounds funny, but yeah.

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Speaker 2: Like in Australia, I'd like to see if the ball

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Speaker 2: move the other way, the same way the toilet shit does.

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Speaker 3: It's a show.

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Speaker 1: It's it's a show in this somewhere traveling the world

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Speaker 1: and just introducing bowling to people who's never seen it before.

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Speaker 2: I think I think professional bowlers are the most trash

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Speaker 2: athletes on the planet. Why there's no reason why you

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Speaker 2: don't bowl a perfect score every time? Well, that's it's

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Speaker 2: if there was a professional free throw shooters, like you

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Speaker 2: had nothing to do whatsoever but just shoot free throws.

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Speaker 2: There's no parts of the game at all. You don't

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Speaker 2: even have to go get fouled. The game is shooting

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Speaker 2: free throws.

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Speaker 4: People will still miss.

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Speaker 2: Yeah, ninety eight out of one hundred. If your whole

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Speaker 2: life's goal was just shooting free throws, there's no way

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Speaker 2: you don't bowl a perfect scorer. I know people in

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Speaker 2: Hudson Lanes right now bowling perfect scores off two shots

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Speaker 2: of Hennessy.

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Speaker 1: Yeah, but it's it's different when it's it's competition evolved,

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Speaker 1: like you know, it's it's just different elements too, mental

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Speaker 1: because we talked about just that, we're talking about a

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Speaker 1: fraction off and you.

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Speaker 3: Can you can, you can not your life's work. Yeah yeah,

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Speaker 3: but a lot of people have life's work that they're not.

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Speaker 2: Everyone's quiet at Duke at the free throws go like this, Yeah,

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Speaker 2: but it's a dead quiet. Golf is very difficult, one

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Speaker 2: of the harder games. And it's quiet bowling. Everyone's dead quiet.

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Speaker 2: It's the same. There's no regulation difference between the ship

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Speaker 2: in my hood and professional bowling.

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Speaker 3: It's the same thing.

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Speaker 2: Yeah, but it's still They at least moved the three

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Speaker 2: point line from college.

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Speaker 3: To the NBA. Yeah, but it's still you know, it's

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Speaker 3: professional bull bowling from the rafters. Yeah. But you're not

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Speaker 3: perfect though, So while you think you're perfect, and you think.

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Speaker 2: I don't think I'm you think you think my depressive

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Speaker 2: mind things.

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Speaker 3: What I'm saying, any nobody is perfect, so you can you.

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Speaker 2: Can see every now and then, you wouldn't bowl a

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Speaker 2: perfect game. Shit happens. But the fact that a seven

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Speaker 2: tents split even exists in your world, when your life's

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Speaker 2: work is taking this bowl and throwing it twenty feet

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Speaker 2: down to some pins, you're the worst athlete on earth.

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Speaker 3: And I watched professional rory is crazy? Just why you

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Speaker 3: should have you seen.

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Speaker 2: Professional pool players and the ship that they could do

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Speaker 2: when it's their life's work.

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Speaker 3: What's what's what's more difficult? The playing pool is probably

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Speaker 3: more difficult. For sure.

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Speaker 2: They could shoot if we had a fool table here

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Speaker 2: and put another pool table outside on the street on

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Speaker 2: top of my car. They could shoot that ship over

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Speaker 2: through the window. Down, up, down, go right in hit

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Speaker 2: the a ball, But these guys don't.

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Speaker 3: But you messing.

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Speaker 1: You're thinking about you not factoring how much time it

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Speaker 1: takes to get to be able to do that. Though

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Speaker 1: that takes a lot. It's their life's work. Yeah, but

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Speaker 1: I'm saying any of these guys' LIFs work is a

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Speaker 1: free throw. Yeah, but even when it's your life's work,

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Speaker 1: you you're gonna miss. You're not nobody's perfect wordy, You're

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Speaker 1: gonna miss now. You might not miss again for another

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Speaker 1: ninety shots, but you are miss.

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Speaker 3: Yeah, it happens.

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Speaker 2: So why aren't all professional bowling things like ninety five

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Speaker 2: percent perfect games every Why is it not triple overtime

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Speaker 2: every time?

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Speaker 5: They are for the most point? Yeah, yeah, for the

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Speaker 5: most point point. The areto And you asked that bowling.

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Speaker 5: Why are you over here, John, I'm not a.

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Speaker 1: Professional bowling stream Yeah, oh yeah, we should do that.

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Speaker 4: Go bowling and streaming.

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Speaker 2: I love bowling, not a professional. I make mistakes, But

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Speaker 2: it's like the only sport that you like, eat nachos

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Speaker 2: and do it. It's fucking great, then you're drink and

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Speaker 2: do it and not be judged like it's it's And

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Speaker 2: I love bowling and I watched Professional ball Jamarius. Have

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Speaker 2: you ever have you ever given the draws up after

102
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Speaker 2: a bowling date? That used to be one of my

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Speaker 2: go tos. Take a bowling and then you like a

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Speaker 2: bowling ball, love.

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Speaker 4: It, pull all three figures in it.

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Speaker 2: I was about to say same this right here.

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Speaker 3: Throwing my leg the same way.

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Speaker 5: This is leg up.

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Speaker 3: I'm swinging my leg.

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Speaker 4: Right beyonder slide down a lane at more than you?

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Speaker 3: What were.

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Speaker 5: Maul?

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Speaker 2: I saw your twenty twenty six vision board and the

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Speaker 2: number one thing on there was upgrading to the all

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Speaker 2: new iPhone seventeen Pro and just huge letters on the

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Speaker 2: vision board It's happened, just plastered on your wall.

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Speaker 3: It's happening.

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Speaker 2: But I know in that vision board you were very

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Speaker 2: worried about the traffic or getting to the store to

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Speaker 2: transfer all your data. That was just crazy on your

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Speaker 2: vision board, like how will I transfer the data?

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Speaker 3: Had data on my vision When you order a new

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Speaker 3: phone online with Boost Mobile to send an expert to

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Speaker 3: your home, your work, they'll even past your vision board

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Speaker 3: together if you ask them and give you your new

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Speaker 3: iPhone seventeen pro and get you set up on boost

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Speaker 3: Mobile within minutes, no hassle.

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Speaker 1: Visit boostsmobile dot com to get started. Delivery available select

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Speaker 1: devices purchased at boostmob dot com.

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Speaker 3: Terms apply.

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Speaker 2: What was in women's brains when we were trying to

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Speaker 2: pull like the bowling date in our early.

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Speaker 5: Twenties, there was not I was, ah, that child was broke.

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Speaker 5: It's a cheap date, y'all.

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Speaker 3: I wasn't thinking we was broke back, not not.

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Speaker 4: Like not in high school, he said, in our twenties.

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Speaker 3: Even in your twenties, he wasn't thinking he was broke.

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Speaker 5: Browling date was the bro was unless we were like

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Speaker 5: in a relationship, like the first three dates should not

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Speaker 5: be bowling, so this.

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Speaker 3: Should be the first two days. I think that is

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Speaker 3: in like the first three date mix.

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Speaker 4: Yeah, it definitely is. I'm down with it, but okay.

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Speaker 2: But which a lot of downtime to talk and get

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Speaker 2: to know each other. You have the subtle fun competition,

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Speaker 2: flirty ship.

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Speaker 1: You can look at that ass when she's bowling like

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Speaker 1: there's a lot of positive things.

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Speaker 5: But women don't be liking bowling like that. That's a

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Speaker 5: y'all thing, That's what I'm saying, Like, women don't really

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Speaker 5: like have you ever? I know some women go bowling

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Speaker 5: and they really really enjoy it. Me, I'm very competitive.

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Speaker 5: I really really like bowling dates because I'm super competitive.

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Speaker 5: But a lot of girls don't like that shit. So

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Speaker 5: taking me somewhere I don't like just.

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Speaker 3: For us first date. What is the ideal first three

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Speaker 3: dates for women?

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Speaker 4: I won't say for women. I'll say for me. I

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Speaker 4: like a game.

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Speaker 5: I like a gaming date, maybe as the third one,

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Speaker 5: third or second one. My longest relationship was with the

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Speaker 5: Damon Busters on the first day, so I like a

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Speaker 5: gaming date.

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Speaker 3: But Damon Buster's date is still okay with women, right,

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Speaker 3: not most women?

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Speaker 1: You know?

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Speaker 3: Expensive dating Busters is now it's okay.

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Speaker 1: With women as long as if they get a high score.

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Speaker 1: You're get to Michel back. That's when I'm not arguing

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Speaker 1: with you. Of course, of course you're not. You would

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Speaker 1: love to see it happen. You can't argue with that.

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Speaker 2: That's the type of what I'm dating. We're not going

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Speaker 2: to Damn Busters. I'll just buy the bag and fuck

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Speaker 2: would never happen.

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Speaker 5: I'll just be I'll be betting all types of crazy shit.

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Speaker 5: I'd be like, oh, if I make this point, I'm

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Speaker 5: one of them people. We're doing crazy bets. It's not

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Speaker 5: worth it.

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Speaker 1: Just why I can't, But why I can't ever say

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Speaker 1: all right, if I if I beat you and connect four,

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Speaker 1: I get that pussy tonight. Why can't never be that

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Speaker 1: because I'm not losing, I'm not losing connect for. If

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Speaker 1: it's connect for with some ass, you're you're losing, So

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Speaker 1: why why I forgot say that? Then it's like, girl,

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Speaker 1: this nigga thirsty. But if you be like yo, if

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Speaker 1: I beat you right now, you got to take me.

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Speaker 3: To Chanelle tomorrow. We're supposed to be like all right,

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Speaker 3: but also losing, losing it's funny what losing and connect

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Speaker 3: for It's funny? Why is that funny?

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Speaker 2: Everyone of our age and intelligence like every game should

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Speaker 2: end in a stillmate like losing and connect for at

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Speaker 2: thirty five is crazy. It's not though kids need to

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Speaker 2: lose and losing at Tictac told wildest fuck at this age.

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Speaker 1: Nah, you's gotta go top left, top right and you win.

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Speaker 1: Don't tell him, Rory, don't gosh.

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Speaker 3: Don't leak that strategy.

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Speaker 1: Who doesn't know that like what grown person doesn't know that,

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Speaker 1: but that like losing and connect for is only off

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Speaker 1: neglect and like drunk game night or there's no way

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Speaker 1: you focused and losing connect for. I remember I was

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Speaker 1: playing this girl because you know you got you got

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Speaker 1: to connect for on your phone at the games. So

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Speaker 1: this girl's like, oh if you if I beat you, you

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Speaker 1: got to send me a dick pic.

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Speaker 3: Got lost on purpose that was happening anyway. I was like,

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Speaker 3: oh damn, you got me. I was like, oh damn,

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Speaker 3: you got me. I don't really do this, but attachment one.

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Speaker 5: Then we're gonna save the photo and that ship from

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Speaker 5: two years ago, this ship best word.

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Speaker 3: No, I'll take fresh work, I'll take fresh shots.

