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Speaker 1: All right, Matt, I am so curious to know what

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Speaker 1: is a great five star review that we've gotten on

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Speaker 1: Apple Podcasts. We just got a new one, and this

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Speaker 1: is from Adam Painter. He calls our podcast a treasure

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Speaker 1: for the ages. He says, you want jokes, singing, woody

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Speaker 1: banter between two best friends. Lost Culture has all of

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Speaker 1: that and more. You can tell Matt and Bowen are

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Speaker 1: having fun and they want to take you along for

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Speaker 1: the rod as they break down culture with each other.

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Speaker 1: And they're talented and hilarious lineup of guests. I don't

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Speaker 1: think so, honey. People who aren't listening to Lost culturis

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Speaker 1: thank you, Adam, Adam Painter, Well, thank you so much, Adam.

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Speaker 1: Now Lost Cultures. This is brought to you by the

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Speaker 1: Forever Dog podcast Network and you can follow Lost Culture

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Speaker 1: rests the podcast on Facebook and Twitter. Guys, don't forget

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Speaker 1: to get tickets to my show at the Duplex on

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Speaker 1: December twelve and December twenty one at nine thirty pm.

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Speaker 1: It's called Matt Rogers. Have you heard of Christmas? It's

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Speaker 1: gonna be really fun. It's musical directed by Henry Koperski

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Speaker 1: and features Bone Yang Dave Zony, Rachel Winnitzky, and Catherine Cohen.

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Speaker 1: I'm super excited about it. To get your tickets now

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Speaker 1: at Purple Past dot com. Look, mad oh, I see you?

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Speaker 1: Why why and look over there? How is that culture? Yes? Goodness,

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Speaker 1: ding donging? And you know what else is calling? What

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Speaker 1: the time of the season? And I believe that every season.

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Speaker 1: I'm talking, of course about the Christmas season. Yes, we

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Speaker 1: see a lot of these things. What am I talking about? Bowls,

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Speaker 1: bowls of candy. We have no such ball on the table. No,

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Speaker 1: but laying free in front of us is many pieces

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Speaker 1: of candy. And you had pointed this out like a

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Speaker 1: true socio sociologist anthropologist. Thank you said it's the time

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Speaker 1: of year when people are sticking their fingers and bowls

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Speaker 1: of candy. And I said, wow, I didn't realize that

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Speaker 1: was the seasonal behavior. Well, they do that with nuts

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Speaker 1: all year round on bartops. We all know, we've seen

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Speaker 1: the bowls of nuts, and we hope, I hope to

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Speaker 1: avoid the bowls of nuts. I was gonna say, I

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Speaker 1: don't get near them. I don't get near those. But

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Speaker 1: then all of a sudden, when it's like candy during

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Speaker 1: the season, I don't even think about it. I dive

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Speaker 1: right in. And what's the difference. There's no difference. I

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Speaker 1: guess you're getting sick either way. And is it good

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Speaker 1: or bad bacteria? We talked about this, we did. And also,

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Speaker 1: you know what, probably a lot less kids at the

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Speaker 1: bar where the nuts are probably a lot more kids

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Speaker 1: at the family gatherings where there's the bowl of cans.

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Speaker 1: The kids, though, have some sort of monitoring system built

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Speaker 1: in where the parents are like Tanner, wash your hands,

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Speaker 1: but listen, no adults, no adult is getting that sort

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Speaker 1: of system built around. So it's a dirtier at the bar.

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Speaker 1: I guess it also matters what's happening at the bar,

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Speaker 1: you know, are they are they um in an engaging

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Speaker 1: conversation with someone that they're dating, and they run to

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Speaker 1: the restroom. They go to the bathroom, maybe they don't

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Speaker 1: wash their hands on the way, and then all the

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Speaker 1: hand goes into the nuts. It's just crazy, It's just crazy,

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Speaker 1: you know what, In these crazy times, I think we

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Speaker 1: need to bring in a very special guest. Yeah, we

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Speaker 1: need a rock, We need a rock. And she's she's

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Speaker 1: here with us tonight and truly we're so excited. Um

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Speaker 1: and you know we're we're thrusting all this responsibility on her.

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Speaker 1: But that's fine. She's the rock. She's the rock. Okay,

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Speaker 1: you guys, I mean, come on, she's the female Dwayne Johnson,

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Speaker 1: the female industry. Absolutely, she's always selfiing from skyscrapers. Um,

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Speaker 1: just like Dwayne does. Okay, guys, um our guest. You

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Speaker 1: know you've seen her and everything. You've laughed at her

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Speaker 1: words and everything. Master of none about Jack Horseman. Um. Oh,

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Speaker 1: she's in this new Hardconda Bulu series. The problem with

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Speaker 1: that pooh she makes She makes a little appearance in that,

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Speaker 1: and I didn't mean to scale it. I didn't mean

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Speaker 1: to qualify with little appearance. It's an appearance. And now

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Speaker 1: talk about what's premiering in January. It's just something about

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Speaker 1: a new series on Comedy Central Corporate. I can't wait.

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Speaker 1: I've seen the promos. They're nice, minimalistic. I go, what

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Speaker 1: could this be? And I can't wait to find out.

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Speaker 1: I can't wait either. Maybe she'll tell us about it,

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Speaker 1: and she's reading for l Seth Meyers um. And you

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Speaker 1: can check out her amazing album that came out last year.

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Speaker 1: Just putting it out there. That's the title. Wow, right,

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Speaker 1: see you were just putting it out there. And also

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Speaker 1: the title and also that's and I wonder that thought

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Speaker 1: went into the naming of it, that it just sprows

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Speaker 1: off the tongue like like a phrase, like an expression.

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Speaker 1: I guess we'll find that when we speak to you. No,

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Speaker 1: I did say, feel free to dive int here's the thing.

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Speaker 1: Don't feel pressure because, as we said, it's a germ spreader. Yeah,

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Speaker 1: but I'm not. That's not why I was told, like

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Speaker 1: not showing restraint. Okay, sure do you show usually show

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Speaker 1: restrain around something as hazardous, like like infectiously hazardous as

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Speaker 1: a bowl of Barnetts for example. I don't think I'm

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Speaker 1: a germophob if if that is the qualifying standard. No,

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Speaker 1: you don't think you are? No, No, okay, I think

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Speaker 1: I think it's good for immune system. Absolutely, you have

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Speaker 1: to expose yourself a little bit. Yes, you know. I

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Speaker 1: know people that won't even touch the rails on the subway, right,

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Speaker 1: And I said, this is problematic because then you become

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Speaker 1: a projectile on the subway and you're flying all around,

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Speaker 1: hurting people, and that to me is more dangerous. It's

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Speaker 1: dangerous and unacceptable, unacceptable socially. Socially, then everyone's responsible for

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Speaker 1: your physics exactly. I will say a partner, I wouldn't

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Speaker 1: reach for the eminem's just now because I have three

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Speaker 1: in my hand. You have three brown ones. I have

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Speaker 1: three brown ones just by eight coincidence, and I'm scared

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Speaker 1: to put them in my mouth because I don't want

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Speaker 1: the mic to pick up the chewing. Do you ever

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Speaker 1: see the movie, Um, what is it? It's with Matthew

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Speaker 1: McConaughey and Jennifer Lopez, is it not? I'm not made wedding? Okay?

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Speaker 1: Do you remember in the Wedding Planner when um, I

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Speaker 1: think it was either him or her and they were

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Speaker 1: picking I think it's him. And he was a dentist

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Speaker 1: in the movie, a pediattrician, he was the movie. So

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Speaker 1: he's picking out all the colored eminem's and she's like,

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Speaker 1: why are you doing that? And he's like, well, I'll

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Speaker 1: figure that. Um, you know, these ones are brown, so

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Speaker 1: there's got to be less artificial flavoring in them. And

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Speaker 1: so I figure out, only eat the brown ones because

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Speaker 1: then you're getting less artificial flavoring. And I thought that myself.

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Speaker 1: That has to be the dumbest thing I've ever heard

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Speaker 1: of my entire life wrote that line? Or do you

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Speaker 1: think it was improv? An improv baby? Imagine to keep

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Speaker 1: this was like, I actually thought this amazing improv and

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Speaker 1: it's science, It's based in science. Yeah, he did character research.

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Speaker 1: What I'm saying that he thought like he truly believed

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Speaker 1: that the artificial coloring thing was true and he brought

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Speaker 1: it to the table. We'll never know, We'll never know,

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Speaker 1: We'll never know. Are you J Lott fan? I like

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Speaker 1: J Low but I wouldn't. I don't know if I

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Speaker 1: to identify as a thing. Right, you appreciate what she is?

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Speaker 1: If you if she was in a room with you

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Speaker 1: and you felt so compelled and moved to go up

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Speaker 1: to her strike up a conversation. Um, would you would you?

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Speaker 1: Would you say I'm a fan? I think I might

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Speaker 1: out of nervousness just say it. But this is something

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Speaker 1: that our our last guest Guy said, are two guests ago?

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Speaker 1: Guy said? What did he say? Betty had some strong opinion,

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Speaker 1: very strong, but he's he He always appreciates it when

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Speaker 1: people approach a celebrity and a collegial status that they're

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Speaker 1: on the same level as that person, which is kind

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Speaker 1: of insane. Well, they say, you don't want to appear

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Speaker 1: as like a fan because then you're like a crazy fan.

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Speaker 1: Oh I see, I see it. So I feel like you,

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Speaker 1: a partner could just walk up to j Low and

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Speaker 1: then just start talking about your projects and then she'd

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Speaker 1: be like, Okay, yes, I think of j is such

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Speaker 1: a I think anytime someone has multiple hats or they're

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Speaker 1: like hyphenated in there, you know work, Yes, I think

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Speaker 1: I get intimidated because I don't even know where to

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Speaker 1: place her, right, It's like, and how does she identify?

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Speaker 1: You know? What is she identifying that? Particularly as an

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Speaker 1: actress or a recording superstar? And the onus is not

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Speaker 1: on you to figure it out, right, So it's impossible.

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Speaker 1: You shouldn't talk the answer the right answer. What you

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Speaker 1: shouldn't have spoken to her. It's actually rule number sixty

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Speaker 1: four of culture. Never speak to a multi don't speak.

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Speaker 1: But aren't I would I would characterize you as a

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Speaker 1: multi hyphenet. I guess, yeah, I mean I think in

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Speaker 1: comedy it's interesting because you can write and act and

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Speaker 1: tweet and tweet. You can act tweet and that's what

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Speaker 1: they call you a three tool player. Yeah, you're a

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Speaker 1: triple tool, triple threat. No triple threat of singing, dancing, acting.

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Speaker 1: This is a triple player. So I think that's why,

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Speaker 1: because she's a triple threat in the traditional but of

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Speaker 1: course she's she's a worthless tweeter. We're all three tool

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Speaker 1: players at this table, three three tool players. Of course,

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Speaker 1: the fourth tool of my attap shows. There you go,

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Speaker 1: there you go. If you had a fourth tool, what

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Speaker 1: would it be? Uh? This talent? We don't know about you? Reading? Yes,

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Speaker 1: the books so essential, essential, and then to read in

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Speaker 1: this industry, and I don't think enough people read in

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Speaker 1: this industry. You know. Okay, we can talk about this.

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Speaker 1: Let's talk about it because we're else. We're gonna talk

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Speaker 1: about it. I I've fallen off on my reading until recently,

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Speaker 1: and now I'm picking I'm picking it up again. It

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Speaker 1: feels right here we go, talk about the talk about

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Speaker 1: this book that you just read. And then from the table. Sure.

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Speaker 1: So I just um flew back in from Thanksgiving on

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Speaker 1: Sunday and on the plane right I've finished Called Me

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Speaker 1: by Your Name, the book by Andrea Simon, and then

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Speaker 1: loved it. Was directly enraptured by the book and raptured

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Speaker 1: by the book. UM had some issues with the pacing,

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Speaker 1: as I've mentioned and documented on this program. But then

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Speaker 1: we landed and has read the finished the book within

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Speaker 1: minutes of landing, and I was like, I have to

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Speaker 1: to see this movie tonight, um, And I really just

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Speaker 1: took advantage of my New York l a privilege of

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Speaker 1: early releases, and I went by myself to go see it,

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Speaker 1: and UM, you know, went went head first, dove, head

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Speaker 1: first into the waters of this adaptation and was of

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Speaker 1: course disappointed because how is it going to live up

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Speaker 1: to a to a book where every character's emotionally realized

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Speaker 1: and flashed out? And so I didn't like it. And

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Speaker 1: then I just let me say this, ultuistas, there is

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Speaker 1: a whisper network of gay men and just queer people

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Speaker 1: who do not like call me by your name the movie,

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Speaker 1: and I count myself. I'm going to out myself as mine.

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Speaker 1: I would say, you were you were really holding back

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Speaker 1: right now because you literally have said to me end

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Speaker 1: quote and I quote, now, fuck that movie. I did

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Speaker 1: not say that. I did not say that, you said

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Speaker 1: you hated it. I'm going to out someone else right now.

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Speaker 1: Friend of the show, our guests of the pod John Early,

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Speaker 1: because wow, you are too much is a public figure.

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Speaker 1: You can get it. I don't know. This is what happened.

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Speaker 1: You can get upon it. In Trouble have the biggest

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Speaker 1: five tool players got five tools and more and the

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Speaker 1: singing and well John, this is what so John tweeted. Literally,

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Speaker 1: this was a convergence of call me by your name things.

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Speaker 1: Right before I stepped into the movie, I'm on Twitter

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Speaker 1: as as we one of the tools, and then I

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Speaker 1: see John tweets call me by your nah, and everyone

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Speaker 1: is like, whoa what Incendi probably got many reactions on

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Speaker 1: got a lot of reactions, and I was like, imagine.

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Speaker 1: I was like, Okay, I guess John didn't like the movie.

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Speaker 1: And I watched it, and I will I will confidently

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Speaker 1: say it did not color my perception or did not

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Speaker 1: sway me one way or the other. But I watched it,

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Speaker 1: and then I came out of the movie and I

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Speaker 1: texted Johnny out, John, I just I just came out

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Speaker 1: of call me by your name too. And I didn't

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Speaker 1: like it either, Oh my god, unless you didn't. Unless

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Speaker 1: And I was like, I was like, and I think

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Speaker 1: I hate it too. Unless you didn't hate OMG. And

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Speaker 1: then he talks back like twenty minutes later he was like, no,

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Speaker 1: I fucking hated it. And he was the one who said,

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Speaker 1: and I have the receipts and maybe maybe this is unfair.

