WEBVTT - "Need Clown Music" Mail Bag

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<v Speaker 1>Boom. If you thought four hours a day, minutes a

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<v Speaker 1>week was enough, I think again. He's the last remnants

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<v Speaker 1>of the old republic, a sole fashion of fairness. He

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<v Speaker 1>treats crackheads in the ghetto Cutter the same as the

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<v Speaker 1>rich pill poppers in the penthouse. The clearing House of

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<v Speaker 1>Hot takes break free for something special. The Fifth Hour

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<v Speaker 1>with Ben Maller starts right now in the air everywhere.

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<v Speaker 1>The Sunday Fifth Hour with Ben Maller and Danny g

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<v Speaker 1>Radio back at it again here to blow viate eight

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<v Speaker 1>days a week and uh. One of my favorite podcast

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<v Speaker 1>to do, The mailbag. Danny always look forward. You never

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<v Speaker 1>know what you're gonna get in the mailbag. See, normally

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<v Speaker 1>I put the mail bag together, and I don't typically

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<v Speaker 1>pay that close attention because I'm half asleep, you know,

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<v Speaker 1>I'm kind of in a trance when I'm putting the

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<v Speaker 1>email together. I'm just kind of cherry picking random email.

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<v Speaker 1>And so then when I when we do the podcast here,

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<v Speaker 1>it's like all of these are new emails because I

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<v Speaker 1>forget what's actually and I don't pay that close attention

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<v Speaker 1>when I'm actually putting the mail back together from the

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<v Speaker 1>random people and Remember we're replacing a multibillion dollar industry

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<v Speaker 1>in the NFL. No pressure, but we are the Sunday

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<v Speaker 1>entertainment now. Yes, that's right. The NFL was taken away

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<v Speaker 1>from our audience now, but we have nothing to compete

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<v Speaker 1>against us on Sunday, especially those lazy kind of Sunday afternoons.

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<v Speaker 1>And Baseball's got this labor crew fluffle thing, so who

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<v Speaker 1>knows when they'll be baseball again on a regular basis

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<v Speaker 1>during the regular season, So that's not waste any time.

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<v Speaker 1>I want to get right to the mailbag, and so

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<v Speaker 1>into it we go. Thanks every buddy Ohio Al who

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<v Speaker 1>sent that little ditty in a while back, and we

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<v Speaker 1>play that every mail bag. That is the official beginning

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<v Speaker 1>to the mail bag. If you like the podcast, you

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<v Speaker 1>want to support us, you can always give a review.

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<v Speaker 1>We talked about that on the Saturday podcast. We thank

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<v Speaker 1>you for that. But also if you want to add

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<v Speaker 1>content on the show here and help us out and

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<v Speaker 1>send a question in if there's something you you're curious

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<v Speaker 1>about it you just want to hear your name right

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<v Speaker 1>on the radio because you want to ask a question,

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<v Speaker 1>that's fine as well. You can send it in Questions

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<v Speaker 1>and comments are welcome in the mail bag. I normally

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<v Speaker 1>post on Tuesday early in the day on the Facebook

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<v Speaker 1>page and then I'll pin it to the top of

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<v Speaker 1>the page. Ben Mallers Show is the official work Facebook

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<v Speaker 1>page that we use for the show. And then we

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<v Speaker 1>also have the email. You can contact me Real fifth

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<v Speaker 1>Hour at gmail dot com. It's F I F T H.

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<v Speaker 1>Spell out fifth Real fifth Hour at gmail dot com.

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<v Speaker 1>And you can also send questions to Danny on Twitter.

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<v Speaker 1>Uh is Danny G Radio on Twitter? And to me, um,

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<v Speaker 1>don't send it to me on Twitter, I get I

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<v Speaker 1>don't want them to email me, send me an email

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<v Speaker 1>or post a message on the Facebook page. So the

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<v Speaker 1>email getting right into it? Do you have your hazmat

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<v Speaker 1>suit on? Danny? Are you prepared for the for the email?

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<v Speaker 1>What we're about to get here? Ready? Freddy? Alright? So

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<v Speaker 1>here we've got Yes, we do. Jennifer from a Richmond, Virginia.

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<v Speaker 1>Our friend Jennifer writes, since its hey, Ben and Danny G.

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<v Speaker 1>Have you ever been grocery shopping but in the middle

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<v Speaker 1>of it, for any reason, you decided you were done

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<v Speaker 1>over over it and you just want to leave whatever

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<v Speaker 1>didn't make it into the car you justify how you

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<v Speaker 1>don't really need it anyway and you'll get it later,

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<v Speaker 1>or you grab just the priorities in rush to check out.

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<v Speaker 1>And I'm not talking about the holiday season, just a

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<v Speaker 1>normal day. Or Am I the only weirdo that does that?

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<v Speaker 1>Sometimes against Jennifer, our friend from Richmond, Virginia, I've never

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<v Speaker 1>done that one, Jennifer. I am a meticulous grocery shopper.

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<v Speaker 1>I go on. I'm a man on a mission when

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<v Speaker 1>I go on and I want to get it. I

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<v Speaker 1>do want to get out of the grocery store as

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<v Speaker 1>quickly as possible. But I normally go at off hours

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<v Speaker 1>because of the overnight schedule that I have, and I'll

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<v Speaker 1>go at some really weird times. The stores around where

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<v Speaker 1>I live are not open twenty four hours, but I

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<v Speaker 1>will go right when they open or just before closing time.

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<v Speaker 1>And I usually do a big shopping trip to Costco

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<v Speaker 1>me and the wife on the weekends. But during the

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<v Speaker 1>week you know, there's always like random stuff you need

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<v Speaker 1>from time to time, and so I'll just go in quick.

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<v Speaker 1>But I've never walked out before my mission was done.

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<v Speaker 1>It's like running the New York Marathon and then getting

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<v Speaker 1>to the thirteen mile mark and saying we're good, We're good.

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<v Speaker 1>What about your Danny. Yeah, I've never abandoned ship at

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<v Speaker 1>a grocery store, but inside a store like Target. And

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<v Speaker 1>I think I learned this from my mom. You know,

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<v Speaker 1>there's all the internet jokes all the time about went

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<v Speaker 1>into Arget for one thing and walked out with two

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<v Speaker 1>hundred dollars worth of crap. I didn't. Well, she would

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<v Speaker 1>go into Target, spend hours shopping, and then before she

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<v Speaker 1>got to check out, she would, you know, start deducing,

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<v Speaker 1>do I really need this? I really need that? No,

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<v Speaker 1>and she'd start putting things back. By the time she

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<v Speaker 1>checked out, half the cart was emptied. Yeah. So she

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<v Speaker 1>she goes in, she gets everything she thinks she needs,

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<v Speaker 1>and then she's like, all right, let me do a

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<v Speaker 1>cost benefit analysis here, and she'll thin the her She's like,

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<v Speaker 1>I don't need that, you know, I don't I want

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<v Speaker 1>to go do that, you know? And probably I mean

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<v Speaker 1>smart for your budget, but not a good way to

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<v Speaker 1>use time. Probably, No. And and they have done social experiments.

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<v Speaker 1>The people that run these big stores like Target, Costco

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<v Speaker 1>and Gross just regularly big grocery stores. They know exactly

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<v Speaker 1>where to place items to get your attention when you're

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<v Speaker 1>walking through the store, and they've they've studied it's like

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<v Speaker 1>an art. If you show an item a certain amount

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<v Speaker 1>of times in the store, the person is more likely

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<v Speaker 1>to buy it, and you have it at eye level.

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<v Speaker 1>There's certainly it's crazy how much effort goes into that.

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<v Speaker 1>And then we're just dumb consumers. We're walking through like, oh,

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<v Speaker 1>oh wait a minute, here, Costco wants me to buy

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<v Speaker 1>that blender. I don't really need a blender, but it

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<v Speaker 1>looks really good. Look at all the smoothies I can

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<v Speaker 1>make if I had that blender. Well, I've read books.

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<v Speaker 1>I'm a big fan of infomercials because in a late

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<v Speaker 1>night I fell asleep. That's what I'm competing against. And

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<v Speaker 1>I remember when I was younger, I read a book

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<v Speaker 1>about infommercials and they also they're even better than the

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<v Speaker 1>big box stores because they have just a ten fifteen

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<v Speaker 1>minute paid segment, uh to sell their product and and

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<v Speaker 1>all the little mind hacks of you know, ratcheting up

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<v Speaker 1>the drama, limited supply. You know, you don't want to

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<v Speaker 1>miss out, and we're all wired like, oh, we don't

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<v Speaker 1>want to miss out, you know, fall almoll right, fear

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<v Speaker 1>of missing out. You don't want to miss out on

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<v Speaker 1>the car wax. You can light on fire because your

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<v Speaker 1>life will not be complete. You'll you'll go into the grave.

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<v Speaker 1>You'll be like, oh, if only I had that, my

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<v Speaker 1>life would be better. Anyway, we'll keep it going here.

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<v Speaker 1>What do we have all right? Jason and Rocky Mount

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<v Speaker 1>Virginia says, Hey, guys, love the Danny G Radio edition.

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<v Speaker 1>Much better and cooler than gas can Al those shot

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<v Speaker 1>at gascn Uh was what I want to know. He's

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<v Speaker 1>I've asked this before, so I guess this is really

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<v Speaker 1>for Danny G. Have you ever been hunting or fishing?

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<v Speaker 1>If so, give me the details. Love the podcast as

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<v Speaker 1>always the great Jason Rocky Mount, who is one of

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<v Speaker 1>the hat benefactors. He sent me a very nice hat

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<v Speaker 1>back back in the day. It was last year, Danny.

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<v Speaker 1>You ever been hunting, fishing any of that? Yeah? Actually

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<v Speaker 1>I have. When I was a little kid, my uncle

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<v Speaker 1>took me up into the woods in San Bernardino County.

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<v Speaker 1>Believe it or not, there is some willed and st

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<v Speaker 1>up in that area and he would go deer hunting.

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<v Speaker 1>He also had a bow and arrow, like one of

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<v Speaker 1>those pro bows, and he would take us up there

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<v Speaker 1>and let us shoot the bow and arrow, which I

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<v Speaker 1>thought was cool. I have never done that since, but

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<v Speaker 1>my dad fishes. In fact, he has invited me and

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<v Speaker 1>my older brother for the second year in a row

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<v Speaker 1>to a bass lake fishing derby where they tag some

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<v Speaker 1>smallmouth bass. They put like a ten thousand dollar tag

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<v Speaker 1>on a few of the fish that they throw in

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<v Speaker 1>the lake, A fifty thousand dollar fishes in there, and

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<v Speaker 1>then like a hundred one dollar fish supposedly are tagged.

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<v Speaker 1>Our joke is, how do we know that they really

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<v Speaker 1>did what they say they did? Well, exactly right, finding

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<v Speaker 1>a needle in a haystack, or have a bass in

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<v Speaker 1>the middle of a pond. Look. It was really funny

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<v Speaker 1>because on last year's boat, we're fishing, we're getting nothing.

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<v Speaker 1>We saw an eagle, which amazed us, but was even

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<v Speaker 1>more amazing he swooped down and grabbed a bass out

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<v Speaker 1>of the way and took off, and as everyone in

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<v Speaker 1>our boat is watching in amazement, just dead band, I said, well,

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<v Speaker 1>there goes the fifty dollar fish. Is that's outstanding? That

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<v Speaker 1>is out Yeah. I've only been fishing a couple of

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<v Speaker 1>random times, and it was one of those deals is like,

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<v Speaker 1>need to laugh. Yeah, it was city slickers. I didn't

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<v Speaker 1>know what the hell I was doing. I was out there,

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<v Speaker 1>it was a disaster and didn't catch it. Damn thing.