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Speaker 1: I don't do that. Every every woman is not created equal. Okay,

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Speaker 1: there's like tears of what.

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Speaker 4: Yeah, yeah, you said ut videos.

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Speaker 3: Nah, I don't do that. I don't believe you ed

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Speaker 3: how you sent an edge video Like no, not yet

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Speaker 3: in video cuts you.

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Speaker 1: Yeah, you'll get that. You don't get how's about to.

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Speaker 1: I was about to back it out, but I stopped

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Speaker 1: and then I said a ad at the end of it.

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Speaker 1: You gotta go ad free. You gotta go ad free.

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Speaker 1: You gotta up the suscription. Baby, you gotta go add free.

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Speaker 1: You know what I'm saying?

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Speaker 2: That should we change our jay z tier on Patreon,

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Speaker 2: the more edging tears, go ad free, babe.

225
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Speaker 3: Not sending enough videos, it's not horny and weird.

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Speaker 5: I'm such a woman because why am I mad at

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Speaker 5: the answer to a question I.

228
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Speaker 4: Asked, like.

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Speaker 5: You want you wanted to answer to be yes, no,

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Speaker 5: not not? I wanted him to not answer.

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Speaker 3: I'm mad. I'm mad.

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Speaker 4: I know that about him now, even though.

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Speaker 3: I asked you, no, you can't finish. You know you

234
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Speaker 3: can't finish myself, not on camera.

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Speaker 5: No.

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Speaker 1: The thing with nut videos, that's just the post nut

237
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Speaker 1: clarity is ten times worse.

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Speaker 2: Because you have your phone in your hand and a

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Speaker 2: good nut video, you can't like clean up in real time.

240
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Speaker 2: You kind of just gotta let it flow. So yeah,

241
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Speaker 2: it's that post nut clarity is the most shameful you'll

242
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Speaker 2: ever feel. And then editing your nut video is you

243
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Speaker 2: probably have to get horny again to do that most

244
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Speaker 2: ut clarity and then putting edits to something is the

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Speaker 2: sickest thing.

246
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Speaker 5: And I'm a terrible person because I get a enough

247
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Speaker 5: video and I'm gonna leave you on red for at

248
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Speaker 5: least an hour.

249
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Speaker 1: See, that's when I'm at evil. That's when I'm at

250
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Speaker 1: your door with a wild, greasy pong. Did you see

251
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Speaker 1: what I just said, touching all your door knobs? Yeah,

252
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Speaker 1: iPhone screen on.

253
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Speaker 3: You're not gonna do me like that. I'm not wand enough.

254
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Speaker 2: You just leave the risky test like just on red.

255
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Speaker 2: That's that's really evil.

256
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Speaker 5: It depends I've done it to I've done it to

257
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Speaker 5: men when I was mad at them, Like when I

258
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Speaker 5: was mad at them.

259
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Speaker 4: Oh yeah, send me another video.

260
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Speaker 5: You do it now because they think like this is

261
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Speaker 5: them making it up to me because I'm mad and

262
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Speaker 5: I was leaving my.

263
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Speaker 3: Red four hour.

264
00:11:01,200 --> 00:11:02,640
Speaker 2: If a girl is mad at me and says that,

265
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Speaker 2: I'm gonna immediately think I'm being set up for something.

266
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Speaker 5: Not that, not that type of mad, Not that type

267
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Speaker 5: of matter where you would think I will leak it

268
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Speaker 5: or something like.

269
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Speaker 2: No, not like I'm just in general, be like what

270
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Speaker 2: down to like when I've been in relationships. Since she's

271
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Speaker 2: mad at me and starts cooking and like, yo, you

272
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Speaker 2: want something like.

273
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Speaker 3: What you putting the food? Like I do know.

274
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Speaker 1: It's a whole different entery. He right, hey, right before

275
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Speaker 1: you eat first, Hey, right before I got here the marriage.

276
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Speaker 1: Is it true that you can tell how much a

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Speaker 1: guy likes you by the way kiss you? Because this

278
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Speaker 1: girl was telling me, yo, you don't really like him.

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Speaker 1: I was like, why are you saying that? She was like,

280
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Speaker 1: I could tell by the way you kissed me, And

281
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Speaker 1: I was like, what, You're not a passionate?

282
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Speaker 3: How were you?

283
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Speaker 4: How were you kissing her?

284
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Speaker 1: I thought I was giving him my best work. I

285
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Speaker 1: thought I was giving her my best love Jones, you

286
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Speaker 1: know what I'm saying. But apparently she felt like I

287
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Speaker 1: didn't like that at all.

288
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Speaker 3: I was like, what what did you mean? That was

289
00:11:51,920 --> 00:11:53,760
Speaker 3: the is it in version of kissing? Yeah?

290
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Speaker 4: Oh damn? Like were you like pecking? Was there a tongue?

291
00:11:57,480 --> 00:11:57,720
Speaker 3: Yeah?

292
00:11:57,720 --> 00:12:00,480
Speaker 1: It was all of that face touching, pecking public, tongue

293
00:12:00,520 --> 00:12:02,920
Speaker 1: in you know, behind closed doors, that type of thing.

294
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Speaker 3: I think she wanted to be, like tonguing down and

295
00:12:04,520 --> 00:12:05,840
Speaker 3: whole foods. I'm not doing that.

296
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Speaker 4: You don't do that.

297
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Speaker 3: You don't do the tongue in. I don't. I don't

298
00:12:08,160 --> 00:12:10,560
Speaker 3: tongue kiss in public. I'm not doing that. Grow up,

299
00:12:10,840 --> 00:12:12,319
Speaker 3: I'm not doing that. It's just like it's just too

300
00:12:12,480 --> 00:12:13,400
Speaker 3: you ain't like her that much.

301
00:12:13,480 --> 00:12:15,600
Speaker 1: No, I like that, but it's just like I could,

302
00:12:16,040 --> 00:12:17,480
Speaker 1: i could be madly in love with you, and I'm

303
00:12:17,480 --> 00:12:20,120
Speaker 1: not tongukissing you in public, Like that's just I'm not

304
00:12:20,160 --> 00:12:22,360
Speaker 1: doing that. Like while we're outside standing on the corner

305
00:12:22,400 --> 00:12:23,640
Speaker 1: way for the light to change. Want me tongue you

306
00:12:23,679 --> 00:12:26,280
Speaker 1: down right here on what it's supposed to do. No,

307
00:12:26,679 --> 00:12:28,360
Speaker 1: I'm not tongueing you down. I'll kiss you, you know

308
00:12:28,360 --> 00:12:29,680
Speaker 1: what I'm saying, kiss you on your neck and on

309
00:12:29,720 --> 00:12:32,040
Speaker 1: your cheek and you know, pat kiss you on the lips.

310
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Speaker 3: I'll tongue you down.

311
00:12:32,840 --> 00:12:35,079
Speaker 4: That's probably that's probably why the girl down.

312
00:12:35,120 --> 00:12:38,800
Speaker 1: I'm ready, I'm ready, ready, like the blood is flowing.

313
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Speaker 1: I'm not gonna do that. And then we gotta walk

314
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Speaker 1: the target. We're doing like I'm ready to go and

315
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Speaker 1: so not have no get me to the house.

316
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Speaker 5: But it's like building that anticipation, like because you just

317
00:12:50,679 --> 00:12:52,719
Speaker 5: like how we said the all day date, you are

318
00:12:52,840 --> 00:12:54,920
Speaker 5: tongue kissing throughout the all day date. You know when

319
00:12:54,960 --> 00:12:57,600
Speaker 5: you get home, the penty' is just sliding off like

320
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Speaker 5: a seal.

321
00:12:58,200 --> 00:13:01,840
Speaker 1: All that that blue miss You are such a freak

322
00:13:02,920 --> 00:13:03,600
Speaker 1: like a seal.

323
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Speaker 3: What's wrong with you? I'm just because only you would only.

324
00:13:06,960 --> 00:13:08,920
Speaker 1: Know how you know you've seen the seals slide into

325
00:13:08,960 --> 00:13:11,640
Speaker 1: the water before, like you see exactly, like the marriage

326
00:13:11,640 --> 00:13:16,040
Speaker 1: had to study that, like she knows she studied that

327
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Speaker 1: when I had the thongs on that night.

328
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Speaker 5: I'm just saying, it builds anticipation. So that's why you're

329
00:13:23,200 --> 00:13:25,520
Speaker 5: supposed to do things like that in public. Like it's

330
00:13:25,520 --> 00:13:27,240
Speaker 5: like I can't wait to get you home type thing

331
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Speaker 5: a peck. I'm not thirsty to get home from the peck,

332
00:13:30,880 --> 00:13:32,720
Speaker 5: like you gotta make me woozy, you gotta make.

333
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Speaker 3: Me lightheaded to get you home.

334
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Speaker 4: I'm just saying, like it that's when you're like.

335
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Speaker 1: Ready, that's something I might be on at the podium

336
00:13:40,160 --> 00:13:42,319
Speaker 1: next morning when I did not lightheaded.

337
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Speaker 3: Whoa, I want you to be very clear headed. Fuck that.

338
00:13:45,880 --> 00:13:48,640
Speaker 5: No, I'm just saying, so I understand why she would

339
00:13:48,640 --> 00:13:49,880
Speaker 5: think that that you don't really like.

340
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Speaker 3: But I liked it though, Like I really liked that.

341
00:13:51,320 --> 00:13:52,800
Speaker 5: Well, did you explain to her that you're just not

342
00:13:52,840 --> 00:13:55,360
Speaker 5: that guy? Because my question before you answer was gonna

343
00:13:55,400 --> 00:13:58,360
Speaker 5: be all men are different. Some men are not like

344
00:13:58,360 --> 00:14:00,640
Speaker 5: a bitch Rory and tunk his sort of partying for

345
00:14:00,760 --> 00:14:01,559
Speaker 5: all their friends.

346
00:14:02,280 --> 00:14:04,520
Speaker 3: That's what I said. I said, how could you say that?

347
00:14:04,880 --> 00:14:06,520
Speaker 1: You know guys that you brought her girls and they

348
00:14:06,760 --> 00:14:08,720
Speaker 1: rung them down and they don't like those girls.

349
00:14:09,600 --> 00:14:11,439
Speaker 3: So that's just like a stupid analogy.

350
00:14:11,040 --> 00:14:13,000
Speaker 5: Because you toungue me down too quickly. I know you

351
00:14:13,000 --> 00:14:15,720
Speaker 5: don't like me. You just do this way by why

352
00:14:15,760 --> 00:14:16,520
Speaker 5: is you talngue in my mouth?

353
00:14:16,800 --> 00:14:19,520
Speaker 4: Like you just met me? Like, please, don't get it away.

354
00:14:19,320 --> 00:14:22,280
Speaker 2: From I feel like I know you my whole life.

