1 00:00:11,000 --> 00:00:18,079 Speaker 1: It's no Welcome to the Naughty but Nice Show. Amya house, 2 00:00:18,160 --> 00:00:20,640 Speaker 1: drump Shooter. It's Thursday. Well, normally every Thursday, I dear 3 00:00:20,680 --> 00:00:23,400 Speaker 1: friend Mark Lupe joins us. But Mark is with his 4 00:00:23,600 --> 00:00:27,720 Speaker 1: family in Greece, a family vacation. Remember I think he 5 00:00:27,800 --> 00:00:29,720 Speaker 1: told us he's going to be away for two weeks. 6 00:00:29,760 --> 00:00:33,560 Speaker 1: We have a big surprise today. It's not Friday. It's Thursday, 7 00:00:33,880 --> 00:00:37,800 Speaker 1: but our Friday friend Cory is joining Good Today. Corey. 8 00:00:37,880 --> 00:00:41,600 Speaker 1: Are you there? I am here for a thrilling Thursday. 9 00:00:41,720 --> 00:00:43,520 Speaker 1: I'm going to rebrand it strange. 10 00:00:44,360 --> 00:00:46,280 Speaker 2: No, well, listen, I mean, it's just that I almost 11 00:00:46,320 --> 00:00:48,120 Speaker 2: get to kick off my weekend early though, because I 12 00:00:48,120 --> 00:00:50,080 Speaker 2: don't have to get up so early tomorrow. 13 00:00:50,840 --> 00:00:53,640 Speaker 1: That's all right, you could go out to dancing tonight, 14 00:00:53,800 --> 00:00:56,440 Speaker 1: my friend. Thank you for filling in for Mark today. 15 00:00:56,440 --> 00:00:59,560 Speaker 1: It's really really helpful. Let's jump into Asher. What time 16 00:00:59,640 --> 00:01:02,440 Speaker 1: is it, my friends? It is time. Big story at 17 00:01:02,440 --> 00:01:05,160 Speaker 1: the top of the show, everybody's talking about Amy Rubek 18 00:01:05,600 --> 00:01:08,360 Speaker 1: and t J. Holmes. Remember those two. They were the 19 00:01:08,400 --> 00:01:11,560 Speaker 1: host ofs GMA three, the co hosts, and then they 20 00:01:11,560 --> 00:01:14,520 Speaker 1: got handsy with one another and then they sort of 21 00:01:14,800 --> 00:01:18,920 Speaker 1: lost their job, which I still don't totally understand they 22 00:01:18,920 --> 00:01:22,319 Speaker 1: were both going through separations. Now. The timing's always fuzzy. 23 00:01:22,640 --> 00:01:26,080 Speaker 1: Whenever we do these timelines of the relationships, I'm looking 24 00:01:26,080 --> 00:01:29,720 Speaker 1: at you, Brad Pitt and Angelina Jerry, they never quite match. 25 00:01:29,880 --> 00:01:33,080 Speaker 1: At Ariona Grande, I'm looking at you too. They always 26 00:01:33,200 --> 00:01:36,360 Speaker 1: when they get together, these celebrities always hell, we never 27 00:01:36,400 --> 00:01:40,399 Speaker 1: got together until after we got separated, and it's a 28 00:01:40,920 --> 00:01:45,200 Speaker 1: bit of a crossover, which probably happens in real life too. Unfortunately. 29 00:01:45,240 --> 00:01:49,440 Speaker 1: So ultimately they were fired and they've really worked since. 30 00:01:49,520 --> 00:01:51,880 Speaker 1: So they did get a big payout, So don't worry 31 00:01:51,920 --> 00:01:55,000 Speaker 1: about money. They've got a lot of money that's coming 32 00:01:55,000 --> 00:01:59,120 Speaker 1: to an end. They launched a podcast, they did tons 33 00:01:59,240 --> 00:02:03,280 Speaker 1: of meeting, but what they really did was get photographed 34 00:02:03,320 --> 00:02:06,400 Speaker 1: all around New York by the paparazzi, which I have 35 00:02:06,520 --> 00:02:09,320 Speaker 1: to admit I believe they enjoy a little bit. So 36 00:02:09,360 --> 00:02:11,680 Speaker 1: they were at this event a few nights ago. Mister 37 00:02:11,880 --> 00:02:14,840 Speaker 1: was there. It was actually Mister who spotted almost and 38 00:02:14,880 --> 00:02:20,280 Speaker 1: they were really really handsy. At one point TJ was 39 00:02:20,440 --> 00:02:24,320 Speaker 1: literally putting his hands down her hands and they were 40 00:02:24,480 --> 00:02:26,480 Speaker 1: like really because like you know, when you see a 41 00:02:26,520 --> 00:02:30,560 Speaker 1: couple hands and it's lovely. This was like that couple 42 00:02:30,680 --> 00:02:35,320 Speaker 1: we've all seen them. They just can't stop kissing and touching. 