1 00:00:00,160 --> 00:00:02,760 Speaker 1: Hello, and welcome back to movie Mike's Movie Podcast. I 2 00:00:02,800 --> 00:00:04,680 Speaker 1: am your host Movie Mike. Today I want to talk 3 00:00:04,680 --> 00:00:07,520 Speaker 1: about what dead actor you would bring back to. 4 00:00:07,560 --> 00:00:10,520 Speaker 2: Life for one final movie. 5 00:00:10,880 --> 00:00:15,280 Speaker 1: The theme of this week's episode is death and crazy rituals, 6 00:00:15,440 --> 00:00:18,239 Speaker 1: because in the movie review, I'll be talking about Bringer Back, 7 00:00:18,280 --> 00:00:20,440 Speaker 1: which is a new horror movie in theaters about her 8 00:00:20,480 --> 00:00:23,880 Speaker 1: brother and sister who witnessed a terrifying ritual at the 9 00:00:23,880 --> 00:00:27,280 Speaker 1: secluded home of their new foster mother. It is creepy, 10 00:00:27,400 --> 00:00:30,400 Speaker 1: it is disturbing, and in the trailer park, I'm feeling 11 00:00:30,880 --> 00:00:34,519 Speaker 1: excited but also hesitant about the new Happy Gilmore sequel 12 00:00:34,560 --> 00:00:37,600 Speaker 1: coming out next month. I have my three red flags 13 00:00:37,640 --> 00:00:40,000 Speaker 1: on why I think it's not gonna be a good movie. 14 00:00:40,120 --> 00:00:42,760 Speaker 1: So thank you for being here, thank you for being subscribed, 15 00:00:42,880 --> 00:00:43,559 Speaker 1: Shout out to the. 16 00:00:43,479 --> 00:00:47,360 Speaker 2: Monday Morning movie crew. And now let's talk movies from 17 00:00:47,400 --> 00:00:52,320 Speaker 2: the Nashville Podcast Network. This is movie Mike's Movie Podcast. 18 00:00:52,360 --> 00:00:54,840 Speaker 1: Ask the question is, if you could bring back one 19 00:00:54,920 --> 00:00:58,600 Speaker 1: dead actor to start in one final movie, who's. 20 00:00:58,360 --> 00:01:00,360 Speaker 2: It gonna be. How did I end up on this question? 21 00:01:00,480 --> 00:01:03,360 Speaker 1: Well, I was watching the Happy Gilmore two trailer and 22 00:01:03,440 --> 00:01:05,520 Speaker 1: out of all those cameos, I thought, you know who 23 00:01:05,560 --> 00:01:07,800 Speaker 1: would be perfect in this movie that is no longer 24 00:01:07,840 --> 00:01:10,640 Speaker 1: with us, The one and only Chris Farley. And I 25 00:01:10,640 --> 00:01:13,840 Speaker 1: started thinking about all these actors that we lost too soon, 26 00:01:14,400 --> 00:01:17,800 Speaker 1: and if I could only bring back one, who would 27 00:01:17,840 --> 00:01:21,160 Speaker 1: I bring back and what movie would I have them 28 00:01:21,200 --> 00:01:24,440 Speaker 1: star in? Because I have my top three that I 29 00:01:24,480 --> 00:01:26,440 Speaker 1: want to discuss with you, and I have a lot 30 00:01:26,440 --> 00:01:29,279 Speaker 1: of honorable mentions. So mainly I just want to honor 31 00:01:29,360 --> 00:01:31,960 Speaker 1: a lot of great actors that we lost too soon. 32 00:01:32,440 --> 00:01:34,880 Speaker 1: So who do I have in my top three? Well, 33 00:01:34,880 --> 00:01:38,560 Speaker 1: at number three because I just mentioned him, is Chris Farley? 34 00:01:38,640 --> 00:01:40,720 Speaker 1: And what movie I would have him come back and 35 00:01:40,760 --> 00:01:44,000 Speaker 1: star in. It has to be Tommy Boy Too. What 36 00:01:44,200 --> 00:01:48,480 Speaker 1: a great I feel like, the defining Chris Farley movie. 37 00:01:48,880 --> 00:01:52,160 Speaker 1: I heard David Spade talking recently how they wanted to 38 00:01:52,200 --> 00:01:55,560 Speaker 1: make a Tommy Boy Too. There was an idea behind it. 39 00:01:55,960 --> 00:01:59,200 Speaker 1: Ultimately it didn't work out, and now he would never 40 00:01:59,280 --> 00:02:02,280 Speaker 1: do something like that without Chris Farley. The thing I 41 00:02:02,320 --> 00:02:05,200 Speaker 1: did not realize about Chris Farley because he passed away 42 00:02:05,280 --> 00:02:08,800 Speaker 1: in nineteen ninety seven. I was very young when that happened, 43 00:02:09,320 --> 00:02:12,680 Speaker 1: but he died at age thirty three, the age I 44 00:02:12,760 --> 00:02:16,320 Speaker 1: am at right now at the moment of recording this episode, 45 00:02:16,720 --> 00:02:19,160 Speaker 1: that is when Chris Farley died. That is so young 46 00:02:19,240 --> 00:02:21,680 Speaker 1: in my head. Hey died when he was much older, 47 00:02:21,680 --> 00:02:24,000 Speaker 1: in his forties, And whenever you're a kid and you 48 00:02:24,040 --> 00:02:26,799 Speaker 1: see somebody in their thirties, they just seem so much 49 00:02:26,840 --> 00:02:28,799 Speaker 1: older to you, which is weird to me now that 50 00:02:29,240 --> 00:02:32,120 Speaker 1: a kid my age in nineteen ninety seven would have 51 00:02:32,160 --> 00:02:34,799 Speaker 1: been six. So now to think of a six year 52 00:02:34,800 --> 00:02:36,240 Speaker 1: old seeing me be. 53 00:02:36,360 --> 00:02:38,519 Speaker 2: That old is a little bit like, oh man, I'm 54 00:02:38,520 --> 00:02:39,079 Speaker 2: old now. 55 00:02:39,160 --> 00:02:41,959 Speaker 1: I don't feel old, but that is such a young 56 00:02:42,639 --> 00:02:45,040 Speaker 1: age to die at that he is somebody I believe 57 00:02:45,080 --> 00:02:48,560 Speaker 1: we just lost too soon. He had so much charisma, 58 00:02:49,200 --> 00:02:53,239 Speaker 1: was also fighting so many demons and sometimes not always. 59 00:02:53,320 --> 00:02:56,120 Speaker 1: But it is those people who make you laugh the 60 00:02:56,280 --> 00:02:59,440 Speaker 1: hardest that are going through the most. And the more 61 00:02:59,480 --> 00:03:02,040 Speaker 1: I think about, how sad is it that you have 62 00:03:02,120 --> 00:03:05,120 Speaker 1: to go through so much just to be funny sometimes, 63 00:03:05,520 --> 00:03:08,000 Speaker 1: And that is exactly the life of Chris Farlan because 64 00:03:08,400 --> 00:03:11,160 Speaker 1: he was so over the top. He gave so much 65 00:03:11,200 --> 00:03:14,760 Speaker 1: to every performance. He was a great physical comedian, even 66 00:03:14,800 --> 00:03:18,519 Speaker 1: sometimes doing things that he didn't enjoy doing, but he 67 00:03:18,600 --> 00:03:20,320 Speaker 1: knew they got to laugh. I think one of those 68 00:03:20,320 --> 00:03:24,920 Speaker 1: famous cases is the SNL skit he did with Patrick Swayze, 69 00:03:24,960 --> 00:03:28,160 Speaker 1: who will talk about later, where they were Chippendale's dancers, 70 00:03:28,200 --> 00:03:31,280 Speaker 1: and the whole joke of that sketch was the fact 71 00:03:31,320 --> 00:03:34,600 Speaker 1: that Chris Farley was a bigger guy being a Chippendale's dancer. 72 00:03:34,639 --> 00:03:37,119 Speaker 1: I think that was credited as one of the sketches 73 00:03:37,120 --> 00:03:39,640 Speaker 1: he regrets doing the most because it put him in 74 00:03:39,680 --> 00:03:41,960 Speaker 1: a really dark place. But he died in nineteen ninety 75 00:03:42,000 --> 00:03:45,840 Speaker 1: seven after a drug overduce of cocaine and morphine. His 76 00:03:45,960 --> 00:03:48,800 Speaker 1: most memorable roles were what I just talked about, Tommy Boy, 77 00:03:48,880 --> 00:03:52,080 Speaker 1: I think was his defining role in nineteen ninety five 78 00:03:52,280 --> 00:03:56,320 Speaker 1: my personal favorites as well or Black Sheep, Beverly Hills. 79 00:03:56,440 --> 00:03:59,960 Speaker 1: Ninja was such a great movie when I was a kid. 80 00:04:00,080 --> 00:04:04,080 Speaker 1: He also had a great cameo in Billy Madison Leave's 81 00:04:04,080 --> 00:04:08,520 Speaker 1: behind a legacy of physical comedy, genius and this infectious 82 00:04:08,640 --> 00:04:12,120 Speaker 1: energy Almost Heroes, which I believe was the last film 83 00:04:12,200 --> 00:04:15,080 Speaker 1: he ever did, is one that is underrated. Him and 84 00:04:15,120 --> 00:04:18,200 Speaker 1: Matthew Perry now both no longer with us. So he 85 00:04:18,320 --> 00:04:20,240 Speaker 1: was one of those people that not only had such 86 00:04:20,279 --> 00:04:23,479 Speaker 1: success on Saturday Night Live, but it transferred onto the 87 00:04:23,480 --> 00:04:26,000 Speaker 1: big screen, even though a lot of those movies probably 88 00:04:26,040 --> 00:04:28,800 Speaker 1: weren't well reviewed at the time, and now we look 89 00:04:28,839 --> 00:04:30,719 Speaker 1: back on those and think, man, we were so lucky 90 00:04:30,760 --> 00:04:32,880 Speaker 1: to get those from him. I also can't wait to 91 00:04:32,920 --> 00:04:35,200 Speaker 1: see what happens with his biopic that is in development 92 00:04:35,279 --> 00:04:38,679 Speaker 1: right now, set to play him as Paul Walter Hausa, 93 00:04:38,800 --> 00:04:41,480 Speaker 1: who you might remember he played Richard Jewel back in 94 00:04:41,520 --> 00:04:44,479 Speaker 1: twenty nineteen. He's also a really funny actor and the 95 00:04:44,520 --> 00:04:46,920 Speaker 1: perfect person to play him in my opinion. But Chris 96 00:04:46,920 --> 00:04:49,000 Speaker 1: Farley is in my top three that I'm trying to 97 00:04:49,080 --> 00:04:51,520 Speaker 1: decide have him come back from the dead to be 98 00:04:51,600 --> 00:04:53,880 Speaker 1: in Tommy Boy to You. Also in my top three, 99 00:04:53,960 --> 00:04:57,000 Speaker 1: I have Robin Williams. I would want him to come 100 00:04:57,040 --> 00:05:00,400 Speaker 1: back for Jumanji four. He did the original back in 101 00:05:00,440 --> 00:05:04,120 Speaker 1: the nineties, and the franchise has really changed with all 102 00:05:04,200 --> 00:05:06,640 Speaker 1: the movies with The Rock, where I feel if we 103 00:05:06,720 --> 00:05:09,720 Speaker 1: brought Robin Williams back from the dead, we would do 104 00:05:09,880 --> 00:05:12,520 Speaker 1: an indirect sequel to A one. So I don't want 105 00:05:12,640 --> 00:05:14,800 Speaker 1: Jack Black coming back. I don't want The Rock, I 106 00:05:14,800 --> 00:05:17,159 Speaker 1: don't want Kevin Hart, I don't want anybody else who 107 00:05:17,160 --> 00:05:21,120 Speaker 1: has been associated with these sequels. I want an indirect 108 00:05:21,120 --> 00:05:25,360 Speaker 1: sequel from that first one. Robin Williams died in twenty fourteen, 109 00:05:25,760 --> 00:05:28,320 Speaker 1: and he was one of the first actors or really 110 00:05:28,360 --> 00:05:32,159 Speaker 1: celebrities ever that died that really impacted me. There are 111 00:05:32,160 --> 00:05:34,960 Speaker 1: a handful of celebrities that I remember the exact moment 112 00:05:35,000 --> 00:05:37,840 Speaker 1: I was the day that they died. Michael Jackson was 113 00:05:37,839 --> 00:05:39,840 Speaker 1: the first one who died in two thousand and nine. 114 00:05:40,200 --> 00:05:42,240 Speaker 1: Not only was that a huge deal because he is 115 00:05:42,279 --> 00:05:44,159 Speaker 1: one of the most famous people of all time, but 116 00:05:44,200 --> 00:05:46,640 Speaker 1: he also died on my birthdays, so I will always 117 00:05:46,640 --> 00:05:49,920 Speaker 1: associate his death with my birthday just because I remember 118 00:05:49,960 --> 00:05:53,719 Speaker 1: it every single year. Robin Williams was one in twenty 119 00:05:53,760 --> 00:05:56,719 Speaker 1: fourteen for some reason, whenever mac Miller died that really 120 00:05:56,760 --> 00:05:59,440 Speaker 1: stayed with me. And then the other one is also 121 00:05:59,480 --> 00:06:01,360 Speaker 1: in my top which I'll get to in a minute. 