WEBVTT - Bandon Deep Dives: Bandon Dunes

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<v Speaker 1>I miss a green, for example, I'm already upset.

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<v Speaker 2>When I find my ball in the bunker, I'm really upset.

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<v Speaker 1>And when I find my.

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<v Speaker 2>Ball in a brid egg Frida Egg, the dreaded Frida Egg, Friday,

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<v Speaker 2>Frida Egg, brid Egg, Frida Egg, bride Egg Lie.

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<v Speaker 1>I'm about ready to run off of the hump course.

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<v Speaker 2>Hello and welcome to the Frida Egg Podcast. My name

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<v Speaker 2>is Garrett Morrison, and today we have our final installment

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<v Speaker 2>of our Bandon Deep Dive series. We're focusing on Bandon Dunes.

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<v Speaker 2>This is a long awaited last piece of this series,

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<v Speaker 2>but of course I'm here with Andy Johnson to discuss

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<v Speaker 2>Bandon Dunes. How you doing, Andy, I'm doing great.

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<v Speaker 1>I'm you know. I'm excited that this series is going

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<v Speaker 1>to be done. I will have to find a hope

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<v Speaker 1>for it on the website where it's easily accessible. But

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<v Speaker 1>if you haven't, if you scroll through the back catalog,

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<v Speaker 1>we've broken down every other eighteen hole golf course at

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<v Speaker 1>Bandon and it is wonderful to get to the final

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<v Speaker 1>of our installments. The first golf course at Bandon. Bandon

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<v Speaker 1>Dune's the namesake.

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<v Speaker 2>Yeah, we've gone in reverse chronological order, so we started

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<v Speaker 2>with Sheep Ranch and now we've arrived at Bandon dune'es

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<v Speaker 2>the og course at the resort. It opened in nineteen

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<v Speaker 2>ninety nine. It was designed by David McLay Kidd and

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<v Speaker 2>it met with immediate acclaim. It still is the most

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<v Speaker 2>popular course at the resort. Right.

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<v Speaker 1>It was interesting. I was recently playing with somebody who

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<v Speaker 1>brought up Bandon Dunes. They're like, you know, band It's

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<v Speaker 1>just my favorite course there. And I was like, oh,

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<v Speaker 1>I was like, I was like, and he went on

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<v Speaker 1>and he goes, you know, I'll never forget in nineteen

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<v Speaker 1>ninety nine driving up you know that he was in

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<v Speaker 1>San Francisco, driving up to Bandon and playing that course

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<v Speaker 1>for the first time, and it was truly, you know,

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<v Speaker 1>like it was. He talked about how he played the

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<v Speaker 1>Reese Jones course that Sandy whatever is down the road.

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<v Speaker 2>There's a yeah, there's a rest Jones course in Florence.

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<v Speaker 1>Yeah, so you talked about how they played Florence Golf

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<v Speaker 1>Links first and he was like, what is this And

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<v Speaker 1>then they went to Bandon Dunes and they were like,

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<v Speaker 1>oh my god, this is truly spectacular golf on like,

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<v Speaker 1>you know, in a way It brought a different type

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<v Speaker 1>of golf to the American scene, and obviously that's been

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<v Speaker 1>well documented, but this was a really a culture changing

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<v Speaker 1>golf course for America.

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<v Speaker 2>Absolutely, it's it's incredibly important. Now we're going to talk

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<v Speaker 2>about that, but we're also going to talk about the

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<v Speaker 2>architecture of Bandon Dunes in a way that people might

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<v Speaker 2>not be used to. I think that people might not

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<v Speaker 2>get completely what they expect from this podcast. We are

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<v Speaker 2>going to be critical of this course in a way

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<v Speaker 2>that maybe not many people have been so far. You

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<v Speaker 2>know that there's there's criticism of anything out there, you

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<v Speaker 2>can find it anywhere, but generally the reviews of Bandon

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<v Speaker 2>Dunes are pretty glowing, and I think we might have

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<v Speaker 2>some more negative things to say than most people would.

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<v Speaker 2>But before we get into that, I want to just

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<v Speaker 2>make clear the level of course we're talking about here

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<v Speaker 2>and the level of course that exists at the Bandon

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<v Speaker 2>Dunes Resort in general. Bandon Dunes. This course is spectacular, yes,

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<v Speaker 2>and I'm sure it was absolutely stunning in nineteen ninety

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<v Speaker 2>nine and it's still remarkable today. And so I want

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<v Speaker 2>to kind of set a baseline here. We're talking about

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<v Speaker 2>a truly remarkable golf course.

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<v Speaker 1>I agree. You know, when you're talking about the greatest

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<v Speaker 1>public golf courses in America, you know, it's definitely on

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<v Speaker 1>the list of greatest public golf courses in America. You know,

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<v Speaker 1>where I would put it is far far lower than

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<v Speaker 1>a lot of other people would When you get past

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<v Speaker 1>just like it's golf on the ocean and start to

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<v Speaker 1>look at some of the maybe some of the flaws,

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<v Speaker 1>I think it kind of knocks it down some pegs,

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<v Speaker 1>and especially when you compare it to the other golf

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<v Speaker 1>courses of the resort. And I think it's important to note, like,

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<v Speaker 1>you know, this is a very inexperienced architect going to

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<v Speaker 1>build a golf course, and it was, as you've illuminated

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<v Speaker 1>a few times, that this was a transition period. And

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<v Speaker 1>what Banded Dunes to me is is it's kind of

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<v Speaker 1>stuck between two eras. And I don't want to feel

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<v Speaker 1>like I'm bashing it, but it is somewhat of a

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<v Speaker 1>nineteen nineties golf course on the coast of Oregon. It

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<v Speaker 1>is not a fully minimalist experience that you would see

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<v Speaker 1>at the other courses where the features of the golf

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<v Speaker 1>course really blend in with the nature around it. It

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<v Speaker 1>is a really stark contrast when you look at pictures

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<v Speaker 1>of Abandoned Dune's next to Pacific Dunes. In that corner

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<v Speaker 1>where the eleventh hole Pacific Dunes is and the sixth

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<v Speaker 1>hole Abandoned Dunes is. You see the man made artificiality

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<v Speaker 1>of Bandon dunees really pop when you see those that

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<v Speaker 1>golf course right next to it, and I think, like,

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<v Speaker 1>this is beyond just the man made features. I think

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<v Speaker 1>design wise it is a significant downgrade from the other

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<v Speaker 1>golf courses at the resort.

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<v Speaker 2>Yeah, So first I think we should set the scene

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<v Speaker 2>for how this course was designed, who was designed by,

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<v Speaker 2>because it wasn't just David McLay Kidd being the sole

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<v Speaker 2>voice in the room here. This was Mike Kaiser's project

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<v Speaker 2>and Jimmy Kidd and Jimmy Kid. Jimmy Kidd, David Kidd's father,

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<v Speaker 2>who was the director of agronomy at Glenn Eagles in Scotland,

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<v Speaker 2>was especially in the early stages of this project. There

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<v Speaker 2>were a lot of voices in the room. Building this

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<v Speaker 2>course was a massive risk. A lot of people were

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<v Speaker 2>saying that Mike Kaiser should not do this, that This

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<v Speaker 2>was a bad idea. Nobody had really done anything like

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<v Speaker 2>it before. There had been sand Hills, but that's a

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<v Speaker 2>private club, and so there was some safety in that.

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<v Speaker 2>You knew that people were going to be paying a

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<v Speaker 2>lot to be part of the club, and so you

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<v Speaker 2>didn't need a lot of business to go there. You

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<v Speaker 2>don't need people playing sand Hills dawn to dusk every day.

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<v Speaker 2>Mike Kaiser needed people to show up to Bandon Dunes.

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<v Speaker 2>This was a huge risk because it's so remote.

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<v Speaker 1>And the idea of resorts were being close to metropolitan

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<v Speaker 1>areas at the time. You know, like if you think

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<v Speaker 1>about resorts in the van, like Barton Springs or Barton

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<v Speaker 1>Creek in Austin would be a great example. Like it's

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<v Speaker 1>just outside Austin. That's like somewhat of a contemporary of

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<v Speaker 1>this resort. You know. The ideology was to build the

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<v Speaker 1>resources where people could easily get to them. In the

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<v Speaker 1>case of Banded Dunes, this is more of a truly

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<v Speaker 1>a field of dreams mentality that is now like almost

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<v Speaker 1>is the norm. What Mike Kaiser did was he went

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<v Speaker 1>and found a great piece of land and built a

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<v Speaker 1>golf course on it. That's now the riding mentality of

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<v Speaker 1>golf courses. It almost the first question when a new

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<v Speaker 1>course is being built is is it on sand? You know?

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<v Speaker 1>And this is what Mike Kaiser really popularized, and obviously

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<v Speaker 1>sand Hills was at the origin of this.

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<v Speaker 2>I can't emphasize this enough. In the late nineties, nobody

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<v Speaker 2>knew whether this would work, and so I think on

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<v Speaker 2>this project, on this build, Mike Kaiser had to do

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<v Speaker 2>a number of things to make it as safe as possible. Now,

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<v Speaker 2>hiring David Kidd might not have been the safest move,

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<v Speaker 2>you know, wasn't the safest thing that he possibly could

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<v Speaker 2>have done. The safest thing that he possibly could have

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<v Speaker 2>done would have been a higher.

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<v Speaker 1>J Nicholas or Tom Fazio or Pete die I'm so.

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<v Speaker 2>Glad that he didn't do that, because the course would

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<v Speaker 2>have turned out really different. It wouldn't have been as natural.

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<v Speaker 2>The good characteristics of Bandon Dunes that exist now might

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<v Speaker 2>not have been there because it would have been enormously

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<v Speaker 2>more conventional if one of those designers had gotten a

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<v Speaker 2>hold of this piece of property, I think, and so

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<v Speaker 2>I'm glad that he took a risk on David Kidd.

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<v Speaker 2>But in a way hiring David Kidd was less risky

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<v Speaker 2>than hiring Tom Doak would have been, and for this reason,

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<v Speaker 2>Mike Kaiser knew that Kidd at this time was a

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<v Speaker 2>young you know, he was in his late twenties when

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<v Speaker 2>he was hired, and he was in his early thirties

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<v Speaker 2>when they were building this course. He was young and inexperienced,

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<v Speaker 2>and Mike Kaiser figured that he could influence him, that

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<v Speaker 2>he would have a lot of control over the design

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<v Speaker 2>process in a way that he wouldn't if he had

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<v Speaker 2>brought in Tom Doak to do the project. So hiring

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<v Speaker 2>David Kid, yes, he was interested in the fact that

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<v Speaker 2>David is Scottish. He was interested in bringing a new

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<v Speaker 2>designer and making a splash with a kind of unknown architect.

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<v Speaker 2>But he also believed that he could influence the design

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<v Speaker 2>process a bit more if he had a less experienced

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<v Speaker 2>architect on the scene. And indeed what happened was that

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<v Speaker 2>Kaiser was very involved in the design process, and you know,

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<v Speaker 2>he's remained involved in the design processes of the other courses,

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<v Speaker 2>just not quite as much as he was for this

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<v Speaker 2>first one. And Mike Kaiser also brought in a variety

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<v Speaker 2>of people that he knew well and trusted at the time,

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<v Speaker 2>including the general contractor for this project, Serviscape, which was

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<v Speaker 2>run by a man named Peter Sinott. Peter Sinnott, I'm

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<v Speaker 2>not exactly sure how to pronounce his name, but Serviscape

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<v Speaker 2>is a well established contractor in the golf business. This

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<v Speaker 2>wasn't a kind of David Kids situation where there was

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<v Speaker 2>as an unknown contractor coming in. No, this was a

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<v Speaker 2>company that had done a bunch of golf course projects.

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<v Speaker 2>Kaiser also brought in his friends from the golf industry

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<v Speaker 2>and outside the golf industry to advise on the project,

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<v Speaker 2>and a lot of aspects of the course were sort

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<v Speaker 2>of designed by committee. Now is this a David Kid course. Yeah?

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<v Speaker 2>I think ultimately he did design this course, but there

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<v Speaker 2>were a lot of voices involved in the project, and

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<v Speaker 2>often what those voices were doing were pushing for more

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<v Speaker 2>conventional elements to be introduced to the golf course. And

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<v Speaker 2>I think that that in part explains why we get

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<v Speaker 2>the course we get where there are some elements of

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<v Speaker 2>what came next in golf architecture. There's natural landscapes, the dunes.

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<v Speaker 2>A lot of the dunes were left alone. There's some

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<v Speaker 2>bunkers in the middle of fairways. There's some natural undulations

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<v Speaker 2>in the middle of a lot of the fairway. The

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<v Speaker 2>greens are big, and a lot of them are wild.

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<v Speaker 2>A lot of this stuff would become more popular later

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<v Speaker 2>on and was kind of boundary pushing at the time.

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<v Speaker 2>But then you also have some parts of bandon dunes

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<v Speaker 2>that would have been more recognizable to somebody who had

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<v Speaker 2>been to a lot of golf resorts in the nineties.

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<v Speaker 2>You had some artificial mounding around greens, and on the

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<v Speaker 2>sides of certain fairways, you have returning nines. You know,

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<v Speaker 2>you don't have a lot of the quirk and strangeness

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<v Speaker 2>that characterizes courses like Pacific Dunes and bandoned trails. That's

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<v Speaker 2>just not there. And I think that a lot of

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<v Speaker 2>that is because Mike Kaiser designed this kind of team

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<v Speaker 2>that was pushing for the course to be popular.

