1 00:00:00,960 --> 00:00:05,480 Speaker 1: Boom. If you thought four hours a day, minutes a 2 00:00:05,480 --> 00:00:09,200 Speaker 1: week was enough, I think again. He's the last remnants 3 00:00:09,200 --> 00:00:12,480 Speaker 1: of the old republic, a sole fashion of fairness. He 4 00:00:12,560 --> 00:00:15,480 Speaker 1: treats crackheads in the ghetto Cutter the same as the 5 00:00:15,600 --> 00:00:19,600 Speaker 1: rich pill poppers in the penthouse. The clearing House of 6 00:00:19,640 --> 00:00:23,439 Speaker 1: Hot takes break free for something special. The Fifth Hour 7 00:00:23,560 --> 00:00:32,600 Speaker 1: with Ben Maller starts right now in the air everywhere. 8 00:00:32,960 --> 00:00:37,640 Speaker 1: The Sunday Fifth Hour with Ben Maller and Danny g 9 00:00:37,960 --> 00:00:42,680 Speaker 1: Radio back at it again here to blow viate eight 10 00:00:43,040 --> 00:00:46,480 Speaker 1: days a week and uh. One of my favorite podcast 11 00:00:46,560 --> 00:00:50,080 Speaker 1: to do, The mailbag. Danny always look forward. You never 12 00:00:50,159 --> 00:00:52,479 Speaker 1: know what you're gonna get in the mailbag. See, normally 13 00:00:52,640 --> 00:00:56,640 Speaker 1: I put the mail bag together, and I don't typically 14 00:00:56,880 --> 00:00:59,800 Speaker 1: pay that close attention because I'm half asleep, you know, 15 00:00:59,800 --> 00:01:02,000 Speaker 1: I'm kind of in a trance when I'm putting the 16 00:01:02,040 --> 00:01:04,919 Speaker 1: email together. I'm just kind of cherry picking random email. 17 00:01:05,440 --> 00:01:07,760 Speaker 1: And so then when I when we do the podcast here, 18 00:01:08,400 --> 00:01:10,600 Speaker 1: it's like all of these are new emails because I 19 00:01:10,680 --> 00:01:13,319 Speaker 1: forget what's actually and I don't pay that close attention 20 00:01:13,800 --> 00:01:16,880 Speaker 1: when I'm actually putting the mail back together from the 21 00:01:17,000 --> 00:01:21,800 Speaker 1: random people and Remember we're replacing a multibillion dollar industry 22 00:01:21,800 --> 00:01:25,040 Speaker 1: in the NFL. No pressure, but we are the Sunday 23 00:01:25,160 --> 00:01:28,800 Speaker 1: entertainment now. Yes, that's right. The NFL was taken away 24 00:01:28,840 --> 00:01:31,160 Speaker 1: from our audience now, but we have nothing to compete 25 00:01:31,160 --> 00:01:34,720 Speaker 1: against us on Sunday, especially those lazy kind of Sunday afternoons. 26 00:01:34,920 --> 00:01:38,880 Speaker 1: And Baseball's got this labor crew fluffle thing, so who 27 00:01:38,920 --> 00:01:42,840 Speaker 1: knows when they'll be baseball again on a regular basis 28 00:01:42,920 --> 00:01:46,319 Speaker 1: during the regular season, So that's not waste any time. 29 00:01:46,319 --> 00:01:48,600 Speaker 1: I want to get right to the mailbag, and so 30 00:01:48,880 --> 00:02:01,200 Speaker 1: into it we go. Thanks every buddy Ohio Al who 31 00:02:01,280 --> 00:02:03,600 Speaker 1: sent that little ditty in a while back, and we 32 00:02:03,640 --> 00:02:06,240 Speaker 1: play that every mail bag. That is the official beginning 33 00:02:06,480 --> 00:02:08,640 Speaker 1: to the mail bag. If you like the podcast, you 34 00:02:08,639 --> 00:02:10,520 Speaker 1: want to support us, you can always give a review. 35 00:02:11,000 --> 00:02:13,240 Speaker 1: We talked about that on the Saturday podcast. We thank 36 00:02:13,280 --> 00:02:15,840 Speaker 1: you for that. But also if you want to add 37 00:02:15,919 --> 00:02:18,480 Speaker 1: content on the show here and help us out and 38 00:02:18,480 --> 00:02:20,519 Speaker 1: send a question in if there's something you you're curious 39 00:02:20,520 --> 00:02:22,600 Speaker 1: about it you just want to hear your name right 40 00:02:22,639 --> 00:02:24,240 Speaker 1: on the radio because you want to ask a question, 41 00:02:24,480 --> 00:02:26,920 Speaker 1: that's fine as well. You can send it in Questions 42 00:02:26,919 --> 00:02:29,480 Speaker 1: and comments are welcome in the mail bag. I normally 43 00:02:29,520 --> 00:02:32,760 Speaker 1: post on Tuesday early in the day on the Facebook 44 00:02:32,800 --> 00:02:35,000 Speaker 1: page and then I'll pin it to the top of 45 00:02:35,040 --> 00:02:40,360 Speaker 1: the page. Ben Mallers Show is the official work Facebook 46 00:02:40,400 --> 00:02:42,960 Speaker 1: page that we use for the show. And then we 47 00:02:43,040 --> 00:02:45,919 Speaker 1: also have the email. You can contact me Real fifth 48 00:02:45,919 --> 00:02:48,760 Speaker 1: Hour at gmail dot com. It's F I F T H. 49 00:02:48,880 --> 00:02:52,520 Speaker 1: Spell out fifth Real fifth Hour at gmail dot com. 50 00:02:52,600 --> 00:02:55,480 Speaker 1: And you can also send questions to Danny on Twitter. 51 00:02:55,919 --> 00:02:58,960 Speaker 1: Uh is Danny G Radio on Twitter? And to me, um, 52 00:02:59,320 --> 00:03:01,080 Speaker 1: don't send it to me on Twitter, I get I 53 00:03:01,080 --> 00:03:04,120 Speaker 1: don't want them to email me, send me an email 54 00:03:04,360 --> 00:03:08,040 Speaker 1: or post a message on the Facebook page. So the 55 00:03:08,120 --> 00:03:11,000 Speaker 1: email getting right into it? Do you have your hazmat 56 00:03:11,040 --> 00:03:14,440 Speaker 1: suit on? Danny? Are you prepared for the for the email? 57 00:03:14,440 --> 00:03:17,799 Speaker 1: What we're about to get here? Ready? Freddy? Alright? So 58 00:03:18,080 --> 00:03:22,320 Speaker 1: here we've got Yes, we do. Jennifer from a Richmond, Virginia. 59 00:03:22,320 --> 00:03:25,079 Speaker 1: Our friend Jennifer writes, since its hey, Ben and Danny G. 60 00:03:25,680 --> 00:03:28,919 Speaker 1: Have you ever been grocery shopping but in the middle 61 00:03:28,960 --> 00:03:31,959 Speaker 1: of it, for any reason, you decided you were done 62 00:03:32,720 --> 00:03:37,080 Speaker 1: over over it and you just want to leave whatever 63 00:03:37,440 --> 00:03:40,400 Speaker 1: didn't make it into the car you justify how you 64 00:03:40,480 --> 00:03:42,920 Speaker 1: don't really need it anyway and you'll get it later, 65 00:03:43,080 --> 00:03:46,240 Speaker 1: or you grab just the priorities in rush to check out. 66 00:03:46,920 --> 00:03:48,960 Speaker 1: And I'm not talking about the holiday season, just a 67 00:03:49,000 --> 00:03:52,960 Speaker 1: normal day. Or Am I the only weirdo that does that? 68 00:03:53,120 --> 00:03:57,320 Speaker 1: Sometimes against Jennifer, our friend from Richmond, Virginia, I've never 69 00:03:57,360 --> 00:04:01,400 Speaker 1: done that one, Jennifer. I am a meticulous grocery shopper. 70 00:04:02,160 --> 00:04:05,000 Speaker 1: I go on. I'm a man on a mission when 71 00:04:05,040 --> 00:04:06,280 Speaker 1: I go on and I want to get it. I 72 00:04:06,320 --> 00:04:07,840 Speaker 1: do want to get out of the grocery store as 73 00:04:07,880 --> 00:04:10,280 Speaker 1: quickly as possible. But I normally go at off hours 74 00:04:10,800 --> 00:04:13,240 Speaker 1: because of the overnight schedule that I have, and I'll 75 00:04:13,240 --> 00:04:16,960 Speaker 1: go at some really weird times. The stores around where 76 00:04:17,000 --> 00:04:20,080 Speaker 1: I live are not open twenty four hours, but I 77 00:04:20,120 --> 00:04:24,080 Speaker 1: will go right when they open or just before closing time. 78 00:04:24,880 --> 00:04:28,800 Speaker 1: And I usually do a big shopping trip to Costco 79 00:04:29,440 --> 00:04:31,599 Speaker 1: me and the wife on the weekends. But during the 80 00:04:31,640 --> 00:04:34,279 Speaker 1: week you know, there's always like random stuff you need 81 00:04:34,320 --> 00:04:36,239 Speaker 1: from time to time, and so I'll just go in quick. 82 00:04:36,520 --> 00:04:40,720 Speaker 1: But I've never walked out before my mission was done. 83 00:04:40,839 --> 00:04:43,200 Speaker 1: It's like running the New York Marathon and then getting 84 00:04:43,240 --> 00:04:47,480 Speaker 1: to the thirteen mile mark and saying we're good, We're good. 85 00:04:47,480 --> 00:04:50,440 Speaker 1: What about your Danny. Yeah, I've never abandoned ship at 86 00:04:50,440 --> 00:04:53,839 Speaker 1: a grocery store, but inside a store like Target. And 87 00:04:53,880 --> 00:04:56,400 Speaker 1: I think I learned this from my mom. You know, 88 00:04:56,440 --> 00:04:59,520 Speaker 1: there's all the internet jokes all the time about went 89 00:04:59,560 --> 00:05:02,520 Speaker 1: into Arget for one thing and walked out with two 90 00:05:02,560 --> 00:05:07,240 Speaker 1: hundred dollars worth of crap. I didn't. Well, she would 91 00:05:07,279 --> 00:05:11,320 Speaker 1: go into Target, spend hours shopping, and then before she 92 00:05:11,440 --> 00:05:14,960 Speaker 1: got to check out, she would, you know, start deducing, 93 00:05:15,400 --> 00:05:18,000 Speaker 1: do I really need this? I really need that? No, 94 00:05:18,520 --> 00:05:21,880 Speaker 1: and she'd start putting things back. By the time she 95 00:05:22,080 --> 00:05:26,960 Speaker 1: checked out, half the cart was emptied. Yeah. So she 96 00:05:26,960 --> 00:05:29,080 Speaker 1: she goes in, she gets everything she thinks she needs, 97 00:05:29,080 --> 00:05:30,320 Speaker 1: and then she's like, all right, let me do a 98 00:05:30,360 --> 00:05:33,919 Speaker 1: cost benefit analysis here, and she'll thin the her She's like, 99 00:05:33,920 --> 00:05:35,880 Speaker 1: I don't need that, you know, I don't I want 100 00:05:35,880 --> 00:05:40,080 Speaker 1: to go do that, you know? And probably I mean 101 00:05:40,160 --> 00:05:42,360 Speaker 1: smart for your budget, but not a good way to 102 00:05:42,480 --> 00:05:46,920 Speaker 1: use time. Probably, No. And and they have done social experiments. 103 00:05:47,320 --> 00:05:50,520 Speaker 1: The people that run these big stores like Target, Costco 104 00:05:50,800 --> 00:05:55,360 Speaker 1: and Gross just regularly big grocery stores. They know exactly 105 00:05:55,440 --> 00:05:58,640 Speaker 1: where to place items to get your attention when you're 106 00:05:58,640 --> 00:06:02,000 Speaker 1: walking through the store, and they've they've studied it's like 107 00:06:02,000 --> 00:06:04,640 Speaker 1: an art. If you show an item a certain amount 108 00:06:04,680 --> 00:06:07,360 Speaker 1: of times in the store, the person is more likely 109 00:06:07,400 --> 00:06:09,960 Speaker 1: to buy it, and you have it at eye level. 