122 00:06:01,440 --> 00:06:04,080 Speaker 1: But sometimes they're just people that you're like, man, how 123 00:06:04,120 --> 00:06:07,560 Speaker 1: did they die? Because I feel so connected to them, 124 00:06:07,640 --> 00:06:10,240 Speaker 1: even though I've never met them. And the odd thing 125 00:06:10,320 --> 00:06:13,240 Speaker 1: about people in film and in music is you can 126 00:06:13,320 --> 00:06:16,479 Speaker 1: continue to have them live in your world because you 127 00:06:16,480 --> 00:06:19,279 Speaker 1: can continue to watch their work. And Robin Williams is 128 00:06:19,320 --> 00:06:21,880 Speaker 1: somebody that you would have never have known, all the 129 00:06:21,920 --> 00:06:24,920 Speaker 1: things he was going through, all the demons he was fighting, 130 00:06:25,400 --> 00:06:28,000 Speaker 1: because he was such a kind and caring person who 131 00:06:28,040 --> 00:06:31,320 Speaker 1: would take care of people on the set, put things 132 00:06:31,400 --> 00:06:35,280 Speaker 1: in his contract to get people hired to benefit all 133 00:06:35,320 --> 00:06:37,960 Speaker 1: these people in need, just because he was that type 134 00:06:37,960 --> 00:06:41,120 Speaker 1: of person. And the fact that somebody who is so 135 00:06:41,400 --> 00:06:45,120 Speaker 1: renowned and so beloved and just such a great presence 136 00:06:45,200 --> 00:06:48,640 Speaker 1: on screen and on stage took their own life, I 137 00:06:48,680 --> 00:06:50,440 Speaker 1: think for me it was one of the first times 138 00:06:50,560 --> 00:06:54,320 Speaker 1: I really started to take mental health seriously because growing 139 00:06:54,360 --> 00:06:57,400 Speaker 1: up in the nineties even the early two thousands, having 140 00:06:57,480 --> 00:07:01,640 Speaker 1: parents who not that we didn't vowell you mental health, 141 00:07:01,680 --> 00:07:03,919 Speaker 1: but we just never really talked about it in my 142 00:07:04,839 --> 00:07:08,880 Speaker 1: family growing up, unless you were bleeding or something was broken, 143 00:07:09,040 --> 00:07:11,840 Speaker 1: you were seen as being in good health. And taking 144 00:07:11,840 --> 00:07:14,280 Speaker 1: care of your head just wasn't really a thing, not 145 00:07:14,440 --> 00:07:18,440 Speaker 1: something I even had come into my orbit, probably until 146 00:07:18,440 --> 00:07:21,360 Speaker 1: I heard about celebrities taking their own lives, and then 147 00:07:21,400 --> 00:07:24,960 Speaker 1: didn't really do anything on my end until my late 148 00:07:25,000 --> 00:07:27,640 Speaker 1: twenties early thirties, where I started going to therapy and 149 00:07:27,680 --> 00:07:30,880 Speaker 1: realizing how important it is to keep it clean and 150 00:07:31,000 --> 00:07:34,440 Speaker 1: good upstairs as much as you can, along with trying 151 00:07:34,480 --> 00:07:36,800 Speaker 1: to keep your body alive. It's so exhausting to be 152 00:07:36,880 --> 00:07:39,680 Speaker 1: an adult like man. I have to work out and 153 00:07:39,760 --> 00:07:43,360 Speaker 1: run this much just to keep this average physique, and 154 00:07:43,360 --> 00:07:45,600 Speaker 1: then I also have to take care of my brain too. 155 00:07:46,120 --> 00:07:47,160 Speaker 2: It's exhausting. 156 00:07:47,360 --> 00:07:50,720 Speaker 1: But Robin Williams, even though we passed away in twenty fourteen, 157 00:07:50,840 --> 00:07:54,000 Speaker 1: left us behind with so many memorable movies. 158 00:07:54,280 --> 00:07:55,080 Speaker 2: I'm not even. 159 00:07:54,920 --> 00:07:58,600 Speaker 1: Sure what his most memorable single role would be. Would 160 00:07:58,600 --> 00:08:01,040 Speaker 1: it be Misis Doubt Fire nine D three, Dead Poet 161 00:08:01,120 --> 00:08:05,360 Speaker 1: Society in eighty nine, Goodwill Hunting in ninety seven, Aladdin 162 00:08:05,440 --> 00:08:08,640 Speaker 1: in ninety two. That is the role that nobody else 163 00:08:08,680 --> 00:08:11,480 Speaker 1: could do. Will Smith did the live action Genie, but 164 00:08:11,800 --> 00:08:14,840 Speaker 1: Man and no way to touch what Robin Williams did 165 00:08:15,200 --> 00:08:19,400 Speaker 1: in the animated movie. My personal favorite Robin Williams movie 166 00:08:19,400 --> 00:08:22,880 Speaker 1: would probably be Jack Whenever. He is born with the 167 00:08:22,960 --> 00:08:27,280 Speaker 1: disorder that makes him age very quickly. It was Benjamin 168 00:08:27,320 --> 00:08:30,600 Speaker 1: Button before Benjamin Button, except for Benjamin Button it happens 169 00:08:30,600 --> 00:08:34,200 Speaker 1: in reverse Jack Man. That scene just gets me an 170 00:08:34,200 --> 00:08:37,560 Speaker 1: emotional Robin Williams where he's not playing a funny, gooky 171 00:08:37,640 --> 00:08:40,720 Speaker 1: character and just really hits you in that Oh man, 172 00:08:40,840 --> 00:08:43,640 Speaker 1: that got me in the gut wherever he tries to 173 00:08:43,800 --> 00:08:47,400 Speaker 1: ask out his teacher Jennifer Lopez. That scene gets me 174 00:08:47,520 --> 00:08:50,720 Speaker 1: every time. That is my favorite Robin Williams movie. One 175 00:08:50,760 --> 00:08:54,240 Speaker 1: Hour Photo is what I believe to be the most 176 00:08:54,360 --> 00:08:57,240 Speaker 1: underrated Robin Williams film that came out in two thousand 177 00:08:57,240 --> 00:08:57,680 Speaker 1: and two. 178 00:08:58,240 --> 00:09:00,920 Speaker 2: He plays a. 179 00:09:00,120 --> 00:09:04,360 Speaker 1: Awkward and shy guy who works inside of a mall 180 00:09:04,480 --> 00:09:07,480 Speaker 1: at a one hour photo developing lab, which they don't 181 00:09:07,520 --> 00:09:11,400 Speaker 1: have those anymore, and he starts to form a relationship 182 00:09:11,440 --> 00:09:13,840 Speaker 1: with the people who have been coming into his lab 183 00:09:14,200 --> 00:09:16,640 Speaker 1: for a long time, so he sees kids grow up, 184 00:09:16,640 --> 00:09:19,520 Speaker 1: he forms relationships with their parents. He's nice to the 185 00:09:19,640 --> 00:09:22,600 Speaker 1: kids because over the years he has seen them grow 186 00:09:22,640 --> 00:09:25,320 Speaker 1: through the photos that he's developed, so he feels like 187 00:09:25,320 --> 00:09:27,720 Speaker 1: he has a personal connection with them. But then he 188 00:09:27,800 --> 00:09:31,800 Speaker 1: starts to see something peculiar in their photos, and then 189 00:09:31,800 --> 00:09:34,560 Speaker 1: he probably goes a step too far to be in 190 00:09:34,600 --> 00:09:37,760 Speaker 1: these people's lives, and it goes to an extreme because 191 00:09:37,800 --> 00:09:39,719 Speaker 1: he thinks he is much more a part of their 192 00:09:39,760 --> 00:09:43,960 Speaker 1: lives than he actually is. But man, what a transformation 193 00:09:44,080 --> 00:09:46,800 Speaker 1: that his character goes through. It's a character that you 194 00:09:46,960 --> 00:09:49,160 Speaker 1: care about, but then also are a little bit creeped 195 00:09:49,200 --> 00:09:51,360 Speaker 1: out by. So if you haven't seen this, so and 196 00:09:51,520 --> 00:09:53,720 Speaker 1: highly recommend it. Even though it's not on a streamer 197 00:09:53,800 --> 00:09:55,640 Speaker 1: right now, you have to rent it. And I think 198 00:09:55,679 --> 00:09:57,960 Speaker 1: it's like that unfortunate three seventy nine price. 199 00:09:58,400 --> 00:09:59,120 Speaker 2: That is a thing. 200 00:09:59,200 --> 00:10:02,520 Speaker 1: Man. Stream they can pick and choose what they have 201 00:10:02,679 --> 00:10:05,160 Speaker 1: on their service and what they can't. And now that 202 00:10:05,200 --> 00:10:07,760 Speaker 1: physical media is not a real thing. Sometimes it's like, Man, 203 00:10:08,200 --> 00:10:10,640 Speaker 1: I love a movie and I can't just watch. 204 00:10:10,360 --> 00:10:11,160 Speaker 2: It that easily. 205 00:10:11,600 --> 00:10:14,160 Speaker 1: Maybe we do need to bring back Blockbuster after all. 206 00:10:14,400 --> 00:10:17,040 Speaker 1: And obviously Jumanji, which I mentioned him earlier because that's 207 00:10:17,080 --> 00:10:18,880 Speaker 1: what I want him to come back and play in 208 00:10:19,360 --> 00:10:23,959 Speaker 1: one final time. So Robin Williams is also in my 209 00:10:24,120 --> 00:10:27,600 Speaker 1: top three. Rounding out the one two three of dead 210 00:10:27,640 --> 00:10:31,160 Speaker 1: actors is Chadwick Boseman. I would want him to come 211 00:10:31,200 --> 00:10:34,559 Speaker 1: back for a Black Panther three. Oh, I'm really heavily 212 00:10:34,640 --> 00:10:38,040 Speaker 1: leaning on this one. Chadwick Boseman died back in twenty 213 00:10:38,120 --> 00:10:42,640 Speaker 1: twenty at the age of forty three due to colon cancer, 214 00:10:43,120 --> 00:10:45,760 Speaker 1: and he battled it privately for four years. 215 00:10:45,800 --> 00:10:48,000 Speaker 3: This is one that just came out of nowhere. 