Speaker 1: Quest Left show is a production of iHeart Radio. I'll
Speaker 1: never forget it. Sorry forget it. Sorry, that was a
Speaker 1: rough day. Okay, So what should we speak on? You
Speaker 1: wanted to know about agis and well, not so much agism,
Speaker 1: more like aging. Okay, like I was, I am.
Speaker 2: Still like some part of me is still dealing with
Speaker 2: like by power passing. Yeah, and yeah, for transparency's sake.
Speaker 2: I mean, you know, you had given me his contact
Speaker 2: and I had been talking to him about being the
Speaker 2: next guest on what had happened, and like you said, he.
Speaker 1: Was having me pitching on it. He was having me,
Speaker 1: and it was tough. It was tough.
Speaker 2: He didn't want to talk about He felt like I
Speaker 2: was asking him to tell other people's stories.
Speaker 1: No, he has his own story. That's and that's what
Speaker 1: That's the conversation we were having. And of course he
Speaker 1: passed away.
Speaker 2: And much like your platform, what it happened was was
Speaker 2: really all about giving people their flowers. But obviously we're
Speaker 2: not going to be able to give everybody their flowers.
Speaker 1: People don't want that half the time. But I don't
Speaker 1: understand why that is. I know, for me, like I
Speaker 1: used to see, now I'm to the point where I've
Speaker 1: to even watched my words. I can't say I hate
Speaker 1: D D, because then it'll happen. I think we are
Speaker 1: trained to think and live small again, despite the primitive,
Speaker 1: exotic package here. I hate attention, despite everything on my
Speaker 1: outside beeing like look at me, look at me, I
Speaker 1: have the things to get out of my hair and
Speaker 1: a bunch of legover my heart, and you know, like,
Speaker 1: but I think that maybe if we avoid compliments. You
Speaker 1: heard this when you were a kid, Like I don't
Speaker 1: want you to get big headed, or I don't want
Speaker 1: you to get a big head. I think it's the
Speaker 1: fear of separation or the idea of you being alienated
Speaker 1: because your light shines a little brighter than someone.
Speaker 2: The trouble I have with wrapping my head around that
Speaker 2: notion is the amount of ambition it takes to do
Speaker 2: a lot of the stuff that we want to give
Speaker 2: people flowers for. Like you're stepping up to the plate
Speaker 2: to hit a home run, and you hit it, so
Speaker 2: why would you not want to hear the people cheer?
Speaker 1: Sometimes I think people are from the ground wul double
Speaker 1: or just a trip or getting walked.
Speaker 3: But usually people don't get flowers for getting walked. I
Speaker 3: will tell you that I went through a four year
Speaker 3: period where I was absolutely happy. Look Midsummer Soul maybe
Speaker 3: seven months before the Oscar.
Speaker 1: I'm gonna see the point where I was having my
Speaker 1: management contact Disney to take us out of the road
Speaker 1: to the Oscars is paved with at least forty to
Speaker 1: fifty other smaller well not smaller, some like you know
Speaker 1: the Sundance thing, or if you went to can or
Speaker 1: like other award things you have to do, film festivals
Speaker 1: and whatnot, and you know coming out the gate first
Speaker 1: of all, I mean timing is what really helped Summer Soul.
Speaker 1: I had content when other people weren't prepared to have
Speaker 1: their content because the world shut down. It just happens
Speaker 1: that I finished my film right when the pandemic started.
Speaker 2: I mean, to a lesser degree, that was the same
Speaker 2: kind of time and network for what had happened was
Speaker 2: at the same timing.
Speaker 1: It just you just had something to entertained people. And
Speaker 1: you know, again, had it been released at any other
Speaker 1: time period, it would have just been like, oh that
Speaker 1: was that was a nice little thing you did. Like
Speaker 1: I've done three other things that didn't get that level frenzy,
Speaker 1: but I understand the times that we were in and
Speaker 1: when it was award time, an award season, I mean,
Speaker 1: we just started drinking everybody's milkshake. And after like the
Speaker 1: thirtieth plaque comes in my house or whatever, like I
Speaker 1: started to feel like the Grinch that stole Christmas because
Speaker 1: versus like, oh, and there's like request love, you know,
Speaker 1: And then I started feeling bad, and you know, it
Speaker 1: was to the point where I was just like, you know,
Speaker 1: I've heard of situations before where people will take themselves
Speaker 1: out of getting nominated or whatever because they don't want
Speaker 1: to stand out or whatever. So and it took a
Speaker 1: long time. So there's a whole other deserved this thing.