110 00:06:10,000 --> 00:06:13,680 Speaker 1: There's certainly it's crazy how much effort goes into that. 111 00:06:13,760 --> 00:06:16,640 Speaker 1: And then we're just dumb consumers. We're walking through like, oh, 112 00:06:16,839 --> 00:06:19,560 Speaker 1: oh wait a minute, here, Costco wants me to buy 113 00:06:19,560 --> 00:06:21,400 Speaker 1: that blender. I don't really need a blender, but it 114 00:06:21,440 --> 00:06:24,120 Speaker 1: looks really good. Look at all the smoothies I can 115 00:06:24,160 --> 00:06:27,000 Speaker 1: make if I had that blender. Well, I've read books. 116 00:06:27,000 --> 00:06:29,520 Speaker 1: I'm a big fan of infomercials because in a late 117 00:06:29,640 --> 00:06:33,560 Speaker 1: night I fell asleep. That's what I'm competing against. And 118 00:06:33,560 --> 00:06:36,320 Speaker 1: I remember when I was younger, I read a book 119 00:06:36,360 --> 00:06:41,120 Speaker 1: about infommercials and they also they're even better than the 120 00:06:41,120 --> 00:06:45,080 Speaker 1: big box stores because they have just a ten fifteen 121 00:06:45,080 --> 00:06:49,800 Speaker 1: minute paid segment, uh to sell their product and and 122 00:06:49,880 --> 00:06:53,280 Speaker 1: all the little mind hacks of you know, ratcheting up 123 00:06:53,320 --> 00:06:56,000 Speaker 1: the drama, limited supply. You know, you don't want to 124 00:06:56,040 --> 00:06:58,760 Speaker 1: miss out, and we're all wired like, oh, we don't 125 00:06:58,760 --> 00:07:00,680 Speaker 1: want to miss out, you know, fall almoll right, fear 126 00:07:00,720 --> 00:07:02,359 Speaker 1: of missing out. You don't want to miss out on 127 00:07:02,480 --> 00:07:06,160 Speaker 1: the car wax. You can light on fire because your 128 00:07:06,200 --> 00:07:08,719 Speaker 1: life will not be complete. You'll you'll go into the grave. 129 00:07:08,760 --> 00:07:11,000 Speaker 1: You'll be like, oh, if only I had that, my 130 00:07:11,040 --> 00:07:13,840 Speaker 1: life would be better. Anyway, we'll keep it going here. 131 00:07:13,920 --> 00:07:17,240 Speaker 1: What do we have all right? Jason and Rocky Mount 132 00:07:17,320 --> 00:07:21,040 Speaker 1: Virginia says, Hey, guys, love the Danny G Radio edition. 133 00:07:21,160 --> 00:07:23,600 Speaker 1: Much better and cooler than gas can Al those shot 134 00:07:23,640 --> 00:07:27,200 Speaker 1: at gascn Uh was what I want to know. He's 135 00:07:27,440 --> 00:07:29,800 Speaker 1: I've asked this before, so I guess this is really 136 00:07:29,800 --> 00:07:33,160 Speaker 1: for Danny G. Have you ever been hunting or fishing? 137 00:07:33,920 --> 00:07:37,720 Speaker 1: If so, give me the details. Love the podcast as 138 00:07:37,720 --> 00:07:40,800 Speaker 1: always the great Jason Rocky Mount, who is one of 139 00:07:40,800 --> 00:07:44,920 Speaker 1: the hat benefactors. He sent me a very nice hat 140 00:07:45,040 --> 00:07:47,920 Speaker 1: back back in the day. It was last year, Danny. 141 00:07:48,040 --> 00:07:51,679 Speaker 1: You ever been hunting, fishing any of that? Yeah? Actually 142 00:07:51,680 --> 00:07:54,400 Speaker 1: I have. When I was a little kid, my uncle 143 00:07:54,600 --> 00:07:58,160 Speaker 1: took me up into the woods in San Bernardino County. 144 00:07:58,200 --> 00:08:00,320 Speaker 1: Believe it or not, there is some willed and st 145 00:08:00,440 --> 00:08:03,640 Speaker 1: up in that area and he would go deer hunting. 146 00:08:03,680 --> 00:08:06,240 Speaker 1: He also had a bow and arrow, like one of 147 00:08:06,280 --> 00:08:08,480 Speaker 1: those pro bows, and he would take us up there 148 00:08:08,480 --> 00:08:10,720 Speaker 1: and let us shoot the bow and arrow, which I 149 00:08:10,800 --> 00:08:16,600 Speaker 1: thought was cool. I have never done that since, but 150 00:08:16,800 --> 00:08:20,680 Speaker 1: my dad fishes. In fact, he has invited me and 151 00:08:20,680 --> 00:08:22,640 Speaker 1: my older brother for the second year in a row 152 00:08:23,120 --> 00:08:27,320 Speaker 1: to a bass lake fishing derby where they tag some 153 00:08:27,720 --> 00:08:32,080 Speaker 1: smallmouth bass. They put like a ten thousand dollar tag 154 00:08:32,520 --> 00:08:34,160 Speaker 1: on a few of the fish that they throw in 155 00:08:34,200 --> 00:08:37,800 Speaker 1: the lake, A fifty thousand dollar fishes in there, and 156 00:08:37,840 --> 00:08:42,720 Speaker 1: then like a hundred one dollar fish supposedly are tagged. 157 00:08:42,720 --> 00:08:45,080 Speaker 1: Our joke is, how do we know that they really 158 00:08:45,120 --> 00:08:48,640 Speaker 1: did what they say they did? Well, exactly right, finding 159 00:08:48,679 --> 00:08:51,600 Speaker 1: a needle in a haystack, or have a bass in 160 00:08:51,640 --> 00:08:55,280 Speaker 1: the middle of a pond. Look. It was really funny 161 00:08:55,320 --> 00:08:58,920 Speaker 1: because on last year's boat, we're fishing, we're getting nothing. 162 00:08:59,640 --> 00:09:03,680 Speaker 1: We saw an eagle, which amazed us, but was even 163 00:09:03,720 --> 00:09:07,400 Speaker 1: more amazing he swooped down and grabbed a bass out 164 00:09:07,400 --> 00:09:11,320 Speaker 1: of the way and took off, and as everyone in 165 00:09:11,320 --> 00:09:16,319 Speaker 1: our boat is watching in amazement, just dead band, I said, well, 166 00:09:16,320 --> 00:09:23,280 Speaker 1: there goes the fifty dollar fish. Is that's outstanding? That 167 00:09:23,440 --> 00:09:26,480 Speaker 1: is out Yeah. I've only been fishing a couple of 168 00:09:26,600 --> 00:09:29,640 Speaker 1: random times, and it was one of those deals is like, 169 00:09:30,400 --> 00:09:33,800 Speaker 1: need to laugh. Yeah, it was city slickers. I didn't 170 00:09:33,840 --> 00:09:35,880 Speaker 1: know what the hell I was doing. I was out there, 171 00:09:35,920 --> 00:09:38,400 Speaker 1: it was a disaster and didn't catch it. Damn thing. 172 00:09:38,440 --> 00:09:42,319 Speaker 1: I've never been hunting. I've never done that, so maybe 173 00:09:42,320 --> 00:09:45,520 Speaker 1: at some point along the way, I'm not against it. 174 00:09:45,920 --> 00:09:48,880 Speaker 1: I mean I feel like I would be. Uh, I'm 175 00:09:49,040 --> 00:09:51,319 Speaker 1: much more testosterone danny if I went hunting. That's a 176 00:09:51,679 --> 00:09:54,280 Speaker 1: you know, I live. I live a life like everyone else. 177 00:09:54,320 --> 00:09:55,880 Speaker 1: If I want a piece of meat, I go to 178 00:09:55,920 --> 00:09:59,000 Speaker 1: the grocery store and they have anything I need, burgers, steak, 179 00:09:59,080 --> 00:10:01,480 Speaker 1: whatever I need, but that they have to to get 180 00:10:01,520 --> 00:10:04,200 Speaker 1: it and to chop it up and all that. That's 181 00:10:04,760 --> 00:10:08,240 Speaker 1: that's old school. These years later, I want that bow. 182 00:10:08,320 --> 00:10:10,280 Speaker 1: That uncle is still alive. I hope he leaves his 183 00:10:10,320 --> 00:10:14,320 Speaker 1: bow and arrows to me and his will. You might 184 00:10:14,440 --> 00:10:21,360 Speaker 1: be the beneficiary down the line. It's Barry and Nashville 185 00:10:21,400 --> 00:10:24,640 Speaker 1: says yo yo mob Benny. What's the biggest challenge you 186 00:10:24,720 --> 00:10:28,400 Speaker 1: face when you sit in for a different radio host show. Well, 187 00:10:28,440 --> 00:10:30,959 Speaker 1: we addressed this a little bit yesterday, Barry. But the 188 00:10:31,120 --> 00:10:34,680 Speaker 1: simple answer is to not funk up. That's the that's 189 00:10:34,720 --> 00:10:38,000 Speaker 1: the simple answer. But for me, you know, typically it 190 00:10:38,120 --> 00:10:42,000 Speaker 1: is adjusting my sleep schedule. And I mentioned that I'm 191 00:10:42,040 --> 00:10:46,080 Speaker 1: still all kind of wonky. Everything's backwards. It's gonna take 192 00:10:46,120 --> 00:10:48,920 Speaker 1: a couple more days here for that to turn around. 193 00:10:49,000 --> 00:10:52,240 Speaker 1: But that and also just you have to when when 194 00:10:52,240 --> 00:10:54,680 Speaker 1: your house sitting, you have to act a certain way, 195 00:10:54,800 --> 00:10:58,200 Speaker 1: and so that's always a challenge. I'm actually on the 196 00:10:58,280 --> 00:11:01,080 Speaker 1: live are and there's a little more pressure when you're 197 00:11:01,080 --> 00:11:03,840 Speaker 1: on during the day because the big corporate muckety MUCKs 198 00:11:03,880 --> 00:11:06,240 Speaker 1: are listening and they're not usually listening to me overnight. 199 00:11:06,280 --> 00:11:10,960 Speaker 1: So it's a it's a hole. Different worlds uncharted waters 200 00:11:11,360 --> 00:11:14,200 Speaker 1: is what it is when you're doing stuff at different times. 201 00:11:14,240 --> 00:11:16,480 Speaker 1: But it's nice, rare and appropriate, Dan, That's what I 202 00:11:16,520 --> 00:11:20,920 Speaker 1: was at. Rare and appropriate unless there is a gigantic 203 00:11:21,160 --> 00:11:26,400 Speaker 1: check associated with it, and then then we're good on that. Otherwise, 204 00:11:26,920 --> 00:11:29,920 Speaker 1: I'm good at my little my little cubicle off to 205 00:11:29,960 --> 00:11:34,160 Speaker 1: the side here, I'm good with that ringing every once 206 00:11:34,200 --> 00:11:36,880 Speaker 1: in a while, like, oh, my guard, hold on second here, Now, 207 00:11:36,920 --> 00:11:38,800 Speaker 1: this is a this is a take that will work 208 00:11:38,880 --> 00:11:42,040 Speaker 1: at two in the morning, But will this work with 209 00:11:42,200 --> 00:11:45,880 Speaker 1: the business crowd? You know, I could say this at 210 00:11:45,880 --> 00:11:49,959 Speaker 1: two in the morning and I get around of applause. 211 00:11:51,080 --> 00:11:52,760 Speaker 1: But during the day I might get that. You know, 212 00:11:52,800 --> 00:11:56,120 Speaker 1: I don't want that. So I am Carlos. You when 213 00:11:56,160 --> 00:11:58,080 Speaker 1: your ship is floating through the night, it's called the 214 00:11:58,120 --> 00:12:01,440 Speaker 1: Safe Harbor. Yes, so I am the captain of the 215 00:12:01,480 --> 00:12:07,559 Speaker 1: Safe Heart. Got mail, yea? I got mail yea. Carlos 216 00:12:07,679 --> 00:12:10,480 Speaker 1: in Houston, right, sinces I absolutely love when you guys 217 00:12:10,520 --> 00:12:14,360 Speaker 1: talk about the behind the scenes stuff. And he then says, 218 00:12:14,400 --> 00:12:18,320 Speaker 1: I think that see O see you next Tuesday. Old 219 00:12:18,360 --> 00:12:21,719 Speaker 1: Hag from Florida should get in the verbal octagon with 220 00:12:21,760 --> 00:12:27,120 Speaker 1: Tammy in Montana and uh, and then Carlos says, uh. 221 00:12:27,200 --> 00:12:29,640 Speaker 1: He wants to annoy Danny G. You know what he 222 00:12:29,679 --> 00:12:31,680 Speaker 1: wants to annoy Danny G with What do you think 223 00:12:31,760 --> 00:12:36,600 Speaker 1: Carlos wants to annoy you with? No? Not the nicknames? Yes, 224 00:12:36,720 --> 00:12:40,240 Speaker 1: he says, sorry, Danny, I would like a nickname Rundown. So, 225 00:12:41,360 --> 00:12:43,520 Speaker 1: as we say, you know the podcast, anything goes the 226 00:12:43,520 --> 00:12:46,680 Speaker 1: listeners always right, Danny. So I am known as Carlos. 