WEBVTT - Tank

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<v Speaker 1>Well, thank We are the authority on all things R

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<v Speaker 1>and B. Ladies and gentlemen, what's going on? I am

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<v Speaker 1>Tank and this is the R and B Money Podcast,

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<v Speaker 1>the authority on all things R and B all things.

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<v Speaker 1>Um yeah, I don't know what me sit here. This

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<v Speaker 1>ain't this ain't my normal seat. But this is not

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<v Speaker 1>a normal R and B Money podcast. Today I'm in

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<v Speaker 1>the hot seat R and B Money. It's out my

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<v Speaker 1>last album. That's what this is gonna be about. And

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<v Speaker 1>to have this special R and B Money episode, I

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<v Speaker 1>have two special people here with me in the building.

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<v Speaker 1>Let me take a drink. Well to special people in

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<v Speaker 1>the house. UM, I like to call my friend this woman,

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<v Speaker 1>I just call her a business one. That is it.

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<v Speaker 1>If it is business, she can handle it, she can

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<v Speaker 1>do it. Please, uh give some spinker snaps money podcast

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<v Speaker 1>world to my family. Ms y'all, I would like to

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<v Speaker 1>Curtsey and then, UM, I mean, first of all, let

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<v Speaker 1>me let me get to it. Okay. First of all, okay,

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<v Speaker 1>a person, a woman who knew me when I'm talking about,

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<v Speaker 1>danced in my first video. I mean we called eyes.

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<v Speaker 1>She saw a player. She said, I see that. I'll

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<v Speaker 1>say that. I'll say that eye contact was mutual. Um,

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<v Speaker 1>we have been we have been friends for a long time.

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<v Speaker 1>We have been best friends. Um, we are soul mates.

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<v Speaker 1>And she is a businessman, but more importantly the mother

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<v Speaker 1>of my kids and my wife. Last year, looking champagne.

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<v Speaker 1>We gotta start, no, woman's get the start up right.

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<v Speaker 1>This is special. Ladies love champagne. Okay, everybody watching Normy

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<v Speaker 1>Money podcast, Ladies love champagne. You know they also dabbled

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<v Speaker 1>in tequila, you know, but if they start dabbling in that,

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<v Speaker 1>then that tequila. I just let you know how that

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<v Speaker 1>night is gonna go. Protect yourself at all times. How

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<v Speaker 1>y'all doing, how y'all feel to be? I'm ready, You're ready. Ready.

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<v Speaker 1>I feel like in my hot seat because I'm almost here.

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<v Speaker 1>I'll something. I feel like Becausina said, we're drinking champagne here,

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<v Speaker 1>So I mean, what a freaking honor. First of all,

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<v Speaker 1>can I say how inspirational you guys are. I know

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<v Speaker 1>that word is like throwing around, you know, people use it.

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<v Speaker 1>It sounds cute and whatever, but it's the truth. Man.

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<v Speaker 1>You know, I like to I've been a friend of

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<v Speaker 1>you guys, UM for a long part of you your

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<v Speaker 1>journey and I'm just happy to be here with you

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<v Speaker 1>guys as husband, as wife, a beautiful family, incredible friends

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<v Speaker 1>to a lot of people, good people. You know, aside

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<v Speaker 1>from what the world sees on like Instagram or you

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<v Speaker 1>on stage or anything like that. You guys are good

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<v Speaker 1>hearted people and you're good people to a lot of people.

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<v Speaker 1>So I just want to say cheers to that, Cheers

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<v Speaker 1>to family, Cheers to keeping that thing strong man. Love

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<v Speaker 1>y'all me like links click, I won't know, Okay. Um,

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<v Speaker 1>I'm not leading this, so I'm going to turn it

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<v Speaker 1>over to the ladies and I'm gonna sit in this

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<v Speaker 1>hot seat and hot do you want to see? It's

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<v Speaker 1>about my music something years very focus, Okay, I Today's

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<v Speaker 1>Flower Days as you eloquently purchased for me on the

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<v Speaker 1>on the on the release of Army. Yeah, awesome for that.

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<v Speaker 1>You know, we're all about the details over here. Yeah,

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<v Speaker 1>that was a great cover. Why did that cover? What? What?

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<v Speaker 1>What was in that for that cover? What did that

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<v Speaker 1>feel like for you? Um? Great question. Shout out to

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<v Speaker 1>my brother Rich Fresh who who completely just doctored up

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<v Speaker 1>that entire look. Um. Shout out to um, my brother

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<v Speaker 1>Iron Javar, who always looked too for the co sign

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<v Speaker 1>when it comes to my styling choices and of course

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<v Speaker 1>the things he brings you know to the table. Um

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<v Speaker 1>I wanted. I wanted R and B money. Of course,

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<v Speaker 1>as me naming the label R and B money, it

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<v Speaker 1>means that R and B makes money. Um, I'm a

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<v Speaker 1>prime example of R and B making money. And so

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<v Speaker 1>for the album to be called R and B Money,

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<v Speaker 1>I wanted to look absolutely like money. So I wanted

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<v Speaker 1>to look refined. I wanted to look tailored. I wanted

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<v Speaker 1>to look presentable, um, just on a level I probably

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<v Speaker 1>hadn't been um seen before in a long time. You know, normally,

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<v Speaker 1>as you know, normally, as tis the deal. He always

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<v Speaker 1>has the feel and I'm a big yeller for that.

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<v Speaker 1>I'm always for his You're I'm always asking him. I'm like,

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<v Speaker 1>when are you going to a feeling like it going

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<v Speaker 1>to stop? And I'm like, I'm like whenever when I can't.

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<v Speaker 1>A lot of people can't. Okay, I don't talk about

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<v Speaker 1>what you get to touch on. Um, I just think that,

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<v Speaker 1>you know, that's an aesthetic of R and B that

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<v Speaker 1>I want, you know, R and B artists to not

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<v Speaker 1>be afraid of, you know, what I'm saying, because I

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<v Speaker 1>think we've all kind of taken the dope boy fresh rap,

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<v Speaker 1>you know what I'm saying. We've all now, um, dabbled

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<v Speaker 1>into the jewelry and and and extra. You know, we've

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<v Speaker 1>dabbled into the I think I think the BB Simon

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<v Speaker 1>belt is back, and you know what I'm saying. And

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<v Speaker 1>everybody's got the same gene and the same you know,

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<v Speaker 1>we've all dabbled into that space. But I think that there's, um,

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<v Speaker 1>there's a space where R and B. It's also very

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<v Speaker 1>buttoned up. You know what I'm saying. It's very classy

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<v Speaker 1>and it's very elegant, you know what I mean. And

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<v Speaker 1>that's the that's the R and B that I grew upon,

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<v Speaker 1>you know what I'm saying. Joe to see was you know,

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<v Speaker 1>a break of the monotony, you know, a necessary change

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<v Speaker 1>to add balance to it all. But Boys two Men

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<v Speaker 1>was buttoned up, Maxwell buttoned up. I'm saying, a baby

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<v Speaker 1>face buttoned up. It sounds like it, it looked like it,

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<v Speaker 1>it felt like it. It landed and and I think

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<v Speaker 1>with the even with the album, I wanted to completely

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<v Speaker 1>land in an R and B space. I wanted to

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<v Speaker 1>listen to my album and without a doubt know that

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<v Speaker 1>we're somewhere in between the nineties and the early two thousand's,

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<v Speaker 1>like that's where this album lives. And for the first

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<v Speaker 1>ten songs, you know, my my my take on R

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<v Speaker 1>and B is it's always a conversation with a woman

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<v Speaker 1>or about a woman. And so my first ten songs

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<v Speaker 1>on my album, whatever you need to say about that

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<v Speaker 1>woman to that woman, this is your opportunity to say

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<v Speaker 1>in these first ten songs. Let me ask you this.

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<v Speaker 1>What's one of the most important things you had to

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<v Speaker 1>say to Zina? Mhm, I pict your face be it's

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<v Speaker 1>about a conversation, what a wantan oh, you know what?

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<v Speaker 1>You know what? Tell her where your inspiration? This is great?

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<v Speaker 1>Or YouTube? Um, the most important thing I had to

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<v Speaker 1>say to Zena and don't made me cry because I

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<v Speaker 1>did my makeup today. Okay, it wasn't one thing, sure,

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<v Speaker 1>it was a whole thing. Um, the truth and then

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<v Speaker 1>go ahead, that's good. The truth. Yeah, And so from

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<v Speaker 1>the truth you get a song like can't let it

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<v Speaker 1>show you know what I mean? Where you know the truth?

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<v Speaker 1>At this point, it's probably a little too late. The truth.

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<v Speaker 1>After the truth at this point, the truth at this point,

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<v Speaker 1>not today, I'm saying in the conversation, at this point,

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<v Speaker 1>it's probably too late. And so this same truth that

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<v Speaker 1>probably would have made her cry a year ago now

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<v Speaker 1>makes her look at me and disgusted and say, I

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<v Speaker 1>don't even have I don't I can't even cry for

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<v Speaker 1>you like you so stupid, You're so out of control,

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<v Speaker 1>You're so stupid. I can't even cry. And it makes

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<v Speaker 1>me say, oh my god, you just finished my song.

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<v Speaker 1>I should be crying, but I just can't let it show.

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<v Speaker 1>I should be crying, but I can't stop thinking all

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<v Speaker 1>the things you should have done, but all the things

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<v Speaker 1>you should have said when a woman is out of that.

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<v Speaker 1>But back to your question, that was the hardest thing

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<v Speaker 1>I've ever had to tell z is It's not one

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<v Speaker 1>It's not one thing. It's a whole Thing's the whole thing.

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<v Speaker 1>And so, you know, as much of as much as

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<v Speaker 1>I live it out of my music, I had to

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<v Speaker 1>live it in real life and and endure the ramifications,

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<v Speaker 1>you know, the repercussions that come along with it. And unfortunately,

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<v Speaker 1>fortunately that's also sacrificial because then comes music with that too,

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<v Speaker 1>that that that is scary right, that is scary because

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<v Speaker 1>it is a constant reminder, sacrificial. And so I gotta,

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<v Speaker 1>you know, while this song is on, while I'm performing,

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<v Speaker 1>i gotta check on my life. And I'm like, we're good.

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<v Speaker 1>It sounds good, We're still good. We're gonna be all

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<v Speaker 1>right after that, just thought about sick of it. I'm

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<v Speaker 1>sick of it half. I mean, just come on, I'm

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<v Speaker 1>done with all of this. But you can get your

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<v Speaker 1>inspiration for songs from real life experiences. Sure, yeah, so

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<v Speaker 1>this is your last album? Yes, So that means we're

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<v Speaker 1>good now. It's so good. You don't have to you

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<v Speaker 1>don't have to live that way sailing at this point on.

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<v Speaker 1>I just want to know so clear. I think that

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<v Speaker 1>you know, from an album process, I'm done making albums

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<v Speaker 1>for myself for sure. Um, but you know I'm acting now,

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<v Speaker 1>doing more acting. That's where I'm at, um, doing my

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<v Speaker 1>stand up and producing and writing more for other artists,

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<v Speaker 1>building the label. Um. So from a time standpoint, you know,

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<v Speaker 1>I'm not done. Like I like to say that, you know,

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<v Speaker 1>I'm still in the building. I'm just on a different floor.

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<v Speaker 1>Would you say that's what you say to your fans?

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<v Speaker 1>Like as a fan right sitting here like in the

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<v Speaker 1>mini hats that I'm blessed to wear um with friends

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<v Speaker 1>in your spaces, but as a fan that I see

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<v Speaker 1>here and here that it's kind of nerve. It's it's

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<v Speaker 1>hitting a nerve. It's not like, oh I'm so happy.

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<v Speaker 1>He's probably I'm probably the only person. Yeah, she's that.

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<v Speaker 1>We're good. But you know you you and you're not

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<v Speaker 1>about to pull a radio Okay now say okay, sorry,

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<v Speaker 1>we might because you know I'm all things. This is crazy. Um, um,

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<v Speaker 1>we're at we're at um. The Usher show sure, absolutely amazing. Yeah.

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<v Speaker 1>By the way, if you haven't been to Usher's residency,

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<v Speaker 1>if you are a true R and B fing mm hmm,

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<v Speaker 1>you make the voyage how other religious people make make

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<v Speaker 1>their voyage to Mecca. You make the voyage to Vegas

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<v Speaker 1>to see Usher and see R and B music on.

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<v Speaker 1>I held up a stage continue at the Usher show,

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<v Speaker 1>and I need to Baker's. Did Tevin Campbell's there? Shout

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<v Speaker 1>out to Campbell? Shout out to Tevin Campbell. Amazing night.

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<v Speaker 1>I need a Baker's. And and Anita sees me um

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<v Speaker 1>and and she says, oh my god, come here, come here,

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<v Speaker 1>and she says, we can't lose. You don't do that

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<v Speaker 1>to me, I thought I had some sense to share

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<v Speaker 1>and I was like, I was hold up, mhm, No,

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<v Speaker 1>that's a that's that because that's what I'm that's I

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<v Speaker 1>got to tech you on, Jackie want just because that's

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<v Speaker 1>just that hit me so differently in anything, because first

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<v Speaker 1>of all, that's the need of Baker Um, the R

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<v Speaker 1>and B that I was allowed to listen to that

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<v Speaker 1>I grew up on. There were there were three albums

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<v Speaker 1>sitting on my father's record player. There was New Addition,

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<v Speaker 1>God and Anita Baker Wow. And that's what I would

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<v Speaker 1>listen to every day I came home from school every day.

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<v Speaker 1>And so you know, I met the need, had the

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<v Speaker 1>pleasure of meeting her a few times. But her saying

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<v Speaker 1>that to me and in my mind, me not even

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<v Speaker 1>knowing that me retire would even reach Yeah, the depths

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<v Speaker 1>of and Anita Baker who is living in her her

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<v Speaker 1>own universe by herself stand alone, right, And when she

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<v Speaker 1>said that, like, I didn't know what to say. You know,

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<v Speaker 1>I have I have words for any type of any situation.

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<v Speaker 1>I mean, I can you know, talk and articulate my

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<v Speaker 1>feelings at any moment in any time, and I did,

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<v Speaker 1>I had no I didn't know what to say, and

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<v Speaker 1>I honestly, I don't even think she realized that it

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<v Speaker 1>was so much commotion going on and so many people

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<v Speaker 1>thronging her and wanting to be in her space. I

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<v Speaker 1>literally that kind of just back and got out of

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<v Speaker 1>there because it just hit me. It just hit me

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<v Speaker 1>in such a grazy place, and so um, you know,

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<v Speaker 1>that conversation was was was, I don't I don't know

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<v Speaker 1>what that's gonna do to moving forward, right um. And

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<v Speaker 1>then even for that, I have a conversation with DJ

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<v Speaker 1>Drama and I'm just you know, I'm quizzing DJ Drama about,

0:16:06.720 --> 0:16:08.600
<v Speaker 1>you know, the success of his label and how he's

0:16:08.600 --> 0:16:11.280
<v Speaker 1>been able to do it for so long and building

0:16:11.440 --> 0:16:14.360
<v Speaker 1>artists and all these things, you know, because I really

0:16:14.400 --> 0:16:16.960
<v Speaker 1>want to break artists and DJ Drama that that's what

0:16:17.000 --> 0:16:22.440
<v Speaker 1>he does. And he was like, yeah, but this retiring thing, yeah,

0:16:22.520 --> 0:16:26.640
<v Speaker 1>that's not that's that's that's not it. And he was like,

0:16:26.720 --> 0:16:29.240
<v Speaker 1>he was like, you have to maintain the platform because

0:16:29.400 --> 0:16:33.280
<v Speaker 1>that platform is everything in terms of you helping your

0:16:33.400 --> 0:16:36.440
<v Speaker 1>artists or the next generation of artists, Like that platform

0:16:36.480 --> 0:16:39.520
<v Speaker 1>has to be maintained. We can't lose that platform. And

0:16:39.560 --> 0:16:42.560
<v Speaker 1>I was like, you know, I heard him at the time,

0:16:42.600 --> 0:16:44.880
<v Speaker 1>and I'm I'm still just push him in retirement and still,

0:16:44.920 --> 0:16:47.360
<v Speaker 1>and then Anita comes behind and says, we can't lose you,

0:16:47.440 --> 0:16:53.440
<v Speaker 1>and I'm like Jesus Christ, yeah, because for me, it's

0:16:53.520 --> 0:16:57.320
<v Speaker 1>like no, I know that's how everything, but not everybody

0:16:57.320 --> 0:17:01.160
<v Speaker 1>would take it that way for every artist. Some artists

0:17:01.160 --> 0:17:03.680
<v Speaker 1>can say you be like, Okay, God, bless good night,

0:17:04.280 --> 0:17:07.680
<v Speaker 1>thanks for letting us know. But for you, I think

0:17:07.720 --> 0:17:12.320
<v Speaker 1>it's important that that is understood, that that place, that throne,

0:17:12.359 --> 0:17:18.120
<v Speaker 1>that's that you've built and created, that's for you. It's

0:17:18.320 --> 0:17:20.800
<v Speaker 1>like I would love to sit here and be like

0:17:21.040 --> 0:17:24.280
<v Speaker 1>or so about their ensinment as friends, you know, but

0:17:24.840 --> 0:17:27.480
<v Speaker 1>I can't say that your fans are happy to hear that.

0:17:27.480 --> 0:17:30.399
<v Speaker 1>That doesn't feel good because you have to think about

0:17:30.440 --> 0:17:33.080
<v Speaker 1>what R and B feels like to you. There's no

0:17:33.119 --> 0:17:35.760
<v Speaker 1>other music. I love all genres. I'm a child of

0:17:35.760 --> 0:17:38.920
<v Speaker 1>a musician. I love I love every piece of every

0:17:38.960 --> 0:17:42.119
<v Speaker 1>genre of music. But there's no music that makes us

0:17:42.359 --> 0:17:45.560
<v Speaker 1>feel like R and B. It's rhythm and blues. It

0:17:46.200 --> 0:17:51.560
<v Speaker 1>derives from everything our people created whether it's jazz blues,

0:17:51.720 --> 0:17:54.600
<v Speaker 1>like it derives from everything that who we are, it's

0:17:54.640 --> 0:18:00.600
<v Speaker 1>our soul. So it's like the general And then right

0:18:00.600 --> 0:18:02.280
<v Speaker 1>now is such a crazy time in the R and

0:18:02.320 --> 0:18:05.280
<v Speaker 1>B world because it's such a fight right now for

0:18:05.320 --> 0:18:08.680
<v Speaker 1>everybody to say Army still alive, Army is dead. Everybody

0:18:08.680 --> 0:18:10.640
<v Speaker 1>has an opinion about R and B. And now you're

0:18:10.680 --> 0:18:13.280
<v Speaker 1>like on the forefront of trying to save R and

0:18:14.320 --> 0:18:16.320
<v Speaker 1>make it what it's supposed to be and bring it

0:18:16.359 --> 0:18:18.520
<v Speaker 1>back to what it should be. So it's like the

0:18:18.600 --> 0:18:21.320
<v Speaker 1>moment you decide that you kind of want to be

0:18:21.400 --> 0:18:24.439
<v Speaker 1>done or walk away from it. It's like in the

0:18:24.440 --> 0:18:26.920
<v Speaker 1>middle of that, in the middle of the war, it's

0:18:26.920 --> 0:18:38.680
<v Speaker 1>like Jamika Mallory saying she's not gonna do the woman's marching. Yeah,

0:18:39.000 --> 0:18:43.480
<v Speaker 1>it's I encourage all sides and I know that the

0:18:43.920 --> 0:18:46.439
<v Speaker 1>heart is right to really save R and B. From

0:18:46.520 --> 0:18:49.720
<v Speaker 1>a even a resource standpoint, like there's so much to work,

0:18:49.760 --> 0:18:52.320
<v Speaker 1>the Tank brand to work, the Tank music, to work

0:18:52.359 --> 0:18:56.000
<v Speaker 1>that that maybe it's a feeling or I'm asking you,

0:18:56.160 --> 0:18:59.960
<v Speaker 1>is it well, how can I also build for other artists?

0:19:00.080 --> 0:19:02.000
<v Speaker 1>Is if I have to still put so much work,

0:19:02.400 --> 0:19:05.520
<v Speaker 1>you're only human. I think I just have to I

0:19:05.680 --> 0:19:08.200
<v Speaker 1>have to manage my time better. It's hard to do that,

0:19:08.440 --> 0:19:10.960
<v Speaker 1>and it's hard to do that because, you know, but

0:19:11.040 --> 0:19:15.119
<v Speaker 1>I think that my mindset, being kind of in a

0:19:15.200 --> 0:19:20.639
<v Speaker 1>retirement space, has already given me UM has already given

0:19:20.640 --> 0:19:24.760
<v Speaker 1>me the fuel to to move forward really on building

0:19:25.240 --> 0:19:27.959
<v Speaker 1>you know what I'm saying, and grabbing and nurturing and

0:19:28.040 --> 0:19:32.000
<v Speaker 1>then and then figuring out a time for myself, you

0:19:32.040 --> 0:19:33.800
<v Speaker 1>know what I'm saying. So I think it's really just

0:19:33.840 --> 0:19:36.920
<v Speaker 1>going to be about, you know, trying to figure out

0:19:36.920 --> 0:19:38.800
<v Speaker 1>how to manage that time better because it's been so

0:19:38.840 --> 0:19:42.560
<v Speaker 1>all about me. Yeah, that I don't want it to

0:19:42.640 --> 0:19:45.400
<v Speaker 1>be that because I don't feel like I don't feel

0:19:45.440 --> 0:19:47.359
<v Speaker 1>like one person is going to save R and B.

0:19:48.040 --> 0:19:50.560
<v Speaker 1>I feel like the collective is. And I mass some

0:19:50.720 --> 0:19:52.960
<v Speaker 1>saying safe because R and B is is a lie.

0:19:53.240 --> 0:19:55.480
<v Speaker 1>It's saved. But to get R and B back to

0:19:55.560 --> 0:19:59.280
<v Speaker 1>its prominence, it's going to take all of us. It's

0:19:59.280 --> 0:20:01.880
<v Speaker 1>going to take people feel though, well, I mean, it's

0:20:01.880 --> 0:20:06.480
<v Speaker 1>going to take the people who make people feel you

0:20:06.480 --> 0:20:09.320
<v Speaker 1>know what I'm saying, come together a great conversation with

0:20:09.320 --> 0:20:14.560
<v Speaker 1>with with usher and and like it's his like his

0:20:14.760 --> 0:20:22.200
<v Speaker 1>passion about R and B music is just hearing hearing

0:20:22.280 --> 0:20:24.560
<v Speaker 1>him say it, having a take from him. I can't

0:20:24.600 --> 0:20:28.359
<v Speaker 1>give you everything, but hearing that conversation from him was

0:20:28.480 --> 0:20:32.879
<v Speaker 1>crazy because you you I heard him like this, R

0:20:32.960 --> 0:20:35.959
<v Speaker 1>and B is my ship. Like I heard a different

0:20:36.080 --> 0:20:41.600
<v Speaker 1>usher than I've ever heard in public or in an

0:20:41.680 --> 0:20:46.240
<v Speaker 1>interview or anywhere. Like I saw I saw oh man,

0:20:46.320 --> 0:20:50.000
<v Speaker 1>I saw knowledge. I believe for this ship. I saw

0:20:50.160 --> 0:20:54.679
<v Speaker 1>that ussher and so that gave me more fuel. Like

0:20:55.960 --> 0:21:12.159
<v Speaker 1>that's listen, listening, and we have to that those are

0:21:12.200 --> 0:21:15.280
<v Speaker 1>the moments we need, like you know, yeah, it is

0:21:15.440 --> 0:21:21.160
<v Speaker 1>U shirt, Um, it is Chris, it is Jasmine, it

0:21:21.280 --> 0:21:25.600
<v Speaker 1>is her. You know, it's it's all of us trying

0:21:25.600 --> 0:21:29.119
<v Speaker 1>to figure out together. I think R and B is

0:21:29.240 --> 0:21:32.520
<v Speaker 1>always they always pick one person out of the choir.

