WEBVTT - Season 07 Episode 26: The Devil's Money

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<v Speaker 1>One chilly morning in February nineteen twenty five, eleven year

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<v Speaker 1>old Eleonora Zugan and her eighteen year old cousin left

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<v Speaker 1>their rural farming village of Talba in Romania to visit

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<v Speaker 1>their sick and elderly grandmother in the neighboring village of Boohi. Eleonora,

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<v Speaker 1>who never owned a pair of shoes, did well to

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<v Speaker 1>keep pace with her cousin as they skipped over the

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<v Speaker 1>frosty ground and made their way into a thick forest.

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<v Speaker 1>As they moved deeper into the trees, ear Leonora caught

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<v Speaker 1>sight of something shining on the ground among the ferns

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<v Speaker 1>and rusty dead pine leaves. It was a coin, partially

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<v Speaker 1>wrapped in a handkerchief. Someone must have dropped it, she thought,

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<v Speaker 1>as she bent down to pick it up. Don't, said

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<v Speaker 1>her cousin. Suddenly, it's the devil's money. Eleanora stared at

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<v Speaker 1>her cousin for a moment, then looked back at the coin.

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<v Speaker 1>It was more money than she ever had in her

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<v Speaker 1>possession before. Don't do it, he said, but Eleanora ignored him.

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<v Speaker 1>He was only jealous that she'd found it first, she thought,

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<v Speaker 1>then bent down again. And picked it up. The cousin

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<v Speaker 1>strode off her head as Eleanora rubbed the coin against

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<v Speaker 1>her coat and held it up to the light, admiring

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<v Speaker 1>how it gleamed in the morning sun. When they arrived

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<v Speaker 1>in Boohai, Eleonora stopped at a little confectionery shop, where

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<v Speaker 1>she spent all the money on some pastries and candy.

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<v Speaker 1>More of Eleanora's cousins greeted her on her arrival at

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<v Speaker 1>her grandmother's house, including one who gave her a pretty

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<v Speaker 1>coral change she'd made as a welcome present, But when

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<v Speaker 1>they asked if Eleanora would share her treats with them,

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<v Speaker 1>she refused to do so. The cousins crowded eagerly around her,

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<v Speaker 1>but she pushed them away, crabbing the sweets into her

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<v Speaker 1>mouth as fast as she could. She almost made herself

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<v Speaker 1>sick just to avoid having to share any of it.

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<v Speaker 1>Eleonora's blind, one hundred and five year old grandmother was

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<v Speaker 1>horrified by her granddaughter's behavior. It was bad enough that

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<v Speaker 1>she'd taken the coin in the first place, she said,

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<v Speaker 1>but the fact that she'd hoarded all of that food

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<v Speaker 1>for herself confirmed that it was already having a malign

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<v Speaker 1>influence on her. Despite being tired and sick, she couldn't

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<v Speaker 1>help but scold her granddaughter. You have swallowed Dracool, she hissed,

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<v Speaker 1>and now you'll never be free of him. Dracool Romanian

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<v Speaker 1>for the devil, had never seen her grandmother so animated before.

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<v Speaker 1>It was enough to make her question what she'd done,

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<v Speaker 1>and in the days to come, those words would echo

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<v Speaker 1>again and again in her mind. You'll never be free

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<v Speaker 1>of him. You're listening to Unexplained and I'm Richard McLean Smith.

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<v Speaker 1>It began the very next day, as Eleanora and her

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<v Speaker 1>cousins were eating breakfast in their grandmother's kitchen, a barrage

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<v Speaker 1>of noise suddenly enveloped the house like gunfire. The children

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<v Speaker 1>dropped to the floor in terror as windows shattered all

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<v Speaker 1>around their heads. Eleonora peeked out from behind her fingers

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<v Speaker 1>to see a flurry of stones flying against the house,

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<v Speaker 1>seemingly out of nowhere, as if they'd been thrown by

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<v Speaker 1>an invisible, malignant force. Over the following days, it was

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<v Speaker 1>said that wherever Eleonora went, small objects shifted and flew

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<v Speaker 1>through the air towards her, without any obvious cause. Growing

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<v Speaker 1>Tired of the mayhem, Eleonora's grandmother sent her back home,

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<v Speaker 1>hoping what appeared to be some kind of curse would

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<v Speaker 1>leave with her. Sure Enough, the strange phenomena followed Eleonora

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<v Speaker 1>back to Talpa. After a few days of objects flying

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<v Speaker 1>around their house at will, Eleonora's parents became desperate, believing

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<v Speaker 1>she was being haunted by the devil. They took Eleonora

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<v Speaker 1>to a monastery in the mountains. There, an exorcism was

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<v Speaker 1>performed on her, but the exorcism did nothing as the

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<v Speaker 1>disturbances carried on. It was with great regret said one

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<v Speaker 1>priest that he had to inform her family that Eleonora

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<v Speaker 1>was now beyond help. This strange story of an eleven

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<v Speaker 1>year old girl seemingly possessed by demonic forces soon caught

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<v Speaker 1>the attention of the local press, who ran a front

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<v Speaker 1>page story about Eleonora. In April of nineteen twenty five,

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<v Speaker 1>in Germany, an article written by Romanian journalist Kobi Klein

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<v Speaker 1>caught the attention of the Ravallo Bund, a spiritualist and

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<v Speaker 1>parapsychological organization devoted to investigating the potential of the paranormal.