227 00:12:46,720 --> 00:12:48,840 Speaker 1: You're aware this. I'm known as the Baron of bald Dash, 228 00:12:49,120 --> 00:12:55,240 Speaker 1: big gall bladder manas the Menace, Captain knee Jerk, the 229 00:12:55,360 --> 00:12:58,240 Speaker 1: General of the generates, the tay Coon of tea is, 230 00:12:58,320 --> 00:13:02,760 Speaker 1: the master of does Aster, the hustler of Philipbuster the 231 00:13:03,000 --> 00:13:07,960 Speaker 1: night light Life. No, we don't need any of that, 232 00:13:08,120 --> 00:13:15,040 Speaker 1: puddler of producers, Benny Brightside, manity of Insanity, Marconi Mallard, 233 00:13:16,080 --> 00:13:21,240 Speaker 1: money Line Mallard, emissary of embellishment, Weeknight wind Bag Wizard, 234 00:13:21,240 --> 00:13:25,880 Speaker 1: a wacky slayer of naysayers, Grant Goober of gab screw you, 235 00:13:25,920 --> 00:13:32,719 Speaker 1: Bill Miller, Tower of Babel, honest adonist, nocturnal Colonel, the 236 00:13:32,920 --> 00:13:38,120 Speaker 1: underdog of monologue, and the Holy Pope of the Slippery Slope. 237 00:13:38,160 --> 00:13:40,760 Speaker 1: And that is only part of the nickname Rundown. And 238 00:13:40,760 --> 00:13:43,640 Speaker 1: as for you, Carlos my man, one of the few 239 00:13:43,679 --> 00:13:47,800 Speaker 1: good guys in Houston, a wretched place where they supported 240 00:13:47,880 --> 00:13:50,679 Speaker 1: cheaters back in the day. And the Astros, though I 241 00:13:50,679 --> 00:13:53,319 Speaker 1: haven't had to worry about them, the cheating Astros in 242 00:13:53,360 --> 00:13:57,120 Speaker 1: a while, not on my radar right now now they 243 00:13:57,160 --> 00:14:02,119 Speaker 1: are not anyway. Move By the way, remember last weekend's 244 00:14:02,120 --> 00:14:05,640 Speaker 1: mail bag, a listener asked about that drop. You got 245 00:14:05,679 --> 00:14:09,320 Speaker 1: to be kidding me, yes, And that Eddie and myself 246 00:14:09,360 --> 00:14:12,680 Speaker 1: would play whenever you did. Those stupid nicknames. Well, I 247 00:14:12,880 --> 00:14:17,520 Speaker 1: found that. You have got to be kidding me. A ha, 248 00:14:18,160 --> 00:14:21,520 Speaker 1: it's from your boy, Hawk Harelson, Hawk Carrolson. Yeah, the 249 00:14:21,520 --> 00:14:23,720 Speaker 1: White Sox. He retired the old White Sox Hall of 250 00:14:23,720 --> 00:14:26,960 Speaker 1: Fame broadcaster, Hawk Carrolson. I've met him a few times 251 00:14:26,960 --> 00:14:28,560 Speaker 1: that you know. They called him the Hawk. He used 252 00:14:28,560 --> 00:14:30,960 Speaker 1: to play for the White Sox and they called him 253 00:14:31,000 --> 00:14:33,320 Speaker 1: Hawk because his nose is like a beak of a hawk. 254 00:14:34,280 --> 00:14:37,080 Speaker 1: His name. Well, I have that drop now, so anytime 255 00:14:37,120 --> 00:14:39,040 Speaker 1: you try to pull that, I'm gonna keep playing that 256 00:14:39,160 --> 00:14:41,840 Speaker 1: drop on you, all right, and you can go ahead 257 00:14:41,880 --> 00:14:44,320 Speaker 1: and knock yourself out there, big guy, I'm I'm prepared. 258 00:14:44,880 --> 00:14:49,160 Speaker 1: You have got to be kidding me. I also, finally, 259 00:14:49,320 --> 00:14:54,960 Speaker 1: and it took two weeks, I found the Negros drop. No, no, yes, 260 00:14:55,320 --> 00:14:59,000 Speaker 1: don't do that. HOWB tried to hide it? Somebody tried 261 00:14:59,040 --> 00:15:01,240 Speaker 1: to hide it in the puter system. It says do 262 00:15:01,320 --> 00:15:07,840 Speaker 1: not play. Well, I think we know why that is 263 00:15:07,880 --> 00:15:10,520 Speaker 1: on the do not playlist. But all those negroes look 264 00:15:10,560 --> 00:15:13,400 Speaker 1: the same. Why wouldn't you just delete it? Right? Like? 265 00:15:13,480 --> 00:15:15,720 Speaker 1: What is the mindset of do not play? Why not 266 00:15:15,880 --> 00:15:20,120 Speaker 1: just click the delete button? Probably we need it for evidence. 267 00:15:20,160 --> 00:15:25,120 Speaker 1: When the FCC files they're complaining before. Yeah, I can't 268 00:15:25,120 --> 00:15:27,560 Speaker 1: wait for that. I mean, I'll be so excited for that. 269 00:15:29,000 --> 00:15:33,080 Speaker 1: All right, let's see what do we have here? Is? Yes, 270 00:15:33,200 --> 00:15:36,560 Speaker 1: we do. Next email comes in from Tammy in Montana. 271 00:15:37,520 --> 00:15:40,120 Speaker 1: I guess I can I cleaned I cleaned this word 272 00:15:40,160 --> 00:15:42,440 Speaker 1: up the last time, but we're on the podcast, so 273 00:15:42,480 --> 00:15:44,640 Speaker 1: I could say I could say this word right, I can. 274 00:15:44,880 --> 00:15:47,000 Speaker 1: Anything kind of goes on the podcast right now for 275 00:15:47,040 --> 00:15:49,880 Speaker 1: the most part. Uh, this is from Tammy and Montana. 276 00:15:50,640 --> 00:15:55,160 Speaker 1: Very polite, very charming woman, the patron saint, the mother 277 00:15:55,320 --> 00:15:58,640 Speaker 1: Teresa of the Mallams. She she always looks out for 278 00:15:58,720 --> 00:16:01,440 Speaker 1: some of our more interesting characters on the show that 279 00:16:01,520 --> 00:16:04,280 Speaker 1: a little down on their luck, and Tammy and Montana 280 00:16:04,360 --> 00:16:06,600 Speaker 1: right since he says the podcast is great as it 281 00:16:06,680 --> 00:16:11,240 Speaker 1: has been from inception from the point of inception. Helen. 282 00:16:11,320 --> 00:16:16,520 Speaker 1: Now this is Helen and Stu. These two, Helen and Steu, 283 00:16:17,080 --> 00:16:20,680 Speaker 1: very controversial, these two in Florida. So Helen wrote a 284 00:16:20,760 --> 00:16:23,840 Speaker 1: nasty message last I think it was last week about 285 00:16:23,960 --> 00:16:28,800 Speaker 1: Tammy and Montana. So now Tammy is giving her rebuttal 286 00:16:29,320 --> 00:16:34,280 Speaker 1: and this really is like a heavyweight boxing match. It 287 00:16:34,400 --> 00:16:38,440 Speaker 1: is absolutely like that. So I'm gonna read this verbatim, 288 00:16:38,480 --> 00:16:40,640 Speaker 1: and I'm not going to clean it up because we 289 00:16:40,760 --> 00:16:44,280 Speaker 1: read what Helen said, and I will read now what 290 00:16:44,960 --> 00:16:49,040 Speaker 1: the rebuttal from Tammy and Montana. So says Benny, Danny 291 00:16:49,080 --> 00:16:53,600 Speaker 1: g the podcast is great. Helen is another Karen. She 292 00:16:53,840 --> 00:16:59,920 Speaker 1: is a canue out jealous, is what it says here. 293 00:17:01,200 --> 00:17:06,120 Speaker 1: Her anger comes from having dildo denial. I've never heard 294 00:17:06,160 --> 00:17:07,919 Speaker 1: that one, Danny. Have you ever heard that one? I 295 00:17:07,960 --> 00:17:11,600 Speaker 1: don't know, I've never heard that. Will you be adding? Danny, 296 00:17:11,600 --> 00:17:13,600 Speaker 1: will be adding bleeps to this? Are you? And when 297 00:17:13,720 --> 00:17:17,480 Speaker 1: we play this back, are we gonna? I think what 298 00:17:17,520 --> 00:17:20,440 Speaker 1: I'm gonna do is bleep it? But you could still 299 00:17:20,480 --> 00:17:23,280 Speaker 1: tell what the word. That's the way. That's the way 300 00:17:23,320 --> 00:17:26,080 Speaker 1: to do it. Yeah, yeah, that's uh. I used to 301 00:17:26,119 --> 00:17:28,400 Speaker 1: listen my favorite radio show as a kid, the Jim 302 00:17:28,400 --> 00:17:30,600 Speaker 1: Healy Show, and that's what he would do. He would 303 00:17:30,640 --> 00:17:35,200 Speaker 1: play like the Lee Elia Drop, but just put the 304 00:17:35,240 --> 00:17:37,080 Speaker 1: bleep in. It's just a little late. So it was 305 00:17:37,119 --> 00:17:42,320 Speaker 1: like this and I was like, yeah, yeah, you could 306 00:17:42,320 --> 00:17:46,639 Speaker 1: still hear the and the but yeah, you get a 307 00:17:46,640 --> 00:17:49,760 Speaker 1: little bleep. In one of the reviews I read, the 308 00:17:49,800 --> 00:17:52,080 Speaker 1: listener said he liked it better when it was like 309 00:17:52,200 --> 00:17:55,359 Speaker 1: that rather than just hearing us curse. So once in 310 00:17:55,400 --> 00:17:57,639 Speaker 1: a while, if you or I drop an F bomb, 311 00:17:57,840 --> 00:18:00,520 Speaker 1: I'll do the Healy trick on it. Yeah, and I'm 312 00:18:00,560 --> 00:18:02,280 Speaker 1: fine with that. I'm five. If you want to bleep 313 00:18:02,400 --> 00:18:04,560 Speaker 1: what I say, you know, I say, for example, let's 314 00:18:04,560 --> 00:18:08,200 Speaker 1: do this right now, let's do a test rating skills. Uh, 315 00:18:08,600 --> 00:18:13,760 Speaker 1: what are the seven deadly words? Cooksucker? I think those 316 00:18:13,800 --> 00:18:16,800 Speaker 1: are some of the deadly words. And so I just 317 00:18:16,840 --> 00:18:19,320 Speaker 1: said them, but you won't actually hear them. Can you 318 00:18:19,359 --> 00:18:22,880 Speaker 1: say asshole? Uh? You can say ass and you can 319 00:18:22,920 --> 00:18:26,199 Speaker 1: say whole. You gotta pause for one second. You have 320 00:18:26,280 --> 00:18:30,280 Speaker 1: to say asked one as a whole like that, because 321 00:18:30,280 --> 00:18:33,400 Speaker 1: God forbid you know, you just say asshole? Got it? 322 00:18:33,760 --> 00:18:36,760 Speaker 1: You can't you can't. You can't say somebody was taking 323 00:18:36,760 --> 00:18:39,800 Speaker 1: a ship because that's a bodily function. You can't say 324 00:18:39,800 --> 00:18:44,479 Speaker 1: I went outside and took a bit because the bodily function. Yeah. 325 00:18:44,640 --> 00:18:48,600 Speaker 1: Who decided that we can't hear bodily functions? Somebody that 326 00:18:48,920 --> 00:18:51,000 Speaker 1: wanted to be able to eat their lunch while they 327 00:18:51,040 --> 00:18:54,320 Speaker 1: listen to the radio without getting an upset stomach, I guess. 328 00:18:55,160 --> 00:18:58,520 Speaker 1: Remember Carlin did the famous bit to seven deadly words. 