WEBVTT - Episode 127 | Kenan Thompson Pt. 2

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<v Speaker 1>And now welcome to part two of a most illustrious

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<v Speaker 1>episode of the Victory Light Podcast starring The Kid Marrow,

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<v Speaker 1>The Human Do Rag.

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<v Speaker 2>Flap, Liz Bell, Ortiz La Ma.

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<v Speaker 1>Tatana, Randie Omaye, The Rap, Gody app God, the Acoholics

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<v Speaker 1>Makes Tape coming soon, and guest starring none other than

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<v Speaker 1>Cheen and Thompson.

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<v Speaker 2>So jumping around.

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<v Speaker 3>We was talking about kids before and Father's Day and uh,

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<v Speaker 3>you know, being things, doing things for your kids, you

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<v Speaker 3>know what I'm saying, or children in general, not just

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<v Speaker 3>your kids, kids in general.

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<v Speaker 2>You got the book Unfunny Bunny, let's go.

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<v Speaker 4>Yeah, it's listen.

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<v Speaker 2>You can go on to the incident right now and

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<v Speaker 2>pre order it.

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<v Speaker 4>Right.

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<v Speaker 3>You can use a computer like my kid does to

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<v Speaker 3>write me lettuce, or you can use it to write

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<v Speaker 3>pre order Unfunny Bunnies right now.

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<v Speaker 4>Two different ways to use a computer.

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<v Speaker 2>Funny buddy mind sweeper. Also that that's a good one.

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<v Speaker 2>This is the Washman compensation, right, They're like, what are

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<v Speaker 2>y'all talking about?

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<v Speaker 4>Yes, funny buddy man, I'm excited. It's my second book,

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<v Speaker 4>which is what went and honor to be able to

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<v Speaker 4>say that, but you know, and it was the easiest

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<v Speaker 4>funniest thing in the world. You know, Like we had

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<v Speaker 4>an idea probably based on like kind of you know,

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<v Speaker 4>personal experience or whatever, like putting yourself out there telling jokes,

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<v Speaker 4>and when they don't land, you know what I'm saying,

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<v Speaker 4>they can make you, you know, start to question things

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<v Speaker 4>or whatever, and like it's good to have friends to

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<v Speaker 4>encourage you. Like that's kind of the story or whatever

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<v Speaker 4>stuff like that. But I love bad jokes, dad jokes

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<v Speaker 4>all that. Like nothing funnier than a joke that doesn't

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<v Speaker 4>work number one, or like a just a in general,

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<v Speaker 4>like one of those roll your eye jokes. I love

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<v Speaker 4>that ship, you know what I'm saying, because it comes

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<v Speaker 4>from such a genuine place. And usually those people that

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<v Speaker 4>tell those jokes are some of the best people in

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<v Speaker 4>the world, you know, the guy's neighborhood that's picking up

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<v Speaker 4>everybody's kids from soccer or whatever and dropping them out,

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<v Speaker 4>making sure everybody's straight, barbecuing, you know what I mean.

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<v Speaker 4>There are always those kind of people. So like I love,

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<v Speaker 4>you know, a good bad joke, there's.

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<v Speaker 2>Something I love it a little bit too, like let

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<v Speaker 2>let it let man.

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<v Speaker 4>Because they genuinely enjoy them. Ships. Yeah, yeah, yeah, yeah, Yeah.

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<v Speaker 5>My youngest son has told me the same joke like

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<v Speaker 5>twelve times. He thinks it's incredible.

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<v Speaker 4>He's like that, what do you call a fly without wings?

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<v Speaker 2>And then he goes a walk.

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<v Speaker 4>He'm like, oh my god, that's so excited. Why would

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<v Speaker 4>you want to strip that?

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<v Speaker 2>Joey?

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<v Speaker 4>Yeah, of course, of course your daughter's help help with

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<v Speaker 4>with anything in this book. Inspiration was, Yeah, I mean

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<v Speaker 4>I looking at them go to school, you know what

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<v Speaker 4>I'm saying, Like I'm always like reliving school through their

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<v Speaker 4>eyes kind of thing, and just like I like, right

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<v Speaker 4>now I'm waiting to go pick 'em up, you know,

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<v Speaker 4>from school, And I'm always just like, so this is

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<v Speaker 4>what everybody used to do when we were in school,

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<v Speaker 4>Like everybody would just be out living life and then

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<v Speaker 4>like checking the time and come back kind of thing.

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<v Speaker 2>Yeah, just it's just.

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<v Speaker 4>Wild to see the other perspective. So when we were

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<v Speaker 4>writing classroom scenes and like what it's like to be

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<v Speaker 4>bullied or made fun of or anything, I'm like always

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<v Speaker 4>I have them on my mind, you know, because like

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<v Speaker 4>they're experiencing that like in real time right now, which

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<v Speaker 4>is it's wild to see, cause like no kid is

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<v Speaker 4>immune to like the occasional being made fun of or

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<v Speaker 4>right embarrassing moment or even a moment that just didn't

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<v Speaker 4>go as plans. So what do you do in those

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<v Speaker 4>scenarios kind of things? So any kind of book that

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<v Speaker 4>encourages kids to just continue or like anything like that,

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<v Speaker 4>if it, if that's what this book does for kids,

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<v Speaker 4>like that's gonna be the ultimate. You know what I'm

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<v Speaker 4>saying a.

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<v Speaker 3>Funny because as as a comedian, Yeah, I was about

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<v Speaker 3>to say, I was like, would you be crushed if

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<v Speaker 3>they were not funny? Like you know what I'm saying,

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<v Speaker 3>Like I'm funny as hell, bro, Like I've been doing

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<v Speaker 3>this so I'm fourteen, bro.

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<v Speaker 4>Yeah, I mean I'm I'm not even really a joke teller.

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<v Speaker 4>I just enjoy you know, life, and like, yeah, if

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<v Speaker 4>a happy moment comes out, I like laughing with people

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<v Speaker 4>kind of thing. Yes, But like I'm not just out

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<v Speaker 4>to like pursue like the formula of writing a joke

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<v Speaker 4>kind of shit, you know what I mean. I'm always

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<v Speaker 4>just quoting some funny shit that I saw kind of

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<v Speaker 4>thing or whatever, like we used to quote Coming to

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<v Speaker 4>America or you know whatever, you know, struck us funny

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<v Speaker 4>As kids so like, I wouldn't be mad if my

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<v Speaker 4>kids didn't have that necessarily because it's like not a

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<v Speaker 4>specific gene for me. We just all like giggling, and

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<v Speaker 4>I see that in them. They like to giggle and

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<v Speaker 4>they're silly. So like I'm happy for that, okay.

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<v Speaker 3>Because I'm like, yo, because my kids be like so

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<v Speaker 3>my oldest son, he's he's just starting.

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<v Speaker 2>To get funny. Yeah, and I'm like, oh, oh.

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<v Speaker 6>This is oh the geneus active, Like Yo, what's happening.

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<v Speaker 2>It's happening, like Yo, sit again what you say? And

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<v Speaker 2>I'm like, oh, this ship, this was funny. Bro, I

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<v Speaker 2>understood this reference, Like.

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<v Speaker 4>Know that's real comedic things, that that's a comedic brand.

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<v Speaker 4>Like I'm an actor who happens to do a lot

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<v Speaker 4>of funny shit, Like I've always been the comedic relief

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<v Speaker 4>and comic relief and things. But you know, I grew

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<v Speaker 4>up doing man serious plays. Like in high school, we

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<v Speaker 4>wrote our own plays and they were about like South

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<v Speaker 4>Africa and apart tid and like teen age and like

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<v Speaker 4>all this other like super yeah in high school, bro,

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<v Speaker 4>you know what I mean. So I grew up like

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<v Speaker 4>doing Nickelodeon and stuff like that. And then my hometown

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<v Speaker 4>at the same time was real just College Park, you

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<v Speaker 4>know what I'm saying. It's like real like issues going on,

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<v Speaker 4>like teenagers. It's not Nickelodeon in Orlando, you know what

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<v Speaker 4>I'm saying. So like that dynamic, I don't know. I've

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<v Speaker 4>always just had like myself to kind of like deal

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<v Speaker 4>with these like am I gonna be an actor? Am

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<v Speaker 4>I gonna be a comedian kind of thing, you know

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<v Speaker 4>what I'm saying, And then the common denominators like well,

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<v Speaker 4>I'm just me at the end of the day always,

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<v Speaker 4>you know what I'm saying, So I like, yeah, I

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<v Speaker 4>don't necessarily do stand up like that, so like I

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<v Speaker 4>don't overly consider myself to be a comedian, you know

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<v Speaker 4>what I'm saying, Like, I'm just which gives me, I think,

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<v Speaker 4>the calm to just be like chill, you know what

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<v Speaker 4>I'm saying. I can we can go there, we can

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<v Speaker 4>get funny. We can like if we pounce on something

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<v Speaker 4>that's making us die laughing, we'll you know, dissect that

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<v Speaker 4>thing for an hour, you know what I'm saying, and

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<v Speaker 4>just continue that. And then at the same time, if

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<v Speaker 4>you know, a serious moment arizes, then I can be

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<v Speaker 4>intelligent enough to have a conversation that's intelligent or whatever,

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<v Speaker 4>and that's smart or whatever, and further along conversations and

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<v Speaker 4>all that kind of stuff. So I like being versatile

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<v Speaker 4>like that, Like a lot of stand ups are hyper

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<v Speaker 4>focused on stand up, you know what I'm saying, like

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<v Speaker 4>cause you just not yeah, or like being the guy

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<v Speaker 4>that like has to like out of everybody, you know

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<v Speaker 4>what I mean, and if they're not getting that energy

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<v Speaker 4>that they check out kind of shit, you know what

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<v Speaker 4>I mean. I never wanted to be that person.

