WEBVTT - RHOBH: Goodbye, Kyle?

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<v Speaker 1>But I also think that every housewife, let's say I'm

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<v Speaker 1>their agent, you have to sit down and say every

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<v Speaker 1>year to this cast member, like, does this represent you anymore?

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<v Speaker 2>How can this move the needle? What is the end goal?

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<v Speaker 1>And if this is your only goal is to exist

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<v Speaker 1>in this space, you shouldn't be on the show anymore

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<v Speaker 1>because you're gonna lose sense of who you are and

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<v Speaker 1>what your value system is. And you and I have

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<v Speaker 1>seen that happen before. And the also whence you leave,

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<v Speaker 1>you're gonna be completely lost. And we've seen this time

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<v Speaker 1>and time again. So you have to have those conversations

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<v Speaker 1>every year with somebody.

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<v Speaker 2>Stay tuned.

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<v Speaker 3>We'll get into my conversation right after these quick ads.

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<v Speaker 3>Welcome to Reality with the King. It's me Carlos King.

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<v Speaker 3>The King, a reality TV and one of the most

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<v Speaker 3>sought after executive producers can reality television with over ten

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<v Speaker 3>years of production experience.

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<v Speaker 4>Twice a week on.

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<v Speaker 3>Reality with the King, we'll sit down with my friends

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<v Speaker 3>across the entertainment industry, recap our favorite reality shows and

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<v Speaker 3>revisit unforgettable moments that we are still talking and tweeting about. Hey,

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<v Speaker 3>rain drops, So today's guest is someone I met I

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<v Speaker 3>think two years ago, and she and I immediately.

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<v Speaker 4>Hit it off. She's awesome in the podcast world.

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<v Speaker 3>In my opinion, she's like the Queen of podcast because

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<v Speaker 3>her podcast breaks down everything in the unscripted world, from

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<v Speaker 3>docuseries to true crime, celebrity content. I love her so much.

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<v Speaker 3>She's a good girl, she's a good friend. I'm talking

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<v Speaker 3>about the amazing Kay.

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<v Speaker 2>S Hi friend.

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<v Speaker 1>Well, first of all, before we get into anything, I

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<v Speaker 1>have to say that what I love most about you

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<v Speaker 1>is that you are, unlike many people I think in

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<v Speaker 1>the space, you are a real champion of women and

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<v Speaker 1>I'm always really grateful for that. And I'm also really

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<v Speaker 1>grateful for your friendship.

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<v Speaker 2>And you make me laugh.

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<v Speaker 3>Well, you make me laugh, and thank you for saying that.

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<v Speaker 3>I'm so honored that with your busy schedule, she is

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<v Speaker 3>a mother, a wife, a podcast host, and she drops

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<v Speaker 3>episodes almost every day. Because ms Kate has a lot

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<v Speaker 3>to say and we have a lot to get into today,

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<v Speaker 3>Kate Chase. So for starters, we have to kick things

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<v Speaker 3>off with the Real Housewives of Atlanta reunion that take recently,

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<v Speaker 3>and there's been a lot of chatter on social media

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<v Speaker 3>about the seating assignment, and I've got some exclusive tea

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<v Speaker 3>based on allegedly who was sitting next to Andy, and

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<v Speaker 3>I need for you to die as sect why this

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<v Speaker 3>seating arrangement happened the way it did.

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<v Speaker 4>So let me ask you this.

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<v Speaker 3>Do you know anything about this seating arrangement that's been

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<v Speaker 3>the top of social media?

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<v Speaker 1>No, So bring it to me, and I think I

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<v Speaker 1>will have a great opinion based on what you're bringing

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<v Speaker 1>to me. I'm going into this completely open.

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<v Speaker 3>Yes, take a guess who you think, based on what

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<v Speaker 3>we've seen so far this season, who should be sitting

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<v Speaker 3>next to Andy.

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<v Speaker 1>Well, I would like to see Chara and Kenya, but

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<v Speaker 1>I feel like he has a soft spot for Candy,

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<v Speaker 1>so I'm gonna say she most likely occupies one of

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<v Speaker 1>those seats, but I think it should be Chara and Kenya.

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<v Speaker 3>So here's the exclusive news that allegedly has taken place.

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<v Speaker 3>You're right in terms of Charay is sitting next to Andy,

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<v Speaker 3>and so is Marlowe.

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<v Speaker 2>Huh.

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<v Speaker 1>Well, I feel like that's maybe because they're either rewarding

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<v Speaker 1>her for bringing it, but it also could make sense

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<v Speaker 1>to me if I knew who she's sitting with on

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<v Speaker 1>the other side of the couch because sometimes I feel

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<v Speaker 1>like it's strategic seeding because they know it's going to

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<v Speaker 1>create conversations and chaos within the filming that will make

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<v Speaker 1>for great television. So who is she sitting next to?

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<v Speaker 3>Allegedly next to Marlowe is Drew and Sonya oh okay,

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<v Speaker 3>and next to Charay.

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<v Speaker 4>Is Kenya and Candy.

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<v Speaker 2>Wow, Candy, good night? This is your last season?

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<v Speaker 4>Sorry?

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<v Speaker 2>Oh, I mean right, So.

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<v Speaker 4>Tell me why you think it's Candy's last Theson eight.

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<v Speaker 1>I just I think that that's probable. I think they listen.

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<v Speaker 1>It's no disrespect to the individual cast member. But there

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<v Speaker 1>comes a point where I think the audience and the

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<v Speaker 1>producers and the network say to themselves, the story has

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<v Speaker 1>been told. And I think she's been on many seasons.

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<v Speaker 1>I think she's been incredible, incredibly valuable. But I think

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<v Speaker 1>her story we know it already, and I think it

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<v Speaker 1>we need Moose give space for someone else to switch

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<v Speaker 1>it up.

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<v Speaker 2>And I also think she should be at a point.

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<v Speaker 1>If I'm her agent, I'm like, I think that we've

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<v Speaker 1>done enough here, right, and there's so many opportunities that

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<v Speaker 1>she can get beyond the show and deserves to have

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<v Speaker 1>beyond the show. I think that there's a point where

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<v Speaker 1>you got to close the chapter. I just watched the

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<v Speaker 1>docuseries and Derek Jeter he should have retired after his

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<v Speaker 1>three thousand pit but he wanted to keep playing, and

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<v Speaker 1>then he got injured, and then the team's pissed off

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<v Speaker 1>because he got injured and he can't add any value.

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<v Speaker 1>You got to know when to quit. Jerry Seinfeld quit

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<v Speaker 1>at the top. I think she should walk away. She's

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<v Speaker 1>done a great job on the show, and she has

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<v Speaker 1>so much in her back pocket. She's going to be

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<v Speaker 1>even more successful after that. So I'm our agent. I

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<v Speaker 1>say I'm gone. I think that if you're at the

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<v Speaker 1>end of the couch and you've been on for many,

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<v Speaker 1>many seasons, that's probably a sign that they want to

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<v Speaker 1>switch the show up. Have you ever seen Tamra on

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<v Speaker 1>the end of the couch?

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<v Speaker 2>No? Never, As you brilliantly.

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<v Speaker 1>Brought up in one of your first episodes, everybody has

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<v Speaker 1>to be a force multiplier, and I don't know if

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<v Speaker 1>she did enough of that this season.

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<v Speaker 2>Okay, Kathy, Well, you and I are.

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<v Speaker 1>Always looking through a completely different lens than other people

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<v Speaker 1>because we're always thinking about, like how much story is

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<v Speaker 1>going on, Like what are we learning about all the characters?

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<v Speaker 1>Like is there enough there that their lives are overlapping?

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<v Speaker 1>And I just I think that they need to switch

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<v Speaker 1>it up. I have to say I have loved Sonya.

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<v Speaker 1>I love her story. I love this beautiful couple. First

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<v Speaker 1>of all, both are incredibly successful, Like I want to

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<v Speaker 1>hang out with them, I want to go to a

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<v Speaker 1>dinner party with them. I feel like they're on the

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<v Speaker 1>cusp of really creating some incredible businesses. But I think

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<v Speaker 1>that the conversation that he has with her all the

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<v Speaker 1>time about wanting another child is really valuable to the

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<v Speaker 1>How'swives spectrum. That is a completely relatable topic that so

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<v Speaker 1>many people can relate to. And I think the problem

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<v Speaker 1>is that sometimes when you have these different franchises and

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<v Speaker 1>the same people have been on forever and ever and ever,

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<v Speaker 1>you don't really have relatable storylines unless that audience is

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<v Speaker 1>aging with you.

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<v Speaker 2>And there is an audience.

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<v Speaker 1>That's aging with the show, but they're also I find

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<v Speaker 1>there are a lot of college kids. There are a

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<v Speaker 1>lot of people in their like twenties now who watch

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<v Speaker 1>the show, who are fresh to the show, and that's

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<v Speaker 1>what the network wants you went fresh eyeballs, right. You

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<v Speaker 1>got to keep that show fresh. So if you only

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<v Speaker 1>have cast members who talk about like step children and

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<v Speaker 1>children and going to college, which by the way, are

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<v Speaker 1>completely important conversations. But if everyone's conversation is about having

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<v Speaker 1>older children, you're not going to keep the interest of

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<v Speaker 1>the younger audience. So they have to have someone new

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<v Speaker 1>and fresh who has relatable content. That said, I've really

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<v Speaker 1>enjoyed the way that Candy and Todd have talked about

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<v Speaker 1>the realities of coperenting having older children, the conversations about

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<v Speaker 1>what to do with wealth. I think those are much

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<v Speaker 1>better conversations than other franchises. I just had racal Gates,

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<v Speaker 1>doctor rackel Gates on my show today. She's a TV professor,

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<v Speaker 1>and we both agree that Atlanta does a far better

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<v Speaker 1>job of tackling the issue of mothering than any other

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<v Speaker 1>Real Housewives franchise. So that said, I love them all,

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<v Speaker 1>but I think you have to know when you got

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<v Speaker 1>to go. And I think Candy, if I were an agent,

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<v Speaker 1>I'd say, I think i think I've done enough and

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<v Speaker 1>I'm going to walk away.

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<v Speaker 3>Now, this is fascinating that we get to talk about

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<v Speaker 3>this because what you said to me. I never looked

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<v Speaker 3>at until you compared Candy's position on the Real Housewives

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<v Speaker 3>of Atlanta to Derek Jeter, but also most recently, Serena

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<v Speaker 3>Williams retiring.

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<v Speaker 1>And what did Serena say? And what did Serena say?

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<v Speaker 1>She's like, I feel like I'm being pushed into another direction.

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<v Speaker 1>She's at peace with her career because she sees herself

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<v Speaker 1>moving into a second chapter confidently. And I think that

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<v Speaker 1>that's the best Housewives position is when you can walk

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<v Speaker 1>away with confidence that you know that you can shed

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<v Speaker 1>that first chapter, move into your second chapter and feel

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<v Speaker 1>good about it.

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<v Speaker 2>Most women don't do that. I think that she should

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<v Speaker 2>do it.

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<v Speaker 3>Let's talk about Candy's position on the Royal Houspots of Atlanta.

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<v Speaker 3>I never looked at it that way, but I have

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<v Speaker 3>to say, you may be onto something, because when you

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<v Speaker 3>are at the top of your career and there's so

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<v Speaker 3>much more for you to do, it may be time

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<v Speaker 3>for you to go. So let's talk about my career

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<v Speaker 3>in comparison, because I really want my audience to not

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<v Speaker 3>take this as a shady sound bite, but to really

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<v Speaker 3>look at it as a deeper meeting in terms of

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<v Speaker 3>when to hold when to fold and when it's time

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<v Speaker 3>to buy all gracefully because there's other opportunities your way.

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<v Speaker 3>I left The Real Housepots of Atlanta after season nine

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<v Speaker 3>because I knew for me that I did the best

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<v Speaker 3>I could with that show, and I wanted to leave

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<v Speaker 3>the party while the party was still exclusive. It was

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<v Speaker 3>still the hottest ticket in town. And I knew, as

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<v Speaker 3>Carlos King, if I'm able to take the pedigree of

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<v Speaker 3>telling people, hey, I left after season nine. Wait, I

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<v Speaker 3>mean that season that was highly rated, the four part

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<v Speaker 3>reunion where this happened, that happened. I knew if I

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<v Speaker 3>could take my legacy and translate it into my career

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<v Speaker 3>goals of owning my production company, being on their talent,

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<v Speaker 3>I couldn't have done any of these things if I

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<v Speaker 3>was still a part of that show. I could not

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<v Speaker 3>have Now to your point, I look at Candy. Candy

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<v Speaker 3>has so much more to do in this industry. Unlike Marlowe,

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<v Speaker 3>I don't think Candy is only Atlanta.

