WEBVTT - The Murder Years S2: Ep. 8, Celebrity Skin

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<v Speaker 1>The following podcast contains explicit descriptions of violence, including sexual violence,

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<v Speaker 1>that some listeners may find upsetting. Continue at your own risk.

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<v Speaker 1>My name might have been, my name has never was.

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<v Speaker 1>That's a lyric from the nineteen ninety eight Whole song

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<v Speaker 1>Celebrity Skin. It's also the opening line of a letter

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<v Speaker 1>I recently received in the mail. Here it is in

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<v Speaker 1>its entirety, My dearest Courtney, my name is might have

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<v Speaker 1>been ben My name is never name as never was?

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<v Speaker 2>Why because you stole my name and leave it to

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<v Speaker 2>someone else? Oh, Courtney, it's been so long. I saw

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<v Speaker 2>a video of one of your most recent lectures online,

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<v Speaker 2>and time has not been kind to you, is it?

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<v Speaker 2>You're one school to name, air is now gray. You're

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<v Speaker 2>once kerky breasts now sag almost to your navel, and

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<v Speaker 2>you must now hide those pretty blue eyes behind horn

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<v Speaker 2>rimmed glasses.

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<v Speaker 3>But you're not alone.

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<v Speaker 2>When I look in the mirror, I almost don't recognize

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<v Speaker 2>the old man looking think at me, what has become

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<v Speaker 2>of us? I was inspired to reach out to you

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<v Speaker 2>one more time for reasons of my own that I

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<v Speaker 2>will not disclose to you, but suffice to say I

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<v Speaker 2>miss you. I miss you so much, but I am

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<v Speaker 2>also angry with you. You profited off my work while I

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<v Speaker 2>never got.

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<v Speaker 3>Any recognition at all.

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<v Speaker 2>I suppose there is solace in the fact that another

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<v Speaker 2>man is in prison for my so called crimes, but

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<v Speaker 2>there's an unsatisfying element to it, like fucking without rusting

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<v Speaker 2>a nut.

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<v Speaker 3>Fun sure, but incomplete. Maybe, my dear Courtney, We're not

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<v Speaker 3>done after all.

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<v Speaker 2>Maybe you can bring anything this full circle. Who knows,

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<v Speaker 2>you might even get another book out of it. Come

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<v Speaker 2>back to Domino Beach, Courtney, come home.

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<v Speaker 3>I'll be waiting for you with love.

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<v Speaker 1>DBK the real Domino Beach Killer. I'm Courtney Barnes and

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<v Speaker 1>this is the Murder Years, Episode eight, Celebrity skin. Okay,

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<v Speaker 1>so there's a lot to unpack there. This letter came

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<v Speaker 1>to me in the mail in the fall of twenty

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<v Speaker 1>twenty three. I read it once, then again, then a

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<v Speaker 1>third and fourth time. I compared it to the original

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<v Speaker 1>letters I received in fall of nineteen ninety four and

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<v Speaker 1>spring of nineteen ninety five. Style is the same, the

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<v Speaker 1>handwriting is the same. All three letters could easily have

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<v Speaker 1>been written by the same person, but scans of the

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<v Speaker 1>original letters have been online for years, often in side

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<v Speaker 1>by side comparisons to the Zodiac Killers letters to police

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<v Speaker 1>or the Unibomber's manifesto, they wouldn't be hard to copy.

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<v Speaker 1>It's not the first time someone has tried to scare me.

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<v Speaker 1>When your name is forever linked to a serial killers,

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<v Speaker 1>you're an easy target for disturbed minds with twisted senses

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<v Speaker 1>of humor. My initial reaction was to dismiss this letter

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<v Speaker 1>as some sick bastard's idea of a joke, But lying

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<v Speaker 1>awake in bed night after night, some just kept needling

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<v Speaker 1>at me. First of all, the author's choice of song

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<v Speaker 1>lyrics and the lead singer of the band Hole was

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<v Speaker 1>Courtney Love. Not only do I share a first name

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<v Speaker 1>with her, but she was married to Kurt Cobain, who

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<v Speaker 1>wrote the lyrics Polly Wants a Cracker that were painted

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<v Speaker 1>near the body of the first victim via Kendrick in

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<v Speaker 1>nineteen ninety two. I tried, but I couldn't shake the

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<v Speaker 1>feeling that there might be something to this. That's why

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<v Speaker 1>I decided to do this podcast. My book All Fall Down,

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<v Speaker 1>The Story of the Domino Beach Murders, was published in

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<v Speaker 1>nineteen ninety nine. For over a year, I traveled the country,

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<v Speaker 1>doing book signings, sitting on panels, and appearing on talk shows.

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<v Speaker 1>When things settled down, I chose not to return to

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<v Speaker 1>Domino Beach or even California. Instead, I bounced around the

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<v Speaker 1>Northeast for a while before settling in Connecticut, where I

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<v Speaker 1>eventually quit writing and started teaching journalism at a community college.

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<v Speaker 1>I hadn't set foot in Domino Beach in twenty five years.

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<v Speaker 1>A few months ago, two weeks after I received that letter,

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<v Speaker 1>I flew into Lax, rented a car, and made the

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<v Speaker 1>hour long drive south to the place where my career

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<v Speaker 1>began and so many lives ended. It's weird being back here.