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<v Speaker 1>And I think, obviously if you look back on it, it

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<v Speaker 1>was successful. What they did was uberly successful. This is

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<v Speaker 1>one of the most successful golf courses and golf really

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<v Speaker 1>when you think about it, because it led to more

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<v Speaker 1>golf courses being built there and the greatest golf resort

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<v Speaker 1>in America. This was the start of it. You know,

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<v Speaker 1>there's a lot of things that you can nitpick and

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<v Speaker 1>critique about Banded Dunes, and I have my opinion and

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<v Speaker 1>other people have their opinions, and it doesn't make one

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<v Speaker 1>person right or wrong. But at the end of the day,

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<v Speaker 1>in terms of a golf course development project, this was

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<v Speaker 1>a grand slam project. Now did it yield a great

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<v Speaker 1>golf course, a truly iconic golf course? I would say no.

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<v Speaker 1>You know, I think in terms of you know, some

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<v Speaker 1>of the stuff is kind of dumbed down there, and

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<v Speaker 1>some of this stuff is is it's a huge letdown

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<v Speaker 1>in comparison to a lot of the other experiences that

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<v Speaker 1>you have out at Bandoned Dunes in my opinion. Now,

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<v Speaker 1>everybody has their opinion, as I've said, and they are

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<v Speaker 1>going to feel there are certain ways about the golf course.

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<v Speaker 1>But to me, this is the golf course I would skip.

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<v Speaker 1>If I was resented with three days there and I

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<v Speaker 1>couldn't play all the golf courses, this is the one

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<v Speaker 1>that I would skip. This is the one that I

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<v Speaker 1>don't really feel a need to play again. Of all

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<v Speaker 1>of them, I would spend my time playing other places.

0:13:12.280 --> 0:13:16.320
<v Speaker 1>And you know, when you dive into why. I think

0:13:16.600 --> 0:13:21.000
<v Speaker 1>that it's got the least complexity in its design, it's

0:13:21.040 --> 0:13:24.640
<v Speaker 1>also got the most flaws, and I think there are

0:13:24.679 --> 0:13:27.480
<v Speaker 1>things that it does very well. It has some standout

0:13:27.480 --> 0:13:29.920
<v Speaker 1>holes that I would put near the top of the

0:13:29.960 --> 0:13:32.880
<v Speaker 1>whole greatest holes at Bandon Dunes. I think the fifth

0:13:33.320 --> 0:13:35.480
<v Speaker 1>is a great example of one of the best holes

0:13:35.520 --> 0:13:39.000
<v Speaker 1>at Bandon Dunes. The seventeenth to me, sticks out as

0:13:39.120 --> 0:13:41.840
<v Speaker 1>one of the best holes at Bandon Dunes. Those are

0:13:41.920 --> 0:13:44.839
<v Speaker 1>two of the best part fours at Bandon Dunes, and

0:13:45.240 --> 0:13:48.120
<v Speaker 1>that is a tough list to be on. But at

0:13:48.120 --> 0:13:50.800
<v Speaker 1>the same time, there are some huge letdowns there. I

0:13:50.800 --> 0:13:54.480
<v Speaker 1>think the start of Banded Dunes is by far the

0:13:54.600 --> 0:13:57.200
<v Speaker 1>weakest start. You know, the first hole is kind of

0:13:57.240 --> 0:14:01.440
<v Speaker 1>a nothing burger. The second hole is not really anything

0:14:01.840 --> 0:14:04.960
<v Speaker 1>that is exciting, and it plays up away, you know,

0:14:05.320 --> 0:14:07.840
<v Speaker 1>and kind of one of the big things that you know,

0:14:08.000 --> 0:14:10.719
<v Speaker 1>people have heard me talk about these before, but you're

0:14:10.720 --> 0:14:13.880
<v Speaker 1>sitting on sand and there are just catch basins everywhere

0:14:13.880 --> 0:14:16.920
<v Speaker 1>where your ball ends up in. You know, the last

0:14:16.960 --> 0:14:18.640
<v Speaker 1>time I was there, the first two holes, I was

0:14:18.640 --> 0:14:21.000
<v Speaker 1>in catch basins and it's just like, this isn't an

0:14:21.280 --> 0:14:25.480
<v Speaker 1>abandoned Dune's experience when you play the other four courses

0:14:25.920 --> 0:14:29.920
<v Speaker 1>that you preponderance of these. The third hole is fine,

0:14:30.040 --> 0:14:32.800
<v Speaker 1>it's a fine hole, but by the time you get

0:14:32.800 --> 0:14:35.520
<v Speaker 1>to four, you've played three of the most average holes

0:14:35.960 --> 0:14:39.520
<v Speaker 1>at the resort. That is unlike any other start out there.

0:14:39.800 --> 0:14:42.680
<v Speaker 1>In the first three holes, all of those golf courses

0:14:42.760 --> 0:14:46.680
<v Speaker 1>make a huge impression on you. The fourth hole, I'm

0:14:46.720 --> 0:14:48.600
<v Speaker 1>not a fan of. People say it's one of the

0:14:48.640 --> 0:14:51.160
<v Speaker 1>greatest part four us in the world. I think it's

0:14:51.200 --> 0:14:54.840
<v Speaker 1>super awkward off the tee. The containment mounting out down

0:14:54.880 --> 0:14:58.320
<v Speaker 1>the left side that's artificially built is really you know,

0:14:58.400 --> 0:15:01.360
<v Speaker 1>when you compare it to the dunes the natural dunes

0:15:01.400 --> 0:15:04.680
<v Speaker 1>to the right just looks very, very fake. And I

0:15:05.080 --> 0:15:09.040
<v Speaker 1>think it's just a It's a really boring t shot

0:15:09.120 --> 0:15:11.560
<v Speaker 1>in a way, because you know, you just lay back.

0:15:11.960 --> 0:15:14.520
<v Speaker 1>You could push driver, but there's not really a place

0:15:14.560 --> 0:15:15.040
<v Speaker 1>to hit it.

0:15:15.320 --> 0:15:18.080
<v Speaker 2>You could you could hit it over the dog leg

0:15:18.160 --> 0:15:21.000
<v Speaker 2>on the right. Yeah, if the wind is right. I

0:15:21.000 --> 0:15:24.120
<v Speaker 2>think that's the option that's supposed to be available, But

0:15:24.200 --> 0:15:27.280
<v Speaker 2>I'm not sure that there is a huge reward for

0:15:27.320 --> 0:15:30.240
<v Speaker 2>that risk, because that's a really risky play if you

0:15:30.280 --> 0:15:33.680
<v Speaker 2>push it a little right, you're you're in some tall grass,

0:15:33.720 --> 0:15:38.240
<v Speaker 2>and but the fairway is really really wide and generous

0:15:38.440 --> 0:15:41.920
<v Speaker 2>in the place that is safest to play to. So

0:15:42.000 --> 0:15:44.720
<v Speaker 2>I think most people just end up aiming there and

0:15:44.760 --> 0:15:47.520
<v Speaker 2>then taking the approach from there. The approach from there

0:15:47.640 --> 0:15:53.320
<v Speaker 2>isn't anything particularly super difficult unless the wind is like

0:15:53.400 --> 0:15:55.120
<v Speaker 2>directly against you or something like that.

0:15:55.480 --> 0:15:58.040
<v Speaker 1>And so in the first four holes, like I think,

0:15:58.080 --> 0:16:01.520
<v Speaker 1>you get out to the ocean and it's a spectacular view.

0:16:01.520 --> 0:16:03.200
<v Speaker 1>When you turn the corner on the fore, it's a

0:16:03.240 --> 0:16:05.840
<v Speaker 1>great reveal. I'm not debating that.

0:16:06.280 --> 0:16:08.520
<v Speaker 2>And I think I don't think that should be underestimated.

0:16:08.840 --> 0:16:11.760
<v Speaker 2>You know, the impact of that reveal when you turn

0:16:11.840 --> 0:16:15.000
<v Speaker 2>the corner and face the ocean. That's a great moment.

0:16:15.240 --> 0:16:16.880
<v Speaker 2>And I think that that has to be to the

0:16:16.880 --> 0:16:20.760
<v Speaker 2>hole's credit to a degree. But I think that the

0:16:20.800 --> 0:16:23.760
<v Speaker 2>impact of that moment is such that people may not

0:16:23.880 --> 0:16:27.280
<v Speaker 2>pay attention, particularly to the strategy of the whole, which

0:16:27.400 --> 0:16:29.160
<v Speaker 2>I agree with you, I don't think it quite works.

0:16:30.000 --> 0:16:33.200
<v Speaker 1>The next thing that kind of gets at me, and

0:16:32.920 --> 0:16:35.720
<v Speaker 1>we can get to this, is that this is a

0:16:35.880 --> 0:16:40.400
<v Speaker 1>walking only golf course and it is by far the

0:16:40.440 --> 0:16:45.080
<v Speaker 1>worst walk at Banded dunes. It has the least connectivity.

0:16:45.560 --> 0:16:48.360
<v Speaker 1>I think banded Trails is one that has to traverse

0:16:48.520 --> 0:16:53.280
<v Speaker 1>difficult ground. But the walks are very esthetically pleasing and

0:16:53.360 --> 0:16:56.080
<v Speaker 1>interesting in their own way. As we talked about on

0:16:56.160 --> 0:17:00.520
<v Speaker 1>the Banded Trails podcast, these walks are very EVI and

0:17:00.560 --> 0:17:03.720
<v Speaker 1>they're very like clear you're usually working walking down like

0:17:03.760 --> 0:17:07.359
<v Speaker 1>a cart path and like a barren landscape. And I

0:17:07.400 --> 0:17:11.320
<v Speaker 1>think like a perfect example of this is the sixth hole,

0:17:11.560 --> 0:17:15.520
<v Speaker 1>which is probably my least favorite hole on property. It's

0:17:15.560 --> 0:17:21.080
<v Speaker 1>obviously it occupies a absolutely stunning part of the property.

0:17:21.520 --> 0:17:24.359
<v Speaker 1>And this is where as I talked about the the

0:17:24.480 --> 0:17:30.120
<v Speaker 1>differences in construction, mentality and style really are are are

0:17:30.160 --> 0:17:34.840
<v Speaker 1>glaring between Bandoned Dunes and the other the other courses

0:17:34.920 --> 0:17:38.359
<v Speaker 1>and its neighbor Pacific Dunes. This is a This is

0:17:38.400 --> 0:17:41.200
<v Speaker 1>a par three right along the coast. It was late,

0:17:41.560 --> 0:17:43.840
<v Speaker 1>a late add to the routing, and it makes it

0:17:43.920 --> 0:17:47.080
<v Speaker 1>kind of clunky. My complaint with it is like why

0:17:47.160 --> 0:17:50.440
<v Speaker 1>isn't the green just on the ground. Why it's a beautiful,

0:17:50.920 --> 0:17:54.040
<v Speaker 1>beautiful setting and the green's propped up, it's built up,

0:17:54.119 --> 0:17:56.840
<v Speaker 1>and everything runs off on all the sides, when you

0:17:56.880 --> 0:17:58.959
<v Speaker 1>could have just put the green on the ground on

0:17:59.040 --> 0:18:01.080
<v Speaker 1>the cliff, and it would it just been fine. And

0:18:01.119 --> 0:18:06.239
<v Speaker 1>there's there's beautiful landscape and dunes right around it, and

0:18:06.600 --> 0:18:08.920
<v Speaker 1>there's just no reason for it to be propped up.

0:18:08.960 --> 0:18:11.479
<v Speaker 1>And it looks like when you look at it, it

0:18:11.520 --> 0:18:14.760
<v Speaker 1>looks like a pimple on this beautiful landscape. It's this,

0:18:15.000 --> 0:18:18.240
<v Speaker 1>it's the most gorgeous face in the world, and it's

0:18:18.240 --> 0:18:21.440
<v Speaker 1>got this this like ZiT popping out of the land.

0:18:21.880 --> 0:18:26.240
<v Speaker 1>And to me, like, I can't unsee it. And I'm sorry,

0:18:26.359 --> 0:18:28.199
<v Speaker 1>you know, I'm sure a lot of people love this

0:18:28.280 --> 0:18:31.320
<v Speaker 1>golf hole. But then to make matters worse, you play

0:18:31.320 --> 0:18:34.439
<v Speaker 1>the hole and you walk one hundred and sixty yards

0:18:34.480 --> 0:18:36.880
<v Speaker 1>back after you play it to the seventh teeth.

0:18:37.080 --> 0:18:39.880
<v Speaker 2>Well, you essentially walk right back to the fifth green. Yes,

0:18:39.960 --> 0:18:41.600
<v Speaker 2>you play it. You play the hole, and then you

0:18:41.640 --> 0:18:42.840
<v Speaker 2>then you walk back over it.

0:18:43.240 --> 0:18:47.080
<v Speaker 1>Now, like to me, if the golf course went five

0:18:47.680 --> 0:18:50.240
<v Speaker 1>and then to seven, one of my favorite holes on

0:18:50.280 --> 0:18:53.439
<v Speaker 1>the course, eight, one of my favorite holes on the course,

0:18:53.640 --> 0:18:56.400
<v Speaker 1>that three hole stretch might be the best three hole

0:18:56.440 --> 0:18:59.760
<v Speaker 1>stretch on the golf course. And instead you have this

0:18:59.800 --> 0:19:03.159
<v Speaker 1>part three that's kind of hemmed in there that adds

0:19:03.200 --> 0:19:06.280
<v Speaker 1>to a clunky walk, right, because then the eighth green

0:19:06.600 --> 0:19:09.880
<v Speaker 1>to the ninth T terrible walk. You know, there's the

0:19:09.920 --> 0:19:13.359
<v Speaker 1>third green to the fourth T is not a great walk.