355
00:14:23,320 --> 00:14:26,000
Speaker 1: You such a white boy? That's your ship. Tongue kiss

356
00:14:26,000 --> 00:14:30,400
Speaker 1: in Mino is y'all ship? Y'all love mono? White boys

357
00:14:30,440 --> 00:14:32,880
Speaker 1: love mono? Do they catch mono at least every every

358
00:14:32,960 --> 00:14:34,560
Speaker 1: every quarter and then blame it on the weather?

359
00:14:34,640 --> 00:14:39,200
Speaker 3: Yeah, but I mean yes, all right, I'll play into

360
00:14:39,200 --> 00:14:39,720
Speaker 3: the joke a bit.

361
00:14:39,800 --> 00:14:43,200
Speaker 2: Yes, I will tongue kiss early, but like my passionate

362
00:14:43,240 --> 00:14:44,600
Speaker 2: kiss that that takes some time.

363
00:14:44,640 --> 00:14:46,760
Speaker 3: I'm not a whore. What's the difference. It's a different

364
00:14:46,800 --> 00:14:52,520
Speaker 3: than it's a certain face face touch hand hold, show me.

365
00:14:52,760 --> 00:14:55,760
Speaker 1: Just touch your face, touch your face, touch my face,

366
00:14:55,760 --> 00:14:58,240
Speaker 1: crazy your own face, making out.

367
00:15:00,640 --> 00:15:02,920
Speaker 3: It's like home alone. I've never carressed my own face

368
00:15:02,960 --> 00:15:03,240
Speaker 3: in my.

369
00:15:04,200 --> 00:15:06,720
Speaker 4: Like, what is it? It's a.

370
00:15:07,480 --> 00:15:13,680
Speaker 3: Do it to the basketball? It's crazy, do it to

371
00:15:13,720 --> 00:15:14,200
Speaker 3: the basket.

372
00:15:14,240 --> 00:15:16,520
Speaker 2: We have to draw a line in content. A line

373
00:15:16,560 --> 00:15:18,280
Speaker 2: needs to be drawn when it comes to content. I'm

374
00:15:18,280 --> 00:15:19,440
Speaker 2: here to push the boundaries with.

375
00:15:19,480 --> 00:15:20,360
Speaker 3: You guys, Like what do you do?

376
00:15:20,240 --> 00:15:21,280
Speaker 4: Do you do the chain cup?

377
00:15:21,360 --> 00:15:21,480
Speaker 3: Oh?

378
00:15:21,520 --> 00:15:25,840
Speaker 2: I definitely chimp uh, definitely a gentle throat grabbing a seed.

379
00:15:27,320 --> 00:15:29,200
Speaker 2: If she receives that well, and I see if I'm

380
00:15:29,200 --> 00:15:31,680
Speaker 2: dealing with a real freak. It's a lot of it's

381
00:15:31,720 --> 00:15:34,840
Speaker 2: a lot of testing the waters to see what she

382
00:15:35,120 --> 00:15:36,000
Speaker 2: likes type of time.

383
00:15:36,440 --> 00:15:38,320
Speaker 3: But it's a lot a lot of hand holding.

384
00:15:38,280 --> 00:15:42,280
Speaker 2: Certain rep not so much sexual of like titties trying

385
00:15:42,320 --> 00:15:44,560
Speaker 2: to go there like we're focused just on making out.

386
00:15:44,760 --> 00:15:47,000
Speaker 2: Making out is not just to get to me eating

387
00:15:47,040 --> 00:15:49,080
Speaker 2: your pussy, Like we're going to take our time here

388
00:15:49,480 --> 00:15:50,200
Speaker 2: and make out.

389
00:15:50,480 --> 00:15:53,000
Speaker 3: Yeah, I grabbed the throat to make sure her pronouns

390
00:15:53,000 --> 00:15:58,040
Speaker 3: are Do you think what do you think they would

391
00:15:58,040 --> 00:15:59,960
Speaker 3: they would be? I don't know, We're just gonna check.

392
00:16:00,520 --> 00:16:02,920
Speaker 2: I think before that you should maybe grab a handhold

393
00:16:02,920 --> 00:16:04,040
Speaker 2: down there and see what's going on.

394
00:16:04,760 --> 00:16:07,840
Speaker 3: Go right, If that's your journey. I'm not here to

395
00:16:07,920 --> 00:16:08,920
Speaker 3: judge you. I think.

396
00:16:12,320 --> 00:16:16,320
Speaker 4: Have y'all. Have y'all listened that don't be dumb a sap?

397
00:16:17,120 --> 00:16:20,800
Speaker 3: Yeah, I don't know if I like to have reply.

398
00:16:21,040 --> 00:16:23,920
Speaker 4: Yeah, I got silent as if I listened to it. Okay,

399
00:16:23,920 --> 00:16:24,600
Speaker 4: did you like it?

400
00:16:24,720 --> 00:16:25,040
Speaker 3: I did.

401
00:16:25,520 --> 00:16:27,560
Speaker 1: I thought the music was really good. I like the

402
00:16:27,640 --> 00:16:31,280
Speaker 1: energy on there. The production was great. I mean, I'm

403
00:16:31,280 --> 00:16:33,560
Speaker 1: never gonna really love rockies rapping. I don't think that's

404
00:16:33,560 --> 00:16:36,080
Speaker 1: what you listen to rocky for. But the music was good.

405
00:16:36,360 --> 00:16:39,080
Speaker 1: I definitely got some joints on there. Schast Walker his

406
00:16:39,200 --> 00:16:41,160
Speaker 1: verse on that that stop snitche joint is hard, he

407
00:16:41,200 --> 00:16:43,280
Speaker 1: went off. I love like soft walk his style like

408
00:16:43,360 --> 00:16:45,480
Speaker 1: he went off. Yeah, like the almost good though I was,

409
00:16:45,520 --> 00:16:48,360
Speaker 1: I was actually like pleasantly surprised at how good I

410
00:16:48,640 --> 00:16:50,880
Speaker 1: how much I enjoyed listening to the music was a hit.

411
00:16:55,480 --> 00:16:59,800
Speaker 2: I gotta low your flow will probably play outside because

412
00:17:00,080 --> 00:17:02,600
Speaker 2: the music, Like, the music is good. I was quiet

413
00:17:02,600 --> 00:17:04,159
Speaker 2: because I didn't want to come in here and like

414
00:17:04,280 --> 00:17:04,960
Speaker 2: y'all clown me.

415
00:17:05,119 --> 00:17:09,400
Speaker 3: I think it's fucking great. Oh do you think it's great?

416
00:17:09,520 --> 00:17:12,439
Speaker 3: I was so pleasantly surprised, not that I went in

417
00:17:12,600 --> 00:17:17,000
Speaker 3: thinking that it was going to be trash, but I

418
00:17:17,040 --> 00:17:20,520
Speaker 3: didn't go in with expectations maybe the way I'll go

419
00:17:20,560 --> 00:17:24,600
Speaker 3: into the fall off right. The product, the first half

420
00:17:24,640 --> 00:17:28,120
Speaker 3: of this album is fucking incredible. He starts to experiment

421
00:17:28,119 --> 00:17:29,760
Speaker 3: a little bit in the middle to end, but I'm

422
00:17:29,760 --> 00:17:31,359
Speaker 3: not even mad at that, and then the end of

423
00:17:31,359 --> 00:17:34,600
Speaker 3: it is incredible. Yeah, Like I need to go through

424
00:17:34,640 --> 00:17:38,919
Speaker 3: at least like some of the credits who produced this album.

425
00:17:39,200 --> 00:17:41,440
Speaker 3: Every beat on this is better than any beat I've

426
00:17:41,440 --> 00:17:44,560
Speaker 3: heard all of last year. Oh, I don't know the

427
00:17:44,600 --> 00:17:46,080
Speaker 3: production on the album.

428
00:17:46,160 --> 00:17:48,600
Speaker 1: No, I'm fucking that's the first thing. Like I haven't

429
00:17:48,640 --> 00:17:51,919
Speaker 1: really lived with it enough to really get into you know,

430
00:17:52,000 --> 00:17:54,119
Speaker 1: the lyrics and and and and the words like that,

431
00:17:54,160 --> 00:17:56,359
Speaker 1: but the music and the flows and things like that

432
00:17:56,400 --> 00:17:59,280
Speaker 1: on on on the records. It's definitely like the music

433
00:17:59,320 --> 00:18:02,840
Speaker 1: is to me out like it sounds The album sounds good.

434
00:18:02,840 --> 00:18:05,520
Speaker 2: And I'm with more. I never like looked at Rocky

435
00:18:05,520 --> 00:18:07,720
Speaker 2: as like some super lyricists. Don't even think he would

436
00:18:07,720 --> 00:18:09,440
Speaker 2: say that. He's that He's more about making a great

437
00:18:09,440 --> 00:18:12,560
Speaker 2: record and some of the best rappid he's ever done.

438
00:18:13,880 --> 00:18:17,720
Speaker 2: I love all the raps on it too. This is

439
00:18:17,760 --> 00:18:20,080
Speaker 2: the best Rocky album probably since the first one.

440
00:18:20,119 --> 00:18:22,280
Speaker 1: I feel like that I'm not just listening to the music.

441
00:18:22,320 --> 00:18:25,320
Speaker 1: I feel like that it's definitely the best sound, the

442
00:18:25,320 --> 00:18:27,880
Speaker 1: best music he's had in a very long time, without

443
00:18:27,920 --> 00:18:28,200
Speaker 1: a doubt.

444
00:18:29,040 --> 00:18:32,440
Speaker 2: There's not a what even the experimental ship is great.

445
00:18:32,600 --> 00:18:36,400
Speaker 2: There's there's not a whack beat on this project. Everything

446
00:18:36,560 --> 00:18:37,679
Speaker 2: is flawless production.

447
00:18:37,760 --> 00:18:39,840
Speaker 3: I dk you might be tripping with this one though.

448
00:18:40,480 --> 00:18:41,000
Speaker 3: It is my guy.

449
00:18:41,680 --> 00:18:44,720
Speaker 2: He tweeted Rocky in the New Big Three eight to

450
00:18:44,760 --> 00:18:51,760
Speaker 2: love it you my guy? But nah, yeah, but nah,

451
00:18:51,800 --> 00:18:53,760
Speaker 2: you know you. I've just spoke to Odi care I said,

452
00:18:53,760 --> 00:18:57,639
Speaker 2: next time he's in New York, should come on the show. Nah, Rocky,

453
00:18:57,680 --> 00:19:00,280
Speaker 2: if you want to get into like influence, we talked

454
00:19:00,280 --> 00:19:02,400
Speaker 2: about this before. Though Rocky has a lot of kids

455
00:19:02,400 --> 00:19:04,840
Speaker 2: out here. If you're saying, like Big three off off

456
00:19:04,840 --> 00:19:10,200
Speaker 2: strictly influence and where you see their DNA, you could

457
00:19:10,200 --> 00:19:11,199
Speaker 2: put Rocky in that type of.

458
00:19:11,359 --> 00:19:12,680
Speaker 3: Well, hold on Big Three.

