WEBVTT - #380 - Glasses Malone

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<v Speaker 1>Watch up with a g l a double dollar sign,

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<v Speaker 1>the shot that's right, Glasses Alone, and you can check

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<v Speaker 1>me out on my homeboy the Bootleg cav podcast Kicking

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<v Speaker 1>These Facts man, because CAV tripping everything ain't a classic.

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<v Speaker 2>CAV White Guys. Glasses Malone is on the show. We

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<v Speaker 2>have his new album, Cancel These Nuts, Cancel These Nuts.

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<v Speaker 2>It's here. Yeah, got the hard copies, old school. I

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<v Speaker 2>haven't seen a real like dope CD in a while.

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<v Speaker 1>It's really dope too. I'm like, man, we did a team,

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<v Speaker 1>we really put that together and it's nice. Came out

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<v Speaker 1>so nice. Oh yeah, this is a real CD. Yeah yeah,

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<v Speaker 1>replicated and.

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<v Speaker 2>People can go online and get the autograph version.

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<v Speaker 1>The crypstore dot Com.

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<v Speaker 2>I like that. Let me ask you something, when you

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<v Speaker 2>do something called the cryptstore dot com, are there other

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<v Speaker 2>crips that feel some type of way that they're because

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<v Speaker 2>you know.

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<v Speaker 1>There's there's so many cribs.

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<v Speaker 2>There's krypt Cola, there was Mike, there was the crips

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<v Speaker 2>that claimed like cryp LLC that tried to suit Nipsy's yea,

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<v Speaker 2>I was funny. So you have the crypt Store. Does

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<v Speaker 2>anyone owned the crypts? I don't know on the business side,

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<v Speaker 2>I don't know. I wouldn't even really worry about it.

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<v Speaker 1>I wouldn't even think twice about it.

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<v Speaker 2>Seems like a non crypt thing to do the crib store. No, no, no,

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<v Speaker 2>I'm saying, like a non crypt thing to do.

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<v Speaker 1>To be like, I trademarked that, it's definitely a non

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<v Speaker 1>crypt thing to do. I don't know any crypts actively

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<v Speaker 1>looking to copyright that term the crips. I just would say,

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<v Speaker 1>it's just a bit broad, you know. I think most

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<v Speaker 1>cribs look at it like it's just a broad concept.

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<v Speaker 1>We all being right in the eye of the storm.

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<v Speaker 1>We all understand crippin is a much more diverse thing

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<v Speaker 1>and everybody has their own claim to it as far

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<v Speaker 1>as Los Angeles goes and now across the world.

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<v Speaker 2>I listened to the album. My favorite is the twenty

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<v Speaker 2>one STEMI Flow. That's tight. I like us with the Smoke.

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<v Speaker 2>One of the guys La Giants had La Giants are

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<v Speaker 2>on that record. That was both of them. The first

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<v Speaker 2>verse that they did it was super dope. When they

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<v Speaker 2>were like Kendall Jenner wouldn't have her lips, Oh yeah, yeah,

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<v Speaker 2>that's Joey Joey West.

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<v Speaker 1>Yeah, you're right, and he went right before Cam and

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<v Speaker 1>you know that's Cams That's right. We think West Coast

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<v Speaker 1>Cam's wheelhouse. Bro, Yeah, that's his wheelhouse. So for Joey

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<v Speaker 1>to go, he got off.

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<v Speaker 2>Yeah, no, he did his thing. Man was dope. It's

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<v Speaker 2>kind of like it feels like a little like obviously

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<v Speaker 2>your album, but you obviously have the La Giants heavily

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<v Speaker 2>intertwined throughout the project.

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<v Speaker 1>Yeah, they just feit what was going on at the time.

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<v Speaker 2>Are they like Blue Division?

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<v Speaker 1>No, No, they got they got their own label, Giant Life.

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<v Speaker 1>I just market their stuff. Okay, So I mean I

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<v Speaker 1>guess they are Blue Division to some degree, but really

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<v Speaker 1>it was about helping them build their own thing.

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<v Speaker 2>Yeah, you took a liking to them and wanted to help.

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<v Speaker 1>I've been knowing them probably twenty years, you know what

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<v Speaker 1>I mean. I've always liked them, But I just think, uh,

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<v Speaker 1>God created a space. I'm forgive me for getting all

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<v Speaker 1>extra spiritual, but he created the space. And I realized

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<v Speaker 1>we had so many things in common this late in

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<v Speaker 1>our life, right, and so shit, we just started working

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<v Speaker 1>and they was talking about jumping on records, and I

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<v Speaker 1>just as long as they had fun and they end

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<v Speaker 1>up being like way better you know what I mean

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<v Speaker 1>than I ever could have thought. Like I would have

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<v Speaker 1>never thought walking into it. We was gonna be making

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<v Speaker 1>this many records, right Yeah?

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<v Speaker 2>Cause wa you guys. I mean, I feel like you've

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<v Speaker 2>been pushing them for a couple of years now.

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<v Speaker 1>Guess second year.

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<v Speaker 2>Let's swap the court out this tripping yesterday?

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<v Speaker 1>Uh, what kind of Mike is that? What kind of

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<v Speaker 1>XLR this is?

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<v Speaker 2>Oh? Wow? Court? Yeah yeah, but just one of the

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<v Speaker 2>other courts. Shit, what was it doing?

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<v Speaker 3>It was just cutting out. It was doing it yesterday.

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<v Speaker 3>M school who won't retire at hell for sure?

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<v Speaker 2>Your road makes the same.

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<v Speaker 1>I'm buying something, man, Road to give you something.

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<v Speaker 2>Do you have a contact. Yeah, I've spent so much

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<v Speaker 2>fucking money with Road. I just bought the little Road

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<v Speaker 2>duo just for the road. Funny, dude, Road, I'd be watching.

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<v Speaker 2>I'm like a road geek. I love their Road backpack.

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<v Speaker 2>I was about to buy it last night. Tell him

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<v Speaker 2>send me one of their backpacks. Yeah, I gotta.

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<v Speaker 1>I'll tell Greg you reaching out to have Greg reach

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<v Speaker 1>out to you.

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<v Speaker 2>The I just bought him. I just bought him. I

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<v Speaker 2>ordered him four hundred. I just sent like the last

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<v Speaker 2>like seventy hours. I spent a rock with Road.

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<v Speaker 1>They've been doing a lot of stuff, all right.

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<v Speaker 2>Roland, Okay, we were talking about Mike Cord cutout. We're

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<v Speaker 2>talking about LA giants. Obviously they're all over the project. Yeah,

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<v Speaker 2>they just fit. They just fit.

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<v Speaker 1>We the same type of It's crazy. It is because

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<v Speaker 1>all of these artists I've worked with, I can't say

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<v Speaker 1>everybody had as much of an LA experience as I have. Right,

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<v Speaker 1>everybody hasn't been a gang banger. If they have, they

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<v Speaker 1>haven't low they haven't had a low rider, been on Crenshall.

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<v Speaker 1>If they have, you know, maybe they never show dope

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<v Speaker 1>if they have, Maybe they never street race, maybe they

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<v Speaker 1>never functioned. The LA Johns was like the first acts

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<v Speaker 1>that I worked with. To me, that did all of

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<v Speaker 1>the same LA things.

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<v Speaker 2>That I did, including risk your life for some good Chicken.

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<v Speaker 1>Yes, yeah, yeah, It's fucking truth, which is which is

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<v Speaker 1>song number seven ye Jim Dandy. But it's like that,

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<v Speaker 1>it's so many different places. It's funny because that's like

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<v Speaker 1>a TV show. I'm finishing up. I rolled and I'm finished.

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<v Speaker 1>Shoot Van Lathan, a couple of hombies helping me to

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<v Speaker 1>produce it, but dying at your own wrist. That's the

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<v Speaker 1>experience in l A.

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<v Speaker 2>Yeah, there are always people who are like, yo, man,

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<v Speaker 2>there's some great because what's the the o G Louisiana

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<v Speaker 2>Chicken is where? And it's like if you're over dangerous,

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<v Speaker 2>it's dangerous. But that's how it is.

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<v Speaker 1>So Jim Dandy's and Denver Line Bloods right. Then you

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<v Speaker 1>have Hawkins and Cross Street from the Nicks and Gardens,

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<v Speaker 1>the Bonnie and Louise, the best chili cheese frozen Compton

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<v Speaker 1>is right in the mob hoood. You just kind of

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<v Speaker 1>got to figure out how to get to all of

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<v Speaker 1>these places and get away with it.

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<v Speaker 2>And when you go, you gotta like really just not

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<v Speaker 2>have on your your stuff right like you.

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<v Speaker 1>I'm past that people knew who who you are, but

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<v Speaker 1>I'm saying it's been a long time. They could smell

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<v Speaker 1>a crypt like people could smell gang bang and other

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<v Speaker 1>gang bankers can smell other gang bangers. That's why if

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<v Speaker 1>they like hit you up where you're from, like, oh man,

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<v Speaker 1>where who's your mama? Where you live, where you grew up,

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<v Speaker 1>and you know they'll smell out they could tell yeah.

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<v Speaker 2>I mean I've always had always tells me and I

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<v Speaker 2>don't know if this is good advice for bad advice,

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<v Speaker 2>but he said, if I ever end up somewhere, and

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<v Speaker 2>I have a couple of times where I was getting

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<v Speaker 2>gas somewhere and I called a head. This happened, like

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<v Speaker 2>he posted it on Instagram because I hit him and

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<v Speaker 2>I was like, yo, I'm right here, am I good

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<v Speaker 2>to get something to eat? I'm getting gas And he's like,

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<v Speaker 2>what the fuck are you doing there? Yeah, but he

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<v Speaker 2>had always say He's like, yo, if you end up

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<v Speaker 2>somewhere and you get banged on, just start acting like

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<v Speaker 2>real frantic, like you're in the middle of a crazy

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<v Speaker 2>fight with your girl and you got lost. Like man,

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<v Speaker 2>my bad, bro, Sorry, man, fucking fight with my bitch. Bro.

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<v Speaker 1>I don't know what.

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<v Speaker 2>Because that's a universal masking things, right, we all be like.

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<v Speaker 1>Man, I just got caught cheating.

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<v Speaker 2>She fucking had me get out the card. You know,

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<v Speaker 2>That's what Head says. It's true. It works. It just

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<v Speaker 2>act like you're in the middle of a crazy fight

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<v Speaker 2>with your girl, you don't know where you're at, and

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<v Speaker 2>you know, get on your phone and like it should

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<v Speaker 2>be all right. Yeah, yeah.

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<v Speaker 1>Now, for the most part, it's okay. I mean, gag

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<v Speaker 1>banging is the most underrated part about game and they're

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<v Speaker 1>pretty understanding.

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<v Speaker 2>Yeah, if they sober. If they're sober like most humans,

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<v Speaker 2>that's like, hey, I've been say it's a pretty general

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<v Speaker 2>statement for the world.

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<v Speaker 1>But game banging it get worse when you know you're drunk,

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<v Speaker 1>because you get superpowered and people be charged.

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<v Speaker 2>Up, like my wife when she gets mad if she's drunk,

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<v Speaker 2>it's over latina.

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<v Speaker 1>Yeah, yeah, that's Spanish cuss words, Spotish cuss words.

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<v Speaker 2>Yeah, there's a lot of Spanish cust words. I've been called. Okay,

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<v Speaker 2>So if someone gets your CD physically and they look

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<v Speaker 2>at the back, you have obviously you got West Coast.

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<v Speaker 2>Can you got sugar Free? Shout out the sugar free legend.

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<v Speaker 2>I need you to help me get connected with him. Sure,

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<v Speaker 2>I got you, I got you. But then you also

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<v Speaker 2>have Samuel Jackson and the Notorious Big listed his features. Yeah, yeah,

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<v Speaker 2>explain both.

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<v Speaker 1>I just feel like it's always weird when you're looking

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<v Speaker 1>at a track list and then somebody's voice pop up,

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<v Speaker 1>like who the fuck is that? And I just put

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<v Speaker 1>that there, like obviously on Spotify and try to infringe

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<v Speaker 1>on their audiences. But I wanted people to know that

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<v Speaker 1>that voice you hear is gonna be biggies and his

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<v Speaker 1>voice is gonna Beael Jackson, Martin Luther King or Samuel Jackson. Okay,

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<v Speaker 1>that's fair Cedric Entertainment.

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<v Speaker 2>You also have the guy who plays Jesus in the

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<v Speaker 2>music video for Johns Shout to Slink Johnson. He did

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<v Speaker 2>a really good job on Freddie Gibbs album too. He

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<v Speaker 2>kind of was like a he did one of the

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<v Speaker 2>skits on his album. Uh, and he did great on

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<v Speaker 2>your music video. Yeah. Uh, what's to say something shamful business,

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<v Speaker 2>something for the business, which is an ode to Uh.

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<v Speaker 1>It's weird because right there's.

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<v Speaker 2>A man with the dazzled anklets.

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<v Speaker 1>That and just just straight men impeding on women's beauty

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<v Speaker 1>standards in the first place, completely topped about.

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<v Speaker 2>I tell him all the time, straight man, IRUs my

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<v Speaker 2>shooter over there got two earrings in that.

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<v Speaker 1>You know what's funny that thirty forty years ago that

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<v Speaker 1>would have been looked round at twenty years ago. That's normal.

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<v Speaker 2>When I was doing my dad used to always tell

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<v Speaker 2>me if you have an hearing on a certain it meant.

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<v Speaker 1>That you were gay.

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<v Speaker 2>Yeah, right, and if you have both, it's like what

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<v Speaker 2>girls do. Yeah, that's true. And then that used to

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<v Speaker 2>be that way. That used to be that way. Then

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<v Speaker 2>r Kelly kicked that down because he had them things

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<v Speaker 2>him and AI. You know what I'm saying. But now

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<v Speaker 2>this album in general, because you're listen man, if y'all

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<v Speaker 2>don't follow Glasses on Twitter, he's one of the most frustrating,

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<v Speaker 2>entertaining follows ever. There are very few things that I

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<v Speaker 2>so me and you. It's funny because I'm getting ready

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<v Speaker 2>to read you the whole set, and a lot of

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<v Speaker 2>my set is going to be dedicated. I bought a

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<v Speaker 2>Doggie Style on vinyl, the OG vinyl, and I bought

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<v Speaker 2>the OG cassette. I have had three copies of this

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<v Speaker 2>sear But you and I are very aligned with some

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<v Speaker 2>hip hop opinions, some very very some and most of

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<v Speaker 2>most of the ones that we're very passionately dug in

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<v Speaker 2>on have to do with Snoop and have to do

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<v Speaker 2>with Doggy Style. Because Doggie Sell is the most important hip.

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<v Speaker 1>Hop album in my entire life, sure, and it's the

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<v Speaker 1>most it's the greatest one of all and.

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<v Speaker 2>I I kind of have like a three album where

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<v Speaker 2>I could be like, there's this my goat album. Right,

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<v Speaker 2>it's nomadic as doggie styles probably get Richard I trying

0:11:06.720 --> 0:11:08.760
<v Speaker 2>it in any order that those could be one, two,

0:11:08.840 --> 0:11:12.000
<v Speaker 2>or three on Monday, Tuesday, Wednesday, Thursday or whatever. But

0:11:12.120 --> 0:11:14.480
<v Speaker 2>Doggies out is the most important in my life. That's fair.

0:11:14.840 --> 0:11:19.480
<v Speaker 2>And in my opinion, Snoop Dogg somehow, while being the

0:11:19.520 --> 0:11:20.920
<v Speaker 2>most famous rapper in.

0:11:20.960 --> 0:11:24.200
<v Speaker 1>The world by far, still underrated.

0:11:24.600 --> 0:11:28.120
<v Speaker 2>He's underrated, Yes, agreed, How is this a possibility? By

0:11:28.160 --> 0:11:30.120
<v Speaker 2>the way, my bucket list interview I hit his guy

0:11:30.200 --> 0:11:32.920
<v Speaker 2>keV once a month and I'm like, dude, I can

0:11:33.679 --> 0:11:36.120
<v Speaker 2>it's my bucket list all time interview. If I can

0:11:36.160 --> 0:11:38.240
<v Speaker 2>interview Snoop, I might cry because I want to explain

0:11:38.240 --> 0:11:40.880
<v Speaker 2>to him me getting Doggy style on accident change the

0:11:40.920 --> 0:11:44.680
<v Speaker 2>path of my life. But how is Snoop still underrated?

0:11:48.720 --> 0:11:49.600
<v Speaker 2>How does that happen?

0:11:49.720 --> 0:11:51.960
<v Speaker 1>Well, he's the greatest hip hop artist of all time, right,

0:11:52.040 --> 0:11:56.160
<v Speaker 1>but if you favor certain styles, maybe Snoop won't fit

0:11:56.240 --> 0:11:58.800
<v Speaker 1>that style. So immediately, he's from the West, so that's

0:11:58.840 --> 0:12:03.120
<v Speaker 1>going to immediately take credit from the cornerstone of hip

0:12:03.160 --> 0:12:05.480
<v Speaker 1>hop in New York or the East Coast. That's gonna

0:12:05.480 --> 0:12:08.920
<v Speaker 1>be a cornerstone issue that he's not from the rights.

0:12:09.000 --> 0:12:09.760
<v Speaker 2>He from the West.

0:12:11.000 --> 0:12:14.400
<v Speaker 1>His style is like a one off, you know what

0:12:14.440 --> 0:12:16.199
<v Speaker 1>I mean. To me, is like a descendant of like

0:12:16.360 --> 0:12:20.000
<v Speaker 1>Shorten LLL cooj super smooth, you know what I mean.

0:12:20.040 --> 0:12:21.920
<v Speaker 2>But you can see he's such a hip hop kid.

0:12:22.080 --> 0:12:24.480
<v Speaker 1>Like first videos, you can see the special ed in

0:12:24.559 --> 0:12:27.240
<v Speaker 1>his movements, how he moved and how smooth he was.

0:12:28.640 --> 0:12:32.920
<v Speaker 1>I think the majority of it is one, he's from

0:12:32.960 --> 0:12:36.280
<v Speaker 1>the West Coast and not from the East. Two would

0:12:36.360 --> 0:12:45.320
<v Speaker 1>probably be he's alive. He's alive. That's real, real shit,

0:12:45.360 --> 0:12:48.719
<v Speaker 1>you know what I mean. He's alive and that's really important,

0:12:49.480 --> 0:12:51.360
<v Speaker 1>which is even greater because you look at him now

0:12:51.360 --> 0:12:56.319
<v Speaker 1>and he's probably like still the most recognizable, you know,

0:12:56.679 --> 0:12:57.600
<v Speaker 1>rapper on the planet.

0:12:58.200 --> 0:13:01.040
<v Speaker 2>But I do say that, I say there's certain artists that,

0:13:01.200 --> 0:13:03.880
<v Speaker 2>if God forbid they passed away, would shoot to the

0:13:03.920 --> 0:13:06.160
<v Speaker 2>greatest of all. And I really think think that about Kendrick.

0:13:06.280 --> 0:13:08.800
<v Speaker 2>Like I tell people, like, yeah, we really kind of

0:13:08.840 --> 0:13:11.040
<v Speaker 2>don't appreciate Kendrick like we should, because if he passed

0:13:11.040 --> 0:13:15.280
<v Speaker 2>away tomorrow for whatever reason, he's the goat. He's at

0:13:15.360 --> 0:13:18.520
<v Speaker 2>least he's at least like solidified in that conversation and

0:13:18.559 --> 0:13:19.920
<v Speaker 2>the same way we talk about Pocket.

0:13:20.080 --> 0:13:22.360
<v Speaker 1>It's really dope. And I try not to comment on

0:13:22.520 --> 0:13:25.520
<v Speaker 1>dot because you know, DoD is my friend and somebody

0:13:25.760 --> 0:13:26.079
<v Speaker 1>I love.

0:13:26.679 --> 0:13:29.280
<v Speaker 2>You guys have done records together, way way deeper.

0:13:29.320 --> 0:13:32.080
<v Speaker 1>You know, Nigga really my partner. But it's like he's

0:13:32.160 --> 0:13:35.800
<v Speaker 1>also a generation underminds. So I have to listen to

0:13:35.880 --> 0:13:38.439
<v Speaker 1>a lot of younger people tell me versus me giving

0:13:38.800 --> 0:13:41.240
<v Speaker 1>because I have niggas that I'm looking like, you know,

0:13:41.400 --> 0:13:45.080
<v Speaker 1>Scarface Star. It's like, as much as I love Dodd

0:13:45.200 --> 0:13:47.600
<v Speaker 1>is like Scarface, you know he raised me, DoD is like.

0:13:48.280 --> 0:13:50.200
<v Speaker 2>Well, I would just say, because like we put Biggie

0:13:50.360 --> 0:13:54.360
<v Speaker 2>in certain conversations based on two albums when he was alive.

0:13:54.480 --> 0:13:57.920
<v Speaker 2>We got two albums. That's them. Them albums ship that well,

0:13:58.040 --> 0:14:00.400
<v Speaker 2>you know those are incredible. But what I'm saying as

0:14:00.440 --> 0:14:01.920
<v Speaker 2>if you if you look at just like.

0:14:02.160 --> 0:14:05.840
<v Speaker 1>If something happen to die, it'd be frantic. It'd be frantic.

0:14:06.120 --> 0:14:09.920
<v Speaker 1>It would probably it would probably reshape hip hop at

0:14:09.960 --> 0:14:10.360
<v Speaker 1>that point.

0:14:10.480 --> 0:14:17.360
<v Speaker 2>Personally, I think unfortunately people sometimes when they leave prematurely,

0:14:17.640 --> 0:14:20.360
<v Speaker 2>they get appreciated more. And I think we've seen that

0:14:20.480 --> 0:14:22.840
<v Speaker 2>happen a lot of time and time again over the

0:14:22.920 --> 0:14:23.760
<v Speaker 2>last decade, or.

0:14:24.960 --> 0:14:27.080
<v Speaker 1>Their spirit can be free to roam about the cabin

0:14:27.840 --> 0:14:30.000
<v Speaker 1>because I think a lot of times we don't get

0:14:30.040 --> 0:14:32.040
<v Speaker 1>into like even with nip Right, I always felt like

0:14:32.560 --> 0:14:34.680
<v Speaker 1>people look at gang bangers and feel like I can't relate,

0:14:35.680 --> 0:14:38.160
<v Speaker 1>even though, like you know, Niggas is regular human beings,

0:14:38.240 --> 0:14:41.520
<v Speaker 1>but they can't relate. And I think it became so

0:14:41.680 --> 0:14:45.120
<v Speaker 1>important for people to get what he was on when

0:14:45.160 --> 0:14:48.000
<v Speaker 1>he passed away because it made him mortal. People really

0:14:48.040 --> 0:14:50.800
<v Speaker 1>look at game banging like like a he man sport, like,

0:14:50.880 --> 0:14:53.360
<v Speaker 1>oh man, if they die, I don't care, or you know,

0:14:53.600 --> 0:14:55.720
<v Speaker 1>or they can't die, or they did something to die,

0:14:55.920 --> 0:14:59.480
<v Speaker 1>or they imprison you know, versus some dude just really

0:14:59.560 --> 0:15:01.800
<v Speaker 1>running a business and having a problem with somebody taking

0:15:01.880 --> 0:15:04.480
<v Speaker 1>his life. And I think there's nothing more human than that.

0:15:04.720 --> 0:15:06.040
<v Speaker 1>So I think that's what happened with him.

0:15:06.120 --> 0:15:08.040
<v Speaker 2>Well back to the Snoop thing. I think what happened

0:15:08.040 --> 0:15:11.240
<v Speaker 2>with Snoop was when we look at things to like

0:15:11.320 --> 0:15:16.720
<v Speaker 2>a biased hip hop you know, I guess goggle because

0:15:17.240 --> 0:15:19.200
<v Speaker 2>for whatever reason, a lot of the taste makers and

0:15:19.640 --> 0:15:21.760
<v Speaker 2>hip hop over the years have been very East Coast biased.

0:15:21.880 --> 0:15:23.160
<v Speaker 1>I mean for New York.

0:15:23.240 --> 0:15:26.920
<v Speaker 2>I think if you think of like Doggy Style, I

0:15:26.960 --> 0:15:30.800
<v Speaker 2>think Snoop's early on contractual shit got in the way

0:15:30.920 --> 0:15:34.680
<v Speaker 2>of him probably being looked at in the same way

0:15:34.720 --> 0:15:37.400
<v Speaker 2>we look at Nas. Or I won't even say Nas

0:15:37.400 --> 0:15:39.680
<v Speaker 2>because Nas had some issues with his discography. But let's

0:15:39.680 --> 0:15:42.280
<v Speaker 2>say jay Z right because Dog. I think dog Father

0:15:42.520 --> 0:15:47.160
<v Speaker 2>was an album I enjoyed, but it wasn't Doggy Style.

0:15:47.640 --> 0:15:51.840
<v Speaker 2>And then there was the kind of the disconnection with

0:15:52.120 --> 0:15:54.440
<v Speaker 2>death Row, and then he went to No Limit, and

0:15:54.520 --> 0:15:58.400
<v Speaker 2>then then that first No Limit album was Forgettable. No

0:15:58.520 --> 0:16:00.320
<v Speaker 2>Limit Top Dog was my Ship. I love that.

0:16:00.520 --> 0:16:01.720
<v Speaker 1>I love the Last Last Meal.

0:16:01.760 --> 0:16:03.720
<v Speaker 2>The Last Meal was my ship. But I think like

0:16:04.360 --> 0:16:06.840
<v Speaker 2>it's it's almost like we kind of lost some years

0:16:06.880 --> 0:16:09.120
<v Speaker 2>of peak Snoop in the way that we prop back

0:16:09.240 --> 0:16:13.840
<v Speaker 2>because obviously the Doctor Dre relationship dissolves, so that that

0:16:14.040 --> 0:16:17.400
<v Speaker 2>mattered a lot, you know what I mean. And then

0:16:17.480 --> 0:16:19.800
<v Speaker 2>he has this other run in the middle of his

0:16:20.800 --> 0:16:24.920
<v Speaker 2>career with Forrell and the Blue Carpet Treatment, Rhythm and Gangster.

0:16:25.360 --> 0:16:29.040
<v Speaker 1>Records, Oh my God, that we just like forget about. Yeah,

0:16:29.080 --> 0:16:31.800
<v Speaker 1>even that whole album he did with Pharrell was it

0:16:31.840 --> 0:16:34.400
<v Speaker 1>called Bush. Yeah, it was dope as fuck.

0:16:34.840 --> 0:16:37.280
<v Speaker 2>So I just think that like man, for whatever reason,

0:16:37.400 --> 0:16:41.440
<v Speaker 2>like we really didn't get to really enjoy like peak

0:16:41.520 --> 0:16:44.480
<v Speaker 2>Snoop dog in the way that we should have because

0:16:44.560 --> 0:16:48.080
<v Speaker 2>of things that were probably outside of his control, because

0:16:48.080 --> 0:16:49.760
<v Speaker 2>there was the murder, the murder trial.

0:16:50.080 --> 0:16:54.680
<v Speaker 1>So let's so let's actually, let's actually clear frame. Let's

0:16:54.720 --> 0:16:57.800
<v Speaker 1>not talk about what we're reading on Wikipedia. Let's go

0:16:57.960 --> 0:17:01.000
<v Speaker 1>by what really happened. Right in nineteen ninety two, we

0:17:01.120 --> 0:17:03.640
<v Speaker 1>got the first Snoop Dogg album, No disrespect to Doctor

0:17:03.680 --> 0:17:04.439
<v Speaker 1>Dre the Chronic.

0:17:05.040 --> 0:17:07.720
<v Speaker 2>That's the first Snoop Dogg album. Fair enough, shout out

0:17:07.760 --> 0:17:11.760
<v Speaker 2>to Dre Big Bruh coming out party. He's on fourteen

0:17:11.800 --> 0:17:14.040
<v Speaker 2>to the fifteen Records who wrote pretty much the record. Right,

0:17:14.560 --> 0:17:17.840
<v Speaker 2>that's the first Snoop album to crime. Then Doggy Style drops.

0:17:18.240 --> 0:17:20.520
<v Speaker 2>That's ninety four, right, it's ninety three, ninety three, Okay.

0:17:21.359 --> 0:17:23.960
<v Speaker 1>Then Doggie Style is such a big deal with sales

0:17:24.000 --> 0:17:26.160
<v Speaker 1>eight hundred and seventy thousand albums in the first week,

0:17:26.240 --> 0:17:28.320
<v Speaker 1>eight hundred ninety thousand in the second week. Right when

0:17:28.400 --> 0:17:35.120
<v Speaker 1>fifty came it did again, Right, that happens. It's so impactful.

0:17:35.200 --> 0:17:38.240
<v Speaker 1>It forces a change on the whole game. It turned

0:17:38.280 --> 0:17:41.040
<v Speaker 1>like people get mad when I say this, but Tupac

0:17:41.160 --> 0:17:42.879
<v Speaker 1>had to become more of a gangster rapper because of

0:17:42.920 --> 0:17:44.840
<v Speaker 1>this album. Yep, that's why you gonna get the thug

0:17:44.880 --> 0:17:46.840
<v Speaker 1>life because of dog Paan you go get some forty crips,

0:17:47.400 --> 0:17:50.879
<v Speaker 1>right you. Ice Cube has to become more of a songwriter.

0:17:51.800 --> 0:17:54.119
<v Speaker 1>He was already a g a decent songwriter, but he

0:17:54.240 --> 0:17:57.280
<v Speaker 1>was a fucking masterful P and MC. But then he

0:17:57.400 --> 0:17:59.879
<v Speaker 1>has to kind of structure style to make more records.

0:18:00.040 --> 0:18:03.720
<v Speaker 1>His dog is destroying, destroying everybody everything on the radio,

0:18:03.840 --> 0:18:07.000
<v Speaker 1>right boom, so like he shifts the game like he totally,

0:18:07.280 --> 0:18:09.200
<v Speaker 1>which is what the classic is. It shifts the game

0:18:09.320 --> 0:18:13.440
<v Speaker 1>right and you just boom. Then it's such an impactful album.

0:18:14.080 --> 0:18:17.480
<v Speaker 1>One song spawns a whole nother album. In ninety four,

0:18:17.840 --> 0:18:21.320
<v Speaker 1>Murder was the case. Yeah, that's so much the shit.

0:18:21.359 --> 0:18:24.760
<v Speaker 1>It selles triple platinum, right, So that's ninety two, the

0:18:24.840 --> 0:18:27.480
<v Speaker 1>chronic right, which is a Snoop album. Ninety three, which

0:18:27.560 --> 0:18:31.080
<v Speaker 1>is Doggystown, which is obviously Snoop's debut. Ninety four, which

0:18:31.119 --> 0:18:33.160
<v Speaker 1>is Murder was a case that's off a Snoop album

0:18:33.720 --> 0:18:38.880
<v Speaker 1>ninety five, his group comes out. Yeah, he's on seven

0:18:38.880 --> 0:18:42.680
<v Speaker 1>to eight of those records. Right, dog Food Dogs.

0:18:42.440 --> 0:18:46.000
<v Speaker 2>Album, Right, I think I think it's a classic album.

0:18:46.680 --> 0:18:48.800
<v Speaker 2>It's for sure a West Coast classic. I think it's

0:18:48.800 --> 0:18:49.480
<v Speaker 2>a classic album.

0:18:49.480 --> 0:18:51.639
<v Speaker 1>I wouldn't even I'm not gonna debate that, but we're.

0:18:51.480 --> 0:18:53.280
<v Speaker 2>Gonna get to some debates about that. We are, guess

0:18:53.320 --> 0:18:53.520
<v Speaker 2>we are.

0:18:53.600 --> 0:18:57.159
<v Speaker 1>But so we got shipped ninety two, ninety three, ninety four,

0:18:57.359 --> 0:19:02.359
<v Speaker 1>ninety five, Dre's leaving, So Dre leaves, So DJ Pooh

0:19:02.359 --> 0:19:07.159
<v Speaker 1>steps in and finishes attempts to finish dog Father in

0:19:07.280 --> 0:19:11.880
<v Speaker 1>ninety six. So what happened is we actually did get

0:19:11.920 --> 0:19:16.720
<v Speaker 1>to enjoy Snoop. We got Snoop carried death ro for sure,

0:19:16.960 --> 0:19:19.320
<v Speaker 1>but on his back, Yeah, you know what I mean.

0:19:19.440 --> 0:19:21.439
<v Speaker 1>And then POC came And that's why I always get

0:19:21.560 --> 0:19:24.639
<v Speaker 1>upset at that argument. Pop was jealous. Snoop was jealous

0:19:24.640 --> 0:19:27.640
<v Speaker 1>of Pop. Man, this nigga been carrying the world's greatest,

0:19:27.840 --> 0:19:30.920
<v Speaker 1>most impactful record label. Cash Money is probably hip hop's

0:19:30.920 --> 0:19:33.520
<v Speaker 1>greatest label. But yeah, he was carrying the most impactful

0:19:33.600 --> 0:19:35.960
<v Speaker 1>label at that time. You know what I mean of

0:19:36.040 --> 0:19:38.800
<v Speaker 1>all time as far as im impact. Yeah, right, because

0:19:39.520 --> 0:19:41.879
<v Speaker 1>this is the birth of gangster rap at the High Yeah.