0:21:33.320 --> 0:21:36.640
<v Speaker 1>They always grab one person out of the group. Always

0:21:36.640 --> 0:21:39.920
<v Speaker 1>grab and so that's how we kind of always live

0:21:39.960 --> 0:21:54.040
<v Speaker 1>out our careers as that one person. You know, I

0:21:54.080 --> 0:21:55.520
<v Speaker 1>want to I want to stay on it for a

0:21:55.520 --> 0:21:59.680
<v Speaker 1>minute because so so back say nineties, right, let's take

0:21:59.720 --> 0:22:03.160
<v Speaker 1>it back to our nineties time where there were so

0:22:03.200 --> 0:22:08.080
<v Speaker 1>many girl groups. I mean they were like ten girls time.

0:22:08.080 --> 0:22:09.840
<v Speaker 1>But we're not talking about just like s W v

0:22:09.960 --> 0:22:14.960
<v Speaker 1>TLC the main we're talking about. You know, there's so

0:22:15.040 --> 0:22:18.840
<v Speaker 1>many browns, so you keep going, there's so many girl groups.

0:22:19.000 --> 0:22:22.720
<v Speaker 1>Do you feel that, Well, here's my theory, but here's

0:22:22.720 --> 0:22:24.679
<v Speaker 1>the truth. And I'm just gonna say the truth. I

0:22:24.720 --> 0:22:29.920
<v Speaker 1>feel like Beyonce made girl groups obsolete because once Destiny's Child,

0:22:30.359 --> 0:22:33.639
<v Speaker 1>Beyonce went Beyonce and we said, wait a minute, what

0:22:33.760 --> 0:22:38.160
<v Speaker 1>is that? And that's out of a group. It almost

0:22:38.240 --> 0:22:42.639
<v Speaker 1>was like you didn't see girl groups to me in

0:22:42.680 --> 0:22:48.600
<v Speaker 1>the same light anymore, because it was like, Beyonce, come

0:22:48.640 --> 0:22:51.560
<v Speaker 1>from a group, you finish. But I'm gonna add to that. Yeah,

0:22:51.640 --> 0:22:53.560
<v Speaker 1>you know, I'm just saying, like, you know, we had

0:22:53.600 --> 0:22:55.560
<v Speaker 1>Danity Kane, which I think was a really good I

0:22:55.640 --> 0:22:57.960
<v Speaker 1>love it. I love Danity Kane. I think that they

0:22:57.960 --> 0:23:02.240
<v Speaker 1>can all sing right, um. But I'm saying not to say,

0:23:02.520 --> 0:23:05.159
<v Speaker 1>you know, male groups, girl groups groups who are a

0:23:05.160 --> 0:23:08.000
<v Speaker 1>big part of our R and B heart and like

0:23:08.119 --> 0:23:11.919
<v Speaker 1>the build up it as well, alongside with incredible solo

0:23:12.000 --> 0:23:16.359
<v Speaker 1>acts as yourself in the future is does that even

0:23:16.400 --> 0:23:19.200
<v Speaker 1>have a place that that? Did that play a role

0:23:19.800 --> 0:23:21.960
<v Speaker 1>in where R and B kind of went as well? Well?

0:23:22.440 --> 0:23:26.960
<v Speaker 1>To to jump into that. I think that it's all

0:23:28.080 --> 0:23:31.280
<v Speaker 1>like we all like to speak about the bigger agenda

0:23:31.400 --> 0:23:33.240
<v Speaker 1>and they and all these other things. Right, I won't

0:23:33.280 --> 0:23:35.119
<v Speaker 1>get into that part of it. I'll speak from the

0:23:35.119 --> 0:23:40.640
<v Speaker 1>business standpoint and from an economical standpoint. When you see

0:23:41.080 --> 0:23:44.000
<v Speaker 1>when you see Beyonce have the success that she has

0:23:44.119 --> 0:23:47.240
<v Speaker 1>on her own, I mind you, Uh, Destiny's Child is

0:23:47.240 --> 0:23:52.760
<v Speaker 1>the highest selling times right, so there's they did great

0:23:52.800 --> 0:23:56.720
<v Speaker 1>in economics. But you also a business person will say, well,

0:23:56.800 --> 0:23:59.879
<v Speaker 1>look what we did with Beyonce, which is one person,

0:24:00.640 --> 0:24:02.240
<v Speaker 1>you know what I'm saying, and that and and let's

0:24:02.280 --> 0:24:06.280
<v Speaker 1>cut out. We didn't have to do two more first

0:24:06.280 --> 0:24:09.080
<v Speaker 1>class tickets, we didn't have to do glam for two

0:24:09.119 --> 0:24:12.200
<v Speaker 1>more people. We didn't have to do wow. Okay, so

0:24:12.280 --> 0:24:17.840
<v Speaker 1>maybe we should just be looking for Beyonce's just economically,

0:24:18.680 --> 0:24:20.800
<v Speaker 1>you know what I'm saying, just based on the success

0:24:20.840 --> 0:24:23.840
<v Speaker 1>of you know, you know, because everybody's chasing lightning in

0:24:23.880 --> 0:24:28.800
<v Speaker 1>the bottom, which is right, and so the economics of

0:24:28.840 --> 0:24:31.639
<v Speaker 1>a thing, even with solo artists, you know what I'm saying,

0:24:31.880 --> 0:24:34.960
<v Speaker 1>And so R and B of course back in those

0:24:34.960 --> 0:24:38.399
<v Speaker 1>group days was more expensive and what we didn't figure

0:24:38.440 --> 0:24:42.160
<v Speaker 1>out how to do is how to make it economical

0:24:42.320 --> 0:24:47.760
<v Speaker 1>in two budgets aren't the same, and artist development department

0:24:47.840 --> 0:24:53.600
<v Speaker 1>is no longer. Back in the day, the artist development

0:24:53.760 --> 0:24:57.240
<v Speaker 1>started in church, you know what I'm saying, or on

0:24:57.280 --> 0:24:59.639
<v Speaker 1>the street corner, you know what I'm saying, where you

0:24:59.680 --> 0:25:01.560
<v Speaker 1>were saying and every day on the street corner with

0:25:01.680 --> 0:25:03.719
<v Speaker 1>your guys, you know what I'm saying, Or you were

0:25:03.760 --> 0:25:06.400
<v Speaker 1>singing in the bathroom and high school with your guys,

0:25:06.760 --> 0:25:09.080
<v Speaker 1>or all of y'all went to the same church saying

0:25:09.119 --> 0:25:11.480
<v Speaker 1>in the same choir, seemed the same group. So from

0:25:11.520 --> 0:25:13.520
<v Speaker 1>a vocal standpoint, you know what I'm saying, in a

0:25:13.640 --> 0:25:17.080
<v Speaker 1>unity standpoint that was built there. When you got to

0:25:17.160 --> 0:25:21.320
<v Speaker 1>a label, then how to be an artist was developed, right.

0:25:21.440 --> 0:25:28.240
<v Speaker 1>But everything now it's for for his damn self records.

0:25:30.080 --> 0:25:34.080
<v Speaker 1>Everybody's solo minded. Everybody is about what makes me happy.

0:25:35.000 --> 0:25:39.439
<v Speaker 1>Everybody's like what I'm on And if it doesn't satisfy

0:25:39.720 --> 0:25:41.920
<v Speaker 1>or if it's it, if it if it isn't instantly

0:25:42.000 --> 0:25:45.000
<v Speaker 1>gratifying to me, I'm out and I'm gonna go find

0:25:45.000 --> 0:25:48.800
<v Speaker 1>the thing that is. So as we are in this

0:25:48.880 --> 0:25:51.800
<v Speaker 1>instant world and we're talking about groups to take time,

0:25:54.280 --> 0:26:00.760
<v Speaker 1>it takes even from even from being a dancer in

0:26:00.760 --> 0:26:03.400
<v Speaker 1>the business. There were so many artists in groups that

0:26:03.800 --> 0:26:06.000
<v Speaker 1>I got hired to be a part of for artist development.

0:26:06.160 --> 0:26:08.720
<v Speaker 1>And you're in the studio. It's ship that's never seen

0:26:09.000 --> 0:26:12.080
<v Speaker 1>any else. But you're in the studio working their ass

0:26:12.119 --> 0:26:14.320
<v Speaker 1>up eight hours a day, sixty eight hours a day.

0:26:14.440 --> 0:26:17.440
<v Speaker 1>I don't even hear anybody doing that anymore, like just

0:26:17.560 --> 0:26:20.640
<v Speaker 1>working on it. Can we also give some real fingersnaps

0:26:20.640 --> 0:26:23.680
<v Speaker 1>and handclaps to was to to to the dancer world

0:26:23.680 --> 0:26:28.280
<v Speaker 1>of Waszina has also brought to the dancer world pioneer

0:26:29.200 --> 0:26:32.239
<v Speaker 1>and really pioneered, because you know, it's easy for you

0:26:32.320 --> 0:26:36.159
<v Speaker 1>to say, oh, you know what, also dancer, let's but

0:26:36.240 --> 0:26:40.040
<v Speaker 1>let's actually let's place it where really is. We're not

0:26:40.119 --> 0:26:43.080
<v Speaker 1>talking about and no disrespect any video girls or vixens

0:26:43.160 --> 0:26:45.679
<v Speaker 1>or anything like that. I love the art in any form,

0:26:45.800 --> 0:26:48.199
<v Speaker 1>so let's let's not take it out of context. That

0:26:48.280 --> 0:26:50.520
<v Speaker 1>was both but no, yeah, but what I'm saying is,

0:26:50.600 --> 0:26:53.719
<v Speaker 1>but it was your art. It was art that you

0:26:53.760 --> 0:26:57.560
<v Speaker 1>were creating. And for say, like my first love was dance,

0:26:57.600 --> 0:26:59.760
<v Speaker 1>which people wouldn't know, you know what I mean. When

0:26:59.760 --> 0:27:02.400
<v Speaker 1>I was a little girl, always dance dancing. All my

0:27:02.520 --> 0:27:06.680
<v Speaker 1>dance like partners are all big choreographers and everything. Now,

0:27:06.760 --> 0:27:11.159
<v Speaker 1>So what you created and open doors for young girls

0:27:11.200 --> 0:27:13.760
<v Speaker 1>to come in and dance and create and build a

0:27:13.880 --> 0:27:16.320
<v Speaker 1>career from that, you know, And that had a lot

0:27:16.359 --> 0:27:19.000
<v Speaker 1>to do with the success of artists like yourself. You

0:27:19.160 --> 0:27:21.680
<v Speaker 1>had to book dancers you can't to see on that day,

0:27:22.240 --> 0:27:26.119
<v Speaker 1>and yeah, that's how but that's but that's a big

0:27:26.160 --> 0:27:29.119
<v Speaker 1>part of even like this conversation about artists development and

0:27:29.119 --> 0:27:32.800
<v Speaker 1>what it takes to create something. Yeah, ten days. When

0:27:32.840 --> 0:27:36.720
<v Speaker 1>I got hired to do his video, they were like, Okay,

0:27:36.720 --> 0:27:39.760
<v Speaker 1>we're gonna have ten days rehearsal, one day video shoot.

0:27:39.760 --> 0:27:41.560
<v Speaker 1>I was like tenda's rehearsal. I was like, oh, he

0:27:41.680 --> 0:27:46.920
<v Speaker 1>doesn't have a budget. But I wasn't ten days of rehearsal.

0:27:46.920 --> 0:27:49.480
<v Speaker 1>It was like, how many dancers do we have? It's

0:27:49.520 --> 0:27:51.880
<v Speaker 1>really it's like ten to twelve girls something like that.

0:27:51.960 --> 0:27:55.879
<v Speaker 1>No way I was dancing, we was up at I

0:27:57.560 --> 0:28:00.159
<v Speaker 1>I was trying to get my my usher brown on.

0:28:01.040 --> 0:28:04.600
<v Speaker 1>That's what was going on. Chris Raymond. Even back then though,

0:28:04.640 --> 0:28:07.600
<v Speaker 1>for an R and B artist to have tender dancers

0:28:07.960 --> 0:28:09.679
<v Speaker 1>and be in there with the dancers like a lot

0:28:09.720 --> 0:28:12.040
<v Speaker 1>of people weren't doing that then, and he was really

0:28:12.119 --> 0:28:15.160
<v Speaker 1>giving his all doing what are you smiling? Because it's

0:28:15.200 --> 0:28:18.800
<v Speaker 1>so cute to you. It does say he want to

0:28:18.880 --> 0:28:23.240
<v Speaker 1>be a dancer, so Bader. You know what made me

0:28:23.320 --> 0:28:26.959
<v Speaker 1>stop dancing when the song didn't work? Okay, and I

0:28:27.000 --> 0:28:31.800
<v Speaker 1>felt like my dancing I had something almost going his career.

0:28:32.600 --> 0:28:35.800
<v Speaker 1>I felt like I felt like I was dancing good.

0:28:36.240 --> 0:28:38.840
<v Speaker 1>I was dancing great, I was doing somersaults. Everything was

0:28:38.880 --> 0:28:44.200
<v Speaker 1>great into that, but but when it didn't work, that

0:28:44.560 --> 0:28:47.560
<v Speaker 1>entire thing for me just felt like a bad place,

0:28:48.040 --> 0:28:51.640
<v Speaker 1>and I just stopped dancing. Period. But now, when you're

0:28:51.680 --> 0:28:56.480
<v Speaker 1>on stage, like you gotta groove front of them all

0:28:56.520 --> 0:28:58.960
<v Speaker 1>the time, but I can say, like i'd be jamming

0:28:58.960 --> 0:29:00.560
<v Speaker 1>with you when you're on say to make sure he

0:29:00.600 --> 0:29:04.600
<v Speaker 1>got it, I gotta did, Bob, and you do jam

0:29:04.640 --> 0:29:10.560
<v Speaker 1>with him because are you recording with no? He looks

0:29:10.560 --> 0:29:13.480
<v Speaker 1>great on stage, Like he carries himself so good on stage,

0:29:13.520 --> 0:29:17.160
<v Speaker 1>almost as if he's in the studio, likely in rehearsaling somebody,

0:29:17.160 --> 0:29:23.160
<v Speaker 1>but he's not. He's by himself. Oh, he's beyond always

0:29:23.240 --> 0:29:29.880
<v Speaker 1>rehearsing in my mind. Interesting, tell me about like I

0:29:30.000 --> 0:29:31.840
<v Speaker 1>drive most of the times when I drive, especially when

0:29:31.880 --> 0:29:34.680
<v Speaker 1>I'm by myself, I don't play the music. So when

0:29:34.680 --> 0:29:36.719
<v Speaker 1>i'm driving or when I have those quiet times, when

0:29:36.720 --> 0:29:40.920
<v Speaker 1>I'm able to have those quiet times, I'm visualizing. I'm

0:29:41.000 --> 0:29:45.600
<v Speaker 1>visualizing everything, Like if if Javon sends me the setness,

0:29:46.080 --> 0:29:49.880
<v Speaker 1>then I'm visualized interesting. I'm so I'm gonna say this

0:29:50.400 --> 0:29:53.520
<v Speaker 1>and then and I'm gonna do that and then and then,

0:29:54.240 --> 0:29:56.480
<v Speaker 1>and I go over to my head and I make

0:29:56.520 --> 0:29:58.840
<v Speaker 1>sure I have it downpacked perfect, Like every time you

0:29:58.880 --> 0:30:03.800
<v Speaker 1>see me on stage, I'm going to do pretty much

0:30:04.840 --> 0:30:09.840
<v Speaker 1>the same thing every night, with slight variations based on

0:30:09.920 --> 0:30:13.280
<v Speaker 1>the energy in the room. But I'm very methodical and

0:30:13.400 --> 0:30:16.960
<v Speaker 1>very intentional with everything that I do on stage. You

0:30:17.000 --> 0:30:18.560
<v Speaker 1>know what I'm saying, So that I know where to

0:30:18.640 --> 0:30:20.640
<v Speaker 1>be when the lights do this, and I know where

0:30:20.680 --> 0:30:22.480
<v Speaker 1>to be when the band hits this. I know where

0:30:22.480 --> 0:30:25.320
<v Speaker 1>to be, like I know where to be. You know

0:30:25.320 --> 0:30:28.680
<v Speaker 1>what I'm saying from artists now, because it's like you

0:30:28.760 --> 0:30:33.160
<v Speaker 1>go back to what rehearsals, Like I've rehearsed so much

0:30:33.560 --> 0:30:36.080
<v Speaker 1>so we're now in my mind. Now, in my mind,

0:30:36.120 --> 0:30:39.040
<v Speaker 1>I can I can build it. And once I build

0:30:39.080 --> 0:30:42.720
<v Speaker 1>it in my mind, my my my, my body turns

0:30:42.760 --> 0:30:44.800
<v Speaker 1>it out. I know what it is like what I

0:30:44.840 --> 0:30:47.960
<v Speaker 1>whatever I was visualizing on Friday, when I get to

0:30:48.000 --> 0:30:49.960
<v Speaker 1>the stage on Saturday, I'm going to do exactly that.

0:30:50.960 --> 0:30:53.840
<v Speaker 1>You know what I'm saying. But that's from first having

0:30:53.840 --> 0:30:58.560
<v Speaker 1>all those years rehearsal and artists development and understanding UM

0:30:58.600 --> 0:31:01.600
<v Speaker 1>and understanding show in placement, you know what I'm saying,

0:31:01.600 --> 0:31:04.760
<v Speaker 1>and all of those things UM and being groomed right

0:31:04.800 --> 0:31:08.920
<v Speaker 1>like so um. We can't have those groups. We would

0:31:08.920 --> 0:31:11.080
<v Speaker 1>turn all the way back to that. We can't have groups.

0:31:11.800 --> 0:31:16.240
<v Speaker 1>We just have to We just have to get people

0:31:16.440 --> 0:31:20.160
<v Speaker 1>who who have been together. Yeah, I want to say,

0:31:20.200 --> 0:31:22.560
<v Speaker 1>I feel like they have to be organic. They can't

0:31:22.360 --> 0:31:29.800
<v Speaker 1>get together groups that are people that they have their

0:31:29.920 --> 0:31:35.480
<v Speaker 1>own relationship that's not based on the business. It's not

0:31:35.600 --> 0:31:39.560
<v Speaker 1>based on the money, that's not based on together. They

0:31:39.560 --> 0:31:44.400
<v Speaker 1>have their own because because when you have that, you've

0:31:44.600 --> 0:31:52.320
<v Speaker 1>argued before before, you've had your differences, but you're still

0:31:52.400 --> 0:32:00.640
<v Speaker 1>together and that will carry over into you're doing record

0:32:00.640 --> 0:32:03.480
<v Speaker 1>company business. The thing that you'll stick to is each

0:32:03.480 --> 0:32:06.800
<v Speaker 1>other because well, you're gonna you're gonna talk about my

0:32:07.360 --> 0:32:09.000
<v Speaker 1>you know what I'm saying, It's not a group member.

0:32:09.120 --> 0:32:10.800
<v Speaker 1>You ain't gonna talk about my sister like that, Like

0:32:11.080 --> 0:32:12.360
<v Speaker 1>like what you're saying, like what you own? You know

0:32:12.400 --> 0:32:15.280
<v Speaker 1>what I'm saying, Like we're together. It's that bond that

0:32:15.920 --> 0:32:18.640
<v Speaker 1>we gotta find. And so if there are groups out

0:32:18.680 --> 0:32:22.760
<v Speaker 1>there that are groups already and not trying to be

0:32:22.840 --> 0:32:25.960
<v Speaker 1>groups for the bag, those groups will work because then

0:32:27.200 --> 0:32:30.760
<v Speaker 1>again they'll understand the economic of it. Listen, this isn't

0:32:30.800 --> 0:32:33.840
<v Speaker 1>the days of being able to get everybody a hundred

0:32:33.880 --> 0:32:36.640
<v Speaker 1>thousand dollar advanced and then have a three or four

0:32:36.960 --> 0:32:39.800
<v Speaker 1>thousand dollar budget to go along with it. No, we

0:32:40.040 --> 0:32:43.120
<v Speaker 1>ma can only get each person a thirty thousand all

0:32:43.240 --> 0:32:47.160
<v Speaker 1>advance ord all advanced, and then we may only be

0:32:47.240 --> 0:32:50.840
<v Speaker 1>able to get to fifty to do the album and

0:32:50.960 --> 0:32:53.760
<v Speaker 1>do album packaging, know what I'm saying, and then possibly

0:32:53.760 --> 0:32:56.400
<v Speaker 1>get some sponsorship, you know, a liquor sponsor or some

0:32:56.440 --> 0:33:00.080
<v Speaker 1>other sponsor to help get the visuals done and and

0:33:00.080 --> 0:33:02.240
<v Speaker 1>and to and to run up for social media program

0:33:02.280 --> 0:33:05.920
<v Speaker 1>like all those things. It has to be economical, right,

0:33:05.960 --> 0:33:09.800
<v Speaker 1>because that's the business that we're in. Like, people don't

0:33:09.800 --> 0:33:11.920
<v Speaker 1>even understand how much artists used to have to recoup

0:33:11.960 --> 0:33:13.960
<v Speaker 1>back in the day. Oh my god, like, I don't

0:33:13.960 --> 0:33:22.200
<v Speaker 1>think anybody understands we were spending a yeah, they got

0:33:22.240 --> 0:33:26.520
<v Speaker 1>that advanceing. I got to recoup this first. Before I

0:33:26.640 --> 0:33:37.960
<v Speaker 1>came out the gate, I was I was maybe one

0:33:37.960 --> 0:33:43.720
<v Speaker 1>point five maybe one point five, maybe a little over

0:33:44.080 --> 0:33:49.440
<v Speaker 1>in the whole before I came out the gate. M

0:33:50.480 --> 0:33:52.720
<v Speaker 1>in the whole. That's a lot of money. And I

0:33:52.800 --> 0:33:56.120
<v Speaker 1>know numbers are thrown around and people don't understand that's

0:33:56.160 --> 0:33:59.560
<v Speaker 1>a lot of money I had to pay back. We

0:33:59.600 --> 0:34:03.680
<v Speaker 1>need that back all people need to understand what regroup

0:34:03.720 --> 0:34:12.600
<v Speaker 1>me against earth. Yeah, so you know we aren't living

0:34:12.600 --> 0:34:15.000
<v Speaker 1>in those We aren't living in those times anymore. We

0:34:15.040 --> 0:34:18.520
<v Speaker 1>aren't living in you know. But that's what you know.

0:34:18.719 --> 0:34:23.160
<v Speaker 1>That's what my time away from the artist space is

0:34:23.200 --> 0:34:27.000
<v Speaker 1>what I want to be able to develop and be

0:34:27.080 --> 0:34:33.920
<v Speaker 1>able to teach the new artists coming into the game. Question, yes,

0:34:35.880 --> 0:34:40.840
<v Speaker 1>Tanks number one album chart wise? Is what number one

0:34:40.840 --> 0:34:44.399
<v Speaker 1>album chart wise? I think I had just stop selling album.

0:34:44.560 --> 0:34:48.000
<v Speaker 1>I mean now I'm starting the album single chart wise.

0:34:49.040 --> 0:34:55.680
<v Speaker 1>When we was Tanks number one song to himself, if

0:34:55.680 --> 0:34:57.600
<v Speaker 1>you could have said that should have been my number

0:34:57.600 --> 0:35:01.080
<v Speaker 1>one song, even though when we I'm gonna tell you

0:35:01.080 --> 0:35:04.120
<v Speaker 1>a song that should have been my number one I'm

0:35:04.160 --> 0:35:06.960
<v Speaker 1>trying to figure out the song should have been my

0:35:07.040 --> 0:35:11.359
<v Speaker 1>number one song that I think would have. I mean,

0:35:11.400 --> 0:35:13.759
<v Speaker 1>I've I've done well. Yes, I've done well. I'm still

0:35:13.800 --> 0:35:18.200
<v Speaker 1>doing well. But I think would have. I don't know,

0:35:19.640 --> 0:35:23.399
<v Speaker 1>but this might have done something crazy and I don't

0:35:23.440 --> 0:35:27.040
<v Speaker 1>I might have. I might have went somewhere else. Um

0:35:27.280 --> 0:35:32.400
<v Speaker 1>celebration featuring Dre, that's your song? Well, how did that

0:35:32.440 --> 0:35:36.200
<v Speaker 1>song get Tickere? Let me tell you something. You said

0:35:36.239 --> 0:35:42.319
<v Speaker 1>that's my song. I love that song. That's no your song.