329 00:18:58,560 --> 00:19:01,359 Speaker 1: And it's actually it's like more than seven because it's 330 00:19:01,359 --> 00:19:04,400 Speaker 1: a lot of phrases, right, there's a lot of phrases 331 00:19:04,440 --> 00:19:07,400 Speaker 1: you can't you can't say. I think he parodied that. 332 00:19:07,600 --> 00:19:10,520 Speaker 1: Wasn't Carlin took that off? The seven Deadly Sins, right, 333 00:19:10,600 --> 00:19:13,320 Speaker 1: wasn't that is? Yes, it was like a parody. And 334 00:19:13,400 --> 00:19:16,720 Speaker 1: of course those were all famously read to Howard Stern 335 00:19:16,800 --> 00:19:20,840 Speaker 1: in his movie Oh Yes, Yes. Well, we had another 336 00:19:21,200 --> 00:19:24,479 Speaker 1: reference to the podcast on Friday, but we had Farrell 337 00:19:24,560 --> 00:19:27,040 Speaker 1: on who worked for Howard Stern. He told some some 338 00:19:27,160 --> 00:19:29,719 Speaker 1: interesting stories about Howard who would show up the parties 339 00:19:29,720 --> 00:19:33,240 Speaker 1: for like ten minutes of these massive Galla parties and 340 00:19:33,240 --> 00:19:35,600 Speaker 1: and then he would, you know, show up for ten 341 00:19:35,600 --> 00:19:38,000 Speaker 1: minutes to have a drink and then leave and everyone 342 00:19:38,160 --> 00:19:40,160 Speaker 1: where'd he go? And and that? So I think he's 343 00:19:40,240 --> 00:19:41,919 Speaker 1: I think I'm wired the same way because that's how 344 00:19:41,960 --> 00:19:43,199 Speaker 1: I would want to do that. I'd be like, oh, 345 00:19:43,320 --> 00:19:46,119 Speaker 1: everyone have a great times and I'll get out of it. 346 00:19:46,680 --> 00:19:50,880 Speaker 1: That's gonna be the Ben Mallard super Bowl party in Glendale, Arizona. Yeah, 347 00:19:50,920 --> 00:19:54,600 Speaker 1: we're gonna be there early. So allright, have I have 348 00:19:54,640 --> 00:19:56,320 Speaker 1: in front of me? Dowd Danny through the magic of 349 00:19:56,359 --> 00:20:00,640 Speaker 1: the Internet the seven Deadly words as were written Carlin 350 00:20:01,560 --> 00:20:08,800 Speaker 1: in nine two. So it's a pitch fuck cockers. Those 351 00:20:08,840 --> 00:20:12,719 Speaker 1: are the those are the magic words, according to I 352 00:20:12,720 --> 00:20:15,560 Speaker 1: guess if somebody said tits what about what Mike North 353 00:20:15,680 --> 00:20:21,679 Speaker 1: used to say, he used to say orioles, Yeah, I 354 00:20:21,680 --> 00:20:24,360 Speaker 1: would be running. I'd be running the board on daybreak 355 00:20:24,440 --> 00:20:27,720 Speaker 1: and We'll be talking about his neighbor true Story on 356 00:20:27,840 --> 00:20:30,800 Speaker 1: the Area's Live and he's like my neighbor. He's a 357 00:20:30,920 --> 00:20:34,720 Speaker 1: nice fella for an oriental well the studio or like 358 00:20:34,800 --> 00:20:38,520 Speaker 1: what did he just say? Oh my god, Yeah, for sure, 359 00:20:38,600 --> 00:20:41,760 Speaker 1: and it's you. I love my We've had Mike on 360 00:20:41,800 --> 00:20:44,480 Speaker 1: the podcast, but Mike's from the old school, right, and 361 00:20:44,680 --> 00:20:47,320 Speaker 1: we've all, we we guys around our age, we've all 362 00:20:47,359 --> 00:20:53,080 Speaker 1: had the uncomfortable uncle or grandpa who just doesn't give 363 00:20:53,119 --> 00:20:57,840 Speaker 1: a sh and uh, and you know, there's it's very awkward. 364 00:20:58,040 --> 00:21:00,000 Speaker 1: You know it's and you're you're sitting in a restaurant 365 00:21:00,080 --> 00:21:05,000 Speaker 1: u and you know, not that I'm the word please, 366 00:21:05,119 --> 00:21:07,600 Speaker 1: but I I don't want to make people feel uncomfortable. 367 00:21:07,600 --> 00:21:10,359 Speaker 1: But I have no control over what my relatives say. 368 00:21:10,440 --> 00:21:14,200 Speaker 1: And there's a there's many different ways to say certain 369 00:21:14,359 --> 00:21:18,679 Speaker 1: ethnicities that the some are acceptable on applied society and 370 00:21:18,680 --> 00:21:21,800 Speaker 1: others or not. And you never know. I was at 371 00:21:21,960 --> 00:21:23,439 Speaker 1: a part of this guy was not related to me, 372 00:21:23,480 --> 00:21:27,520 Speaker 1: but this guy Vinny who showed up to the Christmas party. 373 00:21:27,520 --> 00:21:30,800 Speaker 1: I got COVID at the Christmas Eve party and that 374 00:21:30,840 --> 00:21:33,040 Speaker 1: guy was, Oh my god, he was like he was 375 00:21:33,119 --> 00:21:36,119 Speaker 1: like from that Benny Hill show. Not Benny, it was 376 00:21:36,160 --> 00:21:41,280 Speaker 1: the Uh Archie Griffin. Was that the one all in 377 00:21:41,280 --> 00:21:44,360 Speaker 1: the family? Yeah, exactly. It was like that old sitcom 378 00:21:44,440 --> 00:21:49,960 Speaker 1: from Archie Bunker, I said, I say, Archie Griffin the cartoon? 379 00:21:50,760 --> 00:21:53,520 Speaker 1: Hell was that? Where the hell did that come from? 380 00:21:54,040 --> 00:21:59,440 Speaker 1: I was that in my head? Uh? Insane? You're right though, 381 00:21:59,440 --> 00:22:04,400 Speaker 1: our fame drop the computer, the CPU voice that we've 382 00:22:04,480 --> 00:22:07,920 Speaker 1: used for years. I wish I could have a speaker 383 00:22:08,320 --> 00:22:11,040 Speaker 1: connected to my belt and be able to play that 384 00:22:11,160 --> 00:22:14,560 Speaker 1: racist drop on some of these older folks. Oh it's 385 00:22:14,600 --> 00:22:17,200 Speaker 1: that is the most I would say, the most popular 386 00:22:17,280 --> 00:22:20,280 Speaker 1: drop that's regularly used. People love that, they love it. 387 00:22:20,760 --> 00:22:23,320 Speaker 1: But what I've noticed, Danny over the years with with 388 00:22:23,400 --> 00:22:27,520 Speaker 1: you and then Roberto playing the drop, is they love 389 00:22:27,600 --> 00:22:30,800 Speaker 1: it when it's out of context, When when you're not 390 00:22:30,880 --> 00:22:35,040 Speaker 1: saying anything remotely racist, and you play that, that gets 391 00:22:35,119 --> 00:22:37,800 Speaker 1: the biggest laugh. I love to play it. Whatever you 392 00:22:37,800 --> 00:22:40,600 Speaker 1: would say, like imagine the coach riding out on the 393 00:22:40,600 --> 00:22:49,080 Speaker 1: white board, it's gonna be black Friday anytime sounds like 394 00:22:49,119 --> 00:22:52,320 Speaker 1: it could be racist, but it's definitely not. That's when 395 00:22:52,320 --> 00:22:55,040 Speaker 1: you play that drop Yeah. And the funny thing about 396 00:22:55,080 --> 00:22:57,439 Speaker 1: that is when you started doing that on the show, 397 00:22:58,400 --> 00:23:01,480 Speaker 1: that was just a funny. But now in society now 398 00:23:01,560 --> 00:23:04,440 Speaker 1: it's kind of like that where everything is racist, like, 399 00:23:04,680 --> 00:23:07,640 Speaker 1: you know, you can't do anything. It's all racist, which 400 00:23:07,720 --> 00:23:09,840 Speaker 1: is fascinating that we did that as a cheesy bit 401 00:23:09,960 --> 00:23:13,760 Speaker 1: on the radio. And now society well, and I say society, 402 00:23:13,880 --> 00:23:19,639 Speaker 1: I think there is social media society and decorum and 403 00:23:19,680 --> 00:23:22,000 Speaker 1: then there's like real world society. I don't think the 404 00:23:22,040 --> 00:23:25,040 Speaker 1: two of them aligned. You know, it's I often talk 405 00:23:25,080 --> 00:23:26,960 Speaker 1: about it being the matrix. But anyway, that is a 406 00:23:27,640 --> 00:23:29,359 Speaker 1: we got carried well. I don't think I finished reading 407 00:23:29,359 --> 00:23:31,479 Speaker 1: the email from Tammy and Montana. She's probably like, what 408 00:23:31,520 --> 00:23:34,160 Speaker 1: the hell you stopped at dildo denial? What's wrong with you? 409 00:23:35,119 --> 00:23:38,520 Speaker 1: Email continues, She says, if she wasn't talking about Helen, 410 00:23:38,560 --> 00:23:43,000 Speaker 1: if she wasn't such a bragging, negative, narcissistic, cold hearted prude. 411 00:23:43,560 --> 00:23:47,159 Speaker 1: People would like her, and Stu may want to bend 412 00:23:47,160 --> 00:23:51,080 Speaker 1: her over Wow a position that he doesn't have to 413 00:23:51,160 --> 00:23:56,720 Speaker 1: look at her hideous face. Hideous Helen hides behind her keyboard. 414 00:23:56,840 --> 00:24:01,080 Speaker 1: Usually people that bragg are notorious for being wires. Tammy 415 00:24:01,119 --> 00:24:04,399 Speaker 1: and Montana says anytime she wants to do a verbal 416 00:24:04,440 --> 00:24:08,840 Speaker 1: octagon on the show, I will take the night off 417 00:24:08,960 --> 00:24:12,920 Speaker 1: from work, and she signs it Tammy and Montana, Let's 418 00:24:13,000 --> 00:24:17,320 Speaker 1: go bitch Wow. I would like to get all these 419 00:24:17,359 --> 00:24:21,280 Speaker 1: folks together in the same room, serve them some Kirkland 420 00:24:21,400 --> 00:24:25,440 Speaker 1: brand alcohol, give him some Benny the bobble heads that 421 00:24:25,520 --> 00:24:29,080 Speaker 1: we're gonna have made from our promotions department, and have 422 00:24:29,200 --> 00:24:33,359 Speaker 1: them sing some Kumbayas together Ben and see if we 423 00:24:33,400 --> 00:24:37,200 Speaker 1: could change the world. They get very fired up. It's 424 00:24:37,280 --> 00:24:40,000 Speaker 1: it's just a dopey weekend podcast. You don't need to 425 00:24:40,040 --> 00:24:43,800 Speaker 1: get all worked up. Oh my god, the hell? And 426 00:24:43,920 --> 00:24:48,920 Speaker 1: Tammy she is amazing because Tammy is like the sweetest woman. 427 00:24:48,960 --> 00:24:52,080 Speaker 1: She helps out all these people, but then she turns 428 00:24:52,119 --> 00:24:57,640 Speaker 1: into this like raging, insane, angry I am going to 429 00:24:57,640 --> 00:25:02,159 Speaker 1: take down the world woman, it's a wild, wild wild right. 430 00:25:02,920 --> 00:25:07,080 Speaker 1: Moving on, I got mail, yea, I got mail ya, 431 00:25:07,840 --> 00:25:11,240 Speaker 1: it's not that exciting. Pierre from Springfield, home of the 432 00:25:11,320 --> 00:25:13,280 Speaker 1: Pro Basketball Hall of Fame where you can see Muffin 433 00:25:13,359 --> 00:25:18,280 Speaker 1: McGraw and shrine there says some hot radio talk for you, Ben. 434 00:25:18,359 --> 00:25:22,399 Speaker 1: How often do you record commercials between breaks? And is 435 00:25:22,440 --> 00:25:26,040 Speaker 1: this why your extra salty on some days? You mentioned 436 00:25:26,080 --> 00:25:28,159 Speaker 1: that you don't like to talk during the breaks, and 437 00:25:28,200 --> 00:25:31,280 Speaker 1: I remember not long ago you had a tough time 438 00:25:31,320 --> 00:25:33,879 Speaker 1: recording a spot in the allotted time, only to have 439 00:25:33,960 --> 00:25:36,560 Speaker 1: Coop tell you it didn't matter because it was for 440 00:25:36,600 --> 00:25:43,280 Speaker 1: the podcast. Yes, Pierre, I record usually once every couple 441 00:25:43,359 --> 00:25:46,720 Speaker 1: of weeks. We'll have a recording session that's typically during 442 00:25:46,760 --> 00:25:48,520 Speaker 1: the show. Sometimes I have to do it after the show, 443 00:25:48,560 --> 00:25:52,320 Speaker 1: which I don't like. And it's a network radio show, 444 00:25:52,359 --> 00:25:54,879 Speaker 1: so the commercials have to be either thirty or sixty seconds, 445 00:25:54,880 --> 00:25:58,440 Speaker 1: depending on how much the advertiser pays for and uh, 446 00:25:58,600 --> 00:26:03,880 Speaker 1: they typically give you about two minutes of copy, about 447 00:26:03,920 --> 00:26:06,560 Speaker 1: two minutes of copy to get a thirty second commercial. 