1 00:00:01,240 --> 00:00:04,840 Speaker 1: Today's Daily Highlight from Elvis Duran in the Morning Show. 2 00:00:06,240 --> 00:00:08,760 Speaker 2: Elvis Duran in the Morning Show. Do you know we 3 00:00:08,800 --> 00:00:10,360 Speaker 2: love what we do. We get to meet the most 4 00:00:10,440 --> 00:00:16,480 Speaker 2: interesting people, make friends along the way. Yeah. So when 5 00:00:16,520 --> 00:00:19,079 Speaker 2: we heard we had an opportunity for yar Ashihidi to 6 00:00:19,120 --> 00:00:22,000 Speaker 2: come visit us to talk about tinker Bell, which she 7 00:00:22,200 --> 00:00:27,040 Speaker 2: is in, which premieres this Friday on Disney Plus. 8 00:00:27,080 --> 00:00:28,240 Speaker 1: Yeah, Peana Pan and Wendy. 9 00:00:28,400 --> 00:00:30,800 Speaker 2: Yeah. But look, you know she has quite the list. 10 00:00:30,840 --> 00:00:33,200 Speaker 2: I mean, starting with Blackhish and then her character Zoe 11 00:00:33,680 --> 00:00:38,120 Speaker 2: rolled over to Grownish, now tinker Bell. This is interesting. 12 00:00:38,440 --> 00:00:40,199 Speaker 2: If you grow up as a little girl and you 13 00:00:40,280 --> 00:00:43,400 Speaker 2: read little stories or bedtime stories whatever you'd ever dream 14 00:00:43,440 --> 00:00:45,640 Speaker 2: in a millionaires, one day you're going to play that character. 15 00:00:45,800 --> 00:00:47,720 Speaker 3: So cool, what's the best ever? 16 00:00:48,120 --> 00:00:50,239 Speaker 2: But when you do that, play that character, you make 17 00:00:50,280 --> 00:00:52,720 Speaker 2: it your character. So we have to talk to Yara 18 00:00:52,720 --> 00:00:53,840 Speaker 2: about that. Is she ready to go? 19 00:00:54,000 --> 00:00:54,040 Speaker 4: She? 20 00:00:54,560 --> 00:01:00,440 Speaker 2: Is it time for love? All right? Interview lounge, Thank 21 00:01:00,480 --> 00:01:07,160 Speaker 2: you for coming over, Nice to see you. Is it 22 00:01:07,200 --> 00:01:09,800 Speaker 2: nerve wracking just walking into a room full of people 23 00:01:09,840 --> 00:01:14,320 Speaker 2: you don't know, Like, okay, we're on there's a lot 24 00:01:14,360 --> 00:01:16,119 Speaker 2: of which button issue on here? Here we go. There 25 00:01:16,160 --> 00:01:18,800 Speaker 2: you are. I found your button, you know what I mean? 26 00:01:21,440 --> 00:01:23,160 Speaker 2: Oh my gosh, it's so good to see you. 27 00:01:23,920 --> 00:01:24,880 Speaker 4: Good to see you. 28 00:01:25,240 --> 00:01:28,160 Speaker 2: And when we heard we heard about Peter Pan and 29 00:01:28,160 --> 00:01:31,280 Speaker 2: Wendy on Disney plus this this Friday, We're like, Okay, 30 00:01:31,920 --> 00:01:34,320 Speaker 2: even an old, cranky guy like me, I can relate. 31 00:01:34,360 --> 00:01:36,320 Speaker 2: It's been around that long. I mean, the story has 32 00:01:36,920 --> 00:01:39,240 Speaker 2: But when they say, hey, would you like to audition 33 00:01:39,400 --> 00:01:41,840 Speaker 2: or would you like the part of tinker Bell? Your 34 00:01:41,840 --> 00:01:42,640 Speaker 2: first thought is. 35 00:01:42,680 --> 00:01:46,720 Speaker 4: What My first thought was, Oh, you're joking, Like, I 36 00:01:47,000 --> 00:01:48,640 Speaker 4: don't know. I think the thing is it came so 37 00:01:48,720 --> 00:01:50,080 Speaker 4: out of the blue. We were in the middle of 38 00:01:50,080 --> 00:01:52,280 Speaker 4: the pandemic, we hadn't even gone back to shooting grown 39 00:01:52,400 --> 00:01:54,160 Speaker 4: Ish that when you get a call and you have 40 00:01:54,240 --> 00:01:57,120 Speaker 4: like three of your agents on, it's like, oh, tinker Bell, 41 00:01:57,280 --> 00:02:00,520 Speaker 4: question mark. I don't know if I even assessed it 42 00:02:00,560 --> 00:02:03,560 Speaker 4: as a real offer. So I think after like about 43 00:02:03,920 --> 00:02:06,640 Speaker 4: five minutes, I realized, oh, no, they're actually being serious. 44 00:02:06,640 --> 00:02:08,480 Speaker 4: And then I got really exciting because it was just 45 00:02:08,960 --> 00:02:10,880 Speaker 4: a real full circle moment. I mean, when do you 46 00:02:10,919 --> 00:02:12,000 Speaker 4: get to play a faery? 47 00:02:12,320 --> 00:02:12,600 Speaker 3: Yeah? 48 00:02:12,720 --> 00:02:13,520 Speaker 2: Why do every day? 49 00:02:16,120 --> 00:02:18,720 Speaker 1: Sorry, don't you have to audition for it or did 50 00:02:18,800 --> 00:02:20,120 Speaker 1: they just say we want you. 51 00:02:20,400 --> 00:02:23,280 Speaker 4: It was an offer, but it was. It started with 52 00:02:23,320 --> 00:02:26,120 Speaker 4: really just a series of conversations, so they'd reached out. 53 00:02:26,160 --> 00:02:29,280 Speaker 4: But then I ended up talking to the director, David Lowry, 54 00:02:29,760 --> 00:02:31,680 Speaker 4: and that was so fun. I was in the middle 55 00:02:31,720 --> 00:02:33,840 Speaker 4: of taking an Old English class and he was in 56 00:02:33,840 --> 00:02:36,160 Speaker 4: the middle of wrapping up The Green Night, so we 57 00:02:36,240 --> 00:02:38,240 Speaker 4: ended up having a lot to talk about in regards 58 00:02:38,320 --> 00:02:39,640 Speaker 4: to Old English. 