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<v Speaker 1>I've never been hunting. I've never done that, so maybe

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<v Speaker 1>at some point along the way, I'm not against it.

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<v Speaker 1>I mean I feel like I would be. Uh, I'm

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<v Speaker 1>much more testosterone danny if I went hunting. That's a

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<v Speaker 1>you know, I live. I live a life like everyone else.

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<v Speaker 1>If I want a piece of meat, I go to

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<v Speaker 1>the grocery store and they have anything I need, burgers, steak,

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<v Speaker 1>whatever I need, but that they have to to get

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<v Speaker 1>it and to chop it up and all that. That's

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<v Speaker 1>that's old school. These years later, I want that bow.

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<v Speaker 1>That uncle is still alive. I hope he leaves his

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<v Speaker 1>bow and arrows to me and his will. You might

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<v Speaker 1>be the beneficiary down the line. It's Barry and Nashville

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<v Speaker 1>says yo yo mob Benny. What's the biggest challenge you

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<v Speaker 1>face when you sit in for a different radio host show. Well,

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<v Speaker 1>we addressed this a little bit yesterday, Barry. But the

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<v Speaker 1>simple answer is to not funk up. That's the that's

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<v Speaker 1>the simple answer. But for me, you know, typically it

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<v Speaker 1>is adjusting my sleep schedule. And I mentioned that I'm

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<v Speaker 1>still all kind of wonky. Everything's backwards. It's gonna take

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<v Speaker 1>a couple more days here for that to turn around.

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<v Speaker 1>But that and also just you have to when when

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<v Speaker 1>your house sitting, you have to act a certain way,

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<v Speaker 1>and so that's always a challenge. I'm actually on the

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<v Speaker 1>live are and there's a little more pressure when you're

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<v Speaker 1>on during the day because the big corporate muckety MUCKs

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<v Speaker 1>are listening and they're not usually listening to me overnight.

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<v Speaker 1>So it's a it's a hole. Different worlds uncharted waters

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<v Speaker 1>is what it is when you're doing stuff at different times.

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<v Speaker 1>But it's nice, rare and appropriate, Dan, That's what I

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<v Speaker 1>was at. Rare and appropriate unless there is a gigantic

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<v Speaker 1>check associated with it, and then then we're good on that. Otherwise,

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<v Speaker 1>I'm good at my little my little cubicle off to

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<v Speaker 1>the side here, I'm good with that ringing every once

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<v Speaker 1>in a while, like, oh, my guard, hold on second here, Now,

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<v Speaker 1>this is a this is a take that will work

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<v Speaker 1>at two in the morning, But will this work with

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<v Speaker 1>the business crowd? You know, I could say this at

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<v Speaker 1>two in the morning and I get around of applause.

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<v Speaker 1>But during the day I might get that. You know,

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<v Speaker 1>I don't want that. So I am Carlos. You when

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<v Speaker 1>your ship is floating through the night, it's called the

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<v Speaker 1>Safe Harbor. Yes, so I am the captain of the

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<v Speaker 1>Safe Heart. Got mail, yea? I got mail yea. Carlos

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<v Speaker 1>in Houston, right, sinces I absolutely love when you guys

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<v Speaker 1>talk about the behind the scenes stuff. And he then says,

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<v Speaker 1>I think that see O see you next Tuesday. Old

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<v Speaker 1>Hag from Florida should get in the verbal octagon with

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<v Speaker 1>Tammy in Montana and uh, and then Carlos says, uh.

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<v Speaker 1>He wants to annoy Danny G. You know what he

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<v Speaker 1>wants to annoy Danny G with What do you think

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<v Speaker 1>Carlos wants to annoy you with? No? Not the nicknames? Yes,

0:12:36.720 --> 0:12:40.240
<v Speaker 1>he says, sorry, Danny, I would like a nickname Rundown. So,

0:12:41.360 --> 0:12:43.520
<v Speaker 1>as we say, you know the podcast, anything goes the

0:12:43.520 --> 0:12:46.680
<v Speaker 1>listeners always right, Danny. So I am known as Carlos.

0:12:46.720 --> 0:12:48.840
<v Speaker 1>You're aware this. I'm known as the Baron of bald Dash,

0:12:49.120 --> 0:12:55.240
<v Speaker 1>big gall bladder manas the Menace, Captain knee Jerk, the

0:12:55.360 --> 0:12:58.240
<v Speaker 1>General of the generates, the tay Coon of tea is,

0:12:58.320 --> 0:13:02.760
<v Speaker 1>the master of does Aster, the hustler of Philipbuster the

0:13:03.000 --> 0:13:07.960
<v Speaker 1>night light Life. No, we don't need any of that,

0:13:08.120 --> 0:13:15.040
<v Speaker 1>puddler of producers, Benny Brightside, manity of Insanity, Marconi Mallard,

0:13:16.080 --> 0:13:21.240
<v Speaker 1>money Line Mallard, emissary of embellishment, Weeknight wind Bag Wizard,

0:13:21.240 --> 0:13:25.880
<v Speaker 1>a wacky slayer of naysayers, Grant Goober of gab screw you,

0:13:25.920 --> 0:13:32.719
<v Speaker 1>Bill Miller, Tower of Babel, honest adonist, nocturnal Colonel, the

0:13:32.920 --> 0:13:38.120
<v Speaker 1>underdog of monologue, and the Holy Pope of the Slippery Slope.

0:13:38.160 --> 0:13:40.760
<v Speaker 1>And that is only part of the nickname Rundown. And

0:13:40.760 --> 0:13:43.640
<v Speaker 1>as for you, Carlos my man, one of the few

0:13:43.679 --> 0:13:47.800
<v Speaker 1>good guys in Houston, a wretched place where they supported

0:13:47.880 --> 0:13:50.679
<v Speaker 1>cheaters back in the day. And the Astros, though I

0:13:50.679 --> 0:13:53.319
<v Speaker 1>haven't had to worry about them, the cheating Astros in

0:13:53.360 --> 0:13:57.120
<v Speaker 1>a while, not on my radar right now now they

0:13:57.160 --> 0:14:02.119
<v Speaker 1>are not anyway. Move By the way, remember last weekend's

0:14:02.120 --> 0:14:05.640
<v Speaker 1>mail bag, a listener asked about that drop. You got

0:14:05.679 --> 0:14:09.320
<v Speaker 1>to be kidding me, yes, And that Eddie and myself

0:14:09.360 --> 0:14:12.680
<v Speaker 1>would play whenever you did. Those stupid nicknames. Well, I

0:14:12.880 --> 0:14:17.520
<v Speaker 1>found that. You have got to be kidding me. A ha,

0:14:18.160 --> 0:14:21.520
<v Speaker 1>it's from your boy, Hawk Harelson, Hawk Carrolson. Yeah, the

0:14:21.520 --> 0:14:23.720
<v Speaker 1>White Sox. He retired the old White Sox Hall of

0:14:23.720 --> 0:14:26.960
<v Speaker 1>Fame broadcaster, Hawk Carrolson. I've met him a few times

0:14:26.960 --> 0:14:28.560
<v Speaker 1>that you know. They called him the Hawk. He used

0:14:28.560 --> 0:14:30.960
<v Speaker 1>to play for the White Sox and they called him

0:14:31.000 --> 0:14:33.320
<v Speaker 1>Hawk because his nose is like a beak of a hawk.

0:14:34.280 --> 0:14:37.080
<v Speaker 1>His name. Well, I have that drop now, so anytime

0:14:37.120 --> 0:14:39.040
<v Speaker 1>you try to pull that, I'm gonna keep playing that

0:14:39.160 --> 0:14:41.840
<v Speaker 1>drop on you, all right, and you can go ahead

0:14:41.880 --> 0:14:44.320
<v Speaker 1>and knock yourself out there, big guy, I'm I'm prepared.

0:14:44.880 --> 0:14:49.160
<v Speaker 1>You have got to be kidding me. I also, finally,

0:14:49.320 --> 0:14:54.960
<v Speaker 1>and it took two weeks, I found the Negros drop. No, no, yes,

0:14:55.320 --> 0:14:59.000
<v Speaker 1>don't do that. HOWB tried to hide it? Somebody tried

0:14:59.040 --> 0:15:01.240
<v Speaker 1>to hide it in the puter system. It says do

0:15:01.320 --> 0:15:07.840
<v Speaker 1>not play. Well, I think we know why that is

0:15:07.880 --> 0:15:10.520
<v Speaker 1>on the do not playlist. But all those negroes look

0:15:10.560 --> 0:15:13.400
<v Speaker 1>the same. Why wouldn't you just delete it? Right? Like?

0:15:13.480 --> 0:15:15.720
<v Speaker 1>What is the mindset of do not play? Why not

0:15:15.880 --> 0:15:20.120
<v Speaker 1>just click the delete button? Probably we need it for evidence.

0:15:20.160 --> 0:15:25.120
<v Speaker 1>When the FCC files they're complaining before. Yeah, I can't

0:15:25.120 --> 0:15:27.560
<v Speaker 1>wait for that. I mean, I'll be so excited for that.

0:15:29.000 --> 0:15:33.080
<v Speaker 1>All right, let's see what do we have here? Is? Yes,

0:15:33.200 --> 0:15:36.560
<v Speaker 1>we do. Next email comes in from Tammy in Montana.

0:15:37.520 --> 0:15:40.120
<v Speaker 1>I guess I can I cleaned I cleaned this word

0:15:40.160 --> 0:15:42.440
<v Speaker 1>up the last time, but we're on the podcast, so

0:15:42.480 --> 0:15:44.640
<v Speaker 1>I could say I could say this word right, I can.

0:15:44.880 --> 0:15:47.000
<v Speaker 1>Anything kind of goes on the podcast right now for

0:15:47.040 --> 0:15:49.880
<v Speaker 1>the most part. Uh, this is from Tammy and Montana.

0:15:50.640 --> 0:15:55.160
<v Speaker 1>Very polite, very charming woman, the patron saint, the mother

0:15:55.320 --> 0:15:58.640
<v Speaker 1>Teresa of the Mallams. She she always looks out for

0:15:58.720 --> 0:16:01.440
<v Speaker 1>some of our more interesting characters on the show that

0:16:01.520 --> 0:16:04.280
<v Speaker 1>a little down on their luck, and Tammy and Montana

0:16:04.360 --> 0:16:06.600
<v Speaker 1>right since he says the podcast is great as it

0:16:06.680 --> 0:16:11.240
<v Speaker 1>has been from inception from the point of inception. Helen.

