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Speaker 1: We got week. What's up, y'all, It's Morgan number two

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Speaker 1: in case you're a first time listener. And what I

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Speaker 1: do is take the best seven segments from the week

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Speaker 1: based on your engagement online, if you hit us up

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Speaker 1: on the phone about it a lot, if you wrote

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Speaker 1: us comments on Facebook, all the things. I take all

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Speaker 1: of it, and I decide what our best seven moments

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Speaker 1: from the show this past week are and we count

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Speaker 1: them down from seven to one. But along the way,

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Speaker 1: I kind of reveal some things that happened behind the scenes.

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Speaker 1: I bring on another show member to talk with me

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Speaker 1: about it. And this week I'm bringing on producer Eddie

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Speaker 1: so we can chat about something that happened with him

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Speaker 1: and his son. But also we'll get some more commentary

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Speaker 1: in there too, So let's get going. Eddie talked about

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Speaker 1: a situation that happened with his son and an iPad

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Speaker 1: at school that God damn it, Eddie, give us a

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Speaker 1: little brief breakdown, Not too much because they're gonna hear

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Speaker 1: the segment. Okay, So basically, my son had a classmate

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Speaker 1: of his shatter his iPad screen and I was kind

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Speaker 1: of under the I guess understanding that if something like

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Speaker 1: that happens, the parent of whoever did it would pay

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Speaker 1: for it. So it was kind of a discussion of

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Speaker 1: like what do we do, Like, no one is offered

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Speaker 1: to pay for this right now, it seems like it

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Speaker 1: was my son's iPad, so now we have to pay

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Speaker 1: for this, and so it was a big topic in

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Speaker 1: our household. So during this segment, you kind of talked

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Speaker 1: about what you initially reacted to it, and you kind

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Speaker 1: of had some anger. So do you have anger? Often

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Speaker 1: when it comes to these parenting situations, it seems like

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Speaker 1: the longer I become a parent, the more angrier I

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Speaker 1: get about things. But no, it's almost just kind of

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Speaker 1: like you want to do what's right, and in this

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Speaker 1: in this situation, I was really thinking, like the right

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Speaker 1: thing is for the parent to take care of this,

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Speaker 1: but no one is doing anything about it. And I

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Speaker 1: even thought maybe the school should be a part of

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Speaker 1: this too, because it happened on school grounds and an

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Speaker 1: iPad isn't cheap, iPad screen isn't cheap, So I was

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Speaker 1: thinking the school would be like, all right, guys, this happened,

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Speaker 1: we'll sort it out. We'll let the parents know, and

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Speaker 1: then you guys can figure out how to deal with

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Speaker 1: it well, And there was some arguments online without giving

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Speaker 1: the final thing that happened a way, that your son

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Speaker 1: should pay for half of it because it's his iPad

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Speaker 1: and he let somebody borrow didn't drop it, but it's

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Speaker 1: his and he let somebody borrow it. Maybe he shouldn't

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Speaker 1: have let somebody borrow it. And that was the argument

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Speaker 1: that maybe to teach him about his things and be

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Speaker 1: careful about who's borrowing it. How do you feel about that? Well,

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Speaker 1: I mean there is the obvious, like, oh well, I

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Speaker 1: wasn't there a screen on screen protector on there like

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Speaker 1: all that stuff. Yes, And I did tell him that.

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Speaker 1: He said, dude, you gotta put your screen protector. But

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Speaker 1: there's something he has against screen protectors. He likes to

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Speaker 1: have the iPad the way it is, and even his phone,

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Speaker 1: he likes it without a case. I'm like, well, that's

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Speaker 1: what happens when it's not in a case. I understand

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Speaker 1: that it's partly his fault and he needs to be

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Speaker 1: responsible for his own things. But in this case, this

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Speaker 1: was a class project. This was something where the school said, hey,

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Speaker 1: you all need your iPads for this, use it. And

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Speaker 1: then it happened in that situation. So I'm thinking, okay,

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Speaker 1: so that's interesting. Was this iPad something you guys had

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Speaker 1: to supply him for school? Yeah? So the way the

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Speaker 1: school works is if you're able to supply an iPad,

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Speaker 1: go for it. If not, they have a special fund

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Speaker 1: or whatever where they can get school issued iPads. Okay,

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Speaker 1: But so it is like that that's tricky because it

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Speaker 1: isn't the schools, it is y'alls, which again, like in

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Speaker 1: an ideal situation, they give them all iPads and they

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Speaker 1: stay at school or whatever. Yeah, and if it's the

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Speaker 1: school's iPad that breaks, then the school takes care of Yes,

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Speaker 1: But this is tricky because it's technically his he used

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Speaker 1: to take at home. He can play games and stuff

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Speaker 1: on it at home, all the things. Well, the way

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Speaker 1: I thought about it was like, all right, even if

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Speaker 1: this was outside of school and it's two friends playing

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Speaker 1: with a phone, like all right, here we're playing whatever. Here,

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Speaker 1: hold my phone. The phone breaks? You and me? Right,

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Speaker 1: it's my phone and you break my phone. Wouldn't you

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Speaker 1: feel like, hey, you know what, we're adults, Like I

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Speaker 1: should probably I feel bad. Let me pay for that

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Speaker 1: broken screen? Oh yeah, Like if something happens like that totally.

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Speaker 1: So when you're a parent and your kid does something,

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Speaker 1: guess who pays for it? The parent does. So that's

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Speaker 1: what I was leaning towards. And I wasn't really thinking

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Speaker 1: I was going to press that that whole thing, like, Hey,

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Speaker 1: give me the parents number and I'll call their parents

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Speaker 1: up and tell them they need to pay for I

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Speaker 1: was never thinking that I had to do that. Honestly,

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Speaker 1: when things get a little like controversial like that, I

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Speaker 1: make my wife do it. I'm not like the cop.

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Speaker 1: I'm not this mean that your wife is the good

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Speaker 1: cop and you're the bad cop. Is that really what

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Speaker 1: it is? No, I'm the good cop. My wife's the

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Speaker 1: bad cop. That makes sense, Like she's the bad guy,

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Speaker 1: but she's the nice one. No, she's the one that complains.

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Speaker 1: Like remember when we had didn't anticipate that action, Like

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Speaker 1: I really thought it was the reverse. I don't I

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Speaker 1: don't do that. I don't like confrontation at all. So

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Speaker 1: like that, we had a pizza thing a while back,

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Speaker 1: you know, where they put the pizza in our wrong

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Speaker 1: our neighbor's doorstep instead of ours. So I was upset

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Speaker 1: about that, and so I tell my wife, like call

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Speaker 1: Pizza Hut and tell them what they did. And she's

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Speaker 1: the one that likes. And it's weird because she's so

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Speaker 1: shy and she's very sweet and there's nothing mean about

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Speaker 1: her at all, but when it comes to like customer service,

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Speaker 1: she's like, yeah, all right, give the phone, I'll call see.

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Speaker 1: It totally surprises me because every time I have met

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Speaker 1: your wife, she is so sweet, like nothing about her

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Speaker 1: is confrontational, but like, you do have anger sometimes. So

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Speaker 1: I'm just so like blown away at this different response.

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Speaker 1: I'm I'm a implosive person. I don't know if that's

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Speaker 1: the ref I get upset in here inside of me.

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Speaker 1: It's an outward expression. I don't really like take it

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Speaker 1: out on people, okay, And so I beat myself up.

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Speaker 1: I don't know if that's the right thing to do.

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Speaker 1: But that's kind of like where I get angry about

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Speaker 1: it and then I start telling talking to my wife

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Speaker 1: about it, and then she says, fine, I'll handle it.

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Speaker 1: So is your wife or is it you? That's more

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Speaker 1: like you obviously both come up with the disciplines for

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Speaker 1: your children, but who actually like enforces that and make

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Speaker 1: sure it happens. So that's tricky when it comes to

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Speaker 1: our kids. We have learned that they react more to

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Speaker 1: my discipline than hers. It's a weird thing. They're all

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Speaker 1: boys and they're all they all gang up on her,

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Speaker 1: and they all like whenever she kind of tries to discipline,

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Speaker 1: they laugh. They're like, okay, mom's starting to be serious.

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Speaker 1: They're playing to her like motherly side out, like hey,

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Speaker 1: where are your kids. You're not gonna do that, like

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Speaker 1: you're gonna be mad at me for two seconds and

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Speaker 1: then you're gonna hug me and kiss on my forehead

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Speaker 1: and then you know, put me to bed. And so

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Speaker 1: they really don't take her serious. But when dad gets

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Speaker 1: mad and Dad raises his voice and Dad says do this,

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Speaker 1: they stop in their tracks and do it. So maybe

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Speaker 1: that's just a dad thing. I mean, I like my

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Speaker 1: dad was like the disciplinary, so like maybe it's just

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Speaker 1: like more of a your guys's temperament. I think. So

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Speaker 1: I think. And in two like I want to teach

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Speaker 1: my boys too, to respect like women and not really

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Speaker 1: like it's it's tricky because I want them to be like, hey,

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Speaker 1: your mom says to do this, you do it. And

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Speaker 1: that's a constant in my house. I'm always saying that,

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Speaker 1: but it just doesn't work. Like they're always like yeah, okay,

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Speaker 1: and I'm like no, she said, like she's I heard

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Speaker 1: her tell you four times and you haven't even budged. Yeah,

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Speaker 1: And you know what, maybe as they get older, they'll

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Speaker 1: start to understand and respect that and kind of be

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Speaker 1: like a mama's boy, you know. But four of them,

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Speaker 1: they just gang up. There's so many Yeah, oh my gosh.

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Speaker 1: Well there was another thing too that was said on

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Speaker 1: Facebook that we didn't really address on the show, and

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Speaker 1: again not giving too much away, but we didn't give

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Speaker 1: enough credit to your son's friend who told his parents,

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Speaker 1: and like that's a big deal because most kids would

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Speaker 1: be like, I can get in trouble. I don't want

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Speaker 1: to tell my parents that. Like, I'm not going to

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Speaker 1: be the one to reveal this information. Hopefully it'll just

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Speaker 1: blow away. So here's kind of an inside of Like

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Speaker 1: whenever I talk about stories with my kids, especially my teenager,

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Speaker 1: he's very I guess last couple of years, his friends

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Speaker 1: at school listened to the show sometimes and their parents

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Speaker 1: listen to the show sometimes, so sometimes it gets back

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Speaker 1: to him that they that I was talking about him.

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Speaker 1: So I always have to be very careful, like to

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Speaker 1: be like, all right, I want to talk about your

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Speaker 1: iPad situation, but I don't want to embarrass you, so

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Speaker 1: and I don't. And instead of like altering the story

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Speaker 1: when this comes up, I always just pick and choose

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Speaker 1: one I'm going to talk about. You admit some things

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Speaker 1: to avoid any of that. There are so many stories

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Speaker 1: that I could talk about, but I'm like, you know what,

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Speaker 1: this is his life, and I don't want to. There's

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Speaker 1: some boundaries there that you have to sure. But in

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Speaker 1: this case, I thought it was so important to tell

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Speaker 1: this story because of how one his classmate reacted and

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Speaker 1: told his parents what he did, and too, how their

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Speaker 1: how the parents reacted, Yes, all of it. All of

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Speaker 1: it was very shocking and cool. And I thought like

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Speaker 1: that to me was like, all right, this is something

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Speaker 1: that's not going to be embarrassing to him and it's

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Speaker 1: going to be a good ending to a good story.

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Speaker 1: Oh man, Okay, yeah, see I loved it this, Like

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Speaker 1: this is a good story like front to end, like

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Speaker 1: beginning to in front, front back or whatever, you know what.

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Speaker 1: I meant, listen up to this because it's really good.

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Speaker 1: If you're a kid, if you're a parent, it's just

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Speaker 1: you're probably going to face it at some point. So

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Speaker 1: here we go. Number seven, Hey Eddie telling Amy what

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Speaker 1: happened at your kids school? Okay, So my son was

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Speaker 1: doing a group project in class. In in order for

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Speaker 1: this project to go down, somebody had to donate their

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Speaker 1: iPad to use for the project. So my son got

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Speaker 1: partnered up with this other kid and he was using

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Speaker 1: his iPad, my son's iPad, and this other kid's using

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Speaker 1: it and he's doing scanning something with it or whatever.

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Speaker 1: Drops it Boom, screen shatters completely. Oh no. So he

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Speaker 1: comes home he's like, Mom, Dad, Like, I don't you know?

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Speaker 1: Someone else did it? It wasn't me. I don't know

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Speaker 1: what to do. And I'm kind of like, well, what

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Speaker 1: did the kids say? Nothing? You didn't say anything. Oh.

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Speaker 1: I kind of got a little heat it up, saying

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Speaker 1: I think we need to call the parents of this

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Speaker 1: kid and tell them they need to replace his iPad

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Speaker 1: or at least the screen something. So did you call

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Speaker 1: the parents? Oh? No, I don't know, Amy, What would

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Speaker 1: you do here? I don't know. My brain automatically goes

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Speaker 1: to whether I don't know the kids other kids situation,

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Speaker 1: But I automatically wonder, I don't want to call this

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Speaker 1: out because what if, for whatever reason, they maybe can't

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Speaker 1: afford to replace the iPad, Like it would just make

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Speaker 1: me uncomfortable to ask for that, and it would if

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Speaker 1: it was my daughter or son and be like they

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Speaker 1: made the choice to give the iPad to that Person's

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Speaker 1: also teaches responsibility for for my kids to hold onto

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Speaker 1: their stuff and that if you let someone else use it,

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Speaker 1: then you know if something goes wrong. I don't think

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Speaker 1: I would call it the other parents. I just would

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Speaker 1: figure it out on my own and feel I feel

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Speaker 1: awkward right now knowing that Eddie called them. Oh you

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Speaker 1: already know he called. No, I don't know. I feel

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Speaker 1: as though that's what Eddie did. Eddie, what did you do? Well?

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Speaker 1: Hold on, I don't let me tell what I would do.

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Speaker 1: I don't know what Nye did. Sorry, sorry to go,

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Speaker 1: I thought you did go ahead. You know. I am

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Speaker 1: a bit like Amy where I would feel nervous asking

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Speaker 1: somebody because I couldn't afford that stuff as a kid.

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Speaker 1: But I think maybe instead of calling and having that

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Speaker 1: conversation on the phone, I would just send an email.

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Speaker 1: That way, it's not putting them on the spot, explaining

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Speaker 1: the situation to see if they wanted to volunteer to

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Speaker 1: help pay for what they could of the iPad because

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Speaker 1: you're not calling them on the phone and being like

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Speaker 1: your kid did this, which they may get defensive. They

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Speaker 1: may get defensive of their kid. They may get defensive

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Speaker 1: because they don't have any money. I don't know, but

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Speaker 1: I think I would approach it as, hey, this happened.

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Speaker 1: Maybe you heard about it. They were playing with the

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Speaker 1: iPad and you know your son Jethro dropped the iPad

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Speaker 1: and it broke. So I would reach out, but I

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Speaker 1: wouldn't reach out directly. Eddie, what did you do? Bones

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Speaker 1: you're going down the right track, I think, like So,

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Speaker 1: we were talking about it and my wife was like,

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Speaker 1: absolutely not. Let's not even get the pair of all.

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Speaker 1: This is gonna be awkward, and I said, no, we

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Speaker 1: gotta make this right, like something somebody has to pay

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Speaker 1: for this, and I don't think we need to pay

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Speaker 1: for it. So as we're talking about it, I'm not kidding,

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Speaker 1: an email comes through and it's the kid's dad and

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Speaker 1: he emails us and says, my son came home today,

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Speaker 1: told us exactly what happened. We would like to pay

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Speaker 1: for this iPad. This is amazing. We don't have to

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Speaker 1: do anything. Oh okay, well that worked out just great,

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Speaker 1: so now you know, I mean, because the only thing

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Speaker 1: that's uncomfortable is not knowing their family situation. And it's

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Speaker 1: not like it's like a one or five dollar thing.

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Speaker 1: I mean, I pad super expensive. So that's cool. Well

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Speaker 1: where are you going to do though, Eddie? I mean

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Speaker 1: I was talking a big game. I think in those

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Speaker 1: situations my wife usually wins and says, you know, we

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Speaker 1: probably don't want to call him. I think she was

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Speaker 1: actually leaning towards calling the school and saying, hey, what

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Speaker 1: should we do in this situation and get their take

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Speaker 1: on it because it was a school project. But honestly,

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Speaker 1: I don't think we're gonna move fast enough to do anything.

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Speaker 1: And knowing me, I'd probably check it out. Yeah I

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Speaker 1: patrick expensive too. Yeah that's a cred. That's what stinks.

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Speaker 1: They don't have school iPads? Amy, does your kids square iPads? Well,

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Speaker 1: they provide them with a tablet like a computer thing,

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Speaker 1: so that's what they use and it's it's given out

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Speaker 1: by the school. So Eddie, what are your kids rules

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Speaker 1: on the iPad? What can he be on I mean

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Speaker 1: he has My thirteen year old has free range for

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Speaker 1: the most part. He has these I think websites have

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Speaker 1: ratings on them. So we set them up to where

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Speaker 1: there's certain websites he can't access and certain apps he

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Speaker 1: can't get unless we accept it like an accept like

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Speaker 1: some kind of security question or whatever. And usually it

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Speaker 1: goes to my phone and I just click one button

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Speaker 1: and he can get it. If not, I decline it.

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Speaker 1: Is there a workaround on that where he can actually

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Speaker 1: Have you tried to reverse engineer and try to download things?

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Speaker 1: That's a great idea. No, I have not, because you

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Speaker 1: know him and his buddies have all tried these little

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Speaker 1: tricks and they know how to get by it. But no,

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Speaker 1: I haven't tried to play the thirteen year old on

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Speaker 1: his iPad. See if I can crack some codes. Well,

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Speaker 1: the best thing to do if you want to try

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Speaker 1: to beat something that someone else is beating and try

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Speaker 1: to beat yourself. Yeah, you know. I mean with this show,

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Speaker 1: I want to hire people to create And maybe I

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Speaker 1: talked about this off the air, but I went and

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Speaker 1: paid people in radio to try to beat me, like

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Speaker 1: I'm gonna give you money. I want you to listen

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Speaker 1: to the show for a month, and I want you

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Speaker 1: to develop a plan to beat me. And I hired

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Speaker 1: them to give me that report so I could see

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Speaker 1: how they would beat us. I could close up all

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Speaker 1: the gaps. I didn't talk about this on the Oh yeah,

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Speaker 1: well yeah, I know. I often scout against myself because

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Speaker 1: there show's popping up all over that are trying to

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Speaker 1: take me and us down. And so I went and

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Speaker 1: hired two different people and pay them top dollar and said,

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Speaker 1: take a month. I want you to listen to the podcast.

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Speaker 1: I won't you listening live? Won't you listening to different channels?

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Speaker 1: And if you had free rein to just develop a show,

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Speaker 1: what would you do? What would you talk about? What

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Speaker 1: where are we lacking? And I had them write up

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Speaker 1: this humongous report and then I take it and then

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Speaker 1: I go through it and I go, Okay, they have

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Speaker 1: a point here, let's do this. Let's not do this.

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Speaker 1: And so I hire people to try to beat me

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Speaker 1: and then I take that information. So what what what

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Speaker 1: were you doing? Well, I mean, why would I reveal

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Speaker 1: that right here? I just pay talk all of that stuff. Well,

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Speaker 1: I don't know, I'm wondering what what what did they say,

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Speaker 1: Like did they give you like even like, oh, you

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Speaker 1: shouldn't do this or shouldn't do that, or they'd you Actually,

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Speaker 1: you're just saying that. They said, this is what we

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Speaker 1: would do to counter you. This is what you do, well,

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Speaker 1: this is what you could do better at. But if

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Speaker 1: we were going to launch a show against you, this

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Speaker 1: is everything we would do to try to beat you.

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Speaker 1: I go and thank you for the information. I take

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Speaker 1: that and I try to close up a lot of

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Speaker 1: those holes. Was it helpful or did you just see

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Speaker 1: the information and it was like, actually, no one can

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Speaker 1: really beat you. You're just thinking it's never that never

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Speaker 1: ever ever that it was. One of them was extremely helpful,

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Speaker 1: so much so that it was so good. I went

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Speaker 1: to the head of the company. I was like, I

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Speaker 1: need to hire her. Oh, not not on this show,

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Speaker 1: but as someone who does this for other shows. That's cool. Yeah,

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Speaker 1: so well they're there, car like Amy's awesome or okay,

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Speaker 1: everybody's dying to know. The only person I gave that

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Speaker 1: report to was Scooba Steve. It's good right, Scooba Steve

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Speaker 1: was very thorough and I like took parts of it

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Speaker 1: that I thought were great, And yeah, it's a cool idea.

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Speaker 1: I thought that was very inventive for you to do that.

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Speaker 1: You want to not get beat trying to beat yourself.

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Speaker 1: I think close up all those ways someone else could

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Speaker 1: beat you that at the end, super smart. I'm giving

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Speaker 1: up too much of my strategy here, Eddie. Congrats on

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Speaker 1: the ipady, and I'll try that with my kid to

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Speaker 1: beat yeah. No, try, yeah, try. You know you're trying

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Speaker 1: to beat you, right, beat me through his stuff. You've

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Speaker 1: set up a plan to keep your kid from from

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Speaker 1: from download and thinks he shouldn't, so you go try

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Speaker 1: to beat you now. No, Now, we just Eddie, we

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Speaker 1: just need to hire people to tell us how they

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Speaker 1: would be better parents than us. It's the best bits

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Speaker 1: of the week with Morgan number two. This week, we

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Speaker 1: were talking about Bobby's wedding coming up to Caitlin. It

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Speaker 1: is fast approaching and they are getting all of their

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Speaker 1: plans in order. And one thing that came up during

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Speaker 1: the show this week. Bobby has chosen his signature drink

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Speaker 1: at the wedding and it's going to be one of

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Speaker 1: his favorite mocktails, which is a Shirley Temple. But he

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Speaker 1: has to name it, and if you've been married then

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Speaker 1: and you've had signature drinks at your wedding, you name them,

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Speaker 1: like it's the bride's drink and the groom's drink, and

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Speaker 1: they typically have signature names. So Bobby doesn't know what

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Speaker 1: to name his Shirley Temple, like the virgin version of

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Speaker 1: it or the Dirty Shirley, which is like the alcohol

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Speaker 1: version of it. So, Eddie, do you have any names that,

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Speaker 1: like you think would be good for this dream? Yeah? No,

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Speaker 1: not really. I mean the one I've brought on air

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Speaker 1: is not a good one, but I don't really have

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Speaker 1: any good names for it. I've been seeing the tweets though,

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Speaker 1: that people have been tweeting in about it. Yeah, let's

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Speaker 1: read some of them. Pretty funny. I think my favorite

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Speaker 1: one definitely is Bob Kate, almost like playoff a Bobcat

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Speaker 1: and it's like Bobby Caitlin. It's kind of funny. But

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Speaker 1: then but then you know, but then it's not his drink,

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Speaker 1: and she's probably gonna have a drink, I would assume

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Speaker 1: since he has one. Correct. So so there's also hog shrine.

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Speaker 1: Interesting shrine, right, I would think that's like a moonshine drink. Well,

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Speaker 1: there's a lot of like Arkansas based, like Razorbacks kind

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Speaker 1: of thing. Fair. But also to this guy wrote bare

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Speaker 1: Bones and that's like the non alcoholic bare bones drink. Okay,

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Speaker 1: kind of funny. Yeah, what would be the dirty version

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Speaker 1: of that? Like the alcoholic version like big bone bone.

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Speaker 1: I don't know it weird. I don't know, but I

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Speaker 1: don't That's that's pretty much it. I feel like there's something. No,

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Speaker 1: but I feel like there's something with the the Shirley

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Speaker 1: Temple being red and red is Bobby's favorite color. I

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Speaker 1: feel like there's something with that and I just can't

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Speaker 1: the red bone, red bone this is I think we

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Speaker 1: need to take bone out of it. Yeah, it gets dirty,

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Speaker 1: especially if you have like drunk people, but I need

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Speaker 1: the boner. Yeah, that's that's gonna get weird roll fast.