216 00:10:48,679 --> 00:10:51,960 Speaker 1: I remember sitting with Kelsey on the couch and her saying, 217 00:10:52,240 --> 00:10:56,160 Speaker 1: did you see Chadwick Boseman died? I said, Chadwick Boseman died. 218 00:10:56,280 --> 00:10:59,560 Speaker 1: You are you sure you're talking about Black Panther? And 219 00:10:59,600 --> 00:11:03,600 Speaker 1: it was him. And the sad part about that is 220 00:11:04,200 --> 00:11:06,160 Speaker 1: he died in an age of social media where there 221 00:11:06,160 --> 00:11:11,040 Speaker 1: were people pointing out things about his physical appearance, having 222 00:11:11,080 --> 00:11:14,280 Speaker 1: no idea, and they were just being awful and rude, 223 00:11:14,320 --> 00:11:16,440 Speaker 1: not knowing that he was battling cancer. 224 00:11:16,960 --> 00:11:17,760 Speaker 2: And the fact that. 225 00:11:17,720 --> 00:11:21,280 Speaker 1: He was able to star in all these movies and 226 00:11:21,520 --> 00:11:24,640 Speaker 1: still give amazing performances while he was going through something. 227 00:11:24,840 --> 00:11:27,079 Speaker 1: I don't know how he did that for so long 228 00:11:27,600 --> 00:11:31,520 Speaker 1: without people knowing. And that is easily his most memorable role, 229 00:11:32,000 --> 00:11:35,400 Speaker 1: a role that almost transcends the person he could ever be. 230 00:11:35,480 --> 00:11:38,080 Speaker 1: And I mean that in the most positive way saying 231 00:11:38,120 --> 00:11:42,560 Speaker 1: that because Black Panther is a character that has so 232 00:11:42,720 --> 00:11:46,559 Speaker 1: much impact because of who it represents. For the first time, 233 00:11:47,280 --> 00:11:50,600 Speaker 1: young kids were able to see a superhero with their 234 00:11:50,640 --> 00:11:54,720 Speaker 1: same skin color that they'd never seen before on that level. 235 00:11:55,040 --> 00:11:59,240 Speaker 1: We'd had obviously black superheroes before. Blade being one of 236 00:11:59,280 --> 00:12:02,720 Speaker 1: the most influential of the nineties and early two thousands, 237 00:12:02,880 --> 00:12:07,160 Speaker 1: and once his portrayal of T'Challa came out, there was 238 00:12:07,280 --> 00:12:11,360 Speaker 1: all these people who finally had somebody that looked like them, 239 00:12:11,880 --> 00:12:14,400 Speaker 1: and that movie was so much more impactful because of that, 240 00:12:14,440 --> 00:12:17,040 Speaker 1: But it was also a great movie. He's a great 241 00:12:17,120 --> 00:12:21,720 Speaker 1: superhero and he became through that role a cultural icon, 242 00:12:22,080 --> 00:12:24,920 Speaker 1: a symbol of empowerment. And not only that, but he 243 00:12:24,960 --> 00:12:29,520 Speaker 1: took his role very seriously. He wasn't somebody who, oh, yeah, 244 00:12:29,559 --> 00:12:31,520 Speaker 1: I played Black Panther, but I also. 245 00:12:31,320 --> 00:12:32,840 Speaker 2: Want to go and do these other roles. 246 00:12:33,160 --> 00:12:37,000 Speaker 1: He knew how impactful he was in that role and 247 00:12:37,080 --> 00:12:40,000 Speaker 1: made it a point to take pictures with fans, meet 248 00:12:40,040 --> 00:12:43,520 Speaker 1: with sick kids, and really they picked the perfect person 249 00:12:43,559 --> 00:12:46,720 Speaker 1: who not only embodied what it means to be Black 250 00:12:46,760 --> 00:12:50,200 Speaker 1: Panther on screen, but off screen as well. And I 251 00:12:50,200 --> 00:12:53,199 Speaker 1: can imagine bringing him back to life and having him 252 00:12:53,240 --> 00:12:55,920 Speaker 1: be in one final Black Panther movie after all we 253 00:12:56,000 --> 00:12:58,800 Speaker 1: went through in Black Panther two and also in the 254 00:12:58,840 --> 00:13:01,880 Speaker 1: State of the Ms see you right now where, Man, 255 00:13:01,960 --> 00:13:05,439 Speaker 1: if you can give back a legacy Marvel character, can 256 00:13:05,480 --> 00:13:09,240 Speaker 1: you imagine the pop that a movie theater would have 257 00:13:10,160 --> 00:13:14,760 Speaker 1: bringing back that role. It would be just unearthing so much, 258 00:13:15,240 --> 00:13:17,840 Speaker 1: and there are only a few Marvel moments that I 259 00:13:18,000 --> 00:13:21,080 Speaker 1: know exactly how that would make me feel. It'd go 260 00:13:21,200 --> 00:13:23,840 Speaker 1: back to No Way Home and go back to endgame. 261 00:13:24,480 --> 00:13:26,640 Speaker 1: Those moments were It's just like, I'm going to remember 262 00:13:26,640 --> 00:13:31,400 Speaker 1: that forever. So while I'm battling these three people, because 263 00:13:31,400 --> 00:13:34,160 Speaker 1: they are all three fantastic actors, I'm thinking of how 264 00:13:34,200 --> 00:13:37,280 Speaker 1: these movies would actually play out. Chris Farley, just because 265 00:13:37,320 --> 00:13:39,400 Speaker 1: we haven't seen him in so long, would be a 266 00:13:39,480 --> 00:13:42,560 Speaker 1: trip like that would be amazing, Like with the Ritual, 267 00:13:42,600 --> 00:13:44,800 Speaker 1: will be worth bringing him back for Tommy Boy two, 268 00:13:45,000 --> 00:13:47,880 Speaker 1: Jumanji four. One of my favorite movies as a kid 269 00:13:48,000 --> 00:13:50,920 Speaker 1: was Jumanji. One of the first I remember just loving 270 00:13:50,960 --> 00:13:53,920 Speaker 1: the vhs watching it all the time, and one I 271 00:13:53,960 --> 00:13:56,960 Speaker 1: still go back and revisit to have one where he 272 00:13:57,080 --> 00:14:00,640 Speaker 1: gets sucked back into the game. And now we older 273 00:14:01,559 --> 00:14:04,840 Speaker 1: and think about the technology you have now, how much 274 00:14:04,880 --> 00:14:07,679 Speaker 1: you can improve on the graphics and the special effects 275 00:14:07,720 --> 00:14:11,760 Speaker 1: from Jumanji one, but now still have Robin Williams. That 276 00:14:11,800 --> 00:14:14,800 Speaker 1: would be a spectacle. But I think I talked myself 277 00:14:14,800 --> 00:14:17,679 Speaker 1: into it just because I would want to experience that 278 00:14:17,760 --> 00:14:22,360 Speaker 1: moment in theaters of having the original Black Panther Return, 279 00:14:23,120 --> 00:14:25,600 Speaker 1: and since it's only one final movie, you think about 280 00:14:25,640 --> 00:14:28,080 Speaker 1: his character arc that would happen in a Black Panther 281 00:14:28,200 --> 00:14:31,240 Speaker 1: three where he is back, but then by the end 282 00:14:31,280 --> 00:14:33,200 Speaker 1: of it you know he has to go away because 283 00:14:33,200 --> 00:14:34,760 Speaker 1: you can't get a sequel to this movie. 284 00:14:35,240 --> 00:14:36,320 Speaker 2: That would hit me again. 285 00:14:36,720 --> 00:14:39,000 Speaker 1: Oh, could you imagine that you bring back somebody to 286 00:14:39,040 --> 00:14:41,040 Speaker 1: life and then know that they have to go At 287 00:14:41,080 --> 00:14:43,200 Speaker 1: some point you think what would I want to say? 288 00:14:43,200 --> 00:14:45,280 Speaker 1: What would I want to feel in those final moments? 289 00:14:45,560 --> 00:14:49,360 Speaker 1: And we would get that in cinema. So the one 290 00:14:49,400 --> 00:14:53,040 Speaker 1: actor I would bring back for one final movie, it's 291 00:14:53,080 --> 00:14:55,560 Speaker 1: going to be Chadwick Boseman, and the movie is going 292 00:14:55,640 --> 00:14:57,400 Speaker 1: to be Black Panther three. 293 00:14:57,960 --> 00:14:59,160 Speaker 2: I feel good with that pick. 294 00:14:59,080 --> 00:15:02,200 Speaker 1: Right now, all we're talking about dead actors. Here are 295 00:15:02,240 --> 00:15:05,080 Speaker 1: some other ones that I was going through in my research. 296 00:15:05,160 --> 00:15:08,040 Speaker 1: Heath Ledger, I'd bring them back for The Dark Knight Returns, 297 00:15:08,040 --> 00:15:12,360 Speaker 1: which is probably my favorite graphic novel of all time. 298 00:15:13,360 --> 00:15:18,520 Speaker 1: It is a story about Batman, older in age, has 299 00:15:18,600 --> 00:15:21,360 Speaker 1: not been Batman for a while. He probably in his 300 00:15:21,480 --> 00:15:26,640 Speaker 1: mid to late fifties, early sixties. He's aged, he's slower, 301 00:15:26,680 --> 00:15:29,840 Speaker 1: he doesn't recover as much, but Gotham has really gone 302 00:15:29,840 --> 00:15:32,880 Speaker 1: to crap, and he decides, I think I need to 303 00:15:32,880 --> 00:15:36,320 Speaker 1: come back and be Batman, and a big part of 304 00:15:36,360 --> 00:15:40,600 Speaker 1: that story is Joker, and I would bring back Heath 305 00:15:40,680 --> 00:15:44,160 Speaker 1: Ledger to come back in the Dark Knight returns, and 306 00:15:44,200 --> 00:15:47,160 Speaker 1: I would also use Christian Bale, who is also still alive. 307 00:15:47,240 --> 00:15:49,640 Speaker 1: But Heath Ledger died back in two thousand and eight 308 00:15:49,720 --> 00:15:52,200 Speaker 1: at the age of twenty eight. It was an accidental 309 00:15:52,240 --> 00:15:56,120 Speaker 1: overdose on prescription meds, and this was and ended up 310 00:15:56,160 --> 00:15:58,720 Speaker 1: being his most memorable role, The Joker in The Dark 311 00:15:58,800 --> 00:16:01,520 Speaker 1: Knight two thousand and eight. Another actor I was really 312 00:16:01,560 --> 00:16:05,960 Speaker 1: considering was Gene Wilder bringing him back for Wonka Io, 313 00:16:06,520 --> 00:16:09,720 Speaker 1: which wouldn't be a sequel to Willy Wonka and the 314 00:16:09,800 --> 00:16:13,600 Speaker 1: Chocolate Factory, which is obviously his most memorable role, but 315 00:16:13,720 --> 00:16:16,440 Speaker 1: instead it would be a sequel to the Timothy shallow 316 00:16:16,480 --> 00:16:19,640 Speaker 1: May version and you just jump way ahead, go way 317 00:16:19,640 --> 00:16:24,280 Speaker 1: way way out in time to a much older Willy Wonka, 318 00:16:24,360 --> 00:16:27,600 Speaker 1: which some people speculated that it should be Jeremy Allen White, 319 00:16:27,680 --> 00:16:30,760 Speaker 1: who you would know from The Bear Who Bears No 320 00:16:30,880 --> 00:16:35,200 Speaker 1: Pun intended a striking resemblance to Gene Wilder. Some people 321 00:16:35,240 --> 00:16:37,800 Speaker 1: thought that they were actually related. So should it have 322 00:16:37,840 --> 00:16:41,480 Speaker 1: been Jeremy Allen White playing Wonka instead of Timothy Shalloway Noah. 323 00:16:41,480 --> 00:16:43,400 Speaker 1: I thought Shallowy did a good job in that, but 324 00:16:43,440 --> 00:16:45,680 Speaker 1: he died back in twenty sixteen at the age of 325 00:16:45,720 --> 00:16:49,960 Speaker 1: eighty three due to complications with Alzheimer's disease. Along with 326 00:16:50,000 --> 00:16:53,120 Speaker 1: Willy Wonka and the Chocolate Factory, he was also iconic 327 00:16:53,160 --> 00:16:57,320 Speaker 1: and Young Frankenstein and Blazing Saddles. My favorite movies of 328 00:16:57,360 --> 00:17:00,400 Speaker 1: his outside of Willy Wonka were Heino Evil, Here No 329 00:17:00,520 --> 00:17:04,840 Speaker 1: Evil with Richard Pryor, and Stir Crazy, which Richard Pryor. 