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<v Speaker 2>I'm not gonna lie I would.

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<v Speaker 5>There are very few things I wouldn't do. To read

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<v Speaker 5>the Keenan Thompson Mandela biopic from high School.

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<v Speaker 2>Because that's.

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<v Speaker 4>And these were like shows that I didn't even really

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<v Speaker 4>get a chance to perform like that. It was just

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<v Speaker 4>like a lot of rehearsal time. Then I would have

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<v Speaker 4>to leave and go shoot some shit or whatever and

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<v Speaker 4>they would perform when I was gone. So like the

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<v Speaker 4>one play we wrote was called Sweto Soweto A Township

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<v Speaker 4>is Calling, which is like about a like a township

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<v Speaker 4>and like the kids living there kind of based off

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<v Speaker 4>of Saraphina. If y'all ever saw Bopa and like all

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<v Speaker 4>these other like South like heavy heavy, heavy stories. And

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<v Speaker 4>these are sixteen seventeen year old kids like the musicals,

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<v Speaker 4>by the way, saying they wrote.

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<v Speaker 7>Stop all the musical musical Nickelodeon tanks with rocks like

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<v Speaker 7>motion wow, moments like getting shot, like they all get

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<v Speaker 7>they all get killed at the end, like going up

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<v Speaker 7>against the army type illes is bro that then I

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<v Speaker 7>would run and go do fucking Pierre.

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<v Speaker 4>Super you know what I mean. So it's nice to

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<v Speaker 4>be able to do both and be aware. But like

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<v Speaker 4>man if I was just a dramatic actor, that would

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<v Speaker 4>be like a heavy existence, you know what I'm saying,

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<v Speaker 4>Just like hyper focusing on heavy heavy topics.

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<v Speaker 5>See now we got to write the we gotta write

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<v Speaker 5>the Hotel Rwanda musical bro Yo, the US we gotta do.

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<v Speaker 2>I listen the blood.

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<v Speaker 4>Diamonds, Blood diamond The illest part about blood diamonds him

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<v Speaker 4>holding that sit in his toes, you know that s Yeah,

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<v Speaker 4>standing there all day you like.

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<v Speaker 5>Your mind haunts are singing like look at me, what

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<v Speaker 5>is I have to go to.

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<v Speaker 4>The rest room? Please out my toe.

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<v Speaker 3>We haven't seen oh Man twenty two seasons on this

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<v Speaker 3>No man, you're the longest running castle.

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<v Speaker 2>The fiftieth aniversary just happened recently.

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<v Speaker 3>As for Dominican people at this table, are you aware

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<v Speaker 3>of someoneo he Gan?

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<v Speaker 4>Yes, yeah, we did the Savage sketch. Marcello brought it back,

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<v Speaker 4>played the host and all.

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<v Speaker 2>Yes, yes.

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<v Speaker 3>So being part of uh an institution like that, do

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<v Speaker 3>you think that sn is gonna beat out some of that?

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<v Speaker 3>He got this my question because some of them did

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<v Speaker 3>fifty three years.

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<v Speaker 4>Did they Yeah, they got us, They got them, Yeah,

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<v Speaker 4>they got them. Got because dude is still there, you

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<v Speaker 4>know what I'm saying. There was so much like mystery

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<v Speaker 4>about like is he going to retire? He's he gonna

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<v Speaker 4>do this? And he was like, I'm just not going

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<v Speaker 4>to answer, And then once he did answer, he was like,

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<v Speaker 4>no question. I'm like coming back, what are you talking about?

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<v Speaker 4>So when he's like in no question mode, I feel

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<v Speaker 4>like he gonna be there till, you know, forever. And

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<v Speaker 4>he's a wealthy man, so like he stays in good shape,

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<v Speaker 4>stays eating well, you know what I mean, Like I'm

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<v Speaker 4>sure he's doctored up, so like he's like he doesn't

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<v Speaker 4>look like he's three years within the cognitive failure.

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<v Speaker 2>Yeah.

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<v Speaker 4>Yeah, yeah, so like it's gonna go for a while.

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<v Speaker 4>He hit the lip that torch can easily get passed

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<v Speaker 4>to a Tino or Colin or myself or whatever. Yeah,

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<v Speaker 4>it'll keep rolling. He hit the i'm, i'm.

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<v Speaker 2>It's being a stand up.

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<v Speaker 3>You say, you don't, you don't put yourself in any

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<v Speaker 3>type of box, but you did have a Las Vegas residency.

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<v Speaker 4>Here, these are showcases, OK.

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<v Speaker 3>So it's a different So it's a different show every

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<v Speaker 3>time out.

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<v Speaker 4>Yeah, And there was other comics that were just giving

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<v Speaker 4>platform to other comics, so like I would host maybe

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<v Speaker 4>the beginning of the run, and then they would run

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<v Speaker 4>it for weeks and weeks and weeks and now wouldn't

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<v Speaker 4>necessarily be there. So it's more so just using my

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<v Speaker 4>voice as a give back or you know, a spring board.

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<v Speaker 4>But yeah, we've been doing that for years. When my

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<v Speaker 4>partner Sharia, and she's prolific at finding talent, she's been

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<v Speaker 4>in the game for forever. Her mentor was Mary Lindsey

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<v Speaker 4>who discovered Steve Harvey and like pretty much anybody out

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<v Speaker 4>of Chicago basically or out of the Midwest kind of thing.

0:11:22.600 --> 0:11:24.640
<v Speaker 4>And that's what she does. That's one of her passions,

0:11:24.720 --> 0:11:27.439
<v Speaker 4>you know, and just they still rolling to this day.

0:11:27.559 --> 0:11:30.319
<v Speaker 4>You know, I had to pull back because of this

0:11:30.600 --> 0:11:34.200
<v Speaker 4>very situation where people think that these are my shows,

0:11:34.200 --> 0:11:35.840
<v Speaker 4>you know what I'm saying, because they see my name

0:11:35.920 --> 0:11:37.520
<v Speaker 4>in my face, you know what I mean. They don't

0:11:37.559 --> 0:11:40.880
<v Speaker 4>read the whole it's Keenan Presents. They don't even read

0:11:40.920 --> 0:11:45.760
<v Speaker 4>the presents. Party wasn't even presenting it better be himself.

0:11:47.520 --> 0:11:49.040
<v Speaker 4>A lot of people I would hear that kind of

0:11:49.120 --> 0:11:52.880
<v Speaker 4>feedback regardless of if they enjoyed the shows. What they

0:11:53.000 --> 0:11:54.839
<v Speaker 4>usually do, you know what I mean, Like she picks

0:11:54.920 --> 0:11:57.880
<v Speaker 4>you know, great lineups, and like it's like, yes, they

0:11:58.120 --> 0:12:00.800
<v Speaker 4>might be green, but like there's usually some really funny

0:12:01.280 --> 0:12:02.959
<v Speaker 4>people along the way, and like at the end of

0:12:03.000 --> 0:12:05.520
<v Speaker 4>the show, people like they always enjoyed themselves, you know

0:12:05.559 --> 0:12:07.719
<v Speaker 4>what I'm saying. Look, they saw at the same time,

0:12:07.880 --> 0:12:10.000
<v Speaker 4>like I don't do stand up, you know what I mean.

0:12:10.240 --> 0:12:13.760
<v Speaker 4>It was always one of those things that's like it's

0:12:13.840 --> 0:12:15.520
<v Speaker 4>kind of wrecking my day, the fact that I gotta

0:12:15.600 --> 0:12:17.240
<v Speaker 4>go out there, and like even if I gotta do

0:12:17.320 --> 0:12:18.760
<v Speaker 4>three minutes, you know what I mean, It's just on

0:12:18.840 --> 0:12:20.560
<v Speaker 4>my mind all day long, you know what I'm saying

0:12:20.640 --> 0:12:22.079
<v Speaker 4>until it's done, and then I'm like what was I

0:12:22.160 --> 0:12:25.520
<v Speaker 4>even tripping about? But like I can't flip the coin

0:12:25.640 --> 0:12:27.040
<v Speaker 4>back and be like all right, I'm gonna start the

0:12:27.120 --> 0:12:29.520
<v Speaker 4>day without that stuff on my mind. It's just every

0:12:29.559 --> 0:12:31.439
<v Speaker 4>time I've had to do a stand up thing, like

0:12:31.600 --> 0:12:34.000
<v Speaker 4>that's what's on my mind. More so probably because I

0:12:34.040 --> 0:12:36.760
<v Speaker 4>don't practice it that often. It's not so second nature.