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<v Speaker 4>I do think she's worldwide.

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<v Speaker 3>We're talking about Kate, a reality star that hosted ellen

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<v Speaker 3>degenerous talk show while Ellen was gone for a couple

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<v Speaker 3>of days.

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<v Speaker 4>That's huge.

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<v Speaker 3>We're talking about somebody who was on Big Brother before

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<v Speaker 3>any other housewived was on that particular celebrity edition. Candy

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<v Speaker 3>has so much more in store, and I never thought

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<v Speaker 3>I would say this, Kate. I agree with you that

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<v Speaker 3>this should be Candy's last season only because I think

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<v Speaker 3>there's so much more for Candy to do that I

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<v Speaker 3>don't think Candy is going to be able to truly

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<v Speaker 3>capture this legacy that's waiting for her as long as

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<v Speaker 3>she's on this show.

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<v Speaker 1>Also, I think everybody can relate to this. I had

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<v Speaker 1>a job that I was excellent at. I did media

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<v Speaker 1>consulting for law firms. I was excellent at it, but

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<v Speaker 1>at some point I wanted to do other things, and

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<v Speaker 1>continuing to have that job it held me back, not

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<v Speaker 1>just in time, but in your emotional capacity to really

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<v Speaker 1>be good at something else. And I think it's great

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<v Speaker 1>the way that they've highlighted how much she does in entertainment,

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<v Speaker 1>not just in front of the camera, but behind the scenes.

0:11:54.400 --> 0:11:58.000
<v Speaker 1>They talked about her Broadway production and the meeting behind

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<v Speaker 1>it and giving.

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<v Speaker 2>Voice to black men.

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<v Speaker 1>If you think about her, not the time that it

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<v Speaker 1>takes for her to film this show, If you eliminate

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<v Speaker 1>that all the other things that she can do within

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<v Speaker 1>business and entertainment that are going to far surpass her

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<v Speaker 1>being on Justice Show.

0:12:15.880 --> 0:12:18.640
<v Speaker 3>And one thing we know about Candy, she doesn't even money.

0:12:19.000 --> 0:12:21.920
<v Speaker 3>She's very wealthy, so the money should not be a

0:12:21.920 --> 0:12:23.640
<v Speaker 3>factor in her decision to stay.

0:12:24.120 --> 0:12:26.400
<v Speaker 1>Like she could start a network, That's what I'm saying,

0:12:26.440 --> 0:12:28.560
<v Speaker 1>Like she, I could see her so many running a network.

0:12:28.600 --> 0:12:29.880
<v Speaker 4>I could not agree with you more, Kate.

0:12:29.880 --> 0:12:32.520
<v Speaker 3>There's so much more in store for Candy to achieve.

0:12:33.040 --> 0:12:37.120
<v Speaker 3>And as someone who left that machine and look at

0:12:37.120 --> 0:12:40.439
<v Speaker 3>my life now, I'm the happiest I've been. I've accomplished

0:12:40.480 --> 0:12:43.280
<v Speaker 3>so much, I have so much more to accomplish. I

0:12:43.280 --> 0:12:46.840
<v Speaker 3>would like for Candy's team, like you suggested, Kate, to

0:12:46.960 --> 0:12:51.840
<v Speaker 3>look at her and say, let's leave while you're still hot,

0:12:52.360 --> 0:12:55.160
<v Speaker 3>and let's get you a talk show. Let's get you

0:12:55.200 --> 0:12:58.440
<v Speaker 3>on your own streaming network. Let you and Todd build

0:12:58.440 --> 0:13:01.079
<v Speaker 3>this empire. Let's move you to New York for two

0:13:01.120 --> 0:13:04.560
<v Speaker 3>months to create a stage play on Broadway. Let's have

0:13:04.679 --> 0:13:08.240
<v Speaker 3>you start in more films and movies that you've been

0:13:08.280 --> 0:13:11.520
<v Speaker 3>doing but as a supporting character only because your schedule

0:13:11.520 --> 0:13:14.600
<v Speaker 3>as a full time housewife is so demanding.

0:13:15.080 --> 0:13:18.120
<v Speaker 1>But also think that every housewife, let's say I'm their agent.

0:13:18.240 --> 0:13:20.520
<v Speaker 1>You've just sit down and say every year to this

0:13:20.600 --> 0:13:23.760
<v Speaker 1>cast member, like, does this represent you anymore? How can

0:13:23.800 --> 0:13:26.720
<v Speaker 1>this move the needle? What is the end goal? And

0:13:26.800 --> 0:13:29.520
<v Speaker 1>if this is your only goal is to exist in

0:13:29.559 --> 0:13:32.280
<v Speaker 1>this space, you shouldn't be on the show anymore because

0:13:32.280 --> 0:13:34.080
<v Speaker 1>you're gonna lose sense of who you are and what

0:13:34.120 --> 0:13:36.040
<v Speaker 1>your value system is. And you and I have seen

0:13:36.040 --> 0:13:39.560
<v Speaker 1>that happen before. And also once you leave, you're gonna

0:13:39.559 --> 0:13:42.199
<v Speaker 1>be completely lost, and we've seen this time and time again.

0:13:42.840 --> 0:13:45.920
<v Speaker 1>So you have to have those conversations every year with

0:13:46.000 --> 0:13:46.640
<v Speaker 1>somebody no.

0:13:46.880 --> 0:13:49.040
<v Speaker 3>And one thing I know about you, You remind me

0:13:49.080 --> 0:13:51.640
<v Speaker 3>of Dave Quinn in the sense of you're like the

0:13:51.679 --> 0:13:53.400
<v Speaker 3>ghost producer of Housewives.

0:13:53.800 --> 0:13:58.640
<v Speaker 4>I know you've never given that credit for it.

0:13:58.800 --> 0:14:02.040
<v Speaker 3>So we just talked about how you have to know

0:14:02.880 --> 0:14:05.840
<v Speaker 3>as a housewife when it's time for you to leave

0:14:05.880 --> 0:14:08.800
<v Speaker 3>the nest. And sometimes a lot of housewives stay because

0:14:08.840 --> 0:14:12.400
<v Speaker 3>they don't have any identity outside of that franchise. And

0:14:12.480 --> 0:14:14.560
<v Speaker 3>one thing I know about you, Kate, you live in

0:14:14.600 --> 0:14:19.000
<v Speaker 3>the OC. You are friends with almost, if not all,

0:14:19.160 --> 0:14:23.680
<v Speaker 3>some majority of the past and present cast members of

0:14:23.720 --> 0:14:27.040
<v Speaker 3>the Real Housewives of OC. I listened to your conversation

0:14:27.120 --> 0:14:31.680
<v Speaker 3>with Bronwyn because of your interview with Broadwin. I created

0:14:31.720 --> 0:14:39.520
<v Speaker 3>a show based upon people who aren't capable of separating

0:14:40.280 --> 0:14:43.960
<v Speaker 3>their reality from other real things. I'm not gonna give

0:14:44.000 --> 0:14:47.960
<v Speaker 3>too much away, guys, but your interview with Broadwyn was

0:14:48.120 --> 0:14:52.320
<v Speaker 3>so deep because Brown said, and I'm paraphrasing, that she

0:14:52.520 --> 0:14:56.120
<v Speaker 3>felt like a failure after she got fired from Housewives

0:14:56.680 --> 0:15:01.120
<v Speaker 3>and she misses the cameras, and she said something so poignant.

0:15:01.240 --> 0:15:05.400
<v Speaker 3>She said, Kate, I don't know who I am without

0:15:05.480 --> 0:15:09.720
<v Speaker 3>cameras in my face and without being a housewife, who

0:15:09.840 --> 0:15:11.600
<v Speaker 3>am I I'm lost.

0:15:11.800 --> 0:15:15.160
<v Speaker 1>I think that this is the luxury of really knowing

0:15:15.240 --> 0:15:18.800
<v Speaker 1>these women off the show, and I feel like they

0:15:18.840 --> 0:15:21.080
<v Speaker 1>know that I'm there for them and they feel safe

0:15:21.080 --> 0:15:24.440
<v Speaker 1>with me. I have so many conversations about the film,

0:15:24.480 --> 0:15:26.040
<v Speaker 1>you know, the toll that it's going to take, and

0:15:26.400 --> 0:15:28.720
<v Speaker 1>before they start the show or while they're on the show,

0:15:29.320 --> 0:15:31.600
<v Speaker 1>that when they're in the space of my show, they

0:15:31.680 --> 0:15:33.280
<v Speaker 1>know I'm going to take care of them because in

0:15:33.320 --> 0:15:35.640
<v Speaker 1>the end, I want their voices to be heard. But

0:15:35.960 --> 0:15:39.960
<v Speaker 1>oftentimes I think with the people that I've known, you're

0:15:40.000 --> 0:15:43.360
<v Speaker 1>really privy to a conversation between two of us. These

0:15:43.400 --> 0:15:46.720
<v Speaker 1>are the same conversations I have with Bronwyn off camera.

0:15:47.720 --> 0:15:51.840
<v Speaker 1>So she struggled because she was and this is very

0:15:51.880 --> 0:15:53.880
<v Speaker 1>similar to a lot of women that are on The

0:15:53.920 --> 0:15:57.280
<v Speaker 1>Real Housewives, is that she was never a working person.

0:15:57.560 --> 0:16:01.360
<v Speaker 1>She met her husband very young and wanted to have children.

0:16:01.920 --> 0:16:05.400
<v Speaker 1>So once you start raising children, anybody with children knows

0:16:05.400 --> 0:16:07.760
<v Speaker 1>this that it's very easy to get lost in the

0:16:07.800 --> 0:16:09.920
<v Speaker 1>schedule of your children and to forget about who you

0:16:09.960 --> 0:16:10.600
<v Speaker 1>are and what's.

0:16:10.400 --> 0:16:11.040
<v Speaker 2>Important to you.

0:16:11.840 --> 0:16:16.680
<v Speaker 1>So she gets this show and she suddenly has a job,

0:16:16.800 --> 0:16:19.720
<v Speaker 1>she's accountable to people, she's showing up, she has people

0:16:19.800 --> 0:16:23.240
<v Speaker 1>telling her behind the camera, you are an important person.

0:16:23.280 --> 0:16:26.240
<v Speaker 1>You have been a really interesting story. And then the

0:16:26.320 --> 0:16:29.320
<v Speaker 1>show airs and she has strangers telling her I'm really

0:16:29.400 --> 0:16:33.080
<v Speaker 1>inspired by She's, for the first time in her life

0:16:33.640 --> 0:16:36.360
<v Speaker 1>having a job where she's held accountable and.

0:16:36.280 --> 0:16:39.480
<v Speaker 2>She feels good about it. She feels self worth, she feels.

0:16:39.160 --> 0:16:43.840
<v Speaker 1>Independence, and she feels acknowledgment from others. And then she

0:16:44.000 --> 0:16:46.800
<v Speaker 1>lives in that space while it's chaotic. She would be

0:16:46.840 --> 0:16:49.760
<v Speaker 1>the first to tell you she's adhd So she thrives

0:16:49.800 --> 0:16:53.720
<v Speaker 1>on chaos. So think of somebody who has ADHD. They

0:16:53.800 --> 0:16:57.920
<v Speaker 1>thrive in a chaotic environment, they're stimulated by it. Then

0:16:57.960 --> 0:17:01.040
<v Speaker 1>the cameras leave and it's quiet. So you're unsettled for

0:17:01.160 --> 0:17:06.639
<v Speaker 1>many the layers. You are battling sobriety, you're battling conversations

0:17:06.640 --> 0:17:10.400
<v Speaker 1>with your spouse about your sexuality, and most significantly, her

0:17:10.520 --> 0:17:15.159
<v Speaker 1>brain is battling the quiet now that comes with everyone leaving,

0:17:15.240 --> 0:17:18.359
<v Speaker 1>the cameras, the audience, everything, And so she's stuck in

0:17:18.400 --> 0:17:21.120
<v Speaker 1>that space of like, I loved who I was when

0:17:21.119 --> 0:17:23.160
<v Speaker 1>I was on a show, and now it's gone, and

0:17:23.200 --> 0:17:25.280
<v Speaker 1>I have to not only figure out who I am

0:17:25.359 --> 0:17:28.560
<v Speaker 1>as a person, but I'm still responsible for seven children.