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<v Speaker 1>So intrigued were the group by Eleonora's story, they offered

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<v Speaker 1>to pay Fritz Grunewauldt, a German engineer who also moonlighted

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<v Speaker 1>as a parapsychologist, to go and investigate her. Grunwaldt was

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<v Speaker 1>a key player in the German parapsychology movement at the

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<v Speaker 1>time and had several pieces of equipment for testing and

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<v Speaker 1>measuring supposed psychic abilities. He gladly accepted the offer. When

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<v Speaker 1>grunewald arrived in Romania, he was disappointed to find that

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<v Speaker 1>Eleonora had since been removed from the monastery and placed

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<v Speaker 1>in a psychiatric asylum, where she'd been left to languish

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<v Speaker 1>ever since. With the help of Kubi Klein, grunwald had

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<v Speaker 1>her removed from the asylum and returned her to the

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<v Speaker 1>monastery in order to study her without any interference from doctors,

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<v Speaker 1>and there for the next six weeks he observed the

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<v Speaker 1>young girl, writing extensive notes about the many bizarre events

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<v Speaker 1>he supposedly witnessed. One Sunday morning, as Grunewald later wrote,

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<v Speaker 1>he was sitting quietly outside on a verandah with Eleanora,

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<v Speaker 1>when out of nowhere, a small, gleaming object appeared behind

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<v Speaker 1>Eleonora's head, It hovered in mid air for a moment,

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<v Speaker 1>and then dropped onto the floor beside her. It was

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<v Speaker 1>a silver chain which Eleonora had given as a present

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<v Speaker 1>to the monastery's cook some days earlier. According to Grunivult,

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<v Speaker 1>the incident had happened in broad daylight, and neither he

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<v Speaker 1>or Eleanora had moved an inch. The chain had moved

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<v Speaker 1>all by itself. Another time, Grunivald decided to see if

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<v Speaker 1>he could have some influence on what was happening when

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<v Speaker 1>in the company of Eleanora, he decided to fixate on

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<v Speaker 1>a water jug that was placed on a stool. After

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<v Speaker 1>five minutes of staring at it, the jug, which was

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<v Speaker 1>full of water, apparently began to rise a good half

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<v Speaker 1>a mint in the air before returning to the stool

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<v Speaker 1>without a drop of water being spilt. Having felt he'd

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<v Speaker 1>seen enough, Grunivald published a short statement confirming that, in

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<v Speaker 1>his professional opinion, the phenomena occurring around Eleonora were genuinely paranormal.

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<v Speaker 1>He promised to publish a full report in due course. However,

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<v Speaker 1>not long after his encounter with Eleonora, Grunivald died suddenly

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<v Speaker 1>from a heart attack in the end. His report was

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<v Speaker 1>published posthumously and caught the attention of Austrian Countess Soy

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<v Speaker 1>Vasilko SERETCHKEI. In addition to being a wealthy and influential aristocrat,

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<v Speaker 1>Countess Vasilko Seretchke was also a parapsychologist who'd long admired

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<v Speaker 1>Fritz Grunivold's work. She was determined to continue what he'd started,

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<v Speaker 1>and so in January nineteen twenty six, she brought Eleonora

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<v Speaker 1>to live in Vienna under her protection. Despite her belief

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<v Speaker 1>in the paranormal, the Countess was in the main a

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<v Speaker 1>grounded and sensible individual with many years of experience in

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<v Speaker 1>her field. In fact, she had recently drawn the ire

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<v Speaker 1>of some of her contemporaries after publicly exposing one so

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<v Speaker 1>called psychic as a fraud. But within a few days

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<v Speaker 1>of meeting the girl, Basilico Seretchki had no doubt she

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<v Speaker 1>was in the presence of something truly paranormal. Over the

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<v Speaker 1>next eight months, the Countess brought in a variety of

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<v Speaker 1>experts to observe Eleonora. The first was a medical doctor

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<v Speaker 1>who conducted a thorough physical and mental examination. He concluded

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<v Speaker 1>she was in good health aside from an extreme skin sensitivity,

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<v Speaker 1>and highly intelligent for her own. The assessment was backed

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<v Speaker 1>up by famed British paranormal investigator Harry Price, who traveled

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<v Speaker 1>to Vienna in April to also study Eleonora. His first

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<v Speaker 1>impression was that Eleonora was stubborn, sometimes sulky, and highly

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<v Speaker 1>suspicious of new people, but had grown very attached to

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<v Speaker 1>the Countess. Pryce also noted that Eleonora was strangely immature

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<v Speaker 1>in some ways, later writing that although thirteen years old,

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<v Speaker 1>Eleonora is like a child of eight in many ways.