0:19:41.760 --> 0:19:43.479
<v Speaker 2>And then the tree. I always say, pep back. If

0:19:43.520 --> 0:19:45.159
<v Speaker 2>you look at the Doctor Dre Tree, look at the

0:19:45.160 --> 0:19:46.800
<v Speaker 2>Snoop Tree, look at the Sugar Night Tree.

0:19:47.080 --> 0:19:51.080
<v Speaker 1>Everything that right, so right, So he carries him on

0:19:51.119 --> 0:19:53.680
<v Speaker 1>his back and then finally Snoop right, so Pop comes

0:19:53.720 --> 0:19:57.399
<v Speaker 1>home and then boom, Now you got another star. It's

0:19:57.480 --> 0:20:00.680
<v Speaker 1>like the Warriors and Kevin Durant. You get a another star.

0:20:00.880 --> 0:20:04.080
<v Speaker 1>You get this guy from the Thunder n you know

0:20:04.119 --> 0:20:05.920
<v Speaker 1>what I mean, Like not like that, but it's like

0:20:06.520 --> 0:20:09.679
<v Speaker 1>Katie from the Thunder coming to the Warriors, right right, right,

0:20:09.760 --> 0:20:11.800
<v Speaker 1>Snoop Steph Curry had just read every day right, so

0:20:11.920 --> 0:20:14.600
<v Speaker 1>boom and then right, So then he comes over and

0:20:14.720 --> 0:20:16.159
<v Speaker 1>now you're like, oh, I ain't got to do all

0:20:16.200 --> 0:20:19.439
<v Speaker 1>the work. And then Pot comes and y'all give him

0:20:19.480 --> 0:20:22.120
<v Speaker 1>all the records, y'all help, y'all give him the best beat, y'all,

0:20:22.359 --> 0:20:24.880
<v Speaker 1>and he puts up he puts up them nigga out

0:20:24.920 --> 0:20:26.399
<v Speaker 1>there and finals MVP.

0:20:28.119 --> 0:20:28.879
<v Speaker 2>Easy works.

0:20:29.080 --> 0:20:31.520
<v Speaker 1>But Snoop Steph Curry, but yeah, right, and he's just

0:20:31.600 --> 0:20:34.080
<v Speaker 1>like do your thing, yeah, and then he still has

0:20:34.160 --> 0:20:37.159
<v Speaker 1>to put out another album in ninety six, So we

0:20:37.280 --> 0:20:40.520
<v Speaker 1>get albums from Snoop in ninety two, ninety three, ninety four,

0:20:40.680 --> 0:20:43.399
<v Speaker 1>ninety five, and Dogfather in ninety six. So when dre

0:20:43.600 --> 0:20:48.639
<v Speaker 1>is leaving Pock Dies Sins Francis Madness, still a Snoop

0:20:48.680 --> 0:20:51.320
<v Speaker 1>album is needed to you know, carry the manner because

0:20:51.520 --> 0:20:54.439
<v Speaker 1>you got mcavelly at this point. So those three records

0:20:54.520 --> 0:20:58.240
<v Speaker 1>all lies on me mcavelly and Dogfather. Doll Father produced

0:20:58.280 --> 0:21:01.280
<v Speaker 1>by DJ Pool does most of the heavy. They don't

0:21:01.320 --> 0:21:03.399
<v Speaker 1>really get a chance to finish it because we gotta

0:21:03.400 --> 0:21:06.760
<v Speaker 1>get this album out, pop past, gotta get zual. We

0:21:07.040 --> 0:21:07.720
<v Speaker 1>always got.

0:21:07.720 --> 0:21:08.280
<v Speaker 2>Enough of Snoop.

0:21:08.280 --> 0:21:13.440
<v Speaker 1>It's literally just it's like survivors, Like it's survivor's guilt,

0:21:13.520 --> 0:21:16.040
<v Speaker 1>Like he lives a survivor's lifestyle where he survived the

0:21:16.200 --> 0:21:18.880
<v Speaker 1>craziest ship and he's right here. So we don't really

0:21:19.520 --> 0:21:20.280
<v Speaker 1>appreciate him.

0:21:20.720 --> 0:21:22.640
<v Speaker 2>Yeah, I think we just I think when we think

0:21:22.720 --> 0:21:27.919
<v Speaker 2>of like Snoop albums, we think of he doesn't get

0:21:27.960 --> 0:21:28.680
<v Speaker 2>credit for the Chronic.

0:21:29.200 --> 0:21:30.760
<v Speaker 1>But if you think about it, the song, the main

0:21:30.840 --> 0:21:33.680
<v Speaker 1>song from the Chronic that we celebrate who's on the

0:21:33.760 --> 0:21:36.360
<v Speaker 1>song Snoop. And that's how it's been the whole time.

0:21:36.720 --> 0:21:37.520
<v Speaker 2>I don't disagree.

0:21:37.640 --> 0:21:39.680
<v Speaker 1>Even a dog food what's the main song.

0:21:40.720 --> 0:21:44.919
<v Speaker 2>Snoops on it? Yeah, great, great video, cost a lot

0:21:44.960 --> 0:21:47.200
<v Speaker 2>of man just carrying all the weight. Man, So I

0:21:47.200 --> 0:21:49.440
<v Speaker 2>would say I would just say, like I just think

0:21:49.480 --> 0:21:52.800
<v Speaker 2>that like unfortunately, and and and this is kind of

0:21:52.920 --> 0:21:57.080
<v Speaker 2>like a very convenient to look at things. It's like, damn,

0:21:58.240 --> 0:22:02.120
<v Speaker 2>the what if of like if they would have kept

0:22:02.520 --> 0:22:06.720
<v Speaker 2>somehow kept that nucleus together for like another two or

0:22:06.760 --> 0:22:08.280
<v Speaker 2>three years, you know what I'm saying, Like.

0:22:09.000 --> 0:22:11.200
<v Speaker 1>Something I'm gonna say, Man, it was born out of trauma,

0:22:11.720 --> 0:22:13.560
<v Speaker 1>Like death Row was born out of trauma. It was

0:22:13.640 --> 0:22:16.560
<v Speaker 1>born out of a situation with Eazy E, you know

0:22:16.560 --> 0:22:19.840
<v Speaker 1>what I mean. That probably wasn't a real enough situation

0:22:20.040 --> 0:22:22.720
<v Speaker 1>for it to for them to break up, but it

0:22:22.920 --> 0:22:25.840
<v Speaker 1>was born out of like like all street urban culture,

0:22:26.600 --> 0:22:28.160
<v Speaker 1>you know what I mean. So we got what we got.

0:22:28.480 --> 0:22:30.040
<v Speaker 1>We just got to be grateful we got that four

0:22:30.119 --> 0:22:33.440
<v Speaker 1>years of incredibleness and a lot more after that, because

0:22:33.480 --> 0:22:35.440
<v Speaker 1>we did get the Dazz album. That was pretty cool,

0:22:35.480 --> 0:22:38.160
<v Speaker 1>great album to da Man, also one of the greatest

0:22:38.200 --> 0:22:41.440
<v Speaker 1>paper I'm mad we never got the corrupt produced Doctor

0:22:41.480 --> 0:22:44.840
<v Speaker 1>dre album. True should mean the Doctor Dre produced corrupt.

0:22:48.119 --> 0:22:50.440
<v Speaker 2>Then what's crazy about corrupt is like somehow like I

0:22:50.520 --> 0:22:53.200
<v Speaker 2>think streets is the mothers. Like, I mean one of

0:22:53.240 --> 0:22:54.800
<v Speaker 2>the most underrated.

0:22:54.600 --> 0:22:56.480
<v Speaker 1>Fred, fucking Fred, fucking Fred.

0:22:57.240 --> 0:23:01.000
<v Speaker 2>Oh that fucking album is so hard upsince that like

0:23:01.200 --> 0:23:04.760
<v Speaker 2>the ship Fred does Crazy Fred is just nasty and

0:23:04.880 --> 0:23:06.400
<v Speaker 2>he really don't get enough credit.

0:23:06.480 --> 0:23:09.840
<v Speaker 1>Butsonically I had to call him probably about five months.

0:23:09.960 --> 0:23:12.119
<v Speaker 1>I was like, oh you, like really, I don't know

0:23:12.280 --> 0:23:15.200
<v Speaker 1>why are you doing that? But even his sonics separate

0:23:15.280 --> 0:23:19.920
<v Speaker 1>completely different. So I think Snoop is just disrespected because

0:23:19.960 --> 0:23:23.240
<v Speaker 1>he's from the West. And two he survived, and I

0:23:23.400 --> 0:23:29.640
<v Speaker 1>think his level of celebrity got to a place where

0:23:31.320 --> 0:23:33.840
<v Speaker 1>most people stopped looking at him as a rapper and

0:23:34.000 --> 0:23:36.080
<v Speaker 1>almost started looking at him more as like a cultural

0:23:36.160 --> 0:23:38.320
<v Speaker 1>figure in it and like just the entertainer, Which is

0:23:38.359 --> 0:23:40.320
<v Speaker 1>why I say he's the greatest hip hop artist because

0:23:40.960 --> 0:23:43.160
<v Speaker 1>when you understand hip hop and street urban culture, there's

0:23:43.359 --> 0:23:46.840
<v Speaker 1>no greater representation of culture than Snoop Dogg. Yeah, like

0:23:46.880 --> 0:23:49.280
<v Speaker 1>Snoop is like this nigga's a crip that was crip

0:23:49.359 --> 0:23:49.680
<v Speaker 1>walking on.

0:23:50.040 --> 0:23:51.680
<v Speaker 2>He's that well. I mean he's done things that no

0:23:51.800 --> 0:23:53.160
<v Speaker 2>artists like no rapper.

0:23:54.960 --> 0:23:57.360
<v Speaker 1>Thirty not a hip hop artist, maybe like a Drake,

0:23:57.440 --> 0:23:59.840
<v Speaker 1>somebody who's not of the coaches.

0:24:00.160 --> 0:24:00.680
<v Speaker 2>No, no, he's not.

0:24:01.240 --> 0:24:03.280
<v Speaker 1>We're not gonna do that. He's not of the street

0:24:03.359 --> 0:24:04.880
<v Speaker 1>urban culture. You can't listen to music.

0:24:05.280 --> 0:24:06.640
<v Speaker 2>So is Eminem not a hip hop artist?

0:24:06.680 --> 0:24:10.800
<v Speaker 1>He's from Detroit, He's from the ghetto. Drake is a

0:24:11.160 --> 0:24:13.240
<v Speaker 1>from a middle class Canadian neighbors.

0:24:13.359 --> 0:24:15.720
<v Speaker 2>So if someone comes from a middle class family, no,

0:24:17.040 --> 0:24:19.800
<v Speaker 2>so you have so you're telling me, in your eyes,

0:24:19.840 --> 0:24:20.439
<v Speaker 2>you have to be.

0:24:20.680 --> 0:24:22.359
<v Speaker 1>From a street, urban community.

0:24:22.480 --> 0:24:25.200
<v Speaker 2>Yes, in order to be considered hip hop.

0:24:25.320 --> 0:24:28.000
<v Speaker 1>Hip hop is the first genre of music. Forget me,

0:24:28.000 --> 0:24:30.159
<v Speaker 1>because I know everybody's listened to pop that God, you

0:24:30.200 --> 0:24:33.520
<v Speaker 1>can't kick me. It's not the point. I'm saying. Hip

0:24:33.560 --> 0:24:36.040
<v Speaker 1>hop is street, urban artistic expression.

0:24:36.359 --> 0:24:42.480
<v Speaker 2>So didn't well, I mean, we could probably really nitpick

0:24:42.600 --> 0:24:44.200
<v Speaker 2>this this discussion, and then.

0:24:44.359 --> 0:24:49.560
<v Speaker 1>I'm going, yeah, I'm going Drake's saying Drake.

0:24:49.400 --> 0:24:51.959
<v Speaker 2>Is kind of pop. That's a different statement. But somebody

0:24:52.000 --> 0:24:55.800
<v Speaker 2>in my high five okay, top five, I've had that,

0:24:55.960 --> 0:24:58.000
<v Speaker 2>and I'm glad you said. Kanye West did not grow

0:24:58.119 --> 0:24:58.840
<v Speaker 2>up in the hood.

0:24:59.040 --> 0:25:01.359
<v Speaker 1>And I've been thinking this whole time. His mother was

0:25:01.400 --> 0:25:03.840
<v Speaker 1>a teacher, and I've been thinking this whole time. I

0:25:03.920 --> 0:25:05.960
<v Speaker 1>was like, is he really because I think as much

0:25:05.960 --> 0:25:08.040
<v Speaker 1>as he's in my top five and I appreciate him.

0:25:08.119 --> 0:25:10.640
<v Speaker 2>I think he is the problem. Do you think Diddy

0:25:10.720 --> 0:25:14.040
<v Speaker 2>is hip hop puff Daddy? No, Puff is an executive,

0:25:14.320 --> 0:25:16.480
<v Speaker 2>So you don't think Puff Daddy is hip hop? No.

0:25:16.520 --> 0:25:18.320
<v Speaker 1>I think Puff put out hip hop X.

0:25:18.880 --> 0:25:21.640
<v Speaker 2>But he's hip hop. I don't know if he's responsible

0:25:21.720 --> 0:25:27.160
<v Speaker 2>for so much history in Jimmy Ivien. Yeah, but Diddy's

0:25:27.240 --> 0:25:32.200
<v Speaker 2>didd He's produce records really, yeah, in the same way

0:25:32.600 --> 0:25:35.720
<v Speaker 2>Quincy Jones has produced records. Yes, really, he puts the

0:25:35.800 --> 0:25:36.520
<v Speaker 2>right people together.

0:25:37.320 --> 0:25:40.160
<v Speaker 1>Forgive me forgiving me Diddy Cuff Puff my bad. Look,

0:25:41.119 --> 0:25:43.760
<v Speaker 1>I don't know, but Kanye has been my greatest dilemma.

0:25:43.800 --> 0:25:45.600
<v Speaker 1>But if you think about it right, this is gonna

0:25:45.640 --> 0:25:48.119
<v Speaker 1>sound crazy. So Kanye is in my top five because

0:25:48.119 --> 0:25:50.320
<v Speaker 1>I love you know, I think the world of Kanye. Yeah,

0:25:50.520 --> 0:25:53.320
<v Speaker 1>there were times I've expressed it. Charlotte Mane. I think

0:25:53.359 --> 0:25:56.320
<v Speaker 1>Kanye is a prophet for living, So I think this

0:25:56.560 --> 0:25:58.320
<v Speaker 1>much of him. But if you think about it, his

0:25:58.480 --> 0:26:01.960
<v Speaker 1>first single, he got into a car crash, great record,

0:26:02.840 --> 0:26:05.040
<v Speaker 1>like all American car crash with insurance.

0:26:05.200 --> 0:26:06.159
<v Speaker 2>Yeah, but what's wrong with that?

0:26:06.400 --> 0:26:09.160
<v Speaker 1>That's nothing. It's like Madonna could have made that song.

0:26:09.400 --> 0:26:10.000
<v Speaker 2>It's not true.

0:26:10.160 --> 0:26:12.359
<v Speaker 1>Yes, it's a middle class song about a man getting

0:26:12.359 --> 0:26:13.680
<v Speaker 1>to a crash and then when it's surance.

0:26:13.480 --> 0:26:15.840
<v Speaker 2>So you're saying they can't be middle class raps.

0:26:16.240 --> 0:26:21.800
<v Speaker 1>Yes, Drake is a fantastic rapper. Fantastic NonStop is my shit,

0:26:22.359 --> 0:26:26.320
<v Speaker 1>but that don't mean they are hip hop, street urban culture. Now,

0:26:26.359 --> 0:26:28.040
<v Speaker 1>a lot of people disagree with me. Some people are like, A, well,

0:26:28.040 --> 0:26:30.280
<v Speaker 1>long as you practice what them niggas do, then you're

0:26:30.320 --> 0:26:32.080
<v Speaker 1>one of those niggas. But you know I feel about that.

0:26:32.840 --> 0:26:34.320
<v Speaker 1>But my point is what Kanye right.

0:26:34.280 --> 0:26:37.480
<v Speaker 2>Wouldn't kick out like half a hip hop fast that

0:26:37.920 --> 0:26:39.600
<v Speaker 2>you'd say you aren't hip hop fast?

0:26:39.720 --> 0:26:42.080
<v Speaker 1>Because I tell you why, because look what happened to

0:26:42.160 --> 0:26:46.720
<v Speaker 1>rock and roll. It ain't a nigga insight. Look what

0:26:46.800 --> 0:26:51.200
<v Speaker 1>happened to jazz Because soon as you start letting everybody

0:26:51.320 --> 0:26:53.680
<v Speaker 1>in the door, guess who getting kicked out first.

0:26:54.560 --> 0:26:55.920
<v Speaker 2>I don't think that's ever gonna happen.

0:26:56.240 --> 0:27:00.159
<v Speaker 1>Guaranteed they've tried that, it's happened. It's it's only been

0:27:00.200 --> 0:27:02.520
<v Speaker 1>fifty years. They've been putting out records for forty it's

0:27:02.600 --> 0:27:03.640
<v Speaker 1>guaranteed to happen.

0:27:03.920 --> 0:27:08.480
<v Speaker 2>I'm not sure there's Uh. You know what's funny is

0:27:08.520 --> 0:27:11.240
<v Speaker 2>I've always thought to myself like, who's the white, you know,

0:27:11.480 --> 0:27:13.480
<v Speaker 2>like who's the white that's like the white of whites

0:27:13.520 --> 0:27:15.679
<v Speaker 2>and hip hop that like can actually make this thing

0:27:15.800 --> 0:27:19.639
<v Speaker 2>work like and like sustainable. Long time, let's get rid

0:27:19.640 --> 0:27:22.200
<v Speaker 2>of Eminem because Eminem is an alien. Yeah, he's like

0:27:22.320 --> 0:27:23.240
<v Speaker 2>an anomaly.

0:27:23.320 --> 0:27:25.359
<v Speaker 1>In thirty forty years ago, Emine would have been a

0:27:25.400 --> 0:27:25.880
<v Speaker 1>punk rock.

0:27:25.840 --> 0:27:27.840
<v Speaker 2>It's Eminem by the way, right, if you were to

0:27:27.880 --> 0:27:28.560
<v Speaker 2>say it's eminent.

0:27:28.720 --> 0:27:31.960
<v Speaker 1>But we had this conversation hip hop and punk rock

0:27:33.040 --> 0:27:39.520
<v Speaker 1>are brothers, step brother, right right, same father, oppression and poverty,

0:27:39.880 --> 0:27:41.680
<v Speaker 1>different mothers, the area, the earth.

0:27:42.560 --> 0:27:46.159
<v Speaker 2>So you so because because this is there's a lot

0:27:46.200 --> 0:27:49.520
<v Speaker 2>of artists who have families that went to college, that

0:27:49.680 --> 0:27:51.639
<v Speaker 2>had middle class jobs, lob people from together and that

0:27:51.680 --> 0:27:54.520
<v Speaker 2>went to college. No had middle class, middle class areas

0:27:54.760 --> 0:27:58.199
<v Speaker 2>Little YACHTI yeah, but would you really you look at

0:27:58.200 --> 0:27:59.960
<v Speaker 2>Little Yady and be like, oh, that's a hip hop guy.

0:28:00.200 --> 0:28:02.680
<v Speaker 1>Yeah? No, you just only feel like that because he raps.

0:28:03.160 --> 0:28:05.160
<v Speaker 2>I think I think he's hip hop for sure.

0:28:05.440 --> 0:28:07.920
<v Speaker 1>But I'm saying because he raps, and I also.

0:28:07.800 --> 0:28:11.000
<v Speaker 2>Think he's also contributed a lot to culture. He's he

0:28:11.080 --> 0:28:13.000
<v Speaker 2>wrote City Girls Act Up. He kind of kicked off

0:28:13.040 --> 0:28:13.560
<v Speaker 2>low Key this.

0:28:13.640 --> 0:28:16.000
<v Speaker 1>Whole, so did Jimmy Iving. So it's a lot of

0:28:16.080 --> 0:28:17.240
<v Speaker 1>other people, but not in.

0:28:17.280 --> 0:28:21.200
<v Speaker 2>The same way Jimmy What song did Jimmy Ivan write?

0:28:21.440 --> 0:28:24.520
<v Speaker 1>But don't that's not again, you're you're there's people outside

0:28:24.520 --> 0:28:26.320
<v Speaker 1>of the culture who have wrote cultured song.

0:28:26.440 --> 0:28:30.760
<v Speaker 2>Okay, let me ask you a question. You're so because

0:28:30.800 --> 0:28:33.880
<v Speaker 2>because I feel that there has been.

0:28:33.800 --> 0:28:35.720
<v Speaker 1>And I'm not saying I know of Lil Yachtie's hipp

0:28:35.800 --> 0:28:38.880
<v Speaker 1>I don't know little there has been an uptick in

0:28:39.200 --> 0:28:43.120
<v Speaker 1>completely and what it's a complete takeover of middle class

0:28:43.160 --> 0:28:46.360
<v Speaker 1>people ever since the blog ever happened. Yess soon as

0:28:46.400 --> 0:28:50.280
<v Speaker 1>college kids started dictating what was cool within street urban culture,

0:28:50.480 --> 0:28:52.880
<v Speaker 1>you've seen the change because it became the guys that

0:28:52.960 --> 0:28:53.600
<v Speaker 1>they could deal with.

0:28:54.080 --> 0:28:57.200
<v Speaker 2>Yeah, but to me, that's still hip hop. That's not

0:28:57.600 --> 0:28:58.400
<v Speaker 2>that's his music.

0:28:59.160 --> 0:29:01.960
<v Speaker 1>Hip Hop is the culture. Like if you don't talk

0:29:02.080 --> 0:29:04.080
<v Speaker 1>to the culture, if you don't talk like us.

0:29:04.000 --> 0:29:06.320
<v Speaker 2>And there's the five elements of hip hop.

0:29:06.440 --> 0:29:09.640
<v Speaker 1>No, no, no, those are expressions how you express the culture.

0:29:10.520 --> 0:29:13.000
<v Speaker 2>So I just think that like if you look at

0:29:13.040 --> 0:29:14.320
<v Speaker 2>a guy, I'm trying to think of a guy, you

0:29:14.360 --> 0:29:15.760
<v Speaker 2>said the bloggers. I'm just trying to think.

0:29:15.920 --> 0:29:18.240
<v Speaker 1>Kanye is the greatest conversation and as one of my

0:29:18.320 --> 0:29:19.920
<v Speaker 1>favorite guys and as one of your favorite guys.

0:29:19.960 --> 0:29:21.960
<v Speaker 2>Yeah, and Kanye is probably the most influential artists of

0:29:22.040 --> 0:29:23.760
<v Speaker 2>the last I don't.

0:29:23.600 --> 0:29:28.560
<v Speaker 1>Know thirty years, who did the influence people. Travis Scott

0:29:28.640 --> 0:29:30.440
<v Speaker 1>is hip hop middle class people. I don't even think

0:29:30.480 --> 0:29:33.080
<v Speaker 1>Travis Scott considers himself hip hop. That's not true, I don't.

0:29:33.120 --> 0:29:34.960
<v Speaker 2>I don't think. Did you listen to the drums on

0:29:35.040 --> 0:29:36.400
<v Speaker 2>the new album again?

0:29:36.560 --> 0:29:39.960
<v Speaker 1>Drums are not exclusive to hip hop. I just you know,

0:29:40.000 --> 0:29:41.880
<v Speaker 1>they've been having hard drums and house and a lot

0:29:41.880 --> 0:29:44.959
<v Speaker 1>of other stuff that hip hop birth. Okay, so outside

0:29:45.000 --> 0:29:47.400
<v Speaker 1>of But I'm not saying again, I haven't studied all

0:29:47.440 --> 0:29:50.440
<v Speaker 1>of those guys to say their shit specifically. I've been

0:29:50.440 --> 0:29:52.320
<v Speaker 1>saying this about Kanye, and I think that's why.

0:29:52.360 --> 0:29:58.080
<v Speaker 2>I mean, Kanye did influence a sound that kind of

0:29:58.640 --> 0:30:00.920
<v Speaker 2>I mean him and just blaze his fingerprints all over

0:30:01.000 --> 0:30:01.560
<v Speaker 2>the blueprint.

0:30:01.920 --> 0:30:06.680
<v Speaker 1>It's really Blink though. It's who bink Well Bank started it.

0:30:06.760 --> 0:30:08.200
<v Speaker 1>Everybody start following Bank.

0:30:08.040 --> 0:30:10.200
<v Speaker 2>Okay, So if you listen to the Blueprint, right, and

0:30:10.280 --> 0:30:13.080
<v Speaker 2>then after the Blueprint everyone started sampling. But it's all

0:30:13.160 --> 0:30:13.880
<v Speaker 2>based off Bink.

0:30:14.480 --> 0:30:19.400
<v Speaker 1>Okay, this is it's important to notice truth, and they'll

0:30:19.400 --> 0:30:20.280
<v Speaker 1>all I think that's.

0:30:20.120 --> 0:30:22.360
<v Speaker 2>An opinion, though, No, this is a fact. I don't

0:30:22.360 --> 0:30:24.360
<v Speaker 2>think you can say that, Like just Blaze and Kanye

0:30:24.360 --> 0:30:25.960
<v Speaker 2>weren't chopping up samples before Bank.

0:30:26.120 --> 0:30:27.680
<v Speaker 1>They wasn't doing it the way they were doing it

0:30:27.760 --> 0:30:31.120
<v Speaker 1>on a Blueprint before Bank. That style, that's that sound

0:30:31.200 --> 0:30:32.440
<v Speaker 1>that was birthed out of that is Bink.

0:30:33.280 --> 0:30:38.120
<v Speaker 2>Well, the credit goes to Bank. I'm saying the general

0:30:38.800 --> 0:30:42.160
<v Speaker 2>public would credit the Blueprint as the album that kicked

0:30:42.200 --> 0:30:46.480
<v Speaker 2>off a sonic wave of like people sampling. Sure, like

0:30:46.800 --> 0:30:49.800
<v Speaker 2>I pitch samples again again.

0:30:49.600 --> 0:30:51.680
<v Speaker 1>I'm with you, I'm all in. I'm just saying there's

0:30:51.720 --> 0:30:53.640
<v Speaker 1>a fact and then there's an ignorance.

0:30:53.800 --> 0:30:55.920
<v Speaker 2>Okay, So are you telling me Kanye is not hip hop?

0:30:56.400 --> 0:30:58.840
<v Speaker 1>I'm telling you that's that's been my dilemma, right because

0:30:58.880 --> 0:31:00.959
<v Speaker 1>because he is hip hop. Well, this is the problem, right,

0:31:01.240 --> 0:31:04.360
<v Speaker 1>Kanye West, But that doesn't mean anything. That don't mean

0:31:04.440 --> 0:31:07.160
<v Speaker 1>First off, nobody in fucking hip hop put Marilyn Monroe

0:31:07.240 --> 0:31:08.480
<v Speaker 1>up on a fucking wall as a kid.

0:31:10.280 --> 0:31:13.120
<v Speaker 2>I don't understand the correlations Monroe.

0:31:12.920 --> 0:31:15.440
<v Speaker 1>Because he talked about putting up a poster because of

0:31:15.560 --> 0:31:17.080
<v Speaker 1>Marilyn Monroe on his wall.

0:31:17.160 --> 0:31:17.760
<v Speaker 2>What's wrong with that?

0:31:17.920 --> 0:31:19.800
<v Speaker 1>Why the fuck would a nigga from where we're from

0:31:19.840 --> 0:31:21.840
<v Speaker 1>put up Marilyn Moroe on they walk because they think

0:31:21.880 --> 0:31:24.440
<v Speaker 1>she's hot. No, none of us think she's hot. That

0:31:24.600 --> 0:31:26.720
<v Speaker 1>you're speaking for a lot of people from the ghetto.

0:31:26.840 --> 0:31:28.800
<v Speaker 2>I speak for all of us. I'm sure a lot

0:31:28.840 --> 0:31:30.360
<v Speaker 2>of people in the ghetto would clap her name.

0:31:30.480 --> 0:31:32.880
<v Speaker 1>None of us. Yes, we would anybody's, but we wouldn't

0:31:32.880 --> 0:31:35.520
<v Speaker 1>think she's hot. It's too many hot fucking sisters from

0:31:35.560 --> 0:31:39.240
<v Speaker 1>that time, he compares Kim Kardashian to her, like.

0:31:39.640 --> 0:31:41.880
<v Speaker 2>Yeah, but Kim kay is is littly. You don't You

0:31:41.920 --> 0:31:44.160
<v Speaker 2>don't know she's not. You think Kim Ky's level?

0:31:44.280 --> 0:31:46.280
<v Speaker 1>No, she was okay, she was a regular.

0:31:46.400 --> 0:31:47.200
<v Speaker 2>You think she was okay?

0:31:47.400 --> 0:31:49.080
<v Speaker 1>Yeah, she was a regular. They used to have them

0:31:49.120 --> 0:31:50.640
<v Speaker 1>at Glendale by the Barrel.

0:31:52.160 --> 0:31:54.360
<v Speaker 2>There was Kim by the barrel.

0:31:54.920 --> 0:31:57.480
<v Speaker 1>That's that's the normal fine girl in Glendale. That's the

0:31:57.640 --> 0:31:58.760
<v Speaker 1>normal fine girl in Glendale.

0:31:58.760 --> 0:32:01.680
<v Speaker 2>When you go to the scenes, I mean Glendale a lot. Yeah,

0:32:02.560 --> 0:32:05.160
<v Speaker 2>I live in they just don't have a plastic Well,

0:32:05.160 --> 0:32:08.040
<v Speaker 2>I just don't see I've seen. I don't see by

0:32:08.080 --> 0:32:08.480
<v Speaker 2>the barrel.

0:32:08.760 --> 0:32:09.400
<v Speaker 1>I seen him by the.

0:32:09.400 --> 0:32:10.880
<v Speaker 2>Shouts of the beautiful Armenian women.

0:32:10.920 --> 0:32:15.040
<v Speaker 1>Who are They're great, They're fun, and yes they are

0:32:15.160 --> 0:32:18.240
<v Speaker 1>they Kim Kardashian, Fine, all original Kim Kardashian.

0:32:18.680 --> 0:32:20.400
<v Speaker 2>I'm not this verse. I don't know what's going on.

0:32:20.480 --> 0:32:22.400
<v Speaker 2>I'm not saying that there aren't some Kim Kardashian, find

0:32:22.760 --> 0:32:24.800
<v Speaker 2>a lot of them. I'm just saying that I think

0:32:24.840 --> 0:32:26.480
<v Speaker 2>that you're you're overstating your part.

0:32:26.840 --> 0:32:29.480
<v Speaker 1>No, No, I'm telling you the true. Listen, if you

0:32:29.560 --> 0:32:32.560
<v Speaker 1>think about it right, listen to every other thing you

0:32:32.680 --> 0:32:36.640
<v Speaker 1>loved about hip hop growing up right, the struggle, the ideas,

0:32:36.680 --> 0:32:37.640
<v Speaker 1>even how they party.

0:32:37.920 --> 0:32:40.320
<v Speaker 2>And I liked, Hey, you know what I liked? First

0:32:40.320 --> 0:32:42.240
<v Speaker 2>of all, I loved all your Style, sure, and the

0:32:42.320 --> 0:32:45.560
<v Speaker 2>other album that really I like the kind of like

0:32:45.680 --> 0:32:52.160
<v Speaker 2>the horror, demonic mystique of bone Thugs and harmony. Theluigi

0:32:55.480 --> 0:32:59.600
<v Speaker 2>was the melody. And you know what else?

0:32:59.640 --> 0:33:02.680
<v Speaker 1>I like what they had the best harmony since Beast Boys,

0:33:03.280 --> 0:33:05.480
<v Speaker 1>probably fantastic harmony.

0:33:05.800 --> 0:33:08.640
<v Speaker 2>I mean, I can tell you like from Creeping on

0:33:08.680 --> 0:33:11.400
<v Speaker 2>a Come Up to East nineteen ninety nine art of

0:33:11.440 --> 0:33:16.880
<v Speaker 2>war Man God Bone again somehow criminally underrated super Uh.

0:33:17.880 --> 0:33:20.720
<v Speaker 2>I also really enjoyed Brother Lynch Hung and It's just Dope.

0:33:20.840 --> 0:33:23.000
<v Speaker 2>I got that nigga for about fo ESEs. I had

0:33:23.040 --> 0:33:26.680
<v Speaker 2>to get dirty on Brother Lynch. I always give props

0:33:26.720 --> 0:33:29.240
<v Speaker 2>to his album Season of the Sickness. It was a

0:33:29.480 --> 0:33:32.440
<v Speaker 2>very dark album where he talked about eating.

0:33:32.480 --> 0:33:35.560
<v Speaker 1>I like Lynch, Yeah, Lynce is and that. But the

0:33:35.640 --> 0:33:37.880
<v Speaker 1>point I'm saying back to Yate his Brother Lynch hip hop,

0:33:40.360 --> 0:33:42.800
<v Speaker 1>I would imagine, so he's from like a really fucked

0:33:42.880 --> 0:33:43.800
<v Speaker 1>up get on sack.