459
00:19:12,800 --> 00:19:17,280
Speaker 1: No, there's a new big so who's the new Big Three?

460
00:19:17,400 --> 00:19:20,520
Speaker 5: Also, I think Rocky's been away for too long and

461
00:19:20,560 --> 00:19:22,200
Speaker 5: he's had a career for too long to be in

462
00:19:22,280 --> 00:19:23,200
Speaker 5: the new Big three.

463
00:19:23,200 --> 00:19:24,600
Speaker 4: Who would the new Big three be?

464
00:19:24,960 --> 00:19:28,240
Speaker 3: Right? Yeah? I don't know, I don't know.

465
00:19:28,560 --> 00:19:30,520
Speaker 5: Because I thought people considered the new Big Three to

466
00:19:30,560 --> 00:19:31,680
Speaker 5: be like Tyler.

467
00:19:32,680 --> 00:19:34,080
Speaker 3: Uh oh.

468
00:19:34,160 --> 00:19:37,960
Speaker 5: If that's the case, then Rocky and Tyler, Tyler, Travis

469
00:19:38,000 --> 00:19:41,879
Speaker 5: and like who like Playboy CARDI is, those are all

470
00:19:41,920 --> 00:19:47,119
Speaker 5: his sons kids Tyler, but definitely the other too. Yeah,

471
00:19:48,000 --> 00:19:51,480
Speaker 5: I mean, shit stole your flow. Is it's about Travis

472
00:19:51,720 --> 00:19:52,480
Speaker 5: being my son?

473
00:19:53,960 --> 00:19:58,320
Speaker 1: Yeah, so I mean, but I mean hold on because

474
00:19:58,320 --> 00:20:02,639
Speaker 1: I love Tyler, but I could see a little Rocky

475
00:20:02,680 --> 00:20:03,440
Speaker 1: influence in Tyler.

476
00:20:03,440 --> 00:20:03,680
Speaker 3: Though.

477
00:20:05,440 --> 00:20:09,200
Speaker 2: I always felt like the Asap Crew and Odd Future

478
00:20:10,240 --> 00:20:14,080
Speaker 2: were perfect like mirrors of the kids from those cities

479
00:20:14,080 --> 00:20:18,120
Speaker 2: at that time. Like Asap was a perfect I'm gonna

480
00:20:18,119 --> 00:20:20,160
Speaker 2: say metaphor, but like if you just looked up what

481
00:20:20,240 --> 00:20:23,600
Speaker 2: Harlem was at that time, those kids would be the

482
00:20:23,720 --> 00:20:26,480
Speaker 2: picture in the dictionary. And if you're looking at more

483
00:20:26,520 --> 00:20:31,960
Speaker 2: of the alternative underground, things are switching from just gangster

484
00:20:32,040 --> 00:20:35,560
Speaker 2: rap in La to other shit. That whole Odd Future

485
00:20:35,560 --> 00:20:38,280
Speaker 2: collective was that they are mirrors of each other in

486
00:20:38,320 --> 00:20:44,240
Speaker 2: different coasts. So no, I wouldn't say that they're Tyler's

487
00:20:44,359 --> 00:20:46,360
Speaker 2: is Rocky son at all in that regard, but.

488
00:20:46,320 --> 00:20:48,240
Speaker 1: They're not his son. But I'm just saying the influence.

489
00:20:48,240 --> 00:20:50,720
Speaker 1: I could see some some of Rocky's influence.

490
00:20:50,720 --> 00:20:53,639
Speaker 2: I think I hear some of Tyler's influence in the

491
00:20:53,680 --> 00:20:56,960
Speaker 2: production on this project. I think they're friends that influenced

492
00:20:57,160 --> 00:20:58,040
Speaker 2: each other for sure.

493
00:20:58,400 --> 00:21:00,840
Speaker 1: But what you're saying though to me, again, I haven't

494
00:21:00,840 --> 00:21:03,120
Speaker 1: lived with the album enough yet to really get into

495
00:21:03,160 --> 00:21:06,080
Speaker 1: the raps like that as far as the lyrics. But music,

496
00:21:06,160 --> 00:21:08,359
Speaker 1: the music, this is definitely some of the best music

497
00:21:08,800 --> 00:21:11,000
Speaker 1: that I've heard from Rocky in a very long time.

498
00:21:11,680 --> 00:21:12,920
Speaker 1: The album sounds really good.

499
00:21:13,040 --> 00:21:16,240
Speaker 2: It's and again, I'm only like three listens in, but

500
00:21:17,760 --> 00:21:22,600
Speaker 2: I can't think of a outside of the Clips album,

501
00:21:22,880 --> 00:21:25,119
Speaker 2: I haven't had like a good in the car album

502
00:21:25,119 --> 00:21:28,440
Speaker 2: in a long time. This album is perfect for riding

503
00:21:28,440 --> 00:21:30,800
Speaker 2: in the car, like if you just need something to

504
00:21:30,880 --> 00:21:35,240
Speaker 2: put on and it's gonna sound good throughout the entire time,

505
00:21:35,280 --> 00:21:36,919
Speaker 2: no matter what type of speakers you have while you're

506
00:21:37,000 --> 00:21:40,280
Speaker 2: driving traffic, highway, anywhere. This is the album for you.

507
00:21:40,480 --> 00:21:46,000
Speaker 2: It's a perfect driving album. Okay, I think Rocky over

508
00:21:46,080 --> 00:21:49,280
Speaker 2: fucking delivered on this. It's it's such a good album.

509
00:21:49,440 --> 00:21:51,840
Speaker 2: The music is good. I ain't gonna lie. Definitely listen

510
00:21:51,920 --> 00:21:56,359
Speaker 2: to the music. It's definitely you know his best music

511
00:21:56,400 --> 00:21:57,880
Speaker 2: in a very very long time.

512
00:21:57,960 --> 00:22:02,320
Speaker 3: And it's a double disc. Yeah it is. I love well.

513
00:22:02,480 --> 00:22:04,879
Speaker 1: The second disc is only like like two songs in

514
00:22:04,920 --> 00:22:06,520
Speaker 1: a video. I think, I think on the second disc

515
00:22:06,600 --> 00:22:08,520
Speaker 1: like so, I don't know if it's double disc.

516
00:22:08,359 --> 00:22:12,800
Speaker 2: But I'm on Apple Music, which, between Apple Music and

517
00:22:12,920 --> 00:22:17,239
Speaker 2: Spotify is the prime distribution of the music industry. I

518
00:22:17,240 --> 00:22:19,840
Speaker 2: see disc one and I see disc too. So now

519
00:22:19,840 --> 00:22:22,440
Speaker 2: we have to compare fall off versus Yo, which dish

520
00:22:22,480 --> 00:22:23,000
Speaker 2: you like better?

521
00:22:24,760 --> 00:22:26,399
Speaker 3: Yo? Ma, you don't have to do that. They can

522
00:22:26,440 --> 00:22:30,600
Speaker 3: double for the double songs. Is fucking nute crazy. They

523
00:22:30,640 --> 00:22:32,640
Speaker 3: got it. He got his double got his double double CD.

524
00:22:32,800 --> 00:22:35,920
Speaker 3: Yeah up there with he got his double rock.

525
00:22:35,920 --> 00:22:38,160
Speaker 4: He got his double now t I is making a

526
00:22:38,160 --> 00:22:40,000
Speaker 4: comeback too. How do you guys feel about that? Have

527
00:22:40,000 --> 00:22:40,439
Speaker 4: you heard it?

528
00:22:40,520 --> 00:22:41,560
Speaker 3: I listened to the snippet.

529
00:22:42,240 --> 00:22:44,880
Speaker 2: As of this recording, there's only been a snippet.

530
00:22:45,160 --> 00:22:49,760
Speaker 3: Okay, the snippets sounds fucking great. It sounds really good.

531
00:22:50,480 --> 00:22:53,439
Speaker 2: I love that that Ross record that Farrell did that

532
00:22:53,520 --> 00:22:55,320
Speaker 2: kind of just went under the radar because the clips

533
00:22:55,359 --> 00:22:59,000
Speaker 2: overtook everything. I like that Pharrella is going back and

534
00:22:59,040 --> 00:23:01,480
Speaker 2: working with with artists that era and I mean te

535
00:23:01,640 --> 00:23:04,520
Speaker 2: I obviously didn't get to start with Farrell, but Frell

536
00:23:04,680 --> 00:23:08,640
Speaker 2: was her early good to the masses.

537
00:23:08,800 --> 00:23:10,360
Speaker 4: That song is out, Baby.

538
00:23:10,400 --> 00:23:12,359
Speaker 2: Oh did come out? Okay, well I've not heard the

539
00:23:12,359 --> 00:23:13,960
Speaker 2: full one, but I did love the snippet.

540
00:23:14,119 --> 00:23:16,119
Speaker 4: Okay, we'll check it out. We'll come back in. Let

541
00:23:16,160 --> 00:23:17,160
Speaker 4: you guys know how it is.

542
00:23:17,480 --> 00:23:21,480
Speaker 2: Yeah, I was thinking when I saw that snippet. It

543
00:23:21,600 --> 00:23:23,159
Speaker 2: was while I was thinking about all the kids that

544
00:23:23,280 --> 00:23:28,160
Speaker 2: Rocky had t I could at Grand Hustle could have

545
00:23:28,200 --> 00:23:34,040
Speaker 2: been one of the biggest labels of the early twenty

546
00:23:34,119 --> 00:23:38,800
Speaker 2: tens if things panned out contractually. He found Meek Milk,

547
00:23:40,320 --> 00:23:44,200
Speaker 2: then Meek ends up going to MMG, he found Travis Scott.

548
00:23:45,520 --> 00:23:48,080
Speaker 2: Travis Scott was on Grand Hustle, ends up going to

549
00:23:48,080 --> 00:23:48,840
Speaker 2: Good Music.

550
00:23:50,160 --> 00:23:51,800
Speaker 3: Iggy. I'm not trying to make a joke.

551
00:23:51,920 --> 00:23:53,640
Speaker 2: Let's not act like she ain't have a fucking time

552
00:23:54,320 --> 00:23:56,240
Speaker 2: if that was played a little bit differently and Q

553
00:23:56,320 --> 00:23:58,240
Speaker 2: tip didn't ruin her career on Twitter and then she

554
00:23:58,240 --> 00:24:01,320
Speaker 2: went on OnlyFans A lot of hypotheticals here.

555
00:24:01,359 --> 00:24:03,920
Speaker 1: I'm just saying, of the talent, you got at least

556
00:24:03,920 --> 00:24:04,960
Speaker 1: three more you can dike too, But.