0:16:11.320 --> 0:16:16.520
<v Speaker 1>Now this is Helen and Stu. These two, Helen and Steu,

0:16:17.080 --> 0:16:20.680
<v Speaker 1>very controversial, these two in Florida. So Helen wrote a

0:16:20.760 --> 0:16:23.840
<v Speaker 1>nasty message last I think it was last week about

0:16:23.960 --> 0:16:28.800
<v Speaker 1>Tammy and Montana. So now Tammy is giving her rebuttal

0:16:29.320 --> 0:16:34.280
<v Speaker 1>and this really is like a heavyweight boxing match. It

0:16:34.400 --> 0:16:38.440
<v Speaker 1>is absolutely like that. So I'm gonna read this verbatim,

0:16:38.480 --> 0:16:40.640
<v Speaker 1>and I'm not going to clean it up because we

0:16:40.760 --> 0:16:44.280
<v Speaker 1>read what Helen said, and I will read now what

0:16:44.960 --> 0:16:49.040
<v Speaker 1>the rebuttal from Tammy and Montana. So says Benny, Danny

0:16:49.080 --> 0:16:53.600
<v Speaker 1>g the podcast is great. Helen is another Karen. She

0:16:53.840 --> 0:16:59.920
<v Speaker 1>is a canue out jealous, is what it says here.

0:17:01.200 --> 0:17:06.120
<v Speaker 1>Her anger comes from having dildo denial. I've never heard

0:17:06.160 --> 0:17:07.919
<v Speaker 1>that one, Danny. Have you ever heard that one? I

0:17:07.960 --> 0:17:11.600
<v Speaker 1>don't know, I've never heard that. Will you be adding? Danny,

0:17:11.600 --> 0:17:13.600
<v Speaker 1>will be adding bleeps to this? Are you? And when

0:17:13.720 --> 0:17:17.480
<v Speaker 1>we play this back, are we gonna? I think what

0:17:17.520 --> 0:17:20.440
<v Speaker 1>I'm gonna do is bleep it? But you could still

0:17:20.480 --> 0:17:23.280
<v Speaker 1>tell what the word. That's the way. That's the way

0:17:23.320 --> 0:17:26.080
<v Speaker 1>to do it. Yeah, yeah, that's uh. I used to

0:17:26.119 --> 0:17:28.400
<v Speaker 1>listen my favorite radio show as a kid, the Jim

0:17:28.400 --> 0:17:30.600
<v Speaker 1>Healy Show, and that's what he would do. He would

0:17:30.640 --> 0:17:35.200
<v Speaker 1>play like the Lee Elia Drop, but just put the

0:17:35.240 --> 0:17:37.080
<v Speaker 1>bleep in. It's just a little late. So it was

0:17:37.119 --> 0:17:42.320
<v Speaker 1>like this and I was like, yeah, yeah, you could

0:17:42.320 --> 0:17:46.639
<v Speaker 1>still hear the and the but yeah, you get a

0:17:46.640 --> 0:17:49.760
<v Speaker 1>little bleep. In one of the reviews I read, the

0:17:49.800 --> 0:17:52.080
<v Speaker 1>listener said he liked it better when it was like

0:17:52.200 --> 0:17:55.359
<v Speaker 1>that rather than just hearing us curse. So once in

0:17:55.400 --> 0:17:57.639
<v Speaker 1>a while, if you or I drop an F bomb,

0:17:57.840 --> 0:18:00.520
<v Speaker 1>I'll do the Healy trick on it. Yeah, and I'm

0:18:00.560 --> 0:18:02.280
<v Speaker 1>fine with that. I'm five. If you want to bleep

0:18:02.400 --> 0:18:04.560
<v Speaker 1>what I say, you know, I say, for example, let's

0:18:04.560 --> 0:18:08.200
<v Speaker 1>do this right now, let's do a test rating skills. Uh,

0:18:08.600 --> 0:18:13.760
<v Speaker 1>what are the seven deadly words? Cooksucker? I think those

0:18:13.800 --> 0:18:16.800
<v Speaker 1>are some of the deadly words. And so I just

0:18:16.840 --> 0:18:19.320
<v Speaker 1>said them, but you won't actually hear them. Can you

0:18:19.359 --> 0:18:22.880
<v Speaker 1>say asshole? Uh? You can say ass and you can

0:18:22.920 --> 0:18:26.199
<v Speaker 1>say whole. You gotta pause for one second. You have

0:18:26.280 --> 0:18:30.280
<v Speaker 1>to say asked one as a whole like that, because

0:18:30.280 --> 0:18:33.400
<v Speaker 1>God forbid you know, you just say asshole? Got it?

0:18:33.760 --> 0:18:36.760
<v Speaker 1>You can't you can't. You can't say somebody was taking

0:18:36.760 --> 0:18:39.800
<v Speaker 1>a ship because that's a bodily function. You can't say

0:18:39.800 --> 0:18:44.479
<v Speaker 1>I went outside and took a bit because the bodily function. Yeah.

0:18:44.640 --> 0:18:48.600
<v Speaker 1>Who decided that we can't hear bodily functions? Somebody that

0:18:48.920 --> 0:18:51.000
<v Speaker 1>wanted to be able to eat their lunch while they

0:18:51.040 --> 0:18:54.320
<v Speaker 1>listen to the radio without getting an upset stomach, I guess.

0:18:55.160 --> 0:18:58.520
<v Speaker 1>Remember Carlin did the famous bit to seven deadly words.

0:18:58.560 --> 0:19:01.359
<v Speaker 1>And it's actually it's like more than seven because it's

0:19:01.359 --> 0:19:04.400
<v Speaker 1>a lot of phrases, right, there's a lot of phrases

0:19:04.440 --> 0:19:07.400
<v Speaker 1>you can't you can't say. I think he parodied that.

0:19:07.600 --> 0:19:10.520
<v Speaker 1>Wasn't Carlin took that off? The seven Deadly Sins, right,

0:19:10.600 --> 0:19:13.320
<v Speaker 1>wasn't that is? Yes, it was like a parody. And

0:19:13.400 --> 0:19:16.720
<v Speaker 1>of course those were all famously read to Howard Stern

0:19:16.800 --> 0:19:20.840
<v Speaker 1>in his movie Oh Yes, Yes. Well, we had another

0:19:21.200 --> 0:19:24.479
<v Speaker 1>reference to the podcast on Friday, but we had Farrell

0:19:24.560 --> 0:19:27.040
<v Speaker 1>on who worked for Howard Stern. He told some some

0:19:27.160 --> 0:19:29.719
<v Speaker 1>interesting stories about Howard who would show up the parties

0:19:29.720 --> 0:19:33.240
<v Speaker 1>for like ten minutes of these massive Galla parties and

0:19:33.240 --> 0:19:35.600
<v Speaker 1>and then he would, you know, show up for ten

0:19:35.600 --> 0:19:38.000
<v Speaker 1>minutes to have a drink and then leave and everyone

0:19:38.160 --> 0:19:40.160
<v Speaker 1>where'd he go? And and that? So I think he's

0:19:40.240 --> 0:19:41.919
<v Speaker 1>I think I'm wired the same way because that's how

0:19:41.960 --> 0:19:43.199
<v Speaker 1>I would want to do that. I'd be like, oh,

0:19:43.320 --> 0:19:46.119
<v Speaker 1>everyone have a great times and I'll get out of it.

0:19:46.680 --> 0:19:50.880
<v Speaker 1>That's gonna be the Ben Mallard super Bowl party in Glendale, Arizona. Yeah,

0:19:50.920 --> 0:19:54.600
<v Speaker 1>we're gonna be there early. So allright, have I have

0:19:54.640 --> 0:19:56.320
<v Speaker 1>in front of me? Dowd Danny through the magic of

0:19:56.359 --> 0:20:00.640
<v Speaker 1>the Internet the seven Deadly words as were written Carlin

0:20:01.560 --> 0:20:08.800
<v Speaker 1>in nine two. So it's a pitch fuck cockers. Those

0:20:08.840 --> 0:20:12.719
<v Speaker 1>are the those are the magic words, according to I

0:20:12.720 --> 0:20:15.560
<v Speaker 1>guess if somebody said tits what about what Mike North

0:20:15.680 --> 0:20:21.679
<v Speaker 1>used to say, he used to say orioles, Yeah, I

0:20:21.680 --> 0:20:24.360
<v Speaker 1>would be running. I'd be running the board on daybreak

0:20:24.440 --> 0:20:27.720
<v Speaker 1>and We'll be talking about his neighbor true Story on

0:20:27.840 --> 0:20:30.800
<v Speaker 1>the Area's Live and he's like my neighbor. He's a

0:20:30.920 --> 0:20:34.720
<v Speaker 1>nice fella for an oriental well the studio or like

0:20:34.800 --> 0:20:38.520
<v Speaker 1>what did he just say? Oh my god, Yeah, for sure,

0:20:38.600 --> 0:20:41.760
<v Speaker 1>and it's you. I love my We've had Mike on

0:20:41.800 --> 0:20:44.480
<v Speaker 1>the podcast, but Mike's from the old school, right, and

0:20:44.680 --> 0:20:47.320
<v Speaker 1>we've all, we we guys around our age, we've all

0:20:47.359 --> 0:20:53.080
<v Speaker 1>had the uncomfortable uncle or grandpa who just doesn't give

0:20:53.119 --> 0:20:57.840
<v Speaker 1>a sh and uh, and you know, there's it's very awkward.

0:20:58.040 --> 0:21:00.000
<v Speaker 1>You know it's and you're you're sitting in a restaurant

0:21:00.080 --> 0:21:05.000
<v Speaker 1>u and you know, not that I'm the word please,

0:21:05.119 --> 0:21:07.600
<v Speaker 1>but I I don't want to make people feel uncomfortable.

0:21:07.600 --> 0:21:10.359
<v Speaker 1>But I have no control over what my relatives say.

0:21:10.440 --> 0:21:14.200
<v Speaker 1>And there's a there's many different ways to say certain

0:21:14.359 --> 0:21:18.679
<v Speaker 1>ethnicities that the some are acceptable on applied society and

0:21:18.680 --> 0:21:21.800
<v Speaker 1>others or not. And you never know. I was at

0:21:21.960 --> 0:21:23.439
<v Speaker 1>a part of this guy was not related to me,

0:21:23.480 --> 0:21:27.520
<v Speaker 1>but this guy Vinny who showed up to the Christmas party.

0:21:27.520 --> 0:21:30.800
<v Speaker 1>I got COVID at the Christmas Eve party and that

0:21:30.840 --> 0:21:33.040
<v Speaker 1>guy was, Oh my god, he was like he was

0:21:33.119 --> 0:21:36.119
<v Speaker 1>like from that Benny Hill show. Not Benny, it was

0:21:36.160 --> 0:21:41.280
<v Speaker 1>the Uh Archie Griffin. Was that the one all in

0:21:41.280 --> 0:21:44.360
<v Speaker 1>the family? Yeah, exactly. It was like that old sitcom

0:21:44.440 --> 0:21:49.960
<v Speaker 1>from Archie Bunker, I said, I say, Archie Griffin the cartoon?

0:21:50.760 --> 0:21:53.520
<v Speaker 1>Hell was that? Where the hell did that come from?

0:21:54.040 --> 0:21:59.440
<v Speaker 1>I was that in my head? Uh? Insane? You're right though,

0:21:59.440 --> 0:22:04.400
<v Speaker 1>our fame drop the computer, the CPU voice that we've

0:22:04.480 --> 0:22:07.920
<v Speaker 1>used for years. I wish I could have a speaker

0:22:08.320 --> 0:22:11.040
<v Speaker 1>connected to my belt and be able to play that

0:22:11.160 --> 0:22:14.560
<v Speaker 1>racist drop on some of these older folks. Oh it's

0:22:14.600 --> 0:22:17.200
<v Speaker 1>that is the most I would say, the most popular

0:22:17.280 --> 0:22:20.280
<v Speaker 1>drop that's regularly used. People love that, they love it.