0:33:43.920 --> 0:33:47.080
<v Speaker 2>But him talking about eating children. But I think he

0:33:47.160 --> 0:33:51.440
<v Speaker 2>also could not be the something that a normal dude

0:33:51.480 --> 0:33:52.520
<v Speaker 2>from the hood would talk about.

0:33:52.760 --> 0:33:56.160
<v Speaker 1>It's not coo. I mean, he's like, he's like nigir

0:33:56.280 --> 0:33:56.880
<v Speaker 1>Alan poet.

0:33:57.000 --> 0:34:00.800
<v Speaker 2>Also also Bone Thugs in Harmony talking about playing around

0:34:00.840 --> 0:34:04.480
<v Speaker 2>with a Wuiji board and talking to That's not that

0:34:04.720 --> 0:34:08.080
<v Speaker 2>far fetched. But that's not you. You used the Maryland

0:34:08.520 --> 0:34:09.879
<v Speaker 2>min Roe post on Wall.

0:34:10.040 --> 0:34:12.479
<v Speaker 1>I'm saying, let's start with Kanye growing up in middle

0:34:12.480 --> 0:34:15.280
<v Speaker 1>class area and he did Chicago, Okay, so that's different

0:34:15.320 --> 0:34:16.040
<v Speaker 1>than Bone.

0:34:16.239 --> 0:34:18.920
<v Speaker 2>And boning Cleveland, brother Lynch and sat them.

0:34:19.200 --> 0:34:22.480
<v Speaker 1>People are from places with houses with thirteen dollars for sure, right,

0:34:22.600 --> 0:34:23.520
<v Speaker 1>So that's different.

0:34:23.560 --> 0:34:26.080
<v Speaker 2>Houses might have been thirteen dollars in Chicago, the houses is.

0:34:26.120 --> 0:34:27.680
<v Speaker 1>Thirteen dollars in Cleveland, right, And you can get hours

0:34:27.680 --> 0:34:30.160
<v Speaker 1>in Cleveland right now for about seven thousand. Let me

0:34:30.239 --> 0:34:32.759
<v Speaker 1>know what flex I got you? Your bone grew up

0:34:32.800 --> 0:34:35.800
<v Speaker 1>at Yeah, shout out to the cavaliers. So so what

0:34:36.000 --> 0:34:38.360
<v Speaker 1>my point I'm saying to you is, I'm not I

0:34:38.480 --> 0:34:40.960
<v Speaker 1>haven't came to a great conclusion. It's Kanye West, so

0:34:41.000 --> 0:34:43.640
<v Speaker 1>it's hard to challenge that type of legacy. But if

0:34:43.719 --> 0:34:46.000
<v Speaker 1>you think about it, But if you think about it, right,

0:34:46.800 --> 0:34:48.759
<v Speaker 1>his first song is about a car crash where he

0:34:48.840 --> 0:34:53.439
<v Speaker 1>had insurance. But what got everybody is the fucking black

0:34:53.560 --> 0:34:57.640
<v Speaker 1>music he sampled in Sha Ka Khan that carries the story.

0:34:57.960 --> 0:35:00.960
<v Speaker 1>Kanye is the best at using black mut and finding

0:35:01.000 --> 0:35:04.040
<v Speaker 1>a place where he meets black people at Remember, hip

0:35:04.080 --> 0:35:08.080
<v Speaker 1>hop is almost like Kanye makes He's a black artist, yes,

0:35:08.239 --> 0:35:10.800
<v Speaker 1>but but when you say black, right, it's as simple

0:35:10.840 --> 0:35:12.440
<v Speaker 1>as he's a black man making music.

0:35:13.000 --> 0:35:13.160
<v Speaker 2>Right.

0:35:13.239 --> 0:35:17.120
<v Speaker 1>But he's not the first artist to sample black artists, no, no,

0:35:17.280 --> 0:35:20.759
<v Speaker 1>But he's he's fantastic at it. Yeah, when I tell

0:35:20.760 --> 0:35:22.759
<v Speaker 1>you what he does with that sha Ka Khan. And

0:35:23.160 --> 0:35:24.960
<v Speaker 1>but if you listen to a lot of his songs,

0:35:25.520 --> 0:35:29.960
<v Speaker 1>even the depth of his struggle is very Eddie Winslow.

0:35:30.040 --> 0:35:31.560
<v Speaker 2>But you know what it was. What was dope about

0:35:31.600 --> 0:35:34.160
<v Speaker 2>Kanye is that his struggle was relatable to.

0:35:34.600 --> 0:35:37.320
<v Speaker 1>White people, to a lot of people, to mainstream America.

0:35:37.320 --> 0:35:39.399
<v Speaker 2>Because if you could talk about how you hated working

0:35:39.440 --> 0:35:40.840
<v Speaker 2>at the mall, at the Gap.

0:35:41.800 --> 0:35:46.279
<v Speaker 1>That's like main No okay, but but but imagine if

0:35:46.280 --> 0:35:48.320
<v Speaker 1>Snoop's first album is about him talking about having a

0:35:48.360 --> 0:35:48.879
<v Speaker 1>problem working.

0:35:49.640 --> 0:35:52.759
<v Speaker 2>But that's what made Kanye different was he was a

0:35:52.920 --> 0:35:54.279
<v Speaker 2>fucking pop artist.

0:35:54.320 --> 0:35:56.520
<v Speaker 1>You could relate to him, oh versus you couldn't relate

0:35:56.600 --> 0:35:57.440
<v Speaker 1>to none of these.

0:35:57.280 --> 0:36:00.399
<v Speaker 2>Not a pop artist. He was making some backpack dope ship,

0:36:00.480 --> 0:36:02.520
<v Speaker 2>but he was talking about backpack to work at them.

0:36:02.719 --> 0:36:07.920
<v Speaker 2>Because this is the minority of the of everybody aren't

0:36:07.960 --> 0:36:10.920
<v Speaker 2>in gangs and aren't involved in street life and not.

0:36:11.280 --> 0:36:13.160
<v Speaker 2>But whether or not they grew up around it, would

0:36:13.160 --> 0:36:18.040
<v Speaker 2>you would you at least say that most people, period,

0:36:18.160 --> 0:36:20.279
<v Speaker 2>no matter what the race of them or the or

0:36:20.320 --> 0:36:24.080
<v Speaker 2>where they're from, are not tied up in street life

0:36:24.960 --> 0:36:26.479
<v Speaker 2>are civilians? Is that fair?

0:36:27.560 --> 0:36:29.080
<v Speaker 1>Most they're not from the ghetto.

0:36:29.320 --> 0:36:31.960
<v Speaker 2>Okay, people from the ghetto have normal jobs at the mall.

0:36:32.640 --> 0:36:33.880
<v Speaker 1>No, they don't have them at the mall, but they

0:36:33.920 --> 0:36:34.719
<v Speaker 1>do have normal jobs.

0:36:34.760 --> 0:36:36.560
<v Speaker 2>Are you trying to tell me people from the ghetto

0:36:36.640 --> 0:36:37.439
<v Speaker 2>don't work at the mall?

0:36:37.640 --> 0:36:39.400
<v Speaker 1>Yes, but that's not that's a wild thing to say that.

0:36:39.920 --> 0:36:42.759
<v Speaker 2>It's a very wild blanket state. You're pushing it further, right,

0:36:43.000 --> 0:36:46.400
<v Speaker 2>Is what I'm saying is of us? Were Kanye made

0:36:46.480 --> 0:36:51.360
<v Speaker 2>and made music for the normal person? That's what pop music?

0:36:51.520 --> 0:36:55.160
<v Speaker 2>No is no pop music. Listen, this is what you

0:36:55.239 --> 0:36:57.600
<v Speaker 2>gotta understand. Is that not what pop music is?

0:36:57.680 --> 0:37:00.640
<v Speaker 1>Because for their every day they first know.

0:37:00.800 --> 0:37:03.399
<v Speaker 2>But you're trying to You're you're essentially trying to say, well,

0:37:04.520 --> 0:37:09.400
<v Speaker 2>Kanye was making music for uh, privileged people who had

0:37:09.440 --> 0:37:10.400
<v Speaker 2>normal jobs. I did not.

0:37:10.880 --> 0:37:13.560
<v Speaker 1>First off, yes, it's not you're not privileged. You have

0:37:13.600 --> 0:37:15.680
<v Speaker 1>a normal job that makes you mainstream American.

0:37:15.800 --> 0:37:18.239
<v Speaker 2>But even people let's say, from where you're from, right,

0:37:18.520 --> 0:37:21.200
<v Speaker 2>but even now you're talking about I'm asking you that.

0:37:22.160 --> 0:37:23.920
<v Speaker 2>So people from where you're from, right, You're let's say

0:37:23.920 --> 0:37:28.720
<v Speaker 2>your a neighborhood, what percentage of them are actively throughout

0:37:28.760 --> 0:37:35.000
<v Speaker 2>their life practicing involvement in let's say, street culture, illegal activity, gangs.

0:37:35.120 --> 0:37:36.840
<v Speaker 2>We all talk the same way, so that I'm not

0:37:36.840 --> 0:37:39.839
<v Speaker 2>talking about talk I'm talking about I'm talking about how

0:37:39.920 --> 0:37:42.160
<v Speaker 2>you get your money, the lifestyle you live. You can't

0:37:42.200 --> 0:37:44.000
<v Speaker 2>pick the part of a culture you enjoy, right because

0:37:44.040 --> 0:37:45.520
<v Speaker 2>day I saw this culture.

0:37:45.239 --> 0:37:47.600
<v Speaker 1>Right, But it don't mean that. It don't mean somebody.

0:37:47.680 --> 0:37:50.640
<v Speaker 1>There's probably people from your areas. But we had to

0:37:50.680 --> 0:37:52.160
<v Speaker 1>get up and go to work and do their normal

0:37:52.239 --> 0:37:54.759
<v Speaker 1>job at homies that got jobs that were Kanye's shit,

0:37:54.880 --> 0:37:57.880
<v Speaker 1>and was like, Yo, this dude's talking about working a

0:37:58.000 --> 0:38:00.640
<v Speaker 1>fucking overtime shift at a rech tail store.

0:38:01.200 --> 0:38:05.440
<v Speaker 2>This is fucking pop music. No, it's not. That's normal

0:38:05.560 --> 0:38:09.279
<v Speaker 2>middle class shit. That's what pop America is. So you're

0:38:09.320 --> 0:38:10.920
<v Speaker 2>trying to say Kanye wasn't making hip hop.

0:38:11.280 --> 0:38:12.399
<v Speaker 1>That's not what I'm saying.

0:38:12.480 --> 0:38:12.680
<v Speaker 2>I have.

0:38:12.920 --> 0:38:14.759
<v Speaker 1>I told you, I've been having this dilemma in my

0:38:14.960 --> 0:38:15.680
<v Speaker 1>mind to say so.

0:38:16.040 --> 0:38:18.600
<v Speaker 2>So you make a lot of blanket statements. No, I'm

0:38:18.640 --> 0:38:22.840
<v Speaker 2>giving you really consistent statements. Considering all of your statements.

0:38:23.000 --> 0:38:24.799
<v Speaker 2>According to your logic, Kanye is not hip hop.

0:38:24.840 --> 0:38:25.480
<v Speaker 1>I'm thinking about it.

0:38:25.520 --> 0:38:25.799
<v Speaker 2>I've been.

0:38:25.800 --> 0:38:27.239
<v Speaker 1>I've been on this play because I've been saying for

0:38:27.360 --> 0:38:28.880
<v Speaker 1>years he's hip hop. But then I think about it,

0:38:29.000 --> 0:38:32.319
<v Speaker 1>I'm like, that's why Black America's disconnected from him right now.

0:38:33.200 --> 0:38:35.399
<v Speaker 2>I think they also might be disconnected because he said

0:38:35.400 --> 0:38:36.000
<v Speaker 2>some wild shit.

0:38:36.120 --> 0:38:38.759
<v Speaker 1>No he did. He said the same shit first day,

0:38:38.880 --> 0:38:44.400
<v Speaker 1>and he has been wrapped up in a very unrelatable culture,

0:38:45.760 --> 0:38:49.040
<v Speaker 1>whether it's the Kardashians, whether it's you know, why huh,

0:38:49.600 --> 0:38:51.680
<v Speaker 1>because he ain't that type of guy.

0:38:52.640 --> 0:38:54.279
<v Speaker 2>But he wasn't that type of No, he wasn't. He

0:38:54.400 --> 0:38:57.080
<v Speaker 2>was just doing it over Shaka Khan and the other thing. Well,

0:39:00.000 --> 0:39:02.960
<v Speaker 2>that's what I'm starting to believe. It's like he always

0:39:03.080 --> 0:39:06.680
<v Speaker 2>been this crazy nigga. Kanye is like sold you think

0:39:06.719 --> 0:39:07.799
<v Speaker 2>Playboy Cardi's hip hop?

0:39:08.200 --> 0:39:11.960
<v Speaker 1>No, but he got some dope shit the first But

0:39:12.080 --> 0:39:14.200
<v Speaker 1>all that weird devil shit, I just slap a little cuz,

0:39:14.239 --> 0:39:16.000
<v Speaker 1>Like all that whole as ship they doing with the Devil,

0:39:16.239 --> 0:39:17.160
<v Speaker 1>that'll be your cuzby.

0:39:17.239 --> 0:39:17.719
<v Speaker 2>I don't like that.

0:39:17.920 --> 0:39:21.360
<v Speaker 1>Yeah, I hate that you love little stough No no, no,

0:39:21.560 --> 0:39:23.759
<v Speaker 1>nas is cool because he just fake gay. I told

0:39:23.840 --> 0:39:26.000
<v Speaker 1>you you're gonna see one day it's gonna come out,

0:39:26.040 --> 0:39:32.440
<v Speaker 1>Cuz fake gay, mean he's playing for the money. No, No,

0:39:32.719 --> 0:39:36.200
<v Speaker 1>I don't believe cousins gay. I believe they paying Couzin.

0:39:36.280 --> 0:39:39.200
<v Speaker 1>He know his playing, he running his plate. Why would

0:39:39.280 --> 0:39:41.000
<v Speaker 1>you not. It's niggas who do it. A gangster rap

0:39:41.120 --> 0:39:42.920
<v Speaker 1>is niggas who do it like they fake d boys.

0:39:44.200 --> 0:39:46.720
<v Speaker 1>Why would you not be fake gay for money, especially

0:39:46.719 --> 0:39:47.160
<v Speaker 1>if you're young.

0:39:47.520 --> 0:39:50.120
<v Speaker 2>There were people been fake money then it has been

0:39:50.160 --> 0:39:55.439
<v Speaker 2>people fake gay for money, fake gay. Yeah, you act

0:39:55.640 --> 0:39:58.759
<v Speaker 2>gay for people like a fake gangster rapper, like a

0:39:58.840 --> 0:40:00.880
<v Speaker 2>nigga who act like he a gang but he's not.

0:40:01.600 --> 0:40:03.920
<v Speaker 2>I think there's probably more fake straight people than fake

0:40:04.000 --> 0:40:04.439
<v Speaker 2>gay people.

0:40:04.840 --> 0:40:07.920
<v Speaker 1>I would agree, Yeah, I would agree for sure degree,

0:40:08.120 --> 0:40:10.120
<v Speaker 1>But that don't mean Little non X is not straight.

0:40:10.160 --> 0:40:14.440
<v Speaker 2>I think Little is Uh is gay. I don't believe that.

0:40:14.520 --> 0:40:17.560
<v Speaker 2>And I think it's it's gay facing you think he's gay.

0:40:17.600 --> 0:40:19.080
<v Speaker 2>I know we talked about this last time, but I

0:40:19.320 --> 0:40:21.040
<v Speaker 2>just don't know if that's a that's I don't know

0:40:21.080 --> 0:40:23.359
<v Speaker 2>if that's the that's that's what, that's what my way.

0:40:23.480 --> 0:40:26.160
<v Speaker 2>If he really wanted to like lean into something, he

0:40:26.200 --> 0:40:27.520
<v Speaker 2>would have just been the country artist.

0:40:28.000 --> 0:40:30.439
<v Speaker 1>Couldn't you know that's not gonna work? No, white folks

0:40:30.440 --> 0:40:31.520
<v Speaker 1>ain't fucking with that, and they grow.

0:40:31.760 --> 0:40:34.000
<v Speaker 2>They did win old town roads, they didn't.

0:40:37.520 --> 0:40:42.359
<v Speaker 1>I don't know, money man, where's he from's money man?

0:40:43.400 --> 0:40:43.839
<v Speaker 2>Money man?

0:40:44.280 --> 0:40:46.799
<v Speaker 1>I don't, I haven't, I haven't so listened. So first off,

0:40:46.880 --> 0:40:49.160
<v Speaker 1>I can't talk about Travis Scott. But I think Travis

0:40:49.160 --> 0:40:52.440
<v Speaker 1>Scott hastied his sound. But I think he defines his

0:40:52.600 --> 0:40:56.160
<v Speaker 1>sound as uh, what is like rave or what's the

0:40:56.239 --> 0:40:57.200
<v Speaker 1>age rage?

0:40:57.480 --> 0:40:59.200
<v Speaker 2>No, he's making hip hoppen, but.

0:40:59.520 --> 0:41:02.040
<v Speaker 1>He's the find his music. Uzzi defines his music as

0:41:02.120 --> 0:41:02.600
<v Speaker 1>rock and roll.

0:41:03.400 --> 0:41:05.880
<v Speaker 2>I think Uzzie defines himself as a rock star that

0:41:06.040 --> 0:41:08.759
<v Speaker 2>makes rock music. No, he doesn't make rock music yet.

0:41:09.080 --> 0:41:11.320
<v Speaker 1>But again this is my point. See see how you

0:41:11.440 --> 0:41:13.319
<v Speaker 1>see how you lay and claim to that. See how

0:41:13.320 --> 0:41:15.239
<v Speaker 1>you won't let niggas beat nothing else but rappers because

0:41:15.239 --> 0:41:16.080
<v Speaker 1>they Dog's.

0:41:15.760 --> 0:41:16.200
<v Speaker 2>A rock star.

0:41:16.400 --> 0:41:17.719
<v Speaker 1>Yeah, but no he's not.

0:41:17.920 --> 0:41:19.879
<v Speaker 2>What do you mean he's not. He's Snoop Dogg. He's

0:41:19.880 --> 0:41:20.960
<v Speaker 2>in the rock and roll Hall of Fame.

0:41:21.040 --> 0:41:22.200
<v Speaker 1>He's in every hall of fame.

0:41:22.320 --> 0:41:24.440
<v Speaker 2>Yes, because he's in a human he's a hip pop star.

0:41:24.480 --> 0:41:25.719
<v Speaker 2>He's a rock star. He's a pop star.

0:41:25.840 --> 0:41:26.560
<v Speaker 1>He is the guy.

0:41:27.200 --> 0:41:29.960
<v Speaker 2>But let me make my point before we get close. Listen, Yo,

0:41:30.000 --> 0:41:31.560
<v Speaker 2>what up, guys, We gotta stop the interview to tell

0:41:31.600 --> 0:41:34.160
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0:41:34.280 --> 0:41:36.560
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0:41:36.560 --> 0:41:38.319
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0:41:38.480 --> 0:41:42.360
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0:41:42.520 --> 0:41:44.320
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0:41:44.480 --> 0:41:47.200
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0:41:47.239 --> 0:41:49.640
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0:41:49.680 --> 0:41:51.880
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0:41:51.920 --> 0:41:54.359
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0:42:11.640 --> 0:42:16.600
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<v Speaker 2>dot com. Let's get back to the interview.

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<v Speaker 1>I haven't studied none of those other guys, so I

0:45:12.680 --> 0:45:14.440
<v Speaker 1>can't comment per se on YACHTI because I don't know

0:45:14.560 --> 0:45:17.560
<v Speaker 1>YACHTI story. I don't know Trash story. I don't know them.

0:45:17.680 --> 0:45:19.920
<v Speaker 1>But I don't think they define themselves, and I think

0:45:20.000 --> 0:45:22.040
<v Speaker 1>they will. Maybe Yadi would be.

0:45:22.000 --> 0:45:23.880
<v Speaker 2>The closest person that could consider himself hip hop or

0:45:23.920 --> 0:45:27.200
<v Speaker 2>would well. His dad was a big photographer. He did

0:45:27.280 --> 0:45:31.120
<v Speaker 2>photos for Dead Press tight, but he didn't grow up

0:45:31.200 --> 0:45:33.480
<v Speaker 2>like like from what I understand, he grew up like

0:45:33.719 --> 0:45:35.359
<v Speaker 2>with you know, like a middle class kid.

0:45:35.560 --> 0:45:37.000
<v Speaker 1>Yeah, And I'm not saying I don't. I don't know

0:45:37.040 --> 0:45:39.160
<v Speaker 1>if I had to really study if I say that Trav,

0:45:39.239 --> 0:45:41.320
<v Speaker 1>I think he defines his music as something else, and

0:45:41.400 --> 0:45:43.839
<v Speaker 1>I think Uzi defines his music and his existence at

0:45:43.880 --> 0:45:47.000
<v Speaker 1>something else. But I think because they use rap, immediately

0:45:47.400 --> 0:45:51.320
<v Speaker 1>everybody classify somebody black and rapping as hip hop, and

0:45:51.440 --> 0:45:56.240
<v Speaker 1>it's fucking fucked up. If Uzi, as black people created

0:45:56.320 --> 0:45:58.320
<v Speaker 1>rock and roll, right, he can go in and define

0:45:58.360 --> 0:46:00.680
<v Speaker 1>it as he wants. That's his claim to write. You

0:46:00.760 --> 0:46:03.080
<v Speaker 1>can't look at Nirvana or No. U two and then

0:46:03.120 --> 0:46:05.120
<v Speaker 1>say he gotta make music like that. We did it

0:46:05.200 --> 0:46:07.319
<v Speaker 1>the first time, so we could redefine it the second time.

0:46:07.760 --> 0:46:09.759
<v Speaker 1>It's fair of him to do that. But what I'm

0:46:09.840 --> 0:46:13.520
<v Speaker 1>saying is back to the point we're saying in my neighborhood,

0:46:13.920 --> 0:46:17.239
<v Speaker 1>being in street urban life is not necessarily, you know,

0:46:17.760 --> 0:46:20.160
<v Speaker 1>being a criminal. Like there's a lot of people like

0:46:20.320 --> 0:46:22.320
<v Speaker 1>LLL wasn't a criminal. There's people who grew up in

0:46:22.360 --> 0:46:23.040
<v Speaker 1>the same culture.

0:46:23.040 --> 0:46:24.719
<v Speaker 2>But what I'm saying, though, is that there are people

0:46:24.800 --> 0:46:30.319
<v Speaker 2>who aren't criminals who maybe they're they're gravitating. They gravitated

0:46:30.360 --> 0:46:34.080
<v Speaker 2>towards college dropout because oh this is something different, this

0:46:34.440 --> 0:46:35.840
<v Speaker 2>is this is I liked it.

0:46:35.920 --> 0:46:37.680
<v Speaker 1>As a criminal, But that's not the point. I like

0:46:37.719 --> 0:46:39.319
<v Speaker 1>Michael J. I like, I like a pop artist.

0:46:39.440 --> 0:46:41.799
<v Speaker 2>But I'm still like if I like to me as

0:46:41.840 --> 0:46:45.480
<v Speaker 2>somebody who was worried the best Buy when I was sixteen,

0:46:46.120 --> 0:46:48.320
<v Speaker 2>I was like, oh shit, I get it. This motherfucker's

0:46:48.360 --> 0:46:52.040
<v Speaker 2>rapping about that a shitty retail. Don't you do get it?

0:46:52.160 --> 0:46:54.080
<v Speaker 1>That's my point I'm saying. So what I'm saying is,

0:46:54.200 --> 0:46:54.800
<v Speaker 1>but I grew.

0:46:54.719 --> 0:46:55.920
<v Speaker 2>Up, I grew up middle class.

0:46:55.960 --> 0:46:58.200
<v Speaker 1>That's not what I know. You this because Phoenix got

0:46:58.239 --> 0:47:00.840
<v Speaker 1>some fucking crazy sick as poor places.

0:47:01.040 --> 0:47:01.480
<v Speaker 2>Yeah they do.

0:47:01.800 --> 0:47:05.399
<v Speaker 1>Yeah, sick that nobody talks about. Sick some crazy shit.

0:47:05.719 --> 0:47:07.439
<v Speaker 1>Shout out to Phoenix because they go through some shit.

0:47:07.560 --> 0:47:10.120
<v Speaker 1>Nobody talks about it. But the point I'm saying to

0:47:10.200 --> 0:47:15.480
<v Speaker 1>you is, when we're saying this, it's like everybody that

0:47:15.600 --> 0:47:18.640
<v Speaker 1>grew up with us talk the same way. Everybody who

0:47:18.719 --> 0:47:21.400
<v Speaker 1>grows up with us eats the same way. Every everybody

0:47:21.520 --> 0:47:21.920
<v Speaker 1>grows up.

0:47:22.080 --> 0:47:23.160
<v Speaker 2>But that's not universal.

0:47:23.280 --> 0:47:26.120
<v Speaker 1>That's where you're at, right, But that's all street urban culture.

0:47:26.160 --> 0:47:29.080
<v Speaker 2>That's the way that people different people in Gary Indiana

0:47:29.120 --> 0:47:31.840
<v Speaker 2>are different every ghetto. People in Cleveland are different every ghetto.

0:47:32.239 --> 0:47:34.960
<v Speaker 2>There is no middle class culture, that's only tradition. In

0:47:35.000 --> 0:47:38.160
<v Speaker 2>middle class and in wealth, there is no culture. So therefore,

0:47:38.239 --> 0:47:40.520
<v Speaker 2>how could you have hip hop somewhere where there's no culture?

0:47:40.719 --> 0:47:42.920
<v Speaker 2>So if Drake, let's say Drake for example, shout out

0:47:42.920 --> 0:47:45.000
<v Speaker 2>to DRIs. Do you think the Beastie Boys are hip hop? No?

0:47:45.080 --> 0:47:46.800
<v Speaker 1>They punk rock that made a hip hop album.

0:47:46.840 --> 0:47:48.839
<v Speaker 2>Okay? Do you think license to illes hip hop?

0:47:48.960 --> 0:47:50.320
<v Speaker 1>Yes, they made a hip hop album.

0:47:50.520 --> 0:47:52.799
<v Speaker 2>Okay, so that's hip hop. I agree, because but they

0:47:52.960 --> 0:47:55.719
<v Speaker 2>actually pump. They started as punk rockers, punk rock and

0:47:55.840 --> 0:47:56.520
<v Speaker 2>hip hop? Right?

0:47:56.960 --> 0:47:58.480
<v Speaker 1>Are step brothers?

0:47:58.600 --> 0:48:04.759
<v Speaker 2>Okay? Run DMC? What their hip hop? Listen? Correct? There?

0:48:05.080 --> 0:48:07.080
<v Speaker 2>Of course? Do you do you do you think that

0:48:08.360 --> 0:48:12.919
<v Speaker 2>Run DMC like obviously Run DMC is kind of looked

0:48:12.920 --> 0:48:14.920
<v Speaker 2>at as like the first like I would would you say,

0:48:15.000 --> 0:48:18.319
<v Speaker 2>like pop hip hop group in terms of like their popularity,

0:48:18.400 --> 0:48:20.480
<v Speaker 2>in terms of popularity we use the work?

0:48:20.719 --> 0:48:22.120
<v Speaker 1>Yeah, yeah, I guess to some degree.

0:48:24.080 --> 0:48:26.160
<v Speaker 2>Would you discount them working with Aerosmith?

0:48:26.960 --> 0:48:28.239
<v Speaker 1>No, I don't think. I think you could work with

0:48:28.280 --> 0:48:30.040
<v Speaker 1>whoever you want to. But I think hip hop is

0:48:30.120 --> 0:48:32.920
<v Speaker 1>more as much as street. Urban culture is defined through

0:48:33.000 --> 0:48:36.200
<v Speaker 1>crime and Disney populated crime or in neighborhoods. It don't

0:48:36.239 --> 0:48:37.480
<v Speaker 1>mean everyone's a criminal.

0:48:38.000 --> 0:48:42.080
<v Speaker 2>I didn't say it. I didn't say not everyone's a criminal. So,

0:48:42.400 --> 0:48:45.239
<v Speaker 2>but I feel like you were pretty much saying, now

0:48:45.320 --> 0:48:47.719
<v Speaker 2>where we're from, this is what we we didn't We

0:48:47.760 --> 0:48:50.080
<v Speaker 2>don't fuck with regular mall jobs.

0:48:50.280 --> 0:48:52.800
<v Speaker 1>No, that we're denied mall jobs.

0:48:53.200 --> 0:48:58.359
<v Speaker 2>That's not true. Yes, yes, I've been in the worst areas. Yes,

0:48:58.800 --> 0:49:00.680
<v Speaker 2>I got some of the more type of friends.

0:49:03.120 --> 0:49:07.360
<v Speaker 1>I'm not saying that. I'm saying the poverty and the oppression.

0:49:08.200 --> 0:49:10.480
<v Speaker 1>Here's here's here's a here's a richer conversation. But let

0:49:10.520 --> 0:49:13.080
<v Speaker 1>me get that point of I'm saying where all the

0:49:13.200 --> 0:49:16.560
<v Speaker 1>culture is created through the crime, the crime happening to everybody,

0:49:16.600 --> 0:49:19.000
<v Speaker 1>whether you're involved or not. You know what the crime

0:49:19.120 --> 0:49:21.880
<v Speaker 1>that is to education programs, to where the education programs

0:49:21.920 --> 0:49:23.839
<v Speaker 1>are trash. And you don't speak great English, So y'all

0:49:23.880 --> 0:49:26.000
<v Speaker 1>make up slang, and y'all all talk the same way.

0:49:26.160 --> 0:49:28.279
<v Speaker 1>It don't matter if Cus got a job at the

0:49:28.320 --> 0:49:30.279
<v Speaker 1>mall in the hood or if he's selling dope. We

0:49:30.440 --> 0:49:32.880
<v Speaker 1>all talk the same. We all got the same lingo.

0:49:33.160 --> 0:49:35.520
<v Speaker 1>We all do the same thing. This is the this

0:49:35.680 --> 0:49:37.120
<v Speaker 1>is what I liken it too. And it's gonna be

0:49:37.200 --> 0:49:39.760
<v Speaker 1>crazy because you know, you're a white man in this conversation.

0:49:39.920 --> 0:49:41.400
<v Speaker 2>Is funny. You're a nigga, but you're a white man.

0:49:41.920 --> 0:49:44.279
<v Speaker 1>The point I'm saying to you is, there's always been

0:49:44.360 --> 0:49:46.800
<v Speaker 1>three black coaches in America, right, or three the ideas

0:49:46.840 --> 0:49:50.040
<v Speaker 1>of three identities. There's a slave, you know, American slave culture, right,

0:49:50.120 --> 0:49:51.719
<v Speaker 1>that's where you get sold food, That's where you get

0:49:51.719 --> 0:49:54.399
<v Speaker 1>all that. There's a freedman. Since the first day black

0:49:54.400 --> 0:49:57.000
<v Speaker 1>people have been on this planet, especially in this country,

0:49:57.080 --> 0:49:59.920
<v Speaker 1>there's been free black people, and then there's been slave masters.

0:50:00.040 --> 0:50:02.040
<v Speaker 1>The smaller culture of black people and it's not a culture,

0:50:02.040 --> 0:50:04.920
<v Speaker 1>it's the tradition of life. That's really small minute of

0:50:05.040 --> 0:50:10.320
<v Speaker 1>black slavers, right, that's their small freemen slaves. Kanye is

0:50:10.360 --> 0:50:13.080
<v Speaker 1>a freeman. His whole conversation is freeman. He has no

0:50:13.280 --> 0:50:16.280
<v Speaker 1>idea what niggas from where we from are talking about.

0:50:16.640 --> 0:50:19.000
<v Speaker 1>That's why you'll say something like slavery is a choice.

0:50:19.760 --> 0:50:21.879
<v Speaker 1>Kanye reminds me of a kid that got to visit

0:50:21.960 --> 0:50:23.839
<v Speaker 1>his cousins on the plantation. It was like, we need

0:50:23.880 --> 0:50:25.440
<v Speaker 1>to leave here, once this weekend when I go on

0:50:25.560 --> 0:50:28.279
<v Speaker 1>y'all go with me. That's how he talks because his mind,

0:50:28.320 --> 0:50:30.640
<v Speaker 1>and that's what middle class does to you. It creates

0:50:30.680 --> 0:50:33.400
<v Speaker 1>a place to where the world is limitless.

0:50:33.560 --> 0:50:36.239
<v Speaker 2>The world is not like your world is not real

0:50:36.320 --> 0:50:39.399
<v Speaker 2>to them, it's the upside down, right, Okay, that's fair.

0:50:39.560 --> 0:50:40.640
<v Speaker 2>That's what hip hop is.

0:50:41.440 --> 0:50:43.640
<v Speaker 1>But again, because people want a piece of it, and

0:50:43.719 --> 0:50:46.239
<v Speaker 1>it's like it's something seems so cool. They want a

0:50:46.280 --> 0:50:48.160
<v Speaker 1>piece of the lingo. They want a piece of to

0:50:48.160 --> 0:50:50.279
<v Speaker 1>get in, but they don't want a piece of the consequence.