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<v Speaker 1>She is incessantly playing with toys more suitable to a

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<v Speaker 1>child half her years, and will spend the day amusing

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<v Speaker 1>herself with squeaking animals, rubber balls, and furry rabbits. Between

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<v Speaker 1>January and August of five, nineteen twenty six, Countess Vasilko

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<v Speaker 1>Seretchki recorded more than three thousand separate incidents that she

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<v Speaker 1>believed to be paranormal, more than eight hundred of which

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<v Speaker 1>were corroborated by other people. One such individual was Johannes

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<v Speaker 1>Maria Vervaian, a German philosophy professor. Throughout the day, as

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<v Speaker 1>he kept watch on Eleonora, he noticed that the books

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<v Speaker 1>on a shelf behind her head were slowly moving forward,

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<v Speaker 1>as if being pushed by an invisible hand. He took

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<v Speaker 1>note of which books had been moved, trying to find

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<v Speaker 1>some pattern or message in their titles, but no pattern

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<v Speaker 1>could be found. Objects also appeared and disappeared at will,

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<v Speaker 1>often seeming to travel through walls or locked doors and

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<v Speaker 1>dropping into the middle of a room. They were generally small,

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<v Speaker 1>every day things, hair brush or a set of dominoes,

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<v Speaker 1>for example, seeming, as Harry Price noted, to briefly exist

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<v Speaker 1>outside of the dominion of the physical laws of our world.

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<v Speaker 1>At other times, mysterious rapping noises were heard on the

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<v Speaker 1>furniture surrounding Eleonora, as though some invisible presence was knocking

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<v Speaker 1>on them. One evening, Harry Price was watching Eleonora closely.

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<v Speaker 1>His gaze occasionally shifted down to his notebook as he

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<v Speaker 1>recorded her movements. Then suddenly something whizzed past him, so

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<v Speaker 1>close he felt the air shift against his cheek as

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<v Speaker 1>it clattered to the ground. Price saw it was a

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<v Speaker 1>ten inch steel letter opener. If he'd been standing just

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<v Speaker 1>a hair further to the right, its blade would have

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<v Speaker 1>sliced right into his skin. Though he was no stranger

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<v Speaker 1>to ominous events. Price was deeply unnerved at the time.

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<v Speaker 1>There was nobody in the house besides him, Eleonora and

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<v Speaker 1>the Countess. As he later claimed, he was watching both

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<v Speaker 1>of them when the blade launched itself at him. There

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<v Speaker 1>was simply no way that either of them could be responsible,

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<v Speaker 1>he believed. But more than that, he couldn't help thinking

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<v Speaker 1>that the violence of this gesture was some kind of

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<v Speaker 1>warning sign if Eleanora had indeed been possessed by something.

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<v Speaker 1>Whatever it was, he felt was getting angry. A few

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<v Speaker 1>days later, Price was back at the Countess's house to

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<v Speaker 1>observe Eleonora again. Vasilko Seretchki asked the young girl to

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<v Speaker 1>move a table. As she was in the middle of

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<v Speaker 1>doing so, the trio heard a deafening crash from the

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<v Speaker 1>other side of the room. We all span round just

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<v Speaker 1>in time to see a bizarre sight. A large black

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<v Speaker 1>toy dog, which had been left on a chair in

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<v Speaker 1>the far corner of the room, had fallen onto the floor,

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<v Speaker 1>knocking into a metal coal scuttle that had clattered loudly

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<v Speaker 1>onto its side. Just a toy, and yet the sight

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<v Speaker 1>of it lying there on the ground was unmistakably ominous.

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<v Speaker 1>Throughout European history, the black dog had long been a

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<v Speaker 1>symbol of foreboding, misfortune and death. In folklore, ghostly black

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<v Speaker 1>devil hounds often appear to wayward travelers as a harbinger

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<v Speaker 1>of imminent doom. Having gathered several months worth of observations,

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<v Speaker 1>the Countess and Harry Price had plenty of data to

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<v Speaker 1>work with, so they set out to try and find

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<v Speaker 1>patterns in the psychic phenomena. There was one consistent thing.