0:22:20.760 --> 0:22:23.320
<v Speaker 1>But what I've noticed, Danny over the years with with

0:22:23.400 --> 0:22:27.520
<v Speaker 1>you and then Roberto playing the drop, is they love

0:22:27.600 --> 0:22:30.800
<v Speaker 1>it when it's out of context, When when you're not

0:22:30.880 --> 0:22:35.040
<v Speaker 1>saying anything remotely racist, and you play that, that gets

0:22:35.119 --> 0:22:37.800
<v Speaker 1>the biggest laugh. I love to play it. Whatever you

0:22:37.800 --> 0:22:40.600
<v Speaker 1>would say, like imagine the coach riding out on the

0:22:40.600 --> 0:22:49.080
<v Speaker 1>white board, it's gonna be black Friday anytime sounds like

0:22:49.119 --> 0:22:52.320
<v Speaker 1>it could be racist, but it's definitely not. That's when

0:22:52.320 --> 0:22:55.040
<v Speaker 1>you play that drop Yeah. And the funny thing about

0:22:55.080 --> 0:22:57.439
<v Speaker 1>that is when you started doing that on the show,

0:22:58.400 --> 0:23:01.480
<v Speaker 1>that was just a funny. But now in society now

0:23:01.560 --> 0:23:04.440
<v Speaker 1>it's kind of like that where everything is racist, like,

0:23:04.680 --> 0:23:07.640
<v Speaker 1>you know, you can't do anything. It's all racist, which

0:23:07.720 --> 0:23:09.840
<v Speaker 1>is fascinating that we did that as a cheesy bit

0:23:09.960 --> 0:23:13.760
<v Speaker 1>on the radio. And now society well, and I say society,

0:23:13.880 --> 0:23:19.639
<v Speaker 1>I think there is social media society and decorum and

0:23:19.680 --> 0:23:22.000
<v Speaker 1>then there's like real world society. I don't think the

0:23:22.040 --> 0:23:25.040
<v Speaker 1>two of them aligned. You know, it's I often talk

0:23:25.080 --> 0:23:26.960
<v Speaker 1>about it being the matrix. But anyway, that is a

0:23:27.640 --> 0:23:29.359
<v Speaker 1>we got carried well. I don't think I finished reading

0:23:29.359 --> 0:23:31.479
<v Speaker 1>the email from Tammy and Montana. She's probably like, what

0:23:31.520 --> 0:23:34.160
<v Speaker 1>the hell you stopped at dildo denial? What's wrong with you?

0:23:35.119 --> 0:23:38.520
<v Speaker 1>Email continues, She says, if she wasn't talking about Helen,

0:23:38.560 --> 0:23:43.000
<v Speaker 1>if she wasn't such a bragging, negative, narcissistic, cold hearted prude.

0:23:43.560 --> 0:23:47.159
<v Speaker 1>People would like her, and Stu may want to bend

0:23:47.160 --> 0:23:51.080
<v Speaker 1>her over Wow a position that he doesn't have to

0:23:51.160 --> 0:23:56.720
<v Speaker 1>look at her hideous face. Hideous Helen hides behind her keyboard.

0:23:56.840 --> 0:24:01.080
<v Speaker 1>Usually people that bragg are notorious for being wires. Tammy

0:24:01.119 --> 0:24:04.399
<v Speaker 1>and Montana says anytime she wants to do a verbal

0:24:04.440 --> 0:24:08.840
<v Speaker 1>octagon on the show, I will take the night off

0:24:08.960 --> 0:24:12.920
<v Speaker 1>from work, and she signs it Tammy and Montana, Let's

0:24:13.000 --> 0:24:17.320
<v Speaker 1>go bitch Wow. I would like to get all these

0:24:17.359 --> 0:24:21.280
<v Speaker 1>folks together in the same room, serve them some Kirkland

0:24:21.400 --> 0:24:25.440
<v Speaker 1>brand alcohol, give him some Benny the bobble heads that

0:24:25.520 --> 0:24:29.080
<v Speaker 1>we're gonna have made from our promotions department, and have

0:24:29.200 --> 0:24:33.359
<v Speaker 1>them sing some Kumbayas together Ben and see if we

0:24:33.400 --> 0:24:37.200
<v Speaker 1>could change the world. They get very fired up. It's

0:24:37.280 --> 0:24:40.000
<v Speaker 1>it's just a dopey weekend podcast. You don't need to

0:24:40.040 --> 0:24:43.800
<v Speaker 1>get all worked up. Oh my god, the hell? And

0:24:43.920 --> 0:24:48.920
<v Speaker 1>Tammy she is amazing because Tammy is like the sweetest woman.

0:24:48.960 --> 0:24:52.080
<v Speaker 1>She helps out all these people, but then she turns

0:24:52.119 --> 0:24:57.640
<v Speaker 1>into this like raging, insane, angry I am going to

0:24:57.640 --> 0:25:02.159
<v Speaker 1>take down the world woman, it's a wild, wild wild right.

0:25:02.920 --> 0:25:07.080
<v Speaker 1>Moving on, I got mail, yea, I got mail ya,

0:25:07.840 --> 0:25:11.240
<v Speaker 1>it's not that exciting. Pierre from Springfield, home of the

0:25:11.320 --> 0:25:13.280
<v Speaker 1>Pro Basketball Hall of Fame where you can see Muffin

0:25:13.359 --> 0:25:18.280
<v Speaker 1>McGraw and shrine there says some hot radio talk for you, Ben.

0:25:18.359 --> 0:25:22.399
<v Speaker 1>How often do you record commercials between breaks? And is

0:25:22.440 --> 0:25:26.040
<v Speaker 1>this why your extra salty on some days? You mentioned

0:25:26.080 --> 0:25:28.159
<v Speaker 1>that you don't like to talk during the breaks, and

0:25:28.200 --> 0:25:31.280
<v Speaker 1>I remember not long ago you had a tough time

0:25:31.320 --> 0:25:33.879
<v Speaker 1>recording a spot in the allotted time, only to have

0:25:33.960 --> 0:25:36.560
<v Speaker 1>Coop tell you it didn't matter because it was for

0:25:36.600 --> 0:25:43.280
<v Speaker 1>the podcast. Yes, Pierre, I record usually once every couple

0:25:43.359 --> 0:25:46.720
<v Speaker 1>of weeks. We'll have a recording session that's typically during

0:25:46.760 --> 0:25:48.520
<v Speaker 1>the show. Sometimes I have to do it after the show,

0:25:48.560 --> 0:25:52.320
<v Speaker 1>which I don't like. And it's a network radio show,

0:25:52.359 --> 0:25:54.879
<v Speaker 1>so the commercials have to be either thirty or sixty seconds,

0:25:54.880 --> 0:25:58.440
<v Speaker 1>depending on how much the advertiser pays for and uh,

0:25:58.600 --> 0:26:03.880
<v Speaker 1>they typically give you about two minutes of copy, about

0:26:03.920 --> 0:26:06.560
<v Speaker 1>two minutes of copy to get a thirty second commercial.

0:26:06.640 --> 0:26:09.400
<v Speaker 1>And I'm not a fast I'm not a fast reader,

0:26:10.320 --> 0:26:13.080
<v Speaker 1>so it becomes problematic and I like to put my

0:26:13.119 --> 0:26:16.080
<v Speaker 1>own touch on the commercials. I like to add things

0:26:16.119 --> 0:26:20.480
<v Speaker 1>that aren't in the copy, which sometimes I get in

0:26:20.520 --> 0:26:23.160
<v Speaker 1>trouble usually when I do that, but I I feel

0:26:23.160 --> 0:26:25.359
<v Speaker 1>like it. You know, maybe it's just me, but I

0:26:25.400 --> 0:26:28.320
<v Speaker 1>feel like that makes it more enjoyable for the listener

0:26:28.400 --> 0:26:32.399
<v Speaker 1>and for the advertiser that you personalize the commercial. But

0:26:32.520 --> 0:26:35.920
<v Speaker 1>not everyone wants the commercial personalized. I turned in one

0:26:35.920 --> 0:26:38.880
<v Speaker 1>of your commercials one time and sales kicked it back

0:26:38.920 --> 0:26:40.720
<v Speaker 1>to me and they're like, we don't want Ben to

0:26:40.760 --> 0:26:44.880
<v Speaker 1>say his name and that commercial. I was told by

0:26:45.320 --> 0:26:47.760
<v Speaker 1>a guy when I first got in the business, and

0:26:47.800 --> 0:26:49.119
<v Speaker 1>this guy had made a lot of money as an

0:26:49.160 --> 0:26:51.000
<v Speaker 1>older guy. He's not in the business anymore. He told

0:26:51.040 --> 0:26:53.119
<v Speaker 1>me said, man, you know they're gonna have you do

0:26:53.160 --> 0:26:55.080
<v Speaker 1>these commercials, and sometimes they're not gonna pay you for

0:26:55.119 --> 0:26:57.760
<v Speaker 1>these commercials. So you take advantage of this. Every time

0:26:57.800 --> 0:27:00.560
<v Speaker 1>they give you a commercial, you put your name on that.

0:27:00.560 --> 0:27:03.520
<v Speaker 1>That way you are promoting your brand. You're not getting paid,

0:27:03.560 --> 0:27:05.919
<v Speaker 1>so the only money you're getting is your promotion for

0:27:05.960 --> 0:27:08.240
<v Speaker 1>your name, and make sure your name is in there.

0:27:08.240 --> 0:27:10.680
<v Speaker 1>So every time some listener here's that commercial, they put

0:27:10.720 --> 0:27:13.240
<v Speaker 1>your name in there. And that way, while you're not

0:27:13.280 --> 0:27:17.920
<v Speaker 1>getting paid money. You're getting paid with promotion. You're promoting

0:27:17.920 --> 0:27:20.119
<v Speaker 1>your brand. And so I've always done that. I've always

0:27:20.119 --> 0:27:23.000
<v Speaker 1>thrown my name in either the first name or the

0:27:23.080 --> 0:27:25.479
<v Speaker 1>last name, and I've always I will continue to do it,

0:27:25.960 --> 0:27:28.760
<v Speaker 1>and if anybody doesn't want me to do that, then

0:27:28.840 --> 0:27:30.199
<v Speaker 1>you can pay me a ton of money and then

0:27:30.200 --> 0:27:32.479
<v Speaker 1>I will not put my name in it. That I'm

0:27:32.760 --> 0:27:35.520
<v Speaker 1>steal that. That's how I do it. Danny and I

0:27:35.560 --> 0:27:46.359
<v Speaker 1>was Mercedes Benz. But that wasn't weird. They're they're gonna that. Yeah,

0:27:46.400 --> 0:27:48.600
<v Speaker 1>that was an id one, but that answers that. Pierre Also,

0:27:48.720 --> 0:27:51.639
<v Speaker 1>he says, PS, since you often spin your roll the

0:27:51.720 --> 0:27:55.159
<v Speaker 1>decks of the FSR Alumni Association, Is there any chance

0:27:55.760 --> 0:27:59.320
<v Speaker 1>of getting KK on the Friday Podcast someday the Great

0:27:59.359 --> 0:28:02.359
<v Speaker 1>Karen k Oh? Yeah? Uh yeah, you know, I've tried.