448 00:26:06,640 --> 00:26:09,400 Speaker 1: And I'm not a fast I'm not a fast reader, 449 00:26:10,320 --> 00:26:13,080 Speaker 1: so it becomes problematic and I like to put my 450 00:26:13,119 --> 00:26:16,080 Speaker 1: own touch on the commercials. I like to add things 451 00:26:16,119 --> 00:26:20,480 Speaker 1: that aren't in the copy, which sometimes I get in 452 00:26:20,520 --> 00:26:23,160 Speaker 1: trouble usually when I do that, but I I feel 453 00:26:23,160 --> 00:26:25,359 Speaker 1: like it. You know, maybe it's just me, but I 454 00:26:25,400 --> 00:26:28,320 Speaker 1: feel like that makes it more enjoyable for the listener 455 00:26:28,400 --> 00:26:32,399 Speaker 1: and for the advertiser that you personalize the commercial. But 456 00:26:32,520 --> 00:26:35,920 Speaker 1: not everyone wants the commercial personalized. I turned in one 457 00:26:35,920 --> 00:26:38,880 Speaker 1: of your commercials one time and sales kicked it back 458 00:26:38,920 --> 00:26:40,720 Speaker 1: to me and they're like, we don't want Ben to 459 00:26:40,760 --> 00:26:44,880 Speaker 1: say his name and that commercial. I was told by 460 00:26:45,320 --> 00:26:47,760 Speaker 1: a guy when I first got in the business, and 461 00:26:47,800 --> 00:26:49,119 Speaker 1: this guy had made a lot of money as an 462 00:26:49,160 --> 00:26:51,000 Speaker 1: older guy. He's not in the business anymore. He told 463 00:26:51,040 --> 00:26:53,119 Speaker 1: me said, man, you know they're gonna have you do 464 00:26:53,160 --> 00:26:55,080 Speaker 1: these commercials, and sometimes they're not gonna pay you for 465 00:26:55,119 --> 00:26:57,760 Speaker 1: these commercials. So you take advantage of this. Every time 466 00:26:57,800 --> 00:27:00,560 Speaker 1: they give you a commercial, you put your name on that. 467 00:27:00,560 --> 00:27:03,520 Speaker 1: That way you are promoting your brand. You're not getting paid, 468 00:27:03,560 --> 00:27:05,919 Speaker 1: so the only money you're getting is your promotion for 469 00:27:05,960 --> 00:27:08,240 Speaker 1: your name, and make sure your name is in there. 470 00:27:08,240 --> 00:27:10,680 Speaker 1: So every time some listener here's that commercial, they put 471 00:27:10,720 --> 00:27:13,240 Speaker 1: your name in there. And that way, while you're not 472 00:27:13,280 --> 00:27:17,920 Speaker 1: getting paid money. You're getting paid with promotion. You're promoting 473 00:27:17,920 --> 00:27:20,119 Speaker 1: your brand. And so I've always done that. I've always 474 00:27:20,119 --> 00:27:23,000 Speaker 1: thrown my name in either the first name or the 475 00:27:23,080 --> 00:27:25,479 Speaker 1: last name, and I've always I will continue to do it, 476 00:27:25,960 --> 00:27:28,760 Speaker 1: and if anybody doesn't want me to do that, then 477 00:27:28,840 --> 00:27:30,199 Speaker 1: you can pay me a ton of money and then 478 00:27:30,200 --> 00:27:32,479 Speaker 1: I will not put my name in it. That I'm 479 00:27:32,760 --> 00:27:35,520 Speaker 1: steal that. That's how I do it. Danny and I 480 00:27:35,560 --> 00:27:46,359 Speaker 1: was Mercedes Benz. But that wasn't weird. They're they're gonna that. Yeah, 481 00:27:46,400 --> 00:27:48,600 Speaker 1: that was an id one, but that answers that. Pierre Also, 482 00:27:48,720 --> 00:27:51,639 Speaker 1: he says, PS, since you often spin your roll the 483 00:27:51,720 --> 00:27:55,159 Speaker 1: decks of the FSR Alumni Association, Is there any chance 484 00:27:55,760 --> 00:27:59,320 Speaker 1: of getting KK on the Friday Podcast someday the Great 485 00:27:59,359 --> 00:28:02,359 Speaker 1: Karen k Oh? Yeah? Uh yeah, you know, I've tried. 486 00:28:02,440 --> 00:28:04,840 Speaker 1: I've tried to get Karen on a few times, but 487 00:28:04,960 --> 00:28:07,479 Speaker 1: our schedules haven't worked out. But now just and this 488 00:28:07,560 --> 00:28:09,800 Speaker 1: was years ago, but now that I do the most 489 00:28:09,840 --> 00:28:12,200 Speaker 1: of the recording in my home studio, I can record 490 00:28:12,240 --> 00:28:15,359 Speaker 1: anytime she's available, so which has got to be annoying 491 00:28:15,359 --> 00:28:16,800 Speaker 1: to her because there's no way for her to get 492 00:28:16,800 --> 00:28:19,760 Speaker 1: out of this because I can say when whenever you're available, 493 00:28:19,800 --> 00:28:22,040 Speaker 1: I'll record it, and she wanted to do it. She 494 00:28:22,160 --> 00:28:25,119 Speaker 1: loves the fans of the show, and she says I 495 00:28:25,160 --> 00:28:26,760 Speaker 1: talked to car In a while back and she said 496 00:28:26,800 --> 00:28:30,080 Speaker 1: she's still getting messages on Twitter and Facebook from fans 497 00:28:30,080 --> 00:28:33,080 Speaker 1: of the show remember the old days, And so I'm 498 00:28:33,119 --> 00:28:39,640 Speaker 1: gonna added to my list right here. Brian Billick, Karen, Yes, Uh, 499 00:28:39,880 --> 00:28:41,600 Speaker 1: we were the only show that has been turned down 500 00:28:41,600 --> 00:28:45,560 Speaker 1: by Brian bill Like multiple times. Brian bill Brian Billick, 501 00:28:46,440 --> 00:28:48,200 Speaker 1: I'd like to talk to Brian, but I don't want 502 00:28:48,200 --> 00:28:52,240 Speaker 1: to beg to talk to Brian alright. Uh, moving the 503 00:28:52,400 --> 00:28:59,360 Speaker 1: playoffs drop voice instead of playoffs. There's nothing better as 504 00:28:59,400 --> 00:29:01,880 Speaker 1: a guy doing a podcast or you Danny, who's you're 505 00:29:01,920 --> 00:29:04,719 Speaker 1: doing the show and producing the podcast from getting an 506 00:29:04,760 --> 00:29:08,280 Speaker 1: email on a Saturday saying we're excited to do the 507 00:29:08,280 --> 00:29:11,920 Speaker 1: interview campra do it, and then on a Monday you 508 00:29:12,000 --> 00:29:15,440 Speaker 1: ask a follow up question and no response. On a Tuesday, 509 00:29:15,560 --> 00:29:18,280 Speaker 1: you send an email and they say, oh, no, I'm 510 00:29:18,320 --> 00:29:20,840 Speaker 1: not We're not doing that. Yeah. They're like, no, Um, 511 00:29:20,880 --> 00:29:24,080 Speaker 1: we'll let you know a future date. You just told 512 00:29:24,080 --> 00:29:26,840 Speaker 1: me you look forward to joining the podcast this week. 513 00:29:27,280 --> 00:29:30,719 Speaker 1: Yeah and uh. And normally when that happens, that's a 514 00:29:30,760 --> 00:29:32,800 Speaker 1: sign that you don't need to book anyone else. That's 515 00:29:32,800 --> 00:29:35,480 Speaker 1: a sign you've booked a guest. Your job is done right, 516 00:29:35,520 --> 00:29:39,080 Speaker 1: you've done your job, You've got your guests for the podcast, 517 00:29:39,200 --> 00:29:41,960 Speaker 1: and you're ready to move on. When someone says, yes, 518 00:29:42,120 --> 00:29:44,880 Speaker 1: I do a victory lap and you're right, it's like 519 00:29:44,920 --> 00:29:48,040 Speaker 1: a load of bricks has been lifted off my shoulders. 520 00:29:48,480 --> 00:29:52,160 Speaker 1: See this Billick email saying we're good for next week, 521 00:29:52,240 --> 00:29:55,480 Speaker 1: excited to join the podcast, and I'm like, yes, I 522 00:29:55,560 --> 00:29:58,800 Speaker 1: do the Tiger Woods fisch pump, Sure, and then yeah, 523 00:30:00,200 --> 00:30:03,280 Speaker 1: to be kidding me. Then it turns out you're you're 524 00:30:03,320 --> 00:30:06,720 Speaker 1: you're visiting a place that that's the dark side, don't 525 00:30:07,000 --> 00:30:12,520 Speaker 1: know the side. Yes, I thought Michael Jordan's was the 526 00:30:12,520 --> 00:30:15,560 Speaker 1: big fish to get for an interview, but it turns 527 00:30:15,600 --> 00:30:20,560 Speaker 1: out it's Bill Yeah, Brian Billick. Of all people the 528 00:30:20,520 --> 00:30:23,440 Speaker 1: the we've had bigger not that Brian is not a 529 00:30:23,440 --> 00:30:25,720 Speaker 1: big name, but we've had bigger names on the podcast. 530 00:30:27,120 --> 00:30:31,880 Speaker 1: I've also noticed there's some snobbery with the podcast that 531 00:30:31,960 --> 00:30:34,880 Speaker 1: there's certain people that are they believe the podcast is 532 00:30:34,920 --> 00:30:38,160 Speaker 1: below them, but they'd come on the radio show like 533 00:30:38,200 --> 00:30:40,080 Speaker 1: they come on the Ben Maller Show if I booked 534 00:30:40,120 --> 00:30:42,600 Speaker 1: them as a guest. But the podcast, they feel like 535 00:30:43,040 --> 00:30:44,960 Speaker 1: it's listen. I don't think they understand how many people 536 00:30:44,960 --> 00:30:47,760 Speaker 1: listen to this podcast. It's a very popular podcast. Like 537 00:30:47,880 --> 00:30:53,000 Speaker 1: most podcast now, you know, Danny, there's of the podcast 538 00:30:53,040 --> 00:30:55,000 Speaker 1: no one's listening to. Not that we have a Joe 539 00:30:55,080 --> 00:30:57,520 Speaker 1: Rogan audience, we don't, but we have a good loyal 540 00:30:57,600 --> 00:31:02,720 Speaker 1: following and this podcast does as well, and sometimes it 541 00:31:02,760 --> 00:31:05,080 Speaker 1: does better than the radio show podcast because it's only 542 00:31:05,120 --> 00:31:08,880 Speaker 1: available on the podcast. You can't hear this on terrestrial radio. 543 00:31:08,920 --> 00:31:11,480 Speaker 1: You can only hear it on the podcast. I literally 544 00:31:11,520 --> 00:31:14,280 Speaker 1: think it's just the words. Sometimes you did the seven 545 00:31:14,320 --> 00:31:18,400 Speaker 1: words earlier. Yeah, add past, not pussy for p p 546 00:31:18,680 --> 00:31:22,920 Speaker 1: for podcast, because I swear to God, there'll be times 547 00:31:22,960 --> 00:31:26,800 Speaker 1: where I stay away from using the word past in 548 00:31:26,920 --> 00:31:30,560 Speaker 1: my interview request because normally a yes will come back 549 00:31:30,760 --> 00:31:34,800 Speaker 1: following that because you say podcasts, and in somebody's mind 550 00:31:34,880 --> 00:31:37,880 Speaker 1: immediately they think of some dude in his underwear with 551 00:31:37,920 --> 00:31:41,520 Speaker 1: his balls hanging out in his garage. And most of 552 00:31:41,560 --> 00:31:44,959 Speaker 1: the time that's true. All right, Kevin in Kansas, Moving on, here. 553 00:31:44,960 --> 00:31:48,600 Speaker 1: We gotta get a speed up the process here, Kevin 554 00:31:48,600 --> 00:31:51,640 Speaker 1: and Kansas is dear Ben and Danny g You You 555 00:31:51,680 --> 00:31:54,520 Speaker 1: went from sidekick guest onto Danny g Ben. I see 556 00:31:54,680 --> 00:31:58,880 Speaker 1: a pattern here besides the obvious Doug Gottlieb. What other 557 00:31:59,160 --> 00:32:02,560 Speaker 1: d G sidekicks would you like to work with down 558 00:32:02,600 --> 00:32:07,200 Speaker 1: the road? Who's d d G initials? Who are some 559 00:32:07,240 --> 00:32:11,000 Speaker 1: other famous d G s. Gottile is the only one, 560 00:32:11,040 --> 00:32:13,840 Speaker 1: but you mentioned him Kevin in the email. I have 561 00:32:13,960 --> 00:32:16,800 Speaker 1: to think famous d G s. You're a d G 562 00:32:17,520 --> 00:32:21,040 Speaker 1: Danny g Any Yeah, I can't think of any others 563 00:32:21,080 --> 00:32:24,080 Speaker 1: off the top of my head. It's a brain twister, Kevin. 