0:35:42.360 --> 0:35:46.520
<v Speaker 1>I'm saying. That's what she's saying, number one, number one

0:35:46.520 --> 0:35:49.120
<v Speaker 1>song in terms of the song that I think could

0:35:49.160 --> 0:35:54.200
<v Speaker 1>have outdone everything all of my songs. Right, Like, Drake

0:35:54.320 --> 0:36:01.160
<v Speaker 1>is on fire. He's you know what's fair? He always

0:36:00.800 --> 0:36:05.520
<v Speaker 1>but but he's on fire. Okay's fire And he and

0:36:05.680 --> 0:36:07.239
<v Speaker 1>we get on the phone. He's like, bro, I'm a

0:36:07.280 --> 0:36:09.440
<v Speaker 1>big fan man. That's sex love in pain. And I

0:36:09.480 --> 0:36:12.200
<v Speaker 1>was like, because she actually introduced me to Drake, who

0:36:12.239 --> 0:36:16.360
<v Speaker 1>got who got him? On Celebration? I okay, must have

0:36:16.400 --> 0:36:25.319
<v Speaker 1>been you. You want to pa, go ahead, get your

0:36:25.320 --> 0:36:28.320
<v Speaker 1>shoulder one time. We're here, Yeah, hit your should on

0:36:28.400 --> 0:36:36.799
<v Speaker 1>one time? He did late for late. Hey, I don't

0:36:36.800 --> 0:36:39.799
<v Speaker 1>even think I knew that. So yeah, it was the time.

0:36:40.360 --> 0:36:44.359
<v Speaker 1>So you you introduced me to Drake because I didn't

0:36:44.400 --> 0:36:47.200
<v Speaker 1>know who Drake was. No, I didn't know Drake. I

0:36:47.239 --> 0:36:52.880
<v Speaker 1>induced to the music. So I go, clear up, we

0:36:52.960 --> 0:36:56.359
<v Speaker 1>have a pass here. So so I go to her

0:36:56.400 --> 0:36:59.040
<v Speaker 1>house and she's like, oh, this dude, this dude call

0:36:59.120 --> 0:37:01.399
<v Speaker 1>me out on the song like it's it's crazy here

0:37:01.400 --> 0:37:04.680
<v Speaker 1>and I'm like what song and say loving pain Baby.

0:37:05.560 --> 0:37:10.439
<v Speaker 1>I was like he's like yeah right, I'm like he's

0:37:10.719 --> 0:37:13.919
<v Speaker 1>doing and so like even from that song, that song

0:37:14.000 --> 0:37:17.600
<v Speaker 1>coming out, my walkthroughs went out. All of a sudden,

0:37:17.600 --> 0:37:22.080
<v Speaker 1>I was in the club, thank you wanna you're trying

0:37:22.120 --> 0:37:25.040
<v Speaker 1>you want to host your my hosting club st That's

0:37:25.040 --> 0:37:31.160
<v Speaker 1>like I'm bad, I'm back right, And so get in

0:37:31.200 --> 0:37:34.520
<v Speaker 1>contact with your ache and he's like, I'm a man,

0:37:34.560 --> 0:37:37.359
<v Speaker 1>I'm a big fan. Man. Me and my guys love

0:37:37.440 --> 0:37:39.719
<v Speaker 1>the sex stuff and pain. If you ever need me

0:37:39.760 --> 0:37:49.520
<v Speaker 1>on anything, just say the word see this. We get

0:37:49.520 --> 0:37:52.120
<v Speaker 1>off this. I don't know him to do this, but

0:37:53.400 --> 0:37:58.799
<v Speaker 1>and I didn't have a song. I said, I'll send

0:37:58.800 --> 0:38:02.279
<v Speaker 1>you one. I'll send you one. And the first song

0:38:02.320 --> 0:38:06.080
<v Speaker 1>I sent him with sex music, and I sent him

0:38:06.080 --> 0:38:09.359
<v Speaker 1>sex music and he was like, he's like, he's like,

0:38:09.400 --> 0:38:12.839
<v Speaker 1>I like it, but I don't think that's the one.

0:38:13.480 --> 0:38:16.799
<v Speaker 1>And I was like, okay, okay, okay, okay, okay, don't

0:38:16.840 --> 0:38:24.040
<v Speaker 1>work because I don't go draw right. So so so

0:38:24.200 --> 0:38:30.000
<v Speaker 1>I went back and the stereotypes had given me a track, right,

0:38:30.880 --> 0:38:35.640
<v Speaker 1>and this track was so crazy that sometimes I get

0:38:35.640 --> 0:38:39.560
<v Speaker 1>a track and it's so it's just it's so amazing

0:38:39.600 --> 0:38:43.560
<v Speaker 1>to me that I I'm so into the music that

0:38:43.600 --> 0:38:47.600
<v Speaker 1>I can't find the journey that that's supposed to lay

0:38:47.600 --> 0:38:50.120
<v Speaker 1>on top of. I can't find it. And I literally

0:38:50.560 --> 0:38:52.759
<v Speaker 1>listened to that track and I took that track with

0:38:52.840 --> 0:38:55.480
<v Speaker 1>me to Miami. I remember this vividly, and I remember

0:38:55.520 --> 0:39:00.839
<v Speaker 1>sitting on on the I'm sitting on the balcony at

0:39:00.960 --> 0:39:06.399
<v Speaker 1>night and I'm looping this track. I'm looping it. I'm

0:39:06.480 --> 0:39:11.560
<v Speaker 1>just with a beverage over and over. I'm so in

0:39:11.560 --> 0:39:14.280
<v Speaker 1>love with the music. I can't find the journey. So

0:39:14.680 --> 0:39:16.200
<v Speaker 1>I finally get back to l A. I think it

0:39:16.239 --> 0:39:18.799
<v Speaker 1>was on like A just maybe A doing a couple

0:39:18.840 --> 0:39:21.840
<v Speaker 1>of dates or something. I finally get back to l A.

0:39:22.400 --> 0:39:24.320
<v Speaker 1>And this is when we're working in an Underdogs building

0:39:24.640 --> 0:39:29.360
<v Speaker 1>on on violence and m So I go up to

0:39:29.400 --> 0:39:33.640
<v Speaker 1>our room and uh and Jay is sitting there and

0:39:33.680 --> 0:39:35.640
<v Speaker 1>I'm like, I'm like, Jay, this track has just been

0:39:35.800 --> 0:39:38.759
<v Speaker 1>can't it's been killing me. I was like, I just

0:39:38.800 --> 0:39:41.759
<v Speaker 1>can't find I can't find it. And so he's like,

0:39:41.840 --> 0:39:44.000
<v Speaker 1>you said play it, play it. So I play it

0:39:45.360 --> 0:39:48.839
<v Speaker 1>and JB was listening to he said it just it

0:39:48.880 --> 0:39:51.160
<v Speaker 1>feels like a celebration, like it just. I said, that's it.

0:39:51.160 --> 0:39:54.279
<v Speaker 1>Turned it, my go turn it on and said, that's it.

0:39:55.760 --> 0:39:59.240
<v Speaker 1>That's it. At the bottom of that phones any baby,

0:39:59.400 --> 0:40:03.399
<v Speaker 1>egn sell to think it's your birthday baby. He'll sell

0:40:03.480 --> 0:40:06.960
<v Speaker 1>him probably after party. I can't wait to sell him

0:40:07.440 --> 0:40:12.840
<v Speaker 1>all the party. And then I said, oh, he's gonna

0:40:12.960 --> 0:40:15.319
<v Speaker 1>love this one because this is it. I can't wait

0:40:15.360 --> 0:40:19.440
<v Speaker 1>to send this one to the boy. Yes to the boys.

0:40:20.040 --> 0:40:24.080
<v Speaker 1>And I sent that with to Drake and he said, yes, sir, yeah,

0:40:24.120 --> 0:40:27.160
<v Speaker 1>this is it. He said, I got you on it. Now.

0:40:27.160 --> 0:40:30.320
<v Speaker 1>You gotta be patient when you get these Drake versions. Okay,

0:40:30.400 --> 0:40:42.200
<v Speaker 1>you gotta be patient. You know, chick, I see you

0:40:42.239 --> 0:40:45.799
<v Speaker 1>moving away right, you know what I got see you

0:40:46.760 --> 0:40:50.200
<v Speaker 1>Christ and I let you. I let your boy when

0:40:50.200 --> 0:40:52.239
<v Speaker 1>if you get a minute. You don't want to press,

0:40:52.280 --> 0:40:55.239
<v Speaker 1>you don't want to stress. You want to gotta be

0:40:55.320 --> 0:40:56.880
<v Speaker 1>nice about you, gotta be patient when you trying to

0:40:56.880 --> 0:41:00.560
<v Speaker 1>get the Drake burst now and uh and sent his

0:41:00.719 --> 0:41:04.799
<v Speaker 1>verse back. When he sent his verse back, the thing

0:41:04.880 --> 0:41:11.560
<v Speaker 1>that was most impressive about his verse was him asking me, hey, man, like,

0:41:11.800 --> 0:41:13.200
<v Speaker 1>do you like it? And if you if you don't

0:41:13.200 --> 0:41:14.640
<v Speaker 1>like it, man, just let me know. I can redo

0:41:14.680 --> 0:41:23.400
<v Speaker 1>any of it. And I was like, what what? No? What? Right? Like,

0:41:21.880 --> 0:41:27.200
<v Speaker 1>he's Drake. You can drop a verse off and not

0:41:27.360 --> 0:41:39.040
<v Speaker 1>say nothing. He can, he can do that, but the

0:41:39.200 --> 0:41:41.040
<v Speaker 1>verse is so crazy. I was like, you are out

0:41:41.080 --> 0:41:45.239
<v Speaker 1>of control. You're out of control, right, take this to

0:41:45.280 --> 0:41:50.759
<v Speaker 1>the label. We have not only at Drake, not only

0:41:50.760 --> 0:41:54.640
<v Speaker 1>a Drake feature. We have a Drake feature for the

0:41:54.719 --> 0:41:59.120
<v Speaker 1>love and now. Yeah, it was I couldn't afford a

0:41:59.239 --> 0:42:03.560
<v Speaker 1>Drake feature. No, I couldn't afford it. I had a

0:42:03.640 --> 0:42:10.800
<v Speaker 1>Drake feature for the love. He respected you in your music,

0:42:11.640 --> 0:42:17.920
<v Speaker 1>so I'll go to But I said, listen, this is

0:42:18.920 --> 0:42:27.719
<v Speaker 1>I don't have to and unfortunately berg Man wouldn't clear

0:42:27.800 --> 0:42:33.239
<v Speaker 1>him at the time. Is that what happened? And I

0:42:33.280 --> 0:42:39.200
<v Speaker 1>think I think for a while he thought I just

0:42:39.360 --> 0:42:41.640
<v Speaker 1>got a verse from him and didn't put it out.

0:42:42.120 --> 0:42:45.840
<v Speaker 1>I think that he thought that, yeah, And I remember

0:42:45.880 --> 0:42:48.200
<v Speaker 1>having a conversation, I said, I said, he said, man,

0:42:48.239 --> 0:42:49.640
<v Speaker 1>you got the whole thing. And you know what I'm

0:42:49.640 --> 0:42:52.160
<v Speaker 1>saying that you just kind of settled, I said. I said,

0:42:52.160 --> 0:42:56.400
<v Speaker 1>I did not. I argued in my record company, like

0:42:56.440 --> 0:43:00.600
<v Speaker 1>I said, with shout out to Junic Ringwall, shoutut um.

0:43:00.680 --> 0:43:02.719
<v Speaker 1>And they were like, what do you want to go

0:43:02.760 --> 0:43:05.600
<v Speaker 1>with next? And I said celebration? Yeah, this this is

0:43:05.640 --> 0:43:08.319
<v Speaker 1>the next celebration, is it? And they were like, we

0:43:08.360 --> 0:43:10.720
<v Speaker 1>don't have the clearance. Think. I was like, I don't care,

0:43:11.360 --> 0:43:14.399
<v Speaker 1>don't they were and they were like that's not how

0:43:14.440 --> 0:43:17.600
<v Speaker 1>are legal works? And they were like they were like

0:43:17.640 --> 0:43:19.319
<v Speaker 1>I was like, they were like we we have tried

0:43:19.400 --> 0:43:21.680
<v Speaker 1>to get the clearance. We cannot get the clearance. So

0:43:21.719 --> 0:43:23.200
<v Speaker 1>he said no, or he just wouldn't get back to

0:43:23.200 --> 0:43:25.560
<v Speaker 1>the burn Man, wouldn't you know, That's what I'm saying.

0:43:26.080 --> 0:43:27.880
<v Speaker 1>He said no, or he just did not know this.

0:43:27.960 --> 0:43:31.120
<v Speaker 1>Can we go back? And I've I've never gotten around

0:43:31.200 --> 0:43:37.400
<v Speaker 1>to asking Burdman. You know, you gotta ask Bergman nicely.

0:43:37.440 --> 0:43:41.960
<v Speaker 1>You can't respect you gotta you gotta put respect on it.

0:43:47.160 --> 0:43:50.320
<v Speaker 1>He was calling you man and um, but we couldn't

0:43:50.360 --> 0:43:53.000
<v Speaker 1>get that clearance and what ended up heavy time though.

0:43:53.000 --> 0:43:55.640
<v Speaker 1>I'm just now thinking about the time that emergency and

0:43:56.320 --> 0:43:58.840
<v Speaker 1>I can't make you love me. I mean, yeah, I

0:43:58.880 --> 0:44:01.279
<v Speaker 1>can't make you let me. Those songs dropped, but I

0:44:01.280 --> 0:44:07.360
<v Speaker 1>feel like after celebration, those songs would have hit way interested.

0:44:08.040 --> 0:44:12.319
<v Speaker 1>Those songs would have hit way different. And and that's that.

0:44:12.480 --> 0:44:15.200
<v Speaker 1>That to me, that's my number one song that never

0:44:15.719 --> 0:44:21.160
<v Speaker 1>went number one. And they're like and they're like, I'll

0:44:21.200 --> 0:44:23.640
<v Speaker 1>see Drake right and here'll be like this. We gotta

0:44:23.680 --> 0:44:33.560
<v Speaker 1>get one. It's like, when stop saying this to me

0:44:34.840 --> 0:44:42.000
<v Speaker 1>because I get together together down Let's just leave the party.

0:44:42.440 --> 0:44:47.480
<v Speaker 1>Let's just leave the party right down the studio to you.

0:44:48.480 --> 0:44:52.680
<v Speaker 1>What do you mean? Oh my god? He said it

0:44:52.760 --> 0:44:56.799
<v Speaker 1>like three times, so we have to do that every

0:44:56.800 --> 0:44:58.640
<v Speaker 1>time he says it. And every time he says that,

0:44:58.680 --> 0:45:03.440
<v Speaker 1>I get excited. That's baby said, we're gonna get one.

0:45:03.719 --> 0:45:13.600
<v Speaker 1>Light up, come on, man. Like a couple of calls,

0:45:24.760 --> 0:45:38.000
<v Speaker 1>what is your most meaningful album? Great most meaningful album? Wow,

0:45:39.280 --> 0:45:46.480
<v Speaker 1>they're all my babies, They're all my babies. Sex c

0:45:46.480 --> 0:45:52.680
<v Speaker 1>louth In Pain Sex Love in Pain is probably my

0:45:52.800 --> 0:46:00.120
<v Speaker 1>most meaningful album because, um, first I have been on

0:46:00.160 --> 0:46:05.200
<v Speaker 1>the bench, and then due to how much time had elapsed,

0:46:05.239 --> 0:46:09.040
<v Speaker 1>I've been written off m hm. So you know, I

0:46:09.120 --> 0:46:12.200
<v Speaker 1>kind of got forced into writing and producing for so

0:46:12.239 --> 0:46:18.439
<v Speaker 1>many people because I died off as an artist and

0:46:18.480 --> 0:46:21.680
<v Speaker 1>I needed to feed my kids. I'm saying I didn't

0:46:21.719 --> 0:46:23.800
<v Speaker 1>have any other choice. That wasn't the space I wanted

0:46:23.840 --> 0:46:25.320
<v Speaker 1>to be in, but the space I had to be in,

0:46:25.360 --> 0:46:29.040
<v Speaker 1>which ended up being a major blessing in disguise, right

0:46:29.719 --> 0:46:35.719
<v Speaker 1>m hmm. And when when we were getting ready to

0:46:35.760 --> 0:46:39.759
<v Speaker 1>put this album out a few things happened. You were

0:46:40.960 --> 0:46:44.279
<v Speaker 1>there for everything m hm. Shout out to my O

0:46:44.400 --> 0:46:47.480
<v Speaker 1>G Fats, who says, man, I got some guys. If

0:46:47.520 --> 0:46:49.759
<v Speaker 1>they're not gonna play us, I got some guys that

0:46:49.800 --> 0:46:51.279
<v Speaker 1>will get us in the game and put the money

0:46:51.280 --> 0:46:56.360
<v Speaker 1>behind us. It comes BMF. So Z, Me and Z

0:46:56.520 --> 0:46:59.800
<v Speaker 1>actually fly down to Miami with Fats to go to

0:47:00.040 --> 0:47:02.040
<v Speaker 1>one of the guy's birthday party and being Meth to

0:47:02.120 --> 0:47:06.239
<v Speaker 1>be introduced to be Math and so can you give

0:47:06.239 --> 0:47:16.920
<v Speaker 1>a year on this two thousand and five or yeah,

0:47:16.960 --> 0:47:19.080
<v Speaker 1>So we go down there and meet the guys and

0:47:19.120 --> 0:47:22.759
<v Speaker 1>they're like, here you with us. But even before that,

0:47:23.600 --> 0:47:26.600
<v Speaker 1>Harvey walks up to me and says, we should make

0:47:26.640 --> 0:47:29.920
<v Speaker 1>a Tank album, Like why would we do that? So

0:47:30.680 --> 0:47:32.920
<v Speaker 1>we just should, like what do we have to lose?

0:47:33.000 --> 0:47:35.440
<v Speaker 1>It was like remember I was like, man, they're not

0:47:35.480 --> 0:47:37.560
<v Speaker 1>really working with me right now, like you said, so what,

0:47:37.800 --> 0:47:39.920
<v Speaker 1>Let's just make some music. Like Hardy was just like that,

0:47:39.960 --> 0:47:43.719
<v Speaker 1>Let's just make music, man, just make music. Let's just

0:47:43.760 --> 0:47:46.239
<v Speaker 1>make music. Man so much, right, And so we just

0:47:46.239 --> 0:47:48.799
<v Speaker 1>started working on bits and pieces, you know, of an album.

0:47:48.880 --> 0:47:52.800
<v Speaker 1>And then incomes BMF and incomes BMF's money to fund

0:47:52.800 --> 0:47:57.360
<v Speaker 1>the whole thing, and and you know, and then comes

0:47:58.440 --> 0:48:00.799
<v Speaker 1>Barry Hankerson doubling back or around, like, hey, what's going

0:48:00.840 --> 0:48:06.319
<v Speaker 1>on over there with my artists? That's what's going on.

0:48:07.800 --> 0:48:10.879
<v Speaker 1>We have this uh, you know, record to present. At

0:48:10.880 --> 0:48:14.439
<v Speaker 1>the time, we were being distributed by Motown. And when

0:48:14.440 --> 0:48:17.200
<v Speaker 1>we turned when when Barry goes to play the Tank album,

0:48:17.200 --> 0:48:19.879
<v Speaker 1>were we got Tank ready? Coming up? Blind up to drop?

0:48:20.719 --> 0:48:22.799
<v Speaker 1>Someone says, why are we why are you? Why are

0:48:22.800 --> 0:48:29.279
<v Speaker 1>we working on another Tank album? And I had been

0:48:29.280 --> 0:48:33.480
<v Speaker 1>written off last album two thousand two, it's two thousand six.

0:48:34.640 --> 0:48:36.399
<v Speaker 1>You didn't get that kind of time back then, unless

0:48:36.400 --> 0:48:41.000
<v Speaker 1>you Janet Jackson. I wasn't Janet Jackson. Just be honest.

0:48:43.719 --> 0:48:51.400
<v Speaker 1>I was, UM, so this album with my heart and

0:48:51.520 --> 0:48:57.719
<v Speaker 1>soul like my real life, literally my real life. Like

0:48:58.560 --> 0:49:00.759
<v Speaker 1>I went to the studio one of the songs when

0:49:00.760 --> 0:49:03.719
<v Speaker 1>I first started working with the Underdogs, I went in

0:49:03.760 --> 0:49:06.959
<v Speaker 1>as an artist to just get songs, and they wrote

0:49:06.960 --> 0:49:12.759
<v Speaker 1>a song called the Wedding Song. And they didn't know me.

0:49:12.920 --> 0:49:15.919
<v Speaker 1>They didn't really know me at all. They didn't know

0:49:16.400 --> 0:49:20.680
<v Speaker 1>that they had just written a song about everything that

0:49:20.800 --> 0:49:25.680
<v Speaker 1>I had just left behind at my house. They had

0:49:25.840 --> 0:49:28.239
<v Speaker 1>written it and put it in a song. And I

0:49:28.280 --> 0:49:31.840
<v Speaker 1>sat there and I had to stop myself from breaking

0:49:31.880 --> 0:49:35.239
<v Speaker 1>down crying in front of these strangers, and I was like,

0:49:35.280 --> 0:49:37.000
<v Speaker 1>what made you all write that? They were like, we

0:49:37.000 --> 0:49:38.640
<v Speaker 1>were just feeling the vibe, you know what I'm saying.

0:49:38.640 --> 0:49:41.480
<v Speaker 1>Like I was like, this you were you don't even

0:49:41.560 --> 0:49:44.600
<v Speaker 1>understand what you just said and what you just did,

0:49:45.440 --> 0:49:49.080
<v Speaker 1>right and so, and then other pieces of the album.

0:49:49.320 --> 0:49:52.880
<v Speaker 1>You know what I'm saying. You know, we're about me,

0:49:52.920 --> 0:49:55.640
<v Speaker 1>and this one right here, Heartbreaker was not about me.

0:49:57.040 --> 0:50:01.040
<v Speaker 1>Z has made it clear Heartbreakers because everyone asked me

0:50:01.080 --> 0:50:04.480
<v Speaker 1>that all the time. Heartbreaker kind of because I was

0:50:04.520 --> 0:50:06.759
<v Speaker 1>there when you record me finished, because I didn't write

0:50:06.800 --> 0:50:09.839
<v Speaker 1>the whole song by myself, so the pieces that I

0:50:09.880 --> 0:50:12.160
<v Speaker 1>interject had a little bit to do with us, but

0:50:12.200 --> 0:50:14.840
<v Speaker 1>it was me, Eric and Tony that wrote all of

0:50:14.880 --> 0:50:16.719
<v Speaker 1>it together. So it was pieces of everybody's you know

0:50:16.760 --> 0:50:24.040
<v Speaker 1>what I'm saying, but I hate you yeah yeah yeah,

0:50:25.560 --> 0:50:30.680
<v Speaker 1>and then you wrote our wedding song. So it's so

0:50:30.760 --> 0:50:35.799
<v Speaker 1>crazy because when the album came out, she called me.