Speaker 1: I don't think as humans we really have dealt with
Speaker 1: do we deserve love?
Speaker 2: Which is an interesting question given how much you have
Speaker 2: to fight through that same thought to make something like
Speaker 2: It's not like it's not like you roll out a
Speaker 2: and make a masterpiece album or a great documentary.
Speaker 1: It takes so much work. People are not honest. People
Speaker 1: are not honest on what it is that they really want.
Speaker 1: So one of the exercises I went through with therapy
Speaker 1: is this writing exercise where I have to write the
Speaker 1: twenty things that I went for my life right, and
Speaker 1: wrote down the twenty things, turned it in, looks at it. Nope,
Speaker 1: hey you what it's like? Those aren't real dreams? Like
Speaker 1: do it again? All right? And this happened like seven
Speaker 1: or eight times, and I was like, why do you
Speaker 1: keep making me do this? And the person pointed out
Speaker 1: of those twenty things, none of those things were for you.
Speaker 1: You wanted to fix your moms sink. You wanted to
Speaker 1: buy your banda da da da. You wanted to give
Speaker 1: raises to all your staff. You wanted to da da
Speaker 1: da da da da. She's like, it took you eight
Speaker 1: drafts before you actually said the basic things like oh
Speaker 1: I want to like myself better or love me. I
Speaker 1: didn't even think about because I think we're just trained
Speaker 1: to be so self sacrificing, so people aren't honest. Like
Speaker 1: when people ask me like yo yo, I just want
Speaker 1: to get your feedback or what you think. Sometimes I
Speaker 1: have to just straight up ask them like okay, because
Speaker 1: I don't like that whole Simon Cowell on the Spot,
Speaker 1: you watch me as I do demo nod whenever you
Speaker 1: do that, that then that means like oh, this is
Speaker 1: a very awkward moment and yeah, let me hear whoa Okay, Okay,
Speaker 1: Like when people start doing demo nod, it's not authentic
Speaker 1: and so like I know there's an idea of the
Speaker 1: quest love co sign. In my mind, I think it's
Speaker 1: also a curse. Like if I say, like shied away
Speaker 1: from doing that often because I don't want to jink
Speaker 1: someone's project or whatever. If someone thinks like I'm tired
Speaker 1: of seeing them, at least in my mind, I think
Speaker 1: that's the thing that happens. I'm tired of seeing them thing.
Speaker 1: So I mean, yeah, every day we wrestle with that.
Speaker 2: Some of that seems to be about perception, I guess,
Speaker 2: tudo right, Like you don't want to be perceived as
Speaker 2: winning too much or perceived as getting too many And
Speaker 2: I don't mean you specifically, but I mean a person
Speaker 2: shying away from receiving compliments or accolades or awards for
Speaker 2: their very real hard work.
Speaker 1: Yeah, but there's a lot that comes under that. Okay,
Speaker 1: So where we are politically right now, I know, like
Speaker 1: there's some I don't know if I should call them
Speaker 1: political pundits or people that give commentary on what's happening now.
Speaker 1: But you know, the general belief is that the and
Speaker 1: the whole revenge of the nerds, like nerds versus jocks thing.
Speaker 1: I think we're now realizing that, like everyone that's running
Speaker 1: stuff now, we're definitely the nerds. And I definitely had
Speaker 1: my moment where like, you know, oh, girl breaks your
Speaker 1: heart and you're in the bathroom mirror like looking like
Speaker 1: I'm gonna show them. Like literally, I willed this character
Speaker 1: named Questlove Delight because of like some girl breaking your
Speaker 1: heart and it didn't work out the way you wanted to.
Speaker 1: I've done big stuff out of Spike, yeah right, and
Speaker 1: literally like the whole joker way, they get a little
Speaker 1: to me thing, Like I think the first four years
Speaker 1: of The Roots was just based on that. And first
Speaker 1: of all, I had to totally rework that whole thing
Speaker 1: because if you don't rework that, I believe that what
Speaker 1: ends up being made isn't as effective at the end
Speaker 1: of the day, it won't resonate as much if it
Speaker 1: comes from like this kind of broken and selfish place.