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Speaker 1: Um maybe like the I don't know, it's something red.

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Speaker 1: I feel the red like in my soul. No, one

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Speaker 1: just feel it. Yeah. I don't know what that name

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Speaker 1: is though, but it's there something red thing about the

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Speaker 1: red coloring. Have you ever had a Shirley Temple? Oh yeah,

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Speaker 1: I drink dirty Shirley's at the bar all the time.

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Speaker 1: See that's weird too. Why this whole thing is weird?

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Speaker 1: Like Shirley Temple is a ten year old eight year

405
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Speaker 1: old was so good nurse, and then the Dirty Shirley

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Speaker 1: is the alcoholic version of it. It's very weird to me,

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Speaker 1: you know. I'm like, y'all dig it, Dirty Shirley. That

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Speaker 1: was my first drink I ever ordered when I turned

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Speaker 1: twenty one, and I was so proud of it that

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Speaker 1: and I was like, I need a dirty Shirley, and

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Speaker 1: her like, oh, this girl just shurtin dirty one. Okay.

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Speaker 1: So a funny story about that, like when my sister

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Speaker 1: she had she got It's the first time she got

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Speaker 1: into a bar underage, and she came with me. She

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Speaker 1: came with me and my wife. My wife and I

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Speaker 1: were dating at the time, and she got in with us.

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Speaker 1: We somehow got her in and she goes to the

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Speaker 1: bar and I'm like, hey, you're in, let it rip.

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Speaker 1: So she's like, okay, okay. So the bartender was, hey,

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Speaker 1: what can I get you? And she says seven seven

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Speaker 1: And I look at her, I'm like, oh, what does

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Speaker 1: She's like, doesn't mom drink that. I'm like, yeah, I guess,

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Speaker 1: I guess. So it's like Seagram seven with seven up

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Speaker 1: or something. Yes, it's like the old lady drink or whatever.

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Speaker 1: My mom would drink it ever since we were kids.

426
00:20:00,160 --> 00:20:01,560
Speaker 1: And I'm like, this is your first time in a

427
00:20:01,600 --> 00:20:03,280
Speaker 1: bar and your order is a seven. So it's just

428
00:20:03,359 --> 00:20:06,720
Speaker 1: like I panicked. I didn't know what to get. True though,

429
00:20:06,800 --> 00:20:08,760
Speaker 1: you don't want to get in trouble. I remember that

430
00:20:08,800 --> 00:20:10,800
Speaker 1: when I was at bars underage, I like would look

431
00:20:10,880 --> 00:20:13,080
Speaker 1: up things online to make sure that when I got there,

432
00:20:13,240 --> 00:20:16,520
Speaker 1: nobody knew that I wasn't supposed to be there. So

433
00:20:16,600 --> 00:20:19,159
Speaker 1: were you very like just relax at the bar, A

434
00:20:19,160 --> 00:20:21,560
Speaker 1: little elbow on the bar. Oh yeah, but I can't

435
00:20:21,560 --> 00:20:22,879
Speaker 1: tell you how many times I asked for like a

436
00:20:22,920 --> 00:20:25,840
Speaker 1: sex on the beach, a whiskey sour like the show

437
00:20:26,240 --> 00:20:28,800
Speaker 1: the drinks that like people who don't drink a lot

438
00:20:28,840 --> 00:20:31,560
Speaker 1: of alcoholic drinks, right, Like this is a very fruity

439
00:20:31,680 --> 00:20:35,359
Speaker 1: like taste, good drink. Yeah. So yeah, I don't know

440
00:20:35,400 --> 00:20:38,359
Speaker 1: how I never got kicked out, but I managed my

441
00:20:38,400 --> 00:20:40,280
Speaker 1: way through it. It It sounds like your sister figured it out.

442
00:20:40,680 --> 00:20:43,160
Speaker 1: Seven seven. I'm good at seven. It is like an

443
00:20:43,160 --> 00:20:47,920
Speaker 1: old person drink salty dog. You never know what's gonna

444
00:20:47,920 --> 00:20:51,399
Speaker 1: happen though. Okay, So with Bobby's wedding coming up, you

445
00:20:51,440 --> 00:20:54,200
Speaker 1: have mentioned that you're not gonna drink for some moments

446
00:20:54,200 --> 00:20:55,800
Speaker 1: of the wedding so you can have like your best

447
00:20:55,840 --> 00:20:59,240
Speaker 1: man's beach. Speaking of drinking, are you still sticking to that?

448
00:20:59,560 --> 00:21:01,520
Speaker 1: I think so. I mean, I'll probably have a few

449
00:21:01,560 --> 00:21:04,479
Speaker 1: beers before. I mean, it's I just feel I've been

450
00:21:04,520 --> 00:21:07,920
Speaker 1: getting to this point in my life where when there

451
00:21:08,000 --> 00:21:11,000
Speaker 1: is something to be celebrated, you celebrate hard. Like I

452
00:21:11,040 --> 00:21:14,560
Speaker 1: don't think we celebrate as people enough as we should.

453
00:21:14,760 --> 00:21:18,520
Speaker 1: Like birthdays. To me, I feel like since I turned thirty,

454
00:21:18,600 --> 00:21:21,560
Speaker 1: probably I look at birthdays and I say, it's just

455
00:21:21,600 --> 00:21:23,679
Speaker 1: another year. It's not like, Okay, it's a day that

456
00:21:23,680 --> 00:21:26,360
Speaker 1: I was born. It's I'm one year older and nobody deal.

457
00:21:26,480 --> 00:21:29,080
Speaker 1: But that should be celebrated and we should celebrate hard

458
00:21:29,080 --> 00:21:31,199
Speaker 1: in these things. And Bobby getting married to me is

459
00:21:31,280 --> 00:21:35,040
Speaker 1: a celebration moment where I'm gonna go hard. So basically,

460
00:21:35,080 --> 00:21:38,880
Speaker 1: after your big speech, you're you're gonna be going down. Yes,

461
00:21:39,000 --> 00:21:40,600
Speaker 1: so I can probably get you to take shots at

462
00:21:40,600 --> 00:21:43,880
Speaker 1: the wedding. Yeah, I will definitely take shots. And then

463
00:21:43,880 --> 00:21:46,160
Speaker 1: you're telling me like if these artists have like they're

464
00:21:46,160 --> 00:21:48,720
Speaker 1: on stage and they're singing these songs and they're gonna

465
00:21:48,720 --> 00:21:51,240
Speaker 1: have karaoke night with live Van like you be the

466
00:21:51,280 --> 00:21:54,000
Speaker 1: greatest night ever. Oh yeah, I'm so ready for It's

467
00:21:54,000 --> 00:21:55,919
Speaker 1: gonna be a great wedding. But I am excited to

468
00:21:55,960 --> 00:21:57,960
Speaker 1: see you get drunk because I think I've only seen

469
00:21:58,000 --> 00:22:00,480
Speaker 1: you like buzz a few times in our whole time

470
00:22:00,480 --> 00:22:02,960
Speaker 1: I'm working together, so this should be very I don't

471
00:22:03,000 --> 00:22:04,960
Speaker 1: know if I'm any fun when i'm really drunk anymore.

472
00:22:07,119 --> 00:22:10,520
Speaker 1: It's been a while, so I don't know. I'm so ready.

473
00:22:10,760 --> 00:22:13,359
Speaker 1: But anyways, y'all listen to this. This is where we

474
00:22:13,359 --> 00:22:15,760
Speaker 1: talk about Bobby's signature drink, how he chose it, why

475
00:22:15,880 --> 00:22:20,120
Speaker 1: he chose it, all the things. Number six, I think

476
00:22:20,119 --> 00:22:22,439
Speaker 1: I'm stressing Klin out with the wedding coming up because

477
00:22:22,520 --> 00:22:26,120
Speaker 1: I just forget to him my people. This morning woke

478
00:22:26,200 --> 00:22:28,119
Speaker 1: up and she goes, hey, did you invite? And she

479
00:22:28,200 --> 00:22:31,199
Speaker 1: left off three people and I was like, yeah, of

480
00:22:31,240 --> 00:22:34,240
Speaker 1: course I did. She's look back into let she goes, Nope,

481
00:22:34,280 --> 00:22:36,600
Speaker 1: they're not on here. I was like, no, I'm pretty

482
00:22:36,640 --> 00:22:38,639
Speaker 1: sure I did. I would for sure invite them, and

483
00:22:38,680 --> 00:22:40,480
Speaker 1: I didn't invite them, like three people at for sure

484
00:22:40,520 --> 00:22:43,240
Speaker 1: would have invited and I wouldn't even thought about until

485
00:22:43,760 --> 00:22:46,280
Speaker 1: Kalin's like, hey, did you invite these people? So I

486
00:22:46,320 --> 00:22:48,720
Speaker 1: think I'm stressing her out a little bit. There's also

487
00:22:48,720 --> 00:22:50,000
Speaker 1: a part of the wedding where they want us to

488
00:22:50,080 --> 00:22:54,080
Speaker 1: create our own signature cocktail. And I don't drink. So

489
00:22:54,119 --> 00:22:57,359
Speaker 1: what do you think I created any Shirley Temple type thing? Yeah,

490
00:22:57,520 --> 00:23:00,080
Speaker 1: exactly it. Yeah, I didn't know what to name it.

491
00:23:00,359 --> 00:23:02,880
Speaker 1: So if you guys have a name Bobby Temple, well

492
00:23:02,920 --> 00:23:04,480
Speaker 1: that's what I said. That was the easy one. But

493
00:23:04,520 --> 00:23:06,320
Speaker 1: I didn't thin people would know what that was. Oh,

494
00:23:06,359 --> 00:23:08,679
Speaker 1: I get it, but I don't know what is in

495
00:23:08,760 --> 00:23:12,840
Speaker 1: a Shirley Temple. Well it's it's basically, you know, cherry

496
00:23:12,920 --> 00:23:17,080
Speaker 1: juice or whatever that and the version of a drink

497
00:23:17,119 --> 00:23:23,240
Speaker 1: grenadine up. Yeah, okay, so it's pretty good. I like

498
00:23:23,320 --> 00:23:24,400
Speaker 1: it when I go to a bar because it looks

499
00:23:24,440 --> 00:23:26,960
Speaker 1: like I'm drinking. But you can also do a dirty

500
00:23:27,000 --> 00:23:30,480
Speaker 1: Shirley with alcohol in it. That's weird. Yeah, I don't

501
00:23:30,520 --> 00:23:33,240
Speaker 1: like that. So here's what I like to sound about. Well,

502
00:23:33,440 --> 00:23:35,760
Speaker 1: order one. There'll be two versions of those. There'll be

503
00:23:35,800 --> 00:23:38,119
Speaker 1: the one that I have that the Shirley Temple, and

504
00:23:38,119 --> 00:23:40,159
Speaker 1: there's the Dirty Shirley if you want to add apparently

505
00:23:40,200 --> 00:23:44,960
Speaker 1: add vodka to it, or the Dirty Bobby. I don't know. Here, Okay,

506
00:23:44,960 --> 00:23:47,320
Speaker 1: here's the challenge I'm gonna give our listeners. Call our

507
00:23:47,400 --> 00:23:51,760
Speaker 1: voicemail line. What should I name this Shirley Temple kind

508
00:23:51,760 --> 00:23:55,200
Speaker 1: of drink? The clean one and the dirty one? Yeah,

509
00:23:55,240 --> 00:23:57,280
Speaker 1: but they need to kind of be named semi the

510
00:23:57,320 --> 00:24:02,760
Speaker 1: same thing, right, eight seven seven seventy seven, Bobby. Maybe

511
00:24:02,800 --> 00:24:03,879
Speaker 1: if you come up with the name, we'll give you

512
00:24:03,920 --> 00:24:07,960
Speaker 1: a doll or something. I don't know. We got some

513
00:24:08,040 --> 00:24:11,639
Speaker 1: voicemails about my signature drink at the wedding, you know,

514
00:24:11,680 --> 00:24:14,119
Speaker 1: because they said, hey, you need to create a drink.

515
00:24:14,440 --> 00:24:16,600
Speaker 1: Caitlyn needs to create a drink and then people can

516
00:24:16,680 --> 00:24:19,840
Speaker 1: order them. And I was about, I don't I don't drink,

517
00:24:20,359 --> 00:24:23,080
Speaker 1: and I like Shirley Temples, but I couldn't find a way.

518
00:24:23,200 --> 00:24:26,200
Speaker 1: The Bobby Temple didn't make sense. But a lot of

519
00:24:26,240 --> 00:24:29,720
Speaker 1: people called and left ideas. We have five of them. Here,

520
00:24:29,760 --> 00:24:32,239
Speaker 1: what to name my signature cocktail? Here we go number one?

521
00:24:32,520 --> 00:24:36,480
Speaker 1: Hey Bobby, Hey, guys, I'm thinking the non alcoholic could

522
00:24:36,520 --> 00:24:41,320
Speaker 1: be called simply Hella and the alcoholic one, laid down

523
00:24:41,480 --> 00:24:45,119
Speaker 1: Stanley Okay, named after my dogs. Okay, okay, all right.

524
00:24:45,160 --> 00:24:46,800
Speaker 1: I was kind of looking for that play into Charley

525
00:24:46,880 --> 00:24:50,080
Speaker 1: Temple somehow, you know. Okay, all right, here's Leanne from

526
00:24:50,080 --> 00:24:54,680
Speaker 1: New York. Hey, Bobby Morna's studio. I just had one name.

527
00:24:54,920 --> 00:24:58,160
Speaker 1: It's the Bobby beat Drop. Just thought that was a

528
00:24:58,240 --> 00:25:01,200
Speaker 1: great name. Sean's how I kind of corporates some music

529
00:25:01,359 --> 00:25:04,159
Speaker 1: theme to it, A beat drop. Okay, there you go.

530
00:25:04,200 --> 00:25:06,280
Speaker 1: It sounds like a beat drink though when I hear that,

531
00:25:07,000 --> 00:25:10,720
Speaker 1: like the vegetables. Yeah yeah, all right, here's the next one.

532
00:25:11,040 --> 00:25:13,080
Speaker 1: I'm confused. Why aren't we just cashing in on that

533
00:25:13,160 --> 00:25:16,520
Speaker 1: Bobby Water, you know, whiskey and waters, Bobby Waters. Throw

534
00:25:16,560 --> 00:25:20,240
Speaker 1: some nerds in it, get crazy with it. Congratulations, best wishes,

535
00:25:20,480 --> 00:25:23,040
Speaker 1: love the show, see y'all soon. Thank you. I would

536
00:25:23,080 --> 00:25:24,879
Speaker 1: love to capitalize on a but Sonic won't pay me.

537
00:25:25,920 --> 00:25:27,680
Speaker 1: I would be Sonic the greatest endorser. I do this

538
00:25:27,720 --> 00:25:29,800
Speaker 1: commercials where I sit there and to go like, hey,

539
00:25:29,840 --> 00:25:31,800
Speaker 1: Mike d how about this seatbelt doesn't go with my

540
00:25:31,880 --> 00:25:34,040
Speaker 1: chili dog? Does it? You know those commercials you guys

541
00:25:34,080 --> 00:25:37,400
Speaker 1: in the car. Yeah, but for some reason they don't

542
00:25:37,440 --> 00:25:40,320
Speaker 1: want to hire me. Here's another one. I was thinking

543
00:25:40,600 --> 00:25:44,560
Speaker 1: maybe to name your drink the dirty razor Back or

544
00:25:44,760 --> 00:25:48,600
Speaker 1: just the Razorback. What do you think? I like the Razorbacks? Okay,

545
00:25:49,040 --> 00:25:52,320
Speaker 1: and then here let's do Chris from Tucson, Arizona. Alcoholic

546
00:25:52,400 --> 00:25:55,840
Speaker 1: one should be boned and people should ask to get boned,

547
00:25:56,240 --> 00:26:00,879
Speaker 1: and then the non alcoholic one should be believable, and

548
00:26:01,000 --> 00:26:03,720
Speaker 1: then if you order it, the bartender will be like,

549
00:26:03,880 --> 00:26:07,440
Speaker 1: oh you want it unbelievable? Total is funny? He ate that?

550
00:26:07,800 --> 00:26:10,520
Speaker 1: Oh yeah, hey, I like the bone one though. That's

551
00:26:10,560 --> 00:26:12,280
Speaker 1: pretty good. I'm not gonna have people at the wedding

552
00:26:12,320 --> 00:26:15,040
Speaker 1: go I'd like to get bone on bone please. Oh

553
00:26:15,119 --> 00:26:17,280
Speaker 1: then you won't like my idea. That why what was yours?

554
00:26:17,720 --> 00:26:21,480
Speaker 1: I was gonna do big bobbies and little bobbies like

555
00:26:21,680 --> 00:26:25,080
Speaker 1: play on the You know, no, I don't. That doesn't

556
00:26:25,080 --> 00:26:27,520
Speaker 1: even make sense. That's a terrible I can't, Eddie, I

557
00:26:27,560 --> 00:26:29,600
Speaker 1: can't constantly sell you the funniest person on the show.

558
00:26:29,920 --> 00:26:32,639
Speaker 1: Whenever you come up with just rotten. You know how

559
00:26:32,680 --> 00:26:35,480
Speaker 1: they mispell your name Sometimes they put two outs, Okay,

560
00:26:36,040 --> 00:26:39,160
Speaker 1: the Big Booby and Bobby. What I'm saying. The only

561
00:26:39,280 --> 00:26:41,280
Speaker 1: one that I thought that was pretty cool was someone

562
00:26:41,400 --> 00:26:45,800
Speaker 1: named s says Lynster four thirty two. She said, how

563
00:26:45,800 --> 00:26:49,920
Speaker 1: about calling get a Sue Temple like pick suee, Charlie Temple,

564
00:26:50,200 --> 00:26:54,720
Speaker 1: got it, Sue Temple. That's pretty good. Huh yeah, razorbacks Sue. Yeah.

565
00:26:55,160 --> 00:26:57,800
Speaker 1: I'm still working on it. I appreciate everybody sending in

566
00:26:57,840 --> 00:27:01,920
Speaker 1: their thoughts and leaving voicemails. It's the best bits of

567
00:27:02,000 --> 00:27:08,320
Speaker 1: the week. With Morgan number two coming up next Lunchbox,

568
00:27:08,720 --> 00:27:11,840
Speaker 1: he decided to wrap and sing his way through some

569
00:27:12,040 --> 00:27:14,480
Speaker 1: drive throughs, and let me tell you, I don't think

570
00:27:14,520 --> 00:27:17,679
Speaker 1: I've laughed so hard in a long time. This segment

571
00:27:18,080 --> 00:27:21,840
Speaker 1: just made me crack up imagining lunchbox rapping and singing

572
00:27:21,920 --> 00:27:24,720
Speaker 1: through drive throughs. And not only that, the employees that

573
00:27:24,880 --> 00:27:27,720
Speaker 1: he was doing this too, like totally took it in stride.

574
00:27:27,800 --> 00:27:30,280
Speaker 1: They were so great. This is the laugh you need

575
00:27:30,640 --> 00:27:35,600
Speaker 1: on this wonderful weekend. Number five. Remember last week we

576
00:27:35,720 --> 00:27:39,840
Speaker 1: had a TikTok of Craig Morgan singing his Starbucks order.

577
00:27:39,920 --> 00:27:44,600
Speaker 1: Here's a clip. I'd like a denty man with the

578
00:27:44,680 --> 00:27:50,240
Speaker 1: extra heavy weeping cane and maybe because you please by

579
00:27:50,560 --> 00:27:56,080
Speaker 1: could you please stay man for me? All su she

580
00:27:56,160 --> 00:27:58,680
Speaker 1: has to be like, what's happening here? So lunchbox did this?

581
00:27:59,119 --> 00:28:03,280
Speaker 1: Great out the guy who can't sing. We'll see you

582
00:28:03,400 --> 00:28:06,080
Speaker 1: be the judge. You went to sing? Where lunchbox? I

583
00:28:06,119 --> 00:28:08,640
Speaker 1: went to Whitecastle? All right? Here we go, Lunchbox singing

584
00:28:08,720 --> 00:28:11,120
Speaker 1: his order. All right, welcome to Whitecastle? Or hit your order?

585
00:28:11,520 --> 00:28:18,240
Speaker 1: Oh yeah, I need I need a small shrimp nibbler.

586
00:28:20,040 --> 00:28:23,800
Speaker 1: And don't and don't you and don't you forget? I

587
00:28:23,960 --> 00:28:27,959
Speaker 1: need that small I mean small, was a small fry.

588
00:28:30,480 --> 00:28:33,000
Speaker 1: I can't even saying. I can't even beat it. Where

589
00:28:33,000 --> 00:28:36,280
Speaker 1: are you dragging? You're having summer drink today. Don't drink

590
00:28:36,359 --> 00:28:42,960
Speaker 1: for me. Just a shrip nipplers and a small fer. Okay,

591
00:28:43,000 --> 00:28:47,840
Speaker 1: there's gonna cheek twenty one? Okay, yeah, yeah, okay, you

592
00:28:49,480 --> 00:28:53,960
Speaker 1: alright over. I don't even know what you ordered. A

593
00:28:54,000 --> 00:28:57,040
Speaker 1: shrimp nibbler, Yeah, a small shrimp. I don't know. Saw

594
00:28:57,080 --> 00:28:58,600
Speaker 1: it on the menu. I thought it sounded funny to

595
00:28:58,640 --> 00:29:01,760
Speaker 1: sing shrimp nibbler. Guess that was it? And a small fry.

596
00:29:02,640 --> 00:29:05,080
Speaker 1: So how do we like that? That's fight? Okay. He

597
00:29:05,240 --> 00:29:07,960
Speaker 1: then decided to elevate it and he went to Starbucks

598
00:29:08,000 --> 00:29:11,480
Speaker 1: to wrap his order. Oh boy, do you think you

599
00:29:11,560 --> 00:29:14,880
Speaker 1: can't sing? Let's see what you think about is rapping?

600
00:29:14,920 --> 00:29:18,240
Speaker 1: Here you go. Oh you know me, I want that

601
00:29:18,360 --> 00:29:22,080
Speaker 1: hot chocolate venty, But you can keep the whip for

602
00:29:22,200 --> 00:29:26,960
Speaker 1: the next bro Sky. Oh my god, I got bars.

603
00:29:27,720 --> 00:29:30,640
Speaker 1: That's what I do. I drop rhymes all the time.

604
00:29:31,160 --> 00:29:34,120
Speaker 1: Oh my gosh. So you want to keep the whip

605
00:29:34,240 --> 00:29:37,960
Speaker 1: cream for the next Brosky. That's correct, all right? Else,

606
00:29:38,560 --> 00:29:49,080
Speaker 1: that's it. I'm out those your kids. God, that guy

607
00:29:49,280 --> 00:29:51,760
Speaker 1: he's like, oh my god, he's like, you got bared.

608
00:29:53,440 --> 00:29:57,160
Speaker 1: It's the best bits of the week with Morgan number two,

609
00:29:58,960 --> 00:30:00,720
Speaker 1: a little bit of a controver. She will segment on

610
00:30:00,840 --> 00:30:04,440
Speaker 1: our show this week. Amy's daughter, she's thirteen years old,

611
00:30:04,600 --> 00:30:07,480
Speaker 1: told Amy that she wants a locked diary, and Amy

612
00:30:07,600 --> 00:30:09,760
Speaker 1: was really cool about it. She says, yeah, I totally

613
00:30:09,800 --> 00:30:12,200
Speaker 1: get it. She should have one. Her daughter wants it

614
00:30:12,320 --> 00:30:17,560
Speaker 1: for her locked passwords. While people online were just a

615
00:30:17,680 --> 00:30:20,240
Speaker 1: little bit debating over all the things, because when it

616
00:30:20,320 --> 00:30:24,440
Speaker 1: comes to parents and kids, people love trolling about parents. Amy.