0:50:35.880 --> 0:50:38.040
<v Speaker 1>She said, she said, well, Ship, I might as well

0:50:38.080 --> 0:50:43.760
<v Speaker 1>be in the video off the time, no, no, nothing,

0:50:43.760 --> 0:50:45.680
<v Speaker 1>I got your sucking out. I might as well be

0:50:45.719 --> 0:50:54.839
<v Speaker 1>in all the videos you always point records, um, so

0:50:54.960 --> 0:50:59.280
<v Speaker 1>I think sex off in Pain, and then just the

0:50:59.280 --> 0:51:04.080
<v Speaker 1>the influence of that album, like that album has spawned

0:51:05.239 --> 0:51:11.000
<v Speaker 1>so many other R and B singers, songwriters and producers

0:51:11.040 --> 0:51:14.080
<v Speaker 1>that I had no idea was listening. That's so many

0:51:14.080 --> 0:51:17.640
<v Speaker 1>people's favorite album. I had no idea that that many people,

0:51:17.880 --> 0:51:20.560
<v Speaker 1>you know, we're listening. I think the biggest one for

0:51:20.600 --> 0:51:23.640
<v Speaker 1>me was when when Chris Brown was like, bro be

0:51:23.800 --> 0:51:26.560
<v Speaker 1>my favorite, Like your vocals and all the si Cleving paint,

0:51:26.560 --> 0:51:28.759
<v Speaker 1>its like that's it, that's the Bible, Like that's what

0:51:29.000 --> 0:51:30.960
<v Speaker 1>I'm playing it right now. I go see Chris Brown

0:51:31.000 --> 0:51:34.640
<v Speaker 1>of the sold out tour, the arena sold out, and

0:51:34.680 --> 0:51:37.640
<v Speaker 1>I get on the bus and Secleving Paint is playing Yah,

0:51:37.719 --> 0:51:39.160
<v Speaker 1>We've been playing this all day. This is what I play.

0:51:39.200 --> 0:51:40.719
<v Speaker 1>I gotta get my get my focus right and get

0:51:41.000 --> 0:51:46.680
<v Speaker 1>and then I'm like yeah, and I'm looking at and

0:51:46.800 --> 0:51:49.360
<v Speaker 1>you know, a trade trade songs is like listen to that,

0:51:49.480 --> 0:51:51.760
<v Speaker 1>to listen to that out for a whole summer, who

0:51:51.840 --> 0:51:56.440
<v Speaker 1>summer and after that summer he comes with invented Sex

0:51:56.719 --> 0:51:59.200
<v Speaker 1>and then say ah and goes to the stratosphere. You

0:51:59.239 --> 0:52:02.719
<v Speaker 1>know what I'm saying. It's those moments for me, Like

0:52:03.680 --> 0:52:08.840
<v Speaker 1>that album, Um, that album validated me in the musical

0:52:08.920 --> 0:52:12.280
<v Speaker 1>universe in a in a way that I never imagined.

0:52:12.320 --> 0:52:14.440
<v Speaker 1>It validated me in a way that I've only looked

0:52:14.440 --> 0:52:16.839
<v Speaker 1>at people that I have. The way that I looked

0:52:16.840 --> 0:52:18.399
<v Speaker 1>at baby Face, you know what I'm saying, The way

0:52:18.440 --> 0:52:20.600
<v Speaker 1>that I looked at Keil's, the way that I looked

0:52:20.600 --> 0:52:22.520
<v Speaker 1>at the Reverend John PIKEI the way that I looked

0:52:22.520 --> 0:52:25.840
<v Speaker 1>at Kimberly, Like I only saw people that way. I

0:52:25.920 --> 0:52:30.960
<v Speaker 1>never thought that people would see me that way, you know,

0:52:31.080 --> 0:52:34.640
<v Speaker 1>And so save pain did that? I mean other great

0:52:34.760 --> 0:52:36.719
<v Speaker 1>albums and moments after that, you know what I mean,

0:52:37.000 --> 0:52:41.040
<v Speaker 1>especially from White writing our wedding song together and um,

0:52:41.080 --> 0:52:46.279
<v Speaker 1>you know even like my stronger album, Stronger albums, the

0:52:46.280 --> 0:52:48.879
<v Speaker 1>stronger album. Would you talk about how my kids can

0:52:48.880 --> 0:52:55.000
<v Speaker 1>listen to that? Feting to end the only album with

0:52:55.040 --> 0:52:58.239
<v Speaker 1>the stronger album, I'm gonna make just hold some R

0:52:58.280 --> 0:53:01.440
<v Speaker 1>and B music listen, not take his sugar off for

0:53:01.560 --> 0:53:03.680
<v Speaker 1>the whole album he did. I'm gonna go back to

0:53:03.719 --> 0:53:06.080
<v Speaker 1>the basics. I'm gonna go get a lot strings, I'm

0:53:06.120 --> 0:53:09.840
<v Speaker 1>gonna button it up, suiting all. I'm gonna be tasteful Tank,

0:53:10.120 --> 0:53:16.040
<v Speaker 1>and it's gonna be tasteful Tank. And it was everybody

0:53:16.080 --> 0:53:29.360
<v Speaker 1>was like, They're like, what is all the way to cud?

0:53:29.400 --> 0:53:32.279
<v Speaker 1>You really listen to the songs on that album? Well,

0:53:32.320 --> 0:53:34.759
<v Speaker 1>guess what I did in that that You're my star

0:53:34.840 --> 0:53:38.719
<v Speaker 1>song in the year my star video I danced, m

0:53:40.320 --> 0:53:48.760
<v Speaker 1>oh I never paid attention to that correlation. Don't dance, Okay,

0:53:49.520 --> 0:53:57.560
<v Speaker 1>I'll do, I'll do. I'll do is my gift. And

0:53:57.640 --> 0:54:02.640
<v Speaker 1>they said no, no, no, But that one wasn't bad.

0:54:04.280 --> 0:54:06.600
<v Speaker 1>It doesn't, it doesn't. It's not saying it was bad.

0:54:07.560 --> 0:54:12.960
<v Speaker 1>It just doesn't work. And so, but what I was

0:54:12.960 --> 0:54:15.960
<v Speaker 1>saying about that album was that album was a combination

0:54:16.440 --> 0:54:23.359
<v Speaker 1>of a breakup and being broken down and rekindling and

0:54:23.400 --> 0:54:26.600
<v Speaker 1>being built back up. You see what I'm saying. Like

0:54:26.680 --> 0:54:29.919
<v Speaker 1>that album was a crazy transition for me, going from

0:54:30.000 --> 0:54:33.799
<v Speaker 1>out of that into this, you know what I'm saying.

0:54:33.880 --> 0:54:37.000
<v Speaker 1>So Like the album had such sentimental value to me.

0:54:37.040 --> 0:54:40.400
<v Speaker 1>I wanted it to work so bad for that reason. Um,

0:54:40.800 --> 0:54:43.000
<v Speaker 1>but you know they you know, they wanted me to

0:54:43.040 --> 0:54:48.920
<v Speaker 1>get back to the titties. You know what, whatever, we

0:54:48.920 --> 0:54:51.160
<v Speaker 1>don't want to I'm happy right now. Guys. Okay, this

0:54:51.239 --> 0:54:55.480
<v Speaker 1>guy is singing, show, this guy is singing. I don't

0:54:55.520 --> 0:54:59.440
<v Speaker 1>get it. Show you can we talk about how I

0:54:59.520 --> 0:55:02.680
<v Speaker 1>always tell you that. I always told him because he's like, yeah,

0:55:02.719 --> 0:55:04.759
<v Speaker 1>I need dancers, I need singers, I need the lights,

0:55:04.760 --> 0:55:08.440
<v Speaker 1>I need this. I'm like, you don't need anything. And

0:55:08.520 --> 0:55:10.359
<v Speaker 1>I know he thinks I'm hating because I don't want

0:55:10.360 --> 0:55:15.839
<v Speaker 1>to neverside me. But I'm always saying, I said, it's

0:55:15.880 --> 0:55:17.960
<v Speaker 1>really rare that you see an R and B artist

0:55:18.000 --> 0:55:20.120
<v Speaker 1>this day and age that can carry an entire show,

0:55:21.200 --> 0:55:25.920
<v Speaker 1>carry an entire theater arena with him a piano, a mic,

0:55:26.000 --> 0:55:29.080
<v Speaker 1>and a light and he doesn't need ship. And I

0:55:29.120 --> 0:55:31.279
<v Speaker 1>say that to him all the time, like, I guess

0:55:31.280 --> 0:55:32.680
<v Speaker 1>it makes sense even when you say it, like when

0:55:32.680 --> 0:55:36.319
<v Speaker 1>you do you're dancing and it just doesn't work. Just

0:55:36.360 --> 0:55:40.839
<v Speaker 1>say it's terrible. No, I'm not even like. The way

0:55:40.840 --> 0:55:44.399
<v Speaker 1>that he carries an audience on stage is ridiculous. It's

0:55:44.840 --> 0:55:47.000
<v Speaker 1>I I love it. I'm so amazed by it. I

0:55:47.040 --> 0:55:51.399
<v Speaker 1>do appreciate it. And it's like I see that, right,

0:55:51.480 --> 0:55:55.239
<v Speaker 1>I get it. But but when I go to like

0:55:55.280 --> 0:55:59.680
<v Speaker 1>a Justin timber Lake shows, give it a little show.

0:56:00.320 --> 0:56:01.680
<v Speaker 1>I mean, when I go to Chris Brown show, I

0:56:01.719 --> 0:56:06.760
<v Speaker 1>know I can't do that's but some of the polished

0:56:06.840 --> 0:56:09.759
<v Speaker 1>things that I see, you know, Russia and j T do,

0:56:10.000 --> 0:56:12.080
<v Speaker 1>I'm like, I could do something like that. I could

0:56:12.080 --> 0:56:18.919
<v Speaker 1>do some of that hand I could say my little

0:56:18.960 --> 0:56:26.040
<v Speaker 1>four square feel like And so I get I get

0:56:26.120 --> 0:56:30.319
<v Speaker 1>so enamorous, and I'm such a fan of artists that

0:56:30.520 --> 0:56:34.360
<v Speaker 1>do it that I'll just be wanting the piece of it,

0:56:34.760 --> 0:56:37.359
<v Speaker 1>not a whole. You know, I should be wanting a

0:56:37.400 --> 0:56:40.440
<v Speaker 1>piece of it. But you on stage is so amazing.

0:56:40.480 --> 0:56:42.880
<v Speaker 1>You at the piano, you in your personality, you in

0:56:42.880 --> 0:56:46.480
<v Speaker 1>your comedy because he has a comedy section into his

0:56:47.080 --> 0:56:49.640
<v Speaker 1>show as well, and it's like people are like, Damn,

0:56:49.640 --> 0:56:51.719
<v Speaker 1>I didn't know Tanke was funny like that, Like a

0:56:51.800 --> 0:56:54.400
<v Speaker 1>lot of people don't realize how funny he really is.

0:56:54.440 --> 0:56:57.239
<v Speaker 1>In my conversations with people, because I happen to know

0:56:57.400 --> 0:57:00.680
<v Speaker 1>a lot of people always say I bring I probably

0:57:00.680 --> 0:57:02.680
<v Speaker 1>bring your name up so many times your ears have

0:57:02.760 --> 0:57:05.960
<v Speaker 1>to ring because I always tell people one of them

0:57:06.040 --> 0:57:11.440
<v Speaker 1>that's not fun one of the funniest people I know,

0:57:13.200 --> 0:57:23.439
<v Speaker 1>because she said, that's why I love you, baby say,

0:57:27.800 --> 0:57:31.240
<v Speaker 1>but I always say, take is literally one of the

0:57:31.280 --> 0:57:35.600
<v Speaker 1>funniest people I know in the world. Like if we're

0:57:35.640 --> 0:57:38.880
<v Speaker 1>hitting top, like, he's so funny. And that's something I

0:57:38.960 --> 0:57:43.280
<v Speaker 1>always try to say in conversations when anything comes up,

0:57:43.360 --> 0:57:46.080
<v Speaker 1>artist wise, music wise, if you come up, because I

0:57:46.120 --> 0:57:48.720
<v Speaker 1>feel like it's something that people really should know about him.

0:57:48.800 --> 0:57:52.880
<v Speaker 1>It's not like it's just like that's your person, now,

0:57:53.360 --> 0:57:57.439
<v Speaker 1>really who you are. It took a minute. It took

0:57:57.480 --> 0:57:59.880
<v Speaker 1>a minute for me to be comfortable you know with

0:58:00.080 --> 0:58:03.160
<v Speaker 1>the goofball is your friends and family now, yeah, my

0:58:03.200 --> 0:58:05.160
<v Speaker 1>friends and family know, but it took a minute for

0:58:05.200 --> 0:58:08.640
<v Speaker 1>me to be comfortable with just being that, you know,

0:58:08.840 --> 0:58:11.840
<v Speaker 1>just on stage what I'm saying, and it took from

0:58:12.200 --> 0:58:16.000
<v Speaker 1>it took being around Jamie Fox and learning how to

0:58:16.720 --> 0:58:19.880
<v Speaker 1>how to deliver it, you know what I'm saying, Understanding

0:58:19.920 --> 0:58:21.960
<v Speaker 1>the timing of it, you know what I'm saying, to

0:58:22.120 --> 0:58:24.800
<v Speaker 1>really be able to put it together, like being that

0:58:24.840 --> 0:58:27.880
<v Speaker 1>time with him, you know, being his understudy and just

0:58:27.920 --> 0:58:33.720
<v Speaker 1>watching like, oh that's how you Okay, Okay, okay. I

0:58:33.720 --> 0:58:35.440
<v Speaker 1>mean he's a master at it, you know what I'm saying.

0:58:35.440 --> 0:58:39.680
<v Speaker 1>But I was able to just grab pieces from him

0:58:39.720 --> 0:58:44.280
<v Speaker 1>that I knew I could take and incorporate into my space.

0:58:45.120 --> 0:58:48.360
<v Speaker 1>Would you we've seen you act well, of course, I've

0:58:48.400 --> 0:58:52.960
<v Speaker 1>seen you sing, We've seen you dance even against We've

0:58:53.000 --> 0:58:57.800
<v Speaker 1>seen you have really great comedy show moments in your show.

0:58:58.560 --> 0:59:01.560
<v Speaker 1>What do you say to Peep that act as if

0:59:01.600 --> 0:59:04.920
<v Speaker 1>you can only have one talent as a person, Like

0:59:04.960 --> 0:59:08.960
<v Speaker 1>you're really a quadruple threat person organically and those are

0:59:09.000 --> 0:59:11.480
<v Speaker 1>your real talents. It's we're in a day in the

0:59:11.520 --> 0:59:16.040
<v Speaker 1>age where you better have more than one talent. You

0:59:16.360 --> 0:59:20.840
<v Speaker 1>better like you better be able to diversify that portfolio.

0:59:21.440 --> 0:59:30.320
<v Speaker 1>Because my saving grace quietly instagram mm hmmm. Because outside

0:59:30.320 --> 0:59:33.960
<v Speaker 1>of my music, nobody knew me. Sure, so me being

0:59:34.000 --> 0:59:39.800
<v Speaker 1>able to like show my many talents, display my personality,

0:59:40.720 --> 0:59:44.600
<v Speaker 1>show my drip. That's a skill. Oh my god, it's again.

0:59:46.560 --> 0:59:50.960
<v Speaker 1>Yeah it's expensive too. That it is okay, SIPs, it

0:59:53.480 --> 0:59:56.919
<v Speaker 1>is um. But being able to put all of these

0:59:56.920 --> 1:00:01.200
<v Speaker 1>gifts on display is I think the thing that change.

1:00:01.200 --> 1:00:04.080
<v Speaker 1>Of course people's perception about me, but more so their

1:00:04.120 --> 1:00:08.480
<v Speaker 1>understanding and and they could figure out what part of

1:00:08.480 --> 1:00:12.200
<v Speaker 1>me they wanted to buy into right now. You you

1:00:12.240 --> 1:00:17.520
<v Speaker 1>give people options in terms of how they want to celebrate.

1:00:17.560 --> 1:00:20.280
<v Speaker 1>You know what I'm saying, Like, his music is cool,

1:00:20.640 --> 1:00:23.560
<v Speaker 1>but his jokes he's hysterical. You know what I'm saying. Uh,

1:00:23.680 --> 1:00:26.200
<v Speaker 1>it's not really that funny. I don't really like his music,

1:00:26.400 --> 1:00:28.360
<v Speaker 1>but man, he'd be ragging when he put that ship on.

1:00:28.400 --> 1:00:30.040
<v Speaker 1>He put that ship on, you know what I'm saying.

1:00:30.440 --> 1:00:32.200
<v Speaker 1>Or you know, I don't really like what I'm saying.

1:00:32.240 --> 1:00:34.080
<v Speaker 1>But when he was Gerald bust me in the new edition,

1:00:34.240 --> 1:00:38.400
<v Speaker 1>he was killing that. Like and so the more you have,

1:00:39.040 --> 1:00:41.280
<v Speaker 1>I think, the less people you lose. You're got I'm

1:00:41.280 --> 1:00:43.960
<v Speaker 1>gonna get you with something. I'm gonna something. I'm gonna

1:00:44.000 --> 1:00:49.280
<v Speaker 1>get you with something, You're gonna like me for something,

1:00:49.320 --> 1:00:52.120
<v Speaker 1>And so I think that, you know, people should not

1:00:52.160 --> 1:00:58.480
<v Speaker 1>be afraid two to venture out and and grow and

1:00:58.680 --> 1:01:01.840
<v Speaker 1>develop all of your talents, all of your gifts. Like

1:01:03.160 --> 1:01:08.080
<v Speaker 1>there's no one way anymore, there are no rules. We

1:01:08.120 --> 1:01:10.880
<v Speaker 1>are in the We are in the wild wild West.

1:01:11.000 --> 1:01:18.320
<v Speaker 1>In terms of being able to monetize anything. People are

1:01:18.320 --> 1:01:24.520
<v Speaker 1>monetizing everything. Yeah, selling everything. There are an exhausted on

1:01:24.880 --> 1:01:27.360
<v Speaker 1>Oh my god. No, seriously, there are at least a

1:01:27.440 --> 1:01:32.240
<v Speaker 1>hundred thousand people that will buy anything, the billions of

1:01:32.240 --> 1:01:34.640
<v Speaker 1>people in the world. Some things you shouldn't sail because

1:01:34.640 --> 1:01:40.280
<v Speaker 1>some things are hey, hey, guess what, there's there's a

1:01:40.800 --> 1:01:45.720
<v Speaker 1>people want to buy that. There's a black market for everything.

1:01:47.040 --> 1:01:49.560
<v Speaker 1>Which one do you actually want to pursue more invest

1:01:49.600 --> 1:01:51.720
<v Speaker 1>than most of your time into is it? Would it

1:01:51.760 --> 1:01:54.520
<v Speaker 1>be comedy or would it be acting? Acting? For sure,

1:01:55.440 --> 1:01:59.840
<v Speaker 1>comedy stand up helps me, helps me up, stand up

1:02:00.120 --> 1:02:02.480
<v Speaker 1>me perfect my time when I'm in front of the

1:02:02.520 --> 1:02:05.440
<v Speaker 1>camera acting interesting because as much as I want to,

1:02:06.040 --> 1:02:08.440
<v Speaker 1>I want to save the world and shoot him up

1:02:08.440 --> 1:02:10.880
<v Speaker 1>and be like not the rock, but like maybe the pebble.

1:02:12.000 --> 1:02:26.520
<v Speaker 1>You know what I'm saying. No, No, um, I know

1:02:19.400 --> 1:02:34.840
<v Speaker 1>I'm in the audience. Horrible game? Did he laughs? She

1:02:34.920 --> 1:02:41.080
<v Speaker 1>laughs at everything everything. She's your friend. She believes in

1:02:41.160 --> 1:02:45.520
<v Speaker 1>you acting for sure, because I feel like at some

1:02:45.600 --> 1:02:50.320
<v Speaker 1>point I'm gonna end up like in the romantic comedy space,

1:02:50.400 --> 1:02:55.680
<v Speaker 1>you know, That's that's where I want to. I do

1:02:55.760 --> 1:02:57.480
<v Speaker 1>want to be a superhero, but I think he could be.

1:02:57.880 --> 1:03:00.360
<v Speaker 1>I think even within me being a superhero, I still

1:03:00.400 --> 1:03:04.439
<v Speaker 1>be fun and funny. Yeah, ship the superheroes nowadays they're

1:03:04.600 --> 1:03:13.320
<v Speaker 1>hysterical ones. They are funny. Now. I love Ryan Reynolds,

1:03:13.480 --> 1:03:17.720
<v Speaker 1>I love armand so I'm a rom com fanatic like that.

1:03:17.760 --> 1:03:21.600
<v Speaker 1>I'm choosing that over everything. Kano. I want to ask

1:03:21.760 --> 1:03:26.040
<v Speaker 1>about Okay, most artists, thank you, tz that can actually

1:03:26.160 --> 1:03:29.560
<v Speaker 1>really sing. I won't say most, but a lot of them.

1:03:29.600 --> 1:03:34.919
<v Speaker 1>A large number of them came from church. You as well, Yes,

1:03:36.400 --> 1:03:42.920
<v Speaker 1>what do you think it is about that? Almost training? Really?

1:03:43.520 --> 1:03:48.600
<v Speaker 1>You know, like even musicians right certain way, your greatest

1:03:48.760 --> 1:03:52.880
<v Speaker 1>keys player or drummer, bass player, now as that aston

1:03:52.960 --> 1:03:56.280
<v Speaker 1>they came from the church. What what is it about that?

1:03:56.360 --> 1:03:58.760
<v Speaker 1>I mean, I love the Lord, so I know, but

1:03:59.160 --> 1:04:02.440
<v Speaker 1>what is it about that that I think makes some

1:04:02.520 --> 1:04:12.520
<v Speaker 1>of the greatest vocalists and musicians. I think I think

1:04:12.840 --> 1:04:16.120
<v Speaker 1>in I want to go too deep, but I think

1:04:16.280 --> 1:04:29.800
<v Speaker 1>in God's presence is the ultimate place to train. Catching

1:04:37.480 --> 1:04:50.440
<v Speaker 1>her that's Champagne, that Baptist came with your first I

1:04:50.600 --> 1:05:06.600
<v Speaker 1>was catching it right. I think that's actually would uh

1:05:07.200 --> 1:05:10.520
<v Speaker 1>that that is that is the ultimate training grounds, in

1:05:10.560 --> 1:05:17.560
<v Speaker 1>the presence of God and and having UM having the

1:05:17.640 --> 1:05:22.000
<v Speaker 1>Spirit guide you, UM, having the Spirit help teach you,

1:05:22.120 --> 1:05:28.520
<v Speaker 1>and and and groom you. And you know that that

1:05:28.680 --> 1:05:31.560
<v Speaker 1>is the connection of the church, you know what I mean?

1:05:31.640 --> 1:05:38.040
<v Speaker 1>Like those critiques in the church are different UM and

1:05:38.040 --> 1:05:41.680
<v Speaker 1>and and I think ultimately in the church, what they

1:05:41.720 --> 1:05:44.800
<v Speaker 1>want you to have is a connection to what you're doing,

1:05:45.640 --> 1:05:49.360
<v Speaker 1>to not just be doing it, but to actually have

1:05:49.440 --> 1:05:52.640
<v Speaker 1>a reason, you know what I mean, to actually have

1:05:54.120 --> 1:06:00.960
<v Speaker 1>UM have conviction for too for to live in you

1:06:01.760 --> 1:06:05.560
<v Speaker 1>before it comes out of you. You know what I'm saying.