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<v Speaker 1>Fuels abandoned, the ferris wheel and roller coaster on the

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<v Speaker 1>boardwalk are quiet and rusted. The once pristine beaches are

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<v Speaker 1>littered with trash and homeless encampments, hotels and resorts have closed,

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<v Speaker 1>and the multimillion dollar homes have fallen into disrepair. Surfers

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<v Speaker 1>still come here because one thing that hasn't changed is

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<v Speaker 1>the waves, but it's no longer a tourist destination, sparely

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<v Speaker 1>even a town anymore. As I was prepping for the

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<v Speaker 1>interviews I wanted to do for this podcast, I looked

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<v Speaker 1>everyone up for the first time in ages. Connor Langford

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<v Speaker 1>was easy to find, Still serving two consecutive life sentences

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<v Speaker 1>in California State Prison in Los Angeles County, the prison

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<v Speaker 1>van Connor made it easy for me to interview him

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<v Speaker 1>over the phone several times. Connor's father, former Domino Beach

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<v Speaker 1>City councilman, Greg Langford, lost his bid for reelection the

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<v Speaker 1>year after his son was convicted. He and his wife

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<v Speaker 1>sold their home and moved to Texas, where he served

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<v Speaker 1>as a campaign advisor to various politicians until he died

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<v Speaker 1>of a heart attack in twenty eleven. Damon Stokes was

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<v Speaker 1>re elected sheriff of Del Soul County every cycle until

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<v Speaker 1>he retired in twenty fifteen and moved to nearby La Joya.

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<v Speaker 1>I did my interview with him in his home over

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<v Speaker 1>the course of two afternoons. Only Maya Morales still lives

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<v Speaker 1>in Domino Beach, where she cares for her invalid mother.

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<v Speaker 1>I did my interview with her at her office. She's

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<v Speaker 1>a broker in the last real estate agency still operating

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<v Speaker 1>in Domino Beach. In the four hours I spent with her,

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<v Speaker 1>not one client came in and the phone owned rang twice.

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<v Speaker 1>Here's Maya now with more on the evidence that proved

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<v Speaker 1>critical in sealing Connor Langford's fate.

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<v Speaker 4>I mean, I get why he was so easy to convict.

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<v Speaker 4>The letters you got from the killer were written on

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<v Speaker 4>the paper.

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<v Speaker 1>I bought myself, identified by the faulty watermark and stored

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<v Speaker 1>at Connor's band's rehearsal space, which.

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<v Speaker 4>By the way, a lot of people had access to,

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<v Speaker 4>not just Connor, who else, well a lot of Okay,

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<v Speaker 4>here's what I think. And at the time I told

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<v Speaker 4>Sheriff Stokes and anyone else who would listen what I'm

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<v Speaker 4>about to tell you, but I always got waved off.

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<v Speaker 4>Go way, stupid girl, know what I mean?

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<v Speaker 1>Unfortunately, yes I do. Go on.

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<v Speaker 4>Okay, First, the door to the rehearsal space was locked

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<v Speaker 4>by one of those number thingies, you know, like the

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<v Speaker 4>little metal buttons right under the knob and you have

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<v Speaker 4>to press in the right code.

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<v Speaker 1>Well, they they weren't exactly.

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<v Speaker 4>Super careful with who they gave that code to, and

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<v Speaker 4>it wasn't hard to guess either.

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<v Speaker 1>What was it? Four twenty?

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<v Speaker 4>Of course it was easy to remember, though, right.

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<v Speaker 1>So you're suggesting someone else use that code to get

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<v Speaker 1>to the paper and what frame Connor.

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<v Speaker 4>I'm just saying there were like at least a dozen

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<v Speaker 4>or so other guys who had access to the rehearsal space,

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<v Speaker 4>and anyone who went in there used that paper to

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<v Speaker 4>work out said lists, write songs, sketch out tattoos they

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<v Speaker 4>wanted to get it, roll joints, whatever. People grab stocks

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<v Speaker 4>of it.

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<v Speaker 1>No one cared.

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<v Speaker 4>So sometime in it must have been late nineteen ninety three,

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<v Speaker 4>Connor and Brody started looking for a new bass player

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<v Speaker 4>because the guy that they'd been using went off to college.

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<v Speaker 4>And I bought that paper in like January or February

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<v Speaker 4>of nineteen ninety four.

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<v Speaker 1>Okay, do you know what a pain.

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<v Speaker 5>In the ass?

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<v Speaker 4>Con was?

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<v Speaker 1>Back then?

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<v Speaker 4>They went through at least seven or eight bass players

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<v Speaker 4>before Brody decided to move to Seattle and kill the

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<v Speaker 4>band off for good.

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<v Speaker 1>And you think one of these bass players.

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<v Speaker 4>I think it's way more likely it was one of

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<v Speaker 4>them than Connor.

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<v Speaker 1>Do you know their names?

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<v Speaker 6>No?

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<v Speaker 4>Connor and I started having our troubles early on in

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<v Speaker 4>nineteen ninety four, and I wasn't coming around so much.

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<v Speaker 1>But you didn't break up until February of nineteen ninety five.

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<v Speaker 1>A year later.

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<v Speaker 4>Well that was when I caught him cheating and ended it,

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<v Speaker 4>you know.

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<v Speaker 1>For real real.

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<v Speaker 4>But Connor and I had broken up and gotten back

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<v Speaker 4>together like a million times over the years. It was

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<v Speaker 4>kind of like our thing anyway. I'm telling you, if

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<v Speaker 4>you want to find out anything new, you got to

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<v Speaker 4>go look into those bass players. If you want to

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<v Speaker 4>find out anything new, you gotta go look into those

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<v Speaker 4>bass players.

