1 00:00:00,760 --> 00:00:18,440 Speaker 1: I am all in. I am all in with Scott 2 00:00:18,440 --> 00:00:22,280 Speaker 1: Patterson and I heart Radio podcast. A right everybody, Scott Patterson, 3 00:00:22,360 --> 00:00:27,200 Speaker 1: I am all in podcast. Welcome back. UM, let's get 4 00:00:27,280 --> 00:00:30,920 Speaker 1: right into Kill Me Now. This is episode three, Kill 5 00:00:31,000 --> 00:00:34,840 Speaker 1: Me Now. Every date, October nineteenth, two thousand, Rory goes 6 00:00:34,840 --> 00:00:38,000 Speaker 1: golfing with her grandfather and surprisingly has a good time 7 00:00:38,440 --> 00:00:41,320 Speaker 1: at Lora lies in a wedding? Is stressing everyone out? 8 00:00:41,720 --> 00:00:48,080 Speaker 1: My initial thoughts, I mean, Emily Gilmore, Wow, what a 9 00:00:48,159 --> 00:00:53,160 Speaker 1: puppet master? Right? I agree, this brilliant woman. You really 10 00:00:53,240 --> 00:00:59,680 Speaker 1: learn that she is controlling things because Richard was surprisingly 11 00:00:59,720 --> 00:01:03,080 Speaker 1: hesit tend to play golf, Yes he was, and she 12 00:01:03,280 --> 00:01:05,119 Speaker 1: was like, you will do this and you will make 13 00:01:05,160 --> 00:01:08,200 Speaker 1: it great and make sure she has dessert. He wanted exactly. 14 00:01:08,240 --> 00:01:12,199 Speaker 1: He wanted lunch, lunch. He wanted no part of lunch. 15 00:01:12,720 --> 00:01:15,520 Speaker 1: He wanted no part of it at all. And man, 16 00:01:16,240 --> 00:01:18,600 Speaker 1: I don't think that was like why did he initially 17 00:01:18,600 --> 00:01:23,399 Speaker 1: not want to hang out with his granddaughter. I don't know. 18 00:01:23,480 --> 00:01:25,880 Speaker 1: I just think he probably knew that it was going 19 00:01:25,920 --> 00:01:28,960 Speaker 1: to cause a lot of stress with Laurela and it 20 00:01:29,000 --> 00:01:31,640 Speaker 1: would get back to her and then she would, you know, 21 00:01:32,319 --> 00:01:34,760 Speaker 1: talk to Richard about it, and he just wanted to 22 00:01:34,920 --> 00:01:37,039 Speaker 1: do He just wanted to go play golf with his buddies, 23 00:01:37,440 --> 00:01:40,240 Speaker 1: you know, and and cackle and have a beer and 24 00:01:40,280 --> 00:01:42,279 Speaker 1: have a cocktail and have a nice lunch and shoot 25 00:01:42,280 --> 00:01:44,720 Speaker 1: the breeze. And you know, he didn't want to do that. 26 00:01:44,800 --> 00:01:46,760 Speaker 1: He's not used to it. He's not he's not in 27 00:01:46,840 --> 00:01:49,560 Speaker 1: the flow of the family thing. I mean, he's so 28 00:01:49,960 --> 00:01:52,840 Speaker 1: he's so settled into his you know, it's just me 29 00:01:52,880 --> 00:01:55,320 Speaker 1: and Emily, and they've ignored us for all these years, 30 00:01:55,320 --> 00:01:58,480 Speaker 1: and so those feelings get very hardened right over time. 31 00:01:58,560 --> 00:02:00,200 Speaker 1: So now he's got to open up all of a 32 00:02:00,280 --> 00:02:04,000 Speaker 1: sudden and like share his sacred free time away from Emily, 33 00:02:04,840 --> 00:02:07,320 Speaker 1: you know, with with the grand door. And it's like, 34 00:02:07,360 --> 00:02:09,560 Speaker 1: oh god, it's like for him, it's opening up a 35 00:02:09,600 --> 00:02:12,040 Speaker 1: can of worms. That's a great point. He had to 36 00:02:12,040 --> 00:02:16,760 Speaker 1: do something uncomfortable. And also, like the golf club that 37 00:02:16,800 --> 00:02:19,520 Speaker 1: he was a part of was very hoity toity, like 38 00:02:19,560 --> 00:02:23,160 Speaker 1: you can tell, and bringing in your you know, your 39 00:02:23,280 --> 00:02:26,440 Speaker 1: granddaughter who has never played golf before. You saw in 40 00:02:26,520 --> 00:02:29,000 Speaker 1: those first couple of takes at the golf course where 41 00:02:29,040 --> 00:02:31,400 Speaker 1: she's just hitting the ground and the grass is flying 42 00:02:31,480 --> 00:02:34,720 Speaker 1: up and he was mortified. There's nothing worse, by the way, 43 00:02:35,000 --> 00:02:37,040 Speaker 1: and I have been a member of a hoity toity 44 00:02:37,080 --> 00:02:40,400 Speaker 1: golf club, country club, and there's nothing worse than playing 45 00:02:40,400 --> 00:02:43,200 Speaker 1: with somebody who can't play. Not saying I'm an a 46 00:02:43,360 --> 00:02:46,600 Speaker 1: player at all, but when you have somebody like taking 47 00:02:46,720 --> 00:02:48,880 Speaker 1: up the turf like that, You're like, oh, this is 48 00:02:48,919 --> 00:02:53,880 Speaker 1: gonna be a long, slow day, slow day. Um. This 49 00:02:54,080 --> 00:02:59,560 Speaker 1: episode is so important because because of that golf, Rory 50 00:02:59,639 --> 00:03:05,760 Speaker 1: and Stared fully bond and that becomes essential to the 51 00:03:05,840 --> 00:03:09,320 Speaker 1: rest of the series, right, because this is where he 52 00:03:09,360 --> 00:03:14,200 Speaker 1: realizes she's smart. They have so much in common, and 53 00:03:14,680 --> 00:03:18,400 Speaker 1: she is very drawn to him, and they become so connected, 54 00:03:19,400 --> 00:03:22,680 Speaker 1: which causes all kinds of problems with Laura lit Right. 55 00:03:22,760 --> 00:03:25,760 Speaker 1: So it's about control, right, It's it's about who's going 56 00:03:25,760 --> 00:03:28,959 Speaker 1: to control the video here. It's gonna be Emily, is 57 00:03:29,000 --> 00:03:30,639 Speaker 1: gonna be Laura, And you know, it's like, you gotta 58 00:03:30,680 --> 00:03:34,240 Speaker 1: do what's best for your kid. And that came you 59 00:03:34,280 --> 00:03:37,280 Speaker 1: know that Laura I came around to that she realized 60 00:03:37,360 --> 00:03:39,760 Speaker 1: this was going to be ultimately beneficial for her and 61 00:03:39,800 --> 00:03:41,280 Speaker 1: that she was going to have to suffer through this 62 00:03:41,360 --> 00:03:44,560 Speaker 1: and just swallow her ego you know, and let Emily win. 63 00:03:44,920 --> 00:03:47,960 Speaker 1: What was a great line. Um how when they're fighting 64 00:03:47,960 --> 00:03:53,640 Speaker 1: about their boots with the irrational anger, you might have 65 00:03:53,680 --> 00:03:58,040 Speaker 1: to think you just did what I mean, you can 66 00:03:58,160 --> 00:04:02,640 Speaker 1: carry it. It's like may you you may use but 67 00:04:03,160 --> 00:04:07,680 Speaker 1: I know I can't. I never would. Um. Yeah, that 68 00:04:07,760 --> 00:04:12,360 Speaker 1: was major that they had that big old yes yes. 69 00:04:12,600 --> 00:04:17,160 Speaker 1: And it's it's the fear of losing your daughter. It's 70 00:04:17,200 --> 00:04:21,080 Speaker 1: the fear of losing you know, that closeness. I mean, 71 00:04:21,279 --> 00:04:25,120 Speaker 1: there's there might be a bit of an unhealthy aspect 72 00:04:25,240 --> 00:04:27,840 Speaker 1: to that mother daughter relationship. I mean, if we really 73 00:04:27,880 --> 00:04:31,359 Speaker 1: want to psychoanalyze it, it's like if you're that close, 74 00:04:31,600 --> 00:04:34,840 Speaker 1: I mean, is it is it choking? Is it choking? 75 00:04:35,440 --> 00:04:38,720 Speaker 1: Alexis is it? Is it? Is it too much? Right? 76 00:04:38,839 --> 00:04:41,240 Speaker 1: And who's the mom and who's the daughter? Because a 77 00:04:41,240 --> 00:04:47,240 Speaker 1: lot of times Rory has the clear head and right right. 78 00:04:47,320 --> 00:04:50,240 Speaker 1: So ultimately she was well raised. But is it too 79 00:04:50,320 --> 00:04:54,200 Speaker 1: much of a you know, too much of a cage 80 00:04:54,200 --> 00:04:58,200 Speaker 1: she's put her in into. Is it too much friends? 81 00:04:58,640 --> 00:05:02,200 Speaker 1: Mother daughter? You all to realize that Emily, we started 82 00:05:02,200 --> 00:05:05,200 Speaker 1: to talk about this is totally in control. One. She 83 00:05:05,360 --> 00:05:07,680 Speaker 1: says to Richard, you will go, you will do this. 84 00:05:07,800 --> 00:05:11,200 Speaker 1: And remember when she when Laura Lai goes into the 85 00:05:11,680 --> 00:05:14,320 Speaker 1: like whatever that side room is on the Friday night 86 00:05:14,320 --> 00:05:18,560 Speaker 1: dinner and Emily convinces Laura la that the gulf is 87 00:05:18,600 --> 00:05:22,800 Speaker 1: the right thing. And it worked. So Emily, really, like 88 00:05:22,880 --> 00:05:28,559 Speaker 1: you said, is the puppet master. She's got everybody either 89 00:05:28,600 --> 00:05:31,000 Speaker 1: doing what she wants, are doing the right thing unclear 90 00:05:31,240 --> 00:05:36,680 Speaker 1: which it is? Um, yeah, and it ultimately, and both 91 00:05:36,720 --> 00:05:41,360 Speaker 1: women are displaying an extraordinary level of selfishness. But like, 92 00:05:41,600 --> 00:05:46,400 Speaker 1: who's got Rory's best interest at heart ultimately? And I 93 00:05:46,440 --> 00:05:50,200 Speaker 1: think it's Emily, And I think she wins that round. 