1:06:05.920 --> 1:06:12.920
<v Speaker 1>And there's no other place to get that except in

1:06:13.000 --> 1:06:16.560
<v Speaker 1>the presence. What do you feel like this new generation

1:06:16.640 --> 1:06:18.840
<v Speaker 1>is going to do? Because I feel like they're not

1:06:19.000 --> 1:06:28.520
<v Speaker 1>in the church. Well, there are some, but nowhere near

1:06:28.560 --> 1:06:33.520
<v Speaker 1>like ours back and nowhere we're not. We're not. I

1:06:33.880 --> 1:06:39.320
<v Speaker 1>won't say we, but I would say there used to

1:06:39.320 --> 1:06:43.520
<v Speaker 1>be approaching m You know what I'm saying in terms

1:06:43.560 --> 1:06:46.080
<v Speaker 1>of the church, like and ours will go to church,

1:06:47.200 --> 1:06:52.040
<v Speaker 1>Like my guys found me in church. Really yeah, I

1:06:52.120 --> 1:06:56.600
<v Speaker 1>was at church when the guys came and got me. Hey,

1:06:57.720 --> 1:07:00.760
<v Speaker 1>you got it? What's happening? You want to sing? I

1:07:00.800 --> 1:07:03.080
<v Speaker 1>said no. For the longest, I only sing. I can't

1:07:03.120 --> 1:07:09.200
<v Speaker 1>do second. I only sing. Look at you now whatever?

1:07:09.560 --> 1:07:13.800
<v Speaker 1>Um Like back in back in like tenth grade, Virgin

1:07:13.840 --> 1:07:17.880
<v Speaker 1>of Records came came to get our group. It was like, listen,

1:07:18.120 --> 1:07:21.480
<v Speaker 1>you guys would be amazing. Um, you guys can sing.

1:07:22.240 --> 1:07:24.000
<v Speaker 1>You know, you guys can sing good music. You know

1:07:24.000 --> 1:07:26.080
<v Speaker 1>what I mean. And if you wanted to sing about Jesus,

1:07:26.080 --> 1:07:28.520
<v Speaker 1>it could be like pronoun gospel like you know, you

1:07:28.560 --> 1:07:30.600
<v Speaker 1>could sing and have to have the message. But you know,

1:07:31.280 --> 1:07:33.840
<v Speaker 1>and and you know, we have tours lined up with

1:07:34.160 --> 1:07:36.240
<v Speaker 1>Janet Jackson and all of them. They were just like

1:07:36.280 --> 1:07:38.200
<v Speaker 1>they were laying on like we we want you guys,

1:07:38.200 --> 1:07:40.880
<v Speaker 1>and we were like if we can't say the name

1:07:40.920 --> 1:07:46.640
<v Speaker 1>of Jesus, yes, there is no place for us. And

1:07:46.720 --> 1:07:48.919
<v Speaker 1>I was like when I look back on that time,

1:07:49.040 --> 1:07:54.360
<v Speaker 1>but I look back, um, roller you know was what

1:07:54.440 --> 1:08:00.919
<v Speaker 1>it was? You know, what I'm saying, like that wonderful name. Um.

1:08:00.960 --> 1:08:05.600
<v Speaker 1>And so you know, I think that I think that

1:08:05.680 --> 1:08:08.320
<v Speaker 1>a lot of people have just stopped looking in that

1:08:08.360 --> 1:08:16.720
<v Speaker 1>place for for this thing, because this thing isn't mainstream,

1:08:16.800 --> 1:08:21.400
<v Speaker 1>isn't anymore, It isn't pop culture, So they're not looking

1:08:21.400 --> 1:08:24.920
<v Speaker 1>for that. What's pop culture now is the streets. What's

1:08:24.960 --> 1:08:29.240
<v Speaker 1>coming off the streets on that conveyor belt. That's where

1:08:29.280 --> 1:08:33.160
<v Speaker 1>we go look for our next whatever. We go looking

1:08:33.200 --> 1:08:36.760
<v Speaker 1>in the streets. But they used to go looking in

1:08:36.840 --> 1:08:38.679
<v Speaker 1>the church. How else do you get to read the Franklin?

1:08:39.000 --> 1:08:41.400
<v Speaker 1>How else do you get to read the Franklin? Got

1:08:41.520 --> 1:08:44.679
<v Speaker 1>to go to the church to get a Ready she's

1:08:44.680 --> 1:08:53.719
<v Speaker 1>not reading. Don't you gotta go? You gotta go down

1:08:53.800 --> 1:08:57.320
<v Speaker 1>down by Read's house. Yeah, you do, on that corner,

1:08:58.680 --> 1:09:03.679
<v Speaker 1>that's right. And so I think can talk to her parents.

1:09:03.760 --> 1:09:08.080
<v Speaker 1>I think they're there. I think they are there. Um.

1:09:08.160 --> 1:09:11.439
<v Speaker 1>Um two Sean who produces father, it's a church kid.

1:09:12.400 --> 1:09:15.120
<v Speaker 1>You can hear it when he produces, you can hear

1:09:15.160 --> 1:09:18.840
<v Speaker 1>it when he sings. It's a church kid. What I'm saying, like,

1:09:19.320 --> 1:09:23.960
<v Speaker 1>without a doubt, So they're there. Um, it's just gonna

1:09:24.000 --> 1:09:28.720
<v Speaker 1>take the people who know where it is and know

1:09:28.880 --> 1:09:31.720
<v Speaker 1>what to do with it to go get it like

1:09:31.920 --> 1:09:56.559
<v Speaker 1>you there it is acting? What is the difference on

1:09:56.800 --> 1:10:05.160
<v Speaker 1>stage right saying and then on set portraying whatever this role?

1:10:05.200 --> 1:10:17.599
<v Speaker 1>Maybe the difference is like on stage, I'm I'm Tank,

1:10:17.920 --> 1:10:25.599
<v Speaker 1>like that nuances completely developed already. A song may be new,

1:10:25.680 --> 1:10:32.519
<v Speaker 1>but it's still a Tank song, right, um. Or when

1:10:32.520 --> 1:10:34.920
<v Speaker 1>they come to see me perform, they come to see

1:10:35.760 --> 1:10:41.639
<v Speaker 1>Tank perform. Um. When people come to see me act

1:10:42.880 --> 1:10:49.559
<v Speaker 1>or turn onto television, they expect to see Tank, but

1:10:49.600 --> 1:10:55.840
<v Speaker 1>they don't HM, and I have to be able to

1:10:57.800 --> 1:11:05.800
<v Speaker 1>give them the character that they came to see. Right,

1:11:05.880 --> 1:11:12.479
<v Speaker 1>Let's say the title is I don't know, uh, save

1:11:12.560 --> 1:11:16.800
<v Speaker 1>in the Hood. Say let's save the Hood, right the

1:11:16.800 --> 1:11:30.720
<v Speaker 1>pebble featuring the pebble, all right, whatever? And I, um,

1:11:30.880 --> 1:11:33.519
<v Speaker 1>they don't want to see They don't want to see

1:11:33.560 --> 1:11:38.439
<v Speaker 1>Tank the singer save the Hood. They want to see

1:11:39.120 --> 1:11:42.439
<v Speaker 1>this character, for lack of a better title, action Jackson

1:11:43.920 --> 1:11:50.040
<v Speaker 1>save the Hood. And so I didn't have to find

1:11:52.200 --> 1:11:57.160
<v Speaker 1>the natural spaces within me that I can dedicate completely

1:11:58.000 --> 1:12:02.599
<v Speaker 1>to that character and not go off into these other

1:12:02.640 --> 1:12:07.920
<v Speaker 1>spaces like I can't save the Hood and be yeah,

1:12:08.040 --> 1:12:11.800
<v Speaker 1>you know what I'm saying, like, right, that's Tank. I

1:12:11.880 --> 1:12:14.679
<v Speaker 1>can't do that, right, you know what I'm saying. I can't.

1:12:14.720 --> 1:12:16.760
<v Speaker 1>I can't, Like there's certain things that I can do

1:12:16.880 --> 1:12:20.799
<v Speaker 1>is Tank, that don't work for the action Jackson character.

1:12:21.720 --> 1:12:23.439
<v Speaker 1>You know what I'm saying when I'm doing the interview.

1:12:24.120 --> 1:12:26.000
<v Speaker 1>You know what I'm saying, Like, when I'm doing my interviews,

1:12:26.040 --> 1:12:28.559
<v Speaker 1>it's Tank. I have to be personal, gotta be fun,

1:12:28.840 --> 1:12:30.600
<v Speaker 1>it's gotta be like, yeah, it take this cracking the

1:12:30.680 --> 1:12:32.840
<v Speaker 1>jokes when I'm actually Jackson. I'm saving the hood. I

1:12:32.840 --> 1:12:34.639
<v Speaker 1>have a real concern for the people on my street.

1:12:35.120 --> 1:12:36.320
<v Speaker 1>How are you going to help us? Or do we

1:12:36.360 --> 1:12:46.800
<v Speaker 1>need to help ourselves? Look at you know what I'm saying.

1:12:45.880 --> 1:12:56.440
<v Speaker 1>Three So it's like it's still me, but it's dedicated

1:12:56.520 --> 1:13:00.880
<v Speaker 1>nuances to that character. It's not everything that you've seen

1:13:01.560 --> 1:13:04.080
<v Speaker 1>me do it before. It's not all of time. It's

1:13:04.120 --> 1:13:08.800
<v Speaker 1>just it's linear. It's one piece right here. This These

1:13:08.800 --> 1:13:11.479
<v Speaker 1>are the pieces from me that create that character, that

1:13:11.600 --> 1:13:15.599
<v Speaker 1>connect with that character. We're only using these pieces right here.

1:13:17.200 --> 1:13:19.120
<v Speaker 1>That's why I can't do it. You can do it.

1:13:19.240 --> 1:13:23.160
<v Speaker 1>So he wants to do it, she should come out.

1:13:23.280 --> 1:13:29.720
<v Speaker 1>She's too damn funny. Did you hear you're funny? You

1:13:29.800 --> 1:13:32.360
<v Speaker 1>are funny. I laughed at you all the time. She

1:13:32.439 --> 1:13:35.240
<v Speaker 1>has she's ridiculous. I have great comedic timing. You do,

1:13:35.360 --> 1:13:38.600
<v Speaker 1>but you do have to do it in front of

1:13:38.640 --> 1:13:40.760
<v Speaker 1>the camera. I have a camera right here. I'm good.

1:13:40.880 --> 1:13:46.000
<v Speaker 1>It's not the same. Okays, no action on it. Last looks,

1:13:47.520 --> 1:14:04.559
<v Speaker 1>the last looks, make it last look all times. I

1:14:04.560 --> 1:14:09.720
<v Speaker 1>can't remember ship. I need giant side side giants and

1:14:13.120 --> 1:14:19.000
<v Speaker 1>let see what this? Okay, I got it? Okay, like

1:14:19.160 --> 1:14:22.599
<v Speaker 1>just cut? What do you want people to know about

1:14:22.640 --> 1:14:29.960
<v Speaker 1>you that you don't think they know? But I don't

1:14:30.000 --> 1:14:32.800
<v Speaker 1>think they know? What are you wantesome? People don't know

1:14:32.840 --> 1:14:40.080
<v Speaker 1>about you? I don't think that you think you lay

1:14:40.120 --> 1:14:44.960
<v Speaker 1>it all out there, and I don't want to. I don't.

1:14:44.960 --> 1:14:48.040
<v Speaker 1>I don't want this to sound, you know, come off,

1:14:48.600 --> 1:14:55.479
<v Speaker 1>come off weird, but I don't. I don't necessarily care

1:14:55.560 --> 1:14:58.280
<v Speaker 1>what they do or don't know about me, do know

1:14:58.400 --> 1:15:00.880
<v Speaker 1>or don't know about me. What I would like to

1:15:01.000 --> 1:15:05.040
<v Speaker 1>feel like is or what I would like to know

1:15:05.080 --> 1:15:11.720
<v Speaker 1>about myself is that I've done my best, and to

1:15:11.880 --> 1:15:14.880
<v Speaker 1>some people that's going to be amazing. To some people

1:15:14.920 --> 1:15:19.519
<v Speaker 1>that's not going to be enough. If I get caught

1:15:19.560 --> 1:15:26.240
<v Speaker 1>up in either, I'll lose. Wow. So I don't. I

1:15:26.280 --> 1:15:29.479
<v Speaker 1>don't have an expectation of what I want people to

1:15:29.600 --> 1:15:34.240
<v Speaker 1>expect or to understand or to even believe it. I

1:15:34.360 --> 1:15:38.599
<v Speaker 1>just I just want to do my best and and

1:15:38.640 --> 1:15:43.240
<v Speaker 1>live with whatever the results are. Like that's that's true

1:15:43.240 --> 1:15:45.720
<v Speaker 1>happiness for me. Like I laid it all out there,

1:15:46.160 --> 1:15:48.559
<v Speaker 1>I went crazy, you know what I'm saying. Like I said,

1:15:48.600 --> 1:15:51.240
<v Speaker 1>it's always gonna be somebody in the comments, like somebody was,

1:15:51.320 --> 1:15:56.240
<v Speaker 1>somebody said, somebody says something about you're a true king

1:15:56.360 --> 1:15:58.200
<v Speaker 1>or something like that, and then somebody win the comments

1:15:58.240 --> 1:16:02.600
<v Speaker 1>that you ain't no king, you ain't never been no kings.

1:16:03.160 --> 1:16:08.040
<v Speaker 1>But you know what, though we could say hayting, but

1:16:08.200 --> 1:16:13.880
<v Speaker 1>to that person, I'm not their king to that person,

1:16:15.360 --> 1:16:18.280
<v Speaker 1>I'm not that sexy to them. I'm not handsome to them.

1:16:19.280 --> 1:16:21.439
<v Speaker 1>You know what I'm saying. My body all built up

1:16:21.439 --> 1:16:23.760
<v Speaker 1>with all of these muscles. They don't like that I

1:16:23.880 --> 1:16:30.120
<v Speaker 1>do so for you, it's really all for you. So

1:16:30.120 --> 1:16:51.040
<v Speaker 1>so so I don't you know, I'm staying. But you

1:16:51.040 --> 1:16:53.400
<v Speaker 1>can't get caught up. You can't get caught up into that,

1:16:53.520 --> 1:16:56.280
<v Speaker 1>you know. I give, I give very eloquent answers in interviews.

1:16:56.280 --> 1:16:58.080
<v Speaker 1>I want to be known as the hardest working man

1:16:58.479 --> 1:17:02.679
<v Speaker 1>in R and B music. Um, but most people aren't

1:17:02.680 --> 1:17:05.439
<v Speaker 1>even going to see that. It's like he worked how

1:17:05.520 --> 1:17:09.200
<v Speaker 1>he worked cool, He ain't worked hard. I have no idea,

1:17:09.720 --> 1:17:13.960
<v Speaker 1>And so you you can't expect them to know, you

1:17:14.000 --> 1:17:17.400
<v Speaker 1>can't expect them to really really following your journey. Yeah,

1:17:17.400 --> 1:17:20.280
<v Speaker 1>I mean, and are close up. They still don't even know,

1:17:20.400 --> 1:17:24.680
<v Speaker 1>like still don't even see you know. But for me,

1:17:24.760 --> 1:17:30.439
<v Speaker 1>it's this close, like because because the honesty that I

1:17:30.479 --> 1:17:34.080
<v Speaker 1>have in this room governs everything. So if anybody in

1:17:34.120 --> 1:17:37.439
<v Speaker 1>this room comes to me and says, hey, that ain't it, Yeah,

1:17:37.439 --> 1:17:39.679
<v Speaker 1>it's not okay, you know what what I'm saying, Or somebody

1:17:39.680 --> 1:17:43.280
<v Speaker 1>in this room comes to me and says more of that, Okay, okay,

1:17:43.560 --> 1:17:46.200
<v Speaker 1>this is the bar for me, you know what I'm saying. Like,

1:17:46.320 --> 1:17:50.120
<v Speaker 1>my my circle is our circle is of the people

1:17:50.160 --> 1:17:53.920
<v Speaker 1>that really care about us. And really it's small, it's trusted,

1:17:54.000 --> 1:17:56.880
<v Speaker 1>it's trusted, and that's where I live. That's where I

1:17:56.920 --> 1:17:59.400
<v Speaker 1>get my love. Like if my party, if my party

1:17:59.439 --> 1:18:09.920
<v Speaker 1>got it's just really it's what I don't know. I mean,

1:18:10.040 --> 1:18:13.200
<v Speaker 1>if if if I'm your king cool. If I'm not cool,

1:18:14.360 --> 1:18:22.519
<v Speaker 1>I'm a king somewhere right right here. So if you

1:18:22.560 --> 1:18:26.720
<v Speaker 1>didn't actually leave the church to go to the R

1:18:26.760 --> 1:18:34.200
<v Speaker 1>and B world, she left, did I believe trying to

1:18:34.240 --> 1:18:43.640
<v Speaker 1>say put a backpack home? He left. He left for

1:18:43.680 --> 1:18:48.639
<v Speaker 1>the bag so he could send it back home. Where

1:18:48.640 --> 1:18:50.839
<v Speaker 1>do you think that you would see yourself? Like? What

1:18:50.840 --> 1:18:52.960
<v Speaker 1>what were you into doing? What was your hobbies? What

1:18:53.360 --> 1:18:58.040
<v Speaker 1>did you ever see yourself doing besides me fota player? Wow? Sure?

1:19:00.000 --> 1:19:04.280
<v Speaker 1>So you be an athlete? Athlete? I mean, did you

1:19:04.280 --> 1:19:08.880
<v Speaker 1>ever get paid doing anything athletic? You've got the church.

1:19:09.320 --> 1:19:12.600
<v Speaker 1>I'm just asking. I was a teenager when when this

1:19:12.760 --> 1:19:17.280
<v Speaker 1>all happened a profession? Did you get a check? You

1:19:17.320 --> 1:19:24.320
<v Speaker 1>get a check? No? I never got to that point. Um.

1:19:24.360 --> 1:19:25.960
<v Speaker 1>But you know when I when I my first time

1:19:26.040 --> 1:19:28.640
<v Speaker 1>duncan in eighth grade, you couldn't tell me nothing. I

1:19:28.720 --> 1:19:31.880
<v Speaker 1>was gonna be a star. I could bounce like a run, fast,

1:19:32.880 --> 1:19:36.320
<v Speaker 1>touchdowns all that. Um, So I thought that that was

1:19:36.360 --> 1:19:39.800
<v Speaker 1>my path and church kind of got in the way

1:19:39.800 --> 1:19:41.720
<v Speaker 1>of that, you know, got in the way of me

1:19:41.760 --> 1:19:43.920
<v Speaker 1>pursuing a lot of that because it was always acquired

1:19:43.960 --> 1:19:45.840
<v Speaker 1>with her. So it's always grew up with her. So

1:19:46.000 --> 1:19:48.879
<v Speaker 1>it was always a church, got something to do on Saturday.

1:19:48.960 --> 1:19:53.680
<v Speaker 1>So I couldn't really dedicate myself to sports like I

1:19:53.720 --> 1:19:59.520
<v Speaker 1>wanted to, but I was. I was still really good. Um,

1:19:59.560 --> 1:20:04.479
<v Speaker 1>but I you know, music has always had a way

1:20:04.560 --> 1:20:07.160
<v Speaker 1>of just kind of like tapping me on the shoulder

1:20:07.200 --> 1:20:10.320
<v Speaker 1>every now and then, like I don't know, why are

1:20:10.320 --> 1:20:11.960
<v Speaker 1>you trying to do all that? You know what I'm saying,

1:20:12.000 --> 1:20:14.559
<v Speaker 1>like this is that right here, you're gonna be with me.

1:20:14.600 --> 1:20:17.439
<v Speaker 1>I'm just trying to you know, like a ninth grade

1:20:17.479 --> 1:20:19.560
<v Speaker 1>when the girls started screaming at that assembly, when I

1:20:19.600 --> 1:20:23.439
<v Speaker 1>started singing, It's always been simply come on in a

1:20:23.520 --> 1:20:33.920
<v Speaker 1>multi purpose room. So you know that's sent that center

1:20:34.080 --> 1:20:36.040
<v Speaker 1>rushed through my body that I've never had before in

1:20:36.080 --> 1:20:38.479
<v Speaker 1>my life. And so there were always moments even in

1:20:38.520 --> 1:20:41.320
<v Speaker 1>the football field on the huddle, I'm singing in the

1:20:41.360 --> 1:20:43.519
<v Speaker 1>huddle like Babs, come on, man, be serious. I'm like,

1:20:43.600 --> 1:20:50.880
<v Speaker 1>I can be serious if you give me the ball.

1:20:51.040 --> 1:20:56.720
<v Speaker 1>Touch y'all. Like I was that guy. So you know,

1:20:57.120 --> 1:20:58.720
<v Speaker 1>it just always had a way and let me know.

1:20:58.760 --> 1:21:00.200
<v Speaker 1>And then when I went to when I was going

1:21:00.240 --> 1:21:04.960
<v Speaker 1>to college, offers the Scholarship School of Schools I didn't

1:21:05.000 --> 1:21:07.280
<v Speaker 1>want to go to partial scholarships to the schools. I

1:21:07.280 --> 1:21:09.920
<v Speaker 1>did want to go to UM and ended up getting

1:21:09.960 --> 1:21:14.200
<v Speaker 1>a full scholarship to Morgan State from music. All right,

1:21:14.560 --> 1:21:18.519
<v Speaker 1>maybe I'll take my full scholarship and then play football

1:21:19.000 --> 1:21:28.320
<v Speaker 1>on my music scholarship. And they were like, exactly, we

1:21:28.360 --> 1:21:32.880
<v Speaker 1>need you. We're gonna need your main do these you know,

1:21:33.000 --> 1:21:37.160
<v Speaker 1>do these class um. And so music has always had

1:21:37.200 --> 1:21:40.720
<v Speaker 1>a way of reminding me like, I hear you, but

1:21:40.800 --> 1:21:43.680
<v Speaker 1>this is where you're supposed to be. And so it

1:21:43.800 --> 1:21:45.639
<v Speaker 1>was always meant to be. It's always meant to be.

1:21:46.240 --> 1:21:48.280
<v Speaker 1>That's I'm athlete to this day. You know that I

1:21:48.320 --> 1:21:51.320
<v Speaker 1>worked out twice a day. Um. But that's just you know,

1:21:51.760 --> 1:21:54.000
<v Speaker 1>that's my nature. That's the competitive nature of me. That's

1:21:54.000 --> 1:21:57.679
<v Speaker 1>just always going to be there. But music is Music

1:21:57.720 --> 1:22:02.160
<v Speaker 1>has always given me no choice. Wow, instruments, I think

1:22:02.439 --> 1:22:09.599
<v Speaker 1>that what has to be really celebrated are musicians. He's

1:22:09.640 --> 1:22:12.599
<v Speaker 1>a true musician, that's my point. But you don't even

1:22:12.640 --> 1:22:15.080
<v Speaker 1>know he really plays drums here go here in live

1:22:15.439 --> 1:22:19.960
<v Speaker 1>My whole point because again, my conversations outside you know,

1:22:20.080 --> 1:22:23.960
<v Speaker 1>with so many people, and no, he's not it's an artist.

1:22:24.040 --> 1:22:27.439
<v Speaker 1>There's artists shout out to the artists, and then there's

1:22:27.479 --> 1:22:30.439
<v Speaker 1>true musicians, you know, and that's what you are. And

1:22:30.479 --> 1:22:34.160
<v Speaker 1>I think your your humility and it kind of probably

1:22:34.200 --> 1:22:37.800
<v Speaker 1>speaks to your true passionate love for it because you

1:22:37.880 --> 1:22:41.439
<v Speaker 1>don't say like even people telling me, oh, we didn't

1:22:41.439 --> 1:22:43.479
<v Speaker 1>know that take play the piano, you know when you

1:22:43.479 --> 1:22:45.840
<v Speaker 1>started going live and doing the piano on Instagram a

1:22:45.840 --> 1:22:48.000
<v Speaker 1>lot more during COVID and stuff like that. Just people

1:22:48.040 --> 1:22:49.600
<v Speaker 1>that are like fans and stuff like that. I'm like,

1:22:50.040 --> 1:22:54.800
<v Speaker 1>of course he plays producers. He let me give you

1:22:54.840 --> 1:23:00.320
<v Speaker 1>a bar, give you a bar. Wait on that. I'm

1:23:00.360 --> 1:23:03.360
<v Speaker 1>shout out to puff brother loves as I like to

1:23:03.360 --> 1:23:06.880
<v Speaker 1>call them. Um. I went to his house other day.