59 00:02:39,760 --> 00:02:42,440 Speaker 2: I needed to take an Old English class, I do. 60 00:02:42,560 --> 00:02:45,640 Speaker 4: Okay, it's crazy because people think it's Middle English, but 61 00:02:45,680 --> 00:02:47,040 Speaker 4: it's like a different l language. 62 00:02:47,040 --> 00:02:49,160 Speaker 2: There's a middle language. You've lost us. 63 00:02:49,720 --> 00:02:52,640 Speaker 4: No, it's really It was my hardest class at Harvard. 64 00:02:52,720 --> 00:02:55,160 Speaker 2: I have to say, Harvard, we'll talk about it though. 65 00:02:55,240 --> 00:02:57,760 Speaker 2: I mean, you get good pizza there, so you can't. 66 00:02:57,800 --> 00:03:01,960 Speaker 2: You cannot complain. But I know so old English. I mean, 67 00:03:02,200 --> 00:03:05,440 Speaker 2: bring us give us a sentence or two that would 68 00:03:05,440 --> 00:03:06,320 Speaker 2: bring us up to speed on that. 69 00:03:06,400 --> 00:03:10,519 Speaker 4: All I remember is the phrase the King said, which 70 00:03:10,560 --> 00:03:13,600 Speaker 4: is not even a full sentence. But that's say, kuna quiet. 71 00:03:14,240 --> 00:03:15,000 Speaker 3: That's not English. 72 00:03:15,400 --> 00:03:18,440 Speaker 2: It's a different language anyway, it's more English than the 73 00:03:18,480 --> 00:03:19,200 Speaker 2: English we speak. 74 00:03:19,600 --> 00:03:22,000 Speaker 4: Yeah, neither here nor there, But anyway, we had a 75 00:03:22,000 --> 00:03:24,239 Speaker 4: lot to talk about it. It was really fun first conversation 76 00:03:24,320 --> 00:03:25,960 Speaker 4: because you just get two nerds on the phone. 77 00:03:26,120 --> 00:03:28,639 Speaker 2: I know, but how fabulous because there's it's there's it's 78 00:03:28,720 --> 00:03:32,520 Speaker 2: rich in history, the stories, lessons we learned from your 79 00:03:32,560 --> 00:03:35,040 Speaker 2: god back in those days. I wasn't there even I 80 00:03:35,160 --> 00:03:41,400 Speaker 2: wasn't there, so uh yaa after you know, okay, it's solid, 81 00:03:41,440 --> 00:03:44,360 Speaker 2: we're signed. I'm going to play tinker Bell. You go 82 00:03:44,440 --> 00:03:46,680 Speaker 2: take a shower and you have your private shower moments, 83 00:03:47,320 --> 00:03:49,920 Speaker 2: like those moments where your head just kind of meanders 84 00:03:49,920 --> 00:03:52,040 Speaker 2: and you kind of go down these these holes and things. 85 00:03:52,160 --> 00:03:53,360 Speaker 2: What were you think, like, what are the gonna do? 86 00:03:53,400 --> 00:03:54,960 Speaker 2: Tie me up to a string and fly me across 87 00:03:55,000 --> 00:03:55,320 Speaker 2: the room? 88 00:03:55,600 --> 00:03:59,320 Speaker 4: Yeah, I definitely. I think was initially nervous because they 89 00:03:59,320 --> 00:04:00,760 Speaker 4: were like, okay, you're gonn to get like a curt day, 90 00:04:00,800 --> 00:04:03,119 Speaker 4: solet trainer Like you're gonna be on strings, that's gonna 91 00:04:03,120 --> 00:04:06,240 Speaker 4: be a deal. And it was exciting where I was like, geez, 92 00:04:06,240 --> 00:04:09,320 Speaker 4: I can't even cartwheel. Are they gonna are they gonna 93 00:04:09,320 --> 00:04:13,200 Speaker 4: be like actually, JK, this girl can't curtwheel Like that's it. 94 00:04:13,560 --> 00:04:15,280 Speaker 4: I don't know what it was. I got really paranoid 95 00:04:15,280 --> 00:04:17,760 Speaker 4: about if I didn't live up to the expectations of 96 00:04:17,800 --> 00:04:21,680 Speaker 4: my circ day sole trainer. I ended up being that 97 00:04:21,800 --> 00:04:24,040 Speaker 4: because it was all motion capture that I didn't have 98 00:04:24,120 --> 00:04:27,520 Speaker 4: to actually be on strings because the visual effects team 99 00:04:27,600 --> 00:04:29,800 Speaker 4: did their magic and made it look like I was flying. 100 00:04:29,839 --> 00:04:32,640 Speaker 4: But yeah, I think it was a moment of excitement 101 00:04:32,680 --> 00:04:35,000 Speaker 4: and then a total moment of moment of panic. 102 00:04:35,320 --> 00:04:37,400 Speaker 2: Yeah, those shower moments. We should not be allowed those. 103 00:04:37,600 --> 00:04:38,640 Speaker 4: Yeah. 104 00:04:38,720 --> 00:04:40,560 Speaker 2: So how did you do on the set today? Yard, Well, 105 00:04:40,600 --> 00:04:43,680 Speaker 2: I flew into a ball. Didn't have to do that 106 00:04:43,920 --> 00:04:44,880 Speaker 2: at all. Thank God. 107 00:04:45,400 --> 00:04:47,880 Speaker 3: I feel like your life is fascinating and amazing in 108 00:04:47,880 --> 00:04:50,760 Speaker 3: a life that I would want. You started, obviously with Blackish, 109 00:04:50,920 --> 00:04:53,720 Speaker 3: and then you transition to Grownish, so you've grown up 110 00:04:53,720 --> 00:04:56,599 Speaker 3: on TV, and then you go to Harvard. Are people 111 00:04:56,600 --> 00:04:59,280 Speaker 3: at Harvard impressed by somebody who's done all of that? 112 00:04:59,440 --> 00:05:01,520 Speaker 3: Or is it like a we're at Harvard, we're all coders. 