94 00:05:50,360 --> 00:05:52,599 Speaker 1: I mean, let's give it to her because that is 95 00:05:52,640 --> 00:05:56,360 Speaker 1: the best thing for her. And all families go through this, 96 00:05:56,680 --> 00:06:01,560 Speaker 1: especially when there's grandkids, right, and there's maybe some some 97 00:06:01,640 --> 00:06:04,919 Speaker 1: tension between the husband or the wife and and and 98 00:06:05,160 --> 00:06:08,359 Speaker 1: one parent and there's bitterness and resentment going back and 99 00:06:08,400 --> 00:06:10,960 Speaker 1: it hasn't been resolved and it gets on the kid 100 00:06:11,040 --> 00:06:13,960 Speaker 1: and the grandkid and oh my god, it's just a 101 00:06:14,040 --> 00:06:17,960 Speaker 1: circle jerk at that point. Everybody. Everybody goes through this. 102 00:06:17,960 --> 00:06:20,279 Speaker 1: This is every family, which is why the show is 103 00:06:20,279 --> 00:06:26,520 Speaker 1: so appealing. This is universally experienced through all families and Uh, 104 00:06:26,600 --> 00:06:29,800 Speaker 1: it's just you know, the way the way they do 105 00:06:29,839 --> 00:06:33,200 Speaker 1: it on Gilmore Girls is especially satisfying because it is 106 00:06:33,480 --> 00:06:37,520 Speaker 1: so clearly mapped out. It's so you know, you can 107 00:06:37,560 --> 00:06:41,320 Speaker 1: really feel the beats. You can not so much you 108 00:06:41,320 --> 00:06:44,600 Speaker 1: can anticipate it. But man, it is so rife with humor. 109 00:06:44,680 --> 00:06:48,039 Speaker 1: What was the line that uh Laurel I had that 110 00:06:48,120 --> 00:06:50,680 Speaker 1: was so funny in the kitchen? She says, uh, yeah, 111 00:06:50,680 --> 00:06:53,160 Speaker 1: what are you, Bob Barker? It's like, it's what are 112 00:06:53,160 --> 00:06:56,280 Speaker 1: you trying to win? Like? What's going on? Emily says, 113 00:06:56,360 --> 00:06:59,000 Speaker 1: if Roy goes and has a great time with you, 114 00:06:59,120 --> 00:07:05,760 Speaker 1: then I win. Okay, Burger. So let's quickly before we 115 00:07:05,800 --> 00:07:08,760 Speaker 1: move on from this scene. This is where the mistake happens. 116 00:07:09,000 --> 00:07:13,320 Speaker 1: They talk about Laura Lai the first and you could 117 00:07:13,360 --> 00:07:17,160 Speaker 1: interpret that she has passed away. They say was like 118 00:07:17,280 --> 00:07:21,440 Speaker 1: three times. But we know those of us that have 119 00:07:21,600 --> 00:07:25,920 Speaker 1: seen it or we're there that Mrs cunney Ham later 120 00:07:26,120 --> 00:07:31,560 Speaker 1: plays Grandma, great grandma, whatever you wanna call it, Loreli 121 00:07:31,760 --> 00:07:35,920 Speaker 1: the first Mary and Ross, who to many people is 122 00:07:36,000 --> 00:07:40,400 Speaker 1: known as Mrs cunney Ham. So I don't know. Here's 123 00:07:40,400 --> 00:07:43,240 Speaker 1: the question for you. Is it a mistake or do 124 00:07:43,320 --> 00:07:46,679 Speaker 1: they later change their mind when they're writing and they realize, oh, hey, 125 00:07:46,720 --> 00:07:48,880 Speaker 1: you know what, we should have Mary and Ross come 126 00:07:48,920 --> 00:07:51,960 Speaker 1: in and play Richard's mother and we've got this whole 127 00:07:51,960 --> 00:07:53,520 Speaker 1: storyline with her, and do they sort of just like 128 00:07:53,600 --> 00:07:57,680 Speaker 1: hold people forgot what happened in episode. I think that 129 00:07:58,160 --> 00:08:02,040 Speaker 1: it's like it's it's you know, what are we gonna 130 00:08:02,360 --> 00:08:03,760 Speaker 1: what are we going to get out of this? We're 131 00:08:03,760 --> 00:08:06,040 Speaker 1: gonna get so much more out of Amary and Ross 132 00:08:06,160 --> 00:08:09,160 Speaker 1: coming on than you know, some fans being a little 133 00:08:09,200 --> 00:08:11,960 Speaker 1: irked at right a couple of Reddit threads where people 134 00:08:11,960 --> 00:08:15,040 Speaker 1: are like the right because there's so much It just 135 00:08:15,160 --> 00:08:18,040 Speaker 1: deepens the show and gives it so much more dimension. 136 00:08:18,080 --> 00:08:19,880 Speaker 1: I mean, it's like the Kirk thing, right, It's like 137 00:08:20,360 --> 00:08:22,280 Speaker 1: he didn't have a name. It's like Amy trying to 138 00:08:22,320 --> 00:08:24,400 Speaker 1: figure out where he fits in and how he fits in, 139 00:08:24,640 --> 00:08:27,120 Speaker 1: you know, and and uh, you know Laura La referring 140 00:08:27,120 --> 00:08:29,400 Speaker 1: to him as that go help that guy over there, 141 00:08:29,680 --> 00:08:32,280 Speaker 1: not Mick, not Nut Kirk, just that guy over there. 142 00:08:32,320 --> 00:08:36,520 Speaker 1: So yeah, I think in the beginning, you you get, 143 00:08:36,600 --> 00:08:38,920 Speaker 1: you get forgiven, You get forgiven a little bit at 144 00:08:38,920 --> 00:08:42,720 Speaker 1: the beginning because they obviously felt and we all felt 145 00:08:42,720 --> 00:08:44,520 Speaker 1: it was going to be a long run anyway, so 146 00:08:44,600 --> 00:08:47,600 Speaker 1: it's like, what the hell, just go for it. You know. 147 00:08:47,600 --> 00:08:50,160 Speaker 1: What else do you realize in this episode is how 148 00:08:50,240 --> 00:08:53,920 Speaker 1: good Laura Lae is at her job with that wedding 149 00:08:53,960 --> 00:08:57,520 Speaker 1: with the twins on the Twins and they. I think 150 00:08:57,559 --> 00:09:01,480 Speaker 1: that I would assume that's intentional because you really realized, Man, 151 00:09:01,559 --> 00:09:04,760 Speaker 1: she's a pro at this, even the super salad. Let's 152 00:09:04,760 --> 00:09:08,719 Speaker 1: have both, Like she's putting out fires, you know, and 153 00:09:08,800 --> 00:09:12,160 Speaker 1: solving all those problems. What's your take on that? I 154 00:09:12,200 --> 00:09:15,960 Speaker 1: think I think that's where her breeding. Okay, that's where 155 00:09:15,960 --> 00:09:19,240 Speaker 1: her d n A kicks in, because that's where she's 156 00:09:19,280 --> 00:09:21,720 Speaker 1: more familiar because that's what she's used to and that's 157 00:09:21,760 --> 00:09:24,160 Speaker 1: what she grew up with. The country club. She knows 158 00:09:24,440 --> 00:09:29,600 Speaker 1: what great services she because she's she's demanded it, and 159 00:09:29,679 --> 00:09:32,360 Speaker 1: she's seen Richard and Emily demanded when she was a child. 160 00:09:32,400 --> 00:09:35,599 Speaker 1: Can you imagine somebody coming like Richard asking for a 161 00:09:35,679 --> 00:09:38,920 Speaker 1: drink at the country club, give me a Scotch on ice, 162 00:09:38,960 --> 00:09:42,800 Speaker 1: and the kid brings it without the ice, and Richard going, 163 00:09:43,000 --> 00:09:44,959 Speaker 1: excuse me, you know what I mean? And then the 164 00:09:45,040 --> 00:09:47,240 Speaker 1: kid brings him a glass of ice, and then Richard says, 165 00:09:47,320 --> 00:09:50,520 Speaker 1: excuse me, So it's breeding. So she's not in her 166 00:09:50,559 --> 00:09:53,640 Speaker 1: comfort zone raising a child. She's figuring it out. But 167 00:09:53,720 --> 00:09:57,720 Speaker 1: with the the end, no, that comes naturally. There's also 168 00:09:57,800 --> 00:10:00,400 Speaker 1: the scene when they were at the dinner table and 169 00:10:00,480 --> 00:10:03,600 Speaker 1: there's this awkward exchange with the maid that was taking 170 00:10:03,800 --> 00:10:07,320 Speaker 1: care of them, and she said, oh, it's my new cook, Mira, 171 00:10:07,440 --> 00:10:10,559 Speaker 1: who turns out to really be Sarah, but Emily misheard 172 00:10:10,600 --> 00:10:13,320 Speaker 1: the name. And it just becomes established that Emily goes 173 00:10:13,320 --> 00:10:17,120 Speaker 1: through many cooks and maids often. So that kind of 174 00:10:17,160 --> 00:10:19,400 Speaker 1: was like a big red flag for me. I was like, oh, 175 00:10:19,480 --> 00:10:25,400 Speaker 1: there's something there. Yeah, well yeah, that's they demand snap 176 00:10:25,400 --> 00:10:27,600 Speaker 1: a finger kind of service and don't screw it up 177 00:10:27,679 --> 00:10:30,240 Speaker 1: or you're gone and you can't know it. And unless 178 00:10:30,280 --> 00:10:32,960 Speaker 1: you've grown up that way. Because when the mother of 179 00:10:33,000 --> 00:10:35,560 Speaker 1: the twins is like worried about this, worried about this, 180 00:10:35,600 --> 00:10:37,480 Speaker 1: worried about this, and lower Lae just has it solved, 181 00:10:37,480 --> 00:10:40,480 Speaker 1: Has it solved? Has it solved? You're like, Wow, she 182 00:10:40,559 --> 00:10:45,600 Speaker 1: runs this in like a box. She's a classy, educate, 183 00:10:45,640 --> 00:10:50,319 Speaker 1: well somewhat educated, very very intelligent, well bred person who 184 00:10:50,400 --> 00:10:56,240 Speaker 1: has made some choices that run counter to her upbringing, right, 185 00:10:56,280 --> 00:10:59,080 Speaker 