0:12:37.520 --> 0:12:40.760
<v Speaker 4>So I just like it's like a nervous production cause

0:12:40.760 --> 0:12:43.600
<v Speaker 4>I don't get that from like SML at all, Like like.

0:12:43.640 --> 0:12:45.800
<v Speaker 3>That's to me, that's crazy because this is like, yo,

0:12:45.920 --> 0:12:46.960
<v Speaker 3>that's live TV.

0:12:47.360 --> 0:12:49.400
<v Speaker 4>And that's just like a cake walk in my opinion,

0:12:49.480 --> 0:12:50.880
<v Speaker 4>you know what I'm saying. But like that's because I

0:12:51.120 --> 0:12:53.360
<v Speaker 4>do it right. I have been doing it for so

0:12:53.559 --> 0:12:54.320
<v Speaker 4>long al right, and.

0:12:54.440 --> 0:12:56.839
<v Speaker 5>Wasn't wasn't all that also in front of a live

0:12:56.880 --> 0:12:59.120
<v Speaker 5>audience and keenan Kell was also in front of it,

0:12:59.240 --> 0:13:01.880
<v Speaker 5>like you liter like you you certified for real?

0:13:02.000 --> 0:13:05.240
<v Speaker 2>Like so yeah that's my lane, Yeah stand up.

0:13:05.400 --> 0:13:08.360
<v Speaker 4>Like I'm at the very beginning, I might as well be,

0:13:08.640 --> 0:13:11.079
<v Speaker 4>you know, going to open mic nights every single time

0:13:11.120 --> 0:13:13.480
<v Speaker 4>I get up there, even though I've done hours, like

0:13:13.520 --> 0:13:16.640
<v Speaker 4>I've done an hour at colleges for years. But it's

0:13:16.720 --> 0:13:18.920
<v Speaker 4>more so like just me telling my story as opposed

0:13:18.960 --> 0:13:22.199
<v Speaker 4>to like joke formations or anything like that. Like I'm

0:13:22.240 --> 0:13:24.360
<v Speaker 4>not John Mulaney, you know what I'm saying, Like I'm

0:13:24.920 --> 0:13:31.560
<v Speaker 4>I'm Keenanes and yeah, yeah, and that's it's cool, especially

0:13:31.600 --> 0:13:32.959
<v Speaker 4>if like I used to do a Q and A,

0:13:33.040 --> 0:13:35.240
<v Speaker 4>which I thought was exciting, but then I started noticing

0:13:35.280 --> 0:13:40.040
<v Speaker 4>more fuckers be leaving. It feels unprepared, you know what

0:13:40.080 --> 0:13:46.360
<v Speaker 4>I'm saying. You show for you, but anytime, like I've

0:13:46.400 --> 0:13:48.280
<v Speaker 4>done it all the way out, then that's that's a show,

0:13:48.400 --> 0:13:51.000
<v Speaker 4>you know what i mean. It feels like you know, official,

0:13:51.200 --> 0:13:54.480
<v Speaker 4>But yeah, no, I would. I would. I've always respected

0:13:54.559 --> 0:13:56.280
<v Speaker 4>stand up, you know what I mean. I loved it

0:13:56.320 --> 0:13:58.800
<v Speaker 4>because I grew up watching Bill Cosby himself was the

0:13:58.840 --> 0:14:01.400
<v Speaker 4>first one, and then Eddie and then you know, going

0:14:01.480 --> 0:14:03.240
<v Speaker 4>back and looking at Richard and Ship like that, and

0:14:03.320 --> 0:14:06.400
<v Speaker 4>then thinking about Carlage and carry Anybody's time on State,

0:14:06.520 --> 0:14:09.440
<v Speaker 4>Damon Wentz, whoever, like hit the stage and was doing

0:14:09.480 --> 0:14:12.240
<v Speaker 4>it and then they launched them into their career. I've

0:14:12.280 --> 0:14:16.360
<v Speaker 4>always had the Upmo Martin Dave Chappelle, like super respect

0:14:16.440 --> 0:14:19.040
<v Speaker 4>for all of it. I just have never had the

0:14:19.200 --> 0:14:22.440
<v Speaker 4>time to like live that life to build up into

0:14:22.520 --> 0:14:24.560
<v Speaker 4>like a real stand up comic, so I don't necessarily

0:14:24.600 --> 0:14:26.480
<v Speaker 4>consider myself that, you know. Actor.

0:14:26.920 --> 0:14:29.800
<v Speaker 2>I was like, Yo, I'm sorry on you. That was

0:14:29.880 --> 0:14:30.080
<v Speaker 2>for you.

0:14:33.800 --> 0:14:35.920
<v Speaker 6>I'm like, I'm.

0:14:37.920 --> 0:14:48.280
<v Speaker 2>Broke time Karate's kit got there. The fly was just

0:14:48.400 --> 0:14:59.000
<v Speaker 2>like the fly was like, oh shy keenan Domson, y'all,

0:14:59.240 --> 0:14:59.680
<v Speaker 2>what's u.

0:15:01.840 --> 0:15:04.040
<v Speaker 4>A man?

0:15:04.800 --> 0:15:06.680
<v Speaker 2>That's my gun right there? You don't get it?

0:15:06.760 --> 0:15:07.680
<v Speaker 4>You do?

0:15:07.840 --> 0:15:11.000
<v Speaker 2>Like the that was the moment that that was? That

0:15:11.160 --> 0:15:18.800
<v Speaker 2>was you waiting like that, go on to crack that flies?

0:15:22.080 --> 0:15:22.480
<v Speaker 4>Wake up?

0:15:22.600 --> 0:15:22.760
<v Speaker 6>Man?

0:15:23.120 --> 0:15:26.000
<v Speaker 2>What are you talking about? Live?

0:15:26.160 --> 0:15:26.320
<v Speaker 4>Man?

0:15:30.720 --> 0:15:33.720
<v Speaker 2>I was left wrong? You ever?

0:15:33.880 --> 0:15:34.120
<v Speaker 4>You ever?

0:15:35.920 --> 0:15:39.080
<v Speaker 5>These these are the experiences that like that, like like

0:15:39.400 --> 0:15:41.520
<v Speaker 5>keep us you know what I'm saying like that, like that,

0:15:41.720 --> 0:15:44.480
<v Speaker 5>like we relate to each other about like like falling asleep.

0:15:44.520 --> 0:15:47.360
<v Speaker 5>You ever turned your grandma's TV off and she she.

0:15:47.440 --> 0:15:49.120
<v Speaker 4>Waiting right up? Yeah? She wake up?

0:15:49.160 --> 0:15:50.800
<v Speaker 2>Cut just watching.

0:15:52.080 --> 0:15:56.560
<v Speaker 4>It's our noise machine. Noise machines came out. It would like,

0:15:56.600 --> 0:16:00.080
<v Speaker 4>because that's how I sleep. I wake up and the

0:16:00.160 --> 0:16:03.440
<v Speaker 4>TV has turned itself off, and like depending on how

0:16:03.560 --> 0:16:05.560
<v Speaker 4>much I'm waking up, like I could be up for

0:16:05.600 --> 0:16:08.320
<v Speaker 4>a while now that I notice that there's silence. Yeah yeah,

0:16:08.440 --> 0:16:10.800
<v Speaker 4>and I'm like I gotta get up and like pick

0:16:10.880 --> 0:16:13.320
<v Speaker 4>something else, like then I'm gonna really be up type shit,

0:16:13.400 --> 0:16:14.880
<v Speaker 4>come on, Like I get it. Man.

0:16:14.920 --> 0:16:17.320
<v Speaker 2>I had NBA TV on a loop and I'm good.

0:16:17.360 --> 0:16:18.360
<v Speaker 4>I don't even hear a word.

0:16:18.640 --> 0:16:22.200
<v Speaker 2>Yeah, for hours, Charles just talking about rebounds.

0:16:22.920 --> 0:16:26.000
<v Speaker 4>You just woken up to like loud ass movies like that,

0:16:26.280 --> 0:16:28.520
<v Speaker 4>seeing the heat when everybody's just gunning at the end,

0:16:29.720 --> 0:16:31.600
<v Speaker 4>and just being like, oh man, it's the middle of

0:16:31.640 --> 0:16:33.640
<v Speaker 4>the night, Like this shit is loud, and I didn't

0:16:33.640 --> 0:16:35.560
<v Speaker 4>hear none of it. I just happened to like roll

0:16:35.640 --> 0:16:37.240
<v Speaker 4>over and hear the fact that it was happening. I

0:16:37.320 --> 0:16:39.840
<v Speaker 4>was like, wow, that's that's crazy, like that you just

0:16:39.920 --> 0:16:41.600
<v Speaker 4>can't hear in your sleep.

0:16:41.920 --> 0:16:44.600
<v Speaker 2>But this crazy it ain't working.