0:50:50.920 --> 0:50:53.880
<v Speaker 1>That's why I'm really careful with who I say and

0:50:54.000 --> 0:50:57.399
<v Speaker 1>who I believe represents me as a ghetto person from

0:50:57.680 --> 0:51:00.520
<v Speaker 1>hip hop. Now, if I started allowing somebody like Drake,

0:51:00.719 --> 0:51:03.600
<v Speaker 1>forgive me Drake again, shout out to the homies. It's

0:51:03.640 --> 0:51:06.839
<v Speaker 1>no disrespect. But if you don't speak not one thing

0:51:06.960 --> 0:51:09.000
<v Speaker 1>on what's going on with black people in this country,

0:51:09.120 --> 0:51:10.600
<v Speaker 1>not one stands, not one.

0:51:11.440 --> 0:51:12.720
<v Speaker 2>That's been my biggest critique.

0:51:13.080 --> 0:51:14.279
<v Speaker 1>I don't even care because he's.

0:51:14.200 --> 0:51:17.319
<v Speaker 2>Canadian, right, but I just feel like he doesn't ever

0:51:17.440 --> 0:51:19.520
<v Speaker 2>have an opinion on anything.

0:51:20.120 --> 0:51:24.360
<v Speaker 1>But except now he's wearing rainbow clips, So you're endorsing movements,

0:51:24.600 --> 0:51:27.279
<v Speaker 1>but you're not endorsing the people that put you in

0:51:27.360 --> 0:51:29.399
<v Speaker 1>position to be where you at now.

0:51:30.160 --> 0:51:32.200
<v Speaker 2>Yeah, I do think it's like interesting that.

0:51:32.320 --> 0:51:34.400
<v Speaker 1>Like why you don't have Shae for nobody? Why Yo

0:51:34.520 --> 0:51:37.560
<v Speaker 1>Shade is for Joe Budden? He not, first off, a

0:51:37.760 --> 0:51:42.440
<v Speaker 1>rich Jewish man bragging about being rich to some nigga

0:51:42.480 --> 0:51:45.680
<v Speaker 1>that come from the ghetto like Joe Budden's, that shit

0:51:45.880 --> 0:51:47.840
<v Speaker 1>is like cringey, Whereas like.

0:51:48.000 --> 0:51:49.560
<v Speaker 2>Well, I just think I mean, I said this on

0:51:49.640 --> 0:51:53.040
<v Speaker 2>Twitter the other day, I said, I don't think Joe

0:51:53.080 --> 0:51:55.799
<v Speaker 2>Budden said anything that was unfair, disrespectful, And.

0:51:55.880 --> 0:51:59.560
<v Speaker 1>I'm not mad and I'm not mad at Drake being

0:51:59.600 --> 0:52:02.239
<v Speaker 1>offended at his critique of I'm a.

0:52:02.239 --> 0:52:03.879
<v Speaker 2>Little I'm a little mad at that because I feel

0:52:03.960 --> 0:52:06.920
<v Speaker 2>like Drake Bro, you have to understand like people are

0:52:06.960 --> 0:52:08.680
<v Speaker 2>going to have an opinion about your music, and in

0:52:08.760 --> 0:52:10.799
<v Speaker 2>as long as they're not crossing the line or they're

0:52:10.800 --> 0:52:12.120
<v Speaker 2>not saying anything, he should be able to have.

0:52:12.120 --> 0:52:15.080
<v Speaker 1>An opinion about them. But my thing is, why does

0:52:15.160 --> 0:52:17.600
<v Speaker 1>it go right to what you have or money? Like

0:52:17.719 --> 0:52:22.600
<v Speaker 1>you're like Drake is actually a talent, talented, accomplished MC

0:52:23.160 --> 0:52:24.600
<v Speaker 1>record making fucking monster.

0:52:24.760 --> 0:52:27.680
<v Speaker 2>Yeah, why go to money? I have a private jet

0:52:27.920 --> 0:52:30.400
<v Speaker 2>and you have to take first class flights.

0:52:30.239 --> 0:52:33.000
<v Speaker 1>Because you're a rich Jewish man. It's like being a

0:52:33.120 --> 0:52:37.200
<v Speaker 1>broke black person. Like that's how common to the main

0:52:37.560 --> 0:52:39.920
<v Speaker 1>ears that sounds. It's like you're gonna talk about it,

0:52:40.040 --> 0:52:40.719
<v Speaker 1>nigga being broke.

0:52:40.800 --> 0:52:43.120
<v Speaker 2>It wasn't Yeah, it wasn't necessary for sure.

0:52:43.320 --> 0:52:45.560
<v Speaker 1>So I'm not mad at him. But he could have

0:52:45.640 --> 0:52:48.560
<v Speaker 1>talked about so many things, you know what I mean?

0:52:48.640 --> 0:52:51.080
<v Speaker 1>And that's what hip hop is. It's bearing the burden

0:52:51.320 --> 0:52:55.759
<v Speaker 1>of street urban culture. You have to represent see when

0:52:55.760 --> 0:52:58.000
<v Speaker 1>you don't have when you don't have to represent nobody.

0:52:58.120 --> 0:53:00.360
<v Speaker 1>Jay could have never went out like that because he

0:53:00.560 --> 0:53:02.919
<v Speaker 1>represented Marris in Brooklyn. He had to. That's the only

0:53:02.960 --> 0:53:06.440
<v Speaker 1>way he could garner support. Snoop could never. You know

0:53:06.520 --> 0:53:08.719
<v Speaker 1>another reason why Snoop is such a fantastic hit boy

0:53:08.760 --> 0:53:11.800
<v Speaker 1>BARTI is he will never break cripping. He defines cripping

0:53:11.880 --> 0:53:14.520
<v Speaker 1>how he wants. That's what cripping is all about. You

0:53:14.560 --> 0:53:16.600
<v Speaker 1>know what I'm saying. You don't break them that one

0:53:16.680 --> 0:53:18.759
<v Speaker 1>rule about no snitch. You could do with cripping as

0:53:18.800 --> 0:53:22.080
<v Speaker 1>you please, just don't make nobody look dumb. And Snoop

0:53:22.120 --> 0:53:24.560
<v Speaker 1>has done a great job of not making people look stupid,

0:53:24.600 --> 0:53:27.680
<v Speaker 1>and he never broke away. When you don't have to

0:53:27.800 --> 0:53:31.240
<v Speaker 1>bear the burden of culture, when you don't gotta represent,

0:53:31.400 --> 0:53:34.680
<v Speaker 1>hip hop is all about representing the people we talking

0:53:34.680 --> 0:53:38.600
<v Speaker 1>about due they fucking represent do people from their community?

0:53:38.680 --> 0:53:41.480
<v Speaker 1>Feels like this is our spokesman. Like when I talk

0:53:41.920 --> 0:53:44.879
<v Speaker 1>rest assure any real nigga for watch most niggas watch

0:53:44.960 --> 0:53:47.400
<v Speaker 1>him like that. Nigga is all right. Niggas from La

0:53:47.480 --> 0:53:49.680
<v Speaker 1>gonna be like glasses is all right because I have to.

0:53:49.920 --> 0:53:52.239
<v Speaker 1>I can't do no sucking shit. How a'macha show my

0:53:52.320 --> 0:53:54.160
<v Speaker 1>face in the sixties, how much show my face in

0:53:54.239 --> 0:53:56.360
<v Speaker 1>the trades, how mama show my faces in the great streets?

0:53:56.400 --> 0:53:58.640
<v Speaker 1>How much show my face in these coastes? If I

0:53:58.719 --> 0:54:03.160
<v Speaker 1>go looking dumb, I have the burden of representing ghettos.

0:54:03.560 --> 0:54:06.919
<v Speaker 1>That's what hip hop is. LLLL had the responsibility. LLLL

0:54:06.960 --> 0:54:09.800
<v Speaker 1>and NAS had to represent Queens. Fifty had to represent

0:54:09.920 --> 0:54:13.080
<v Speaker 1>South Side Queens. Jay had to represent Brooklyn. If you

0:54:13.160 --> 0:54:16.160
<v Speaker 1>don't got to represent shit and you can still be successful, nigga,

0:54:16.200 --> 0:54:18.200
<v Speaker 1>you are not one of us. If you can embarrass

0:54:18.360 --> 0:54:19.160
<v Speaker 1>us every week.

0:54:19.400 --> 0:54:24.000
<v Speaker 2>You don't think that Drake represents Toronto no, not the streets.

0:54:24.680 --> 0:54:29.360
<v Speaker 1>I mean he represents Toronto as the Raptors represent Toronto,

0:54:29.880 --> 0:54:31.080
<v Speaker 1>and he's their god.

0:54:31.880 --> 0:54:34.680
<v Speaker 2>I think Drake. My problem is Drake represent black people

0:54:35.320 --> 0:54:37.120
<v Speaker 2>and we be looking like, kus, what are you doing?

0:54:38.880 --> 0:54:40.319
<v Speaker 2>You know what? I mean, like what the fuck?

0:54:40.480 --> 0:54:42.279
<v Speaker 1>Because why would you do that? But the problem is

0:54:42.320 --> 0:54:44.520
<v Speaker 1>when we try to hold him with our ghetto response.

0:54:44.640 --> 0:54:47.120
<v Speaker 1>He's not a ghetto kid. He don't come from the ghetto.

0:54:47.160 --> 0:54:51.560
<v Speaker 1>He don't. If you gotta think, morale and streetlight create standards,

0:54:51.920 --> 0:54:56.600
<v Speaker 1>create morals. I mean the religion, excuse me, and street

0:54:56.640 --> 0:55:00.360
<v Speaker 1>life create morals. Without it, America is just like a

0:55:00.440 --> 0:55:02.880
<v Speaker 1>dog eat dog plays right, they fucked up?

0:55:04.360 --> 0:55:06.920
<v Speaker 2>Yeah. I think we can at times be unfair towards

0:55:07.040 --> 0:55:13.360
<v Speaker 2>Drake because he is such a just massive, shining star

0:55:13.760 --> 0:55:17.839
<v Speaker 2>in hip hop. I think that at times Drake does

0:55:17.920 --> 0:55:20.120
<v Speaker 2>things where I'm like, okay, you're like being a little

0:55:20.160 --> 0:55:22.560
<v Speaker 2>too emotional towards Joe Budden, Like to discount him as

0:55:22.600 --> 0:55:24.200
<v Speaker 2>like a failed rapper is unfair.

0:55:24.719 --> 0:55:26.600
<v Speaker 1>I don't. I don't. I don't really care about that.

0:55:27.000 --> 0:55:28.880
<v Speaker 1>I do think, though, I do not care about some

0:55:28.960 --> 0:55:29.800
<v Speaker 1>fucking hair clips.

0:55:30.400 --> 0:55:32.120
<v Speaker 2>See don't, I don't care.

0:55:32.239 --> 0:55:33.160
<v Speaker 1>Yeah, if you go in the door.

0:55:33.560 --> 0:55:35.960
<v Speaker 2>You like the hair clips? Because why you Snoop Dog

0:55:36.080 --> 0:55:38.040
<v Speaker 2>had had had a lot of shit going on with

0:55:38.120 --> 0:55:39.319
<v Speaker 2>his hair and shut the sugar freez.

0:55:39.400 --> 0:55:41.920
<v Speaker 1>Yeah, but they ain't putting rainbow hair clips. That's a purpose.

0:55:42.360 --> 0:55:44.680
<v Speaker 1>He's doing a lot of things on purpose to do

0:55:44.880 --> 0:55:46.919
<v Speaker 1>certain things. And I'm asking you why you ain't stand

0:55:46.960 --> 0:55:48.400
<v Speaker 1>up for no niggas. If you're gonna stand up for

0:55:48.400 --> 0:55:50.000
<v Speaker 1>somebody who you're gonna represent you.

0:55:50.320 --> 0:55:53.320
<v Speaker 2>Who's he representing? You think he's representing that you know

0:55:54.200 --> 0:55:55.520
<v Speaker 2>you know he is, and that's his thought?

0:55:56.080 --> 0:55:57.960
<v Speaker 1>Then why would you put rainbow hair clips in your head?

0:55:58.360 --> 0:56:00.400
<v Speaker 2>Why does rainbow gotta be exclusive something that?

0:56:01.239 --> 0:56:01.919
<v Speaker 1>It ain't a god?

0:56:03.040 --> 0:56:05.320
<v Speaker 2>It's just what if he bought a pack of hairclips

0:56:05.360 --> 0:56:07.759
<v Speaker 2>and they came in multiple colors? Why does everything have

0:56:07.880 --> 0:56:10.759
<v Speaker 2>to have a specific meaning or agenda attached to it?

0:56:11.080 --> 0:56:13.840
<v Speaker 2>Drake's hair clips don't mean anything except for their hair clips.

0:56:14.239 --> 0:56:17.439
<v Speaker 2>You really believe that? Do you think Drake purposely said, nah,

0:56:18.640 --> 0:56:21.640
<v Speaker 2>give me the rainbow pack? Yes? No, he's that crazy.

0:56:22.000 --> 0:56:24.360
<v Speaker 1>You don't believe Drake is like one of the greatest

0:56:24.480 --> 0:56:27.719
<v Speaker 1>minds like Kanye And let me tell you something.

0:56:27.760 --> 0:56:29.719
<v Speaker 2>Not see the problem is this, let me just say this.

0:56:30.280 --> 0:56:36.360
<v Speaker 2>The problem is certain, like in twenty twenty three, for

0:56:36.520 --> 0:56:39.880
<v Speaker 2>whatever reason, we always have to put a meaning or

0:56:40.000 --> 0:56:42.520
<v Speaker 2>stick some sort of agenda to something that it don't

0:56:42.520 --> 0:56:43.080
<v Speaker 2>got nothing to do.

0:56:43.120 --> 0:56:45.120
<v Speaker 1>With because we all know it means something.

0:56:45.200 --> 0:56:46.919
<v Speaker 2>It doesn't. It does. It's just hair clips.

0:56:46.960 --> 0:56:47.680
<v Speaker 1>No, it doesn't, it's not.

0:56:47.920 --> 0:56:48.560
<v Speaker 2>Are you serious?

0:56:48.800 --> 0:56:51.120
<v Speaker 1>If I were you, do you think Drake's hair clips

0:56:51.200 --> 0:56:53.240
<v Speaker 1>are him endorsing a certain lifestyle?

0:56:53.360 --> 0:56:54.719
<v Speaker 2>Yes? Really? Yes?

0:56:55.360 --> 0:56:57.719
<v Speaker 1>When it is the mainstream thing to do, what does

0:56:57.800 --> 0:57:00.440
<v Speaker 1>that mean that's the thing to do out of mainstream

0:57:00.520 --> 0:57:04.160
<v Speaker 1>level across the world. That's what every pop artist would

0:57:04.160 --> 0:57:07.480
<v Speaker 1>be doing across the world that people not. This is

0:57:07.520 --> 0:57:09.920
<v Speaker 1>not by accident, you think this shit about this nigga

0:57:10.040 --> 0:57:11.320
<v Speaker 1>is brilliant like Drake is.

0:57:11.440 --> 0:57:13.680
<v Speaker 2>So what is Drake's agenda with his colorful hair?

0:57:13.800 --> 0:57:15.800
<v Speaker 1>Now we're finna go into some details, but obviously what

0:57:15.960 --> 0:57:20.760
<v Speaker 1>is your perceive He's obviously endorsing, right, which I don't

0:57:20.800 --> 0:57:21.280
<v Speaker 1>care about that.

0:57:21.600 --> 0:57:22.680
<v Speaker 2>But my thing is the.

0:57:22.720 --> 0:57:26.680
<v Speaker 1>Niggas who made you famous, these niggas in America, these ghettos,

0:57:26.680 --> 0:57:29.480
<v Speaker 1>because we pushed cuz like he couldn't just be a

0:57:29.520 --> 0:57:32.640
<v Speaker 1>pop star and be that. We pushed cut the ghettos.

0:57:32.680 --> 0:57:36.000
<v Speaker 1>Push Cuse, we said the females, the black women from

0:57:36.000 --> 0:57:37.200
<v Speaker 1>the ghettos, push cus.

0:57:37.480 --> 0:57:39.920
<v Speaker 2>You ain't said nothing about nothing happening to these sisters.

0:57:39.960 --> 0:57:41.920
<v Speaker 2>You ain't posting nothing that's happening to these sisters. You're

0:57:41.920 --> 0:57:44.280
<v Speaker 2>not saying nothing about no nigga. And I gotta let

0:57:44.320 --> 0:57:45.800
<v Speaker 2>that go because you was Canadian. I'm like, you know what,

0:57:45.880 --> 0:57:47.080
<v Speaker 2>he don't have to get a fuck what happened to

0:57:47.120 --> 0:57:50.720
<v Speaker 2>American niggas. I don't disagree with you on that point,

0:57:50.720 --> 0:57:53.560
<v Speaker 2>because I do think at certain points in time, it'd

0:57:53.600 --> 0:57:56.520
<v Speaker 2>be nice if we knew what Drake thought about I

0:57:56.600 --> 0:57:59.480
<v Speaker 2>don't know George Floyd or Breonna Tagos.

0:57:59.520 --> 0:58:01.760
<v Speaker 1>I'm not even asking that because most power wars or

0:58:02.760 --> 0:58:03.080
<v Speaker 1>you know, he.

0:58:03.200 --> 0:58:06.480
<v Speaker 2>Lives here a lot, like there's a lot of turmoil

0:58:06.560 --> 0:58:08.000
<v Speaker 2>going on with our political system.

0:58:08.960 --> 0:58:11.240
<v Speaker 1>Just any sort of opinion, I'm okay with that. But

0:58:11.400 --> 0:58:14.120
<v Speaker 1>like you said, he's Canadian. Yes, what do you think

0:58:14.120 --> 0:58:15.080
<v Speaker 1>about Justin Trudeau?

0:58:15.200 --> 0:58:17.560
<v Speaker 2>Drake? Facts? Facts? What do you think about the Canadian

0:58:17.600 --> 0:58:20.000
<v Speaker 2>truck drivers who I'm not mad because that's a hip

0:58:20.040 --> 0:58:22.640
<v Speaker 2>hop responsibilitykay, okay, And that's what I think. That's separate

0:58:22.680 --> 0:58:24.760
<v Speaker 2>than you think. Gend with his haircliffs.

0:58:24.760 --> 0:58:26.720
<v Speaker 1>You're missing the point of somebody that's so brilliant to

0:58:26.840 --> 0:58:29.920
<v Speaker 1>know not to speak on something. He's so smart, this nigga.

0:58:30.280 --> 0:58:32.480
<v Speaker 1>Him and forty are some of the best scientists I've

0:58:32.520 --> 0:58:34.760
<v Speaker 1>ever seen in the music business, like when it comes

0:58:34.800 --> 0:58:37.360
<v Speaker 1>to creating records, marketing and understand how to markets, like

0:58:37.440 --> 0:58:38.000
<v Speaker 1>Michael Jordan.

0:58:38.120 --> 0:58:42.920
<v Speaker 2>Right, Like Michael Jordan purposely has said Republicans and Democrats

0:58:43.000 --> 0:58:44.919
<v Speaker 2>by both my sneakers. Why would I take a stance

0:58:45.000 --> 0:58:47.080
<v Speaker 2>on any of this publicly, because then I kind of

0:58:47.520 --> 0:58:49.280
<v Speaker 2>and Drake's kind of the same kind of guy. But

0:58:49.440 --> 0:58:51.840
<v Speaker 2>but Drake appeals to everybody, and I don't think he

0:58:51.880 --> 0:58:54.120
<v Speaker 2>wants to fuck that up, and I'm not mad at that.

0:58:54.240 --> 0:58:56.960
<v Speaker 1>But my thing is right, that's why. You know who

0:58:57.000 --> 0:58:58.640
<v Speaker 1>else does that? Pop stars?

0:58:59.720 --> 0:59:02.080
<v Speaker 2>Yeah, and then there's also artists. There's no hip hop

0:59:02.160 --> 0:59:02.720
<v Speaker 2>artists that do that.

0:59:02.840 --> 0:59:05.280
<v Speaker 1>We won't even let him go. We won't even nick

0:59:05.680 --> 0:59:09.600
<v Speaker 1>if you try that. If you try that and you

0:59:09.800 --> 0:59:12.680
<v Speaker 1>represent us, it's a problem. Wait a minute, you're not

0:59:12.720 --> 0:59:14.760
<v Speaker 1>gonna speak of Thug said something like, oh, we ain't

0:59:14.760 --> 0:59:16.280
<v Speaker 1>talking about that shit. We talking about young niggas.

0:59:16.360 --> 0:59:19.080
<v Speaker 2>They was asking Thug about the boy that got killed

0:59:19.480 --> 0:59:21.040
<v Speaker 2>Mike uh in Ohio.

0:59:21.320 --> 0:59:24.080
<v Speaker 1>What's brother Mike Michael.

0:59:24.280 --> 0:59:26.560
<v Speaker 2>Mike Brown, Michael Mike Brown, Michael Brown. And it was like, yeah,

0:59:26.600 --> 0:59:28.080
<v Speaker 2>you know, he was on the red carpet. It's like,

0:59:28.200 --> 0:59:29.480
<v Speaker 2>you know how you feel about Mike Brown. He's like,

0:59:29.520 --> 0:59:31.400
<v Speaker 2>oh man, we ain't tripping off that old politics shit.

0:59:31.440 --> 0:59:34.520
<v Speaker 2>We out here getting niggas fell apart. Oh my god,

0:59:34.840 --> 0:59:37.280
<v Speaker 2>you motherfucking this niggas is a nigga who do drugs.

0:59:37.640 --> 0:59:39.600
<v Speaker 2>He I don't even think we should even really want

0:59:39.680 --> 0:59:42.400
<v Speaker 2>his opinion because he go through so much mental shit

0:59:42.480 --> 0:59:46.200
<v Speaker 2>and be high. Yeah, you're not gonna look to thug

0:59:46.400 --> 0:59:48.040
<v Speaker 2>for political views, but.

0:59:48.080 --> 0:59:50.200
<v Speaker 1>He still has to because guess why. He is from

0:59:50.240 --> 0:59:52.680
<v Speaker 1>the ghetto in Atlanta. And we like you better talk,

0:59:53.080 --> 0:59:56.320
<v Speaker 1>you better speak for us. And that's the responsibility of

0:59:56.400 --> 0:59:56.800
<v Speaker 1>hip hop.

0:59:56.880 --> 0:59:57.800
<v Speaker 2>I don't give a fuck.

0:59:57.600 --> 1:00:01.840
<v Speaker 1>If it's tried, daylight or soul, anybody. You are responsible

1:00:01.960 --> 1:00:07.000
<v Speaker 1>for speaking for us in hip hop. Okay, So and

1:00:07.160 --> 1:00:09.160
<v Speaker 1>if you don't, we look at you funny. But the

1:00:09.200 --> 1:00:11.360
<v Speaker 1>only people we don't worry about is people that ain't

1:00:11.640 --> 1:00:11.960
<v Speaker 1>hip hop.

1:00:12.040 --> 1:00:14.360
<v Speaker 2>So what's the issue with with the hair clips?

1:00:14.800 --> 1:00:16.400
<v Speaker 1>Not that I have no issues with it, I'm saying,

1:00:16.680 --> 1:00:19.120
<v Speaker 1>I'm asking you, this is the first you aren't going

1:00:19.160 --> 1:00:23.320
<v Speaker 1>to so you are your stand says he's purposely from

1:00:23.400 --> 1:00:25.360
<v Speaker 1>the nails, the hair, He's gonna keep going.

1:00:25.960 --> 1:00:28.760
<v Speaker 2>Okay. So do you think Andre three thousand was doing

1:00:28.800 --> 1:00:31.600
<v Speaker 2>that in ninety six, ninety seven when when when he

1:00:31.760 --> 1:00:32.800
<v Speaker 2>was wearing certain.

1:00:33.280 --> 1:00:35.520
<v Speaker 1>No, I just think he got Erica Badu pussy and

1:00:35.560 --> 1:00:38.600
<v Speaker 1>that pussy is some shit. Okay, Drake ain't gotta no

1:00:38.680 --> 1:00:39.120
<v Speaker 1>Erica Badu.

1:00:39.400 --> 1:00:41.720
<v Speaker 2>What about Thug when Thug warred dress on his album cover.

1:00:41.880 --> 1:00:43.640
<v Speaker 1>Yeah, I think Thug is from Atlanta, where the street

1:00:43.720 --> 1:00:46.760
<v Speaker 1>urban culture is tied into homosexuality. For some reason, nobody

1:00:46.800 --> 1:00:50.000
<v Speaker 1>in Atlanta talks about it's like right there, Like I've

1:00:50.120 --> 1:00:54.240
<v Speaker 1>never seen a bigger demographic of gay black folks in

1:00:54.360 --> 1:00:55.400
<v Speaker 1>the ghetto like Atlanta.

1:00:55.560 --> 1:00:59.360
<v Speaker 2>Never seen that. Do you think it's possible Drake just

1:00:59.440 --> 1:01:01.360
<v Speaker 2>got a bag of air clips? No zero chance.

1:01:01.960 --> 1:01:04.880
<v Speaker 1>He's too smart. He's too smart to just do something

1:01:04.920 --> 1:01:09.120
<v Speaker 1>and don't have no impossible, it's impossible zero if.

1:01:09.040 --> 1:01:12.560
<v Speaker 2>We're zero zero percent zero present, not even a half

1:01:12.600 --> 1:01:15.000
<v Speaker 2>a percent chance he just puts some hair clips in

1:01:15.080 --> 1:01:17.840
<v Speaker 2>his hair and they have different colors. No zero chance?

1:01:18.200 --> 1:01:19.560
<v Speaker 2>What zero chance?

1:01:20.800 --> 1:01:25.600
<v Speaker 1>He's Drake. Drake is brilliant dog. There's a confusion. Drake

1:01:25.760 --> 1:01:28.120
<v Speaker 1>is fucking brilliant dog. Him and forty together dog. The

1:01:28.200 --> 1:01:32.760
<v Speaker 1>niggas could put shit together forty to produce, like he

1:01:32.840 --> 1:01:35.120
<v Speaker 1>could come with ship bro. They could push it together

1:01:35.160 --> 1:01:36.800
<v Speaker 1>like some of the ship they be doing. Be like

1:01:37.120 --> 1:01:38.800
<v Speaker 1>fuck like you know what I mean, because you got

1:01:38.920 --> 1:01:41.400
<v Speaker 1>to catch up to this ship and it's like fuck, like,

1:01:41.520 --> 1:01:45.720
<v Speaker 1>this is how smart they are. He's a marketing fucking machine,

1:01:46.520 --> 1:01:48.280
<v Speaker 1>you know what I mean. He knows well.

1:01:50.120 --> 1:01:51.440
<v Speaker 2>I think that you're real reaching.

1:01:52.040 --> 1:01:53.880
<v Speaker 1>I understand why you feel that way, because would actually

1:01:53.920 --> 1:01:56.440
<v Speaker 1>mean you would have to be accountable for decisions you make. No,

1:01:56.960 --> 1:01:58.840
<v Speaker 1>we love a world where we could just make people

1:02:00.200 --> 1:02:01.640
<v Speaker 1>hip hop. We have to be account I.

1:02:01.720 --> 1:02:04.280
<v Speaker 2>Just think not everything famous people does has an agenda

1:02:04.320 --> 1:02:04.880
<v Speaker 2>attached to it.

1:02:05.080 --> 1:02:07.360
<v Speaker 1>I know, because you which it don't make sense because

1:02:07.360 --> 1:02:08.840
<v Speaker 1>you would think that some of these people are some

1:02:08.960 --> 1:02:11.480
<v Speaker 1>of the greatest marketing minds ever, and you would think

1:02:11.520 --> 1:02:14.240
<v Speaker 1>that they would accidentally do something even though they've been

1:02:14.280 --> 1:02:15.919
<v Speaker 1>controlling the narrative for twenty years.

1:02:16.280 --> 1:02:22.720
<v Speaker 2>Okay, switching subjects, Shout out to Drake. Yeah, you had

1:02:22.760 --> 1:02:25.080
<v Speaker 2>a song that was called Tupac deserved to die, no

1:02:25.760 --> 1:02:28.959
<v Speaker 2>muster or Tupac must die. Sorry music video was dope?

1:02:30.160 --> 1:02:30.680
<v Speaker 2>What was it about?

1:02:30.720 --> 1:02:31.320
<v Speaker 1>Four years old?

1:02:31.400 --> 1:02:31.480
<v Speaker 4>Now?

1:02:31.560 --> 1:02:32.160
<v Speaker 2>Fire years old?

1:02:32.200 --> 1:02:33.080
<v Speaker 1>It was four years now?

1:02:34.560 --> 1:02:40.000
<v Speaker 2>What are your thoughts on Keithy D's arrest. He's obviously

1:02:40.120 --> 1:02:42.520
<v Speaker 2>been doing a bunch of interviews over the last five

1:02:42.600 --> 1:02:46.360
<v Speaker 2>six years, just kind of I mean, holding nothing back

1:02:46.400 --> 1:02:48.240
<v Speaker 2>in these interviews, which is kind of crazy. It ended

1:02:48.320 --> 1:02:49.840
<v Speaker 2>up biting him in the ass in a real way,

1:02:51.920 --> 1:02:54.840
<v Speaker 2>just as a someone who you know made that song,

1:02:54.960 --> 1:02:57.840
<v Speaker 2>someone who is a fan of you know, hip hop

1:02:57.920 --> 1:02:59.919
<v Speaker 2>and what happened, and not a fan of what happened.

1:03:00.120 --> 1:03:05.240
<v Speaker 2>Obviously you didn't have so obviously, but just what I'm saying,

1:03:05.320 --> 1:03:07.000
<v Speaker 2>just kind of what your thoughts on on on the

1:03:07.080 --> 1:03:07.840
<v Speaker 2>Tupac arrest.

1:03:08.560 --> 1:03:10.320
<v Speaker 1>I need to really see the discovery. I need to

1:03:10.360 --> 1:03:12.240
<v Speaker 1>see the evidence. I was crazy because they did.

1:03:12.280 --> 1:03:13.560
<v Speaker 2>They had to have arrested him because they had to

1:03:13.560 --> 1:03:14.720
<v Speaker 2>because they did go and raid the house.

1:03:15.280 --> 1:03:17.920
<v Speaker 1>And I think that's more about what happened after that.

1:03:18.360 --> 1:03:19.920
<v Speaker 1>Like I need to see the discovery. I need to

1:03:19.960 --> 1:03:22.120
<v Speaker 1>see what how it led to this arrest, because I

1:03:22.120 --> 1:03:24.280
<v Speaker 1>don't think it's the interviews. I think the interviews could

1:03:24.320 --> 1:03:27.280
<v Speaker 1>create a situation to get a warrant, right, but I

1:03:27.320 --> 1:03:28.680
<v Speaker 1>don't think it can lead to an arrest.

1:03:28.760 --> 1:03:30.480
<v Speaker 2>I agree with you on that something they had to

1:03:30.560 --> 1:03:32.919
<v Speaker 2>if something happened, something happened where they had.

1:03:32.840 --> 1:03:34.760
<v Speaker 1>To and I need to see that before I really

1:03:35.120 --> 1:03:36.120
<v Speaker 1>because the interview.

1:03:36.040 --> 1:03:38.240
<v Speaker 2>I mean, like you said, the interview could have resulted

1:03:38.280 --> 1:03:41.120
<v Speaker 2>in the raid, like the warrant to kick the tow down,

1:03:41.440 --> 1:03:43.920
<v Speaker 2>got to get your raid. Yes, Now outside of that,

1:03:44.720 --> 1:03:46.040
<v Speaker 2>you know they had to they had to spend the

1:03:46.080 --> 1:03:47.000
<v Speaker 2>block and then go arrest.

1:03:47.320 --> 1:03:50.400
<v Speaker 1>Something happened. So as far as that, I don't quite know.

1:03:51.320 --> 1:03:53.160
<v Speaker 1>I don't want to see nobody in jail, you know

1:03:53.200 --> 1:03:54.360
<v Speaker 1>what I mean, Not like.

1:03:54.520 --> 1:03:57.120
<v Speaker 2>That's what Knight said. Shug said. I think he said

1:03:57.120 --> 1:03:59.320
<v Speaker 2>he grew up playing Pop Warner with ke d Or. Yeah.

1:03:59.320 --> 1:04:01.120
<v Speaker 1>I just don't want to see nobody in jail because.

1:04:00.960 --> 1:04:03.320
<v Speaker 2>I understand he would not wish jail on anybody.

1:04:03.520 --> 1:04:06.919
<v Speaker 1>Yeah, I know the consequences if I do something, So again,

1:04:07.160 --> 1:04:09.160
<v Speaker 1>justice looks a lot different for me than it does

1:04:09.200 --> 1:04:12.640
<v Speaker 1>to other people. So whatever gotta happen, got to happen,

1:04:12.720 --> 1:04:13.880
<v Speaker 1>you know what I mean. But I would love to

1:04:13.880 --> 1:04:18.440
<v Speaker 1>see the discovery of what what really led to the arrest,

1:04:18.520 --> 1:04:19.920
<v Speaker 1>you know, because I didn't think it was gonna be

1:04:19.920 --> 1:04:23.000
<v Speaker 1>able to happen, but the raid created one moment. And

1:04:23.080 --> 1:04:25.000
<v Speaker 1>then the way they do the grand jury out there

1:04:25.040 --> 1:04:27.040
<v Speaker 1>is like it can be going for a year, like

1:04:27.120 --> 1:04:29.439
<v Speaker 1>you could keep bringing shit back like is this enough?