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<v Speaker 1>Whenever these events happened, Eleonora was always either in the

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<v Speaker 1>same room or an adjoining one. As they pored over

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<v Speaker 1>their findings, they soon found some other correlations. The phenomena

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<v Speaker 1>often happened shortly before meal times, when Eleonora was hungry.

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<v Speaker 1>They also seemed to be stronger whenever she was in

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<v Speaker 1>an irritable mood, and they never happened when Eleonora was sleeping.

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<v Speaker 1>It suggested to the Countess and Price that the supposedly

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<v Speaker 1>psychic events were strongly tied to Eleonora's moods and therefore

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<v Speaker 1>to her consciousness. Even still, she seemed to have no

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<v Speaker 1>control over them at all, with Price noting that she

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<v Speaker 1>seemed as startled as anyone when objects flew across the

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<v Speaker 1>room or appeared and disappeared at will. As a parapsychologist,

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<v Speaker 1>more than anything, the Countess was fascinated by the possibility

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<v Speaker 1>that the key to this bizarre situation lay within Eleonora's mind.

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<v Speaker 1>Perhaps she wasn't being possessed by an external paranormal force

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<v Speaker 1>at all, she thought, but instead she was the paranormal force.

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<v Speaker 1>The Countess began to suspect that the psychokinetic events were

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<v Speaker 1>rooted in Eleonora's repressed feelings of guilt and shame caused

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<v Speaker 1>by her grandmother telling her that she had swallowed the devil.

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<v Speaker 1>Countess Basilko Seretchkei began to carry out psychoanalysis on Eleonora

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<v Speaker 1>in the hope of releasing any unconscious emotions that might

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<v Speaker 1>be tormenting her, But she was not a trained psychoanalyst,

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<v Speaker 1>and the sessions only seemed to make things worse. One

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<v Speaker 1>afternoon in the summer of nineteen twenty six, Eleanora cried

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<v Speaker 1>out in pain, clutching her arm. The Countess hurriedly pulled

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<v Speaker 1>back her sleeve to find a bite mark on the

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<v Speaker 1>girl's pale skin, deep enough that it had drawn blood.

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<v Speaker 1>At first, the Countess in Price suspected she'd done it

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<v Speaker 1>to herself. They hadn't been watching her at the time,

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<v Speaker 1>But over the next few weeks, more and more fresh

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<v Speaker 1>punctures and cuts appeared all over Eleanora's skin, many of

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<v Speaker 1>them in places they felt she simply couldn't have reached herself.

0:17:38.720 --> 0:17:42.679
<v Speaker 1>One other afternoon, the Countess was making another set of

0:17:42.720 --> 0:17:48.280
<v Speaker 1>notes when a piercing scream rang out. The Countess looked

0:17:48.359 --> 0:17:52.560
<v Speaker 1>up in horror to see Eleanora staring wide eyed at

0:17:52.560 --> 0:17:58.359
<v Speaker 1>her Her face twisted into a haunting look of abject terror.

0:17:59.600 --> 0:18:03.560
<v Speaker 1>She held up her hands, both of them had countless

0:18:03.600 --> 0:18:07.720
<v Speaker 1>needles sticking out of her skin. It was only when

0:18:07.760 --> 0:18:10.719
<v Speaker 1>the small beads of red began to appear on the

0:18:10.720 --> 0:18:15.600
<v Speaker 1>girl's face that the Countess realized it was also covered

0:18:15.600 --> 0:18:21.159
<v Speaker 1>in needles buried deep into her flesh. The Countess and

0:18:21.280 --> 0:18:25.639
<v Speaker 1>Price did their best to calm the screaming girl. The

0:18:25.680 --> 0:18:28.919
<v Speaker 1>event left her with a pox like scars that didn't

0:18:28.960 --> 0:18:43.360
<v Speaker 1>fade for weeks. Worried that her own methods of psychoanalysis

0:18:43.400 --> 0:18:50.200
<v Speaker 1>had intensified whatever was affecting Eleonora, the Countess immediately discontinued

0:18:50.240 --> 0:18:55.679
<v Speaker 1>the sessions, she decided to try something new instead. The

0:18:55.760 --> 0:19:00.520
<v Speaker 1>practice of automatic writing as its roots in spiritualism, which

0:19:00.560 --> 0:19:03.720
<v Speaker 1>is the belief that it's possible for living people to

0:19:03.800 --> 0:19:08.320
<v Speaker 1>communicate with the spirits of the dead. In the spiritualist version,

0:19:08.880 --> 0:19:12.480
<v Speaker 1>a seance is conducted in which the subject is asked

0:19:12.520 --> 0:19:15.280
<v Speaker 1>to hold a pen against a piece of paper, but