557
00:24:05,880 --> 00:24:11,159
Speaker 2: The talent, Yeah, I always felt Bob didn't get a

558
00:24:11,160 --> 00:24:14,280
Speaker 2: fair shake, but definitely had big records, big big records

559
00:24:14,320 --> 00:24:17,320
Speaker 2: like Grand Hustle. When you look at it with who

560
00:24:17,359 --> 00:24:21,000
Speaker 2: they had signed, it's it's a label that I don't

561
00:24:21,000 --> 00:24:23,400
Speaker 2: think people bring up ever, and it's like, dude, look

562
00:24:23,400 --> 00:24:25,200
Speaker 2: at the roster they did have at one point.

563
00:24:25,240 --> 00:24:26,919
Speaker 4: A Ball and a lot of them were signed at

564
00:24:26,960 --> 00:24:27,400
Speaker 4: the same time.

565
00:24:27,400 --> 00:24:33,280
Speaker 5: A Ball, MJG BG, Bob, Chip, Diamond, DJ Drama, Killer,

566
00:24:33,320 --> 00:24:37,360
Speaker 5: Mike Meet, mill omg Rich Kids, Travis, Scott, Young La,

567
00:24:38,840 --> 00:24:40,240
Speaker 5: and the majority of them were signed all at the

568
00:24:40,280 --> 00:24:40,760
Speaker 5: same time.

569
00:24:41,720 --> 00:24:42,280
Speaker 3: That's not bad.

570
00:24:42,320 --> 00:24:44,040
Speaker 1: But see, that's why it goes back to what I

571
00:24:44,080 --> 00:24:47,680
Speaker 1: always say about Wayne. When you're an artist and you're

572
00:24:47,720 --> 00:24:50,200
Speaker 1: stealing like because at that time I was doing this prime,

573
00:24:51,359 --> 00:24:54,840
Speaker 1: it's hard to have a label and to really focus

574
00:24:54,920 --> 00:24:57,919
Speaker 1: and get other talent off like that. So for Wayne

575
00:24:57,920 --> 00:24:59,359
Speaker 1: to be able to do what he did with Nicky

576
00:24:59,400 --> 00:25:01,760
Speaker 1: and Drake, which is why I always praise Wayne for

577
00:25:01,800 --> 00:25:05,560
Speaker 1: that he would have he had to completely remove himself. Well,

578
00:25:05,640 --> 00:25:07,240
Speaker 1: if you heard a record, because well you know how

579
00:25:07,280 --> 00:25:09,240
Speaker 1: this shit go. You hear record from the artists you

580
00:25:09,280 --> 00:25:13,320
Speaker 1: signed to. First thing, if I'm in my prime, first thing,

581
00:25:13,320 --> 00:25:17,080
Speaker 1: I'm saying I need that. I gotta get on that.

582
00:25:17,640 --> 00:25:20,280
Speaker 1: Putting that on my ship. Your artist still gets to

583
00:25:20,320 --> 00:25:23,480
Speaker 1: look because he's on the song. But it's like I'm

584
00:25:23,520 --> 00:25:27,240
Speaker 1: the main character here and I'm still in my prime.

585
00:25:27,359 --> 00:25:30,240
Speaker 1: So you know, ti I had all of these talents,

586
00:25:30,240 --> 00:25:32,160
Speaker 1: but at the same time ti I was focused on TI.

587
00:25:32,240 --> 00:25:35,680
Speaker 1: As the artists at that time, Wayne was at the

588
00:25:35,760 --> 00:25:38,439
Speaker 1: height of his it was in his prime. He signs

589
00:25:38,520 --> 00:25:40,359
Speaker 1: Nikki and Drake and a whole bunch of other acts,

590
00:25:40,960 --> 00:25:44,880
Speaker 1: and he removed himself completely and was like, nah, let

591
00:25:44,920 --> 00:25:47,639
Speaker 1: them get off, Like I don't like it's stay timed.

592
00:25:48,200 --> 00:25:50,360
Speaker 1: A lot of artists are not doing that, and that's

593
00:25:50,359 --> 00:25:52,760
Speaker 1: why probably a lot of these acts that are.

594
00:25:53,040 --> 00:25:54,680
Speaker 3: Could have been I mean A Boy and JG. Even

595
00:25:54,680 --> 00:25:57,080
Speaker 3: when t I had him, they were already legendary. Yeah,

596
00:25:57,160 --> 00:25:59,520
Speaker 3: it was like when Junet signed, they.

597
00:25:59,400 --> 00:26:02,280
Speaker 1: Were already letlegacies at that point. But you know, the

598
00:26:02,320 --> 00:26:04,080
Speaker 1: other guys to me, so we don't know what happened

599
00:26:04,119 --> 00:26:06,119
Speaker 1: with that. I'm sure he's spoken. I just can't remember

600
00:26:06,359 --> 00:26:08,480
Speaker 1: he has. I forgot to. Yeah, I just can't remember

601
00:26:08,520 --> 00:26:10,920
Speaker 1: what happened with Travis Scott. I even think like t

602
00:26:11,080 --> 00:26:13,160
Speaker 1: I did the noble thing with Travis Scott. I think

603
00:26:13,520 --> 00:26:17,080
Speaker 1: the meek thing was he was like announced but not

604
00:26:17,200 --> 00:26:19,720
Speaker 1: signed on PaperWorks it was a little easier. I'm pretty

605
00:26:19,720 --> 00:26:22,040
Speaker 1: sure Travis Scott was signed, signed, and t I just

606
00:26:22,040 --> 00:26:23,520
Speaker 1: did the honorable thing like if you don't want to

607
00:26:23,520 --> 00:26:26,479
Speaker 1: be here, and Kanye is like, which is idol too?

608
00:26:26,560 --> 00:26:30,960
Speaker 3: Yeah, like go be great? What you want to do here? Oh?

609
00:26:31,440 --> 00:26:32,919
Speaker 5: A lot of it, they said was due to t

610
00:26:33,040 --> 00:26:37,359
Speaker 5: I's legal troubles and incarceration. He was unable to do anything.

611
00:26:37,400 --> 00:26:38,840
Speaker 5: And I'm sure he was an the only person on the

612
00:26:38,920 --> 00:26:40,120
Speaker 5: label that had those issues.

613
00:26:41,119 --> 00:26:42,439
Speaker 3: Yeah, I'm gonna just go ahead and guess some other

614
00:26:42,520 --> 00:26:44,160
Speaker 3: niggas had some legal issues on the label.

615
00:26:44,280 --> 00:26:48,840
Speaker 5: No, I mean, like I'm saying, guarante I's legal issues,

616
00:26:48,920 --> 00:26:52,880
Speaker 5: he couldn't Yeah, he Guaranti's legal issue. He couldn't help

617
00:26:52,920 --> 00:26:55,080
Speaker 5: anybody on his label everything trying to survive.

618
00:26:55,200 --> 00:26:58,360
Speaker 2: Yeah, I get that, But yeah, I mean again, had

619
00:26:58,359 --> 00:27:00,000
Speaker 2: that you know t I, with all the legal stuff

620
00:27:00,000 --> 00:27:01,480
Speaker 2: people was going through. Had that not happened, I think

621
00:27:01,520 --> 00:27:04,960
Speaker 2: grand husse of the label looks a little a little different. Oh,

622
00:27:05,080 --> 00:27:08,840
Speaker 2: come on, man, you think Travis Scott, you know what

623
00:27:08,880 --> 00:27:12,960
Speaker 2: I'm saying? It's managed differently. He focuses more on meek

624
00:27:13,000 --> 00:27:18,679
Speaker 2: can Tray, Like, yeah, for sure, Maul, I saw your

625
00:27:18,680 --> 00:27:21,000
Speaker 2: twenty twenty six vision board and the number one thing

626
00:27:21,080 --> 00:27:23,840
Speaker 2: on there was upgrading to the all new iPhone seventeen

627
00:27:23,920 --> 00:27:25,600
Speaker 2: Pro and just huge.

628
00:27:25,400 --> 00:27:27,879
Speaker 3: Letters on your vision board. It's happened, just plastered on

629
00:27:27,920 --> 00:27:28,919
Speaker 3: your wall. It's happening.

630
00:27:28,920 --> 00:27:30,800
Speaker 2: But I know in that vision board you were very

631
00:27:30,800 --> 00:27:32,919
Speaker 2: worried about the traffic or getting to the store to

632
00:27:32,960 --> 00:27:35,439
Speaker 2: transfer all your data. That was just crazy on your

633
00:27:35,480 --> 00:27:37,479
Speaker 2: vision board, Like, how will I transfer the data? Had

634
00:27:37,520 --> 00:27:40,320
Speaker 2: data on my vision Good news, though, when you order

635
00:27:40,600 --> 00:27:42,800
Speaker 2: a new phone online with boost Mobile, they'll send an

636
00:27:42,840 --> 00:27:45,479
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637
00:27:45,560 --> 00:27:47,919
Speaker 2: vision board together if you ask them, and give you your

638
00:27:47,880 --> 00:27:50,280
Speaker 2: new iPhone seventeen Pro and get you set up on

639
00:27:50,320 --> 00:27:52,000
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640
00:27:52,160 --> 00:27:55,080
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641
00:27:55,080 --> 00:27:57,480
Speaker 1: devices purchased at boostmob dot Com. Terms apply.

642
00:28:04,400 --> 00:28:05,280
Speaker 3: There's a new movie.

643
00:28:05,560 --> 00:28:08,359
Speaker 1: I forgot the name of it, Josh, send help with

644
00:28:08,480 --> 00:28:11,640
Speaker 1: Rachel McAdams. It feels like I didn't watch it yet,

645
00:28:11,680 --> 00:28:14,439
Speaker 1: but it feels like this is along the lines of

646
00:28:14,440 --> 00:28:21,760
Speaker 1: how castaway on a flight with coworkers. Flight goes down

647
00:28:22,520 --> 00:28:26,000
Speaker 1: on a deserted island, you know the story, and now

648
00:28:26,080 --> 00:28:28,359
Speaker 1: she has to kind of like you know, they have

649
00:28:28,400 --> 00:28:31,720
Speaker 1: to survive until help arrives. I wanted to watch it

650
00:28:32,320 --> 00:28:35,000
Speaker 1: because the trailer was her boss was a complete asshole

651
00:28:35,080 --> 00:28:37,000
Speaker 1: to her, and naturally they go down on the flight.

652
00:28:37,080 --> 00:28:37,960
Speaker 3: Naturally they go down on the.

653
00:28:37,960 --> 00:28:41,880
Speaker 1: Flight together, and now like it, it appears that her

654
00:28:41,920 --> 00:28:47,720
Speaker 1: boss has to depend more on her saving their life,

655
00:28:48,160 --> 00:28:49,960
Speaker 1: you know what I mean. So I'm gonna watch that though,

656
00:28:49,960 --> 00:28:52,560
Speaker 1: because I like the trailer so to what you were saying, like, yeah,

657
00:28:52,560 --> 00:28:55,320
Speaker 1: the wilderness or the hatchet flight goes down boy in

658
00:28:55,360 --> 00:28:58,040
Speaker 1: the woods, Like, yes, that story is always old, but

659
00:28:58,080 --> 00:29:00,680
Speaker 1: it's always interesting to see people how they would survive

660
00:29:01,280 --> 00:29:02,640
Speaker 1: under those conditions.