Speaker 1: I think that reflects in the product. So the question,
Speaker 1: I mean, obviously with your music, like your music is
Speaker 1: so transparent and so of the moment of the present
Speaker 1: of how it is that you feel like, I'll say
Speaker 1: right now, like I as far as like my hip
Speaker 1: hop consumption, Quelli, Chris, you of course a gene as well,
Speaker 1: you know, some sort of whatever, the best of the rock, Marciano, Griselda, whatever, gritty, underground,
Speaker 1: the drum less, the drumless period of what we're dealing
Speaker 1: with hip hop, which you know, I mean, I'm very
Speaker 1: selective in what I take in. I mean, for you though,
Speaker 1: like you're the voice, You're definitely the voice in my head, Quelle.
Speaker 1: Also for him as well, like a lot of that
Speaker 1: what I deemed nerdy hip hop were kind of done
Speaker 1: by voices that didn't look like me. So you know,
Speaker 1: I'm finally, like, finally, like the people that I relate
Speaker 1: to or who I see myself in are now speaking
Speaker 1: for me. So that's the thing though, Like I believe
Speaker 1: that at the end of the day, yes, this is
Speaker 1: a business, you are surviving on it, but I know
Speaker 1: for you that this is a therapeutic, healing, cathartic process
Speaker 1: of just you as a human being. Right that to
Speaker 1: me is authentic. I think that ninety five percent of
Speaker 1: the participants in music now, especially in Black music, is
Speaker 1: based on survival sick. But who am I to judge
Speaker 1: that because I too used to live fifty second to
Speaker 1: No Sage Avenue, dreaming of the day where I don't
Speaker 1: have to look to the left, look to the right
Speaker 1: outside my to make sure that you know, said bully
Speaker 1: is not anywhere in proximity. I gotta get out of
Speaker 1: here by hooker crook. So a lot of us are
Speaker 1: are kind of in that survival still the residue of
Speaker 1: survival or.
Speaker 2: But even even in that, right, I mean, I'm assuming
Speaker 2: you're talking about even the early Roots album still having
Speaker 2: that sort of energy of trying to get out of
Speaker 2: your situation through making this music.
Speaker 1: Because of the pureness of how the Roots really started.
Speaker 1: Of course, you know part one was just me lying
Speaker 1: to a girl in school. Oh right, right, I'm in
Speaker 1: agree with him, like that was the first seven years
Speaker 1: was just you know, yeah, we're a group, just so
Speaker 1: that we can we wanted to get girls phone numbers,
Speaker 1: like you know, but just the whole the way that
Speaker 1: the dominoes fell on, that whole college audition that led
Speaker 1: to a girl thinking we were in a commercial that
Speaker 1: we weren't in. Hey, let's try it. Like I'll put
Speaker 1: it this way, I'm about to embark on a really
Speaker 1: big presentation with jay Z for the Roots Picnic, and
Speaker 1: the way that I'm sweating overthinking every song, every segue,
Speaker 1: and the fact I'm very shocked that we did what
Speaker 1: we did as a shrug. You got a bucket, Yeah,
Speaker 1: I got a bucket. My grandma got a bucket. All right,
Speaker 1: So what three thirty, I'll meet you in South Street? Cool?
Speaker 1: Like it was so casual as a matter of fact,
Speaker 1: it's no overthinking, no, none of that stuff. And that's
Speaker 1: the level of what we need to get to. But like, who,
Speaker 1: like do we even see this as an art or beauty?
Speaker 1: Do we? Who's the we? It's participants? Like is it
Speaker 1: a means to an end to get out of a situation?
Speaker 1: To get see?
Speaker 2: Okay, So this is and this is kind of where
Speaker 2: I'm getting at right cause you're asking that question. I
Speaker 2: developed in the wake of your art. Do you know
Speaker 2: what I'm saying? And you see the way I do it?
Speaker 2: And I can sit here and tell you that part
Speaker 2: of how I do what I do is inspired by
Speaker 2: what y'all did, even though you were still asking that question.
Speaker 1: Well, you are now literally the back to the future plutonium. No,
Speaker 1: I'm not lying to you, Like right now the main
Speaker 1: people are asking what is the hold up? I want
Speaker 1: to feel the way that I feel when I hear
Speaker 1: your thing, Like right now, the beats are incredible, the
Speaker 1: musicianships up there, Tarik is at ace level of game
Speaker 1: spitting like all the parts are technically there. But I
Speaker 1: still I still think that we lack we feel emotional
Speaker 1: because so adapting Phyla's warribly kind of sense of rhythm
Speaker 1: makes it feel human. I think that the frequencies from
Speaker 1: certain patches we use the Fender roads like, it feels human,
Speaker 1: So that is what gives the illusion of human this.