1:04:29.960 --> 1:04:32.520
<v Speaker 2>Well, right, if it is proven that he was in

1:04:32.600 --> 1:04:35.200
<v Speaker 2>the car, isn't that enough to put him in jail

1:04:35.240 --> 1:04:35.680
<v Speaker 2>for two.

1:04:37.240 --> 1:04:42.640
<v Speaker 1>But I don't think you can use the interviews as

1:04:42.760 --> 1:04:43.120
<v Speaker 1>a way that.

1:04:43.920 --> 1:04:47.760
<v Speaker 2>I think. I think they have something else. Whatever, that's

1:04:47.800 --> 1:04:49.560
<v Speaker 2>something else because.

1:04:49.640 --> 1:04:52.760
<v Speaker 1>In that car that night, so California becomes felony murder.

1:04:53.000 --> 1:04:55.000
<v Speaker 1>I don't know what it looks like in Nevada, but

1:04:55.360 --> 1:04:56.800
<v Speaker 1>I'm sure they got something similar.

1:04:56.920 --> 1:04:57.120
<v Speaker 2>Yeah.

1:04:57.400 --> 1:05:01.000
<v Speaker 1>So I mean they say he's a mastermind, which again

1:05:01.120 --> 1:05:03.200
<v Speaker 1>I need to see how is he the mastermind?

1:05:03.280 --> 1:05:03.760
<v Speaker 2>You know what I mean?

1:05:03.800 --> 1:05:07.760
<v Speaker 1>Because I think, listen, the reality is Keithy with some

1:05:07.840 --> 1:05:10.240
<v Speaker 1>shit Like Keithy was a rich nigga, the reason the

1:05:10.320 --> 1:05:12.800
<v Speaker 1>South Side Chris was the richest hood and counter when

1:05:12.800 --> 1:05:15.320
<v Speaker 1>I was a kid, him cat name think they was

1:05:15.440 --> 1:05:17.080
<v Speaker 1>like super rich when I was younger.

1:05:17.160 --> 1:05:19.080
<v Speaker 2>Yeah, so he just wasn't just some random dude from

1:05:19.160 --> 1:05:21.440
<v Speaker 2>Vegas for people. Yeah, he was actually he was a

1:05:21.520 --> 1:05:22.120
<v Speaker 2>real factor.

1:05:22.240 --> 1:05:24.360
<v Speaker 1>And if you and them, dudes, I mean, this is

1:05:24.440 --> 1:05:26.920
<v Speaker 1>any gang in La man, if you jump on somebody,

1:05:27.680 --> 1:05:30.000
<v Speaker 1>they can pretty much bring your hat to you. If

1:05:30.040 --> 1:05:32.120
<v Speaker 1>they if they decided for that to be their purpose,

1:05:32.160 --> 1:05:33.960
<v Speaker 1>it don't matter who it is, as long as you

1:05:34.080 --> 1:05:34.600
<v Speaker 1>around here.

1:05:35.320 --> 1:05:39.160
<v Speaker 2>Thing is, it's it's just nice to see that they

1:05:39.200 --> 1:05:41.560
<v Speaker 2>didn't necessarily give up.

1:05:42.720 --> 1:05:45.600
<v Speaker 1>What's crazy is when I think about it, right, it's

1:05:46.400 --> 1:05:53.160
<v Speaker 1>for twenty seven years and then he moved to Novata after,

1:05:53.720 --> 1:05:54.880
<v Speaker 1>you know what I mean, like and I think he

1:05:55.040 --> 1:05:57.240
<v Speaker 1>been there, you know what I mean. But it's it's

1:05:57.240 --> 1:05:59.600
<v Speaker 1>a it's a it's a weird thing going on about

1:05:59.600 --> 1:06:00.720
<v Speaker 1>the whole to white and soul.

1:06:01.040 --> 1:06:04.080
<v Speaker 2>Well, I mean, I see, I see some speculation about

1:06:06.320 --> 1:06:07.280
<v Speaker 2>people's involvement.

1:06:07.600 --> 1:06:10.200
<v Speaker 1>Ain't buying a puff. I conld make a joke anyway,

1:06:10.240 --> 1:06:12.640
<v Speaker 1>but there's no My issue with that is because there's

1:06:12.680 --> 1:06:14.440
<v Speaker 1>no way he could owe them a million dollars and

1:06:14.560 --> 1:06:16.400
<v Speaker 1>then puff be alive for a year and they doubling

1:06:16.520 --> 1:06:18.840
<v Speaker 1>back out here and they ain't got that money. That

1:06:19.080 --> 1:06:20.600
<v Speaker 1>just and I don't believe that, But I think that

1:06:20.720 --> 1:06:23.960
<v Speaker 1>made the story interesting enough to tell the story, and

1:06:24.200 --> 1:06:27.960
<v Speaker 1>it puts somebody else as the head in the story,

1:06:28.080 --> 1:06:30.000
<v Speaker 1>you know what I mean. I don't quite know why

1:06:30.200 --> 1:06:31.920
<v Speaker 1>that would be the story. I mean, and then I

1:06:31.960 --> 1:06:34.600
<v Speaker 1>could just be wrong cuz, like well, because there was that,

1:06:34.680 --> 1:06:35.600
<v Speaker 1>I just don't believe it.

1:06:36.600 --> 1:06:38.400
<v Speaker 2>But you know what's fun, there was that La Times

1:06:38.520 --> 1:06:41.440
<v Speaker 2>article that was written that insinuated Puff was involved, as

1:06:41.520 --> 1:06:43.400
<v Speaker 2>crazy as there's no way I could think of Puff

1:06:43.560 --> 1:06:46.360
<v Speaker 2>like that. But if you think about Puff, Puff has.

1:06:46.280 --> 1:06:49.240
<v Speaker 1>Became Shug lately. He is the sugar of how niggas

1:06:49.320 --> 1:06:52.240
<v Speaker 1>firing niggas shut up, and he'd have jumped on Jake Call.

1:06:54.280 --> 1:06:55.720
<v Speaker 2>I don't know if this is I don't know if

1:06:55.760 --> 1:06:56.960
<v Speaker 2>this is true or not, but I heard do you

1:06:56.960 --> 1:06:59.840
<v Speaker 2>remember that guy Chopper who was on making the bands?

1:07:01.280 --> 1:07:04.080
<v Speaker 2>I heard when he was having issues with with Diddy.

1:07:04.360 --> 1:07:05.600
<v Speaker 2>And I don't know if this is true, but I've

1:07:05.640 --> 1:07:09.000
<v Speaker 2>heard this from a a couple of people. Puffy bought

1:07:09.080 --> 1:07:12.480
<v Speaker 2>the house across the street from Trappa's mom just to

1:07:12.600 --> 1:07:15.440
<v Speaker 2>fuck with him, like I own the house across the

1:07:15.480 --> 1:07:17.200
<v Speaker 2>street from your mom, like I always have eyes on

1:07:17.440 --> 1:07:17.920
<v Speaker 2>your mom's.

1:07:19.920 --> 1:07:23.600
<v Speaker 1>That's crazy because Puff was like, I don't know, man, Puff.

1:07:24.040 --> 1:07:26.560
<v Speaker 1>I can't believe it though, because Puff Puff seems like

1:07:26.600 --> 1:07:28.400
<v Speaker 1>an alright guy, but I don't know cuz you know

1:07:28.440 --> 1:07:28.840
<v Speaker 1>what I mean, like.

1:07:28.960 --> 1:07:30.360
<v Speaker 2>Not for sure. I mean, listen, I met him a

1:07:30.360 --> 1:07:32.720
<v Speaker 2>couple of times and also seemed like an alright guy,

1:07:32.880 --> 1:07:35.080
<v Speaker 2>Like I don't but I just I just can't like

1:07:35.160 --> 1:07:37.920
<v Speaker 2>the guy you just never really fuck with for whatever reason,

1:07:38.000 --> 1:07:39.800
<v Speaker 2>Like people kind of know not to fuck with Puffy.

1:07:39.880 --> 1:07:41.160
<v Speaker 1>Yeah, but I don't think it's out of a fear

1:07:41.200 --> 1:07:42.880
<v Speaker 1>that Puff is gonna get at you. I think it's

1:07:42.920 --> 1:07:45.840
<v Speaker 1>just like Puff is so like why would you want

1:07:45.880 --> 1:07:47.080
<v Speaker 1>to burn a bridge with Puff?

1:07:47.200 --> 1:07:47.640
<v Speaker 2>With Diddy?

1:07:48.120 --> 1:07:49.600
<v Speaker 1>Like you know what I mean, I never got like

1:07:49.840 --> 1:07:52.080
<v Speaker 1>I've never in my life saw puffin thought to myself,

1:07:52.120 --> 1:07:53.959
<v Speaker 1>even when he was arguing with the man from Power

1:07:54.080 --> 1:07:56.240
<v Speaker 1>on the corner, because he was talking, I was like, man,

1:07:56.280 --> 1:07:57.880
<v Speaker 1>that that was Mere.

1:07:57.280 --> 1:07:58.960
<v Speaker 2>Talking about when he was dressed like the Joker.

1:07:59.040 --> 1:08:01.400
<v Speaker 1>Yeah, and I'm like, man, cuss Puff ass out of fire.

1:08:01.440 --> 1:08:04.080
<v Speaker 1>Pushally did that because I just I see Puff is

1:08:04.160 --> 1:08:07.479
<v Speaker 1>such a responsible man. I just can't see him wanting

1:08:07.520 --> 1:08:09.600
<v Speaker 1>to throw his life away, and.

1:08:09.640 --> 1:08:11.880
<v Speaker 2>He also has so much like going on. You would

1:08:12.160 --> 1:08:15.600
<v Speaker 2>be like, Puff's not stupid, so he's.

1:08:17.000 --> 1:08:19.320
<v Speaker 1>And then I can't see the South sides letting him

1:08:19.360 --> 1:08:22.639
<v Speaker 1>get away with a million dollar debt for all that time,

1:08:23.840 --> 1:08:25.639
<v Speaker 1>it makes sense that ain't gonna even last. And these

1:08:25.720 --> 1:08:27.479
<v Speaker 1>niggas had something like when I tell you, these niggas

1:08:27.520 --> 1:08:29.320
<v Speaker 1>had some money. Man, when I was going up them,

1:08:29.400 --> 1:08:31.840
<v Speaker 1>niggas had money. I'm talking about real money. He was

1:08:31.840 --> 1:08:35.280
<v Speaker 1>out of fucking Mike Tyson fight. I mean, these niggas got.

1:08:35.240 --> 1:08:37.679
<v Speaker 2>Some money in the nineties. That's the ticket of the session.

1:08:37.680 --> 1:08:40.640
<v Speaker 1>There's no way I could see them letting Cus get

1:08:40.680 --> 1:08:42.679
<v Speaker 1>away with owing them that kind of money and ain't

1:08:42.720 --> 1:08:44.920
<v Speaker 1>nothing happening because they had have been tearing his ass up.

1:08:46.040 --> 1:08:52.080
<v Speaker 2>I wonder if this will motivate UH any sort of

1:08:53.040 --> 1:08:55.720
<v Speaker 2>resolve in the Biggie murder, and I don't think it

1:08:55.760 --> 1:08:57.960
<v Speaker 2>will because I think the LAPD was obviously involved off

1:08:58.000 --> 1:08:58.960
<v Speaker 2>through the cops, et cetera.

1:08:59.439 --> 1:09:01.760
<v Speaker 1>I just think the Biggie murder was a professional hit,

1:09:02.000 --> 1:09:02.799
<v Speaker 1>and it's just different.

1:09:03.640 --> 1:09:05.439
<v Speaker 2>Yeah. I think it was a professional hit, and I

1:09:05.479 --> 1:09:08.760
<v Speaker 2>think for whatever reason it would have impliced, it would

1:09:08.760 --> 1:09:10.400
<v Speaker 2>have made the l a p D look really bad

1:09:10.520 --> 1:09:12.040
<v Speaker 2>had they solved it properly.

1:09:11.840 --> 1:09:13.519
<v Speaker 1>But even then the fans could come in. I just

1:09:13.600 --> 1:09:17.240
<v Speaker 1>think it's hard to prove what happened like because it

1:09:17.360 --> 1:09:21.840
<v Speaker 1>was so done professionally. The pot ship is different, Like

1:09:21.920 --> 1:09:23.960
<v Speaker 1>we heard about that ship in real time, Like this

1:09:24.120 --> 1:09:26.400
<v Speaker 1>is really I mean they just death row niggas just

1:09:26.479 --> 1:09:29.680
<v Speaker 1>jumped Baty Lane like you you heard that in real

1:09:29.760 --> 1:09:32.200
<v Speaker 1>time when it happened that night. Then you heard pod

1:09:32.240 --> 1:09:34.000
<v Speaker 1>got shot. You could put two and two like it was.

1:09:34.240 --> 1:09:38.440
<v Speaker 2>It makes sense. It was one one event affected another event.

1:09:38.280 --> 1:09:42.280
<v Speaker 1>And it was a normal thing around that happened. The

1:09:42.400 --> 1:09:46.479
<v Speaker 1>big Ship surprised everybody. None of us thought heard nothing

1:09:46.600 --> 1:09:48.400
<v Speaker 1>big it was a hit. No, none of us even

1:09:48.439 --> 1:09:51.320
<v Speaker 1>heard nothing about who did a PA hit? Yeah, like

1:09:51.439 --> 1:09:54.680
<v Speaker 1>that was like a real job. So I don't I

1:09:54.760 --> 1:09:55.599
<v Speaker 1>think it's just different.

1:09:57.479 --> 1:10:00.040
<v Speaker 2>Why don't you think Kanye has a classic album? What

1:10:00.200 --> 1:10:03.280
<v Speaker 2>said that? Well, you said, no one has four classic

1:10:03.320 --> 1:10:05.360
<v Speaker 2>albums and hip hop? Oh I don't know why the

1:10:05.400 --> 1:10:07.760
<v Speaker 2>tweet I saw, I thought that. By the way, you're wrong,

1:10:08.000 --> 1:10:10.800
<v Speaker 2>but uh, no one has four classic albums. Again, y'all

1:10:10.920 --> 1:10:13.240
<v Speaker 2>keep making classics. It's just ship you like, or that's

1:10:15.120 --> 1:10:20.320
<v Speaker 2>four college dropout late registration registration is not a it's

1:10:20.320 --> 1:10:22.880
<v Speaker 2>his best album, that's not don't mean it's his classic

1:10:23.080 --> 1:10:24.880
<v Speaker 2>classic shifts The game.

1:10:25.280 --> 1:10:29.400
<v Speaker 1>It's not like late registration and graduations are ploys off

1:10:29.439 --> 1:10:32.400
<v Speaker 1>of college dropout. They're not different things. They're not true

1:10:32.439 --> 1:10:33.519
<v Speaker 1>graduations way different.

1:10:33.640 --> 1:10:35.479
<v Speaker 2>It's not music.

1:10:35.520 --> 1:10:38.599
<v Speaker 1>He sampled that don't mean nothing, don't mean nothing.

1:10:38.680 --> 1:10:41.880
<v Speaker 2>It was the same ship classic albums. No, My Beautiful Dart,

1:10:41.880 --> 1:10:42.920
<v Speaker 2>Twits and Fantasy is a classic.

1:10:43.280 --> 1:10:47.120
<v Speaker 1>I'm not even gonna listen. I could take that greatest.

1:10:47.160 --> 1:10:49.360
<v Speaker 2>It might be the greatest album ever. No, it might

1:10:49.439 --> 1:10:53.840
<v Speaker 2>be No, all right, No, college dropped outs a classic. Yeah,

1:10:55.479 --> 1:10:57.560
<v Speaker 2>And if you want to talk about changing stuff.

1:10:57.320 --> 1:11:00.160
<v Speaker 1>And the way it heartbreaks, which I can't and what

1:11:00.720 --> 1:11:05.440
<v Speaker 1>Jesus no, but I do totally enjoy us. A real Kanye.

1:11:05.240 --> 1:11:09.640
<v Speaker 2>Fansis made Travis Scott possible. Listen. I'm not this and

1:11:09.680 --> 1:11:12.639
<v Speaker 2>Travis was very much instrumental into the making of that album.

1:11:12.720 --> 1:11:15.759
<v Speaker 1>You're not going to hear any debates with me about

1:11:15.960 --> 1:11:16.679
<v Speaker 1>props for Yeasy.

1:11:16.760 --> 1:11:19.759
<v Speaker 2>I'm not going to jump off. It's not a classic album.

1:11:19.880 --> 1:11:23.280
<v Speaker 2>I can ask classic. I think I think Late Registration

1:11:23.360 --> 1:11:27.000
<v Speaker 2>and Graduation are classic. No, I think Kanye his first

1:11:27.040 --> 1:11:28.080
<v Speaker 2>five albums are classic.

1:11:28.160 --> 1:11:30.599
<v Speaker 1>That don't even make sense. Somebody dropped five classic albums

1:11:30.600 --> 1:11:33.000
<v Speaker 1>in the rold. Just think about what that would be. No,

1:11:33.680 --> 1:11:34.519
<v Speaker 1>it don't even makes sense.

1:11:34.600 --> 1:11:37.320
<v Speaker 2>Kanye listed No, No, he's got the greatest discography and

1:11:37.400 --> 1:11:39.519
<v Speaker 2>hip hop history. I wouldn't even even I wouldn't even

1:11:39.560 --> 1:11:41.560
<v Speaker 2>mind arguing that, Like, I'm okay with that, But he

1:11:41.600 --> 1:11:44.040
<v Speaker 2>don't got five fucking classic albums. Do you know who

1:11:44.040 --> 1:11:48.760
<v Speaker 2>else has four? Oh? Outcast? No? Yeah, God damn it,

1:11:48.840 --> 1:11:52.800
<v Speaker 2>y'all just make anything a classic? What are you talking about, bro, Listen,

1:11:52.880 --> 1:11:53.720
<v Speaker 2>A classic.

1:11:53.400 --> 1:11:55.559
<v Speaker 1>Don't mean you really like it or it's really good.

1:11:56.000 --> 1:11:58.560
<v Speaker 2>This is, by the way, this is your definition of

1:11:58.600 --> 1:11:59.040
<v Speaker 2>a classic.

1:11:59.160 --> 1:12:01.120
<v Speaker 1>Mine's is the author, aready figure in the conversation?

1:12:01.360 --> 1:12:05.679
<v Speaker 2>Okay? As a product? Okay, So you think Outcast doesn't

1:12:05.720 --> 1:12:06.559
<v Speaker 2>have four classics.

1:12:08.360 --> 1:12:11.320
<v Speaker 1>Look if somebody I said, no, one in hip hop

1:12:11.360 --> 1:12:14.680
<v Speaker 1>has four, not a soul, not a soul, and I

1:12:14.840 --> 1:12:16.599
<v Speaker 1>think to hip hop.

1:12:16.479 --> 1:12:18.519
<v Speaker 2>Fans, this is Kendrick has three.

1:12:19.160 --> 1:12:21.640
<v Speaker 1>I'm not even gonna be First off, I came the

1:12:21.720 --> 1:12:24.760
<v Speaker 1>fact that niggas was throwing that in the conversation was great.

1:12:24.800 --> 1:12:25.479
<v Speaker 1>I couldn't believe.

1:12:25.479 --> 1:12:28.120
<v Speaker 2>I was like, it was like DoD got five, Kendrick

1:12:28.160 --> 1:12:30.559
<v Speaker 2>has three. I think it. I think to be determined

1:12:30.560 --> 1:12:32.439
<v Speaker 2>on his last album, even though I really know. I

1:12:32.479 --> 1:12:34.120
<v Speaker 2>still listen to it a lot. It's not a class

1:12:34.160 --> 1:12:36.280
<v Speaker 2>I still listen. It's not to be determined. No, no, no,

1:12:36.720 --> 1:12:39.000
<v Speaker 2>that's fair. I wouldn't put it in the Pimper Butterfly,

1:12:39.280 --> 1:12:42.160
<v Speaker 2>Damn or good Kid Mad City converse.

1:12:42.200 --> 1:12:44.160
<v Speaker 1>I don't even think people give Damn the correct credit.

1:12:44.240 --> 1:12:46.720
<v Speaker 2>So I agree, agree. I think those are the three though.

1:12:46.760 --> 1:12:48.640
<v Speaker 1>But but I think when you say classic, like, I

1:12:48.720 --> 1:12:51.559
<v Speaker 1>think there's certain albums that are classic. Ill Madic has

1:12:51.600 --> 1:12:53.160
<v Speaker 1>been regarded as a classic.

1:12:53.160 --> 1:12:55.840
<v Speaker 2>Dog you style, right, dog style The Chronicles, by the way, what,

1:12:56.080 --> 1:12:57.760
<v Speaker 2>in your opinion, what's the better album of the Chronic

1:12:57.800 --> 1:13:01.240
<v Speaker 2>of two thousand and one, two thousand and one. Yeah, well,

1:13:01.439 --> 1:13:02.160
<v Speaker 2>I like the age.

1:13:02.240 --> 1:13:05.160
<v Speaker 1>I like the Chronic because the Chronic has these really

1:13:05.280 --> 1:13:06.000
<v Speaker 1>important joints.

1:13:06.080 --> 1:13:09.400
<v Speaker 2>Yes, but two thousand and one, if you right now, masterful, Yeah,

1:13:09.640 --> 1:13:11.880
<v Speaker 2>some masterful. I just worked out to two thousand and one,

1:13:11.960 --> 1:13:12.840
<v Speaker 2>like a month ago.

1:13:12.920 --> 1:13:14.760
<v Speaker 1>I just played it and I was straight out of

1:13:14.800 --> 1:13:16.759
<v Speaker 1>Compton as a classic Eddie Griffin.

1:13:17.160 --> 1:13:21.479
<v Speaker 2>His skits on two thousand and one am so fired.

1:13:22.479 --> 1:13:24.960
<v Speaker 1>Dre has always been faking your mama was a hot

1:13:25.680 --> 1:13:30.880
<v Speaker 1>weekend pussy. That's crazy, okay, So yeah, but no, I

1:13:31.080 --> 1:13:32.519
<v Speaker 1>was saying no one in hip hop assa.

1:13:32.600 --> 1:13:35.200
<v Speaker 2>Okay, I think I misunderstood the tweet thread that I

1:13:35.280 --> 1:13:37.880
<v Speaker 2>might have saw you replied to, because you know, I

1:13:37.960 --> 1:13:41.519
<v Speaker 2>thought you were saying that Kanye didn't have any classic albums,

1:13:41.560 --> 1:13:43.240
<v Speaker 2>which I was just like, no, there's no way.

1:13:43.479 --> 1:13:44.720
<v Speaker 1>I'm really careful with.

1:13:44.720 --> 1:13:47.000
<v Speaker 2>Because I get Richard I try and classic.

1:13:47.439 --> 1:13:49.600
<v Speaker 1>Hell yeah, that's fucking fantastic.

1:13:49.640 --> 1:13:52.680
<v Speaker 2>But I'm saying, does Eminem have a classic? I don't know.

1:13:52.760 --> 1:13:54.800
<v Speaker 2>I have to think about Martin Maisp that would be

1:13:54.880 --> 1:13:59.360
<v Speaker 2>the one, or Eminem shows. It's probably Marshall Mathers to

1:13:59.439 --> 1:14:01.599
<v Speaker 2>your definite, I think EVANDAM Show is the better album.

1:14:01.960 --> 1:14:07.160
<v Speaker 1>What would but but Fix is Scarface's classic. Yes, made

1:14:07.280 --> 1:14:08.040
<v Speaker 1>is a better album.

1:14:08.600 --> 1:14:12.040
<v Speaker 2>I like the Diary too and the Diaries and I

1:14:12.120 --> 1:14:13.719
<v Speaker 2>think Untouchable was his best album.

1:14:14.560 --> 1:14:20.360
<v Speaker 1>Fix it was a classic. Fix Fix has my favorite

1:14:20.840 --> 1:14:24.479
<v Speaker 1>NOS verse ever. My favorite NODS verse ironically is on

1:14:24.680 --> 1:14:25.200
<v Speaker 1>We Major.

1:14:26.040 --> 1:14:30.040
<v Speaker 2>Oh yeah, are that between us? Between me and you?

1:14:30.160 --> 1:14:32.759
<v Speaker 2>Whatever the fuck that record is on the Fix, Jesus Christ,

1:14:32.880 --> 1:14:34.080
<v Speaker 2>NOAs went the fucking.

1:14:34.600 --> 1:14:38.719
<v Speaker 1>Uh That verse All We Major is crazy. It's victory

1:14:38.800 --> 1:14:41.720
<v Speaker 1>lap of classic. I think it's been deemed they went

1:14:41.800 --> 1:14:45.080
<v Speaker 1>back and got it right to classic when it was

1:14:45.120 --> 1:14:45.519
<v Speaker 1>first release.

1:14:45.560 --> 1:14:46.479
<v Speaker 2>But I think it but.

1:14:48.080 --> 1:14:50.920
<v Speaker 1>Dogg Ye Style, the same thing happened with Doggie Style.

1:14:51.600 --> 1:14:54.439
<v Speaker 1>The same thing happened with There was a few records.

1:14:54.520 --> 1:14:57.840
<v Speaker 2>That One thing I'll give hip hop credit is they

1:14:57.880 --> 1:14:59.800
<v Speaker 2>will go back and write their wrongs. They did that

1:14:59.840 --> 1:15:01.240
<v Speaker 2>with reasonable doubt. They did it.

1:15:01.520 --> 1:15:04.479
<v Speaker 1>That's fair because I remember Blueprint being the first one

1:15:04.520 --> 1:15:06.559
<v Speaker 1>everybody thought was a classic. But it's like, what about

1:15:06.640 --> 1:15:09.800
<v Speaker 1>everybody double back? And I remember having reasonable doubt thinking that.

1:15:09.960 --> 1:15:12.439
<v Speaker 1>Then now they got it right right, because that's been

1:15:12.479 --> 1:15:14.000
<v Speaker 1>the person that's come up a lot as J and

1:15:14.040 --> 1:15:17.320
<v Speaker 1>I'm a diehard J Face Snoop scar.

1:15:17.280 --> 1:15:21.200
<v Speaker 2>For what's Outcast classic album to you? Aliens at Alien? Yeah, yeah,

1:15:21.600 --> 1:15:23.519
<v Speaker 2>I think it's Quemini. If you're gonna pick a one,

1:15:23.800 --> 1:15:25.720
<v Speaker 2>I'm not mad at that right there.

1:15:25.960 --> 1:15:27.880
<v Speaker 1>Cast is like that weird group to where so many

1:15:28.000 --> 1:15:30.280
<v Speaker 1>things it's so possible with them, and they.

1:15:30.320 --> 1:15:33.280
<v Speaker 2>Now have the greatest selling hip hop album ever. They

1:15:33.479 --> 1:15:37.120
<v Speaker 2>just passed uh eminem eminem.

1:15:37.320 --> 1:15:40.280
<v Speaker 1>It's a double CD though, true, so it's gonna get

1:15:40.320 --> 1:15:41.000
<v Speaker 1>counted twice.

1:15:41.120 --> 1:15:43.120
<v Speaker 2>But you know, whatever, do you remember those days when

1:15:43.160 --> 1:15:45.960
<v Speaker 2>like a ball was dropping triple albums like lost that.

1:15:46.040 --> 1:15:48.040
<v Speaker 1>It was like, Yo, if you did forty was doing

1:15:48.080 --> 1:15:48.679
<v Speaker 1>that shit crazy?

1:15:48.720 --> 1:15:50.479
<v Speaker 2>If you just did three hundred and thirty three thousand,

1:15:50.520 --> 1:15:54.120
<v Speaker 2>you're platinum. Yeah, that's pretty slick. And then motherfuckers was

1:15:54.160 --> 1:15:56.559
<v Speaker 2>dropping two albums on the same day. Who was here? Oh,

1:15:56.600 --> 1:15:58.519
<v Speaker 2>I just was talking to insane clown posse. They were here,

1:15:59.080 --> 1:16:03.200
<v Speaker 2>violent j and he's dope. Yeah, he was cool.

1:16:03.320 --> 1:16:04.360
<v Speaker 1>He was very Uh.

1:16:06.040 --> 1:16:08.519
<v Speaker 2>You know, I got uncles like him that that's a

1:16:08.560 --> 1:16:10.599
<v Speaker 2>lot of dope in their life and are just very

1:16:10.720 --> 1:16:12.920
<v Speaker 2>like he was. He was just very He was jittering,

1:16:13.200 --> 1:16:16.280
<v Speaker 2>such a cool dude, super nice, super jitter And we

1:16:16.320 --> 1:16:19.120
<v Speaker 2>would talk and I'd ask him a question and then

1:16:19.200 --> 1:16:21.679
<v Speaker 2>he would just go off on like a random tangent

1:16:21.800 --> 1:16:24.160
<v Speaker 2>about something unrelated to the question.

1:16:24.439 --> 1:16:26.599
<v Speaker 1>But them drugs be connecting different brain st.

1:16:26.800 --> 1:16:29.960
<v Speaker 2>No, he was so cool. And I'm always real tough

1:16:30.040 --> 1:16:32.040
<v Speaker 2>on juggalos because I think for the most part they

1:16:32.080 --> 1:16:36.120
<v Speaker 2>have really bad Uh they're not good at the upkeep

1:16:36.160 --> 1:16:37.600
<v Speaker 2>of their personal hygien But.

1:16:37.680 --> 1:16:40.280
<v Speaker 1>You know what it is, man, Juggalos is like I

1:16:40.360 --> 1:16:42.120
<v Speaker 1>always felt like they was the ghetto white people.

1:16:42.439 --> 1:16:45.360
<v Speaker 2>Oh yeah, but the most but the most ghetto. But

1:16:45.479 --> 1:16:48.800
<v Speaker 2>that's why I actually clicked with them. Yeah, because I mean, listen,

1:16:48.840 --> 1:16:53.080
<v Speaker 2>there's ghetto white people and then there's like the Juggalo.

1:16:54.280 --> 1:16:57.479
<v Speaker 1>I love the motherfuckers. Yeah, I don't know, that's just

1:16:57.600 --> 1:16:58.040
<v Speaker 1>my people.

1:16:58.120 --> 1:16:58.880
<v Speaker 2>I don't have I.

1:17:00.880 --> 1:17:01.920
<v Speaker 1>Did the fucking uh.

1:17:02.360 --> 1:17:04.360
<v Speaker 2>You did the gathering, the gathering. Oh so you went

1:17:04.400 --> 1:17:09.000
<v Speaker 2>to the gathering? Did you see the tent or the

1:17:09.080 --> 1:17:09.559
<v Speaker 2>drug breaks?

1:17:09.640 --> 1:17:12.040
<v Speaker 1>Even though people just fucking I've seen the drug?

1:17:12.200 --> 1:17:12.880
<v Speaker 2>What does smell like?

1:17:13.360 --> 1:17:15.200
<v Speaker 1>I didn't. I didn't get close enough. But I don't

1:17:15.240 --> 1:17:21.559
<v Speaker 1>think it's I'm sa I love him, motherfucking I don't

1:17:21.560 --> 1:17:23.040
<v Speaker 1>know my people.

1:17:23.160 --> 1:17:25.439
<v Speaker 2>The Jugglers are so funny because, like I posted, and

1:17:25.479 --> 1:17:28.240
<v Speaker 2>I've always given up my because I actually think ICP

1:17:29.439 --> 1:17:32.760
<v Speaker 2>on a business model standpoint, are pioneers and hip hop.

1:17:33.360 --> 1:17:36.000
<v Speaker 2>I think that what they did with their merchandising, I

1:17:36.040 --> 1:17:38.080
<v Speaker 2>think Tech nine gets a lot and technos I feel

1:17:38.080 --> 1:17:39.080
<v Speaker 2>this way, tech gets a.

1:17:39.120 --> 1:17:43.360
<v Speaker 1>Lot of I think that, Yeah, I think Travis had did.

1:17:43.720 --> 1:17:46.479
<v Speaker 1>Travis had has done a really good job on improving

1:17:46.520 --> 1:17:47.320
<v Speaker 1>on that model, for.

1:17:47.840 --> 1:17:51.880
<v Speaker 2>Improving improved on kind of what ICP had had going.

1:17:52.280 --> 1:17:54.160
<v Speaker 2>But I think this is b I think I think

1:17:54.200 --> 1:17:58.599
<v Speaker 2>for whatever reason, CP their marketing and just their business

1:17:58.680 --> 1:18:00.840
<v Speaker 2>model is hip hop artists. Like when I was a kid,

1:18:00.880 --> 1:18:03.320
<v Speaker 2>they were the only kind of hip hop group where

1:18:03.320 --> 1:18:05.720
<v Speaker 2>you could go buy their shirt and Spencers, like there

1:18:05.800 --> 1:18:07.600
<v Speaker 2>was ICP Jerseys.

1:18:07.160 --> 1:18:09.600
<v Speaker 1>And white Man Hot Topic, white Shit have it.