0:17:28.760 --> 0:17:31.240
<v Speaker 1>So of course that's going to be a That's something

0:17:31.280 --> 0:17:34.600
<v Speaker 1>that someone would unwind in therapy for years. And so

0:17:35.200 --> 0:17:37.800
<v Speaker 1>she was just bold enough to say it because most

0:17:37.800 --> 0:17:42.080
<v Speaker 1>of these women are suffering through similar ways, but they're

0:17:42.080 --> 0:17:44.439
<v Speaker 1>afraid to say it because by saying it, they feel

0:17:44.480 --> 0:17:46.879
<v Speaker 1>like they're going to look weak, that they're not going

0:17:46.960 --> 0:17:49.399
<v Speaker 1>to have other opportunities, that people are going to judge

0:17:49.400 --> 0:17:52.480
<v Speaker 1>them because they've been this television persona, and to let

0:17:52.520 --> 0:17:55.520
<v Speaker 1>go of that television persona, it's almost like shackles to

0:17:55.560 --> 0:17:58.000
<v Speaker 1>them because they're like waiting for a call for Brown,

0:17:58.040 --> 0:18:00.000
<v Speaker 1>when she was waiting for a call from the network

0:18:00.080 --> 0:18:02.159
<v Speaker 1>to say we want you back. And then it's like

0:18:02.200 --> 0:18:05.399
<v Speaker 1>these stages of grieving because then she's like, well, they

0:18:05.440 --> 0:18:07.280
<v Speaker 1>might call me back, but I'm angry at them. It's

0:18:07.280 --> 0:18:09.600
<v Speaker 1>like a bad breakup, you know, like fuck them, like

0:18:09.680 --> 0:18:11.280
<v Speaker 1>I don't need them. But then she's like, but I

0:18:11.280 --> 0:18:13.280
<v Speaker 1>think I do need them. And it's like, you have

0:18:13.359 --> 0:18:15.679
<v Speaker 1>to exist as a person me on the show because

0:18:15.720 --> 0:18:18.320
<v Speaker 1>this is eating you alive. You need it more than

0:18:18.359 --> 0:18:21.640
<v Speaker 1>you should. It's like a bad boyfriend. So I think

0:18:21.680 --> 0:18:24.640
<v Speaker 1>she was just unraveling that and saying that. But as

0:18:24.640 --> 0:18:27.320
<v Speaker 1>you remember in the interview, she said like, what I

0:18:27.359 --> 0:18:29.040
<v Speaker 1>have nothing now, And I was like, I'm not going

0:18:29.119 --> 0:18:29.880
<v Speaker 1>to let you have that.

0:18:30.080 --> 0:18:33.160
<v Speaker 3>She was so self deprecating, and not in a humble way,

0:18:33.480 --> 0:18:35.760
<v Speaker 3>but in a very sad way. It touched me so

0:18:35.920 --> 0:18:39.359
<v Speaker 3>much because this is a mother, and because she was

0:18:39.400 --> 0:18:42.840
<v Speaker 3>on a show for only two seasons, she felt worthless

0:18:43.160 --> 0:18:46.000
<v Speaker 3>without that show, and I'm like, but you're a mom.

0:18:46.160 --> 0:18:49.080
<v Speaker 3>You have seven kids who look after and it goes

0:18:49.160 --> 0:18:53.560
<v Speaker 3>to show you the psychology that goes into what is

0:18:53.760 --> 0:18:55.879
<v Speaker 3>meaningful for someone to be on TV.

0:18:56.240 --> 0:18:57.600
<v Speaker 4>And one thing I can say to.

0:18:57.560 --> 0:18:59.280
<v Speaker 3>You that I'm pretty sure you'll agree with me on

0:18:59.400 --> 0:19:02.240
<v Speaker 3>I've been a part of this housewives world for almost

0:19:02.280 --> 0:19:05.320
<v Speaker 3>a decade, and one thing I know, based on people

0:19:05.359 --> 0:19:07.760
<v Speaker 3>who either left or got fired or are still on

0:19:07.800 --> 0:19:11.080
<v Speaker 3>these shows, they don't believe there's life after Bravo.

0:19:11.400 --> 0:19:11.760
<v Speaker 2>They don't.

0:19:11.840 --> 0:19:16.080
<v Speaker 1>I have so many conversations about you're going to be okay,

0:19:16.600 --> 0:19:17.760
<v Speaker 1>you wouldn't even believe it.

0:19:17.760 --> 0:19:20.920
<v Speaker 3>It's to the point where nine times out of ten,

0:19:21.320 --> 0:19:25.320
<v Speaker 3>when a housewife or reality start gets fired from their show,

0:19:25.880 --> 0:19:26.520
<v Speaker 3>they call.

0:19:26.440 --> 0:19:29.120
<v Speaker 2>Me, Yeah, I believe it, and they call me.

0:19:29.840 --> 0:19:32.320
<v Speaker 3>To create a show about them, or they call me

0:19:33.080 --> 0:19:38.560
<v Speaker 3>to help them with another show because they don't feel

0:19:38.680 --> 0:19:42.920
<v Speaker 3>like they have any work without cameras. And the one

0:19:42.960 --> 0:19:45.280
<v Speaker 3>thing I say to these women, and I'm not being

0:19:45.359 --> 0:19:48.000
<v Speaker 3>funny when I say this, they DM me, they reach

0:19:48.080 --> 0:19:50.560
<v Speaker 3>out to a friend of a friend, they start following

0:19:50.600 --> 0:19:53.320
<v Speaker 3>me on Instagram, which I'm like, okay, I know where

0:19:53.320 --> 0:19:54.080
<v Speaker 3>this is about to go.

0:19:54.520 --> 0:19:56.000
<v Speaker 4>They feel like.

0:19:56.200 --> 0:19:59.119
<v Speaker 3>Without these cameras, I'm nothing. And the one thing I

0:19:59.280 --> 0:20:03.680
<v Speaker 3>say to these either former housewives or former reality TV stars,

0:20:03.880 --> 0:20:08.119
<v Speaker 3>is do yourself a favor and take the year off

0:20:08.480 --> 0:20:11.760
<v Speaker 3>to really just find out who you are and what

0:20:11.840 --> 0:20:15.119
<v Speaker 3>you want, because maybe it's not meant for you to

0:20:15.280 --> 0:20:19.160
<v Speaker 3>hop on another reality show. Maybe it's meant for you

0:20:19.200 --> 0:20:24.000
<v Speaker 3>to sit back and figure out other avenues in this business.

0:20:24.200 --> 0:20:26.880
<v Speaker 3>And the difference between Monique Samuel, because I know people

0:20:26.880 --> 0:20:30.280
<v Speaker 3>are thinking about her now, I actually reach out to her.

0:20:30.800 --> 0:20:33.440
<v Speaker 3>So that was the difference in this case. I reach

0:20:33.480 --> 0:20:36.880
<v Speaker 3>out to her and she was reluctant. But oftentimes it's

0:20:36.960 --> 0:20:39.959
<v Speaker 3>them reaching out to me, and I feel bad for

0:20:40.040 --> 0:20:43.000
<v Speaker 3>them because they really feel like if I don't have

0:20:43.080 --> 0:20:45.280
<v Speaker 3>cameras in my face, I don't have a life.

0:20:45.400 --> 0:20:47.919
<v Speaker 1>Here's the other part of it that's like frustrating to

0:20:48.160 --> 0:20:50.760
<v Speaker 1>kind of explain to other people is that I don't

0:20:50.800 --> 0:20:52.640
<v Speaker 1>know if it's the people in their orbit. They don't

0:20:52.680 --> 0:20:55.400
<v Speaker 1>have enough people that are explaining to them the reality

0:20:55.440 --> 0:20:58.520
<v Speaker 1>of like what this specific television opportunity looks like.

0:20:58.600 --> 0:21:01.600
<v Speaker 2>Once you leave. It is really difficult.

0:21:01.160 --> 0:21:04.040
<v Speaker 1>To be in the entertainment industry, to have any job

0:21:04.080 --> 0:21:06.560
<v Speaker 1>in the entertainment industry, and you've been in this very

0:21:06.600 --> 0:21:09.760
<v Speaker 1>specific role and it's a reality role where it's about

0:21:09.800 --> 0:21:12.720
<v Speaker 1>you and your specific life. They all kind of start

0:21:12.720 --> 0:21:14.960
<v Speaker 1>to drink the kool aid, and they think I have

0:21:15.119 --> 0:21:16.399
<v Speaker 1>infinite opportunities.

0:21:16.840 --> 0:21:21.160
<v Speaker 2>Very few have all those opportunities, very few. So they leave.

0:21:21.240 --> 0:21:23.560
<v Speaker 1>And then all of a sudden, this housewife who never

0:21:23.600 --> 0:21:27.480
<v Speaker 1>had a job before, who's a quirky personality, suddenly thinks

0:21:27.520 --> 0:21:30.159
<v Speaker 1>that they should be the host of shows, they should

0:21:30.160 --> 0:21:32.760
<v Speaker 1>be an actress, they should do all these other things

0:21:32.840 --> 0:21:36.280
<v Speaker 1>that people who studied it, like Julliard can't even get jobs.

0:21:36.359 --> 0:21:38.840
<v Speaker 1>And because of it, then they beat themselves up about it.

0:21:38.960 --> 0:21:43.280
<v Speaker 1>So it's like a disconnect with reality.

0:21:44.400 --> 0:21:55.639
<v Speaker 5>We'll be right back after some quick ads.

0:21:56.000 --> 0:22:01.400
<v Speaker 3>When we think about this upcoming season of the Real

0:22:01.400 --> 0:22:05.639
<v Speaker 3>Housewives of Orange County, our mutual friend Tamar Judge is

0:22:05.680 --> 0:22:06.680
<v Speaker 3>back on the show, which I.

0:22:06.600 --> 0:22:07.320
<v Speaker 4>Think is great.

0:22:07.359 --> 0:22:11.440
<v Speaker 3>Taylor Armstrong is a friend to the show Kate as

0:22:11.480 --> 0:22:14.560
<v Speaker 3>someone who lives in the OC and knows this world

0:22:14.640 --> 0:22:18.359
<v Speaker 3>more than me and my listeners combine, how do you

0:22:18.400 --> 0:22:23.240
<v Speaker 3>feel about Tamar and Taylor's placement on this upcoming season

0:22:23.280 --> 0:22:26.600
<v Speaker 3>of the OC and do you think these two can

0:22:27.000 --> 0:22:28.320
<v Speaker 3>make OC great again?

0:22:28.600 --> 0:22:30.719
<v Speaker 1>There are two parts to this. I understand why they

0:22:30.760 --> 0:22:35.440
<v Speaker 1>brought Tamra back. She is a force multiplayer, and obviously

0:22:35.480 --> 0:22:38.960
<v Speaker 1>they want to connect the storylines of Heather Dubrow and Shannon.

0:22:39.080 --> 0:22:42.760
<v Speaker 1>There was something missing last season, and Shannon needs to

0:22:42.760 --> 0:22:45.480
<v Speaker 1>acknowledge why she cut off Tamra, like we need the

0:22:45.520 --> 0:22:49.120
<v Speaker 1>audience needs that, like we need to see that play out,

0:22:49.760 --> 0:22:52.479
<v Speaker 1>and we need to see how their friendship exists at

0:22:52.480 --> 0:22:54.600
<v Speaker 1>this point in time. So I think they needed to

0:22:54.640 --> 0:22:57.560
<v Speaker 1>bring her back to make all those storylines work. I

0:22:57.640 --> 0:23:00.560
<v Speaker 1>still feel like that show misses the mark what really

0:23:00.600 --> 0:23:03.240
<v Speaker 1>OC is. So that's the second part to this and

0:23:03.359 --> 0:23:05.600
<v Speaker 1>to your question, No, I don't think Taylor Armstrong makes

0:23:05.600 --> 0:23:08.600
<v Speaker 1>any sense in this at all in any way possible.

0:23:09.000 --> 0:23:11.320
<v Speaker 2>I don't get it. It's very two thousand and three.

0:23:11.520 --> 0:23:15.359
<v Speaker 1>I'm sure she's a very lovely woman, but I'm just

0:23:15.400 --> 0:23:17.960
<v Speaker 1>saying for me to look at this as storytelling, it

0:23:17.960 --> 0:23:19.040
<v Speaker 1>doesn't make any sense for me.

0:23:19.440 --> 0:23:20.560
<v Speaker 2>This is what OC is.