564 00:32:24,120 --> 00:32:28,280 Speaker 1: How dare you? How dare you would mess with our minds? Uh? 565 00:32:28,360 --> 00:32:33,880 Speaker 1: Let's see who is next on the mail bag? Come back? 566 00:32:35,000 --> 00:32:38,400 Speaker 1: It's sign from mail call. Scott from Northern Kentucky says 567 00:32:38,400 --> 00:32:40,640 Speaker 1: a couple of questions for you. In all your years 568 00:32:40,640 --> 00:32:43,360 Speaker 1: around the Dodgers, did you have an opportunity to have 569 00:32:43,400 --> 00:32:47,720 Speaker 1: conversations with Vince Scully? Did he ever swear? He says, 570 00:32:48,360 --> 00:32:50,760 Speaker 1: I'll answer that first. You have a couple more, but yes, 571 00:32:50,880 --> 00:32:53,960 Speaker 1: I actually knew casually Vince Scully. It's one of the 572 00:32:54,000 --> 00:32:57,320 Speaker 1: cool things, the coolest things I could say that I've accomplished, 573 00:32:58,080 --> 00:33:00,720 Speaker 1: if it's even an accomplishment. But I I started out 574 00:33:00,760 --> 00:33:03,040 Speaker 1: covering the Dodgers. I was nineteen years old. I was 575 00:33:03,640 --> 00:33:09,440 Speaker 1: I was a green bananas. And I really through my formative, 576 00:33:09,720 --> 00:33:12,080 Speaker 1: you know years, as a young adult in my twenties 577 00:33:12,160 --> 00:33:17,600 Speaker 1: and thirties, I pretty much spent five, six, seven nights 578 00:33:17,600 --> 00:33:20,280 Speaker 1: a week at Dodger Stadium in the press box. And 579 00:33:20,360 --> 00:33:22,720 Speaker 1: I really I knew Ven a little bit, and I 580 00:33:22,760 --> 00:33:24,520 Speaker 1: had dinner with him a few times on the road, 581 00:33:24,560 --> 00:33:27,760 Speaker 1: which was awesome. And I'll never forget one of the 582 00:33:27,760 --> 00:33:31,520 Speaker 1: greatest nights with Vin was at Chase Stadium, and this 583 00:33:31,600 --> 00:33:33,080 Speaker 1: was like the one of the last years. Vin didn't 584 00:33:33,160 --> 00:33:35,160 Speaker 1: usually make the road trips the last few years of 585 00:33:35,160 --> 00:33:37,600 Speaker 1: his career with the Dodgers, but he he would try 586 00:33:37,600 --> 00:33:39,840 Speaker 1: to go back to New York. He would make selective 587 00:33:39,840 --> 00:33:42,600 Speaker 1: trips because he grew up in New York, and he 588 00:33:42,600 --> 00:33:45,000 Speaker 1: he'd go back. And so we're having dinner and and 589 00:33:45,000 --> 00:33:47,960 Speaker 1: and Vin was regaling us with stories about when he 590 00:33:48,000 --> 00:33:51,040 Speaker 1: was a kid and there was a a strike. The 591 00:33:51,080 --> 00:33:53,880 Speaker 1: trash men in Manhattan in New York went on strike, 592 00:33:54,080 --> 00:33:56,280 Speaker 1: and he told this story and I still remember the 593 00:33:56,320 --> 00:33:59,840 Speaker 1: detail the style that Ben told the story about how 594 00:34:00,080 --> 00:34:02,320 Speaker 1: people were so desperate when the sanitation workers in New 595 00:34:02,400 --> 00:34:04,040 Speaker 1: York went on strike to get rid of the trash. 596 00:34:04,320 --> 00:34:07,200 Speaker 1: And it was around Christmas time. And so back in 597 00:34:07,240 --> 00:34:09,680 Speaker 1: those days they had these massive televisions, you know, those 598 00:34:09,760 --> 00:34:12,960 Speaker 1: huge TVs, the tube TVs, and so there were some 599 00:34:12,960 --> 00:34:15,000 Speaker 1: people that had tube TVs and what they were doing, 600 00:34:15,760 --> 00:34:18,160 Speaker 1: at least it happened at one time. Anyway, Ben remembers 601 00:34:18,440 --> 00:34:20,960 Speaker 1: they would get the big box that the TV came in, 602 00:34:21,760 --> 00:34:24,880 Speaker 1: like the wooden crate, and they'd fill it with trash 603 00:34:24,920 --> 00:34:27,000 Speaker 1: and then wrap it in wrapping paper and put a 604 00:34:27,000 --> 00:34:30,880 Speaker 1: bowl on it. And so obviously the sanitation workers wouldn't 605 00:34:30,880 --> 00:34:32,560 Speaker 1: take it, but somebody would steal it, thinking it was 606 00:34:32,600 --> 00:34:35,680 Speaker 1: a TV or something like that, and so they'd have 607 00:34:35,719 --> 00:34:37,600 Speaker 1: their trash taking care of somebody would steal it. And 608 00:34:37,680 --> 00:34:41,080 Speaker 1: then Ben told this, so I never heard him curse. Um. 609 00:34:41,360 --> 00:34:43,520 Speaker 1: You know, I have I have many Vince Scullies stories. 610 00:34:43,600 --> 00:34:44,680 Speaker 1: I don't know that we want to get into that 611 00:34:44,760 --> 00:34:47,600 Speaker 1: right now. We're limited time. But very nice man. And 612 00:34:48,520 --> 00:34:51,080 Speaker 1: when he would say hello Ben, and I was like, 613 00:34:51,080 --> 00:34:52,799 Speaker 1: oh man, because as a little kid, I grew up 614 00:34:52,840 --> 00:34:55,200 Speaker 1: watching Vin do the Doctor, and my mom was a 615 00:34:55,239 --> 00:34:56,920 Speaker 1: huge Fence Scully fan. So I was like, wow, man, 616 00:34:56,960 --> 00:34:59,600 Speaker 1: that's all right. That's like, uh talking to the Pulp. 617 00:35:00,040 --> 00:35:01,640 Speaker 1: And I was like, oh my god, the pulp knows 618 00:35:01,640 --> 00:35:04,120 Speaker 1: your name. And I was like, holy Canoli. But anyway, 619 00:35:04,160 --> 00:35:07,359 Speaker 1: you're not kidding man. Being a little kid in southern California, 620 00:35:07,800 --> 00:35:11,360 Speaker 1: hearing his voice on a transistor radio during the summer, 621 00:35:11,920 --> 00:35:16,000 Speaker 1: everyone shut up and they listened. And he was a 622 00:35:16,040 --> 00:35:19,680 Speaker 1: big part of the soundtrack of our Lives. Oh. Absolutely. 623 00:35:20,120 --> 00:35:23,480 Speaker 1: I never heard him curse. I did ask him one time. 624 00:35:23,640 --> 00:35:25,279 Speaker 1: I'll get more to this later, but I asked him 625 00:35:25,280 --> 00:35:26,960 Speaker 1: if he you know, I thought I was doing Dodger 626 00:35:27,000 --> 00:35:28,880 Speaker 1: talk after the game, so I thought Vin would be 627 00:35:28,920 --> 00:35:31,560 Speaker 1: listening on his way home, and I said, hey, Vin, 628 00:35:31,719 --> 00:35:33,839 Speaker 1: you know you what are you doing after the game? 629 00:35:33,840 --> 00:35:35,239 Speaker 1: What do you listened to when you're driving back to 630 00:35:35,280 --> 00:35:42,120 Speaker 1: the valley. He said, classical music. He was like Jojo 631 00:35:42,239 --> 00:35:45,399 Speaker 1: on the radio, kiss FM. Not you not you man. Yeah, 632 00:35:45,440 --> 00:35:46,839 Speaker 1: that would have been That would have been even better 633 00:35:46,960 --> 00:35:51,440 Speaker 1: if he had said that. But anyway, he says, uh, 634 00:35:51,480 --> 00:35:54,319 Speaker 1: are you do you ever see yourself going back into 635 00:35:54,320 --> 00:35:57,640 Speaker 1: the studio full time. Here's another question about that. Are 636 00:35:57,680 --> 00:36:01,880 Speaker 1: you going Howard Stirred on us and hiding away? Uh? Yeah, No. 637 00:36:02,080 --> 00:36:06,040 Speaker 1: I will go back to the studio occasionally. I don't 638 00:36:06,080 --> 00:36:08,400 Speaker 1: think I'll ever go back. I mean, I spent a 639 00:36:08,440 --> 00:36:10,120 Speaker 1: lot of money building the studio out here, so I 640 00:36:10,160 --> 00:36:12,000 Speaker 1: feel like it would be a total waste of my 641 00:36:12,080 --> 00:36:14,680 Speaker 1: money to then not use the studio. And I have 642 00:36:14,760 --> 00:36:17,400 Speaker 1: to use it for the podcast anyway because the schedules. Ah, 643 00:36:17,440 --> 00:36:19,239 Speaker 1: I will go in. I'm excited to see what the 644 00:36:19,239 --> 00:36:21,359 Speaker 1: new studios look like. We're building in Burbank, right where 645 00:36:21,360 --> 00:36:22,920 Speaker 1: they used to do the Tonight Show, right across the 646 00:36:22,920 --> 00:36:25,560 Speaker 1: street from where Johnny Carson did the Night Show in 647 00:36:25,680 --> 00:36:27,960 Speaker 1: Burbank back in the day, and Jay Leno and those guys. 648 00:36:27,960 --> 00:36:30,640 Speaker 1: So I'm excited to see that, and I'll go in occasionally. 649 00:36:30,640 --> 00:36:32,200 Speaker 1: And one of the one of the things that you 650 00:36:32,239 --> 00:36:34,279 Speaker 1: know this Danny from doing the Overnight show. One of 651 00:36:34,280 --> 00:36:36,399 Speaker 1: the advantages if you're on during the days, you can play, 652 00:36:36,440 --> 00:36:39,880 Speaker 1: grab bass and schmooze with executives and salespeople. I have 653 00:36:39,960 --> 00:36:41,880 Speaker 1: none of that. I can schmooze if I go and 654 00:36:41,960 --> 00:36:43,600 Speaker 1: do the show, I you know, shooes with the guys 655 00:36:43,600 --> 00:36:45,840 Speaker 1: and all that, But I can also hang out with 656 00:36:45,840 --> 00:36:48,080 Speaker 1: the guys cleaning the toilet and cleaning. Not that those 657 00:36:48,120 --> 00:36:49,840 Speaker 1: are bad people. I probably probably talk to them the 658 00:36:49,920 --> 00:36:53,120 Speaker 1: management people, but it's just not I'm not really getting 659 00:36:53,200 --> 00:36:56,400 Speaker 1: anything extra out of it by going in uh. And 660 00:36:56,400 --> 00:36:59,040 Speaker 1: then he asked a question about Helen and Stu. He says, 661 00:36:59,120 --> 00:37:02,880 Speaker 1: who the hell are Helen ste It was mildly funny 662 00:37:02,960 --> 00:37:06,120 Speaker 1: when they fought with Gascon, but the last email just 663 00:37:06,200 --> 00:37:09,360 Speaker 1: showed that they are mean and nasty people, probably the 664 00:37:09,360 --> 00:37:12,440 Speaker 1: old grumpy couple that go to dinner at three pm, 665 00:37:12,440 --> 00:37:15,719 Speaker 1: complain about everything and don't tip their serve. I have 666 00:37:15,800 --> 00:37:18,680 Speaker 1: a feeling they are lonely and bitter people whose families 667 00:37:18,719 --> 00:37:21,760 Speaker 1: don't even talk to them. While shots fired from Scott 