0:28:02.440 --> 0:28:04.840
<v Speaker 1>I've tried to get Karen on a few times, but

0:28:04.960 --> 0:28:07.479
<v Speaker 1>our schedules haven't worked out. But now just and this

0:28:07.560 --> 0:28:09.800
<v Speaker 1>was years ago, but now that I do the most

0:28:09.840 --> 0:28:12.200
<v Speaker 1>of the recording in my home studio, I can record

0:28:12.240 --> 0:28:15.359
<v Speaker 1>anytime she's available, so which has got to be annoying

0:28:15.359 --> 0:28:16.800
<v Speaker 1>to her because there's no way for her to get

0:28:16.800 --> 0:28:19.760
<v Speaker 1>out of this because I can say when whenever you're available,

0:28:19.800 --> 0:28:22.040
<v Speaker 1>I'll record it, and she wanted to do it. She

0:28:22.160 --> 0:28:25.119
<v Speaker 1>loves the fans of the show, and she says I

0:28:25.160 --> 0:28:26.760
<v Speaker 1>talked to car In a while back and she said

0:28:26.800 --> 0:28:30.080
<v Speaker 1>she's still getting messages on Twitter and Facebook from fans

0:28:30.080 --> 0:28:33.080
<v Speaker 1>of the show remember the old days, And so I'm

0:28:33.119 --> 0:28:39.640
<v Speaker 1>gonna added to my list right here. Brian Billick, Karen, Yes, Uh,

0:28:39.880 --> 0:28:41.600
<v Speaker 1>we were the only show that has been turned down

0:28:41.600 --> 0:28:45.560
<v Speaker 1>by Brian bill Like multiple times. Brian bill Brian Billick,

0:28:46.440 --> 0:28:48.200
<v Speaker 1>I'd like to talk to Brian, but I don't want

0:28:48.200 --> 0:28:52.240
<v Speaker 1>to beg to talk to Brian alright. Uh, moving the

0:28:52.400 --> 0:28:59.360
<v Speaker 1>playoffs drop voice instead of playoffs. There's nothing better as

0:28:59.400 --> 0:29:01.880
<v Speaker 1>a guy doing a podcast or you Danny, who's you're

0:29:01.920 --> 0:29:04.719
<v Speaker 1>doing the show and producing the podcast from getting an

0:29:04.760 --> 0:29:08.280
<v Speaker 1>email on a Saturday saying we're excited to do the

0:29:08.280 --> 0:29:11.920
<v Speaker 1>interview campra do it, and then on a Monday you

0:29:12.000 --> 0:29:15.440
<v Speaker 1>ask a follow up question and no response. On a Tuesday,

0:29:15.560 --> 0:29:18.280
<v Speaker 1>you send an email and they say, oh, no, I'm

0:29:18.320 --> 0:29:20.840
<v Speaker 1>not We're not doing that. Yeah. They're like, no, Um,

0:29:20.880 --> 0:29:24.080
<v Speaker 1>we'll let you know a future date. You just told

0:29:24.080 --> 0:29:26.840
<v Speaker 1>me you look forward to joining the podcast this week.

0:29:27.280 --> 0:29:30.719
<v Speaker 1>Yeah and uh. And normally when that happens, that's a

0:29:30.760 --> 0:29:32.800
<v Speaker 1>sign that you don't need to book anyone else. That's

0:29:32.800 --> 0:29:35.480
<v Speaker 1>a sign you've booked a guest. Your job is done right,

0:29:35.520 --> 0:29:39.080
<v Speaker 1>you've done your job, You've got your guests for the podcast,

0:29:39.200 --> 0:29:41.960
<v Speaker 1>and you're ready to move on. When someone says, yes,

0:29:42.120 --> 0:29:44.880
<v Speaker 1>I do a victory lap and you're right, it's like

0:29:44.920 --> 0:29:48.040
<v Speaker 1>a load of bricks has been lifted off my shoulders.

0:29:48.480 --> 0:29:52.160
<v Speaker 1>See this Billick email saying we're good for next week,

0:29:52.240 --> 0:29:55.480
<v Speaker 1>excited to join the podcast, and I'm like, yes, I

0:29:55.560 --> 0:29:58.800
<v Speaker 1>do the Tiger Woods fisch pump, Sure, and then yeah,

0:30:00.200 --> 0:30:03.280
<v Speaker 1>to be kidding me. Then it turns out you're you're

0:30:03.320 --> 0:30:06.720
<v Speaker 1>you're visiting a place that that's the dark side, don't

0:30:07.000 --> 0:30:12.520
<v Speaker 1>know the side. Yes, I thought Michael Jordan's was the

0:30:12.520 --> 0:30:15.560
<v Speaker 1>big fish to get for an interview, but it turns

0:30:15.600 --> 0:30:20.560
<v Speaker 1>out it's Bill Yeah, Brian Billick. Of all people the

0:30:20.520 --> 0:30:23.440
<v Speaker 1>the we've had bigger not that Brian is not a

0:30:23.440 --> 0:30:25.720
<v Speaker 1>big name, but we've had bigger names on the podcast.

0:30:27.120 --> 0:30:31.880
<v Speaker 1>I've also noticed there's some snobbery with the podcast that

0:30:31.960 --> 0:30:34.880
<v Speaker 1>there's certain people that are they believe the podcast is

0:30:34.920 --> 0:30:38.160
<v Speaker 1>below them, but they'd come on the radio show like

0:30:38.200 --> 0:30:40.080
<v Speaker 1>they come on the Ben Maller Show if I booked

0:30:40.120 --> 0:30:42.600
<v Speaker 1>them as a guest. But the podcast, they feel like

0:30:43.040 --> 0:30:44.960
<v Speaker 1>it's listen. I don't think they understand how many people

0:30:44.960 --> 0:30:47.760
<v Speaker 1>listen to this podcast. It's a very popular podcast. Like

0:30:47.880 --> 0:30:53.000
<v Speaker 1>most podcast now, you know, Danny, there's of the podcast

0:30:53.040 --> 0:30:55.000
<v Speaker 1>no one's listening to. Not that we have a Joe

0:30:55.080 --> 0:30:57.520
<v Speaker 1>Rogan audience, we don't, but we have a good loyal

0:30:57.600 --> 0:31:02.720
<v Speaker 1>following and this podcast does as well, and sometimes it

0:31:02.760 --> 0:31:05.080
<v Speaker 1>does better than the radio show podcast because it's only

0:31:05.120 --> 0:31:08.880
<v Speaker 1>available on the podcast. You can't hear this on terrestrial radio.

0:31:08.920 --> 0:31:11.480
<v Speaker 1>You can only hear it on the podcast. I literally

0:31:11.520 --> 0:31:14.280
<v Speaker 1>think it's just the words. Sometimes you did the seven

0:31:14.320 --> 0:31:18.400
<v Speaker 1>words earlier. Yeah, add past, not pussy for p p

0:31:18.680 --> 0:31:22.920
<v Speaker 1>for podcast, because I swear to God, there'll be times

0:31:22.960 --> 0:31:26.800
<v Speaker 1>where I stay away from using the word past in

0:31:26.920 --> 0:31:30.560
<v Speaker 1>my interview request because normally a yes will come back

0:31:30.760 --> 0:31:34.800
<v Speaker 1>following that because you say podcasts, and in somebody's mind

0:31:34.880 --> 0:31:37.880
<v Speaker 1>immediately they think of some dude in his underwear with

0:31:37.920 --> 0:31:41.520
<v Speaker 1>his balls hanging out in his garage. And most of

0:31:41.560 --> 0:31:44.959
<v Speaker 1>the time that's true. All right, Kevin in Kansas, Moving on, here.

0:31:44.960 --> 0:31:48.600
<v Speaker 1>We gotta get a speed up the process here, Kevin

0:31:48.600 --> 0:31:51.640
<v Speaker 1>and Kansas is dear Ben and Danny g You You

0:31:51.680 --> 0:31:54.520
<v Speaker 1>went from sidekick guest onto Danny g Ben. I see

0:31:54.680 --> 0:31:58.880
<v Speaker 1>a pattern here besides the obvious Doug Gottlieb. What other

0:31:59.160 --> 0:32:02.560
<v Speaker 1>d G sidekicks would you like to work with down

0:32:02.600 --> 0:32:07.200
<v Speaker 1>the road? Who's d d G initials? Who are some

0:32:07.240 --> 0:32:11.000
<v Speaker 1>other famous d G s. Gottile is the only one,

0:32:11.040 --> 0:32:13.840
<v Speaker 1>but you mentioned him Kevin in the email. I have

0:32:13.960 --> 0:32:16.800
<v Speaker 1>to think famous d G s. You're a d G

0:32:17.520 --> 0:32:21.040
<v Speaker 1>Danny g Any Yeah, I can't think of any others

0:32:21.080 --> 0:32:24.080
<v Speaker 1>off the top of my head. It's a brain twister, Kevin.

0:32:24.120 --> 0:32:28.280
<v Speaker 1>How dare you? How dare you would mess with our minds? Uh?

0:32:28.360 --> 0:32:33.880
<v Speaker 1>Let's see who is next on the mail bag? Come back?

0:32:35.000 --> 0:32:38.400
<v Speaker 1>It's sign from mail call. Scott from Northern Kentucky says

0:32:38.400 --> 0:32:40.640
<v Speaker 1>a couple of questions for you. In all your years

0:32:40.640 --> 0:32:43.360
<v Speaker 1>around the Dodgers, did you have an opportunity to have

0:32:43.400 --> 0:32:47.720
<v Speaker 1>conversations with Vince Scully? Did he ever swear? He says,

0:32:48.360 --> 0:32:50.760
<v Speaker 1>I'll answer that first. You have a couple more, but yes,

0:32:50.880 --> 0:32:53.960
<v Speaker 1>I actually knew casually Vince Scully. It's one of the

0:32:54.000 --> 0:32:57.320
<v Speaker 1>cool things, the coolest things I could say that I've accomplished,

0:32:58.080 --> 0:33:00.720
<v Speaker 1>if it's even an accomplishment. But I I started out

0:33:00.760 --> 0:33:03.040
<v Speaker 1>covering the Dodgers. I was nineteen years old. I was

0:33:03.640 --> 0:33:09.440
<v Speaker 1>I was a green bananas. And I really through my formative,

0:33:09.720 --> 0:33:12.080
<v Speaker 1>you know years, as a young adult in my twenties

0:33:12.160 --> 0:33:17.600
<v Speaker 1>and thirties, I pretty much spent five, six, seven nights

0:33:17.600 --> 0:33:20.280
<v Speaker 1>a week at Dodger Stadium in the press box. And

0:33:20.360 --> 0:33:22.720
<v Speaker 1>I really I knew Ven a little bit, and I

0:33:22.760 --> 0:33:24.520
<v Speaker 1>had dinner with him a few times on the road,

0:33:24.560 --> 0:33:27.760
<v Speaker 1>which was awesome. And I'll never forget one of the

0:33:27.760 --> 0:33:31.520
<v Speaker 1>greatest nights with Vin was at Chase Stadium, and this

0:33:31.600 --> 0:33:33.080
<v Speaker 1>was like the one of the last years. Vin didn't

0:33:33.160 --> 0:33:35.160
<v Speaker 1>usually make the road trips the last few years of

0:33:35.160 --> 0:33:37.600
<v Speaker 1>his career with the Dodgers, but he he would try

0:33:37.600 --> 0:33:39.840
<v Speaker 1>to go back to New York. He would make selective

0:33:39.840 --> 0:33:42.600
<v Speaker 1>trips because he grew up in New York, and he

0:33:42.600 --> 0:33:45.000
<v Speaker 1>he'd go back. And so we're having dinner and and

0:33:45.000 --> 0:33:47.960
<v Speaker 1>and Vin was regaling us with stories about when he

0:33:48.000 --> 0:33:51.040
<v Speaker 1>was a kid and there was a a strike. The

0:33:51.080 --> 0:33:53.880
<v Speaker 1>trash men in Manhattan in New York went on strike,

0:33:54.080 --> 0:33:56.280
<v Speaker 1>and he told this story and I still remember the

0:33:56.320 --> 0:33:59.840
<v Speaker 1>detail the style that Ben told the story about how

0:34:00.080 --> 0:34:02.320
<v Speaker 1>people were so desperate when the sanitation workers in New

0:34:02.400 --> 0:34:04.040
<v Speaker 1>York went on strike to get rid of the trash.