113 00:05:01,560 --> 00:05:04,800 Speaker 4: Anyway, I think it's kind of the latter. People are 114 00:05:04,839 --> 00:05:08,440 Speaker 4: not sweating me at Harvard, and sure, I mean I 115 00:05:08,520 --> 00:05:10,159 Speaker 4: have a group of close friends that would give me 116 00:05:10,200 --> 00:05:14,040 Speaker 4: my props for like, oh cool, congrats you're the Tinkerbell 117 00:05:14,040 --> 00:05:16,880 Speaker 4: announcement came out my junior year and I was in class. 118 00:05:17,480 --> 00:05:21,320 Speaker 4: Well that was happening. So yeah, and so yeah, people 119 00:05:21,360 --> 00:05:23,360 Speaker 4: will give me my props, but quite honestly, it's it's 120 00:05:23,400 --> 00:05:25,440 Speaker 4: really more so that everyone has their own thing going on, 121 00:05:25,600 --> 00:05:28,760 Speaker 4: and so I remember my freshman year it more so 122 00:05:28,920 --> 00:05:31,880 Speaker 4: leaned into just kind of being ignored on campus, where 123 00:05:31,880 --> 00:05:35,120 Speaker 4: I'd be out there waving at folks, try to make friends. Yo. 124 00:05:36,160 --> 00:05:39,479 Speaker 2: Yeah, I know, but an experience, and it's you're still 125 00:05:39,520 --> 00:05:41,840 Speaker 2: young and you have, Wow, what adventures you still had 126 00:05:41,920 --> 00:05:42,400 Speaker 2: ready to go? 127 00:05:42,560 --> 00:05:46,000 Speaker 1: Michelle Obama wrote your recommendation letter like it's just like 128 00:05:46,120 --> 00:05:48,760 Speaker 1: text up on the phone, Hey, I need a letter. 129 00:05:48,800 --> 00:05:49,560 Speaker 1: Can you help me out? 130 00:05:49,640 --> 00:05:52,120 Speaker 4: So did my ap CALC teacher. I notably was the 131 00:05:52,160 --> 00:05:58,320 Speaker 4: only person that got an ap CALC recommendation, but. 132 00:05:58,240 --> 00:05:59,520 Speaker 2: Everyone here is going ap col. 133 00:06:00,080 --> 00:06:02,080 Speaker 3: Yeah, I tried to forget all of that. 134 00:06:03,040 --> 00:06:05,520 Speaker 1: Now you friends with the Obamas. 135 00:06:05,520 --> 00:06:09,599 Speaker 4: I mean friendly. I think it was really wonderful. In 136 00:06:09,640 --> 00:06:11,600 Speaker 4: the last year of the administration. I did a lot 137 00:06:11,640 --> 00:06:15,919 Speaker 4: of work with their educational UH programs and initiatives, and 138 00:06:16,000 --> 00:06:20,000 Speaker 4: so you know, I was in DC quite often. But yeah, 139 00:06:20,000 --> 00:06:22,120 Speaker 4: what a lovely family. I think. What's so funny we 140 00:06:22,160 --> 00:06:25,200 Speaker 4: always note the fact that we never met Sasha and 141 00:06:25,279 --> 00:06:28,760 Speaker 4: Malia there because they were always in school. So we'd 142 00:06:28,760 --> 00:06:30,280 Speaker 4: be at these events, but they were always in school, 143 00:06:30,279 --> 00:06:32,240 Speaker 4: and it wasn't until we were actually like in class 144 00:06:32,279 --> 00:06:36,080 Speaker 4: together that it was like, oh, hi, I've known your 145 00:06:36,120 --> 00:06:37,280 Speaker 4: parents for a while. 146 00:06:38,120 --> 00:06:39,760 Speaker 2: So don't start with me. 147 00:06:40,160 --> 00:06:42,320 Speaker 4: It wasn't a threat. It was more so very exciting. 148 00:06:42,360 --> 00:06:45,240 Speaker 2: You know. During my travels recently we took last week off, 149 00:06:45,279 --> 00:06:47,000 Speaker 2: I was in Europe and you go to the bookstores. 150 00:06:47,400 --> 00:06:50,120 Speaker 2: We went to Italy. Where's you know, I know, just 151 00:06:50,160 --> 00:06:53,640 Speaker 2: a bunch of wine and pasta tuffle hunting very. 152 00:06:53,600 --> 00:06:55,120 Speaker 4: Very wait do they have pigs for that? 153 00:06:55,200 --> 00:06:58,360 Speaker 2: Is that they used dogs. They used trouble dogs, and 154 00:06:58,400 --> 00:06:59,960 Speaker 2: it was an amazing experience. 155 00:07:00,120 --> 00:07:05,200 Speaker 4: What kind of breed is a truffle dog? It is? 156 00:07:05,880 --> 00:07:10,360 Speaker 2: It sounds bougie on this, but when you're there, when 157 00:07:10,880 --> 00:07:13,880 Speaker 2: you're on the farm, it doesn't seem bougie at all. 158 00:07:14,360 --> 00:07:17,160 Speaker 2: I mean when they took they took the truffles, our 159 00:07:17,200 --> 00:07:19,000 Speaker 2: dogs found it. I'm sure they ended up on the 160 00:07:19,040 --> 00:07:21,880 Speaker 2: market somewhere in Florida a lot of money. But anyway, 161 00:07:22,080 --> 00:07:23,480 Speaker 2: one of the things I loved about travel is going 162 00:07:23,480 --> 00:07:27,920 Speaker 2: to the bookstores in the airports and showed Obama's book 163 00:07:28,240 --> 00:07:31,320 Speaker 2: still right there under best sellers around the world. 164 00:07:31,680 --> 00:07:33,600 Speaker 4: Yeah, and so we carry. 