1:23:06.880 --> 1:23:10.320
<v Speaker 1>He said, he said, we're going to Jim Bean's house

1:23:10.320 --> 1:23:15.840
<v Speaker 1>and said, what okay, okay, roll with me, roll roll

1:23:15.920 --> 1:23:24.160
<v Speaker 1>with me. Playboy and heavy room h um. Just you

1:23:24.439 --> 1:23:26.519
<v Speaker 1>like you walk in this room and you're like, what

1:23:26.720 --> 1:23:36.080
<v Speaker 1>is this? What is in there? Playing vinyl? I think

1:23:36.280 --> 1:23:42.080
<v Speaker 1>vinyl um? Heaveryone. Shout out to my brother Larry Jackson,

1:23:44.080 --> 1:23:51.000
<v Speaker 1>m amazing brother and sitting there man by the name

1:23:51.840 --> 1:24:00.000
<v Speaker 1>Dr dre mm hmm, my goodness, my goodness. And I've

1:24:00.320 --> 1:24:02.800
<v Speaker 1>I've met Dre a couple of times, but we've never

1:24:02.880 --> 1:24:06.760
<v Speaker 1>actually really been able to have an exchange. And so

1:24:07.800 --> 1:24:11.040
<v Speaker 1>you know, at some point, you know, during this whole

1:24:11.120 --> 1:24:14.320
<v Speaker 1>room thing that's happening, he's like he's like, he's like, man,

1:24:14.400 --> 1:24:17.040
<v Speaker 1>you know, we just you know, we always meet and passing, man,

1:24:17.080 --> 1:24:18.760
<v Speaker 1>but we've never ever forgotten a chance to you know,

1:24:18.880 --> 1:24:21.680
<v Speaker 1>really like tap in. And like he says, I was like, yeah, man,

1:24:21.680 --> 1:24:28.559
<v Speaker 1>I was like, you know, I loved him and so

1:24:28.920 --> 1:24:30.280
<v Speaker 1>and so I'm just sitting next to them. We're just

1:24:30.280 --> 1:24:32.080
<v Speaker 1>talking about the records that are playing and talking about

1:24:32.080 --> 1:24:34.960
<v Speaker 1>the instrumentation, and I'm watching, like I'm watching Dre as

1:24:35.000 --> 1:24:37.960
<v Speaker 1>he's listening because Dre hears everything like and so I

1:24:37.960 --> 1:24:41.559
<v Speaker 1>just when I'm watching him while he listens and like, yeah, yeah,

1:24:41.920 --> 1:24:45.800
<v Speaker 1>just his energy right, and he's like, uh, he's like

1:24:45.840 --> 1:24:48.760
<v Speaker 1>so thank you know, like like he's like, do you right,

1:24:49.360 --> 1:24:52.720
<v Speaker 1>I said? I said? I said? I said. I said everything, sir,

1:24:53.240 --> 1:24:58.200
<v Speaker 1>I do. I said, I do everything. He said, he's okay,

1:24:59.479 --> 1:25:03.920
<v Speaker 1>you play any instruments, I said, Dre, I do everything.

1:25:04.640 --> 1:25:09.320
<v Speaker 1>He said, Come here. We get up that. We walked

1:25:09.320 --> 1:25:14.200
<v Speaker 1>out the room and we go to a piano and

1:25:15.080 --> 1:25:18.320
<v Speaker 1>he starts playing. You know what I'm saying. I'm like, okay,

1:25:18.960 --> 1:25:30.840
<v Speaker 1>he said, let me see something like well, he like,

1:25:32.280 --> 1:25:36.639
<v Speaker 1>oh you, so he started playing something else. He started

1:25:36.640 --> 1:25:38.960
<v Speaker 1>playing something else, he said, he said. I said, oh

1:25:39.200 --> 1:25:41.000
<v Speaker 1>I see what you're going with that. You're gonna here

1:25:42.760 --> 1:25:51.880
<v Speaker 1>my phone listen. She said, oh you that? Oh you

1:25:52.040 --> 1:25:55.360
<v Speaker 1>like that? Okay? Yeah, yeah, we need to get out.

1:25:55.520 --> 1:25:59.120
<v Speaker 1>Yeah yeah. He's like, and you probably you you you

1:25:59.360 --> 1:26:01.719
<v Speaker 1>you need to see my you need to see my musician.

1:26:01.760 --> 1:26:04.280
<v Speaker 1>I said, I promise you that your musicians are probably

1:26:04.400 --> 1:26:07.960
<v Speaker 1>might right soon we get there. I got bluetooth box

1:26:08.040 --> 1:26:13.800
<v Speaker 1>and I say, I'm trying to you. And but it

1:26:13.840 --> 1:26:16.720
<v Speaker 1>goes back to what you were saying where a lot

1:26:16.760 --> 1:26:22.720
<v Speaker 1>of people don't really know that I do it. Oh

1:26:23.160 --> 1:26:29.200
<v Speaker 1>and so you know having Dre dr Dre like recognize

1:26:29.200 --> 1:26:33.160
<v Speaker 1>it and say that's that's a kid that's different, and like,

1:26:34.280 --> 1:26:36.320
<v Speaker 1>you know what I'm saying, I'm brand new and there's

1:26:36.360 --> 1:26:38.040
<v Speaker 1>a forty six year old man. I'm like this man

1:26:38.400 --> 1:26:47.160
<v Speaker 1>like playing already the producer bible for a lot of producers.

1:26:47.200 --> 1:26:53.639
<v Speaker 1>His drums for sure, but his body, he's a He's

1:26:53.680 --> 1:26:55.320
<v Speaker 1>made the call to some of the called his bodies

1:26:55.360 --> 1:26:58.000
<v Speaker 1>of work all times, and so I'm sitting in the studio,

1:26:59.080 --> 1:27:04.800
<v Speaker 1>you know Withdre and Puff like, I'm sitting here and

1:27:04.840 --> 1:27:10.599
<v Speaker 1>I'm like, yeah, I'm in the business, and yeah I've

1:27:10.640 --> 1:27:15.240
<v Speaker 1>been successful at it. But there are levels. I understand

1:27:15.280 --> 1:27:20.240
<v Speaker 1>those levels, and so when I'm sitting in the room

1:27:20.280 --> 1:27:24.679
<v Speaker 1>with those levels, I am paying attention. I am taking

1:27:24.920 --> 1:27:29.280
<v Speaker 1>notes because I am trying to get to that level

1:27:29.800 --> 1:27:34.400
<v Speaker 1>and and making myself available as a musician or as

1:27:34.439 --> 1:27:38.240
<v Speaker 1>a songwriter, or as a background singer or whatever is

1:27:38.280 --> 1:27:41.640
<v Speaker 1>needed in the moment you saying you speak about humility.

1:27:41.880 --> 1:27:46.200
<v Speaker 1>I love music. Whatever you need me today, let's get it, Okay,

1:27:46.240 --> 1:27:49.439
<v Speaker 1>what it is? You just need me to clap? He

1:27:49.560 --> 1:27:52.920
<v Speaker 1>came home. So I'm sorry that night that he came

1:27:52.960 --> 1:28:03.559
<v Speaker 1>home so inspired school and another thank you Dr Drep.

1:28:04.439 --> 1:28:08.280
<v Speaker 1>But like the inspiration you can't pay for, you can't

1:28:08.600 --> 1:28:11.960
<v Speaker 1>muster up, you can't find it that you just like

1:28:12.000 --> 1:28:15.400
<v Speaker 1>you gotta imagine, you know, a Puff saying, listen to

1:28:15.439 --> 1:28:18.840
<v Speaker 1>this and playing music looking at you like, or Dr

1:28:18.920 --> 1:28:21.439
<v Speaker 1>Dre Son listen to this and like looking at you

1:28:21.479 --> 1:28:26.080
<v Speaker 1>like and like like getting your take on it, like

1:28:26.080 --> 1:28:28.519
<v Speaker 1>like you're gonna say anything other than it's amazing because

1:28:28.520 --> 1:28:32.719
<v Speaker 1>it's absolutely amazing. You know, like I said, your levels

1:28:33.800 --> 1:28:39.120
<v Speaker 1>and and and growing and still wanting to grow to

1:28:39.320 --> 1:28:44.360
<v Speaker 1>be preferently be on that level. Like these guys are guys,

1:28:44.960 --> 1:28:51.599
<v Speaker 1>These guys are five million dollar plus guys. Huh yeah,

1:28:51.640 --> 1:28:53.920
<v Speaker 1>I need I need to be around them. Here I am,

1:28:54.120 --> 1:28:59.320
<v Speaker 1>which look like yeah. So you know, it's more of

1:28:59.360 --> 1:29:02.160
<v Speaker 1>that discover read that I think is a great word.

1:29:02.640 --> 1:29:04.840
<v Speaker 1>It's more of that discovery that you know, as I

1:29:04.920 --> 1:29:08.120
<v Speaker 1>move into these other spaces and I'm able to rub

1:29:08.160 --> 1:29:10.080
<v Speaker 1>those kind of elbows and things that I think more

1:29:10.120 --> 1:29:14.040
<v Speaker 1>people will be exposed to. Oh we can, we can

1:29:13.640 --> 1:29:28.880
<v Speaker 1>take him for that can tank for everything outside of

1:29:28.960 --> 1:29:31.360
<v Speaker 1>pianos your favorite instrument to play because people now know

1:29:31.439 --> 1:29:33.519
<v Speaker 1>you play the piano, but that's not the only instrument

1:29:33.560 --> 1:29:38.000
<v Speaker 1>you play. Drums is my is my favorite to play. Yeah,

1:29:38.040 --> 1:29:39.960
<v Speaker 1>I'm not as good. I'm not as good at playing

1:29:40.040 --> 1:29:42.680
<v Speaker 1>drums as I am at playing piano, only because you know,

1:29:42.800 --> 1:29:46.040
<v Speaker 1>I don't play drums as much. Yeah, when I was younger,

1:29:47.000 --> 1:29:50.639
<v Speaker 1>it was drums first in piano. But you know, girls

1:29:50.680 --> 1:29:53.679
<v Speaker 1>didn't really they didn't really move when I played the drums.

1:29:56.680 --> 1:29:58.720
<v Speaker 1>It's always girls, you know what I'm saying when I

1:29:58.760 --> 1:30:02.400
<v Speaker 1>played that piano first, you girls are sitting up on

1:30:02.439 --> 1:30:09.120
<v Speaker 1>that piano like sing that one part again, Like you know,

1:30:05.360 --> 1:30:11.559
<v Speaker 1>say the girls can gather around the piano and drums

1:30:11.600 --> 1:30:15.840
<v Speaker 1>just too loud. Don't say the girls could gather around.

1:30:16.520 --> 1:30:19.720
<v Speaker 1>You hit the second girl that one too. We don't

1:30:19.760 --> 1:30:22.120
<v Speaker 1>hit that thing the game. That was too loud. They

1:30:22.120 --> 1:30:24.320
<v Speaker 1>think at the bottom, that's too much. Right. The organ

1:30:24.320 --> 1:30:28.920
<v Speaker 1>did get you know, I was just gonna the organs

1:30:29.000 --> 1:30:35.360
<v Speaker 1>only gets you the real church girl, the deaconess. The

1:30:35.479 --> 1:30:38.240
<v Speaker 1>organ to get you the deaconess. You're telling about your

1:30:38.240 --> 1:30:42.040
<v Speaker 1>experience in what the deaconess? No, No, when I went

1:30:42.080 --> 1:30:46.280
<v Speaker 1>to Rome and what was which the Michael Angelo Church,

1:30:46.360 --> 1:30:48.720
<v Speaker 1>the Michael Angelo Church. And then let me play the

1:30:49.439 --> 1:30:56.080
<v Speaker 1>pipe organ? What yeah? Video that let me play the

1:30:56.120 --> 1:30:59.599
<v Speaker 1>pipe and it was like cloned down, locked up, you're

1:30:59.600 --> 1:31:03.120
<v Speaker 1>the only one in there because that cadence is that

1:31:03.360 --> 1:31:05.880
<v Speaker 1>it's it's a different movement that it took me a

1:31:05.920 --> 1:31:10.519
<v Speaker 1>second to collect and in different notations. It was different.

1:31:10.560 --> 1:31:12.120
<v Speaker 1>I had to It took me a second to like

1:31:12.200 --> 1:31:14.080
<v Speaker 1>I was like, oh, you can't do that, you gotta

1:31:14.160 --> 1:31:19.400
<v Speaker 1>do this like this, and then dude that you got it. God.

1:31:19.800 --> 1:31:21.519
<v Speaker 1>But it was like it was like amazing and to

1:31:21.680 --> 1:31:26.599
<v Speaker 1>hear it in it was a spiritual Yeah, I was

1:31:25.320 --> 1:31:31.320
<v Speaker 1>like it was crazy. So yeah, Organ really it gets you.

1:31:31.320 --> 1:31:39.439
<v Speaker 1>You know how many people can say that not a lot,

1:31:40.520 --> 1:31:51.599
<v Speaker 1>not ze arm By Money the label. Look at first

1:31:51.600 --> 1:31:55.800
<v Speaker 1>of all, how you came up with arm By Money.

1:31:56.680 --> 1:31:58.599
<v Speaker 1>We know what I'm saying. What made you just say

1:31:58.640 --> 1:32:01.000
<v Speaker 1>I'm gonna call my label Army Money Because I kept

1:32:01.000 --> 1:32:11.160
<v Speaker 1>watching young money, cash money, everything, like everything that's that

1:32:11.280 --> 1:32:15.600
<v Speaker 1>was being successful at the time, it was all predicated

1:32:16.280 --> 1:32:20.080
<v Speaker 1>on money. Everything that everybody was doing at the time

1:32:20.200 --> 1:32:24.280
<v Speaker 1>was flashing their money, trying to put their they drip

1:32:24.360 --> 1:32:27.240
<v Speaker 1>on to show you that they got money. And you know,

1:32:27.360 --> 1:32:29.400
<v Speaker 1>in the club, popping all the bottles they can pop

1:32:29.439 --> 1:32:32.600
<v Speaker 1>to let you know they got money, pulling up in

1:32:32.640 --> 1:32:35.719
<v Speaker 1>the craziest whips so let you know they got money.

1:32:36.479 --> 1:32:42.000
<v Speaker 1>Mm hmm. Everybody's trying to figure out how to make

1:32:42.080 --> 1:32:45.360
<v Speaker 1>money and they only want to be associated with things

1:32:45.680 --> 1:32:50.600
<v Speaker 1>that they feel like are making money. Yeah, what is

1:32:50.640 --> 1:32:53.519
<v Speaker 1>the call out to let people know that R and

1:32:53.560 --> 1:32:59.600
<v Speaker 1>B music makes money? Oh? R and B money. It

1:32:59.640 --> 1:33:03.599
<v Speaker 1>wasn't con times. It was as simple as that. I

1:33:03.640 --> 1:33:07.600
<v Speaker 1>want people to associate R and B music with making money,

1:33:08.000 --> 1:33:12.200
<v Speaker 1>R and B money, And it wasn't a selfish ploy.

1:33:12.400 --> 1:33:14.720
<v Speaker 1>It wasn't like I'm the only one who's made R

1:33:14.760 --> 1:33:18.000
<v Speaker 1>and B money. These R and B money hats are

1:33:18.000 --> 1:33:22.040
<v Speaker 1>gonna go on so many different people's heads who you know,

1:33:22.080 --> 1:33:24.200
<v Speaker 1>so many established artists came to send we want them.

1:33:24.280 --> 1:33:29.360
<v Speaker 1>R and B money has no like. It's that movement

1:33:29.680 --> 1:33:32.799
<v Speaker 1>with being able to once we get this merch together,

1:33:33.240 --> 1:33:37.639
<v Speaker 1>give this merch out to those who are in the

1:33:37.880 --> 1:33:44.560
<v Speaker 1>R and B money fraternity, fraternity and sorority, like we're

1:33:44.600 --> 1:33:48.040
<v Speaker 1>we are a unit that makes R and B money,

1:33:48.080 --> 1:33:50.479
<v Speaker 1>that makes R and B look good, that makes R

1:33:50.479 --> 1:33:53.519
<v Speaker 1>and B feel good, makes RB smell good. We keep

1:33:53.640 --> 1:33:56.559
<v Speaker 1>R and B expensive. You know what I'm saying, you're

1:33:56.640 --> 1:34:02.040
<v Speaker 1>very expensive. What do you mean he's more expected than me?

1:34:02.840 --> 1:34:05.640
<v Speaker 1>I'm not. Yes, you are not, Yes, you are. You

1:34:05.760 --> 1:34:09.200
<v Speaker 1>get your ring and look at my ring. That's because

1:34:09.200 --> 1:34:14.040
<v Speaker 1>I bought that and you bought it. Your ring calls

1:34:14.080 --> 1:34:21.400
<v Speaker 1>more than this and this beautiful rings. You know when

1:34:21.439 --> 1:34:29.320
<v Speaker 1>we get robbed playing with these people, but you know,

1:34:29.560 --> 1:34:34.920
<v Speaker 1>it's it's that association. And so while these kids are

1:34:35.520 --> 1:34:38.800
<v Speaker 1>enamored with the idea of being able to make money.

1:34:39.240 --> 1:34:42.080
<v Speaker 1>That's the call out, that's the flag. And then once

1:34:42.120 --> 1:34:44.800
<v Speaker 1>we get you in the building, we can teach you

1:34:44.960 --> 1:34:48.519
<v Speaker 1>how to do that properly. There's an education that goes

1:34:48.680 --> 1:34:52.960
<v Speaker 1>along with R and B money. It's not just we're

1:34:52.960 --> 1:34:55.880
<v Speaker 1>gonna make some money. No HARMBI money is to teach

1:34:55.920 --> 1:34:59.960
<v Speaker 1>their artists the financial literacy class because these kids got

1:35:00.120 --> 1:35:02.160
<v Speaker 1>no no, they know they have to they have to

1:35:02.200 --> 1:35:04.320
<v Speaker 1>know there has to. I mean we were talking with

1:35:04.320 --> 1:35:06.840
<v Speaker 1>Tiffany fred and just about all of those things and

1:35:06.880 --> 1:35:12.679
<v Speaker 1>all of those um teachable moments that that should be

1:35:13.720 --> 1:35:18.479
<v Speaker 1>in a sense, if not required, at least offered. Like

1:35:18.920 --> 1:35:21.160
<v Speaker 1>if it's not required as a part of your deal,

1:35:21.240 --> 1:35:25.280
<v Speaker 1>it should at least be a space within your infrastructure

1:35:25.840 --> 1:35:29.760
<v Speaker 1>where you can go to this class. You can go

1:35:29.880 --> 1:35:32.400
<v Speaker 1>learn this and you can ask these questions and you

1:35:32.400 --> 1:35:36.040
<v Speaker 1>can get the game. Um, because somebody has to know it,

1:35:36.680 --> 1:35:39.560
<v Speaker 1>either somebody you trust on your team, you know what

1:35:39.600 --> 1:35:42.519
<v Speaker 1>I'm saying, or you that they can you know, relay

1:35:42.560 --> 1:35:45.360
<v Speaker 1>this information to you. Like sometimes creative creatives don't want

1:35:45.400 --> 1:35:48.040
<v Speaker 1>to be bogged down with the business of it all

1:35:48.080 --> 1:35:56.040
<v Speaker 1>because it is stressful, like to try and you know, um,

1:35:56.160 --> 1:35:59.280
<v Speaker 1>brain fatigue is a real thing where you're trying to

1:35:59.800 --> 1:36:02.720
<v Speaker 1>do it through contracts and negotiating then go to the

1:36:02.760 --> 1:36:06.040
<v Speaker 1>studio and try to make a hit record. Like that's

1:36:06.080 --> 1:36:08.920
<v Speaker 1>a lot, you know what I mean. But the information

1:36:09.000 --> 1:36:13.960
<v Speaker 1>has to be uh made more available, you know what

1:36:14.000 --> 1:36:15.800
<v Speaker 1>I'm saying. I think for for artists, and you know,

1:36:15.880 --> 1:36:19.000
<v Speaker 1>we are definitely a part of wanting to offer that

1:36:19.439 --> 1:36:24.280
<v Speaker 1>so that you know how to manage and information. I

1:36:24.320 --> 1:36:28.679
<v Speaker 1>love that too. I love that too. I think it's important,

1:36:28.760 --> 1:36:32.160
<v Speaker 1>especially kids that make it in music. Um A lot

1:36:32.200 --> 1:36:36.519
<v Speaker 1>of times there from places that you know, whether it's

1:36:36.600 --> 1:36:39.559
<v Speaker 1>from inner city neighborhoods and things like that, and those

1:36:39.600 --> 1:36:45.519
<v Speaker 1>things weren't taught, you know, even for me, that wasn't taught.

1:36:43.840 --> 1:36:48.559
<v Speaker 1>How money was taught. Not managing money was talking keeping

1:36:48.600 --> 1:36:52.160
<v Speaker 1>it learned by default. And also I think in black

1:36:52.200 --> 1:36:54.599
<v Speaker 1>and brown homes, we almost teach our kids to say

1:36:54.640 --> 1:36:57.400
<v Speaker 1>for something like say for that car, you want to

1:36:57.439 --> 1:37:00.040
<v Speaker 1>say for the house. It's like, well, there's also to

1:37:00.080 --> 1:37:02.040
<v Speaker 1>be a lifestyle of saving as well, so that you

1:37:02.200 --> 1:37:04.800
<v Speaker 1>just have. So it's just all these like nuances. I think,

1:37:05.120 --> 1:37:08.479
<v Speaker 1>like you said, you are very important to teach these

1:37:08.640 --> 1:37:14.920
<v Speaker 1>artists that are coming and everything, yeah, um, and royalties

1:37:14.960 --> 1:37:17.479
<v Speaker 1>and things like that, which you know so much about

1:37:17.720 --> 1:37:22.519
<v Speaker 1>differently than what newer artists you know, because there was

1:37:22.560 --> 1:37:24.400
<v Speaker 1>this thing going around for a while where people were

1:37:24.479 --> 1:37:27.599
<v Speaker 1>just like being hype about owning masters, and I'm like,

1:37:28.439 --> 1:37:31.200
<v Speaker 1>I get it, but do you do you know what

1:37:31.240 --> 1:37:35.360
<v Speaker 1>to do with masters? Do you know what it means

1:37:35.479 --> 1:37:39.680
<v Speaker 1>to have to own it? Do you know how? Do

1:37:39.680 --> 1:37:43.439
<v Speaker 1>do you know how to generate revenue from your masters?

1:37:45.240 --> 1:37:47.559
<v Speaker 1>Most of them don't even know what that means. They

1:37:47.680 --> 1:37:50.040
<v Speaker 1>just here, Yeah, and I want to own my masters?

1:37:52.880 --> 1:37:55.360
<v Speaker 1>Why do you want to own your masters? Why do

1:37:55.360 --> 1:37:57.599
<v Speaker 1>you want to own your masters versus being partners with

1:37:57.640 --> 1:38:00.640
<v Speaker 1>somebody partnering up with your masters who who have a

1:38:00.720 --> 1:38:05.759
<v Speaker 1>global infrastructure to help you monetize your master. Why wouldn't

1:38:05.760 --> 1:38:10.920
<v Speaker 1>you want to do that? You don't know, You just

1:38:11.000 --> 1:38:13.080
<v Speaker 1>the lingo is just going around. So it's that definitely,

1:38:14.880 --> 1:38:17.400
<v Speaker 1>it's that information is those kind of things that need

1:38:17.479 --> 1:38:19.920
<v Speaker 1>to be taught, even if you're at an independent Okay,

1:38:20.080 --> 1:38:22.560
<v Speaker 1>got it, you gotta you gotta or you know what

1:38:22.600 --> 1:38:26.519
<v Speaker 1>I'm saying, or or five if that's fine, But somebody's

1:38:26.560 --> 1:38:31.560
<v Speaker 1>gonna have to administrate your master's You don't have the infrastructure,

1:38:32.080 --> 1:38:34.960
<v Speaker 1>you don't have the relationships. You don't even know them. People,

1:38:35.040 --> 1:38:38.280
<v Speaker 1>you don't even know the people. People you don't the

1:38:38.320 --> 1:38:42.320
<v Speaker 1>first person to call to license masters. You don't have email,

1:38:43.760 --> 1:38:48.120
<v Speaker 1>you don't even know what the google you don't. So

1:38:48.400 --> 1:38:51.960
<v Speaker 1>you know, we are about like, that's what you know.