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Speaker 1: You are he said, fuck that movie well and he

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Speaker 1: and then he tweeted Michael Stuelbark, who plays the father

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Speaker 1: who has this amazing mone at the end performance, he goes,

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Speaker 1: Michael Stuelbarg, Michael Stuart Stuelbarg fucking sucks too, but you

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Speaker 1: and so John is John Is. Them's fighting words, them's

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Speaker 1: fighting words. Those are he's coming out for calling. Have

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Speaker 1: you seen coming by your name? Do you know? Ye? Well, honestly,

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Speaker 1: I would say and somebody asked me to study, like

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Speaker 1: should I see this? And I was like, I feel

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Speaker 1: like you should see people should see it. Um. Here's

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Speaker 1: the thing, though, I feel like it's not for a

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Speaker 1: queer audience. It's for straight people or it's just for

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Speaker 1: people to like understand that like queer narratives have this

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Speaker 1: latent desire built into them and this is like the

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Speaker 1: the example of that. Um. But like all like we'll

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Speaker 1: we'll go and we'll be like oh yeah, like and

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Speaker 1: even like even people who understand like what that is

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Speaker 1: will go to that movie and be like yeah, no, duh,

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Speaker 1: yeah of course, like like in order to understand that

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Speaker 1: that nothing happens in your gay life until later. You

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Speaker 1: don't need nothing to happen in the first hour. That's

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Speaker 1: with the with the pacing, with the tension building. So

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Speaker 1: UM a partner, I expect a full review after you

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Speaker 1: see it. I will live tweet it. Thank you. Yeah,

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Speaker 1: I would say that you need to use one of

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Speaker 1: your tools. Is there this is for the table? Is

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Speaker 1: there a movie that was better than the book? Oh?

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Speaker 1: I want to say, yeah, right, there's got to be one. Well,

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Speaker 1: definitely any movie where the book was made after the

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Speaker 1: movie well yes, well yes, you know what I've never read.

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Speaker 1: But no, I don't think it can possibly be as

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Speaker 1: good as the movie the Devil Wars product. Yes, because

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Speaker 1: you don't have Mertyl Streep in the book. Famously, she

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Speaker 1: can do a lot of things. She can't appear in

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Speaker 1: a book. She can't appear in a book. Neither can

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Speaker 1: Emily Blunt Let's Not Forget or the Way also can't

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Speaker 1: appear in the lead singer of UM Rooney can either

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Speaker 1: who was in that UM but also, um, the Wizard

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Speaker 1: of Oz of course unless unless because the book is

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Speaker 1: maybe more mythologized more completely. But the I mean the

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Speaker 1: movie though, movies pretty iconic. So we we've answered the question.

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Speaker 1: I don't know. I think we've answered that. Do you

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Speaker 1: do you think that there's a book that's better or

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Speaker 1: I don't even know the Yes, it was it was.

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Speaker 1: I think that, um, it was like a former like

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Speaker 1: she wrote for like some tabloid or like and and

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Speaker 1: she was and then she came out with this book

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Speaker 1: and it like, of course, to the Road by Storm,

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Speaker 1: the World by Storm, honey. But we're with school for you.

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Speaker 1: I went to college in western Massachusetts, Okay, Amherst, Amherst,

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Speaker 1: Amherst Amherst College. It's one of the Amherst. When people

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Speaker 1: say Western mass not maybe not necessarily. I'm that was

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Speaker 1: just a lucky guess. Amherst is a great town. It

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Speaker 1: is very new aging. Yeah, very liberal, unusual for a

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Speaker 1: college house in Massachusetts. Absolutely, even that all the Western

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Speaker 1: Masses kind of rural. No, I don't know. I think

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Speaker 1: Western mass is weirdly progressive or at least this area,

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Speaker 1: I think because of the colleges. But I think You're right,

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Speaker 1: like Boston has some very conservative strange so yeah, you

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Speaker 1: can't be that loud and drunk and be a liberal person,

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Speaker 1: be and be for a single pair. Um well, Boston College. Yes,

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Speaker 1: I did to get that that. I didn't understand what

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Speaker 1: a jesuit school was. And then I don't know why

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Speaker 1: I didn't understand it, but I didn't understand it. But

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Speaker 1: we went there to look at it, and I was like, oh,

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Speaker 1: absolutely not, absolutely not. You're not even in Boston proper.

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Speaker 1: Is that true? You're not in Boston properly diversity honey,

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Speaker 1: Right in Boston proper toughs honey, Yes, honey Emerson, right

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Speaker 1: in the heart of the city. Absolutely. You walk out

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Speaker 1: and there it is the harbor jay Leno what their

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Speaker 1: biggest alumni. Yes it is. They wouldn't stop talking about

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Speaker 1: jay Leno. There. Wow, we'll look get up at the break.

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Speaker 1: I'm almost positive I'm right, just like I was almost

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Speaker 1: positive that Hugh Hefner was dead four months prior to

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Speaker 1: him being dead. So I broke the news of his

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Speaker 1: death on the show. Yes, and then we had to

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Speaker 1: record something to put go in front of the episode.

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Speaker 1: I said, just kidding, he's not dead. Excuse the first

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Speaker 1: five minutes of this episode absolutely where I confirmed the

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Speaker 1: passing of you Hefner, but presciently you did. But I'm

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Speaker 1: more confident saying that Jay Leno went to Emerson, but

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Speaker 1: you're there's still a degree of uncertainty. I would say

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Speaker 1: that I am willing to risk it all a partner,

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Speaker 1: besides will risk at all. Besides, I was going to

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Speaker 1: say something so annoyou. I was gonna say, besides you,

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Speaker 1: who is like the biggest alumn to come out of Amherst?

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Speaker 1: But just who is the biggest aleman to come out

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Speaker 1: of Amherst? No, I think, um, David Foster Wallace. Oh

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Speaker 1: that's a good one. Probably probably a little bit bigger

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Speaker 1: than you. I would say, Oh, fun, Yeah, I would

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Speaker 1: say David Boster Walls probably went out of the three

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Speaker 1: of you guys. I'm gonna say, um, I want like

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Speaker 1: the Hours type movie where um, you followed David Foster

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Speaker 1: Wallace at college you follow that best or at college

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Speaker 1: you follow art college and a partner, a partner goes

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Speaker 1: to a UCB show in her youth with with what

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Speaker 1: I just I'm enraptured with with a copy of you know,

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Speaker 1: infinite justin. I was gonna try to go for another,

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Speaker 1: but I couldn't think about um uh, And you know

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Speaker 1: it all converges at a partner. Absolutely, you'd be the

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Speaker 1: Meryl Streep and that scenario and then we haven't we

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Speaker 1: have brought it back around. She can't be on the

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Speaker 1: pages of a book, but she can be in this

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Speaker 1: dream scenario of the film. Absolutely, and a partner would

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Speaker 1: be played by Meryl. Yes, yes, absolutely, as we all

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Speaker 1: hope to be. Yeah, but she can pull off. No

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Speaker 1: one would be mad that. No one would be mad

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Speaker 1: that Meryl will be playing just someone no physical resemblance

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Speaker 1: at all, right now, people would be I think Meryl

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Speaker 1: would be amazing me. I think she'd play me amazing.

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Speaker 1: She would be Yeah, I think she would do us

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Speaker 1: all justice. I don't know, because we are different, we

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Speaker 1: look we look absolutely, but you know, if anyone was

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Speaker 1: going to do it that like, it would be Meryl. Yeah.

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Speaker 1: I don't think she would approach either my nor partner's

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Speaker 1: sort of emotional for partner's case emotional complexity, for my

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Speaker 1: case emotional simplicity. She would overshoot it. Horrible thing. She

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Speaker 1: would add depth to me that was not there. And

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Speaker 1: I think that's I think that would that would play

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Speaker 1: that that would that would be very very easily just

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Speaker 1: people would see that and be like, that's would be

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Speaker 1: so transparent people. The Bone was never like this, you know,

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Speaker 1: Bone was not this emotionally mature. So that's that. That's

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Speaker 1: my thing with Meryl. Do you think that the author

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Speaker 1: that she played in adaptation was as wonderfully fabulous to

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Speaker 1: watch as Meryl was in adapt to adaptation you're talking

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Speaker 1: about UM. You think dingle Ate my Baby was this

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Speaker 1: amazing mirror you're talking about UM. But for adptations there

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Speaker 1: was an Arlene who is wonderful has their own podcast.

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Speaker 1: Now that's fine. Is she as good as Meryl strip

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Speaker 1: to watch? I don't stop it? She taught some she

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Speaker 1: taught some classes in YO. I don't care. Okay, take something.

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Speaker 1: Everyone's podcast. I don't want to a podcast nowadays everyone

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Speaker 1: teaches that. In EO everyone has a podcast. Horrible part.

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Speaker 1: Do you still have your podcast? We're trying to resuscitate it.

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Speaker 1: It's good to shop it around to a network. You

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Speaker 1: got to have a network these days. We love our

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Speaker 1: people that forever Dog Hi, Hi, Hot Producer, Joe. They're

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Speaker 1: not our people there are people their own and we

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Speaker 1: work together. There are people it's horrible for you, don't

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Speaker 1: not not the literal possessive. I'm just saying they're on

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Speaker 1: they're in our camp. Partner. You have to you have

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Speaker 1: to find the right people and you have to be

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Speaker 1: able to call them. Are people comfortably? Have you guys

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Speaker 1: been working together from the beginning from the jump and

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Speaker 1: you asked about since birth? You asking about since birth? Yes,

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Speaker 1: we didn't know each other and when we were born,

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Speaker 1: but many years later we did meet. And then from

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Speaker 1: that point I made it from when we met, um,

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Speaker 1: But I will say that we have had some difficult

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Speaker 1: moments with who with me and you? Okay? Like what? Well,

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Speaker 1: I would say that in the very beginning of our relationship,

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Speaker 1: Bone was threatened by me, not because of why you think,

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Speaker 1: which I don't know why you think, but he thought

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Speaker 1: that I was straight and trying to date the girl

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Speaker 1: that he liked. Allegedly. Yes, we did have a difficult

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Speaker 1: moment about a female but a female woman, and this

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00:21:45,440 --> 00:21:48,640
Speaker 1: was when we were both in the closet um early

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Speaker 1: days of college, and I felt threatened and I said this,

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00:21:53,560 --> 00:21:57,920
Speaker 1: Bowen thought that I was going to date Sherman Bielfelds,

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Speaker 1: who now works at bark Box. I saw her at

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Speaker 1: the place where I waited tables the other day, and

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Speaker 1: I I saw her at Brooklyn Crab, like at the

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Speaker 1: our old friend Mung. She came into Brooklyn Crab where

390
00:22:12,240 --> 00:22:14,240
Speaker 1: I wait tables and I saw her and it was

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00:22:14,280 --> 00:22:15,399
Speaker 1: like I had to do it like a double tech.

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Speaker 1: In fact, I took their order first and then I

393
00:22:18,119 --> 00:22:20,639
Speaker 1: was like, oh my god, you are mom and she

394
00:22:20,800 --> 00:22:22,800
Speaker 1: was like yes, Hi, And then we had we had

395
00:22:22,800 --> 00:22:25,280
Speaker 1: a conversation and I texted Bone of course, and it

396
00:22:25,359 --> 00:22:28,639
Speaker 1: took me back to this place of animosity. Yeah. Um,

397
00:22:29,000 --> 00:22:33,840
Speaker 1: but where did you guys go to college? And it

398
00:22:34,040 --> 00:22:37,359
Speaker 1: isn't crazy that she would show up you? No, no, no, no,

399
00:22:37,400 --> 00:22:39,280
Speaker 1: no no. In fact, it I would say likely, It

400
00:22:39,400 --> 00:22:42,360
Speaker 1: was likely, but um, you know that was to think

401
00:22:42,440 --> 00:22:46,200
Speaker 1: that Matt and Matt and I, um, just our origin

402
00:22:46,280 --> 00:22:50,359
Speaker 1: story starts with over a girl. It's very ironic crazy,

403
00:22:50,960 --> 00:22:52,800
Speaker 1: you know. I would also say we probably have to

404
00:22:52,880 --> 00:22:57,320
Speaker 1: be like what the one hundred seven thousand most notable

405
00:22:57,440 --> 00:23:01,080
Speaker 1: person of n y U. Probably of people more notable

406
00:23:01,119 --> 00:23:03,480
Speaker 1: than us from there, not like Amherst where it's like

407
00:23:04,040 --> 00:23:09,080
Speaker 1: you David fuster Wallace investor that the Olsen twins coming

408
00:23:09,080 --> 00:23:10,720
Speaker 1: at n y U. It would have to be like

409
00:23:10,800 --> 00:23:13,000
Speaker 1: the hundreds that puts us at least three and four.

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00:23:13,720 --> 00:23:15,719
Speaker 1: I forgot they went to school. They did, they did,

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Speaker 1: they did. Um a partner, We're going to ask you

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Speaker 1: the question now that we ask all of our guests,

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Speaker 1: which is what was the culture that made you say cultures?

414
00:23:23,119 --> 00:23:27,119
Speaker 1: For me? What was the culture that m was? Um

415
00:23:27,720 --> 00:23:31,280
Speaker 1: formative wrapped wrapped in a in a blanket, um tied

416
00:23:31,359 --> 00:23:34,120
Speaker 1: to the beak of a stork. Yeah. The stork flew

417
00:23:34,240 --> 00:23:36,960
Speaker 1: in with a little, you know, a little a male

418
00:23:37,040 --> 00:23:41,120
Speaker 1: boy cap and just gently placed it on your doorstep,

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Speaker 1: and you opened it and you said, Wow, I've arrived

420
00:23:43,640 --> 00:23:46,399
Speaker 1: at culture. You remember the scene from the Prince of Egypt,

421
00:23:46,600 --> 00:23:50,200
Speaker 1: the movie animated film about the birth of Moses and

422
00:23:50,280 --> 00:23:52,480
Speaker 1: the story of Moses. You remember in the beginning of

423
00:23:52,480 --> 00:23:55,000
Speaker 1: the film when Moses goes down the river in the

424
00:23:55,080 --> 00:23:58,800
Speaker 1: basket and arrives from the movie at the feet of

425
00:24:00,280 --> 00:24:05,600
Speaker 1: the pharaohs. Um, you are the pharaohest here and Moses

426
00:24:05,880 --> 00:24:09,480
Speaker 1: is the culture that Oh? Wow? Yeah, wait, would that

427
00:24:09,600 --> 00:24:13,560
Speaker 1: one count as the book better than the movie? Yes? Yes, yes,

428
00:24:13,920 --> 00:24:16,359
Speaker 1: I think the Prince of Egypt is better than the Bible,

429
00:24:16,960 --> 00:24:23,320
Speaker 1: at least Exodus, the book about I had much better songs. Yes, absolutely,

430
00:24:23,560 --> 00:24:25,439
Speaker 1: I can't say any of these songs in the Bible.

431
00:24:25,600 --> 00:24:27,719
Speaker 1: Bible ned more songs than needed a much better um

432
00:24:28,960 --> 00:24:32,840
Speaker 1: uh score, yes absolutely um. But that's the question. I

433
00:24:33,480 --> 00:24:37,480
Speaker 1: feel like. I feel like I started, um like, I

434
00:24:37,600 --> 00:24:39,560
Speaker 1: tried to go back really early when I was thinking

435
00:24:39,600 --> 00:24:42,480
Speaker 1: about this question, and I just landed at Sesame Street.

436
00:24:42,520 --> 00:24:44,680
Speaker 1: But then I was like, is that what? Everyone beautiful?