661
00:29:02,920 --> 00:29:03,560
Speaker 3: Do you think.

662
00:29:04,920 --> 00:29:09,480
Speaker 2: If you were ever in that situation that y'all would

663
00:29:09,520 --> 00:29:13,440
Speaker 2: end up fucking Like you think you'd get horny in

664
00:29:13,480 --> 00:29:17,120
Speaker 2: that in that time? No, Like, if it's all human beings, man,

665
00:29:17,280 --> 00:29:17,480
Speaker 2: I know.

666
00:29:17,560 --> 00:29:19,760
Speaker 1: We are, but if we're like we're having to survive,

667
00:29:19,840 --> 00:29:22,200
Speaker 1: we don't have any food, we don't have any drinking water,

668
00:29:22,280 --> 00:29:24,320
Speaker 1: we don't have my I'm not gonna get home.

669
00:29:24,400 --> 00:29:26,760
Speaker 3: I sucked the most when I was broke, man, even know,

670
00:29:26,840 --> 00:29:27,600
Speaker 3: that's none of them, Rory.

671
00:29:27,640 --> 00:29:30,480
Speaker 1: That's different than you being trying to put it to

672
00:29:30,640 --> 00:29:32,920
Speaker 1: a whole nother degree. Yeah, like with you being broke

673
00:29:33,000 --> 00:29:35,000
Speaker 1: and then like starving deserted.

674
00:29:34,520 --> 00:29:37,760
Speaker 3: On an island. It's it's completely different. Like, no, you're not.

675
00:29:38,440 --> 00:29:42,680
Speaker 2: I mean typically how relationships form, like trauma, bonding experiences.

676
00:29:43,040 --> 00:29:45,640
Speaker 2: We're going through a similar thing. Like I can see

677
00:29:45,680 --> 00:29:49,960
Speaker 2: you starting to you know, I want to fuck because

678
00:29:49,960 --> 00:29:51,800
Speaker 2: I've even told you in office settings.

679
00:29:52,120 --> 00:29:53,800
Speaker 3: Office settings are like jail.

680
00:29:53,880 --> 00:29:56,520
Speaker 2: A woman that you would not typically find attractive if

681
00:29:56,520 --> 00:29:58,160
Speaker 2: you have a nine to five jobs, she starts to

682
00:29:58,160 --> 00:30:00,800
Speaker 2: become more attractive you see times ten.

683
00:30:01,880 --> 00:30:04,760
Speaker 1: Yeah, but that's not survival in the office. This is

684
00:30:04,920 --> 00:30:06,800
Speaker 1: life of death we're talking about.

685
00:30:06,840 --> 00:30:08,520
Speaker 2: Okay, do you think you'd ever beat off if you

686
00:30:08,560 --> 00:30:10,840
Speaker 2: were on a dessert, Like do you think Tom Hanks

687
00:30:10,920 --> 00:30:15,360
Speaker 2: and if that was real, like jerked off at all during.

688
00:30:17,360 --> 00:30:19,800
Speaker 3: I can see him looking at one night and getting freaky.

689
00:30:20,000 --> 00:30:22,840
Speaker 2: Anyone that thinks the immature conversation, I think you're immature

690
00:30:22,840 --> 00:30:26,400
Speaker 2: because this is a humanly bodily function that keeps the

691
00:30:26,440 --> 00:30:30,520
Speaker 2: population moving. It's it's wired in our DNA. I think

692
00:30:30,520 --> 00:30:32,240
Speaker 2: I would one hundred percent beat off.

693
00:30:32,080 --> 00:30:35,760
Speaker 3: A few times on a deserted island. Yeah by yourself.

694
00:30:36,160 --> 00:30:37,960
Speaker 2: All right, I ask you this, how many days in

695
00:30:38,040 --> 00:30:40,880
Speaker 2: do you think you'd beat off day four?

696
00:30:41,200 --> 00:30:43,880
Speaker 3: I don't think I would at all. Bro Now you would.

697
00:30:47,720 --> 00:30:50,320
Speaker 1: Put some coconuts on a tree and just that's that's

698
00:30:50,360 --> 00:30:51,840
Speaker 1: the new Wilson as Wilma.

699
00:30:51,880 --> 00:30:57,120
Speaker 2: I was about to say, open Wilson's mouth, throw a

700
00:30:57,120 --> 00:30:58,320
Speaker 2: little coconut oil in there.

701
00:31:00,720 --> 00:31:03,400
Speaker 3: You know that is sick, man. But really, I feel

702
00:31:03,440 --> 00:31:07,080
Speaker 3: like if two people of the same age, yeah, you

703
00:31:07,120 --> 00:31:08,160
Speaker 3: probably end up fucking.

704
00:31:08,720 --> 00:31:08,840
Speaker 1: No.

705
00:31:09,120 --> 00:31:11,320
Speaker 3: It would be very irresponsible, though, because if you got pregnant,

706
00:31:11,360 --> 00:31:13,600
Speaker 3: you're fucked. This is what I just don't think.

707
00:31:13,960 --> 00:31:17,840
Speaker 1: I think y'all underestimating being like stuck on a deserted island.

708
00:31:17,960 --> 00:31:22,080
Speaker 2: I think you're underestimating once it becomes normalcy, that your

709
00:31:22,080 --> 00:31:25,080
Speaker 2: body would kick into whatever it does usually and at

710
00:31:25,080 --> 00:31:26,280
Speaker 2: some point you're gonna have to not.

711
00:31:27,120 --> 00:31:34,320
Speaker 1: Okay, Well, I said this the other day. I said,

712
00:31:34,320 --> 00:31:37,280
Speaker 1: trauma makes you horny, and y'all laughed at me.

713
00:31:37,560 --> 00:31:40,719
Speaker 3: So yes, I agree, but laugh at you. I got

714
00:31:40,760 --> 00:31:41,360
Speaker 3: a kid out of it.

715
00:31:42,400 --> 00:31:45,760
Speaker 1: But like being on a deserted island, no food, no

716
00:31:45,840 --> 00:31:50,000
Speaker 1: drinking water, like you're thinking of like you're scared, You're like, okay,

717
00:31:50,000 --> 00:31:50,440
Speaker 1: in panic.

718
00:31:50,440 --> 00:31:50,840
Speaker 3: All right.

719
00:31:50,880 --> 00:31:54,800
Speaker 2: So after Tom Hanks finds all the packages and they

720
00:31:54,840 --> 00:31:57,960
Speaker 2: go through that whole thing, and then like four years

721
00:31:58,040 --> 00:32:00,280
Speaker 2: later and he's got the beard, he throws this beer

722
00:32:00,280 --> 00:32:02,480
Speaker 2: from across the fish.

723
00:32:02,520 --> 00:32:05,240
Speaker 3: Oh yeah, that please? Yeah. Yeah, he's jerking it with

724
00:32:05,280 --> 00:32:05,680
Speaker 3: two hands.

725
00:32:05,720 --> 00:32:05,880
Speaker 5: Yeah.

726
00:32:05,920 --> 00:32:09,560
Speaker 3: Yeah, at that point you figured it out. You're obviously survived.

727
00:32:09,560 --> 00:32:11,160
Speaker 1: You know, you know how to feed yourself, you know

728
00:32:11,200 --> 00:32:14,160
Speaker 1: how to like at that point, yes, you definitely can't.

729
00:32:14,400 --> 00:32:16,520
Speaker 3: So AI even know you don't really agree with.

730
00:32:16,520 --> 00:32:20,080
Speaker 1: A no with horny questions, I says, yes, it is

731
00:32:20,160 --> 00:32:22,920
Speaker 1: highly probable that you would naturally experience sexual desire.

732
00:32:23,400 --> 00:32:25,520
Speaker 3: Quote get horny on a deserted island.

733
00:32:25,640 --> 00:32:30,600
Speaker 1: A sex, as as sexual drive, is a fundamental human instinck.

734
00:32:32,040 --> 00:32:34,920
Speaker 1: So yeah, A, I feels like you definitely at some point,

735
00:32:35,080 --> 00:32:39,600
Speaker 1: will you know loneliness If you are completely alone, your

736
00:32:39,600 --> 00:32:42,640
Speaker 1: body may still experience hormonal urges and the human need

737
00:32:42,720 --> 00:32:44,600
Speaker 1: for touch or at least may manifest.

738
00:32:44,920 --> 00:32:45,200
Speaker 3: Yeah.

739
00:32:45,240 --> 00:32:47,080
Speaker 2: And I'm telling you, if you're on an island with

740
00:32:47,560 --> 00:32:49,160
Speaker 2: a woman, I don't care what she looks like. Y'all

741
00:32:49,160 --> 00:32:51,960
Speaker 2: will probably in the fucking yeah, two straight people.

742
00:32:52,240 --> 00:32:54,000
Speaker 1: That's that's once you get to the point where you

743
00:32:54,040 --> 00:32:56,160
Speaker 1: know we're going to survive, that we can feed ourselves.

744
00:32:56,240 --> 00:32:59,640
Speaker 1: We can, I think after that point. But the first

745
00:32:59,680 --> 00:33:03,600
Speaker 1: initial shoot plane goes down second day on the no fucking.

746
00:33:03,240 --> 00:33:05,320
Speaker 3: Way, bro, this is no way.

747
00:33:05,440 --> 00:33:11,000
Speaker 1: You're a MANI imagine setting the tone that way.

748
00:33:10,160 --> 00:33:14,200
Speaker 3: Like day one. So it's just us like, I'm just

749
00:33:14,240 --> 00:33:17,280
Speaker 3: waiting to get you alone, like what you know, that's fuck.

750
00:33:17,320 --> 00:33:18,680
Speaker 3: We don't know if all right.

751
00:33:18,720 --> 00:33:20,640
Speaker 2: But if you don't know if you're gonna survive, I

752
00:33:20,720 --> 00:33:23,000
Speaker 2: might want to get like one last fuck off. If

753
00:33:23,040 --> 00:33:25,520
Speaker 2: I'm sitting there, like both of us are city kids,

754
00:33:25,520 --> 00:33:27,640
Speaker 2: we're retarded, we have no idea what we're gonna do

755
00:33:27,720 --> 00:33:30,640
Speaker 2: out here. We might as well fuck while we have

756
00:33:30,680 --> 00:33:32,640
Speaker 2: something in our stomachs and then just go die in

757
00:33:32,680 --> 00:33:33,080
Speaker 2: the woods.

758
00:33:33,240 --> 00:33:34,280
Speaker 3: Yeah, because that's what I'm saying.

759
00:33:34,280 --> 00:33:36,600
Speaker 1: But after you have sex, as soon as you are done,

760
00:33:37,040 --> 00:33:41,040
Speaker 1: every decent person wants a snack. You want something after sex,

761
00:33:41,120 --> 00:33:43,360
Speaker 1: Like you don't have nothing. You just out here on

762
00:33:43,400 --> 00:33:46,600
Speaker 1: the beach with salt water surrounding you, and just like.