617
00:30:24,520 --> 00:30:27,240
Speaker 1: I mean, if there's one topic they love to comment on,

618
00:30:27,320 --> 00:30:30,120
Speaker 1: it is parenting. So we had all the kinds of

619
00:30:30,160 --> 00:30:33,480
Speaker 1: people because Amy has clearly had some mixed emotions about

620
00:30:33,520 --> 00:30:36,600
Speaker 1: this whole situations, as she should. It's her daughter, daughter's

621
00:30:36,640 --> 00:30:40,080
Speaker 1: growing up, right, So Eddie, tell me your thoughts on this.

622
00:30:40,440 --> 00:30:42,960
Speaker 1: So what's tricky with topics like this on the radio

623
00:30:43,040 --> 00:30:44,400
Speaker 1: show is that we don't have a lot of time

624
00:30:44,480 --> 00:30:46,280
Speaker 1: to think about it. Take it like one minute to

625
00:30:46,360 --> 00:30:49,640
Speaker 1: break it down, very reactive like. So when this came up,

626
00:30:49,760 --> 00:30:52,600
Speaker 1: the first thing I thought of, it's just like, that's crazy,

627
00:30:52,800 --> 00:30:57,360
Speaker 1: because I truly believe that if you have an open

628
00:30:57,480 --> 00:31:00,840
Speaker 1: conversation and a relationship where you can about whatever with

629
00:31:00,920 --> 00:31:04,240
Speaker 1: your kids and they're cool with sharing things with you,

630
00:31:05,400 --> 00:31:07,920
Speaker 1: there is no such thing as locked doors. I mean, sure, yeah,

631
00:31:08,040 --> 00:31:09,920
Speaker 1: lock the door of your naked like, sure, whatever. But

632
00:31:10,080 --> 00:31:14,720
Speaker 1: I was like a conversation, but realistically, there's no need

633
00:31:14,760 --> 00:31:18,000
Speaker 1: to hide anything from anyone. Yeah, you know, if you're

634
00:31:18,080 --> 00:31:20,760
Speaker 1: doing something that you need to hide from your parents,

635
00:31:20,840 --> 00:31:23,320
Speaker 1: it's not a good thing. And so that's how I

636
00:31:23,480 --> 00:31:28,240
Speaker 1: reacted to the lock diary. Now there is the therapy

637
00:31:28,520 --> 00:31:32,080
Speaker 1: side of it, or a psychologist psychiatrist that say, you know, no,

638
00:31:32,200 --> 00:31:34,760
Speaker 1: it's very healthy to have a lock diary and have

639
00:31:34,920 --> 00:31:38,840
Speaker 1: your thoughts to yourself. I mean sure, but you could

640
00:31:38,840 --> 00:31:42,480
Speaker 1: do that with a diary that's unlocked and trust and

641
00:31:42,640 --> 00:31:44,719
Speaker 1: understand that your parents are going to look to the diary.

642
00:31:45,120 --> 00:31:48,120
Speaker 1: Now I have boys, so far they have showed no

643
00:31:48,240 --> 00:31:52,080
Speaker 1: interest in having any kind of diary or journal. So

644
00:31:52,360 --> 00:31:55,160
Speaker 1: I haven't dealt with this. But I just feel like

645
00:31:55,240 --> 00:31:59,640
Speaker 1: in my house, I don't think that anyone will want

646
00:31:59,680 --> 00:32:02,760
Speaker 1: to have that kind of privacy. Because my son, who's

647
00:32:02,760 --> 00:32:04,440
Speaker 1: thirteen years old, I mean the first time when I

648
00:32:04,440 --> 00:32:05,960
Speaker 1: picked him up from school, the first thing he's like

649
00:32:06,280 --> 00:32:08,239
Speaker 1: we talked about like, hey, high school, go oh man,

650
00:32:08,360 --> 00:32:10,280
Speaker 1: this happened, and this happened and so and so did

651
00:32:10,360 --> 00:32:12,760
Speaker 1: this and and to me, I'm like, that's great because

652
00:32:12,800 --> 00:32:15,000
Speaker 1: that didn't happen when I was a kid, Like they

653
00:32:15,040 --> 00:32:18,080
Speaker 1: would pick me up from It's fine. That was my

654
00:32:18,200 --> 00:32:20,560
Speaker 1: answer all the time, because I felt like I was

655
00:32:20,600 --> 00:32:23,200
Speaker 1: just gonna get in trouble if I told him, like, oh, yeah,

656
00:32:23,400 --> 00:32:25,880
Speaker 1: so I got into a fight like so and so, Well, yeah,

657
00:32:25,880 --> 00:32:27,400
Speaker 1: if you got into a fight, you were probably get

658
00:32:27,480 --> 00:32:29,520
Speaker 1: in trouble. In middle school, fights were kind of like

659
00:32:29,760 --> 00:32:32,840
Speaker 1: a common thing thing. It was a punching people's noses

660
00:32:33,400 --> 00:32:36,360
Speaker 1: my middle school, like it was weird. It was almost

661
00:32:36,400 --> 00:32:38,880
Speaker 1: a ride of passage where like you're in sixth grade,

662
00:32:39,080 --> 00:32:42,240
Speaker 1: it's time to get into a fight. Oh yeah, yeah.

663
00:32:42,520 --> 00:32:45,600
Speaker 1: So but even even the girls got into fights or

664
00:32:45,680 --> 00:32:48,080
Speaker 1: was this just a guy? A girl's got no fights?

665
00:32:48,200 --> 00:32:51,560
Speaker 1: Cat fights? Cat fight girls? Oh my gosh, hair being

666
00:32:51,640 --> 00:32:53,720
Speaker 1: pulled and after the fight's broken up, somebody has a

667
00:32:53,760 --> 00:32:56,840
Speaker 1: ball of hair and they're in their hand. Yes, serious,

668
00:32:56,920 --> 00:33:00,640
Speaker 1: I mean South Texas got real down there. Hey, you

669
00:33:00,760 --> 00:33:02,760
Speaker 1: have a lot of experiences and I'll love it. Yeah.

670
00:33:02,840 --> 00:33:04,960
Speaker 1: So there was that kind of feeling like, oh, I

671
00:33:05,000 --> 00:33:06,480
Speaker 1: don't want to tell him. I know. If so, I

672
00:33:06,520 --> 00:33:08,600
Speaker 1: wouldn't tell him. I wouldn't tell him certain things or whatever.

673
00:33:08,760 --> 00:33:12,080
Speaker 1: And I think that's led to us not having a

674
00:33:12,200 --> 00:33:14,680
Speaker 1: true close relationship where I can just tell him whatever.

675
00:33:15,280 --> 00:33:17,440
Speaker 1: And that's just something of when I became a parent.

676
00:33:17,480 --> 00:33:19,600
Speaker 1: I'm like, I want to change that when I become

677
00:33:19,640 --> 00:33:22,000
Speaker 1: a dad. So when he tells you things, do you

678
00:33:22,120 --> 00:33:24,280
Speaker 1: kind of like sit with it before you ever respond

679
00:33:24,320 --> 00:33:27,120
Speaker 1: to anything, to make sure you don't react. I have to.

680
00:33:27,720 --> 00:33:29,800
Speaker 1: So as weird as some of the stuff is, like,

681
00:33:29,920 --> 00:33:34,120
Speaker 1: it's like I'll even say, like when the becoming a

682
00:33:34,200 --> 00:33:39,360
Speaker 1: teenager stuff, Yes, the stuff that he comes to me

683
00:33:39,480 --> 00:33:42,240
Speaker 1: with I'm just like, what did you just say? But

684
00:33:42,800 --> 00:33:45,040
Speaker 1: and then afterwards I'm like, hey, man, that's pretty cool

685
00:33:45,080 --> 00:33:46,800
Speaker 1: that he can think like, hey, let me ask dad

686
00:33:46,800 --> 00:33:49,760
Speaker 1: about this because I don't know what's happening. Oh yeah,

687
00:33:49,800 --> 00:33:51,560
Speaker 1: it's a great thing, especially as he gets older and

688
00:33:51,680 --> 00:33:55,000
Speaker 1: some really serious life stuff starts happening. Yeah, he will

689
00:33:55,040 --> 00:33:58,000
Speaker 1: come to you totally, and that's the goal as far

690
00:33:58,080 --> 00:34:01,080
Speaker 1: as me and how I parents. That's a good thing. Okay,

691
00:34:01,120 --> 00:34:05,160
Speaker 1: So I was thinking about this. What if the reason,

692
00:34:05,280 --> 00:34:07,720
Speaker 1: like a locked diary thing is such a big deal

693
00:34:07,800 --> 00:34:11,439
Speaker 1: it's because it's siblings. You're not as much worried about

694
00:34:11,480 --> 00:34:13,400
Speaker 1: your parents getting into it as you are your siblings

695
00:34:13,440 --> 00:34:15,759
Speaker 1: because growing up with three older sisters, I didn't like

696
00:34:15,800 --> 00:34:18,160
Speaker 1: if I did something and they happen to see it

697
00:34:18,280 --> 00:34:20,440
Speaker 1: in a diary that I had, they'd make fun of

698
00:34:20,520 --> 00:34:22,600
Speaker 1: me for days about it. Did they do that? Yes,

699
00:34:23,200 --> 00:34:27,839
Speaker 1: So I'm thinking of that I triggered situation. I would

700
00:34:27,840 --> 00:34:29,759
Speaker 1: have diaries and like, if my sister ever got ahold

701
00:34:29,760 --> 00:34:32,200
Speaker 1: of it, like it'd be a whole thing. So maybe

702
00:34:32,239 --> 00:34:35,080
Speaker 1: it's more about the sibling households that the locked diary

703
00:34:35,200 --> 00:34:37,000
Speaker 1: is more of a situation. Then I'm down with that,

704
00:34:37,360 --> 00:34:39,400
Speaker 1: but like the parents have a key and you know whatever,

705
00:34:39,680 --> 00:34:41,880
Speaker 1: I'm totally down with that, but yeah, you are right,

706
00:34:41,920 --> 00:34:43,840
Speaker 1: and that we did have a lot of therapists commenting

707
00:34:43,840 --> 00:34:45,759
Speaker 1: and we're like, it's really healthy to do this, and

708
00:34:46,440 --> 00:34:48,600
Speaker 1: it's important for them, but it's also important for them

709
00:34:48,600 --> 00:34:50,279
Speaker 1: to be able to trust you that you're not going

710
00:34:50,360 --> 00:34:53,440
Speaker 1: to look. But other parents were sharing accounts of like

711
00:34:53,520 --> 00:34:56,920
Speaker 1: their kids having been in some really bad situations and

712
00:34:57,080 --> 00:34:59,600
Speaker 1: they saved them from them based on the fact they

713
00:34:59,640 --> 00:35:01,640
Speaker 1: were right and there was trust and they could go

714
00:35:01,760 --> 00:35:04,560
Speaker 1: when they felt it was a right time to look

715
00:35:04,600 --> 00:35:07,440
Speaker 1: in the die. So like cool, just so many different

716
00:35:07,640 --> 00:35:10,880
Speaker 1: firsthand parent accounts on this outside when you get through

717
00:35:10,920 --> 00:35:13,719
Speaker 1: all the trolling, Yes, And then I immediately thought too,

718
00:35:13,920 --> 00:35:16,200
Speaker 1: like there have just been stories of you know, when

719
00:35:16,280 --> 00:35:20,359
Speaker 1: there are kids like that that have you know, there's

720
00:35:20,360 --> 00:35:22,800
Speaker 1: active shootings or whatever and they go back to the

721
00:35:22,880 --> 00:35:25,240
Speaker 1: house and these are like teenagers that live in their parents'

722
00:35:25,280 --> 00:35:28,120
Speaker 1: house and they had guns like in their rooms and

723
00:35:28,200 --> 00:35:31,000
Speaker 1: ammunition in their room and their parents never knew about it.

724
00:35:31,280 --> 00:35:35,399
Speaker 1: To me, that's like very shocking to me that that's

725
00:35:35,480 --> 00:35:39,600
Speaker 1: how detached you are from your children that you wouldn't

726
00:35:39,600 --> 00:35:42,719
Speaker 1: even know if they bought something like that or they

727
00:35:42,719 --> 00:35:45,360
Speaker 1: were planning on doing something like that. So I don't know.

728
00:35:45,760 --> 00:35:49,640
Speaker 1: There's definitely a conversation to be had about the need

729
00:35:49,760 --> 00:35:52,319
Speaker 1: to write something down, the need to write something down

730
00:35:52,400 --> 00:35:57,200
Speaker 1: in privacy, and the need to like communicate with your parents. Yeah,

731
00:35:57,360 --> 00:35:59,399
Speaker 1: you know, there's a lot of steps to it, for sure,

732
00:35:59,640 --> 00:36:02,239
Speaker 1: but this was it was a funny conversation because of

733
00:36:02,320 --> 00:36:05,200
Speaker 1: how drastically we all reacted to it well. And you

734
00:36:05,280 --> 00:36:07,440
Speaker 1: could tell when Amy was talking about her her emotions

735
00:36:07,440 --> 00:36:10,120
Speaker 1: were just very mixed, Like it was like, yes, healthy,

736
00:36:10,200 --> 00:36:13,160
Speaker 1: but also like, what if something happens, do I have

737
00:36:13,239 --> 00:36:15,720
Speaker 1: a key? Am I allowed to? Like so many questions,

738
00:36:16,200 --> 00:36:18,520
Speaker 1: not even from the kid, but as a parent. Yeah,

739
00:36:18,760 --> 00:36:20,879
Speaker 1: and that's kind of crazy, but too, Like it's hard

740
00:36:20,920 --> 00:36:22,800
Speaker 1: to You're you're trying to be protective, you're trying to

741
00:36:22,840 --> 00:36:24,680
Speaker 1: be understanding, you're trying to do all these things. Like

742
00:36:25,239 --> 00:36:27,319
Speaker 1: it's such a real thing that as you get older,

743
00:36:27,400 --> 00:36:29,200
Speaker 1: like me being twenty seven, I look at my parents,

744
00:36:29,239 --> 00:36:31,480
Speaker 1: I'm like, I get it. I respect so much of

745
00:36:31,520 --> 00:36:33,560
Speaker 1: what you did. I didn't get it then, and I

746
00:36:33,719 --> 00:36:36,040
Speaker 1: was mad at you were Who knows what else I

747
00:36:36,160 --> 00:36:38,560
Speaker 1: probably did in that moment, but like I look back

748
00:36:38,640 --> 00:36:40,200
Speaker 1: now and like all the things that they had to

749
00:36:40,280 --> 00:36:43,480
Speaker 1: think about with me and being protective over me, I'm like, man,

750
00:36:43,520 --> 00:36:45,200
Speaker 1: I really put you guys through it. I'm so sorry.

751
00:36:45,320 --> 00:36:47,359
Speaker 1: I think there's a lot of acting involved and being

752
00:36:47,400 --> 00:36:50,640
Speaker 1: a parent too, like acting like you wouldn't freak out

753
00:36:50,680 --> 00:36:53,400
Speaker 1: if you found something in their diary, and then in

754
00:36:53,520 --> 00:36:55,640
Speaker 1: front of him being like, oh cool, I'm glad you

755
00:36:55,680 --> 00:36:59,839
Speaker 1: wrote that down, and then like what is he thinking?

756
00:37:00,080 --> 00:37:02,400
Speaker 1: This is crazy? So there's definitely a lot of acting

757
00:37:02,480 --> 00:37:06,520
Speaker 1: involved too, because you don't want to show them how

758
00:37:06,640 --> 00:37:09,400
Speaker 1: you would naturally react over something. Because for kids, I

759
00:37:09,480 --> 00:37:12,279
Speaker 1: think it's so important how you how your parents are

760
00:37:12,320 --> 00:37:15,359
Speaker 1: going to react to something. Yeah, it's so imparent. It's

761
00:37:15,400 --> 00:37:17,600
Speaker 1: so important, Like are they gonna say, oh, they're gonna

762
00:37:17,680 --> 00:37:19,640
Speaker 1: kill me when they find out about this, or you

763
00:37:19,719 --> 00:37:21,480
Speaker 1: know what, Dad will understand. It's gonna be hard at

764
00:37:21,480 --> 00:37:23,400
Speaker 1: the beginning, but mom and dad will understand if I

765
00:37:23,440 --> 00:37:26,759
Speaker 1: explain it to them. So it's tricky. No, that's that's

766
00:37:26,760 --> 00:37:28,880
Speaker 1: a very real thing. It's funny. We were my girlfriends

767
00:37:28,920 --> 00:37:30,920
Speaker 1: and I were just talking about this. I always feel

768
00:37:31,520 --> 00:37:33,800
Speaker 1: the need still as an adult to like have my

769
00:37:34,000 --> 00:37:37,160
Speaker 1: parents feel proud of me and like proud in my

770
00:37:37,360 --> 00:37:40,080
Speaker 1: decisions as a human being. Right, even though I'm like

771
00:37:40,239 --> 00:37:43,520
Speaker 1: ten years past them wanting anything to like actually do

772
00:37:43,640 --> 00:37:46,960
Speaker 1: that for But so I still like if something happens,

773
00:37:47,000 --> 00:37:48,640
Speaker 1: say I get in like a car accident or something,

774
00:37:49,040 --> 00:37:51,640
Speaker 1: and I'm so afraid to call my mom because I'm like, nah,

775
00:37:51,880 --> 00:37:54,280
Speaker 1: I don't want to get no, I can do anything

776
00:37:54,320 --> 00:37:56,320
Speaker 1: about it. Not that she can do anything about it,

777
00:37:56,800 --> 00:37:58,359
Speaker 1: but I'm like, I don't want to call her. I'll

778
00:37:58,400 --> 00:38:02,960
Speaker 1: literally call my sister fon I'm like I don't heard. No.

779
00:38:03,280 --> 00:38:05,759
Speaker 1: She'll be like hey, like really, like you had to

780
00:38:05,800 --> 00:38:08,080
Speaker 1: do this again, But like she's gonna be there, and

781
00:38:08,280 --> 00:38:11,120
Speaker 1: like that's all of those emotions, right, and as we're

782
00:38:11,200 --> 00:38:13,359
Speaker 1: both adults now, she can go through all of those

783
00:38:13,400 --> 00:38:16,560
Speaker 1: emotions with me. But it's just so funny that even

784
00:38:16,640 --> 00:38:18,279
Speaker 1: still in an older age, you're like, I just don't

785
00:38:18,360 --> 00:38:21,239
Speaker 1: want to disappoint them, and they just aren't going to

786
00:38:21,360 --> 00:38:25,600
Speaker 1: be right for the most parts. I'd there'll be something

787
00:38:25,640 --> 00:38:27,839
Speaker 1: they'll be disappointed about. Yeah, I mean, I'm forty two

788
00:38:27,920 --> 00:38:29,520
Speaker 1: years old and there's certain things I don't tell my

789
00:38:29,600 --> 00:38:31,399
Speaker 1: parents and they get so mad. Why did you tell

790
00:38:31,480 --> 00:38:33,479
Speaker 1: us because I didn't. I didn't really want to worry

791
00:38:33,520 --> 00:38:37,800
Speaker 1: you about anything. It's crazy as the years change, you

792
00:38:37,840 --> 00:38:39,480
Speaker 1: talk about your kids, and it's like such a full

793
00:38:39,520 --> 00:38:41,680
Speaker 1: circle moment. I'm sure for you as a parent. Yeah,

794
00:38:41,719 --> 00:38:43,520
Speaker 1: my brother has a tattoo that my parents still don't

795
00:38:43,560 --> 00:38:50,839
Speaker 1: know about. Right now, sorry, let's rewind that little Okay, Well,

796
00:38:50,880 --> 00:38:53,640
Speaker 1: here's here's a segment about Amy and her thirteen year

797
00:38:53,640 --> 00:38:58,399
Speaker 1: old daughter wanting a lucked diary. Number four man having

798
00:38:58,440 --> 00:39:00,880
Speaker 1: a thirteen year old daughter, it's just like a planet

799
00:39:01,000 --> 00:39:04,680
Speaker 1: I've never been on. Yeah, and she's almost fourteen, really yeah,

800
00:39:04,800 --> 00:39:08,239
Speaker 1: in April, so what's going on? Well, she wants to

801
00:39:08,360 --> 00:39:11,839
Speaker 1: get a locked diary, so she had me, Well, I've

802
00:39:11,920 --> 00:39:13,759
Speaker 1: ordered it, we just don't have it yet. But she's like,

803
00:39:13,920 --> 00:39:16,440
Speaker 1: I need a diary that locks. I'm putting all my

804
00:39:16,560 --> 00:39:19,840
Speaker 1: passwords in there or so nobody can know because she

805
00:39:19,960 --> 00:39:22,400
Speaker 1: forgot I guess one of her email passwords and she's like, oh,

806
00:39:22,440 --> 00:39:24,120
Speaker 1: I can't believe I can't remember it. So she wants

807
00:39:24,120 --> 00:39:25,879
Speaker 1: to write them down and lock them away in her drawer.

808
00:39:25,920 --> 00:39:28,839
Speaker 1: And I thought, okay, well that's interesting. But she may

809
00:39:28,960 --> 00:39:32,120
Speaker 1: want to start journaling. Other things that she starts to

810
00:39:32,280 --> 00:39:35,840
Speaker 1: lock away, and I think that's cool. I think that

811
00:39:35,960 --> 00:39:38,600
Speaker 1: writing down your thoughts is really healthy, and I hope

812
00:39:38,640 --> 00:39:42,000
Speaker 1: maybe she does use that. But then I thought, oh, well,

813
00:39:42,040 --> 00:39:44,560
Speaker 1: it's gonna be locked. What if one day there's something

814
00:39:44,640 --> 00:39:46,560
Speaker 1: going on with her and I maybe need to read

815
00:39:46,560 --> 00:39:48,120
Speaker 1: her diary. And then I was like, no, you can't

816
00:39:48,160 --> 00:39:50,640
Speaker 1: read her diary. It's her diary, but she's gonna have

817
00:39:50,680 --> 00:39:52,480
Speaker 1: it locked anyway. But then it just had me. I

818
00:39:52,560 --> 00:39:55,279
Speaker 1: had this whole conversation in my head about whether or not,

819
00:39:55,400 --> 00:40:00,320
Speaker 1: as a parent, what circumstance makes it okay to go

820
00:40:00,520 --> 00:40:03,200
Speaker 1: into the diary. Obviously not just for fun on a

821
00:40:03,280 --> 00:40:07,160
Speaker 1: Friday night, but like if something seriously going on with her,

822
00:40:07,600 --> 00:40:11,040
Speaker 1: I may need to be looking out for her. So

823
00:40:11,160 --> 00:40:12,800
Speaker 1: I didn't know as a parent how I'm supposed to

824
00:40:12,840 --> 00:40:14,960
Speaker 1: handle that. His fake scenario in my head that has

825
00:40:15,000 --> 00:40:17,160
Speaker 1: never even happened yet. If she gave you a key,

826
00:40:17,200 --> 00:40:18,520
Speaker 1: as I here, you can also have a key, would

827
00:40:18,520 --> 00:40:23,359
Speaker 1: you go snoop in it? No? No, well, I mean

828
00:40:23,400 --> 00:40:25,520
Speaker 1: if she's saying I could, and I really felt like

829
00:40:25,640 --> 00:40:29,160
Speaker 1: she's saying, if if here's a key in case for emergency, okay,

830
00:40:29,280 --> 00:40:32,359
Speaker 1: then if it's an emergency. Yes, again, I'm not going

831
00:40:32,480 --> 00:40:36,320
Speaker 1: to I want to show her like we're big on

832
00:40:36,840 --> 00:40:40,120
Speaker 1: respect in our house and right now we're even we're

833
00:40:40,160 --> 00:40:42,520
Speaker 1: working on a lot of different core values as a family,

834
00:40:42,600 --> 00:40:44,720
Speaker 1: and we want to live by example to the kids.