437
00:24:44,720 --> 00:24:47,600
Speaker 1: They don't say that, but you know what that's because

438
00:24:47,880 --> 00:24:51,480
Speaker 1: they're not smart enough to say that. And Sesame Street,

439
00:24:51,960 --> 00:24:55,800
Speaker 1: I mean, it's what what a nice universal touchdown? Oh

440
00:24:55,920 --> 00:24:58,120
Speaker 1: my gosh. I wonder if it still is though, because

441
00:24:58,400 --> 00:25:00,640
Speaker 1: it is, it affects lots of kids still to this day.

442
00:25:00,640 --> 00:25:02,040
Speaker 1: And you know what they do, which I think is

443
00:25:02,080 --> 00:25:06,040
Speaker 1: really good. There's an autistic character. Yes, they've heard about this. Yeah,

444
00:25:09,359 --> 00:25:11,399
Speaker 1: they did him a second where it was like they

445
00:25:11,480 --> 00:25:14,680
Speaker 1: flashed to Sesame Street and it was there's an autistic character.

446
00:25:14,760 --> 00:25:17,439
Speaker 1: And there's her best friend who kind of like uh

447
00:25:17,600 --> 00:25:20,480
Speaker 1: not speaks for her but helps her communicate because she's

448
00:25:20,480 --> 00:25:21,840
Speaker 1: there with her, and they're kind of like a due

449
00:25:22,000 --> 00:25:25,960
Speaker 1: on the show. But it's beautiful, it's wonderful, and they're

450
00:25:26,040 --> 00:25:30,600
Speaker 1: little cute muppets. They're adorable. I love it. And didn't

451
00:25:30,640 --> 00:25:34,720
Speaker 1: they have the first HIV positive character? They did? They did,

452
00:25:35,280 --> 00:25:37,600
Speaker 1: they did, but he was he was also a muppet.

453
00:25:37,680 --> 00:25:40,320
Speaker 1: He she was also up day. They were a I

454
00:25:40,400 --> 00:25:43,480
Speaker 1: believe a character on the show a muppet. I don't

455
00:25:43,480 --> 00:25:46,360
Speaker 1: think they were an actor. No, but that's what I'm saying.

456
00:25:46,400 --> 00:25:49,600
Speaker 1: It's like you hear about it doing all these groundbreakings,

457
00:25:49,760 --> 00:25:51,200
Speaker 1: Like God, I didn't even know that was still on.

458
00:25:51,920 --> 00:25:55,040
Speaker 1: I love that answer. Now what um, let's say you

459
00:25:55,160 --> 00:25:58,720
Speaker 1: were being asked you were broked on Sesame Street? What

460
00:25:59,040 --> 00:26:01,359
Speaker 1: was and you were being presented with you had to

461
00:26:01,440 --> 00:26:05,400
Speaker 1: present the letter of the day. What's your letter? Oh man,

462
00:26:05,840 --> 00:26:12,360
Speaker 1: I'm I'm gonna go with and and you know what, Yeah,

463
00:26:12,640 --> 00:26:15,360
Speaker 1: and then you and then there's a little snap, there's

464
00:26:15,359 --> 00:26:18,239
Speaker 1: some eminem's and then you go no, no, no, we're

465
00:26:18,280 --> 00:26:22,840
Speaker 1: going to nibble and m m's. I think that's wonderful.

466
00:26:22,880 --> 00:26:24,680
Speaker 1: That's beautiful. Who would your seen partner be? Who was

467
00:26:24,720 --> 00:26:28,160
Speaker 1: your favorite character in SSS? I loved Grover. Grover Grover

468
00:26:28,280 --> 00:26:29,880
Speaker 1: is the best one that Grover is the best one.

469
00:26:30,720 --> 00:26:36,560
Speaker 1: Who is your favorite? I love that grouch, Oscar the Grouch,

470
00:26:36,680 --> 00:26:41,760
Speaker 1: I love I love like a I'm apologetic. She I

471
00:26:41,920 --> 00:26:46,840
Speaker 1: referred to her the gradges. She she was never having it. No.

472
00:26:47,680 --> 00:26:52,760
Speaker 1: I recently I saw a little bust of Oscar the

473
00:26:52,800 --> 00:26:54,520
Speaker 1: Grouch and it was like something you could stand next

474
00:26:54,520 --> 00:26:57,199
Speaker 1: to impose. And then I just satis to that thing

475
00:26:57,280 --> 00:27:00,399
Speaker 1: and we threw a lot of shay an Oscar, Oscar.

476
00:27:00,520 --> 00:27:04,280
Speaker 1: I like that Oscar the Groucher. Cookie Monster is the

477
00:27:04,320 --> 00:27:08,080
Speaker 1: one to Oh yeah, cookie Monster. Grover was so it

478
00:27:08,200 --> 00:27:10,399
Speaker 1: was so lovely and loving, and Grover had no hang

479
00:27:10,520 --> 00:27:13,720
Speaker 1: ups like Cookie Monster. The only subject matter you could

480
00:27:13,720 --> 00:27:16,879
Speaker 1: talk about with him was cookies. So what I'm saying

481
00:27:17,040 --> 00:27:20,000
Speaker 1: with Grover, you can open up and you don't. He's

482
00:27:20,000 --> 00:27:22,400
Speaker 1: not going to hijack the conversation from you. I gotta

483
00:27:22,400 --> 00:27:24,760
Speaker 1: tell you something. I can't picture Grover in my mind's eye.

484
00:27:25,359 --> 00:27:27,000
Speaker 1: You don't know what who the do you know where

485
00:27:27,000 --> 00:27:29,719
Speaker 1: we're do? You don't know what we're talking about? Super

486
00:27:29,760 --> 00:27:32,720
Speaker 1: Grover within with a little Knight's House, Yes, oh my god,

487
00:27:32,800 --> 00:27:35,439
Speaker 1: in the Cape. You don't know Grover, the Little Elmo,

488
00:27:35,640 --> 00:27:41,399
Speaker 1: the Blue Cookie Monster, Blue Blue one with the pink nose. Yeah, no,

489
00:27:42,160 --> 00:27:45,480
Speaker 1: I only had time. Only I have time for two

490
00:27:45,800 --> 00:27:51,360
Speaker 1: blue Sesame Streets, and it's Cookie Monster and Gonzo dot

491
00:27:51,440 --> 00:27:57,960
Speaker 1: Com is a muppet. I mean they're all technically muppets,

492
00:27:58,000 --> 00:28:00,480
Speaker 1: but like Gonzo is more Jim Hens. You're telling me

493
00:28:00,720 --> 00:28:03,200
Speaker 1: Gonzo wasn't in Sesame Street. He might have made it

494
00:28:03,240 --> 00:28:05,440
Speaker 1: a cameo like Kermit would every now and then, but

495
00:28:05,760 --> 00:28:09,200
Speaker 1: he wasn't a staple character. Oh my god, is it

496
00:28:09,440 --> 00:28:13,880
Speaker 1: crazy that we're not saying Big Bird? Absolutely? I never

497
00:28:14,920 --> 00:28:17,640
Speaker 1: loved Big Bird and I feel bad saying that even

498
00:28:17,680 --> 00:28:25,640
Speaker 1: out loud. What is it about unpacked? I think, I think, Um,

499
00:28:26,240 --> 00:28:29,480
Speaker 1: I don't know. I think I may be too big

500
00:28:30,760 --> 00:28:33,320
Speaker 1: trying to feel weird about saying out loud because you

501
00:28:33,359 --> 00:28:35,680
Speaker 1: know what I saw. I saw that Billy on the

502
00:28:35,680 --> 00:28:37,639
Speaker 1: Street episode where was Big birdy Michelle Obama in that

503
00:28:37,680 --> 00:28:40,720
Speaker 1: grocery store, and I did not understand the engineering behind

504
00:28:40,760 --> 00:28:43,120
Speaker 1: that puppet. I was like, how many people are in

505
00:28:43,240 --> 00:28:45,200
Speaker 1: There's got to be a person in a suit, right,

506
00:28:45,520 --> 00:28:50,080
Speaker 1: But it's it's like an eight foot tall thing. It's

507
00:28:50,120 --> 00:28:54,440
Speaker 1: on still se guarantee. But then no, because the arms

508
00:28:54,880 --> 00:28:58,400
Speaker 1: and the arms are gigantic, The hands are gigantic. Someone's

509
00:28:58,400 --> 00:29:02,080
Speaker 1: operating the blinking like and the mouth like, what helm?

510
00:29:02,280 --> 00:29:04,960
Speaker 1: What is the mechanism? I think it's also because a

511
00:29:05,080 --> 00:29:07,080
Speaker 1: lot of the muppets felt like kids to me, and

512
00:29:07,200 --> 00:29:09,520
Speaker 1: for some reason, Big Bird did not feel like a kid.

513
00:29:09,640 --> 00:29:11,960
Speaker 1: But I think that might have been my size bias.

514
00:29:12,840 --> 00:29:15,280
Speaker 1: Your your size in the in the queer community, your

515
00:29:15,440 --> 00:29:19,640
Speaker 1: size queen. Um. And I want to say that Big

516
00:29:19,720 --> 00:29:22,760
Speaker 1: Bird a little two chilled out and I said, kid,

517
00:29:22,920 --> 00:29:25,880
Speaker 1: it really it rattled, it was jarring. I was like,

518
00:29:26,000 --> 00:29:28,760
Speaker 1: why is he that calm? No one should be this calm.

519
00:29:28,880 --> 00:29:31,200
Speaker 1: I don't get it at all. I think it's very disquieting.

520
00:29:31,240 --> 00:29:34,239
Speaker 1: I agree with you, And I also would say that, um,

521
00:29:36,240 --> 00:29:38,880
Speaker 1: what would you say? I would say that big bird, Um.

522
00:29:39,600 --> 00:29:43,760
Speaker 1: The timbre of Big Bird's voice something was very wrong

523
00:29:43,960 --> 00:29:48,200
Speaker 1: like this, Yeah, something was very wrong bird story like that.

524
00:29:48,800 --> 00:29:50,360
Speaker 1: But they don't talk like that. Also, I have to

525
00:29:50,400 --> 00:29:52,680
Speaker 1: answer this question, what kind of bird is that? I mean,

526
00:29:52,760 --> 00:29:55,200
Speaker 1: we don't that's that's we get that. We understand that

527
00:29:55,280 --> 00:29:57,120
Speaker 1: it's a big bird, but we don't know what kind

528
00:29:57,120 --> 00:30:01,520
Speaker 1: of bird that is. And I demand, and you're you

529
00:30:01,600 --> 00:30:04,600
Speaker 1: are setting an unrealistic expectation in child's minds about what

530
00:30:05,280 --> 00:30:08,680
Speaker 1: an avian creature looks like. Yeah, they don't look like that.

531
00:30:09,360 --> 00:30:12,920
Speaker 1: They don't look like that. They certainly don't. And honestly,

532
00:30:13,040 --> 00:30:17,160
Speaker 1: is this sort of ostrich because and it's certainly why

533
00:30:17,240 --> 00:30:20,840
Speaker 1: is it in New York? Certainly why you know what?

534
00:30:21,800 --> 00:30:25,840
Speaker 1: This is a fashion icon on Sesame Street. The Count,

535
00:30:25,920 --> 00:30:29,440
Speaker 1: I'm saying, the Count is a count of the accessories,

536
00:30:29,680 --> 00:30:32,880
Speaker 1: the cape, Yeah, the hair. You're gonna come for Cookie

537
00:30:32,920 --> 00:30:34,840
Speaker 1: about being just about cookie, and you're not going to

538
00:30:34,880 --> 00:30:38,240
Speaker 1: come for Count about just being counting. It's ridiculous. Numbers,

539
00:30:38,840 --> 00:30:45,360
Speaker 1: very pro capitalism. I would argue that the Counts obsession

540
00:30:45,440 --> 00:30:49,280
Speaker 1: with numbers means that he wants to have a conversation.

541
00:30:49,320 --> 00:30:51,320
Speaker 1: He wants to talk to the world in terms of

542
00:30:51,520 --> 00:30:57,360
Speaker 1: universal languages, which is math, which is numbers. Everyone knows

543
00:30:57,400 --> 00:30:59,840
Speaker 1: what numbers are. Everyone can relate to numbers no matter what.

544
00:31:00,040 --> 00:31:03,720
Speaker 1: I'm with you now, it's a universal language. The Count

545
00:31:03,880 --> 00:31:08,160
Speaker 1: is a diplomat, the diplomat of Tessamey. Straight. Yeah. Absolutely,

546
00:31:08,840 --> 00:31:12,280
Speaker 1: I would say, I love Elmo, but I have a

547
00:31:12,360 --> 00:31:15,000
Speaker 1: problem with Elmo. Yeah, And it's less to do with

548
00:31:15,200 --> 00:31:17,480
Speaker 1: Elmo as a person and more to do with the

549
00:31:17,520 --> 00:31:20,880
Speaker 1: way I believe he was presented. Over time, his thing

550
00:31:21,040 --> 00:31:24,200
Speaker 1: became too much about tickling. And you know, as we

551
00:31:24,360 --> 00:31:28,320
Speaker 1: go for a time, you have this idea that you know,

552
00:31:28,440 --> 00:31:32,080
Speaker 1: not everyone would want to be tickled, invitations to tickle,

553
00:31:32,200 --> 00:31:36,440
Speaker 1: the the the child that was Elmo. I just I

554
00:31:36,480 --> 00:31:42,840
Speaker 1: don't know if I feel comfortable with his image being tickle. Yes,

555
00:31:43,400 --> 00:31:46,920
Speaker 1: did you guys see Tickle the documentary? No, I've heard

556
00:31:46,960 --> 00:31:50,720
Speaker 1: about this up and down. Though I'm normally not disturbed,

557
00:31:51,720 --> 00:31:55,680
Speaker 1: it was super disturbed. But also because I don't even know,

558
00:31:56,200 --> 00:31:58,120
Speaker 1: I don't want to give it away, not that you

559
00:31:58,240 --> 00:32:01,160
Speaker 1: can really give a documentary away. Talk more about it, though,

560
00:32:01,880 --> 00:32:04,320
Speaker 1: I feel like Tickle is like it's like a it's

561
00:32:04,360 --> 00:32:07,240
Speaker 1: like a documentary front, like the premises a front, and

562
00:32:07,320 --> 00:32:10,800
Speaker 1: then when they when you learn what it actually is,

563
00:32:10,920 --> 00:32:14,960
Speaker 1: it gets a lot darker. Oh no, yeah, it's like, um,

564
00:32:15,920 --> 00:32:18,600
Speaker 1: million dollar baby, it's a millionar but the front is

565
00:32:18,640 --> 00:32:21,920
Speaker 1: a rom com. But then you realize it's more than that.

566
00:32:22,200 --> 00:32:26,360
Speaker 1: It's more than that. It's it's a sports film. You

567
00:32:26,480 --> 00:32:29,360
Speaker 1: haven't seen that film. I haven't. You haven't seen million Dollars.

568
00:32:29,360 --> 00:32:34,280
Speaker 1: Maybe I don't like dollars. Here's here I'll tell you

569
00:32:34,400 --> 00:32:37,360
Speaker 1: this when you you know a little bit about Million

570
00:32:37,360 --> 00:32:44,360
Speaker 1: Dollar Baby. What do you think it's about in sports? Boxing? Right?