165 00:07:33,720 --> 00:07:37,920 Speaker 2: Exactly and you know, her message even during Obama's uh 166 00:07:38,440 --> 00:07:42,720 Speaker 2: his term, her message was always uniquely hers and we 167 00:07:42,760 --> 00:07:46,320 Speaker 2: always thought that was just pretty strong to know that 168 00:07:46,400 --> 00:07:50,880 Speaker 2: she wrote a recommendation for you, I mean, congratulations, thank you. 169 00:07:52,000 --> 00:07:55,120 Speaker 2: By the way, Yara Shahidi is here. Yara is of 170 00:07:55,120 --> 00:07:58,440 Speaker 2: course tinker Bell and Peter Pan and Wendy, which premieres 171 00:07:58,560 --> 00:08:01,960 Speaker 2: Disney plus this fry. Okay, let's talk about tinker Bell 172 00:08:02,000 --> 00:08:03,960 Speaker 2: because this is the story we all grew up with 173 00:08:04,720 --> 00:08:06,960 Speaker 2: and I never really stopped to think, hmmm, who was 174 00:08:07,040 --> 00:08:11,040 Speaker 2: tinker Bell? And then these conspiracy theories come out. 175 00:08:11,120 --> 00:08:13,640 Speaker 3: Oh yeah, have you read any of the conspiracy theories 176 00:08:13,680 --> 00:08:14,400 Speaker 3: about Peter Pan? 177 00:08:14,560 --> 00:08:14,840 Speaker 2: Wait? 178 00:08:15,000 --> 00:08:18,080 Speaker 3: No, that, in fact, Peter Pan is the Angel of. 179 00:08:18,080 --> 00:08:20,120 Speaker 4: Death and that is why yo. 180 00:08:20,360 --> 00:08:22,560 Speaker 3: Yeah, think about this. That's why none of the kids 181 00:08:22,560 --> 00:08:25,080 Speaker 3: ever grow up, because he is taking the children when 182 00:08:25,080 --> 00:08:28,040 Speaker 3: they die off to Neverland, which is kind of like heaven. 183 00:08:28,320 --> 00:08:30,680 Speaker 3: And in fact, Captain Hook hates him because he is 184 00:08:30,720 --> 00:08:32,120 Speaker 3: the Angel of death, and that's why they fight. 185 00:08:32,640 --> 00:08:35,880 Speaker 1: Of course, this is not true that Now she's like, 186 00:08:35,880 --> 00:08:37,520 Speaker 1: should I have taken this role. 187 00:08:38,840 --> 00:08:40,920 Speaker 2: Everything, but when you see the story, when you hear 188 00:08:40,920 --> 00:08:43,080 Speaker 2: this story, to me, it was a lot of things 189 00:08:43,080 --> 00:08:44,960 Speaker 2: that were nowhere near you know, the Prince of Death. 190 00:08:46,160 --> 00:08:48,400 Speaker 2: I mean, there are great issues about it, like and 191 00:08:48,440 --> 00:08:50,960 Speaker 2: these are all orphans, correct, I mean they had noise? 192 00:08:51,440 --> 00:08:53,520 Speaker 4: Yes, I mean I think that was the interesting thing. 193 00:08:53,559 --> 00:08:56,400 Speaker 4: There's a really interesting storyline about families in it. 194 00:08:57,160 --> 00:08:58,520 Speaker 1: And there's the Lost Girls now too. 195 00:08:58,720 --> 00:09:01,520 Speaker 4: Yeah, there's some lost girls in there. It's a really 196 00:09:01,520 --> 00:09:03,240 Speaker 4: cool group of kids. But I think that's what I 197 00:09:03,360 --> 00:09:06,400 Speaker 4: liked about, you know, being a part of this remake, 198 00:09:06,600 --> 00:09:08,920 Speaker 4: was that they took the central theme of never growing up, 199 00:09:08,960 --> 00:09:11,600 Speaker 4: which we've seen in every iteration of Peter Pan, and said, like, 200 00:09:11,920 --> 00:09:15,320 Speaker 4: let's kind of explode this. So let's figure out why 201 00:09:15,360 --> 00:09:18,480 Speaker 4: hook like actually grew up. Let's figure out why Peter 202 00:09:18,640 --> 00:09:20,600 Speaker 4: never grew up. Let's figure out how all the lost 203 00:09:20,600 --> 00:09:22,960 Speaker 4: boys got here. And the fact that we assume they 204 00:09:23,000 --> 00:09:26,080 Speaker 4: don't have families, but is that true? 205 00:09:27,600 --> 00:09:34,240 Speaker 2: Intrigue? Okay, so specifically tinker Belly in your mind, the 206 00:09:34,280 --> 00:09:36,560 Speaker 2: different layers of Tinkerbell, what do they all add up to? 207 00:09:37,520 --> 00:09:37,880 Speaker 1: Mmm? 208 00:09:38,240 --> 00:09:40,360 Speaker 4: Well, I think for a long time, tinker Bell has 209 00:09:40,400 --> 00:09:42,880 Speaker 4: just kind of been a sidekick. And what I love 210 00:09:43,160 --> 00:09:45,520 Speaker 4: in this is that, in really subtle ways, she doesn't 211 00:09:45,520 --> 00:09:48,160 Speaker 4: have to give a monologue about how she's a new 212 00:09:48,240 --> 00:09:52,240 Speaker 4: and improved Tinkerbell or anything, but she's really just such 213 00:09:52,240 --> 00:09:54,920 Speaker 4: a part of the adventure, and she's really protective of 214 00:09:54,960 --> 00:09:57,960 Speaker 4: these kids, and you can tell that she's kind of 215 00:09:58,120 --> 00:10:01,000 Speaker 4: tangentially been involved in this, like Peter Pan and hook 216 00:10:01,080 --> 00:10:04,040 Speaker 4: Beef for a long time. But I think what I 217 00:10:04,040 --> 00:10:07,400 Speaker 4: love most is that the central arc for her, at 218 00:10:07,480 --> 00:10:09,200 Speaker 4: least in my opinion, was like what does it feel 219 00:10:09,240 --> 00:10:13,520 Speaker 4: like to be so unheard? And it ended up allowing 220 00:10:13,559 --> 00:10:15,000 Speaker 4: me to then kind of play in the space of 221 00:10:15,040 --> 00:10:17,920 Speaker 4: being super exaggerated but also feeling like I have some 222 00:10:17,960 --> 00:10:20,320 Speaker 4: sort of grounded truth and some sort of thing that 223 00:10:20,360 --> 00:10:21,640 Speaker 4: Tinkerbell's trying to achieve. 