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<v Speaker 7>We did.

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<v Speaker 1>You probably know by now. That's Damon Stokes, retired sheriff

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<v Speaker 1>of Delsaul County and the lead law enforcement official in

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<v Speaker 1>the investigation of the Domino Beach killer.

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<v Speaker 5>It turned up nothing. You have to understand. Maya Morales

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<v Speaker 5>is just as much a victim of Connor Langford as

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<v Speaker 5>any of the people he killed. He used her, he

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<v Speaker 5>manipulated her.

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<v Speaker 4>I stood by someone I cared for. I chose not

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<v Speaker 4>to believe all the lies that were being said about him.

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<v Speaker 4>That makes me a victim.

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<v Speaker 1>Fuck him.

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<v Speaker 4>I am nobody's victim. And maybe he called the couple

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<v Speaker 4>of those bass players, but I know for a fact

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<v Speaker 4>that he did not look into them hard. By that time.

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<v Speaker 4>He was all in on Connor. And if it turned

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<v Speaker 4>out to be so someone else, it just would have

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<v Speaker 4>made him look stupid.

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<v Speaker 5>I would have been thrilled if the killer was anyone

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<v Speaker 5>other than Connor Langford. I was risking my livelihood by

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<v Speaker 5>charging him. But all the evidence pointed to Connor. I

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<v Speaker 5>know it's difficult for Miss Morales to accept, but you

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<v Speaker 5>know it's true.

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<v Speaker 8>Yeah, Maya's whole the bass player did it. Theory never

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<v Speaker 8>really gained much traction. Even my own lawyer didn't buy

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<v Speaker 8>into it.

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<v Speaker 1>That's Connor Langford talking to me from California State Prison.

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<v Speaker 8>The thing was in ninety four. I was starting to

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<v Speaker 8>use drugs pretty heavily, and Maya and I were fighting

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<v Speaker 8>all the time. I just didn't pay much attention to

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<v Speaker 8>the guys coming in and out of.

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<v Speaker 7>The rehearsal space. That was Brodie's thing. He was more

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<v Speaker 7>on top of it than I was.

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<v Speaker 1>Brody Hanigan, your friend and the drummer in your band.

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<v Speaker 7>By then, friend was stretching it.

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<v Speaker 8>He was already starting to get fed up with me,

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<v Speaker 8>and he moved to Seattle in October that year.

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<v Speaker 1>In court, Brody leaving Domino Beach was cited as a

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<v Speaker 1>reason why you became sloppy, like in the failed abduction

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<v Speaker 1>of Angela Bowers.

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<v Speaker 8>And if I really was the killer, that would have

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<v Speaker 8>been true. I was really bummed when he left.

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<v Speaker 1>I have to tell you, Brody never wanted to talk

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<v Speaker 1>to me about you. I tried to interview him back

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<v Speaker 1>when I was writing my book.

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<v Speaker 8>Which is complete bullshit by the way, covered a fucking cover. Sorry,

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<v Speaker 8>but it has to be said, even if you'll probably

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<v Speaker 8>edit this out.

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<v Speaker 7>Okay.

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<v Speaker 1>I also tried to get Brody to take part in

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<v Speaker 1>this podcast, but he never returned any of my calls.

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<v Speaker 8>Look, Brody, like I said, we weren't on the best

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<v Speaker 8>of terms when he quit the band and left town.

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<v Speaker 7>And then he believed it.

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<v Speaker 8>Okay, he believed everything they said about me, and I

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<v Speaker 8>bet he still does. He thinks I killed Vera, and look,

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<v Speaker 8>he had a thing for her when they accused me

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<v Speaker 8>of her murder. Maya tried contacting him up in Seattle,

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<v Speaker 8>trying to convince him to come be a character witness

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<v Speaker 8>in my defense.

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<v Speaker 7>You know, he told her to tell me to rotten hell.

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<v Speaker 1>That must have been hard being abandoned by a friend

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<v Speaker 1>like that.

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<v Speaker 7>He had his reasons to hate me.

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<v Speaker 8>I mean, he may be the one who left town,

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<v Speaker 8>but I was the one who really broke up the band.

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<v Speaker 7>I was a dick.

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<v Speaker 4>Yeah, it was really sad when all this started. They

0:13:23.000 --> 0:13:25.480
<v Speaker 4>were like best friends.

0:13:26.320 --> 0:13:29.320
<v Speaker 1>Have you talked to him since m not in a

0:13:29.480 --> 0:13:33.600
<v Speaker 1>long long time. You should, though I tried. You won't

0:13:33.600 --> 0:13:34.040
<v Speaker 1>talk to me.

0:13:34.559 --> 0:13:38.239
<v Speaker 9>You mean he won't take your calls or return them exactly.

0:13:38.640 --> 0:13:41.960
<v Speaker 9>Look way back when I was trying to get him

0:13:41.960 --> 0:13:44.720
<v Speaker 9>to come testify for Connor, he was doing the.

0:13:44.640 --> 0:13:47.320
<v Speaker 4>Same thing to me. So you know what I did.

0:13:47.920 --> 0:13:51.160
<v Speaker 4>I flew up there and I kind of ambushed him.

0:13:51.960 --> 0:13:52.600
<v Speaker 1>Did it work?