835
00:40:44,960 --> 00:40:46,880
Speaker 1: So like, if she were to find out that I

836
00:40:46,960 --> 00:40:50,600
Speaker 1: was snooping in her stuff with no emergency reason, then

837
00:40:51,160 --> 00:40:54,239
Speaker 1: that wouldn't be building trust and respect with her. I

838
00:40:54,360 --> 00:40:56,960
Speaker 1: agree for a thirteen fourteen year old to have a

839
00:40:57,040 --> 00:40:59,040
Speaker 1: diary and write down all their thoughts. Great. I think

840
00:40:59,120 --> 00:41:00,759
Speaker 1: the only time you should get into it as if

841
00:41:00,760 --> 00:41:02,239
Speaker 1: you think she's in danger and you have to cut

842
00:41:02,320 --> 00:41:03,800
Speaker 1: that thing open, and then you have to have the conversation.

843
00:41:03,840 --> 00:41:07,000
Speaker 1: I just got into your diary. Yeah. Otherwise, it's not

844
00:41:07,120 --> 00:41:09,359
Speaker 1: like an Instagram account where people can interact with her.

845
00:41:09,600 --> 00:41:11,560
Speaker 1: People can't reach out to her in her diary. That's

846
00:41:11,680 --> 00:41:13,960
Speaker 1: that's the difference in a Facebook account, on Instagram account,

847
00:41:14,080 --> 00:41:16,680
Speaker 1: a techtok account where maybe you don't want your thirteen

848
00:41:16,719 --> 00:41:18,759
Speaker 1: year old to have one of those because they are

849
00:41:19,320 --> 00:41:22,920
Speaker 1: accessible to creeps and that does happen, and as a

850
00:41:23,040 --> 00:41:26,000
Speaker 1: parent or parents, we can't be naive to that because

851
00:41:26,120 --> 00:41:29,200
Speaker 1: the creeps and PURBs can't get into a lock diary, right, Yeah,

852
00:41:29,520 --> 00:41:32,640
Speaker 1: And again I encourage her writing down her thoughts. I

853
00:41:32,719 --> 00:41:35,640
Speaker 1: think that that's super healthy for anybody, kids or adults.

854
00:41:35,760 --> 00:41:37,799
Speaker 1: And if she you should tell her if you're if

855
00:41:37,800 --> 00:41:39,279
Speaker 1: I ever feel like you're in danger, I'm going to

856
00:41:39,360 --> 00:41:41,239
Speaker 1: cut this open with a pair of scissors and you're

857
00:41:41,280 --> 00:41:42,800
Speaker 1: gonna know I did it. So I'm never gonna do

858
00:41:42,840 --> 00:41:45,319
Speaker 1: it without you knowing. Okay, that's what I would say, Eddie,

859
00:41:45,320 --> 00:41:46,680
Speaker 1: you have a thirteen year old son. Yeah, there are

860
00:41:46,680 --> 00:41:48,600
Speaker 1: no secrets in my house, so like if I had,

861
00:41:49,280 --> 00:41:52,440
Speaker 1: but there aren't because it's my house. No, but there

862
00:41:52,520 --> 00:41:55,000
Speaker 1: are I know, but they're not because like, if I

863
00:41:55,080 --> 00:41:56,920
Speaker 1: find a diary, guess what I'm gonna read it like,

864
00:41:57,160 --> 00:41:59,520
Speaker 1: and I'm not gonna tell them I because I have

865
00:41:59,600 --> 00:42:01,640
Speaker 1: boys boys, I'm not gonna tell him I read it.

866
00:42:01,920 --> 00:42:03,480
Speaker 1: But I want to know what's going on in their

867
00:42:03,520 --> 00:42:06,680
Speaker 1: lives and I want to be able to relate. So far,

868
00:42:06,840 --> 00:42:08,920
Speaker 1: I have a thirteen year old son, and so far,

869
00:42:09,160 --> 00:42:11,760
Speaker 1: he communicates very well with us. If there's a problem,

870
00:42:11,840 --> 00:42:14,080
Speaker 1: he communicates us. And that's my goal to just keep

871
00:42:14,160 --> 00:42:16,520
Speaker 1: that communication gap open because when I grew up, there

872
00:42:16,600 --> 00:42:18,919
Speaker 1: was no talking to dad about anything. So I'm trying

873
00:42:18,960 --> 00:42:23,440
Speaker 1: to change that culture in my fatherhood or whatever. So

874
00:42:23,880 --> 00:42:26,000
Speaker 1: but it also means there are no locks in the doors.

875
00:42:26,200 --> 00:42:28,360
Speaker 1: They're nothing like that. Like we can share everything with

876
00:42:28,440 --> 00:42:30,400
Speaker 1: each other because guess what I've been, where you've been.

877
00:42:30,480 --> 00:42:32,239
Speaker 1: Did you ever want to hide things from your dad? Yeah,

878
00:42:32,560 --> 00:42:35,440
Speaker 1: but my dad never went in my room ever. Like,

879
00:42:35,640 --> 00:42:37,759
Speaker 1: I can't tell you one time where my dad went

880
00:42:37,800 --> 00:42:39,920
Speaker 1: into my room. And he'll even tell you today. He's like, nah,

881
00:42:39,920 --> 00:42:41,800
Speaker 1: I had no reason to go in his room. That's crazy.

882
00:42:42,400 --> 00:42:44,560
Speaker 1: You read stories of people that do bad stuff at

883
00:42:44,600 --> 00:42:47,200
Speaker 1: school and they're like, you never saw the gun in

884
00:42:47,400 --> 00:42:49,320
Speaker 1: his room. No, I never went in his room. That

885
00:42:49,560 --> 00:42:52,200
Speaker 1: is crazy to me. You don't want to give your

886
00:42:52,560 --> 00:42:56,480
Speaker 1: thirteen year old son a bit of privacy. I want

887
00:42:56,600 --> 00:42:58,320
Speaker 1: him to think he has the privacy. But at the

888
00:42:58,400 --> 00:43:01,680
Speaker 1: same time, this is our how like, I don't have privacy.

889
00:43:01,760 --> 00:43:03,400
Speaker 1: You guys are all up in my stuff. They're not

890
00:43:03,480 --> 00:43:05,400
Speaker 1: in your laptop. They could get your computer, sure they are.

891
00:43:05,480 --> 00:43:06,880
Speaker 1: He was on it the other day and I'm like,

892
00:43:07,000 --> 00:43:09,640
Speaker 1: that's fine, and I've freaked out for a second. I'm like,

893
00:43:09,680 --> 00:43:12,080
Speaker 1: that's my work laptop. He could literally he could easily

894
00:43:12,160 --> 00:43:14,880
Speaker 1: tweet something in two seconds, but he didn't guess what

895
00:43:14,960 --> 00:43:17,080
Speaker 1: because he knows that's Dad's laptop and he wouldn't do

896
00:43:17,160 --> 00:43:20,360
Speaker 1: that to Dad. So I'm trying to have an open

897
00:43:20,840 --> 00:43:23,960
Speaker 1: but to have my own private space. Right, Like Stashier

898
00:43:24,080 --> 00:43:26,479
Speaker 1: asked me for a locked diary, if your son asked

899
00:43:26,520 --> 00:43:28,640
Speaker 1: you for a locked diary, you're saying you would not

900
00:43:28,719 --> 00:43:30,800
Speaker 1: buy him one. I know, I would say, absolutely, just

901
00:43:30,880 --> 00:43:35,560
Speaker 1: give me a key, absolutely, right, other people bones, you

902
00:43:35,600 --> 00:43:37,239
Speaker 1: gotta watch out for other people and not Dad. You

903
00:43:37,320 --> 00:43:39,759
Speaker 1: can trust Dad one. Other people though, you can't. But

904
00:43:39,880 --> 00:43:41,719
Speaker 1: if he's like no Dad, I just really would like

905
00:43:41,760 --> 00:43:44,160
Speaker 1: a diary for myself, no key for you, then I

906
00:43:44,200 --> 00:43:46,160
Speaker 1: would say get the diary, go ahead, and then I

907
00:43:46,200 --> 00:43:47,800
Speaker 1: would find a way to open it up. He's not

908
00:43:47,920 --> 00:43:51,440
Speaker 1: waiting to school, Eddie. You guys can go over to

909
00:43:51,480 --> 00:43:55,160
Speaker 1: our Facebook page comment on this. Yeah, Amy, I like

910
00:43:55,239 --> 00:43:57,319
Speaker 1: your style. Thanks Eddie. We got some work to time.

911
00:44:00,080 --> 00:44:03,560
Speaker 1: It's the best bits of the week with Morgan number

912
00:44:03,600 --> 00:44:09,120
Speaker 1: two coming in at number three. We had doctor Francis S.

913
00:44:09,239 --> 00:44:13,319
Speaker 1: Collins and he is the director of the National Institutes

914
00:44:13,360 --> 00:44:16,640
Speaker 1: of Health, and he talked all about the COVID vaccines

915
00:44:17,040 --> 00:44:19,680
Speaker 1: debunking miss what you should do after you get it,

916
00:44:20,000 --> 00:44:22,480
Speaker 1: and honestly, like as someone who's really young and just

917
00:44:22,880 --> 00:44:26,479
Speaker 1: doesn't have a lot of life experience and conversations about

918
00:44:26,600 --> 00:44:28,719
Speaker 1: doctors and medical things in my life. This was a

919
00:44:28,840 --> 00:44:32,760
Speaker 1: really cool interview that Bobby did with him. So listen

920
00:44:32,880 --> 00:44:36,920
Speaker 1: to it. Get informed all the things that's happening right now.

921
00:44:37,360 --> 00:44:42,280
Speaker 1: Number three on the Bobby Bones Show, Now, doctor Francis Collins.

922
00:44:42,880 --> 00:44:45,160
Speaker 1: Doctor Collins, it is such a pleasure to have you on.

923
00:44:45,280 --> 00:44:48,239
Speaker 1: How are you today? I am just fine. It is

924
00:44:48,400 --> 00:44:50,759
Speaker 1: great to be on your show with you, Bobby. I'm

925
00:44:50,760 --> 00:44:53,120
Speaker 1: a big fan, so terrific to have a chance to

926
00:44:53,239 --> 00:44:55,480
Speaker 1: talk about whatever we're going to talk about. You are

927
00:44:55,560 --> 00:44:57,560
Speaker 1: the director of the National Institutes of Health. What does

928
00:44:57,600 --> 00:45:01,960
Speaker 1: that mean? That means I'm the guy who oversees our

929
00:45:02,120 --> 00:45:06,359
Speaker 1: nation's investments in biomedical research. The National Institutes of Health

930
00:45:06,640 --> 00:45:09,680
Speaker 1: is the way in which discoveries get made and clinical

931
00:45:09,719 --> 00:45:13,759
Speaker 1: advances occur, and it's my job to oversee all of

932
00:45:13,880 --> 00:45:17,120
Speaker 1: this in a forty two billion dollars a year medical

933
00:45:17,239 --> 00:45:19,799
Speaker 1: research investment, which for the past year has been all

934
00:45:19,800 --> 00:45:22,120
Speaker 1: about COVID nineteen as you might guess, and we have

935
00:45:22,200 --> 00:45:25,200
Speaker 1: made some real progress with vaccines and other things. Well,

936
00:45:25,320 --> 00:45:26,719
Speaker 1: this is why I'm glad to have you on, because

937
00:45:26,960 --> 00:45:30,000
Speaker 1: this is the guy to ask about vaccines. I've had

938
00:45:30,080 --> 00:45:33,839
Speaker 1: one shot, Eddie's got a shot, Lunchbox has got a shot.

939
00:45:33,920 --> 00:45:36,799
Speaker 1: Now we're the inside the two shot system here because

940
00:45:36,800 --> 00:45:39,480
Speaker 1: we didn't get Johnson and Johnson. So can you explain

941
00:45:39,560 --> 00:45:42,560
Speaker 1: to me what the difference is in these three vaccines

942
00:45:42,600 --> 00:45:46,640
Speaker 1: and if we should look for any of them specifically. Well,

943
00:45:47,000 --> 00:45:50,239
Speaker 1: let me first say they are all wonderfully effective and

944
00:45:50,400 --> 00:45:53,560
Speaker 1: safe vaccines. So the bottom line is you should take

945
00:45:53,640 --> 00:45:56,160
Speaker 1: what everyone gets offered to you as soon as it

946
00:45:56,280 --> 00:45:58,279
Speaker 1: gets offered, because this is how we're going to get

947
00:45:58,360 --> 00:46:02,120
Speaker 1: past it's terrible COVID nineteen pandemic. Yeah, the Fiser and

948
00:46:02,239 --> 00:46:05,640
Speaker 1: Moderna vaccine, those are two shots. They're based on something

949
00:46:05,719 --> 00:46:09,480
Speaker 1: called Messenger RNA. The Johnson and Johnson is one shot,

950
00:46:09,600 --> 00:46:12,520
Speaker 1: and it's based on an ad novirus approach. But they've

951
00:46:12,600 --> 00:46:15,840
Speaker 1: all been tested in trials of at least thirty thousand

952
00:46:15,960 --> 00:46:19,960
Speaker 1: people each and been shown to have safety records that

953
00:46:20,080 --> 00:46:23,279
Speaker 1: are really quite impressive, with no hint of any real

954
00:46:23,360 --> 00:46:26,680
Speaker 1: troubles there, and a highly effective way of protecting you

955
00:46:26,840 --> 00:46:29,560
Speaker 1: against getting sick or dying of COVID nineteen and that's

956
00:46:29,600 --> 00:46:31,879
Speaker 1: what we are all waiting for, and now it is here.

957
00:46:31,960 --> 00:46:35,120
Speaker 1: So I know people maybe a little resistant about Wait

958
00:46:35,160 --> 00:46:37,960
Speaker 1: a minute, did they rush this? Did they go too fast?

959
00:46:38,280 --> 00:46:41,000
Speaker 1: I'm the guy who's been overseeing all of this at

960
00:46:41,040 --> 00:46:44,200
Speaker 1: the NIH. Let me assure you I've never seen anything

961
00:46:44,320 --> 00:46:46,320
Speaker 1: done better than this in terms of the way in

962
00:46:46,400 --> 00:46:49,440
Speaker 1: which the trials were conducted and the strength therefore the

963
00:46:49,520 --> 00:46:52,880
Speaker 1: conclusions about these being safe and effective. So roll up

964
00:46:52,920 --> 00:46:56,040
Speaker 1: your sleeves, America. It's time to get past this pandemic.

965
00:46:56,320 --> 00:46:57,880
Speaker 1: Doctor Collins is such a big deal. Guys. This is

966
00:46:57,920 --> 00:46:59,520
Speaker 1: a bigger get than Matthew McConaughey. You know we had

967
00:46:59,520 --> 00:47:01,320
Speaker 1: matthe mc on hand last week. This is a bigger,

968
00:47:01,360 --> 00:47:03,360
Speaker 1: better interview in my mind, I know we were all

969
00:47:03,480 --> 00:47:05,800
Speaker 1: we got Mattie mcgonaugh. Hey, this is a better interview.

970
00:47:05,800 --> 00:47:07,600
Speaker 1: I have so many questions. Okay, here's the next one

971
00:47:07,640 --> 00:47:10,960
Speaker 1: for you, doctor Collins. So in the next year two

972
00:47:11,080 --> 00:47:13,839
Speaker 1: years or so, we're going to try to have a kid,

973
00:47:13,920 --> 00:47:16,880
Speaker 1: probably right, And so my fiance, who has one shot,

974
00:47:17,280 --> 00:47:18,759
Speaker 1: has been like, I'm going to get the shot. But

975
00:47:19,120 --> 00:47:20,839
Speaker 1: what does this mean if you're trying to have kids.

976
00:47:20,960 --> 00:47:24,400
Speaker 1: Is this going to affect anything? It is not going

977
00:47:24,480 --> 00:47:26,359
Speaker 1: to have any effects. So let me do a little

978
00:47:26,440 --> 00:47:28,759
Speaker 1: mythbusting here, because there's a lot of myths that are

979
00:47:28,800 --> 00:47:32,600
Speaker 1: out there being spread around on social media. This vaccine

980
00:47:32,719 --> 00:47:36,480
Speaker 1: does not cause infertility, first of all, by the way.

981
00:47:36,880 --> 00:47:40,160
Speaker 1: Second of all, it also won't give you COVID nineteen.

982
00:47:40,239 --> 00:47:42,880
Speaker 1: The vaccine doesn't actually have the virus in it, just

983
00:47:43,080 --> 00:47:46,560
Speaker 1: a particular protein that your immune system can recognize. Just

984
00:47:46,680 --> 00:47:49,520
Speaker 1: what it's all about other myths. No, it does not

985
00:47:49,640 --> 00:47:51,880
Speaker 1: have chips in it that Bill Gates or Tony Fauci

986
00:47:52,040 --> 00:47:56,320
Speaker 1: designed they would put through the needle. So yeah, everybody,

987
00:47:56,400 --> 00:47:58,920
Speaker 1: please look at the CDC. If you're looking for information

988
00:47:59,000 --> 00:48:01,359
Speaker 1: about all of this, it's all up there. CDC dot

989
00:48:01,480 --> 00:48:03,479
Speaker 1: com is the best place to go if you really

990
00:48:03,560 --> 00:48:06,160
Speaker 1: want the facts about what we know about the vaccines,

991
00:48:06,200 --> 00:48:09,120
Speaker 1: their safety, their efficacy. That's the place to look. What

992
00:48:09,280 --> 00:48:12,360
Speaker 1: about people, because I get hit a lot with there's

993
00:48:12,400 --> 00:48:14,839
Speaker 1: been enough time they rushed this vaccine. I don't want

994
00:48:14,840 --> 00:48:16,279
Speaker 1: to get it if it's done so quickly. What do

995
00:48:16,360 --> 00:48:18,480
Speaker 1: you say to that? What do I say to that? Well?

996
00:48:18,520 --> 00:48:21,120
Speaker 1: I know people are concerned because they heard about this

997
00:48:21,239 --> 00:48:24,120
Speaker 1: thing called Operation Warp Speed, which maybe it wasn't the

998
00:48:24,200 --> 00:48:26,919
Speaker 1: best choice of a name for the project, But would

999
00:48:26,960 --> 00:48:29,600
Speaker 1: you rather have Operations Slow vote? I don't think so.

1000
00:48:29,840 --> 00:48:32,080
Speaker 1: People were dying. We wanted to go as fast as

1001
00:48:32,120 --> 00:48:35,000
Speaker 1: we could to develop these vaccines to save lives. But

1002
00:48:35,120 --> 00:48:36,680
Speaker 1: let me tell you, because I'm right in the middle

1003
00:48:36,719 --> 00:48:39,000
Speaker 1: of this and have been now for the last fifteen months.

1004
00:48:39,400 --> 00:48:41,960
Speaker 1: What we did was basically figure out where are the

1005
00:48:42,120 --> 00:48:45,680
Speaker 1: downtimes where nothing happens in between the various phases of

1006
00:48:45,800 --> 00:48:49,320
Speaker 1: vaccine development, and those sometimes take months, And we figured

1007
00:48:49,360 --> 00:48:50,759
Speaker 1: out a way that we could get rid of the

1008
00:48:50,880 --> 00:48:54,640
Speaker 1: downtimes but not compromise at all on the rest of

1009
00:48:54,760 --> 00:48:57,399
Speaker 1: the rigorous testing to be sure the vaccine was safe

1010
00:48:57,440 --> 00:48:59,799
Speaker 1: and effective. In fact, I think people who look at

1011
00:48:59,840 --> 00:49:02,440
Speaker 1: this would say these are probably vaccines that we know

1012
00:49:02,680 --> 00:49:06,000
Speaker 1: more about than almost any others that have ever been tested.

1013
00:49:06,320 --> 00:49:09,680
Speaker 1: Plus more, the technology that was used, people think maybe

1014
00:49:09,719 --> 00:49:13,320
Speaker 1: it just got invented overnight when COVID nineteen burst on

1015
00:49:13,440 --> 00:49:16,080
Speaker 1: the scene back in January twenty twenty. This is all

1016
00:49:16,200 --> 00:49:19,800
Speaker 1: based upon technologies that have been developed over decades that

1017
00:49:19,880 --> 00:49:22,640
Speaker 1: were ready for this moment and got brought forward and

1018
00:49:22,760 --> 00:49:26,920
Speaker 1: they weren't. So basically you took all the time where

1019
00:49:26,960 --> 00:49:29,640
Speaker 1: they were just chilling out doing nothing, waiting for things,

1020
00:49:30,000 --> 00:49:32,319
Speaker 1: but you did everything they would normally do anyway during

1021
00:49:32,360 --> 00:49:34,360
Speaker 1: a vaccine. I'm just trying to understand this that it

1022
00:49:34,520 --> 00:49:37,239
Speaker 1: wasn't rushed with. You just crammed things into a space

1023
00:49:37,239 --> 00:49:39,600
Speaker 1: where it shouldn't have been crammed. You just were extremely

1024
00:49:39,680 --> 00:49:44,279
Speaker 1: efficient at finding the vaccine. That's exactly right. So first

1025
00:49:44,320 --> 00:49:47,040
Speaker 1: of all, one of the new technologies made it possible

1026
00:49:47,120 --> 00:49:50,400
Speaker 1: as soon as the Chinese released the actual letters of

1027
00:49:50,520 --> 00:49:53,960
Speaker 1: the viral genome, the code that that virus uses to

1028
00:49:54,040 --> 00:49:57,520
Speaker 1: replicate itself, to start making the vaccine right then sixty

1029
00:49:57,600 --> 00:50:00,239
Speaker 1: three days later, which is a world record, need to

1030
00:50:00,320 --> 00:50:03,520
Speaker 1: start the very first phase one trials. But then usually

1031
00:50:03,600 --> 00:50:05,680
Speaker 1: there's a big gap between phase one and phase two,

1032
00:50:05,920 --> 00:50:08,000
Speaker 1: not this time, and then there's a big gap between

1033
00:50:08,040 --> 00:50:10,560
Speaker 1: phase two and phase three. Not this time. Those were

1034
00:50:10,680 --> 00:50:13,920
Speaker 1: like days instead of months or years. And then the

1035
00:50:14,000 --> 00:50:16,320
Speaker 1: other thing we did, which is really important, Bobby, is

1036
00:50:16,360 --> 00:50:19,160
Speaker 1: we figured that some of these vaccines might actually work,

1037
00:50:19,680 --> 00:50:23,960
Speaker 1: So let's actually start manufacturing doses even before we know

1038
00:50:24,120 --> 00:50:25,680
Speaker 1: if they're going to work. We'll have to throw them

1039
00:50:25,719 --> 00:50:28,279
Speaker 1: out if the vaccine is no good, but if it's good,

1040
00:50:28,480 --> 00:50:31,200
Speaker 1: we'll have them ready to go. When once the vaccine

1041
00:50:31,239 --> 00:50:33,640
Speaker 1: gets approved by the FDA, people can roll up their

1042
00:50:33,680 --> 00:50:35,960
Speaker 1: sleeves and get started. And that's how we got started

1043
00:50:36,040 --> 00:50:38,960
Speaker 1: in December, as opposed to what otherwise would have been

1044
00:50:39,040 --> 00:50:41,120
Speaker 1: months of waiting for a factory to be built and

1045
00:50:41,200 --> 00:50:43,640
Speaker 1: maybe we would have the vaccines by the fall of

1046
00:50:43,680 --> 00:50:45,960
Speaker 1: twenty twenty one. We didn't want to have that risk

1047
00:50:46,120 --> 00:50:49,000
Speaker 1: of waiting, so all of this was very carefully planned

1048
00:50:49,360 --> 00:50:52,320
Speaker 1: and it has made it possible in eleven months to

1049
00:50:52,400 --> 00:50:54,920
Speaker 1: do what usually takes five or ten years. I like

1050
00:50:55,080 --> 00:50:57,440
Speaker 1: that answer, honestly, because I had no idea. I mean,

1051
00:50:57,480 --> 00:50:58,839
Speaker 1: to me, it was just a block of time where

1052
00:50:58,840 --> 00:51:00,600
Speaker 1: it came together quick, and I'm on, hey, I'm still

1053
00:51:00,640 --> 00:51:02,840
Speaker 1: trusting people that know more about something than I do.