224 00:10:21,760 --> 00:10:23,520 Speaker 2: She just wants to be heard. Talk about it. 225 00:10:23,640 --> 00:10:25,679 Speaker 4: Well, it's more so that you have a character that 226 00:10:25,800 --> 00:10:28,199 Speaker 4: just kind of chimes. She really doesn't speak all that much, 227 00:10:28,559 --> 00:10:30,480 Speaker 4: and then you have Peter, which at times just is 228 00:10:30,480 --> 00:10:33,600 Speaker 4: totally misinterpreting her. So her best friend does not understand 229 00:10:33,640 --> 00:10:35,920 Speaker 4: a word that she's saying. You know, she just keeps 230 00:10:35,960 --> 00:10:38,560 Speaker 4: talking and he'll say, oh, tink said insert whatever she 231 00:10:38,640 --> 00:10:42,640 Speaker 4: absolutely did not say. And so it's interesting because it 232 00:10:42,679 --> 00:10:44,959 Speaker 4: takes Wendy coming in for her to be like, oh, 233 00:10:44,960 --> 00:10:47,520 Speaker 4: there's potential here for me to actually kind of be 234 00:10:47,679 --> 00:10:50,080 Speaker 4: seen in this new way. And you know, I like 235 00:10:50,080 --> 00:10:52,280 Speaker 4: the fact that it happened in these really small moments. 236 00:10:52,280 --> 00:10:55,240 Speaker 4: It wasn't anything huge. It wasn't anything big that happens 237 00:10:55,280 --> 00:10:58,560 Speaker 4: where you know, tinker Bell then takes a stand against 238 00:10:58,720 --> 00:11:02,120 Speaker 4: Peter Pan, But just through this relationship with Wendy, you 239 00:11:02,200 --> 00:11:04,360 Speaker 4: end up seeing like a whole other side of who 240 00:11:04,400 --> 00:11:04,760 Speaker 4: she is. 241 00:11:05,160 --> 00:11:09,199 Speaker 2: To me, I assume that the word read number for 242 00:11:09,360 --> 00:11:10,640 Speaker 2: Tinkerbell was maybe less. 243 00:11:10,480 --> 00:11:12,439 Speaker 4: Than you know, it's the most I've ever spoken. 244 00:11:12,559 --> 00:11:14,200 Speaker 2: Oh really, just doesn't shut up. 245 00:11:14,440 --> 00:11:19,200 Speaker 4: No, I'm really, I'm kidding. No, I truly, we on 246 00:11:19,320 --> 00:11:21,920 Speaker 4: set would put lines on the page just so I 247 00:11:21,960 --> 00:11:24,000 Speaker 4: had an idea of what I was supposed to be 248 00:11:24,040 --> 00:11:28,439 Speaker 4: intending to say. But otherwise, going back to Old English, 249 00:11:28,720 --> 00:11:32,600 Speaker 4: I spoke a mix of Farsi, Spanish English, and Old 250 00:11:32,600 --> 00:11:36,320 Speaker 4: English like no, now this sounds more way more impressive 251 00:11:36,320 --> 00:11:38,400 Speaker 4: than it is. It was absolute gibberish because we were 252 00:11:38,440 --> 00:11:40,480 Speaker 4: just taking like a word here and a word there. 253 00:11:40,920 --> 00:11:43,200 Speaker 4: But I'd have like my sentence in English of like 254 00:11:43,240 --> 00:11:44,920 Speaker 4: what I meant to say, and then I'd have a 255 00:11:44,960 --> 00:11:47,560 Speaker 4: ton of random words, which was like my version of 256 00:11:47,600 --> 00:11:49,360 Speaker 4: saying it. And then when you actually see me in 257 00:11:49,400 --> 00:11:51,760 Speaker 4: the trailer, I'm just I sound like I'm making bell 258 00:11:51,880 --> 00:11:52,760 Speaker 4: sounds and shine. 259 00:11:52,840 --> 00:11:54,640 Speaker 2: But yeah, right, you know, I think the magic thing here, 260 00:11:54,640 --> 00:11:57,760 Speaker 2: and I'm sure you've thought about this is how powerful 261 00:11:58,160 --> 00:12:01,920 Speaker 2: of an actor you are to have the least amount 262 00:12:01,960 --> 00:12:05,720 Speaker 2: of words but the most amount of movement, the most 263 00:12:05,760 --> 00:12:09,840 Speaker 2: amount of moving dialogue of some sorts. I mean, Tinkerbell 264 00:12:10,080 --> 00:12:11,840 Speaker 2: is a hero. You know. 265 00:12:12,360 --> 00:12:14,920 Speaker 4: That was really exciting. I mean it was definitely a 266 00:12:15,000 --> 00:12:18,600 Speaker 4: challenge as an actor because my other characters truly never 267 00:12:18,640 --> 00:12:22,640 Speaker 4: stop talking ever. Like Zoe does voiceover, she talks to 268 00:12:22,880 --> 00:12:25,760 Speaker 4: camera and then she's the number one talker on the show. 269 00:12:25,920 --> 00:12:28,240 Speaker 4: So all it is I lose my voice like twice 270 00:12:28,240 --> 00:12:30,320 Speaker 4: a season because she just never shuts up. 271 00:12:30,440 --> 00:12:34,160 Speaker 2: But I've