0:34:04.320 --> 0:34:07.200
<v Speaker 1>And it was around Christmas time. And so back in

0:34:07.240 --> 0:34:09.680
<v Speaker 1>those days they had these massive televisions, you know, those

0:34:09.760 --> 0:34:12.960
<v Speaker 1>huge TVs, the tube TVs, and so there were some

0:34:12.960 --> 0:34:15.000
<v Speaker 1>people that had tube TVs and what they were doing,

0:34:15.760 --> 0:34:18.160
<v Speaker 1>at least it happened at one time. Anyway, Ben remembers

0:34:18.440 --> 0:34:20.960
<v Speaker 1>they would get the big box that the TV came in,

0:34:21.760 --> 0:34:24.880
<v Speaker 1>like the wooden crate, and they'd fill it with trash

0:34:24.920 --> 0:34:27.000
<v Speaker 1>and then wrap it in wrapping paper and put a

0:34:27.000 --> 0:34:30.880
<v Speaker 1>bowl on it. And so obviously the sanitation workers wouldn't

0:34:30.880 --> 0:34:32.560
<v Speaker 1>take it, but somebody would steal it, thinking it was

0:34:32.600 --> 0:34:35.680
<v Speaker 1>a TV or something like that, and so they'd have

0:34:35.719 --> 0:34:37.600
<v Speaker 1>their trash taking care of somebody would steal it. And

0:34:37.680 --> 0:34:41.080
<v Speaker 1>then Ben told this, so I never heard him curse. Um.

0:34:41.360 --> 0:34:43.520
<v Speaker 1>You know, I have I have many Vince Scullies stories.

0:34:43.600 --> 0:34:44.680
<v Speaker 1>I don't know that we want to get into that

0:34:44.760 --> 0:34:47.600
<v Speaker 1>right now. We're limited time. But very nice man. And

0:34:48.520 --> 0:34:51.080
<v Speaker 1>when he would say hello Ben, and I was like,

0:34:51.080 --> 0:34:52.799
<v Speaker 1>oh man, because as a little kid, I grew up

0:34:52.840 --> 0:34:55.200
<v Speaker 1>watching Vin do the Doctor, and my mom was a

0:34:55.239 --> 0:34:56.920
<v Speaker 1>huge Fence Scully fan. So I was like, wow, man,

0:34:56.960 --> 0:34:59.600
<v Speaker 1>that's all right. That's like, uh talking to the Pulp.

0:35:00.040 --> 0:35:01.640
<v Speaker 1>And I was like, oh my god, the pulp knows

0:35:01.640 --> 0:35:04.120
<v Speaker 1>your name. And I was like, holy Canoli. But anyway,

0:35:04.160 --> 0:35:07.359
<v Speaker 1>you're not kidding man. Being a little kid in southern California,

0:35:07.800 --> 0:35:11.360
<v Speaker 1>hearing his voice on a transistor radio during the summer,

0:35:11.920 --> 0:35:16.000
<v Speaker 1>everyone shut up and they listened. And he was a

0:35:16.040 --> 0:35:19.680
<v Speaker 1>big part of the soundtrack of our Lives. Oh. Absolutely.

0:35:20.120 --> 0:35:23.480
<v Speaker 1>I never heard him curse. I did ask him one time.

0:35:23.640 --> 0:35:25.279
<v Speaker 1>I'll get more to this later, but I asked him

0:35:25.280 --> 0:35:26.960
<v Speaker 1>if he you know, I thought I was doing Dodger

0:35:27.000 --> 0:35:28.880
<v Speaker 1>talk after the game, so I thought Vin would be

0:35:28.920 --> 0:35:31.560
<v Speaker 1>listening on his way home, and I said, hey, Vin,

0:35:31.719 --> 0:35:33.839
<v Speaker 1>you know you what are you doing after the game?

0:35:33.840 --> 0:35:35.239
<v Speaker 1>What do you listened to when you're driving back to

0:35:35.280 --> 0:35:42.120
<v Speaker 1>the valley. He said, classical music. He was like Jojo

0:35:42.239 --> 0:35:45.399
<v Speaker 1>on the radio, kiss FM. Not you not you man. Yeah,

0:35:45.440 --> 0:35:46.839
<v Speaker 1>that would have been That would have been even better

0:35:46.960 --> 0:35:51.440
<v Speaker 1>if he had said that. But anyway, he says, uh,

0:35:51.480 --> 0:35:54.319
<v Speaker 1>are you do you ever see yourself going back into

0:35:54.320 --> 0:35:57.640
<v Speaker 1>the studio full time. Here's another question about that. Are

0:35:57.680 --> 0:36:01.880
<v Speaker 1>you going Howard Stirred on us and hiding away? Uh? Yeah, No.

0:36:02.080 --> 0:36:06.040
<v Speaker 1>I will go back to the studio occasionally. I don't

0:36:06.080 --> 0:36:08.400
<v Speaker 1>think I'll ever go back. I mean, I spent a

0:36:08.440 --> 0:36:10.120
<v Speaker 1>lot of money building the studio out here, so I

0:36:10.160 --> 0:36:12.000
<v Speaker 1>feel like it would be a total waste of my

0:36:12.080 --> 0:36:14.680
<v Speaker 1>money to then not use the studio. And I have

0:36:14.760 --> 0:36:17.400
<v Speaker 1>to use it for the podcast anyway because the schedules. Ah,

0:36:17.440 --> 0:36:19.239
<v Speaker 1>I will go in. I'm excited to see what the

0:36:19.239 --> 0:36:21.359
<v Speaker 1>new studios look like. We're building in Burbank, right where

0:36:21.360 --> 0:36:22.920
<v Speaker 1>they used to do the Tonight Show, right across the

0:36:22.920 --> 0:36:25.560
<v Speaker 1>street from where Johnny Carson did the Night Show in

0:36:25.680 --> 0:36:27.960
<v Speaker 1>Burbank back in the day, and Jay Leno and those guys.

0:36:27.960 --> 0:36:30.640
<v Speaker 1>So I'm excited to see that, and I'll go in occasionally.

0:36:30.640 --> 0:36:32.200
<v Speaker 1>And one of the one of the things that you

0:36:32.239 --> 0:36:34.279
<v Speaker 1>know this Danny from doing the Overnight show. One of

0:36:34.280 --> 0:36:36.399
<v Speaker 1>the advantages if you're on during the days, you can play,

0:36:36.440 --> 0:36:39.880
<v Speaker 1>grab bass and schmooze with executives and salespeople. I have

0:36:39.960 --> 0:36:41.880
<v Speaker 1>none of that. I can schmooze if I go and

0:36:41.960 --> 0:36:43.600
<v Speaker 1>do the show, I you know, shooes with the guys

0:36:43.600 --> 0:36:45.840
<v Speaker 1>and all that, But I can also hang out with

0:36:45.840 --> 0:36:48.080
<v Speaker 1>the guys cleaning the toilet and cleaning. Not that those

0:36:48.120 --> 0:36:49.840
<v Speaker 1>are bad people. I probably probably talk to them the

0:36:49.920 --> 0:36:53.120
<v Speaker 1>management people, but it's just not I'm not really getting

0:36:53.200 --> 0:36:56.400
<v Speaker 1>anything extra out of it by going in uh. And

0:36:56.400 --> 0:36:59.040
<v Speaker 1>then he asked a question about Helen and Stu. He says,

0:36:59.120 --> 0:37:02.880
<v Speaker 1>who the hell are Helen ste It was mildly funny

0:37:02.960 --> 0:37:06.120
<v Speaker 1>when they fought with Gascon, but the last email just

0:37:06.200 --> 0:37:09.360
<v Speaker 1>showed that they are mean and nasty people, probably the

0:37:09.360 --> 0:37:12.440
<v Speaker 1>old grumpy couple that go to dinner at three pm,

0:37:12.440 --> 0:37:15.719
<v Speaker 1>complain about everything and don't tip their serve. I have

0:37:15.800 --> 0:37:18.680
<v Speaker 1>a feeling they are lonely and bitter people whose families

0:37:18.719 --> 0:37:21.760
<v Speaker 1>don't even talk to them. While shots fired from Scott

0:37:21.840 --> 0:37:26.080
<v Speaker 1>in Northern Kentucky, Tim from Augusta, Maine rights in and

0:37:26.320 --> 0:37:31.399
<v Speaker 1>again limited time. He says, Ben, do you think that

0:37:31.480 --> 0:37:35.440
<v Speaker 1>this is the time you break out of Overnight's number

0:37:35.600 --> 0:37:40.160
<v Speaker 1>eighteen show? Showing great listener growth and seem to be

0:37:40.200 --> 0:37:44.600
<v Speaker 1>promoted a lot more? Is it time for a promotion? Well?

0:37:44.600 --> 0:37:46.200
<v Speaker 1>That's not enough to meet him, and I'm very happy

0:37:46.239 --> 0:37:48.520
<v Speaker 1>during the Overnight show and I like it. I have

0:37:48.680 --> 0:37:52.359
<v Speaker 1>a good cult following a good niche following. Not that

0:37:52.400 --> 0:37:53.920
<v Speaker 1>I don't think I could do a great job on

0:37:53.960 --> 0:37:56.640
<v Speaker 1>a morning show or an afternoon show and dominate and

0:37:56.719 --> 0:37:59.040
<v Speaker 1>kick ass, but it would be a much different show.

0:37:59.440 --> 0:38:01.879
<v Speaker 1>And I know from experience when I do these other

0:38:01.960 --> 0:38:04.759
<v Speaker 1>shows and I go out and I don't do the

0:38:04.840 --> 0:38:06.959
<v Speaker 1>standard bull crap that we do on the overnight show,

0:38:07.520 --> 0:38:10.000
<v Speaker 1>Uh yeah, I get a lot of Hey, what's wrong

0:38:10.040 --> 0:38:13.480
<v Speaker 1>with you? You're a selloutler and I want to be

0:38:13.520 --> 0:38:16.040
<v Speaker 1>called to sell it. Scott Farrell told the story on

0:38:16.080 --> 0:38:18.960
<v Speaker 1>the Friday Podcast. He got hired by the Atlanta Thrashers.

0:38:19.600 --> 0:38:22.000
<v Speaker 1>He sold out to become an NHL play by play guy.