571
00:32:44,560 --> 00:32:47,160
Speaker 1: You think it's about boxing? It's not. I will give

572
00:32:47,200 --> 00:32:49,200
Speaker 1: you what a way what it is. It is a

573
00:32:49,320 --> 00:32:54,360
Speaker 1: drama about euthan asia. Really, who's being euthanized? Would you

574
00:32:54,400 --> 00:32:56,480
Speaker 1: like me to tell you? Spoiler alert for those of

575
00:32:56,520 --> 00:32:58,160
Speaker 1: you out there who have not seen the two thousand

576
00:32:58,280 --> 00:33:00,720
Speaker 1: four film that one Best Picture at the Oscars, Million

577
00:33:00,760 --> 00:33:02,520
Speaker 1: Dollar Baby, I'm going to give away the end of

578
00:33:03,880 --> 00:33:06,960
Speaker 1: stop tell you in the movie very much in the

579
00:33:07,000 --> 00:33:10,719
Speaker 1: film in a supporting role. Okay, who gets euthanized. There

580
00:33:10,840 --> 00:33:15,200
Speaker 1: is a scene where Hilary Swank is boxing and she

581
00:33:15,560 --> 00:33:18,560
Speaker 1: is there's a break in the match and she swung

582
00:33:18,680 --> 00:33:22,760
Speaker 1: at by her competitor. She gets punched, falls and she

583
00:33:22,920 --> 00:33:28,080
Speaker 1: snaps her neck on the chair. So this happens, like

584
00:33:29,200 --> 00:33:33,400
Speaker 1: I'm gonna say, there's a chair nearby. Listen. Best Picture winner.

585
00:33:33,800 --> 00:33:38,200
Speaker 1: We can't argue with that. The logic is inarguable, you know,

586
00:33:38,360 --> 00:33:42,000
Speaker 1: like many before. So just like Crash, you can't argue

587
00:33:42,000 --> 00:33:47,440
Speaker 1: with perfect film. It just one. It's perfect. Nothing problematical

588
00:33:47,560 --> 00:33:50,280
Speaker 1: horrible about it at all, not even a bad script.

589
00:33:50,520 --> 00:33:54,320
Speaker 1: It won So she snaps her neck on this chair,

590
00:33:54,400 --> 00:33:57,320
Speaker 1: which is there, and then this happens about two thirds

591
00:33:57,360 --> 00:33:59,480
Speaker 1: of the movie in so there's a lot of movie

592
00:33:59,520 --> 00:34:01,360
Speaker 1: left to go. The check offs gun of the movie

593
00:34:01,480 --> 00:34:04,680
Speaker 1: is a chair. I don't even think the chair appears

594
00:34:04,680 --> 00:34:08,120
Speaker 1: in the first thing. So there's no warning about this chair.

595
00:34:08,800 --> 00:34:11,359
Speaker 1: There's never even a character that says, like, better watch

596
00:34:11,440 --> 00:34:13,239
Speaker 1: out for these chairs. You know, if you leave him out,

597
00:34:13,320 --> 00:34:15,600
Speaker 1: someone could snap that at And but you're not, You're

598
00:34:15,760 --> 00:34:20,480
Speaker 1: you're saying there's not even one seating suitable piece of

599
00:34:20,560 --> 00:34:25,080
Speaker 1: furniture in the first two after it's very suspect, but

600
00:34:25,280 --> 00:34:27,440
Speaker 1: one best picture, okay, we can't question it. Okay. So

601
00:34:27,719 --> 00:34:29,920
Speaker 1: so she does snap her neck on this chair, and

602
00:34:30,000 --> 00:34:36,520
Speaker 1: she's unconscious, she becomes paraplegic, and so there is no

603
00:34:36,760 --> 00:34:43,240
Speaker 1: one there or okay, her mother is very like white trash,

604
00:34:43,719 --> 00:34:47,160
Speaker 1: like wants her to like give her the money that

605
00:34:47,400 --> 00:34:49,759
Speaker 1: she has from being a boxer or something like they

606
00:34:49,800 --> 00:34:52,360
Speaker 1: want to like this is very upsetting scene where like

607
00:34:52,760 --> 00:34:55,080
Speaker 1: all her life, Hillary tried to gain the favor of

608
00:34:55,200 --> 00:34:57,879
Speaker 1: her family and like the love of her family, and um,

609
00:34:58,640 --> 00:35:01,440
Speaker 1: she's the mother comes there and she's like pretending to

610
00:35:01,520 --> 00:35:03,239
Speaker 1: love her and everything, and then she wants her to

611
00:35:03,400 --> 00:35:07,480
Speaker 1: sign um this piece of paper that says they're going

612
00:35:07,520 --> 00:35:09,200
Speaker 1: to get all her money or something. And she comes

613
00:35:09,280 --> 00:35:11,640
Speaker 1: literally in her like Disney World Mickey Mouse shirt, like

614
00:35:11,719 --> 00:35:14,000
Speaker 1: they're like on the way, I think, and she goes

615
00:35:14,040 --> 00:35:17,440
Speaker 1: as far as to put the pen in Hillary Swank's

616
00:35:17,560 --> 00:35:20,040
Speaker 1: mouth to get because she can't use the rest of

617
00:35:20,080 --> 00:35:23,279
Speaker 1: her body. She's a quadriplegic. She's a quadriplegic. She's a

618
00:35:23,320 --> 00:35:28,120
Speaker 1: complete yes, she's completely unable to move from the Okay,

619
00:35:29,600 --> 00:35:32,360
Speaker 1: there's harrowing scenes of her trying to like end it

620
00:35:32,520 --> 00:35:34,480
Speaker 1: because she's like a boxer. She wants to live, she

621
00:35:34,520 --> 00:35:37,080
Speaker 1: wants she doesn't want to live anymore. It's horrible and

622
00:35:37,200 --> 00:35:38,600
Speaker 1: you don't you think the movie is going to be

623
00:35:38,640 --> 00:35:43,560
Speaker 1: about a woman boxer, but it's nuts paraplegia. It's very

624
00:35:43,800 --> 00:35:51,560
Speaker 1: quadra quadriplegia. So she puts the pen in Hillary Spank's

625
00:35:51,600 --> 00:35:55,040
Speaker 1: mouth and Hillary supposed to like sign it with her mouth,

626
00:35:55,440 --> 00:36:00,640
Speaker 1: and Hillary Spank, Hillary Swank, Hillary Spank, She's spits out

627
00:36:00,680 --> 00:36:02,759
Speaker 1: the pen and says get out of here, and the

628
00:36:02,880 --> 00:36:07,760
Speaker 1: mother like leaves in a huff. And so she says

629
00:36:07,840 --> 00:36:11,759
Speaker 1: to Clint Eastwood, you know what I want you to do?

630
00:36:12,880 --> 00:36:15,640
Speaker 1: And he she is giving him the message that she

631
00:36:15,800 --> 00:36:18,560
Speaker 1: doesn't want to live anymore and she's not able to

632
00:36:19,840 --> 00:36:24,480
Speaker 1: carry this out, so she puts it to him to

633
00:36:24,560 --> 00:36:30,520
Speaker 1: make the decision to end her life and he does. WHOA,

634
00:36:31,400 --> 00:36:36,919
Speaker 1: that's a lot. That is a lot. It is a lot.

635
00:36:37,360 --> 00:36:41,840
Speaker 1: I wish you could see. Actually that was always so

636
00:36:41,920 --> 00:36:45,080
Speaker 1: heartbreaking about it because like it want all these oscars

637
00:36:45,239 --> 00:36:47,560
Speaker 1: and always finally want the second best actually Ascar who

638
00:36:48,239 --> 00:36:50,600
Speaker 1: Like it's gonna be about boxing, gonna be triumphant, story

639
00:36:50,680 --> 00:36:53,480
Speaker 1: of the spirit, triumph, triumph, triumph, triumph, and then you

640
00:36:53,560 --> 00:36:58,360
Speaker 1: go there and it's just just devastating. Yeah, it's hard,

641
00:36:59,200 --> 00:37:03,840
Speaker 1: and he's really plays some real tragedies. Yeah, she doesn't

642
00:37:03,920 --> 00:37:08,239
Speaker 1: know how to do light. Hilary Swank, she did one

643
00:37:08,360 --> 00:37:10,719
Speaker 1: light movie. I want to say, what did she do

644
00:37:10,800 --> 00:37:14,359
Speaker 1: that was ever? Besides playing Heidi Clum in an snl ST.

645
00:37:14,480 --> 00:37:15,879
Speaker 1: She was really good and she was a really good

646
00:37:15,960 --> 00:37:19,200
Speaker 1: Heidi Clum on project. Yeah, she bizarrely does all these

647
00:37:19,280 --> 00:37:23,040
Speaker 1: tragedies and then she's like one of the better likes. Yeah,

648
00:37:24,120 --> 00:37:26,279
Speaker 1: you know what, I think. I think there's a there's

649
00:37:26,320 --> 00:37:30,080
Speaker 1: a campaign to be had about about booking her for something. Um,

650
00:37:30,560 --> 00:37:33,080
Speaker 1: you know light you know what Freedom writer. Remember that

651
00:37:33,120 --> 00:37:35,880
Speaker 1: movie she did Freedom that you know that had some

652
00:37:36,000 --> 00:37:37,520
Speaker 1: darkness in it. You know that kind of been a

653
00:37:37,640 --> 00:37:39,360
Speaker 1: joy to watch the whole time. She was in a

654
00:37:39,440 --> 00:37:41,680
Speaker 1: movie about like, Hi, I'm a white woman at this

655
00:37:41,800 --> 00:37:44,200
Speaker 1: all black school and we're going to how to write

656
00:37:44,920 --> 00:37:48,719
Speaker 1: literally I Love you. Sure she was in PS I

657
00:37:48,760 --> 00:37:50,839
Speaker 1: Love You and her husband is dead in the time.

658
00:37:50,880 --> 00:37:53,160
Speaker 1: All Right, you're right, she's heavy, having its follows her.

659
00:37:53,400 --> 00:37:55,399
Speaker 1: She's heavy. Let me tell you something, she's no nothing

660
00:37:55,480 --> 00:38:00,200
Speaker 1: wrong with heavy though she's no Rachel McAdams. Well, all

661
00:38:00,280 --> 00:38:03,359
Speaker 1: right to any actress that's been in any light movie anyway. Um,

662
00:38:03,640 --> 00:38:08,799
Speaker 1: Sesame Street. Yes, I just want to just to Sesame Streight. Um.

663
00:38:08,880 --> 00:38:11,920
Speaker 1: And you know, for me, growing up a little little

664
00:38:11,960 --> 00:38:15,800
Speaker 1: boy not really knowing what English is, it was a

665
00:38:15,880 --> 00:38:18,440
Speaker 1: very it was a very nice thing to have. That's

666
00:38:18,600 --> 00:38:20,080
Speaker 1: you know that that that that's just what I wanted

667
00:38:20,120 --> 00:38:22,920
Speaker 1: to say. I'm getting looks. I was no, I was

668
00:38:23,040 --> 00:38:25,880
Speaker 1: just I just suddenly had a flashback to when I

669
00:38:26,000 --> 00:38:28,680
Speaker 1: was in like maybe fourth grade, and this girl who

670
00:38:28,920 --> 00:38:31,600
Speaker 1: was like the cool girl said she never watched ses

671
00:38:31,680 --> 00:38:33,400
Speaker 1: My Street even when she was little and I was

672
00:38:33,520 --> 00:38:37,200
Speaker 1: so disturbed by what it took to be cool in

673
00:38:37,360 --> 00:38:40,239
Speaker 1: my mind. What happened to her that what I don't know,

674
00:38:40,400 --> 00:38:41,840
Speaker 1: what it took to be cool in your mind was

675
00:38:42,160 --> 00:38:45,759
Speaker 1: like withhold like just or just not well that even

676
00:38:45,880 --> 00:38:48,600
Speaker 1: when you're like four, you know that sys Street is

677
00:38:48,719 --> 00:38:52,360
Speaker 1: for babies. Damn that sucks for that even when you're four, Like,

678
00:38:52,520 --> 00:38:56,680
Speaker 1: being cool is not engaged with something. I hate that.

679
00:38:57,280 --> 00:38:59,920
Speaker 1: I hate superiority. I think it's the least a track

680
00:39:00,000 --> 00:39:08,520
Speaker 1: active quality, well outside of like you knows, which is

681
00:39:08,560 --> 00:39:14,640
Speaker 1: a form of superiority. Absolutely, thank you, Yeah, you're welcome.

682
00:39:15,080 --> 00:39:18,680
Speaker 1: I just I don't like it when people come in

683
00:39:18,800 --> 00:39:22,120
Speaker 1: there and they say I'm not doing that, I'm better

684
00:39:22,200 --> 00:39:23,759
Speaker 1: than this, or when they roll their eyes like I

685
00:39:23,760 --> 00:39:25,600
Speaker 1: remember this is this happened to me in high school.

686
00:39:26,239 --> 00:39:28,080
Speaker 1: We were playing man Hunt and we're far too old.

687
00:39:28,160 --> 00:39:31,719
Speaker 1: Were playing and some kid drove up in his car

688
00:39:31,840 --> 00:39:33,480
Speaker 1: and he was two years younger than us too. We

689
00:39:33,560 --> 00:39:35,920
Speaker 1: were like seventeen years old playing man Hunt. I'm not familiar.

690
00:39:36,400 --> 00:39:38,600
Speaker 1: Manhunt is like Hide and go Seek, but higher steaks

691
00:39:38,640 --> 00:39:40,920
Speaker 1: because it takes place hard at night and on a

692
00:39:41,040 --> 00:39:45,520
Speaker 1: larger scale. Okay, okay, okay, okay, And he was like,

693
00:39:45,920 --> 00:39:48,959
Speaker 1: I'm not going to play man Hunt. And I was like, wow,

694
00:39:49,120 --> 00:39:53,040
Speaker 1: you are so much better than Although if you were

695
00:39:53,080 --> 00:39:55,600
Speaker 1: in a social situation now and everyone was like, let's

696
00:39:55,640 --> 00:39:59,640
Speaker 1: play man hunt and hide around the fucking city, you'd

697
00:39:59,640 --> 00:40:02,960
Speaker 1: say no for different reasons. You wouldn't say no because

698
00:40:03,040 --> 00:40:06,360
Speaker 1: you were better than you would say no because and listen,

699
00:40:06,480 --> 00:40:10,040
Speaker 1: that's not safe. We live in New York City a

700
00:40:10,120 --> 00:40:14,600
Speaker 1: good time in this climate. Absolutely absolutely to be jumping

701
00:40:14,680 --> 00:40:19,040
Speaker 1: out screaming. I just I just think there's a really

702
00:40:19,080 --> 00:40:23,680
Speaker 1: fine line between superiority and just discomfort and saying no.