notice in real life, people who talk too 272 00:12:34,240 --> 00:12:36,400 Speaker 2: much usually say less, and people who talk less usually 273 00:12:36,440 --> 00:12:37,160 Speaker 2: are saying much more. 274 00:12:37,600 --> 00:12:39,719 Speaker 4: Yeah. Yeah, So it was interesting to go from a 275 00:12:39,800 --> 00:12:43,040 Speaker 4: character who, like, I love just how expressive Zoe is, 276 00:12:43,040 --> 00:12:46,520 Speaker 4: but Timkerbell is expressive in a whole other way, and 277 00:12:46,600 --> 00:12:48,800 Speaker 4: like you're saying, I mean, I've never been so aware 278 00:12:48,840 --> 00:12:51,760 Speaker 4: of my face muscles in my life, because you know, 279 00:12:51,840 --> 00:12:53,920 Speaker 4: I didn't have words to be like, oh, well, what 280 00:12:53,960 --> 00:12:56,079 Speaker 4: I mean is all I had was like I can 281 00:12:56,080 --> 00:12:59,040 Speaker 4: either choose an eyebrow or I can choose to make 282 00:12:59,080 --> 00:13:01,600 Speaker 4: a certain face with my mouth, but that's about the 283 00:13:01,640 --> 00:13:05,000 Speaker 4: extent of it. And then even with motion capture, you 284 00:13:05,040 --> 00:13:08,400 Speaker 4: go and do all the body work separately, So let 285 00:13:08,440 --> 00:13:14,200 Speaker 4: me not touch to this equipment. It's okay, But all 286 00:13:14,240 --> 00:13:16,360 Speaker 4: the face stuff you do separately, and you have to 287 00:13:16,360 --> 00:13:19,080 Speaker 4: be really still with your body. And so that was 288 00:13:19,280 --> 00:13:22,480 Speaker 4: another weird kind of moment of saying like I had 289 00:13:22,480 --> 00:13:24,280 Speaker 4: to kind of figure out what the flying and all 290 00:13:24,320 --> 00:13:26,080 Speaker 4: that looked like, because by the time we got to 291 00:13:26,120 --> 00:13:28,280 Speaker 4: the face capture, I had to be so still that 292 00:13:28,559 --> 00:13:30,280 Speaker 4: my range of motion was like I could kind of 293 00:13:30,520 --> 00:13:32,920 Speaker 4: push my hands up a little bit if I wanted, 294 00:13:33,040 --> 00:13:34,760 Speaker 4: if I wanted to be a little expressive or get 295 00:13:34,800 --> 00:13:37,160 Speaker 4: some motion in there, but otherwise you just have to 296 00:13:37,160 --> 00:13:38,920 Speaker 4: sit there so all the cameras can capture you. 297 00:13:39,000 --> 00:13:41,120 Speaker 1: When you watched it back for the first time, were 298 00:13:41,120 --> 00:13:42,680 Speaker 1: you amazed at how they put it all together? 299 00:13:43,000 --> 00:13:44,680 Speaker 4: Yeah, I think My first thought was I made it 300 00:13:44,720 --> 00:13:50,480 Speaker 4: into the film. Everything I did happen so separately from 301 00:13:50,559 --> 00:13:52,800 Speaker 4: everyone else. But my second thought was it was absolutely 302 00:13:52,800 --> 00:13:55,760 Speaker 4: incredible to see because I have, of course got glimpses 303 00:13:55,840 --> 00:13:58,760 Speaker 4: throughout the process of what the character would look like, 304 00:13:59,000 --> 00:14:01,600 Speaker 4: or what the dress looked like, or what my ears 305 00:14:01,600 --> 00:14:03,959 Speaker 4: would look like. And I even got a sample of flying, 306 00:14:04,080 --> 00:14:06,800 Speaker 4: But I didn't get anything close to the magic of 307 00:14:06,840 --> 00:14:08,839 Speaker 4: when I sat down and said, oh my god, that's 308 00:14:08,880 --> 00:14:12,120 Speaker 4: a real character floating around. Wow, and it looks like 309 00:14:12,160 --> 00:14:14,079 Speaker 4: I was flying in the sky all these days. 310 00:14:14,160 --> 00:14:14,559 Speaker 2: Beautiful. 311 00:14:14,559 --> 00:14:16,640 Speaker 3: I wish we really could one of these days go 312 00:14:16,800 --> 00:14:18,640 Speaker 3: figure it out. I think one of the most magical 313 00:14:18,679 --> 00:14:20,960 Speaker 3: things about this is that you're the first black actress 314 00:14:21,080 --> 00:14:24,320 Speaker 3: actor to play tinker Bell, and to me, as a 315 00:14:24,360 --> 00:14:26,520 Speaker 3: brown girl growing up, I'd never see that, And now 316 00:14:26,520 --> 00:14:28,880 Speaker 3: you get to be that. How exciting is that to you? 317 00:14:29,000 --> 00:14:31,960 Speaker 4: Oh, I mean, it's so exciting because it's really full circle. 318 00:14:32,040 --> 00:14:35,040 Speaker 4: My first jobs I ever did were primarily print jobs 319 00:14:35,040 --> 00:14:36,760 Speaker 4: for Disney when I was like five, and I would 320 00:14:36,760 --> 00:14:39,640 Speaker 4: get dressed up in the different costumes. I was like 321 00:14:39,760 --> 00:14:42,800 Speaker 4: Kim Possible, and I have a cutout of me a 322 00:14:42,880 --> 00:14:45,960 Speaker 4: Cinderella but again, I was always the black version of 323 00:14:46,040 --> 00:14:48,720 Speaker 4: these characters, and so to think I wouldn't have never 324 00:14:48,760 --> 00:14:51,520 Speaker 4: thought that at twenty I would be playing the next 325 00:14:51,520 --> 00:14:54,640 Speaker 4: iteration of tinker Bell and just be tinker Bell. And 326 00:14:54,640 --> 00:14:56,720 Speaker 4: now there's a whole generation of kids where it's like, well, 327 00:14:56,720 --> 00:14:57,760 Speaker 4: this is just what tinker. 