330 00:17:04,640 --> 00:17:05,800 Speaker 2: Also made my list. 331 00:17:06,040 --> 00:17:07,919 Speaker 1: I would want him to come back and reprise his 332 00:17:08,040 --> 00:17:10,879 Speaker 1: role as Gus Gorman in the new Superman movie. Go 333 00:17:10,960 --> 00:17:14,040 Speaker 1: back in and get some quick reshoots and put well. 334 00:17:14,080 --> 00:17:15,920 Speaker 1: I guess you probably couldn't reshoot it at this point, 335 00:17:15,960 --> 00:17:19,000 Speaker 1: but maybe in the sequel to this one or Superman three, 336 00:17:19,320 --> 00:17:22,480 Speaker 1: you put Richard Pryor back in a Superhero film, which 337 00:17:22,560 --> 00:17:25,560 Speaker 1: Richard Pryor passed away back in two thousand and five. 338 00:17:26,160 --> 00:17:29,000 Speaker 1: Another actor I was strongly considering because he is in 339 00:17:29,040 --> 00:17:32,840 Speaker 1: one of my favorite movies of all time, Bill Paxton, 340 00:17:33,240 --> 00:17:35,639 Speaker 1: and he would have to be in the sequel to Twisters, 341 00:17:35,680 --> 00:17:38,119 Speaker 1: which what would you call that movie? Because we had Twister, 342 00:17:38,680 --> 00:17:42,000 Speaker 1: then we had Twisters. Would it be Twisters his? Or 343 00:17:42,040 --> 00:17:44,280 Speaker 1: would it be Twisters too? I guess it would be 344 00:17:44,320 --> 00:17:47,080 Speaker 1: Twisters three though, because it's a it's a non direct 345 00:17:47,119 --> 00:17:49,720 Speaker 1: sequel to the original. What would you call this movie? 346 00:17:49,720 --> 00:17:50,440 Speaker 3: Twisters is his? 347 00:17:50,840 --> 00:17:53,800 Speaker 1: But I would want to bring back Bill Paxton, who 348 00:17:53,840 --> 00:17:56,640 Speaker 1: died back in twenty seventeen at the age of sixty one, 349 00:17:57,200 --> 00:18:00,720 Speaker 1: had a stroke following a heart surgery. Twister, to me 350 00:18:00,920 --> 00:18:02,879 Speaker 1: was his most memorable role, but he was also in 351 00:18:02,920 --> 00:18:07,760 Speaker 1: Apollo thirteen, Aliens in nineteen eighty six, and Titanic in 352 00:18:07,880 --> 00:18:11,760 Speaker 1: nineteen ninety seven, which I have to imagine was a pretty. 353 00:18:11,440 --> 00:18:15,479 Speaker 2: Good paycheck for him. What an incredibly versatile actor. 354 00:18:15,600 --> 00:18:18,920 Speaker 1: Just look at all those roles big blockbusters, and he 355 00:18:18,960 --> 00:18:21,480 Speaker 1: also did a lot of smaller independent movies as well. 356 00:18:21,840 --> 00:18:24,359 Speaker 1: But could you imagine Bill Paxton back from the dead 357 00:18:24,520 --> 00:18:26,240 Speaker 1: as Bill in Twisters? 358 00:18:26,119 --> 00:18:26,159 Speaker 4: Is? 359 00:18:26,800 --> 00:18:29,360 Speaker 3: Hey, Bill, You're back. I'm not back. 360 00:18:29,800 --> 00:18:32,120 Speaker 1: Got a few more here on my list, Bernie Mack, 361 00:18:32,240 --> 00:18:36,119 Speaker 1: because they are remaking Friday. I think it's still in development. 362 00:18:36,320 --> 00:18:39,120 Speaker 1: Allegedly was supposed to come out in twenty twenty five. 363 00:18:39,200 --> 00:18:41,960 Speaker 1: I don't see that happening. I'm not telling myself there's 364 00:18:41,960 --> 00:18:44,640 Speaker 1: a new Friday movie coming out until I see that trailer, 365 00:18:45,119 --> 00:18:48,040 Speaker 1: because this has been dangled over my head like a 366 00:18:48,119 --> 00:18:52,280 Speaker 1: carrot for I don't know the last decade. Bernie Mack 367 00:18:52,359 --> 00:18:54,320 Speaker 1: died at the age of fifty back in two thousand 368 00:18:54,320 --> 00:18:56,280 Speaker 1: and eight. This was a sad one too, because I 369 00:18:56,359 --> 00:19:00,280 Speaker 1: loved The Bernie mac Show, which was probably his most 370 00:19:00,320 --> 00:19:03,639 Speaker 1: famous work, but in film, I think it would probably 371 00:19:03,680 --> 00:19:06,600 Speaker 1: be Oceans eleven in two thousand and one. I loved 372 00:19:06,640 --> 00:19:10,600 Speaker 1: him in life. He was also in Transformers Bad Santa. Oh, 373 00:19:10,640 --> 00:19:14,800 Speaker 1: whenever he threatens Bad Santa with wanting a fifty percent 374 00:19:14,880 --> 00:19:17,400 Speaker 1: cut from the job, and they're at that diner and he's. 375 00:19:17,240 --> 00:19:21,359 Speaker 3: Like, off, how about forty five percent off? 376 00:19:22,200 --> 00:19:26,080 Speaker 2: Forty nine percent off? That was a great scene. Mister 377 00:19:26,119 --> 00:19:28,119 Speaker 2: three thousand was another good movie. 378 00:19:28,320 --> 00:19:31,960 Speaker 1: I love Bernie Mack, one of the best voices in comedy. 379 00:19:32,400 --> 00:19:34,840 Speaker 1: I also thought about bringing back John Candy and I 380 00:19:34,840 --> 00:19:38,080 Speaker 1: would want to be in the Madden biopick that they're 381 00:19:38,119 --> 00:19:42,600 Speaker 1: actually filming now, where Nick Cage is playing John Madden 382 00:19:42,960 --> 00:19:46,560 Speaker 1: and Christian Bale is playing Al Davis. But I look 383 00:19:46,600 --> 00:19:48,679 Speaker 1: at John Candy and think, oh, man, he would have 384 00:19:48,720 --> 00:19:52,359 Speaker 1: been a great John Madden. He died back in ninety four, 385 00:19:52,560 --> 00:19:54,560 Speaker 1: had a heart attack at the age of forty three. 386 00:19:55,080 --> 00:19:58,680 Speaker 1: His most famous movie was probably Planes, Trains and Automobiles 387 00:19:58,720 --> 00:20:01,840 Speaker 1: in nineteen eighty seven. He was also in Uncle Buck 388 00:20:01,840 --> 00:20:05,359 Speaker 1: in nineteen eighty nine. My favorite John Candy movie is 389 00:20:05,400 --> 00:20:08,920 Speaker 1: probably Between Cool Runnings from ninety three. He was also 390 00:20:09,000 --> 00:20:12,080 Speaker 1: in space Balls and had a cameo and Home Alone, 391 00:20:12,400 --> 00:20:15,800 Speaker 1: where he improvised all of his dialogue and is probably 392 00:20:15,880 --> 00:20:18,240 Speaker 1: one of his most memorable roles, even though he's only 393 00:20:18,240 --> 00:20:20,280 Speaker 1: in that for a limited amount of time and was 394 00:20:20,320 --> 00:20:23,160 Speaker 1: paid very little money to do that role. But much 395 00:20:23,320 --> 00:20:26,480 Speaker 1: like Chris Farley, he is somebody whose comedic presence in 396 00:20:26,560 --> 00:20:29,760 Speaker 1: film has been missed because there has not been another 397 00:20:29,880 --> 00:20:32,840 Speaker 1: John Candy, because not only was he funny, but he 398 00:20:32,880 --> 00:20:36,080 Speaker 1: also had this warmth to him. Every scene just felt 399 00:20:36,240 --> 00:20:40,920 Speaker 1: very personal. He was very charismatic and delivered dialogue effortlessly. 400 00:20:41,280 --> 00:20:45,160 Speaker 1: There is coming out produced by Ryan Reynolds called John Candy, 401 00:20:45,560 --> 00:20:47,879 Speaker 1: I Like Me, which is a reference to a famous 402 00:20:47,920 --> 00:20:51,000 Speaker 1: line of his in Planes, Trains and Automobiles. So hopefully 403 00:20:51,080 --> 00:20:53,640 Speaker 1: that is good because that is also being directed by 404 00:20:53,680 --> 00:20:57,040 Speaker 1: Colin Hanks. If I had unlimited rituals, I'd bring back 405 00:20:57,040 --> 00:21:00,679 Speaker 1: Norm MacDonald put him in Dirty Work too, even that 406 00:21:00,760 --> 00:21:04,160 Speaker 1: probably wasn't a movie he was particularly proud of, one 407 00:21:04,160 --> 00:21:06,439 Speaker 1: of my favorite comedies of the nineties. He died back 408 00:21:06,480 --> 00:21:09,000 Speaker 1: in twenty twenty one at the age of sixty one 409 00:21:09,160 --> 00:21:12,520 Speaker 1: due to leukemia. Probably more well known for his work 410 00:21:12,600 --> 00:21:15,920 Speaker 1: on Saturday Night Live on Weekend Update, but I love 411 00:21:16,000 --> 00:21:19,119 Speaker 1: Dirty Work. Bring him back, get our delayne back in 412 00:21:19,160 --> 00:21:22,960 Speaker 1: there and give me that Adam Sandler cameo two. Patrick 413 00:21:23,040 --> 00:21:25,800 Speaker 1: Swayze was another one. I considered bring him back for 414 00:21:25,920 --> 00:21:27,960 Speaker 1: Dirty Dancing three, which. 415 00:21:27,760 --> 00:21:29,439 Speaker 2: Would be Dirty Dancing Maybe. 416 00:21:29,480 --> 00:21:31,399 Speaker 1: He died back in two thousand and nine at the 417 00:21:31,400 --> 00:21:35,080 Speaker 1: age of fifty seven due to pancreatic cancer. Johnny and 418 00:21:35,119 --> 00:21:38,040 Speaker 1: Dirty Dancing was probably his most memorable role. He was 419 00:21:38,119 --> 00:21:41,160 Speaker 1: also in Ghost Point Break. He was a rare mix 420 00:21:41,280 --> 00:21:44,439 Speaker 1: of being somebody who was just all out masculine but 421 00:21:44,560 --> 00:21:46,760 Speaker 1: also had this tenderness to him that I think is 422 00:21:46,800 --> 00:21:50,520 Speaker 1: also greatly missed in Hollywood. And my final one on 423 00:21:50,560 --> 00:21:54,440 Speaker 1: my list. Britney Murphy, who also left us too soon 424 00:21:54,480 --> 00:21:57,040 Speaker 1: in two thousand and nine, died at the age of 425 00:21:57,080 --> 00:22:01,480 Speaker 1: thirty two due to an accidental over. Her most memorable 426 00:22:01,560 --> 00:22:06,720 Speaker 1: roles included Clueless, Girl, Interrupted and eight Mile was probably 427 00:22:06,720 --> 00:22:10,080 Speaker 1: her biggest role. But for me, I loved her in 428 00:22:10,119 --> 00:22:12,840 Speaker 1: a little movie from two thousand and two called Spun. 429 00:22:13,200 --> 00:22:15,679 Speaker 1: So give me back Brittany Murphy and put her in 430 00:22:15,800 --> 00:22:18,680 Speaker 1: Spun two. I'll come back and give my spoiler free 431 00:22:18,720 --> 00:22:25,560 Speaker 1: review of the new horror movie Bring Her Back. Let's 432 00:22:25,560 --> 00:22:26,240 Speaker 1: get into It now. 433 00:22:26,240 --> 00:22:30,440 Speaker 4: A spoiler free movie review of Bring Her Back from 434 00:22:30,520 --> 00:22:35,320 Speaker 4: Danny and Michael Philippo, who are two Australian directors relatively 435 00:22:35,400 --> 00:22:37,000 Speaker 4: young thirty two years old. 436 00:22:37,320 --> 00:22:40,119 Speaker 1: They got their start just making YouTube videos as twin 437 00:22:40,200 --> 00:22:43,959 Speaker 1: brothers just messing around beating each other up in their backyard. 