0:13:53.200 --> 0:13:56.280
<v Speaker 4>Well, he didn't come testify at the trial, but at

0:13:56.400 --> 0:13:59.240
<v Speaker 4>least he talked to me. He sat down, explained where

0:13:59.280 --> 0:14:02.520
<v Speaker 4>he was coming from. I mean that's all I could

0:14:02.559 --> 0:14:03.120
<v Speaker 4>really ask for.

0:14:03.280 --> 0:14:05.920
<v Speaker 1>Right, you're saying I should just go to Seattle and

0:14:06.000 --> 0:14:07.240
<v Speaker 1>just knock on his door.

0:14:08.040 --> 0:14:11.079
<v Speaker 4>Yeah, I mean, look, I haven't spoken to him in

0:14:11.160 --> 0:14:14.400
<v Speaker 4>at least ten years, but he's a nice guy. If

0:14:14.480 --> 0:14:16.160
<v Speaker 4>you show up, he's not gonna slam the door in

0:14:16.200 --> 0:14:19.200
<v Speaker 4>your face. I mean, I don't know that he'll agree

0:14:19.240 --> 0:14:21.800
<v Speaker 4>to be interviewed for your podcast, bye.

0:14:22.120 --> 0:14:27.720
<v Speaker 1>But it it's worth a try. Yeah, I decided Maya's right.

0:14:29.000 --> 0:14:33.760
<v Speaker 1>Brody Hanigan is still living in Seattle, still working in music, apparently,

0:14:33.800 --> 0:14:35.920
<v Speaker 1>he has his own business where he designs and hooks

0:14:36.000 --> 0:14:38.800
<v Speaker 1>up sound systems at clubs and small venues in support

0:14:38.840 --> 0:14:43.040
<v Speaker 1>of the latest crop of aspiring rock stars. I've been

0:14:43.080 --> 0:14:46.040
<v Speaker 1>back in Domino Beach for months now working on this podcast,

0:14:46.080 --> 0:14:48.760
<v Speaker 1>and I'm almost ready to get it out there, done

0:14:48.760 --> 0:14:53.080
<v Speaker 1>with my interviews recorded, my narration, and well, Brody seems

0:14:53.080 --> 0:14:56.480
<v Speaker 1>like he's the last thread there is to pull. So

0:14:56.880 --> 0:14:59.360
<v Speaker 1>I've booked a ticket to Seattle out of Lax for

0:14:59.400 --> 0:15:01.680
<v Speaker 1>tomorrow morning, and I'm going to take a page from

0:15:01.720 --> 0:15:04.920
<v Speaker 1>Maya's book and ambush him. I used to do this

0:15:05.000 --> 0:15:07.560
<v Speaker 1>sort of thing with difficult interview subjects back in the day,

0:15:08.360 --> 0:15:15.280
<v Speaker 1>but it's been a while though, so wish me luck. Okay,

0:15:16.160 --> 0:15:20.920
<v Speaker 1>check check check, check, okay, okay, you guys. So I'm

0:15:20.960 --> 0:15:23.360
<v Speaker 1>in a rental car parked at the curb on a

0:15:23.440 --> 0:15:26.600
<v Speaker 1>street in what appears to be pretty much a lower

0:15:26.600 --> 0:15:30.360
<v Speaker 1>middle class neighborhood in the suburbs of Seattle. I am

0:15:30.440 --> 0:15:35.120
<v Speaker 1>right outside the house of Broderick Brody Hanigan, which he's

0:15:35.160 --> 0:15:40.000
<v Speaker 1>been renting for the last sixteen years. Oh okay, no

0:15:40.120 --> 0:15:45.120
<v Speaker 1>time like the present. Oh okay. I'm putting my phone

0:15:45.120 --> 0:15:48.480
<v Speaker 1>in my purse with the voice memo app running. I

0:15:48.520 --> 0:15:50.280
<v Speaker 1>don't know if I can convince Brody to give me

0:15:50.320 --> 0:15:52.480
<v Speaker 1>an interview, but I want to be able to prove

0:15:52.480 --> 0:15:58.440
<v Speaker 1>to Maya that at least I tried. Okay, I am

0:15:58.520 --> 0:16:02.120
<v Speaker 1>walking down the driveway, passed a van with a microphone

0:16:02.120 --> 0:16:07.280
<v Speaker 1>logo and the words Hannigan's sound design stenciled on the side,

0:16:07.560 --> 0:16:11.680
<v Speaker 1>and I am up on the front porch ringing the

0:16:11.720 --> 0:16:22.040
<v Speaker 1>bell and okay, one more time, Brody Hanigan, Hello, anyone home?

0:16:22.560 --> 0:16:26.480
<v Speaker 1>Who is it, mister Hannigan. Hi, It's Courtney Barnes. I

0:16:26.600 --> 0:16:29.040
<v Speaker 1>contacted you a couple of weeks ago about a possible

0:16:29.040 --> 0:16:30.400
<v Speaker 1>interview with Connor Langford.

0:16:33.280 --> 0:16:34.560
<v Speaker 3>I said, I wasn't interested.

0:16:35.040 --> 0:16:38.240
<v Speaker 1>Well, actually you never responded to my calls or emails,

0:16:38.240 --> 0:16:40.520
<v Speaker 1>so I wasn't sure you got them. I'm sorry, but

0:16:40.720 --> 0:16:44.440
<v Speaker 1>I'm I guess you did. I don't know if you remember,

0:16:44.720 --> 0:16:47.040
<v Speaker 1>but I was also living in Domino Beach at the

0:16:47.040 --> 0:16:49.360
<v Speaker 1>time of the murders. I was writing for the.