0:19:13.640 --> 0:19:17.000
<v Speaker 1>Like there are all these bad walks within the first

0:19:17.119 --> 0:19:19.840
<v Speaker 1>nine holes, and you know, I think the ninth hole

0:19:19.880 --> 0:19:22.840
<v Speaker 1>is pretty average. I think ten to eleven are Ten's

0:19:22.840 --> 0:19:26.320
<v Speaker 1>a great hole. Eleven okay, But it goes through this

0:19:26.440 --> 0:19:30.640
<v Speaker 1>stretch of really great holes mixed in with clunkers, and

0:19:30.880 --> 0:19:33.600
<v Speaker 1>a lot of the walks are very poor. So when

0:19:33.640 --> 0:19:36.520
<v Speaker 1>you talk about the whole story of the round and

0:19:36.600 --> 0:19:40.000
<v Speaker 1>the way that the golf course fits together, it's very clunky.

0:19:40.720 --> 0:19:44.080
<v Speaker 2>I want to go back to that five six seven

0:19:44.400 --> 0:19:48.840
<v Speaker 2>sequence that you were talking about. Now. The story behind

0:19:48.960 --> 0:19:53.400
<v Speaker 2>the addition of those holes is that originally the band

0:19:53.440 --> 0:19:56.840
<v Speaker 2>in Dune's property was pretty constricted, and the front nine

0:19:56.920 --> 0:20:01.000
<v Speaker 2>had some issues with parallel fairways like back in fourth routing.

0:20:01.520 --> 0:20:04.159
<v Speaker 2>It was just kind of wedged in there, whereas the

0:20:04.200 --> 0:20:06.800
<v Speaker 2>back nine always kind of worked, you know, and the

0:20:06.840 --> 0:20:10.960
<v Speaker 2>back nine today I think is definitely better. But what

0:20:11.080 --> 0:20:15.240
<v Speaker 2>really happened there is that the additional property that they

0:20:15.240 --> 0:20:19.960
<v Speaker 2>were able to purchase essentially midway through the design process,

0:20:20.560 --> 0:20:25.240
<v Speaker 2>allowed them to add five six and seven. They didn't

0:20:25.280 --> 0:20:28.639
<v Speaker 2>have those holes before, and it allowed them to push

0:20:28.680 --> 0:20:31.840
<v Speaker 2>the fourth green out to the cliffs. So clearly that

0:20:31.920 --> 0:20:37.000
<v Speaker 2>additional property was huge. But where I think the mistake

0:20:37.119 --> 0:20:40.840
<v Speaker 2>happened is that they decided to put that sixth hole in.

0:20:41.320 --> 0:20:43.560
<v Speaker 2>They might have gotten a little bit greedy and said, hey,

0:20:43.560 --> 0:20:46.320
<v Speaker 2>we have this extra bit of coastline. We can put

0:20:46.359 --> 0:20:48.159
<v Speaker 2>a par three there and then we can kind of

0:20:48.160 --> 0:20:51.879
<v Speaker 2>come back inland. Where I think what they probably should

0:20:51.920 --> 0:20:55.560
<v Speaker 2>have done when they got that extra property is, yeah,

0:20:55.720 --> 0:20:58.399
<v Speaker 2>push that fourth green out to the cliffs. Design that

0:20:58.440 --> 0:21:00.960
<v Speaker 2>fifth hole, which, as you say is is a beautiful hole.

0:21:01.200 --> 0:21:03.320
<v Speaker 2>I'm not sure the strategy totally works there. This is

0:21:03.400 --> 0:21:05.920
<v Speaker 2>kind of a sidebar. There's not enough room on the

0:21:06.040 --> 0:21:08.840
<v Speaker 2>left in my opinion. There's there's like these center line

0:21:09.280 --> 0:21:12.360
<v Speaker 2>kind of gnarly hazards, and I don't think there's any

0:21:12.359 --> 0:21:15.040
<v Speaker 2>reason to play left there because it's so narrow, and

0:21:15.080 --> 0:21:18.199
<v Speaker 2>that's like the risky option, and I wish there were

0:21:18.240 --> 0:21:19.800
<v Speaker 2>just a little more rooms so that you were more

0:21:19.840 --> 0:21:21.560
<v Speaker 2>tempted to go out there. As it is, I think

0:21:21.560 --> 0:21:23.960
<v Speaker 2>you play right all day. I'm not sure there's any

0:21:24.000 --> 0:21:26.959
<v Speaker 2>reason not to play right there. But that's again just

0:21:27.000 --> 0:21:31.760
<v Speaker 2>a parenthetical. All right, they decided to use that extra

0:21:31.800 --> 0:21:35.080
<v Speaker 2>coastline for six. I think what they should have done

0:21:35.240 --> 0:21:38.560
<v Speaker 2>is just, yeah, have that fifth hole, but then turn

0:21:38.600 --> 0:21:41.480
<v Speaker 2>inland for the seventh hole. Don't get greedy, don't use

0:21:41.520 --> 0:21:44.359
<v Speaker 2>that extra coastline and then have to walk back. We

0:21:44.440 --> 0:21:49.000
<v Speaker 2>don't need that hole because behind seven and eight T,

0:21:49.359 --> 0:21:52.920
<v Speaker 2>behind seven green and eight T. If my recollection is right,

0:21:53.359 --> 0:21:56.199
<v Speaker 2>there's some really cool dunesland.

0:21:55.720 --> 0:21:59.120
<v Speaker 1>Back there, dramatic too big, yeah, huge.

0:21:58.880 --> 0:22:02.280
<v Speaker 2>And there's no golf holes there. I think you probably

0:22:02.280 --> 0:22:05.639
<v Speaker 2>could have put a fantastic par three back there and

0:22:05.760 --> 0:22:09.439
<v Speaker 2>have that sequence be par four, fifth, par four, what

0:22:09.560 --> 0:22:13.200
<v Speaker 2>is now the seventh, but then the sixth, par three,

0:22:13.240 --> 0:22:17.400
<v Speaker 2>seventh back in those dunes, make a wonderful little doneesy

0:22:17.480 --> 0:22:20.879
<v Speaker 2>lynxy par three and then play eight back how you

0:22:20.960 --> 0:22:23.800
<v Speaker 2>have it. Nine has issues as a golf hole, but

0:22:23.840 --> 0:22:25.560
<v Speaker 2>they don't have anything to do with the way the

0:22:25.640 --> 0:22:27.520
<v Speaker 2>land is used. It has more to do with the

0:22:27.600 --> 0:22:30.480
<v Speaker 2>design and the shaping. I think that would have been

0:22:30.600 --> 0:22:31.720
<v Speaker 2>a more effective routing.

0:22:32.200 --> 0:22:34.840
<v Speaker 1>One of the things that Cripple's nine too, is that

0:22:35.200 --> 0:22:38.040
<v Speaker 1>you know it plays back to the most popular area

0:22:38.119 --> 0:22:40.879
<v Speaker 1>of the resort, so you know, there have been things

0:22:40.880 --> 0:22:43.960
<v Speaker 1>that have been added to the ninth hole to corrale balls,

0:22:44.080 --> 0:22:47.680
<v Speaker 1>keep them from rolling into the putty green, rolling into

0:22:47.720 --> 0:22:51.439
<v Speaker 1>the clubhouse. Like all. You know that returning nine. I mean,

0:22:51.440 --> 0:22:55.920
<v Speaker 1>it's the only course on property with a returning ninth hole, and.

0:22:55.840 --> 0:22:58.800
<v Speaker 2>It has returning nine s because again, that's a conventional

0:22:58.840 --> 0:23:02.040
<v Speaker 2>element that they felt they needed to have because they

0:23:02.040 --> 0:23:05.480
<v Speaker 2>were taking enough risks already they couldn't manage that extra

0:23:05.600 --> 0:23:09.880
<v Speaker 2>risk of having a debut flagship course that didn't have

0:23:09.960 --> 0:23:10.840
<v Speaker 2>returning ninees.

0:23:11.440 --> 0:23:13.879
<v Speaker 1>So I think one of the things, though, is like

0:23:14.320 --> 0:23:16.720
<v Speaker 1>one of the things that having the returning nine does

0:23:16.880 --> 0:23:20.680
<v Speaker 1>for the resort is it's uber popular late night nine

0:23:20.720 --> 0:23:23.879
<v Speaker 1>hole play is the front nine at Banded Dunes because

0:23:24.040 --> 0:23:26.400
<v Speaker 1>you're able to play nine holes. You can get in

0:23:26.480 --> 0:23:30.120
<v Speaker 1>at four o'clock or five o'clock check in and go

0:23:30.160 --> 0:23:32.760
<v Speaker 1>play nine holes and everybody feels like you got the

0:23:32.840 --> 0:23:35.720
<v Speaker 1>trip off to start right Like that is one of

0:23:35.720 --> 0:23:38.720
<v Speaker 1>the things that having one course that has returning nine

0:23:38.760 --> 0:23:42.040
<v Speaker 1>does is that's a very very popular late night golf option.

0:23:42.600 --> 0:23:46.879
<v Speaker 2>It serves the resort in a really specific and useful way,

0:23:47.400 --> 0:23:50.399
<v Speaker 2>and so you can't come down too hard on it.

0:23:50.480 --> 0:23:54.479
<v Speaker 2>For that. But you were just saying before there are

0:23:54.520 --> 0:23:58.760
<v Speaker 2>stretches of holes that kind of don't quite work as

0:23:58.800 --> 0:24:01.800
<v Speaker 2>well as other stretches. Did you finish that thought? Do

0:24:01.840 --> 0:24:03.719
<v Speaker 2>you have anything more to say about the back nine now?

0:24:03.760 --> 0:24:05.520
<v Speaker 2>I think the back nine is a lot more consistent

0:24:05.560 --> 0:24:06.200
<v Speaker 2>than the front nine.

0:24:06.240 --> 0:24:10.120
<v Speaker 1>Personally, it is a lot more consistent. I think, like, again,

0:24:10.280 --> 0:24:13.040
<v Speaker 1>there you see some like I'll never forget when I

0:24:13.040 --> 0:24:16.159
<v Speaker 1>saw the thirteenth fairway, I was just like, oh my god,

0:24:16.400 --> 0:24:18.919
<v Speaker 1>you know, like this is this is stunning. You know,

0:24:19.119 --> 0:24:21.679
<v Speaker 1>I think the par three's on the back nine are

0:24:21.800 --> 0:24:24.320
<v Speaker 1>a little bit of a letdown. They're in beautiful places,

0:24:24.320 --> 0:24:27.080
<v Speaker 1>but I don't think they're necessarily great holes. I think

0:24:27.320 --> 0:24:30.120
<v Speaker 1>as that's one of the things that I would you know,

0:24:30.480 --> 0:24:34.440
<v Speaker 1>the par three score is like there are they mostly stunning? Yeah,

0:24:34.480 --> 0:24:37.440
<v Speaker 1>they're like outside of the second hole, they're all very

0:24:37.560 --> 0:24:42.600
<v Speaker 1>studdying and and aesthetically wonderful locations on the cliffs. But yeah,

0:24:42.960 --> 0:24:46.360
<v Speaker 1>I think they're letdowns in terms of golf holes. But yeah,

0:24:46.400 --> 0:24:49.479
<v Speaker 1>the back nine is is much more more coherent, and

0:24:49.520 --> 0:24:53.000
<v Speaker 1>it obviously occupies some of the best land on at

0:24:53.000 --> 0:24:56.439
<v Speaker 1>the resort on those cliffs there. I think to me.

0:24:56.640 --> 0:24:59.040
<v Speaker 1>What's the holes that stand out on the back nine

0:24:59.119 --> 0:25:03.119
<v Speaker 1>are the tenth, the thirteenth, the par five thirteenth because

0:25:03.160 --> 0:25:07.520
<v Speaker 1>of that unbelievable choppy ground in the fairway area. I

0:25:07.560 --> 0:25:13.320
<v Speaker 1>mean that area is just unbelievable to me. The tenth.

0:25:13.440 --> 0:25:17.280
<v Speaker 1>I love the center line mound that obscures you know,

0:25:17.720 --> 0:25:19.919
<v Speaker 1>if you play right or left, you get looks at

0:25:19.960 --> 0:25:22.920
<v Speaker 1>the hole if you play right down the middle. It's

0:25:22.960 --> 0:25:24.679
<v Speaker 1>one of my favorite things. When you play down the

0:25:24.680 --> 0:25:26.639
<v Speaker 1>middle and you're in one of the worst spots, you

0:25:26.680 --> 0:25:29.960
<v Speaker 1>can't see anything into that green. I think that hole

0:25:30.080 --> 0:25:32.840
<v Speaker 1>is I would say in terms of like the least

0:25:32.880 --> 0:25:35.520
<v Speaker 1>talked about really good hole abandoned dunes is the tenth.

0:25:35.840 --> 0:25:39.160
<v Speaker 1>And then I think everybody loves the sixteenth. It was interesting.