1:38:52.160 --> 1:38:54.320
<v Speaker 1>That's what the label, that's what the podcast, that's what

1:38:54.439 --> 1:38:56.639
<v Speaker 1>all these things are about about. Now, you guys definitely

1:38:56.640 --> 1:38:59.960
<v Speaker 1>have some teachable moments in your podcast. It's about being

1:39:00.040 --> 1:39:03.719
<v Speaker 1>informative because there's so many things. There are so many

1:39:03.800 --> 1:39:10.759
<v Speaker 1>things that you learn through experience only only like the

1:39:11.439 --> 1:39:14.360
<v Speaker 1>you're just not in the book. I don't care how

1:39:14.360 --> 1:39:19.120
<v Speaker 1>many music books you read or music business books you read.

1:39:20.040 --> 1:39:22.679
<v Speaker 1>Most of that stuff that we do, that we talk about,

1:39:23.000 --> 1:39:27.559
<v Speaker 1>that we negotiate is not in those books. The rape

1:39:27.600 --> 1:39:35.840
<v Speaker 1>maybe how you get to it, my god, The bartering,

1:39:35.280 --> 1:39:39.920
<v Speaker 1>the taking less to get more, the knowing what to

1:39:40.000 --> 1:39:43.800
<v Speaker 1>do in that moment, that decision part, like what am

1:39:43.840 --> 1:39:49.960
<v Speaker 1>I supposed to do? And what you do? Because I

1:39:50.080 --> 1:39:53.439
<v Speaker 1>have been like, let me see how I talked to this. Yeah,

1:39:55.960 --> 1:39:59.599
<v Speaker 1>that's I don't play about listen to promoter, ain't got

1:39:59.640 --> 1:40:03.160
<v Speaker 1>your BA I can, but it's three thousand people out there, right,

1:40:04.040 --> 1:40:09.720
<v Speaker 1>what do you do? Sure came to see you. Do

1:40:09.800 --> 1:40:11.920
<v Speaker 1>you know that the promoter and the building are two

1:40:11.920 --> 1:40:14.760
<v Speaker 1>separate people? Do you know that you can go to

1:40:14.800 --> 1:40:17.080
<v Speaker 1>the building and say, hey, man, your promoter that is

1:40:17.160 --> 1:40:21.559
<v Speaker 1>using your building doesn't have my money. He's gonna make

1:40:21.560 --> 1:40:24.880
<v Speaker 1>your building look bad. Are you prepared to do something

1:40:24.920 --> 1:40:26.920
<v Speaker 1>about that? Going to say, frond me that money and

1:40:26.920 --> 1:40:29.479
<v Speaker 1>then take it up with They don't even it's not

1:40:29.600 --> 1:40:34.960
<v Speaker 1>in the book. And you know that by default hard

1:40:35.000 --> 1:40:43.960
<v Speaker 1>knock life or three thousand people out there, I'll never

1:40:43.960 --> 1:40:47.479
<v Speaker 1>work with him again, right, and I'm gonna give the

1:40:47.479 --> 1:40:51.080
<v Speaker 1>show of let's turn the music on. He's definitely good

1:40:51.080 --> 1:40:55.080
<v Speaker 1>for that. No, we got the bag now. I'm like

1:40:55.120 --> 1:40:59.439
<v Speaker 1>that too, though, and I'll make sure it's understood. I'm

1:40:59.640 --> 1:41:04.760
<v Speaker 1>no very I'll tell my friends, He'll tell Instagram. You

1:41:04.840 --> 1:41:08.439
<v Speaker 1>have to because that business part which we we could

1:41:08.439 --> 1:41:11.840
<v Speaker 1>talk creative, we could talk all these beautiful grandioso things

1:41:11.880 --> 1:41:14.880
<v Speaker 1>as an artists, but the business, the music business and

1:41:15.720 --> 1:41:18.680
<v Speaker 1>economics all that that is an important component of it,

1:41:18.760 --> 1:41:22.800
<v Speaker 1>like the biggest, the most important. The successful ones understand

1:41:23.360 --> 1:41:28.320
<v Speaker 1>and do business. It's like us restructure in our business.

1:41:28.360 --> 1:41:34.960
<v Speaker 1>It was it was to the benefit of of both

1:41:35.000 --> 1:41:41.200
<v Speaker 1>of us, us and our partners, because to them economically,

1:41:42.479 --> 1:41:48.840
<v Speaker 1>they weren't taking a risk and to us, economically, we

1:41:48.840 --> 1:41:55.000
<v Speaker 1>were just betting on ourselves. And so they were like, yeah, cool,

1:41:55.160 --> 1:41:59.400
<v Speaker 1>let's right. Yeah. We were like, that's right. And so

1:42:00.439 --> 1:42:03.360
<v Speaker 1>then it just became about the work. If it's just

1:42:03.439 --> 1:42:07.519
<v Speaker 1>about the work, uh, we're gonna win that. But a

1:42:07.560 --> 1:42:12.599
<v Speaker 1>great partnership because we're not making we're not making our

1:42:12.640 --> 1:42:15.599
<v Speaker 1>partners jump out the window, you know what I'm saying

1:42:15.640 --> 1:42:21.400
<v Speaker 1>on the first day, But we are willing to take

1:42:21.439 --> 1:42:26.519
<v Speaker 1>the hit to show them that we are worth being

1:42:26.560 --> 1:42:30.479
<v Speaker 1>partners with, we are worth being in bed with, and

1:42:30.920 --> 1:42:34.519
<v Speaker 1>that then on the back side of that success, it's like,

1:42:34.560 --> 1:42:37.000
<v Speaker 1>you know what, give you a little more to keep

1:42:37.000 --> 1:42:39.960
<v Speaker 1>doing that. You know what, We're gonna give you even

1:42:39.960 --> 1:42:42.120
<v Speaker 1>more of that to keep doing that. Do you have

1:42:42.160 --> 1:42:45.120
<v Speaker 1>those conversations say I need more or do you hope

1:42:45.160 --> 1:42:50.439
<v Speaker 1>that they'll say we're gonna give you a lot more? No,

1:42:51.080 --> 1:42:58.200
<v Speaker 1>I don't. I don't. I am I'm comfortable with continuing

1:42:59.400 --> 1:43:05.559
<v Speaker 1>to bet on myself. I really am. Like I just

1:43:05.800 --> 1:43:10.400
<v Speaker 1>when I look at the numbers and I think everybody

1:43:10.439 --> 1:43:13.479
<v Speaker 1>should get their bag. If you're worth something crazy by

1:43:13.520 --> 1:43:16.880
<v Speaker 1>all means, if you can get it, get it. I

1:43:16.880 --> 1:43:20.040
<v Speaker 1>don't want to I don't want to owe. Like you know, I,

1:43:20.240 --> 1:43:23.200
<v Speaker 1>like I said, I'm in I'm an owner of my

1:43:23.280 --> 1:43:29.560
<v Speaker 1>master's and I want to eat off my master's every

1:43:29.680 --> 1:43:32.680
<v Speaker 1>by quarterly. I want a six figure check to come in.

1:43:33.560 --> 1:43:37.240
<v Speaker 1>That's what I want to see for my work for

1:43:37.320 --> 1:43:40.599
<v Speaker 1>the rest of my life. I mean, sure we can

1:43:41.479 --> 1:43:44.400
<v Speaker 1>cash out and get you know, this big old lump

1:43:44.439 --> 1:43:48.559
<v Speaker 1>sum up front, and I don't. I don't, I don't know.

1:43:48.600 --> 1:43:50.400
<v Speaker 1>I don't know if that's the long game, you know

1:43:50.400 --> 1:43:52.280
<v Speaker 1>what I'm saying. And then you start digging holes in

1:43:52.280 --> 1:43:55.040
<v Speaker 1>so many different places where it's like at a certain point,

1:43:55.040 --> 1:43:58.120
<v Speaker 1>nobody wants to do business with you because all you have,

1:43:58.720 --> 1:44:01.400
<v Speaker 1>you know, you have a trail of that behind you,

1:44:02.800 --> 1:44:05.680
<v Speaker 1>and nobody wants to do business with a person that

1:44:06.560 --> 1:44:11.559
<v Speaker 1>is known for being with the story along with each

1:44:11.600 --> 1:44:17.000
<v Speaker 1>trail of that. Every If I'm I'm in the black,

1:44:18.680 --> 1:44:22.479
<v Speaker 1>I live in the black. That's why people don't mind

1:44:22.479 --> 1:44:24.439
<v Speaker 1>doing business with me. That's why people don't mind doing

1:44:24.439 --> 1:44:27.559
<v Speaker 1>business with us. We live in the black. I don't

1:44:27.600 --> 1:44:32.240
<v Speaker 1>care what it is in the black. You do have

1:44:32.320 --> 1:44:35.320
<v Speaker 1>a great partnership though, something that's kind of unheard of.

1:44:36.280 --> 1:44:38.559
<v Speaker 1>You know what. That's a that's a very great that

1:44:38.600 --> 1:44:40.719
<v Speaker 1>you say that. I have great partners in Atlantic Records.

1:44:41.120 --> 1:44:46.320
<v Speaker 1>And one thing Craig Common said to me when I

1:44:46.320 --> 1:44:51.519
<v Speaker 1>first got there is we're gonna get it. Wow, We're

1:44:51.520 --> 1:44:53.400
<v Speaker 1>gonna get it. No matter how long it takes, we're

1:44:53.400 --> 1:44:59.080
<v Speaker 1>gonna we're gonna get it. And never that, Yeah, we're

1:44:59.120 --> 1:45:01.240
<v Speaker 1>gonna We're gonna get it. And no matter how long

1:45:01.240 --> 1:45:03.200
<v Speaker 1>it text, we're gonna get it. Like we're committed to

1:45:04.040 --> 1:45:06.360
<v Speaker 1>working with you and building this relationship with you, and

1:45:06.400 --> 1:45:08.600
<v Speaker 1>we're going to get it. And so you think I

1:45:08.640 --> 1:45:18.040
<v Speaker 1>got signed there in twenty ten, I don't know. And

1:45:20.240 --> 1:45:29.880
<v Speaker 1>when we didn't happen until sixteen, we did. We were

1:45:29.920 --> 1:45:33.360
<v Speaker 1>doing we're doing cool numbers, but we hadn't hit the one.

1:45:36.320 --> 1:45:42.760
<v Speaker 1>So they really waited six years. They stayed rocking with me,

1:45:43.280 --> 1:45:45.800
<v Speaker 1>stayed in bed with me for six years until I

1:45:45.840 --> 1:45:49.640
<v Speaker 1>got the one. But that's also a testament to the

1:45:49.720 --> 1:45:54.360
<v Speaker 1>type of person you are. People do business with people

1:45:54.360 --> 1:45:58.840
<v Speaker 1>who they like, and you know we can, but that's

1:45:58.840 --> 1:46:01.400
<v Speaker 1>who it is. I mean, you go to the office,

1:46:01.479 --> 1:46:04.559
<v Speaker 1>you go tap in with people, check on people. This

1:46:04.640 --> 1:46:07.799
<v Speaker 1>is the part of the business of business that people

1:46:07.880 --> 1:46:11.439
<v Speaker 1>have to understand is vital. And he makes him he

1:46:11.520 --> 1:46:15.639
<v Speaker 1>maintains and manages them well. They love him up there.

1:46:15.680 --> 1:46:30.760
<v Speaker 1>It's not a sour thing when you hear his name door. No,

1:46:31.400 --> 1:46:33.320
<v Speaker 1>they love him and they love me. They make me

1:46:33.360 --> 1:46:38.960
<v Speaker 1>feel comfortable. Sure, but it's like, I just don't. I

1:46:39.080 --> 1:46:42.760
<v Speaker 1>just I just don't believe in bad energy. Even if

1:46:43.040 --> 1:46:46.120
<v Speaker 1>even if we're on the down, even if you know,

1:46:47.960 --> 1:46:51.000
<v Speaker 1>if we're not hitting it off, you know, from a

1:46:51.040 --> 1:46:57.599
<v Speaker 1>success standpoint, if the numbers aren't crazy, I'm not I'm

1:46:57.640 --> 1:47:02.160
<v Speaker 1>not blaming this person or that person. Like we're in

1:47:02.200 --> 1:47:09.760
<v Speaker 1>a partnership. We're a team. So the the scarboard doesn't say,

1:47:10.200 --> 1:47:14.120
<v Speaker 1>you know, the marketing department loss or you know what

1:47:14.160 --> 1:47:18.680
<v Speaker 1>I'm saying, or the promotions department loss or you know,

1:47:18.920 --> 1:47:22.200
<v Speaker 1>he doesn't say that. It doesn't it doesn't say tank loss.

1:47:23.520 --> 1:47:27.000
<v Speaker 1>When we get in this room, we did not win.

1:47:27.840 --> 1:47:32.120
<v Speaker 1>So how can we fix this and make it better

1:47:32.240 --> 1:47:37.080
<v Speaker 1>so that we win? Like and that I'm a team

1:47:37.120 --> 1:47:40.480
<v Speaker 1>I'm I'm I'm an athlete. I come from team sports,

1:47:40.479 --> 1:47:43.680
<v Speaker 1>like and I believe I'm morale and not believe in

1:47:43.840 --> 1:47:47.559
<v Speaker 1>everybody feeling good about coming the work. Like when you

1:47:47.640 --> 1:47:50.599
<v Speaker 1>have a new conversations, you know, with my name on

1:47:50.640 --> 1:47:53.400
<v Speaker 1>the line, Like you have to understand these people, you

1:47:53.439 --> 1:47:56.439
<v Speaker 1>know what I'm saying, Like whether it be Radio Um,

1:47:56.479 --> 1:47:59.120
<v Speaker 1>whether it be pr whether it be all these people

1:47:59.160 --> 1:48:03.439
<v Speaker 1>who are working on your behalf. Right, they can say

1:48:03.479 --> 1:48:08.600
<v Speaker 1>your name with with with glee, with a smile, or

1:48:08.640 --> 1:48:10.680
<v Speaker 1>they can say, oh, yeah, we got this tank thing

1:48:10.680 --> 1:48:12.240
<v Speaker 1>that we're doing. Let us know if you've got space

1:48:12.280 --> 1:48:15.840
<v Speaker 1>for it, right, Or they can say we got this

1:48:15.920 --> 1:48:20.160
<v Speaker 1>tank thing that absolutely amazing. He's a great guy. You

1:48:20.360 --> 1:48:23.400
<v Speaker 1>got you have to pay attention or you can get that.

1:48:25.320 --> 1:48:29.440
<v Speaker 1>So understand how you treat these people that are speaking

1:48:30.240 --> 1:48:35.040
<v Speaker 1>on your behalf as it as it as it relates

1:48:35.080 --> 1:48:39.559
<v Speaker 1>to your career, your life. You don't want those people

1:48:39.600 --> 1:48:43.439
<v Speaker 1>to feel good about you. You Wow, there's a lot

1:48:43.439 --> 1:48:45.800
<v Speaker 1>of artists that don't understand that. They don't get it.

1:48:46.400 --> 1:48:49.960
<v Speaker 1>I've gotten so many gigs and so many opportunities not

1:48:50.120 --> 1:48:53.439
<v Speaker 1>because I was the biggest artist or the hottest artist

1:48:53.520 --> 1:48:58.799
<v Speaker 1>at the time, because those people actually like me, because

1:48:58.840 --> 1:49:01.360
<v Speaker 1>they like the tank coming here. We're gonna have a

1:49:01.439 --> 1:49:06.400
<v Speaker 1>good time uble we're gonna laugh, we're gonna drink, we're

1:49:06.400 --> 1:49:09.000
<v Speaker 1>gonna crack jokes, and then he gonna get on the

1:49:09.080 --> 1:49:13.000
<v Speaker 1>stage and go crazy and and we're gonna have a

1:49:13.080 --> 1:49:17.680
<v Speaker 1>good He's gonna take all the pictures and we're going

1:49:17.720 --> 1:49:23.799
<v Speaker 1>to have a good time. And that's part of artists development. Yeah, yeah,

1:49:24.120 --> 1:49:28.200
<v Speaker 1>but they don't teach. But it's already money. It's time,

1:49:29.640 --> 1:49:35.200
<v Speaker 1>money gonna Learnay, definitely gonna learn today. Can I get

1:49:35.200 --> 1:49:37.640
<v Speaker 1>my deal? Let's talk about this on air. Can I

1:49:37.640 --> 1:49:43.400
<v Speaker 1>get my deal? Is Za's deal? What is there? So?

1:49:43.880 --> 1:49:45.720
<v Speaker 1>I'm just getting back to you, back to you what

1:49:45.800 --> 1:49:47.400
<v Speaker 1>I would like to know about. I would like to

1:49:47.439 --> 1:49:54.360
<v Speaker 1>know about. Zena has been wanting to do a record

1:49:54.400 --> 1:49:58.679
<v Speaker 1>deal for I don't know how long. I think Zena

1:49:58.920 --> 1:50:04.360
<v Speaker 1>is great with hearing music. Zena can hear music. She

1:50:04.600 --> 1:50:07.960
<v Speaker 1>knows when it ain't right. She knows like when it's

1:50:08.040 --> 1:50:12.080
<v Speaker 1>vocally wrong, musically wrong, like she can hear. I don't

1:50:12.120 --> 1:50:14.000
<v Speaker 1>know how she does it. I don't know how she's

1:50:14.040 --> 1:50:17.600
<v Speaker 1>able to do that but still be toned dead, you

1:50:17.640 --> 1:50:19.960
<v Speaker 1>know what I'm saying. So it's like it's like, Babe,

1:50:19.960 --> 1:50:24.360
<v Speaker 1>go so nice? No, do you have so many other

1:50:24.400 --> 1:50:27.760
<v Speaker 1>gifts and let's do this on their No no no,

1:50:28.680 --> 1:50:33.519
<v Speaker 1>I wasn't prepared and I've been drinking Champo. No no, no, no, no, no.

1:50:33.800 --> 1:50:42.040
<v Speaker 1>We have asked for this deal on air yet. Okay,

1:50:42.280 --> 1:50:45.639
<v Speaker 1>so economically, so you know, it's just it's just gonna

1:50:45.680 --> 1:50:48.120
<v Speaker 1>it's gonna take a little tune, take a little It's

1:50:48.120 --> 1:50:53.160
<v Speaker 1>gonna take a little tune. That's okay, But I may

1:50:53.200 --> 1:50:54.960
<v Speaker 1>have to break down and do one record. I can

1:50:55.000 --> 1:50:57.240
<v Speaker 1>carry that stage with choreography though, I want to hear.

1:50:58.040 --> 1:51:05.080
<v Speaker 1>Let's just do just give me one because it's gonna

1:51:05.080 --> 1:51:09.000
<v Speaker 1>go and then we're gonna have creative monster. Ate it

1:51:09.120 --> 1:51:11.519
<v Speaker 1>a monster. But that's all I want. And I'm gonna

1:51:11.600 --> 1:51:15.920
<v Speaker 1>quit everytime. No you're not. You're gonna tas that first thing.

1:51:16.040 --> 1:51:18.120
<v Speaker 1>You think I'll start chearing. I told you I was

1:51:18.240 --> 1:51:21.559
<v Speaker 1>like that. Yeah, he was hating all this time. Oh

1:51:21.600 --> 1:51:24.320
<v Speaker 1>it's gonna get it's gonna get real ugly, and I

1:51:24.320 --> 1:51:34.320
<v Speaker 1>gotta get that's what you baby sitting kids right there

1:51:35.080 --> 1:51:36.920
<v Speaker 1>where you're going to work. Get going. We have to

1:51:36.960 --> 1:51:41.160
<v Speaker 1>get going, going to work. You know what this is? You?

1:51:42.439 --> 1:51:45.320
<v Speaker 1>I would love that you said you wanted to retire, right,

1:51:45.439 --> 1:51:47.439
<v Speaker 1>said you was done. I'll be running the beauty business.

1:51:48.000 --> 1:51:53.320
<v Speaker 1>It's he'll be in the packing orders. Can you imagine it?

1:51:53.479 --> 1:51:56.960
<v Speaker 1>Just signed to go guy still still relieve find wrinkles

1:51:57.600 --> 1:52:03.599
<v Speaker 1>products are say do work, They do work and they

1:52:03.640 --> 1:52:22.040
<v Speaker 1>are good. The bosto. Um, let's talk about you're gonna

1:52:22.040 --> 1:52:24.920
<v Speaker 1>do a top five. I love to do a top five.

1:52:25.240 --> 1:52:28.479
<v Speaker 1>Let's do a top five. Top five? What top five?

1:52:29.400 --> 1:52:31.120
<v Speaker 1>I'm even gonna say R and B. Let's just say

1:52:31.880 --> 1:52:35.479
<v Speaker 1>top five. I don't even go artists or you want

1:52:35.479 --> 1:52:41.800
<v Speaker 1>to go albums stuff. Mhm. I'll start with artists. Top

1:52:41.800 --> 1:52:50.600
<v Speaker 1>five artists, top five artists, Jesus, top five artists. I

1:52:50.640 --> 1:52:56.559
<v Speaker 1>don't want to stick it to R and B. Whatever, everything, Okay,

1:52:56.560 --> 1:53:03.439
<v Speaker 1>five Marvin Gaye, Okay, we gotta start there. We're gonna

1:53:03.479 --> 1:53:14.080
<v Speaker 1>start there. Um Reverend John P. King, Okay, I go there, commissioned,

1:53:16.920 --> 1:53:29.880
<v Speaker 1>I gotta go there. Joy See, I know what Joe

1:53:29.920 --> 1:53:33.040
<v Speaker 1>five is gonna be, but you don't want it to be.

1:53:39.320 --> 1:53:41.200
<v Speaker 1>You don't have to say, we know what it is.

1:53:43.640 --> 1:53:58.240
<v Speaker 1>Jesus saw he's a goner. He's a good That is

1:53:58.320 --> 1:54:02.639
<v Speaker 1>so funny. So yeah, I mean it's a top top

1:54:02.680 --> 1:54:06.559
<v Speaker 1>five because it's a tough top five, because you know,

1:54:06.720 --> 1:54:10.920
<v Speaker 1>there's Kim barell Um, There's there's Beyonce of course or

1:54:11.000 --> 1:54:16.599
<v Speaker 1>Beyonce Um, there's Celine dion Um, and there's Aretha Franklin.

1:54:16.880 --> 1:54:19.439
<v Speaker 1>I just it's I just gave a I just gave

1:54:19.479 --> 1:54:21.439
<v Speaker 1>a top five that came to my head. I'm saying,

1:54:21.600 --> 1:54:29.799
<v Speaker 1>what's your next favorite genre of music outside of army whatever?

1:54:29.880 --> 1:54:38.520
<v Speaker 1>Lenny Kravitz does, whatever you call that, whatever, whatever that is,

1:54:38.680 --> 1:54:41.240
<v Speaker 1>right does he does? It have a It's a Lenny Kravitz,

1:54:41.320 --> 1:54:47.160
<v Speaker 1>It's a Kravt. It's rock, it's it's funk, it's it's

1:54:47.320 --> 1:54:52.880
<v Speaker 1>worldly like, it's it's everything. Whatever he does, that's my

1:54:53.000 --> 1:54:58.400
<v Speaker 1>next favorite genre of music. I want to reincarnate and

1:54:58.520 --> 1:55:01.000
<v Speaker 1>come back with a guitar. You have the hair, and

1:55:01.520 --> 1:55:06.440
<v Speaker 1>I was going to say leather pants, boots and uh

1:55:06.120 --> 1:55:09.800
<v Speaker 1>and in a fish fish net tank tok. Think still sexy.