668 00:37:21,840 --> 00:37:26,080 Speaker 1: in Northern Kentucky, Tim from Augusta, Maine rights in and 669 00:37:26,320 --> 00:37:31,399 Speaker 1: again limited time. He says, Ben, do you think that 670 00:37:31,480 --> 00:37:35,440 Speaker 1: this is the time you break out of Overnight's number 671 00:37:35,600 --> 00:37:40,160 Speaker 1: eighteen show? Showing great listener growth and seem to be 672 00:37:40,200 --> 00:37:44,600 Speaker 1: promoted a lot more? Is it time for a promotion? Well? 673 00:37:44,600 --> 00:37:46,200 Speaker 1: That's not enough to meet him, and I'm very happy 674 00:37:46,239 --> 00:37:48,520 Speaker 1: during the Overnight show and I like it. I have 675 00:37:48,680 --> 00:37:52,359 Speaker 1: a good cult following a good niche following. Not that 676 00:37:52,400 --> 00:37:53,920 Speaker 1: I don't think I could do a great job on 677 00:37:53,960 --> 00:37:56,640 Speaker 1: a morning show or an afternoon show and dominate and 678 00:37:56,719 --> 00:37:59,040 Speaker 1: kick ass, but it would be a much different show. 679 00:37:59,440 --> 00:38:01,879 Speaker 1: And I know from experience when I do these other 680 00:38:01,960 --> 00:38:04,759 Speaker 1: shows and I go out and I don't do the 681 00:38:04,840 --> 00:38:06,959 Speaker 1: standard bull crap that we do on the overnight show, 682 00:38:07,520 --> 00:38:10,000 Speaker 1: Uh yeah, I get a lot of Hey, what's wrong 683 00:38:10,040 --> 00:38:13,480 Speaker 1: with you? You're a selloutler and I want to be 684 00:38:13,520 --> 00:38:16,040 Speaker 1: called to sell it. Scott Farrell told the story on 685 00:38:16,080 --> 00:38:18,960 Speaker 1: the Friday Podcast. He got hired by the Atlanta Thrashers. 686 00:38:19,600 --> 00:38:22,000 Speaker 1: He sold out to become an NHL play by play guy. 687 00:38:22,239 --> 00:38:25,439 Speaker 1: He lasted one year. They then had to pay him 688 00:38:25,480 --> 00:38:28,640 Speaker 1: the rest of his contract for like three years. He 689 00:38:28,680 --> 00:38:32,400 Speaker 1: said he just sat around, smoked weed, drank and got checks, 690 00:38:32,960 --> 00:38:39,359 Speaker 1: uh from the NHL team. That's kind of the dream, right, 691 00:38:39,440 --> 00:38:41,239 Speaker 1: Isn't that that? I mean in some way, not that 692 00:38:41,280 --> 00:38:44,080 Speaker 1: I want to fail, but to have that kind of 693 00:38:44,080 --> 00:38:47,960 Speaker 1: set up, my my god. But you know, Tim, I 694 00:38:48,000 --> 00:38:51,960 Speaker 1: don't I don't see anything in the horizon unless unless 695 00:38:52,040 --> 00:38:54,239 Speaker 1: the company gets cheap on me or something like that, 696 00:38:54,239 --> 00:38:55,880 Speaker 1: and I have to go somewhere else. But other than that, 697 00:38:55,960 --> 00:38:58,520 Speaker 1: I see no evidence of that being the cases. They've 698 00:38:58,560 --> 00:39:00,560 Speaker 1: been very good to me. They help me pay my 699 00:39:00,640 --> 00:39:03,919 Speaker 1: bills for a long time. And uh and I think 700 00:39:03,920 --> 00:39:07,640 Speaker 1: I've provided them with marginal overnight sports talk radio. Emmett 701 00:39:07,640 --> 00:39:12,520 Speaker 1: the Blind Seahawk fan rights in, that's hey, that's a kid. 702 00:39:12,560 --> 00:39:14,840 Speaker 1: You can't say that word around emmy, emm it's in 703 00:39:14,920 --> 00:39:18,560 Speaker 1: high school. How dare you? It's wrong with you again? 704 00:39:18,600 --> 00:39:20,839 Speaker 1: And I'll bleep it, all right, you gotta bleep that here, 705 00:39:22,080 --> 00:39:25,000 Speaker 1: Yeah there, all right. Mt the Blind Sea Fan Olympia says, 706 00:39:25,040 --> 00:39:27,640 Speaker 1: what is the most awkward phone call you guys have 707 00:39:27,760 --> 00:39:30,640 Speaker 1: had to deal with on the radio? I could write 708 00:39:30,680 --> 00:39:32,879 Speaker 1: a book, Emmett on this. Two of them that pop 709 00:39:32,920 --> 00:39:36,000 Speaker 1: in my head right now. I had a caller from 710 00:39:36,080 --> 00:39:41,839 Speaker 1: Phoenix named Monty from Phoenix who was using a different name. 711 00:39:41,920 --> 00:39:44,200 Speaker 1: And then I was doing a show over Thanksgiving weekend. 712 00:39:44,440 --> 00:39:46,400 Speaker 1: And as I remember the story, which is probably not 713 00:39:46,480 --> 00:39:49,680 Speaker 1: actually what happened, but in my head, as I remember it, 714 00:39:49,680 --> 00:39:52,879 Speaker 1: it was like Thanksgiving. He starts, he's clearly he had 715 00:39:52,880 --> 00:39:56,520 Speaker 1: something to drink, more than something. He's passing the phone around, 716 00:39:57,400 --> 00:39:59,359 Speaker 1: and then he has this big admission that he's been 717 00:39:59,360 --> 00:40:01,440 Speaker 1: living a lit that he used a fake name, He's 718 00:40:01,480 --> 00:40:03,960 Speaker 1: not who he says he was, and it was very 719 00:40:04,000 --> 00:40:07,000 Speaker 1: bizarre and it was like out of completely out of 720 00:40:07,000 --> 00:40:10,080 Speaker 1: the twilight Zone. And then the other famous call, I 721 00:40:10,120 --> 00:40:12,600 Speaker 1: think you were with me on this? I think you 722 00:40:12,640 --> 00:40:15,040 Speaker 1: were with me, Danny. Were you there when we had 723 00:40:15,040 --> 00:40:17,759 Speaker 1: the guy that had the heart attack? Oh yeah, on 724 00:40:17,840 --> 00:40:23,640 Speaker 1: the show? And Coop did not handle that very well. 725 00:40:23,680 --> 00:40:27,440 Speaker 1: Neither did I. Neither did I My my my response 726 00:40:27,560 --> 00:40:30,359 Speaker 1: was the guys like he was talking about Chris Collinsworth 727 00:40:30,440 --> 00:40:32,920 Speaker 1: or something. As I remember, he was calling from Cincinnati, 728 00:40:33,560 --> 00:40:38,279 Speaker 1: Cardiac Stanley. We named him cardiac, Yeah, cardiac stant And 729 00:40:38,360 --> 00:40:40,360 Speaker 1: so he calls up and he was on hold for 730 00:40:40,360 --> 00:40:42,200 Speaker 1: a while and he starts huffing and puffing and he 731 00:40:42,200 --> 00:40:44,880 Speaker 1: wants to get his point in and I forget exactly 732 00:40:44,960 --> 00:40:47,160 Speaker 1: what he said. It was something I having. I think 733 00:40:47,160 --> 00:40:48,919 Speaker 1: I'm having like a heart attack or something like that, 734 00:40:49,520 --> 00:40:52,560 Speaker 1: and so I was like, whoa. And it didn't sound 735 00:40:52,600 --> 00:40:54,960 Speaker 1: like he was having some kind of heart issue. His 736 00:40:55,280 --> 00:40:58,920 Speaker 1: arm went numb and he was breathing really crazy, and 737 00:40:58,960 --> 00:41:03,239 Speaker 1: he's like, I think I'm having a heart attack. Right now, 738 00:41:04,000 --> 00:41:07,040 Speaker 1: everybody was daring headlights. You didn't know what to do. Yeah, 739 00:41:07,080 --> 00:41:08,839 Speaker 1: you don't expect that. So I think I said, Coop, 740 00:41:09,040 --> 00:41:10,799 Speaker 1: it may put you on hold, Coop will take care 741 00:41:10,800 --> 00:41:13,080 Speaker 1: of it. We'll get you some help or something like that. 742 00:41:13,440 --> 00:41:16,120 Speaker 1: But I didn't know how to how to handle that one. 743 00:41:16,160 --> 00:41:18,839 Speaker 1: That was a weird one. There was also there was 744 00:41:18,880 --> 00:41:23,160 Speaker 1: the guy that proposed to his his girlfriend proposed marriage. 745 00:41:23,719 --> 00:41:25,200 Speaker 1: I kept the guy on hold for a long time 746 00:41:25,239 --> 00:41:26,960 Speaker 1: because he wanted to talk about Duke, and I was like, 747 00:41:27,040 --> 00:41:29,200 Speaker 1: it was like Duke college basketball. It wasn't really the 748 00:41:29,239 --> 00:41:32,000 Speaker 1: tournament time, so I thought, that's a terrible call. And 749 00:41:32,040 --> 00:41:33,560 Speaker 1: then I put him on eventually and he was like 750 00:41:33,600 --> 00:41:38,000 Speaker 1: half he was like half sleeping and uh. And and 751 00:41:38,000 --> 00:41:40,000 Speaker 1: then it was so funny because he he had to 752 00:41:40,040 --> 00:41:43,280 Speaker 1: wake up the lady that he was proposing to for marriage, 753 00:41:43,320 --> 00:41:47,240 Speaker 1: the lovely woman, and then right after she said whatever 754 00:41:47,280 --> 00:41:50,200 Speaker 1: she said, I think she said, yes, they're now divorced. 755 00:41:50,200 --> 00:41:51,600 Speaker 1: He told me a couple of years ago. He wrote 756 00:41:51,640 --> 00:41:53,279 Speaker 1: me and said they got married, but they're divorced. But 757 00:41:53,360 --> 00:41:57,120 Speaker 1: he hey, can I still talk about Duke? Was that 758 00:41:57,200 --> 00:41:58,799 Speaker 1: was that? We used that as a drop I think 759 00:41:58,840 --> 00:42:00,960 Speaker 1: that the show for a while. I was, uh, that's 760 00:42:01,040 --> 00:42:05,560 Speaker 1: very funny. Who is next year? He's amazing, amazing questions 761 00:42:05,600 --> 00:42:09,120 Speaker 1: one is better than the next. Come back, It's time 762 00:42:09,239 --> 00:42:11,160 Speaker 1: from now, I'll call all right, he'll Billy Mike, and 763 00:42:11,239 --> 00:42:15,800 Speaker 1: Richmond Virginia says, uh, let's see this one's for Danny G. 764 00:42:16,040 --> 00:42:19,640 Speaker 1: First Lee butt kissing. It sucked when you left Ben show. 765 00:42:20,160 --> 00:42:22,560 Speaker 1: He'll Billy writes in you had a way of hitting 766 00:42:22,560 --> 00:42:25,839 Speaker 1: the perfect spot with a relevant drop. Uh And man, 767 00:42:25,920 --> 00:42:29,799 Speaker 1: I sure miss genies drops because of all all but 768 00:42:30,000 --> 00:42:33,800 Speaker 1: one of hers disappeared overnight. You never had a problem 769 00:42:34,440 --> 00:42:38,000 Speaker 1: talking smack to Ben when you disagreed with his takes, 770 00:42:38,080 --> 00:42:40,800 Speaker 1: and things just flowed. And then he then he'll Billy 771 00:42:40,800 --> 00:42:43,319 Speaker 1: take shots at Roberto. He does not like the way 772 00:42:43,320 --> 00:42:46,400 Speaker 1: that Roberto plays the drops, and I'll skip over that, 773 00:42:47,120 --> 00:42:49,479 Speaker 1: but I take some shots there at Roberto, and he says, 774 00:42:49,480 --> 00:42:51,719 Speaker 1: with you back in studio from time to time, is 775 00:42:51,760 --> 00:42:55,600 Speaker 1: there anyway you can share your drop wisdom Danny G 776 00:42:55,800 --> 00:42:59,319 Speaker 1: with Roberto, and he says, because the drops are an 777 00:42:59,440 --> 00:43:02,920 Speaker 1: art form and while you are Picasso. He then says 778 00:43:03,000 --> 00:43:06,840 Speaker 1: that my guy Roberto is a finger painting shots fired 779 00:43:06,880 --> 00:43:10,360 Speaker 1: by hill Billy Mike. But there is a there is 780 00:43:10,360 --> 00:43:12,319 Speaker 1: a technique and I think Roberto is fine. I think 781 00:43:12,320 --> 00:43:13,799 Speaker 1: he does get up. Some days are better than others, 782 00:43:13,840 --> 00:43:16,239 Speaker 1: but that's how everything is. I have better days than others. 