0:25:39.520 --> 0:25:41.439
<v Speaker 1>I'm a fan. I haven't played it that much, but

0:25:41.520 --> 0:25:43.960
<v Speaker 1>I talked to a player that played in the USAM

0:25:44.200 --> 0:25:47.760
<v Speaker 1>who knows its architecture, and he says it doesn't work.

0:25:47.920 --> 0:25:50.600
<v Speaker 1>There's nowhere for somebody to hit it, which was an

0:25:50.600 --> 0:25:53.960
<v Speaker 1>interesting critique because when you play down in the down

0:25:54.000 --> 0:25:58.320
<v Speaker 1>wind southern summer wind, you can't hold the green if

0:25:58.320 --> 0:26:00.760
<v Speaker 1>you go for it. And then also the layup area

0:26:00.840 --> 0:26:03.920
<v Speaker 1>is almost impossible to hit as well because the ball

0:26:04.040 --> 0:26:06.960
<v Speaker 1>runs through it. So that was an interesting critique that

0:26:07.040 --> 0:26:09.119
<v Speaker 1>I hadn't thought of. We played it in the winner,

0:26:09.160 --> 0:26:11.560
<v Speaker 1>so we played it into the wind. But that was

0:26:11.600 --> 0:26:15.280
<v Speaker 1>an interesting comment that has made me kind of think

0:26:15.359 --> 0:26:18.480
<v Speaker 1>more about the About the sixteenth, his mentality was like,

0:26:18.880 --> 0:26:20.679
<v Speaker 1>if I hit it and I just end up in

0:26:20.720 --> 0:26:22.879
<v Speaker 1>the front bunker, that's the best case scenario.

0:26:23.440 --> 0:26:26.520
<v Speaker 2>But he's not considering hitting a seven iron off the

0:26:26.560 --> 0:26:29.560
<v Speaker 2>tee in other words, because there's plenty of room kind

0:26:29.600 --> 0:26:31.240
<v Speaker 2>of left center on that hole.

0:26:31.840 --> 0:26:34.160
<v Speaker 1>I think he was talking about hanging like maybe more

0:26:34.200 --> 0:26:37.760
<v Speaker 1>of a long iron as the layup and not going

0:26:37.800 --> 0:26:39.879
<v Speaker 1>as severe as hitting a seven iron. So that was

0:26:40.000 --> 0:26:42.800
<v Speaker 1>just his thoughts. So, you know, I take that with

0:26:42.840 --> 0:26:44.960
<v Speaker 1>a great but I think that's one of the most

0:26:45.080 --> 0:26:49.040
<v Speaker 1>visually spectacular golf holes in the world. So you know,

0:26:49.160 --> 0:26:54.760
<v Speaker 1>I think at that point you've got to be ten. Thirteen, sixteen,

0:26:54.920 --> 0:26:58.120
<v Speaker 1>and seventeen are really great golf holes.

0:26:58.320 --> 0:27:01.560
<v Speaker 2>Yeah. I think fourteen is a terrific short part four

0:27:01.720 --> 0:27:04.560
<v Speaker 2>as well. Yeah, with one of the best green sites.

0:27:04.880 --> 0:27:07.400
<v Speaker 1>Yeah, sitting down in that little pocket.

0:27:07.160 --> 0:27:11.280
<v Speaker 2>Yeah, benches right into that dune really nicely, so natural.

0:27:11.359 --> 0:27:14.399
<v Speaker 2>The shaping is very successful there. The tie ins between

0:27:14.400 --> 0:27:17.400
<v Speaker 2>the artificial and the natural really really work on that whole.

0:27:17.960 --> 0:27:20.280
<v Speaker 2>And if you're laying up, if you're not going for

0:27:20.320 --> 0:27:23.399
<v Speaker 2>the green, you've got kind of an interesting game of

0:27:23.440 --> 0:27:26.200
<v Speaker 2>hopscotch to play where you need to avoid a bunch

0:27:26.200 --> 0:27:27.720
<v Speaker 2>of bunkers that are kind of in the center of

0:27:27.800 --> 0:27:30.919
<v Speaker 2>the fairway. You know, you mentioned a few things there

0:27:31.080 --> 0:27:34.360
<v Speaker 2>that I think were at the time that Bandon Dunes

0:27:34.640 --> 0:27:39.280
<v Speaker 2>made its debut daring, and one of the big ones

0:27:39.600 --> 0:27:42.879
<v Speaker 2>is a fairway like the thirteenth Fairway. I think a

0:27:42.920 --> 0:27:46.760
<v Speaker 2>lot of architects at the time, unfortunately, would have looked

0:27:46.760 --> 0:27:49.840
<v Speaker 2>at that fairway and said, we can't have this be

0:27:50.560 --> 0:27:54.800
<v Speaker 2>this tumbling. We have got to flatten this somehow, And

0:27:54.960 --> 0:27:58.480
<v Speaker 2>a different architect may have come in and graded out

0:27:58.880 --> 0:28:03.320
<v Speaker 2>that beautiful, you know, linksy, undulating fairway, and that would

0:28:03.320 --> 0:28:05.840
<v Speaker 2>have been a real shame. And so one of the

0:28:05.880 --> 0:28:10.120
<v Speaker 2>things that Bandon Dune's the original course does so successfully

0:28:10.680 --> 0:28:14.360
<v Speaker 2>is that it allows certain fairways just to be natural.

0:28:14.880 --> 0:28:17.320
<v Speaker 2>The Seventh Fairway comes to mind, and of course the

0:28:17.359 --> 0:28:19.959
<v Speaker 2>thirteenth Fairway, and so I think that's one of the

0:28:20.200 --> 0:28:23.320
<v Speaker 2>really strong points of the course. It's interesting that the

0:28:23.359 --> 0:28:28.359
<v Speaker 2>par threes, you know, at least architecturally, don't really work

0:28:28.400 --> 0:28:33.200
<v Speaker 2>that well, but twelve is so stunning that again, like four,

0:28:33.680 --> 0:28:37.080
<v Speaker 2>people may not really be paying attention to whether the

0:28:37.119 --> 0:28:38.920
<v Speaker 2>whole works strategically.

0:28:39.880 --> 0:28:42.800
<v Speaker 1>I mean, like it'd be interesting to rank the par threes,

0:28:43.160 --> 0:28:47.160
<v Speaker 1>uh the property and just where where they shake out, right,

0:28:47.240 --> 0:28:49.120
<v Speaker 1>you know, because I think like one of the things

0:28:49.560 --> 0:28:52.560
<v Speaker 1>with sheep Ranch I think my complaint with sheep Ranch

0:28:52.760 --> 0:28:56.160
<v Speaker 1>is is the par threes feel a sameness to them,

0:28:56.320 --> 0:28:59.360
<v Speaker 1>and they share some characteristics of Bandon. They kind of

0:28:59.360 --> 0:29:02.920
<v Speaker 1>feel forced in on the coast, and I think my

0:29:03.120 --> 0:29:07.120
<v Speaker 1>tastes in the retail golfer as the Kaisers like to say,

0:29:07.160 --> 0:29:10.400
<v Speaker 1>are far different. You know, I love a great par

0:29:10.560 --> 0:29:13.480
<v Speaker 1>three on the ocean, but if it's a mediocre hole

0:29:13.800 --> 0:29:16.640
<v Speaker 1>on the ocean, I kind of think to myself, well,

0:29:17.480 --> 0:29:19.920
<v Speaker 1>what if they had done something else here, you know,

0:29:20.000 --> 0:29:23.600
<v Speaker 1>what if they had done something to push something here

0:29:23.680 --> 0:29:27.200
<v Speaker 1>so this wasn't necessarily a par three or you know,

0:29:27.320 --> 0:29:29.560
<v Speaker 1>in the case of sheep Ranch I feel like a

0:29:29.560 --> 0:29:32.080
<v Speaker 1>lot of the par threes blend in and they have

0:29:32.120 --> 0:29:35.400
<v Speaker 1>a similar playing characteristic of on the ocean, right.

0:29:35.320 --> 0:29:38.840
<v Speaker 2>Yeah, or toward the ocean. You're playing at the ocean,

0:29:38.920 --> 0:29:41.920
<v Speaker 2>so that you have the ocean view in the background,

0:29:41.920 --> 0:29:45.320
<v Speaker 2>almost an infinity effect behind the green. The funny thing

0:29:45.360 --> 0:29:48.760
<v Speaker 2>about Bandon Dune's par three's is that I think that

0:29:48.840 --> 0:29:53.600
<v Speaker 2>they're well oriented. They're well positioned where they should, except

0:29:53.640 --> 0:29:55.200
<v Speaker 2>for the sixth hole, which is just kind of this

0:29:55.320 --> 0:29:58.360
<v Speaker 2>extra appendage. But you know, it plays along the coast.

0:29:58.480 --> 0:30:01.280
<v Speaker 2>No other par three at and In Dunes plays right

0:30:01.320 --> 0:30:04.880
<v Speaker 2>along the coast, so at least that oh abandoned.

0:30:05.000 --> 0:30:06.920
<v Speaker 1>Yeah, I was going to say, yeah, yeah.

0:30:06.760 --> 0:30:08.480
<v Speaker 2>Yeah, at the Corse band In Dunes, that's going to

0:30:08.480 --> 0:30:11.560
<v Speaker 2>always be confusing, but yeah, it plays right along the coast,

0:30:11.600 --> 0:30:13.960
<v Speaker 2>whereas the others kind of play toward the coast or

0:30:14.080 --> 0:30:17.840
<v Speaker 2>you know, two is inland. So there's some variety to them,

0:30:18.400 --> 0:30:21.640
<v Speaker 2>but just the execution of the design isn't all the

0:30:21.680 --> 0:30:25.800
<v Speaker 2>way there with them. Fifteen I'm not sure what to

0:30:25.840 --> 0:30:28.760
<v Speaker 2>make of because that hole has been changed since the

0:30:28.800 --> 0:30:31.880
<v Speaker 2>original course bunker has been taken out. I think there's

0:30:31.920 --> 0:30:34.840
<v Speaker 2>been some reshaping done. I'm just not quite sure at

0:30:34.840 --> 0:30:37.880
<v Speaker 2>this point what they're going for with fifteen. It could

0:30:37.880 --> 0:30:39.959
<v Speaker 2>be kind of this neat par three a longish par

0:30:40.080 --> 0:30:42.680
<v Speaker 2>three where you run the ball up onto the green.

0:30:43.160 --> 0:30:46.760
<v Speaker 2>But that shot isn't super available right now. There's not

0:30:46.880 --> 0:30:50.000
<v Speaker 2>really places to bank it in or to really use

0:30:50.000 --> 0:30:53.000
<v Speaker 2>the ground in a constructive way. You know, there's a

0:30:53.000 --> 0:30:56.480
<v Speaker 2>lot of kind of like rejecting contours, and so the

0:30:56.560 --> 0:30:58.480
<v Speaker 2>motivation is more to get the ball up in the

0:30:58.520 --> 0:31:01.479
<v Speaker 2>air and kind of land it soft. But the uh,

0:31:01.840 --> 0:31:05.040
<v Speaker 2>you know, the great holes at Bandon Dune's are your

0:31:05.040 --> 0:31:08.800
<v Speaker 2>part fours. Yeah, inland par four specifically, for the most.

0:31:08.640 --> 0:31:11.520
<v Speaker 1>Part, I think like I think seven and eight and

0:31:11.600 --> 0:31:14.800
<v Speaker 1>ten and uh and seventeen to me, like I think

0:31:14.840 --> 0:31:17.320
<v Speaker 1>about those holes a lot. I think about the fifth

0:31:17.320 --> 0:31:20.320
<v Speaker 1>hole a lot. I think the way the fifth sits

0:31:20.360 --> 0:31:23.320
<v Speaker 1>in its landscape is what draws me to the fifth

0:31:23.360 --> 0:31:25.560
<v Speaker 1>so much. Is the way it just kind of nestles

0:31:25.600 --> 0:31:29.440
<v Speaker 1>in there. The green sits in that pocket, like I love, Yeah,

0:31:29.520 --> 0:31:32.560
<v Speaker 1>I just love how that hole, you know, it looks

0:31:32.600 --> 0:31:35.920
<v Speaker 1>aesthetically and just the way it embraces. What I wish

0:31:36.360 --> 0:31:39.160
<v Speaker 1>more of from Bandon Dunes was the way that hole

0:31:39.240 --> 0:31:43.320
<v Speaker 1>embraces its landscape. If it did that more throughout the course,

0:31:43.560 --> 0:31:45.440
<v Speaker 1>I think it would just be so much better, so

0:31:45.520 --> 0:31:49.080
<v Speaker 1>much better of a course. And instead, you know, especially

0:31:49.400 --> 0:31:52.680
<v Speaker 1>with the first four holes there, it really feels forced

0:31:52.920 --> 0:31:55.080
<v Speaker 1>and that, and then you finally get to five and

0:31:55.120 --> 0:31:57.480
<v Speaker 1>you're like, Okay, this is a hole that kind of

0:31:57.520 --> 0:32:01.280
<v Speaker 1>sits more into its landscape. Then the same again goes

0:32:01.360 --> 0:32:04.440
<v Speaker 1>back to that theme of one through four of really

0:32:04.720 --> 0:32:07.720
<v Speaker 1>you know, kind of like strong arming golf into this.