0:16:49.480 --> 0:16:51.600
<v Speaker 3>I remember you newspaper reporter.

0:16:51.800 --> 0:16:52.920
<v Speaker 1>Yes, yes, that's me.

0:16:53.960 --> 0:16:56.080
<v Speaker 3>You wrote a book too, write a long time ago.

0:16:56.200 --> 0:17:00.160
<v Speaker 1>Write again, and well, I'm I guess you could call

0:17:00.400 --> 0:17:03.000
<v Speaker 1>I'm doing like a follow up kind of revisiting the

0:17:03.000 --> 0:17:05.800
<v Speaker 1>whole thing, checking in with all the players after all.

0:17:05.680 --> 0:17:09.080
<v Speaker 3>These years, and I'm one of the players.

0:17:09.840 --> 0:17:12.520
<v Speaker 1>Well, you were there at the start, weren't you. You

0:17:12.600 --> 0:17:15.480
<v Speaker 1>were with Connor when the body of the first victim vire. Uh?

0:17:17.160 --> 0:17:22.160
<v Speaker 3>Yeah, you know. It was bad enough to see her

0:17:22.240 --> 0:17:22.439
<v Speaker 3>like that.

0:17:22.960 --> 0:17:23.320
<v Speaker 1>She was.

0:17:25.320 --> 0:17:27.080
<v Speaker 3>I cared about her, and the.

0:17:27.000 --> 0:17:29.680
<v Speaker 10>Fact that Connor used me the way he did made

0:17:29.720 --> 0:17:31.800
<v Speaker 10>sure I was with him when we found her body.

0:17:32.080 --> 0:17:33.720
<v Speaker 3>I'll never forgive him.

0:17:33.560 --> 0:17:36.960
<v Speaker 1>I understand, and I can only imagine how traumatic look.

0:17:37.200 --> 0:17:39.879
<v Speaker 3>I have no interest in whatever this is.

0:17:40.359 --> 0:17:43.000
<v Speaker 10>I know Connor's always maintained his innocence and all, but

0:17:43.080 --> 0:17:44.040
<v Speaker 10>he's a fucking liar.

0:17:44.240 --> 0:17:45.000
<v Speaker 3>I know he did it.

0:17:46.119 --> 0:17:48.800
<v Speaker 1>Okay, Okay, Well maybe we can talk a little bit

0:17:48.840 --> 0:17:51.720
<v Speaker 1>about what makes you so sure. I promise I will

0:17:51.720 --> 0:17:55.680
<v Speaker 1>not take up too much of your time, all right,

0:17:55.800 --> 0:18:00.000
<v Speaker 1>fuck it, come on in, Okay, great? Thank you?

0:18:02.359 --> 0:18:02.520
<v Speaker 6>Is it?

0:18:02.560 --> 0:18:02.800
<v Speaker 1>Okay?

0:18:02.800 --> 0:18:06.560
<v Speaker 10>If I record this and rather you didn't, I'll give

0:18:06.600 --> 0:18:08.359
<v Speaker 10>you a few minutes. But I don't want this on

0:18:08.400 --> 0:18:09.359
<v Speaker 10>the record or anything.

0:18:09.880 --> 0:18:12.000
<v Speaker 1>Oh okay, I understand.

0:18:13.440 --> 0:18:14.080
<v Speaker 3>Have a seat.

0:18:14.280 --> 0:18:19.199
<v Speaker 1>Thanks, So if you don't mind, can I ask you

0:18:19.280 --> 0:18:21.359
<v Speaker 1>why you were so hesitant about speaking with me?

0:18:22.440 --> 0:18:28.160
<v Speaker 3>Yeah? I recently got diagnosed with lung cancer stage three.

0:18:28.800 --> 0:18:31.320
<v Speaker 1>Oh, I am so sorry.

0:18:31.520 --> 0:18:34.760
<v Speaker 3>Yeah, well, I'm probably not going to be around much longer.

0:18:34.800 --> 0:18:37.480
<v Speaker 10>So living in the past, digging up these bad memories

0:18:37.520 --> 0:18:40.640
<v Speaker 10>talking about them just feels like a waste of time.

0:18:40.640 --> 0:18:45.199
<v Speaker 1>I don't have, I understand. And again, I'm really sorry

0:18:45.240 --> 0:18:47.200
<v Speaker 1>to hear that. I'll be quick.

0:18:48.240 --> 0:18:50.159
<v Speaker 3>I already said, okay.

0:18:51.440 --> 0:18:54.800
<v Speaker 1>Okay, well, okay. The main thing I wanted to ask

0:18:54.840 --> 0:18:57.800
<v Speaker 1>you about is the period of time between say, April

0:18:57.880 --> 0:18:59.680
<v Speaker 1>and October nineteen ninety four.

0:19:02.320 --> 0:19:05.720
<v Speaker 3>October ninety four, that's when I moved up here.

0:19:07.320 --> 0:19:09.200
<v Speaker 1>And why did you leave Domino Beach.

0:19:10.000 --> 0:19:13.040
<v Speaker 10>Well, it was the nineties and I was a musician.

0:19:13.200 --> 0:19:16.920
<v Speaker 10>Seattle was the place to be. The band was going nowhere.