763
00:33:46,640 --> 00:33:49,120
Speaker 2: You probably find uh, there's probably tobacco on those type

764
00:33:49,120 --> 00:33:52,440
Speaker 2: of islands. Nice little sick, but you gotta eat you

765
00:33:52,480 --> 00:33:55,880
Speaker 2: told you see you still kills appetite. Yeah, nah, you tripping, man.

766
00:33:56,000 --> 00:33:57,720
Speaker 2: But I think once you figure out how to survive, you.

767
00:33:57,680 --> 00:33:59,840
Speaker 3: But I feel like at some point, probably during our

768
00:33:59,880 --> 00:34:01,360
Speaker 3: life time, there will be a D day.

769
00:34:01,480 --> 00:34:03,479
Speaker 2: I think we're just we're just in that direction at

770
00:34:03,480 --> 00:34:07,080
Speaker 2: this point. If you watch the news, you're the first

771
00:34:07,080 --> 00:34:10,680
Speaker 2: thing you're probably gonna think when they tell us the date,

772
00:34:10,760 --> 00:34:11,399
Speaker 2: They're like, all right.

773
00:34:11,280 --> 00:34:13,680
Speaker 3: Who am I gonna fuck? That's going to cross your mind.

774
00:34:14,719 --> 00:34:24,560
Speaker 2: So to think that wouldn't happen after your FedEx plane fall, Like, yeah.

775
00:34:21,680 --> 00:34:27,200
Speaker 3: I don't know, man, one day to eat it. Josh

776
00:34:27,320 --> 00:34:28,240
Speaker 3: is super horny.

777
00:34:29,160 --> 00:34:32,040
Speaker 2: Imagine imagine crashing with somebody and then right before you're

778
00:34:32,040 --> 00:34:32,399
Speaker 2: about to.

779
00:34:32,320 --> 00:34:34,480
Speaker 3: Be like it was the last time you got tested. No,

780
00:34:34,600 --> 00:34:37,520
Speaker 3: come on, I'm just gonna take this no matter what.

781
00:34:37,840 --> 00:34:39,960
Speaker 2: As somebody that just had chlamydia. It would suck to

782
00:34:40,000 --> 00:34:44,799
Speaker 2: be on a deserted island. Yeah, yeah, I don't even

783
00:34:44,800 --> 00:34:46,799
Speaker 2: want no penicient. Oh god, I don't even want to

784
00:34:46,840 --> 00:34:47,600
Speaker 2: know what that's about.

785
00:34:47,880 --> 00:34:52,839
Speaker 3: Did any guys watch Lost? Lost? The show I came

786
00:34:53,000 --> 00:34:54,320
Speaker 3: a few years ago right. Yeah, it's like one of

787
00:34:54,320 --> 00:34:56,799
Speaker 3: the most popular shows of all time, and I like

788
00:34:56,880 --> 00:34:58,200
Speaker 3: not to spoil it. I never watched it.

789
00:34:58,280 --> 00:34:59,840
Speaker 2: I think they all end up just like being ghosts,

790
00:34:59,840 --> 00:35:01,600
Speaker 2: like in the plane crash, they were actually all dead.

791
00:35:02,320 --> 00:35:04,799
Speaker 3: Did anyone fucked during Lost? Like, can we look that up?

792
00:35:05,000 --> 00:35:06,920
Speaker 3: There's no way. They had like twelve seasons and nobody

793
00:35:06,920 --> 00:35:11,239
Speaker 3: fucked on that island. Oh definitely. I'm pretty sure there

794
00:35:11,280 --> 00:35:15,680
Speaker 3: was like sex scenes on the Yeah, okay, sorry, well

795
00:35:15,719 --> 00:35:20,279
Speaker 3: all right, that answers our question. Yeah, well but they're dead.

796
00:35:20,400 --> 00:35:22,239
Speaker 3: If Lord of the Flies, if they got older, there

797
00:35:22,239 --> 00:35:24,799
Speaker 3: would have been a lot of gay sex for sure. Was

798
00:35:24,800 --> 00:35:26,960
Speaker 3: that What was that movie with Leonardo DiCaprio. Was it

799
00:35:27,000 --> 00:35:28,160
Speaker 3: The Beach? The Beach?

800
00:35:28,200 --> 00:35:31,880
Speaker 2: Yeah, love that movie, classic love. That's a fucking classic movie. Yeah,

801
00:35:32,040 --> 00:35:35,400
Speaker 2: that's a classic movie. Sick movie.

802
00:35:37,800 --> 00:35:39,759
Speaker 3: That shit.

803
00:35:39,800 --> 00:35:41,799
Speaker 2: I don't want to like jump out there without looking

804
00:35:41,880 --> 00:35:43,799
Speaker 2: at every Leo movie, but that might be a top

805
00:35:43,800 --> 00:35:44,840
Speaker 2: five Leo movie.

806
00:35:45,000 --> 00:35:47,920
Speaker 3: And that's saying something. The Beach is super underrated.

807
00:35:48,840 --> 00:35:52,400
Speaker 2: That was his uh Britney Spears, Oops.

808
00:35:52,120 --> 00:35:52,840
Speaker 3: I did it again?

809
00:35:53,239 --> 00:35:56,879
Speaker 2: Like to get them out of that kid roll? Yeah

810
00:35:57,000 --> 00:35:59,640
Speaker 2: that this This was his rated r Rihanna album.

811
00:35:59,680 --> 00:36:03,680
Speaker 3: For sure. You remember that one to watch The Beach? Yeah,

812
00:36:03,840 --> 00:36:07,640
Speaker 3: watched The Beach. Great movie. Have you watched the Matt

813
00:36:07,719 --> 00:36:10,959
Speaker 3: Damon and Ben Affleck The Rip? Yes?

814
00:36:11,080 --> 00:36:13,640
Speaker 1: I watched The Rip on Netflix. Did watch it the

815
00:36:13,640 --> 00:36:14,640
Speaker 1: other night? You didn't see yet?

816
00:36:14,719 --> 00:36:16,280
Speaker 3: I have not seen it yet. Good movie.

817
00:36:16,520 --> 00:36:19,200
Speaker 2: I will see it by the time we record again.

818
00:36:20,080 --> 00:36:23,480
Speaker 2: I did watch the Joe Rogan interview with both of them.

819
00:36:23,719 --> 00:36:25,560
Speaker 2: But I have a man crush on both these guys.

820
00:36:26,160 --> 00:36:27,120
Speaker 3: You want to hang out with them?

821
00:36:27,360 --> 00:36:30,200
Speaker 2: Absolutely, I have a huge man crush on on Bed

822
00:36:30,200 --> 00:36:32,840
Speaker 2: and Matt. There they got a lot of shit of

823
00:36:32,880 --> 00:36:35,120
Speaker 2: like trying to pretend to be the blue collar. I

824
00:36:35,200 --> 00:36:37,520
Speaker 2: really think they're those down to earth guys. I really

825
00:36:37,560 --> 00:36:39,840
Speaker 2: do think they're as cool as they come across.

826
00:36:39,600 --> 00:36:42,120
Speaker 3: Are they late? Just like close friends from day They.

827
00:36:42,040 --> 00:36:45,000
Speaker 2: Grew up together in Cambridge, Massachusetts, went to high school together.

828
00:36:45,920 --> 00:36:47,839
Speaker 2: But this is also one of those things like we

829
00:36:47,880 --> 00:36:50,799
Speaker 2: talk about what's in the water with certain people. The

830
00:36:50,840 --> 00:36:54,520
Speaker 2: fact that these two childhood friends both became a listers,

831
00:36:54,560 --> 00:36:58,799
Speaker 2: Like started out together writing together, Goodwill hunting. This is

832
00:36:58,840 --> 00:37:02,040
Speaker 2: an insane story of what both of them have accomplished

833
00:37:02,040 --> 00:37:03,040
Speaker 2: together and separately.

834
00:37:03,200 --> 00:37:04,080
Speaker 3: Better actor Ben or.

835
00:37:04,040 --> 00:37:15,000
Speaker 1: Matt I Matt, Matt, Matt, but but it's closer than

836
00:37:15,040 --> 00:37:17,880
Speaker 1: I think people give credit. I think the easy answer

837
00:37:18,880 --> 00:37:21,480
Speaker 1: would be Matt, but I think Ben, in the second

838
00:37:21,520 --> 00:37:24,680
Speaker 1: half of both their careers, has caught up. In the beginning,

839
00:37:24,719 --> 00:37:27,160
Speaker 1: it was definitely Matt and it was That's even why

840
00:37:28,040 --> 00:37:30,840
Speaker 1: Matt played the genius and goodwill hunting and he played

841
00:37:30,880 --> 00:37:32,399
Speaker 1: the meathead guy.

842
00:37:33,320 --> 00:37:37,960
Speaker 3: But it's it's close. Man. Ben is underrated as an

843
00:37:37,960 --> 00:37:43,040
Speaker 3: actor better filmography. Now that one is Ben is Batman,

844
00:37:43,080 --> 00:37:50,080
Speaker 3: bro He's Jason Bourne Batman or Jason Born. There's other Batman.

845
00:37:50,120 --> 00:37:56,440
Speaker 3: There's only one Jason Bourne. The Departed. Yeah, the Town.

846
00:37:56,960 --> 00:37:59,359
Speaker 2: All right, yeah, well Josh pulls that up. I do

847
00:37:59,400 --> 00:38:02,760
Speaker 2: recommend everyone watched the Joe Rogan interview with both of them,

848
00:38:02,800 --> 00:38:06,160
Speaker 2: Like it's just a really cool interview watching two people

849
00:38:06,239 --> 00:38:09,160
Speaker 2: that have been in this industry since the eighties of

850
00:38:09,239 --> 00:38:14,520
Speaker 2: how they've adapted to streaming, and you know they're also writers, directors,

851
00:38:14,680 --> 00:38:18,560
Speaker 2: producers like these aren't just fucking pretty faces with the

852
00:38:18,560 --> 00:38:22,080
Speaker 2: good filmography. Like these guys have been in every single

853
00:38:22,160 --> 00:38:26,160
Speaker 2: aspect of the business. I love that they also are

854
00:38:26,200 --> 00:38:30,560
Speaker 2: the first movie with rip. If the movie is successful,

855
00:38:30,840 --> 00:38:34,279
Speaker 2: everyone that was on the staff gets paid more. It's

856
00:38:34,320 --> 00:38:36,239
Speaker 2: the first time they're trying this out. Like, if you

857
00:38:36,320 --> 00:38:39,239
Speaker 2: held a boom mic and this shit is successful, you

858
00:38:39,280 --> 00:38:42,200
Speaker 2: get more money, which which I think is perfect because

859
00:38:42,200 --> 00:38:43,439
Speaker 2: a lot, you know, a lot of these guys will

860
00:38:43,440 --> 00:38:46,160
Speaker 2: work with the same DP their whole career and that

861
00:38:46,160 --> 00:38:48,719
Speaker 2: guy will get his fee and there's no back end

862
00:38:48,760 --> 00:38:51,520
Speaker 2: on anything. And they were also saying like it just

863
00:38:51,560 --> 00:38:54,000
Speaker 2: makes the crew want to work harder for what they're

864
00:38:54,000 --> 00:38:56,920
Speaker 2: doing at the time, Like everyone is way more focused

865
00:38:56,960 --> 00:38:59,160
Speaker 2: because if we make this better, we all get to

866
00:38:59,200 --> 00:39:00,440
Speaker 2: profit from it, which I think.