0:32:07.960 --> 0:32:11.000
<v Speaker 1>And then six and seven are kind of a contrast

0:32:11.080 --> 0:32:14.520
<v Speaker 1>back and seven and eight. Seven and eight are really

0:32:14.600 --> 0:32:18.080
<v Speaker 1>a contrast back to what you feel with five. So

0:32:18.520 --> 0:32:20.840
<v Speaker 1>like that to me is kind of like the give

0:32:20.880 --> 0:32:23.960
<v Speaker 1>and take in a similar thing happens on the back nine. Right,

0:32:24.400 --> 0:32:27.040
<v Speaker 1>you have ten that feels so natural in such a

0:32:27.400 --> 0:32:31.160
<v Speaker 1>wonderful hole. Thirteen similarly, But then eleven and twelve, like

0:32:31.320 --> 0:32:34.240
<v Speaker 1>eleven to me is kind of a goofy hole, and

0:32:34.320 --> 0:32:35.640
<v Speaker 1>I know it's been changed.

0:32:35.760 --> 0:32:36.560
<v Speaker 2>It's been changed.

0:32:36.680 --> 0:32:40.320
<v Speaker 1>Yeah, that And I think that's another important point about

0:32:40.360 --> 0:32:44.880
<v Speaker 1>this golf course. It underwent a big renovation, and you

0:32:44.920 --> 0:32:46.520
<v Speaker 1>don't renovate a masterpiece.

0:32:47.720 --> 0:32:50.480
<v Speaker 2>Yeah, well, I'm not sure that the changes at eleven

0:32:50.520 --> 0:32:52.920
<v Speaker 2>are for the better. I think the initial concept of

0:32:52.920 --> 0:32:55.080
<v Speaker 2>that hole is that you had a bunch of bunkers

0:32:55.160 --> 0:32:58.160
<v Speaker 2>kind of running on a diagonal on the left, and

0:32:58.240 --> 0:33:01.680
<v Speaker 2>the best place to approach the green from was the left,

0:33:02.120 --> 0:33:04.160
<v Speaker 2>and there's quite a bit of room out to the right.

0:33:04.240 --> 0:33:06.440
<v Speaker 2>Now there's also some gorse out to the right, so

0:33:06.440 --> 0:33:08.600
<v Speaker 2>I'm not sure there's you know, it's that safe to

0:33:08.640 --> 0:33:11.080
<v Speaker 2>play out to the right. But they've taken out some

0:33:11.160 --> 0:33:14.640
<v Speaker 2>of those bunkers on the left, which I think makes

0:33:14.680 --> 0:33:17.520
<v Speaker 2>the play up the left a bit less risky, especially

0:33:17.560 --> 0:33:20.320
<v Speaker 2>if you're taking the gorse out of play. So the

0:33:20.320 --> 0:33:23.520
<v Speaker 2>strategy of that hole just isn't quite coming together for me,

0:33:24.000 --> 0:33:26.440
<v Speaker 2>and I would say that I just don't see what

0:33:26.560 --> 0:33:29.280
<v Speaker 2>the advantage is on a lot of holes at Bandon

0:33:29.360 --> 0:33:32.800
<v Speaker 2>Dune's what advantage there is to being near a hazard,

0:33:33.320 --> 0:33:37.160
<v Speaker 2>or what advantage there is to playing close to a

0:33:37.160 --> 0:33:39.400
<v Speaker 2>particular side of the fairway. I think in a lot

0:33:39.440 --> 0:33:42.000
<v Speaker 2>of cases, if you're just somewhere in the fairway, you

0:33:42.000 --> 0:33:44.560
<v Speaker 2>can kind of figure it out from there and there's

0:33:44.680 --> 0:33:49.160
<v Speaker 2>not any particular penalty for playing super safe.

0:33:49.960 --> 0:33:54.960
<v Speaker 1>Would you characterize Bandon as the most fair course at

0:33:55.000 --> 0:33:55.520
<v Speaker 1>the resort.

0:33:57.440 --> 0:34:01.520
<v Speaker 2>It's a terrible question, it is, and it isn't, because

0:34:01.560 --> 0:34:03.320
<v Speaker 2>we have to define fair.

0:34:03.640 --> 0:34:05.520
<v Speaker 1>Like a tour pro would define fair.

0:34:05.880 --> 0:34:09.160
<v Speaker 2>Well, I think that David Kidd was not a member

0:34:09.320 --> 0:34:11.799
<v Speaker 2>of the fair Police when he designed this course. I

0:34:11.800 --> 0:34:14.480
<v Speaker 2>think he pushed back against a lot of the advice

0:34:14.520 --> 0:34:17.320
<v Speaker 2>that he was getting to make the course more fair,

0:34:17.840 --> 0:34:20.240
<v Speaker 2>and to make the course more fair would mean things

0:34:20.320 --> 0:34:23.279
<v Speaker 2>like making that bunker on the twelfth hole the par three,

0:34:23.400 --> 0:34:26.960
<v Speaker 2>that little pop bunker in the green, making that less severe.

0:34:27.239 --> 0:34:29.719
<v Speaker 2>There was somebody who advised him to do that, and

0:34:29.760 --> 0:34:31.759
<v Speaker 2>he pushed back against that and said, hey, a lot

0:34:31.800 --> 0:34:35.560
<v Speaker 2>of links holes have these sort of quote unquote unfair hazards.

0:34:35.840 --> 0:34:38.560
<v Speaker 2>He didn't grade out some of those fairways to make

0:34:38.600 --> 0:34:41.440
<v Speaker 2>them more fair, to give a level lie to the player.

0:34:41.840 --> 0:34:44.400
<v Speaker 2>And so I think in that sense, Bandon Dunes represents

0:34:44.440 --> 0:34:48.080
<v Speaker 2>a lot of the things that people think of as unfair.

0:34:48.640 --> 0:34:52.600
<v Speaker 2>But today, compared to courses like Pacific Dunes and Bandoned Trails,

0:34:53.000 --> 0:34:55.200
<v Speaker 2>you're just going to get into a lot less trouble

0:34:55.480 --> 0:34:56.360
<v Speaker 2>at Bandon Dunes.

0:34:57.040 --> 0:34:59.399
<v Speaker 1>Yeah. I think it's it's the most kind of what

0:34:59.440 --> 0:35:03.160
<v Speaker 1>you see is what you get at Bandon. I think

0:35:03.200 --> 0:35:06.080
<v Speaker 1>you're gonna get the least amount of kind of what

0:35:06.200 --> 0:35:11.480
<v Speaker 1>people would call bad bounces. With the other courses abandoned holistically,

0:35:11.680 --> 0:35:15.759
<v Speaker 1>I would put them into the stratosphere of like, hey,

0:35:15.760 --> 0:35:20.040
<v Speaker 1>these are the very, very best public golf courses in America.

0:35:20.800 --> 0:35:23.319
<v Speaker 1>Now with Bandon, I would still put it in the

0:35:23.320 --> 0:35:26.279
<v Speaker 1>class of this is one of the best public golf

0:35:26.320 --> 0:35:30.560
<v Speaker 1>courses in America, but it's probably down in bucket three

0:35:30.719 --> 0:35:34.840
<v Speaker 1>of public golf for me personally. And I think what

0:35:35.040 --> 0:35:40.720
<v Speaker 1>propels its high lofty ranking really centers around its history.

0:35:41.160 --> 0:35:43.160
<v Speaker 1>You know, it has a ton of history and being

0:35:43.239 --> 0:35:46.560
<v Speaker 1>the founding course abandoned dunes, and also its name. It's

0:35:46.600 --> 0:35:51.759
<v Speaker 1>the namesake for the most popular resort in America.

0:35:51.120 --> 0:35:56.040
<v Speaker 2>And it pushed golf course development and golf course architecture forward. Yes,

0:35:57.680 --> 0:35:59.960
<v Speaker 2>this episode of the Frida Egg podcast is brought to

0:36:00.160 --> 0:36:03.279
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0:36:03.360 --> 0:36:06.719
<v Speaker 2>Dune's last November, we encountered all kinds of weather. We

0:36:06.760 --> 0:36:10.480
<v Speaker 2>played bandoned trails and torrential rains and gale force winds,

0:36:11.000 --> 0:36:14.560
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0:36:14.640 --> 0:36:18.440
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0:36:18.520 --> 0:36:21.880
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0:36:22.000 --> 0:36:25.560
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0:36:25.640 --> 0:36:31.040
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0:36:31.080 --> 0:36:33.160
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0:36:33.200 --> 0:36:36.799
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0:36:36.840 --> 0:36:40.840
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0:36:40.880 --> 0:36:44.560
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0:36:44.600 --> 0:36:47.560
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0:36:47.600 --> 0:36:51.479
<v Speaker 2>and comfortable, and finally, both items can function really well

0:36:51.520 --> 0:36:54.600
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0:36:54.680 --> 0:36:57.280
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0:36:57.920 --> 0:37:01.000
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0:37:01.120 --> 0:37:03.960
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0:37:04.320 --> 0:37:07.360
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0:37:07.400 --> 0:37:10.200
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0:37:10.600 --> 0:37:14.480
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0:37:14.520 --> 0:37:20.400
<v Speaker 2>off at zero restriction dot com. You know, before we

0:37:20.440 --> 0:37:22.879
<v Speaker 2>wrap up and get really general, I want to talk

0:37:22.920 --> 0:37:25.640
<v Speaker 2>about the shaping a little bit, okay, because I think

0:37:25.640 --> 0:37:27.879
<v Speaker 2>we've referred to it a couple of times, But can

0:37:27.920 --> 0:37:30.479
<v Speaker 2>we get into that a little bit more deeply because

0:37:30.520 --> 0:37:31.520
<v Speaker 2>I think that you.

0:37:31.400 --> 0:37:33.920
<v Speaker 1>Know, it's your podcast, Scarrett, people.

0:37:33.719 --> 0:37:36.600
<v Speaker 2>Don't always know, Yeah, people don't always know what we

0:37:36.680 --> 0:37:39.760
<v Speaker 2>mean when we talk about bad shaping versus good shaping.

0:37:40.440 --> 0:37:44.239
<v Speaker 2>Say you're comparing Bandon Dunes to Pacific Dunes or to

0:37:44.360 --> 0:37:48.759
<v Speaker 2>Bandon Trails in terms of the shaping style, the execution

0:37:49.040 --> 0:37:52.279
<v Speaker 2>of the shaping, why do you think it's less successful

0:37:52.480 --> 0:37:53.400
<v Speaker 2>at Bandon Dunes.

0:37:53.840 --> 0:37:56.840
<v Speaker 1>Here's the thing about shaping. There are all different types

0:37:56.880 --> 0:38:01.920
<v Speaker 1>of shaping. Like I love SETH Raider CB McDonald golf courses.

0:38:02.400 --> 0:38:05.560
<v Speaker 1>Are they natural golf courses? Do they fit into their

0:38:05.640 --> 0:38:09.840
<v Speaker 1>natural environment? No, they're They're artificial and man made. I

0:38:10.320 --> 0:38:14.640
<v Speaker 1>you know that being said, I feel like Bandon attempts

0:38:14.680 --> 0:38:17.960
<v Speaker 1>to be natural to its area, but then when you

0:38:18.040 --> 0:38:21.680
<v Speaker 1>look at it, it looks very artificial. So the way

0:38:21.760 --> 0:38:26.279
<v Speaker 1>that the shaping ties into the surrounding areas. You know,

0:38:26.360 --> 0:38:29.400
<v Speaker 1>one of the things that I've learned from being out

0:38:29.560 --> 0:38:33.960
<v Speaker 1>at sites and talking to you know, shapers or architects

0:38:34.080 --> 0:38:37.720
<v Speaker 1>is the idea of con of horizon lines and looking

0:38:37.719 --> 0:38:41.319
<v Speaker 1>at the lines that the horizon makes and how you

0:38:41.440 --> 0:38:45.759
<v Speaker 1>can shape things that fit into those lines right and

0:38:45.760 --> 0:38:49.880
<v Speaker 1>and aren't obtrusive or like you know you talk about McKenzie,

0:38:50.320 --> 0:38:53.120
<v Speaker 1>when you build something, you build it so big that

0:38:53.200 --> 0:38:56.279
<v Speaker 1>it doesn't feel fake. And that's something that Jackson and

0:38:56.320 --> 0:38:59.040
<v Speaker 1>con talked about with it, which I think is one

0:38:59.040 --> 0:39:02.440
<v Speaker 1>of the best LIFs looking manufactured golf courses. Is Scottsdale

0:39:02.560 --> 0:39:06.320
<v Speaker 1>National Building, something so big that you can't possibly believe

0:39:06.360 --> 0:39:09.839
<v Speaker 1>it's fake. What Bandon Dune's is in is that some

0:39:09.880 --> 0:39:13.200
<v Speaker 1>of the constructed areas, in particular, like the third hole

0:39:13.320 --> 0:39:16.000
<v Speaker 1>or the fourth hole, where you have that left side,

0:39:16.560 --> 0:39:20.320
<v Speaker 1>you know that left side, it looks so unnatural because

0:39:20.320 --> 0:39:23.440
<v Speaker 1>it doesn't look like anything around it, right, And you

0:39:23.600 --> 0:39:27.480
<v Speaker 1>had examples right across on the other off the other

0:39:27.560 --> 0:39:30.879
<v Speaker 1>fairway which you could have mimicked. I remember walking down

0:39:30.920 --> 0:39:33.719
<v Speaker 1>that hole with you and we were just looking to

0:39:33.800 --> 0:39:37.400
<v Speaker 1>the right of the hole at this beautiful land and

0:39:37.480 --> 0:39:40.400
<v Speaker 1>there just like at some of the most stunning land

0:39:40.480 --> 0:39:42.040
<v Speaker 1>on the golf course, and then you look to the

0:39:42.120 --> 0:39:44.600
<v Speaker 1>left at this constructed feature and you're like, you know

0:39:44.680 --> 0:39:47.440
<v Speaker 1>what that those don't Those two things aren't the same.