0:23:20.680 --> 0:23:20.760
<v Speaker 4>Like.

0:23:21.600 --> 0:23:25.960
<v Speaker 1>OC is actually a very diverse county. They just tend

0:23:25.960 --> 0:23:29.560
<v Speaker 1>to talk about two coastal cities, Newport Beach and Laguna Beach,

0:23:29.600 --> 0:23:33.280
<v Speaker 1>which are not very diverse. So I'm always just like,

0:23:33.480 --> 0:23:35.600
<v Speaker 1>how do you cast a show and not have that

0:23:35.720 --> 0:23:43.320
<v Speaker 1>much diversity when it really is like the Asian community, huge, Persian, Indian, Syrian,

0:23:43.600 --> 0:23:47.040
<v Speaker 1>Like there's so many kinds of communities, but we keep

0:23:47.080 --> 0:23:51.639
<v Speaker 1>getting the same woman who has hair extensions, Like why

0:23:51.680 --> 0:23:53.639
<v Speaker 1>the other thing they missed the mark on And I

0:23:53.680 --> 0:23:55.639
<v Speaker 1>don't know if you could figure this out unless you

0:23:55.680 --> 0:23:58.840
<v Speaker 1>live there. I'm originally from Philadelphia and then moved to DC,

0:23:59.000 --> 0:24:00.280
<v Speaker 1>and then I went to LA and then I went

0:24:00.280 --> 0:24:03.600
<v Speaker 1>to Orange County. I'm an outsider still. That is the

0:24:03.640 --> 0:24:07.080
<v Speaker 1>story they miss on. That is that OC is a

0:24:07.200 --> 0:24:11.600
<v Speaker 1>near impossible place to penetrate socially. The people who lived

0:24:11.600 --> 0:24:14.280
<v Speaker 1>there grew up there and they went to USC or

0:24:14.280 --> 0:24:16.480
<v Speaker 1>they went to a specifically, they went to University of

0:24:16.480 --> 0:24:20.679
<v Speaker 1>San Diego. They only stay friends with that group up

0:24:20.760 --> 0:24:23.239
<v Speaker 1>until the time they retire and they get old. They

0:24:23.400 --> 0:24:25.560
<v Speaker 1>stay hang out with the same group of ten people

0:24:25.680 --> 0:24:28.359
<v Speaker 1>all the time. So there's this fish out of water

0:24:28.440 --> 0:24:31.600
<v Speaker 1>story that they've missed every single season, is that there

0:24:31.600 --> 0:24:34.880
<v Speaker 1>are people like myself who move there, and yes, it's

0:24:34.880 --> 0:24:37.359
<v Speaker 1>helpful when you have children, but they're never going to

0:24:37.400 --> 0:24:40.120
<v Speaker 1>accept you. You're never going to be invited on trips,

0:24:40.440 --> 0:24:43.080
<v Speaker 1>You're never going to be invited over like I'm in

0:24:43.080 --> 0:24:46.440
<v Speaker 1>New Jersey at my sister's house. People househop you're invited,

0:24:46.480 --> 0:24:48.960
<v Speaker 1>you're out of town. You're invited over. That does not

0:24:49.080 --> 0:24:52.520
<v Speaker 1>exist in OC. The only time that people get together

0:24:52.560 --> 0:24:54.680
<v Speaker 1>really is if they go to a restaurant, if they

0:24:54.720 --> 0:24:56.439
<v Speaker 1>go out as a group. They're going to go on

0:24:56.440 --> 0:24:58.840
<v Speaker 1>a trip to Palm Springs. You'll see ten couples. They're

0:24:58.840 --> 0:25:02.000
<v Speaker 1>all wearing matching truck hats that say like yacht rock

0:25:02.080 --> 0:25:05.240
<v Speaker 1>on it or something like. It is a place that

0:25:05.680 --> 0:25:08.960
<v Speaker 1>it's all about the herd mentality there. There's this pressure

0:25:09.440 --> 0:25:11.919
<v Speaker 1>of do you have the right car, the right bag.

0:25:12.320 --> 0:25:16.399
<v Speaker 1>The New Yorkers are about setting the trend. Orange County

0:25:16.520 --> 0:25:20.320
<v Speaker 1>is the paranoia about not being part of the trend

0:25:20.560 --> 0:25:23.160
<v Speaker 1>so that I never get I'm like, I live here,

0:25:23.240 --> 0:25:25.399
<v Speaker 1>I see this every day and they keep missing that.

0:25:25.600 --> 0:25:25.960
<v Speaker 4>I want to.

0:25:25.960 --> 0:25:29.320
<v Speaker 1>See that story play out, Like how can someone penetrate

0:25:29.400 --> 0:25:33.080
<v Speaker 1>a social scene when they're an outsider? Instead, it feels

0:25:33.200 --> 0:25:36.159
<v Speaker 1>very disjointed to me. You have like in no and

0:25:36.200 --> 0:25:38.399
<v Speaker 1>we've talked about this, In no world would Heather du

0:25:38.440 --> 0:25:42.440
<v Speaker 1>Bro hang out with Gene now? And how does Emily

0:25:42.480 --> 0:25:45.280
<v Speaker 1>in this group? Like they're all it's too just joint jointed.

0:25:46.119 --> 0:25:48.720
<v Speaker 1>It's like this too. They all live in such different

0:25:48.760 --> 0:25:52.160
<v Speaker 1>areas of OC. It would be like having real Housewives

0:25:52.200 --> 0:25:54.640
<v Speaker 1>of New York and there's one from Staten Island, one

0:25:54.680 --> 0:25:57.840
<v Speaker 1>from Manhattan, one from the Bronx, and one from Brooklyn.

0:25:57.960 --> 0:26:00.840
<v Speaker 1>New Yorkers would go like these people would never hang

0:26:00.920 --> 0:26:03.760
<v Speaker 1>out Like how you're if you live in Staten Island,

0:26:03.760 --> 0:26:05.560
<v Speaker 1>You're not going to Manhattan. You would never hang out

0:26:05.560 --> 0:26:08.480
<v Speaker 1>with someone in Bronx. It makes no sense. That is

0:26:08.560 --> 0:26:09.960
<v Speaker 1>what Orange County is like.

0:26:10.119 --> 0:26:14.359
<v Speaker 3>Kay, you are dropping so much interesting information for my

0:26:14.520 --> 0:26:18.760
<v Speaker 3>listeners because I never even thought of that, the comparison

0:26:18.840 --> 0:26:22.560
<v Speaker 3>between the districts in OC to the districts in New

0:26:22.680 --> 0:26:24.320
<v Speaker 3>York City because I used to.

0:26:24.240 --> 0:26:25.920
<v Speaker 4>Live in New York, So you see what I mean.

0:26:26.080 --> 0:26:28.840
<v Speaker 3>Yeah, no one from Staten Island is hanging out like

0:26:29.000 --> 0:26:32.240
<v Speaker 3>a Bronx person, and no one from Manhattan is hanging

0:26:32.240 --> 0:26:35.600
<v Speaker 3>out with anybody who lives like in Long Island.

0:26:35.640 --> 0:26:37.320
<v Speaker 4>Like it's not happening.

0:26:37.600 --> 0:26:40.159
<v Speaker 1>A woman who lives in a townhouse in Codo de

0:26:40.280 --> 0:26:44.159
<v Speaker 1>Caza going through a divorce has a completely different life

0:26:44.200 --> 0:26:46.679
<v Speaker 1>than a woman who lives in Crystal Cove at the

0:26:46.720 --> 0:26:49.640
<v Speaker 1>top of the top of the hill with children who

0:26:49.640 --> 0:26:53.760
<v Speaker 1>go to private schools in It's like South County with

0:26:53.880 --> 0:26:57.920
<v Speaker 1>a husband whose businesses in Newport Beach. Those two lives

0:26:58.160 --> 0:27:03.919
<v Speaker 1>will never intersect. If they do intersect, it's like surface conversations.

0:27:04.119 --> 0:27:07.080
<v Speaker 1>And then add to that the component of OC being

0:27:07.119 --> 0:27:12.320
<v Speaker 1>a very snobby, clique county. It makes no sense.

0:27:12.359 --> 0:27:15.199
<v Speaker 3>So when you say Taylor doesn't make any sense, is

0:27:15.240 --> 0:27:17.800
<v Speaker 3>that what you're talking about? Because what part of the

0:27:17.840 --> 0:27:19.120
<v Speaker 3>OC does Taylor live?

0:27:19.160 --> 0:27:19.680
<v Speaker 4>And do you know?

0:27:20.040 --> 0:27:22.639
<v Speaker 1>I have no idea. I don't know where she lives.

0:27:23.080 --> 0:27:25.440
<v Speaker 1>She has a fifteen year old daughter, She lived in

0:27:25.480 --> 0:27:29.159
<v Speaker 1>Beverly Hills, she moves to o C. No one seems

0:27:29.200 --> 0:27:30.840
<v Speaker 1>to hang out with her unless it's like at a

0:27:30.840 --> 0:27:35.200
<v Speaker 1>Bravocon event. How is she important to this friend group?

0:27:35.760 --> 0:27:38.480
<v Speaker 1>And what does her story tell you about OC? Like

0:27:38.560 --> 0:27:40.720
<v Speaker 1>she lived in Beverly Hills, but she doesn't have a

0:27:40.760 --> 0:27:43.120
<v Speaker 1>close group of friends that we're ever going to get

0:27:43.160 --> 0:27:47.000
<v Speaker 1>access to that live in OC. It's not telling the story.

0:27:47.080 --> 0:27:49.080
<v Speaker 1>Like remember when we were talking about real of Salt

0:27:49.160 --> 0:27:51.120
<v Speaker 1>Lake City. You were like, you could call it real

0:27:51.160 --> 0:27:54.639
<v Speaker 1>houseways a tempion, It wouldn't make any difference. The show

0:27:54.760 --> 0:27:58.959
<v Speaker 1>has to be about what that city is, and it doesn't.

0:28:00.040 --> 0:28:02.200
<v Speaker 1>I'm screaming all the time because I'm like, I live here.

0:28:02.240 --> 0:28:05.320
<v Speaker 1>I know how these people are Also, all the neighborhoods

0:28:05.359 --> 0:28:08.960
<v Speaker 1>are different. So like where over where I live is

0:28:09.040 --> 0:28:13.160
<v Speaker 1>like surf moms who like wear surf clothes, and that's

0:28:13.320 --> 0:28:16.200
<v Speaker 1>like a mile and a half away from Shannon's neighborhood,

0:28:16.200 --> 0:28:18.639
<v Speaker 1>which is like suburban mom. Now, I'll tell you what

0:28:18.680 --> 0:28:21.240
<v Speaker 1>the show really needs to be is the Real Housewives

0:28:21.280 --> 0:28:24.959
<v Speaker 1>of the Port Streets, which is where Shannon and Kelly

0:28:25.000 --> 0:28:27.360
<v Speaker 1>and they all live. And I'm not saying like I'm

0:28:27.359 --> 0:28:31.280
<v Speaker 1>not breaking privacy laws, like I think everyone knows that

0:28:31.280 --> 0:28:32.120
<v Speaker 1>that's where they live.

0:28:32.320 --> 0:28:35.440
<v Speaker 2>The Port Streets would be the perfect Real Houses of

0:28:35.520 --> 0:28:37.240
<v Speaker 2>Orange County show. And here's why.

0:28:37.320 --> 0:28:40.200
<v Speaker 1>It's this neighborhood that exists in the middle of Newport

0:28:40.240 --> 0:28:43.200
<v Speaker 1>Beach and there's an elementary school in the middle of

0:28:43.240 --> 0:28:46.200
<v Speaker 1>the neighborhood. And the people that live there never leave

0:28:46.240 --> 0:28:48.160
<v Speaker 1>the neighborhood. If I have a friend that moves there,

0:28:48.200 --> 0:28:50.520
<v Speaker 1>I'm like, I'll see you in four years. They all

0:28:50.560 --> 0:28:55.280
<v Speaker 1>socialize together, they're always together, and they're all these different

0:28:55.320 --> 0:28:58.280
<v Speaker 1>social dynamics that are interesting. So people say, Kate, if

0:28:58.320 --> 0:29:00.400
<v Speaker 1>you move there, like you get sucked out it, and

0:29:00.440 --> 0:29:03.280
<v Speaker 1>I'll say no, I'm like, I'll go under the radar.

0:29:03.400 --> 0:29:05.640
<v Speaker 1>And they're like, no, no, no, no, one goes under

0:29:05.680 --> 0:29:07.760
<v Speaker 1>the radar. You move there and you get sucked in.