1:18:09.840 --> 1:18:12.280
<v Speaker 2>But I'm saying it's like it's like they they pushed.

1:18:12.320 --> 1:18:15.040
<v Speaker 1>They pushed the line to me, they pushed.

1:18:14.840 --> 1:18:16.360
<v Speaker 2>The line of like if you go to a concert,

1:18:16.360 --> 1:18:18.479
<v Speaker 2>we're gonna have one hundred skews that you could purchase.

1:18:19.120 --> 1:18:22.479
<v Speaker 2>We're gonna have shoelaces, We're gonna have all that ship.

1:18:22.640 --> 1:18:26.600
<v Speaker 1>A lot of that ship is brilliant, Like the Motherfuckers

1:18:26.680 --> 1:18:28.759
<v Speaker 1>is brilliant, you know, I mean the Motherfuckers is fire.

1:18:29.560 --> 1:18:30.719
<v Speaker 1>That just insane.

1:18:30.760 --> 1:18:32.640
<v Speaker 2>So when did you first link with the juggle of

1:18:32.800 --> 1:18:35.080
<v Speaker 2>world because you were signed a Suburban Noise, which is

1:18:35.520 --> 1:18:39.320
<v Speaker 2>kind of an offshoot that world was suburban Okay, that

1:18:39.400 --> 1:18:43.120
<v Speaker 2>was like cotton Mouth King's Kevin Zinger s r H.

1:18:43.439 --> 1:18:47.519
<v Speaker 1>The boy that's popping now, shout out to him. They

1:18:47.600 --> 1:18:49.920
<v Speaker 1>got that whole anti. To me, that ship is a

1:18:49.960 --> 1:18:53.760
<v Speaker 1>dope movement where they have like uh uh Adam.

1:18:53.560 --> 1:18:56.400
<v Speaker 2>Calhoun, Yeah, him and I have had words online.

1:18:56.439 --> 1:19:00.479
<v Speaker 1>That's funny. Adam is another guy, Tom McDonald. And there's

1:19:00.479 --> 1:19:03.519
<v Speaker 1>another guy that was from this group kind of buff

1:19:04.640 --> 1:19:06.120
<v Speaker 1>but dope. I got a song with him and this

1:19:06.160 --> 1:19:09.760
<v Speaker 1>pissed me off. I am yeah, but but that's he

1:19:09.920 --> 1:19:12.840
<v Speaker 1>was a part of a group initially Struggle. No, it

1:19:12.960 --> 1:19:14.559
<v Speaker 1>was it was Real Pr. The name of the song

1:19:14.640 --> 1:19:15.200
<v Speaker 1>is called Real P.

1:19:15.400 --> 1:19:16.519
<v Speaker 2>I uh.

1:19:18.479 --> 1:19:23.439
<v Speaker 1>God, damn it, I'm losing my fucking mind. Yeah, but

1:19:23.520 --> 1:19:25.320
<v Speaker 1>I like that movement. It's funny because I feel like

1:19:25.360 --> 1:19:29.360
<v Speaker 1>they move into such a uh all set movement, you

1:19:29.400 --> 1:19:32.120
<v Speaker 1>know what I mean? What the fuck is going on?

1:19:32.280 --> 1:19:36.960
<v Speaker 1>Why am I not figuring this out? That's not to

1:19:37.000 --> 1:19:37.559
<v Speaker 1>say much.

1:19:37.479 --> 1:19:39.439
<v Speaker 2>Though, but what I need to figure out? Who you're

1:19:39.479 --> 1:19:39.920
<v Speaker 2>talking about?

1:19:41.080 --> 1:19:42.200
<v Speaker 1>Mad Child? Mad Child?

1:19:42.200 --> 1:19:44.080
<v Speaker 2>Oh yeah, he used to be a part of that.

1:19:44.240 --> 1:19:46.280
<v Speaker 1>I did this song with the group though Swollen members,

1:19:46.360 --> 1:19:46.960
<v Speaker 1>Swollen members.

1:19:47.040 --> 1:19:47.200
<v Speaker 2>Yeah.

1:19:47.200 --> 1:19:49.800
<v Speaker 1>I did a song with Swollen members because right, which

1:19:49.840 --> 1:19:52.280
<v Speaker 1>is dope right? And the song with Swallen members. And

1:19:52.439 --> 1:19:54.040
<v Speaker 1>I like Mad Child, me and Mad Child.

1:19:54.080 --> 1:19:56.439
<v Speaker 2>Still, I don't put mat Child in that world.

1:19:56.680 --> 1:19:59.439
<v Speaker 1>I know, but so to me because he's Canadian, like

1:19:59.520 --> 1:20:01.080
<v Speaker 1>you allto gonna see it differently.

1:20:01.560 --> 1:20:05.000
<v Speaker 2>No, it's not that I think they had a label

1:20:05.040 --> 1:20:07.240
<v Speaker 2>called battle Axe Records. I could be wrong. About but

1:20:07.320 --> 1:20:09.280
<v Speaker 2>it was like they were like really like some indie

1:20:09.320 --> 1:20:11.920
<v Speaker 2>backpack like hip hop vinyl, Like you went and bought

1:20:11.920 --> 1:20:12.880
<v Speaker 2>their singles back?

1:20:12.960 --> 1:20:15.559
<v Speaker 1>Would you dug a Tom and them? Tom and Adam.

1:20:16.000 --> 1:20:19.800
<v Speaker 2>I personally, I'm not too mad at Tom. I've seen

1:20:19.880 --> 1:20:22.400
<v Speaker 2>some of his I've seen. I was actually kind of

1:20:22.400 --> 1:20:24.800
<v Speaker 2>interested in his business model because I saw a video

1:20:24.920 --> 1:20:28.519
<v Speaker 2>come out. I'm like a music industry nerd. So I

1:20:28.680 --> 1:20:32.960
<v Speaker 2>saw a video come out or some sort of something

1:20:33.040 --> 1:20:35.160
<v Speaker 2>came across my timeline that he had sold a certain

1:20:35.160 --> 1:20:38.800
<v Speaker 2>amount of units, but because he sold them the way

1:20:38.880 --> 1:20:41.800
<v Speaker 2>he did that they didn't count it towards his billboard sales,

1:20:42.400 --> 1:20:46.000
<v Speaker 2>and that had they counted his billboard sales properly, he

1:20:46.080 --> 1:20:47.760
<v Speaker 2>would have probably had like the number one album in

1:20:47.800 --> 1:20:50.400
<v Speaker 2>the country or something. Right, So I watched a YouTube

1:20:50.479 --> 1:20:54.479
<v Speaker 2>video that he put up explaining and showing how much

1:20:54.920 --> 1:21:00.200
<v Speaker 2>he actually sold. And my homie Dax did a song

1:21:00.280 --> 1:21:03.200
<v Speaker 2>with him and Dax Records here, that's my friend. That's

1:21:03.360 --> 1:21:06.400
<v Speaker 2>the brother, that's like the brother that's super active. Yeah,

1:21:06.439 --> 1:21:09.920
<v Speaker 2>he's not like some country songs he's got. Yeah, yeah,

1:21:09.920 --> 1:21:14.240
<v Speaker 2>I saw, so I know they've worked together. That the

1:21:15.080 --> 1:21:20.760
<v Speaker 2>Tom McDonald w this Canadian, Dax is Canadian. The other

1:21:20.840 --> 1:21:22.720
<v Speaker 2>guy out of him Adam Calhoun. This is the thing

1:21:22.720 --> 1:21:24.400
<v Speaker 2>that's weirded about Adam Calhoun. Me and him have had

1:21:24.439 --> 1:21:26.599
<v Speaker 2>our words, and I've said that his music is horrible.

1:21:27.160 --> 1:21:31.959
<v Speaker 2>I don't really think like this is my thing. Anybody

1:21:32.120 --> 1:21:35.519
<v Speaker 2>who and and you can this dude like made a

1:21:35.600 --> 1:21:37.800
<v Speaker 2>record saying the N word over and over for shock value.

1:21:37.920 --> 1:21:39.960
<v Speaker 1>Sure you saw the video, Yeah, it's the one were

1:21:39.960 --> 1:21:41.760
<v Speaker 1>talking about trying to trash how our experience can be.

1:21:42.040 --> 1:21:44.479
<v Speaker 1>And I get to I get it, But I was

1:21:44.560 --> 1:21:46.519
<v Speaker 1>just like, bro, like this he might have gas the

1:21:46.720 --> 1:21:47.640
<v Speaker 1>nigga you feel right?

1:21:47.760 --> 1:21:51.320
<v Speaker 2>And I just feel like somehow and I could be

1:21:52.439 --> 1:21:57.280
<v Speaker 2>categorizing what he does unfairly. I could be, But I

1:21:57.439 --> 1:22:06.080
<v Speaker 2>think the leaning into the maga world for Clout is

1:22:06.320 --> 1:22:09.080
<v Speaker 2>very like so you don't genuinely believe he believes in

1:22:09.120 --> 1:22:12.400
<v Speaker 2>the shit. It's not that I think that if like,

1:22:12.600 --> 1:22:16.559
<v Speaker 2>your musical identity is your maga like and I don't

1:22:16.600 --> 1:22:19.400
<v Speaker 2>And listen to be fair to this guy because I

1:22:19.600 --> 1:22:21.720
<v Speaker 2>just talked I just talked to Jelly Roll, who's one

1:22:21.760 --> 1:22:23.720
<v Speaker 2>of my Jelly is Dope. Well, Jelly's one of my

1:22:23.840 --> 1:22:25.280
<v Speaker 2>closest friends in me, dope.

1:22:25.320 --> 1:22:27.720
<v Speaker 1>I've known Jelly for white Wood Jelly. Shout out to Jelly.

1:22:27.800 --> 1:22:30.400
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1:22:30.479 --> 1:22:31.880
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<v Speaker 2>you handled by sending you a month for free when

1:24:15.640 --> 1:24:19.960
<v Speaker 2>you use the promo code Bootleg bluetoo dot Com promo

1:24:20.000 --> 1:24:24.800
<v Speaker 2>code bootleg. Tryout blue Cheo. It'll have your uh, your

1:24:24.960 --> 1:24:29.600
<v Speaker 2>dick harder than it's ever been. It's like trigonometry in

1:24:29.680 --> 1:24:32.240
<v Speaker 2>high school, real hard. You know, if you're dealing with

1:24:32.320 --> 1:24:36.160
<v Speaker 2>any sort of a rectile dysfunction, blue Choo will have

1:24:36.240 --> 1:24:39.759
<v Speaker 2>your right. Like I said, same active ingredient as viagrant cialis,

1:24:39.880 --> 1:24:43.519
<v Speaker 2>minus the awkward doctor's appointment. Everything's online and if you're asking, well,

1:24:43.560 --> 1:24:46.320
<v Speaker 2>I don't know, man, I just don't know. Try it

1:24:46.400 --> 1:24:48.200
<v Speaker 2>out for free for a month. They'll send you a

1:24:48.280 --> 1:24:51.760
<v Speaker 2>month supply for free, right to your doorstep in discrete packaging,

1:24:52.640 --> 1:24:55.639
<v Speaker 2>blue chewable form. It's in a little a little chewable man.

1:24:55.680 --> 1:24:57.479
<v Speaker 2>You take that thing down and then you go to Poundtown.

1:24:57.560 --> 1:24:59.880
<v Speaker 2>Take you shorty to Poundtown. Goddamn it. Blue Choo dot

1:25:00.280 --> 1:25:02.200
<v Speaker 2>used that promo code. Boulet tried for free for a month.

1:25:02.240 --> 1:25:04.840
<v Speaker 2>So let's get back to the interview. And I told

1:25:04.920 --> 1:25:06.840
<v Speaker 2>Jelly the last time I saw him, I said, Hey,

1:25:07.240 --> 1:25:09.960
<v Speaker 2>I know you're tight with that dude Adam Calhoun, and

1:25:10.080 --> 1:25:11.840
<v Speaker 2>I don't want to have like any real beef with

1:25:11.920 --> 1:25:14.479
<v Speaker 2>somebody that you're friends with. So I was like, if

1:25:14.479 --> 1:25:15.640
<v Speaker 2>you ever want to put me on the phone with

1:25:15.720 --> 1:25:17.920
<v Speaker 2>him like I wouldn't mind, just because we went back

1:25:17.960 --> 1:25:20.000
<v Speaker 2>and forth on in our YouTube comments. And I mean,

1:25:20.040 --> 1:25:23.719
<v Speaker 2>I don't think his music's very good, but I can't

1:25:23.760 --> 1:25:28.840
<v Speaker 2>equate what he does because he's got whole albums with

1:25:28.960 --> 1:25:31.720
<v Speaker 2>my Boy Struggle and Struggles my boy, like I love

1:25:31.760 --> 1:25:34.559
<v Speaker 2>Struggles Struggles a talented guy. So I really I think

1:25:34.600 --> 1:25:37.760
<v Speaker 2>I may have unfairly equated what he's doing with what

1:25:37.920 --> 1:25:40.320
<v Speaker 2>some of these real maga rappers are doing, because there's

1:25:40.400 --> 1:25:41.240
<v Speaker 2>like real.

1:25:41.320 --> 1:25:43.000
<v Speaker 1>Sure gods, so you can see they taking advantage.

1:25:43.000 --> 1:25:46.200
<v Speaker 2>No, they're literally their entire identity is they do maga rap.

1:25:46.360 --> 1:25:49.680
<v Speaker 2>It's like a shove, a subgenre of music that is

1:25:50.280 --> 1:25:56.280
<v Speaker 2>strictly based on fuck, black Lives matter, Trump, Trump, Trump,

1:25:56.320 --> 1:25:58.160
<v Speaker 2>what's the what's the jerk offs name from Florida? That

1:25:58.360 --> 1:26:02.920
<v Speaker 2>uh no, no no, the for Giotto Blow who used

1:26:02.960 --> 1:26:05.360
<v Speaker 2>to be signing used to be signed to Thomas Jones

1:26:05.760 --> 1:26:08.599
<v Speaker 2>and was a fucking wanna be street rapper in Tampa

1:26:08.680 --> 1:26:11.040
<v Speaker 2>when I lived there, And now all of a sudden

1:26:11.400 --> 1:26:13.800
<v Speaker 2>he is literally the face of maga rat. To me,

1:26:14.000 --> 1:26:17.760
<v Speaker 2>that ship's corny, super corny. And then there's like, so

1:26:17.840 --> 1:26:21.559
<v Speaker 2>I think I might have unfairly put those two guys

1:26:22.280 --> 1:26:24.920
<v Speaker 2>in the same lane. As to where I don't think

1:26:25.000 --> 1:26:29.639
<v Speaker 2>Adam Calhoun's music, I think I might have unfairly judged it. Also,

1:26:29.720 --> 1:26:34.800
<v Speaker 2>he was beefing with my boy CASKI, so I might

1:26:34.840 --> 1:26:37.960
<v Speaker 2>have unfairly judged him. I'm not a fan of his music.

1:26:38.000 --> 1:26:40.960
<v Speaker 2>I'm not a fan of like and this is. And

1:26:41.040 --> 1:26:43.640
<v Speaker 2>Also I'd like to point out it'd be like if

1:26:43.680 --> 1:26:46.320
<v Speaker 2>there was somebody waving a Biden flag in their rap songs,

1:26:47.160 --> 1:26:52.000
<v Speaker 2>You'd be like, what's happening, Like, Who's Who's making pro

1:26:52.160 --> 1:26:54.639
<v Speaker 2>bi Who's making pro Biden rap music? Can I ask

1:26:54.680 --> 1:26:55.160
<v Speaker 2>you that question?

1:26:55.360 --> 1:26:58.000
<v Speaker 1>Every last pop artist breathing no, no, no, I'm.

1:26:57.920 --> 1:27:01.240
<v Speaker 2>Talking about by name. We're talking. I mean, listen, I

1:27:01.320 --> 1:27:03.600
<v Speaker 2>can pull up. There are some of these songs and

1:27:03.840 --> 1:27:07.280
<v Speaker 2>the hook is is like Trump Trump Trump, Maga Maga Magic.

1:27:07.439 --> 1:27:10.800
<v Speaker 1>But that's because it's counter culture. It's counter culture. So

1:27:11.080 --> 1:27:14.320
<v Speaker 1>it was very much counter anything counter even when hip

1:27:14.360 --> 1:27:17.799
<v Speaker 1>hop would use Trump's name as a way to establish

1:27:17.880 --> 1:27:19.880
<v Speaker 1>the conversation of wealth right.

1:27:20.360 --> 1:27:22.040
<v Speaker 2>No, for sure, Trump was take over the world on

1:27:22.240 --> 1:27:22.760
<v Speaker 2>Donald Trump.

1:27:22.960 --> 1:27:26.200
<v Speaker 1>That's Trump was always counterculture. I'm Donald Trump and the

1:27:26.200 --> 1:27:27.800
<v Speaker 1>white T and white Woman's the conversations.

1:27:28.200 --> 1:27:31.000
<v Speaker 2>I mean, Donald Trump is on method Man's second solo album,

1:27:31.520 --> 1:27:32.080
<v Speaker 2>to Count.

1:27:32.000 --> 1:27:35.479
<v Speaker 1>Because so again, Trump has always been counterculture, just where

1:27:35.520 --> 1:27:35.960
<v Speaker 1>you place it.

1:27:36.080 --> 1:27:38.360
<v Speaker 2>So my whole thing is this, if I would look

1:27:38.400 --> 1:27:43.120
<v Speaker 2>at a rapper the same way, if they did an

1:27:43.200 --> 1:27:50.080
<v Speaker 2>aoc acost of Cortes, the Congress lady from from New York,

1:27:50.240 --> 1:27:54.519
<v Speaker 2>if someone did a song that was like waving her

1:27:54.560 --> 1:27:55.200
<v Speaker 2>flat about.

1:27:55.200 --> 1:27:58.000
<v Speaker 1>If somebody did a baroxa like my president is black.

1:27:58.000 --> 1:28:00.519
<v Speaker 2>That's hard because that's history. It's the first by president.

1:28:00.560 --> 1:28:01.320
<v Speaker 1>What are we talking about?

1:28:01.880 --> 1:28:06.280
<v Speaker 2>By the way, great song, shout out to Jesus, that's

1:28:06.360 --> 1:28:11.360
<v Speaker 2>my favorite g Z album. The Recession, great album. It's classic,

1:28:11.520 --> 1:28:12.439
<v Speaker 2>great app But.

1:28:12.920 --> 1:28:15.519
<v Speaker 1>But I guess what I'm saying is like a classics

1:28:15.680 --> 1:28:16.080
<v Speaker 1>the classic.

1:28:16.320 --> 1:28:20.840
<v Speaker 2>Yes, to me, it's a classic. To me, I don't

1:28:20.840 --> 1:28:22.320
<v Speaker 2>think it's I don't think it's it's higher on the

1:28:22.360 --> 1:28:25.720
<v Speaker 2>classic tier than than than Doug Motivation one on one,

1:28:26.040 --> 1:28:28.640
<v Speaker 2>it's not a classic. I like The Recession me too.

1:28:29.200 --> 1:28:31.240
<v Speaker 2>I don't think it's more of a classic than it's

1:28:31.240 --> 1:28:33.679
<v Speaker 2>not a classic. To be fair, it's not a consensus classic.

1:28:33.760 --> 1:28:35.000
<v Speaker 2>It's a classic to me. I think we can all

1:28:35.000 --> 1:28:37.160
<v Speaker 2>have personal Well, you just like it no, but I

1:28:37.240 --> 1:28:40.800
<v Speaker 2>think to me, it's a classic to me. But I

1:28:40.840 --> 1:28:44.439
<v Speaker 2>would say I break down classics from different perspectives. One

1:28:44.479 --> 1:28:49.439
<v Speaker 2>would be what I call consensus hip hop classics, where

1:28:49.439 --> 1:28:51.080
<v Speaker 2>if you said that album is a classic, nobod's gonna

1:28:51.080 --> 1:28:51.439
<v Speaker 2>say shit.

1:28:51.400 --> 1:28:54.120
<v Speaker 1>You nobody will say that about graduation, you don't have

1:28:54.200 --> 1:28:56.400
<v Speaker 1>some conversations and hip hop.

1:28:56.360 --> 1:29:01.000
<v Speaker 2>Okay, So that's that's that's that's me. When I think

1:29:01.040 --> 1:29:02.840
<v Speaker 2>of Drake, he don't have a good kid. Mad City

1:29:03.360 --> 1:29:04.599
<v Speaker 2>the closest thing he's got to take care.

1:29:04.720 --> 1:29:06.880
<v Speaker 1>You know what's funny, I just had that conversation somebody

1:29:06.920 --> 1:29:08.479
<v Speaker 1>said that I think. I was like, probably not, but

1:29:08.760 --> 1:29:09.040
<v Speaker 1>I'm not.

1:29:09.680 --> 1:29:12.320
<v Speaker 2>I think Drake's best album is Nothing Was the Same,

1:29:12.400 --> 1:29:15.440
<v Speaker 2>And I actually think that album is damn near flawless.

1:29:15.600 --> 1:29:18.400
<v Speaker 2>And I think we don't give that album enough flowers

1:29:19.120 --> 1:29:21.599
<v Speaker 2>because Nothing Was the same as I think.

1:29:21.560 --> 1:29:24.479
<v Speaker 1>Drake is fantastic and making music. Man. So I think

1:29:24.640 --> 1:29:27.000
<v Speaker 1>I think Drake, but I just don't know if he's

1:29:27.040 --> 1:29:28.240
<v Speaker 1>ever adjusted culture.

1:29:30.640 --> 1:29:32.800
<v Speaker 2>Yeah, I mean, I get you. I think unfortunately, I

1:29:32.840 --> 1:29:34.559
<v Speaker 2>think the last like five years, I feel like he's

1:29:34.560 --> 1:29:37.920
<v Speaker 2>been just mailing it in even then because I actually enjoyed,

1:29:37.920 --> 1:29:39.439
<v Speaker 2>you know, what I enjoyed about Drake was when he

1:29:39.479 --> 1:29:40.360
<v Speaker 2>did the DM album.

1:29:40.760 --> 1:29:43.080
<v Speaker 1>I think Drake always got some cuts, so it's hard.

1:29:42.960 --> 1:29:46.280
<v Speaker 2>To really always got to I say, I can't. I

1:29:46.360 --> 1:29:47.600
<v Speaker 2>never listened to Madonna's I don't know that.

1:29:47.720 --> 1:29:49.800
<v Speaker 1>You gotta go fuck with Madonna, bro, and it's hard.

1:29:49.880 --> 1:29:52.000
<v Speaker 1>It's not for me, I'm telling you, and they get madly.

1:29:52.080 --> 1:29:55.280
<v Speaker 1>I don't think eighties music is good. Eighties pop music

1:29:55.400 --> 1:29:58.439
<v Speaker 1>is terrible. I'm not it all aged horribly.

1:29:58.920 --> 1:30:01.040
<v Speaker 2>It sounds like shit. It's corny as fuck.

1:30:01.439 --> 1:30:04.479
<v Speaker 1>Keep all you just can't wait to Doom Doom, Doom,

1:30:04.600 --> 1:30:05.120
<v Speaker 1>Doom Doom.

1:30:05.680 --> 1:30:09.600
<v Speaker 2>I like eighties metal. Hey, give me eighties metal, Metallica,

1:30:10.160 --> 1:30:14.240
<v Speaker 2>that's not bad. Give me fucking you know, the eighties.

1:30:14.479 --> 1:30:16.800
<v Speaker 2>I mean Van Halen's not metal. It's like pop rock.

1:30:16.920 --> 1:30:20.240
<v Speaker 2>That's like Drake of rock. I would say, like Judas

1:30:20.479 --> 1:30:24.880
<v Speaker 2>metal would have got big guitars. Yeah, Mega Death, Pantera's

1:30:25.160 --> 1:30:25.960
<v Speaker 2>some ship in the eighties.

1:30:26.200 --> 1:30:28.000
<v Speaker 1>So so so at that point, Guns and Roses the

1:30:28.080 --> 1:30:28.639
<v Speaker 1>king of metal.

1:30:29.120 --> 1:30:31.439
<v Speaker 2>Well, guns and Roses was pop rock, and that was

1:30:31.479 --> 1:30:33.920
<v Speaker 2>the early nineties. But yeah, I mean Guns and Roses

1:30:34.040 --> 1:30:35.920
<v Speaker 2>were the biggest shit on the planet for you know,

1:30:36.160 --> 1:30:36.639
<v Speaker 2>four years.

1:30:36.680 --> 1:30:39.160
<v Speaker 1>So Metallica is metal, so you need the over abusive

1:30:39.200 --> 1:30:40.120
<v Speaker 1>guitars to be metal.

1:30:40.240 --> 1:30:43.000
<v Speaker 2>No, I mean Metallica is like eight minute songs with

1:30:43.160 --> 1:30:46.479
<v Speaker 2>two minute guitar solos in it, you know, like if

1:30:46.479 --> 1:30:49.280
<v Speaker 2>you listen to Master of Puppets, so that it's over abusive.

1:30:49.600 --> 1:30:53.480
<v Speaker 2>And what's crazy is even like metal. People think Metallica's

1:30:53.880 --> 1:30:56.120
<v Speaker 2>like sell out metal because they sold out with the

1:30:56.160 --> 1:30:58.040
<v Speaker 2>Black album, their bigges album. They had a ballot on there.

1:30:58.120 --> 1:31:00.080
<v Speaker 1>Oh yeah, but that ballad is t like to if

1:31:00.080 --> 1:31:01.120
<v Speaker 1>you listen like for who.

1:31:01.040 --> 1:31:04.200
<v Speaker 2>The Bell Tolls or like one Ship like that. It's

1:31:04.280 --> 1:31:05.599
<v Speaker 2>just big heavy.

1:31:06.040 --> 1:31:08.519
<v Speaker 1>It's funny because we have the same conversations per genre.

1:31:08.600 --> 1:31:09.960
<v Speaker 1>And that's what I've been trying to say to you.

1:31:11.040 --> 1:31:12.800
<v Speaker 2>No, I mean, I think it's all rock and roll,

1:31:13.000 --> 1:31:15.479
<v Speaker 2>but I think there's metal, which is like rap.

1:31:15.600 --> 1:31:20.679
<v Speaker 1>So there's all rap. But everything in hip hop everything

1:31:20.800 --> 1:31:22.439
<v Speaker 1>is raped. A lot of shit is rap, but everything

1:31:22.520 --> 1:31:26.599
<v Speaker 1>in hip hop hip hop is like metal. See, rock

1:31:26.640 --> 1:31:29.639
<v Speaker 1>and roll is just rap. Anybody could rap, anybody could

1:31:29.640 --> 1:31:31.400
<v Speaker 1>put out a rap album, but hip hop is a

1:31:31.439 --> 1:31:34.920
<v Speaker 1>special representation of culture where you bear the burden of

1:31:34.960 --> 1:31:36.680
<v Speaker 1>it all and you carry it on your shoulders and

1:31:37.240 --> 1:31:40.960
<v Speaker 1>you know you you you're judge based off of what's happening, right,

1:31:41.120 --> 1:31:43.320
<v Speaker 1>I mean that can determine if you sell another record,

1:31:43.840 --> 1:31:47.800
<v Speaker 1>not for sure that and that's not what yady you

1:31:47.880 --> 1:31:49.680
<v Speaker 1>know shout out to Yati no District. I don't know

1:31:49.800 --> 1:31:51.720
<v Speaker 1>his history, but I'm saying he doesn't. He's not He's

1:31:51.760 --> 1:31:54.160
<v Speaker 1>not responsible for that. Yachty can do anything. And it's

1:31:54.200 --> 1:31:56.960
<v Speaker 1>not because kids can do anything. Because Zoel Sama is

1:31:56.960 --> 1:31:59.040
<v Speaker 1>a kid. He can't just do anything. If do something,

1:32:00.200 --> 1:32:03.200
<v Speaker 1>it's some trouble. If some of these young hip hop

1:32:03.320 --> 1:32:05.600
<v Speaker 1>orners do some silly shit, their career is going to

1:32:05.640 --> 1:32:06.040
<v Speaker 1>take a hit.

1:32:06.400 --> 1:32:08.679
<v Speaker 2>Right. I think that's definitely like true when it comes

1:32:08.720 --> 1:32:11.920
<v Speaker 2>to like if your if your music and your persona.

1:32:11.600 --> 1:32:15.439
<v Speaker 1>Is hip hop is street, but hip hop is only street,

1:32:15.680 --> 1:32:17.080
<v Speaker 1>there's nothing else outside of it.

1:32:17.160 --> 1:32:19.679
<v Speaker 2>I think that's true. It is you just say it evolved.

1:32:19.840 --> 1:32:21.040
<v Speaker 2>Can't you agree things evolve?

1:32:21.320 --> 1:32:24.720
<v Speaker 1>Then metal can evolve. Yeah, so medical be ballots.

1:32:25.800 --> 1:32:29.879
<v Speaker 2>Yes, which I'm telling you with like I'm a hardcore

1:32:30.479 --> 1:32:35.640
<v Speaker 2>hip hop nigga. Okay, hardcore damn, You're not going to

1:32:35.760 --> 1:32:38.320
<v Speaker 2>sell it out. So you're trying to say because to me,

1:32:38.439 --> 1:32:39.240
<v Speaker 2>it all can evolve.

1:32:39.640 --> 1:32:42.280
<v Speaker 1>No, it can't evolve because hip hop can never be

1:32:42.320 --> 1:32:43.639
<v Speaker 1>somewhere where culture doesn't exist.

1:32:43.720 --> 1:32:45.920
<v Speaker 2>So let me ask you this in general, right, if

1:32:46.040 --> 1:32:48.840
<v Speaker 2>hip hop can't evolve, it's you.

1:32:48.920 --> 1:32:53.000
<v Speaker 1>No culture evolves. But hip hop, right is always going

1:32:53.080 --> 1:32:55.560
<v Speaker 1>to be street urban culture. It can't evolve into the

1:32:55.640 --> 1:32:58.400
<v Speaker 1>suburbs because suburbs will never have culture. They'll never have

1:32:59.240 --> 1:33:05.840
<v Speaker 1>the they don't have the things. Cocaine plants, coca plants, right,

1:33:06.320 --> 1:33:08.800
<v Speaker 1>we can grow them here, right, Me and you could

1:33:08.800 --> 1:33:10.800
<v Speaker 1>get a warehouse really and we could grow them yep,

1:33:10.800 --> 1:33:12.719
<v Speaker 1>inside of the warehouse with all the lights and water

1:33:12.880 --> 1:33:15.920
<v Speaker 1>system and all that. Right, but how no, illegally, but

1:33:16.000 --> 1:33:19.000
<v Speaker 1>we would never have enough cocaine, would never have enough plants,

1:33:19.080 --> 1:33:21.920
<v Speaker 1>dried up leaves. I think it's like one hundred and

1:33:22.000 --> 1:33:24.759
<v Speaker 1>ten thousand pounds of dried up leaves or some crazy

1:33:24.840 --> 1:33:28.360
<v Speaker 1>shit you need. We would never create enough leaves to

1:33:28.479 --> 1:33:33.719
<v Speaker 1>make one fucking kilo because coca plants don't grow wild everywhere.

1:33:34.040 --> 1:33:38.200
<v Speaker 1>They don't have the environment, the right sun, the right

1:33:38.280 --> 1:33:41.040
<v Speaker 1>conditions to grow. That's hip hop. Hip Hop can only

1:33:41.200 --> 1:33:44.320
<v Speaker 1>grow there. There's no middle class place where your culture

1:33:44.400 --> 1:33:46.680
<v Speaker 1>is created. They don't need lingo. You know why they

1:33:46.720 --> 1:33:49.720
<v Speaker 1>don't need slang because the fucking school programs are good.

1:33:50.200 --> 1:33:52.280
<v Speaker 2>I see. I don't think that's true though, because that

1:33:52.520 --> 1:33:56.000
<v Speaker 2>is there is culture created through in middle.

1:33:55.720 --> 1:34:01.240
<v Speaker 1>Class where what fashion where Listen, they have addition, which

1:34:01.320 --> 1:34:04.400
<v Speaker 1>is which is culture. No, No tradition can be an

1:34:04.760 --> 1:34:05.559
<v Speaker 1>aspect of culture.

1:34:05.600 --> 1:34:09.920
<v Speaker 2>Is it safe to say that, like the automobile industry

1:34:10.840 --> 1:34:13.320
<v Speaker 2>was in the in the Midwest, was a middle class

1:34:13.360 --> 1:34:15.960
<v Speaker 2>industry up until it fell.

1:34:16.360 --> 1:34:19.240
<v Speaker 1>Sure, but having a job there for poor people was

1:34:19.360 --> 1:34:19.920
<v Speaker 1>the culture?

1:34:20.479 --> 1:34:22.120
<v Speaker 2>Right? No, but those were middle class people.

1:34:22.320 --> 1:34:24.400
<v Speaker 1>No, No, they were middle class people at that time,

1:34:24.439 --> 1:34:26.880
<v Speaker 1>at that time, right, But I agree, But that's what

1:34:26.960 --> 1:34:29.200
<v Speaker 1>I'm saying. Hip hop was birthed after they shut the

1:34:29.320 --> 1:34:33.000
<v Speaker 1>factories down, after there was no opportunity, after people was

1:34:33.080 --> 1:34:34.120
<v Speaker 1>deprived of things.