0:39:47.920 --> 0:39:51.080
<v Speaker 1>And when they're trying to pull off this natural look

0:39:51.280 --> 0:39:53.920
<v Speaker 1>it is trying to embrace the environment that is in,

0:39:54.600 --> 0:39:58.439
<v Speaker 1>it just falls short in those aspects in my opinion. Now,

0:39:58.640 --> 0:40:02.080
<v Speaker 1>something that ties in perfect here is drainage. And when

0:40:02.120 --> 0:40:06.160
<v Speaker 1>you have a bunch of man made hollows in the

0:40:06.200 --> 0:40:10.880
<v Speaker 1>ground that are created because you're putting drains in. That

0:40:11.080 --> 0:40:14.480
<v Speaker 1>also makes things look extremely man made.

0:40:15.200 --> 0:40:19.160
<v Speaker 2>To be clear, a course like Pacific Dunes has drains, yes,

0:40:19.280 --> 0:40:23.200
<v Speaker 2>but they're just a little bit harder to identify and

0:40:23.320 --> 0:40:27.080
<v Speaker 2>pick out of the landscape of the golf course because

0:40:27.120 --> 0:40:30.640
<v Speaker 2>they've been really tied in to the natural movement of

0:40:30.680 --> 0:40:33.600
<v Speaker 2>the rest of the property, you know, whereas on a

0:40:33.680 --> 0:40:36.840
<v Speaker 2>lot of holes Abandon Dunes you can see those scooped

0:40:36.840 --> 0:40:40.600
<v Speaker 2>out catch basins, and they did like a decent job

0:40:40.680 --> 0:40:44.600
<v Speaker 2>kind of matching the grades and various things like that,

0:40:44.680 --> 0:40:48.440
<v Speaker 2>but it's just the work isn't quite as advanced as

0:40:48.480 --> 0:40:51.480
<v Speaker 2>it is at the rest of the courses at Bandon Dunes,

0:40:51.760 --> 0:40:54.640
<v Speaker 2>so that when you walk around holes like three, for instance.

0:40:54.719 --> 0:40:57.400
<v Speaker 2>You mentioned three before accidentally, but I think three is

0:40:57.440 --> 0:41:00.239
<v Speaker 2>the perfect example of where the shaping at and in

0:41:00.320 --> 0:41:03.880
<v Speaker 2>Dune's falls short. There are catch basins all over that

0:41:03.920 --> 0:41:07.440
<v Speaker 2>fairway that are really easily identifiable. And then if you

0:41:07.480 --> 0:41:09.799
<v Speaker 2>look up at the green site, they are these kind

0:41:09.800 --> 0:41:15.000
<v Speaker 2>of regular wavy contours around the green that just don't

0:41:15.040 --> 0:41:19.200
<v Speaker 2>fit into anything around them. And once you start seeing that,

0:41:19.640 --> 0:41:23.200
<v Speaker 2>you can really pretty easily pick out what was made

0:41:23.800 --> 0:41:27.279
<v Speaker 2>and what's natural, and that just kind of takes you

0:41:27.360 --> 0:41:30.120
<v Speaker 2>out of the flow of the golf round. It takes

0:41:30.160 --> 0:41:33.560
<v Speaker 2>you out of this experience that you're having a kind

0:41:33.560 --> 0:41:36.240
<v Speaker 2>of old fashioned linksy round.

0:41:37.280 --> 0:41:40.680
<v Speaker 1>Yeah. And I think like the greatest credit to an

0:41:40.760 --> 0:41:44.880
<v Speaker 1>architect is when you say something like you had to

0:41:44.920 --> 0:41:48.200
<v Speaker 1>have made that feature and they say, no, that was there,

0:41:48.680 --> 0:41:51.760
<v Speaker 1>and you then say something along the lines of God

0:41:51.840 --> 0:41:54.719
<v Speaker 1>that that feature must have been so exciting when you

0:41:54.760 --> 0:41:57.279
<v Speaker 1>saw that and knew you could build something over that,

0:41:57.320 --> 0:41:59.440
<v Speaker 1>and they say, well, we'll we built all that, you know.

0:42:00.080 --> 0:42:02.719
<v Speaker 1>And I think the thing with Bandon is that it

0:42:03.000 --> 0:42:06.920
<v Speaker 1>what was made and what was there are very very evident.

0:42:07.200 --> 0:42:09.520
<v Speaker 1>And I think the catch base and thing, just like

0:42:09.960 --> 0:42:13.399
<v Speaker 1>the way that drains are used other places, is that

0:42:13.520 --> 0:42:17.120
<v Speaker 1>there was small earthwork done to move water to an

0:42:17.160 --> 0:42:20.239
<v Speaker 1>area where your eye wouldn't see the drain or the

0:42:20.320 --> 0:42:24.440
<v Speaker 1>drain wouldn't be in play. At Bandon, the drains are

0:42:24.480 --> 0:42:27.400
<v Speaker 1>directly in your line of play. And it was the

0:42:27.440 --> 0:42:30.120
<v Speaker 1>first we have a water problem here, let's put a

0:42:30.239 --> 0:42:33.359
<v Speaker 1>drain in. Let's not do the subtle earthwork to move

0:42:33.520 --> 0:42:37.000
<v Speaker 1>the move the water out of play and to an

0:42:37.040 --> 0:42:38.720
<v Speaker 1>area where we can hide a drain.

0:42:39.320 --> 0:42:42.399
<v Speaker 2>And it's variable through the course though. That's the thing

0:42:42.520 --> 0:42:44.600
<v Speaker 2>that's that sort of strange, is that some holes I

0:42:44.600 --> 0:42:49.239
<v Speaker 2>think are really beautifully shaped, other holes fall short. And

0:42:49.560 --> 0:42:52.200
<v Speaker 2>I think that that has a lot to do with

0:42:52.520 --> 0:42:56.280
<v Speaker 2>the way the process worked in construction at Bandon Dunes.

0:42:56.840 --> 0:43:00.000
<v Speaker 2>The lead shaper at Bandon Dunes, David Kids lead shape

0:43:00.880 --> 0:43:03.759
<v Speaker 2>was a guy named Jim Haley. Now I don't want

0:43:03.800 --> 0:43:07.920
<v Speaker 2>to disrespect Jim Haley's name. I don't know much about him.

0:43:08.280 --> 0:43:11.880
<v Speaker 2>I'm not sure which work exactly he did at Bandon Dune's.

0:43:12.440 --> 0:43:16.440
<v Speaker 2>But Jim Haley's resume, the main feature on it is

0:43:16.480 --> 0:43:19.800
<v Speaker 2>that he spent eleven years as a shaper for Reese Jones.

0:43:20.200 --> 0:43:24.080
<v Speaker 2>He was part of the kind of conventional golf industry

0:43:24.200 --> 0:43:26.719
<v Speaker 2>in the eighties and nineties. And I think that some

0:43:26.800 --> 0:43:30.080
<v Speaker 2>of these shapes that we're talking about, these artificial contours

0:43:30.080 --> 0:43:33.319
<v Speaker 2>around greens, the way that the catch basins are executed,

0:43:33.920 --> 0:43:37.960
<v Speaker 2>are familiar. If you have been to Reese Jones courses

0:43:38.040 --> 0:43:40.839
<v Speaker 2>from the eighties and nineties, or Pete Die courses from

0:43:40.840 --> 0:43:43.920
<v Speaker 2>the eighties and nineties, Jack Nicholas courses from the same period,

0:43:44.080 --> 0:43:47.160
<v Speaker 2>Robert Trent Jones junior courses from the same period. You

0:43:47.239 --> 0:43:51.799
<v Speaker 2>see touches of that at Bandon Dune's and it's a

0:43:51.840 --> 0:43:55.880
<v Speaker 2>little bit out of place now that Corn Crenshaw and

0:43:55.920 --> 0:43:58.200
<v Speaker 2>Tom Doak have built the rest of the courses at

0:43:58.280 --> 0:44:02.000
<v Speaker 2>Bandon and have taken a really different approach to tying

0:44:02.120 --> 0:44:05.000
<v Speaker 2>in their courses to the natural landscape. And just to

0:44:05.040 --> 0:44:09.239
<v Speaker 2>bring this point home, take a look sometime everybody at

0:44:09.280 --> 0:44:14.799
<v Speaker 2>some early pictures of Bandon Dunes before Pacific Dunes was built, preferably,

0:44:15.480 --> 0:44:18.320
<v Speaker 2>but maybe even a little bit after that, just really

0:44:18.400 --> 0:44:21.400
<v Speaker 2>early days at Bandon Dune's. And for pictures like this,

0:44:21.560 --> 0:44:24.080
<v Speaker 2>you can go to golf club atlist dot com and

0:44:24.239 --> 0:44:27.360
<v Speaker 2>look at the kind of courses by country section and

0:44:27.400 --> 0:44:30.520
<v Speaker 2>click on Bandon Dunes. Look at those pictures, Look at

0:44:30.560 --> 0:44:35.120
<v Speaker 2>the bunkers. The bunkers are totally different in style than

0:44:35.360 --> 0:44:39.200
<v Speaker 2>they are now. The original bunkers at Bandon Dunees looked

0:44:39.480 --> 0:44:44.040
<v Speaker 2>very much like Glen Eagles bunkers if you've seen Glen

0:44:44.040 --> 0:44:47.160
<v Speaker 2>Eagles King's Course where David Kid's father was the director

0:44:47.200 --> 0:44:50.280
<v Speaker 2>of agronomy, where David Kidd kind of grew up working

0:44:50.320 --> 0:44:53.320
<v Speaker 2>what he was familiar with. The original band And Dunes

0:44:53.360 --> 0:44:56.040
<v Speaker 2>bunkers look like that, right, they are kind of these

0:44:56.800 --> 0:45:01.240
<v Speaker 2>smallish a lot of them sort of bathtub like. Okay,

0:45:01.600 --> 0:45:04.239
<v Speaker 2>they don't look bad, I don't think. I think the

0:45:04.280 --> 0:45:07.560
<v Speaker 2>other influence on the original bunker style Bandon Dunes was Mierfield.

0:45:08.280 --> 0:45:11.120
<v Speaker 2>But they just look completely different from what's getting built

0:45:11.239 --> 0:45:15.759
<v Speaker 2>at Bandon Dunes now. And they've gone in after these

0:45:15.800 --> 0:45:19.680
<v Speaker 2>other courses were built, and they have renovated those bunkers,

0:45:19.880 --> 0:45:23.160
<v Speaker 2>naturalized them a little bit, tried to bring them more

0:45:23.239 --> 0:45:26.840
<v Speaker 2>in line with what became the style of the resort.

0:45:27.520 --> 0:45:30.800
<v Speaker 2>There was a different idea that went into the original

0:45:30.840 --> 0:45:35.280
<v Speaker 2>band In Dune's course that wouldn't have been as radical

0:45:35.480 --> 0:45:35.919
<v Speaker 2>back then.

0:45:36.640 --> 0:45:39.520
<v Speaker 1>Do you think the golf course would tie together and

0:45:39.680 --> 0:45:44.600
<v Speaker 1>feel more like its own like if the bunkers still

0:45:44.880 --> 0:45:48.440
<v Speaker 1>were that style, it might, I agree.

0:45:48.719 --> 0:45:52.239
<v Speaker 2>I don't think the original bunkers look bad. I think that, Yeah,

0:45:52.440 --> 0:45:56.240
<v Speaker 2>there was an overall coherence to what they were doing there,

0:45:56.640 --> 0:46:01.000
<v Speaker 2>even if it's not what I prefer. Those bunkers were

0:46:01.120 --> 0:46:04.120
<v Speaker 2>of a piece with the catch basin shaping that you're

0:46:04.160 --> 0:46:07.680
<v Speaker 2>talking about exactly, with some of the containment mounding that

0:46:07.760 --> 0:46:10.880
<v Speaker 2>was around the fairways. Even if it didn't tie in

0:46:11.200 --> 0:46:15.640
<v Speaker 2>all that well to the natural landscape, it tied into itself.

0:46:16.360 --> 0:46:19.879
<v Speaker 2>Now Bandon Dunes has a little bit of a hodgepodge

0:46:19.880 --> 0:46:23.080
<v Speaker 2>feel where they have naturalized these bunkers a little bit,

0:46:23.160 --> 0:46:27.759
<v Speaker 2>made them a little more dopey or coorry, but they

0:46:27.760 --> 0:46:31.080
<v Speaker 2>haven't been able to change the shaping of the green

0:46:31.160 --> 0:46:33.800
<v Speaker 2>surrounds and the shaping of those some of the mounding

0:46:33.840 --> 0:46:36.879
<v Speaker 2>around the fairways in the same way, because that would

0:46:36.880 --> 0:46:39.640
<v Speaker 2>be a much much bigger project than just kind of

0:46:39.640 --> 0:46:42.480
<v Speaker 2>thrilling up some bunker edges. So I think that's an

0:46:42.480 --> 0:46:45.280
<v Speaker 2>interesting point, you know, like there was an original style

0:46:45.360 --> 0:46:47.879
<v Speaker 2>to Bandon Dunes and they've kind of moved away from

0:46:47.880 --> 0:46:49.839
<v Speaker 2>that because of what the other courses are.