0:29:08.200 --> 0:29:10.520
<v Speaker 1>That should be the real housews of Orange County, the

0:29:10.560 --> 0:29:11.400
<v Speaker 1>Port Street Show.

0:29:11.640 --> 0:29:14.400
<v Speaker 3>And that is the reason why the Golden Days of

0:29:14.440 --> 0:29:16.960
<v Speaker 3>the OC worked because, like you said, it was these

0:29:17.000 --> 0:29:19.680
<v Speaker 3>real friendships in these real neighborhoods where they sort of

0:29:19.800 --> 0:29:20.800
<v Speaker 3>live close to each other.

0:29:21.120 --> 0:29:24.840
<v Speaker 1>Coto de Caza that is like the Port Streets. It's

0:29:24.840 --> 0:29:27.640
<v Speaker 1>like this neighborhood, so all their lives are overlapping. Now

0:29:27.640 --> 0:29:31.040
<v Speaker 1>it's just like the Staten Island Bronx Manhattan Show.

0:29:31.200 --> 0:29:35.880
<v Speaker 3>And that's why it's not working. So because now they

0:29:36.040 --> 0:29:38.400
<v Speaker 3>decided to get rid of doctor Jen, who I know

0:29:38.480 --> 0:29:41.360
<v Speaker 3>is a friend of yours, and I believe you referred

0:29:41.360 --> 0:29:42.480
<v Speaker 3>doctor Jen correct.

0:29:42.680 --> 0:29:42.920
<v Speaker 4>Yeah.

0:29:42.960 --> 0:29:45.880
<v Speaker 1>I mean I think that she had already maybe was

0:29:45.920 --> 0:29:49.040
<v Speaker 1>on their radar. But one of the producers I kept saying,

0:29:49.280 --> 0:29:51.600
<v Speaker 1>you got to look at her because I've known them

0:29:51.640 --> 0:29:55.560
<v Speaker 1>for a decade and her husband is wonderful. I mean,

0:29:55.680 --> 0:29:59.880
<v Speaker 1>they're just so disjointed within their marriage. But I thought

0:30:00.040 --> 0:30:03.280
<v Speaker 1>that was a modern story of like she's working all

0:30:03.280 --> 0:30:05.440
<v Speaker 1>the time and he's the stay at home hot dad.

0:30:06.240 --> 0:30:08.200
<v Speaker 1>At the school, they used to go to before they

0:30:08.200 --> 0:30:10.920
<v Speaker 1>came to ours. He would get written up. They would

0:30:10.920 --> 0:30:12.080
<v Speaker 1>complain because he would.

0:30:11.840 --> 0:30:13.080
<v Speaker 2>Never wear a shirt to school.

0:30:13.440 --> 0:30:16.240
<v Speaker 1>It was like a Christian school, and they would like

0:30:16.280 --> 0:30:18.520
<v Speaker 1>he'd be dropping their kids off, and he's so oblivious.

0:30:18.560 --> 0:30:20.200
<v Speaker 2>He's so sweet, so oblivious.

0:30:19.760 --> 0:30:23.120
<v Speaker 1>In like kind of like low cut, like running shorts

0:30:23.680 --> 0:30:26.440
<v Speaker 1>with like muscles, and women are just like staring at him,

0:30:26.480 --> 0:30:29.560
<v Speaker 1>like like he was the hot husband and he's oblivious

0:30:29.600 --> 0:30:31.240
<v Speaker 1>to it. There's just so many layers. I'm like, these

0:30:31.280 --> 0:30:33.280
<v Speaker 1>two are just whacka do hilarious.

0:30:33.560 --> 0:30:35.000
<v Speaker 4>They never tapped into that.

0:30:35.720 --> 0:30:38.640
<v Speaker 1>Never there are women that are like, oh my god,

0:30:38.720 --> 0:30:40.200
<v Speaker 1>I get text all the time like, oh my god,

0:30:40.200 --> 0:30:42.760
<v Speaker 1>I just saw Ryan at basketball tryouts. He's so hot

0:30:42.880 --> 0:30:45.960
<v Speaker 1>and now for me, he's like my brother. So I'm

0:30:46.080 --> 0:30:48.840
<v Speaker 1>just like laughing about it. But there's that component. And

0:30:48.880 --> 0:30:52.160
<v Speaker 1>then she's oblivious to stuff too, like since she works

0:30:52.200 --> 0:30:54.400
<v Speaker 1>all the time, she's oblivious to stuff.

0:30:54.440 --> 0:30:56.240
<v Speaker 2>And then she'll come to me and she'll complain. She's like,

0:30:56.680 --> 0:30:56.960
<v Speaker 2>I'm just.

0:30:57.000 --> 0:30:59.040
<v Speaker 1>So mad at Ryan, Like he gets to go to

0:30:59.080 --> 0:31:01.720
<v Speaker 1>the tennis matches and like he gets to see all

0:31:01.760 --> 0:31:04.040
<v Speaker 1>of that, and like you can too, if you let

0:31:04.120 --> 0:31:06.480
<v Speaker 1>him work more and you work less, and she's like, no.

0:31:06.640 --> 0:31:09.000
<v Speaker 2>I want to work. I'm like, we have to compromise.

0:31:09.080 --> 0:31:09.680
<v Speaker 4>So it's like.

0:31:09.640 --> 0:31:10.880
<v Speaker 2>They're always arguing.

0:31:10.920 --> 0:31:12.640
<v Speaker 1>And I just felt like a lot of people could

0:31:12.680 --> 0:31:15.320
<v Speaker 1>relate to that, that that's a modern story. Like a

0:31:15.360 --> 0:31:19.600
<v Speaker 1>lot of men now are the stay at home dads? Listen,

0:31:19.720 --> 0:31:22.320
<v Speaker 1>there are many stories that I'm surprised they have not

0:31:22.400 --> 0:31:25.600
<v Speaker 1>covered in all these seasons of twenty years of housewives,

0:31:26.120 --> 0:31:28.640
<v Speaker 1>stay at home dads didn't seem to be covered that much.

0:31:29.160 --> 0:31:31.920
<v Speaker 1>Health issues don't seem to me to be covered as

0:31:32.000 --> 0:31:34.720
<v Speaker 1>much as I would think. You have one hundred and

0:31:34.760 --> 0:31:38.040
<v Speaker 1>fifty plus housewives, I can't believe only three of them

0:31:38.080 --> 0:31:41.200
<v Speaker 1>have had an eating disorder. I can't believe very few

0:31:41.200 --> 0:31:50.080
<v Speaker 1>of them have had paranoia about like mimmographies, about having ovariensists, about.

0:31:51.280 --> 0:31:52.240
<v Speaker 2>Relatives that have.

0:31:52.320 --> 0:31:55.200
<v Speaker 1>Alzheimer's, like the health component. I'm surprised they never kind

0:31:55.200 --> 0:31:56.200
<v Speaker 1>of cover that stuff.

0:31:57.680 --> 0:31:59.800
<v Speaker 2>Yeah, I just always.

0:31:59.560 --> 0:32:03.040
<v Speaker 1>Look at it like I feel like I'm a cultural anthropologist,

0:32:03.120 --> 0:32:06.000
<v Speaker 1>so I'm thinking of like, are these modern stories are

0:32:06.040 --> 0:32:09.200
<v Speaker 1>these people that I know? Are they talking about real issues,

0:32:09.240 --> 0:32:11.320
<v Speaker 1>real people? And I feel like over the years sometimes

0:32:11.360 --> 0:32:13.880
<v Speaker 1>it gets away from that because it becomes about the

0:32:13.920 --> 0:32:17.360
<v Speaker 1>dinner party and survivor and alliances. And I think in

0:32:17.440 --> 0:32:19.960
<v Speaker 1>order to be really successful and to keep people engaged,

0:32:19.960 --> 0:32:22.240
<v Speaker 1>there has to be storytelling that's relatable.

0:32:22.560 --> 0:32:26.000
<v Speaker 3>When I stepped up on the Real Hospitals of Atlanta

0:32:26.200 --> 0:32:32.360
<v Speaker 3>as the showrunner slash executive producer, it was a mandate

0:32:32.720 --> 0:32:36.040
<v Speaker 3>for me because I'm like you, I never called myself this,

0:32:36.160 --> 0:32:38.880
<v Speaker 3>but I love how you said it a cultural anthropologist,

0:32:38.880 --> 0:32:43.760
<v Speaker 3>because I'm like, that's what it is. I told Candy, Fedra, Nini,

0:32:44.280 --> 0:32:50.000
<v Speaker 3>Kenya Portia it was mandatory that we talk about real

0:32:50.040 --> 0:32:53.680
<v Speaker 3>life issues. And it's no secret that season six of

0:32:53.720 --> 0:32:58.120
<v Speaker 3>that show was the highest rated because I said, listen,

0:32:58.200 --> 0:33:00.240
<v Speaker 3>we can easily throw shade and read each other and

0:33:00.320 --> 0:33:02.640
<v Speaker 3>all that stuff, but people want to know the truth.

0:33:02.960 --> 0:33:04.440
<v Speaker 4>They want to know the truth between.

0:33:04.200 --> 0:33:08.120
<v Speaker 3>Phase and Apollo, Candy and To's relationship, how your mother

0:33:08.200 --> 0:33:10.040
<v Speaker 3>could be overbearing.

0:33:09.880 --> 0:33:13.520
<v Speaker 4>Nini and Greg being remarried, are they still in the

0:33:13.560 --> 0:33:14.600
<v Speaker 4>honeymoon stage?

0:33:14.760 --> 0:33:18.120
<v Speaker 3>Kenya dealing with being a single woman who wants a kid,

0:33:18.600 --> 0:33:22.160
<v Speaker 3>but she is trying to survive these friendship where people

0:33:22.200 --> 0:33:23.960
<v Speaker 3>think she flirts with her husbands.

0:33:24.200 --> 0:33:27.800
<v Speaker 4>It was like stuff that I knew A large group of.

0:33:27.760 --> 0:33:30.520
<v Speaker 3>People could relate to and what I do feel like

0:33:30.720 --> 0:33:31.680
<v Speaker 3>what's happening now.

0:33:31.960 --> 0:33:33.200
<v Speaker 4>I feel like Beverly.

0:33:32.960 --> 0:33:36.680
<v Speaker 3>Hills is having not a so great season because we're

0:33:36.720 --> 0:33:40.960
<v Speaker 3>not talking about anything real. And these past two episodes, Kate,

0:33:41.240 --> 0:33:45.040
<v Speaker 3>we had Lisa Renna put on a performance of a

0:33:45.120 --> 0:33:48.760
<v Speaker 3>lifetime and I was so taken aback because I'm like,

0:33:49.160 --> 0:33:52.040
<v Speaker 3>we're used to you sort of acting out in a

0:33:52.080 --> 0:33:56.000
<v Speaker 3>playful way and you're in on the joke. But these

0:33:56.320 --> 0:34:04.000
<v Speaker 3>loud outbursts directed towards Sutton is so boring, lazy immature

0:34:04.840 --> 0:34:07.560
<v Speaker 3>that is not making me want to watch the rest

0:34:07.600 --> 0:34:12.080
<v Speaker 3>of the season because it's not real, like you're you're

0:34:12.080 --> 0:34:15.520
<v Speaker 3>You're having these outbursts across the dinner table where Melissa

0:34:15.560 --> 0:34:17.880
<v Speaker 3>Etherich is seeing you guys a song that she cleared

0:34:17.920 --> 0:34:23.240
<v Speaker 3>for Bravo. And last but not least you, I'm really

0:34:23.320 --> 0:34:27.000
<v Speaker 3>interested in following your story about your mom passing, like

0:34:27.040 --> 0:34:31.120
<v Speaker 3>I really we as the audience, Kate, love Lois. It

0:34:31.160 --> 0:34:33.560
<v Speaker 3>makes you rest in peace. I would love to see

0:34:33.600 --> 0:34:37.359
<v Speaker 3>conversations with you, with your daughters, totally with you, you too,

0:34:37.520 --> 0:34:37.959
<v Speaker 3>all I.

0:34:37.880 --> 0:34:39.280
<v Speaker 4>Have, your grandma is gone.

0:34:39.800 --> 0:34:42.120
<v Speaker 3>I would love to see you and Harry fuck the

0:34:42.160 --> 0:34:43.080
<v Speaker 3>spaghetti sauce.

0:34:43.239 --> 0:34:45.040
<v Speaker 4>I want to see you and Harry have a.