0:19:15.440 --> 0:19:20.440
<v Speaker 1>not consciously attempt to write anything. Then, after a period

0:19:20.640 --> 0:19:24.879
<v Speaker 1>of calling forth any supposed spirits that might be in attendance,

0:19:25.440 --> 0:19:28.399
<v Speaker 1>it is hoped that the subject's hand might then be

0:19:28.520 --> 0:19:33.840
<v Speaker 1>manipulated by a spirit. Any writing that emerges is thought

0:19:33.920 --> 0:19:38.640
<v Speaker 1>to be a message sent directly from the other side. However,

0:19:39.119 --> 0:19:42.439
<v Speaker 1>in the early twentieth century, a new school of thought

0:19:42.640 --> 0:19:48.000
<v Speaker 1>merged around automatic writing, attributing the process not to external

0:19:48.200 --> 0:19:55.199
<v Speaker 1>supernatural forces but to an internal psychological process. Being a parapsychologist,

0:19:55.520 --> 0:20:00.439
<v Speaker 1>the countess was open to either possibility. One morning, she

0:20:00.560 --> 0:20:03.600
<v Speaker 1>set Eleanora up in the parlor of her house with

0:20:03.680 --> 0:20:06.920
<v Speaker 1>a pen and a large sheet of paper, and then

0:20:07.040 --> 0:20:11.440
<v Speaker 1>waited for a long time. Nothing appeared to be happening.

0:20:12.000 --> 0:20:18.200
<v Speaker 1>Eleonora was mostly just bored and restless. Suddenly her expression changed.

0:20:18.760 --> 0:20:22.760
<v Speaker 1>Her eyes lost focus and glazed over. Then her hand

0:20:23.000 --> 0:20:27.960
<v Speaker 1>began to move against the page. The Countess watched over

0:20:28.040 --> 0:20:32.760
<v Speaker 1>Eleanora's shoulder as one letter after another was scratched out

0:20:32.800 --> 0:20:37.040
<v Speaker 1>on the page in jagged block capitals. It was a

0:20:37.080 --> 0:20:41.080
<v Speaker 1>promise that more strange events would follow. At five pm

0:20:41.320 --> 0:20:46.720
<v Speaker 1>the following day, it was signed Drac who the Devil.

0:20:48.359 --> 0:20:52.880
<v Speaker 1>All day, Eleanora and the Countess waited nervously for five

0:20:52.920 --> 0:20:56.960
<v Speaker 1>pm to come around, but when it did, nothing happened.

0:20:57.640 --> 0:21:02.000
<v Speaker 1>The investigation had hit yet another dead end. In the

0:21:02.040 --> 0:21:06.159
<v Speaker 1>autumn of nineteen twenty six, nine months after she'd first

0:21:06.240 --> 0:21:10.720
<v Speaker 1>brought Eleonora to her home, the Countess decided that she'd

0:21:10.760 --> 0:21:15.200
<v Speaker 1>done all she could to unravel the mystery. Many people

0:21:15.240 --> 0:21:19.160
<v Speaker 1>had been interested in Eleonora's case, but had been unable

0:21:19.320 --> 0:21:22.679
<v Speaker 1>to travel to Vienna to study her in person. So

0:21:22.760 --> 0:21:29.440
<v Speaker 1>that September, Countess Forasilkosretchke and Eleonora began an ambitious voyage

0:21:29.520 --> 0:21:34.080
<v Speaker 1>across the continent. They started in Berlin, where first a

0:21:34.160 --> 0:21:39.120
<v Speaker 1>team of doctors studied the girl, then German zoologist Karl Zimmer.

0:21:39.880 --> 0:21:43.360
<v Speaker 1>From there they moved on to Munich and then to London.

0:21:44.480 --> 0:21:49.720
<v Speaker 1>Thanks to Harry Price's detailed publications about her case, Eleonora

0:21:49.960 --> 0:21:55.840
<v Speaker 1>became an international sensation. Publications including The New York Times,

0:21:56.119 --> 0:21:59.840
<v Speaker 1>reported on her arrival in London, and research as clamored

0:22:00.200 --> 0:22:05.040
<v Speaker 1>their chance to examine the so called Tupa poltergeist. But

0:22:05.119 --> 0:22:08.359
<v Speaker 1>for all their efforts, nobody could arrive at a solid

0:22:08.400 --> 0:22:13.000
<v Speaker 1>explanation for what was happening to Eleonora, and though they

0:22:13.000 --> 0:22:17.280
<v Speaker 1>didn't know it yet, their window of opportunity was coming

0:22:17.320 --> 0:22:27.879
<v Speaker 1>to a close. In February of nineteen twenty seven, just