0:19:17.040 --> 0:19:20.800
<v Speaker 10>Connor's heart wasn't in it anymore at the time. I

0:19:20.840 --> 0:19:28.040
<v Speaker 10>didn't know he had, you know, other interests taking priority. Besides,

0:19:28.080 --> 0:19:30.760
<v Speaker 10>that wasn't long after those spring Break Girls got hacked up.

0:19:32.600 --> 0:19:35.760
<v Speaker 10>I had plenty of reasons to leave Domino Beach. What

0:19:35.840 --> 0:19:40.000
<v Speaker 10>I didn't have was a reason to stay.

0:19:40.280 --> 0:19:42.399
<v Speaker 1>Well, let's talk about your last few months there. You

0:19:42.440 --> 0:19:47.080
<v Speaker 1>and Connor were looking for a new bass player, right, yeah, yeah, we.

0:19:46.960 --> 0:19:49.720
<v Speaker 3>Were, man. We went through a ton of them.

0:19:50.480 --> 0:19:52.199
<v Speaker 10>Some were in a good fit, some didn't like the

0:19:52.200 --> 0:19:54.000
<v Speaker 10>way Connor was half assing the whole thing.

0:19:54.400 --> 0:19:58.080
<v Speaker 3>Some just, I don't know, just didn't work out for

0:19:58.119 --> 0:19:58.800
<v Speaker 3>whatever reason.

0:19:59.040 --> 0:20:01.840
<v Speaker 1>Okay, well, I'm sure you remember. One of the key

0:20:01.840 --> 0:20:04.720
<v Speaker 1>pieces of evidence used against Connor was the paper mya

0:20:04.840 --> 0:20:08.320
<v Speaker 1>kept in your rehearsal space. It had a faulty watermark.

0:20:10.119 --> 0:20:11.520
<v Speaker 3>Yeah, so.

0:20:13.320 --> 0:20:15.439
<v Speaker 1>I was hoping to track down some or all of

0:20:15.440 --> 0:20:18.120
<v Speaker 1>the musicians who had access to your rehearsal space during

0:20:18.119 --> 0:20:18.960
<v Speaker 1>that time period.

0:20:20.240 --> 0:20:24.000
<v Speaker 10>Why, oh no, wait, let me guess Connor convinced you

0:20:24.040 --> 0:20:26.400
<v Speaker 10>the real killer is one of those guys, and he's

0:20:26.400 --> 0:20:27.480
<v Speaker 10>still out there right.

0:20:27.720 --> 0:20:30.160
<v Speaker 1>No, he didn't convince me. I just think it's worth

0:20:30.200 --> 0:20:30.720
<v Speaker 1>looking into.

0:20:31.160 --> 0:20:33.840
<v Speaker 10>But that's been this story for damn near thirty years.

0:20:34.320 --> 0:20:36.639
<v Speaker 10>Why did you suddenly decide it's worth looking into?

0:20:36.680 --> 0:20:36.960
<v Speaker 2>Now?

0:20:38.240 --> 0:20:42.240
<v Speaker 1>Well, let's just say new information has come to light.

0:20:45.200 --> 0:20:46.840
<v Speaker 3>What kind of new information?

0:20:49.520 --> 0:20:51.399
<v Speaker 1>I don't think that I can hold on.

0:20:52.040 --> 0:20:56.160
<v Speaker 10>You come to my home, uninvited, unannounced. I answer your questions.

0:20:56.560 --> 0:20:58.679
<v Speaker 10>You say you have new information that can mean the

0:20:58.720 --> 0:21:00.679
<v Speaker 10>guy who used to be my best friend isn't a

0:21:00.760 --> 0:21:04.040
<v Speaker 10>murderer after all, And you won't tell me.

0:21:04.040 --> 0:21:04.520
<v Speaker 3>What it is.

0:21:05.040 --> 0:21:06.680
<v Speaker 1>I'm sorry, mister Hanigan, but.

0:21:06.960 --> 0:21:10.240
<v Speaker 3>Don't call me that. That's not my name.

0:21:11.200 --> 0:21:11.800
<v Speaker 1>Excuse me.

0:21:14.480 --> 0:21:34.560
<v Speaker 6>My name is might have been. My name is might

0:21:34.600 --> 0:21:35.040
<v Speaker 6>have been.

0:21:36.560 --> 0:21:47.040
<v Speaker 3>Wait, don't my name is never lost. You still getting

0:21:47.080 --> 0:21:53.240
<v Speaker 3>right fucking to me? This feels right, doesn't it. I'm

0:21:53.280 --> 0:21:54.440
<v Speaker 3>not the only one dying of.

0:21:54.400 --> 0:21:56.320
<v Speaker 6>Cancer, am I?

0:21:56.320 --> 0:22:01.160
<v Speaker 3>I'm your cancer? Did you thirty years taking you over?

0:22:01.520 --> 0:22:01.879
<v Speaker 3>Killing me?

0:22:02.280 --> 0:22:05.159
<v Speaker 1>It's good about you get off me.

0:22:05.320 --> 0:22:13.560
<v Speaker 3>No, it had to end this way. We both knew

0:22:13.560 --> 0:22:19.480
<v Speaker 3>it all along. That's say look at me. I want

0:22:19.520 --> 0:22:21.480
<v Speaker 3>to see the light go out in those pretty eyes

0:22:21.480 --> 0:22:24.440
<v Speaker 3>of yours. It's okay.

0:22:25.119 --> 0:22:29.359
<v Speaker 6>Wherever you're going, I'll be following you there soon. And

0:22:29.520 --> 0:22:30.040
<v Speaker 6>it happened.