1054
00:51:03,200 --> 00:51:05,440
Speaker 1: But to actually hear it laid out like that, I'm like, well,

1055
00:51:05,480 --> 00:51:07,960
Speaker 1: that makes sense. And also technology is getting better too, obviously,

1056
00:51:08,040 --> 00:51:10,560
Speaker 1: so everything should be moving at a bit more rapid rate. Okay,

1057
00:51:10,600 --> 00:51:12,640
Speaker 1: I'm pretty confident with that, and like I wouldn't be.

1058
00:51:12,920 --> 00:51:15,239
Speaker 1: We have the director of the National Institute of Health,

1059
00:51:15,360 --> 00:51:17,200
Speaker 1: doctor Collins on with US right now. What if I

1060
00:51:17,320 --> 00:51:19,000
Speaker 1: start questioning him and I'm like, no, I don't know,

1061
00:51:19,160 --> 00:51:24,399
Speaker 1: doctor Collins. Okay, my fiance and a couple of other

1062
00:51:24,520 --> 00:51:26,840
Speaker 1: friends they have a little red circle on their shoulder

1063
00:51:27,200 --> 00:51:29,719
Speaker 1: from that shot, like a little rash circle. What do

1064
00:51:29,760 --> 00:51:31,120
Speaker 1: you know what that is? Or is that just we're

1065
00:51:31,200 --> 00:51:36,200
Speaker 1: just eating the wrong food. Well, it's certainly the case that,

1066
00:51:36,400 --> 00:51:39,800
Speaker 1: as with any injection, like a flu shot or a

1067
00:51:39,920 --> 00:51:42,200
Speaker 1: tet and a shot, you can get a local reaction

1068
00:51:42,440 --> 00:51:44,719
Speaker 1: after the needle where it gets a little sword. It

1069
00:51:44,800 --> 00:51:47,200
Speaker 1: may turn a little red. You may even feel for

1070
00:51:47,280 --> 00:51:50,279
Speaker 1: the next twenty four hours or so a headache, maybe

1071
00:51:50,320 --> 00:51:52,279
Speaker 1: even a little chilly, a little feverish. When I hit

1072
00:51:52,360 --> 00:51:54,839
Speaker 1: my second dose of Maderna, that's the one I got,

1073
00:51:55,320 --> 00:51:59,080
Speaker 1: I felt pretty puny for twenty four hours just because

1074
00:51:59,160 --> 00:52:01,160
Speaker 1: of the effect. But you know what, that's not a

1075
00:52:01,280 --> 00:52:05,080
Speaker 1: side effect. That's an effect that tells you this is work.

1076
00:52:05,120 --> 00:52:08,160
Speaker 1: It My immune system has recognized that it has a

1077
00:52:08,280 --> 00:52:10,520
Speaker 1: challenge on its hand. This vaccine is saying, come on,

1078
00:52:10,640 --> 00:52:13,600
Speaker 1: get busy. And it did, and I can tell it did.

1079
00:52:13,840 --> 00:52:16,480
Speaker 1: And now I feel quite well protected because I know

1080
00:52:16,760 --> 00:52:20,080
Speaker 1: my immune system has in its file cabinet the anybody

1081
00:52:20,160 --> 00:52:22,239
Speaker 1: is that it's going to need if I encounter that

1082
00:52:22,480 --> 00:52:24,759
Speaker 1: virus in the future, and that gives me a great

1083
00:52:24,840 --> 00:52:27,480
Speaker 1: sense of confidence that maybe I can actually see my

1084
00:52:27,560 --> 00:52:30,439
Speaker 1: grandchildren in a few more weeks, which would be really

1085
00:52:30,560 --> 00:52:32,319
Speaker 1: nice to be able to do. Yeah, I had some friends.

1086
00:52:32,320 --> 00:52:33,960
Speaker 1: I didn't get sick at all. I felt nothing after

1087
00:52:34,040 --> 00:52:37,160
Speaker 1: my first shot. Add the Visor, and add some friends

1088
00:52:37,200 --> 00:52:40,719
Speaker 1: who after the second one for twenty four thirty six hours,

1089
00:52:40,840 --> 00:52:43,319
Speaker 1: got really sick. Is there a reason that some people

1090
00:52:43,360 --> 00:52:45,319
Speaker 1: are getting sick and some aren't, And should I root

1091
00:52:45,520 --> 00:52:46,880
Speaker 1: to get a little bit sick? Like? Is that a

1092
00:52:46,920 --> 00:52:50,480
Speaker 1: good sign? You know? My wife just got her second

1093
00:52:50,560 --> 00:52:53,160
Speaker 1: dose and she got Visor and she didn't have a

1094
00:52:53,280 --> 00:52:56,200
Speaker 1: bit of a problem. She was just fine. And I

1095
00:52:56,440 --> 00:52:58,480
Speaker 1: was like, boy, you're lucky, and she was like, well,

1096
00:52:58,960 --> 00:53:01,680
Speaker 1: did it really work? Am I Okay? There's a lot

1097
00:53:01,760 --> 00:53:05,160
Speaker 1: of variability, Bobby. It doesn't correlate with whether you've got

1098
00:53:05,200 --> 00:53:08,400
Speaker 1: a good antibody response or not. It's something to do

1099
00:53:08,560 --> 00:53:10,800
Speaker 1: with just the way your immune system is wired and

1100
00:53:11,200 --> 00:53:13,680
Speaker 1: whether it's like ready to really pull out all the

1101
00:53:13,760 --> 00:53:16,400
Speaker 1: stops when it encounters a challenge, or whether it's going

1102
00:53:16,480 --> 00:53:18,760
Speaker 1: to be a little more casual about taking care of business.

1103
00:53:19,160 --> 00:53:22,440
Speaker 1: It really though everybody who's heard about these side effects,

1104
00:53:22,520 --> 00:53:25,120
Speaker 1: they last maybe twenty four hours. Would you rather be

1105
00:53:25,360 --> 00:53:28,279
Speaker 1: kind of sick and chilly for twenty four hours, or

1106
00:53:28,320 --> 00:53:30,360
Speaker 1: would you rather get COVID nineteen and end up in

1107
00:53:30,400 --> 00:53:32,560
Speaker 1: the hospital or the ICU or lose your life? I mean,

1108
00:53:32,640 --> 00:53:35,480
Speaker 1: that's the balance we're trying to help people to understand.

1109
00:53:35,560 --> 00:53:37,120
Speaker 1: And I know there's still people a little on the

1110
00:53:37,200 --> 00:53:39,640
Speaker 1: fence here. I hope those who are listening right now

1111
00:53:39,960 --> 00:53:42,200
Speaker 1: really give it a serious thought about whether this is

1112
00:53:42,239 --> 00:53:44,359
Speaker 1: the time to roll up your sleeve too and join

1113
00:53:44,440 --> 00:53:48,040
Speaker 1: this effort to get this terrible pandemic behind us. Can

1114
00:53:48,080 --> 00:53:51,360
Speaker 1: I stop wearing a mask once I'm fully vaccinated? You know,

1115
00:53:51,520 --> 00:53:55,319
Speaker 1: we don't think it's time yet to stop wearing the mask,

1116
00:53:55,480 --> 00:53:58,239
Speaker 1: because it is still possible, although we don't have enough

1117
00:53:58,360 --> 00:54:01,640
Speaker 1: data to be absolutely sure that you could be vaccinated

1118
00:54:01,719 --> 00:54:05,000
Speaker 1: and you could still carry the virus somewhere in your

1119
00:54:05,040 --> 00:54:08,640
Speaker 1: nose or your respiratory track having no symptoms, which means

1120
00:54:08,719 --> 00:54:11,600
Speaker 1: you might then be infecting other people. So until we

1121
00:54:11,719 --> 00:54:14,000
Speaker 1: have more rigorous data about that, it's just going to

1122
00:54:14,080 --> 00:54:17,200
Speaker 1: take a few more weeks. Still recommending that people wear

1123
00:54:17,280 --> 00:54:19,960
Speaker 1: the mask when they're outside around other people, and certainly

1124
00:54:20,120 --> 00:54:23,120
Speaker 1: if you're inside, wear the mask. Even though it's a

1125
00:54:23,200 --> 00:54:25,640
Speaker 1: low risk. It's a kind of thing. It's love your

1126
00:54:25,680 --> 00:54:28,960
Speaker 1: neighbor thing. It's not about protecting yourself in that situation.

1127
00:54:29,080 --> 00:54:32,560
Speaker 1: It's about whether you might unwittingly be a super spreader

1128
00:54:32,719 --> 00:54:34,600
Speaker 1: and putting people around you at risk. And who would

1129
00:54:34,640 --> 00:54:36,920
Speaker 1: want to do that? So wear the mask. Wait a

1130
00:54:36,920 --> 00:54:39,320
Speaker 1: little while longer. We're going to get through this. Eventually

1131
00:54:39,520 --> 00:54:41,759
Speaker 1: will be in a situation we can take those off. Now.

1132
00:54:42,120 --> 00:54:45,680
Speaker 1: If you're in a small gathering, maybe a invite another

1133
00:54:45,719 --> 00:54:48,680
Speaker 1: couple to dinner at your house, and they're immunized and

1134
00:54:48,880 --> 00:54:51,840
Speaker 1: you're immunized, then everybody can take their masks off and

1135
00:54:52,000 --> 00:54:54,360
Speaker 1: have a nice time together. But if you're in mixed

1136
00:54:54,400 --> 00:54:57,440
Speaker 1: company where some people are not immunized, you still ought

1137
00:54:57,480 --> 00:54:59,600
Speaker 1: to wear the mask to protect those people who are

1138
00:54:59,640 --> 00:55:02,680
Speaker 1: still risk. Doctor Francis Collins, the director of the National

1139
00:55:02,719 --> 00:55:04,880
Speaker 1: Institute of Health, is on with us. I want to

1140
00:55:04,880 --> 00:55:07,560
Speaker 1: ask a question that isn't extremely about COVID, but I

1141
00:55:07,680 --> 00:55:10,839
Speaker 1: know that you're at about Christian You write books which

1142
00:55:10,960 --> 00:55:13,239
Speaker 1: is extremely interesting and what you write out about the

1143
00:55:13,280 --> 00:55:17,399
Speaker 1: intersection of science and faith and so the language of God?

1144
00:55:18,120 --> 00:55:19,919
Speaker 1: What is Tell me what this book is about, because

1145
00:55:19,920 --> 00:55:23,040
Speaker 1: it sounds like something i'd be interested in. Well, thanks

1146
00:55:23,080 --> 00:55:28,360
Speaker 1: for asking. I grew up as a agnostic and ultimately

1147
00:55:28,400 --> 00:55:30,719
Speaker 1: an atheist, and then I went to medical school and

1148
00:55:30,840 --> 00:55:33,160
Speaker 1: had to wrestle with questions about life and death and

1149
00:55:33,280 --> 00:55:36,800
Speaker 1: realized I had really thought this through. And to my surprise,

1150
00:55:37,040 --> 00:55:40,080
Speaker 1: as a scientist and somebody who was interested in genetics

1151
00:55:40,200 --> 00:55:44,000
Speaker 1: for Heaven's sakes, I realized that the atheist perspective was

1152
00:55:44,080 --> 00:55:47,960
Speaker 1: the least rational, that was sort of denying the possibility

1153
00:55:48,040 --> 00:55:51,120
Speaker 1: of God when you don't have complete data. And ultimately,

1154
00:55:51,200 --> 00:55:54,600
Speaker 1: over a couple of years, guided by beginning to understand

1155
00:55:54,680 --> 00:55:57,840
Speaker 1: the Bible and reading a lot of other commentators like C. S. Lewis,

1156
00:55:58,000 --> 00:56:01,080
Speaker 1: to my surprise, I became a Christian. Now people said,

1157
00:56:01,120 --> 00:56:03,480
Speaker 1: your head's going to explode. You can't be a scientist

1158
00:56:03,560 --> 00:56:05,799
Speaker 1: and a Christian, can you? And you know what, over

1159
00:56:05,960 --> 00:56:08,279
Speaker 1: forty years, I've never had a problem with this at all.

1160
00:56:08,440 --> 00:56:11,160
Speaker 1: I think science is a wonderful way to understand how

1161
00:56:11,280 --> 00:56:14,279
Speaker 1: nature works, kind of a glimpse of God's mind. But

1162
00:56:14,400 --> 00:56:16,960
Speaker 1: science doesn't answer a lot of questions that I'm interested

1163
00:56:17,000 --> 00:56:19,040
Speaker 1: in like, why am I here anyway? And is there

1164
00:56:19,080 --> 00:56:21,000
Speaker 1: a God and does he care about me? And to

1165
00:56:21,120 --> 00:56:24,480
Speaker 1: be able to bring those things together in a harmonious way,

1166
00:56:24,600 --> 00:56:27,759
Speaker 1: which has happened down through human history except for maybe

1167
00:56:27,760 --> 00:56:30,520
Speaker 1: the last hundred years, seems to me like something we

1168
00:56:30,560 --> 00:56:33,200
Speaker 1: should try to recapture. And so I wrote this book

1169
00:56:33,320 --> 00:56:37,200
Speaker 1: about how from me, science is a way of worshiping

1170
00:56:37,360 --> 00:56:41,000
Speaker 1: because you're understanding the Creator. And when I study DNA,

1171
00:56:41,160 --> 00:56:42,640
Speaker 1: which is what I did as the leader of the

1172
00:56:42,719 --> 00:56:45,560
Speaker 1: Human Genome Project, I'm studying a language and for me,

1173
00:56:46,040 --> 00:56:48,920
Speaker 1: God's the creator. That's God's language. So yeah, that's what

1174
00:56:49,040 --> 00:56:51,960
Speaker 1: the book's about. In a lot of people were surprised

1175
00:56:52,280 --> 00:56:54,440
Speaker 1: that that perspective could be put forward, But there's a

1176
00:56:54,480 --> 00:56:59,040
Speaker 1: whole foundation now called Biologos Biologos that has become a

1177
00:56:59,160 --> 00:57:01,840
Speaker 1: meeting place for people who have that same view, and

1178
00:57:01,960 --> 00:57:03,880
Speaker 1: so people are interested. Go and have a look at that.

1179
00:57:04,040 --> 00:57:08,200
Speaker 1: You'll see a lot of really interesting and respectful conversations

1180
00:57:08,280 --> 00:57:11,000
Speaker 1: going on in the language of God. That's that's really interesting. Well,

1181
00:57:11,040 --> 00:57:16,280
Speaker 1: then my final question is why am I here? Well,

1182
00:57:16,360 --> 00:57:18,360
Speaker 1: that's between you and God, So you better get on

1183
00:57:18,400 --> 00:57:20,160
Speaker 1: your knees and see if you can get an answer.

1184
00:57:20,240 --> 00:57:22,920
Speaker 1: I'm still looking for the complete answer myself, but once

1185
00:57:22,960 --> 00:57:25,080
Speaker 1: in a while I get a glimpse here and there. Well,

1186
00:57:25,160 --> 00:57:28,560
Speaker 1: doctor Collins, we appreciate your time, and I think that listen,

1187
00:57:28,680 --> 00:57:32,600
Speaker 1: I'm in. I trust science. I got hit with the vaccine.

1188
00:57:32,640 --> 00:57:35,080
Speaker 1: I'm getting my other one first week of April. There

1189
00:57:35,120 --> 00:57:37,920
Speaker 1: are a lot of people in it or around my

1190
00:57:38,000 --> 00:57:40,240
Speaker 1: circle that aren't fully in, and I think for them

1191
00:57:40,320 --> 00:57:43,080
Speaker 1: to hear this, this will provide a bit of confidence

1192
00:57:43,120 --> 00:57:45,080
Speaker 1: in the vaccine. Mostly the question of how did this

1193
00:57:45,120 --> 00:57:47,400
Speaker 1: come together so fast? Had no idea. I feel like

1194
00:57:47,440 --> 00:57:48,920
Speaker 1: I'm pretty dialed in and I had no idea that

1195
00:57:49,040 --> 00:57:51,720
Speaker 1: was really what happened. Thank you for your time. Thank

1196
00:57:51,800 --> 00:57:53,160
Speaker 1: you for all the hard work you have put in.

1197
00:57:53,240 --> 00:57:55,880
Speaker 1: It has been a busy twenty twenty for you, for sure.

1198
00:57:56,280 --> 00:57:58,080
Speaker 1: And thank you for you know, coming on the show

1199
00:57:58,120 --> 00:58:00,200
Speaker 1: and explaining you know, they say explained like I'm five.

1200
00:58:00,200 --> 00:58:01,680
Speaker 1: I feel like we're all five years old and you're

1201
00:58:01,720 --> 00:58:03,400
Speaker 1: the teacher. So thank you for doing that with us.

1202
00:58:04,480 --> 00:58:07,920
Speaker 1: Thank you for the chance, and again, everybody, please look

1203
00:58:07,960 --> 00:58:09,840
Speaker 1: at the evidence and roll up your sleeve when you

1204
00:58:10,200 --> 00:58:12,240
Speaker 1: have the information in front of you. I think that's

1205
00:58:12,280 --> 00:58:14,040
Speaker 1: what you'll want to do. We are going to get

1206
00:58:14,080 --> 00:58:17,440
Speaker 1: through this. Doctor Francis Collins, the director of the National

1207
00:58:17,480 --> 00:58:19,880
Speaker 1: Institutes of Health. Thank you, doctor Collins. Have a great day.

1208
00:58:20,480 --> 00:58:25,000
Speaker 1: Thank you too. All Right bye, everybody. It's the Best

1209
00:58:25,160 --> 00:58:30,120
Speaker 1: Bits of the Week with Morgan. Number two, another really

1210
00:58:30,160 --> 00:58:34,480
Speaker 1: funny segment this week, Lunchbox decided to write letters to

1211
00:58:34,600 --> 00:58:38,680
Speaker 1: celebrities as a seven year old kid, not just like

1212
00:58:38,840 --> 00:58:41,200
Speaker 1: one seven year old get or one celebrity. He wrote

1213
00:58:41,240 --> 00:58:45,160
Speaker 1: to Carrie Underwood, Oprah the Rock I mean, and these

1214
00:58:45,360 --> 00:58:47,760
Speaker 1: letters are hilarious. So another segment you can laugh at.

1215
00:58:48,040 --> 00:58:49,640
Speaker 1: But right before that, I'm going to talk to Eddie

1216
00:58:49,680 --> 00:58:52,040
Speaker 1: a little bit because Eddie had briefly talked about someone

1217
00:58:52,080 --> 00:58:53,800
Speaker 1: that he's in a letter, but he told me he

1218
00:58:53,880 --> 00:58:57,480
Speaker 1: has another story. Well it's funny because it was such

1219
00:58:57,520 --> 00:58:59,400
Speaker 1: a big thing when we were kids to write the

1220
00:58:59,520 --> 00:59:03,840
Speaker 1: celebrity these letters. And I remember my friend Mike Morrison.

1221
00:59:04,000 --> 00:59:06,280
Speaker 1: He was like, man, you'll never believe what happened. I

1222
00:59:06,360 --> 00:59:08,640
Speaker 1: wrote Nolan Ryan, who was a pitcher for the Rangers

1223
00:59:08,680 --> 00:59:10,960
Speaker 1: at the time, and he's like, I wrote Nolan Ryan said,

1224
00:59:10,960 --> 00:59:13,080
Speaker 1: I was a big fan and I got this autograph

1225
00:59:13,120 --> 00:59:16,360
Speaker 1: baseball guard from him and I'm like what they actually responded,

1226
00:59:16,520 --> 00:59:20,920
Speaker 1: So then that sparked my memory of just being like, well, okay,

1227
00:59:21,000 --> 00:59:22,200
Speaker 1: well what do I do? What I do like a

1228
00:59:22,320 --> 00:59:24,880
Speaker 1: pick a pick a baseball player Ricky Henderson, he's kind

1229
00:59:24,880 --> 00:59:26,680
Speaker 1: of cool, like he steals a lot of basses. So

1230
00:59:26,800 --> 00:59:31,000
Speaker 1: I wrote Ricky Henderson, never got anything back and didn't

1231
00:59:31,160 --> 00:59:33,520
Speaker 1: so yeah, so I never got anything back with that.

1232
00:59:33,600 --> 00:59:35,120
Speaker 1: So I was kind of lost hope with all that.

1233
00:59:35,440 --> 00:59:39,240
Speaker 1: But on the show, I talked about writing this movie director.

1234
00:59:39,880 --> 00:59:43,840
Speaker 1: This was in college years years years. You weren't even

1235
00:59:43,960 --> 00:59:46,480
Speaker 1: like a child, you were like a grown adult. This

1236
00:59:46,680 --> 00:59:49,720
Speaker 1: was years later, and I remember going thinking back like, okay,

1237
00:59:49,800 --> 00:59:53,160
Speaker 1: well the only person I've ever written was Ricky Henderson

1238
00:59:53,240 --> 00:59:55,600
Speaker 1: and he never wrote back, and so I'm like, whatever,

1239
00:59:55,760 --> 00:59:57,400
Speaker 1: let's just give this a shot. But it's so funny.

1240
00:59:57,400 --> 00:59:59,040
Speaker 1: And we brought this up. I started thinking like, it's

1241
00:59:59,080 --> 01:00:01,640
Speaker 1: the dumbest ram the thing to write letters to someone,

1242
01:00:01,760 --> 01:00:04,080
Speaker 1: because who's going to read your letter? Why would someone

1243
01:00:04,160 --> 01:00:05,720
Speaker 1: want to read it? Well? And do you ever think

1244
01:00:05,800 --> 01:00:07,880
Speaker 1: like is his people going to read it or is

1245
01:00:07,960 --> 01:00:10,480
Speaker 1: he going to read it? Correct? Right? Like That's always

1246
01:00:10,520 --> 01:00:12,240
Speaker 1: what I go through in my head. But what's crazy

1247
01:00:12,320 --> 01:00:14,600
Speaker 1: now is you don't have to deal with that at

1248
01:00:14,640 --> 01:00:18,200
Speaker 1: all because in this age, like just DM someone and

1249
01:00:18,280 --> 01:00:21,320
Speaker 1: they and they see it. Oh. The whole social media

1250
01:00:21,400 --> 01:00:24,520
Speaker 1: era has been a game changer for celebrities, right, like,

1251
01:00:24,920 --> 01:00:26,560
Speaker 1: not only can they see what all their fans are

1252
01:00:26,600 --> 01:00:28,600
Speaker 1: up to, they can interact with them. They can message them.

1253
01:00:28,640 --> 01:00:30,240
Speaker 1: I mean, they can walk them if they need to. Like,

1254
01:00:30,640 --> 01:00:32,960
Speaker 1: there's just so many ways of being able to interact

1255
01:00:33,000 --> 01:00:36,240
Speaker 1: with your fans when like you guys, as kids, it

1256
01:00:36,400 --> 01:00:39,240
Speaker 1: was writing letters right now, letters and not knowing even

1257
01:00:39,320 --> 01:00:40,600
Speaker 1: like when you sit a text today, you know if

1258
01:00:40,600 --> 01:00:42,960
Speaker 1: someone read it. You had no idea if that even

1259
01:00:43,000 --> 01:00:45,520
Speaker 1: got opened or went straight in the trash, like you

1260
01:00:45,640 --> 01:00:47,480
Speaker 1: just had to think, Like I remember he played for

1261
01:00:47,480 --> 01:00:49,800
Speaker 1: the Oakland A's Ricky Henderson did, and I thought, wow,

1262
01:00:49,920 --> 01:00:52,520
Speaker 1: my letters going to Oakland right now, and like, oh,

1263
01:00:52,720 --> 01:00:55,680
Speaker 1: Ricky Henderson's just getting off the baseball field and going

1264
01:00:55,720 --> 01:00:59,160
Speaker 1: to the mail room and get yes. But who knows,

1265
01:00:59,280 --> 01:01:01,840
Speaker 1: that never probably probably never happened. So he never responded.