Speaker 1: But I don't think that the roots have created much
Speaker 1: in the way of Yeah, I relate to that because
Speaker 1: a lot of it is rhyming for the sake of Riddomly, well,
Speaker 1: am I breaking your art? Right? No? No, no, you're not,
Speaker 1: You're not.
Speaker 2: But I'm like, I'm like, now, see, if these mics
Speaker 2: were on, I would ask you a bunch of different
Speaker 2: questions that I'm not going to ask right now.
Speaker 1: I ask questions, and the most diplomatic where you get ask,
Speaker 1: I mean the most I could do is not answer.
Speaker 2: What it's got me thinking about is what do y'all
Speaker 2: even think of the roots music in twenty twenty six
Speaker 2: as trying to have a conversation about something?
Speaker 1: All right, this is what I do know, I think
Speaker 1: because of my attempt to try to be all things
Speaker 1: to all people, because this is what I'm thinking about
Speaker 1: when I'm thinking about the roots today. What I'm thinking
Speaker 1: about the roots today is Number one, everyone worth a
Speaker 1: damn is dead. Anyone who's really worth a dam is dead.
Speaker 1: So that's for starters. So let's say I already lost
Speaker 1: half my collaborators that way. And I don't mean like,
Speaker 1: oh the gods are dead. I mean people I actually know,
Speaker 1: brilliant people. They're dead. So that's number one. Number two
Speaker 1: is all right. So a plus for us was the
Speaker 1: idea of being a band. But even for us to
Speaker 1: be a band and get to where I am right now,
Speaker 1: where I can sit here and talk to you, we
Speaker 1: had to leave the United States to move to Europe
Speaker 1: to live for four years just so that we could
Speaker 1: survive as a band. So there's no bands. Were one
Speaker 1: of few black bands with a deal. Well, I mean
Speaker 1: having a deal now is not the same cachet as
Speaker 1: well in the nineties. So being a black band that's
Speaker 1: viable in today's society. The idea of a group, the
Speaker 1: idea of more than one person presenting something. And then
Speaker 1: just like you know, jamming, the idea of jamming, Like
Speaker 1: there's four or five or six things that are passing
Speaker 1: dangered species that's not left. So thus when we do
Speaker 1: that two hour show, I'm thinking of all right, there's
Speaker 1: people that neither backscratch for a classic hip hop that
Speaker 1: they miss. There's people that neither backscratch for tarik'spitting lyrics.
Speaker 1: There's people that miss dancing to music that's good that
Speaker 1: doesn't feel like a wedding band, like to be a
Speaker 1: good musician in a wedding band where I'm not overplaying
Speaker 1: none of that shit. Like there's so much missing. I'm
Speaker 1: so busy checking off the marks that maybe perhaps the
Speaker 1: roots have lost their identity.
Speaker 2: Well, I mean cause the question and if you're checking
Speaker 2: all of those boxes is much like the conversation you're
Speaker 2: talking about having with your therapist. It's like, when does
Speaker 2: it get to what you want? Like what music that
Speaker 2: you want to be in the world.
Speaker 1: And this is why this is a ten year wrestling
Speaker 1: match with this record, because one the most glaring part
Speaker 1: is that Richard Nichols isn't here exactly. So this means
Speaker 1: that Tarik and I have to really one as individuals grow.
Speaker 1: So there's been a lot of therapy just individually between
Speaker 1: he and I, but then also he and I have
Speaker 1: to do our kind of level of couple's therapy or
Speaker 1: that sort of thing. You know, this is thirty eight
Speaker 1: years behind this, and so a little.
Speaker 2: Bit right there, right, you're talking about a thirty eight
Speaker 2: year relationship. To me, it seems like there's a ton
Speaker 2: of conversations to be had about that, and you're talking
Speaker 2: about not necessarily feeling like what's on the table right
Speaker 2: now is relatable outside of the instrumentation, but it's like
Speaker 2: that's where it would be.
Speaker 1: Right. So I came under you know a lot of
Speaker 1: stuff I have to like, wait a minute, why am
Speaker 1: I in therapy again? Wait a minute, I think this
Speaker 1: is what our fan base was complaining about. Tell me
Speaker 1: about Project Blude, Man, what the fuck I think? Watching
Speaker 1: the way that my dad did business growing up, there's
Speaker 1: always unsolicited advice that either a parent or uncle figure.