1: and that's the show. Another perspective I think is it's 186 00:10:59,080 --> 00:11:01,920 Speaker 1: the one thing more like can control. Like she can't 187 00:11:01,960 --> 00:11:05,640 Speaker 1: control Rory, she can't control Emily, So all these things 188 00:11:05,679 --> 00:11:08,080 Speaker 1: at the end is something that she can control, and 189 00:11:08,120 --> 00:11:10,960 Speaker 1: that's why she's so good at it. Yeah, yeah, and 190 00:11:11,040 --> 00:11:14,280 Speaker 1: what a great who's the actress that played that? Was it? 191 00:11:14,480 --> 00:11:19,440 Speaker 1: Mrs Scales? Megan Faye, the mom of the twins. Yes, 192 00:11:20,440 --> 00:11:25,040 Speaker 1: she was brilliant and uh a perfect counter lare and 193 00:11:25,040 --> 00:11:28,440 Speaker 1: and sending up and being so on it where I 194 00:11:28,480 --> 00:11:31,800 Speaker 1: will send you somebody up for a massage. It looks 195 00:11:31,880 --> 00:11:38,200 Speaker 1: amazingly similar to Antonio bandair. So, I mean every week, 196 00:11:38,240 --> 00:11:43,400 Speaker 1: how dense these episodes are. There isn't thirty seconds wasted 197 00:11:43,480 --> 00:11:46,360 Speaker 1: on this show. All right, let's take a quick break, gang. 198 00:11:46,559 --> 00:11:58,320 Speaker 1: When we come back, we'll talk about the club. Okay, 199 00:11:58,360 --> 00:12:02,439 Speaker 1: we're back. We're talking about the country club. The very tony, 200 00:12:02,640 --> 00:12:09,880 Speaker 1: very expensive monthly fees and huge initiation feed, the hundreds 201 00:12:09,920 --> 00:12:13,200 Speaker 1: of thousands of dollars. So I kept going through my 202 00:12:13,240 --> 00:12:15,920 Speaker 1: mind was how rich are the Gilmore You know, I 203 00:12:15,960 --> 00:12:21,200 Speaker 1: think his stock options are probably I mean back then, 204 00:12:21,240 --> 00:12:24,200 Speaker 1: I mean a hundred million, fifty million I've had some 205 00:12:24,320 --> 00:12:26,480 Speaker 1: you know, I've friends that are CEOs and x CEO 206 00:12:26,600 --> 00:12:30,640 Speaker 1: is a big, big corporations, and uh, and they're doing 207 00:12:30,640 --> 00:12:32,640 Speaker 1: a couple million a year in salary. It's not it's 208 00:12:32,640 --> 00:12:35,520 Speaker 1: not really the salary, right. The salary is good, right, 209 00:12:35,520 --> 00:12:37,360 Speaker 1: and maybe up to five million a year in salary, 210 00:12:37,360 --> 00:12:40,480 Speaker 1: but it's the stock options well. And Richard, I don't think, 211 00:12:40,600 --> 00:12:42,880 Speaker 1: grew up struggling. It seems like there was family money 212 00:12:42,880 --> 00:12:47,240 Speaker 1: and family money on families, right, exactly, exactly. So okay, 213 00:12:47,240 --> 00:12:49,200 Speaker 1: so the club. What did you think of the scenes 214 00:12:49,200 --> 00:12:53,920 Speaker 1: at the club? Specifically, I'm obsessed with the steam room. 215 00:12:54,440 --> 00:13:00,360 Speaker 1: The most odious woman in the world, not just at 216 00:13:00,360 --> 00:13:04,160 Speaker 1: the club. I mean, that's the funniest part of it 217 00:13:04,200 --> 00:13:07,160 Speaker 1: because when she rolled up and I thought, I thought, oh, 218 00:13:07,200 --> 00:13:10,280 Speaker 1: here's something. That's why Richard didn't want to go. Maybe 219 00:13:10,320 --> 00:13:12,720 Speaker 1: there's something going on here, you know, maybe he didn't 220 00:13:12,760 --> 00:13:15,560 Speaker 1: want to be disturbed or found out that he was 221 00:13:15,760 --> 00:13:19,360 Speaker 1: maybe having somewhat of an emotional affair with somebody else, 222 00:13:19,440 --> 00:13:23,280 Speaker 1: you know, because but no, of course, you can't do 223 00:13:23,360 --> 00:13:26,280 Speaker 1: that to that character. You lose respect for him. So 224 00:13:26,360 --> 00:13:30,560 Speaker 1: he I liked that Richard bonded with Rory over the 225 00:13:30,920 --> 00:13:34,840 Speaker 1: you know, her travels to Fez and books, but also 226 00:13:35,200 --> 00:13:38,000 Speaker 1: her sort of gossipy stories about what was going on. 227 00:13:38,120 --> 00:13:40,840 Speaker 1: He really was on her level, and I think all 228 00:13:40,880 --> 00:13:43,839 Speaker 1: of a sudden you realize these two are besties now. 229 00:13:44,320 --> 00:13:48,680 Speaker 1: And what he probably doesn't realize and doesn't want to 230 00:13:48,720 --> 00:13:51,320 Speaker 1: admit because he's still angry, is at Laurel I probably 231 00:13:51,400 --> 00:13:55,520 Speaker 1: did a heck of a job raising her. Good job. 232 00:13:56,160 --> 00:13:58,920 Speaker 1: She knows, she's aware of she's literate, she's reading the 233 00:13:59,040 --> 00:14:02,640 Speaker 1: right books. You know, she's saying the right thing. She's 234 00:14:02,679 --> 00:14:06,640 Speaker 1: a very proper young lady and very respectful. She can't 235 00:14:06,640 --> 00:14:09,760 Speaker 1: play who cares. But that's you know, he's going to 236 00:14:09,840 --> 00:14:11,880 Speaker 1: have to admit to himself at some point he can 237 00:14:11,920 --> 00:14:14,600 Speaker 1: play against that. And that's that's gold for actors. Is 238 00:14:14,640 --> 00:14:18,320 Speaker 1: that maybe Laurel E isn't such a screw up. I mean, 239 00:14:18,320 --> 00:14:20,880 Speaker 1: if you can raise a daughter that's that spectacular, you 240 00:14:20,960 --> 00:14:25,240 Speaker 1: did something right, you know that just doesn't happen. Yeah, 241 00:14:25,320 --> 00:14:28,680 Speaker 1: that's a great, great point. So, yeah, what is your 242 00:14:28,720 --> 00:14:33,320 Speaker 1: take seeing that relationship between Richard and Rory, Like, how 243 00:14:33,400 --> 00:14:39,120 Speaker 1: important is what we're seeing developed? Well? Well, I think 244 00:14:39,120 --> 00:14:42,920 Speaker 1: it's important for both of them. I think it's uh. 245 00:14:43,080 --> 00:14:47,000 Speaker 1: It enriches Rory's life. It gives her a father figure, 246 00:14:47,280 --> 00:14:49,720 Speaker 1: I mean somewhat of a five father figure that isn't 247 00:14:49,800 --> 00:14:53,280 Speaker 1: Luke um and it's a it's a it's a man 248 00:14:53,480 --> 00:14:57,240 Speaker 1: that is her blood, that she can trust, who has 249 00:14:57,320 --> 00:15:00,720 Speaker 1: her best interested hearts, and that could re really you know, 250 00:15:00,760 --> 00:15:04,120 Speaker 1: affect some very positive change within her, which I think 251 00:15:04,120 --> 00:15:08,640 Speaker 1: we see immediately in the in the conflict with Laurel 252 00:15:08,800 --> 00:15:12,280 Speaker 1: I that fight when he calls her right away at 253 00:15:12,280 --> 00:15:15,960 Speaker 1: the end, right, which is a hilarious line. Yes, I 254 00:15:16,000 --> 00:15:18,840 Speaker 1: don't know how many people call you dad when Laurela answers, 255 00:15:18,960 --> 00:15:21,120 Speaker 1: but right he called he never called the inn and 256 00:15:21,200 --> 00:15:23,920 Speaker 1: calls Rory. It's like, why would anybody admit that that 257 00:15:24,000 --> 00:15:28,760 Speaker 1: they're your father? And then at the very end, you 258 00:15:28,960 --> 00:15:31,240 Speaker 1: see the three of them go into the library to 259 00:15:31,280 --> 00:15:33,440 Speaker 1: look at the books and Laurela is left in the 260 00:15:34,560 --> 00:15:36,840 Speaker 1: I don't know what room that is the living room 261 00:15:36,960 --> 00:15:40,560 Speaker 1: or the sitting room room. Yeah, that's yeah, that's the 262 00:15:40,560 --> 00:15:42,920 Speaker 1: main living room. Yeah. We we we shot a lot, 263 00:15:43,000 --> 00:15:46,120 Speaker 1: We shot a good amount in the revival in that 264 00:15:46,160 --> 00:15:50,400 Speaker 1: living room. It's it's a very large area. Um. Yeah, 265 00:15:50,440 --> 00:15:54,520 Speaker 1: and I think you know and the cooler Alexis was, 266 00:15:54,600 --> 00:15:59,800 Speaker 1: the cooler Rory was. And that fight scene, the boob scene, Um, 267 00:15:59,840 --> 00:16:03,520 Speaker 1: the the angrier she got Laurel I got, and and 268 00:16:03,520 --> 00:16:06,840 Speaker 1: and it's and it also shows that on a certain 269 00:16:06,920 --> 00:16:09,600 Speaker 1: level that Rory is far more mature than her mother. 