1:34:34.360 --> 1:34:36.080
<v Speaker 2>I mean, it was also birthed in the Bronx, So

1:34:36.320 --> 1:34:37.479
<v Speaker 2>it's definitely the same thing.

1:34:37.520 --> 1:34:39.599
<v Speaker 1>That's diffinitely worse than that might be just the same

1:34:39.680 --> 1:34:43.439
<v Speaker 1>as Detroit. Right, So, all I'm saying to you is

1:34:43.960 --> 1:34:46.360
<v Speaker 1>middle class people can enjoy the music, But to say

1:34:46.439 --> 1:34:48.720
<v Speaker 1>that they they had there's a culture there, it's just not.

1:34:48.840 --> 1:34:50.080
<v Speaker 1>And I've been to a lot of suburbs.

1:34:50.120 --> 1:34:51.760
<v Speaker 2>Hey, somehow we broke away from you telling me how

1:34:51.760 --> 1:34:52.799
<v Speaker 2>you first leave for Juggalos.

1:34:53.360 --> 1:34:57.920
<v Speaker 1>Oh, Tech nine, Techno Tech nine went on toward Tech nine. Uh,

1:34:58.160 --> 1:35:00.240
<v Speaker 1>Tech loved me, Travis love Me. I want to three

1:35:00.280 --> 1:35:03.880
<v Speaker 1>times three years straight. Which tours was this, because the

1:35:03.960 --> 1:35:06.080
<v Speaker 1>first tour with tech it was just me and Tech

1:35:06.240 --> 1:35:10.639
<v Speaker 1>and Chris and cut. Then the next tour was ME forty.

1:35:11.800 --> 1:35:14.680
<v Speaker 1>That's the tour I saw you on ME forty. Uh,

1:35:15.400 --> 1:35:18.000
<v Speaker 1>you're talking about Joe Buddens. You guys did House Oh Slaughterhouse,

1:35:18.280 --> 1:35:22.240
<v Speaker 1>Slaughterhouse that was at the and K Dot, j Rock, Kendrick.

1:35:21.960 --> 1:35:23.920
<v Speaker 2>And j Rock. That was on the you guys did

1:35:24.000 --> 1:35:26.240
<v Speaker 2>House of Blues in Vegas Independent Grind tour.

1:35:26.479 --> 1:35:29.040
<v Speaker 1>Yeah, I was there, it was it was Kendrick, j Rock,

1:35:30.120 --> 1:35:31.519
<v Speaker 1>ME forty.

1:35:31.680 --> 1:35:33.200
<v Speaker 2>That was when Jay Rock could put out the album

1:35:33.200 --> 1:35:39.360
<v Speaker 2>on Strange YEP, forty YEP, Slaughterhouse in Tech Yeah, that

1:35:39.439 --> 1:35:40.160
<v Speaker 2>was a crazy tour.

1:35:40.280 --> 1:35:42.920
<v Speaker 1>That was fantastic when I think about it, like wow, Yeah, And.

1:35:43.120 --> 1:35:44.800
<v Speaker 2>That's why I was telling violent Jay and he went

1:35:44.840 --> 1:35:47.360
<v Speaker 2>on this tangent about him and Tech nine almost went

1:35:47.400 --> 1:35:48.320
<v Speaker 2>to war, and I was like, that's not what I

1:35:48.400 --> 1:35:50.240
<v Speaker 2>was asking. I was trying to get to the point

1:35:50.240 --> 1:35:52.160
<v Speaker 2>of you guys like revolutionizing the merch game. And then

1:35:52.240 --> 1:35:55.280
<v Speaker 2>he was like, yeah, but they didn't. But I was like,

1:35:55.360 --> 1:35:57.800
<v Speaker 2>you guys share so many of the same fans that

1:35:57.960 --> 1:36:01.720
<v Speaker 2>it's like that what doesn't makes sense Because if you

1:36:01.800 --> 1:36:04.320
<v Speaker 2>go to a tech show, you're gonna see a guy

1:36:04.400 --> 1:36:07.519
<v Speaker 2>with a slaughterhouse or a slaughter a Hatchman tattoo, and

1:36:07.560 --> 1:36:09.360
<v Speaker 2>you're gonna see a guy with a strange music tattoo

1:36:09.400 --> 1:36:10.439
<v Speaker 2>on the same you.

1:36:10.439 --> 1:36:13.320
<v Speaker 1>Know, I like a technician and a fucking a lot

1:36:13.400 --> 1:36:14.519
<v Speaker 1>of a lot of these.

1:36:14.400 --> 1:36:15.720
<v Speaker 2>People are the same, you know what I mean.

1:36:15.720 --> 1:36:17.959
<v Speaker 1>I always thought they fan base should be called the Strangers.

1:36:18.800 --> 1:36:21.519
<v Speaker 2>I see what you did there. I like technicians me too,

1:36:21.920 --> 1:36:24.240
<v Speaker 2>shout to the strange. So yeah, you got you got

1:36:24.280 --> 1:36:25.320
<v Speaker 2>exposed to that world.

1:36:26.160 --> 1:36:28.400
<v Speaker 1>Yeah, it was amazing. It was amazing. To say, dog,

1:36:28.479 --> 1:36:30.360
<v Speaker 1>that fucked my life up, I mean, and I think

1:36:30.400 --> 1:36:32.840
<v Speaker 1>it helped even Kendrick. I think that was a big

1:36:32.920 --> 1:36:35.960
<v Speaker 1>influence on what Kendrick did because that was this was

1:36:36.040 --> 1:36:38.839
<v Speaker 1>two thy eleven ten, nine eleven.

1:36:38.960 --> 1:36:41.120
<v Speaker 2>Yep, I think that tour was eleven, But.

1:36:41.200 --> 1:36:42.960
<v Speaker 1>I think I remember he used to watch him on

1:36:43.080 --> 1:36:44.639
<v Speaker 1>stage like every night.

1:36:44.760 --> 1:36:47.519
<v Speaker 2>Yeah, because you gotta see you gotta know technic, like

1:36:47.640 --> 1:36:52.200
<v Speaker 2>Peak Tech with him, Cut Calhoun and Chris Kalico together, Tech.

1:36:52.120 --> 1:36:55.040
<v Speaker 1>Is probably the best hip hop performer. It's probably Tech nine.

1:36:55.200 --> 1:36:58.160
<v Speaker 1>Buster Busters up there, Red and Method is up There's

1:36:58.160 --> 1:36:59.800
<v Speaker 1>somebody else up there that I'm not thinking about, that

1:37:00.040 --> 1:37:02.960
<v Speaker 1>super dupe up on stage. But them guys is really special.

1:37:03.160 --> 1:37:05.080
<v Speaker 2>The Tech nine is the go to me. Tech is

1:37:05.120 --> 1:37:06.920
<v Speaker 2>hard to fuck with, I think, so you don't have

1:37:06.960 --> 1:37:08.760
<v Speaker 2>to know one of tech songs, And that to me

1:37:08.920 --> 1:37:12.400
<v Speaker 2>is the key, is that I became a fan of

1:37:12.479 --> 1:37:15.439
<v Speaker 2>Tech nine not knowing any of his songs. Besides like

1:37:15.600 --> 1:37:18.360
<v Speaker 2>Slacker and I'm a player, I'm a player, sure, And

1:37:18.439 --> 1:37:18.680
<v Speaker 2>when I.

1:37:18.720 --> 1:37:21.800
<v Speaker 1>Saw him live, I was like, it's funny because you

1:37:21.800 --> 1:37:25.760
<v Speaker 1>just songs. You to me, that is that's different. And

1:37:25.880 --> 1:37:29.600
<v Speaker 1>to me text doing two hours straight.

1:37:31.120 --> 1:37:34.880
<v Speaker 2>No track behind him wrapping a million miles a minute

1:37:35.560 --> 1:37:41.400
<v Speaker 2>and dancing, dancing choreography, and I'm talking like Peak Tech tour,

1:37:42.280 --> 1:37:45.719
<v Speaker 2>Tech is a monster And even like recently I said

1:37:45.760 --> 1:37:49.519
<v Speaker 2>this to him. He did a tour on the show

1:37:49.880 --> 1:37:52.519
<v Speaker 2>many times, not on my podcast yet, but I mean

1:37:52.560 --> 1:37:58.080
<v Speaker 2>I've interviewed Tech probably ten times. He had a tour

1:37:58.200 --> 1:38:04.160
<v Speaker 2>in twenty sixteen or seventeen sixteen, maybe said early seventeen

1:38:04.680 --> 1:38:06.840
<v Speaker 2>and it was this was when Chris Calico and him

1:38:07.280 --> 1:38:10.120
<v Speaker 2>or Chris left strange. There's no cut Calhoun. So it

1:38:10.200 --> 1:38:12.600
<v Speaker 2>was just him and to me, a part of like

1:38:12.720 --> 1:38:14.760
<v Speaker 2>TeX's live show that was super dope was him and

1:38:14.840 --> 1:38:18.200
<v Speaker 2>Chris's energy back and forth. But I saw him by

1:38:18.280 --> 1:38:22.120
<v Speaker 2>himself and he had he had like it was like

1:38:22.320 --> 1:38:27.280
<v Speaker 2>the gangster, the the clown and the king and he

1:38:28.320 --> 1:38:31.240
<v Speaker 2>somehow bro it was the craziest texture I've ever been to.

1:38:31.280 --> 1:38:33.000
<v Speaker 2>And it was just him and the way he like

1:38:33.120 --> 1:38:36.519
<v Speaker 2>changed his outfitches that work byself. Bro that No, he's

1:38:36.560 --> 1:38:38.639
<v Speaker 2>a professional, like when he does this shit he does

1:38:38.800 --> 1:38:41.799
<v Speaker 2>this strange business model is carried on show business.

1:38:42.240 --> 1:38:45.840
<v Speaker 1>Well, strange business model is one that more hip hop

1:38:47.160 --> 1:38:51.160
<v Speaker 1>labels should adopt. What's hard because you need to take

1:38:51.280 --> 1:38:55.679
<v Speaker 1>nine and it's hard because of strict Well, the strict

1:38:55.720 --> 1:38:58.360
<v Speaker 1>part can work, but the tech nine part is the

1:38:58.400 --> 1:38:58.960
<v Speaker 1>hard part.

1:38:58.800 --> 1:39:00.120
<v Speaker 2>Because like when you were on tour with them, you

1:39:00.160 --> 1:39:01.799
<v Speaker 2>guys had rules, right if you If you didn't.

1:39:01.760 --> 1:39:03.599
<v Speaker 1>No rules, it's just your as gonna miss the bus.

1:39:03.680 --> 1:39:04.559
<v Speaker 2>Oh no, there's rules.

1:39:05.120 --> 1:39:06.600
<v Speaker 1>I mean I wasn't no rules to me? Then what

1:39:06.720 --> 1:39:07.200
<v Speaker 1>was the rules?

1:39:07.520 --> 1:39:10.760
<v Speaker 2>There's uh that well they now they have rules like

1:39:10.880 --> 1:39:12.479
<v Speaker 2>if you agree to go on the tour, you have

1:39:12.560 --> 1:39:15.080
<v Speaker 2>to abide by the rules or they find you. Yeah,

1:39:15.080 --> 1:39:18.639
<v Speaker 2>I didn't have that, but that was based on what's

1:39:18.680 --> 1:39:22.200
<v Speaker 2>the rules. Uh no, nobody on the bus. That isn't

1:39:22.760 --> 1:39:25.519
<v Speaker 2>like no girls on the bus. No, uh yeah, that

1:39:25.720 --> 1:39:27.479
<v Speaker 2>was nothing like that, no smoking on the bus. But

1:39:27.600 --> 1:39:31.240
<v Speaker 2>that was because something had happened to cause there's an

1:39:31.320 --> 1:39:36.280
<v Speaker 2>incident or an issue that happened that made those rules.

1:39:36.560 --> 1:39:39.160
<v Speaker 2>Each one of those rules get like so now when

1:39:39.200 --> 1:39:42.080
<v Speaker 2>you go on tour with tech, you gotta sign off

1:39:42.120 --> 1:39:44.160
<v Speaker 2>on Hey, I'm gonna follow these rules. Like Dizzy right,

1:39:44.320 --> 1:39:46.600
<v Speaker 2>was so frustrated he couldn't smoke on the bus so

1:39:46.720 --> 1:39:48.639
<v Speaker 2>he would just pay the fine. Fuck.

1:39:49.400 --> 1:39:51.360
<v Speaker 1>Yeah nah, I didn't have They didn't have some hab.

1:39:51.760 --> 1:39:54.040
<v Speaker 2>Something definitely happened there, but they they before the rules.

1:39:54.160 --> 1:39:55.760
<v Speaker 2>It might have been a machine gun Kelly Tour that

1:39:55.920 --> 1:39:57.960
<v Speaker 2>caused them in and put those rules in.

1:39:58.240 --> 1:40:00.639
<v Speaker 1>Before the rules, it was just I don't smoke anyways,

1:40:00.640 --> 1:40:03.280
<v Speaker 1>they weren't for me. But before the rules, it was

1:40:03.439 --> 1:40:06.000
<v Speaker 1>just it is very strict, but not strict in rules

1:40:06.320 --> 1:40:09.599
<v Speaker 1>time like you really do like oh yeah, the bus

1:40:09.720 --> 1:40:12.600
<v Speaker 1>will these shows in sixty four days. Yeah, you the

1:40:12.680 --> 1:40:14.400
<v Speaker 1>bus will leave. You don't have a choice.

1:40:14.680 --> 1:40:16.120
<v Speaker 2>It has no choice to show much going.

1:40:16.600 --> 1:40:17.880
<v Speaker 1>You just fly to the next town.

1:40:18.160 --> 1:40:19.320
<v Speaker 2>Did you ever miss the bus? Never?

1:40:19.439 --> 1:40:22.320
<v Speaker 1>In life, I wouldn't. The rules wouldn't matter to me.

1:40:22.400 --> 1:40:23.960
<v Speaker 1>I don't smoke a drink. I mean, I don't even

1:40:23.960 --> 1:40:25.200
<v Speaker 1>even care about bringing girls.

1:40:25.000 --> 1:40:27.880
<v Speaker 2>On the bus. I wonder what that tour is like.

1:40:28.000 --> 1:40:30.519
<v Speaker 2>If og Muggs has to be security for E forty

1:40:30.600 --> 1:40:31.280
<v Speaker 2>and Tach done.

1:40:31.720 --> 1:40:34.920
<v Speaker 1>That was kind of cool. I remember that people don't

1:40:35.120 --> 1:40:36.280
<v Speaker 1>keep running back out on the stage.

1:40:36.320 --> 1:40:39.120
<v Speaker 2>Og Muggs is kind of like he's tech security to

1:40:39.200 --> 1:40:41.479
<v Speaker 2>keep running back. Also kind of forty security. He had

1:40:41.479 --> 1:40:43.920
<v Speaker 2>to keep running back on the stage and run shout

1:40:43.960 --> 1:40:46.040
<v Speaker 2>out to mud. He had to double up. Yeah, that's

1:40:46.040 --> 1:40:47.360
<v Speaker 2>probably the roughest tour his his.

1:40:47.600 --> 1:40:51.080
<v Speaker 1>Uh, he was complaining, complaining, He was complaining anyway.

1:40:51.080 --> 1:40:53.400
<v Speaker 2>So the new album is out, cancel these nuts.

1:40:53.560 --> 1:40:57.880
<v Speaker 1>Yeah it's really good man. They telling me it's classic. Now,

1:40:58.000 --> 1:40:59.519
<v Speaker 1>y'all have fucked it up for me because I felt

1:40:59.560 --> 1:41:02.360
<v Speaker 1>specially at first, I've been hearing scar Face and me

1:41:02.439 --> 1:41:04.760
<v Speaker 1>fire moojis about it, and niggas been hitting me tell

1:41:04.760 --> 1:41:06.639
<v Speaker 1>about how good it is, and people like this classic.

1:41:06.760 --> 1:41:10.519
<v Speaker 1>Then I tweet nobody before class and I realize the

1:41:10.640 --> 1:41:13.040
<v Speaker 1>classify every album as a class I'm like, y'all just.

1:41:13.040 --> 1:41:14.920
<v Speaker 2>Fucked it up for me. I thought I had something special,

1:41:15.439 --> 1:41:18.840
<v Speaker 2>not every album, just four of more than four. I Kanye.

1:41:18.960 --> 1:41:20.679
<v Speaker 1>A dude told me Kanye had eight classics.

1:41:22.080 --> 1:41:26.000
<v Speaker 2>Okay, Kanye's first five albums are a classic, so see,

1:41:26.120 --> 1:41:26.880
<v Speaker 2>and just ruined it.

1:41:29.680 --> 1:41:30.639
<v Speaker 1>Time changing.

1:41:31.040 --> 1:41:33.559
<v Speaker 2>He dropped five first six albums are classics.

1:41:33.640 --> 1:41:35.599
<v Speaker 1>He dropped six Doggie styles in a row. He dropped

1:41:35.640 --> 1:41:36.840
<v Speaker 1>six ematics in a row.

1:41:37.280 --> 1:41:39.760
<v Speaker 2>Yeah, I think Kanye's first six albums he.

1:41:39.840 --> 1:41:45.400
<v Speaker 1>Dropped six ematics. He dropped, he dropped, he dropped, fucking.

1:41:46.040 --> 1:41:51.200
<v Speaker 2>Yes, college, college drop out, late registration, graduation. My Beautiful

1:41:51.280 --> 1:41:53.960
<v Speaker 2>Dark Twisted Fantasy, A Ways and Heartbreaks was before My

1:41:53.960 --> 1:42:00.360
<v Speaker 2>Beautiful Dark Twisted Fantasy. Jesus, those are six classics. Yees,

1:42:00.400 --> 1:42:02.760
<v Speaker 2>this is a perfect album. Dropped six omatics in a row,

1:42:02.920 --> 1:42:12.559
<v Speaker 2>and and outside of that, those are the those are

1:42:12.600 --> 1:42:15.640
<v Speaker 2>the six I have to give it to now. I

1:42:16.040 --> 1:42:18.599
<v Speaker 2>also happen to feel that if you were to put

1:42:18.680 --> 1:42:23.280
<v Speaker 2>the Good Friday songs together on a zip file in

1:42:23.400 --> 1:42:27.640
<v Speaker 2>the blog era, that's a whole other classic album. I

1:42:27.760 --> 1:42:29.200
<v Speaker 2>also happened to feel that, uh.

1:42:29.280 --> 1:42:30.880
<v Speaker 1>It's just the standards has been lowered.

1:42:31.400 --> 1:42:35.720
<v Speaker 2>Kids see Ghosts is one of Kanye's greatest bodies of

1:42:35.760 --> 1:42:36.920
<v Speaker 2>work ever for him and Kid.

1:42:36.800 --> 1:42:40.080
<v Speaker 1>Cutting as well. Say as a classic, he just make

1:42:40.200 --> 1:42:41.120
<v Speaker 1>anything in classic.

1:42:41.200 --> 1:42:41.720
<v Speaker 2>You said it not?

1:42:41.720 --> 1:42:43.920
<v Speaker 1>I mean he dropped six ill maatics in the row.

1:42:44.080 --> 1:42:46.520
<v Speaker 1>Fucking Kanye, that's crazy. Six illmatics.

1:42:46.760 --> 1:42:48.760
<v Speaker 2>He dropped six well, I mean he definitely, yeah, he's

1:42:48.880 --> 1:42:50.400
<v Speaker 2>I mean six in a row. Yeah, six ill But

1:42:50.400 --> 1:42:52.200
<v Speaker 2>that's why he's got the greatest hip hop discography of

1:42:52.240 --> 1:42:52.639
<v Speaker 2>all time.

1:42:53.040 --> 1:42:55.439
<v Speaker 1>Six ellmatics in a row. I mean he had, he

1:42:55.520 --> 1:42:57.559
<v Speaker 1>had that the first three records. I mean, I'll cast

1:42:57.640 --> 1:42:58.240
<v Speaker 1>it four straight.

1:42:59.000 --> 1:43:01.880
<v Speaker 2>You know, Oreo Maddix in a row, Southern playerlist of

1:43:01.920 --> 1:43:06.639
<v Speaker 2>Caatellacts and Cemini four four get rich of DoD Trons

1:43:06.680 --> 1:43:11.160
<v Speaker 2>in the row. That's just how crazy? Wait wait wait, yeah,

1:43:11.200 --> 1:43:12.840
<v Speaker 2>I'll cast has five classics.

1:43:12.479 --> 1:43:14.559
<v Speaker 1>And he got five classes in the row. Five get

1:43:14.680 --> 1:43:15.840
<v Speaker 1>rich of DoD Tron's in a row.

1:43:15.960 --> 1:43:18.040
<v Speaker 2>Yeah, I cast got five of them. That's just crazy.

1:43:18.240 --> 1:43:20.840
<v Speaker 1>I can't argue because at this point it's like I

1:43:20.920 --> 1:43:22.840
<v Speaker 1>ain't never heard. I didn't even know hip hop had

1:43:22.920 --> 1:43:26.400
<v Speaker 1>DMX has one. Somebody told me the DMS had four.

1:43:26.800 --> 1:43:27.320
<v Speaker 2>That's crazy.

1:43:27.760 --> 1:43:30.920
<v Speaker 1>It's not all this ship is crazy, y'all. Y'all would

1:43:30.920 --> 1:43:31.280
<v Speaker 1>make it like.

1:43:31.320 --> 1:43:35.360
<v Speaker 2>If you DMX has DMX has one. This dude told

1:43:35.360 --> 1:43:37.240
<v Speaker 2>me and a half. He told me best of both

1:43:37.280 --> 1:43:41.400
<v Speaker 2>worlds is classic class Someone told I think you should

1:43:41.439 --> 1:43:41.920
<v Speaker 2>have blocked him.

1:43:42.520 --> 1:43:45.800
<v Speaker 1>I'm not on blocking nobody. What I never blocked people.

1:43:45.920 --> 1:43:53.439
<v Speaker 2>Hove has got two undeniable classics, and then the Black album,

1:43:53.800 --> 1:43:54.719
<v Speaker 2>which is up for debate.

1:43:55.600 --> 1:43:57.519
<v Speaker 1>This dude said, all of these classes. He showed me

1:43:57.560 --> 1:43:59.880
<v Speaker 1>all the album, all the Kanye Me like, all the

1:44:00.040 --> 1:44:00.839
<v Speaker 1>people have classics.

1:44:00.880 --> 1:44:03.720
<v Speaker 2>No, I'll say this. Jay Z's got two undeniables, and

1:44:03.920 --> 1:44:07.080
<v Speaker 2>then the Black album, which to me is a classic.

1:44:07.880 --> 1:44:11.280
<v Speaker 1>I think Drake has He said, if we talk about songs,

1:44:11.360 --> 1:44:12.960
<v Speaker 1>hold got one hundred classic songs.

1:44:13.040 --> 1:44:15.200
<v Speaker 2>Even Chief keep got him. You just chatting, okay, I

1:44:15.200 --> 1:44:18.120
<v Speaker 2>don't know. This is your people. Here's a white man

1:44:18.640 --> 1:44:19.000
<v Speaker 2>he talked.

1:44:19.000 --> 1:44:21.960
<v Speaker 1>And then another dude said, I'm so tired of interaction farming.

1:44:22.360 --> 1:44:24.280
<v Speaker 1>This is the most obvious bait I've seen all day.

1:44:24.280 --> 1:44:26.640
<v Speaker 1>And retards on Twitter eat it up. No one in

1:44:26.720 --> 1:44:28.280
<v Speaker 1>hip hop classics.

1:44:28.320 --> 1:44:30.360
<v Speaker 2>Your tweet was no one in hip hop has four classics.

1:44:30.640 --> 1:44:32.759
<v Speaker 2>This is the tweet, So that's the one. Everyone.

1:44:33.439 --> 1:44:35.320
<v Speaker 1>Look how many fucking views are Yes?

1:44:35.360 --> 1:44:37.960
<v Speaker 2>So someone said outcast, which is true. Damn two point

1:44:38.000 --> 1:44:40.040
<v Speaker 2>eight million DMX. That person should be blocked.

1:44:41.439 --> 1:44:43.599
<v Speaker 1>It's going to get worse. This is your people. That's

1:44:43.680 --> 1:44:44.400
<v Speaker 1>just the madness.

1:44:44.800 --> 1:44:52.040
<v Speaker 2>J Z four classes conye C might be close. I

1:44:52.160 --> 1:44:58.840
<v Speaker 2>might have cube is jay Z. Don't uh outcast day

1:44:59.120 --> 1:45:03.040
<v Speaker 2>the roots. This is your people, y'all. Just say NAS

1:45:03.080 --> 1:45:03.639
<v Speaker 2>don't have four.

1:45:04.000 --> 1:45:06.840
<v Speaker 1>People said no, man, I see NAS probably top five

1:45:06.920 --> 1:45:07.679
<v Speaker 1>gods mentioned.

1:45:07.600 --> 1:45:09.360
<v Speaker 2>That's my favorite MC. Ever he don't got four.

1:45:09.640 --> 1:45:11.600
<v Speaker 1>But this is the point, y'all. Don't understand what a

1:45:11.640 --> 1:45:13.800
<v Speaker 1>classic album is. Y'all just saying it's a really good

1:45:13.840 --> 1:45:17.840
<v Speaker 1>album or you think it's almost perfect. That's not There's

1:45:17.920 --> 1:45:20.280
<v Speaker 1>no way Kanye dropped five Get Richard die Tron's in

1:45:20.320 --> 1:45:20.559
<v Speaker 1>a row.

1:45:20.600 --> 1:45:22.679
<v Speaker 2>It's just not true. No, he did six.

1:45:23.000 --> 1:45:24.400
<v Speaker 1>He didn't drop six in a row.

1:45:24.520 --> 1:45:26.519
<v Speaker 2>Six in a row. And you're right, no way five

1:45:26.600 --> 1:45:27.320
<v Speaker 2>because it was six.

1:45:27.479 --> 1:45:28.479
<v Speaker 1>He didn't drop six.

1:45:28.600 --> 1:45:29.040
<v Speaker 2>It was six.

1:45:29.360 --> 1:45:32.360
<v Speaker 1>So six of Kanye's album is Get rich of true

1:45:32.439 --> 1:45:39.000
<v Speaker 1>first six, the first six. Yeah, this is crazy.

1:45:39.640 --> 1:45:43.439
<v Speaker 2>Yeah, I mean I put get Richard die Try.

1:45:43.560 --> 1:45:46.000
<v Speaker 1>It's funny because people think I'm interacting former Like I

1:45:46.080 --> 1:45:47.479
<v Speaker 1>thought this was a reasonable point.

1:45:47.560 --> 1:45:49.360
<v Speaker 2>Oh, I figured, I think how rare it is so

1:45:49.439 --> 1:45:51.439
<v Speaker 2>people think you were trolling for the for the interaction,

1:45:51.640 --> 1:45:52.120
<v Speaker 2>I sweart.

1:45:52.160 --> 1:45:55.519
<v Speaker 1>I was like, wait a minute, and my tripping, like,

1:45:55.640 --> 1:45:57.559
<v Speaker 1>why does this tweet have three million views?

1:45:58.320 --> 1:46:00.320
<v Speaker 2>Is it safe to say? On the West Coast the

1:46:00.400 --> 1:46:04.040
<v Speaker 2>person that's in the discussion is Kendrick. I mean, I

1:46:04.120 --> 1:46:04.439
<v Speaker 2>don't know.

1:46:04.520 --> 1:46:06.280
<v Speaker 1>I don't believe. I don't believe. I don't believe no

1:46:06.360 --> 1:46:09.760
<v Speaker 1>one has four classic album. There's nobody in the discussion. Well,

1:46:09.800 --> 1:46:13.439
<v Speaker 1>I think cube, if you look at America's more Death Certificate,

1:46:13.560 --> 1:46:15.760
<v Speaker 1>then you say straight out of Compton and West Side

1:46:15.800 --> 1:46:18.200
<v Speaker 1>Connection maybe, but then a lot of people might not

1:46:18.280 --> 1:46:22.000
<v Speaker 1>look at West Side Connection as a consensus classic.

1:46:21.840 --> 1:46:23.679
<v Speaker 2>Uncultured twine is what we call those people.

1:46:23.800 --> 1:46:27.000
<v Speaker 1>You feel me, But it's like, I wouldn't think I

1:46:27.160 --> 1:46:28.679
<v Speaker 1>really thought that. I was like, damn, it's some people

1:46:28.720 --> 1:46:30.479
<v Speaker 1>that got close to three. Like I thought Kanye. I'm like,

1:46:30.560 --> 1:46:34.240
<v Speaker 1>Kanye might have three. I thought might have got Yeah,

1:46:34.320 --> 1:46:36.559
<v Speaker 1>I think j might have three. I was like, Nas

1:46:36.600 --> 1:46:37.559
<v Speaker 1>probably has for sure.

1:46:37.680 --> 1:46:37.840
<v Speaker 2>Two.

1:46:38.240 --> 1:46:40.960
<v Speaker 1>Life is good is better than Illmatic, but Illmatic is

1:46:41.000 --> 1:46:44.880
<v Speaker 1>a classic, right, I disagree, I understand, but I'm saying

1:46:44.920 --> 1:46:48.519
<v Speaker 1>Life is Good is a better album then Illmatic, but

1:46:48.640 --> 1:46:49.920
<v Speaker 1>Illmadic is the classic.

1:46:50.040 --> 1:46:53.719
<v Speaker 2>Life is Good isn't even a top four NAS album.

1:46:53.760 --> 1:46:55.439
<v Speaker 1>That's because NAS fans have bad tastes.

1:46:55.560 --> 1:46:59.800
<v Speaker 2>That's not true. It's good, it was written better. No,

1:46:59.880 --> 1:47:01.920
<v Speaker 2>I like Life is Good. No, no, no, no, it's

1:47:02.000 --> 1:47:05.160
<v Speaker 2>fail mad. It was written lost tapes.

1:47:05.920 --> 1:47:08.600
<v Speaker 1>You get what I'm saying, Like, if you listen, I

1:47:08.760 --> 1:47:09.599
<v Speaker 1>wasn't the biggest.

1:47:11.479 --> 1:47:14.000
<v Speaker 2>It's because you're fucking twelve. And his goat sulta Wayne.

1:47:14.280 --> 1:47:17.240
<v Speaker 1>Little Wayne is dope. Oh motherfucker said, Lil Wayne got

1:47:17.280 --> 1:47:19.639
<v Speaker 1>five classic goalbum he said all the Carters.

1:47:19.680 --> 1:47:21.560
<v Speaker 2>I was like, you should have blocked who ever said that.

1:47:21.920 --> 1:47:24.040
<v Speaker 1>I was like, bro, why, But that's as bad as

1:47:24.040 --> 1:47:25.799
<v Speaker 1>you saying Kanye got six classes.

1:47:25.920 --> 1:47:28.519
<v Speaker 2>No, listen, there's an argument to be made that Wayne's

1:47:28.560 --> 1:47:32.840
<v Speaker 2>got two Carter two and three. I wouldn't even say that.

1:47:33.040 --> 1:47:35.599
<v Speaker 2>And I actually think my favorite one is the best one. Well,

1:47:35.640 --> 1:47:37.640
<v Speaker 2>I was about to say that my favorite is the

1:47:37.680 --> 1:47:38.160
<v Speaker 2>Carter one.

1:47:38.400 --> 1:47:39.040
<v Speaker 1>It's the best one.

1:47:39.120 --> 1:47:41.680
<v Speaker 2>I think Birdman Junior is my favorite Little Wayne song ever.

1:47:42.479 --> 1:47:44.720
<v Speaker 2>And then you got I miss my dogs, but.

1:47:44.800 --> 1:47:47.320
<v Speaker 1>You're getting closed. Probably my favorite Little Wayne.

1:47:47.160 --> 1:47:50.320
<v Speaker 2>Song was on the quarter Cardan Junior is my favorite.

1:47:50.840 --> 1:47:53.160
<v Speaker 2>But all I'm saying Party two didn't age well, you

1:47:53.240 --> 1:47:57.280
<v Speaker 2>know what's a classic or close to it? Like father,

1:47:57.479 --> 1:47:57.800
<v Speaker 2>like son?

1:48:00.479 --> 1:48:03.439
<v Speaker 1>See see what I'm saying now, and then bird Man

1:48:03.479 --> 1:48:04.920
<v Speaker 1>and look at this shit and be like, fucking no,

1:48:05.200 --> 1:48:06.760
<v Speaker 1>fucking stunt of the ship was the ship?

1:48:06.840 --> 1:48:08.320
<v Speaker 2>But why you got to just say classic?

1:48:08.680 --> 1:48:10.960
<v Speaker 1>You were signing cash money right, yes, But then now

1:48:11.040 --> 1:48:12.880
<v Speaker 1>I'll say something bird To look at me and be like,

1:48:13.120 --> 1:48:13.960
<v Speaker 1>you just go I'm.

1:48:13.840 --> 1:48:15.280
<v Speaker 2>Not a classic?

1:48:15.880 --> 1:48:17.680
<v Speaker 1>Why why do we gotta go that far?

1:48:17.800 --> 1:48:20.439
<v Speaker 2>It's a cult classic? How about that? It's not if

1:48:20.479 --> 1:48:22.840
<v Speaker 2>you're not at it's not a hip hop consensus.