438 00:22:44,280 --> 00:22:47,840 Speaker 1: And even in those early YouTube videos you can tell 439 00:22:48,000 --> 00:22:51,440 Speaker 1: that they had an eye for creating something special. There 440 00:22:51,440 --> 00:22:53,920 Speaker 1: are videos where you see the behind the scenes of 441 00:22:53,960 --> 00:22:56,159 Speaker 1: them as kids and like talking about like keep the 442 00:22:56,240 --> 00:23:00,000 Speaker 1: cameras held still, giving direction at such a young age 443 00:23:00,160 --> 00:23:03,679 Speaker 1: on things that maybe the sum seemed very juvenile, like 444 00:23:03,880 --> 00:23:05,600 Speaker 1: beating your brother up with some wrestling moves. 445 00:23:05,640 --> 00:23:06,560 Speaker 2: I can relate to that. 446 00:23:06,640 --> 00:23:08,600 Speaker 1: They made their debut with a movie called Talk to Me, 447 00:23:08,640 --> 00:23:11,680 Speaker 1: which is available on Netflix now and since then they've 448 00:23:11,680 --> 00:23:14,960 Speaker 1: been taking Hollywood by storm. After that came out, they 449 00:23:15,000 --> 00:23:19,200 Speaker 1: started getting messages from their heroes like Jordan Peel. Stephen 450 00:23:19,280 --> 00:23:22,440 Speaker 1: King gave them praise for that movie. And now this 451 00:23:22,480 --> 00:23:24,920 Speaker 1: is something that we need in the horror genre. Two 452 00:23:25,040 --> 00:23:28,280 Speaker 1: guys who just feel like they're making movies that I 453 00:23:28,400 --> 00:23:31,200 Speaker 1: want to see that nobody else is making right now, 454 00:23:31,240 --> 00:23:34,840 Speaker 1: because I think when you get into horror, you can 455 00:23:34,880 --> 00:23:38,760 Speaker 1: get very calculated. And by watching Bring Her Back, I 456 00:23:38,760 --> 00:23:41,639 Speaker 1: can tell that they had that punk rock mentality, that 457 00:23:41,680 --> 00:23:44,840 Speaker 1: YouTuber mentality of we're going to make something that we 458 00:23:44,880 --> 00:23:48,240 Speaker 1: want to see and not play to any of these rules. 459 00:23:48,240 --> 00:23:50,840 Speaker 1: Where I can feel the youth in this movie, and 460 00:23:50,880 --> 00:23:52,840 Speaker 1: it's a good thing because you can tell that they 461 00:23:52,840 --> 00:23:56,200 Speaker 1: don't have the most experienced Like say, I would say 462 00:23:56,240 --> 00:23:59,120 Speaker 1: the best horror movie of the year up until this 463 00:23:59,160 --> 00:24:01,800 Speaker 1: one was probably The Monkey from Ouz Perkins, who has 464 00:24:02,240 --> 00:24:05,280 Speaker 1: more experience there last year with Long Legs, and this 465 00:24:05,320 --> 00:24:08,880 Speaker 1: movie feels so much less calculated to that. So where 466 00:24:08,920 --> 00:24:12,160 Speaker 1: it really shines is in that rawness but now also 467 00:24:12,320 --> 00:24:15,320 Speaker 1: starting to have a little bit more experience under their 468 00:24:15,320 --> 00:24:17,720 Speaker 1: belt is what makes it great. I think also the 469 00:24:17,720 --> 00:24:21,399 Speaker 1: fact that they are Australian. It feels really refreshing to me, 470 00:24:21,920 --> 00:24:25,080 Speaker 1: a great just one two star for them, this being 471 00:24:25,080 --> 00:24:27,439 Speaker 1: their second movie and after watching it, I just feel 472 00:24:27,440 --> 00:24:30,119 Speaker 1: like we haven't seen their best work yet and this 473 00:24:30,280 --> 00:24:31,399 Speaker 1: is so exciting to me. 474 00:24:31,840 --> 00:24:33,800 Speaker 2: So what Bringer Back is about? 475 00:24:33,920 --> 00:24:36,200 Speaker 1: Which is a movie I feel you can spoil by 476 00:24:36,200 --> 00:24:38,399 Speaker 1: giving away the plot details, so I'm not going to 477 00:24:38,440 --> 00:24:41,040 Speaker 1: speak too much on that, but here is the description 478 00:24:41,480 --> 00:24:45,320 Speaker 1: pulled from IMDb. A brother and sister witness a terrifying 479 00:24:45,440 --> 00:24:48,720 Speaker 1: ritual at the secluded home of their new foster mother. 480 00:24:49,160 --> 00:24:51,960 Speaker 1: So you have these two characters who just lost their 481 00:24:52,000 --> 00:24:55,400 Speaker 1: father and now are at risk of being split up. 482 00:24:55,560 --> 00:24:59,119 Speaker 1: The older brother has been taking care of the younger sister, 483 00:24:59,240 --> 00:25:02,240 Speaker 1: who is vision usually impaired, and after their dad dies, 484 00:25:02,280 --> 00:25:05,159 Speaker 1: they initially want to split them up, but luckily they 485 00:25:05,200 --> 00:25:07,760 Speaker 1: are able to work out a deal where they can 486 00:25:07,800 --> 00:25:11,040 Speaker 1: both go live with one foster parent. And then things 487 00:25:11,040 --> 00:25:14,040 Speaker 1: start to get really weird. But that's really all you 488 00:25:14,160 --> 00:25:17,640 Speaker 1: need to know going into this movie. Now, how scary 489 00:25:17,760 --> 00:25:21,719 Speaker 1: is it? Bring her Back? Really isn't that scary. It 490 00:25:21,800 --> 00:25:25,639 Speaker 1: is unsettling, which at times to me is better because 491 00:25:25,680 --> 00:25:27,720 Speaker 1: this is a movie that is going to stay around. 492 00:25:27,760 --> 00:25:30,760 Speaker 1: It's going to linger with you the more and more 493 00:25:30,840 --> 00:25:33,280 Speaker 1: that you think about it. Like those times where I 494 00:25:33,280 --> 00:25:35,280 Speaker 1: would go to the gas station to get a burrito 495 00:25:35,320 --> 00:25:37,320 Speaker 1: and I'm questioning it. It's like a dollar ninety nine. 496 00:25:37,320 --> 00:25:39,520 Speaker 1: I'm like, do I really want this burrito? How long 497 00:25:39,560 --> 00:25:41,919 Speaker 1: has this burrito been sitting at this gas station? But 498 00:25:41,960 --> 00:25:44,639 Speaker 1: I'm hungry, it's cheap, I'm broke. I want to go 499 00:25:44,680 --> 00:25:47,000 Speaker 1: and get that gas station burrito. I eat that burrito 500 00:25:47,040 --> 00:25:50,960 Speaker 1: in about five minutes, but then the after effects of 501 00:25:50,960 --> 00:25:53,520 Speaker 1: that burrito stick with me much longer than those five minutes, 502 00:25:53,600 --> 00:25:57,000 Speaker 1: much longer than the value of one ninety nine. It 503 00:25:57,080 --> 00:25:59,080 Speaker 1: hits me the next day, maybe even the day after, 504 00:25:59,240 --> 00:26:00,960 Speaker 1: and then the next time I go thinking about getting 505 00:26:01,000 --> 00:26:04,280 Speaker 1: another gas station burrito, I think twice. That is how 506 00:26:04,320 --> 00:26:07,359 Speaker 1: I felt watching Talk to Me, where in the moment 507 00:26:07,480 --> 00:26:10,679 Speaker 1: I wasn't terrified, but it was so unsettling because there 508 00:26:10,680 --> 00:26:12,719 Speaker 1: were so many moments that there were things that I 509 00:26:12,760 --> 00:26:15,680 Speaker 1: had never seen before in a supernatural movie that made 510 00:26:15,720 --> 00:26:17,800 Speaker 1: my skin crawl a little bit, that made me just 511 00:26:17,920 --> 00:26:18,760 Speaker 1: kind of cringe. 512 00:26:19,240 --> 00:26:20,679 Speaker 2: And there are certain. 513 00:26:20,440 --> 00:26:22,280 Speaker 1: Things that you can put in horror movies that get me. 514 00:26:22,880 --> 00:26:25,040 Speaker 1: And there were things in this one that I didn't 515 00:26:25,080 --> 00:26:27,760 Speaker 1: know could get me because I hadn't seen them yet. 516 00:26:27,840 --> 00:26:30,960 Speaker 1: Usually it's broken bones. In the case of Bringing Back, 517 00:26:31,000 --> 00:26:34,959 Speaker 1: there were these really violent moments that really made the film, 518 00:26:35,000 --> 00:26:38,240 Speaker 1: but in no way did it just capitalize on jump scares. 519 00:26:38,240 --> 00:26:40,400 Speaker 1: I don't think there were any jump scares in this movie. 520 00:26:40,560 --> 00:26:43,919 Speaker 1: It comes down to great storytelling, which it did a 521 00:26:43,920 --> 00:26:46,720 Speaker 1: really good job of making you care about these characters. 522 00:26:46,840 --> 00:26:49,960 Speaker 1: It really invested in those first twenty minutes of yeah, 523 00:26:50,040 --> 00:26:53,040 Speaker 1: giving you some scary images, but really telling you the 524 00:26:53,080 --> 00:26:55,639 Speaker 1: story of these two kids and what they are going through, 525 00:26:56,280 --> 00:26:59,440 Speaker 1: and really made you care about their living situation and 526 00:26:59,680 --> 00:27:02,960 Speaker 1: all trauma that they are both dealing with that made 527 00:27:03,000 --> 00:27:05,080 Speaker 1: you want to take this ride with them, made you 528 00:27:05,200 --> 00:27:08,280 Speaker 1: want to root for them throughout this entire thing, because man, 529 00:27:08,280 --> 00:27:09,400 Speaker 1: does it get crazy. 530 00:27:09,960 --> 00:27:11,000 Speaker 2: So that was a. 531 00:27:10,960 --> 00:27:12,119 Speaker 3: Really important thing to do. 532 00:27:12,160 --> 00:27:14,480 Speaker 1: And sometimes horror movies get it wrong because they spend 533 00:27:14,560 --> 00:27:17,240 Speaker 1: so much time on this exposition trying to make you 534 00:27:17,280 --> 00:27:20,600 Speaker 1: care about these characters, and it never quite connects. It 535 00:27:20,680 --> 00:27:24,560 Speaker 1: connected here, and then they also created just an impeccable 536 00:27:24,680 --> 00:27:29,320 Speaker 1: villain that was so bizarre and such a force that 537 00:27:29,400 --> 00:27:33,600 Speaker 1: you just hated with every fiber of your being because 538 00:27:33,680 --> 00:27:34,680 Speaker 1: you cannot. 