0:22:28.000 --> 0:22:32.240
<v Speaker 1>over a year after Countess Vasilko Seretski first brought her

0:22:32.280 --> 0:22:38.240
<v Speaker 1>to Austria, Eleonora at her first menstrual period. It was

0:22:38.280 --> 0:22:42.320
<v Speaker 1>said that from that point onwards, the supposedly psychic phenomena

0:22:42.520 --> 0:22:48.480
<v Speaker 1>steadily declined. The final apparent psychokinetic event is said to

0:22:48.520 --> 0:22:53.200
<v Speaker 1>have taken place on June seventeenth of that year. Later

0:22:53.320 --> 0:22:57.919
<v Speaker 1>that summer, Eleonora returned to Romania, relieved to find that

0:22:58.000 --> 0:23:02.760
<v Speaker 1>her so called curse didn't not follow her there by

0:23:02.800 --> 0:23:07.000
<v Speaker 1>all accounts, Eleonora went on to live a perfectly ordinary

0:23:07.040 --> 0:23:11.040
<v Speaker 1>life out of the public eye. She married and worked

0:23:11.040 --> 0:23:15.320
<v Speaker 1>as a hairdresser and manicurist. She also maintained her bond

0:23:15.440 --> 0:23:18.800
<v Speaker 1>with the countess, who by then had become like a

0:23:18.880 --> 0:23:24.240
<v Speaker 1>mother to her. Eleonora Zugan died in nineteen ninety six

0:23:24.720 --> 0:23:28.919
<v Speaker 1>at the age of eighty three. To this day, the

0:23:29.000 --> 0:23:33.040
<v Speaker 1>truth about what exactly had occurred in those early years

0:23:33.080 --> 0:23:40.800
<v Speaker 1>of her life remains unexplained. This episode, written by Emma

0:23:40.840 --> 0:23:46.240
<v Speaker 1>Dibden and produced by me Richard McLean Smith concludes Unexplained.

0:23:46.400 --> 0:23:50.000
<v Speaker 1>Season seven will be taking a short break now until

0:23:50.119 --> 0:23:55.000
<v Speaker 1>season eight, which will begin on Friday, September sixth. For

0:23:55.080 --> 0:23:57.760
<v Speaker 1>the weeks in between, I'll be sharing some more of

0:23:57.800 --> 0:24:01.440
<v Speaker 1>my favorite episodes from season's part and maybe a few

0:24:01.480 --> 0:24:05.080
<v Speaker 1>other things, so listen out for that. If I may

0:24:05.080 --> 0:24:07.919
<v Speaker 1>have your attention for a moment, Before I go, I

0:24:07.960 --> 0:24:10.040
<v Speaker 1>want to leave you with a personal message from me.

0:24:10.960 --> 0:24:14.160
<v Speaker 1>But first I want to thank all the fantastic writers

0:24:14.280 --> 0:24:17.320
<v Speaker 1>that have contributed to the show this season. Thank you

0:24:17.359 --> 0:24:21.159
<v Speaker 1>so much. Firstly to Emma Dibden. Emma is a fantastic

0:24:21.200 --> 0:24:24.680
<v Speaker 1>freelance journalist and writer and author of two books to date,

0:24:25.080 --> 0:24:28.000
<v Speaker 1>Through His Eyes and The Room by the Lake, which

0:24:28.040 --> 0:24:31.159
<v Speaker 1>you should go and check out. Secondly, thank you so

0:24:31.320 --> 0:24:35.080
<v Speaker 1>much to Ella McLoud. Ella is another brilliant author who

0:24:35.119 --> 0:24:39.040
<v Speaker 1>also has two books out currently rapun Zella or Don't

0:24:39.080 --> 0:24:42.040
<v Speaker 1>Touch My Hair and the map that led to You,

0:24:42.680 --> 0:24:45.639
<v Speaker 1>which I highly recommend and which you can purchase at

0:24:45.680 --> 0:24:49.600
<v Speaker 1>all good bookstores. And last, but not least, thank you

0:24:49.680 --> 0:24:53.399
<v Speaker 1>so much to doctor Diane Hope. Diane is a fantastic

0:24:53.480 --> 0:24:57.000
<v Speaker 1>audio producer and sound recordeded in her own right. You

0:24:57.040 --> 0:24:59.560
<v Speaker 1>can find out more about her work and her personal

0:24:59.600 --> 0:25:04.000
<v Speaker 1>coach in field recording, sound design and podcast production at

0:25:04.080 --> 0:25:08.800
<v Speaker 1>Dianehope dot com and on Instagram at in the Sound Field.