270 00:16:10,440 --> 00:16:13,320 Speaker 1: So there in lies that dynamic in that conflict too, 271 00:16:13,360 --> 00:16:15,600 Speaker 1: because I mean she just was very cool about it, 272 00:16:15,600 --> 00:16:17,960 Speaker 1: a very matter of fact about it. And she wasn't 273 00:16:18,800 --> 00:16:22,960 Speaker 1: and there's nothing diabolical about it. She wasn't even thinking 274 00:16:23,280 --> 00:16:29,120 Speaker 1: about how it affected Laurel I personally, right, how she 275 00:16:29,200 --> 00:16:34,120 Speaker 1: must be feeling, because who thinks that way? Right? Who 276 00:16:34,160 --> 00:16:37,640 Speaker 1: on Earth thinks that way? So it's that dysfunction that 277 00:16:37,880 --> 00:16:41,600 Speaker 1: fractured relationship with their parents. That is, that is, you know, 278 00:16:41,680 --> 00:16:44,520 Speaker 1: providing all of the fuel for this, and and and 279 00:16:44,520 --> 00:16:48,040 Speaker 1: and the Paladinos really cashed in on that. I mean 280 00:16:48,080 --> 00:16:50,480 Speaker 1: that is just like the nuclear fuel of the show. 281 00:16:50,760 --> 00:16:59,080 Speaker 1: Was anyone else surprised that Rory was late date attempt 282 00:16:59,120 --> 00:17:03,800 Speaker 1: at sabotage? They gave Richard some funny lines like when 283 00:17:03,840 --> 00:17:07,199 Speaker 1: he said it was cooler at eight, But I was 284 00:17:07,320 --> 00:17:11,400 Speaker 1: surprised that she was late. Um, yeah, I mean it's typical, right, 285 00:17:11,520 --> 00:17:14,040 Speaker 1: It's like I didn't set the alarm and sorry, and 286 00:17:14,600 --> 00:17:16,760 Speaker 1: maybe you just can't go. You'll miss it and he'll 287 00:17:16,840 --> 00:17:19,440 Speaker 1: leave and because he's not gonna miss his tea time, right, 288 00:17:19,560 --> 00:17:21,639 Speaker 1: you don't miss your tea time in places like that, 289 00:17:21,680 --> 00:17:23,080 Speaker 1: you don't make people work. It was just about to 290 00:17:23,119 --> 00:17:25,440 Speaker 1: say that you can't miss your tea time if you're late. 291 00:17:25,640 --> 00:17:28,359 Speaker 1: You don't got it. Yeah, you you forfeit it. And 292 00:17:28,560 --> 00:17:31,399 Speaker 1: uh so, yeah, that was an attempt at sabotage that 293 00:17:31,480 --> 00:17:36,399 Speaker 1: wasn't scripted, but it's implied. Oh yeah, oh yeah, Well 294 00:17:36,440 --> 00:17:39,040 Speaker 1: should we dig into Jackson and Suki for a session? 295 00:17:39,440 --> 00:17:44,640 Speaker 1: Daniel has some thoughts. I just I thought that that 296 00:17:45,400 --> 00:17:48,920 Speaker 1: debacle was probably like my favorite part of the episode. 297 00:17:48,960 --> 00:17:52,040 Speaker 1: Like I love seeing Suki and Jackson fight fight over 298 00:17:52,080 --> 00:17:54,479 Speaker 1: the strawberries and the blueberries, and at the very end 299 00:17:54,560 --> 00:17:57,400 Speaker 1: Suki got her way with the strawberries. I just loved 300 00:17:57,440 --> 00:18:00,879 Speaker 1: all of it. I thought it was fantastic, uh to 301 00:18:00,880 --> 00:18:03,520 Speaker 1: to to to put an exclamation point on that and 302 00:18:03,600 --> 00:18:07,520 Speaker 1: to have um a Suki go after him down the street. 303 00:18:07,760 --> 00:18:13,280 Speaker 1: I mean, that is wacky, stars, hollow, harmless, a little 304 00:18:13,440 --> 00:18:18,520 Speaker 1: hamlet at its finest. That is that is as dangerous 305 00:18:18,640 --> 00:18:21,480 Speaker 1: as it gets there. I mean, that's that That just 306 00:18:22,000 --> 00:18:25,800 Speaker 1: defines what Stars Hollow is. It was a perfect love 307 00:18:26,000 --> 00:18:30,679 Speaker 1: that because of the strawberry debacle, it teas up the 308 00:18:30,720 --> 00:18:34,960 Speaker 1: fact that it's blueberry shortcake that then Rory and Laura 309 00:18:35,040 --> 00:18:37,840 Speaker 1: li I bring over to Emily and she says, you 310 00:18:38,000 --> 00:18:43,520 Speaker 1: brought me used blueberry and then Lauraa goes, no, it's 311 00:18:43,640 --> 00:18:51,720 Speaker 1: left over dessert. As if there's a difference, like that 312 00:18:51,920 --> 00:18:55,400 Speaker 1: is the genius that if there wasn't that, we wouldn't 313 00:18:55,640 --> 00:18:58,879 Speaker 1: have the bit at the end that makes you laugh. 314 00:18:59,160 --> 00:19:03,200 Speaker 1: That was intention and all that was intentional. That was like, 315 00:19:03,320 --> 00:19:06,879 Speaker 1: I'm sure that was not her lack of breeding. It 316 00:19:07,040 --> 00:19:11,000 Speaker 1: was like, deal with it. I don't like you right 317 00:19:12,160 --> 00:19:17,919 Speaker 1: here you go. It's just so funny that that may 318 00:19:17,960 --> 00:19:20,040 Speaker 1: be one of the funniest moments of the entire thing 319 00:19:20,160 --> 00:19:25,080 Speaker 1: that that entire episode that was that was fantastic. Um um, 320 00:19:25,200 --> 00:19:28,760 Speaker 1: what else can we get into? Well, okay, so the 321 00:19:28,840 --> 00:19:32,120 Speaker 1: twins on Twins, this is the crazy thing. So we've 322 00:19:32,200 --> 00:19:35,680 Speaker 1: learned in television there's like an A plot line, there's 323 00:19:35,720 --> 00:19:38,080 Speaker 1: like a B plot line and a C plot line. 324 00:19:38,119 --> 00:19:41,560 Speaker 1: So would like the A would be the golf and 325 00:19:41,600 --> 00:19:46,720 Speaker 1: the father the grandfather, tranddaughter. Then the B is the 326 00:19:46,760 --> 00:19:50,639 Speaker 1: twins on twins and you've got this ridiculous wedding and 327 00:19:50,680 --> 00:19:53,399 Speaker 1: the whole thing. And then the C would be maybe 328 00:19:53,440 --> 00:20:00,000 Speaker 1: the strawberry controversy. But the thing that's so amazing about 329 00:20:00,080 --> 00:20:05,520 Speaker 1: this show they're all tied together. Um well, when you 330 00:20:05,560 --> 00:20:08,040 Speaker 1: have that many characters, you pretty much have to create 331 00:20:08,119 --> 00:20:11,040 Speaker 1: multiple storylines or else you know, what are you gonna 332 00:20:11,080 --> 00:20:13,440 Speaker 1: do with them? And you've got so many of these 333 00:20:13,480 --> 00:20:16,480 Speaker 1: great actors and the great characters that were created for 334 00:20:16,520 --> 00:20:21,199 Speaker 1: this reason. Um you know, not to utilize them as 335 00:20:21,440 --> 00:20:26,240 Speaker 1: a crime, but uh yeah, when they're that distinct, when 336 00:20:26,280 --> 00:20:29,000 Speaker 1: when the voices are that distinct, it's kind of easy 337 00:20:29,040 --> 00:20:31,439 Speaker 1: to develop storylines if you just think in terms of 338 00:20:31,440 --> 00:20:34,040 Speaker 1: stars Hallow, like, how can we make a wacky, funny 339 00:20:34,119 --> 00:20:36,600 Speaker 1: thing And imagine how much fun Amy and Dan had 340 00:20:36,680 --> 00:20:40,200 Speaker 1: creating the blueberry versus strawberry thing and then they're chasing 341 00:20:40,359 --> 00:20:41,679 Speaker 1: down the street at the end of it. I mean, 342 00:20:41,680 --> 00:20:45,080 Speaker 1: it's just like you know, the roaring with laughter developing 343 00:20:45,119 --> 00:20:48,000 Speaker 1: that stuff, because that's the fun of writing. It's like 344 00:20:48,320 --> 00:20:50,800 Speaker 1: collaborating with your partner who happens to be your husband 345 00:20:50,960 --> 00:20:54,479 Speaker 1: or your wife and making this funny stuff. Well, can 346 00:20:54,520 --> 00:20:57,679 Speaker 1: you talk about that? Because on one end we have 347 00:20:57,800 --> 00:21:01,479 Speaker 1: this very serious stuff, you know, Julie, the relationship between 348 00:21:01,520 --> 00:21:06,880 Speaker 1: Emily and Lorelei and Rory is very serious and emotional. 349 00:21:07,640 --> 00:21:10,600 Speaker 1: Then you have these two other things that are completely 350 00:21:10,600 --> 00:21:14,040 Speaker 1: outlandish and over the top. Of the twins marrying twins 351 00:21:14,880 --> 00:21:18,040 Speaker 1: with the mother that sort of can't stand their twin daughters, 352 00:21:18,440 --> 00:21:22,199 Speaker 1: and then Jackson and Suki brawling over the strawberries. It's like, 353 00:21:22,240 --> 00:21:27,160 Speaker 1: you can they go outlandish? Another stab like that's over 354 00:21:27,200 --> 00:21:31,000 Speaker 1: the top and wacky. That's what makes the drama portion 355 00:21:31,080 --> 00:21:33,880 Speaker 1: of it so powerful because when you return to that, 356 00:21:34,080 --> 00:21:37,240 Speaker 1: you know you're not you're but there's still an element 357 00:21:37,320 --> 00:21:42,600 Speaker 1: of wacky in in Emily Laureli. There's all those little lines, 358 00:21:42,840 --> 00:21:45,520 Speaker 1: all those little funny lines, but it's so much more 359 00:21:45,720 --> 00:21:50,480 Speaker 1: fraught with with conflict, right, and it's always so well 360 00:21:50,520 --> 00:21:53,679 Speaker 1: placed because the one thing that I know about screenwriting 361 00:21:53,680 --> 00:21:57,239 Speaker 1: and not so much about television, uh, is that if 362 00:21:57,280 --> 00:22:02,520 Speaker 1: you're gonna put a scene of conflict, dialogue scene of conflict, 363 00:22:02,560 --> 00:22:04,800 Speaker 1: not an action scene, but a dialogue. If you're gonna 364 00:22:04,840 --> 00:22:07,040 Speaker 1: talk conflict, it's got to be late in the second 365 00:22:07,080 --> 00:22:10,399 Speaker 1: act and it's got to be extreme conflict and that 366 00:22:10,440 --> 00:22:12,360 Speaker 1: propels it into the third act. And they do