539 00:27:34,280 --> 00:27:36,080 Speaker 2: Believe what they were doing. 540 00:27:36,560 --> 00:27:39,880 Speaker 1: So you have the great storytelling and the great acting 541 00:27:40,119 --> 00:27:41,400 Speaker 1: in a pretty limited cast. 542 00:27:41,440 --> 00:27:43,440 Speaker 2: It's really these three members. 543 00:27:43,520 --> 00:27:45,840 Speaker 1: You have the foster mom and the two kids, and 544 00:27:45,880 --> 00:27:48,639 Speaker 1: that really makes up the entire film. Nalie Hawkins plays 545 00:27:48,680 --> 00:27:50,720 Speaker 1: the foster mom, which you may remember her from the 546 00:27:50,760 --> 00:27:53,119 Speaker 1: Shape of Water back in twenty seventeen. She got an 547 00:27:53,119 --> 00:27:55,400 Speaker 1: Oscar nomination for that movie. I think she should have won, 548 00:27:55,480 --> 00:27:58,159 Speaker 1: although in the Shape of Water did take home Best Picture. 549 00:27:58,440 --> 00:28:00,080 Speaker 1: That is one of those best pictures that nobody but 550 00:28:00,160 --> 00:28:02,280 Speaker 1: he really talks about it anymore. I loved it in 551 00:28:02,320 --> 00:28:04,960 Speaker 1: the moment, but it's one I don't revisit a whole lot, 552 00:28:05,040 --> 00:28:08,399 Speaker 1: even though it's a great movie. She was fantastic in 553 00:28:08,440 --> 00:28:11,560 Speaker 1: that and she brought that level of acting to this movie. 554 00:28:11,680 --> 00:28:14,160 Speaker 1: I heard a story that she scared all the other 555 00:28:14,240 --> 00:28:17,800 Speaker 1: people on set because how committed she was to this 556 00:28:17,960 --> 00:28:21,040 Speaker 1: role that had so many layers to it. Sometimes you 557 00:28:21,119 --> 00:28:23,399 Speaker 1: sympathize with her, sometimes you want to throw her out 558 00:28:23,440 --> 00:28:26,480 Speaker 1: a window, and sometimes you feel sad for her, and 559 00:28:26,520 --> 00:28:29,320 Speaker 1: then sometimes you just all out hate her. Billy Barrett 560 00:28:29,359 --> 00:28:32,000 Speaker 1: played the older brother, who was fantastic gave a really 561 00:28:32,040 --> 00:28:36,160 Speaker 1: emotional performance. His younger sister was played by Sora Wong. Well, 562 00:28:36,200 --> 00:28:39,720 Speaker 1: this was her acting debut. She was not aspiring to 563 00:28:39,720 --> 00:28:43,000 Speaker 1: be an actor whatsoever, but her mom actually came across 564 00:28:43,120 --> 00:28:46,280 Speaker 1: a casting call on Facebook that was looking for a 565 00:28:46,360 --> 00:28:50,640 Speaker 1: visually impaired actor, so they applied. She got the role 566 00:28:50,760 --> 00:28:53,720 Speaker 1: and she did an incredible job. She was born with 567 00:28:53,760 --> 00:28:56,200 Speaker 1: a condition that left her with limited sight, but had 568 00:28:56,280 --> 00:28:59,520 Speaker 1: zero experience in acting going into this film, and you 569 00:28:59,520 --> 00:29:01,719 Speaker 1: couldn't really tell because she was that good in this. 570 00:29:02,080 --> 00:29:04,080 Speaker 1: And what excites me about the Philippop brothers is I 571 00:29:04,120 --> 00:29:07,360 Speaker 1: know that their best films are probably five, seven, maybe 572 00:29:07,360 --> 00:29:10,040 Speaker 1: even ten years down the line. And I also don't 573 00:29:10,080 --> 00:29:12,960 Speaker 1: think that they're gonna do horror forever. I hear a 574 00:29:12,960 --> 00:29:16,600 Speaker 1: lot of directors give their story how horror is their 575 00:29:16,640 --> 00:29:19,960 Speaker 1: first love and that's what makes them want to make movies. Also, 576 00:29:20,000 --> 00:29:23,880 Speaker 1: when you're young filmmakers doing things on YouTube, sometimes having 577 00:29:23,880 --> 00:29:26,120 Speaker 1: the lower budget just lends yourself to make in horror 578 00:29:26,160 --> 00:29:28,080 Speaker 1: movies because you can take some corn syrup and some 579 00:29:28,120 --> 00:29:31,360 Speaker 1: red food, die, make some fake blood. But I just 580 00:29:31,400 --> 00:29:34,440 Speaker 1: think that eventually they are so good at what they 581 00:29:34,480 --> 00:29:37,360 Speaker 1: do and have this artistic vision that is so uniquely 582 00:29:37,400 --> 00:29:40,680 Speaker 1: them that they're going to go on to probably make 583 00:29:40,720 --> 00:29:44,560 Speaker 1: another couple horror movies, but really cement themselves as these 584 00:29:44,680 --> 00:29:47,600 Speaker 1: great directors who can do anything, and they've already proved 585 00:29:47,600 --> 00:29:50,480 Speaker 1: that in just two movies. So not necessarily when you 586 00:29:50,560 --> 00:29:53,280 Speaker 1: have to rush to see in theaters, although I would. 587 00:29:53,920 --> 00:29:55,880 Speaker 1: But if you want to start with Talk to Me, 588 00:29:55,920 --> 00:29:58,040 Speaker 1: which you can watch on Netflix, which that is about 589 00:29:58,040 --> 00:30:00,720 Speaker 1: a group of teenagers who start messing with these dark 590 00:30:00,760 --> 00:30:03,960 Speaker 1: spirits because they get this embalmed hand that it all 591 00:30:04,000 --> 00:30:06,160 Speaker 1: starts out as a social media challenge where they take 592 00:30:06,160 --> 00:30:09,480 Speaker 1: this embalmed hand, they shake hands with it essentially, and 593 00:30:09,520 --> 00:30:12,680 Speaker 1: they're able to experience and communicate with the dead, and 594 00:30:12,720 --> 00:30:15,040 Speaker 1: they're all just filming it for social media. But it's 595 00:30:15,080 --> 00:30:18,160 Speaker 1: kind of like that episode of SpongeBob where SpongeBob and 596 00:30:18,200 --> 00:30:20,400 Speaker 1: Patrick are riding the hooks and it's all, you know, 597 00:30:20,440 --> 00:30:22,720 Speaker 1: the fishermen fishing, so you can only ride the hook 598 00:30:22,920 --> 00:30:25,400 Speaker 1: so far up before you get caught and you have 599 00:30:25,480 --> 00:30:27,800 Speaker 1: to let go to come back down. But to them, 600 00:30:27,840 --> 00:30:30,160 Speaker 1: it's that experience of writing it all the way up 601 00:30:30,200 --> 00:30:31,240 Speaker 1: and then writing it down. 602 00:30:31,680 --> 00:30:34,000 Speaker 3: But if you hold on just a little bit too long. 603 00:30:34,480 --> 00:30:37,200 Speaker 1: You're in for a world to hurt, So maybe start 604 00:30:37,240 --> 00:30:39,240 Speaker 1: with Talk to Me and then give Bring Her Back 605 00:30:39,280 --> 00:30:42,080 Speaker 1: a chance, because I think if you're really into horror 606 00:30:42,080 --> 00:30:44,880 Speaker 1: and you haven't seen their work yet, you're gonna love it. 607 00:30:44,920 --> 00:30:46,320 Speaker 1: And I think when I ready to Talk to Me, 608 00:30:46,360 --> 00:30:48,600 Speaker 1: I probably gave it a four point five out of five, 609 00:30:48,680 --> 00:30:50,920 Speaker 1: which ended up being my favorite horror movie of the 610 00:30:51,000 --> 00:30:54,640 Speaker 1: year it came out. I don't like Bring Her Back 611 00:30:54,720 --> 00:30:57,240 Speaker 1: as much as I did Talk to Me, just because 612 00:30:57,840 --> 00:31:01,200 Speaker 1: I think the overall scary nature Talked to Me was 613 00:31:01,240 --> 00:31:04,280 Speaker 1: a little bit better, but still a fantastic movie. 614 00:31:04,400 --> 00:31:06,640 Speaker 3: For Bringer Back, I give it four out of five. 615 00:31:06,920 --> 00:31:13,920 Speaker 3: Foster Moms, It's time to head down to movie Mike. 616 00:31:14,040 --> 00:31:17,400 Speaker 2: Trey Lar Paul. I want to love it, but I'm hesitant. 617 00:31:17,520 --> 00:31:21,960 Speaker 1: I have three signs why the Happy Gilmore sequel is 618 00:31:22,000 --> 00:31:24,720 Speaker 1: not gonna be good, and that pains me to say 619 00:31:24,760 --> 00:31:28,520 Speaker 1: because I love Adam Sandler. I believe his two most 620 00:31:28,560 --> 00:31:32,680 Speaker 1: important movies of all time were Billy Madison, which came 621 00:31:32,720 --> 00:31:35,760 Speaker 1: out in nineteen ninety five, followed that up with Happy 622 00:31:35,760 --> 00:31:40,760 Speaker 1: Gilmore in nineteen ninety six. That is the if these 623 00:31:40,800 --> 00:31:43,680 Speaker 1: movies didn't exist, His career would not be where it 624 00:31:43,760 --> 00:31:47,160 Speaker 1: is today. But I think when you look at the 625 00:31:47,240 --> 00:31:50,720 Speaker 1: movie people love the most is Happy Gilmore, even though 626 00:31:50,760 --> 00:31:53,840 Speaker 1: for me I think the comedy is better in Billy Madison. 627 00:31:54,120 --> 00:31:55,840 Speaker 1: If I could pick one of those movies to have 628 00:31:55,880 --> 00:31:58,160 Speaker 1: a sequel to this year on Netflix, it would have 629 00:31:58,200 --> 00:31:59,320 Speaker 1: been Billy Maddison. 630 00:31:59,400 --> 00:32:00,920 Speaker 2: But yeah, my way. Right now. 631 00:32:01,080 --> 00:32:04,040 Speaker 1: I have to imagine eventually they probably will make another one. 632 00:32:04,360 --> 00:32:06,880 Speaker 1: Even if the story doesn't make sense, They'll find a 633 00:32:06,880 --> 00:32:09,000 Speaker 1: way to make that happen. This is one of those 634 00:32:09,040 --> 00:32:11,719 Speaker 1: movies that I always felt that it was just going 635 00:32:11,800 --> 00:32:15,239 Speaker 1: to exist on Facebook with people making fake posters for 636 00:32:15,280 --> 00:32:17,800 Speaker 1: it for a long time, but finally come into Netflix 637 00:32:17,880 --> 00:32:20,600 Speaker 1: Happy Gilmore Too. I've probably been seeing this rumor for 638 00:32:20,640 --> 00:32:23,959 Speaker 1: about ten years now, but this is actually true. I 639 00:32:24,000 --> 00:32:26,000 Speaker 1: have three reasons why I think it's not going to 640 00:32:26,040 --> 00:32:28,440 Speaker 1: be good. But before I get into that, here is 641 00:32:28,520 --> 00:32:30,880 Speaker 1: just a little bit of the Happy Gilmore IWO trailer 642 00:32:31,200 --> 00:32:33,840 Speaker 1: coming to Netflix on July twenty fifth. 