43 00:02:35,360 --> 00:02:38,120 Speaker 1: We get it, Amy TJ. We get it. You are 44 00:02:38,120 --> 00:02:40,480 Speaker 1: in love. I believe you. I'm not doubting you. I 45 00:02:40,639 --> 00:02:44,520 Speaker 1: believe that you love each other. But why do you 46 00:02:44,680 --> 00:02:48,480 Speaker 1: have to show the world. It feels a little bit 47 00:02:48,680 --> 00:02:52,320 Speaker 1: too much. Narrow personal little note here. I went to 48 00:02:52,360 --> 00:02:55,440 Speaker 1: a wedding about a year ago. A dear friend of 49 00:02:55,440 --> 00:02:57,280 Speaker 1: mine who works on the Today Show got married and 50 00:02:57,320 --> 00:02:59,960 Speaker 1: she's very close with Amy. I've met Amy many time. 51 00:03:00,040 --> 00:03:05,760 Speaker 1: I'm socially through our mutual friend the wedding, Aim Hindj 52 00:03:06,040 --> 00:03:10,480 Speaker 1: with Dirty the wedding. Yeah, okay, what do you think, listen? 53 00:03:10,560 --> 00:03:12,800 Speaker 2: I have a theory about that. You know me, So, 54 00:03:12,919 --> 00:03:15,440 Speaker 2: I think there's a psychological component to this. I think 55 00:03:15,480 --> 00:03:18,520 Speaker 2: they have become a brand together, and they're this hot, 56 00:03:18,639 --> 00:03:21,920 Speaker 2: sexy brand visually, both very attractive, and I think they're 57 00:03:22,040 --> 00:03:26,440 Speaker 2: actually they're turned on by the attention they receive when 58 00:03:26,480 --> 00:03:29,079 Speaker 2: they act as way in public. I bet you they 59 00:03:29,120 --> 00:03:32,160 Speaker 2: go right home and they put on the fluffy slippers 60 00:03:32,200 --> 00:03:37,320 Speaker 2: and flannel pajamas and they're watching, like you know, Flintstones 61 00:03:37,560 --> 00:03:41,240 Speaker 2: episodes on like Nickelodeon, Like, it's not that this is 62 00:03:41,280 --> 00:03:44,160 Speaker 2: all performative, and I think it's just bs because they 63 00:03:44,280 --> 00:03:47,480 Speaker 2: love to see people watch them. It's a voyeuristic attraction 64 00:03:47,600 --> 00:03:48,640 Speaker 2: that they are really. 65 00:03:48,440 --> 00:03:51,040 Speaker 1: Probably a part of. I think it's a bad attention, 66 00:03:51,160 --> 00:03:53,160 Speaker 1: isn't it. A friend of mine, another friend of mine 67 00:03:53,160 --> 00:03:56,120 Speaker 1: who knows them really really well, said that they're obsessed 68 00:03:56,160 --> 00:03:59,520 Speaker 1: with the paparazzi. They're obsessed with having their picture in 69 00:03:59,520 --> 00:04:01,880 Speaker 1: the page and is exciting. Both of them always wanted 70 00:04:01,960 --> 00:04:04,680 Speaker 1: to be really, really famous, and they sort of were 71 00:04:04,760 --> 00:04:08,360 Speaker 1: like moderately famous. I didn't really think if I didn't 72 00:04:08,400 --> 00:04:11,400 Speaker 1: know Amy, I probably wouldn't be able to tell you 73 00:04:11,480 --> 00:04:14,520 Speaker 1: her name. There's a lot of really beautiful, really smart 74 00:04:14,560 --> 00:04:17,240 Speaker 1: people on television, but there's only one holder. There's only 75 00:04:17,240 --> 00:04:19,719 Speaker 1: one Robin Roberts. I don't think Amy was in that 76 00:04:19,839 --> 00:04:23,920 Speaker 1: Oprah type league of hosts, and so this has made 77 00:04:23,960 --> 00:04:27,840 Speaker 1: her quite famous, and so I think she's enjoying all this. Now, 78 00:04:27,880 --> 00:04:30,840 Speaker 1: this is what the problem is. Whenever they get really 79 00:04:30,960 --> 00:04:34,000 Speaker 1: handsy at an event, we talk about it. They're the 80 00:04:34,120 --> 00:04:36,279 Speaker 1: lead of the nrdy but nice show. They're in the 81 00:04:36,360 --> 00:04:40,560 Speaker 1: newspapers everyone, so we're rewarding their behavior again. So it's 82 00:04:40,600 --> 00:04:43,479 Speaker 1: a round. It's a circle, isn't it. They have realized 83 00:04:43,520 --> 00:04:45,839 Speaker 1: if they like attention, which they do, if they like 84 00:04:45,880 --> 00:04:49,320 Speaker 1: publicity they do, how do they get it by being 85 00:04:49,400 --> 00:04:52,840 Speaker 1: really outrageous with one another when they're out and you know. 86 00:04:52,760 --> 00:04:56,560 Speaker 3: What, it's worked again. It's absolutely that's worked again. So 87 00:04:56,720 --> 00:04:59,679 Speaker 3: do we stop talking? They're they're not going to stop 88 00:04:59,680 --> 00:05:02,160 Speaker 3: doing this. I spotted the two of them. So every 89 00:05:02,240 --> 00:05:05,240 Speaker 3: day I go for a long walk down the down 90 00:05:05,279 --> 00:05:06,480 Speaker 3: the west side, down. 91 00:05:06,360 --> 00:05:09,680 Speaker 1: The Hudson River. It's beautiful, Cory. I always, not always, 92 00:05:09,680 --> 00:05:12,120 Speaker 1: but I often see Amy and TJ running down there. 