that 367 00:22:12,800 --> 00:22:15,199 Speaker 1: very well in this show. And I think television is 368 00:22:15,240 --> 00:22:17,479 Speaker 1: broken up into I don't know, five or six acts. 369 00:22:17,720 --> 00:22:20,600 Speaker 1: I know I never I never wrote it. I wrote screenplays, 370 00:22:20,640 --> 00:22:23,640 Speaker 1: but I never wrote television series. It's I don't understand 371 00:22:23,640 --> 00:22:25,480 Speaker 1: the dynamic of the structure of it. It's a it's 372 00:22:25,480 --> 00:22:28,720 Speaker 1: a different structure, but um, there are similarities. But but 373 00:22:28,880 --> 00:22:31,600 Speaker 1: that's those are the big moments in the kitchen, when 374 00:22:31,600 --> 00:22:34,280 Speaker 1: they're going at it and it's really serious. That's when 375 00:22:34,320 --> 00:22:36,560 Speaker 1: you can do it. You do it kind of two 376 00:22:36,640 --> 00:22:40,879 Speaker 1: thirds uh into the piece or two thirds into the air, 377 00:22:41,000 --> 00:22:46,080 Speaker 1: so about forty minutes you do it minutes, um. But yeah, 378 00:22:46,160 --> 00:22:49,760 Speaker 1: you can't have that impact. So you can't land hit 379 00:22:49,880 --> 00:22:52,760 Speaker 1: so hard unless you have the wacky And that's the 380 00:22:52,760 --> 00:22:54,600 Speaker 1: beauty of the show because you know you're gonna get 381 00:22:54,600 --> 00:22:57,040 Speaker 1: the comic relief after. You know you're gonna get the 382 00:22:57,040 --> 00:22:59,439 Speaker 1: build up after. So you're just sort of playing with 383 00:22:59,480 --> 00:23:03,159 Speaker 1: everybody's emotions and you're giving them all these laughs and 384 00:23:03,200 --> 00:23:06,920 Speaker 1: all these waggy characters and it's all harmless, harmless, harmless, 385 00:23:06,960 --> 00:23:10,280 Speaker 1: So it seems so much more pronounced, so much more 386 00:23:10,320 --> 00:23:13,120 Speaker 1: serious between mother and daughter when they're really going at 387 00:23:13,160 --> 00:23:16,359 Speaker 1: it and they're both lions, right, I mean, these are 388 00:23:16,400 --> 00:23:19,480 Speaker 1: these two women are not backing down and they're really 389 00:23:19,520 --> 00:23:23,160 Speaker 1: delivering big shots. So it's and plus I mean, look, 390 00:23:23,280 --> 00:23:26,280 Speaker 1: let's let's let's put it in a boxing terminology. You 391 00:23:26,320 --> 00:23:29,440 Speaker 1: get that one to punch with the with Emily and Laurel, 392 00:23:29,600 --> 00:23:32,200 Speaker 1: and then the punches keep coming with all those thirty 393 00:23:32,200 --> 00:23:34,720 Speaker 1: other characters, and it's overwhelming. I mean, it's just like 394 00:23:34,840 --> 00:23:37,199 Speaker 1: it's a joy. It's a joy to watch. I mean, 395 00:23:37,240 --> 00:23:39,959 Speaker 1: if you were be happy if somebody were beating you. 396 00:23:40,080 --> 00:23:44,680 Speaker 1: But maybe a bad analogy. Uh, let's think of something 397 00:23:44,680 --> 00:23:48,920 Speaker 1: else besides sports. So but that, but that's really the point. 398 00:23:48,960 --> 00:23:52,520 Speaker 1: It's like they know structure, They know where to put 399 00:23:52,560 --> 00:23:55,480 Speaker 1: the scenes of the most conflict um and then know 400 00:23:55,480 --> 00:23:57,520 Speaker 1: how to set them up because all that other stuff 401 00:23:57,560 --> 00:24:00,440 Speaker 1: is just set up. It's set up. And I wouldn't 402 00:24:00,560 --> 00:24:04,360 Speaker 1: say window dressing. It's not that that would be insulting. 403 00:24:04,440 --> 00:24:08,000 Speaker 1: It's just color. It's there. There's so many different colors 404 00:24:08,040 --> 00:24:12,640 Speaker 1: to this, this this canvas. So there you go. Yeah, 405 00:24:18,200 --> 00:24:22,080 Speaker 1: all right, everybody, we're back. It's Scott Patterson with I 406 00:24:22,160 --> 00:24:25,840 Speaker 1: Am All in podcast on My Heart. We are joined 407 00:24:25,960 --> 00:24:31,600 Speaker 1: by the illustrious Valerie Campbell, who worked in the wardrobe 408 00:24:31,600 --> 00:24:38,040 Speaker 1: department on Gilmore Girls. So your forte on Gilmore Girls, 409 00:24:38,280 --> 00:24:41,760 Speaker 1: as you have stated before, UH is less about fashion 410 00:24:41,800 --> 00:24:44,040 Speaker 1: and more about the behind the scenes stuff and what 411 00:24:44,160 --> 00:24:46,320 Speaker 1: it was like working on the show. And you took 412 00:24:46,400 --> 00:24:48,240 Speaker 1: care of the actors on the set and there was 413 00:24:49,400 --> 00:24:52,840 Speaker 1: um and from their season one episode ten until the 414 00:24:52,920 --> 00:24:55,600 Speaker 1: very end, including the reboot where you were the costume 415 00:24:55,680 --> 00:24:59,680 Speaker 1: supervisor UM and you were responsible for breaking down the 416 00:24:59,680 --> 00:25:02,560 Speaker 1: scare ups and hiring crew, making a budget and make 417 00:25:02,600 --> 00:25:05,960 Speaker 1: sure everything in the costume department happened. UM. So tell 418 00:25:06,040 --> 00:25:07,840 Speaker 1: us a little bit about how you got the job 419 00:25:07,880 --> 00:25:11,240 Speaker 1: and what the experience was like. Well, you remember Brenda. 420 00:25:11,320 --> 00:25:14,520 Speaker 1: Brenda was our costume designer towards the end from season 421 00:25:14,640 --> 00:25:19,240 Speaker 1: three on. He called me up one day and she said, Hey, Valerie, 422 00:25:19,280 --> 00:25:21,919 Speaker 1: I've got I got this show I want you to 423 00:25:21,920 --> 00:25:25,080 Speaker 1: help me on. It's called Gilmore Girls. But I swear 424 00:25:25,119 --> 00:25:28,600 Speaker 1: to god, I thought she said Gibson Girls, which is 425 00:25:29,080 --> 00:25:31,679 Speaker 1: more of a relation to like a period film. And 426 00:25:31,680 --> 00:25:33,520 Speaker 1: I'm like thinking, oh, it's a period film, and I'm 427 00:25:33,560 --> 00:25:35,399 Speaker 1: looking at the TV guide and I think it was 428 00:25:35,440 --> 00:25:39,680 Speaker 1: the golf episode with Richard that was in the TV 429 00:25:39,800 --> 00:25:42,159 Speaker 1: guide and I'm like, huh. And then I get to 430 00:25:42,240 --> 00:25:45,200 Speaker 1: set and I'm like, this is not a period film 431 00:25:46,080 --> 00:25:49,000 Speaker 1: in no way. Now, you mentioned the golf episode. That 432 00:25:49,040 --> 00:25:50,760 Speaker 1: was the first time I got to work with rich 433 00:25:51,080 --> 00:25:57,040 Speaker 1: with with Ed, the first time I actually when Rory 434 00:25:57,280 --> 00:26:01,680 Speaker 1: took him. Okay, right, okay, but yeah, do you remember 435 00:26:01,760 --> 00:26:04,840 Speaker 1: in the golf episode and it might have been your episode, 436 00:26:04,880 --> 00:26:06,400 Speaker 1: or it might have been the time that he took 437 00:26:06,720 --> 00:26:12,520 Speaker 1: um Chris golfing. Um, there was a medic off in 438 00:26:12,560 --> 00:26:16,359 Speaker 1: the distance and they swung a golf the Ed swung 439 00:26:16,480 --> 00:26:19,879 Speaker 1: his thing and it went off, he says, four, and 440 00:26:19,920 --> 00:26:22,639 Speaker 1: it hits the set medic in the head and she 441 00:26:22,720 --> 00:26:26,200 Speaker 1: ended up getting a head injury that day. It went 442 00:26:26,240 --> 00:26:28,480 Speaker 1: through this like she was sitting behind the lattice work 443 00:26:28,760 --> 00:26:31,240 Speaker 1: right right, because everybody was hiding because it was like 444 00:26:31,680 --> 00:26:36,720 Speaker 1: you saw everything. Oh boy, photos, I mean I still 445 00:26:36,760 --> 00:26:42,560 Speaker 1: have all my photos from continuity from that. Could not 446 00:26:42,680 --> 00:26:45,520 Speaker 1: have felt good. He was a big, powerful guy, you know. 447 00:26:46,359 --> 00:26:49,600 Speaker 1: Oh boy, Well, I hope she's okay. So bad? She 448 00:26:49,720 --> 00:26:52,280 Speaker 1: was right, she was all right. She just you know, 449 00:26:52,560 --> 00:26:55,199 Speaker 1: it luckily was buffered a little bit for it to 450 00:26:55,280 --> 00:26:59,000 Speaker 1: go through where she was sitting, right, it was crazy, right. 451 00:26:59,000 --> 00:27:01,520 Speaker 1: So the thing that I'm marveled at the most, and 452 00:27:01,560 --> 00:27:05,840 Speaker 1: I think the toughest job on the reboot especially was 453 00:27:07,200 --> 00:27:11,000 Speaker 1: keeping all of those costumes organized because we were block shooting. 454 00:27:11,040 --> 00:27:13,639 Speaker 1: I mean we would shoot. I mean describe that experience 455 00:27:13,680 --> 00:27:17,919 Speaker 1: because we had to shoot four different episode costumes in 456 00:27:18,080 --> 00:27:22,640 Speaker 1: one day sometimes. Unlike the original show, we had all 457 00:27:22,720 --> 00:27:25,439 Speaker 1: the scripts so we knew exactly what was going on, 458 00:27:25,480 --> 00:27:27,600 Speaker 1: whereas when we shot the original, we'd get the script 459 00:27:27,640 --> 00:27:31,680 Speaker 1: like as we were shooting, so you had a better 460 00:27:31,800 --> 00:27:34,080 Speaker 1: chance to prep on the Yeah, so we had a 461 00:27:34,080 --> 00:27:38,160 Speaker 1: lot of prep time. But the big problem was casting. 