643 00:32:34,800 --> 00:32:39,760 Speaker 2: My name is Happy Gilmore. Thirty years ago I decided 644 00:32:39,800 --> 00:32:41,000 Speaker 2: to give Goff a try. 645 00:32:42,640 --> 00:32:44,640 Speaker 4: But even when you're at the top of your game, 646 00:32:46,920 --> 00:32:48,400 Speaker 4: you can always shank one. 647 00:32:48,800 --> 00:32:54,160 Speaker 2: Let them see the Happy I phone off player Happy 648 00:32:54,200 --> 00:32:56,600 Speaker 2: Gilmore's breaking in yet another caddy. 649 00:32:56,640 --> 00:32:59,880 Speaker 4: You just met Happy Gilmore didn't have things flowing on 650 00:32:59,920 --> 00:33:01,040 Speaker 4: the first golf fall. 651 00:33:05,240 --> 00:33:08,600 Speaker 1: Here are my three reasons why I'm hesitant about this movie, 652 00:33:08,640 --> 00:33:11,520 Speaker 1: the three warning signs that Happy Go Moore two is 653 00:33:11,560 --> 00:33:14,200 Speaker 1: not going to be a good movie. At number three, 654 00:33:14,360 --> 00:33:17,120 Speaker 1: I have that it looks like a very small amount 655 00:33:17,160 --> 00:33:19,240 Speaker 1: of this movie is going to be original, and that 656 00:33:19,400 --> 00:33:22,200 Speaker 1: is not a good thing. What this movie is about 657 00:33:22,440 --> 00:33:25,280 Speaker 1: takes place thirty years after he won his first tour. 658 00:33:25,840 --> 00:33:28,240 Speaker 1: He's retired, but he has to come out of retirement 659 00:33:28,600 --> 00:33:31,520 Speaker 1: because his daughter, when this movie is played by his 660 00:33:31,600 --> 00:33:35,320 Speaker 1: real life daughter, Sonny Sandler, she needs money to go 661 00:33:35,360 --> 00:33:37,280 Speaker 1: to Vienna to go to a ballet school. 662 00:33:37,320 --> 00:33:38,920 Speaker 2: So he's like, I gotta make some money. 663 00:33:39,320 --> 00:33:41,200 Speaker 3: I gotta go back and play some golf. 664 00:33:41,320 --> 00:33:44,280 Speaker 1: You have Julie Bowen returning, and it seems like that's 665 00:33:44,320 --> 00:33:46,360 Speaker 1: all they need to put him back in this situation 666 00:33:46,600 --> 00:33:49,360 Speaker 1: to really pick back up back where the original started 667 00:33:49,360 --> 00:33:52,360 Speaker 1: in nineteen ninety six. So instead of him trying to 668 00:33:52,680 --> 00:33:55,760 Speaker 1: harness his energy and turn it into a great golf game, 669 00:33:56,160 --> 00:33:58,320 Speaker 1: now he's gonna try to get back that golf game 670 00:33:58,320 --> 00:34:00,320 Speaker 1: that he had back when he was first starting out, 671 00:34:00,520 --> 00:34:02,840 Speaker 1: So it really feels like the same case here. So 672 00:34:02,920 --> 00:34:06,040 Speaker 1: that is warning signed number three at number two I have. 673 00:34:06,600 --> 00:34:07,200 Speaker 2: There are so. 674 00:34:07,320 --> 00:34:10,920 Speaker 1: Many callbacks to that original movie that it feels like 675 00:34:10,960 --> 00:34:13,560 Speaker 1: this movie is going to just be living in the past, 676 00:34:13,640 --> 00:34:16,239 Speaker 1: which I don't understand why you need to make a 677 00:34:16,280 --> 00:34:19,880 Speaker 1: sequel if all you're going to do is remind people 678 00:34:19,920 --> 00:34:22,640 Speaker 1: about the gags you did in part one, which is 679 00:34:22,640 --> 00:34:26,200 Speaker 1: what we see in this trailer. References to all the 680 00:34:26,239 --> 00:34:30,080 Speaker 1: old characters coming back, his mannerisms, him yelling at people, 681 00:34:30,200 --> 00:34:33,440 Speaker 1: him fighting people in all the same ways that he 682 00:34:33,520 --> 00:34:36,440 Speaker 1: did in the original one. You have Shooter McGavin returning 683 00:34:36,840 --> 00:34:39,560 Speaker 1: and they get into that same altercation where he references 684 00:34:39,640 --> 00:34:42,080 Speaker 1: the famous quote about what he eats for breakfast that 685 00:34:42,080 --> 00:34:44,360 Speaker 1: he did in the first one, and what this reminds 686 00:34:44,400 --> 00:34:47,319 Speaker 1: me of and why I'm so scarred by this is 687 00:34:47,360 --> 00:34:50,400 Speaker 1: the worst time I've ever been burned by a legacy 688 00:34:50,480 --> 00:34:54,239 Speaker 1: comedy sequel was with Dumb and Dumber two. I was 689 00:34:54,320 --> 00:34:57,600 Speaker 1: so excited for this sequel, one of the best comedy 690 00:34:57,640 --> 00:34:59,960 Speaker 1: movies of the nineties, much like the to Adam Sandler 691 00:35:00,040 --> 00:35:03,560 Speaker 1: movies I've mentioned, and whenever that movie came out, what 692 00:35:03,640 --> 00:35:06,880 Speaker 1: we got was them just rehashing all the bits and 693 00:35:06,960 --> 00:35:10,040 Speaker 1: gags from the first one, and I hated that movie. 694 00:35:10,440 --> 00:35:14,000 Speaker 1: One of the worst live action comedy sequels of all time. 695 00:35:14,400 --> 00:35:17,120 Speaker 1: And I think that is the territory we are getting 696 00:35:17,160 --> 00:35:20,240 Speaker 1: into Happy Gilmore Too, because the benefit of doing something 697 00:35:20,280 --> 00:35:22,120 Speaker 1: like this is it's gonna get a lot of eyeballs 698 00:35:22,160 --> 00:35:23,120 Speaker 1: on it because it's a. 699 00:35:23,200 --> 00:35:24,280 Speaker 2: Very beloved movie. 700 00:35:24,800 --> 00:35:27,560 Speaker 1: But why make a sequel when you're gonna add no 701 00:35:27,920 --> 00:35:30,600 Speaker 1: new comedy and just do the same old gags. If 702 00:35:30,640 --> 00:35:32,920 Speaker 1: that were the case, I would just sit down to 703 00:35:32,960 --> 00:35:35,800 Speaker 1: watch Happy Gilmore one and not need to watch Happy 704 00:35:35,840 --> 00:35:39,560 Speaker 1: Gilmore Too. So I'm hoping that they have some other 705 00:35:39,800 --> 00:35:43,400 Speaker 1: elements of comedy that is new and refreshing, But I 706 00:35:43,520 --> 00:35:46,840 Speaker 1: just don't think we're gonna get that because Happy Gilmore 707 00:35:47,280 --> 00:35:51,120 Speaker 1: did rely a lot on physical comedy, and I'm seeing 708 00:35:51,160 --> 00:35:53,759 Speaker 1: a lot of that showcased in this trailer. So just 709 00:35:53,800 --> 00:35:55,680 Speaker 1: by looking at this trailer, I feel like I'm not 710 00:35:55,719 --> 00:35:58,080 Speaker 1: gonna look at it and say some great comedy writing 711 00:35:58,280 --> 00:36:01,239 Speaker 1: went into Happy Gilmore Too. There's too many callbacks to 712 00:36:01,280 --> 00:36:04,680 Speaker 1: the original, too many reincarnations of the same gags. 713 00:36:04,719 --> 00:36:06,040 Speaker 2: That is my second. 714 00:36:05,680 --> 00:36:09,880 Speaker 1: Warning, but number one the biggest red flag, and warning 715 00:36:10,520 --> 00:36:13,040 Speaker 1: that doesn't even just apply to Happy Gilmore. 716 00:36:13,120 --> 00:36:13,359 Speaker 2: Io. 717 00:36:14,000 --> 00:36:18,799 Speaker 1: If a movie has as many cameos as this one 718 00:36:18,880 --> 00:36:21,200 Speaker 1: does in the trailer, it's just going to turn into 719 00:36:21,200 --> 00:36:24,799 Speaker 1: an all out cameo fest and the actual story is 720 00:36:24,840 --> 00:36:27,840 Speaker 1: going to be suppressed even more so. And I'm fighting 721 00:36:27,920 --> 00:36:30,960 Speaker 1: for a little ounce of original story, but it seems 722 00:36:30,960 --> 00:36:34,360 Speaker 1: like it's going to be cluttered with all these celebrity cameos. 723 00:36:34,360 --> 00:36:39,080 Speaker 1: You have Travis Kelsey, Post Malone, Eric Andre Bad Bunny 724 00:36:39,160 --> 00:36:41,680 Speaker 1: is playing as Caddy. Much like in the original. You 725 00:36:41,680 --> 00:36:44,319 Speaker 1: have a bunch of professional golfers, which those obviously have 726 00:36:44,360 --> 00:36:46,759 Speaker 1: a place here. You have been still A returning as 727 00:36:46,800 --> 00:36:49,680 Speaker 1: his character in the original, Heat worked taking care of 728 00:36:49,719 --> 00:36:52,279 Speaker 1: Happy Gilmore's grandma, and now in this one he runs 729 00:36:52,280 --> 00:36:55,240 Speaker 1: a support group. And then you have more NFL players. 730 00:36:55,360 --> 00:36:58,000 Speaker 1: Ken Jennings is in this movie, Dan Patrick, who is 731 00:36:58,040 --> 00:36:59,480 Speaker 1: in a lot of Adam Sandler movies. 732 00:36:59,480 --> 00:37:02,680 Speaker 2: But the list goes on and on and on. 733 00:37:03,080 --> 00:37:07,239 Speaker 1: But in the original there are only about seven celebrity cameos, 734 00:37:07,320 --> 00:37:10,560 Speaker 1: and those included the professional golfers who had roles in 735 00:37:10,560 --> 00:37:13,120 Speaker 1: that movie. But now there are so many I can't 736 00:37:13,120 --> 00:37:15,560 Speaker 1: even count them. There's a full page of them. And 737 00:37:15,640 --> 00:37:18,680 Speaker 1: Adam Sandler is a guy who likes putting all of 738 00:37:18,719 --> 00:37:20,399 Speaker 1: his friends in his movies, and. 739 00:37:20,320 --> 00:37:22,360 Speaker 2: You gotta give it to him. Dude is loyal. 740 00:37:22,800 --> 00:37:25,440 Speaker 1: But I just feel that this is gonna be a 741 00:37:25,520 --> 00:37:28,120 Speaker 1: movie that is really playing to social media because you 742 00:37:28,160 --> 00:37:31,279 Speaker 1: put all of these stars in a movie they all 743 00:37:31,320 --> 00:37:35,440 Speaker 1: promoted on their Instagram, on their tiktoks, and it causes 744 00:37:35,480 --> 00:37:37,680 Speaker 1: the movie to blow up because everybody to watch this 745 00:37:37,719 --> 00:37:39,880 Speaker 1: when it drops on Netflix. So maybe that is a 746 00:37:39,920 --> 00:37:42,799 Speaker 1: bit of marketing for this. Even though I feel like 747 00:37:42,880 --> 00:37:46,000 Speaker 1: this is going to be an instant hit for Netflix, 748 00:37:46,080 --> 00:37:48,280 Speaker 1: part of the deal that they have with Adam Sandler 749 00:37:48,640 --> 00:37:51,000 Speaker 1: is basically they gave him millions and millions of dollars 750 00:37:51,040 --> 00:37:53,720 Speaker 1: and he gets to make whatever he wants. So I 751 00:37:53,760 --> 00:37:55,880 Speaker 1: am not trying to sound like a big Adam Sandler 752 00:37:55,920 --> 00:37:57,359 Speaker 1: henter in this regard. 