703
00:40:24,680 --> 00:40:26,719
Speaker 1: You're putting a lot of you're putting a lot of

704
00:40:26,840 --> 00:40:29,719
Speaker 1: stigma on saying no, and that's not the time to

705
00:40:29,800 --> 00:40:33,359
Speaker 1: be doing this. So I think you should really think

706
00:40:33,360 --> 00:40:36,680
Speaker 1: about what you're saying. Matt. I'm sorry, party, you're catching

707
00:40:36,760 --> 00:40:39,920
Speaker 1: us at a really antagonistic time. Um, but you know

708
00:40:40,040 --> 00:40:42,640
Speaker 1: this is this is just the dynamic. It's because of

709
00:40:42,680 --> 00:40:44,719
Speaker 1: the weather. I think it's because of the weather. Okay,

710
00:40:44,840 --> 00:40:46,600
Speaker 1: let's take a quick break and we'll be right back

711
00:40:46,640 --> 00:40:51,080
Speaker 1: with a partner in Charlot. Okay, listen to everybody. We

712
00:40:51,160 --> 00:40:53,440
Speaker 1: have a new initiative in place. It's time to talk

713
00:40:53,480 --> 00:40:56,520
Speaker 1: some business, wouldn't you say, bo I would say so absolutely. Now,

714
00:40:57,239 --> 00:41:00,080
Speaker 1: this new initiative that we're doing, um, I think that

715
00:41:00,160 --> 00:41:02,200
Speaker 1: we have done pretty well. I think glass cultures. So

716
00:41:02,280 --> 00:41:04,799
Speaker 1: we we've had a good fun time here, good fun time.

717
00:41:04,880 --> 00:41:09,200
Speaker 1: But it's time. It's time to raise the ceiling. Oh yeah,

718
00:41:09,239 --> 00:41:11,440
Speaker 1: as they say, and reach the ceiling and reach for

719
00:41:11,480 --> 00:41:14,760
Speaker 1: the stars and reach for the top of the charts. Charts.

720
00:41:15,160 --> 00:41:17,520
Speaker 1: We want to be chart toppers in this new initiative

721
00:41:17,600 --> 00:41:24,799
Speaker 1: called Operation chart Topper or the chart operation or project

722
00:41:25,320 --> 00:41:30,160
Speaker 1: chart Operation or the chart operation project, now, whatever you

723
00:41:30,280 --> 00:41:33,520
Speaker 1: choose to call this. Here's the point. We want everyone

724
00:41:34,000 --> 00:41:38,320
Speaker 1: to subscribe to this podcast. We want reviews, honey, that

725
00:41:38,480 --> 00:41:41,480
Speaker 1: are nice, and we want five star ratings. Now it's

726
00:41:41,520 --> 00:41:45,000
Speaker 1: not really just enough to garner all these things, it's not.

727
00:41:45,239 --> 00:41:48,840
Speaker 1: It's not. We have to get all of these things

728
00:41:49,440 --> 00:41:53,120
Speaker 1: specifically in this order. Subscribe, rate five stars and review.

729
00:41:53,760 --> 00:41:58,480
Speaker 1: So the little little type typers and apple can can

730
00:41:58,760 --> 00:42:02,320
Speaker 1: can can go, oh look, boss, a blip and that

731
00:42:02,400 --> 00:42:04,840
Speaker 1: blip is going to be the culture restuft, the movement

732
00:42:04,880 --> 00:42:06,960
Speaker 1: that is less culture restuff. Yes, and so here's what's

733
00:42:07,000 --> 00:42:09,920
Speaker 1: going to happen. It helps this movement and it helps

734
00:42:10,120 --> 00:42:13,880
Speaker 1: trick these little computers computer babies over at Apple and

735
00:42:14,000 --> 00:42:17,360
Speaker 1: iTunes if we all do this at the same time.

736
00:42:18,000 --> 00:42:20,600
Speaker 1: So here's what's gonna happen. Here's here's the project our

737
00:42:20,680 --> 00:42:24,400
Speaker 1: to operation. We in just a moment are going to

738
00:42:24,560 --> 00:42:29,520
Speaker 1: say go and then from that go. You have twenty seconds,

739
00:42:29,680 --> 00:42:34,000
Speaker 1: which is all it should take to go subscribe if

740
00:42:34,040 --> 00:42:36,760
Speaker 1: you haven't give us that five star rating and write

741
00:42:36,880 --> 00:42:41,160
Speaker 1: a kind little review. Yes, we can go in the

742
00:42:41,200 --> 00:42:42,680
Speaker 1: review of talk. You can give us a rule of

743
00:42:42,719 --> 00:42:44,239
Speaker 1: culture and number it and we might read it on

744
00:42:44,400 --> 00:42:46,680
Speaker 1: on the pod. Oh yeah, oh yeah. You can tell

745
00:42:46,800 --> 00:42:48,600
Speaker 1: us what your culture that made you think, what's culture

746
00:42:48,719 --> 00:42:50,200
Speaker 1: was for you was, or you can just you know,

747
00:42:50,320 --> 00:42:53,640
Speaker 1: be kind literally try to outdo each other with how

748
00:42:53,800 --> 00:42:57,040
Speaker 1: rapturous the review can be. How about that? Now? Listen,

749
00:42:57,480 --> 00:42:59,680
Speaker 1: every week we're gonna be coming back and we're gonna

750
00:42:59,680 --> 00:43:04,000
Speaker 1: be porting to you on how many different reviews we've gotten.

751
00:43:04,280 --> 00:43:06,560
Speaker 1: We want to keep upping mistakes and we will read

752
00:43:06,640 --> 00:43:08,360
Speaker 1: some of these reviews. Yes, so are you ready to

753
00:43:08,400 --> 00:43:10,080
Speaker 1: get this started? I'm so ready to get this started.

754
00:43:10,160 --> 00:43:11,840
Speaker 1: Let's go on the count of three. Let's say and

755
00:43:12,000 --> 00:43:14,719
Speaker 1: what should we do in the twenty seconds to um

756
00:43:15,160 --> 00:43:17,960
Speaker 1: to fill this time? Oh, I'm let's let's catch up.

757
00:43:18,040 --> 00:43:19,640
Speaker 1: Let's let's talk about what we're gonna do this week,

758
00:43:19,719 --> 00:43:21,600
Speaker 1: like what our plans are? Okay, I love that. I

759
00:43:21,680 --> 00:43:25,600
Speaker 1: love it's lie and simple. Alright, ready everyone, one, two,

760
00:43:26,280 --> 00:43:29,879
Speaker 1: three go? What are you going on this week? Matt Um? Well,

761
00:43:29,880 --> 00:43:33,480
Speaker 1: I'm going to see you on Tuesday and we're gonna

762
00:43:33,680 --> 00:43:36,560
Speaker 1: be rehearsing for my Christmas show. Have you heard of

763
00:43:36,680 --> 00:43:39,400
Speaker 1: Christmas at the Duplex on December twelve and nine one?

764
00:43:41,160 --> 00:43:43,279
Speaker 1: And I'm really excited about that. I'm so excited for

765
00:43:43,320 --> 00:43:44,680
Speaker 1: that show. I know a lot of fun people who

766
00:43:44,680 --> 00:43:46,719
Speaker 1: are coming to it. It's almost twenty seconds, Oh my god,

767
00:43:46,760 --> 00:43:50,080
Speaker 1: and you know what it is? Wow? So after your

768
00:43:50,120 --> 00:43:53,160
Speaker 1: review yet, I actually have a ready I left. I

769
00:43:53,239 --> 00:43:56,000
Speaker 1: left a review today. Yes, I've left my review months ago.

770
00:43:56,560 --> 00:43:59,120
Speaker 1: What did you say for yourself? I said, what a

771
00:43:59,200 --> 00:44:01,759
Speaker 1: fun podcast. By the way, I'm a co host. To

772
00:44:02,239 --> 00:44:05,000
Speaker 1: that effect, I said something, Okay, I was very transparent

773
00:44:05,000 --> 00:44:08,000
Speaker 1: about who I was, where I was coming from. But

774
00:44:08,120 --> 00:44:10,040
Speaker 1: you know, it's like you gotta be transparent. It's actually

775
00:44:10,080 --> 00:44:13,000
Speaker 1: rule number seventeen of culture. You've got to be transparent,

776
00:44:13,400 --> 00:44:16,400
Speaker 1: so please please leave us a review. It really is

777
00:44:17,040 --> 00:44:20,560
Speaker 1: UM a great way to help the podcast exceed. We

778
00:44:20,680 --> 00:44:23,920
Speaker 1: want UM all as many ears as possible on on

779
00:44:24,000 --> 00:44:26,040
Speaker 1: the podcast so that you guys can all just join

780
00:44:26,120 --> 00:44:28,239
Speaker 1: it on the fun and talk about culture with us

781
00:44:28,719 --> 00:44:32,520
Speaker 1: UM and who knows what what new exciting things will

782
00:44:32,600 --> 00:44:37,239
Speaker 1: come as we join the pantheon of chart toppers. It's

783
00:44:37,280 --> 00:44:41,680
Speaker 1: going to be Joe Rogan, guys, we fucked and us

784
00:44:42,800 --> 00:44:47,480
Speaker 1: sorry my favorite murder, Bye bye, and we're back with

785
00:44:47,560 --> 00:44:50,600
Speaker 1: a partner. A partner. Okay, tell us about because because

786
00:44:50,640 --> 00:44:55,000
Speaker 1: the marketing for the show, Corporate is very minimalist. I

787
00:44:55,120 --> 00:44:57,120
Speaker 1: don't really know. I haven't seen anything about it yet

788
00:44:57,160 --> 00:45:00,439
Speaker 1: explained all the promo sports, so I'm not sure even

789
00:45:00,480 --> 00:45:03,719
Speaker 1: what you've seen, I've seen subway posters. Oh yeah, that

790
00:45:03,960 --> 00:45:07,360
Speaker 1: is very minimal. Which is just Comedy Central is corporate.

791
00:45:07,400 --> 00:45:09,440
Speaker 1: It's very It's very much like what the Netflix is doing,

792
00:45:09,520 --> 00:45:13,399
Speaker 1: Like Netflix is a joke. I feel like it's sort

793
00:45:13,400 --> 00:45:17,080
Speaker 1: of pulling from that same idea. Maybe I'm not getting it.

794
00:45:17,200 --> 00:45:19,120
Speaker 1: I'm still not getting it's just it's all it is

795
00:45:19,200 --> 00:45:22,000
Speaker 1: is that that the ads are Comedy Central is like

796
00:45:22,200 --> 00:45:26,359
Speaker 1: corporate or something, and it's just white letters on black

797
00:45:26,480 --> 00:45:30,080
Speaker 1: nothing else. After having been in the show, do you

798
00:45:30,200 --> 00:45:32,640
Speaker 1: know what it is? More than like what they would

799
00:45:32,719 --> 00:45:34,640
Speaker 1: let on in the in the because it sounds like

800
00:45:34,719 --> 00:45:36,839
Speaker 1: the people making the posters don't know what it is. Yeah,

801
00:45:36,920 --> 00:45:44,120
Speaker 1: Oh well, it is a workplace comedy about a giant

802
00:45:44,440 --> 00:45:48,320
Speaker 1: Soulis corporation, So I think maybe they're trying to emulate

803
00:45:48,440 --> 00:45:53,279
Speaker 1: that soullessness and how it's this like monolith brand and

804
00:45:54,160 --> 00:45:58,960
Speaker 1: everyone sort of just squirms under its reach. Now, what's

805
00:45:59,000 --> 00:46:02,000
Speaker 1: your role in the show. I am the two main characters.

806
00:46:02,080 --> 00:46:05,960
Speaker 1: They're like junior executives, and I am their friend who

807
00:46:06,040 --> 00:46:11,920
Speaker 1: works in HR. You're the HR wker, the OFT I'm

808
00:46:11,920 --> 00:46:15,960
Speaker 1: going to say the OFT sort of worshiped or OFT maligned.

809
00:46:16,920 --> 00:46:19,760
Speaker 1: It's it's very hard to live in a middle ground

810
00:46:19,800 --> 00:46:24,719
Speaker 1: with HR. In my experience, I've never had an HR person.

811
00:46:24,719 --> 00:46:27,640
Speaker 1: I've only ever worked in restaurants and the like, right,

812
00:46:27,719 --> 00:46:30,399
Speaker 1: they never have, They absolutely not, and that's the place

813
00:46:30,440 --> 00:46:33,400
Speaker 1: where they should be the most. So you guys have

814
00:46:33,520 --> 00:46:36,399
Speaker 1: both dealt with HR people. Yes, So did you pull?

815
00:46:36,760 --> 00:46:40,840
Speaker 1: Did you pull from real life? Yeah? But it's funny

816
00:46:40,840 --> 00:46:43,680
Speaker 1: because this show is like sort of the whole, Like

817
00:46:43,880 --> 00:46:49,839
Speaker 1: corporations are people, mentality, capitalism is king. So I think

818
00:46:50,400 --> 00:46:53,839
Speaker 1: the HR person in this environment is a little bit

819
00:46:53,960 --> 00:46:56,640
Speaker 1: always at odds with Okay, so you're sort of like

820
00:46:56,760 --> 00:47:01,440
Speaker 1: an antagonizing antagonistic yeah, where I'm just like struggling with

821
00:47:02,040 --> 00:47:05,040
Speaker 1: trying to do my job. Yes, yes, oh I would

822
00:47:05,080 --> 00:47:09,880
Speaker 1: watch you do that for a hundred episodes syndicate. I

823
00:47:09,960 --> 00:47:12,080
Speaker 1: am yes, I love that. I'm so excited. What is

824
00:47:12,120 --> 00:47:16,960
Speaker 1: the premiere? January? Okay, that's a Wednesday. How do you

825
00:47:17,000 --> 00:47:19,560
Speaker 1: know this? Why do you know? I just I have

826
00:47:19,920 --> 00:47:22,920
Speaker 1: that weekend. But you have a sixth tool. I have

827
00:47:23,000 --> 00:47:27,400
Speaker 1: a sixth tool, which is calendars, Gregorian calendars. Unbelievable that

828
00:47:27,440 --> 00:47:31,040
Speaker 1: you just no, no, no, no, it's amazing stop incredible. Um,

829
00:47:31,440 --> 00:47:33,200
Speaker 1: that's a So. Who's ind I like, I really don't

830
00:47:33,239 --> 00:47:36,439
Speaker 1: know anything. What the show us? Jake Weisseman and Matt

831
00:47:36,560 --> 00:47:39,680
Speaker 1: Ingbertson or the two leads, and they co wrote and

832
00:47:40,000 --> 00:47:43,080
Speaker 1: created it with Pat Bishop, who's the director. Rates I

833
00:47:43,640 --> 00:47:47,040
Speaker 1: love Jake Wiseman. Yeah, they're they're both real good in it.

834
00:47:47,360 --> 00:47:51,239
Speaker 1: Nice nice, nice, And then um is it? Just give it?

835
00:47:51,280 --> 00:47:56,200
Speaker 1: Give us the whole rundown single cam single no laugh track,

836
00:47:56,719 --> 00:48:00,600
Speaker 1: no laugh track. Okay, okay, while I'm out, I'm not

837
00:48:00,680 --> 00:48:06,759
Speaker 1: watching that. I need I need multicam laugh track. Do

838
00:48:06,880 --> 00:48:09,560
Speaker 1: you like any of those shows now? Like any multi camp,

839
00:48:10,360 --> 00:48:14,200
Speaker 1: the multicam loop. Yeah, I wouldn't even know what is

840
00:48:14,520 --> 00:48:17,759
Speaker 1: I should be watching. All I know are comedians, I

841
00:48:17,880 --> 00:48:22,200
Speaker 1: know making fun of Young Sheldon, right of course. And

842
00:48:22,360 --> 00:48:24,600
Speaker 1: that's not even a multi camp. It's not I have

843
00:48:24,719 --> 00:48:28,520
Speaker 1: to break the news about not a multi camp. It

844
00:48:28,640 --> 00:48:31,799
Speaker 1: is a single cam show. And I was shocked when

845
00:48:31,840 --> 00:48:33,800
Speaker 1: I was watching it, and do like we hate that.