1:48:23.040 --> 1:48:25.080
<v Speaker 1>The greatest album out of the South is a cash

1:48:25.120 --> 1:48:25.639
<v Speaker 1>money album.

1:48:25.800 --> 1:48:29.840
<v Speaker 2>It's four hundred degrees. That's a class far, yes, by far.

1:48:30.080 --> 1:48:33.599
<v Speaker 2>Four hundred degrees is the best cash money album of all.

1:48:33.720 --> 1:48:36.800
<v Speaker 1>It's the greatest album out of the South, and guy,

1:48:37.320 --> 1:48:40.920
<v Speaker 1>four hundred degrees womenI is better.

1:48:41.080 --> 1:48:43.400
<v Speaker 2>But four hundred degrees is the best cash money album ever.

1:48:43.479 --> 1:48:46.240
<v Speaker 1>It's the best album out of the South's.

1:48:45.840 --> 1:48:47.800
<v Speaker 2>And I'm not mad at that take. It's not that's

1:48:47.840 --> 1:48:51.120
<v Speaker 2>a reasonable take, But all my takes for hip hop

1:48:51.439 --> 1:48:52.479
<v Speaker 2>takes a reasonable four hit.

1:48:52.600 --> 1:48:53.880
<v Speaker 1>What's the worst? What's my worst take?

1:48:54.280 --> 1:48:58.360
<v Speaker 2>Kanye don't have four classics. He's the only one was

1:48:58.439 --> 1:49:05.040
<v Speaker 2>for well besides Outcast, out Cast got five. I'll cast

1:49:05.120 --> 1:49:07.640
<v Speaker 2>is bat in one thousand percent. We won't even count Idlewild.

1:49:07.920 --> 1:49:10.680
<v Speaker 2>It was a soundtrack because a classic. No, it was

1:49:10.720 --> 1:49:13.599
<v Speaker 2>a soundtrack. But it's a classic soundtrack. I mean it's

1:49:13.600 --> 1:49:17.559
<v Speaker 2>not a bad soundtrack. It's got Hollywood Divorce on there

1:49:17.600 --> 1:49:19.840
<v Speaker 2>with Lil Wayne, and it's fucked.

1:49:19.600 --> 1:49:21.960
<v Speaker 1>Up because all these people are like guys, my predecessors

1:49:22.000 --> 1:49:23.920
<v Speaker 1>I look up to, and then it makes me sound

1:49:24.000 --> 1:49:26.839
<v Speaker 1>so crazy. Okay, like Father, like Son is a cult classic,

1:49:28.880 --> 1:49:32.200
<v Speaker 1>Like the first big Timers album, Fuck yeah, I got

1:49:32.240 --> 1:49:32.639
<v Speaker 1>that work.

1:49:32.720 --> 1:49:34.120
<v Speaker 2>No, it's not the first big Timers.

1:49:33.880 --> 1:49:36.120
<v Speaker 1>Album, the first one that came on Universal before I.

1:49:36.160 --> 1:49:42.679
<v Speaker 2>Got that work cult classic. They just listen, whoa, whoa, whoa.

1:49:43.880 --> 1:49:46.120
<v Speaker 2>They just put that album on the DSPs like two

1:49:46.240 --> 1:49:49.160
<v Speaker 2>years ago, and I was like, bro, what the first

1:49:49.200 --> 1:49:52.639
<v Speaker 2>big Timers album? Oh? I had that city three different times.

1:49:52.960 --> 1:49:54.120
<v Speaker 2>You got so scratched up.

1:49:54.280 --> 1:49:56.080
<v Speaker 1>But that don't mean you don't look you don't have

1:49:56.240 --> 1:49:58.360
<v Speaker 1>to make albums we like a classic. You could just

1:49:58.520 --> 1:49:58.760
<v Speaker 1>like them.

1:49:58.800 --> 1:50:00.760
<v Speaker 2>Big timers have a could. I'm are called certain hip

1:50:00.760 --> 1:50:02.880
<v Speaker 2>hop albums cult classics, like all them Kanye is are

1:50:02.920 --> 1:50:05.639
<v Speaker 2>cult classic, Drake. Nothing was the same cult classic. I'm

1:50:05.720 --> 1:50:08.240
<v Speaker 2>not mad at that. I'm not mad at a cultured classic.

1:50:08.240 --> 1:50:10.639
<v Speaker 2>But then what coaching fifty cent the massacre? Cult classic?

1:50:11.280 --> 1:50:14.759
<v Speaker 2>No great album, very great album, cult classic.

1:50:15.200 --> 1:50:17.840
<v Speaker 1>No, you don't have to put classic and great together.

1:50:18.280 --> 1:50:19.000
<v Speaker 1>It's just different.

1:50:19.080 --> 1:50:21.880
<v Speaker 2>It's a cult classic. It's not a cun bab for

1:50:21.960 --> 1:50:23.080
<v Speaker 2>mercy cult classic.

1:50:23.400 --> 1:50:26.040
<v Speaker 1>That intro is for sure culture classic. I was just

1:50:26.080 --> 1:50:29.120
<v Speaker 1>talking about that though. Songs like Zoom is a cult classic.

1:50:29.439 --> 1:50:33.759
<v Speaker 1>Boozy no Zoom What the commodoes.

1:50:33.320 --> 1:50:35.040
<v Speaker 2>Oh, I thaid, well, listen, bro, we're talk about hip hop.

1:50:35.080 --> 1:50:39.360
<v Speaker 2>I'm thinking Boozy zoom zone. We said culture right, So culture,

1:50:39.400 --> 1:50:41.519
<v Speaker 2>when I say cult classic, I mean like Kill Bill

1:50:41.640 --> 1:50:44.880
<v Speaker 2>Volume one and two together, it's a cult classic. My

1:50:44.960 --> 1:50:46.479
<v Speaker 2>favorite movie ever. Cult classic. Yeah.

1:50:46.479 --> 1:50:49.120
<v Speaker 1>They create a culture behind them and people enjoy them

1:50:49.160 --> 1:50:55.120
<v Speaker 1>as a group. Here I go, mystical cult classic. Here

1:50:55.200 --> 1:50:57.439
<v Speaker 1>I go, that is a culture classic.

1:50:57.560 --> 1:51:00.720
<v Speaker 2>Yeah. Because now when Dean Sanders wins, he's play me

1:51:00.760 --> 1:51:04.160
<v Speaker 2>my music and what's on that? It's that Wow, I

1:51:04.200 --> 1:51:05.400
<v Speaker 2>ain't know that. Yep.

1:51:06.479 --> 1:51:08.840
<v Speaker 1>So it's certain things. But you just got to stop

1:51:08.880 --> 1:51:09.360
<v Speaker 1>abusing the.

1:51:09.360 --> 1:51:10.600
<v Speaker 2>Word classic like I'm not.

1:51:11.000 --> 1:51:14.479
<v Speaker 1>I'm speaking facts. Kanye doesn't have four classes and you're

1:51:14.520 --> 1:51:17.439
<v Speaker 1>right he has six. He doesn't have six. Kanye may

1:51:17.520 --> 1:51:19.439
<v Speaker 1>have Kanye may have two classics.

1:51:19.560 --> 1:51:23.759
<v Speaker 2>Kanye's got the single greatest discography we've ever seen, followed

1:51:23.800 --> 1:51:29.800
<v Speaker 2>by Outcast, followed by ghost Face.

1:51:29.840 --> 1:51:32.400
<v Speaker 1>Skill up, I'm not mad at the face. I'm not

1:51:32.520 --> 1:51:33.160
<v Speaker 1>mad atos face.

1:51:33.320 --> 1:51:34.479
<v Speaker 2>Oh you know what I got you?

1:51:34.680 --> 1:51:36.200
<v Speaker 1>So Kanye dropped six purple tapes?

1:51:36.320 --> 1:51:38.760
<v Speaker 2>That's what you said? Yep. Yeah.

1:51:38.840 --> 1:51:40.879
<v Speaker 1>Now next time they see you, we have this conversation

1:51:41.000 --> 1:51:43.320
<v Speaker 1>they see you. It was like Kanye dropped six purple tape.

1:51:43.360 --> 1:51:46.040
<v Speaker 1>Kanye dropped, no fucking six purple tapes. No he didn't,

1:51:46.160 --> 1:51:47.679
<v Speaker 1>you're right, didn't.

1:51:48.280 --> 1:51:48.960
<v Speaker 2>Well, he dropped.

1:51:50.680 --> 1:51:52.479
<v Speaker 1>Do you know how asked night As you're saying he drops,

1:51:52.680 --> 1:51:54.280
<v Speaker 1>do you know what you're saying when you say that

1:51:54.560 --> 1:51:56.160
<v Speaker 1>he dropped six purple tapes?

1:51:58.520 --> 1:52:01.599
<v Speaker 2>This nick is crazy. Well, go get the album, cancel

1:52:01.680 --> 1:52:03.360
<v Speaker 2>these nuts. Go to the cryptstore dot com.

1:52:03.560 --> 1:52:06.680
<v Speaker 1>Yeah, the cripstore dot com. Grab the autograph copy. You

1:52:06.720 --> 1:52:09.599
<v Speaker 1>can also go, I got vinyl stream, I got cassettes.

1:52:09.640 --> 1:52:10.320
<v Speaker 1>I got cassette.

1:52:11.320 --> 1:52:14.360
<v Speaker 2>Yeah it's crippy. Yeah, how do you get vinyl made

1:52:14.360 --> 1:52:16.280
<v Speaker 2>as an independent artist these days? Just pay for it,

1:52:18.040 --> 1:52:20.519
<v Speaker 2>just like distributed to anybody. You just handle this, nah,

1:52:20.560 --> 1:52:21.400
<v Speaker 2>Olivia's collection.

1:52:21.720 --> 1:52:25.040
<v Speaker 1>I made my own distribution company for my mom's just

1:52:25.120 --> 1:52:28.040
<v Speaker 1>distributing it, putting it out there. It's all good. It's

1:52:28.040 --> 1:52:29.679
<v Speaker 1>a really great record. They've been telling me it's classic,

1:52:29.720 --> 1:52:31.200
<v Speaker 1>but y'all fucked it up for me when I got

1:52:31.600 --> 1:52:34.840
<v Speaker 1>three million people like viewing the tweet saying everybody got

1:52:34.880 --> 1:52:36.800
<v Speaker 1>four classics, so I'm like them now, I can't respect

1:52:36.840 --> 1:52:40.320
<v Speaker 1>your fucking opinion on saying my album is a classic classic.

1:52:40.520 --> 1:52:43.200
<v Speaker 1>I don't. I wouldn't listen to enough. That's like asking

1:52:43.280 --> 1:52:44.559
<v Speaker 1>me if Tim Duncan has a good game.

1:52:44.720 --> 1:52:45.040
<v Speaker 2>He does.

1:52:45.520 --> 1:52:46.679
<v Speaker 1>I've never really paid.

1:52:46.560 --> 1:52:47.800
<v Speaker 2>His fifth best player ever.

1:52:48.040 --> 1:52:49.400
<v Speaker 1>I think in in the top five too, but I

1:52:49.520 --> 1:52:51.559
<v Speaker 1>just never watched the games, Like, I can't go back

1:52:51.600 --> 1:52:53.519
<v Speaker 1>to a moment I ever saw Tim Duncan was like man,

1:52:53.560 --> 1:52:54.519
<v Speaker 1>Tim Duncan in that moment.

1:52:54.600 --> 1:52:56.360
<v Speaker 2>Well, he was cooking the suns in the playoffs my

1:52:56.400 --> 1:52:57.439
<v Speaker 2>whole life. So I've seen him.

1:52:57.479 --> 1:52:59.280
<v Speaker 1>Yeah, and That's how I feel about j Cole Like

1:52:59.360 --> 1:53:01.360
<v Speaker 1>unless you watch who he playing again, so you're watching

1:53:01.400 --> 1:53:04.120
<v Speaker 1>his career, you really he don't have moments that jump.

1:53:04.040 --> 1:53:09.680
<v Speaker 2>Off who higher Kobe or Duncan Duncan Duncan as an

1:53:09.800 --> 1:53:11.680
<v Speaker 2>la nigga too, no ship All right, that's want to

1:53:11.720 --> 1:53:12.719
<v Speaker 2>make sure you're reasonable.

1:53:12.760 --> 1:53:14.040
<v Speaker 1>I'm fair, you are fair.

1:53:14.120 --> 1:53:17.759
<v Speaker 2>Yeah, top five guys, top number five, best power for whatever.

1:53:17.800 --> 1:53:21.000
<v Speaker 1>Only I'll say I wouldn't even I wouldn't even put

1:53:21.080 --> 1:53:23.000
<v Speaker 1>one through five. This is just the best five player

1:53:23.040 --> 1:53:25.040
<v Speaker 1>because it's five people on the court, so it don't

1:53:25.040 --> 1:53:27.040
<v Speaker 1>matter who first or fifth, they just all the same.

1:53:27.240 --> 1:53:32.040
<v Speaker 1>That's fair magic Michael Jordan, Lebron, James, Tim Duncan, Bill.

1:53:31.920 --> 1:53:34.360
<v Speaker 2>Russell, I think he could be Korean?

1:53:35.040 --> 1:53:42.720
<v Speaker 1>All right, poor, how are you gonna do this year? No,

1:53:42.880 --> 1:53:44.760
<v Speaker 1>Shack is not the top ten, but shout out to

1:53:44.760 --> 1:53:49.240
<v Speaker 1>show no say nine, No, nah, I've always struggled with

1:53:49.240 --> 1:53:50.559
<v Speaker 1>Shack between fifteen and twenty five.

1:53:50.600 --> 1:53:53.320
<v Speaker 2>You don't think with Shack is tough as that like eleven.

1:53:53.000 --> 1:53:55.640
<v Speaker 1>Through twenty five, Shack could be anywhere because even as

1:53:55.680 --> 1:53:58.360
<v Speaker 1>a sinner like I'm not sure like I wanted some

1:53:58.479 --> 1:54:00.160
<v Speaker 1>days put him above logic.

1:54:00.640 --> 1:54:02.320
<v Speaker 2>But he got cooked up by a team in the finals.

1:54:02.439 --> 1:54:04.799
<v Speaker 1>Ye. And then do I put him over Wilt Chamberlain?

1:54:05.280 --> 1:54:11.240
<v Speaker 2>Yes, really yeah for VP two championship hundred point games,

1:54:11.720 --> 1:54:14.880
<v Speaker 2>then Ventner of the big It's just it's just either way.

1:54:14.920 --> 1:54:15.400
<v Speaker 2>I'm fine.

1:54:16.080 --> 1:54:18.200
<v Speaker 1>Yeah, he's a top five. I just don't know if

1:54:18.240 --> 1:54:21.200
<v Speaker 1>he's three to five like you said, it's like three

1:54:21.240 --> 1:54:23.439
<v Speaker 1>to five. He not Kareem or he's not Bill Russell.

1:54:23.960 --> 1:54:26.160
<v Speaker 2>That's fair. He's not Kareem. He's not Bill Russell.

1:54:26.240 --> 1:54:28.160
<v Speaker 1>And that's how I start doing my ship that position,

1:54:28.280 --> 1:54:28.760
<v Speaker 1>someone who I.

1:54:28.760 --> 1:54:32.240
<v Speaker 2>Hate that's starting to get forced themselves into these discussions unfortunately.

1:54:32.440 --> 1:54:35.360
<v Speaker 2>And Steph Curry's yeah, he's for short top ten. Now

1:54:35.400 --> 1:54:37.160
<v Speaker 2>he's getting there. He's there. Now he's there.

1:54:37.440 --> 1:54:40.160
<v Speaker 1>He's the second, he's the second best point guard clearly ever.

1:54:40.680 --> 1:54:46.400
<v Speaker 1>Magic Steph Zeke No, Magic, Steph Oscar Yes, Zeke No,

1:54:47.520 --> 1:54:50.240
<v Speaker 1>he is like six. I'm gonna this is gonna sound

1:54:50.320 --> 1:54:52.600
<v Speaker 1>blast missing. This is probably my worst take. I'm going

1:54:52.640 --> 1:54:53.760
<v Speaker 1>Tony Parker over Zeke.

1:54:54.240 --> 1:54:57.040
<v Speaker 2>Fuck out of here. Okay, that's your worst tae. At

1:54:57.120 --> 1:54:58.640
<v Speaker 2>least you acknowledge it to be your worst take.

1:54:59.240 --> 1:55:00.880
<v Speaker 1>Yeah, that's probably my worst take.

1:55:00.920 --> 1:55:03.880
<v Speaker 2>It's Chris Paul top five PG. Ever No is he

1:55:03.960 --> 1:55:07.040
<v Speaker 2>six seven? No? Really he's ten. No, he's top ten.

1:55:07.240 --> 1:55:11.480
<v Speaker 1>No, you're crazy, top eleven through fifteen. I'm going Gary

1:55:11.560 --> 1:55:14.080
<v Speaker 1>Payton over him. I'm going Dennis Johnson from Counting over

1:55:14.160 --> 1:55:16.920
<v Speaker 1>You're fucking crazy. I'm going Jason Kidd over him.

1:55:17.200 --> 1:55:17.760
<v Speaker 2>Fucking crazy.

1:55:17.840 --> 1:55:19.800
<v Speaker 1>I'm going John Stockton over him.

1:55:19.960 --> 1:55:23.320
<v Speaker 2>That's a fair, that's fair. You were You wouldn't putt

1:55:23.360 --> 1:55:24.040
<v Speaker 2>Nash over Paul.

1:55:24.640 --> 1:55:26.440
<v Speaker 1>Yeah, I'm putting Nash over Paul two MVP.

1:55:26.640 --> 1:55:29.320
<v Speaker 2>Yeah yeah, yeah. Nammy just was nasty. So is Paul.

1:55:29.560 --> 1:55:31.560
<v Speaker 1>Paul is fantastic. But you gotta do something with it.

1:55:31.600 --> 1:55:34.320
<v Speaker 1>You gotta go, you gotta you gotta get there.

1:55:34.920 --> 1:55:38.360
<v Speaker 2>He went, No, he never went. He went to the

1:55:38.400 --> 1:55:41.200
<v Speaker 2>finals and played the Bucks. Did he play? Yes?

1:55:41.760 --> 1:55:43.440
<v Speaker 1>I could have swore he was. Well, I guess that's

1:55:43.480 --> 1:55:44.600
<v Speaker 1>not bad. Yeah, I gotta look at that.

1:55:44.880 --> 1:55:45.920
<v Speaker 2>He played the whole series.

1:55:46.040 --> 1:55:48.680
<v Speaker 1>Yeah, I still like a putting. He probably eleven.

1:55:50.240 --> 1:55:51.560
<v Speaker 2>Son Son's winning the finals.

1:55:53.400 --> 1:55:58.840
<v Speaker 1>Yeah, I don't know. No, this is the one play defense.

1:55:58.600 --> 1:56:03.240
<v Speaker 2>Everybody we got Vogel. Vogel make him play. One of

1:56:03.240 --> 1:56:04.360
<v Speaker 2>the most underrated coaches ever.

1:56:04.440 --> 1:56:06.000
<v Speaker 1>Man, I'm not mad. At that, but he ain't gonna

1:56:06.000 --> 1:56:10.360
<v Speaker 1>make them play no defense. Yeah, you gotta have some defense.

1:56:10.400 --> 1:56:12.160
<v Speaker 2>I do like this year because there's no clear cut.

1:56:13.240 --> 1:56:15.720
<v Speaker 2>There's a lot of unknown. The disrespect to Denver is

1:56:15.800 --> 1:56:16.800
<v Speaker 2>just other worldly.

1:56:17.320 --> 1:56:19.960
<v Speaker 1>Well, there's a lot bringing the same team. No, they

1:56:20.040 --> 1:56:23.400
<v Speaker 1>lost Bruce Brown, not Bruce Bowen right now, Bruce Bawn

1:56:23.440 --> 1:56:24.720
<v Speaker 1>played for the Bruce Brown.

1:56:24.960 --> 1:56:29.280
<v Speaker 2>They lost Bruce Brown. Really, they lost Jeff Green really.

1:56:29.920 --> 1:56:33.880
<v Speaker 1>Yeah, you get what I'm saying right right, like Denver,

1:56:33.960 --> 1:56:34.360
<v Speaker 1>that would love.

1:56:34.680 --> 1:56:38.360
<v Speaker 2>Lakers probably had the best offseason, No or the Suns.

1:56:40.080 --> 1:56:43.160
<v Speaker 1>Son's probably Boston Pa get the best roster, probably Boston.

1:56:43.160 --> 1:56:44.760
<v Speaker 1>Boston got the unicorn.

1:56:44.640 --> 1:56:45.640
<v Speaker 2>And they got Drew Yea.

1:56:45.800 --> 1:56:47.800
<v Speaker 1>The thing is they got you out of there, so

1:56:47.920 --> 1:56:48.840
<v Speaker 1>they often got better.

1:56:49.040 --> 1:56:49.840
<v Speaker 2>I just see the dope.

1:56:49.960 --> 1:56:50.880
<v Speaker 1>Memphis is a sleeper.

1:56:51.160 --> 1:56:51.560
<v Speaker 2>No they're not.

1:56:51.720 --> 1:56:54.560
<v Speaker 1>I'm telling you, getting Marcus Moore in the backcourt and having.

1:56:54.840 --> 1:56:58.240
<v Speaker 2>J JJ's Jared Jackson Junior is going to be out

1:56:58.320 --> 1:57:01.160
<v Speaker 2>for three to five months. He got a surgery last week.

1:57:02.120 --> 1:57:05.400
<v Speaker 2>Oh my god. And then John Moran can't play for

1:57:05.440 --> 1:57:08.360
<v Speaker 2>how many games? Yeah, but if they hold on, they

1:57:08.440 --> 1:57:12.200
<v Speaker 2>won't now, not without Jared Jackson. They coach will I

1:57:12.280 --> 1:57:12.560
<v Speaker 2>don't know.

1:57:13.000 --> 1:57:15.480
<v Speaker 1>I don't know. I'm telling you you gotta watch them

1:57:15.480 --> 1:57:16.960
<v Speaker 1>because they scrappy bunch.

1:57:17.640 --> 1:57:21.560
<v Speaker 2>Yeah. John Moran's the fucking off, but he figured out

1:57:21.560 --> 1:57:22.880
<v Speaker 2>he'd be all right now. I don't know what's wrong.

1:57:23.000 --> 1:57:25.040
<v Speaker 2>I like this season because it's the most It's just

1:57:25.080 --> 1:57:26.520
<v Speaker 2>a lot of unknowns said.

1:57:26.560 --> 1:57:28.760
<v Speaker 1>We just disrespected Denver, and I'm not gonna dispect Denver.

1:57:28.880 --> 1:57:31.240
<v Speaker 2>So Denver is the well. I always say this as

1:57:31.440 --> 1:57:35.960
<v Speaker 2>I see that the rosters currently Denver has the best player.

1:57:37.520 --> 1:57:41.680
<v Speaker 2>The Lakers have the best roster. All right, the podcast

1:57:41.760 --> 1:57:44.240
<v Speaker 2>is over this. Niggas the top the bottom, and the

1:57:44.280 --> 1:57:48.120
<v Speaker 2>Sun's got and the Suns. The Sun's got the Laker,

1:57:48.440 --> 1:57:49.520
<v Speaker 2>the Lakers rosters.

1:57:49.560 --> 1:57:52.640
<v Speaker 1>Fucking sex man is the loser, though, Dog, you stop.

1:57:53.240 --> 1:57:54.120
<v Speaker 1>This is what happens.

1:57:54.480 --> 1:57:56.760
<v Speaker 2>It's like when you podcast too long. What do they

1:57:56.840 --> 1:58:00.680
<v Speaker 2>call that? Like you walk across the des Yeah. I

1:58:00.840 --> 1:58:02.920
<v Speaker 2>never start to put it on videos. Sucking around, man,

1:58:02.960 --> 1:58:06.080
<v Speaker 2>I gotta get some help. That's some ship. Stop sucking around. Stop.

1:58:07.320 --> 1:58:09.400
<v Speaker 2>No one knows about your podcast because it's audio only.

1:58:09.560 --> 1:58:11.760
<v Speaker 1>I have I do like twenty thousand downloads a week.

1:58:11.840 --> 1:58:14.840
<v Speaker 4>You should be doing one hundred thousand views. If I

1:58:14.920 --> 1:58:17.680
<v Speaker 4>get videos to do it. It's not you need people

1:58:17.720 --> 1:58:20.880
<v Speaker 4>to do it like that guy matters. You need one guy,

1:58:21.000 --> 1:58:21.920
<v Speaker 4>his life matters.

1:58:22.680 --> 1:58:24.760
<v Speaker 1>I need I don't have that one guy is Who

1:58:24.840 --> 1:58:28.760
<v Speaker 1>the fuck is that one? Someone in fucking Palmdale waiting

1:58:29.000 --> 1:58:31.440
<v Speaker 1>for you to hire that No, then, I've never seen him.

1:58:32.320 --> 1:58:35.480
<v Speaker 1>I don't know him. You gotta go video, I know,

1:58:35.640 --> 1:58:38.120
<v Speaker 1>but you gotta have somebody like that guy back there.

1:58:38.160 --> 1:58:39.080
<v Speaker 2>What's the name of the podcast?

1:58:39.200 --> 1:58:40.280
<v Speaker 1>People go, no selling.

1:58:40.320 --> 1:58:42.600
<v Speaker 2>People can listen to it because they can't watch it.

1:58:42.760 --> 1:58:45.480
<v Speaker 1>Yes, it's a real podcast. It's not a YouTube show.

1:58:47.160 --> 1:58:47.840
<v Speaker 1>Tarlam get it.

1:58:48.120 --> 1:58:51.280
<v Speaker 2>Don't let Trailermane's narrative about YouTube not mattering in your head.

1:58:51.320 --> 1:58:53.520
<v Speaker 2>We just say YouTube don't matter. But a podcast is

1:58:53.600 --> 1:58:56.360
<v Speaker 2>what you hear? Yeah, well listen, get on YouTube. Jim alone,

1:58:56.480 --> 1:58:56.840
<v Speaker 2>I got you.

1:58:56.920 --> 1:58:57.840
<v Speaker 1>I gotta find you somebody.

1:58:57.880 --> 1:58:59.880
<v Speaker 2>You've been telling me this. This is your second guy

1:59:00.200 --> 1:59:01.800
<v Speaker 2>like this third.

1:59:02.360 --> 1:59:04.240
<v Speaker 1>See you just find these niggas that just because you

1:59:04.360 --> 1:59:07.320
<v Speaker 1>in Hollywood, all these dolls are just around the corner.

1:59:07.360 --> 1:59:09.280
<v Speaker 2>People are from Arizona that you meant see.

1:59:09.200 --> 1:59:12.280
<v Speaker 1>That's even that's like some of the talented Joker is

1:59:12.320 --> 1:59:14.879
<v Speaker 1>one of the talented people I know is from Arizona.

1:59:14.960 --> 1:59:16.080
<v Speaker 2>Oh my god, that guy.

1:59:16.160 --> 1:59:19.480
<v Speaker 1>It's incredible what happened to him? He's still making music

1:59:19.560 --> 1:59:22.400
<v Speaker 1>and his face. Yes, he's a Juggal. You know he

1:59:22.440 --> 1:59:23.560
<v Speaker 1>shot Tupac must Die.

1:59:24.000 --> 1:59:25.160
<v Speaker 2>Is he a Juggalo? Yes?

1:59:25.640 --> 1:59:27.880
<v Speaker 1>Yeah, Well you know he's not a Joe. He wouldn't

1:59:27.880 --> 1:59:29.080
<v Speaker 1>consider himself a j well.

1:59:28.960 --> 1:59:31.200
<v Speaker 2>Obviously because he is a jug Yes, I mean, he

1:59:31.200 --> 1:59:33.920
<v Speaker 2>wouldn't be painting his face with one rice p, that's true.

1:59:34.200 --> 1:59:37.000
<v Speaker 1>But he's like probably the most talented person I know,

1:59:37.040 --> 1:59:39.240
<v Speaker 1>and he's from fucking Arizona. I don't know why Arizona

1:59:39.280 --> 1:59:41.520
<v Speaker 1>is just hot bed for talent, but shit is not happening.

1:59:43.080 --> 1:59:43.720
<v Speaker 1>I think y'all.

1:59:43.600 --> 1:59:45.600
<v Speaker 2>Gatekeepers are just bad, and I think you're a gatekeeper.

1:59:46.120 --> 1:59:46.720
<v Speaker 2>I'll be trying.

1:59:47.360 --> 1:59:49.640
<v Speaker 1>You gotta really put on trying. See, this is what

1:59:49.720 --> 1:59:52.680
<v Speaker 1>I'm saying. You gotta bear the burden of Phoenix, Arizona

1:59:53.000 --> 1:59:55.440
<v Speaker 1>and the cultures of all the surrounding cities.

1:59:55.560 --> 1:59:59.120
<v Speaker 2>That's your responsibility. You gotta put on to try. They

1:59:59.160 --> 2:00:01.240
<v Speaker 2>all come up here there, rap, I give them interviews.

2:00:01.320 --> 2:00:05.040
<v Speaker 2>I do my best to push do I helped I

2:00:05.120 --> 2:00:10.120
<v Speaker 2>helped my boy get on sway. Uh, I try. You

2:00:10.240 --> 2:00:10.880
<v Speaker 2>gotta do more.

2:00:11.400 --> 2:00:13.400
<v Speaker 1>This is the point of being a hip hop person.

2:00:13.640 --> 2:00:16.040
<v Speaker 1>You gotta carry the burden of Arizona culture. There are

2:00:16.120 --> 2:00:18.960
<v Speaker 1>some dope a z rappers, so it's dope azy everything

2:00:19.880 --> 2:00:21.480
<v Speaker 1>as got some real talent.

2:00:21.320 --> 2:00:23.640
<v Speaker 2>That's moving there.

2:00:24.320 --> 2:00:26.640
<v Speaker 1>I own the dope club there. I know because you

2:00:26.720 --> 2:00:29.040
<v Speaker 1>have you're smart fucking as go up.

2:00:29.240 --> 2:00:31.400
<v Speaker 2>Yeah, all right, we listen, man, everyone go support the

2:00:31.440 --> 2:00:34.400
<v Speaker 2>new album. Please uh stream and ansle these nuts.

2:00:34.560 --> 2:00:36.240
<v Speaker 1>We had a million I think we had a million

2:00:36.280 --> 2:00:38.840
<v Speaker 1>strings on Spotify already, so I know people talking good

2:00:38.840 --> 2:00:39.120
<v Speaker 1>about it.

2:00:39.480 --> 2:00:43.440
<v Speaker 2>Run today and purchases purchase of physical cop cripstore dot com.

2:00:43.680 --> 2:00:46.320
<v Speaker 2>Appreciate you jeam alone, Thank you so much, my brother there.

2:00:46.400 --> 2:00:49.000
<v Speaker 2>It is what's going on, man. I want to shout

2:00:49.000 --> 2:00:51.360
<v Speaker 2>out to our family a hard Dean for presenting to

2:00:51.440 --> 2:00:54.839
<v Speaker 2>you another interview. All right, there's another interview coming tomorrow

2:00:54.880 --> 2:00:56.560
<v Speaker 2>and the next day and the next day. Shout out

2:00:56.560 --> 2:00:58.440
<v Speaker 2>to harden Tho. If you're in Las Vegas, man, the

2:00:58.560 --> 2:01:00.680
<v Speaker 2>number one dispensary in the world. They are our family,

2:01:00.960 --> 2:01:03.600
<v Speaker 2>they are our brothers. There are fucking dogs over there, man.

2:01:03.640 --> 2:01:05.200
<v Speaker 2>We love them. They always are taking care of us

2:01:05.200 --> 2:01:06.240
<v Speaker 2>and they'll take care of you. If you go to

2:01:06.320 --> 2:01:08.920
<v Speaker 2>Hardean in Vegas. Let's say you're landing in Vegas. You're

2:01:08.920 --> 2:01:10.640
<v Speaker 2>gonna go watch the Raiders. You're gonna go watch a

2:01:10.760 --> 2:01:13.720
<v Speaker 2>Vegas show. Whatever. Getting that taxi, tell them straight up,

2:01:13.800 --> 2:01:15.400
<v Speaker 2>take me to Hardean. When you get to Hardean, they

2:01:15.440 --> 2:01:18.839
<v Speaker 2>gonna get you hooked up with the craziest just variety

2:01:18.920 --> 2:01:21.600
<v Speaker 2>and selection of premium cannabis on the planet. And if

2:01:21.640 --> 2:01:23.720
<v Speaker 2>you tell them you heard about us on the Bootleg

2:01:23.800 --> 2:01:25.800
<v Speaker 2>cap show, you say, hey, Hardean, I heard about y'all

2:01:25.840 --> 2:01:28.160
<v Speaker 2>on the Bootleg Cab podcast. They're gonna take care of y'all,

2:01:28.200 --> 2:01:31.000
<v Speaker 2>all right. So go follow them hard Dean Underscore Las

2:01:31.080 --> 2:01:33.360
<v Speaker 2>Vegas on all social media and check them out Hardean,

2:01:33.480 --> 2:01:36.080
<v Speaker 2>Las Vegas dot com. What's up, Harden