0:16:44.880 --> 0:16:49.600
<v Speaker 5>Yeah, you know what the scare, the biggest jump scare

0:16:49.640 --> 0:16:51.640
<v Speaker 5>when I was sleeping putting on the movie of course,

0:16:52.480 --> 0:16:53.840
<v Speaker 5>Manchurian Candidate, When.

0:16:54.000 --> 0:16:59.680
<v Speaker 6>Tel hit the table, when Thatel hit the table.

0:17:01.880 --> 0:17:06.120
<v Speaker 5>Yeah, away, it's just me and danzelen room. I don't

0:17:06.119 --> 0:17:08.439
<v Speaker 5>know why, sleepy brain. I'm like, he's in here.

0:17:10.040 --> 0:17:10.920
<v Speaker 2>I'm listening. I'm listening.

0:17:12.359 --> 0:17:14.879
<v Speaker 4>Yeah, it reminds you of falling asleep in church. Asleep

0:17:16.720 --> 0:17:25.600
<v Speaker 4>he be in church? Yeah, pitch what was that? Because

0:17:25.600 --> 0:17:27.920
<v Speaker 4>I'm like, bro, we we in the House of God

0:17:28.080 --> 0:17:32.360
<v Speaker 4>and you you causing harm to me. It's warm, it's

0:17:32.520 --> 0:17:36.720
<v Speaker 4>early younger singing. Yeah, I don't understand what y'all talk about.

0:17:37.720 --> 0:17:39.760
<v Speaker 4>When they started breaking down the Bible and really reading

0:17:39.800 --> 0:17:42.720
<v Speaker 4>it as a child, I'm like, like, what are these words?

0:17:42.920 --> 0:17:46.520
<v Speaker 2>Like Grandma, I'm I don't know what's going on this.

0:17:46.680 --> 0:17:50.480
<v Speaker 4>Man, You're supposed to be learning like picture stuff, man, wine,

0:17:50.560 --> 0:17:53.679
<v Speaker 4>and I can't. I'm breaking down. Yeah, man, who what.

0:17:57.920 --> 0:17:59.040
<v Speaker 2>Do you'll want me to drink? Blood?

0:17:59.040 --> 0:17:59.800
<v Speaker 4>What is this?

0:18:00.600 --> 0:18:00.800
<v Speaker 2>They need?

0:18:01.040 --> 0:18:03.119
<v Speaker 5>They need a kids menu with crayons?

0:18:03.920 --> 0:18:07.080
<v Speaker 4>The church? The church, like right, this is how you

0:18:07.160 --> 0:18:10.879
<v Speaker 4>get Sunday school should be like from the joint. You

0:18:10.960 --> 0:18:13.280
<v Speaker 4>shouldn't have to go to like adult church until you're

0:18:13.280 --> 0:18:16.639
<v Speaker 4>an adult because it's too hard man preaching. I fell

0:18:16.680 --> 0:18:18.240
<v Speaker 4>asleep one time. My mom made me stand up in

0:18:18.280 --> 0:18:19.800
<v Speaker 4>the middle of church for the rest of the service,

0:18:21.760 --> 0:18:25.480
<v Speaker 4>standing up like everybody else, sitting down like everybody knew

0:18:25.480 --> 0:18:29.080
<v Speaker 4>I was on punishment, standing up while the preachers talking,

0:18:29.119 --> 0:18:35.200
<v Speaker 4>and preachers just kept going Jesus, they knew, they knew

0:18:35.800 --> 0:18:38.760
<v Speaker 4>you shouldn't have been sleeping Jesus something like she ain't

0:18:38.800 --> 0:18:39.280
<v Speaker 4>even have to do you.

0:18:40.000 --> 0:18:40.719
<v Speaker 2>Like that's crazy.

0:18:40.920 --> 0:18:43.919
<v Speaker 4>Everybody looking around at everybody, all the moms and.

0:18:48.000 --> 0:18:51.840
<v Speaker 3>Ye then that mother crazy ship is that Mother's Day

0:18:52.480 --> 0:18:54.560
<v Speaker 3>He came home with the portrait of his mom with

0:18:54.680 --> 0:18:57.680
<v Speaker 3>horns exactly history piece.

0:18:58.080 --> 0:18:59.280
<v Speaker 4>That's what happens, man, crazy.

0:19:01.080 --> 0:19:07.080
<v Speaker 3>You know, long career, bro, everybody is thirsty for nostalgia. Like,

0:19:08.119 --> 0:19:10.760
<v Speaker 3>talk to me about what you've seen in the industry

0:19:10.840 --> 0:19:13.000
<v Speaker 3>as far as like what's changed, what's stayed the same?

0:19:13.560 --> 0:19:14.000
<v Speaker 2>You know what I mean?

0:19:14.040 --> 0:19:15.719
<v Speaker 3>Because like I'm not I haven't been in there as

0:19:15.760 --> 0:19:17.680
<v Speaker 3>long as you, and I've seen like things that I'm like, yeah,

0:19:17.720 --> 0:19:19.520
<v Speaker 3>I damn. Like when I came in, it was like, Yo,

0:19:19.840 --> 0:19:23.800
<v Speaker 3>write a good show, get two hundred episodes, get into syndication.

0:19:23.840 --> 0:19:28.480
<v Speaker 2>And chilli, and now that model is completely fried of lictory, like.

0:19:30.760 --> 0:19:34.199
<v Speaker 4>Of lictory, like like like people used to retire off

0:19:34.200 --> 0:19:36.320
<v Speaker 4>of one show, Like you get one show that runs

0:19:36.359 --> 0:19:38.119
<v Speaker 4>in this syndication, that's it, you know what I mean?

0:19:38.200 --> 0:19:44.359
<v Speaker 4>Like you ain't really heard from like besides, like Norman Lear,

0:19:44.560 --> 0:19:47.080
<v Speaker 4>there wasn't after that era, there wasn't a whole bunch

0:19:47.119 --> 0:19:48.880
<v Speaker 4>of people that were just like no, I did Friends,

0:19:49.280 --> 0:19:50.960
<v Speaker 4>Fresh Prints, this, that, and the other deck Those are

0:19:51.000 --> 0:19:52.720
<v Speaker 4>all my shows, you know what I'm saying, Like because

0:19:52.840 --> 0:19:55.000
<v Speaker 4>you just don't have to and then all of a sudden,

0:19:55.960 --> 0:19:58.360
<v Speaker 4>what's really important in life comes to play because most

0:19:58.359 --> 0:20:01.080
<v Speaker 4>of those people are starting to be middle aged sopranos.

0:20:01.160 --> 0:20:03.080
<v Speaker 4>Dude only did kind of that in like a little

0:20:03.080 --> 0:20:05.600
<v Speaker 4>bit of Boardwalk, but like in and out of Boardwalk,

0:20:06.080 --> 0:20:08.120
<v Speaker 4>you know what I'm saying, like focus on as a pranos.

0:20:08.160 --> 0:20:10.239
<v Speaker 4>That was a run that was a gone good yea,

0:20:10.320 --> 0:20:13.119
<v Speaker 4>you know what I'm saying, So any like long version

0:20:13.160 --> 0:20:15.040
<v Speaker 4>of that, like it's usually like a one and done

0:20:15.240 --> 0:20:19.000
<v Speaker 4>kind of thing. The dynamics of like getting money has

0:20:19.200 --> 0:20:21.120
<v Speaker 4>been the biggest change I think. You know what I'm saying.

0:20:21.280 --> 0:20:24.080
<v Speaker 4>Shit used to be so abundant and now it's so

0:20:25.160 --> 0:20:27.720
<v Speaker 4>tight in certain places, you know, other places is just

0:20:27.800 --> 0:20:30.639
<v Speaker 4>like oh yeah, pump all the money into you know

0:20:30.880 --> 0:20:33.560
<v Speaker 4>whatever type shit. But then if you want to do

0:20:33.920 --> 0:20:36.920
<v Speaker 4>like a if you wanted to do the Goonies today,

0:20:37.040 --> 0:20:38.600
<v Speaker 4>you know what I'm saying, And which is like one

0:20:38.640 --> 0:20:42.080
<v Speaker 4>of the most epic eighties joints there is it probably

0:20:42.119 --> 0:20:44.680
<v Speaker 4>wouldn't happen because you like, okay, explain it to me,

0:20:45.119 --> 0:20:47.520
<v Speaker 4>like how many locations and who's in it and blah

0:20:47.520 --> 0:20:49.200
<v Speaker 4>blah blah. There just a bunch of no names. Like

0:20:50.040 --> 0:20:51.040
<v Speaker 4>it's a difference and.

0:20:53.200 --> 0:20:54.240
<v Speaker 2>A partnership.