462 00:27:38,320 --> 00:27:41,720 Speaker 1: They wouldn't cast everyone until I mean I'd be on 463 00:27:41,760 --> 00:27:44,560 Speaker 1: the phone at ten o'clock at night talking to Jamie, going, Jamie, 464 00:27:45,200 --> 00:27:48,920 Speaker 1: can you please give me a hint as to casting 465 00:27:49,359 --> 00:27:52,640 Speaker 1: through tomorrow? And and sometimes and then the person would 466 00:27:52,680 --> 00:27:54,919 Speaker 1: like come in and I would call them and I'm like, 467 00:27:55,400 --> 00:28:02,000 Speaker 1: bring whatever you have in your closet because I go anywhere, 468 00:28:03,440 --> 00:28:05,439 Speaker 1: and we would have to run around getting stuff. But 469 00:28:05,480 --> 00:28:07,760 Speaker 1: you know, we broke down the scripts, got it, hired 470 00:28:07,800 --> 00:28:10,560 Speaker 1: the crew, but The most amazing thing was walking in 471 00:28:10,760 --> 00:28:14,280 Speaker 1: the costume department the first my first day on the revival, 472 00:28:15,160 --> 00:28:17,200 Speaker 1: and I don't I don't know if you remember been inside. 473 00:28:17,760 --> 00:28:21,359 Speaker 1: There was the wall of everyone's head shot and I 474 00:28:21,400 --> 00:28:24,080 Speaker 1: walked in and I was just like, oh my god, 475 00:28:24,160 --> 00:28:30,520 Speaker 1: this is weird. Seeing Lauren on the back lot. You 476 00:28:30,640 --> 00:28:32,719 Speaker 1: just walk her and we would both just be like, 477 00:28:34,160 --> 00:28:37,800 Speaker 1: this is so weird. I mean, it just was so 478 00:28:37,880 --> 00:28:42,040 Speaker 1: much fun. Yeah, they really, um, you know, I don't 479 00:28:42,040 --> 00:28:43,520 Speaker 1: know if the fans know this, I'm sure they've read 480 00:28:43,560 --> 00:28:48,240 Speaker 1: about it, but that's set on the reboot was extra special. 481 00:28:48,360 --> 00:28:50,560 Speaker 1: I mean there was I think you know, there was more. 482 00:28:51,680 --> 00:28:54,320 Speaker 1: There was just I think more money involved there. And 483 00:28:54,360 --> 00:28:58,400 Speaker 1: they built some magical They built this magical set. I 484 00:28:58,440 --> 00:29:02,160 Speaker 1: mean even Luke's diner was popping with color. And they 485 00:29:02,160 --> 00:29:05,600 Speaker 1: had spongy floors because I guess the sound apartment. And 486 00:29:05,680 --> 00:29:07,640 Speaker 1: I said, hey, you know, we get a little we 487 00:29:07,680 --> 00:29:09,160 Speaker 1: have to do a lot of a d R and 488 00:29:09,280 --> 00:29:12,000 Speaker 1: loop a lot of the lines because of the creaky floor. 489 00:29:12,360 --> 00:29:14,240 Speaker 1: So they put in a spongy floor and it was 490 00:29:14,280 --> 00:29:18,960 Speaker 1: really nice to work. I didn't, you know, I didn't 491 00:29:19,000 --> 00:29:22,080 Speaker 1: get a chance to hang out on set like I 492 00:29:22,120 --> 00:29:24,880 Speaker 1: did in the original, because the original I was there 493 00:29:25,680 --> 00:29:29,120 Speaker 1: seven every moment you guys were shooting. Um and so 494 00:29:29,160 --> 00:29:31,640 Speaker 1: I was stuck in the office and I walk into 495 00:29:31,760 --> 00:29:34,320 Speaker 1: set and I'd have like the memory of what it 496 00:29:34,440 --> 00:29:37,080 Speaker 1: was like. And then I'd walk in and I'm like, oh, 497 00:29:37,120 --> 00:29:40,840 Speaker 1: that's different. Like the entire structure of like Loyalized house 498 00:29:40,960 --> 00:29:44,960 Speaker 1: was set up slightly different. Um Ed's house, you know, 499 00:29:45,040 --> 00:29:47,720 Speaker 1: the Gilmore House became bigger, a little bit bigger, and 500 00:29:47,760 --> 00:29:50,600 Speaker 1: they added a couple of rooms and but it was 501 00:29:50,720 --> 00:29:58,560 Speaker 1: wild how close everything was. And the most amazing memory 502 00:29:58,600 --> 00:30:03,640 Speaker 1: was walking in to the Gilmore Mansion and seeing the painting. Yes, 503 00:30:04,080 --> 00:30:05,680 Speaker 1: I don't know if you walked in there at all, 504 00:30:05,680 --> 00:30:07,520 Speaker 1: but yeah I did. You know, I had some things 505 00:30:07,560 --> 00:30:12,120 Speaker 1: in there was powerful. Took my breath away. It made 506 00:30:12,160 --> 00:30:15,200 Speaker 1: me I was crying, like, I mean just silently crying, 507 00:30:15,240 --> 00:30:17,120 Speaker 1: but I was crying because Ed and I were we 508 00:30:17,120 --> 00:30:19,920 Speaker 1: were really close friends. We would I mean we hung 509 00:30:19,960 --> 00:30:23,960 Speaker 1: out years after and um, I even like a month 510 00:30:24,040 --> 00:30:26,560 Speaker 1: before I had gone an email from him because we've 511 00:30:26,600 --> 00:30:28,320 Speaker 1: had these parties and I did invite him to the 512 00:30:28,320 --> 00:30:31,720 Speaker 1: parties and he, uh, he was like, oh, I'm sorry, 513 00:30:31,720 --> 00:30:33,080 Speaker 1: I'm going to not be able to make it. I 514 00:30:33,120 --> 00:30:36,920 Speaker 1: had no idea he was about to pass or very 515 00:30:36,960 --> 00:30:39,840 Speaker 1: close to, you know, at the time, and I felt 516 00:30:40,760 --> 00:30:43,360 Speaker 1: I felt so bad. I didn't know until they called 517 00:30:43,400 --> 00:30:45,719 Speaker 1: me a couple of days before he passed, and I 518 00:30:45,760 --> 00:30:50,240 Speaker 1: was just in shock. I was like, oh my god, special, 519 00:30:51,120 --> 00:30:54,600 Speaker 1: So let's do some questions. Okay, and uh, we're gonna 520 00:30:54,800 --> 00:30:58,160 Speaker 1: we call this a little rapid fire, so I'm going 521 00:30:58,200 --> 00:31:00,640 Speaker 1: to just fire at you. So give me your first 522 00:31:00,640 --> 00:31:06,560 Speaker 1: impressions and memories of the following. Alexis, Oh, just so sweet. 523 00:31:06,600 --> 00:31:08,360 Speaker 1: I remember her little dog. She would always bring it 524 00:31:08,400 --> 00:31:12,240 Speaker 1: to set towards the end, and she was just so 525 00:31:12,320 --> 00:31:16,600 Speaker 1: shy and Okay, here we go. The next one. Lauren. 526 00:31:17,520 --> 00:31:21,640 Speaker 1: Lauren so smart, I mean, memory like a steel trap. 527 00:31:21,800 --> 00:31:26,360 Speaker 1: She could here's something once and repeat it back like 528 00:31:26,840 --> 00:31:30,960 Speaker 1: she had no problem. Sean Gun a man, his jobs, 529 00:31:31,040 --> 00:31:36,480 Speaker 1: all the jobs that he did. We just we just 530 00:31:36,480 --> 00:31:43,800 Speaker 1: talked to him. We did the Kaiko Kiko her glasses. 531 00:31:44,200 --> 00:31:46,640 Speaker 1: There was an episode where she didn't have her glasses on. 532 00:31:46,720 --> 00:31:49,640 Speaker 1: We had to reshoot the scene. Oh god, the whole thing. 533 00:31:50,920 --> 00:31:54,600 Speaker 1: It was with Liza. It was at the Yale. I guess, 534 00:31:54,680 --> 00:31:57,280 Speaker 1: I guess, I guess she was. Liza was happy. Jeez, 535 00:31:58,040 --> 00:32:00,360 Speaker 1: the best work she ever did. Got to do had it? 536 00:32:01,160 --> 00:32:03,320 Speaker 1: But you know, Lies is such a pro. They actually 537 00:32:03,320 --> 00:32:06,640 Speaker 1: shot that scene really quickly and it was the first 538 00:32:06,640 --> 00:32:13,280 Speaker 1: scene back Steve was directing purpose Steve Clancy are steady camp. Yes, yeah, 539 00:32:13,360 --> 00:32:17,320 Speaker 1: he was directing that. He directed. He was the first 540 00:32:17,320 --> 00:32:20,920 Speaker 1: shot back from Christmas. Right. Okay, Wow, you have a 541 00:32:20,920 --> 00:32:26,880 Speaker 1: great memory, Dean. Jared Jared, Uh, there was a scene 542 00:32:27,080 --> 00:32:30,120 Speaker 1: where he didn't wake up and show up for work 543 00:32:30,240 --> 00:32:33,000 Speaker 1: that day. It was all about him and it was 544 00:32:33,080 --> 00:32:35,720 Speaker 1: I think he was with Lindsay at the time. They 545 00:32:35,720 --> 00:32:39,080 Speaker 1: had just gotten married, I think, and they had to 546 00:32:39,160 --> 00:32:44,520 Speaker 1: break into his apartment. But he was a sweetheart. I 547 00:32:44,520 --> 00:32:53,080 Speaker 1: love Jared kids. Uh, Luke Jaynes me who Yes, let's see. 548 00:32:53,840 --> 00:32:58,280 Speaker 1: I remember you would come to set sometimes randomly when 549 00:32:58,280 --> 00:33:01,360 Speaker 1: it wasn't your day on and you would be like 550 00:33:01,520 --> 00:33:06,480 Speaker 1: taking a little like cancer patients or people like make 551 00:33:06,520 --> 00:33:08,280 Speaker 1: a wish and you would give him a tour of 552 00:33:08,320 --> 00:33:10,400 Speaker 1: Starr follow And I remember that and I was like, oh, 553 00:33:10,440 --> 00:33:13,240 Speaker 1: that's so sweet. Yeah, that's that was Those were Those 554 00:33:13,240 --> 00:33:15,560 Speaker 1: were tough ones, you know, because a lot of those 555 00:33:15,600 --> 00:33:17,960 Speaker 1: kids didn't make it. So those were those were tough ones, 556 00:33:18,040 --> 00:33:22,360 Speaker 1: but always great to do that. Um all right, uh, 557 00:33:22,400 --> 00:33:25,320 Speaker 1: I want to get into a debate, like you know 558 00:33:25,400 --> 00:33:27,680 Speaker 1: and kill me. Now I wore denim, right, I wore 559 00:33:27,680 --> 00:33:29,320 Speaker 1: that then. I'm sure I liked that denim. Sure. And 560 00:33:29,360 --> 00:33:30,840 Speaker 1: I remember coming to you guys, say why am I 561 00:33:30,840 --> 00:33:32,600 Speaker 1: not working? Like in season two or three or four, 562 00:33:32,640 --> 00:33:34,680 Speaker 1: It's like, why am I not? So? What was the 563 00:33:34,720 --> 00:33:37,360 Speaker 1: deal between the denim and the flannel? Let's get into 564 00:33:37,440 --> 00:33:39,360 Speaker 1: that a lot. I don't you know what. It's more 565 00:33:39,360 --> 00:33:42,360 Speaker 1: of a brand of question. I've got to say because 566 00:33:42,400 --> 00:33:45,720 Speaker 1: I wasn't. I wasn't there when you initially got put 567 00:33:45,800 --> 00:33:48,600 Speaker 1: in the denim. And I just remember you always had plaid. 568 00:33:48,680 --> 00:33:50,600 Speaker 1: You had you had your uniform, and it was like 569 00:33:51,160 --> 00:33:53,680 Speaker 1: a uniform. You know, you had your hat, you had 570 00:33:53,400 --> 00:33:56,000 Speaker 1: your plaid shirt, you had your either a T shirt 571 00:33:56,080 --> 00:33:59,520 Speaker 1: or thermal. I remember it used to be you just 572 00:33:59,680 --> 00:34:02,720 Speaker 1: wore thermals under that plaid. And you were like, it's 573 00:34:02,840 --> 00:34:07,920 Speaker 1: getting so hot. Can actually sleeps? I have to wear 574 00:34:07,960 --> 00:34:11,239 Speaker 1: him down? And I'm like, okay, let's figure it out. 575 00:34:11,560 --> 00:34:14,680 Speaker 1: You tried to make it comfortable, and then I remember 576 00:34:14,680 --> 00:34:17,960 Speaker 1: at one point you were like, can I get this 577 00:34:18,040 --> 00:34:20,480 Speaker 1: a little bit more fitted. I don't really like the 578 00:34:20,520 --> 00:34:24,240 Speaker 1: fit of this. And so we went through every single 579 00:34:24,280 --> 00:34:27,600 Speaker 1: plaid shirt you had, and you told me which one 580 00:34:27,640 --> 00:34:30,360 Speaker 1: you liked, made piles on your on your on the 581 00:34:30,400 --> 00:34:33,120 Speaker 1: bed in your trailer, took him away. I got rid 582 00:34:33,160 --> 00:34:36,640 Speaker 1: of the other ones, retired them, and I think there 583 00:34:36,719 --> 00:34:39,719 Speaker 1: was like a moment where you had to wear one 584 00:34:39,719 --> 00:34:43,239 Speaker 1: of the old ones because there was like maybe we 585 00:34:43,239 --> 00:34:46,960 Speaker 1: had to reshoot something like with someone, and so you 586 00:34:47,000 --> 00:34:49,000 Speaker 1: had to wear it, and uh, and I was just like, 587 00:34:49,040 --> 00:34:52,759 Speaker 1: I'm so sorry. But the opposite occurred because I was 588 00:34:52,920 --> 00:34:55,000 Speaker 1: I was in really good shape back then, and I 589 00:34:55,000 --> 00:34:57,680 Speaker 1: didn't want to look like I was overweight and was covering. 590 00:34:58,239 --> 00:35:00,400 Speaker 1: And then when I came back for the reboot, you know, 591 00:35:00,440 --> 00:35:02,839 Speaker 1: I was like, I think I was asking for oversized 592 00:35:02,840 --> 00:35:06,880 Speaker 1: shirts because I wanted to cover. I wanted to coverage. 593 00:35:07,200 --> 00:35:10,480 Speaker 1: We pulled out those old ones from from I do 594 00:35:10,600 --> 00:35:13,320 Speaker 1: I remember that. I remember this. I remember the thermals 595 00:35:13,360 --> 00:35:15,960 Speaker 1: under but you had to do it because it's you know, 596 00:35:15,960 --> 00:35:17,920 Speaker 1: it's winter, but it's a hundred and ten in Burbag. 597 00:35:18,000 --> 00:35:22,640 Speaker 1: Sure now. I also remember originally you had two hats 598 00:35:23,520 --> 00:35:28,200 Speaker 1: and one day we lost one of them and we 599 00:35:28,239 --> 00:35:31,440 Speaker 1: were down to one hat, and I was freaking out 600 00:35:31,480 --> 00:35:33,520 Speaker 1: because my job is a set cat from first of all, 601 00:35:33,560 --> 00:35:35,239 Speaker 1: where the hell is the hat? So it must have 602 00:35:35,280 --> 00:35:37,359 Speaker 1: been like you put it on a chair, the prop 603 00:35:37,400 --> 00:35:40,799 Speaker 1: guys grabbed the chair and somehow it went somewhere someone 604 00:35:40,840 --> 00:35:42,640 Speaker 1: grabbed it. I mean there was a lot of thievery 605 00:35:43,040 --> 00:35:45,120 Speaker 1: at Warner Brothers, like in the back lot. People just 606 00:35:45,120 --> 00:35:49,080 Speaker 1: walk into those sets and stuff. And so I'm freaking 607 00:35:49,080 --> 00:35:51,680 Speaker 1: out and I was like, Okay, we gotta make you 608 00:35:51,680 --> 00:35:54,160 Speaker 1: a new hat. And so Brenda was like, I don't 609 00:35:54,200 --> 00:35:55,719 Speaker 1: have time to find a hat or you know what, 610 00:35:55,800 --> 00:35:59,239 Speaker 1: the hats we're not the exact same color and it 611 00:35:59,280 --> 00:36:01,759 Speaker 1: had to be exact. So we found fabric, we got it, 612 00:36:01,840 --> 00:36:05,200 Speaker 1: died to match, we found a company to make a hat. 613 00:36:05,800 --> 00:36:08,520 Speaker 1: And I was like, I don't usually that's not really 614 00:36:08,560 --> 00:36:11,040 Speaker 1: part of my job at that time for that specific 615 00:36:11,560 --> 00:36:14,600 Speaker 1: part of that episode. And I got handled with doing 616 00:36:14,600 --> 00:36:16,880 Speaker 1: it because I had lost the hat or it was 617 00:36:17,040 --> 00:36:21,600 Speaker 1: dull lost on my watch, and man, I had that 618 00:36:21,840 --> 00:36:24,960 Speaker 1: done and I was like, oh okay, and so now 619 00:36:25,000 --> 00:36:28,880 Speaker 1: we had ten hats. I don't know what could have 620 00:36:28,920 --> 00:36:32,520 Speaker 1: happened to that that original hat. I mean, I have 621 00:36:32,640 --> 00:36:35,640 Speaker 1: some suspects. I'll make some phone calls. I just I 622 00:36:35,719 --> 00:36:38,400 Speaker 1: just don't know. I think that you might have taken it. No, 623 00:36:38,600 --> 00:36:40,960 Speaker 1: you did not me. I would know you wouldn't have 624 00:36:41,040 --> 00:36:45,080 Speaker 1: taken off, but I no, no, I wouldn't have done that. Um. Anyway, listen, 625 00:36:46,040 --> 00:36:48,879 Speaker 1: we are so pleased that you could visit. We'd love 626 00:36:48,920 --> 00:36:52,880 Speaker 1: to have you back down the road. Thank you for 627 00:36:53,040 --> 00:36:56,160 Speaker 1: coming on. This was great. It was great catching up 628 00:36:56,200 --> 00:37:02,800 Speaker 1: and um and ladies, since gentlemen, uh one of the uh, 629 00:37:02,960 --> 00:37:08,520 Speaker 1: the very very important uh people on the set. Uh 630 00:37:08,560 --> 00:37:11,160 Speaker 1: that pretty much ran that set. I mean, nothing really 631 00:37:11,200 --> 00:37:14,359 Speaker 1: happens without wardrobe. And if there's a change or if 632 00:37:14,400 --> 00:37:18,560 Speaker 1: there's something a little bit off, everything stops in. Valerie 633 00:37:18,560 --> 00:37:24,240 Speaker 1: and Brenda and um, Sasha, Yeah, how's she doing? How's 634 00:37:24,239 --> 00:37:26,880 Speaker 1: she is she around? She's good, She's she's working on 635 00:37:26,880 --> 00:37:32,279 Speaker 1: Picard Actually, Okay, tell her. I said hello, um, um, 636 00:37:32,360 --> 00:37:36,120 Speaker 1: and you guys would come in and save the day. UM. 637 00:37:36,160 --> 00:37:38,640 Speaker 1: So thank you so much for spending a little time 638 00:37:38,640 --> 00:37:40,920 Speaker 1: with us, and we'll talk to you soon. Valerie, thanks 639 00:37:40,920 --> 00:37:46,720 Speaker 1: for coming on. Okay, take care all right, bye bye, 640 00:37:50,560 --> 00:37:54,080 Speaker 1: Hey everybody, we're gonna get into uh fan questions. We're 641 00:37:54,080 --> 00:37:57,080 Speaker 1: gonna do this every week, So let's let's get into this. Hi. 642 00:37:57,840 --> 00:38:04,880 Speaker 1: How you doing. Huh? You're on the podcast. What's your name? Amber? 643 00:38:05,000 --> 00:38:08,120 Speaker 1: Nice to meet you, Amber. I'm Scott. Hello. Hi, Scott. 644 00:38:08,320 --> 00:38:10,920 Speaker 1: Is so great to meet you. It's great meeting you. 645 00:38:11,400 --> 00:38:15,520 Speaker 1: Where where are you right now? I am currently in 646 00:38:15,560 --> 00:38:19,279 Speaker 1: New York. Oh gosh? Okay, and you're wearing a Luke sweatshirt. 