0:34:44.960 --> 0:34:48.440
<v Speaker 3>Real conversation about your place in Hollywood.

0:34:49.040 --> 0:34:51.240
<v Speaker 4>Are you a has been actress?

0:34:51.520 --> 0:34:53.920
<v Speaker 3>What does it mean right now that your husband he

0:34:54.080 --> 0:34:57.160
<v Speaker 3>still is booking gigs and Lisa Rena, you can't book

0:34:57.200 --> 0:34:59.840
<v Speaker 3>a gig to save your life. I wanted to understand

0:35:00.160 --> 0:35:04.080
<v Speaker 3>that relationship. Also, I would have really preferred to see

0:35:04.120 --> 0:35:09.200
<v Speaker 3>Eileen Davidson and Lisa Renna talk about the trajector.

0:35:08.719 --> 0:35:12.040
<v Speaker 4>Of the career. Where Eileen won.

0:35:11.880 --> 0:35:15.440
<v Speaker 3>An Emmy her first season on Billy Hills, she won

0:35:15.480 --> 0:35:18.000
<v Speaker 3>an Emmy for acting on Days of Our Lives, whereas

0:35:18.120 --> 0:35:22.279
<v Speaker 3>Lisa Renna's career like she's unbookable in terms of being

0:35:22.280 --> 0:35:23.080
<v Speaker 3>an actress.

0:35:23.160 --> 0:35:24.800
<v Speaker 1>Well, that goes back to what we were saying, is

0:35:24.840 --> 0:35:26.680
<v Speaker 1>that the show really has to be about the city.

0:35:26.800 --> 0:35:28.920
<v Speaker 1>The city is Beverly Hills, that's the court, like the

0:35:29.320 --> 0:35:33.440
<v Speaker 1>center of the West Coast entertainment business. So the fact

0:35:33.520 --> 0:35:36.640
<v Speaker 1>that to your point, we're not having those conversations that

0:35:36.760 --> 0:35:38.879
<v Speaker 1>you've been married for I don't know how many years,

0:35:38.880 --> 0:35:42.400
<v Speaker 1>thirty years or something. You're both working, but your husband's

0:35:42.920 --> 0:35:47.120
<v Speaker 1>booking scripted projects that you probably still want to get

0:35:47.200 --> 0:35:50.120
<v Speaker 1>but don't get them. It's sorry if it's meta, but

0:35:50.160 --> 0:35:53.120
<v Speaker 1>you're not getting them because you're an unscripted television star.

0:35:53.200 --> 0:35:56.960
<v Speaker 1>Now that should be discussed. We should talk about how

0:35:57.040 --> 0:35:59.759
<v Speaker 1>your daughters are now in their early twenties in a

0:36:00.080 --> 0:36:03.759
<v Speaker 1>vicious entertainment industry. How do you protect them, how do

0:36:03.760 --> 0:36:07.279
<v Speaker 1>you support them, how does your husband support them? None

0:36:07.360 --> 0:36:10.000
<v Speaker 1>of those things are happening. That is central to the

0:36:10.320 --> 0:36:12.400
<v Speaker 1>core of the people who live in that city and

0:36:12.440 --> 0:36:15.600
<v Speaker 1>the dynamics of living in that city. That is why

0:36:15.640 --> 0:36:18.319
<v Speaker 1>the show is not as great anymore. That's why we

0:36:18.360 --> 0:36:22.400
<v Speaker 1>do like to watch Erica because that is a story

0:36:22.520 --> 0:36:25.479
<v Speaker 1>that's very rich in Beverly Hills, the rise and fall

0:36:25.520 --> 0:36:28.839
<v Speaker 1>of somebody who has money and power and access. That's

0:36:28.840 --> 0:36:32.880
<v Speaker 1>why we watch that because that is what happens in

0:36:32.960 --> 0:36:35.759
<v Speaker 1>a city like that. It's not going to happen in Topeka.

0:36:36.080 --> 0:36:39.360
<v Speaker 1>It's not going to happen in Minneapolis. That's happening there.

0:36:39.440 --> 0:36:42.600
<v Speaker 1>So that's why we watch for Erica. We do still

0:36:42.800 --> 0:36:46.640
<v Speaker 1>kind of watch for Kyle because her sister's on the show,

0:36:46.680 --> 0:36:49.840
<v Speaker 1>and they were both like or she was a child actress,

0:36:50.320 --> 0:36:53.040
<v Speaker 1>and they have been in the industry since they were younger.

0:36:53.160 --> 0:36:57.040
<v Speaker 1>So I think people watch because they find that fascinating.

0:36:57.120 --> 0:36:59.239
<v Speaker 1>How can you be a child actor and continue to

0:36:59.280 --> 0:37:02.440
<v Speaker 1>be in the industry and all the ancillary people that

0:37:02.480 --> 0:37:04.759
<v Speaker 1>they know because they've lived there for so long, So

0:37:04.880 --> 0:37:07.680
<v Speaker 1>you're anticipating, like what friend of theirs is going to

0:37:07.680 --> 0:37:10.239
<v Speaker 1>walk through the door that Kathy knows all of these

0:37:10.320 --> 0:37:14.960
<v Speaker 1>people because of society circles and because our husband's in

0:37:15.040 --> 0:37:17.600
<v Speaker 1>real estate. Like, I think people are kind of interested

0:37:17.640 --> 0:37:20.560
<v Speaker 1>still for that reason, although I don't know if I

0:37:20.640 --> 0:37:23.879
<v Speaker 1>get as much layers to who Kyle is because of it,

0:37:24.080 --> 0:37:27.000
<v Speaker 1>Like I want to know more about Kathy and Kyle's

0:37:27.080 --> 0:37:32.719
<v Speaker 1>mom and because of her role in their life, how

0:37:32.760 --> 0:37:34.839
<v Speaker 1>do they live in their own marriages, how do they

0:37:34.880 --> 0:37:37.080
<v Speaker 1>live as how do they parent their children?

0:37:37.160 --> 0:37:39.839
<v Speaker 2>Because of Big Kathy that is.

0:37:39.840 --> 0:37:42.239
<v Speaker 1>Missing from the show. I need all of that too.

0:37:42.560 --> 0:37:44.919
<v Speaker 1>So again it goes back to who are the women

0:37:44.960 --> 0:37:47.160
<v Speaker 1>that exist in the city, What is that the city

0:37:47.200 --> 0:37:50.879
<v Speaker 1>built around? And are we getting realistic stories from there?

0:37:51.120 --> 0:37:55.280
<v Speaker 3>We all know Beverly Hills is this franchise that people

0:37:55.320 --> 0:37:59.000
<v Speaker 3>love to hate, but it's also the highest rted so

0:37:59.120 --> 0:38:03.080
<v Speaker 3>far of all these cities, and it's so like the

0:38:03.120 --> 0:38:07.840
<v Speaker 3>fan favorite Erica Jane. Last season was super fascinating because

0:38:07.880 --> 0:38:11.560
<v Speaker 3>of everything you said. We watched these true crime documentaries.

0:38:11.880 --> 0:38:15.799
<v Speaker 3>We watch American Greed on CNBC that's been on for

0:38:15.840 --> 0:38:19.640
<v Speaker 3>twenty years, because there is something fascinating about this wealthy

0:38:19.680 --> 0:38:23.640
<v Speaker 3>guy who who allegedly did something as chievous and his

0:38:23.760 --> 0:38:27.799
<v Speaker 3>bombshell wife is at the intersect of all of this.

0:38:28.320 --> 0:38:31.279
<v Speaker 3>And to see Erica Jane for her first couple of

0:38:31.400 --> 0:38:34.480
<v Speaker 3>years on the show flauned this lifestyle that we were

0:38:34.560 --> 0:38:38.680
<v Speaker 3>all envious, like work, bitch, oh my gosh, like yes,

0:38:39.440 --> 0:38:41.880
<v Speaker 3>and to see that all crumbling down because at the

0:38:42.000 --> 0:38:46.200
<v Speaker 3>end of the day, is human nature to build someone

0:38:46.400 --> 0:38:50.040
<v Speaker 3>up just to tear them down. And that's why it's

0:38:50.120 --> 0:38:54.400
<v Speaker 3>no secret that last season was an excellent season. I

0:38:54.600 --> 0:38:59.520
<v Speaker 3>loved Sutton last season because Sutton represented a nine h

0:38:59.600 --> 0:39:03.640
<v Speaker 3>two one oh housewife who's like, I don't know if

0:39:03.640 --> 0:39:07.040
<v Speaker 3>I'm able to rub elbows with you because that could

0:39:07.040 --> 0:39:11.040
<v Speaker 3>affect my social circle and status in this town. And

0:39:11.120 --> 0:39:14.440
<v Speaker 3>now you're poisoned, and that, to me should have been

0:39:14.480 --> 0:39:17.080
<v Speaker 3>the story, which is why I think Eric has said whatever,

0:39:17.120 --> 0:39:18.799
<v Speaker 3>miss small town, you shut up.

0:39:19.239 --> 0:39:19.399
<v Speaker 4>Well.

0:39:19.440 --> 0:39:22.560
<v Speaker 1>Also, another layer to it is a little bit similar

0:39:22.560 --> 0:39:25.759
<v Speaker 1>to OC. If you're not in the entertainment industry. No

0:39:25.800 --> 0:39:27.920
<v Speaker 1>one gives a shit about you. If you're in the

0:39:28.040 --> 0:39:30.839
<v Speaker 1>entertainment industry, they're looking past your shoulder to see who's

0:39:30.920 --> 0:39:33.839
<v Speaker 1>much more interesting in the door, you know, So think

0:39:33.880 --> 0:39:37.400
<v Speaker 1>about somebody who's just the housewife of someone in the

0:39:37.440 --> 0:39:42.080
<v Speaker 1>financial service industry living in an entertainment town. That is

0:39:42.120 --> 0:39:44.640
<v Speaker 1>why Sutton was a good cast, because it's a fish

0:39:44.680 --> 0:39:47.680
<v Speaker 1>out of the water story. She wants to be included

0:39:47.680 --> 0:39:49.080
<v Speaker 1>in all of this. But if you're not in the

0:39:49.160 --> 0:39:52.160
<v Speaker 1>entertainment industry, there's a level to which you can't really penetrate.

0:39:52.480 --> 0:39:56.080
<v Speaker 1>So she becomes a television personality, which, by the way,

0:39:56.120 --> 0:39:58.759
<v Speaker 1>people who are actresses to me all the time they're like,

0:39:59.000 --> 0:40:01.640
<v Speaker 1>I can't believe this bit is like got this big

0:40:01.680 --> 0:40:04.440
<v Speaker 1>following and is being interviewed for like entertainment shows, and

0:40:04.480 --> 0:40:06.200
<v Speaker 1>I'm like a working actress.

0:40:06.680 --> 0:40:07.520
<v Speaker 2>So there's that too.

0:40:07.560 --> 0:40:11.160
<v Speaker 1>It's like people now hate her because first of all,

0:40:11.239 --> 0:40:13.960
<v Speaker 1>she didn't work in the entertainment industry. She's got a

0:40:14.040 --> 0:40:18.640
<v Speaker 1>ton of money, she's got a quirky personality, and also

0:40:18.760 --> 0:40:22.359
<v Speaker 1>she's getting the privileges of now being a TV personality

0:40:22.440 --> 0:40:27.480
<v Speaker 1>with no background in entertainment at all. So that they're

0:40:27.520 --> 0:40:31.360
<v Speaker 1>not cracking open, Like, Lisa, do you hate Sutton because

0:40:31.440 --> 0:40:36.319
<v Speaker 1>she has all of these attention and Instagram followers when

0:40:36.320 --> 0:40:39.200
<v Speaker 1>you've actually been working your way up in the entertainment

0:40:39.200 --> 0:40:41.960
<v Speaker 1>industry for twenty years? Like can we talk about that?

0:40:43.400 --> 0:40:45.319
<v Speaker 1>You're like how many times have we heard on watch

0:40:45.360 --> 0:40:47.960
<v Speaker 1>What Happens Live? Like Lisa said, well, I was actually

0:40:48.000 --> 0:40:51.440
<v Speaker 1>invited to have that opportunity to be interviewed by Maren

0:40:51.560 --> 0:40:54.120
<v Speaker 1>Morris on the Tonight show, but I couldn't do it.

0:40:54.200 --> 0:40:56.440
<v Speaker 1>So then they asked she wanted to make sure that

0:40:56.520 --> 0:40:59.160
<v Speaker 1>even though Sutton was interviewed, that she was the first pick.