846
00:48:34,560 --> 00:48:36,759
Speaker 1: I think I hate it and I would hate it

847
00:48:36,800 --> 00:48:39,360
Speaker 1: either way. But I'll tell you what I was watching

848
00:48:39,920 --> 00:48:41,680
Speaker 1: prior to that, and then I saw that Young Sheldon

849
00:48:41,800 --> 00:48:45,720
Speaker 1: was what it was the show Mom with Alison, Jenny

850
00:48:46,000 --> 00:48:50,800
Speaker 1: and fis. Yeah, it's funny. I've heard that before, that

851
00:48:51,280 --> 00:48:53,360
Speaker 1: it's funny. And also I will say this, it's like

852
00:48:54,280 --> 00:48:59,799
Speaker 1: the Land of Lost comunic Actresses because Jamie Pressley is yeah,

853
00:49:00,360 --> 00:49:03,359
Speaker 1: and Missy Pyle isn't great and it's like the four

854
00:49:03,440 --> 00:49:05,759
Speaker 1: of them and you're like, where are they like like

855
00:49:05,960 --> 00:49:07,759
Speaker 1: and there that's where they are. And I'm sure they're

856
00:49:07,800 --> 00:49:11,439
Speaker 1: getting CBS money. They're doing fun The great. I will

857
00:49:11,440 --> 00:49:15,279
Speaker 1: say Jamie Presley was in a fat suit. No fat

858
00:49:15,360 --> 00:49:19,080
Speaker 1: suit comedy is like alive and well on CBS. None

859
00:49:19,120 --> 00:49:24,200
Speaker 1: of us know about it. But what's happening, like like

860
00:49:24,440 --> 00:49:27,120
Speaker 1: her character always her no, no, no, I think that

861
00:49:27,239 --> 00:49:31,040
Speaker 1: her character on the show has gained weight and it's

862
00:49:31,160 --> 00:49:36,200
Speaker 1: funny and she's in a fat suit and that's funny. See.

863
00:49:36,320 --> 00:49:40,680
Speaker 1: I think this is all signaling towards um there there

864
00:49:40,719 --> 00:49:45,400
Speaker 1: will I I can't wait for the next prestige multi

865
00:49:45,520 --> 00:49:49,359
Speaker 1: cam show. I think we're due for that. What would

866
00:49:49,400 --> 00:49:53,560
Speaker 1: you say the last one was? I mean like maybe Seinfeld,

867
00:49:53,600 --> 00:49:55,719
Speaker 1: I mean that whatever, that's like the in terms of

868
00:49:55,800 --> 00:49:59,440
Speaker 1: actual prestige, in terms of like what's what garnered awards

869
00:50:00,040 --> 00:50:04,120
Speaker 1: a lot of the Adventures of Things, the Adventures of

870
00:50:04,280 --> 00:50:08,160
Speaker 1: Christine Want, things like How I Met Your Mother? And

871
00:50:08,280 --> 00:50:10,600
Speaker 1: then like there's also Two and a Half Man. Was

872
00:50:11,360 --> 00:50:13,680
Speaker 1: it was nominated for ship doesn't mean it's actually good.

873
00:50:13,800 --> 00:50:17,200
Speaker 1: But in terms of prestige, I guess mom she won

874
00:50:17,320 --> 00:50:20,719
Speaker 1: Best Supporting Actress. A couple of times I'm saying, like

875
00:50:20,920 --> 00:50:24,840
Speaker 1: something that is like actually good, I'm no, not even that,

876
00:50:24,960 --> 00:50:26,880
Speaker 1: because I'm sure these shows are great, but it's like

877
00:50:27,280 --> 00:50:31,600
Speaker 1: something that is not necessarily pandering towards like, of course

878
00:50:31,680 --> 00:50:34,359
Speaker 1: Middle America, which is fine, Like there's I'm just saying,

879
00:50:34,400 --> 00:50:36,960
Speaker 1: there's plenty of that. Populist is populist for a reason,

880
00:50:37,080 --> 00:50:39,719
Speaker 1: Populist people like and so I just wanted to be

881
00:50:39,800 --> 00:50:41,960
Speaker 1: like a multi came show that's like a little bit

882
00:50:42,040 --> 00:50:45,800
Speaker 1: like whoa. This is like specialized in some way, you know,

883
00:50:45,880 --> 00:50:48,640
Speaker 1: That's all I'm saying, but corporate. Okay. I'm so exciting

884
00:50:48,680 --> 00:50:50,680
Speaker 1: now because it's got great people, it's got you, and

885
00:50:50,719 --> 00:50:54,800
Speaker 1: it's it's it's a very relevant premise and um I

886
00:50:54,840 --> 00:50:56,960
Speaker 1: can't wait to see it. What else can you tell

887
00:50:57,040 --> 00:50:59,680
Speaker 1: us about it? Um? So? The CEO is played by

888
00:50:59,760 --> 00:51:02,520
Speaker 1: Lane and Spreddick and he's really great. Oh I know

889
00:51:02,680 --> 00:51:08,080
Speaker 1: him from Lost Yeah and Wire even Wow, he's kind

890
00:51:08,120 --> 00:51:14,479
Speaker 1: of scary. Is He's perfect? Great? So good? Okay, great casting, Okay,

891
00:51:14,560 --> 00:51:17,120
Speaker 1: great casting. I want to say one more thing about Mom,

892
00:51:18,719 --> 00:51:23,440
Speaker 1: because you moved on to another conversation like that, and

893
00:51:23,560 --> 00:51:25,680
Speaker 1: this is what I want to say. Okay, it's it

894
00:51:25,880 --> 00:51:29,680
Speaker 1: is bordering on a prestige topic because it's about a

895
00:51:29,760 --> 00:51:32,960
Speaker 1: mother and daughter who are both recovering alcoholics, and everyone

896
00:51:33,040 --> 00:51:36,000
Speaker 1: on the show is a recovering alcohol that's great, which

897
00:51:36,200 --> 00:51:39,520
Speaker 1: which is good. And also I think it's like it does.

898
00:51:39,640 --> 00:51:42,839
Speaker 1: It's not like, well, she fell off the wag. It's

899
00:51:42,880 --> 00:51:45,000
Speaker 1: not that kind of humorous. It's just about these women

900
00:51:45,080 --> 00:51:47,560
Speaker 1: who are and it's all women. The cast is all women,

901
00:51:48,320 --> 00:51:49,759
Speaker 1: and it's about these women that have this kind of

902
00:51:49,800 --> 00:51:53,400
Speaker 1: community that they were alcoholics. Every episode I think has

903
00:51:53,480 --> 00:51:55,680
Speaker 1: like at least a scene in a where they're all

904
00:51:55,760 --> 00:51:57,920
Speaker 1: kind of chatting and talking to each other and it's

905
00:51:57,960 --> 00:52:00,799
Speaker 1: actually this kind of nice thread and it's actually there

906
00:52:00,840 --> 00:52:03,040
Speaker 1: were some moments in it that was actually funny. Yes,

907
00:52:03,160 --> 00:52:05,719
Speaker 1: that was a fat suit, but you know, I guess

908
00:52:05,760 --> 00:52:09,000
Speaker 1: on CBS you can't have at all. But it was

909
00:52:09,440 --> 00:52:13,839
Speaker 1: a different kind of thing, you know what I mean.

910
00:52:13,880 --> 00:52:15,879
Speaker 1: I was like, oh, I can actually see that being

911
00:52:15,920 --> 00:52:18,319
Speaker 1: brought into a pitch meeting and being like, huh, yeah,

912
00:52:18,360 --> 00:52:21,040
Speaker 1: that's actually really interesting. And you know, it's not like

913
00:52:21,440 --> 00:52:25,280
Speaker 1: you know, your thirty rocks or you're whatever's It didn't

914
00:52:25,320 --> 00:52:28,320
Speaker 1: have fat suits either, employed some sort of humor that

915
00:52:28,480 --> 00:52:30,520
Speaker 1: was in that same vein what are you saying that

916
00:52:30,600 --> 00:52:33,680
Speaker 1: Tina fe isn't perfect? No, I'm saying that, like that

917
00:52:33,840 --> 00:52:37,360
Speaker 1: kind of humor, that kind of humor sort of like

918
00:52:37,480 --> 00:52:40,600
Speaker 1: pervades everything. I mean it's through everything. Yeah, I mean,

919
00:52:40,800 --> 00:52:42,960
Speaker 1: like there's gonna be easy jokes everywhere. It's just that

920
00:52:43,040 --> 00:52:45,000
Speaker 1: this character is like arc right now is that she's

921
00:52:45,040 --> 00:52:47,040
Speaker 1: fully in a fat suit and it's just like it's

922
00:52:47,080 --> 00:52:51,400
Speaker 1: just funny that that's happening. And we don't know what

923
00:52:51,440 --> 00:52:54,440
Speaker 1: do you mean? We don't know because that's not that

924
00:52:54,560 --> 00:52:57,160
Speaker 1: show isn't like our jam Sure, but it's like, I

925
00:52:57,239 --> 00:52:59,640
Speaker 1: mean you have like you have like fat suit Betty

926
00:52:59,719 --> 00:53:02,480
Speaker 1: drap Burr, and like that's it's not a comedy, but

927
00:53:02,560 --> 00:53:04,520
Speaker 1: it's like it's that same thing of like whoa like

928
00:53:04,680 --> 00:53:07,960
Speaker 1: this is her stories that she gained weight, Like, well,

929
00:53:08,040 --> 00:53:11,759
Speaker 1: I well that's different. I think. Okay, here's what I

930
00:53:11,800 --> 00:53:17,080
Speaker 1: think it's different because Betty's waking. That's like a dramatic

931
00:53:17,239 --> 00:53:21,600
Speaker 1: beat in her character's life, whereas Jamie Presley wearing a

932
00:53:21,680 --> 00:53:25,120
Speaker 1: fat suit on Mom is two figures into her journey

933
00:53:25,520 --> 00:53:28,239
Speaker 1: coming out of alcohol. Maybe maybe I'm just saying the

934
00:53:28,280 --> 00:53:31,120
Speaker 1: way it was depicted in both well, you know what,

935
00:53:31,200 --> 00:53:34,319
Speaker 1: maybe I'm wrong. They both also had a dark black

936
00:53:34,400 --> 00:53:38,480
Speaker 1: wig because of course you're nuts. I don't know what's

937
00:53:38,480 --> 00:53:41,560
Speaker 1: going on. They look like a fucking man look much worse,

938
00:53:43,080 --> 00:53:47,359
Speaker 1: much worse, much much worse. Um, I mean I um,

939
00:53:47,719 --> 00:53:51,799
Speaker 1: I think there. I never watched um god, I never

940
00:53:51,880 --> 00:53:55,000
Speaker 1: watched Workaholics. I feel like I've been like really jonesing

941
00:53:55,040 --> 00:53:57,919
Speaker 1: for like a workplace comedy too, because I'm interested. Yeah,

942
00:53:58,000 --> 00:54:00,800
Speaker 1: I wasn't a big Workaholics pert than either, but it

943
00:54:00,960 --> 00:54:04,160
Speaker 1: was you know, massively popular. That was a single camera.

944
00:54:04,440 --> 00:54:07,160
Speaker 1: That was single cam. I feel like some people say

945
00:54:07,160 --> 00:54:09,880
Speaker 1: it like it paved the way for broad City in

946
00:54:09,960 --> 00:54:13,760
Speaker 1: some way. That was just like this like really buddy vibe,

947
00:54:13,880 --> 00:54:17,719
Speaker 1: the buddy vibe, and like, you know, you flip it,

948
00:54:17,800 --> 00:54:19,840
Speaker 1: and this might seem simplistic too, but you flip that,

949
00:54:19,960 --> 00:54:23,080
Speaker 1: like what if it were two women. Well, it feels

950
00:54:23,160 --> 00:54:27,400
Speaker 1: like Comedy Central kind of has like audiences right now.

951
00:54:27,480 --> 00:54:30,320
Speaker 1: They have like their broad City and inside Amy Schumer audience,

952
00:54:30,440 --> 00:54:33,440
Speaker 1: and then you got your like Workaholics and like Tosh audience.

953
00:54:33,960 --> 00:54:35,719
Speaker 1: So where would you say that the show fits in

954
00:54:35,840 --> 00:54:38,200
Speaker 1: totally if you were, Well, that's what's interesting. It doesn't

955
00:54:38,239 --> 00:54:41,720
Speaker 1: feel like it fits squarely in either of right, because

956
00:54:42,600 --> 00:54:45,799
Speaker 1: I think there are veins of Um, I wouldn't say

957
00:54:45,840 --> 00:54:48,680
Speaker 1: it's browie at all, which I think tash and workaholics

958
00:54:48,840 --> 00:54:54,239
Speaker 1: might welcome brows more easily, but it's not anti bro either,

959
00:54:54,440 --> 00:54:58,000
Speaker 1: so I feel like they might not know what exactly

960
00:54:58,440 --> 00:55:00,279
Speaker 1: how to feel about it. But see, I like that

961
00:55:00,360 --> 00:55:03,719
Speaker 1: this is like a four quadrant. I say, a four

962
00:55:03,800 --> 00:55:07,080
Speaker 1: quadrant show hits all the quads. What are the quads

963
00:55:07,120 --> 00:55:10,160
Speaker 1: you would call? I would say, Um, you know, I'm

964
00:55:10,200 --> 00:55:12,279
Speaker 1: not gonna you know you traditionally you would break this

965
00:55:12,360 --> 00:55:14,719
Speaker 1: down by aid group and by gender. But I know, well,

966
00:55:14,800 --> 00:55:16,360
Speaker 1: that's what the industry is doing, and so we should

967
00:55:16,360 --> 00:55:21,520
Speaker 1: do it too, because the industry is, of course right absolutely,

968
00:55:21,719 --> 00:55:23,719
Speaker 1: I'm not disputing that. I'm just saying I'm gonna let's

969
00:55:23,800 --> 00:55:26,440
Speaker 1: let's all make our own quadrants. Maybe as an exercise,

970
00:55:26,560 --> 00:55:30,759
Speaker 1: I'll start, Um, you know, people who stay at home

971
00:55:31,239 --> 00:55:36,160
Speaker 1: and um, you know, have like a little tub of

972
00:55:36,280 --> 00:55:39,480
Speaker 1: chicken salad in the fridge. Seems like a small quadrant.