647 00:38:19,480 --> 00:38:21,040 Speaker 1: Let me say, is that? Is that what I'm saying that? 648 00:38:21,239 --> 00:38:27,600 Speaker 1: It's not like coffee with my okay, with my oxygen. 649 00:38:29,880 --> 00:38:34,120 Speaker 1: I did think about wearing my Luke and that might 650 00:38:34,160 --> 00:38:38,000 Speaker 1: be pushing it. Okay. So Amber, you have a question. 651 00:38:38,920 --> 00:38:42,080 Speaker 1: What was it like working with Edward Herman? Oh? My god, 652 00:38:42,160 --> 00:38:44,400 Speaker 1: it was it was. It was great. You know, ed 653 00:38:45,280 --> 00:38:50,240 Speaker 1: he cast you know, he was such a dynamic figure 654 00:38:51,600 --> 00:38:53,799 Speaker 1: in the world of acting a and then when he 655 00:38:53,840 --> 00:38:55,960 Speaker 1: was on the show, it was like you're working with 656 00:38:56,040 --> 00:38:59,920 Speaker 1: this sort of living legend from all from his resume, 657 00:39:00,000 --> 00:39:02,640 Speaker 1: all the work that he's done. And you know, I 658 00:39:02,680 --> 00:39:04,560 Speaker 1: was aware of him growing up. I've seen him in 659 00:39:04,600 --> 00:39:07,920 Speaker 1: a million things. And then when I found out I 660 00:39:07,960 --> 00:39:11,760 Speaker 1: got the show and it became a series regular. Eventually, um, 661 00:39:11,880 --> 00:39:14,120 Speaker 1: I realized that I was going to be working with 662 00:39:14,160 --> 00:39:17,520 Speaker 1: a living legend and Ned Herman and I remember that 663 00:39:17,600 --> 00:39:21,400 Speaker 1: first day working with him in a scene was at 664 00:39:21,440 --> 00:39:24,120 Speaker 1: the golf his golf course, and we went golfing the 665 00:39:24,200 --> 00:39:26,000 Speaker 1: whole thing, and it was just it was just just 666 00:39:26,040 --> 00:39:28,200 Speaker 1: this wonderful day. You know, you were off the set, 667 00:39:28,280 --> 00:39:31,279 Speaker 1: you were at an actual golf course, and and I 668 00:39:31,320 --> 00:39:33,200 Speaker 1: was playing golf with that Herman and he it was 669 00:39:33,239 --> 00:39:36,719 Speaker 1: just it was a really wonderful experience of marvelous day. Um. 670 00:39:37,800 --> 00:39:39,839 Speaker 1: But it was a lot cooler than sitting in those 671 00:39:39,840 --> 00:39:45,279 Speaker 1: tone hall meetings, uh as it was. Yeah, they were 672 00:39:45,400 --> 00:39:48,279 Speaker 1: very hot, sweaty affairs. Um, but yeah, fun to do 673 00:39:48,440 --> 00:39:50,319 Speaker 1: a lot of fun. They took. They took a long time, 674 00:39:50,360 --> 00:39:53,120 Speaker 1: but it was fun to do. So whenever you went 675 00:39:53,120 --> 00:39:55,600 Speaker 1: out for the part of Luke, did they tell you 676 00:39:55,719 --> 00:39:58,359 Speaker 1: how your character was going to be or did you 677 00:39:58,520 --> 00:40:02,960 Speaker 1: just read the script kind of know it's probably a 678 00:40:02,960 --> 00:40:05,520 Speaker 1: little grumpy and just kind of go with it and 679 00:40:05,560 --> 00:40:07,920 Speaker 1: stuff like. Was that just your take on the character? 680 00:40:08,760 --> 00:40:11,799 Speaker 1: You know, there wasn't a lot of um, you know, 681 00:40:11,880 --> 00:40:15,480 Speaker 1: in the script, there wasn't a lot of information descriptive 682 00:40:15,520 --> 00:40:20,680 Speaker 1: information provided. It was a pretty pretty bare um which 683 00:40:20,719 --> 00:40:23,000 Speaker 1: is good. I mean that's you don't really want to 684 00:40:23,000 --> 00:40:26,640 Speaker 1: read a lot of scenic descriptions when you're reading a script. 685 00:40:26,640 --> 00:40:30,319 Speaker 1: I mean a lot of the better scripts don't have that, 686 00:40:30,400 --> 00:40:32,520 Speaker 1: and they allow for the actor to sort of fill 687 00:40:32,560 --> 00:40:34,239 Speaker 1: it in and you know, just reading the script. And 688 00:40:34,280 --> 00:40:38,160 Speaker 1: I did get the script to read, um, you know, 689 00:40:38,280 --> 00:40:42,840 Speaker 1: it was there was so many very light and very 690 00:40:42,880 --> 00:40:48,040 Speaker 1: sort of perky, happy, sunny characters in it, um that 691 00:40:48,120 --> 00:40:51,120 Speaker 1: I thought, boy, this needs this needs an anchor, This 692 00:40:51,200 --> 00:40:54,680 Speaker 1: needs a little different kind of energy, you know, or 693 00:40:54,719 --> 00:40:56,600 Speaker 1: else it's just the whole show is going to float 694 00:40:56,640 --> 00:41:01,239 Speaker 1: away and it won't be believable, um or as believable. 695 00:41:01,280 --> 00:41:06,080 Speaker 1: So I thought, okay, I think this character is a test. 696 00:41:06,280 --> 00:41:09,120 Speaker 1: You know, they're they're testing me out to see if 697 00:41:09,600 --> 00:41:13,560 Speaker 1: I am aware of this and of what the show needs. Uh. 698 00:41:13,600 --> 00:41:16,360 Speaker 1: And so that's how I prepared it and went in 699 00:41:16,440 --> 00:41:19,239 Speaker 1: and performed it in the audition. You know, it's a 700 00:41:19,239 --> 00:41:22,480 Speaker 1: little a little bit of a crank and you know, 701 00:41:22,560 --> 00:41:25,439 Speaker 1: playing against what you know, the normal small town kind 702 00:41:25,440 --> 00:41:28,160 Speaker 1: of friendly you know guy is I just thought, boy, 703 00:41:28,239 --> 00:41:31,680 Speaker 1: that would be redundant and kind of boring, and and uh, 704 00:41:31,840 --> 00:41:34,920 Speaker 1: you know, you got to take risks in these auditions 705 00:41:34,960 --> 00:41:38,919 Speaker 1: and um, you know, so that's that's what I did 706 00:41:39,000 --> 00:41:41,719 Speaker 1: and it worked out to my to my amazement, to 707 00:41:41,760 --> 00:41:46,640 Speaker 1: my utter amazement. So anyway, all right, so we're gonna 708 00:41:46,640 --> 00:41:50,560 Speaker 1: say goodbye, and I thank you so much. Amber. It 709 00:41:50,640 --> 00:41:53,480 Speaker 1: was great having you on and good luck with your 710 00:41:53,520 --> 00:41:58,920 Speaker 1: renovations in your home, you know. Okay, so thanks for 711 00:41:59,000 --> 00:42:04,439 Speaker 1: visiting us, and there's a pleasure having you. Okay, alright, 712 00:42:04,480 --> 00:42:07,399 Speaker 1: good meeting YouTube Ali everybody. That's it. We're gonna wrap 713 00:42:07,440 --> 00:42:10,880 Speaker 1: it up. Thank you for downloading and the numbers that 714 00:42:10,920 --> 00:42:15,920 Speaker 1: you are it's amazing and we are astounded and are 715 00:42:16,000 --> 00:42:21,000 Speaker 1: humbled before your loyalty to this wonderful show, which I 716 00:42:21,000 --> 00:42:25,080 Speaker 1: am becoming increasingly obsessed with. I cannot wait, And it's 717 00:42:25,239 --> 00:42:27,600 Speaker 1: my my favorite night is when I get to watch 718 00:42:27,840 --> 00:42:31,719 Speaker 1: another episode and I'm I'm resisting watching them every night 719 00:42:31,760 --> 00:42:35,960 Speaker 1: because I don't know. It's it's like I really want to, 720 00:42:36,360 --> 00:42:37,920 Speaker 1: but I don't want to get to I don't want to, 721 00:42:38,080 --> 00:42:39,919 Speaker 1: you know, I want to watch episode five and six, 722 00:42:39,960 --> 00:42:41,920 Speaker 1: and it's like I'm kind of stomping around being a 723 00:42:41,960 --> 00:42:44,880 Speaker 1: little moody sometimes, like why can't I watch another episode? Why? 724 00:42:44,719 --> 00:42:47,520 Speaker 1: Why am I limited to four? Why? Why don't you 725 00:42:47,560 --> 00:42:50,120 Speaker 1: watch episode four? And I go to my wife, is 726 00:42:50,239 --> 00:42:52,520 Speaker 1: I want to watch five? Why can't I watch five? 727 00:42:52,600 --> 00:42:55,440 Speaker 1: So now I'm in like online support groups and it's 728 00:42:55,719 --> 00:42:58,279 Speaker 1: because you can really forget what's happening. Yeah, darn it, 729 00:42:58,719 --> 00:43:03,200 Speaker 1: darn it, I boxed myself in one per week. Um. 730 00:43:03,239 --> 00:43:07,319 Speaker 1: But anyway, so we will be back next week, uh 731 00:43:07,800 --> 00:43:12,839 Speaker 1: with the deer Hunters. So we'll see you then. Take care, 732 00:43:13,000 --> 00:43:45,200 Speaker 1: be safe, God bless me. Hey everybody, and don't forget. 733 00:43:45,280 --> 00:43:49,319 Speaker 1: Follow us on Instagram at I Am all In podcast 734 00:43:49,440 --> 00:43:54,360 Speaker 1: and email us at Gilmore at I heart radio dot com. 735 00:43:54,360 --> 00:43:56,120 Speaker 1: Oh you Gilmore fans. If you're looking for the best 736 00:43:56,200 --> 00:43:59,000 Speaker 1: cup of coffee in the world, go to my website 737 00:43:59,040 --> 00:44:01,799 Speaker 1: for my company scott ep dot com, s c O 738 00:44:01,920 --> 00:44:04,479 Speaker 1: T t y P dot com, scotty p dot com 739 00:44:04,840 --> 00:44:14,560 Speaker 1: Grade one Specialty Coffee. Yeah.