0:41:00.000 --> 0:41:03.120
<v Speaker 2>It's a Beverly Hills story. Why is that person chosen?

0:41:03.200 --> 0:41:03.480
<v Speaker 2>I'm not.

0:41:03.640 --> 0:41:06.160
<v Speaker 1>She doesn't have a background, She's just the TV personality

0:41:06.239 --> 0:41:08.920
<v Speaker 1>I actually worked. I've been on all these shows, so

0:41:09.360 --> 0:41:12.120
<v Speaker 1>that's the kind of stuff. I'm just looking for all

0:41:12.120 --> 0:41:12.800
<v Speaker 1>those layers.

0:41:12.960 --> 0:41:16.040
<v Speaker 3>And that's the reason why the Ultimate Girls tran franchise

0:41:16.160 --> 0:41:18.200
<v Speaker 3>work is because they were allowed to break the fourth

0:41:18.239 --> 0:41:21.040
<v Speaker 3>wall and to really talk about what it was like

0:41:21.120 --> 0:41:21.800
<v Speaker 3>being on the show.

0:41:22.160 --> 0:41:23.000
<v Speaker 4>And I think.

0:41:22.840 --> 0:41:27.080
<v Speaker 3>Because the Real Housewives which listen Bravo punattended to the executives,

0:41:27.080 --> 0:41:31.120
<v Speaker 3>the creators who built that franchise because it's not easy

0:41:31.239 --> 0:41:35.200
<v Speaker 3>to build one that is synonymous with reality television.

0:41:35.840 --> 0:41:37.800
<v Speaker 4>But that's the reason why I think.

0:41:37.640 --> 0:41:41.440
<v Speaker 3>A lot of people aren't into it as much as

0:41:41.440 --> 0:41:44.560
<v Speaker 3>they used to be, because it's sort of like, we

0:41:44.640 --> 0:41:46.719
<v Speaker 3>need to break the fourth wall in order for this

0:41:46.719 --> 0:41:49.640
<v Speaker 3>to make sense. We need to talk about again, like

0:41:49.880 --> 0:41:52.080
<v Speaker 3>what Lisa Rena's going through. What you said with sun.

0:41:52.200 --> 0:41:53.840
<v Speaker 3>I never looked at it that way, but that is

0:41:53.880 --> 0:41:58.080
<v Speaker 3>so fascinating. It reminds me of Atlanta. I said, marlow

0:41:58.320 --> 0:42:03.600
<v Speaker 3>and Kenya have this odd friendship because Marlowe wants Kenya's

0:42:03.640 --> 0:42:06.680
<v Speaker 3>approval that she deserved a peach, And I think this

0:42:06.719 --> 0:42:09.439
<v Speaker 3>season on Atlanta could have been so much better if

0:42:09.640 --> 0:42:12.800
<v Speaker 3>Marlowe was allowed to say I now have a peach,

0:42:13.239 --> 0:42:17.000
<v Speaker 3>and it has affected my relationship with these women for

0:42:17.120 --> 0:42:19.400
<v Speaker 3>the past ten years that I built.

0:42:19.680 --> 0:42:21.840
<v Speaker 1>I just have to say this for Atlanta, I've always

0:42:21.880 --> 0:42:25.600
<v Speaker 1>thought the two most poignant moments have been one when

0:42:25.719 --> 0:42:28.320
<v Speaker 1>Ninni is in the car. We've talked about it before

0:42:28.360 --> 0:42:31.399
<v Speaker 1>and she sees her real father for the first time

0:42:31.480 --> 0:42:33.360
<v Speaker 1>and realizes he looks just like her son, and it

0:42:33.520 --> 0:42:36.719
<v Speaker 1>was like. The other one is when Kenya opens up

0:42:36.800 --> 0:42:42.759
<v Speaker 1>about being rejected by her birth mother. I mean, holy shit.

0:42:43.520 --> 0:42:45.880
<v Speaker 1>So don't you think that a lot of the Kenya

0:42:46.120 --> 0:42:50.640
<v Speaker 1>Marlowe issues have to do with the deep seated issues

0:42:50.640 --> 0:42:54.680
<v Speaker 1>of their childhood. Yeah, Marlow's rejected by her real mother,

0:42:54.880 --> 0:42:57.719
<v Speaker 1>She's got to go through foster care, finally gets accepted

0:42:57.760 --> 0:43:00.840
<v Speaker 1>by someone. Kenya was rejected by her mother. There are

0:43:00.880 --> 0:43:04.960
<v Speaker 1>two women that have such similarities but hold back from

0:43:05.040 --> 0:43:08.400
<v Speaker 1>one another for the same reasons that they have. You know,

0:43:08.600 --> 0:43:13.680
<v Speaker 1>they have the same emotional problems at the core, and

0:43:13.719 --> 0:43:15.640
<v Speaker 1>it's like, as a viewer, you're like, oh my god,

0:43:15.680 --> 0:43:17.520
<v Speaker 1>you could be the best of friends if you could

0:43:17.560 --> 0:43:20.719
<v Speaker 1>figure that out, but you can't. And I completely get

0:43:20.719 --> 0:43:22.680
<v Speaker 1>why they're both at other sides of the table.

0:43:22.800 --> 0:43:25.520
<v Speaker 3>And that's the reason why you need a producer who

0:43:25.600 --> 0:43:29.319
<v Speaker 3>is invested in the show, in the storylines and not

0:43:29.440 --> 0:43:32.239
<v Speaker 3>doing the low hanging thruit and having an argument like

0:43:32.360 --> 0:43:34.080
<v Speaker 3>you han't kill deeper guys.

0:43:34.400 --> 0:43:40.759
<v Speaker 1>Respect those women. Yeah, those women are complete, complicated, interesting,

0:43:40.920 --> 0:43:44.320
<v Speaker 1>phenomenal women, and you would do a much better service

0:43:44.360 --> 0:43:48.400
<v Speaker 1>to them if you explored how their complicated lives overlap

0:43:48.840 --> 0:43:52.640
<v Speaker 1>versus these stupid fights that bugs me, Oh.

0:43:52.640 --> 0:43:53.279
<v Speaker 4>It bugs me.

0:43:53.360 --> 0:43:56.919
<v Speaker 3>On Atlanta. It bugs me on Beverly Hills. That's why

0:43:56.960 --> 0:43:59.719
<v Speaker 3>when Lisa, Renna, and Sutton had that argument at the

0:43:59.760 --> 0:44:04.640
<v Speaker 3>Reais party across the table that Kyle, who's the ghost producer,

0:44:04.760 --> 0:44:08.239
<v Speaker 3>set up, because they all feel like, okay, guys, we're

0:44:08.280 --> 0:44:08.800
<v Speaker 3>at dinner.

0:44:08.920 --> 0:44:09.960
<v Speaker 4>We have to argue.

0:44:10.360 --> 0:44:13.560
<v Speaker 3>That's the reason why it just doesn't work, because we

0:44:13.600 --> 0:44:17.640
<v Speaker 3>want deeper conversations, we want significant moments, we want something

0:44:17.680 --> 0:44:20.600
<v Speaker 3>that you can cut your teeth into. So my hope

0:44:20.640 --> 0:44:23.480
<v Speaker 3>is that if you are a reality TV star or

0:44:23.600 --> 0:44:28.000
<v Speaker 3>producer listening now, you have to work over time in

0:44:28.120 --> 0:44:31.640
<v Speaker 3>order to really feel comfortable giving deep moments and don't

0:44:31.640 --> 0:44:34.920
<v Speaker 3>feel like a scene is great because two women are

0:44:35.000 --> 0:44:38.560
<v Speaker 3>yelling at each other. It's only great when the yelling

0:44:38.680 --> 0:44:44.000
<v Speaker 3>moments is because of something significant that happen in their

0:44:44.120 --> 0:44:46.120
<v Speaker 3>friendships and their relationships.

0:44:46.200 --> 0:44:48.400
<v Speaker 1>I think Kyle should go I think she should just

0:44:48.520 --> 0:44:51.040
<v Speaker 1>go out now. She's the top of her game, like

0:44:51.080 --> 0:44:54.080
<v Speaker 1>she's done a great job all these seasons. Her family

0:44:54.160 --> 0:44:56.400
<v Speaker 1>has a Netflix spin off. I mean, you're going to

0:44:56.440 --> 0:45:01.040
<v Speaker 1>go to like from Bravo audience to like million subscribers

0:45:01.040 --> 0:45:05.239
<v Speaker 1>on Netflix. She's going to go into a whole new stratosphere. Now,

0:45:05.800 --> 0:45:08.240
<v Speaker 1>what reason does she have to be on the show anymore?

0:45:09.320 --> 0:45:12.319
<v Speaker 1>You know, that's like going from eating M and ms

0:45:12.400 --> 0:45:16.440
<v Speaker 1>to like eating a giant sized chocolate bar, Like why

0:45:16.480 --> 0:45:20.399
<v Speaker 1>would you stay? Like, I think she's done enough, She's

0:45:20.440 --> 0:45:22.960
<v Speaker 1>done a great job. Go out with the bank, Go out,

0:45:23.400 --> 0:45:26.520
<v Speaker 1>Derek Jeter after the three thousand pit. Stop playing. You

0:45:26.560 --> 0:45:29.880
<v Speaker 1>don't need to play anymore. Enjoy the Netflix show with

0:45:29.920 --> 0:45:30.440
<v Speaker 1>your family.

0:45:30.600 --> 0:45:33.920
<v Speaker 3>What's interesting is the episode a week ago or two

0:45:34.000 --> 0:45:37.360
<v Speaker 3>weeks ago where Kyle had COVID and she wasn't in

0:45:37.400 --> 0:45:40.520
<v Speaker 3>the episode at all. Yeah, and Kate, it was a

0:45:40.560 --> 0:45:43.400
<v Speaker 3>boring episode, and I'm like, it's because the first multiplier,

0:45:43.480 --> 0:45:46.239
<v Speaker 3>Kyle isn't there. So listen, while I agree with you

0:45:46.320 --> 0:45:49.000
<v Speaker 3>that Kyle and Candy should go off because there's going

0:45:49.040 --> 0:45:50.319
<v Speaker 3>to be much more waiting for them.

0:45:50.440 --> 0:45:52.640
<v Speaker 1>But that's not their problem. They should not have to

0:45:52.640 --> 0:45:54.759
<v Speaker 1>stay on a show because they make the show. That's

0:45:54.800 --> 0:45:57.799
<v Speaker 1>not their problem, not someone else's problem. She should have

0:45:57.920 --> 0:46:00.480
<v Speaker 1>the ability to go, Like, think of all the awesome

0:46:00.520 --> 0:46:04.160
<v Speaker 1>things Kyle Richards can do if she is not beholden

0:46:04.239 --> 0:46:07.200
<v Speaker 1>to that show, Like she's really smart, she could come

0:46:07.280 --> 0:46:12.640
<v Speaker 1>up with some really fantastic new shows. Business opportunities, like

0:46:13.160 --> 0:46:16.920
<v Speaker 1>she could put much more into all the other ancillary

0:46:17.000 --> 0:46:19.799
<v Speaker 1>businesses that she works on. It's not her problem that

0:46:19.840 --> 0:46:22.839
<v Speaker 1>they need her, that's their problem. Why are you going

0:46:22.880 --> 0:46:24.560
<v Speaker 1>to stay at a job just because.

0:46:24.280 --> 0:46:24.880
<v Speaker 2>They need you?

0:46:25.800 --> 0:46:28.399
<v Speaker 1>Stayed a job because you like it, It fulfills you,

0:46:28.400 --> 0:46:30.239
<v Speaker 1>you get a lot from it. I'm not saying that

0:46:30.280 --> 0:46:32.839
<v Speaker 1>she feels that way. I just feel like, go out

0:46:32.880 --> 0:46:35.960
<v Speaker 1>with a bang. Go out with the bang. You don't

0:46:35.960 --> 0:46:36.799
<v Speaker 1>need to stay.

0:46:36.840 --> 0:46:41.760
<v Speaker 3>Shad, Candy and Kyle leave their respective shows right now

0:46:42.160 --> 0:46:46.360
<v Speaker 3>while they're on a high in order to achieve so

0:46:46.560 --> 0:46:50.919
<v Speaker 3>much greater success that is a waiting on them. Let

0:46:51.000 --> 0:46:54.839
<v Speaker 3>us know, tweet us and make sure you hashtag reality

0:46:55.400 --> 0:46:56.040
<v Speaker 3>with the King.