1266
01:01:01,880 --> 01:01:04,280
Speaker 1: You never got any responses from any celebrity. No, Rick

1267
01:01:04,320 --> 01:01:06,840
Speaker 1: Anderson and then Cameron Crow never got any response. But

1268
01:01:06,920 --> 01:01:10,080
Speaker 1: in your adult life you have gotten people to respond

1269
01:01:10,120 --> 01:01:12,080
Speaker 1: to you right, Like I especially working for the show,

1270
01:01:12,440 --> 01:01:15,680
Speaker 1: what's been like a few celebrity responses you've gotten that

1271
01:01:15,720 --> 01:01:17,840
Speaker 1: are pretty cool? I think like the weird one to

1272
01:01:17,920 --> 01:01:22,120
Speaker 1: me sometimes is Tim McGraw that he I'll just tweet

1273
01:01:22,200 --> 01:01:25,120
Speaker 1: something and then he'll respond to it with an answer

1274
01:01:25,480 --> 01:01:29,000
Speaker 1: like nothing about him, just random likes like Johnny Lasagna

1275
01:01:29,160 --> 01:01:33,640
Speaker 1: will respond, Steph from Austin will respond, Danny will respond,

1276
01:01:33,720 --> 01:01:36,840
Speaker 1: and then Tim McGraw And I'm like that's crazy, Like

1277
01:01:36,960 --> 01:01:40,400
Speaker 1: what like what does he respond random things like if

1278
01:01:40,480 --> 01:01:42,840
Speaker 1: it's just a picture of like a rainbow whatever, and

1279
01:01:42,920 --> 01:01:47,120
Speaker 1: you'll just like, what's beautiful. I'm like, Okay, that's what

1280
01:01:47,200 --> 01:01:49,720
Speaker 1: I'm talking about. It's like Tim McGraw knows you. That's

1281
01:01:50,640 --> 01:01:52,400
Speaker 1: he does know who I am. I think that's really cool.

1282
01:01:53,080 --> 01:01:56,200
Speaker 1: Did you write letters to anyone when you're a kid one?

1283
01:01:56,960 --> 01:02:02,240
Speaker 1: And that was like because I mean you're not. No,

1284
01:02:02,600 --> 01:02:05,000
Speaker 1: I mean no, they were my time. They were when

1285
01:02:05,040 --> 01:02:07,120
Speaker 1: I was a kid, like really really young. I knew

1286
01:02:07,160 --> 01:02:08,960
Speaker 1: about them, but no, I didn't write them. It would

1287
01:02:08,960 --> 01:02:10,600
Speaker 1: have been Backstreet Boys if I wrote to a boy

1288
01:02:10,640 --> 01:02:13,520
Speaker 1: band or in sync um, but no, the one person

1289
01:02:13,560 --> 01:02:15,600
Speaker 1: I wrote to before social media kind of hit because

1290
01:02:15,640 --> 01:02:17,720
Speaker 1: my Space hit when I was probably ten, right, so

1291
01:02:18,800 --> 01:02:22,520
Speaker 1: things started facing up. Um No, I knew about that.

1292
01:02:22,680 --> 01:02:24,440
Speaker 1: I used it, but like I didn't really know what

1293
01:02:24,520 --> 01:02:28,320
Speaker 1: I was doing. Um. The one person I did write too, though,

1294
01:02:28,480 --> 01:02:32,800
Speaker 1: wash and I twin and she never responded. But that's

1295
01:02:32,840 --> 01:02:35,560
Speaker 1: crazy because you've met her. Yes, like so many full

1296
01:02:35,600 --> 01:02:38,080
Speaker 1: circle moments, I don't even remember, like remember, I think

1297
01:02:38,120 --> 01:02:42,000
Speaker 1: it was honestly a class lesson because we don't write

1298
01:02:42,080 --> 01:02:44,160
Speaker 1: letters anymore. Like when I was growing up, They're like,

1299
01:02:44,240 --> 01:02:45,840
Speaker 1: you need to learn how to write letters. So we

1300
01:02:45,880 --> 01:02:48,880
Speaker 1: would write these letters to celebrities and they would send

1301
01:02:48,960 --> 01:02:50,840
Speaker 1: them off. Most of the time, there was no responses.

1302
01:02:52,000 --> 01:02:55,120
Speaker 1: Class I know, I don't need that. Now, I'm like, hey,

1303
01:02:55,160 --> 01:02:57,200
Speaker 1: I could just in a DM, Like I wonder what

1304
01:02:57,280 --> 01:02:59,960
Speaker 1: they're getting taught in class. They just don't get taught,

1305
01:03:00,480 --> 01:03:07,680
Speaker 1: that's true. Um so yeah, I never got anything back.

1306
01:03:07,760 --> 01:03:10,360
Speaker 1: But totally full circle moment because the two coolest things

1307
01:03:10,400 --> 01:03:12,920
Speaker 1: that have happened, like in life and on social media

1308
01:03:13,520 --> 01:03:17,920
Speaker 1: was meeting Shania Twain and meeting Dolly Parton, both of

1309
01:03:18,000 --> 01:03:21,120
Speaker 1: who have interacted with me on social media. Shan I

1310
01:03:21,240 --> 01:03:24,240
Speaker 1: ever retweeted my like recent TikTok video when I like

1311
01:03:25,120 --> 01:03:28,640
Speaker 1: ranked all her intros and it was so cool. And

1312
01:03:28,800 --> 01:03:31,440
Speaker 1: then Dolly Parton retreeted me when I dressed up as

1313
01:03:31,480 --> 01:03:34,160
Speaker 1: her for Halloween, like two like very honorable things. It

1314
01:03:34,720 --> 01:03:37,000
Speaker 1: wasn't even just like about them, like I had done

1315
01:03:37,080 --> 01:03:40,800
Speaker 1: something that was inspired by them. And then they responded

1316
01:03:40,840 --> 01:03:42,680
Speaker 1: to that, like I didn't mess it up enough that

1317
01:03:42,800 --> 01:03:45,640
Speaker 1: they want to respond follow you. No, I don't think so.

1318
01:03:45,800 --> 01:03:47,600
Speaker 1: They're they're too they're too big for that. That's fine,

1319
01:03:48,000 --> 01:03:50,160
Speaker 1: Like these are just like I when both of these

1320
01:03:50,200 --> 01:03:52,520
Speaker 1: things happened, I should up send it to all my friends,

1321
01:03:52,680 --> 01:03:56,320
Speaker 1: all my like text mess text messages groups like freaking

1322
01:03:56,400 --> 01:03:58,640
Speaker 1: out the two people in my entire life that I've

1323
01:03:58,720 --> 01:04:01,200
Speaker 1: loved since the beginning of time? How did you when

1324
01:04:01,240 --> 01:04:04,080
Speaker 1: you wrote her first letter? How did you find out

1325
01:04:04,120 --> 01:04:05,480
Speaker 1: where you're going to send it to? Did you send

1326
01:04:05,480 --> 01:04:07,480
Speaker 1: you the record label? Or I'm gonna be honest. I

1327
01:04:07,520 --> 01:04:09,120
Speaker 1: think our teachers like tricked us. And like I said that,

1328
01:04:09,200 --> 01:04:10,600
Speaker 1: they sent an office and I don't think it every

1329
01:04:10,640 --> 01:04:13,480
Speaker 1: wont sent off. They still have it, yeah, because they're like, hey,

1330
01:04:13,520 --> 01:04:15,480
Speaker 1: we got all the addresses for things you need. Yeah,

1331
01:04:15,560 --> 01:04:19,040
Speaker 1: Like how did they do that? No, they didn't respected teachers.

1332
01:04:19,080 --> 01:04:20,760
Speaker 1: I see them now. They have a lot of hard workshop.

1333
01:04:21,000 --> 01:04:23,080
Speaker 1: They're not looking up the addresses of famous people to

1334
01:04:23,200 --> 01:04:25,040
Speaker 1: do that. You're probably right, So yeah, I don't. I

1335
01:04:25,040 --> 01:04:26,439
Speaker 1: don't think it ever got sent off, So I don't

1336
01:04:26,440 --> 01:04:28,320
Speaker 1: even think she had a chance. Yeah, I hate that.

1337
01:04:29,040 --> 01:04:31,000
Speaker 1: I hate that same thing with my Ricky Henderson thing

1338
01:04:31,120 --> 01:04:33,440
Speaker 1: like no way it got to him is right, like

1339
01:04:33,560 --> 01:04:36,280
Speaker 1: lost in a mill, like sitting somewhere, you know, like

1340
01:04:36,320 --> 01:04:38,360
Speaker 1: forty years later when it returned, Oh it's got dust

1341
01:04:38,400 --> 01:04:41,360
Speaker 1: all over. It's like it's so yellow now, never been opened.

1342
01:04:43,000 --> 01:04:46,000
Speaker 1: Oh man, okay, well we'll listen to this. Lunchbox he

1343
01:04:46,080 --> 01:04:48,880
Speaker 1: wrote some celebrities. You can hear what he wrote them,

1344
01:04:48,920 --> 01:04:52,200
Speaker 1: what he asked for and his kid voices. It's a

1345
01:04:52,240 --> 01:04:56,040
Speaker 1: little weird. Number two. On last week's show, we talked

1346
01:04:56,040 --> 01:04:58,400
Speaker 1: about writing letters to celebrities. I wrote the whole Kogan,

1347
01:04:58,480 --> 01:05:01,720
Speaker 1: Amy Roch, Patrick Swayze, Eddie wrote to Cameron Crow, the Director.

1348
01:05:01,880 --> 01:05:05,040
Speaker 1: As a kid, Lunchbox wrote to Troy Yagman, anybody else

1349
01:05:05,080 --> 01:05:08,320
Speaker 1: write to celebrities? We all end, okay, so we said,

1350
01:05:08,360 --> 01:05:10,960
Speaker 1: what if we do it as an adult? The Lunchbox

1351
01:05:11,040 --> 01:05:13,600
Speaker 1: took it on himself to already do it. This is

1352
01:05:13,680 --> 01:05:15,919
Speaker 1: going to be a science experiment. What did you do? Well?

1353
01:05:16,120 --> 01:05:18,520
Speaker 1: I decided that I don't know if people even write anymore,

1354
01:05:18,520 --> 01:05:20,760
Speaker 1: if they just email fan clubs or whatever. So I

1355
01:05:20,880 --> 01:05:25,280
Speaker 1: decided to write letters to three superstars as a kid

1356
01:05:25,720 --> 01:05:27,600
Speaker 1: and see if they'll mail me something. What do you

1357
01:05:27,680 --> 01:05:29,960
Speaker 1: mean as a kid? I wrote, like, I'm a seven

1358
01:05:30,080 --> 01:05:31,800
Speaker 1: year old? Oh? Wow? Oh you wrote the letter? Is

1359
01:05:31,840 --> 01:05:35,080
Speaker 1: that your real handwriting? No? I wrote left handed? Okay, wow,

1360
01:05:35,680 --> 01:05:37,760
Speaker 1: I wrote, so I didn't. I'm right handed. So I

1361
01:05:37,840 --> 01:05:41,160
Speaker 1: took the opposite hand and I wrote a letter to

1362
01:05:41,600 --> 01:05:45,439
Speaker 1: carry Underwood the Rock and to Oprah, and I'm gonna

1363
01:05:45,480 --> 01:05:47,439
Speaker 1: mail them and see if they'll mail me anything back.

1364
01:05:47,720 --> 01:05:50,080
Speaker 1: How long is the letter? It's just like one page.

1365
01:05:50,120 --> 01:05:53,120
Speaker 1: But it's just big writing and sloppy. Would you mind

1366
01:05:53,200 --> 01:05:54,760
Speaker 1: reading it too? It would you like to read? Who

1367
01:05:54,760 --> 01:05:56,720
Speaker 1: would you write me to carry? Oh? You did three

1368
01:05:56,760 --> 01:06:00,320
Speaker 1: different ones, carry the Rock and Oprah? Okay, let's do

1369
01:06:00,360 --> 01:06:03,080
Speaker 1: Carrie Underwood first. Okay, Lunchbox has written a letter to

1370
01:06:03,120 --> 01:06:05,000
Speaker 1: carry Underwood? And how do you know where to send it?

1371
01:06:05,080 --> 01:06:06,920
Speaker 1: By the way, I figure I'll just send them to

1372
01:06:06,960 --> 01:06:09,000
Speaker 1: the record lay. I don't know. I was just gonna

1373
01:06:09,040 --> 01:06:11,280
Speaker 1: send it to the record label and hope they get

1374
01:06:11,320 --> 01:06:13,480
Speaker 1: it to her. I don't know where do you send

1375
01:06:13,520 --> 01:06:18,360
Speaker 1: it to the Rock to his studio? Studio has a studio, okay,

1376
01:06:18,640 --> 01:06:22,640
Speaker 1: and then Oprah I Harpo Productions, So you're okay. I'm

1377
01:06:22,680 --> 01:06:25,480
Speaker 1: just I don't know. Shot in the shot in the dark. Okay.

1378
01:06:25,520 --> 01:06:28,400
Speaker 1: This is to carry Underwood. Dear Carrie. I a big

1379
01:06:28,480 --> 01:06:34,480
Speaker 1: fan and like to hear you sing. I hope to

1380
01:06:34,560 --> 01:06:38,280
Speaker 1: be cool. Okay, O, L like you win me older,

1381
01:06:39,240 --> 01:06:42,040
Speaker 1: but a seven year ol wouldn't say all that way older,

1382
01:06:42,960 --> 01:06:45,520
Speaker 1: like I'm misspell and I don't I don't have proper Yeah,

1383
01:06:45,720 --> 01:06:47,919
Speaker 1: my seven year old wouldn't. He'd do better than that. Okay,

1384
01:06:48,080 --> 01:06:51,560
Speaker 1: go ahead. I am Miranda and I seven. Can you

1385
01:06:51,720 --> 01:06:54,920
Speaker 1: send me a picture for my wall please? I live

1386
01:06:55,000 --> 01:06:57,760
Speaker 1: at and I give my address and I put by Miranda.

1387
01:06:58,480 --> 01:07:02,720
Speaker 1: That's good. Yeah yeah, I just think it as like

1388
01:07:02,760 --> 01:07:06,600
Speaker 1: a four year old. It's still gay. Yeah, okay, all okay,

1389
01:07:07,040 --> 01:07:09,080
Speaker 1: Now he would you like to hear to the Rock? Yes,

1390
01:07:09,720 --> 01:07:13,040
Speaker 1: mister the Rock. I a big fan and like you

1391
01:07:13,200 --> 01:07:18,280
Speaker 1: on TV. I hope it'd be cool like you when

1392
01:07:18,400 --> 01:07:22,800
Speaker 1: me older. Tooth Fairy is best movie. My name is Greg,

1393
01:07:23,200 --> 01:07:25,480
Speaker 1: can you send a picture for the wall? And I

1394
01:07:25,560 --> 01:07:28,440
Speaker 1: give him my address? I am seven years old by

1395
01:07:28,600 --> 01:07:32,440
Speaker 1: Rock signed Greg. It almost sends like Yoda, Like get kid,

1396
01:07:32,600 --> 01:07:36,200
Speaker 1: Yoda is writing these letters or maybe maybe he's from

1397
01:07:36,280 --> 01:07:38,640
Speaker 1: Russia or something, you know, like like English is not

1398
01:07:38,720 --> 01:07:42,760
Speaker 1: his first language. And finally to Miss Oprah, my name

1399
01:07:42,880 --> 01:07:46,080
Speaker 1: is Amanda. I like you on the TV. I want

1400
01:07:46,120 --> 01:07:50,439
Speaker 1: to be on TV when I older. My birthday will

1401
01:07:50,520 --> 01:07:57,400
Speaker 1: be May twelfth. Can you come can? I can? I

1402
01:07:57,720 --> 01:08:01,120
Speaker 1: have a picture for the wall? I am seven. I

1403
01:08:01,200 --> 01:08:03,000
Speaker 1: hope to be cool like you when I get older.

1404
01:08:03,640 --> 01:08:07,040
Speaker 1: By Miss Oprah signed Amanda. And you're gonna mail them

1405
01:08:07,080 --> 01:08:08,720
Speaker 1: off today? I'm gonna mail him off today, and I'm

1406
01:08:08,720 --> 01:08:11,560
Speaker 1: gonna give him one month. And are you gonna write

1407
01:08:11,560 --> 01:08:13,680
Speaker 1: though an adult on the front so it's like your

1408
01:08:13,680 --> 01:08:16,679
Speaker 1: parents addressed? Yeah, yeah, my parents will address it. Obviously,

1409
01:08:16,800 --> 01:08:18,479
Speaker 1: a kid is not going to address the envelope and

1410
01:08:18,520 --> 01:08:20,040
Speaker 1: put a stamp on it. Oh. I thought it'd be

1411
01:08:20,120 --> 01:08:23,000
Speaker 1: super impressive and it might make its way to someone

1412
01:08:23,080 --> 01:08:25,840
Speaker 1: opening like oh this looks interesting. Well, okay, you have

1413
01:08:25,840 --> 01:08:27,679
Speaker 1: a great point. I would say, make sure you don't

1414
01:08:27,680 --> 01:08:30,080
Speaker 1: misspell leave words out though, right, like, don't do what

1415
01:08:30,200 --> 01:08:34,479
Speaker 1: you did here. We're like, I kid food like, so

1416
01:08:34,720 --> 01:08:36,960
Speaker 1: write their name, make sure it's all there so you

1417
01:08:37,000 --> 01:08:38,360
Speaker 1: can easily read it. But if it does look like

1418
01:08:38,360 --> 01:08:40,519
Speaker 1: a kid, that's a good point. Amy. Yeah, okay, okay,

1419
01:08:40,600 --> 01:08:44,800
Speaker 1: mail them off today, okay, and well every week we'll

1420
01:08:44,880 --> 01:08:46,439
Speaker 1: check in and see if you've got something back. It's

1421
01:08:46,520 --> 01:08:48,360
Speaker 1: kind of like when he sent the balloon up. I

1422
01:08:48,360 --> 01:08:51,400
Speaker 1: didn't think anybody would ever get the balloon message, and

1423
01:08:52,640 --> 01:08:56,280
Speaker 1: somebody did, so who knows. We might be reading Oprah.

1424
01:08:56,920 --> 01:09:00,320
Speaker 1: Oprah shows up, She's like, where is a little Himmy?

1425
01:09:00,360 --> 01:09:03,559
Speaker 1: Who is that? Oprah? Was Amanda? Where's a little Amanda

1426
01:09:03,760 --> 01:09:07,320
Speaker 1: looking at her? Oprah? She's a Harry forty year old

1427
01:09:07,360 --> 01:09:11,680
Speaker 1: man just raises his hand. I Amanda. All right. We'll

1428
01:09:11,800 --> 01:09:13,479
Speaker 1: check back in a week and see how that's going.

1429
01:09:14,840 --> 01:09:18,559
Speaker 1: It's the best bits of the week with Morgan number two.

1430
01:09:20,120 --> 01:09:23,440
Speaker 1: Of course, this is the number one spot. Brett Eldridge

1431
01:09:23,479 --> 01:09:25,599
Speaker 1: came into the show this week. He helped us celebrate

1432
01:09:25,680 --> 01:09:28,640
Speaker 1: Bobby's birthday. He also talked about his own birthday. He

1433
01:09:28,800 --> 01:09:31,680
Speaker 1: performed his song good Day. I mean just so much

1434
01:09:31,720 --> 01:09:34,040
Speaker 1: happened and it's always fun listening to Brett Eldridge talk.

1435
01:09:34,120 --> 01:09:38,000
Speaker 1: So listen. Now here is Brett Eldridge Number one, The

1436
01:09:38,120 --> 01:09:41,760
Speaker 1: Friday Morning Conversation with Brett Eldridge. Brett, how are you?

1437
01:09:42,040 --> 01:09:44,479
Speaker 1: I'm great? How are you? I'm good? Today's my birthday.

1438
01:09:44,479 --> 01:09:47,120
Speaker 1: You just had your birthday. It's a huge day. It's

1439
01:09:47,160 --> 01:09:52,920
Speaker 1: a fine days. It's a good day. It's a good day. Good. Yeah.

1440
01:09:53,320 --> 01:09:57,040
Speaker 1: What what what happened on your birthday? Uh? I one hiking?

1441
01:09:58,120 --> 01:10:01,120
Speaker 1: What else? I do? One to out to dinner with

1442
01:10:01,200 --> 01:10:05,760
Speaker 1: the fam and ate some peanut butter cheesecake which is

1443
01:10:05,800 --> 01:10:07,720
Speaker 1: really good. Well, I appreciate you coming in here on

1444
01:10:07,800 --> 01:10:09,800
Speaker 1: my birthday. It is a good day and you are

1445
01:10:09,880 --> 01:10:12,679
Speaker 1: doing the good day movement? Yes, what is that exactly?

1446
01:10:13,520 --> 01:10:16,679
Speaker 1: It's basically, you know, paying it forward, you know, lifting

1447
01:10:16,720 --> 01:10:21,439
Speaker 1: somebody's day, whether it's buying flowers and giving them to

1448
01:10:21,520 --> 01:10:24,600
Speaker 1: a friend, buying somebody's coffee in the line next to you,

1449
01:10:25,800 --> 01:10:29,000
Speaker 1: anything just to lift somebody up, some some words of

1450
01:10:29,040 --> 01:10:32,320
Speaker 1: affirmation to somebody needs it. You never know when somebody

1451
01:10:32,400 --> 01:10:34,960
Speaker 1: needs it, and just just giving somebody a good day.

1452
01:10:34,960 --> 01:10:37,519
Speaker 1: And I know what it feels like when somebody is

1453
01:10:37,560 --> 01:10:38,920
Speaker 1: lifting me up when I needed it, and I just

1454
01:10:39,040 --> 01:10:42,040
Speaker 1: think it's it's good to pass that energy along out

1455
01:10:42,040 --> 01:10:45,280
Speaker 1: of you send me a book called ten percent Happier. Yes,

1456
01:10:45,760 --> 01:10:47,320
Speaker 1: just got it, haven't read it yet. What is that

1457
01:10:47,320 --> 01:10:49,600
Speaker 1: book about? Why was it so important for you to

1458
01:10:49,720 --> 01:10:53,200
Speaker 1: send that out? Um, tim person Happier. It's a it's

1459
01:10:53,240 --> 01:10:56,240
Speaker 1: a it's a book about meditation. It's a meditation for

1460
01:10:56,400 --> 01:10:59,439
Speaker 1: fidgety skeptics, is what Dan Harris calls it. But it's

1461
01:10:59,479 --> 01:11:02,720
Speaker 1: just I think meditation has been really huge for me

1462
01:11:04,040 --> 01:11:07,320
Speaker 1: dealing with this life and itself and anxieties and everything.