0:22:30.880 --> 0:22:33.280
<v Speaker 3>You had your moment, Courtney. It's my turn.

0:22:39.840 --> 0:22:41.600
<v Speaker 2>You are always going to be my last.

0:22:45.440 --> 0:22:52.679
<v Speaker 3>Goodbye, Courtney.

0:22:55.480 --> 0:23:01.040
<v Speaker 4>Hello, my name is Maya Morales.

0:23:01.800 --> 0:23:02.480
<v Speaker 2>What you just.

0:23:02.480 --> 0:23:07.919
<v Speaker 4>Heard was the final moment of Courtney Barnes's life. Apparently

0:23:08.000 --> 0:23:10.800
<v Speaker 4>she had set her phone up to automatically email her

0:23:10.840 --> 0:23:13.680
<v Speaker 4>voice memos to herself, which is how we were able

0:23:13.720 --> 0:23:18.400
<v Speaker 4>to hear that recording. It has been three months since

0:23:18.440 --> 0:23:21.480
<v Speaker 4>her brutal death, and after talking to everyone involved in

0:23:21.520 --> 0:23:24.480
<v Speaker 4>this podcast, it was decided that I should be the

0:23:24.520 --> 0:23:30.359
<v Speaker 4>one to finish it. So here we go. Welcome to

0:23:30.440 --> 0:23:31.760
<v Speaker 4>the epilogue.

0:23:31.840 --> 0:23:32.439
<v Speaker 1>The Ending.

0:23:32.880 --> 0:23:38.280
<v Speaker 4>After the Ending, Brody Hannigan was arrested two days later

0:23:38.400 --> 0:23:42.600
<v Speaker 4>outside of Vancouver, Canada. A motel clerk recognized him from

0:23:42.600 --> 0:23:46.240
<v Speaker 4>a news report and called the Mounties. He's currently being

0:23:46.280 --> 0:23:50.199
<v Speaker 4>extradited to the United States and has confessed to all

0:23:50.520 --> 0:23:54.360
<v Speaker 4>seven of the Domino Beach murders between nineteen ninety two

0:23:54.600 --> 0:23:57.800
<v Speaker 4>and nineteen ninety five, as well as the attempted abduction

0:23:58.119 --> 0:24:03.960
<v Speaker 4>of Angela Bauers in nineteen ninety four. He also confessed

0:24:04.119 --> 0:24:08.440
<v Speaker 4>to the murder of Courtney Barnes and sadly eight other

0:24:08.600 --> 0:24:12.919
<v Speaker 4>murders across the Pacific Northwest between nineteen ninety eight and

0:24:13.040 --> 0:24:17.960
<v Speaker 4>twenty seventeen. Based on Brodie's confession, the police and the

0:24:18.040 --> 0:24:22.320
<v Speaker 4>lawyers turned out to be right about almost everything except

0:24:22.640 --> 0:24:28.760
<v Speaker 4>for who the actual killer was. It all began one

0:24:28.880 --> 0:24:34.119
<v Speaker 4>night in nineteen ninety two, when Vera Kendrick rejected Brodie's advances.

0:24:34.840 --> 0:24:37.520
<v Speaker 4>He took by force which she wouldn't give him freely,

0:24:37.760 --> 0:24:42.800
<v Speaker 4>and then silenced her to protect himself. It was a horrible,

0:24:43.119 --> 0:24:47.879
<v Speaker 4>violent impulse that unfortunately awakens something inside of him. He

0:24:48.040 --> 0:24:51.600
<v Speaker 4>claims he tried to suppress it, but eventually it got

0:24:51.640 --> 0:24:54.880
<v Speaker 4>the better of him, so he went downtown and picked

0:24:54.960 --> 0:24:59.000
<v Speaker 4>up teenage hustler Billy Boyreeves, plied him with drugs, then

0:24:59.040 --> 0:25:02.800
<v Speaker 4>slit his throat. After that, he fell ready for what

0:25:02.840 --> 0:25:07.040
<v Speaker 4>would be the most ambitious crime yet, the murders of

0:25:07.080 --> 0:25:10.720
<v Speaker 4>Holly Blake and Sandra Gerard and the rape, murder and

0:25:10.800 --> 0:25:16.719
<v Speaker 4>mutilation of Mary Crouch. In April nineteen ninety four, things

0:25:16.720 --> 0:25:19.400
<v Speaker 4>got a little hot around here, so he decided it

0:25:19.440 --> 0:25:21.879
<v Speaker 4>was time to move on. But he didn't want the

0:25:21.960 --> 0:25:25.239
<v Speaker 4>murders to end with his departure from Domino Beach, so

0:25:25.320 --> 0:25:28.920
<v Speaker 4>he crept back a month later and attempted to abduct

0:25:28.960 --> 0:25:34.320
<v Speaker 4>Angela Bowers, who, as we know, managed to escape. He

0:25:34.440 --> 0:25:38.320
<v Speaker 4>came back two more times over the next year. On

0:25:38.440 --> 0:25:41.720
<v Speaker 4>his first visit, he saw what a mess Connor was

0:25:41.760 --> 0:25:44.560
<v Speaker 4>becoming and decided to try to set him up to

0:25:44.600 --> 0:25:47.320
<v Speaker 4>take the fall. He of course, knew the code to

0:25:47.359 --> 0:25:50.199
<v Speaker 4>the rehearsal space, which Connor was now using with his

0:25:50.280 --> 0:25:50.800
<v Speaker 4>new band.