0:46:50.520 --> 0:46:53.800
<v Speaker 1>Like if you've ever gone to a Golden Age course

0:46:53.840 --> 0:46:57.600
<v Speaker 1>that's gotten a bunker renovation, like a great example would

0:46:57.640 --> 0:47:02.920
<v Speaker 1>be Belvedere, right, is a phenomenal golf course that everybody

0:47:03.000 --> 0:47:06.520
<v Speaker 1>can play, But the bunkers are of the seventies eighties vein.

0:47:06.719 --> 0:47:08.840
<v Speaker 2>Yeah, they're scoopy, they look silly.

0:47:08.920 --> 0:47:11.480
<v Speaker 1>Yeah, they're like they're you know, they're they're just like

0:47:11.520 --> 0:47:13.920
<v Speaker 1>You're like, wait, what where are these here? You know,

0:47:13.960 --> 0:47:17.160
<v Speaker 1>what what's going on? And obviously they would love to change.

0:47:17.239 --> 0:47:19.560
<v Speaker 1>It's a high priced ticket that they aren't going to

0:47:19.640 --> 0:47:24.040
<v Speaker 1>change anytime soon. But like here in this vein, what

0:47:24.040 --> 0:47:28.040
<v Speaker 1>what's happened abandon is that the original aesthetic of the

0:47:28.080 --> 0:47:31.040
<v Speaker 1>golf course that tied everything together. One of the big

0:47:31.080 --> 0:47:34.560
<v Speaker 1>things that ties an entire course together is the bunkers,

0:47:35.120 --> 0:47:39.560
<v Speaker 1>and the bunkers related to everything else, and by changing them,

0:47:39.880 --> 0:47:44.879
<v Speaker 1>they have created this mismatch. I think, you know, when

0:47:44.960 --> 0:47:47.640
<v Speaker 1>you look at those old photos, like I think the

0:47:48.040 --> 0:47:50.960
<v Speaker 1>course looks a lot better, Like if you put dope

0:47:51.320 --> 0:47:56.200
<v Speaker 1>core seaside bunkers on a rainer course, they would look

0:47:56.280 --> 0:47:59.120
<v Speaker 1>so goofy and that everything else would look just silly.

0:47:59.480 --> 0:48:02.959
<v Speaker 1>But what works is everything's manufactured and in a way

0:48:03.239 --> 0:48:08.160
<v Speaker 1>like Banded Dunes is probably the most manufactured golf course

0:48:08.360 --> 0:48:12.960
<v Speaker 1>at the resort, and in that vein like it should have.

0:48:14.280 --> 0:48:18.080
<v Speaker 1>That's where the consistent feel lacks, right.

0:48:18.440 --> 0:48:20.319
<v Speaker 2>Yeah, I mean, I think what they were going for

0:48:20.840 --> 0:48:23.520
<v Speaker 2>with the original band In Dunes was what they thought

0:48:23.840 --> 0:48:26.560
<v Speaker 2>was a Lynx course, you know, and they were a

0:48:26.600 --> 0:48:31.000
<v Speaker 2>lot more successful in executing a Lynx concept than a

0:48:31.040 --> 0:48:33.880
<v Speaker 2>ton of architects had been before them. I mean, just

0:48:33.920 --> 0:48:36.800
<v Speaker 2>think of your your local link style course that was

0:48:36.840 --> 0:48:40.600
<v Speaker 2>built in Farmland and compared to that Robert Trench Jones.

0:48:40.800 --> 0:48:43.759
<v Speaker 1>The Robert Trench Jones Trail has links courses that are

0:48:43.840 --> 0:48:45.240
<v Speaker 1>just like monstrosities.

0:48:45.600 --> 0:48:47.960
<v Speaker 2>Yeah, and you know in the Portland area we have

0:48:48.000 --> 0:48:50.960
<v Speaker 2>a ton of these. There's the Langdon Farms, there's Heron Lakes.

0:48:50.960 --> 0:48:52.520
<v Speaker 2>You know, people who are from Portland know what I'm

0:48:52.520 --> 0:48:56.439
<v Speaker 2>talking about here. I think most most cities have these

0:48:56.480 --> 0:48:59.680
<v Speaker 2>style of courses that were built on something flat and

0:48:59.719 --> 0:49:01.719
<v Speaker 2>in our kitec came in, well what can we do here,

0:49:01.840 --> 0:49:04.640
<v Speaker 2>Let's build a link style course, let's do some mounding whatever.

0:49:04.880 --> 0:49:07.279
<v Speaker 2>If you look at the original band in Dunes, it

0:49:07.400 --> 0:49:10.160
<v Speaker 2>was so much better than those. I mean, it was

0:49:10.200 --> 0:49:15.000
<v Speaker 2>a giant leap from link style eighties and nineties architecture,

0:49:15.000 --> 0:49:18.879
<v Speaker 2>It truly was. But what they were thinking of, I

0:49:18.920 --> 0:49:22.839
<v Speaker 2>think as a links course was based on what old

0:49:22.840 --> 0:49:25.919
<v Speaker 2>Scottish links courses, but how they look in the modern era.

0:49:26.320 --> 0:49:29.520
<v Speaker 2>So think of Mirfield, think of even the old course

0:49:29.520 --> 0:49:33.520
<v Speaker 2>at Saint Andrew's. I think what David Kidd was imagining

0:49:33.600 --> 0:49:36.400
<v Speaker 2>is that he was building a course like that, whereas

0:49:36.560 --> 0:49:40.200
<v Speaker 2>what Tom Dook and Bill Corr do is they're trying

0:49:40.200 --> 0:49:44.480
<v Speaker 2>to build courses that look like what original links courses

0:49:44.480 --> 0:49:49.759
<v Speaker 2>look like with blowout bunkers and really natural duneescapes. Well,

0:49:49.840 --> 0:49:52.880
<v Speaker 2>by the time those old links courses got to the

0:49:52.960 --> 0:49:55.920
<v Speaker 2>nineteen nineties, the bunkers had been shored up.

0:49:56.800 --> 0:50:01.160
<v Speaker 1>They'd been making like literally for like to to save maintenance.

0:50:01.200 --> 0:50:04.560
<v Speaker 1>And obviously maintenance practices have gone so far. But like

0:50:04.640 --> 0:50:07.240
<v Speaker 1>a great example, we have an article on the eighteenth

0:50:07.239 --> 0:50:11.920
<v Speaker 1>hole Mierfield that Jaeger Kovich wrote, and there's an old

0:50:12.000 --> 0:50:16.040
<v Speaker 1>picture of the eighteenth hole bunkers from nineteen thirty or

0:50:16.080 --> 0:50:20.360
<v Speaker 1>something like that, and they're much more wild. They resemble

0:50:20.440 --> 0:50:24.239
<v Speaker 1>a Pacific Dunes bunker. They don't resemble what's there now,

0:50:24.280 --> 0:50:26.960
<v Speaker 1>which is a revetted pot bunker that's very easy to

0:50:27.000 --> 0:50:31.839
<v Speaker 1>maintain that you know, essentially is much smaller but occupies

0:50:31.880 --> 0:50:35.160
<v Speaker 1>the same amount of space by swallowing up golf balls.

0:50:35.200 --> 0:50:40.120
<v Speaker 1>And it's a fascinating thing. Like what Bill core and

0:50:40.239 --> 0:50:44.919
<v Speaker 1>Tom did is that they matched their golf courses their

0:50:44.960 --> 0:50:50.879
<v Speaker 1>bunkers to the area, yes, versus putting bunkers in the

0:50:50.920 --> 0:50:54.400
<v Speaker 1>way that bunkers had been built for the last twenty years.

0:50:55.239 --> 0:50:58.520
<v Speaker 2>And Bill Corr and Tom Douk were very influenced by

0:50:58.560 --> 0:51:01.600
<v Speaker 2>Scottish links courses. The same way that David Kid was.

0:51:02.200 --> 0:51:04.400
<v Speaker 2>But Bill Core and Tom Doak were not trying to

0:51:04.440 --> 0:51:08.640
<v Speaker 2>make their courses look like Scottish links courses currently look.

0:51:08.920 --> 0:51:11.560
<v Speaker 2>They're trying to make them look like they caught Scottish

0:51:11.600 --> 0:51:13.839
<v Speaker 2>links courses did way back in the day. I think

0:51:13.880 --> 0:51:16.440
<v Speaker 2>what David Kidd was doing, and that what the whole

0:51:16.480 --> 0:51:19.359
<v Speaker 2>team there was doing. Mike Kaiser as well. They were

0:51:19.400 --> 0:51:22.719
<v Speaker 2>looking at what Scottish links courses look like now or

0:51:22.719 --> 0:51:24.879
<v Speaker 2>what they looked like in the nineties, and they were

0:51:24.920 --> 0:51:28.720
<v Speaker 2>more trying to replicate that, which I think is fine,

0:51:29.000 --> 0:51:31.680
<v Speaker 2>there's no problem with that, but they have kind of

0:51:31.719 --> 0:51:34.920
<v Speaker 2>walked that back a little bit now in trying to

0:51:35.480 --> 0:51:39.040
<v Speaker 2>match Bandon Dune's bunkers with the what Doak and Core

0:51:39.120 --> 0:51:40.280
<v Speaker 2>have done elsewhere at the resort.

0:51:40.800 --> 0:51:43.160
<v Speaker 1>Yeah, and I think the golf course band It would

0:51:43.160 --> 0:51:45.520
<v Speaker 1>be better with those original bunkers.

0:51:45.840 --> 0:51:48.439
<v Speaker 2>That's an interesting take. I mean it's yeah, I think

0:51:48.440 --> 0:51:49.160
<v Speaker 2>I agree with you.

0:51:49.719 --> 0:51:52.560
<v Speaker 1>And the thing about it is, like the important point

0:51:52.640 --> 0:51:56.720
<v Speaker 1>to make about Tom and Bill Corr is they wouldn't

0:51:56.760 --> 0:52:01.080
<v Speaker 1>build those bunkers at a site that was like, you know,

0:52:01.160 --> 0:52:04.120
<v Speaker 1>like a perfect example is Tobb's work at common Ground.

0:52:04.400 --> 0:52:08.200
<v Speaker 1>Common Ground does not have bunkers that look like Pacific dudes,

0:52:08.239 --> 0:52:12.560
<v Speaker 1>because that's not what that area is like, you know,

0:52:12.840 --> 0:52:15.800
<v Speaker 1>they match it to the So the bunkers at common

0:52:15.840 --> 0:52:19.399
<v Speaker 1>Ground look a lot more like the original bunkers at

0:52:19.440 --> 0:52:20.200
<v Speaker 1>Banded Dunes.

0:52:20.800 --> 0:52:23.480
<v Speaker 2>Yeah, and again I don't think that the original Bandon

0:52:23.600 --> 0:52:27.160
<v Speaker 2>Dunes necessarily matched its environment that well. There were some

0:52:27.239 --> 0:52:30.360
<v Speaker 2>things that were not successful in the tie ins between

0:52:30.600 --> 0:52:33.680
<v Speaker 2>the dunes land and the shapes of the golf course,

0:52:33.719 --> 0:52:36.480
<v Speaker 2>the artificial shapes of the golf course abandoned dunes, but

0:52:36.719 --> 0:52:39.000
<v Speaker 2>there was at least a coherence to the concept that

0:52:39.040 --> 0:52:42.120
<v Speaker 2>they were executing at the time, and I think that

0:52:42.440 --> 0:52:44.759
<v Speaker 2>having some respect for that would be a good thing.

0:52:45.360 --> 0:52:47.040
<v Speaker 2>But in any case, hey.

0:52:46.920 --> 0:52:50.600
<v Speaker 1>Can we make a real quick, real quick the eighteenth hole?

0:52:51.280 --> 0:52:54.320
<v Speaker 2>Oh okay, yeah.

0:52:53.800 --> 0:52:56.399
<v Speaker 1>Well why doesn't it use the canyon on the right.

0:52:56.520 --> 0:52:58.640
<v Speaker 1>Why doesn't it do what the seventeenth does?

0:52:58.719 --> 0:53:02.680
<v Speaker 2>So well, I don't know, I have no idea, no idea. Yeah,

0:53:02.719 --> 0:53:04.560
<v Speaker 2>so just to give people a picture.

0:53:04.760 --> 0:53:07.200
<v Speaker 1>It could have the best eighteenth all of all of them.

0:53:07.640 --> 0:53:10.120
<v Speaker 2>I know. It's well it's an oh my god, like,

0:53:10.239 --> 0:53:14.680
<v Speaker 2>what an incredible natural feature they have. Yeah, like you

0:53:14.719 --> 0:53:18.719
<v Speaker 2>have just played these holes along the cliff side of

0:53:18.840 --> 0:53:22.200
<v Speaker 2>the Pacific Ocean, right, you can't get much more spectacular

0:53:22.200 --> 0:53:24.799
<v Speaker 2>property than sixteen. And then you turn in and play

0:53:24.840 --> 0:53:28.759
<v Speaker 2>seventeen and what do you have? This massive ravine that

0:53:28.840 --> 0:53:32.239
<v Speaker 2>comes in from the ocean. Incredible. I mean, what a

0:53:32.320 --> 0:53:34.920
<v Speaker 2>blessing to have a property like that where when you

0:53:34.960 --> 0:53:38.320
<v Speaker 2>turn away from the ocean you have something that's almost

0:53:38.400 --> 0:53:42.640
<v Speaker 2>as spectacular as the cliff side and maybe even better

0:53:42.760 --> 0:53:45.720
<v Speaker 2>for a golf hole. And seventeen uses it really well.