328 00:14:57,480 --> 00:14:59,040 Speaker 3: Bell looks, right, and it's not going to be weird 329 00:14:59,080 --> 00:15:00,800 Speaker 3: to them because you open the door and just is 330 00:15:00,800 --> 00:15:01,240 Speaker 3: what it is. 331 00:15:01,480 --> 00:15:03,920 Speaker 4: Yeah. Yeah, because I was always i think, going from 332 00:15:03,960 --> 00:15:05,720 Speaker 4: being the like alternative version of. 333 00:15:05,720 --> 00:15:08,880 Speaker 2: To just the version exactly. There's and there's a difference. 334 00:15:08,960 --> 00:15:10,640 Speaker 2: You know, we were talking earlier before you came in 335 00:15:10,680 --> 00:15:13,000 Speaker 2: about the same topic when it comes to Broadway plays. 336 00:15:13,080 --> 00:15:13,720 Speaker 4: Yeah, oh wow. 337 00:15:13,840 --> 00:15:14,040 Speaker 2: Yeah. 338 00:15:14,040 --> 00:15:16,520 Speaker 1: When we went to see Frozen on Broadway, at one 339 00:15:16,520 --> 00:15:19,360 Speaker 1: point they had I don't know if it was else 340 00:15:19,400 --> 00:15:21,640 Speaker 1: are on a but one was black and one was white, 341 00:15:21,840 --> 00:15:23,640 Speaker 1: and it was just wonderful to see and it was 342 00:15:23,680 --> 00:15:26,160 Speaker 1: just accepted and that's the way it should be. 343 00:15:26,440 --> 00:15:30,000 Speaker 4: It reminds me of Brandy's Cinderella. Whitney used there was 344 00:15:30,040 --> 00:15:33,640 Speaker 4: no questions about how the prince came from white mom, 345 00:15:33,720 --> 00:15:39,240 Speaker 4: black dad. No, black mom, white dad head. They did 346 00:15:39,240 --> 00:15:43,080 Speaker 4: not explanation, but I love the fact that as a kid, 347 00:15:43,160 --> 00:15:44,880 Speaker 4: I mean, the bigger deal is the fairy tales in 348 00:15:44,960 --> 00:15:47,320 Speaker 4: the magic. And so sometimes I think as adults we 349 00:15:47,360 --> 00:15:50,760 Speaker 4: get so caught up in logistics and trying to figure out, well, 350 00:15:50,760 --> 00:15:52,480 Speaker 4: how does this change the fairy tale? But when you're 351 00:15:52,520 --> 00:15:56,400 Speaker 4: talking about magic and fantasy, it truly does not matter. 352 00:15:56,440 --> 00:15:58,560 Speaker 4: If you build a great enough world and a big 353 00:15:58,640 --> 00:16:02,000 Speaker 4: enough world that just becomes, you know, just a part 354 00:16:02,040 --> 00:16:03,000 Speaker 4: of the story. 355 00:16:03,160 --> 00:16:05,880 Speaker 2: Oh my god, say all that again. So the good 356 00:16:05,880 --> 00:16:07,640 Speaker 2: thing is we can rewind it, playback because it was 357 00:16:07,640 --> 00:16:10,400 Speaker 2: beautifully they said. By the way, ya A Shahidi is here. 358 00:16:10,440 --> 00:16:12,560 Speaker 2: Of course, Peter Pan and Wendy is premiering on Disney 359 00:16:12,560 --> 00:16:16,200 Speaker 2: Plus Friday. We'll all be watching. And here's this. As 360 00:16:16,400 --> 00:16:17,840 Speaker 2: I was listening to you, I don't know if anyone 361 00:16:17,880 --> 00:16:19,320 Speaker 2: agrees with this. And this is not a I'm not 362 00:16:19,360 --> 00:16:21,760 Speaker 2: trying to be mister Nancy negative. When I hear you 363 00:16:21,800 --> 00:16:25,480 Speaker 2: talk about all that goes into all the computer graphics 364 00:16:25,520 --> 00:16:28,080 Speaker 2: and you have to stand still because they're going to 365 00:16:28,120 --> 00:16:30,680 Speaker 2: put a body on you that just flying, and I'm like, 366 00:16:30,760 --> 00:16:32,800 Speaker 2: oh my god, this is like hearing a magician telling 367 00:16:32,800 --> 00:16:35,720 Speaker 2: you how he saw the guy in half and I 368 00:16:35,760 --> 00:16:38,200 Speaker 2: just want to see it, you know. So when I 369 00:16:38,280 --> 00:16:40,440 Speaker 2: watch a film, if I start to my mind goes 370 00:16:40,480 --> 00:16:42,680 Speaker 2: away from what I'm watching and experiencing, It goes into 371 00:16:42,680 --> 00:16:45,560 Speaker 2: the oh, here's how they created this on a computer. 372 00:16:45,640 --> 00:16:48,960 Speaker 2: I'm like, no, slip it out, no stay with the magic. 