1463
01:11:07,400 --> 01:11:10,720
Speaker 1: And I sent it to you, and and I try

1464
01:11:10,760 --> 01:11:14,040
Speaker 1: to just encourage people to meditate itus. I think a

1465
01:11:14,080 --> 01:11:16,479
Speaker 1: lot of people think it's something weird and something where

1466
01:11:16,520 --> 01:11:18,040
Speaker 1: you sit there and you're supposed to like think you're

1467
01:11:18,040 --> 01:11:20,840
Speaker 1: floating or something or whatever. But it's actually just some

1468
01:11:20,960 --> 01:11:23,200
Speaker 1: way to quiet your mind and give yourself from time

1469
01:11:23,240 --> 01:11:26,439
Speaker 1: and piece and quiet. Walk me through this meditation, because

1470
01:11:26,439 --> 01:11:30,559
Speaker 1: I've tried it. I struggle with my mind racing all

1471
01:11:30,600 --> 01:11:33,479
Speaker 1: the time everywhere. Yeah, okay, got this at this time,

1472
01:11:33,680 --> 01:11:35,320
Speaker 1: I could do this. I gotta make sure this take

1473
01:11:35,439 --> 01:11:37,439
Speaker 1: all the time. And I've tried to meditate because I

1474
01:11:37,920 --> 01:11:40,599
Speaker 1: struggle with PTSD really bad for a long time. It's

1475
01:11:40,600 --> 01:11:43,160
Speaker 1: still a little bit now, but I can't fully I

1476
01:11:43,320 --> 01:11:46,320
Speaker 1: haven't been able to fully sit down and separate myself

1477
01:11:46,400 --> 01:11:48,599
Speaker 1: from what's happening in the world. Was that a struggle

1478
01:11:48,680 --> 01:11:51,960
Speaker 1: for you? What's the tip for me? Big time? Just

1479
01:11:52,120 --> 01:11:55,880
Speaker 1: give yourself okay, So like focus on They always say

1480
01:11:55,880 --> 01:11:57,920
Speaker 1: focus on your breath a lot of the time. So

1481
01:11:58,200 --> 01:11:59,880
Speaker 1: you you know, you put you put both feet on

1482
01:11:59,880 --> 01:12:02,160
Speaker 1: the floor. I can't because now I can. Um, but

1483
01:12:02,160 --> 01:12:04,120
Speaker 1: we put both feet on the floor. Just kind of

1484
01:12:04,320 --> 01:12:06,160
Speaker 1: close your eyes and just focus on your breath, like

1485
01:12:06,280 --> 01:12:11,280
Speaker 1: in and for four, hold it for a second, out

1486
01:12:11,360 --> 01:12:13,400
Speaker 1: for four. And if you focus on that more and

1487
01:12:13,439 --> 01:12:16,360
Speaker 1: then when you see when you see yourself start to

1488
01:12:16,439 --> 01:12:19,280
Speaker 1: ruminate on things, um, and what do I do? How

1489
01:12:19,280 --> 01:12:20,920
Speaker 1: do I catch my Because I'm like you say, if

1490
01:12:21,360 --> 01:12:24,479
Speaker 1: you call it uh mental noting U, which means you're like,

1491
01:12:24,880 --> 01:12:27,120
Speaker 1: that's that's just me thinking, okay thinking, And then you

1492
01:12:27,200 --> 01:12:29,320
Speaker 1: go back to the breath and h And it's as

1493
01:12:29,360 --> 01:12:32,560
Speaker 1: simple as that. And the whole practice is you'll be

1494
01:12:33,280 --> 01:12:36,920
Speaker 1: going throughout your day and you'll notice yourself thinking and

1495
01:12:37,040 --> 01:12:39,080
Speaker 1: when you catch yourself that's from the practice of like

1496
01:12:39,439 --> 01:12:42,000
Speaker 1: tying myself to catch myself when I'm thinking about breathing

1497
01:12:42,040 --> 01:12:44,080
Speaker 1: and that's where the practice comes along and it gets

1498
01:12:44,439 --> 01:12:46,960
Speaker 1: it gets better, and you never get to be a

1499
01:12:47,000 --> 01:12:49,760
Speaker 1: master at it, but it's like you can always grow

1500
01:12:49,800 --> 01:12:51,519
Speaker 1: with it. It's cool. How long do you do this?

1501
01:12:51,720 --> 01:12:54,200
Speaker 1: And while you do it? Are you nude? It always

1502
01:12:54,240 --> 01:12:58,280
Speaker 1: knud always nude? And I do it every morning? You

1503
01:12:58,360 --> 01:13:00,880
Speaker 1: do every morning every morning? I did it this morning,

1504
01:13:02,720 --> 01:13:06,000
Speaker 1: but every morning I get up A routine is big

1505
01:13:06,080 --> 01:13:09,200
Speaker 1: for me for just kind of putting on your armor

1506
01:13:09,280 --> 01:13:12,120
Speaker 1: for the day kind of So getting up doing the

1507
01:13:12,200 --> 01:13:15,840
Speaker 1: routine of meditating, doing some stretching and stuff like that.

1508
01:13:16,040 --> 01:13:18,200
Speaker 1: And I saw I do it for ten minutes every morning,

1509
01:13:18,240 --> 01:13:20,639
Speaker 1: and then a journal. Then I go for a hike

1510
01:13:21,080 --> 01:13:23,200
Speaker 1: and then I then I'm ready to go. Now I've

1511
01:13:23,200 --> 01:13:25,439
Speaker 1: seen you walking down the road before with this backpack

1512
01:13:25,520 --> 01:13:27,479
Speaker 1: on that has water in it. Yeah, are your hikes

1513
01:13:27,520 --> 01:13:29,920
Speaker 1: like four days? Because I feel like you could just

1514
01:13:29,960 --> 01:13:31,800
Speaker 1: put a bottle of water in your in your little pocket.

1515
01:13:32,680 --> 01:13:34,200
Speaker 1: I remember the first of yourself, He's like, what do

1516
01:13:34,240 --> 01:13:37,600
Speaker 1: you Yeah, I run in the long ways. This was

1517
01:13:37,640 --> 01:13:41,000
Speaker 1: before I got this garment running watch that I can

1518
01:13:41,120 --> 01:13:43,559
Speaker 1: have my music on it. So I used to have like, uh,

1519
01:13:43,840 --> 01:13:45,599
Speaker 1: I would put my phone in the in the pack

1520
01:13:45,680 --> 01:13:47,200
Speaker 1: and also have the water if I wanted to get

1521
01:13:47,240 --> 01:13:52,200
Speaker 1: thirsty on my run in the camel pack. So I

1522
01:13:52,240 --> 01:13:54,160
Speaker 1: would do that and I would I would throw that

1523
01:13:54,200 --> 01:13:55,400
Speaker 1: on there and I'd run and I just take some

1524
01:13:55,479 --> 01:13:57,200
Speaker 1: SIPs whenever I need it. But I was running like

1525
01:13:57,680 --> 01:14:01,720
Speaker 1: sometimes eight ten miles and a run, so it's gonna

1526
01:14:01,760 --> 01:14:04,240
Speaker 1: have a little hydration. Didn't the way you down though,

1527
01:14:04,280 --> 01:14:06,040
Speaker 1: I would feel like if I'm running at it does well.

1528
01:14:06,080 --> 01:14:09,360
Speaker 1: I kind of got addicted, or not addicted, but I

1529
01:14:09,439 --> 01:14:11,000
Speaker 1: just kind of started to get the feeling of like

1530
01:14:11,240 --> 01:14:13,280
Speaker 1: you know when you take something way after you've been

1531
01:14:13,360 --> 01:14:15,840
Speaker 1: used it for a while, it's like you feel weird. Well,

1532
01:14:16,120 --> 01:14:17,640
Speaker 1: like I got used to the feeling of but being

1533
01:14:17,680 --> 01:14:20,320
Speaker 1: heavy and maybe it made me sweat more. I don't know,

1534
01:14:20,400 --> 01:14:22,639
Speaker 1: but I liked it. Brett Eldridge is here. We're talking

1535
01:14:22,720 --> 01:14:29,120
Speaker 1: camel backs, packs, meditating, meditating, meditating the nude. Yeah, and

1536
01:14:29,320 --> 01:14:31,200
Speaker 1: well that was that was how I pictured you. I

1537
01:14:31,240 --> 01:14:35,360
Speaker 1: should I'm always fully clothed. Sorry, sorry, say why don't

1538
01:14:35,360 --> 01:14:38,439
Speaker 1: we We talked about the Good Day movement. This song

1539
01:14:38,560 --> 01:14:40,439
Speaker 1: good Day is such a good song, like you, it's

1540
01:14:40,560 --> 01:14:43,240
Speaker 1: it's on your your last record. Um, and that is

1541
01:14:43,320 --> 01:14:45,720
Speaker 1: the single now that I'm hearing being played everywhere. You

1542
01:14:45,800 --> 01:14:47,400
Speaker 1: have your guitar, you want to play a little bit

1543
01:14:47,400 --> 01:14:49,000
Speaker 1: for us? I would love to. All right, here is

1544
01:14:49,000 --> 01:14:51,160
Speaker 1: the new one from Brett Eldridge. Here is good. Everybody,

1545
01:14:51,240 --> 01:14:53,840
Speaker 1: take a deep breath and let's just enjoy this. I

1546
01:14:53,920 --> 01:14:55,799
Speaker 1: fall asleep in the middle of it because I'm meditating.

1547
01:14:56,120 --> 01:14:58,080
Speaker 1: All Right, here we go, let's have a good day.

1548
01:14:58,120 --> 01:15:09,000
Speaker 1: Here we go. Who too? Three? I think I stopped

1549
01:15:09,120 --> 01:15:16,840
Speaker 1: my morning with tonight. Let those blue eyes speak to me.

1550
01:15:20,520 --> 01:15:27,360
Speaker 1: Skip all the things that I don't want to. Let

1551
01:15:27,479 --> 01:15:34,280
Speaker 1: my mind want a free It's four to two, cold rain,

1552
01:15:34,760 --> 01:15:38,880
Speaker 1: and something's gotten me thinking maybe it's gonna be a

1553
01:15:39,040 --> 01:15:43,560
Speaker 1: good day. I don't know why, but it feels like

1554
01:15:44,200 --> 01:15:49,720
Speaker 1: love's coming my way. In the sun ain't even shining.

1555
01:15:50,360 --> 01:15:53,760
Speaker 1: If the world's gonna keep on spinning, let it keep

1556
01:15:53,800 --> 01:16:01,599
Speaker 1: spinning on my way. I gotta feed it. It's gonna

1557
01:16:01,680 --> 01:16:17,320
Speaker 1: be good, dude, It's gonna be good, good dude, Come on,

1558
01:16:17,720 --> 01:16:21,200
Speaker 1: bred Aldridge. All right, I think and Ammy, you can

1559
01:16:21,439 --> 01:16:23,960
Speaker 1: back me up on this if you would like. Anyone

1560
01:16:24,040 --> 01:16:25,519
Speaker 1: that comes and plays in here. I think Bread is

1561
01:16:25,560 --> 01:16:27,599
Speaker 1: pretty much the one that sounds most like the record.

1562
01:16:27,760 --> 01:16:30,560
Speaker 1: Oh yeah, like when he sings you sound like you

1563
01:16:30,800 --> 01:16:33,439
Speaker 1: sing whenever I play you on my phone. Yeah, I

1564
01:16:33,520 --> 01:16:35,240
Speaker 1: kind of you close your eyes for a bit. You

1565
01:16:35,320 --> 01:16:36,920
Speaker 1: might be it's like he's not even here right now,

1566
01:16:37,920 --> 01:16:39,800
Speaker 1: and make him not here playing it on my phone. No,

1567
01:16:39,920 --> 01:16:42,120
Speaker 1: I'm saying you could close your eyes. I'm just playing

1568
01:16:42,160 --> 01:16:48,840
Speaker 1: the track on my phone. He lipsk and it. Bred

1569
01:16:48,880 --> 01:16:50,719
Speaker 1: Aldridge is here. We're gonna come back. Up. Two questions

1570
01:16:50,720 --> 01:16:52,120
Speaker 1: I'm gonna ask when we come back. I'm gonna let

1571
01:16:52,160 --> 01:16:54,240
Speaker 1: you know now, se you have time to think about. One.

1572
01:16:54,360 --> 01:16:56,720
Speaker 1: What's the oddest place you've ever been recognized? Okay, so

1573
01:16:56,800 --> 01:16:58,439
Speaker 1: don't tell me now. I'm gonna ask you that in

1574
01:16:58,479 --> 01:17:01,080
Speaker 1: a second, and then it's the best piece of advice

1575
01:17:01,360 --> 01:17:04,200
Speaker 1: that you've been given by another artist. Okay. Two questions

1576
01:17:04,200 --> 01:17:06,559
Speaker 1: I'm gonna asking we come back. Brett Eldridge is here,

1577
01:17:06,960 --> 01:17:10,760
Speaker 1: you guys, stream good day, tweet your radio stations. Don't

1578
01:17:10,800 --> 01:17:13,200
Speaker 1: call him because nobody can. Nobody answering phones for question anymore.

1579
01:17:13,680 --> 01:17:16,320
Speaker 1: But let them know you like that song. The Friday

1580
01:17:16,400 --> 01:17:20,599
Speaker 1: Morning Conversation with Brett Eldridge, Bro, what's the oddest place

1581
01:17:20,880 --> 01:17:24,799
Speaker 1: that you as a famous country musician, artist, singer, songwriter.

1582
01:17:25,080 --> 01:17:27,720
Speaker 1: What's the weirdest place you've ever been recognized? One time

1583
01:17:27,720 --> 01:17:30,800
Speaker 1: I was recognizing church and I was sitting in the

1584
01:17:30,880 --> 01:17:34,400
Speaker 1: mid so I think the night before, Drunken Your Love

1585
01:17:34,439 --> 01:17:37,680
Speaker 1: went number one, and so I celebrated. I don't I

1586
01:17:37,760 --> 01:17:39,920
Speaker 1: don't really have any I don't really drink anymore. But

1587
01:17:39,960 --> 01:17:42,679
Speaker 1: at that time I was celebrating, We're having a champagne

1588
01:17:42,760 --> 01:17:45,680
Speaker 1: or something, and and I did not feel great, but

1589
01:17:45,720 --> 01:17:49,200
Speaker 1: I still went to church, still showed up and sat

1590
01:17:49,240 --> 01:17:50,760
Speaker 1: in the middle row. When it was the hottest Easter

1591
01:17:50,880 --> 01:17:55,519
Speaker 1: of all time, I felt like, uh. And I was

1592
01:17:55,600 --> 01:17:58,040
Speaker 1: sitting in the middle aisle and I was like, oh God,

1593
01:17:58,040 --> 01:17:59,920
Speaker 1: I gotta gotta go out. I gotta go out, you know,

1594
01:18:00,000 --> 01:18:01,720
Speaker 1: I gotta take a break from the service, and I'm

1595
01:18:01,720 --> 01:18:03,680
Speaker 1: gonna go. I gotta go to step out and have

1596
01:18:03,720 --> 01:18:07,320
Speaker 1: a drink of water. Um. Somebody followed me to the

1597
01:18:07,400 --> 01:18:11,080
Speaker 1: bathroom and I wanted to take a selfie. I'm like

1598
01:18:11,160 --> 01:18:14,640
Speaker 1: just trying not to get sick at church and somebody's like,

1599
01:18:14,960 --> 01:18:17,120
Speaker 1: I'm like there's no one around that. Someone that comes

1600
01:18:17,120 --> 01:18:19,400
Speaker 1: down the show's like no, please, no, please no. And

1601
01:18:19,479 --> 01:18:20,760
Speaker 1: then they get their photot they want to take a

1602
01:18:20,800 --> 01:18:22,519
Speaker 1: self It's like, this is the most interesting place I

1603
01:18:22,560 --> 01:18:24,600
Speaker 1: think I've ever done that kind of a meet and

1604
01:18:24,680 --> 01:18:27,479
Speaker 1: greet thing. And I was not feeling great. Did you

1605
01:18:27,560 --> 01:18:30,320
Speaker 1: take the selfie? Yeah, of course he did, he did.

1606
01:18:33,640 --> 01:18:36,840
Speaker 1: I was reading a story about you playing maybe Call

1607
01:18:36,920 --> 01:18:39,320
Speaker 1: of Duty with Shay from Dana Shay. Yes. How often

1608
01:18:39,320 --> 01:18:42,439
Speaker 1: do you guys play? We used to play a lot.

1609
01:18:42,920 --> 01:18:44,640
Speaker 1: It was. It got to the point where I was

1610
01:18:44,720 --> 01:18:46,960
Speaker 1: playing too much, but I was. It was especially when

1611
01:18:47,080 --> 01:18:51,000
Speaker 1: at the beginning of Quarantine, when, um, do you know

1612
01:18:51,080 --> 01:18:53,200
Speaker 1: you can't even leave your You couldn't even leave, like

1613
01:18:53,280 --> 01:18:55,120
Speaker 1: no one even understood that, Like you can go outside

1614
01:18:55,120 --> 01:18:56,599
Speaker 1: and run if as long as you're away from people

1615
01:18:56,640 --> 01:18:59,800
Speaker 1: or anything. It was so so we'd be playing hours

1616
01:19:00,080 --> 01:19:03,000
Speaker 1: a day and just how that's how we would socialize.

1617
01:19:03,040 --> 01:19:05,760
Speaker 1: And it was amazing, how over this game that I'm

1618
01:19:05,880 --> 01:19:09,439
Speaker 1: terrible at, you just had I just I just joined

1619
01:19:09,439 --> 01:19:12,200
Speaker 1: it for the camarader in the in the conversation and uh.

1620
01:19:12,560 --> 01:19:14,519
Speaker 1: And so we we would play a lot, and I

1621
01:19:14,600 --> 01:19:17,280
Speaker 1: haven't a whole lot lately, but um, we've gone and

1622
01:19:17,360 --> 01:19:19,360
Speaker 1: hikes and stuff like that from it. And really we

1623
01:19:19,479 --> 01:19:21,439
Speaker 1: weren't that close until we started playing Call of Duty.

1624
01:19:21,560 --> 01:19:24,040
Speaker 1: So it's pretty pretty funny. It's interesting because Amy saw

1625
01:19:24,240 --> 01:19:27,719
Speaker 1: t J. And we're friends with TJ brothers Osborne hiking

1626
01:19:27,760 --> 01:19:31,080
Speaker 1: with Casey Musgraves. We knew they were friends, I guess,

1627
01:19:31,280 --> 01:19:34,200
Speaker 1: but they were hiking together. And you mentioned you and Shay.

1628
01:19:35,360 --> 01:19:38,320
Speaker 1: What artists in Nashville would are you would You'd say

1629
01:19:38,400 --> 01:19:40,960
Speaker 1: literal friends with because it's hard because artists life, you

1630
01:19:40,960 --> 01:19:43,000
Speaker 1: guys are traveling at doing the same thing. Yeah, it's

1631
01:19:43,000 --> 01:19:44,360
Speaker 1: hard to kind of be in the same place at all.

1632
01:19:44,400 --> 01:19:46,080
Speaker 1: But I would say, Shay, is there another one that

1633
01:19:46,120 --> 01:19:49,759
Speaker 1: you're close with? Uh, you know close, it's so interesting

1634
01:19:49,960 --> 01:19:51,680
Speaker 1: close when you see him on the everybody in the road,

1635
01:19:51,720 --> 01:19:56,800
Speaker 1: it's it's so it's so different, like uh, Party John

1636
01:19:56,880 --> 01:19:59,720
Speaker 1: Party and I started out together in town and U

1637
01:20:00,320 --> 01:20:02,760
Speaker 1: and he's always been one of the most interesting people

1638
01:20:02,920 --> 01:20:05,240
Speaker 1: I've known. We we toured in Australia together and we

1639
01:20:05,280 --> 01:20:07,680
Speaker 1: still got to uh we got to catch up on

1640
01:20:07,760 --> 01:20:10,000
Speaker 1: old times. But you know, it's not like I talked

1641
01:20:10,000 --> 01:20:11,960
Speaker 1: to a lot of other artists all the time. But um,

1642
01:20:12,200 --> 01:20:14,519
Speaker 1: he's one that I've I've I've just shared a lot

1643
01:20:14,560 --> 01:20:17,080
Speaker 1: of the journey of the ups and downs and all

1644
01:20:17,120 --> 01:20:18,599
Speaker 1: this with and so it's not like we talk all

1645
01:20:18,640 --> 01:20:22,000
Speaker 1: the time, but he's somebody that I still root for

1646
01:20:22,160 --> 01:20:26,759
Speaker 1: and he's good dude who came in your class, meaning

1647
01:20:27,120 --> 01:20:29,080
Speaker 1: when you came to Nashville and you were new and

1648
01:20:29,160 --> 01:20:31,479
Speaker 1: there are other new people around you. Who do you

1649
01:20:31,560 --> 01:20:35,600
Speaker 1: remember kind of going through that early stage together. I

1650
01:20:35,680 --> 01:20:39,479
Speaker 1: think my like my New Faces show was maybe I

1651
01:20:39,640 --> 01:20:42,240
Speaker 1: know Thomas Rhett was in that. Um so it was

1652
01:20:42,280 --> 01:20:46,400
Speaker 1: like Thomas Rhett. Uh we did the we cohead lined

1653
01:20:46,880 --> 01:20:50,080
Speaker 1: Cohan line and the CMT toured together suits and boots

1654
01:20:50,920 --> 01:20:54,439
Speaker 1: and uh so Thomas Rhett. Who else was there? Um?

1655
01:20:54,920 --> 01:20:59,639
Speaker 1: Dan Shay were pretty early early that's still on the spot.

1656
01:20:59,680 --> 01:21:00,960
Speaker 1: But is there some of the ones I can think

1657
01:21:00,960 --> 01:21:02,840
Speaker 1: of right now? I'm hard hitting, hard hitting interview questions.

1658
01:21:03,320 --> 01:21:04,720
Speaker 1: I was thinking of the New Faces Show and I

1659
01:21:04,800 --> 01:21:07,920
Speaker 1: feel like with Sam Hunted yours or no, but no,

1660
01:21:08,080 --> 01:21:10,680
Speaker 1: but Sam was Sam was around that same era. I'm

1661
01:21:10,720 --> 01:21:13,479
Speaker 1: trying to think, Yeah, Sam was definitely one of them

1662
01:21:13,479 --> 01:21:15,920
Speaker 1: as well. What's Here's the question I tease before we

1663
01:21:15,960 --> 01:21:17,880
Speaker 1: went away, what's the best piece of advice that an

1664
01:21:17,960 --> 01:21:20,200
Speaker 1: artist gave you when you were kind of starting out

1665
01:21:20,240 --> 01:21:22,040
Speaker 1: and they were going hey man, here's what's happening. I

1666
01:21:22,160 --> 01:21:27,360
Speaker 1: remember playing the opera and whisper and Bill Anderson, here's

1667
01:21:27,400 --> 01:21:30,600
Speaker 1: like country music legend. He said, just make sure he

1668
01:21:30,640 --> 01:21:32,040
Speaker 1: was standing on the side of the stage. I'm getting

1669
01:21:32,040 --> 01:21:35,040
Speaker 1: ready to do my debut, and I'm so nervous. I'm

1670
01:21:35,240 --> 01:21:37,600
Speaker 1: nervous just thinking about how nervous I was about to go.

1671
01:21:37,800 --> 01:21:39,200
Speaker 1: You know, play the operate. It's a big deal, you know.

1672
01:21:39,920 --> 01:21:46,320
Speaker 1: And he's like, just make sure you appreciate every moment

1673
01:21:46,360 --> 01:21:49,600
Speaker 1: while you're in it, because you know, because when I was,

1674
01:21:49,760 --> 01:21:51,479
Speaker 1: when I was coming up, I was always worried about

1675
01:21:51,520 --> 01:21:54,880
Speaker 1: what the next song is and uh, you know, well

1676
01:21:54,960 --> 01:21:56,360
Speaker 1: this one didn't do as well as I wanted it to,

1677
01:21:56,520 --> 01:21:57,920
Speaker 1: or or this show wasn't as big as it was,

1678
01:21:57,960 --> 01:21:59,720
Speaker 1: but this next one's gonna be bigger or whatever. It's like,

1679
01:21:59,760 --> 01:22:01,840
Speaker 1: you to have that drive, but you got to you

1680
01:22:01,920 --> 01:22:04,280
Speaker 1: gotta appreciate the things you've got going on, all these

1681
01:22:04,320 --> 01:22:06,160
Speaker 1: amazing things are going on, because they're going to fly

1682
01:22:06,520 --> 01:22:08,680
Speaker 1: by and and uh, you know you're not going to

1683
01:22:08,720 --> 01:22:11,040
Speaker 1: appreciate him and and uh, that was a really good

1684
01:22:11,080 --> 01:22:12,800
Speaker 1: piece of advice. And I don't think it soaked in

1685
01:22:13,479 --> 01:22:15,439
Speaker 1: as much then, and as much as it has over

1686
01:22:15,439 --> 01:22:17,639
Speaker 1: the last several years, and I really started to slow

1687
01:22:17,680 --> 01:22:21,280
Speaker 1: it down a little bit. We talk about, you know,

1688
01:22:21,520 --> 01:22:25,080
Speaker 1: other artists and getting advice. Is there anyone that you've

1689
01:22:25,120 --> 01:22:26,360
Speaker 1: kind of hit on the shoulder been like, hey, let

1690
01:22:26,360 --> 01:22:28,519
Speaker 1: me give you a little bit of ice here, kiddo. Oh.