867
00:39:00,320 --> 00:39:02,520
Speaker 3: Should be in the music business. It's such a great point.

868
00:39:02,760 --> 00:39:05,560
Speaker 2: Like, you know, again, as much as these guys get

869
00:39:05,560 --> 00:39:07,520
Speaker 2: shipped of like trying to pretend to be the blue Cut,

870
00:39:07,520 --> 00:39:09,279
Speaker 2: I really do think that they mean the things that

871
00:39:09,320 --> 00:39:12,759
Speaker 2: they say. I really think these are good guys that

872
00:39:12,800 --> 00:39:16,480
Speaker 2: are super creative. Now, the Matt versus Ben shit, this

873
00:39:16,600 --> 00:39:19,480
Speaker 2: is what Swizz and tim Ney to do. Well, we'll

874
00:39:19,480 --> 00:39:21,640
Speaker 2: get into him and Mike will made it on our

875
00:39:21,680 --> 00:39:22,560
Speaker 2: next episode.

876
00:39:22,800 --> 00:39:30,640
Speaker 5: But Matt versus Ben this is ray Verse ghost. Yeah, Like, yeah,

877
00:39:30,680 --> 00:39:31,600
Speaker 5: this one is tough.

878
00:39:32,080 --> 00:39:34,160
Speaker 1: Starting out with good will hunting is just unfair though,

879
00:39:34,320 --> 00:39:37,640
Speaker 1: So that's just like, it's such a classic movie, you know,

880
00:39:37,760 --> 00:39:38,719
Speaker 1: Saving Private Ryan.

881
00:39:38,760 --> 00:39:39,520
Speaker 3: I forgot he was in that.

882
00:39:39,680 --> 00:39:41,520
Speaker 2: Well, I just want to start with with what's funny

883
00:39:41,920 --> 00:39:45,480
Speaker 2: in Matt Damon's filmography, being an extra and Field of

884
00:39:45,560 --> 00:39:46,520
Speaker 2: Dreams is hilarious.

885
00:39:50,000 --> 00:39:51,840
Speaker 3: Just out there, get you an extra Field.

886
00:39:51,680 --> 00:40:00,160
Speaker 2: Dream Saving Private Ryan? Does Ben have a be better

887
00:40:00,200 --> 00:40:04,359
Speaker 2: movie than Saving Private Ryan? Does anyone have a movie

888
00:40:04,360 --> 00:40:07,879
Speaker 2: better than Saving Private Ryan? M hm, and Matt again,

889
00:40:07,960 --> 00:40:12,719
Speaker 2: is only the second half of it's Armageddon is a

890
00:40:12,719 --> 00:40:18,520
Speaker 2: classic and Ben was the star with Bruce Willis and

891
00:40:18,719 --> 00:40:24,600
Speaker 2: a crew of actors that are all A listers. That

892
00:40:24,680 --> 00:40:26,960
Speaker 2: was Michael bay Right, one of the biggest movies ever.

893
00:40:27,280 --> 00:40:32,400
Speaker 2: Fucking who did the soundtracks? Errol Smith did the soundtrack.

894
00:40:32,480 --> 00:40:33,920
Speaker 2: We're talking about like one of the biggest movies that's

895
00:40:33,920 --> 00:40:41,319
Speaker 2: ever existed. Is it better than Armageddon? No, it's that

896
00:40:42,040 --> 00:40:43,839
Speaker 2: Saving Private Ryan is one of the greatest movies ever.

897
00:40:44,440 --> 00:40:46,399
Speaker 1: Yeah, No, you're right. I'm not arguing that, but I'm

898
00:40:46,400 --> 00:40:51,319
Speaker 1: just saying Alo so is Armageddon. This is what I'm saying.

899
00:40:51,400 --> 00:40:53,040
Speaker 1: Armageddon is a bigger movie.

900
00:40:53,600 --> 00:40:53,960
Speaker 3: All right.

901
00:40:54,160 --> 00:40:57,279
Speaker 2: Pearl Harbor versus Saving Private Ryan, I think would be

902
00:40:57,320 --> 00:41:02,160
Speaker 2: a more fair verse versus and while saving Private Ryan

903
00:41:02,360 --> 00:41:06,279
Speaker 2: is better. I do think Pearl Harbor, despite trying to

904
00:41:06,280 --> 00:41:09,920
Speaker 2: do too much with the love story, is an underrated movie.

905
00:41:10,000 --> 00:41:12,920
Speaker 2: Pearl Harbor is a fucking classic. They went nuts in that.

906
00:41:15,680 --> 00:41:16,359
Speaker 2: Where do you put it?

907
00:41:17,000 --> 00:41:18,759
Speaker 3: I don't know. I think I'm going Saving Private Ryan

908
00:41:18,880 --> 00:41:20,000
Speaker 3: with Pearl Harbor though. Same.

909
00:41:20,480 --> 00:41:23,160
Speaker 1: Yeah, I like Pearl Harbor, and I probably would actually

910
00:41:23,239 --> 00:41:25,759
Speaker 1: watch Pearl Harbor before watching Saving Private Ryan if it

911
00:41:25,800 --> 00:41:26,000
Speaker 1: was on.

912
00:41:26,160 --> 00:41:29,080
Speaker 3: But when you look at Saving Privy, it's a better

913
00:41:29,080 --> 00:41:32,680
Speaker 3: movie than Pearl Harbor. Hot take, and I'm fine with

914
00:41:32,719 --> 00:41:33,640
Speaker 3: the flak. I'll get for it.

915
00:41:33,680 --> 00:41:36,799
Speaker 2: I think The Town is better than every Jason Bourne movie.

916
00:41:38,520 --> 00:41:40,399
Speaker 3: I like Jason, but don't get me wrong. I just.

917
00:41:42,120 --> 00:41:44,960
Speaker 2: They're great there, they're classics. I just prefer I can

918
00:41:45,040 --> 00:41:47,959
Speaker 2: watch The Town, and I'll watch The Town on TV

919
00:41:48,080 --> 00:41:52,200
Speaker 2: with commercials. Jason Bourne. There can't be ads on a

920
00:41:52,280 --> 00:41:54,040
Speaker 2: Jason Bourne movie, or I'm not watching that.

921
00:41:54,239 --> 00:41:56,839
Speaker 3: Yeah. I watched The Town with commercials. Yeah that's how

922
00:41:56,880 --> 00:41:58,080
Speaker 3: you know if a movie is really good if I

923
00:41:58,120 --> 00:41:59,360
Speaker 3: watch it with commercial.

924
00:41:59,000 --> 00:42:03,120
Speaker 2: I watch Shawshank Redemption, which takes six hours with you.

925
00:42:02,360 --> 00:42:04,040
Speaker 3: You're gonna be there for two days watching.

926
00:42:03,760 --> 00:42:07,040
Speaker 2: That, which I know is a hot take. But that's

927
00:42:07,080 --> 00:42:14,560
Speaker 2: actually how I feel. Also, Gone Girl underrated movie. If

928
00:42:14,600 --> 00:42:19,160
Speaker 2: we're getting into the range of Ben, I don't know

929
00:42:19,840 --> 00:42:23,840
Speaker 2: where where does that that put them over over our guy, Matt.

930
00:42:26,400 --> 00:42:28,319
Speaker 3: Yeah, I mean personally, I'm taking Ben Aflee. I think

931
00:42:28,320 --> 00:42:29,400
Speaker 3: Ben Affleck is a better actor.

932
00:42:30,040 --> 00:42:32,799
Speaker 1: But then you get into The Departed Departed Trump's Gone

933
00:42:32,840 --> 00:42:43,000
Speaker 1: Girl parted The Departed over the Town, fuck Departy, Really,

934
00:42:43,400 --> 00:42:46,960
Speaker 1: no fucking way to depart it over the Town.

935
00:42:47,000 --> 00:42:51,080
Speaker 2: They're both Boston, they're both crying, but they are different movies.

936
00:42:51,400 --> 00:42:52,120
Speaker 3: They're different.

937
00:42:53,040 --> 00:42:56,680
Speaker 1: Yeah, no, I'm going to Town. I'm sorry, I'm the

938
00:42:56,719 --> 00:43:02,000
Speaker 1: Town over the Departy, Leo Jack Nicholson, No, no, no, don't start,

939
00:43:02,320 --> 00:43:07,200
Speaker 1: Jamal Anderson. Great, great line up, great cast, But we're

940
00:43:07,200 --> 00:43:10,280
Speaker 1: just talking about the movie, Mark Wahlberg.

941
00:43:10,400 --> 00:43:11,279
Speaker 3: The Town is.

942
00:43:13,160 --> 00:43:16,839
Speaker 2: The Town just has so much great Like it's the

943
00:43:16,880 --> 00:43:20,239
Speaker 2: perfect sequence of action where it doesn't go too over

944
00:43:20,280 --> 00:43:23,840
Speaker 2: the top, where this just feels like an unrealistic, complete

945
00:43:23,840 --> 00:43:26,520
Speaker 2: fucking mess. They picked the perfect moments for the action

946
00:43:26,800 --> 00:43:30,800
Speaker 2: and dialogue balance The Departed, though, Like the part is

947
00:43:30,880 --> 00:43:32,799
Speaker 2: up there with the score in a Scorsese list.

948
00:43:33,040 --> 00:43:36,120
Speaker 3: At the end of the day. Yeah, I'm still going

949
00:43:36,160 --> 00:43:39,200
Speaker 3: to Town. I'm sorry. I would see.

950
00:43:39,239 --> 00:43:42,239
Speaker 2: I would put The Departed more so with something like

951
00:43:42,280 --> 00:43:46,080
Speaker 2: the Ocean series because it has a cast of seven

952
00:43:46,120 --> 00:43:50,040
Speaker 2: A listers that you're dealing with, like Ocean's eleven, everybody's

953
00:43:50,080 --> 00:43:53,959
Speaker 2: a superstar. That to me is more a comparison. Then

954
00:43:54,320 --> 00:43:58,120
Speaker 2: The Town is just a fucking underrated, amazing crime movie.

955
00:43:58,239 --> 00:44:01,000
Speaker 3: Yeah. At the end of the day, they don't have

956
00:44:01,040 --> 00:44:04,360
Speaker 3: to depart it as a classic. It says.

957
00:44:04,480 --> 00:44:09,200
Speaker 1: Other notables for Mad depart as a fucking classic movie.