0:20:54.760 --> 0:20:59.240
<v Speaker 4>Yeah, risk taking on storytellers is real tight, you know

0:20:59.320 --> 0:21:03.240
<v Speaker 4>what I'm saying. But then you have you know, people

0:21:03.320 --> 0:21:05.560
<v Speaker 4>that are making like four million dollars a month on

0:21:05.680 --> 0:21:10.160
<v Speaker 4>only fans. Like there's money out there, it's just how

0:21:10.240 --> 0:21:13.920
<v Speaker 4>it's being used. Basically, it's the biggest difference, I think. Yeah,

0:21:13.960 --> 0:21:17.920
<v Speaker 4>And then yeah, like you have a four hundred million

0:21:18.000 --> 0:21:20.840
<v Speaker 4>dollar movie that they consider a flop because they made

0:21:20.920 --> 0:21:23.480
<v Speaker 4>three hundred right saying, So it's like a hundred million

0:21:23.480 --> 0:21:25.640
<v Speaker 4>dollar loss at the end of the day, no matter

0:21:25.720 --> 0:21:28.200
<v Speaker 4>how much it costs or whatever, and how much it made,

0:21:28.680 --> 0:21:30.480
<v Speaker 4>Like it still made three hundred million, you know what

0:21:30.520 --> 0:21:32.480
<v Speaker 4>I'm saying. But they calling it an actual flot like

0:21:32.920 --> 0:21:36.399
<v Speaker 4>the usage of that word and like wordage, you know

0:21:36.440 --> 0:21:39.440
<v Speaker 4>what I mean, It's a lot more like sinister. It

0:21:39.520 --> 0:21:41.119
<v Speaker 4>feels like these days, you know what I'm saying, a

0:21:41.160 --> 0:21:43.720
<v Speaker 4>lot of people are just constantly waiting to take down

0:21:43.760 --> 0:21:46.199
<v Speaker 4>giants or anybody that's on a pedestal or whatever kind

0:21:46.240 --> 0:21:48.600
<v Speaker 4>of shit. I mean. At the same time, why would

0:21:48.640 --> 0:21:50.639
<v Speaker 4>you spend four hundred million dollar? Who on? What? What

0:21:50.760 --> 0:21:52.359
<v Speaker 4>are you spending four hundred on? You know what I mean?

0:21:52.440 --> 0:21:54.199
<v Speaker 4>I saw the movie, so I'm like, where exactly did

0:21:54.400 --> 0:21:56.920
<v Speaker 4>where did it go? I means some people just don't

0:21:56.960 --> 0:21:59.520
<v Speaker 4>have the numbers. These are the numbers. The numbers are

0:21:59.560 --> 0:22:02.200
<v Speaker 4>in certain people's hands, and they're not willing to share

0:22:02.200 --> 0:22:05.920
<v Speaker 4>it on all sorts of basises. Yeah, and it's even yeah,

0:22:05.960 --> 0:22:10.320
<v Speaker 4>it's tougher, like even when they have the black voices categories.

0:22:10.359 --> 0:22:12.159
<v Speaker 4>You know what I'm saying, It's like, alright, well all

0:22:12.240 --> 0:22:15.040
<v Speaker 4>these projects look like they're under budget. Yeah, what I'm saying,

0:22:15.119 --> 0:22:17.840
<v Speaker 4>so like, how are we supposed to be gaining any

0:22:17.880 --> 0:22:20.080
<v Speaker 4>sort of traction as far as like what's considered to

0:22:20.160 --> 0:22:22.320
<v Speaker 4>be dope or cool? At the end of the day,

0:22:22.560 --> 0:22:24.359
<v Speaker 4>it's like, Okay, yes, you let out a bunch of

0:22:24.400 --> 0:22:26.760
<v Speaker 4>stories and like there's a bunch of projects that were

0:22:26.840 --> 0:22:29.200
<v Speaker 4>shot mm, but like what was the real budget and

0:22:29.280 --> 0:22:31.320
<v Speaker 4>who really did it and who was the pedigree on

0:22:31.359 --> 0:22:33.040
<v Speaker 4>these things? You know what I'm saying, Like Tyler Perry,

0:22:34.200 --> 0:22:36.200
<v Speaker 4>like I feel like his shit is just now getting tight,

0:22:36.359 --> 0:22:37.920
<v Speaker 4>you know what I'm saying. In the beginning, it was like,

0:22:38.280 --> 0:22:45.320
<v Speaker 4>you know, of like now it's like all his productions

0:22:45.359 --> 0:22:47.320
<v Speaker 4>are like super thorough, you know what I mean, And

0:22:47.440 --> 0:22:49.480
<v Speaker 4>it looks, you know, like you can put a Tyler

0:22:49.520 --> 0:22:51.520
<v Speaker 4>Perry movie next to any other movie and you can't

0:22:51.600 --> 0:22:54.280
<v Speaker 4>tell it. He doesn't say Tyler Perry presents. Yeah, And

0:22:54.440 --> 0:22:58.040
<v Speaker 4>like that's the level of you know, equality that we

0:22:58.160 --> 0:23:02.560
<v Speaker 4>are striving for kind of thing. But equality means financi

0:23:02.840 --> 0:23:05.240
<v Speaker 4>you know what I mean, more so than anything, because

0:23:05.320 --> 0:23:06.760
<v Speaker 4>it has to look a certain way, and then you

0:23:06.840 --> 0:23:08.320
<v Speaker 4>have to be able to hire certain people that are

0:23:08.359 --> 0:23:10.720
<v Speaker 4>good at what they do. That's why they are expensive.

0:23:10.960 --> 0:23:13.120
<v Speaker 4>Taji is expensive because she's good at what she does,

0:23:13.480 --> 0:23:15.800
<v Speaker 4>even though he's the one that's constantly paying her in

0:23:15.840 --> 0:23:17.920
<v Speaker 4>elevating her a lot of the time. But you know,

0:23:18.040 --> 0:23:20.840
<v Speaker 4>when she does get an empire or something or you

0:23:20.880 --> 0:23:23.919
<v Speaker 4>know what I mean, or whatever, she destroys it because

0:23:24.119 --> 0:23:27.280
<v Speaker 4>she's fantastic and she deserves to be expensive. Kiki should

0:23:27.280 --> 0:23:29.840
<v Speaker 4>be one of the most expensive people out there, what

0:23:29.920 --> 0:23:34.040
<v Speaker 4>I mean by long word. So it's just you know,

0:23:34.359 --> 0:23:39.200
<v Speaker 4>a little more stringent in certain places. It feels like,

0:23:39.560 --> 0:23:43.280
<v Speaker 4>but they're still ginormous things happening.

0:23:43.920 --> 0:23:46.600
<v Speaker 5>Yeah, I mean Center is a great example. Like people

0:23:46.640 --> 0:23:49.520
<v Speaker 5>consider Center as like a fluke or like, yeah, some type.

0:23:49.320 --> 0:23:50.520
<v Speaker 4>Of you know what I mean, like a like a.

0:23:52.000 --> 0:23:54.399
<v Speaker 5>And it's like, nah, like that's just that's just what

0:23:54.560 --> 0:23:57.520
<v Speaker 5>happens when you let an all tour create.

0:23:57.680 --> 0:24:00.720
<v Speaker 4>Like I feel like Ryan is a student in the

0:24:00.760 --> 0:24:04.880
<v Speaker 4>game behind Spielberg as far as like highest grossing for sure,

0:24:04.960 --> 0:24:08.679
<v Speaker 4>And that's incredible because he's done that in five movies.

0:24:08.760 --> 0:24:11.080
<v Speaker 4>You know what I'm saying. Spielberg's got thirty or whatever.

0:24:11.520 --> 0:24:12.480
<v Speaker 2>Yeah, yeah, yeah, yeah, you know.

0:24:12.480 --> 0:24:15.200
<v Speaker 4>I mean it's it's like if if I had the

0:24:15.240 --> 0:24:18.560
<v Speaker 4>same amount of like movie industry money that Sam Jackson

0:24:18.560 --> 0:24:20.360
<v Speaker 4>had made, you know what I'm saying, because like he's

0:24:20.400 --> 0:24:22.520
<v Speaker 4>been in every billion dollar thing that ever has been

0:24:23.040 --> 0:24:24.960
<v Speaker 4>and then I came behind and like happened to be

0:24:25.040 --> 0:24:27.280
<v Speaker 4>in like four or five choice joints that did the

0:24:27.320 --> 0:24:29.280
<v Speaker 4>same amount of numbers. Kind of shit, Like that's what's

0:24:29.280 --> 0:24:32.760
<v Speaker 4>happening with Ryan Cooper. So he deserves that that credit.

0:24:32.840 --> 0:24:34.560
<v Speaker 4>Like these ain't flukes. That man is dope and he

0:24:34.680 --> 0:24:37.359
<v Speaker 4>knows what's appealing to his audiences. And you know all

0:24:37.440 --> 0:24:39.200
<v Speaker 4>that kind of shit in the game.

0:24:39.080 --> 0:24:39.679
<v Speaker 2>Type shit too.

0:24:39.920 --> 0:24:40.040
<v Speaker 4>Man.

0:24:40.080 --> 0:24:42.840
<v Speaker 2>You can tell he's he enjoys what he does.

0:24:43.040 --> 0:24:43.240
<v Speaker 4>Dude.

0:24:43.240 --> 0:24:47.040
<v Speaker 5>I watched I watched his Criterion Closet video and like

0:24:47.240 --> 0:24:49.240
<v Speaker 5>all his choices were bangers, bro like he was this

0:24:49.320 --> 0:24:49.800
<v Speaker 5>mother player.