93 00:05:12,120 --> 00:05:15,440 Speaker 1: They're both big runners. The two of them run like 94 00:05:16,040 --> 00:05:19,960 Speaker 1: pretty regular people until they see some like. 95 00:05:20,200 --> 00:05:23,800 Speaker 2: The camera rubbing each other into the hand. 96 00:05:24,520 --> 00:05:27,719 Speaker 1: They're like holding wastes. They're doing like a conga line 97 00:05:27,839 --> 00:05:29,840 Speaker 1: down like I could see. 98 00:05:29,880 --> 00:05:31,919 Speaker 2: It's totally bs and I'll tell you, but they have 99 00:05:31,960 --> 00:05:34,520 Speaker 2: to be very careful, Rob, you know. Protecting your brand 100 00:05:34,520 --> 00:05:36,920 Speaker 2: when you do become famous is also another part of it. 101 00:05:36,960 --> 00:05:40,320 Speaker 2: That same public that has just built you up loves. 102 00:05:40,040 --> 00:05:42,520 Speaker 1: To tear you down. You go too far, so watch 103 00:05:42,600 --> 00:05:45,160 Speaker 1: it with that brand. They do, And I would say 104 00:05:45,160 --> 00:05:47,279 Speaker 1: to them I was a marketing expert for for a 105 00:05:47,279 --> 00:05:50,400 Speaker 1: long time. You too, Corey, what is your brand? Like? 106 00:05:50,480 --> 00:05:53,920 Speaker 1: What is your brand? Do like honestly in forwards or 107 00:05:53,960 --> 00:05:56,960 Speaker 1: less a little plug for but forwards? What do you do? 108 00:05:57,120 --> 00:05:59,240 Speaker 1: And you know, it's perfectly fine if they said our 109 00:05:59,279 --> 00:06:02,880 Speaker 1: brand is just sex, our brand is affection, right, great, 110 00:06:02,960 --> 00:06:05,920 Speaker 1: So what are you going to join? Only fans because 111 00:06:05,960 --> 00:06:07,560 Speaker 1: you do that? To do with that, right and then 112 00:06:07,640 --> 00:06:09,360 Speaker 1: be that thing. That's the thing you are. 113 00:06:09,440 --> 00:06:12,440 Speaker 2: But right now it feels very performative and like and 114 00:06:12,520 --> 00:06:15,280 Speaker 2: that genuine I tell you that's where they're homeplane scrabble, 115 00:06:15,360 --> 00:06:17,200 Speaker 2: darling scrabble. 116 00:06:17,560 --> 00:06:20,239 Speaker 1: Yeah. I find that with my friends, not my celebrity friends, 117 00:06:20,240 --> 00:06:22,920 Speaker 1: but my friends who are just when we're in public, 118 00:06:22,920 --> 00:06:25,480 Speaker 1: they're always touching, a kissing, and then I know they 119 00:06:25,520 --> 00:06:28,279 Speaker 1: go home, would sit on O sense something of the sofa? 120 00:06:28,440 --> 00:06:31,760 Speaker 1: They don't. They don't speak. It's aw alloying to put 121 00:06:31,760 --> 00:06:35,680 Speaker 1: on a show. Unfortunately, or maybe fortunately for them, it 122 00:06:35,960 --> 00:06:38,839 Speaker 1: does work. We are talking about them again. I do 123 00:06:38,880 --> 00:06:40,760 Speaker 1: wish them well, but I think, like Harry and Meghan, 124 00:06:41,040 --> 00:06:42,599 Speaker 1: the two of them have to sit down and say, 125 00:06:42,760 --> 00:06:45,840 Speaker 1: what is our brand? Because we both got fired for love, 126 00:06:45,960 --> 00:06:47,920 Speaker 1: We've sort of played that out. We did a year 127 00:06:48,120 --> 00:06:50,880 Speaker 1: of interviews and stories about that, and it was really interesting. 128 00:06:50,920 --> 00:06:53,520 Speaker 1: In the podcast was a big expose on that. I 129 00:06:53,560 --> 00:06:55,880 Speaker 1: listened to the first couple of episodes. I loved it, 130 00:06:56,040 --> 00:06:58,200 Speaker 1: But then after that, what are we doing now? They 131 00:06:58,240 --> 00:07:01,479 Speaker 1: are both journalists, they're both roll She particularly is a 132 00:07:01,600 --> 00:07:05,320 Speaker 1: really really good journalist, So maybe do an interview show. 133 00:07:05,400 --> 00:07:09,000 Speaker 1: I think she's great at asking questions, getting information out 134 00:07:09,000 --> 00:07:13,160 Speaker 1: of really interesting people. Maybe do that, or maybe double 135 00:07:13,240 --> 00:07:19,000 Speaker 1: down on this very affectionate sexual sexual image that they have. 136 00:07:19,160 --> 00:07:22,280 Speaker 1: And then if you take that to its logical conclusion, 137 00:07:22,360 --> 00:07:24,920 Speaker 1: I'm trying not to be frude here, Corey. We know 138 00:07:25,000 --> 00:07:27,520 Speaker 1: where that goes. So it is a question which brings 139 00:07:27,600 --> 00:07:31,480 Speaker 1: us to our whole question of the day. Amy and 140 00:07:31,640 --> 00:07:35,200 Speaker 1: TJ got really raught you when they were out together 141 00:07:35,240 --> 00:07:37,480 Speaker 1: at an event in New York City, Miss d was 142 00:07:37,520 --> 00:07:42,840 Speaker 1: there are these two