0:46:56.320 --> 0:46:59.400
<v Speaker 4>We talked about Candy and Kyle. So let's go to

0:46:59.440 --> 0:46:59.960
<v Speaker 4>New Jersey.

0:47:00.800 --> 0:47:04.440
<v Speaker 3>Obviously, the first multiply you New Jersey is Teresa Judais.

0:47:04.920 --> 0:47:06.839
<v Speaker 4>Is it time for Teresa to go? Kate?

0:47:07.239 --> 0:47:09.279
<v Speaker 1>I think she should stay because I just don't know

0:47:09.320 --> 0:47:11.600
<v Speaker 1>what she could do outside of this show. I don't

0:47:11.719 --> 0:47:15.400
<v Speaker 1>think she's dynamic enough to have other things. I think

0:47:14.880 --> 0:47:18.600
<v Speaker 1>the core of that show is the fact that these

0:47:18.680 --> 0:47:21.719
<v Speaker 1>in laws despise each other and the other women are

0:47:21.760 --> 0:47:23.840
<v Speaker 1>like houseplants in the corners that need.

0:47:23.719 --> 0:47:24.320
<v Speaker 2>To be watered.

0:47:24.520 --> 0:47:28.480
<v Speaker 1>It's just really about two Italian in laws that fucking

0:47:28.560 --> 0:47:31.400
<v Speaker 1>hate each other, and I like it. So she should

0:47:31.480 --> 0:47:34.239
<v Speaker 1>stay because I don't know what else is she going

0:47:34.280 --> 0:47:38.879
<v Speaker 1>to do. She's like a true television personality. I don't

0:47:38.880 --> 0:47:40.279
<v Speaker 1>know what she could do outside of the show.

0:47:40.440 --> 0:47:45.400
<v Speaker 3>Okay, fabulous, Okay, the Real Housewives of Orange County. Is

0:47:45.440 --> 0:47:48.120
<v Speaker 3>it time for Shannon and or Heather to go?

0:47:48.560 --> 0:47:51.440
<v Speaker 1>Heather doesn't need the show. She can go, you know,

0:47:52.320 --> 0:47:54.640
<v Speaker 1>there's plenty. I don't know what Shannon.

0:47:54.280 --> 0:47:55.359
<v Speaker 2>Could do outside of it.

0:47:55.880 --> 0:47:58.799
<v Speaker 1>I think she should probably just have a really great

0:47:58.840 --> 0:48:01.919
<v Speaker 1>season where she's really open about I've got a daughter

0:48:02.000 --> 0:48:05.000
<v Speaker 1>that left for school, and I'm starting to panic because

0:48:05.000 --> 0:48:08.120
<v Speaker 1>my twins are almost grown up, and the conversation that

0:48:08.200 --> 0:48:10.400
<v Speaker 1>I have not heard in a housewives Correct me if

0:48:10.400 --> 0:48:12.959
<v Speaker 1>I'm wrong. If you have been the stay at home

0:48:13.000 --> 0:48:15.960
<v Speaker 1>mom and your children are now of the age where

0:48:15.960 --> 0:48:18.160
<v Speaker 1>they're going to leave home, and you've been reliant on

0:48:18.800 --> 0:48:21.160
<v Speaker 1>the money that came from your marriage and for paying

0:48:21.200 --> 0:48:23.439
<v Speaker 1>for child support, and suddenly you're at a point where

0:48:23.440 --> 0:48:25.400
<v Speaker 1>you're in your fifties and you're like, I've got to

0:48:25.400 --> 0:48:28.120
<v Speaker 1>get a real job and make some income because that

0:48:28.280 --> 0:48:32.600
<v Speaker 1>money is drying out. That's important. She should talk about

0:48:32.600 --> 0:48:36.560
<v Speaker 1>that this season. That is really important. And finding out

0:48:36.600 --> 0:48:39.440
<v Speaker 1>who you are that's a whole that's important too. But like,

0:48:39.560 --> 0:48:42.640
<v Speaker 1>where's that conversation of like money that drives up in

0:48:42.680 --> 0:48:44.359
<v Speaker 1>your fifties and you have to go out and find

0:48:44.360 --> 0:48:47.040
<v Speaker 1>a job and maintain a lifestyle that you're accustomed to.

0:48:47.280 --> 0:48:49.720
<v Speaker 2>That should be her story. If she does it, well,

0:48:50.080 --> 0:48:50.960
<v Speaker 2>go out with a bang.

0:48:51.160 --> 0:48:53.880
<v Speaker 3>And last, but not least, the Real Housewives in New

0:48:53.920 --> 0:48:57.960
<v Speaker 3>York City. Obviously we have a legacy edition, but do

0:48:58.000 --> 0:49:01.399
<v Speaker 3>you still fail? For example, bet Any lap And has

0:49:01.440 --> 0:49:04.160
<v Speaker 3>done a lot of great stuff with her charity and

0:49:04.200 --> 0:49:07.640
<v Speaker 3>now she's on a brand new show on CNBC co

0:49:07.800 --> 0:49:11.120
<v Speaker 3>hosting with Mister Wonderful from Shark Tank. Is it time

0:49:11.200 --> 0:49:14.840
<v Speaker 3>for Ramona, Sonya, Lwin or Dernda to go?

0:49:15.239 --> 0:49:15.640
<v Speaker 2>Yeah?

0:49:16.280 --> 0:49:16.880
<v Speaker 4>All four?

0:49:17.160 --> 0:49:17.399
<v Speaker 2>Yeah?

0:49:17.440 --> 0:49:20.160
<v Speaker 1>I think their story, I know who they are, I

0:49:20.239 --> 0:49:22.920
<v Speaker 1>know their stories. I don't know if there's much there left.

0:49:23.719 --> 0:49:26.560
<v Speaker 1>That's not to say they're not dynamic, interesting women. I'm

0:49:26.560 --> 0:49:29.239
<v Speaker 1>just saying, for the sake of television, if you're the

0:49:29.280 --> 0:49:33.040
<v Speaker 1>plight of that producer is like, what's the next layer

0:49:33.120 --> 0:49:34.920
<v Speaker 1>to this? And I don't know if there are much

0:49:35.000 --> 0:49:39.200
<v Speaker 1>layers left to tell unless someone is, like, you know,

0:49:39.320 --> 0:49:41.480
<v Speaker 1>Derenda's like, I'm going to go out and I'm going

0:49:41.520 --> 0:49:43.800
<v Speaker 1>to start dating again, and I'm having a really difficult

0:49:43.840 --> 0:49:48.560
<v Speaker 1>time because I'm still clinging to the marriage that i

0:49:48.600 --> 0:49:53.920
<v Speaker 1>had with Richard. And I mean, it's completely relatable that

0:49:53.920 --> 0:49:56.719
<v Speaker 1>she would date a douchebag like John because you want

0:49:56.719 --> 0:49:59.439
<v Speaker 1>something that's not serious because it was such a horre

0:49:59.640 --> 0:50:02.879
<v Speaker 1>like horrible loss to her Richard, Right, So maybe if

0:50:02.920 --> 0:50:06.160
<v Speaker 1>it's like her dating, maybe there's something there.

0:50:06.600 --> 0:50:08.360
<v Speaker 2>Ramona, there's nothing left.

0:50:08.600 --> 0:50:12.359
<v Speaker 1>I know that woman. I know her story. I mean,

0:50:12.400 --> 0:50:14.800
<v Speaker 1>take away what you like or don't like about somebody.

0:50:14.800 --> 0:50:16.120
<v Speaker 1>For me, it's about the story.

0:50:16.840 --> 0:50:18.080
<v Speaker 2>Like if she showed up to your.

0:50:18.000 --> 0:50:20.920
<v Speaker 1>Dinner party, you're not gonna have an interesting conversation because

0:50:20.960 --> 0:50:23.799
<v Speaker 1>you already know everything about her. I already know a

0:50:23.840 --> 0:50:26.480
<v Speaker 1>thing about lu Anne. I'm like, I need some new,

0:50:26.520 --> 0:50:28.719
<v Speaker 1>fresh story tells. Also for New York, I don't know

0:50:28.719 --> 0:50:31.200
<v Speaker 1>if those women tell a modern New York story anymore.

0:50:31.400 --> 0:50:33.880
<v Speaker 4>No, I agree with that. Definitely agree with you.

0:50:34.200 --> 0:50:37.759
<v Speaker 1>And also COVID post COVID, New York is a very

0:50:37.800 --> 0:50:40.719
<v Speaker 1>different city than it was fifteen years ago. So you

0:50:40.760 --> 0:50:43.279
<v Speaker 1>can't tell the same story. You can't tell the same

0:50:43.320 --> 0:50:46.000
<v Speaker 1>story with the women. You can't tell the same story

0:50:46.040 --> 0:50:47.000
<v Speaker 1>about that city.

0:50:47.080 --> 0:50:48.920
<v Speaker 3>Kate, I can talk to you all day. I gotta

0:50:48.960 --> 0:50:52.200
<v Speaker 3>bite you back over. I had no idea that this

0:50:52.400 --> 0:50:55.480
<v Speaker 3>episode was going to go in this direction, and I

0:50:55.520 --> 0:50:59.000
<v Speaker 3>am pleasantly surprised, although I'm not shocked because you and

0:50:59.080 --> 0:51:00.760
<v Speaker 3>I always have a good time when we talk.

0:51:01.320 --> 0:51:03.319
<v Speaker 4>So where can't people find you?

0:51:03.440 --> 0:51:08.120
<v Speaker 3>Follow you and talk to them about your amazing podcast.

0:51:08.400 --> 0:51:10.799
<v Speaker 1>So Reality Life with katekse you can find anywhere where

0:51:10.800 --> 0:51:12.759
<v Speaker 1>you listen to podcasts. I have three episodes a week.

0:51:12.840 --> 0:51:14.200
<v Speaker 1>At the top of the week, I'm going to tell

0:51:14.200 --> 0:51:17.759
<v Speaker 1>you what to watch an unscripted television. It crosses all genres.

0:51:18.080 --> 0:51:20.880
<v Speaker 1>I promise you I will find something for all of

0:51:20.920 --> 0:51:23.160
<v Speaker 1>you in that list. You can get that list at

0:51:23.200 --> 0:51:24.200
<v Speaker 1>katekc dot.

0:51:24.040 --> 0:51:25.080
<v Speaker 2>Substock dot com.

0:51:25.080 --> 0:51:27.600
<v Speaker 1>Think of me as like your guide to watching great

0:51:27.600 --> 0:51:30.239
<v Speaker 1>content all week and then Wednesdays and Fridays I have

0:51:30.280 --> 0:51:33.480
<v Speaker 1>longer former interviews where I interview the hosts, the talent,

0:51:33.840 --> 0:51:37.000
<v Speaker 1>the producers or the directors and unscripted televisions so that

0:51:37.160 --> 0:51:41.759
<v Speaker 1>means reality shows, documentaries, and docuseries, so on there. You

0:51:41.800 --> 0:51:44.000
<v Speaker 1>can find me on Twitter at KKC. You can find

0:51:44.000 --> 0:51:48.080
<v Speaker 1>me on Instagram at at KKCCA and TikTok at It's Kksey.

0:51:49.960 --> 0:51:54.239
<v Speaker 3>Thoughts, opinions, Email me at Reality with the King at

0:51:54.239 --> 0:51:57.319
<v Speaker 3>stitri dot com or leave me a voicemail at three

0:51:57.360 --> 0:52:02.239
<v Speaker 3>one oh five nine three eight one eight eight.

0:52:03.880 --> 0:52:06.080
<v Speaker 4>Thank you for listening to Reality with the King.

0:52:06.680 --> 0:52:11.880
<v Speaker 3>New episodes drop every Wednesday and Friday, Share, comment, follow,

0:52:12.400 --> 0:52:15.520
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0:52:15.560 --> 0:52:19.919
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0:52:19.920 --> 0:52:24.000
<v Speaker 3>to follow me at the Carlos King Underscore on Instagram

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<v Speaker 3>and Twitter. Reality with the King is a production of

0:52:28.640 --> 0:52:32.200
<v Speaker 3>More Sauce by Stitcher. It is executive produced by Me,

0:52:32.560 --> 0:52:36.560
<v Speaker 3>Carlos King, and Jasmine Henley Brown. We are also produced

0:52:36.560 --> 0:52:45.040
<v Speaker 3>by Sierras Bradley Rix, engineering and music by Marcus Ham

0:52:45.080 --> 0:52:45.720
<v Speaker 3>More Sauce