783 00:43:16,239 --> 00:43:18,200 Speaker 1: Some days I suck at radio, other days I'm okay, 784 00:43:18,440 --> 00:43:20,480 Speaker 1: and some days I'm pretty good. And that's just life 785 00:43:20,560 --> 00:43:23,760 Speaker 1: in general. But that is. It is the timing, especially 786 00:43:23,760 --> 00:43:26,080 Speaker 1: me because I I don't pause that often, so You've 787 00:43:26,080 --> 00:43:29,520 Speaker 1: got to really pick your spots. When I'm bloviating. You 788 00:43:29,560 --> 00:43:31,600 Speaker 1: have to have a lot of windows open on the 789 00:43:31,600 --> 00:43:34,399 Speaker 1: computers in front of you. It's kind of like being 790 00:43:34,400 --> 00:43:37,800 Speaker 1: a gun slinger, Ben, because those are your bullets. You 791 00:43:37,920 --> 00:43:41,239 Speaker 1: gotta know exactly where every bullet is for every occasion 792 00:43:41,880 --> 00:43:44,560 Speaker 1: and then fire them at the perfect time. I got 793 00:43:44,560 --> 00:43:48,799 Speaker 1: a thing about dead bodies. I mean, it's far from easy. Hell, 794 00:43:48,880 --> 00:43:52,440 Speaker 1: even on post production of the podcast, it's not easy. 795 00:43:53,000 --> 00:43:55,440 Speaker 1: So shouts out to anybody that tries it and does 796 00:43:55,480 --> 00:43:58,480 Speaker 1: it on a regular basis. I give love to all 797 00:43:58,520 --> 00:44:01,959 Speaker 1: the tech producers that give it their best. I will 798 00:44:02,000 --> 00:44:04,600 Speaker 1: say that, you know, when I'm in there filling in, 799 00:44:04,920 --> 00:44:08,279 Speaker 1: it's filling in for Coupe. So my head spinning with 800 00:44:08,640 --> 00:44:11,600 Speaker 1: answering all the calls coming in from the Mallard militia, 801 00:44:12,000 --> 00:44:15,680 Speaker 1: putting together the podcast, putting together the games and the 802 00:44:15,680 --> 00:44:19,080 Speaker 1: features that go on during the live show. So there's 803 00:44:19,200 --> 00:44:22,279 Speaker 1: so much going on in the producer chair, there's no 804 00:44:22,360 --> 00:44:25,319 Speaker 1: way in hell I could lean over and tell Roberto, Hey, 805 00:44:25,560 --> 00:44:28,080 Speaker 1: pull a couple of these drops I want Yea and 806 00:44:28,160 --> 00:44:32,920 Speaker 1: hill Billy Mike. I mean, but I promise you some 807 00:44:33,000 --> 00:44:35,839 Speaker 1: of the drops you miss, especially from back in the day, 808 00:44:36,120 --> 00:44:39,960 Speaker 1: I will definitely insert into the Fifth Hour podcasts. You 809 00:44:40,000 --> 00:44:43,360 Speaker 1: pay me five dollars, I'll endorse a game magazine. Yeah, 810 00:44:44,040 --> 00:44:46,840 Speaker 1: we're here to spread we love you. Were very special 811 00:44:48,239 --> 00:44:51,799 Speaker 1: and Roberto was really nice last week three or four 812 00:44:51,880 --> 00:44:55,080 Speaker 1: drops I had been looking for. He helped me find 813 00:44:55,520 --> 00:44:57,480 Speaker 1: and I was able to load them in and email 814 00:44:57,560 --> 00:45:00,680 Speaker 1: them to myself and get him into this weekend this podcast. 815 00:45:00,800 --> 00:45:04,280 Speaker 1: So your staff is great, dude, because anytime I asked 816 00:45:04,360 --> 00:45:07,520 Speaker 1: the Mallard staff for something, they are usually on top 817 00:45:07,560 --> 00:45:09,520 Speaker 1: of It. Might take a day or two because there's 818 00:45:09,520 --> 00:45:16,279 Speaker 1: some weed involved, but results happen and they're really nice 819 00:45:16,320 --> 00:45:19,120 Speaker 1: about it. Yeah. Yeah, he's gotta. They put a lot 820 00:45:19,160 --> 00:45:21,160 Speaker 1: of work in and make everything sound good. Well, we've 821 00:45:21,200 --> 00:45:24,040 Speaker 1: got time for one more Ozzy momentum from Downer says, hey, 822 00:45:24,040 --> 00:45:26,400 Speaker 1: Ben and Danny G. Have you guys ever been water 823 00:45:26,520 --> 00:45:30,520 Speaker 1: skiing or wakeboarding? It is a pastime here in Perth, 824 00:45:31,160 --> 00:45:34,120 Speaker 1: the part of Australia that Ozzy Momentum lives in. If so, 825 00:45:34,239 --> 00:45:37,600 Speaker 1: how did you go? He also says, Danny G. Can 826 00:45:37,640 --> 00:45:40,360 Speaker 1: you please set Ben right and tell him that Cincinnati, 827 00:45:40,400 --> 00:45:45,239 Speaker 1: Ohio is not in the south and only chumps think so. 828 00:45:45,320 --> 00:45:48,279 Speaker 1: I love a guy that from Perth, Australia is trying 829 00:45:48,320 --> 00:45:51,520 Speaker 1: to teach me about American geography. How what is wrong 830 00:45:51,560 --> 00:45:56,279 Speaker 1: with you? What is wrong? You are? You are? I 831 00:45:56,360 --> 00:45:59,400 Speaker 1: don't think of since as the South. I do I do. 832 00:45:59,480 --> 00:46:01,600 Speaker 1: I've been to the airport in Cincinnati, and it's the 833 00:46:01,680 --> 00:46:05,239 Speaker 1: Cincinnati Kentucky. It's in actually in Kentucky. I think of 834 00:46:05,320 --> 00:46:09,000 Speaker 1: Kentucky as the South, so I think of Cincinnati. There's 835 00:46:09,040 --> 00:46:13,319 Speaker 1: like the point of demarcation. You crossed the Rubicon border though, 836 00:46:13,360 --> 00:46:16,239 Speaker 1: that's right where the time changes. I feel like I 837 00:46:16,320 --> 00:46:19,759 Speaker 1: feel like that makes sense a different part of the country. No, 838 00:46:20,120 --> 00:46:23,440 Speaker 1: it's it is the this I believe it is in 839 00:46:23,560 --> 00:46:26,520 Speaker 1: the south. I'm going south on that and I will 840 00:46:26,600 --> 00:46:29,719 Speaker 1: travel at some point to Cincinnati to meet people, shake hands, 841 00:46:29,800 --> 00:46:32,399 Speaker 1: kiss babies, and all that and uh, and we will 842 00:46:32,440 --> 00:46:36,960 Speaker 1: have a country jamboree and sounds like you're gonna count 843 00:46:37,000 --> 00:46:41,799 Speaker 1: teeth while you're there, and no comments. So the water 844 00:46:41,920 --> 00:46:46,800 Speaker 1: skiing and wakeboarding, none of that. I love body boarding 845 00:46:47,480 --> 00:46:50,239 Speaker 1: here in the Pacific Ocean. That's how the cool. The 846 00:46:50,320 --> 00:46:54,000 Speaker 1: bodyboards are fun, but I've never been pulled by a boat. 847 00:46:54,520 --> 00:46:57,640 Speaker 1: They go so fast and when I see people fall, 848 00:46:58,200 --> 00:47:00,719 Speaker 1: that doesn't look fun at all. Yeah, you have to 849 00:47:00,719 --> 00:47:05,040 Speaker 1: do a cost benefit analysis. Is it worth it? Because 850 00:47:05,040 --> 00:47:07,319 Speaker 1: there are it doesn't get talked about. There's a lot 851 00:47:07,320 --> 00:47:10,480 Speaker 1: of people that die every summer doing that stuff on 852 00:47:10,680 --> 00:47:13,839 Speaker 1: lakes and ponds and whatnot. And one thing goes wrong. 853 00:47:14,040 --> 00:47:18,319 Speaker 1: That water is like a brick wall and it looks 854 00:47:18,360 --> 00:47:20,920 Speaker 1: fine and all that, but you make a couple of 855 00:47:20,920 --> 00:47:25,560 Speaker 1: missteps and game over. You have not done done too 856 00:47:25,680 --> 00:47:28,000 Speaker 1: much water stuff. I like, you know, swimming in the pool, 857 00:47:28,480 --> 00:47:31,319 Speaker 1: going to the ocean and whatnot. But not done. I'm 858 00:47:31,360 --> 00:47:32,759 Speaker 1: not I'm not a Perth guy. I'd have to come 859 00:47:32,880 --> 00:47:34,799 Speaker 1: visit you assi momentum in Perth. You have to give 860 00:47:34,800 --> 00:47:37,960 Speaker 1: me the we can see some assy rules football. We'll 861 00:47:37,960 --> 00:47:41,000 Speaker 1: do that and uh and go around. I think that's it. 862 00:47:41,160 --> 00:47:42,880 Speaker 1: That's all we have time for you. Thanks that John 863 00:47:43,520 --> 00:47:47,440 Speaker 1: uh from Parts Unknown, Chris and Marrit Cocoa, Iowa. It 864 00:47:47,480 --> 00:47:49,279 Speaker 1: has been a big supporter of the podcast, Nick and 865 00:47:49,280 --> 00:47:52,160 Speaker 1: Wisconsin as well. Big fan. We didn't have time to 866 00:47:52,200 --> 00:47:54,160 Speaker 1: get your questions and a couple of other people who 867 00:47:54,160 --> 00:47:57,440 Speaker 1: I did not. I did not write your names down unfortunately, 868 00:47:57,480 --> 00:48:00,000 Speaker 1: but again, thank you for supporting the podcast. Give us 869 00:48:00,000 --> 00:48:03,040 Speaker 1: to review. We will read your review on a future episode, 870 00:48:03,080 --> 00:48:05,759 Speaker 1: the Saturday episode of the podcast. And again thanks to 871 00:48:05,760 --> 00:48:09,360 Speaker 1: Scott Farrell. Thank you Danny for booking that and getting 872 00:48:09,560 --> 00:48:11,880 Speaker 1: a hold of Scott. And it was wild and crazy 873 00:48:11,960 --> 00:48:14,400 Speaker 1: and zany and if you're a fan of radio, dudes, 874 00:48:14,920 --> 00:48:18,400 Speaker 1: Scott the first like thirty minutes of that interview and 875 00:48:18,480 --> 00:48:20,839 Speaker 1: first twenty minutes of any rather, whoa, what is going 876 00:48:20,880 --> 00:48:23,920 Speaker 1: on here? This is like next level. I've known Scott 877 00:48:23,960 --> 00:48:25,719 Speaker 1: Farrell for years. I know he does crazy stuff on 878 00:48:25,719 --> 00:48:28,040 Speaker 1: the radio, but I'm like, whoa. It was bare I 879 00:48:28,080 --> 00:48:30,120 Speaker 1: barely said anything. It was just him. He was bouncing 880 00:48:30,160 --> 00:48:32,520 Speaker 1: off the walls. It was wild on fire. What a 881 00:48:32,640 --> 00:48:36,239 Speaker 1: great week of radio at Fox Sports and with you 882 00:48:36,360 --> 00:48:38,959 Speaker 1: and the shows you did. Just a fun, fun week, 883 00:48:39,320 --> 00:48:42,440 Speaker 1: good times, good times. I'll be back in the magic 884 00:48:42,560 --> 00:48:46,319 Speaker 1: radio box tonight Terrestial Radio, eleven p m. Sunday night 885 00:48:46,400 --> 00:48:49,399 Speaker 1: in the West. That's two am Monday morning in the East, 886 00:48:49,440 --> 00:48:53,680 Speaker 1: two to six Eastern Time on Monday morning, eleven to 887 00:48:53,960 --> 00:48:56,400 Speaker 1: three in the West. And we'll be yapping about all 888 00:48:56,400 --> 00:48:58,800 Speaker 1: the big stories here that took place over the weekend. 889 00:48:59,440 --> 00:49:02,719 Speaker 1: And be safe, live long, and prosper, and we'll kitch 890 00:49:02,760 --> 00:49:06,759 Speaker 1: you next time. Gotta murder, gotta go, Gotta murder, gotta go.