trying to Are they just trying 143 00:07:42,960 --> 00:07:46,160 Speaker 1: to add? Is it desperate? Hey? Go vote on our 144 00:07:46,160 --> 00:07:48,880 Speaker 1: Twitter page. I'd an ordinizer up. Her Facebook page is 145 00:07:49,200 --> 00:07:52,920 Speaker 1: Naughty Gossip and be sure to check back to morrow 146 00:07:53,080 --> 00:07:55,760 Speaker 1: to hear your results. Hey, Corey Love, what are you 147 00:07:55,880 --> 00:07:56,880 Speaker 1: working on? Yes? 148 00:07:56,960 --> 00:07:58,960 Speaker 2: Well, you know we haven't heard from Megan Marco's dad 149 00:07:58,960 --> 00:08:00,840 Speaker 2: for a while, which is I'm not sure that's good 150 00:08:00,880 --> 00:08:01,120 Speaker 2: or bad. 151 00:08:01,160 --> 00:08:03,040 Speaker 1: You can you all can make that judgment on that. 152 00:08:03,080 --> 00:08:05,560 Speaker 2: But her father's making news again here because you know, 153 00:08:05,600 --> 00:08:09,000 Speaker 2: he's struggling apparently in the Philippines. That's after he moved 154 00:08:09,040 --> 00:08:12,760 Speaker 2: from Mexico to the Philippines to apparently start fresh, if 155 00:08:12,760 --> 00:08:15,320 Speaker 2: you will. But it's been hard, a source close to 156 00:08:15,360 --> 00:08:17,160 Speaker 2: the family is saying, and he said, you know, he 157 00:08:17,160 --> 00:08:19,880 Speaker 2: thought he'd find peace and quiet there, but he's actually 158 00:08:19,920 --> 00:08:24,480 Speaker 2: found isolation. It's brutally hot in the Philippines, brutally hot there, 159 00:08:24,840 --> 00:08:27,360 Speaker 2: and he's sort of like wallowing in the same sadness 160 00:08:27,400 --> 00:08:29,960 Speaker 2: that he sort of left Mexico for. So he left 161 00:08:30,440 --> 00:08:34,000 Speaker 2: ros Rito, Mexico after over a decade of living there. 162 00:08:34,040 --> 00:08:37,040 Speaker 2: And he's eighty years old, and he's a former lighting director, 163 00:08:37,120 --> 00:08:38,720 Speaker 2: you know, so he's worked in that industry for a 164 00:08:38,720 --> 00:08:39,120 Speaker 2: long time. 165 00:08:39,160 --> 00:08:40,280 Speaker 1: At eighty years old, you're. 166 00:08:40,160 --> 00:08:42,440 Speaker 2: Not doing that kind of work anymore because it's kind 167 00:08:42,440 --> 00:08:45,400 Speaker 2: of a grueling job. So he relocated earlier this year 168 00:08:45,440 --> 00:08:48,120 Speaker 2: to say Boo, which is, you know, a sweltering and 169 00:08:48,360 --> 00:08:51,680 Speaker 2: densely packed island in the Philippines alongside his son, Thomas 170 00:08:51,720 --> 00:08:52,440 Speaker 2: Markle Junior. 171 00:08:52,840 --> 00:08:54,920 Speaker 1: But insiders say, you know, he hoped the distance. 172 00:08:54,640 --> 00:08:57,080 Speaker 2: Would be something where he could heal the old wounds, 173 00:08:57,520 --> 00:09:00,760 Speaker 2: especially the ones with Megan, But so far, nothing's changed. 174 00:09:00,800 --> 00:09:03,480 Speaker 2: He just took his same misery elsewhere. And this is 175 00:09:03,600 --> 00:09:05,600 Speaker 2: a lesson I want to talk to people about too, 176 00:09:05,640 --> 00:09:09,000 Speaker 2: because I often tell people, until you clean up your 177 00:09:09,120 --> 00:09:13,000 Speaker 2: situation where you are, it doesn't matter where you can 178 00:09:13,040 --> 00:09:15,040 Speaker 2: go in the world. You're just you're just bringing that 179 00:09:15,080 --> 00:09:17,360 Speaker 2: same baggage with you. So he took his He took 180 00:09:17,400 --> 00:09:20,800 Speaker 2: his baggage, his you know, his boss, his boss that's 181 00:09:20,840 --> 00:09:24,560 Speaker 2: with him from Mexico to the Philippines. He didn't work 182 00:09:24,600 --> 00:09:27,040 Speaker 2: on himself or work on his relationships, So why would 183 00:09:27,040 --> 00:09:28,560 Speaker 2: they be any different in a different location. 184 00:09:28,840 --> 00:09:32,160 Speaker 1: When you're really smart, really smart, Yeah, you carry it around. 185 00:09:32,240 --> 00:09:35,120 Speaker 1: It follows you around, doesn't it. If you are not 186 00:09:35,200 --> 00:09:37,199 Speaker 1: a nice person at home, you're not going to be 187 00:09:37,200 --> 00:09:39,839 Speaker 1: a nice person at work. You just follows you around. 188 00:09:39,960 --> 00:09:43,360 Speaker 1: Think a change of locations can change you is silly. Yeah, 189 00:09:43,400 --> 00:09:46,000 Speaker 1: it doesn't. And I think the reason a lot of 190 00:09:46,000 --> 00:09:47,800 Speaker 1: people think it does is because when you go on 191 00:09:47,880 --> 00:09:50,320 Speaker 1: holiday for a week, you're all happy and smiling, and 192 00:09:50,360 --> 00:09:51,960 Speaker 1: you think your whole life is going to be perfect. 