0:53:45.920 --> 0:53:49.080
<v Speaker 2>Seventeen Green is incredible. That's a great golf hole. It

0:53:49.120 --> 0:53:52.120
<v Speaker 2>gets you excited. And then eighteen just sort of plays

0:53:52.160 --> 0:53:55.600
<v Speaker 2>away from Cut Creek it's called Cut Creek and from

0:53:55.600 --> 0:53:58.840
<v Speaker 2>that ravine, and doesn't you I don't know why I

0:53:58.880 --> 0:54:03.520
<v Speaker 2>haven't looked into this. Were there some environmental regulations that

0:54:03.600 --> 0:54:05.560
<v Speaker 2>applied to the eighteenth hole that didn't apply to the

0:54:05.560 --> 0:54:07.200
<v Speaker 2>seventeenth I don't know what's going on.

0:54:07.480 --> 0:54:10.319
<v Speaker 1>Well, it's just like the eighteenth hole revives me of

0:54:10.360 --> 0:54:11.040
<v Speaker 1>Tory pipes.

0:54:14.200 --> 0:54:19.080
<v Speaker 2>That's that might be a strategic strategic in the sense

0:54:19.120 --> 0:54:21.000
<v Speaker 2>that it plays away from the Obviously.

0:54:20.880 --> 0:54:23.359
<v Speaker 1>It's like you have this amazing natural feature that you

0:54:23.400 --> 0:54:25.279
<v Speaker 1>don't have to do much of anything to make a

0:54:25.320 --> 0:54:28.120
<v Speaker 1>great golf hole, especially like a par five, like it

0:54:28.280 --> 0:54:31.560
<v Speaker 1>just could be, it could be unbelievable, and and then

0:54:31.600 --> 0:54:33.719
<v Speaker 1>it just like plays away from it and you're like, wait,

0:54:34.320 --> 0:54:37.920
<v Speaker 1>why why do we go this way? So but anyways,

0:54:38.280 --> 0:54:42.760
<v Speaker 1>that yeah, I think the discussion on Bandon is complex because,

0:54:43.160 --> 0:54:46.440
<v Speaker 1>like listen, at the end of the day, the historical

0:54:47.040 --> 0:54:50.400
<v Speaker 1>aspect of Bandon Dunes, it is one of the most

0:54:50.440 --> 0:54:57.359
<v Speaker 1>important golf courses in American public golf history. But it

0:54:57.400 --> 0:54:59.799
<v Speaker 1>can be that, and it can be not one of

0:54:59.800 --> 0:55:03.080
<v Speaker 1>the that greatest, truly greatest public courses.

0:55:03.160 --> 0:55:06.279
<v Speaker 2>That's okay, yeah, And it can be the case that

0:55:06.400 --> 0:55:10.600
<v Speaker 2>David Kidd went on to do better courses in the future.

0:55:10.719 --> 0:55:13.440
<v Speaker 2>Now we could have a similar debate, I think about

0:55:13.440 --> 0:55:17.319
<v Speaker 2>Mammoth Dunes and Gamble Sands. But Bandon Dune's was his

0:55:17.560 --> 0:55:22.120
<v Speaker 2>very first effort. And if Bandon Dunees falls short of

0:55:22.120 --> 0:55:26.560
<v Speaker 2>what Tom Doak and Bill Corr did later at Bandon Dune's,

0:55:26.960 --> 0:55:30.160
<v Speaker 2>that's no insult to David Kidd. He was in the

0:55:30.239 --> 0:55:33.160
<v Speaker 2>toughest position of all of them. Here. He was a

0:55:33.239 --> 0:55:38.120
<v Speaker 2>brand new architect essentially taking on a massive, important commission,

0:55:38.440 --> 0:55:41.000
<v Speaker 2>where all these other voices were in the room. He

0:55:41.160 --> 0:55:44.759
<v Speaker 2>was launching a major new golf resort, and so if

0:55:44.760 --> 0:55:47.320
<v Speaker 2>the course didn't turn out as well as Pacific Dunes

0:55:47.400 --> 0:55:51.719
<v Speaker 2>or Bandon Trails, then that's really no surprise at all

0:55:52.160 --> 0:55:54.239
<v Speaker 2>because Tom Doak and Bill Corr were able to come

0:55:54.280 --> 0:55:58.360
<v Speaker 2>in later and have more freedom in executing their golf courses.

0:55:58.400 --> 0:56:03.600
<v Speaker 2>Think about who built Pacific Dunes. It wasn't Serviscape, Yeah,

0:56:03.880 --> 0:56:08.959
<v Speaker 2>it was Renaissance golf design. Jim Orbina was the construction supervisor.

0:56:09.400 --> 0:56:13.360
<v Speaker 2>Brian Slanik. Who else was shaping there? It was Brian Slonik,

0:56:13.480 --> 0:56:17.640
<v Speaker 2>Don Placik, it was Bruce Hepner. It was an absolute

0:56:17.920 --> 0:56:22.240
<v Speaker 2>murderer's row of great golf course builders building Pacific Dunes,

0:56:22.640 --> 0:56:26.560
<v Speaker 2>and the same applies to Bill Kohrer and Ben Crenshaw's courses.

0:56:27.120 --> 0:56:29.000
<v Speaker 1>Let me ask you a question, then, do you think

0:56:29.040 --> 0:56:32.400
<v Speaker 1>that part of that that maybe one of the reasons

0:56:32.400 --> 0:56:35.600
<v Speaker 1>that David Kids getting the next course abandoned is because

0:56:35.600 --> 0:56:39.160
<v Speaker 1>he never really truly got to build his course abandoned.

0:56:39.560 --> 0:56:41.719
<v Speaker 2>Yeah. I think that's a great point. It sounds like

0:56:41.760 --> 0:56:42.720
<v Speaker 2>you agree with that point.

0:56:43.239 --> 0:56:45.719
<v Speaker 1>Why would you say that because it.

0:56:45.640 --> 0:56:49.080
<v Speaker 2>Seemed like a rhetorical question, But yeah, no, I totally agree,

0:56:49.200 --> 0:56:52.440
<v Speaker 2>and I think it'll be interesting to see how that goes.

0:56:52.680 --> 0:56:55.680
<v Speaker 2>You know, David Kidd seems to have found his style,

0:56:55.920 --> 0:57:00.360
<v Speaker 2>you know, starting with starting with Gamble Sands and really

0:57:00.880 --> 0:57:04.680
<v Speaker 2>coming to the fore at Mammoth Dunes. David Kidd has

0:57:04.880 --> 0:57:07.400
<v Speaker 2>stayed in his position. This is, yeah, this is. He

0:57:07.440 --> 0:57:09.120
<v Speaker 2>had kind of a middle period there where he was

0:57:09.160 --> 0:57:12.719
<v Speaker 2>doing some doing some weird stuff. But uh, he has

0:57:13.000 --> 0:57:17.000
<v Speaker 2>come into his own as a golf architect. And I'm

0:57:17.000 --> 0:57:19.320
<v Speaker 2>not saying that that's good or bad. There can be

0:57:19.400 --> 0:57:23.360
<v Speaker 2>a debate about David Kidd's kind of recent style of

0:57:23.400 --> 0:57:26.919
<v Speaker 2>golf courses, but it is his own. This is who

0:57:27.000 --> 0:57:29.960
<v Speaker 2>David Kidd wants to be as a golf course architect.

0:57:30.040 --> 0:57:33.320
<v Speaker 2>So it'll be really interesting to see what he produces

0:57:33.440 --> 0:57:35.760
<v Speaker 2>and how people react to it. I'm glad that there's

0:57:35.760 --> 0:57:38.680
<v Speaker 2>some variety it is. It is sort of interesting to

0:57:38.760 --> 0:57:42.280
<v Speaker 2>reflect that after David Kidd. You know, this might seem obvious,

0:57:42.320 --> 0:57:44.320
<v Speaker 2>but it was. It sort of came as a bit

0:57:44.360 --> 0:57:47.800
<v Speaker 2>of an epiphany to me. Recently, the only architects who

0:57:47.840 --> 0:57:50.600
<v Speaker 2>have worked at Bandon Dunes have been Core and Crenshaw

0:57:50.640 --> 0:57:54.760
<v Speaker 2>and Tom Doak. Yeah, they've dominated that resort since.

0:57:54.600 --> 0:57:59.600
<v Speaker 1>Kid Well dominated Kaiser Resorts, so other voices are are

0:57:59.640 --> 0:58:00.600
<v Speaker 1>going to be a good thing.

0:58:00.680 --> 0:58:03.120
<v Speaker 2>Now. It's hard to equal what the kind of work

0:58:03.160 --> 0:58:05.440
<v Speaker 2>that Corn Crunshaw do and the kind of stuff that

0:58:05.480 --> 0:58:09.280
<v Speaker 2>Tom Dope does, But I'd really like to see David Kittry.

0:58:20.840 --> 0:58:23.040
<v Speaker 2>All right, have we said what we need to say?

0:58:23.480 --> 0:58:26.320
<v Speaker 1>I think so. I think that's a good end spot.

0:58:26.640 --> 0:58:29.160
<v Speaker 1>You know, there's more to come. You know, we'll get

0:58:29.200 --> 0:58:32.000
<v Speaker 1>more deep dives. Maybe next time we go we'll do

0:58:32.040 --> 0:58:35.400
<v Speaker 1>a Preserve deep dive. But yeah, this has been fun.

0:58:35.400 --> 0:58:38.520
<v Speaker 1>If you've missed any of the other other conversations, i'd

0:58:38.600 --> 0:58:41.880
<v Speaker 1>recommend going and checking those out. We also have twenty

0:58:41.880 --> 0:58:45.160
<v Speaker 1>minute videos on three of the courses that are kind

0:58:45.160 --> 0:58:49.000
<v Speaker 1>of focused conversations as well as we have a Sheep

0:58:49.080 --> 0:58:52.920
<v Speaker 1>Ranch two part video from right at the very beginning

0:58:52.920 --> 0:58:55.960
<v Speaker 1>of the pandemic. And then I'm sure we'll cut something

0:58:56.080 --> 0:58:59.160
<v Speaker 1>up for on the YouTube page for the Banded Dudes

0:58:59.600 --> 0:59:03.720
<v Speaker 1>conversation we just had, so that'll be something that will

0:59:03.720 --> 0:59:05.560
<v Speaker 1>be coming to the YouTube page. I'm not going to

0:59:05.600 --> 0:59:07.520
<v Speaker 1>put a time frame on it at some point.

0:59:08.880 --> 0:59:14.040
<v Speaker 2>Yeah, yeah, we don't do great with promises for time frames,

0:59:14.080 --> 0:59:17.600
<v Speaker 2>but there's a lot of bandoned content out there from

0:59:17.680 --> 0:59:20.600
<v Speaker 2>the Frida Egg obviously from other outlets as well. I

0:59:20.640 --> 0:59:23.960
<v Speaker 2>hope that we've provided something that's a little bit fresh

0:59:24.160 --> 0:59:28.040
<v Speaker 2>in this conversation. It's not an uncommon topic, and so

0:59:28.240 --> 0:59:30.840
<v Speaker 2>we tried to give you something a little bit different.

0:59:30.880 --> 0:59:34.080
<v Speaker 2>I hope that we've succeeded in doing that. But you know,

0:59:34.200 --> 0:59:36.880
<v Speaker 2>Banded Dunes, it goes without saying at this point is

0:59:37.040 --> 0:59:41.000
<v Speaker 2>one of the truly great places in the world of golf.

0:59:41.280 --> 0:59:44.800
<v Speaker 2>It was such an honor and a delight to be

0:59:44.920 --> 0:59:48.880
<v Speaker 2>there last November and to get to photograph these courses,

0:59:49.240 --> 0:59:52.400
<v Speaker 2>play these courses, meet the caddies, get to know them.

0:59:53.280 --> 0:59:56.520
<v Speaker 2>It's just an incredible place, and it's been really fun

0:59:57.160 --> 1:00:01.760
<v Speaker 2>talking through both the many great aspects of the resort

1:00:01.840 --> 1:00:04.480
<v Speaker 2>and the few criticisms that can be made. And I'm

1:00:04.520 --> 1:00:06.560
<v Speaker 2>glad that we can kind of speak freely about it,

1:00:06.640 --> 1:00:10.480
<v Speaker 2>that we have this kind of license to discuss the

1:00:10.560 --> 1:00:13.520
<v Speaker 2>resort in the way that we want to. So it's

1:00:13.520 --> 1:00:16.000
<v Speaker 2>been a lot of fun. Thanks a lot, Andy, and

1:00:16.320 --> 1:00:19.080
<v Speaker 2>we'll be back at you soon with some more episodes

1:00:19.120 --> 1:00:21.720
<v Speaker 2>of the Frida Egg podcast. But we are done at

1:00:21.720 --> 1:00:25.680
<v Speaker 2>this point with the Bandon Deep Dive series