973
00:55:40,440 --> 00:55:42,400
Speaker 1: There's a lot of people fall under the umbrella. And

974
00:55:43,040 --> 00:55:47,759
Speaker 1: another quadrant is people who um like well, um, like

975
00:55:48,160 --> 00:55:51,880
Speaker 1: right down on a piece of paper, like must shop

976
00:55:52,000 --> 00:56:00,160
Speaker 1: for candles? Um, yes, And then but you would be surprised, um,

977
00:56:00,320 --> 00:56:03,840
Speaker 1: and that this is so general. Um. And then people

978
00:56:04,080 --> 00:56:07,640
Speaker 1: who um write down on a piece of paper. Um,

979
00:56:07,719 --> 00:56:11,000
Speaker 1: this is a different quadrant. Must go shopping for candles

980
00:56:11,400 --> 00:56:16,239
Speaker 1: and chocolate? Yea, how many for there's only one more?

981
00:56:16,280 --> 00:56:20,680
Speaker 1: There's only one more candles. You have people with the

982
00:56:20,760 --> 00:56:24,120
Speaker 1: chicken salad, people that do both. Who do you know? Who?

983
00:56:24,440 --> 00:56:26,680
Speaker 1: Who write down? Must bike candles and chocolate? Okay? And

984
00:56:26,760 --> 00:56:31,920
Speaker 1: what's the fourth quad everyone? People who live in Nebraska? Okay?

985
00:56:32,200 --> 00:56:34,160
Speaker 1: Those are the four quadrants? And I think I think

986
00:56:34,239 --> 00:56:37,040
Speaker 1: I'm so excited that corporate hits all of those. That's amazing.

987
00:56:37,239 --> 00:56:38,920
Speaker 1: What would you say the quadrants are for you? For me,

988
00:56:39,000 --> 00:56:41,680
Speaker 1: there's two. That's not a quadrant. Theres are just two halves. Okay.

989
00:56:41,719 --> 00:56:47,839
Speaker 1: For me, there's four. There's ocean people, mountain people yes,

990
00:56:48,680 --> 00:56:53,319
Speaker 1: desert people yes, and forest people. Which one are you? Yes?

991
00:56:53,560 --> 00:56:57,200
Speaker 1: Ocean I'm found Long Island, which is an island. Um

992
00:56:57,360 --> 00:56:59,439
Speaker 1: islanded by water, So I have to be an ocean person.

993
00:56:59,600 --> 00:57:03,040
Speaker 1: And there's very little mountains or desert or well there's forest.

994
00:57:03,160 --> 00:57:05,720
Speaker 1: But you know, sure, I'm probably closer to that quadrant.

995
00:57:06,080 --> 00:57:08,279
Speaker 1: I mean the ocean person. I mean I from I

996
00:57:08,280 --> 00:57:10,160
Speaker 1: could bring under water too, I should say that. Okay,

997
00:57:10,440 --> 00:57:12,880
Speaker 1: I've digged. It was two quadrants. You thought it was

998
00:57:12,920 --> 00:57:16,240
Speaker 1: two quadrants. No, I thought it was so the so

999
00:57:16,280 --> 00:57:19,200
Speaker 1: the two axes are age and gender, So I thought

1000
00:57:19,200 --> 00:57:22,280
Speaker 1: it was young males eighteen to thirty four and then

1001
00:57:22,400 --> 00:57:25,720
Speaker 1: everyone else. Wow, well that's I think a part of

1002
00:57:25,840 --> 00:57:29,800
Speaker 1: making a comment. I'd like to make a comment. She'd

1003
00:57:29,840 --> 00:57:32,320
Speaker 1: love to make a comment. And you know what one

1004
00:57:32,360 --> 00:57:36,240
Speaker 1: of the four quadrants for you? Well, I guess if

1005
00:57:36,320 --> 00:57:38,920
Speaker 1: they get one quadrant, then the other three would be

1006
00:57:39,040 --> 00:57:48,000
Speaker 1: everyone else and separated by what old babies, and third

1007
00:57:48,080 --> 00:57:52,640
Speaker 1: would be non age conforming. That's one we haven't gotten

1008
00:57:52,680 --> 00:57:56,960
Speaker 1: too yet, non non age conforming truly. I mean, who

1009
00:57:57,000 --> 00:58:00,320
Speaker 1: knows I identify nine. I'm not going to be one.

1010
00:58:00,400 --> 00:58:03,040
Speaker 1: I'm not gonna be someone who's who speaks to identity

1011
00:58:03,120 --> 00:58:07,480
Speaker 1: politics around age, whether it's valid or not. But you

1012
00:58:07,560 --> 00:58:11,400
Speaker 1: know what, it's a quadrant, and so we've acknowledged their existence.

1013
00:58:11,480 --> 00:58:15,960
Speaker 1: Whatever happened with Rachel dol is All, she she sat there,

1014
00:58:16,200 --> 00:58:19,360
Speaker 1: sure she had or has a book coming up? Oh,

1015
00:58:19,640 --> 00:58:22,120
Speaker 1: you gotta get the book. Um. You know, if you're

1016
00:58:22,200 --> 00:58:23,600
Speaker 1: Rachel dol is All and you don't have a book,

1017
00:58:23,680 --> 00:58:27,400
Speaker 1: you missed the boat play her in a movie? Street

1018
00:58:30,120 --> 00:58:32,920
Speaker 1: You know what Why didn't I even think about that? Yeah,

1019
00:58:32,920 --> 00:58:35,640
Speaker 1: I don't know who would play her. I'll tell you

1020
00:58:35,800 --> 00:58:40,160
Speaker 1: what ye to remember when Angelina Jolie straight up did

1021
00:58:40,240 --> 00:58:44,080
Speaker 1: do black face. And what movie Mighty Heart she played

1022
00:58:44,160 --> 00:58:49,000
Speaker 1: Angelina Jolie. Yeah, she played the journalist Marian Mighty went. Yeah,

1023
00:58:49,480 --> 00:58:52,800
Speaker 1: she played the journalist Pearl who was black. Ever said

1024
00:58:52,840 --> 00:58:56,400
Speaker 1: anything about she was nominated for awards? This was this

1025
00:58:56,560 --> 00:58:58,840
Speaker 1: was within ten years ago. Yeah, this, this is a

1026
00:58:58,960 --> 00:59:02,480
Speaker 1: thing that's crazy. That's crazy. Yeah, and it wasn't. It

1027
00:59:02,600 --> 00:59:06,040
Speaker 1: was played straight up. It wasn't like some like comments

1028
00:59:06,240 --> 00:59:09,920
Speaker 1: on that like tropic Thunder, I mean, which still is

1029
00:59:10,040 --> 00:59:13,960
Speaker 1: like right on the edge, but like it was fully

1030
00:59:14,240 --> 00:59:19,360
Speaker 1: her playing someone who was not her ethnicity. Yeah. Um,

1031
00:59:19,600 --> 00:59:21,600
Speaker 1: I take back what I said about Katherine Hahn because

1032
00:59:21,680 --> 00:59:24,160
Speaker 1: that would be like a little controversial. I think you

1033
00:59:24,240 --> 00:59:28,720
Speaker 1: need to cast someone, um who has the background of

1034
00:59:28,800 --> 00:59:31,800
Speaker 1: both and that would be like a Mia Roudolf. Yeah, yeah,

1035
00:59:32,320 --> 00:59:34,520
Speaker 1: it's if it's not Meryl, if it's not Meryl or

1036
00:59:34,920 --> 00:59:37,880
Speaker 1: of and then if it's not Maya, then it's Catherine

1037
00:59:38,720 --> 00:59:42,360
Speaker 1: my Rudolf actually is amazing actress. Did you see Away

1038
00:59:42,400 --> 00:59:47,320
Speaker 1: we Go? No Fact, the one with Jim Christen's John

1039
00:59:47,360 --> 00:59:54,640
Speaker 1: Chine very similar, very similar, Maggie Jillen Hall and then

1040
00:59:55,320 --> 00:59:56,960
Speaker 1: Maggie Jillen Hall was good in that. And if you're

1041
00:59:56,960 --> 00:59:59,800
Speaker 1: married to Paul Thomas Anderson, you've got to have the chops.

1042
01:00:00,520 --> 01:00:04,080
Speaker 1: She's she's great in big mouth. Um okay um. So

1043
01:00:04,640 --> 01:00:06,760
Speaker 1: I think this is like I'm scared to watch the

1044
01:00:06,800 --> 01:00:09,520
Speaker 1: show a little bit because it's gonna it's gonna feel

1045
01:00:09,560 --> 01:00:11,960
Speaker 1: like real. Reason now you put it in her head

1046
01:00:12,040 --> 01:00:13,160
Speaker 1: no no, no, no, no no no no no, and

1047
01:00:13,240 --> 01:00:15,480
Speaker 1: made the show seemed terrify, No, not terrific, because it's

1048
01:00:15,480 --> 01:00:18,280
Speaker 1: going to feel like really, it's gonna just elicit like, wow,

1049
01:00:18,400 --> 01:00:20,840
Speaker 1: capitalism is bad. It's this bad. It's this bad at

1050
01:00:20,880 --> 01:00:23,400
Speaker 1: every level. It's this bad at every company. And but

1051
01:00:23,520 --> 01:00:25,960
Speaker 1: you know what you're making. You're making it humorous, so

1052
01:00:26,400 --> 01:00:29,439
Speaker 1: that will be it's actually one number. It's really number

1053
01:00:29,520 --> 01:00:32,560
Speaker 1: seventy five of culture. You gotta have big humorous. I

1054
01:00:32,880 --> 01:00:36,800
Speaker 1: gotta make fun of my words. I don't I know

1055
01:00:36,920 --> 01:00:38,480
Speaker 1: my heart. No, I don't know my words, but I

1056
01:00:38,560 --> 01:00:42,480
Speaker 1: know my heart. That's Michael quote Matt Rodgers. Look, I'm

1057
01:00:42,520 --> 01:00:45,040
Speaker 1: gonna watch the show regardless. Look, I think you've done

1058
01:00:45,080 --> 01:00:46,960
Speaker 1: a great job of promoting it. I'm not going to

1059
01:00:47,040 --> 01:00:48,800
Speaker 1: come here and say that you're on a shitty job

1060
01:00:48,840 --> 01:00:50,560
Speaker 1: promoting it. I'm not gonna come over and ship on

1061
01:00:50,640 --> 01:00:53,000
Speaker 1: my guests. A partner. We've been trying to get a

1062
01:00:53,040 --> 01:00:55,680
Speaker 1: partner on the show for what seventeen years? Seventeen years?

1063
01:00:56,960 --> 01:00:58,920
Speaker 1: And you know what I was since you were one

1064
01:00:59,000 --> 01:01:01,120
Speaker 1: year old? Is your one of course identifies as being

1065
01:01:01,240 --> 01:01:07,160
Speaker 1: eighteen year old woman, partner. I think, um, you um

1066
01:01:07,560 --> 01:01:12,320
Speaker 1: could be cast as young as five. Thank you. Yeah,

1067
01:01:12,360 --> 01:01:14,600
Speaker 1: I know, I know, like maybe, like you know, maybe,

1068
01:01:14,800 --> 01:01:17,080
Speaker 1: I don't know if you're you know, for your next role,

1069
01:01:17,480 --> 01:01:20,120
Speaker 1: if you want to play under your age, over your age,

1070
01:01:20,120 --> 01:01:23,280
Speaker 1: but I think you have you can reach that far back.

1071
01:01:23,520 --> 01:01:26,320
Speaker 1: That's so nice. Have you guys seen Lady Bird? Yes,

1072
01:01:26,520 --> 01:01:28,680
Speaker 1: I haven't seen it. I haven't either, but I but

1073
01:01:28,800 --> 01:01:31,560
Speaker 1: I was like, oh, she's so young, but then she's

1074
01:01:31,600 --> 01:01:37,680
Speaker 1: playing a little younger playing she's playing Yeah she is. Well.

1075
01:01:37,800 --> 01:01:40,640
Speaker 1: By the time this episode is out, she'll have hosted SNL.

1076
01:01:41,200 --> 01:01:44,000
Speaker 1: I think she'll be wonderful. I'm excited. I'm very excited

1077
01:01:44,040 --> 01:01:46,320
Speaker 1: to acually be wonderful. I think she's a talented actress

1078
01:01:46,360 --> 01:01:48,520
Speaker 1: and also it's a very Irish episode because the musical

1079
01:01:48,560 --> 01:01:51,200
Speaker 1: guest is you to what can you believe that? How

1080
01:01:51,440 --> 01:01:55,160
Speaker 1: huge that is for Ireland's big win. That episode is

1081
01:01:55,440 --> 01:02:00,040
Speaker 1: the big They better have some Ireland sketches. Yes, I

1082
01:02:00,080 --> 01:02:03,920
Speaker 1: want to see a Blarney stone. Can I tell you something? Yes.

1083
01:02:05,440 --> 01:02:08,280
Speaker 1: I was recently in a room where there was being

1084
01:02:08,680 --> 01:02:11,959
Speaker 1: sketches pitched and somebody wanted to do a sketch about

1085
01:02:11,960 --> 01:02:14,800
Speaker 1: the potato famine. And somebody spoke up and said, we

1086
01:02:14,920 --> 01:02:17,640
Speaker 1: can't do that because it might offend some Irish people.

1087
01:02:18,480 --> 01:02:20,600
Speaker 1: Or there was like a potato joke, and so almost

1088
01:02:20,600 --> 01:02:22,360
Speaker 1: like we can't do that joke because it might offend

1089
01:02:22,400 --> 01:02:24,840
Speaker 1: Irish people. And that's when I think we've just gone

1090
01:02:24,920 --> 01:02:27,640
Speaker 1: too far. We need to be able to make jokes

1091
01:02:27,640 --> 01:02:30,440
Speaker 1: about potatoes with Irish people in the audience, and we

1092
01:02:30,560 --> 01:02:34,000
Speaker 1: have to laugh at that. Sure. I mean, I call

1093
01:02:34,080 --> 01:02:36,320
Speaker 1: me Jerry sein felt about that. I won't go on

1094
01:02:36,400 --> 01:02:39,760
Speaker 1: to any campus where I can't be an Irish person

1095
01:02:39,840 --> 01:02:42,040
Speaker 1: and sit there and take a take a potato joke.

1096
01:02:42,360 --> 01:02:47,800
Speaker 1: Oh my gosh, what was it punching up? I guess

1097
01:02:47,880 --> 01:02:51,240
Speaker 1: that's a valid question. I don't remember. If it's punching up,

1098
01:02:51,280 --> 01:02:55,560
Speaker 1: then maybe, but you can't punch down at starving Irish people. Yeah,

1099
01:02:55,680 --> 01:02:58,960
Speaker 1: was it was? It taken down big potato, big potato.

1100
01:02:59,360 --> 01:03:01,800
Speaker 1: I think it's happened long ago enough that we can

1101
01:03:01,880 --> 01:03:06,919
Speaker 1: talk about the potatoes, don't you think? Yeah? Okay, what's

1102
01:03:06,920 --> 01:03:12,400
Speaker 1: your what's your disposition? Now? Nothing? I'm agree. I'm agreeing

1103
01:03:12,440 --> 01:03:14,440
Speaker 1: with you a partner. Let's say you go to a college.