753 00:37:57,040 --> 00:37:58,280 Speaker 3: Because I do like his work. 754 00:37:58,520 --> 00:38:01,040 Speaker 1: Some of his movies aren't the best that have come 755 00:38:01,080 --> 00:38:04,279 Speaker 1: out from Netflix, but I still enjoy them, and most importantly, 756 00:38:04,640 --> 00:38:08,120 Speaker 1: I still watch him because even though you're never gonna 757 00:38:08,160 --> 00:38:10,759 Speaker 1: recreate what I think was his best work in the 758 00:38:10,800 --> 00:38:13,719 Speaker 1: nineties and early two thousands, they're still a lot of fun. 759 00:38:13,840 --> 00:38:16,200 Speaker 1: So even though I'm saying that there are all these 760 00:38:16,239 --> 00:38:18,800 Speaker 1: warning signs of why it's not going to be good, 761 00:38:19,200 --> 00:38:21,600 Speaker 1: I think it could still be fun. And I can't 762 00:38:21,640 --> 00:38:24,280 Speaker 1: even be mad at all of these celebrity cameos because 763 00:38:24,320 --> 00:38:27,839 Speaker 1: I could imagine if you were somebody who grew up 764 00:38:27,880 --> 00:38:30,960 Speaker 1: watching Adam Sandler and now are famous and get an 765 00:38:31,000 --> 00:38:33,400 Speaker 1: opportunity to not only be in one of his movies, 766 00:38:33,680 --> 00:38:35,840 Speaker 1: but to be in the sequel of one of his 767 00:38:35,920 --> 00:38:39,520 Speaker 1: most iconic movies of all time, you are gonna take that. 768 00:38:39,880 --> 00:38:42,640 Speaker 1: So great for them, Great for Adam Sandler for always 769 00:38:42,680 --> 00:38:45,160 Speaker 1: looking out for his friends. I think he's just the 770 00:38:45,200 --> 00:38:49,080 Speaker 1: guy who wants to make movies with this family. 771 00:38:48,760 --> 00:38:49,719 Speaker 2: And with his friends. 772 00:38:49,800 --> 00:38:52,000 Speaker 1: He's been casting his wife and his movies for a 773 00:38:52,120 --> 00:38:54,879 Speaker 1: very long time, and now as of recently, has been 774 00:38:54,880 --> 00:38:58,400 Speaker 1: casting his daughters and things, and that just seems wholesome 775 00:38:58,440 --> 00:39:01,000 Speaker 1: to me, because movies take a long time to make. 776 00:39:01,040 --> 00:39:04,000 Speaker 1: They're often very boring, just a lot of sitting around, 777 00:39:04,400 --> 00:39:07,160 Speaker 1: and that is time that otherwise, if he didn't have 778 00:39:07,239 --> 00:39:10,319 Speaker 1: his family be a part of these films, he would 779 00:39:10,360 --> 00:39:11,240 Speaker 1: be away from them. 780 00:39:11,560 --> 00:39:12,600 Speaker 2: So he's kind of. 781 00:39:12,520 --> 00:39:15,880 Speaker 1: Found a cheat code in making movies. Hey, let me 782 00:39:15,960 --> 00:39:18,560 Speaker 1: do a tropical movie where I can not only take 783 00:39:18,560 --> 00:39:21,319 Speaker 1: my entire family, but we can work at the same time. 784 00:39:21,400 --> 00:39:23,560 Speaker 1: We can bring all my friends, and then we make 785 00:39:23,640 --> 00:39:27,080 Speaker 1: money on the other end. It is a win win situation. 786 00:39:27,400 --> 00:39:30,160 Speaker 1: I've never officially met Adam Sandler, but I have seen 787 00:39:30,239 --> 00:39:33,200 Speaker 1: him at an airport at a distance, and it felt 788 00:39:33,239 --> 00:39:37,040 Speaker 1: like seeing somebody so famous that he was almost like 789 00:39:37,080 --> 00:39:39,480 Speaker 1: a ghost. When you see a ghost out of the 790 00:39:39,520 --> 00:39:41,160 Speaker 1: corner of your eye, where you think you see a ghost, 791 00:39:41,200 --> 00:39:41,440 Speaker 1: You're like. 792 00:39:41,440 --> 00:39:44,279 Speaker 2: Wait, that couldn't have been. Ghosts don't exist. 793 00:39:44,360 --> 00:39:47,160 Speaker 1: Ghosts exists only in movies. That is how I felt 794 00:39:47,160 --> 00:39:49,640 Speaker 1: about him, because I've been watching his movie since I 795 00:39:49,680 --> 00:39:52,680 Speaker 1: was a kid, and suddenly he's like four feet away 796 00:39:52,719 --> 00:39:56,279 Speaker 1: from me, walking in his classic Adam Sandler clothing with 797 00:39:56,320 --> 00:39:59,840 Speaker 1: a big baggy shirt, big baggy sweatpants, and he just 798 00:40:00,239 --> 00:40:02,279 Speaker 1: like a normal human in that moment, even though my 799 00:40:02,400 --> 00:40:05,640 Speaker 1: brain could just not compute that the sadman was right 800 00:40:05,680 --> 00:40:06,120 Speaker 1: next to me. 801 00:40:06,360 --> 00:40:07,240 Speaker 2: And the only other. 802 00:40:07,120 --> 00:40:10,239 Speaker 1: Thing I'll say about Netflix movies is they haven't been 803 00:40:10,239 --> 00:40:13,719 Speaker 1: the best. I think they make these obviously in order 804 00:40:13,760 --> 00:40:16,640 Speaker 1: to get subscribers and keep people happy and not cancel 805 00:40:16,719 --> 00:40:19,799 Speaker 1: their subscriptions. But man, why do they make all their 806 00:40:19,880 --> 00:40:23,640 Speaker 1: movies look exactly the same. It seems that they have 807 00:40:23,840 --> 00:40:27,719 Speaker 1: some kind of requirements for everybody to use as far 808 00:40:27,800 --> 00:40:30,879 Speaker 1: as cameras when making a Netflix movie, and I think 809 00:40:30,960 --> 00:40:33,879 Speaker 1: they try to make movies that seem bright and colorful. 810 00:40:34,160 --> 00:40:36,600 Speaker 1: And maybe I'm the only one who notices this because 811 00:40:36,800 --> 00:40:39,520 Speaker 1: they wanted to look good on all the screens, all 812 00:40:39,560 --> 00:40:42,359 Speaker 1: the devices, not only your TV at home, but people 813 00:40:42,440 --> 00:40:45,200 Speaker 1: are watching movies on their phones, on their tablets, on 814 00:40:45,239 --> 00:40:48,000 Speaker 1: their Apple Watch, on their refrigerators, so you have to 815 00:40:48,040 --> 00:40:51,080 Speaker 1: make sure it's bright and colorful. But I think it 816 00:40:51,200 --> 00:40:54,479 Speaker 1: just takes away from that classic film. Look the way 817 00:40:54,719 --> 00:40:58,360 Speaker 1: that Happy Gilmore was captured, So that's not really a 818 00:40:58,400 --> 00:41:00,719 Speaker 1: warning sign for me. That's just the person old pet 819 00:41:00,760 --> 00:41:03,280 Speaker 1: peeve and I'm probably alone in that. But again, Happy 820 00:41:03,280 --> 00:41:07,480 Speaker 1: Gilmour two is coming out on Netflix on July twenty fifth, 821 00:41:07,800 --> 00:41:08,440 Speaker 1: and you can. 822 00:41:08,239 --> 00:41:11,760 Speaker 3: Count on me waiting for you in the parking lot 823 00:41:12,520 --> 00:41:15,480 Speaker 3: at that for was this week's edition of Movie Mind 824 00:41:15,640 --> 00:41:16,800 Speaker 3: is Tramer. 825 00:41:16,480 --> 00:41:19,000 Speaker 1: Par and that is going to do it for another 826 00:41:19,040 --> 00:41:21,680 Speaker 1: episode here of the podcast. But before I go, I 827 00:41:21,680 --> 00:41:25,040 Speaker 1: gotta give my listeners shout out of the Week. This week, 828 00:41:25,080 --> 00:41:28,240 Speaker 1: I'm going over to TikTok, which I do have access 829 00:41:28,320 --> 00:41:31,960 Speaker 1: back to it, although I'm not able to change my URL, 830 00:41:32,280 --> 00:41:35,799 Speaker 1: although I think if you just search Mike Distro or 831 00:41:35,840 --> 00:41:37,640 Speaker 1: click the link in the podcast description. 832 00:41:38,320 --> 00:41:40,799 Speaker 2: I've tried to update it. It says it's updated, but. 833 00:41:40,760 --> 00:41:43,680 Speaker 1: Some reason it just goes back to that freaking hackers 834 00:41:43,760 --> 00:41:47,240 Speaker 1: user name. But anyway, going over to TikTok, I posted 835 00:41:47,280 --> 00:41:50,000 Speaker 1: a clip from my Mission Impossible eight review last week, 836 00:41:50,239 --> 00:41:54,000 Speaker 1: and we're shouting out Henry, who said Mission Impossible has 837 00:41:54,080 --> 00:41:57,520 Speaker 1: always had great stunts, but after Mission Impossible for it 838 00:41:57,760 --> 00:42:01,160 Speaker 1: started being known for the real stuff. So whoever the 839 00:42:01,200 --> 00:42:04,720 Speaker 1: torch gets passed on to, preferably would be someone willing 840 00:42:04,760 --> 00:42:07,360 Speaker 1: to do what Tom Cruise did but start off slow 841 00:42:07,640 --> 00:42:10,880 Speaker 1: figuratively big shoes to Phil. So it sounds like, Henry, 842 00:42:10,920 --> 00:42:13,759 Speaker 1: you are a fan of Mission Impossible, but also take 843 00:42:13,800 --> 00:42:16,080 Speaker 1: some digs there Tom Cruise, and I can appreciate that 844 00:42:16,200 --> 00:42:18,120 Speaker 1: because I kind of feel the same way. I like 845 00:42:18,160 --> 00:42:20,200 Speaker 1: what he does for the movie industry, but him as 846 00:42:20,200 --> 00:42:21,960 Speaker 1: a person, I don't know if I can get behind. 847 00:42:22,360 --> 00:42:24,760 Speaker 1: I do think that is a good point to bring up, Henry, 848 00:42:25,280 --> 00:42:30,080 Speaker 1: because I did mention the rumor about Glenn Powell possibly 849 00:42:30,120 --> 00:42:33,080 Speaker 1: be the one who he wants to pass the torch 850 00:42:33,160 --> 00:42:35,799 Speaker 1: on over to, but I didn't really consider that at 851 00:42:35,800 --> 00:42:39,360 Speaker 1: the moment. Glenn Powell is not really considered to be 852 00:42:39,440 --> 00:42:42,040 Speaker 1: an action star. He's done some movies that have been 853 00:42:42,080 --> 00:42:45,719 Speaker 1: a little bit more physically demanding, but nothing on the 854 00:42:45,840 --> 00:42:49,120 Speaker 1: level of a Mission Impossible movie or a Jason Bourne movie. 855 00:42:49,520 --> 00:42:52,600 Speaker 1: Doesn't really have an action franchise to his name, but 856 00:42:52,960 --> 00:42:54,920 Speaker 1: and I just think he would crush this franchise. So 857 00:42:54,960 --> 00:42:57,799 Speaker 1: thank you Henry for that comment. Thank you right now 858 00:42:57,840 --> 00:43:01,239 Speaker 1: wherever you are listening, hope you're subscribe. Hope you check 859 00:43:01,239 --> 00:43:03,360 Speaker 1: out my YouTube channel trying to get to a thousand 860 00:43:03,440 --> 00:43:07,000 Speaker 1: followers YouTube dot com slash Mike Destro to check out 861 00:43:07,000 --> 00:43:10,720 Speaker 1: individual movie reviews and clips from the podcast. And until 862 00:43:10,840 --> 00:43:13,719 Speaker 1: next time, go out and watch good movies and I 863 00:43:13,800 --> 00:43:15,520 Speaker 1: will talk to you later.