0:24:50.000 --> 0:24:51.639
<v Speaker 2>It's like he knows bro.

0:24:51.760 --> 0:24:55.360
<v Speaker 5>He knows like like bro one of his choices loving basketball.

0:24:55.359 --> 0:24:58.800
<v Speaker 2>I was like yes, I was like, that's.

0:24:58.680 --> 0:25:03.159
<v Speaker 1>How you know how to write them stand lath Yeah yeah, man,

0:25:03.280 --> 0:25:05.720
<v Speaker 1>that's not like them for real, big shut out.

0:25:05.720 --> 0:25:06.320
<v Speaker 2>You know what I'm saying.

0:25:07.160 --> 0:25:09.520
<v Speaker 3>Uh, we living in a size the world I said

0:25:09.520 --> 0:25:13.400
<v Speaker 3>it before, is there, but you stay working, you stay

0:25:13.440 --> 0:25:15.920
<v Speaker 3>with the job. You know things have gotten tight, but

0:25:16.040 --> 0:25:17.840
<v Speaker 3>Keen and thim said it is still Kenny tops name

0:25:17.960 --> 0:25:19.120
<v Speaker 3>rings bellsho, stay with the job.

0:25:19.720 --> 0:25:23.679
<v Speaker 2>Is there a world work? Yeah, busses on busses on bustings.

0:25:23.920 --> 0:25:26.520
<v Speaker 3>Uh is there a world where you I mean, you've

0:25:26.560 --> 0:25:29.920
<v Speaker 3>done it before, right. Good Burger two was like going

0:25:30.000 --> 0:25:33.160
<v Speaker 3>back to like older material, older projects. Is there ones

0:25:33.240 --> 0:25:35.520
<v Speaker 3>that you would want to do and is there ones

0:25:35.560 --> 0:25:38.360
<v Speaker 3>that you were like, Nah, I'm not going back to that. Well,

0:25:38.480 --> 0:25:39.840
<v Speaker 3>like that ship has sailed.

0:25:40.320 --> 0:25:43.000
<v Speaker 2>I wouldn't even be feel comfortable doing that at this age.

0:25:43.160 --> 0:25:46.560
<v Speaker 4>I mean, the only one is the only nah, I guess,

0:25:46.760 --> 0:25:49.240
<v Speaker 4>and like is fat out, but only because it belongs

0:25:49.359 --> 0:25:51.399
<v Speaker 4>so closely to Bill, you know what I mean. And

0:25:51.520 --> 0:25:53.320
<v Speaker 4>like that's the only one where I can see it

0:25:53.560 --> 0:25:55.639
<v Speaker 4>just not happening, you know what I'm saying. So like

0:25:55.800 --> 0:25:58.000
<v Speaker 4>getting your hopes of about it is just like don't

0:25:58.040 --> 0:26:00.280
<v Speaker 4>even waste your time kind of shit, because like that

0:26:00.480 --> 0:26:03.280
<v Speaker 4>is completely his baby, you know what I'm saying. So

0:26:03.400 --> 0:26:07.760
<v Speaker 4>without him, like what what's even the point, you know

0:26:07.800 --> 0:26:09.720
<v Speaker 4>what I'm saying. So like we got what we got,

0:26:10.119 --> 0:26:12.080
<v Speaker 4>and like it was a good experience, you know what

0:26:12.119 --> 0:26:14.800
<v Speaker 4>I mean, because it was before all the chaos, and

0:26:15.000 --> 0:26:17.080
<v Speaker 4>like when people watch it, they feel good. When kids

0:26:17.119 --> 0:26:18.840
<v Speaker 4>watch it to this day, they tell me they feel

0:26:18.880 --> 0:26:20.680
<v Speaker 4>this colorful movie. I get it, you know what I'm saying.

0:26:20.680 --> 0:26:24.960
<v Speaker 4>It looks like Paw Patrol. I get it. I get it.

0:26:25.080 --> 0:26:25.399
<v Speaker 7>I get it.

0:26:25.440 --> 0:26:27.400
<v Speaker 4>It's a happy ass and we had so much fun

0:26:27.440 --> 0:26:28.480
<v Speaker 4>making it, you know what I mean saying. It's a

0:26:28.640 --> 0:26:31.800
<v Speaker 4>very proud memory for me because we were all close

0:26:31.880 --> 0:26:35.760
<v Speaker 4>and we were all you know, paying honor to and

0:26:35.880 --> 0:26:37.160
<v Speaker 4>all that good ship. You know what I'm saying.

0:26:37.560 --> 0:26:41.560
<v Speaker 5>The cast was wild, Marcus, you're saying like you know

0:26:41.600 --> 0:26:43.320
<v Speaker 5>what I'm saying, Like it was, Yeah, it was.

0:26:43.480 --> 0:26:46.080
<v Speaker 4>It was a phenomenal like a Kyler shout out to Kyla,

0:26:46.080 --> 0:26:47.320
<v Speaker 4>shout out to Donya. Yeah.

0:26:47.640 --> 0:26:48.840
<v Speaker 2>Yeah, man, so the whole cast.

0:26:49.200 --> 0:26:51.679
<v Speaker 3>But Yo, the funny thing that you said that reminded

0:26:51.680 --> 0:26:54.359
<v Speaker 3>me of some that Victor said is like a lot

0:26:54.400 --> 0:26:56.440
<v Speaker 3>of people that be like, yo, I like movies. I'm

0:26:56.480 --> 0:26:59.080
<v Speaker 3>a movie I'm I'm a I'm a centophile. And it's

0:26:59.119 --> 0:27:01.200
<v Speaker 3>just like, yo, bro, you just like bright colors, you

0:27:01.240 --> 0:27:02.480
<v Speaker 3>know what I'm saying, Because if you just put this

0:27:02.600 --> 0:27:06.160
<v Speaker 3>movie in black and white, right, it's not spectacular.

0:27:06.200 --> 0:27:06.280
<v Speaker 2>Bro.

0:27:06.359 --> 0:27:10.320
<v Speaker 4>You just like, whoa, Yeah, that's that's trash that they're

0:27:10.320 --> 0:27:16.080
<v Speaker 4>playing around it. Yeah yeah yeah man. But the rest

0:27:16.080 --> 0:27:19.040
<v Speaker 4>of them, I'm yeah, any of it. Like I understand

0:27:19.280 --> 0:27:21.320
<v Speaker 4>like the arguments of like you know, Hollywood doesn't have

0:27:21.320 --> 0:27:23.359
<v Speaker 4>any original stories or whatever kind of shit. It's like

0:27:23.520 --> 0:27:25.120
<v Speaker 4>that's not really the case. It is just like it's

0:27:25.200 --> 0:27:27.000
<v Speaker 4>harder to find them, you know what I'm saying, Like,

0:27:27.400 --> 0:27:29.080
<v Speaker 4>because you'll look at them and be like how many

0:27:29.119 --> 0:27:31.440
<v Speaker 4>times you look at you like your cable guide or

0:27:31.440 --> 0:27:34.720
<v Speaker 4>even like any streamer that you're on you see titles,

0:27:34.720 --> 0:27:37.200
<v Speaker 4>you don't recognize, you don't hyper focus on them, you

0:27:37.240 --> 0:27:39.600
<v Speaker 4>know what I'm saying. So if it's something that everybody's

0:27:39.640 --> 0:27:41.640
<v Speaker 4>talking about, like a centers or whatever, then you could

0:27:41.680 --> 0:27:44.520
<v Speaker 4>like dive into it, but you just scroll past and

0:27:44.640 --> 0:27:46.760
<v Speaker 4>like what the fuck is? You know what is and

0:27:46.880 --> 0:27:48.080
<v Speaker 4>you just what is this? What is this?

0:27:48.160 --> 0:27:48.920
<v Speaker 2>What is this? What is this?

0:27:50.359 --> 0:27:53.760
<v Speaker 4>You're never gonna like, yeah, just engage it necessary and

0:27:53.760 --> 0:27:55.159
<v Speaker 4>a lot of things are just sitting up there that

0:27:55.280 --> 0:27:56.040
<v Speaker 4>nobody's seen.

0:27:56.280 --> 0:27:58.920
<v Speaker 5>Yeah, it's a it's a It lends itself to like

0:27:59.160 --> 0:28:02.520
<v Speaker 5>decision fatigue too, like when you have when you have

0:28:02.640 --> 0:28:03.880
<v Speaker 5>too many options, you end up.

0:28:03.880 --> 0:28:08.880
<v Speaker 4>Choosing nothing oblict ob lictory.

0:28:09.000 --> 0:28:12.520
<v Speaker 5>Like we're gonna have the numbers all right, listen now, now,

0:28:12.600 --> 0:28:15.520
<v Speaker 5>keenan listen a streaming service you log in every single day,

0:28:16.080 --> 0:28:17.800
<v Speaker 5>there are exactly two options.