1691
01:22:29,280 --> 01:22:32,479
Speaker 1: I think I think I am I'm getting to the

1692
01:22:32,560 --> 01:22:35,640
Speaker 1: place where right now I feel like I've got so

1693
01:22:35,760 --> 01:22:37,840
Speaker 1: much more wisdom than I had before. So I feel

1694
01:22:37,880 --> 01:22:39,600
Speaker 1: like I haven't given that advice that I want to

1695
01:22:39,600 --> 01:22:42,040
Speaker 1: give yet, and I think I'm I'm primed to do

1696
01:22:42,160 --> 01:22:45,320
Speaker 1: that now. So I think I'm getting to a place

1697
01:22:45,360 --> 01:22:47,240
Speaker 1: where I've I've experienced a lot of things where i'd

1698
01:22:47,280 --> 01:22:49,360
Speaker 1: love to, you know, help out a new artist and

1699
01:22:50,080 --> 01:22:53,000
Speaker 1: and uh kind of tell them what's worked for me

1700
01:22:53,160 --> 01:22:55,760
Speaker 1: what hasn't. And because I've kind of been through the

1701
01:22:55,840 --> 01:22:59,200
Speaker 1: whole ride of it. And so I think I've I've

1702
01:22:59,240 --> 01:23:00,680
Speaker 1: I've learned a lot of things and I'd love to

1703
01:23:00,720 --> 01:23:02,320
Speaker 1: help somebody out that way. So I think it's the

1704
01:23:02,400 --> 01:23:04,960
Speaker 1: best wisdom is to come to the best help to

1705
01:23:05,200 --> 01:23:08,000
Speaker 1: give to somebody. For myself. Well, okay, good, because the

1706
01:23:08,040 --> 01:23:11,719
Speaker 1: raging idiots we need some advice to us. How would

1707
01:23:11,720 --> 01:23:14,120
Speaker 1: you what would you tell us about being big stars? Um,

1708
01:23:15,240 --> 01:23:17,040
Speaker 1: just let it get to your head, Let it get

1709
01:23:17,080 --> 01:23:19,200
Speaker 1: to our head. We like that. Oh the opposite, Yeah, yeah,

1710
01:23:19,560 --> 01:23:21,599
Speaker 1: people say, don't let it, let it get your head,

1711
01:23:21,680 --> 01:23:25,840
Speaker 1: just go hard, disregard everything. Yeah, I love that. One

1712
01:23:25,880 --> 01:23:28,600
Speaker 1: final question for you. It's almost ten years ago that

1713
01:23:29,479 --> 01:23:33,040
Speaker 1: don't you went number one? Yep? Ten years ago? Same?

1714
01:23:33,280 --> 01:23:37,720
Speaker 1: That's insane, you little wow. I haven't thought about that.

1715
01:23:37,800 --> 01:23:40,920
Speaker 1: Get to know, you know, when you listen back to

1716
01:23:41,000 --> 01:23:45,760
Speaker 1: this record, this album, do you still hear the same you? Do?

1717
01:23:45,840 --> 01:23:47,840
Speaker 1: You hear a kid? You like what ten years ago?

1718
01:23:48,360 --> 01:23:51,160
Speaker 1: I hear the same me? But I hear it, you know,

1719
01:23:51,360 --> 01:23:53,479
Speaker 1: a kid trying to figure it out. And you know

1720
01:23:53,520 --> 01:23:55,439
Speaker 1: I certainly didn't know where I was going fully yet,

1721
01:23:55,520 --> 01:23:59,559
Speaker 1: but the excitement and the fire and the um, I think, uh,

1722
01:24:00,000 --> 01:24:02,639
Speaker 1: there was there is a magic about that first album

1723
01:24:02,840 --> 01:24:05,320
Speaker 1: feeling and that you know, you don't really know what

1724
01:24:05,360 --> 01:24:06,960
Speaker 1: you're doing, but you know you're writing fun songs and

1725
01:24:07,000 --> 01:24:09,040
Speaker 1: you're doing all that. Then you kind of go along

1726
01:24:09,080 --> 01:24:11,040
Speaker 1: and forgot more of what you want to say. But

1727
01:24:11,400 --> 01:24:16,120
Speaker 1: there is something to say about that that super confident

1728
01:24:16,600 --> 01:24:19,040
Speaker 1: first album feeling of like no one could tell me, no,

1729
01:24:19,160 --> 01:24:21,080
Speaker 1: I'm not gonna I'm not jaded yet, you know or whatever.

1730
01:24:21,120 --> 01:24:25,360
Speaker 1: You know, you haven't felt the whole weight of the

1731
01:24:26,080 --> 01:24:28,840
Speaker 1: whole touring life yet exactly. Or it's all so new,

1732
01:24:28,880 --> 01:24:32,680
Speaker 1: it's so exciting, and and so when I hear that,

1733
01:24:33,240 --> 01:24:35,360
Speaker 1: it kind of excite me, excites me and reminds me

1734
01:24:35,479 --> 01:24:38,760
Speaker 1: to always have fun with it. Yes, seven number ones?

1735
01:24:38,800 --> 01:24:40,840
Speaker 1: Which one would you drop from your set list if

1736
01:24:40,880 --> 01:24:45,800
Speaker 1: you had to? Oh? Um, of all the number ones?

1737
01:24:46,000 --> 01:24:49,599
Speaker 1: Maybe that's so, that's so hard you're gonna play them all.

1738
01:24:49,640 --> 01:24:51,280
Speaker 1: You're not dropping it. I'm just saying, if you had

1739
01:24:51,320 --> 01:24:53,080
Speaker 1: to drop one of them, which one would you go?

1740
01:24:53,160 --> 01:24:56,280
Speaker 1: You know what? I'm good? I think I might maybe

1741
01:24:56,400 --> 01:25:03,640
Speaker 1: lose my mind? Why is that? Oh? Yeah, you know?

1742
01:25:03,960 --> 01:25:06,800
Speaker 1: You know my favorite song? You play long? You play

1743
01:25:06,960 --> 01:25:09,360
Speaker 1: take Me the Long? You play that in shows? Oh

1744
01:25:09,400 --> 01:25:11,400
Speaker 1: yeah all the time. Thank god. I would not walk

1745
01:25:11,439 --> 01:25:13,600
Speaker 1: on my favorite. I'd be like, play take me the

1746
01:25:13,680 --> 01:25:16,760
Speaker 1: Long Way out of town? Yeah that one? Oh come

1747
01:25:16,800 --> 01:25:18,360
Speaker 1: on man? And then you don't play it in the

1748
01:25:18,400 --> 01:25:21,639
Speaker 1: whole show, and then you hate it. Where's John Party?

1749
01:25:22,439 --> 01:25:24,000
Speaker 1: But I still love I don't I want to I

1750
01:25:24,000 --> 01:25:25,600
Speaker 1: don't want to bash my own songs with mine, but

1751
01:25:25,640 --> 01:25:27,120
Speaker 1: I would I mean, if I had to pick one,

1752
01:25:27,200 --> 01:25:28,880
Speaker 1: maybe it's that one, just because you know, I like

1753
01:25:29,000 --> 01:25:31,320
Speaker 1: the deep. I like the deep songs like the long

1754
01:25:31,360 --> 01:25:33,760
Speaker 1: Way and stuff like that. So it doesn't I mean,

1755
01:25:33,840 --> 01:25:36,320
Speaker 1: I don't like that. It's just okay, I feel bad

1756
01:25:36,400 --> 01:25:39,920
Speaker 1: now talking about my song. Yes, yes, it's a good,

1757
01:25:39,960 --> 01:25:41,680
Speaker 1: great song. We just asked a hard questions. We're hard

1758
01:25:41,760 --> 01:25:44,160
Speaker 1: hitting here. Wait, what are the other number ones? I'm

1759
01:25:44,160 --> 01:25:47,080
Speaker 1: just here? Don't you sing it back to mammy? Don't

1760
01:25:47,080 --> 01:25:50,680
Speaker 1: play clubs? Right, that's very little. Don't you don't don't you?

1761
01:25:50,920 --> 01:25:54,880
Speaker 1: We don't chill, won't. Yeah, just get that one beat

1762
01:25:54,920 --> 01:26:00,360
Speaker 1: of the music. Oh, I need a like me to

1763
01:26:00,560 --> 01:26:05,599
Speaker 1: the beat of the music. The no, I haven't. You're

1764
01:26:05,600 --> 01:26:07,040
Speaker 1: not gonna get this. I know because now I have.

1765
01:26:07,400 --> 01:26:10,160
Speaker 1: I have a long way around this town in my head. Uh,

1766
01:26:10,880 --> 01:26:12,640
Speaker 1: beat of the music. He's at the he's in the

1767
01:26:12,720 --> 01:26:16,519
Speaker 1: water with the swimming pigs. Right, Well, that's true. We'll

1768
01:26:16,520 --> 01:26:20,479
Speaker 1: give that one to thank you to be the music.

1769
01:26:21,640 --> 01:26:26,080
Speaker 1: Got the video the video that counts? Okay? Mean to me? Oh?

1770
01:26:27,200 --> 01:26:29,639
Speaker 1: Oh shoot, Taylor slips in my head. Well you gotta

1771
01:26:29,680 --> 01:26:33,280
Speaker 1: be so mean. Oh, but it's like what you mean

1772
01:26:33,400 --> 01:26:35,360
Speaker 1: to me, not that someone's being mean to you, right,

1773
01:26:36,439 --> 01:26:40,559
Speaker 1: mean mean to me? Wait? Did you give that one? Yes,

1774
01:26:40,680 --> 01:26:51,960
Speaker 1: that's it, and you even directed it? Yes, lose my mind? Uh, lose, mom,

1775
01:26:54,800 --> 01:26:57,479
Speaker 1: I don't know that. You go ahead, go ahead, you

1776
01:26:58,080 --> 01:27:05,599
Speaker 1: make all my dreams come true. Yeah? Good? How about

1777
01:27:05,680 --> 01:27:11,760
Speaker 1: drunk on your Love? Oh, drunk on your love? No? Um,

1778
01:27:12,000 --> 01:27:14,080
Speaker 1: can I have like a little all these songs in

1779
01:27:14,160 --> 01:27:16,120
Speaker 1: my head? It's hard. That's why the game's hard. Go ahead, Okay,

1780
01:27:17,640 --> 01:27:23,840
Speaker 1: I'm about to get drunk on your love about drunk

1781
01:27:24,160 --> 01:27:27,000
Speaker 1: drunk drunk? No, that's not it. You're tricking me, right,

1782
01:27:27,040 --> 01:27:34,720
Speaker 1: would you play it drunk? You don't get that one?

1783
01:27:35,000 --> 01:27:36,840
Speaker 1: You're right, I don't. I don't know that. I don't

1784
01:27:36,840 --> 01:27:41,320
Speaker 1: know that. I spent a lot of time with that one. Okay,

1785
01:27:41,360 --> 01:27:43,600
Speaker 1: go go go. Want to be that song? Oh, I

1786
01:27:43,760 --> 01:27:47,519
Speaker 1: want to be that song. I want to be You're

1787
01:27:47,560 --> 01:27:51,760
Speaker 1: almost there. That was a right star. Yeah, I want

1788
01:27:51,840 --> 01:27:56,960
Speaker 1: to be the song. I want to be that song.

1789
01:27:57,439 --> 01:28:08,200
Speaker 1: I want to be that song. It makes you love song? Yeah, yes,

1790
01:28:08,280 --> 01:28:11,160
Speaker 1: I do. You heard it then, but I started off

1791
01:28:11,200 --> 01:28:13,719
Speaker 1: on the right thing. Takes me a second love someone,

1792
01:28:14,600 --> 01:28:18,240
Speaker 1: love someone? Hmm, she's like. I didn't spend any time

1793
01:28:18,240 --> 01:28:24,280
Speaker 1: with that one. Hold love someone that's mean to me.

1794
01:28:25,160 --> 01:28:38,280
Speaker 1: I'm gonna love someone old and me so t I

1795
01:28:38,439 --> 01:28:42,040
Speaker 1: give her like love someone give her a night. I

1796
01:28:42,120 --> 01:28:44,680
Speaker 1: give her give her night an eight out of ten.

1797
01:28:45,520 --> 01:28:48,160
Speaker 1: I said a started. I was like different scales, I know,

1798
01:28:50,040 --> 01:28:53,599
Speaker 1: but Brett knows my favorite song, which you never even

1799
01:28:53,680 --> 01:28:58,040
Speaker 1: put to radio. But is fault? Well is it not?

1800
01:28:58,400 --> 01:29:00,559
Speaker 1: It was a slow song. It was not your songs

1801
01:29:02,760 --> 01:29:09,040
Speaker 1: on a train. Put me on one aeroplane? Good. I

1802
01:29:09,160 --> 01:29:12,320
Speaker 1: really need to change. Get away, smile on your face,

1803
01:29:12,920 --> 01:29:17,599
Speaker 1: keep going. Find me a rowboat, make it float? What thanks?

1804
01:29:17,680 --> 01:29:22,519
Speaker 1: Find me a rowboat, make it float? Did spend enough

1805
01:29:22,520 --> 01:29:24,439
Speaker 1: time with no? No? I did I know every word?

1806
01:29:24,479 --> 01:29:26,559
Speaker 1: If you put it the whole thing on. I sang

1807
01:29:26,600 --> 01:29:29,559
Speaker 1: it from Nashville to Atlanta. I got to get that. Yeah.

1808
01:29:30,360 --> 01:29:32,559
Speaker 1: Are there certain songs of yours and the first record

1809
01:29:32,600 --> 01:29:36,960
Speaker 1: that weren't singles that you don't remember? Uh, there's definitely

1810
01:29:36,960 --> 01:29:39,240
Speaker 1: songs I would not know how to play, Yeah, for sure,

1811
01:29:39,320 --> 01:29:40,800
Speaker 1: and not in all the words. But ten years ago,

1812
01:29:40,840 --> 01:29:43,519
Speaker 1: it's so weird to think about. Well, listen, we love

1813
01:29:43,600 --> 01:29:45,599
Speaker 1: good Day. Played that ray as as I tell our

1814
01:29:45,640 --> 01:29:50,600
Speaker 1: friend Brett Elderts good bye. Yes, it's a jam. Thank you.

1815
01:29:51,479 --> 01:29:54,120
Speaker 1: I love this song. I'm gonna just it's a throwaway question.

1816
01:29:54,200 --> 01:29:57,040
Speaker 1: Are you working on working on working on new stuff? Yes,

1817
01:29:57,120 --> 01:30:00,360
Speaker 1: I was a watch right now. Okay, Yeah, that's good

1818
01:30:00,360 --> 01:30:02,160
Speaker 1: to know. Heavy into it. You are heavy into it

1819
01:30:02,240 --> 01:30:04,200
Speaker 1: right now, big time. Sometimes people get insold when I

1820
01:30:04,200 --> 01:30:06,120
Speaker 1: ask that question when we're talking about something else. No, No,

1821
01:30:06,240 --> 01:30:09,200
Speaker 1: I think you always gotta be you gotta be striving

1822
01:30:09,280 --> 01:30:12,000
Speaker 1: for the next thing. And but appreciate this, like I said,

1823
01:30:12,120 --> 01:30:14,560
Speaker 1: but I'll always have something to grow from, and this

1824
01:30:14,680 --> 01:30:16,960
Speaker 1: record really kind of set a palette for where I

1825
01:30:17,000 --> 01:30:18,880
Speaker 1: can go from, you know. So like Whisper and Bill said,

1826
01:30:18,880 --> 01:30:20,439
Speaker 1: always think the next thing to be bigger, and always

1827
01:30:20,520 --> 01:30:24,000
Speaker 1: upset about it, always upset about everything. Ahead, do not

1828
01:30:24,160 --> 01:30:26,280
Speaker 1: enjoy the moment, all right, just kidding everybody breathe, Go

1829
01:30:26,320 --> 01:30:28,439
Speaker 1: ahead and enjoy the moment. So you said earlier, you

1830
01:30:28,520 --> 01:30:31,160
Speaker 1: wake up every morning and you write, but like you meant,

1831
01:30:31,320 --> 01:30:33,680
Speaker 1: like you just journal things. You're not like journal in

1832
01:30:33,720 --> 01:30:37,479
Speaker 1: the morning. So for ten minutes, yeah, it's like, uh,

1833
01:30:37,960 --> 01:30:39,719
Speaker 1: just however a long Some days I might just write

1834
01:30:39,760 --> 01:30:42,719
Speaker 1: like a like three sentences. Some days I might write

1835
01:30:42,840 --> 01:30:44,600
Speaker 1: like a couple of pages, but it's like, so this

1836
01:30:44,800 --> 01:30:47,840
Speaker 1: is the third time, third day in a row that

1837
01:30:48,000 --> 01:30:51,400
Speaker 1: I've heard somebody talking about writing first thing in the morning.

1838
01:30:51,600 --> 01:30:54,599
Speaker 1: Even for if you're a creative too, how it can

1839
01:30:54,680 --> 01:30:56,720
Speaker 1: like unlock stuff in your brain. Doesn't even matter what

1840
01:30:56,840 --> 01:31:00,160
Speaker 1: you write, Like you can wake up and write be

1841
01:31:00,240 --> 01:31:02,679
Speaker 1: three pages and maybe that's daunting, but you could literally

1842
01:31:02,880 --> 01:31:04,479
Speaker 1: I don't even know what I'm writing right now. The

1843
01:31:04,560 --> 01:31:06,880
Speaker 1: sky is blue? Oh what am I going to have coffee?

1844
01:31:06,920 --> 01:31:08,800
Speaker 1: This is what I'm gonna wear to do? Your intention write?

1845
01:31:08,800 --> 01:31:11,080
Speaker 1: Your intention is the big one. Well, yes, and I'm

1846
01:31:11,080 --> 01:31:12,840
Speaker 1: gonna gonna roll up in to Bobby Bones. I'm gonna

1847
01:31:13,040 --> 01:31:15,960
Speaker 1: see everybody, everybody smiling, everybody's gonna feel good. Is that

1848
01:31:16,000 --> 01:31:17,960
Speaker 1: when you wrote this morning? That kind of thing? Yeah?

1849
01:31:18,000 --> 01:31:20,280
Speaker 1: Oh nice. I don't know, just something to put out

1850
01:31:20,280 --> 01:31:22,240
Speaker 1: there for people that maybe are feeling a little star Yeah,

1851
01:31:22,320 --> 01:31:24,479
Speaker 1: Like I mean honestly, and I've talked about this, like

1852
01:31:24,600 --> 01:31:28,519
Speaker 1: interviews make me nervous. Sometimes people never know that. At

1853
01:31:28,600 --> 01:31:30,360
Speaker 1: one point I had like a panic attack in an

1854
01:31:30,400 --> 01:31:33,000
Speaker 1: interview and it made my mind think that I would

1855
01:31:33,080 --> 01:31:36,600
Speaker 1: have a totally fine talking about this. So I was

1856
01:31:36,720 --> 01:31:39,160
Speaker 1: in Scotland and I had a panic attack on stage

1857
01:31:39,760 --> 01:31:41,400
Speaker 1: because I was like jet lag. I had a bunch

1858
01:31:41,400 --> 01:31:43,920
Speaker 1: of coffee and just whatever for whatever reason. So it

1859
01:31:44,000 --> 01:31:46,920
Speaker 1: made my mind think that I'm going to freak out

1860
01:31:46,960 --> 01:31:49,240
Speaker 1: every time, even if I'm not like going ahead of

1861
01:31:49,280 --> 01:31:51,880
Speaker 1: it think. I mean, I've never had a problem with interviews. Well,

1862
01:31:51,920 --> 01:31:53,800
Speaker 1: so then I started doing a lot of things to

1863
01:31:54,600 --> 01:31:56,679
Speaker 1: deal with that. So running your intentions out like Okay,

1864
01:31:56,720 --> 01:31:59,519
Speaker 1: I'm gonna roll up, I'm gonna feel confident, I'm gonna

1865
01:31:59,520 --> 01:32:01,799
Speaker 1: do this, and doing that kind of stuff like intentions

1866
01:32:01,880 --> 01:32:03,680
Speaker 1: for a day. It could be for anything other than that.

1867
01:32:03,680 --> 01:32:05,720
Speaker 1: I'm just using it for an example for how I

1868
01:32:05,840 --> 01:32:08,720
Speaker 1: used it today. Yeah, so I've not running your intentions like, oh,

1869
01:32:08,720 --> 01:32:11,720
Speaker 1: I'm gonna I'm gonna I'm gonna I'm gonna compliment a

1870
01:32:11,760 --> 01:32:14,880
Speaker 1: stranger today. I'm gonna compliment Ammy on her amazing singing

1871
01:32:15,120 --> 01:32:17,760
Speaker 1: of my of my songs, can give her eight out

1872
01:32:17,800 --> 01:32:20,759
Speaker 1: of ten. So I didn't say that because I wouldn't

1873
01:32:20,760 --> 01:32:23,400
Speaker 1: known in the future. But you guys wake up and

1874
01:32:23,439 --> 01:32:26,120
Speaker 1: you journal. Yeah, get your juices flowing. I like that. No,

1875
01:32:26,200 --> 01:32:28,759
Speaker 1: I mean, I'm I'm in the beginning of thinking about

1876
01:32:28,840 --> 01:32:33,200
Speaker 1: doing that because a lot of things. Yeah, anyway, anyway,

1877
01:32:33,280 --> 01:32:35,280
Speaker 1: I'll tell you about a book you probably need to

1878
01:32:35,280 --> 01:32:37,240
Speaker 1: get when we get off. Oh I like it. Okay,

1879
01:32:37,280 --> 01:32:41,559
Speaker 1: there eight There he is Brett Eldredge the You gotta

1880
01:32:41,640 --> 01:32:44,840
Speaker 1: check out A good Day. Thank you. It's the best

1881
01:32:45,000 --> 01:32:50,519
Speaker 1: Bits of the Week with Morgan number two. All right, y'all,

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01:32:50,520 --> 01:32:52,360
Speaker 1: that's a rap for this week's show. I hope you

1883
01:32:52,439 --> 01:32:54,800
Speaker 1: had fun hanging out with me and Eddie and just

1884
01:32:55,320 --> 01:32:59,080
Speaker 1: talking about life. We had a really fun moments getting

1885
01:32:59,160 --> 01:33:00,640
Speaker 1: to know each other. I got to know Eddie Moore

1886
01:33:00,680 --> 01:33:02,840
Speaker 1: as a parent, which was pretty cool. Make sure you

1887
01:33:02,960 --> 01:33:05,439
Speaker 1: follow the show on all the Things at Bobby Bone Show,

1888
01:33:05,560 --> 01:33:07,920
Speaker 1: and you can relive some of these segments on our

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01:33:07,960 --> 01:33:10,960
Speaker 1: website at Bobby Bone Show with videos and commentary and

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01:33:11,040 --> 01:33:13,240
Speaker 1: all the other things there's. Plus, there's so much more

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01:33:13,280 --> 01:33:15,280
Speaker 1: that I don't even talk about, So go up there

1892
01:33:15,280 --> 01:33:18,160
Speaker 1: and look, and you can follow me at Love Girl Morgan,

1893
01:33:18,280 --> 01:33:22,479
Speaker 1: on Instagram, Twitter, TikTok, Facebook, all the things I do,

1894
01:33:22,560 --> 01:33:25,320
Speaker 1: some weird stuff, mostly just post pictures of my dog

1895
01:33:25,720 --> 01:33:29,559
Speaker 1: and some TikTok videos. That's about it, So bye. Nice