Speaker 1: It gives you that this is always in your head.
Speaker 1: And what I learned was if you build a business,
Speaker 1: do not build it with your relatives or your friends.
Speaker 1: And I think I had a fear that our friendship
Speaker 1: issues would be key in the demands of the group.
Speaker 1: And I think in my fight or flight mode, it
Speaker 1: was what do I have to do to never return
Speaker 1: home metaphorically home to West Philly, tail between my legs
Speaker 1: and defeat. The group is over and now here I
Speaker 1: am as a thirty eight year old without a degree.
Speaker 1: I dropped out of Kylee to do this. What am
Speaker 1: I going to do? Now? You know? And trust me
Speaker 1: the amount of my hip hop peers that I now.
Speaker 1: I mean, there's a hip hop hero of mine that
Speaker 1: came up to me reaped like last month that was like, yo, dog,
Speaker 1: let me tell you something. And I thought, like, you know,
Speaker 1: a compliment was coming, like about my music or whatever.
Speaker 1: And he's like, yo, man, you're the greatest. And I'm thinking, like, oh, wow,
Speaker 1: he listens to my music or whatever. I said, Oh,
Speaker 1: thank you, and I'm really shocked at like, oh, I
Speaker 1: never thought you'd listened to the roots whatever. And he
Speaker 1: was like, yo, man, you are when I tell you
Speaker 1: you're one of the best uber eats tippers I've ever
Speaker 1: had in my life. And I tried not to get
Speaker 1: but no, it's real to feel like that. It's real.
Speaker 1: Some of our heroes have to get sneaky, theay jobs whatever.
Speaker 1: And that was kind of a Jacob Marley moment for me,
Speaker 1: like that's my worst and again it's not me shaming
Speaker 1: someone for doing that. Look, I'm still doctor nine jobs.
Speaker 1: One of these jobs is being in the roots I do,
Speaker 1: but you know those are my passions. But when he
Speaker 1: said that, it instantly brought me back to man like, see,
Speaker 1: this is why I got to keep business, business and
Speaker 1: friendship separate. But you know, but I also know that
Speaker 1: we need each other as humans. So we are slowly
Speaker 1: when I mean slowly, trying to get back to the
Speaker 1: space because I do envy when I watch Daylight Soul together.
Speaker 1: Every time I ask pos, I'm like, damn, like you guys,
Speaker 1: are you guys are really friends? Yeah? And they're looking
Speaker 1: at me like are you shocked? Like I'm really Jimmy
Speaker 1: jam and Terry Lewis, I asked them like, wait, why
Speaker 1: are you guys still acting like you like each other
Speaker 1: after fifty one years? Like not one argument, I have
Speaker 1: to rewrite the narratives of I've learned that any relationship
Speaker 1: where you don't argue, someone's not communicating right, and so
Speaker 1: I just have to read to reprogram all those things,
Speaker 1: which this is what I'm doing. So we are in
Speaker 1: the very slow process of getting back to the same
Speaker 1: fifteen year olds that loved hip hop back in eighty seven.
Speaker 2: I mean, I think these those conversations between y'all, those
Speaker 2: conversations that would end up in the music even you know,
Speaker 2: whatever conversations may come about the riffs, the challenges that
Speaker 2: y'all have had to deal with over the course of
Speaker 2: the years. Like again, like there's another generation coming behind us,
Speaker 2: and there's no instruction manuals for any of this shit.
Speaker 2: So it's like we need those lessons, like we need
Speaker 2: those like we need to understand how to be in
Speaker 2: high stakes organizations with people we don't necessarily agree with
Speaker 2: but are both good at the thing.
Speaker 1: So this is why I am also just very meticulous
Speaker 1: in terms of representing whatever creative moves come next. This
Speaker 1: is why I'm doing the movies so that way that
Speaker 1: you know this particular group means something for other reasons. Besides,
Speaker 1: they were money makers and for us, I you know,
Speaker 1: I really want to be exemplary in terms of walk
Speaker 1: it like they talk it, show the growth. So yeah, man,
Speaker 1: there's a lot of you know, we're both in our
Speaker 1: mid fifties and there's just a lot of personal work.
Speaker 1: We had to do a lot of partner work that
Speaker 1: we had to do. And to do this in wake
Speaker 1: of a two apocalypses, you know, are we depressed now?