0:25:09.880 --> 0:25:12.639
<v Speaker 1>And lastly, but very much not least, I want to

0:25:12.680 --> 0:25:15.240
<v Speaker 1>thank you all for being the most amazing audience of

0:25:15.280 --> 0:25:17.480
<v Speaker 1>all time. I know some of you have been listening

0:25:17.520 --> 0:25:19.720
<v Speaker 1>to the show since day one and I can't tell

0:25:19.760 --> 0:25:22.439
<v Speaker 1>you how much that means to me. And for anyone

0:25:22.440 --> 0:25:25.960
<v Speaker 1>who's new to the show, welcome and thank you too

0:25:26.359 --> 0:25:30.640
<v Speaker 1>for giving us your time. So yes, finally, I want

0:25:30.680 --> 0:25:32.840
<v Speaker 1>to say a few words in a way I don't

0:25:33.000 --> 0:25:36.440
<v Speaker 1>really tend to do one Unexplained about the world as

0:25:36.480 --> 0:25:39.840
<v Speaker 1>it is today. There are many reasons that I don't

0:25:39.920 --> 0:25:43.760
<v Speaker 1>share my own thoughts and feelings in Unexplained episodes or

0:25:43.840 --> 0:25:47.760
<v Speaker 1>on social media. Mainly it's because that's not what Unexplained

0:25:47.760 --> 0:25:50.160
<v Speaker 1>it's about, and it's certainly not what any of you

0:25:50.200 --> 0:25:53.320
<v Speaker 1>come here for. Who needs to hear my take on anything?

0:25:54.359 --> 0:25:56.600
<v Speaker 1>But it's also because if I took the time to

0:25:56.680 --> 0:26:01.280
<v Speaker 1>comment on whatever terrible, atrocity or tragic thing happens to

0:26:01.280 --> 0:26:04.320
<v Speaker 1>be occurring in the world at any given time, I'd

0:26:04.400 --> 0:26:08.000
<v Speaker 1>barely have time to breathe. And for the most part,

0:26:08.119 --> 0:26:11.000
<v Speaker 1>I don't think one tragedy is more deserving of attention

0:26:11.240 --> 0:26:14.359
<v Speaker 1>over another. So please don't take this as a dismissal

0:26:14.400 --> 0:26:16.760
<v Speaker 1>of everything else going on in the world right now,

0:26:17.160 --> 0:26:20.840
<v Speaker 1>because I haven't mentioned something specific, But today I do

0:26:20.920 --> 0:26:24.560
<v Speaker 1>want to say something specific to all my amazing American

0:26:24.600 --> 0:26:28.320
<v Speaker 1>listeners out there. There's a big election coming up in November,

0:26:28.800 --> 0:26:31.200
<v Speaker 1>and you may be nervous about which way it's going

0:26:31.240 --> 0:26:34.480
<v Speaker 1>to go, So I just want to say this. I

0:26:34.560 --> 0:26:37.720
<v Speaker 1>firmly believe that just because someone doesn't see the world

0:26:37.840 --> 0:26:40.280
<v Speaker 1>in the same way that you do, or want for

0:26:40.320 --> 0:26:43.480
<v Speaker 1>the same things, that doesn't make them a bad person.

0:26:44.240 --> 0:26:47.359
<v Speaker 1>It is, of course possible to live side by side

0:26:47.400 --> 0:26:50.679
<v Speaker 1>with people who don't have the same political leanings as you.

0:26:51.440 --> 0:26:54.960
<v Speaker 1>I grant you It's not always easy, but it is possible.

0:26:55.880 --> 0:26:58.240
<v Speaker 1>I also think there is a huge difference between the

0:26:58.320 --> 0:27:01.240
<v Speaker 1>level of hostility that's seems to be festering in the

0:27:01.280 --> 0:27:04.159
<v Speaker 1>country as it may feel online or in the media,

0:27:04.560 --> 0:27:07.240
<v Speaker 1>with how it actually is out in the real world.

0:27:08.200 --> 0:27:10.919
<v Speaker 1>I don't believe that, for the most part, if you

0:27:10.920 --> 0:27:13.320
<v Speaker 1>were to look to that neighbor of yours who might

0:27:13.359 --> 0:27:16.560
<v Speaker 1>not vote like you in real life, that you will

0:27:16.560 --> 0:27:19.639
<v Speaker 1>feel anywhere near the animosity you think you feel for

0:27:19.680 --> 0:27:22.360
<v Speaker 1>them if you regard them simply as part of an

0:27:22.359 --> 0:27:26.560
<v Speaker 1>amorphous group of people who don't share your political views.