193 00:09:51,960 --> 00:09:54,480 Speaker 1: So you go back to live there, and then all 194 00:09:54,600 --> 00:09:58,280 Speaker 1: those feelings, all those emotions, they come flooding back. You 195 00:09:58,360 --> 00:10:00,000 Speaker 1: are who you are. I think he would be better 196 00:10:00,160 --> 00:10:02,440 Speaker 1: of working on himself. The sad part of this, though, 197 00:10:02,679 --> 00:10:05,320 Speaker 1: is that he's not well inside. Has told me. You know, 198 00:10:05,440 --> 00:10:09,880 Speaker 1: he's an old man. He has lots of regrets, and 199 00:10:09,960 --> 00:10:13,560 Speaker 1: I think, I don't know. It's complicated here because he 200 00:10:13,720 --> 00:10:18,320 Speaker 1: really did betray Meghan. We can't we can't emphasize enough 201 00:10:18,480 --> 00:10:22,240 Speaker 1: what he did to Meghan. I wish she found a 202 00:10:22,280 --> 00:10:25,200 Speaker 1: place to forgive him. I'm not guilting her here. It's 203 00:10:25,200 --> 00:10:29,480 Speaker 1: definitely her choice. Families can be really, really complicated. I 204 00:10:29,559 --> 00:10:32,480 Speaker 1: also two sources tell me there's a trust issue there, 205 00:10:32,880 --> 00:10:35,240 Speaker 1: that she just doesn't trust him, which is ironic because 206 00:10:35,240 --> 00:10:38,360 Speaker 1: that's how Harry's family feel about him. It's interesting, isn't it. 207 00:10:38,480 --> 00:10:41,400 Speaker 1: We're always talking about Harry's relationship with his family, and 208 00:10:41,400 --> 00:10:43,880 Speaker 1: we seem to forget that Meghan's in a very similar 209 00:10:43,880 --> 00:10:47,320 Speaker 1: position with hers. All she has is her mom. I 210 00:10:47,360 --> 00:10:49,720 Speaker 1: hope they find some peace, not just for the dad's sake, 211 00:10:50,080 --> 00:10:54,000 Speaker 1: for Meghan's sake, for the grandkid's sakes. It makes me 212 00:10:54,080 --> 00:10:57,680 Speaker 1: sad that this man is all by himself in his eighties. 213 00:10:57,720 --> 00:11:00,520 Speaker 1: But this is what happens in life. You can't treat 214 00:11:00,640 --> 00:11:07,079 Speaker 1: people terribly and then say boohoo, I'm all alone. Look around. 215 00:11:07,280 --> 00:11:11,320 Speaker 1: I've pushed people away by behaving really really not in 216 00:11:11,360 --> 00:11:13,760 Speaker 1: a way that I'm proud of. And now that person's 217 00:11:13,760 --> 00:11:16,280 Speaker 1: gone from my life and there's no making that up. 218 00:11:16,320 --> 00:11:19,679 Speaker 1: And so treat people well and that's going to make 219 00:11:19,840 --> 00:11:23,400 Speaker 1: your life better. Okay, this story made me so sad. 220 00:11:23,440 --> 00:11:25,160 Speaker 1: I think I've spoken about this. I try not to 221 00:11:25,160 --> 00:11:27,640 Speaker 1: speak about her very much. But of all the celebrities 222 00:11:27,679 --> 00:11:30,280 Speaker 1: that I've worked for, my favorite one was Kate Spade. 223 00:11:30,600 --> 00:11:33,880 Speaker 1: Kate Spade was just so dear to me. We became friends, 224 00:11:33,920 --> 00:11:37,679 Speaker 1: we traveled together. I miss her terribly well. Now a 225 00:11:37,679 --> 00:11:41,320 Speaker 1: friend of hers, someone she was actually a business partner with, 226 00:11:41,520 --> 00:11:45,680 Speaker 1: I've met this lady is writing a book, and sources 227 00:11:45,720 --> 00:11:50,840 Speaker 1: tell me that friends, family members are really really cautious 228 00:11:50,880 --> 00:11:55,960 Speaker 1: about this. Four years since Kate's passing, the family and 229 00:11:56,240 --> 00:12:00,720 Speaker 1: friends have been really trying to make sure a Kate's child, 230 00:12:00,760 --> 00:12:04,600 Speaker 1: she has one daughter, that she has some grace to 231 00:12:04,760 --> 00:12:07,960 Speaker 1: grow up in a world that is not constantly talking 232 00:12:08,000 --> 00:12:11,520 Speaker 1: about the suicide of her mom. They've asked friends not 233 00:12:11,640 --> 00:12:15,439 Speaker 1: to do interviews. You see these documentaries about Kate, these 234 00:12:15,480 --> 00:12:18,680 Speaker 1: books about her, They really would rather they didn't exist. Well, 235 00:12:18,720 --> 00:12:21,959 Speaker 1: now one of her closest friends is doing just that. 236 00:12:22,400 --> 00:12:25,840 Speaker 1: I'm told the book is very tender, it's very gentle. 