1:55:09.840 --> 1:55:12.839
<v Speaker 1>I can take that. You want, Gene, He's still sexy.

1:55:12.920 --> 1:55:17.960
<v Speaker 1>I can take that. Yeah, I can take I can

1:55:18.000 --> 1:55:21.840
<v Speaker 1>take you. Being Linny Krabing worried to say, let me

1:55:21.880 --> 1:55:26.960
<v Speaker 1>take Lenny kravisten. Listen, we sa you have to do

1:55:27.000 --> 1:55:29.880
<v Speaker 1>Sometimes sometimes you just have to give a pass right

1:55:30.360 --> 1:55:36.120
<v Speaker 1>because some ballots. You're gonna lose, right, Lenny Crabs, let

1:55:36.200 --> 1:55:39.320
<v Speaker 1>me get that pants. I'm probably gonna need your woman

1:55:39.360 --> 1:55:42.880
<v Speaker 1>for the night. You know what. You be careful with that, Okay,

1:55:43.440 --> 1:55:45.760
<v Speaker 1>at a certain time, just you send her back in

1:55:45.880 --> 1:55:48.400
<v Speaker 1>one piece and if you want to, and if you

1:55:48.440 --> 1:55:50.880
<v Speaker 1>want to send her back with a stipend, you can

1:55:50.960 --> 1:55:59.120
<v Speaker 1>also that if you want. Has a friend name is yeah? Cool?

1:56:02.600 --> 1:56:11.080
<v Speaker 1>Every I don't know a few questions. Favorite female R

1:56:11.160 --> 1:56:14.960
<v Speaker 1>and B artists very tough. Actually, favorite female R and

1:56:15.040 --> 1:56:27.560
<v Speaker 1>B album better? I mean, you gotta look at your phone. No, no,

1:56:27.640 --> 1:56:32.400
<v Speaker 1>I want to be clear about about I know whose

1:56:32.440 --> 1:56:35.000
<v Speaker 1>album is it is? I just want to be clear about.

1:56:37.400 --> 1:56:39.640
<v Speaker 1>Can we get that little Doo Doo Doo amazing? No,

1:56:39.800 --> 1:56:45.600
<v Speaker 1>we don't. You're gonna um just say the artists. We

1:56:45.640 --> 1:56:47.480
<v Speaker 1>can help you figure it out. We gotta say the

1:56:47.520 --> 1:56:50.040
<v Speaker 1>album because if you stayed the artists Brandy never say Never,

1:56:50.240 --> 1:56:53.480
<v Speaker 1>oh period, I'm sorry you like to never say never?

1:56:53.600 --> 1:56:59.560
<v Speaker 1>Better than Full Moon, Yeah, never say Nevers? Yeah? Is

1:56:59.600 --> 1:57:03.000
<v Speaker 1>Angel Disguise? That's I mean, that is a great album.

1:57:03.240 --> 1:57:07.240
<v Speaker 1>But my favorite female R and B album is Brandy Fullmo.

1:57:07.640 --> 1:57:09.040
<v Speaker 1>Let let me look at Let me look at Fullmo

1:57:09.920 --> 1:57:14.040
<v Speaker 1>for Memon. The record is one of the greatest records

1:57:14.040 --> 1:57:16.640
<v Speaker 1>I think ever, just that record, from top to bottom.

1:57:16.720 --> 1:57:20.200
<v Speaker 1>They call the tracks tracks on the tracks, but never

1:57:20.280 --> 1:57:25.800
<v Speaker 1>say never, transmation, never say never is just place. Have

1:57:25.920 --> 1:57:28.760
<v Speaker 1>you ever? Have you ever missed everything? Put that on,

1:57:28.960 --> 1:57:33.120
<v Speaker 1>put that on that Oh I love that. I think

1:57:33.160 --> 1:57:36.800
<v Speaker 1>about it, about it because never say is that Angela Scott.

1:57:36.840 --> 1:57:41.480
<v Speaker 1>That's that's top to bottom and I love you that's

1:57:41.520 --> 1:57:47.360
<v Speaker 1>what it's look at. Yeah, baby, Full Moon probably has

1:57:47.960 --> 1:57:51.520
<v Speaker 1>killed that album. Full Moon probably has my favorite Brandy song,

1:57:52.680 --> 1:57:57.320
<v Speaker 1>which one when you Touch Me? Oh my god, I

1:57:57.360 --> 1:57:59.800
<v Speaker 1>love that song when listen, let me tell you. I

1:57:59.800 --> 1:58:02.120
<v Speaker 1>don't know what it was, but when that album came out,

1:58:02.440 --> 1:58:06.160
<v Speaker 1>I used to love to just drive album and being

1:58:06.240 --> 1:58:07.560
<v Speaker 1>my feelings. I don't care if it was in a

1:58:07.640 --> 1:58:10.760
<v Speaker 1>good place or a bad place. My feeling you have

1:58:10.840 --> 1:58:14.840
<v Speaker 1>to say never. In Full Moon I would put up

1:58:14.880 --> 1:58:25.520
<v Speaker 1>against any females, anyone, anybody. Yeah, me too, that thing,

1:58:25.720 --> 1:58:29.080
<v Speaker 1>Oh my goodness, every record, every song, every touch me.

1:58:30.280 --> 1:58:33.960
<v Speaker 1>When I heard that song, I was so. When I

1:58:34.080 --> 1:58:37.960
<v Speaker 1>heard that song, I was so, I was it. It

1:58:38.640 --> 1:58:41.080
<v Speaker 1>took me a while to audit the song because some

1:58:41.280 --> 1:58:45.360
<v Speaker 1>songs just some songs just messed me up. That's one

1:58:45.400 --> 1:58:47.360
<v Speaker 1>of the songs that messed me up. It took me.

1:58:47.560 --> 1:58:50.880
<v Speaker 1>The other the song recently that messed me up. That

1:58:51.040 --> 1:58:54.040
<v Speaker 1>that that I'm still auditing, still trying to get out

1:58:54.080 --> 1:58:58.440
<v Speaker 1>of my feelings about It's heart damage. Oh yeah, yeah,

1:59:00.440 --> 1:59:07.280
<v Speaker 1>anybody shout out to cardiac. Oh my gosh, are you

1:59:07.480 --> 1:59:11.760
<v Speaker 1>kidding me? Are you kidding me? That's the song, the

1:59:12.160 --> 1:59:16.960
<v Speaker 1>original song already itself damaged me, already messed me up.

1:59:17.480 --> 1:59:20.960
<v Speaker 1>And then they did that h when you touched me?

1:59:21.800 --> 1:59:28.280
<v Speaker 1>That Now, I'm totally with that. I'm with that answer too,

1:59:28.920 --> 1:59:33.520
<v Speaker 1>totally totally aligned. Right, I gotta get her on the pod.

1:59:34.120 --> 1:59:36.720
<v Speaker 1>She's come, She's gonna come, she'll come. Do you know

1:59:36.760 --> 1:59:39.000
<v Speaker 1>how important she like I'm born and like, do you

1:59:39.120 --> 1:59:42.680
<v Speaker 1>not how important? Like we have like Brandy. I saw

1:59:42.800 --> 1:59:49.080
<v Speaker 1>Brandy sing. I introduced Brandy at um at um. What

1:59:49.280 --> 1:59:56.760
<v Speaker 1>was the Army Knight? Philip? Philip? I think was the

1:59:56.800 --> 2:00:00.240
<v Speaker 1>reason we would be? I hosted, I was hosting it. Yeah,

2:00:00.280 --> 2:00:04.960
<v Speaker 1>she was, And I introduced Brandy and I watched my

2:00:05.160 --> 2:00:10.880
<v Speaker 1>friends guys while she was singing. I watched him hug

2:00:10.960 --> 2:00:21.880
<v Speaker 1>each other, Yeah, huddled up together. Men just done watching.

2:00:22.000 --> 2:00:29.920
<v Speaker 1>I'm saying like this, she was just she was just Brandy. Brandy.

2:00:30.000 --> 2:00:33.800
<v Speaker 1>Oh she's so good voice like that, change the world

2:00:34.120 --> 2:00:38.320
<v Speaker 1>runs like that. I mean, she's her runs voice, just

2:00:38.880 --> 2:00:43.840
<v Speaker 1>different gifts, different kind of gifts, different kind of gifts. Yeah,

2:00:44.440 --> 2:00:51.800
<v Speaker 1>what else does hot mess? I was living at Brandy

2:00:51.880 --> 2:00:57.480
<v Speaker 1>in the conversar radie. I told you to burst. There's

2:00:57.520 --> 2:00:59.520
<v Speaker 1>one time I did get mad at Brandy in real life.

2:01:00.280 --> 2:01:03.200
<v Speaker 1>Remember my birthday party in l A. Just going real,

2:01:03.960 --> 2:01:06.200
<v Speaker 1>don't be real it was It wasn't bad. It was

2:01:06.280 --> 2:01:07.640
<v Speaker 1>my birthday party in l A. And one of my

2:01:07.720 --> 2:01:09.800
<v Speaker 1>really good friends was pregnant. She was at my birthday

2:01:09.840 --> 2:01:12.640
<v Speaker 1>party and Brandy approached her for being pregnant in the

2:01:12.720 --> 2:01:17.160
<v Speaker 1>club down and I was like, whoa, she's here to

2:01:17.240 --> 2:01:21.800
<v Speaker 1>celebrate me. We're just having here with this child. Now,

2:01:22.400 --> 2:01:26.800
<v Speaker 1>I does that? She crazy? She's on the mother's board.

2:01:27.360 --> 2:01:30.280
<v Speaker 1>Came to sit her down. She's like, wait, you shouldn't

2:01:30.320 --> 2:01:36.640
<v Speaker 1>be on here here the Lord. I was like. It

2:01:36.760 --> 2:01:39.280
<v Speaker 1>was so funny because she was my favorite female R

2:01:39.360 --> 2:01:45.440
<v Speaker 1>and B artist. No, I love her. What I'm just saying,

2:01:45.520 --> 2:01:47.680
<v Speaker 1>I just remember that moment that was so funny to me.

2:01:48.080 --> 2:01:52.360
<v Speaker 1>Is Mariah Carey R and B two M too. I

2:01:52.440 --> 2:01:59.920
<v Speaker 1>mean Mariah Carey eventually moved into a more soulful space

2:02:01.400 --> 2:02:05.400
<v Speaker 1>because there are different you know, there's so many different

2:02:05.440 --> 2:02:08.760
<v Speaker 1>nuances to R and B and so when you when

2:02:08.800 --> 2:02:12.000
<v Speaker 1>you say pop, you're just saying music is more popular.

2:02:13.000 --> 2:02:15.880
<v Speaker 1>But when you're singing about love, singing from the depths

2:02:15.880 --> 2:02:19.240
<v Speaker 1>of your soul, Yeah, music to me absolutely, just in

2:02:19.280 --> 2:02:21.720
<v Speaker 1>a different space. You know what I'm saying, pop was

2:02:21.840 --> 2:02:25.280
<v Speaker 1>the or the word pop was created so that certain

2:02:25.320 --> 2:02:27.200
<v Speaker 1>people could take ownership of it. But you know that's

2:02:27.200 --> 2:02:32.400
<v Speaker 1>a different type of conversation, conversation, different real conversation. But yeah,

2:02:32.520 --> 2:02:36.880
<v Speaker 1>Mari Carry, Mari Carry is capable of all things, all

2:02:36.960 --> 2:02:43.160
<v Speaker 1>things absolutely, Marian Oh dirty bastard. She's the only artist

2:02:43.280 --> 2:02:47.160
<v Speaker 1>that did which she did because she didn't have to

2:02:48.520 --> 2:02:55.720
<v Speaker 1>did not that she never needed she needs. Yeah, she

2:02:55.840 --> 2:03:02.120
<v Speaker 1>needed it. Yeah, there's a she didn't need it, but

2:03:02.560 --> 2:03:06.880
<v Speaker 1>for her, for her soul, I need to shed. I

2:03:06.960 --> 2:03:10.440
<v Speaker 1>need to get to that ship I need That's what

2:03:10.560 --> 2:03:12.600
<v Speaker 1>I really do. That y'all don't know that I do.

2:03:12.920 --> 2:03:17.360
<v Speaker 1>I can't imagine. I want O dB on. They were like, now,

2:03:17.960 --> 2:03:28.720
<v Speaker 1>what change that record is? Like, where's locks? Need I

2:03:28.880 --> 2:03:31.520
<v Speaker 1>need that ship. Yeah, she had to bring in her

2:03:31.520 --> 2:03:33.240
<v Speaker 1>other side. Then you have to think about this like

2:03:34.160 --> 2:03:38.640
<v Speaker 1>it only works if we believe her. Sure we did, absolutely,

2:03:38.840 --> 2:03:42.879
<v Speaker 1>still do. Absolutely A choice inspired you as far as musically,

2:03:43.080 --> 2:03:47.320
<v Speaker 1>like vocally. I know you came from the church, but

2:03:47.560 --> 2:03:56.960
<v Speaker 1>what artists um Shot study Reverend Reverend drop study, commissioned

2:03:57.960 --> 2:04:02.000
<v Speaker 1>study baby Face, that's study Bryan and Night. I studied

2:04:02.080 --> 2:04:05.240
<v Speaker 1>R Kelly, I studied You'll to See. And this is

2:04:05.320 --> 2:04:07.000
<v Speaker 1>all late in the game because I really wasn't able

2:04:07.000 --> 2:04:09.840
<v Speaker 1>to listen to this stuff. I studied New Edition, I

2:04:09.880 --> 2:04:12.600
<v Speaker 1>studied Anything Jimmy Jim and Terry Lewis. Did you know

2:04:12.640 --> 2:04:14.320
<v Speaker 1>I had to go back and dig in the crates

2:04:14.400 --> 2:04:17.360
<v Speaker 1>and and and learn all of these things that all

2:04:17.440 --> 2:04:21.600
<v Speaker 1>that had already passed me by, studied the Late Bolt.

2:04:21.800 --> 2:04:23.640
<v Speaker 1>You know, I didn't start doing R B music until

2:04:23.720 --> 2:04:28.960
<v Speaker 1>ninety six. I graduated high school ninety four. So much

2:04:29.040 --> 2:04:31.280
<v Speaker 1>great R and B before then, so much, and I

2:04:31.360 --> 2:04:33.800
<v Speaker 1>had to I had to go back and listen and

2:04:34.160 --> 2:04:36.640
<v Speaker 1>and and dig into those crates. But I like, I

2:04:36.760 --> 2:04:41.880
<v Speaker 1>was a student of music of so many dope artists

2:04:41.920 --> 2:04:46.560
<v Speaker 1>because you know, I wanted to have it all, and

2:04:46.640 --> 2:04:49.040
<v Speaker 1>so I would sit in my room with my keyboard.

2:04:49.320 --> 2:04:51.160
<v Speaker 1>Had a p v D p M four. My mother

2:04:51.280 --> 2:04:53.280
<v Speaker 1>brought it for me, my first synthesizer. I could do

2:04:53.360 --> 2:04:56.320
<v Speaker 1>tracks on and shout out to your mother, shout out

2:04:56.360 --> 2:05:01.720
<v Speaker 1>to mom's financing my joint and paying the bill and uh.

2:05:02.480 --> 2:05:04.800
<v Speaker 1>And I would sit in my room from sun up

2:05:04.840 --> 2:05:08.320
<v Speaker 1>to sundown. I didn't even know it was nighttime. I

2:05:08.320 --> 2:05:11.280
<v Speaker 1>would get up. I would eat breakfast, and then my

2:05:11.400 --> 2:05:12.840
<v Speaker 1>mom will come in the room. She's like, what are

2:05:12.840 --> 2:05:14.880
<v Speaker 1>you doing. I was like, I'm just you understoding. She's like,

2:05:14.920 --> 2:05:16.000
<v Speaker 1>do you know what time it is? I was like,

2:05:16.440 --> 2:05:21.160
<v Speaker 1>you know, She's like, it's nine o'clock at night. She's like,

2:05:21.240 --> 2:05:24.200
<v Speaker 1>have you eaven? I was like no, I forgot. I

2:05:24.320 --> 2:05:28.280
<v Speaker 1>was like a hundred pounds. So I would not I

2:05:28.320 --> 2:05:32.240
<v Speaker 1>wouldn't even eat. I would be on studying, studying. Timberland

2:05:32.320 --> 2:05:34.760
<v Speaker 1>was my favorite producer, so I would in my little

2:05:35.280 --> 2:05:38.160
<v Speaker 1>nine track sequencer. I would try to reproduce all the

2:05:38.240 --> 2:05:41.880
<v Speaker 1>songs that Timberland did. I would try to reproduce Eli.

2:05:42.040 --> 2:05:45.880
<v Speaker 1>I would try to reproduce you know, genuine. I will

2:05:45.920 --> 2:05:47.840
<v Speaker 1>try to reproduce all of these different things. You know

2:05:47.880 --> 2:05:50.200
<v Speaker 1>what I'm saying. So I gotta be like Timberland, you

2:05:50.200 --> 2:05:54.280
<v Speaker 1>know what I'm saying, And I study the craft, study

2:05:54.520 --> 2:05:56.640
<v Speaker 1>like baby Face was the first R and B artist

2:05:56.680 --> 2:05:58.600
<v Speaker 1>whose songs I could sing if a girl asked me

2:05:58.680 --> 2:06:01.000
<v Speaker 1>to sing something, because it was nice songs, you know

2:06:01.040 --> 2:06:03.760
<v Speaker 1>what I'm saying. So that's where I kind of first

2:06:03.840 --> 2:06:06.040
<v Speaker 1>got my little taste of singing R and B music

2:06:06.120 --> 2:06:08.800
<v Speaker 1>was singing babysitting baby Face songs. You know I'm saying.

2:06:08.800 --> 2:06:10.800
<v Speaker 1>On the whipp a pill, you know that tender love

2:06:10.840 --> 2:06:13.200
<v Speaker 1>an you know what I'm saying, Like I could sing

2:06:13.280 --> 2:06:17.640
<v Speaker 1>tender songs. You say, tender songs work for the church, kid.

2:06:18.240 --> 2:06:22.920
<v Speaker 1>So you know, I studied so much. I studied all

2:06:23.000 --> 2:06:25.040
<v Speaker 1>of it. Like I can tell you. I can tell

2:06:25.080 --> 2:06:27.280
<v Speaker 1>you how you know, all of those artists I name,

2:06:27.360 --> 2:06:29.360
<v Speaker 1>I can tell you how they do their thing down

2:06:29.400 --> 2:06:31.720
<v Speaker 1>to the science and I can and I can tell

2:06:31.840 --> 2:06:36.240
<v Speaker 1>that crazy that you have a relationship with people's circle, right, Yes,

2:06:36.520 --> 2:06:40.240
<v Speaker 1>that is that is crazy. Yeah, yeah, that's nuts. I

2:06:40.360 --> 2:06:44.320
<v Speaker 1>never thought of that. I never. I never thought of that.

2:06:45.480 --> 2:06:48.240
<v Speaker 1>I never, I never. I never thought of that. That's

2:06:48.320 --> 2:06:51.960
<v Speaker 1>the beauty in it. Yeah, you're destined to do exactly

2:06:52.080 --> 2:06:56.960
<v Speaker 1>what you've done in this world. Profit Todd Hall. When

2:06:57.000 --> 2:07:01.160
<v Speaker 1>I was um, I used to open for him. You know,

2:07:01.200 --> 2:07:03.160
<v Speaker 1>I has to come seeing a couple of selections before

2:07:03.160 --> 2:07:06.280
<v Speaker 1>he would preach. And he prophesied on me one day

2:07:06.320 --> 2:07:09.000
<v Speaker 1>and he was like, this, this won't be the place

2:07:09.160 --> 2:07:14.440
<v Speaker 1>where you are called to go out there. I was like,

2:07:15.520 --> 2:07:18.520
<v Speaker 1>what do you mean? Yeah, so you're called to go

2:07:18.600 --> 2:07:22.440
<v Speaker 1>out there and be correct prophet. I don't told me that.

2:07:23.120 --> 2:07:25.680
<v Speaker 1>And and I don't think anybody in the church at

2:07:25.760 --> 2:07:32.000
<v Speaker 1>that moment we're got that or we're too excited about that.

2:07:32.280 --> 2:07:36.080
<v Speaker 1>Definitely not gonna say that. But he's you know, he's

2:07:36.080 --> 2:07:38.680
<v Speaker 1>one of the realists. He's one of the realists. You know,

2:07:38.960 --> 2:07:40.720
<v Speaker 1>he's a prophet who I have to honor him as

2:07:40.720 --> 2:07:43.240
<v Speaker 1>a prophet. But he's one of the realist Niggers I've

2:07:43.280 --> 2:07:46.280
<v Speaker 1>ever met. Yeah, so that's the second honor, right after

2:07:46.320 --> 2:07:51.440
<v Speaker 1>the I have to I have to honor him as

2:07:51.440 --> 2:07:52.880
<v Speaker 1>a prophet first. You know what I'm saying. I can't.

2:07:52.880 --> 2:07:59.840
<v Speaker 1>I can't disrespect that realistical. And he told me said,

2:08:00.080 --> 2:08:05.480
<v Speaker 1>will you will prosper out there? So so many you

2:08:05.560 --> 2:08:07.920
<v Speaker 1>knew it? Yeah, I mean, of course he knows it.

2:08:11.200 --> 2:08:18.320
<v Speaker 1>All right, we do it be money. He said, retire,

2:08:18.440 --> 2:08:22.400
<v Speaker 1>But I don't think as much as I hope to make,

2:08:27.040 --> 2:08:30.680
<v Speaker 1>we canang lose you. Banker said, we can't lose you

2:08:32.000 --> 2:08:35.240
<v Speaker 1>if Anita comes in on this case need his Instagram

2:08:35.480 --> 2:08:39.440
<v Speaker 1>right right? You know Anita comes to the couch and

2:08:39.560 --> 2:08:41.280
<v Speaker 1>then Nita comes in on the couch. I am going

2:08:41.360 --> 2:08:54.400
<v Speaker 1>to shout the pool yeah don't but did you have

2:08:54.520 --> 2:09:00.200
<v Speaker 1>a good time? Often here we go if you give

2:09:00.280 --> 2:09:03.600
<v Speaker 1>you all today because it was my first time. But

2:09:03.640 --> 2:09:05.680
<v Speaker 1>don't don't let me sit here. I would like to

2:09:05.720 --> 2:09:09.760
<v Speaker 1>see more of the woman aspect and point of view

2:09:10.680 --> 2:09:13.320
<v Speaker 1>on the Army Money podcast. Just let us know. You know,

2:09:13.360 --> 2:09:17.760
<v Speaker 1>we're always into giving the people what they want, and

2:09:18.400 --> 2:09:22.520
<v Speaker 1>to be honest, let's just say women is I personally

2:09:22.560 --> 2:09:27.480
<v Speaker 1>feel like who RMB is supposed to cater to. So

2:09:27.560 --> 2:09:32.160
<v Speaker 1>I appreciate you for having so women. Women run this world? Sure,

2:09:32.560 --> 2:09:37.040
<v Speaker 1>period point black. So I am honored to have my

2:09:37.240 --> 2:09:42.160
<v Speaker 1>sister Ms Ditty on the Army Money Podcast and honor

2:09:42.680 --> 2:09:46.480
<v Speaker 1>to have my beautiful wife in the ads on the

2:09:46.720 --> 2:09:52.680
<v Speaker 1>Army Money Army Money Podcast. Ladies and gentlemen, um, I'm Tank.

2:09:55.560 --> 2:10:00.200
<v Speaker 1>This is the Army Money Podcast, the authority on all

2:10:00.400 --> 2:10:07.600
<v Speaker 1>things r and b I might be retired. We might

2:10:07.920 --> 2:10:21.720
<v Speaker 1>maybe not that the church and being money