0:38:22.239 --> 0:38:25.439
<v Speaker 1>He lasted one year. They then had to pay him

0:38:25.480 --> 0:38:28.640
<v Speaker 1>the rest of his contract for like three years. He

0:38:28.680 --> 0:38:32.400
<v Speaker 1>said he just sat around, smoked weed, drank and got checks,

0:38:32.960 --> 0:38:39.359
<v Speaker 1>uh from the NHL team. That's kind of the dream, right,

0:38:39.440 --> 0:38:41.239
<v Speaker 1>Isn't that that? I mean in some way, not that

0:38:41.280 --> 0:38:44.080
<v Speaker 1>I want to fail, but to have that kind of

0:38:44.080 --> 0:38:47.960
<v Speaker 1>set up, my my god. But you know, Tim, I

0:38:48.000 --> 0:38:51.960
<v Speaker 1>don't I don't see anything in the horizon unless unless

0:38:52.040 --> 0:38:54.239
<v Speaker 1>the company gets cheap on me or something like that,

0:38:54.239 --> 0:38:55.880
<v Speaker 1>and I have to go somewhere else. But other than that,

0:38:55.960 --> 0:38:58.520
<v Speaker 1>I see no evidence of that being the cases. They've

0:38:58.560 --> 0:39:00.560
<v Speaker 1>been very good to me. They help me pay my

0:39:00.640 --> 0:39:03.919
<v Speaker 1>bills for a long time. And uh and I think

0:39:03.920 --> 0:39:07.640
<v Speaker 1>I've provided them with marginal overnight sports talk radio. Emmett

0:39:07.640 --> 0:39:12.520
<v Speaker 1>the Blind Seahawk fan rights in, that's hey, that's a kid.

0:39:12.560 --> 0:39:14.840
<v Speaker 1>You can't say that word around emmy, emm it's in

0:39:14.920 --> 0:39:18.560
<v Speaker 1>high school. How dare you? It's wrong with you again?

0:39:18.600 --> 0:39:20.839
<v Speaker 1>And I'll bleep it, all right, you gotta bleep that here,

0:39:22.080 --> 0:39:25.000
<v Speaker 1>Yeah there, all right. Mt the Blind Sea Fan Olympia says,

0:39:25.040 --> 0:39:27.640
<v Speaker 1>what is the most awkward phone call you guys have

0:39:27.760 --> 0:39:30.640
<v Speaker 1>had to deal with on the radio? I could write

0:39:30.680 --> 0:39:32.879
<v Speaker 1>a book, Emmett on this. Two of them that pop

0:39:32.920 --> 0:39:36.000
<v Speaker 1>in my head right now. I had a caller from

0:39:36.080 --> 0:39:41.839
<v Speaker 1>Phoenix named Monty from Phoenix who was using a different name.

0:39:41.920 --> 0:39:44.200
<v Speaker 1>And then I was doing a show over Thanksgiving weekend.

0:39:44.440 --> 0:39:46.400
<v Speaker 1>And as I remember the story, which is probably not

0:39:46.480 --> 0:39:49.680
<v Speaker 1>actually what happened, but in my head, as I remember it,

0:39:49.680 --> 0:39:52.879
<v Speaker 1>it was like Thanksgiving. He starts, he's clearly he had

0:39:52.880 --> 0:39:56.520
<v Speaker 1>something to drink, more than something. He's passing the phone around,

0:39:57.400 --> 0:39:59.359
<v Speaker 1>and then he has this big admission that he's been

0:39:59.360 --> 0:40:01.440
<v Speaker 1>living a lit that he used a fake name, He's

0:40:01.480 --> 0:40:03.960
<v Speaker 1>not who he says he was, and it was very

0:40:04.000 --> 0:40:07.000
<v Speaker 1>bizarre and it was like out of completely out of

0:40:07.000 --> 0:40:10.080
<v Speaker 1>the twilight Zone. And then the other famous call, I

0:40:10.120 --> 0:40:12.600
<v Speaker 1>think you were with me on this? I think you

0:40:12.640 --> 0:40:15.040
<v Speaker 1>were with me, Danny. Were you there when we had

0:40:15.040 --> 0:40:17.759
<v Speaker 1>the guy that had the heart attack? Oh yeah, on

0:40:17.840 --> 0:40:23.640
<v Speaker 1>the show? And Coop did not handle that very well.

0:40:23.680 --> 0:40:27.440
<v Speaker 1>Neither did I. Neither did I My my my response

0:40:27.560 --> 0:40:30.359
<v Speaker 1>was the guys like he was talking about Chris Collinsworth

0:40:30.440 --> 0:40:32.920
<v Speaker 1>or something. As I remember, he was calling from Cincinnati,

0:40:33.560 --> 0:40:38.279
<v Speaker 1>Cardiac Stanley. We named him cardiac, Yeah, cardiac stant And

0:40:38.360 --> 0:40:40.360
<v Speaker 1>so he calls up and he was on hold for

0:40:40.360 --> 0:40:42.200
<v Speaker 1>a while and he starts huffing and puffing and he

0:40:42.200 --> 0:40:44.880
<v Speaker 1>wants to get his point in and I forget exactly

0:40:44.960 --> 0:40:47.160
<v Speaker 1>what he said. It was something I having. I think

0:40:47.160 --> 0:40:48.919
<v Speaker 1>I'm having like a heart attack or something like that,

0:40:49.520 --> 0:40:52.560
<v Speaker 1>and so I was like, whoa. And it didn't sound

0:40:52.600 --> 0:40:54.960
<v Speaker 1>like he was having some kind of heart issue. His

0:40:55.280 --> 0:40:58.920
<v Speaker 1>arm went numb and he was breathing really crazy, and

0:40:58.960 --> 0:41:03.239
<v Speaker 1>he's like, I think I'm having a heart attack. Right now,

0:41:04.000 --> 0:41:07.040
<v Speaker 1>everybody was daring headlights. You didn't know what to do. Yeah,

0:41:07.080 --> 0:41:08.839
<v Speaker 1>you don't expect that. So I think I said, Coop,

0:41:09.040 --> 0:41:10.799
<v Speaker 1>it may put you on hold, Coop will take care

0:41:10.800 --> 0:41:13.080
<v Speaker 1>of it. We'll get you some help or something like that.

0:41:13.440 --> 0:41:16.120
<v Speaker 1>But I didn't know how to how to handle that one.

0:41:16.160 --> 0:41:18.839
<v Speaker 1>That was a weird one. There was also there was

0:41:18.880 --> 0:41:23.160
<v Speaker 1>the guy that proposed to his his girlfriend proposed marriage.

0:41:23.719 --> 0:41:25.200
<v Speaker 1>I kept the guy on hold for a long time

0:41:25.239 --> 0:41:26.960
<v Speaker 1>because he wanted to talk about Duke, and I was like,

0:41:27.040 --> 0:41:29.200
<v Speaker 1>it was like Duke college basketball. It wasn't really the

0:41:29.239 --> 0:41:32.000
<v Speaker 1>tournament time, so I thought, that's a terrible call. And

0:41:32.040 --> 0:41:33.560
<v Speaker 1>then I put him on eventually and he was like

0:41:33.600 --> 0:41:38.000
<v Speaker 1>half he was like half sleeping and uh. And and

0:41:38.000 --> 0:41:40.000
<v Speaker 1>then it was so funny because he he had to

0:41:40.040 --> 0:41:43.280
<v Speaker 1>wake up the lady that he was proposing to for marriage,

0:41:43.320 --> 0:41:47.240
<v Speaker 1>the lovely woman, and then right after she said whatever

0:41:47.280 --> 0:41:50.200
<v Speaker 1>she said, I think she said, yes, they're now divorced.

0:41:50.200 --> 0:41:51.600
<v Speaker 1>He told me a couple of years ago. He wrote

0:41:51.640 --> 0:41:53.279
<v Speaker 1>me and said they got married, but they're divorced. But

0:41:53.360 --> 0:41:57.120
<v Speaker 1>he hey, can I still talk about Duke? Was that

0:41:57.200 --> 0:41:58.799
<v Speaker 1>was that? We used that as a drop I think

0:41:58.840 --> 0:42:00.960
<v Speaker 1>that the show for a while. I was, uh, that's

0:42:01.040 --> 0:42:05.560
<v Speaker 1>very funny. Who is next year? He's amazing, amazing questions

0:42:05.600 --> 0:42:09.120
<v Speaker 1>one is better than the next. Come back, It's time

0:42:09.239 --> 0:42:11.160
<v Speaker 1>from now, I'll call all right, he'll Billy Mike, and

0:42:11.239 --> 0:42:15.800
<v Speaker 1>Richmond Virginia says, uh, let's see this one's for Danny G.

0:42:16.040 --> 0:42:19.640
<v Speaker 1>First Lee butt kissing. It sucked when you left Ben show.

0:42:20.160 --> 0:42:22.560
<v Speaker 1>He'll Billy writes in you had a way of hitting

0:42:22.560 --> 0:42:25.839
<v Speaker 1>the perfect spot with a relevant drop. Uh And man,

0:42:25.920 --> 0:42:29.799
<v Speaker 1>I sure miss genies drops because of all all but

0:42:30.000 --> 0:42:33.800
<v Speaker 1>one of hers disappeared overnight. You never had a problem

0:42:34.440 --> 0:42:38.000
<v Speaker 1>talking smack to Ben when you disagreed with his takes,

0:42:38.080 --> 0:42:40.800
<v Speaker 1>and things just flowed. And then he then he'll Billy

0:42:40.800 --> 0:42:43.319
<v Speaker 1>take shots at Roberto. He does not like the way

0:42:43.320 --> 0:42:46.400
<v Speaker 1>that Roberto plays the drops, and I'll skip over that,

0:42:47.120 --> 0:42:49.479
<v Speaker 1>but I take some shots there at Roberto, and he says,

0:42:49.480 --> 0:42:51.719
<v Speaker 1>with you back in studio from time to time, is

0:42:51.760 --> 0:42:55.600
<v Speaker 1>there anyway you can share your drop wisdom Danny G

0:42:55.800 --> 0:42:59.319
<v Speaker 1>with Roberto, and he says, because the drops are an

0:42:59.440 --> 0:43:02.920
<v Speaker 1>art form and while you are Picasso. He then says

0:43:03.000 --> 0:43:06.840
<v Speaker 1>that my guy Roberto is a finger painting shots fired

0:43:06.880 --> 0:43:10.360
<v Speaker 1>by hill Billy Mike. But there is a there is

0:43:10.360 --> 0:43:12.319
<v Speaker 1>a technique and I think Roberto is fine. I think

0:43:12.320 --> 0:43:13.799
<v Speaker 1>he does get up. Some days are better than others,

0:43:13.840 --> 0:43:16.239
<v Speaker 1>but that's how everything is. I have better days than others.

0:43:16.239 --> 0:43:18.200
<v Speaker 1>Some days I suck at radio, other days I'm okay,

0:43:18.440 --> 0:43:20.480
<v Speaker 1>and some days I'm pretty good. And that's just life

0:43:20.560 --> 0:43:23.760
<v Speaker 1>in general. But that is. It is the timing, especially

0:43:23.760 --> 0:43:26.080
<v Speaker 1>me because I I don't pause that often, so You've

0:43:26.080 --> 0:43:29.520
<v Speaker 1>got to really pick your spots. When I'm bloviating. You

0:43:29.560 --> 0:43:31.600
<v Speaker 1>have to have a lot of windows open on the

0:43:31.600 --> 0:43:34.399
<v Speaker 1>computers in front of you. It's kind of like being

0:43:34.400 --> 0:43:37.800
<v Speaker 1>a gun slinger, Ben, because those are your bullets. You

0:43:37.920 --> 0:43:41.239
<v Speaker 1>gotta know exactly where every bullet is for every occasion

0:43:41.880 --> 0:43:44.560
<v Speaker 1>and then fire them at the perfect time. I got

0:43:44.560 --> 0:43:48.799
<v Speaker 1>a thing about dead bodies. I mean, it's far from easy. Hell,

0:43:48.880 --> 0:43:52.440
<v Speaker 1>even on post production of the podcast, it's not easy.