237 00:12:26,520 --> 00:12:31,920 Speaker 1: But Kate was so private, so private. Her daughter has 238 00:12:31,960 --> 00:12:35,280 Speaker 1: been struggling to she lost her mom, and so this 239 00:12:35,320 --> 00:12:38,000 Speaker 1: is just makes me. It gives me pause. It gives 240 00:12:38,000 --> 00:12:40,679 Speaker 1: me pause. I remember after she died, pretty much every 241 00:12:40,760 --> 00:12:44,440 Speaker 1: TV show, the morning shows called me to see if 242 00:12:44,440 --> 00:12:47,160 Speaker 1: I would go on and talk about Kate. And I 243 00:12:47,200 --> 00:12:49,080 Speaker 1: reached out to the family and they said, please don't 244 00:12:49,120 --> 00:12:52,240 Speaker 1: rob and I didn't do it. I didn't do it. 245 00:12:52,840 --> 00:12:55,600 Speaker 1: So now this feels like a betrayal. It doesn't sit 246 00:12:55,640 --> 00:12:59,000 Speaker 1: well with me. Obviously, people have stories to tell. Kate 247 00:12:59,120 --> 00:13:02,520 Speaker 1: was a big part of many, many people's lives. But 248 00:13:02,600 --> 00:13:06,080 Speaker 1: the whole book about your friendship with somebody who would 249 00:13:06,160 --> 00:13:10,840 Speaker 1: not want you to do this, who would want privacy. Yeah, well, well. 250 00:13:10,679 --> 00:13:12,720 Speaker 2: I think you know you're right for all those points. 251 00:13:12,760 --> 00:13:15,679 Speaker 2: I will say there is one exception if the friend's 252 00:13:15,760 --> 00:13:19,200 Speaker 2: intention is because all the other books out there have 253 00:13:19,280 --> 00:13:23,840 Speaker 2: portrayed Kate in a way that she feels is unfair, unflattering, unjust, 254 00:13:23,960 --> 00:13:26,960 Speaker 2: and she wants people to know the other side, or 255 00:13:27,000 --> 00:13:29,160 Speaker 2: to know the beauty of the friend. It really depends 256 00:13:29,160 --> 00:13:31,520 Speaker 2: on what she writes, it doesn't I mean, Kate maybe 257 00:13:31,520 --> 00:13:33,439 Speaker 2: have preferred her not to write it at all, but 258 00:13:33,960 --> 00:13:38,120 Speaker 2: I think it's an important book. And wow, the irony 259 00:13:38,160 --> 00:13:42,080 Speaker 2: though of Kate seemingly having everything, having it all, being 260 00:13:42,120 --> 00:13:46,360 Speaker 2: the being the epitibill the girl, right. I think of 261 00:13:46,360 --> 00:13:48,920 Speaker 2: her and I see the floral print dresses and the 262 00:13:48,920 --> 00:13:52,040 Speaker 2: little perfect handbag and the perfect effect, and she was 263 00:13:52,120 --> 00:13:53,079 Speaker 2: so you know, so. 264 00:13:53,160 --> 00:13:57,600 Speaker 1: Hurting inside, full of demons. I miss you. I miss you, Kate, 265 00:13:57,640 --> 00:13:59,000 Speaker 1: I really do. And I'm not sure I'm going to 266 00:13:59,040 --> 00:14:01,439 Speaker 1: be able to read this book. I don't think i'm 267 00:14:01,480 --> 00:14:04,439 Speaker 1: going to. Really, I want to remember you as I 268 00:14:05,120 --> 00:14:08,280 Speaker 1: do and rest in peace, my dear friend. Okay, quickly, 269 00:14:08,320 --> 00:14:11,840 Speaker 1: before we go to break, very hot Maximum from Dancing 270 00:14:11,880 --> 00:14:14,439 Speaker 1: with the Stars has apparently hung up his dan shoes 271 00:14:14,480 --> 00:14:16,360 Speaker 1: and it's not hit the bottle explained. 272 00:14:17,160 --> 00:14:20,160 Speaker 2: Oh that's very clever, Rob. Yes, well a Maxim and 273 00:14:20,200 --> 00:14:22,160 Speaker 2: I always butcher her name, but I think Schmierkowsky. 274 00:14:22,200 --> 00:14:23,240 Speaker 1: I always yes. 275 00:14:23,280 --> 00:14:28,800 Speaker 2: So Maxim Schmilkowsky, he's launching this new Ukrainian inspired vodka, 276 00:14:28,840 --> 00:14:31,840 Speaker 2: so he's got my vote on that. But Dancing with 277 00:14:31,880 --> 00:14:33,760 Speaker 2: the Stars, he's an alum of the show, of course, 278 00:14:34,280 --> 00:14:36,680 Speaker 2: But yeah, he's trained in his barroom glitz, you know, 279 00:14:36,840 --> 00:14:40,040 Speaker 2: for a little barroom buzz with the New York launch 280 00:14:40,080 --> 00:14:43,320 Speaker 2: of this handcrafted vodka. It's called Tetchya Kappa and it's 281 00:14:43,360 --> 00:14:46,760 Speaker 2: a personal tribute to the woman who taught him how 282 00:14:46,800 --> 00:14:50,160 Speaker 2: to do vodka shots before he was even in his 283 00:14:50,240 --> 00:14:51,720 Speaker 2: teen So I'm not sure if we were to want 284 00:14:51,760 --> 00:14:55,840 Speaker 2: to celebrate that part of the brand, because that's underage drinking. However, 285 00:14:56,080 --> 00:15:00,840 Speaker 2: in Ukrainian culture, he says, we toast to everything, birthdays, funerals, graduations, 286 00:15:00,880 --> 00:15:03,800 Speaker 2: all with vodka. That is our version of wine. So 287 00:15:04,120 --> 00:15:07,640 Speaker 2: that's an interesting kind of cultural perspective too about how 288 00:15:07,920 --> 00:15:11,480 Speaker 2: that that is the position that vodka has in that culture. 