0:27:27.280 --> 0:27:30.040
<v Speaker 1>I believe for the most part that we're all ultimately

0:27:30.080 --> 0:27:33.520
<v Speaker 1>striving for the same thing, we just disagree on how

0:27:33.560 --> 0:27:37.080
<v Speaker 1>to get there. I think you're still a long way

0:27:37.119 --> 0:27:41.000
<v Speaker 1>from descending into a genuine, all out civil war. But

0:27:41.119 --> 0:27:44.280
<v Speaker 1>the fact that it isn't wholly inconceivable that you can

0:27:44.320 --> 0:27:48.320
<v Speaker 1>watch a film like Alex Garland's Civil War without requiring

0:27:48.400 --> 0:27:54.080
<v Speaker 1>any suspension of disbelief is frankly horrifying. Equally, that I

0:27:54.080 --> 0:27:57.560
<v Speaker 1>can wake up to the news that the Republican candidate

0:27:57.600 --> 0:28:01.800
<v Speaker 1>for the presidency only narrowly escape being assassinated on live

0:28:01.880 --> 0:28:07.800
<v Speaker 1>TV without being entirely surprised is astonishing. This will, no

0:28:07.880 --> 0:28:10.879
<v Speaker 1>doubt have haunted many of you. But when you think

0:28:10.920 --> 0:28:14.840
<v Speaker 1>back to that moment in the days, weeks, months, and

0:28:15.000 --> 0:28:19.280
<v Speaker 1>years to come, perhaps think not about the shooter or

0:28:19.320 --> 0:28:24.080
<v Speaker 1>the intended target, but think instead about the innocent people

0:28:24.119 --> 0:28:27.600
<v Speaker 1>in the audience who are not so fortunate. Think of

0:28:27.720 --> 0:28:32.560
<v Speaker 1>Corey Comparator, who, in the moment of deadly chaos, did

0:28:32.560 --> 0:28:36.080
<v Speaker 1>the only thing he could reasonably think of. He put

0:28:36.119 --> 0:28:39.560
<v Speaker 1>his arms around his family to save them at the

0:28:39.600 --> 0:28:44.640
<v Speaker 1>cost of his own life. Regardless of your politics, this

0:28:44.760 --> 0:28:49.760
<v Speaker 1>deeply human and crucially relatable act is the defining moment

0:28:49.840 --> 0:28:54.960
<v Speaker 1>of that horrific event. For me. Empathy, as ever, is

0:28:55.000 --> 0:29:00.880
<v Speaker 1>always the key experience art, watch movies, read books, read

0:29:00.960 --> 0:29:04.760
<v Speaker 1>novels especially, and not just stories that you will personally

0:29:04.800 --> 0:29:09.400
<v Speaker 1>relate to. Watch, read and listen to stories about how

0:29:09.480 --> 0:29:13.800
<v Speaker 1>other people feel and experience the world. No doubt you

0:29:13.880 --> 0:29:16.719
<v Speaker 1>all already do, but if not, I can promise you

0:29:16.800 --> 0:29:19.720
<v Speaker 1>it will open up gateways in your mind that you

0:29:19.800 --> 0:29:25.600
<v Speaker 1>didn't know existed. And above all, listen to music. It's

0:29:25.640 --> 0:29:30.000
<v Speaker 1>the closest thing we have to the truth. Until next time,

0:29:30.560 --> 0:29:39.960
<v Speaker 1>I wish you all the best. Unexplained as an Avy

0:29:40.000 --> 0:29:45.000
<v Speaker 1>Club Productions podcast created by Richard McClain smith. All other

0:29:45.040 --> 0:29:48.680
<v Speaker 1>elements of the podcast, including the music, are also produced

0:29:48.720 --> 0:29:53.360
<v Speaker 1>by me Richard McClain smith. Unexplained. The book and audiobook,

0:29:53.600 --> 0:29:56.680
<v Speaker 1>with stories never before featured on the show, is now

0:29:56.720 --> 0:30:01.120
<v Speaker 1>available to buy worldwide. You can purchase from Amazon, Barnes

0:30:01.160 --> 0:30:05.840
<v Speaker 1>and Noble, Waterstones, and other bookstores. Please subscribe to and

0:30:05.960 --> 0:30:09.240
<v Speaker 1>rate the show wherever you get your podcasts, and feel

0:30:09.240 --> 0:30:11.840
<v Speaker 1>free to get in touch with any thoughts or ideas

0:30:12.160 --> 0:30:15.160
<v Speaker 1>regarding the stories you've heard on the show. Perhaps you

0:30:15.240 --> 0:30:17.560
<v Speaker 1>have an explanation of your own you'd like to share.

0:30:18.240 --> 0:30:21.719
<v Speaker 1>You can find out more at Unexplained podcast dot com

0:30:21.720 --> 0:30:25.440
<v Speaker 1>and reach us online through Twitter at Unexplained Pod and

0:30:25.600 --> 0:30:30.360
<v Speaker 1>Facebook at Facebook dot com, Forward slash Unexplained Podcast