Speaker 2: I mean, look, aging is a tough subject to talk about, Okay.
Speaker 1: Okay, So in your world, in your ecosystem, at one
Speaker 1: point you came to this in form of a group. Now,
Speaker 1: I don't know if you do collaboration projects just as
Speaker 1: a one off or as a hey, let's let's keep
Speaker 1: this a thing. Do you like working essentially by yourself or.
Speaker 2: I mean, I'm very comfortable working by myself, and I've
Speaker 2: and I'm in a group now. I'm in a group
Speaker 2: of previous industries right now, me Video, Dave, and steel
Speaker 2: Rift and we work together every week. But it is
Speaker 2: a different It touches on like a different part of
Speaker 2: my creativity to try to filter my ideas through a
Speaker 2: group of people because we're not always aligned on everything,
Speaker 2: and these are and it's interesting too. Like Rift I
Speaker 2: went to high school with, day If I went to
Speaker 2: college with I've known these dudes twenty thirty years and
Speaker 2: we have decided in the last five years to start
Speaker 2: doing music together. And it's difficult.
Speaker 1: Sometimes.
Speaker 2: It's difficult because we all see things a bunch of
Speaker 2: different ways three MC's. I mean, you don't see a
Speaker 2: lot of groups with three MC's ever, And this is
Speaker 2: a part of why. It's because it's hard.
Speaker 1: To get three people to agree on anything. And I
Speaker 1: enjoy it.
Speaker 2: But yeah, like when I do that, I've noticed working
Speaker 2: on this group stuff, it ends up making me work
Speaker 2: on my solo stuff faster.
Speaker 1: It's like, in.
Speaker 2: The process of generating creativity with the with the group thing,
Speaker 2: it's like it makes my own ideas even clearer.
Speaker 1: How much time do you guys devote to non musical
Speaker 1: things together or is it like outside out of mind
Speaker 1: when you're like not working, you know, not not nearly enough.
Speaker 1: But that's the thing too.
Speaker 2: I mean, we're all mid forties, we all got like
Speaker 2: you all the same live in the same city, but
Speaker 2: you know, in different different parts of the city, and
Speaker 2: we all make a living different ways, and so the
Speaker 2: vast majority of our time is devoted doing what we
Speaker 2: got to do to eat because right now the group
Speaker 2: isn't paying none of our bills, gotcha.
Speaker 1: You know.
Speaker 2: So it's that whole aspect to it too, where I
Speaker 2: think we've certainly to have already been friends, we've gotten
Speaker 2: closer doing this, but it's there's been some strife even
Speaker 2: with the low stakes sort of sort of.
Speaker 1: An environment that we've been in. It's it's still it's
Speaker 1: how they make decisions when they're this conflict, And what's
Speaker 1: the typical conflict, like how many dates we can devote
Speaker 1: the touring or I don't like this beat? Oh god,
Speaker 1: I don't like this beat? Is the Oh my god,
Speaker 1: I could.
Speaker 2: I could run through that wall just just thinking about
Speaker 2: how many, how many difficult conversations we've had about trying
Speaker 2: to agree on beats, and there is no there's no
Speaker 2: compromise really on that, because like if somebody, if you
Speaker 2: got three rappers and one of them does not like
Speaker 2: a beat, do you know what they're gonna do on
Speaker 2: that beat if they don't like it beat exactly, And
Speaker 2: it's not even going to be out of spite. It's
Speaker 2: just like if it's not making them feel the thing.
Speaker 2: Then they're not going to bring that best to it.
Speaker 1: See, you gotta do the deal of method. Do you
Speaker 1: know how they made fantastic Volume one? So what is it?
Speaker 1: He just did drums high hat, just a high hat
Speaker 1: and imagine what you think it gonna sound like, literally
Speaker 1: a high hat. That's so wild. And they would just
Speaker 1: round their ass off and then he would go and
Speaker 1: add the music later. See that's the thing. We don't
Speaker 1: have a musical genius in the group. So go backwards, man,
Speaker 1: go backwards, go backwards. Well that is a mini hopefully
Speaker 1: more to come, and I think eventually this will probably
Speaker 1: wind up being its own platform, and you never know where.
Speaker 1: We check in, check in with each other, starting open
Speaker 1: open my Questions. There you go, there you go check
Speaker 1: it with checking in with open my questions. All right,
Speaker 1: see all that please question Up Show is a production
Speaker 1: of iHeartRadio.