289 00:15:11,680 --> 00:15:13,600 Speaker 1: So it's named after max. 290 00:15:13,320 --> 00:15:17,200 Speaker 2: Beloved aunt Tetchya, and that's Aunt the Ukrainian and the 291 00:15:17,240 --> 00:15:21,160 Speaker 2: vodka is made of Sauvignon blanc grapes, no corn, no sugar, 292 00:15:21,400 --> 00:15:24,280 Speaker 2: and was designed to be sipped like a fine mescal. 293 00:15:24,760 --> 00:15:26,400 Speaker 2: So I'm like, you know, we got to get to 294 00:15:26,440 --> 00:15:27,200 Speaker 2: New York and try this. 295 00:15:27,320 --> 00:15:29,080 Speaker 1: Honey, ho, do you better send us a bottle? If 296 00:15:29,080 --> 00:15:31,360 Speaker 1: you're listening Max a level, I was actually invited. I 297 00:15:31,360 --> 00:15:34,640 Speaker 1: think tomorrow night, Friday night, they're having a party for 298 00:15:34,800 --> 00:15:40,200 Speaker 1: Maximum a roof somewhere and maybe I'll go and we're 299 00:15:40,240 --> 00:15:44,520 Speaker 1: gonna take a quick breaking movie right back. Welcome back 300 00:15:44,560 --> 00:15:46,800 Speaker 1: to the Naughty but nine Shammy host from Shooto with 301 00:15:46,840 --> 00:15:49,080 Speaker 1: a dear friend, Cory Andrew. Hey, Corey, let's get to 302 00:15:49,160 --> 00:15:53,000 Speaker 1: the polls. Yesterday we talked about how a fan exploded 303 00:15:53,040 --> 00:15:55,320 Speaker 1: in the court room at the did de trial swim 304 00:15:55,400 --> 00:15:59,040 Speaker 1: and chatting got excluded out? Did he was watching all this? 305 00:15:59,120 --> 00:16:01,160 Speaker 1: The jury wasn't there to see it. Do you think 306 00:16:01,240 --> 00:16:03,440 Speaker 1: Diddi is loving all this attend It's a bit of 307 00:16:03,440 --> 00:16:09,120 Speaker 1: an obvious question, said, yes, I absolutely agree. I agree. 308 00:16:09,120 --> 00:16:12,920 Speaker 1: I agree. Don't forget to vote on today's long Twitter 309 00:16:12,960 --> 00:16:16,560 Speaker 1: page at Naughty Nice rob Our facebook page is Naughty 310 00:16:16,600 --> 00:16:20,480 Speaker 1: Gossip and be sure to check back tomorrow to hear 311 00:16:21,120 --> 00:16:27,320 Speaker 1: your results. And now it's time for nicest of the today. 312 00:16:27,920 --> 00:16:31,440 Speaker 2: No, yes, well, this is a very sweet story, you know, 313 00:16:31,680 --> 00:16:35,920 Speaker 2: so Megan Markle, she celebrated Princess Lilibit's fourth birthday with 314 00:16:36,160 --> 00:16:39,920 Speaker 2: never before seeing photos. Now there's like a really beautiful, 315 00:16:39,920 --> 00:16:42,720 Speaker 2: heart melting Instagram tribute and we've had a lot of 316 00:16:42,720 --> 00:16:46,120 Speaker 2: family photos with you know, intimate relationship moments and stuff, 317 00:16:46,120 --> 00:16:48,680 Speaker 2: really really great. And she said happy birthday to our 318 00:16:48,720 --> 00:16:51,360 Speaker 2: beautiful girl. That was the caption, and a black and 319 00:16:51,360 --> 00:16:54,320 Speaker 2: white photo of herself cuddling little Bit on a boat 320 00:16:54,400 --> 00:16:57,760 Speaker 2: along with her never seen before images of the delivery 321 00:16:57,840 --> 00:16:59,560 Speaker 2: room where she had the baby. So that was really 322 00:16:59,560 --> 00:17:02,240 Speaker 2: sweet to see her and Harry dancing around and stuff 323 00:17:02,280 --> 00:17:04,800 Speaker 2: when the baby was born. Really fine, so very. 324 00:17:04,680 --> 00:17:08,119 Speaker 1: Sweet, sweet, really really sweet. Nice this of the day. 325 00:17:08,160 --> 00:17:11,040 Speaker 1: And I noticed the name lots of reports out there 326 00:17:11,040 --> 00:17:13,960 Speaker 1: that Blake Lively is begging Taylor Swift to forgive us 327 00:17:14,040 --> 00:17:20,520 Speaker 1: a messages, emails, texts telling me it is over. So 328 00:17:20,680 --> 00:17:23,359 Speaker 1: Taylor has not responded to a single text message, not 329 00:17:23,400 --> 00:17:26,560 Speaker 1: a voice message, not even an email. She's done, and 330 00:17:26,600 --> 00:17:29,320 Speaker 1: she is furious. Taylor's the naughtiest of the day here, 