0:28:18.520 --> 0:28:22.159
<v Speaker 4>You pick one. You'll watch that. That's it. That's it,

0:28:22.320 --> 0:28:24.159
<v Speaker 4>that's it. We got to answer any time. But this

0:28:24.320 --> 0:28:25.560
<v Speaker 4>is it? This is this is it? Right here?

0:28:25.640 --> 0:28:25.959
<v Speaker 2>That's right.

0:28:26.000 --> 0:28:27.159
<v Speaker 4>That's actually kind of genius.

0:28:27.440 --> 0:28:30.560
<v Speaker 5>Yeah, Bill, there's a yeah, yeah, because one of my.

0:28:30.840 --> 0:28:33.200
<v Speaker 4>Version is of that. I guess like drive ins will

0:28:33.240 --> 0:28:35.400
<v Speaker 4>do that when they start showing nostalgia movies or whatever,

0:28:35.440 --> 0:28:38.080
<v Speaker 4>and they be like, if these are the times that

0:28:38.200 --> 0:28:40.240
<v Speaker 4>this is happening twice a week, you know what I'm saying,

0:28:40.280 --> 0:28:41.880
<v Speaker 4>And it's like if you don't catch it, then you

0:28:42.080 --> 0:28:47.960
<v Speaker 4>just won't be watching a league of their own this week. Yeah, yeah, Yeah,

0:28:48.040 --> 0:28:50.120
<v Speaker 4>I'm glad we came because I love this movie.

0:28:50.800 --> 0:28:54.880
<v Speaker 5>And if if it rains, no ja wanna man, I

0:28:54.960 --> 0:28:57.600
<v Speaker 5>don't get ja wanna man, It's not gonna happen, you know.

0:29:00.760 --> 0:29:03.600
<v Speaker 4>So between that and I guess the war on the

0:29:03.680 --> 0:29:06.840
<v Speaker 4>movie theaters, it's kind of like the bigger difference, like

0:29:07.200 --> 0:29:08.720
<v Speaker 4>the same thing in the music business, this is the

0:29:08.800 --> 0:29:10.840
<v Speaker 4>war on streaming, you know what I mean, Like just

0:29:11.720 --> 0:29:16.000
<v Speaker 4>digitization of what we do type shit is the biggest change.

0:29:16.800 --> 0:29:20.440
<v Speaker 5>But how do you how do you feel being involved

0:29:20.600 --> 0:29:24.600
<v Speaker 5>in SNL, which is like an institution in and of

0:29:24.680 --> 0:29:29.280
<v Speaker 5>itself that sort of stands apart from the ever changing

0:29:29.560 --> 0:29:31.040
<v Speaker 5>landscape of television.

0:29:33.880 --> 0:29:36.360
<v Speaker 4>Yeah, very lucky, because like I've grown up with you know,

0:29:36.520 --> 0:29:38.360
<v Speaker 4>actor friends, and like, you know, I have a lot

0:29:38.400 --> 0:29:40.880
<v Speaker 4>of different cats that are like out here navigating in

0:29:40.960 --> 0:29:43.240
<v Speaker 4>different ways, you know what I mean, And I'm always

0:29:44.000 --> 0:29:47.200
<v Speaker 4>intrigued by how they figure it out. I mean it's

0:29:47.240 --> 0:29:49.160
<v Speaker 4>a community. They all like are talking to each other,

0:29:49.200 --> 0:29:52.600
<v Speaker 4>so everybody knows like all right, Vine is hot now,

0:29:52.760 --> 0:29:54.640
<v Speaker 4>or you know this is hot now? Yes, hot now,

0:29:54.760 --> 0:29:58.160
<v Speaker 4>but you have to go do something to it, you

0:29:58.200 --> 0:29:59.600
<v Speaker 4>know what I'm saying. So a lot of motherfuckers is

0:30:00.120 --> 0:30:03.280
<v Speaker 4>got a lot of like you know, self kind of

0:30:03.440 --> 0:30:06.560
<v Speaker 4>you know, motivation kind of ship, which I admire a lot.

0:30:06.720 --> 0:30:09.280
<v Speaker 4>Like I've been in a bubble for twenty two years,

0:30:09.320 --> 0:30:11.440
<v Speaker 4>you know what I'm saying of not really having to

0:30:11.640 --> 0:30:15.000
<v Speaker 4>over focus on trends necessarily to stay relevant, you know

0:30:15.040 --> 0:30:18.240
<v Speaker 4>what I mean, Like I'm in your house every weekend,

0:30:18.320 --> 0:30:23.320
<v Speaker 4>you know what I'm saying when like people asking because because.

0:30:27.840 --> 0:30:30.880
<v Speaker 5>One of those it's interesting for you. It's like, oh

0:30:31.280 --> 0:30:35.520
<v Speaker 5>and kid, but you are you aren't the.

0:30:35.600 --> 0:30:41.200
<v Speaker 2>Most Radio via Liz Bellerties.

0:30:47.720 --> 0:30:51.200
<v Speaker 5>Yeah, you gotta you gotta hit one of the say

0:30:51.320 --> 0:30:52.200
<v Speaker 5>the radio BII.

0:30:52.040 --> 0:30:53.440
<v Speaker 2>Again, Radio Vie.

0:30:58.600 --> 0:31:00.640
<v Speaker 3>That's the ship I want to dude, not Red in

0:31:00.680 --> 0:31:02.880
<v Speaker 3>my life, bro, I want him every time I walk

0:31:02.920 --> 0:31:03.560
<v Speaker 3>into a restaurant.

0:31:03.840 --> 0:31:06.760
<v Speaker 4>The House and Rest in Peace down Parto Man was

0:31:06.880 --> 0:31:11.480
<v Speaker 4>one of the great absolute legend because Don was in

0:31:11.560 --> 0:31:14.040
<v Speaker 4>there when it was radio and then he used to

0:31:14.080 --> 0:31:16.960
<v Speaker 4>be one of the voices on television, on the radio

0:31:17.040 --> 0:31:21.440
<v Speaker 4>basically like the original like broadcasting of sound basically, you

0:31:21.520 --> 0:31:24.160
<v Speaker 4>know what I'm saying, Like he was there in that building.

0:31:24.680 --> 0:31:26.680
<v Speaker 2>He was there when you had to sound like that. Yes,

0:31:27.480 --> 0:31:30.400
<v Speaker 2>what I mean, this was a radio boy, and.

0:31:31.360 --> 0:31:33.840
<v Speaker 4>I think it might have became his person because like

0:31:33.880 --> 0:31:36.120
<v Speaker 4>even all Stags was like how you're feeling Keenom. I'm like,

0:31:36.200 --> 0:31:42.080
<v Speaker 4>hey man, you really talk like that. But yeah, yeah, yeah,

0:31:42.120 --> 0:31:42.840
<v Speaker 4>he was always that.

0:31:44.360 --> 0:31:47.760
<v Speaker 5>He's like one of my favorites, all right, yeah, yeah,

0:31:48.000 --> 0:31:49.840
<v Speaker 5>he's like bizarro e forty.

0:31:49.640 --> 0:31:58.160
<v Speaker 4>Yeah, that's normal. Normal.

0:31:59.560 --> 0:32:02.640
<v Speaker 2>We got Katy Chops shout out to the.

0:32:05.800 --> 0:32:15.960
<v Speaker 4>Shout out all that good forty water music short, oh man, drain.

0:32:18.200 --> 0:32:20.360
<v Speaker 4>That's what we need more of, you know what I mean,

0:32:20.520 --> 0:32:23.720
<v Speaker 4>like just shouting each other out. You know, like I

0:32:23.840 --> 0:32:26.800
<v Speaker 4>understand like there's a new hip hop beef happening and

0:32:26.960 --> 0:32:28.920
<v Speaker 4>like every West coast is going in, you know what

0:32:28.920 --> 0:32:32.160
<v Speaker 4>I mean. It's like it's good back and forth and

0:32:32.240 --> 0:32:34.280
<v Speaker 4>it's like all right, as long as y'all keep it like,

0:32:34.560 --> 0:32:36.680
<v Speaker 4>you know, keep it hip hop, inspiring to each other

0:32:36.760 --> 0:32:39.080
<v Speaker 4>to write better and all that thing. It's not just

0:32:39.320 --> 0:32:42.479
<v Speaker 4>you know, dissing for distance sake. Ben great, but at

0:32:42.480 --> 0:32:44.760
<v Speaker 4>the same time we all know, like feelings get stepped

0:32:44.800 --> 0:32:48.440
<v Speaker 4>on and you know, things escalated whatever. So it's just

0:32:49.240 --> 0:32:51.160
<v Speaker 4>it's hard to navigate, you know what i mean, because

0:32:51.240 --> 0:32:55.280
<v Speaker 4>like these kids are living in such a turmoil tumultuous

0:32:55.400 --> 0:32:59.960
<v Speaker 4>world as it is kind of ship like and break

0:33:00.120 --> 0:33:01.560
<v Speaker 4>the community that's right in front of you. You know

0:33:01.600 --> 0:33:04.040
<v Speaker 4>what I'm saying, You're going to need each other probably

0:33:04.120 --> 0:33:05.600
<v Speaker 4>pretty soon, very soon.