373 00:16:49,160 --> 00:16:51,440 Speaker 2: So when you have you seen the whole the whole movie, 374 00:16:51,520 --> 00:16:53,560 Speaker 2: seen it a couple times? Okay, so the first time 375 00:16:53,600 --> 00:16:55,880 Speaker 2: you saw it, knowing that they plugged you in here 376 00:16:55,920 --> 00:16:58,240 Speaker 2: and plugged you in there to hear it was something 377 00:16:58,240 --> 00:17:01,440 Speaker 2: that you saw, what was your feeling like, Well, how 378 00:17:01,480 --> 00:17:02,360 Speaker 2: did it make you feel? 379 00:17:02,520 --> 00:17:05,280 Speaker 4: I was really I think I was really impressed because 380 00:17:05,280 --> 00:17:07,119 Speaker 4: I had no clue what I was gonna walk into. 381 00:17:07,280 --> 00:17:09,480 Speaker 4: I mean, of course, I have the ultimate faith in 382 00:17:09,760 --> 00:17:12,280 Speaker 4: David Lowry as a filmmaker and know that he makes 383 00:17:12,359 --> 00:17:15,160 Speaker 4: just great things, but still I had no clue really 384 00:17:15,200 --> 00:17:17,040 Speaker 4: how I was gonna be plugged in. I had seen 385 00:17:17,160 --> 00:17:19,720 Speaker 4: storyboards and I'd filmed the stuff, but ultimately it was 386 00:17:19,800 --> 00:17:21,720 Speaker 4: up to them once I got all the footage to 387 00:17:21,720 --> 00:17:24,600 Speaker 4: figure out where tinker Bell was going. But I think 388 00:17:24,640 --> 00:17:26,960 Speaker 4: what I like is as someone that's very similar and 389 00:17:27,000 --> 00:17:30,160 Speaker 4: I'm actually kind of miserable to watch movies. With because 390 00:17:30,160 --> 00:17:32,440 Speaker 4: I'm always thinking about that stuff. I'm always like, why'd 391 00:17:32,440 --> 00:17:36,160 Speaker 4: they see gi that tree? Why not get a real tree? 392 00:17:37,480 --> 00:17:38,560 Speaker 2: That's gonna be a long movie. 393 00:17:38,640 --> 00:17:41,800 Speaker 4: Yeah, I'm always that type of person. But what I 394 00:17:41,840 --> 00:17:43,720 Speaker 4: loved was truly it was one of the first times 395 00:17:43,720 --> 00:17:45,560 Speaker 4: I didn't get caught up in it. I think tinker 396 00:17:45,600 --> 00:17:49,600 Speaker 4: Bell is such a little magical character that it makes 397 00:17:49,640 --> 00:17:52,160 Speaker 4: sense how fast she's moving makes sense, Like it makes 398 00:17:52,200 --> 00:17:56,520 Speaker 4: sense that what you're seeing is a little bit extra reality. 399 00:17:56,560 --> 00:17:59,560 Speaker 4: There's a little pizzazz on it. And so I think 400 00:17:59,560 --> 00:18:01,520 Speaker 4: there was an i mix of practical effects because on 401 00:18:01,600 --> 00:18:05,000 Speaker 4: the other side, you know Alexander Ever the kids, they're 402 00:18:05,040 --> 00:18:08,439 Speaker 4: actually up on strings, flying around and so yeah, and 403 00:18:08,480 --> 00:18:11,159 Speaker 4: so they were very intentional about when they would be 404 00:18:11,240 --> 00:18:13,919 Speaker 4: leaning into visual effects. Why they would be because you know, 405 00:18:13,920 --> 00:18:15,919 Speaker 4: I also have a trail of pixie dust, and you 406 00:18:15,920 --> 00:18:18,359 Speaker 4: can never see me move really because I move so 407 00:18:18,480 --> 00:18:20,480 Speaker 4: quickly that you see me buzz around. But it would 408 00:18:20,480 --> 00:18:22,439 Speaker 4: have been I would have just gotten motionsick being on 409 00:18:22,520 --> 00:18:26,400 Speaker 4: strings was they dragged me across the screen. But yeah, 410 00:18:26,440 --> 00:18:28,359 Speaker 4: they were very intentional. So a lot of the sets 411 00:18:28,400 --> 00:18:32,520 Speaker 4: they built crazy cave sets, crazy three story ships and 412 00:18:32,560 --> 00:18:35,719 Speaker 4: so there's because of that balance, I feel like I 413 00:18:35,800 --> 00:18:38,800 Speaker 4: personally never got caught up in like the visual effects 414 00:18:38,920 --> 00:18:40,640 Speaker 4: versus practical effects thing. 415 00:18:41,119 --> 00:18:43,680 Speaker 2: And this weekend, let's all strive to leave a trail 416 00:18:43,720 --> 00:18:44,280 Speaker 2: of pixie dust. 417 00:18:44,359 --> 00:18:46,520 Speaker 4: Yes I always see, Yeah, I know, I. 418 00:18:46,520 --> 00:18:47,240 Speaker 2: Try every weekend. 419 00:18:47,400 --> 00:18:47,639 Speaker 1: Make that. 420 00:18:47,920 --> 00:18:49,920 Speaker 2: Michal. It is such an honor to have you here. 421 00:18:50,040 --> 00:18:51,639 Speaker 4: Oh well, thanks for having me. 422 00:18:51,600 --> 00:18:55,080 Speaker 2: Y Are Shahiti. Your story is sounds as magical as 423 00:18:56,000 --> 00:18:59,359 Speaker 2: the actual Peter Pan and Wendy Premiery on Disney. Plus 424 00:18:59,440 --> 00:19:01,840 Speaker 2: this fry, it sounds like an event we can all 425 00:19:02,000 --> 00:19:03,919 Speaker 2: have some fun watching, and thank you for coming to 426 00:19:03,920 --> 00:19:04,840 Speaker 2: see us. 427 00:19:07,720 --> 00:19:11,440 Speaker 1: One the best This is Elvis Durant in the Morning Show. 428 00:19:12,280 --> 00:19:14,919 Speaker 2: Wendy's three Dollar Breakfast Deal is your choice of bacon 429 00:19:15,000 --> 00:19:17,479 Speaker 2: or sausage, egg and Swiss croissant plus a small seasoned 430 00:19:17,480 --> 00:19:20,560 Speaker 2: potatoes for just three dollars. Break your morning routine. Get 431 00:19:20,600 --> 00:19:23,280 Speaker 2: your three dollar breakfast deal today, Limited time only at 432 00:19:23,280 --> 00:19:25,320 Speaker 2: participating in US Wendy's during breakfast hours