331 00:17:29,440 --> 00:17:33,080 Speaker 1: because if you've had a friendship, you do owe somebody 332 00:17:33,119 --> 00:17:36,280 Speaker 1: an explanation. I was Taylor, I would pick up a 333 00:17:36,280 --> 00:17:40,040 Speaker 1: phone and Taylor, I'd say, like, this doesn't feel right 334 00:17:40,160 --> 00:17:42,760 Speaker 1: and I don't think we can be close anymore. But 335 00:17:43,200 --> 00:17:46,480 Speaker 1: I find and we talk about saying finding the good 336 00:17:46,480 --> 00:17:51,200 Speaker 1: and goodbye a lot on this show. If somebody's that hurt, 337 00:17:51,040 --> 00:17:54,960 Speaker 1: and clearly Blake ears, I would write a little note 338 00:17:54,960 --> 00:17:57,600 Speaker 1: back just me. You don't have to do this, naughties. 339 00:17:58,119 --> 00:18:01,040 Speaker 1: But I think this one here makes me sad to 340 00:18:01,080 --> 00:18:02,480 Speaker 1: have a really good friend. I have you ever lost 341 00:18:02,520 --> 00:18:06,919 Speaker 1: a really good friend over something so awful? And it 342 00:18:06,960 --> 00:18:09,639 Speaker 1: makes me say I hate to see friendships fall apart, 343 00:18:09,680 --> 00:18:13,639 Speaker 1: particularly friendships that have been around for a really long time. 344 00:18:13,760 --> 00:18:16,320 Speaker 1: Oh it's also sad annaughty is the day. Let's end 345 00:18:16,359 --> 00:18:21,520 Speaker 1: with a moment of rubb You get a rub now 346 00:18:21,600 --> 00:18:24,280 Speaker 1: a moment of today is actually conflicting with what I've 347 00:18:24,359 --> 00:18:27,720 Speaker 1: just said about idealities in the day. However, let's talk 348 00:18:27,760 --> 00:18:32,960 Speaker 1: about detachment. Detachment is a superpower. Detachment doesn't mean you 349 00:18:33,000 --> 00:18:36,560 Speaker 1: don't care. It means you can finally care about yourself 350 00:18:36,920 --> 00:18:39,920 Speaker 1: and so let go when things are not working, let 351 00:18:39,960 --> 00:18:44,359 Speaker 1: them fall away, release it. Your power isn't told in on. 352 00:18:45,200 --> 00:18:50,000 Speaker 1: It's knowing when to walk away with grace. So walk 353 00:18:50,080 --> 00:18:52,600 Speaker 1: away with grace. If someone's coming at you. I've had 354 00:18:52,640 --> 00:18:54,760 Speaker 1: to learn this. I used to love a good fight. 355 00:18:55,000 --> 00:18:58,080 Speaker 1: Oh I love to get into an argument and scream 356 00:18:58,440 --> 00:19:02,040 Speaker 1: and shan and start mine fort Now I'm really good 357 00:19:02,520 --> 00:19:06,120 Speaker 1: at letting go, but you have to really practice, and 358 00:19:06,200 --> 00:19:08,399 Speaker 1: you've got to let go to in your mind. If 359 00:19:08,440 --> 00:19:11,320 Speaker 1: you were thinking about somebody all the time, you've not 360 00:19:11,440 --> 00:19:15,320 Speaker 1: let go. You know, when you're really over something somebody, 361 00:19:15,600 --> 00:19:21,800 Speaker 1: when you just move on. Hey, that is it for today, Corey. 362 00:19:21,880 --> 00:19:25,280 Speaker 1: Thank you for jumping onto data phil In with Mark. 363 00:19:25,359 --> 00:19:28,640 Speaker 1: You can start your weekend now. Ely Caly have a 364 00:19:28,720 --> 00:19:32,680 Speaker 1: fabulous three day weekend. Naughties. I'm gonna see you tomorrow. 365 00:19:32,680 --> 00:19:35,800 Speaker 1: I'm gonna do a solo show tomorrow month the Elvis 366 00:19:35,880 --> 00:19:38,600 Speaker 1: Durant Show early, So I'm gonna take the show really 367 00:19:38,640 --> 00:19:41,320 Speaker 1: really early tomorrow morning and I'll be on Elvis I 368 00:19:41,359 --> 00:19:43,879 Speaker 1: think around seven fifteen, seven twenties. If you want to 369 00:19:43,880 --> 00:19:46,280 Speaker 1: listen to me on Z one hundred, please do. That 370 00:19:46,440 --> 00:19:49,199 Speaker 1: is it for today. Thank you so much for listening 371 00:19:49,280 --> 00:19:51,560 Speaker 1: to The Naughty but Nice with Robin Corey Show, a 372 00:19:51,560 --> 00:19:55,320 Speaker 1: production of iHeartRadio and Elvis Durant. Don't forget to subscribe 373 00:19:55,359 --> 00:19:58,520 Speaker 1: on the iHeartRadio, app, Apple Podcast, wherever you listen, leave 374 00:19:58,600 --> 00:20:01,240 Speaker 1: us a review if you can. They I really really 375 00:20:01,280 --> 00:20:06,320 Speaker 1: do help, and remember altogether. Now, if you're going to be, 376 00:20:08,000 --> 00:20:16,359 Speaker 1: you've got to be. Take care, Rob, all right, you 377 00:20:16,480 --> 00:20:17,280 Speaker 1: got it, Darling,