0:33:06.680 --> 0:33:10.560
<v Speaker 3>Yeah, listen, we do a segment on this show where

0:33:10.840 --> 0:33:14.160
<v Speaker 3>we ask our stem guest to give us a conspiracy

0:33:14.240 --> 0:33:16.880
<v Speaker 3>theory that they really believe wholeheartedly.

0:33:17.000 --> 0:33:18.840
<v Speaker 2>It's called the tim fold fitted segment. You know what

0:33:18.840 --> 0:33:20.240
<v Speaker 2>I'm saying. You put the tim four.

0:33:20.160 --> 0:33:22.600
<v Speaker 3>Fitted on to take your head from the five g's

0:33:22.680 --> 0:33:23.640
<v Speaker 3>five raised.

0:33:23.720 --> 0:33:26.080
<v Speaker 2>You know what I mean, Dolly your third eye. It

0:33:26.200 --> 0:33:27.880
<v Speaker 2>is supremely uncomfortable.

0:33:27.920 --> 0:33:33.720
<v Speaker 6>By the way, it's like blood timon. But like you know,

0:33:40.080 --> 0:33:41.040
<v Speaker 6>blue timing on YouTube.

0:33:45.600 --> 0:33:49.520
<v Speaker 3>So a conspiracy theory that you believe or that you

0:33:49.720 --> 0:33:52.600
<v Speaker 3>find interesting enough to say, you know what, there might

0:33:52.640 --> 0:33:53.360
<v Speaker 3>be something behind that.

0:33:54.720 --> 0:33:57.360
<v Speaker 4>I mean, there's a lot of them, Like I read these,

0:33:57.720 --> 0:34:00.040
<v Speaker 4>you know theories, a lot of different theories on a

0:34:00.080 --> 0:34:04.200
<v Speaker 4>lot of different things. One of my the most intriguing,

0:34:04.320 --> 0:34:07.280
<v Speaker 4>I'm when people chime in on I hear the comments

0:34:07.320 --> 0:34:09.600
<v Speaker 4>already he's a fucking idiot, blah blah blah, you shouldn't mean.

0:34:09.840 --> 0:34:13.360
<v Speaker 4>But I was reading about the O J case and

0:34:13.440 --> 0:34:17.040
<v Speaker 4>then there's one cop wrote this book about OJ's oldest

0:34:17.120 --> 0:34:21.000
<v Speaker 4>son being the actual person that when it was just

0:34:21.200 --> 0:34:24.000
<v Speaker 4>like cause I read through it pretty intriguering, and I've

0:34:24.000 --> 0:34:28.200
<v Speaker 4>always been enamored by the stalemate of it all. It's like, yo,

0:34:28.239 --> 0:34:30.160
<v Speaker 4>if y'all got him Colt Turkey, you got him cold chucker.

0:34:30.239 --> 0:34:32.320
<v Speaker 4>What's the problem? You know what I'm saying, Yeah, but

0:34:33.680 --> 0:34:36.920
<v Speaker 4>you know it just yeah, number one a jeury acquitted

0:34:37.040 --> 0:34:41.359
<v Speaker 4>and then number two you know he was just never

0:34:41.760 --> 0:34:45.640
<v Speaker 4>like something about the retrial, like once you've been acquitted

0:34:45.719 --> 0:34:49.719
<v Speaker 4>or something, you can't try it again, ye know. So

0:34:49.880 --> 0:34:53.120
<v Speaker 4>like that's why I said theory, you know. Yeah, So

0:34:53.239 --> 0:34:55.319
<v Speaker 4>I'm like, but listening to that that, I'm like, that's

0:34:55.320 --> 0:34:56.960
<v Speaker 4>pretty There was a lot of facts in there, like

0:34:57.520 --> 0:35:02.400
<v Speaker 4>it's hat like maybe shit or whatever from his knife,

0:35:02.560 --> 0:35:05.680
<v Speaker 4>like m maybe issue knife having like a little skull

0:35:05.760 --> 0:35:07.279
<v Speaker 4>crush is what they call it. You know, I don't

0:35:07.280 --> 0:35:09.120
<v Speaker 4>want to get too like graphic or whatever, but like

0:35:09.400 --> 0:35:12.600
<v Speaker 4>those kind of wounds had shown up on victims and

0:35:12.760 --> 0:35:17.120
<v Speaker 4>like hmm, just that like how it all went down

0:35:17.239 --> 0:35:19.560
<v Speaker 4>to where if he didn't do it, how would he

0:35:19.560 --> 0:35:23.799
<v Speaker 4>even be like finger pointed as a witness seeing him

0:35:23.800 --> 0:35:25.560
<v Speaker 4>there like all these like breakdowns, you know what I mean.

0:35:25.600 --> 0:35:29.120
<v Speaker 4>And I'm like, as a parent listening to this version

0:35:29.239 --> 0:35:31.520
<v Speaker 4>of the story, like if my son came home and

0:35:31.560 --> 0:35:34.239
<v Speaker 4>admitted to me these things, would I go to that

0:35:34.360 --> 0:35:36.719
<v Speaker 4>scene and see and like explain the timing of it,

0:35:36.800 --> 0:35:38.759
<v Speaker 4>and shit like there was little like a lot of

0:35:38.800 --> 0:35:40.879
<v Speaker 4>little detail where I was just like, wow, that's kind

0:35:40.920 --> 0:35:41.440
<v Speaker 4>of crazy.

0:35:41.719 --> 0:35:44.880
<v Speaker 3>Yeah, yeah, I thought he was gonna go with the

0:35:45.400 --> 0:35:49.160
<v Speaker 3>other OJU conspiracy theory, which is Chloy Kardashian.

0:35:48.800 --> 0:35:49.200
<v Speaker 2>Is his daughter.

0:35:49.360 --> 0:35:54.560
<v Speaker 4>Oh my god, that one has its own sub conspiracy

0:35:54.560 --> 0:35:56.200
<v Speaker 4>where it was like some makeup dudes. So I was

0:35:56.280 --> 0:36:01.800
<v Speaker 4>just like, all right, I'll let that personal business and

0:36:01.920 --> 0:36:03.920
<v Speaker 4>I wish them one, you know what I mean, And

0:36:04.080 --> 0:36:06.479
<v Speaker 4>like blah blah blah. Chloe is that she's a sweet girl,

0:36:06.520 --> 0:36:08.160
<v Speaker 4>you know what I mean. She seems to be like

0:36:08.239 --> 0:36:10.879
<v Speaker 4>the nice one ship a lot of the time, Kim

0:36:11.000 --> 0:36:15.560
<v Speaker 4>people are dying you know, damn, damn.

0:36:15.640 --> 0:36:18.400
<v Speaker 2>I gave it to Chloe damn wash Like she.

0:36:18.480 --> 0:36:20.600
<v Speaker 4>Seemed to be the one that's like really trying to

0:36:20.800 --> 0:36:23.520
<v Speaker 4>like fit in and be in, you know what I mean.

0:36:23.680 --> 0:36:25.920
<v Speaker 4>Like so like, yeah, I let that one go, but

0:36:26.080 --> 0:36:28.320
<v Speaker 4>that old that ship was wild, bro, Like I was like,

0:36:28.760 --> 0:36:33.040
<v Speaker 4>that's interesting. See now you got me jump out of YouTube. Yeah,

0:36:33.440 --> 0:36:34.319
<v Speaker 4>the two rabbit holes.

0:36:34.600 --> 0:36:35.200
<v Speaker 2>As I get home.

0:36:35.560 --> 0:36:37.360
<v Speaker 4>As soon as I got home, I read up on it.

0:36:37.480 --> 0:36:39.919
<v Speaker 4>I mean, I could be sounding like an idiot because

0:36:39.960 --> 0:36:42.200
<v Speaker 4>somebody be like, well, DNA evidence came back and it

0:36:42.280 --> 0:36:45.960
<v Speaker 4>was like you would never unless literally nobody, nobody could

0:36:46.280 --> 0:36:49.279
<v Speaker 4>you know, I mean, because DNA will tell you down

0:36:49.400 --> 0:36:51.840
<v Speaker 4>to the micro one millions up and it's gotta be

0:36:51.920 --> 0:36:54.040
<v Speaker 4>And I'm like all right. And then I also heard

0:36:54.160 --> 0:36:58.439
<v Speaker 4>like if anyone's DNA was within those parameters, it would

0:36:58.440 --> 0:36:59.439
<v Speaker 4>be your first born child.

0:37:02.120 --> 0:37:05.600
<v Speaker 2>That's how every law and er s FORU ends. Yeah

0:37:06.840 --> 0:37:08.560
<v Speaker 2>you know what I'm saying. And this is how victory

0:37:08.640 --> 0:37:08.920
<v Speaker 2>like is.

0:37:10.440 --> 0:37:11.440
<v Speaker 4>Lictory like like.

0:37:11.640 --> 0:37:19.239
<v Speaker 5>Like m mm hmmm mmmmmmm

0:37:20.680 --> 0:37:24.880
<v Speaker 2>Mm hmmm, a lictory like like like like