0:25:51.359 --> 0:25:52.400
<v Speaker 6>In fact, the.

0:25:52.440 --> 0:25:55.399
<v Speaker 4>Second letter he sent to Courtney was written in the

0:25:55.440 --> 0:25:59.239
<v Speaker 4>rehearsal space. He saw they had black hole sun on

0:25:59.280 --> 0:26:02.480
<v Speaker 4>their set list, which inspired him to quote the lyrics.

0:26:03.400 --> 0:26:07.040
<v Speaker 4>A few days later, he killed my friend, my little brother,

0:26:07.280 --> 0:26:11.280
<v Speaker 4>Juan Gosas, hoping everyone would tie Connor to him through me,

0:26:12.000 --> 0:26:15.359
<v Speaker 4>and it worked. That was when Courtney said she started

0:26:15.359 --> 0:26:21.640
<v Speaker 4>to believe Connor was the killer. Brody made one more

0:26:21.680 --> 0:26:24.200
<v Speaker 4>trip to Domino Beach a few months later, in late

0:26:24.280 --> 0:26:28.160
<v Speaker 4>nineteen ninety five. He stole Connor's van, which was easy

0:26:28.440 --> 0:26:30.720
<v Speaker 4>since he knew Connor kept the keys in the visor,

0:26:31.280 --> 0:26:36.840
<v Speaker 4>then chose his final victim, Trudy Masterson. He had planned

0:26:36.880 --> 0:26:39.800
<v Speaker 4>to kill Courtney too, but after being spotted by homeless

0:26:39.800 --> 0:26:43.440
<v Speaker 4>woman Henrietta Jones, he abandoned that plan and left town.

0:26:44.280 --> 0:26:46.680
<v Speaker 4>But when Courtney showed up at his door thirty years later,

0:26:47.480 --> 0:26:56.200
<v Speaker 4>he finished the job. According to his oncologist, Brody Hannigan

0:26:56.280 --> 0:26:58.800
<v Speaker 4>has about two to three more months left to live.

0:26:59.480 --> 0:27:03.080
<v Speaker 4>I hope his death is long, slow, and painful.

0:27:05.480 --> 0:27:06.520
<v Speaker 1>As for the rest of us.

0:27:07.680 --> 0:27:11.080
<v Speaker 4>Damon Stokes, former sheriff of Del Soul County and lead

0:27:11.119 --> 0:27:14.760
<v Speaker 4>investigator in the Domino Beach murders, ended his involvement with

0:27:14.840 --> 0:27:20.119
<v Speaker 4>his podcast and issued a very lawyered statement about Courtney, Connor,

0:27:20.200 --> 0:27:24.320
<v Speaker 4>and Brody. It's kind of apologetic without admitting any fault

0:27:24.680 --> 0:27:27.680
<v Speaker 4>or taking any blame. Reading it here is not worth

0:27:27.800 --> 0:27:31.159
<v Speaker 4>my time or yours, but I understand his need to

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<v Speaker 4>express regret. After all, I'm the one who encouraged Courtney

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<v Speaker 4>to go to Brodie's house, and I'll have to live

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<v Speaker 4>with that for the rest of my life. Connor has

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<v Speaker 4>been released from prison, where he spent the last twenty

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<v Speaker 4>eight years. I suspect he will have a long adjustment

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<v Speaker 4>period ahead of him, and I plan to help him

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<v Speaker 4>in any way I can. Have you ever seen a

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<v Speaker 4>movie or read a story about like a dragon or

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<v Speaker 4>a monster that's terrorizing a medieval village and they have

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<v Speaker 4>to sacrifice people to keep the rest of the villager safe. Well,

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<v Speaker 4>Domino Beach had a monster like that, and it demanded

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<v Speaker 4>a hell of a sacrifice. Connor Langford had to give

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<v Speaker 4>up twenty eight years of his life and Courtney Barnes

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<v Speaker 4>had to make the ultimate sacrifice. But it worked. The

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<v Speaker 4>monster who terrorized our town has finally finally been vanquished.

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<v Speaker 4>The Murder Years in Domino Beach are over.

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<v Speaker 1>The Murder Years is a production of AYR Media and iHeartMedia.

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<v Speaker 1>Executive producer Elisa Rosen for AYR Media. Written by Tim Huddleston,

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<v Speaker 1>directed by Elisa Rosen. Editing and sound designed by Tristan Bankston.

0:29:19.400 --> 0:29:27.120
<v Speaker 1>Consulting producer Jean Chandil coordinator Olive Goldberg. Audio engineering and

0:29:27.200 --> 0:29:34.600
<v Speaker 1>mastering by Justin Longerbean studio engineer Josh Hook. Original concept

0:29:34.640 --> 0:29:38.560
<v Speaker 1>developed in partnership with Anne Margaret Johns and Greg Spring.

0:29:39.640 --> 0:29:45.880
<v Speaker 1>Executive producer for iHeartMedia. Maya Howard. Performances for this episode

0:29:45.880 --> 0:29:51.720
<v Speaker 1>by Erica Leniac as Courtney Barnes, Tom Virtue as Sheriff,

0:29:51.840 --> 0:29:58.360
<v Speaker 1>Damon Stokes, Alex Salem as Connor Langford Melon Faxis as

0:29:58.480 --> 0:30:03.000
<v Speaker 1>Maya Morales, John Ralston Craig as Brodie Hannigan