0:43:53.000 --> 0:43:55.440
<v Speaker 1>So shouts out to anybody that tries it and does

0:43:55.480 --> 0:43:58.480
<v Speaker 1>it on a regular basis. I give love to all

0:43:58.520 --> 0:44:01.959
<v Speaker 1>the tech producers that give it their best. I will

0:44:02.000 --> 0:44:04.600
<v Speaker 1>say that, you know, when I'm in there filling in,

0:44:04.920 --> 0:44:08.279
<v Speaker 1>it's filling in for Coupe. So my head spinning with

0:44:08.640 --> 0:44:11.600
<v Speaker 1>answering all the calls coming in from the Mallard militia,

0:44:12.000 --> 0:44:15.680
<v Speaker 1>putting together the podcast, putting together the games and the

0:44:15.680 --> 0:44:19.080
<v Speaker 1>features that go on during the live show. So there's

0:44:19.200 --> 0:44:22.279
<v Speaker 1>so much going on in the producer chair, there's no

0:44:22.360 --> 0:44:25.319
<v Speaker 1>way in hell I could lean over and tell Roberto, Hey,

0:44:25.560 --> 0:44:28.080
<v Speaker 1>pull a couple of these drops I want Yea and

0:44:28.160 --> 0:44:32.920
<v Speaker 1>hill Billy Mike. I mean, but I promise you some

0:44:33.000 --> 0:44:35.839
<v Speaker 1>of the drops you miss, especially from back in the day,

0:44:36.120 --> 0:44:39.960
<v Speaker 1>I will definitely insert into the Fifth Hour podcasts. You

0:44:40.000 --> 0:44:43.360
<v Speaker 1>pay me five dollars, I'll endorse a game magazine. Yeah,

0:44:44.040 --> 0:44:46.840
<v Speaker 1>we're here to spread we love you. Were very special

0:44:48.239 --> 0:44:51.799
<v Speaker 1>and Roberto was really nice last week three or four

0:44:51.880 --> 0:44:55.080
<v Speaker 1>drops I had been looking for. He helped me find

0:44:55.520 --> 0:44:57.480
<v Speaker 1>and I was able to load them in and email

0:44:57.560 --> 0:45:00.680
<v Speaker 1>them to myself and get him into this weekend this podcast.

0:45:00.800 --> 0:45:04.280
<v Speaker 1>So your staff is great, dude, because anytime I asked

0:45:04.360 --> 0:45:07.520
<v Speaker 1>the Mallard staff for something, they are usually on top

0:45:07.560 --> 0:45:09.520
<v Speaker 1>of It. Might take a day or two because there's

0:45:09.520 --> 0:45:16.279
<v Speaker 1>some weed involved, but results happen and they're really nice

0:45:16.320 --> 0:45:19.120
<v Speaker 1>about it. Yeah. Yeah, he's gotta. They put a lot

0:45:19.160 --> 0:45:21.160
<v Speaker 1>of work in and make everything sound good. Well, we've

0:45:21.200 --> 0:45:24.040
<v Speaker 1>got time for one more Ozzy momentum from Downer says, hey,

0:45:24.040 --> 0:45:26.400
<v Speaker 1>Ben and Danny G. Have you guys ever been water

0:45:26.520 --> 0:45:30.520
<v Speaker 1>skiing or wakeboarding? It is a pastime here in Perth,

0:45:31.160 --> 0:45:34.120
<v Speaker 1>the part of Australia that Ozzy Momentum lives in. If so,

0:45:34.239 --> 0:45:37.600
<v Speaker 1>how did you go? He also says, Danny G. Can

0:45:37.640 --> 0:45:40.360
<v Speaker 1>you please set Ben right and tell him that Cincinnati,

0:45:40.400 --> 0:45:45.239
<v Speaker 1>Ohio is not in the south and only chumps think so.

0:45:45.320 --> 0:45:48.279
<v Speaker 1>I love a guy that from Perth, Australia is trying

0:45:48.320 --> 0:45:51.520
<v Speaker 1>to teach me about American geography. How what is wrong

0:45:51.560 --> 0:45:56.279
<v Speaker 1>with you? What is wrong? You are? You are? I

0:45:56.360 --> 0:45:59.400
<v Speaker 1>don't think of since as the South. I do I do.

0:45:59.480 --> 0:46:01.600
<v Speaker 1>I've been to the airport in Cincinnati, and it's the

0:46:01.680 --> 0:46:05.239
<v Speaker 1>Cincinnati Kentucky. It's in actually in Kentucky. I think of

0:46:05.320 --> 0:46:09.000
<v Speaker 1>Kentucky as the South, so I think of Cincinnati. There's

0:46:09.040 --> 0:46:13.319
<v Speaker 1>like the point of demarcation. You crossed the Rubicon border though,

0:46:13.360 --> 0:46:16.239
<v Speaker 1>that's right where the time changes. I feel like I

0:46:16.320 --> 0:46:19.759
<v Speaker 1>feel like that makes sense a different part of the country. No,

0:46:20.120 --> 0:46:23.440
<v Speaker 1>it's it is the this I believe it is in

0:46:23.560 --> 0:46:26.520
<v Speaker 1>the south. I'm going south on that and I will

0:46:26.600 --> 0:46:29.719
<v Speaker 1>travel at some point to Cincinnati to meet people, shake hands,

0:46:29.800 --> 0:46:32.399
<v Speaker 1>kiss babies, and all that and uh, and we will

0:46:32.440 --> 0:46:36.960
<v Speaker 1>have a country jamboree and sounds like you're gonna count

0:46:37.000 --> 0:46:41.799
<v Speaker 1>teeth while you're there, and no comments. So the water

0:46:41.920 --> 0:46:46.800
<v Speaker 1>skiing and wakeboarding, none of that. I love body boarding

0:46:47.480 --> 0:46:50.239
<v Speaker 1>here in the Pacific Ocean. That's how the cool. The

0:46:50.320 --> 0:46:54.000
<v Speaker 1>bodyboards are fun, but I've never been pulled by a boat.

0:46:54.520 --> 0:46:57.640
<v Speaker 1>They go so fast and when I see people fall,

0:46:58.200 --> 0:47:00.719
<v Speaker 1>that doesn't look fun at all. Yeah, you have to

0:47:00.719 --> 0:47:05.040
<v Speaker 1>do a cost benefit analysis. Is it worth it? Because

0:47:05.040 --> 0:47:07.319
<v Speaker 1>there are it doesn't get talked about. There's a lot

0:47:07.320 --> 0:47:10.480
<v Speaker 1>of people that die every summer doing that stuff on

0:47:10.680 --> 0:47:13.839
<v Speaker 1>lakes and ponds and whatnot. And one thing goes wrong.

0:47:14.040 --> 0:47:18.319
<v Speaker 1>That water is like a brick wall and it looks

0:47:18.360 --> 0:47:20.920
<v Speaker 1>fine and all that, but you make a couple of

0:47:20.920 --> 0:47:25.560
<v Speaker 1>missteps and game over. You have not done done too

0:47:25.680 --> 0:47:28.000
<v Speaker 1>much water stuff. I like, you know, swimming in the pool,

0:47:28.480 --> 0:47:31.319
<v Speaker 1>going to the ocean and whatnot. But not done. I'm

0:47:31.360 --> 0:47:32.759
<v Speaker 1>not I'm not a Perth guy. I'd have to come

0:47:32.880 --> 0:47:34.799
<v Speaker 1>visit you assi momentum in Perth. You have to give

0:47:34.800 --> 0:47:37.960
<v Speaker 1>me the we can see some assy rules football. We'll

0:47:37.960 --> 0:47:41.000
<v Speaker 1>do that and uh and go around. I think that's it.

0:47:41.160 --> 0:47:42.880
<v Speaker 1>That's all we have time for you. Thanks that John

0:47:43.520 --> 0:47:47.440
<v Speaker 1>uh from Parts Unknown, Chris and Marrit Cocoa, Iowa. It

0:47:47.480 --> 0:47:49.279
<v Speaker 1>has been a big supporter of the podcast, Nick and

0:47:49.280 --> 0:47:52.160
<v Speaker 1>Wisconsin as well. Big fan. We didn't have time to

0:47:52.200 --> 0:47:54.160
<v Speaker 1>get your questions and a couple of other people who

0:47:54.160 --> 0:47:57.440
<v Speaker 1>I did not. I did not write your names down unfortunately,

0:47:57.480 --> 0:48:00.000
<v Speaker 1>but again, thank you for supporting the podcast. Give us

0:48:00.000 --> 0:48:03.040
<v Speaker 1>to review. We will read your review on a future episode,

0:48:03.080 --> 0:48:05.759
<v Speaker 1>the Saturday episode of the podcast. And again thanks to

0:48:05.760 --> 0:48:09.360
<v Speaker 1>Scott Farrell. Thank you Danny for booking that and getting

0:48:09.560 --> 0:48:11.880
<v Speaker 1>a hold of Scott. And it was wild and crazy

0:48:11.960 --> 0:48:14.400
<v Speaker 1>and zany and if you're a fan of radio, dudes,

0:48:14.920 --> 0:48:18.400
<v Speaker 1>Scott the first like thirty minutes of that interview and

0:48:18.480 --> 0:48:20.839
<v Speaker 1>first twenty minutes of any rather, whoa, what is going

0:48:20.880 --> 0:48:23.920
<v Speaker 1>on here? This is like next level. I've known Scott

0:48:23.960 --> 0:48:25.719
<v Speaker 1>Farrell for years. I know he does crazy stuff on

0:48:25.719 --> 0:48:28.040
<v Speaker 1>the radio, but I'm like, whoa. It was bare I

0:48:28.080 --> 0:48:30.120
<v Speaker 1>barely said anything. It was just him. He was bouncing

0:48:30.160 --> 0:48:32.520
<v Speaker 1>off the walls. It was wild on fire. What a

0:48:32.640 --> 0:48:36.239
<v Speaker 1>great week of radio at Fox Sports and with you

0:48:36.360 --> 0:48:38.959
<v Speaker 1>and the shows you did. Just a fun, fun week,

0:48:39.320 --> 0:48:42.440
<v Speaker 1>good times, good times. I'll be back in the magic

0:48:42.560 --> 0:48:46.319
<v Speaker 1>radio box tonight Terrestial Radio, eleven p m. Sunday night

0:48:46.400 --> 0:48:49.399
<v Speaker 1>in the West. That's two am Monday morning in the East,

0:48:49.440 --> 0:48:53.680
<v Speaker 1>two to six Eastern Time on Monday morning, eleven to

0:48:53.960 --> 0:48:56.400
<v Speaker 1>three in the West. And we'll be yapping about all

0:48:56.400 --> 0:48:58.800
<v Speaker 1>the big stories here that took place over the weekend.

0:48:59.440 --> 0:49:02.719
<v Speaker 1>And be safe, live long, and prosper, and we'll kitch

0:49:02.760 --> 0:49:06.759
<v Speaker 1>you next time. Gotta murder, gotta go, Gotta murder, gotta go.