1104
01:03:14,560 --> 01:03:17,120
Speaker 1: Did you do? You still do colleges? You go to

1105
01:03:17,200 --> 01:03:20,320
Speaker 1: a college, you said, they say you can't joke about

1106
01:03:20,440 --> 01:03:23,840
Speaker 1: blank and you and and whatever? This is you? You walk,

1107
01:03:23,920 --> 01:03:26,360
Speaker 1: you go, I'm sorry, I can't do the show. Oh

1108
01:03:26,600 --> 01:03:31,640
Speaker 1: what would that be? I guess depression? So sure, okay, great? Yeah,

1109
01:03:32,000 --> 01:03:34,120
Speaker 1: And then you'd be like, okay, I can't do that.

1110
01:03:34,160 --> 01:03:36,960
Speaker 1: I can't do the show. It's fair. Do you have

1111
01:03:37,000 --> 01:03:38,200
Speaker 1: a writer at all? When you go to the go

1112
01:03:38,320 --> 01:03:42,000
Speaker 1: to places? I keep forgetting I have to fill one out. Really,

1113
01:03:42,240 --> 01:03:44,920
Speaker 1: I have the default one right now, which is water.

1114
01:03:45,640 --> 01:03:49,160
Speaker 1: It's water, and like usually they'll put out like three

1115
01:03:49,240 --> 01:03:52,880
Speaker 1: granola bars and like two pieces of fruit, and it

1116
01:03:53,000 --> 01:03:57,160
Speaker 1: just looks real sad, but that's a solid right. I

1117
01:03:57,240 --> 01:04:02,200
Speaker 1: don't know. I would ask for more. I would have decondends. Yeah,

1118
01:04:03,560 --> 01:04:06,320
Speaker 1: I definitely would. I would get probably like a bullish

1119
01:04:06,400 --> 01:04:10,520
Speaker 1: Harries and you know a little bit of microwave popcorn

1120
01:04:10,720 --> 01:04:14,880
Speaker 1: by nearby, just micro wave nothing gourmet, um, and like

1121
01:04:14,920 --> 01:04:16,400
Speaker 1: a kind of whip cream or something, you know. For

1122
01:04:16,480 --> 01:04:19,920
Speaker 1: the of course, there couldn't be anyone speaking to me

1123
01:04:20,000 --> 01:04:21,720
Speaker 1: the whole time. Yes, yeah, I don't want to be

1124
01:04:21,760 --> 01:04:24,960
Speaker 1: spoking to that seems that seems reasonable. That one's hard

1125
01:04:24,960 --> 01:04:28,000
Speaker 1: because there's all those student papers who want a piece

1126
01:04:28,040 --> 01:04:29,680
Speaker 1: of you. Yeah, and I would not want to talk

1127
01:04:29,720 --> 01:04:31,280
Speaker 1: to them. And if they did speak to me, I

1128
01:04:31,320 --> 01:04:36,680
Speaker 1: would really really really um hurt somebody that would be

1129
01:04:36,880 --> 01:04:41,360
Speaker 1: That would be awful. Absolutely yea um what now I

1130
01:04:41,480 --> 01:04:43,080
Speaker 1: think I still want to I still want to ask

1131
01:04:43,120 --> 01:04:45,560
Speaker 1: a partner, what would what would the additional items be

1132
01:04:45,840 --> 01:04:48,720
Speaker 1: if you would? Yeah, if if if we had given you,

1133
01:04:48,880 --> 01:04:50,800
Speaker 1: we'd say a point, we can get you anything for

1134
01:04:50,840 --> 01:04:53,800
Speaker 1: your last culture racist appearance. Oh what would I have

1135
01:04:53,880 --> 01:04:58,640
Speaker 1: a requested? Yeah? Oh man, probably the latest self help book.

1136
01:04:59,200 --> 01:05:02,360
Speaker 1: Okay to read while you're waiting for this to go on,

1137
01:05:03,680 --> 01:05:09,440
Speaker 1: just in the mix, just skim through it like bedroom slippers, yes,

1138
01:05:09,640 --> 01:05:14,959
Speaker 1: want to not wear shoes. Um, maybe like a low

1139
01:05:15,320 --> 01:05:20,560
Speaker 1: key pillow. Yeah, it's something just items that you could

1140
01:05:20,640 --> 01:05:24,440
Speaker 1: use to build a nest. Yes, absolutely nesting self care items.

1141
01:05:24,760 --> 01:05:26,440
Speaker 1: One quick question before we go to I don't think

1142
01:05:26,440 --> 01:05:28,640
Speaker 1: so honey out This is really important when you get home.

1143
01:05:28,760 --> 01:05:32,520
Speaker 1: Shoes come off O me too right away. I feel

1144
01:05:32,600 --> 01:05:36,200
Speaker 1: weird walking around my apartment with my shoes on. I

1145
01:05:36,240 --> 01:05:37,680
Speaker 1: thought you were going to say, I feel we're walking

1146
01:05:37,720 --> 01:05:40,120
Speaker 1: around with shoes, and I was gonna say, yes, I

1147
01:05:40,200 --> 01:05:42,840
Speaker 1: don't want to wear no shoes. If I could get

1148
01:05:42,840 --> 01:05:45,920
Speaker 1: away with not wearing shoes in New York, I would that.

1149
01:05:46,120 --> 01:05:48,760
Speaker 1: It seems like a risk. It seems like a risk.

1150
01:05:48,920 --> 01:05:51,040
Speaker 1: You want to know something kind of weird about me.

1151
01:05:52,360 --> 01:05:55,920
Speaker 1: I can't sleep with socks on. That's not that's that's

1152
01:05:55,960 --> 01:06:00,160
Speaker 1: not weird. Why there's a qualifier. I can't of a

1153
01:06:00,200 --> 01:06:03,320
Speaker 1: saxon because when I was little, my uncle told us

1154
01:06:03,560 --> 01:06:06,280
Speaker 1: that if we slept with saxon then Boogeyman would get

1155
01:06:06,320 --> 01:06:08,440
Speaker 1: us and come out at the closet. And I still

1156
01:06:08,960 --> 01:06:12,560
Speaker 1: can't sleep. Why would you do that? Because it's a

1157
01:06:12,680 --> 01:06:17,160
Speaker 1: terrorists and emotional terrorists. Can't you have to grow out

1158
01:06:17,200 --> 01:06:20,800
Speaker 1: of that? I know it's so hard. I'm also superstitious

1159
01:06:20,800 --> 01:06:23,040
Speaker 1: because of my mother don't step on any cracks, don't

1160
01:06:23,040 --> 01:06:28,520
Speaker 1: walk under any ladders. Yeah, I know, it's really crazy.

1161
01:06:29,000 --> 01:06:32,760
Speaker 1: Also the number thirteen. Terrified of the thing. Oh the number,

1162
01:06:32,920 --> 01:06:36,360
Speaker 1: the number number thirteen. Don't like it, black cats, I

1163
01:06:36,440 --> 01:06:39,520
Speaker 1: will turn around and go the other way. I'm not kidding.

1164
01:06:39,560 --> 01:06:44,320
Speaker 1: I'm very superstitious, as Michael Scott on the Office say,

1165
01:06:44,720 --> 01:06:49,000
Speaker 1: I'm not superstitious, but I am a little which I

1166
01:06:49,080 --> 01:06:52,440
Speaker 1: think is one of the great community. Great community quote,

1167
01:06:52,800 --> 01:06:56,640
Speaker 1: and um, you know on that note, I think it's

1168
01:06:56,720 --> 01:06:59,760
Speaker 1: time to go. And time don't think one minutes of

1169
01:07:00,480 --> 01:07:03,040
Speaker 1: one minutes of quotes. Now, for those of you who

1170
01:07:03,040 --> 01:07:04,920
Speaker 1: don't know, I don't think so, honey, is our segment

1171
01:07:05,000 --> 01:07:06,720
Speaker 1: where we take one minute to rail against something. This

1172
01:07:06,800 --> 01:07:13,360
Speaker 1: episode very measured. We love the vibe. I love the vibe. Um,

1173
01:07:13,800 --> 01:07:15,680
Speaker 1: this is Matt. You said you had one ready, I

1174
01:07:15,800 --> 01:07:18,439
Speaker 1: do I have one. I need to speak on this, Okay.

1175
01:07:18,480 --> 01:07:20,040
Speaker 1: So this is Matt Rodgers. And so Matt will go,

1176
01:07:20,080 --> 01:07:23,760
Speaker 1: I'll go, and then a partner Okay, then I'll be ready. Perfect. Okay,

1177
01:07:23,800 --> 01:07:25,600
Speaker 1: So this is Matt Rodgers is I don't think so honey.

1178
01:07:25,880 --> 01:07:29,360
Speaker 1: Time starts now, I don't think so honey. Megan McCain, Listen,

1179
01:07:29,600 --> 01:07:34,600
Speaker 1: I would take fifteen Jeddedi Jenoiabela's before one. Megan McCain,

1180
01:07:34,760 --> 01:07:36,520
Speaker 1: I don't think so, honey. Megan McCain, you are not

1181
01:07:36,800 --> 01:07:38,280
Speaker 1: who I want to see a co hosting The View.

1182
01:07:38,520 --> 01:07:40,800
Speaker 1: Listen if you're gonna be conservative and blonde on the View,

1183
01:07:41,040 --> 01:07:44,240
Speaker 1: be tolerable. Listen if if when they turn to you

1184
01:07:44,320 --> 01:07:46,680
Speaker 1: to talk about the frilly pop culture stuff, have something

1185
01:07:46,760 --> 01:07:48,520
Speaker 1: to say. Megan McCain, you're always like, I don't know

1186
01:07:48,520 --> 01:07:51,760
Speaker 1: what we're talking about this when it's like about it's like, bitch,

1187
01:07:51,960 --> 01:07:53,720
Speaker 1: that's what you are there to do. You're there to

1188
01:07:53,760 --> 01:07:57,680
Speaker 1: have an opinion of you on everything. I will say

1189
01:07:57,760 --> 01:07:59,520
Speaker 1: this when this and also I don't think so, honey,

1190
01:07:59,520 --> 01:08:01,680
Speaker 1: the View the second most intelligent person on the whole

1191
01:08:01,680 --> 01:08:04,439
Speaker 1: panel of Sarah Haynes, we have a problem. I will

1192
01:08:04,520 --> 01:08:08,800
Speaker 1: say this joy it's so we get a joy. It's

1193
01:08:08,840 --> 01:08:11,360
Speaker 1: the same, It's been the same. Sonny Holston. You can

1194
01:08:11,400 --> 01:08:13,400
Speaker 1: say you're a lawyer, as as I don't think that

1195
01:08:13,480 --> 01:08:17,920
Speaker 1: smart you. Megan McCain, you offer nothing bring back to

1196
01:08:18,040 --> 01:08:21,719
Speaker 1: to Diabella whoo Be. You You are amazing and definitely

1197
01:08:21,880 --> 01:08:24,400
Speaker 1: the icon, but you check in and check out, but

1198
01:08:24,479 --> 01:08:26,120
Speaker 1: this is about Megan McCain and I don't think so, honey,

1199
01:08:26,120 --> 01:08:28,599
Speaker 1: Megan mcain, this daughter of John McCain, and that's one minute.

1200
01:08:29,880 --> 01:08:34,719
Speaker 1: That kind of well, can I tell you, I don't

1201
01:08:35,040 --> 01:08:38,879
Speaker 1: like mean it like I would rather have Elizabeth Hasselback

1202
01:08:38,920 --> 01:08:41,559
Speaker 1: than Megan McCain. At least she's compelling. At least she's

1203
01:08:41,600 --> 01:08:44,479
Speaker 1: like like I don't know, at least there's like some

1204
01:08:44,760 --> 01:08:47,880
Speaker 1: spirit to her, like Megan mcain. It's like she's been

1205
01:08:47,920 --> 01:08:50,599
Speaker 1: on I watched the View and Megan mcain, she has

1206
01:08:50,600 --> 01:08:51,960
Speaker 1: been on the show for like two months. We had

1207
01:08:52,000 --> 01:08:54,639
Speaker 1: to celebrate her birthday and her wedding. Bitch, we don't

1208
01:08:54,720 --> 01:08:59,479
Speaker 1: know you earn it? Earnest. I looked at HPJ in

1209
01:08:59,560 --> 01:09:02,479
Speaker 1: the eyes when I say this, Megan mcannis to earn it?

1210
01:09:03,439 --> 01:09:06,200
Speaker 1: What has she done to earn it? Her father is

1211
01:09:06,280 --> 01:09:08,439
Speaker 1: who he is? No. Also, stop back and look at

1212
01:09:08,479 --> 01:09:10,679
Speaker 1: the cable news. You need to take a daytime talk

1213
01:09:10,720 --> 01:09:14,840
Speaker 1: show hosting course because you are not welcoming. I don't know,

1214
01:09:15,080 --> 01:09:17,080
Speaker 1: I just I don't like her. There's there's an art

1215
01:09:17,120 --> 01:09:20,080
Speaker 1: to it, and she's she's not there's an aptitude gap.

1216
01:09:20,320 --> 01:09:22,439
Speaker 1: And also she does that thing I was talking to

1217
01:09:22,920 --> 01:09:25,519
Speaker 1: a friend and he brought something, brought something up, really

1218
01:09:25,560 --> 01:09:30,920
Speaker 1: a stupid she does that little spoiled rich girl thing,

1219
01:09:31,320 --> 01:09:33,679
Speaker 1: which is the second you don't let her say everything

1220
01:09:33,760 --> 01:09:35,800
Speaker 1: she wanted to say, she throws up fit. It's like

1221
01:09:35,840 --> 01:09:37,679
Speaker 1: if she doesn't get all the way through a thought

1222
01:09:37,800 --> 01:09:40,000
Speaker 1: and like somebody jumps in, which they do on the

1223
01:09:40,080 --> 01:09:44,240
Speaker 1: view because we just ain't got time. She'll throw up

1224
01:09:44,280 --> 01:09:46,000
Speaker 1: her hands and be like, well, I guess that I'm

1225
01:09:46,040 --> 01:09:47,840
Speaker 1: not gonna be able to do what I'm supposed to

1226
01:09:47,880 --> 01:09:50,120
Speaker 1: be here to do. But just to give the other perspective,

1227
01:09:52,160 --> 01:09:57,080
Speaker 1: shut up. And they fired Jenna's Aabila to get her

1228
01:09:57,520 --> 01:10:01,080
Speaker 1: and look, Jenny's Abila is like a libertarian and like

1229
01:10:01,439 --> 01:10:03,840
Speaker 1: I had my problems with her, like she sometimes I

1230
01:10:03,960 --> 01:10:05,800
Speaker 1: was like, oh God, that's insane the things that she says.

1231
01:10:05,840 --> 01:10:07,080
Speaker 1: And she was like one of those people that's like

1232
01:10:07,360 --> 01:10:09,200
Speaker 1: Hillary I could never vote for, you know, like one

1233
01:10:09,240 --> 01:10:13,479
Speaker 1: of those but you would rather have her at least

1234
01:10:13,479 --> 01:10:15,360
Speaker 1: at the end of the day. She was warm and

1235
01:10:15,520 --> 01:10:18,519
Speaker 1: like had fun things to say about things that weren't

1236
01:10:18,520 --> 01:10:23,439
Speaker 1: just politics. Megan McCain is ice cold and I'm not

1237
01:10:23,680 --> 01:10:26,840
Speaker 1: into what I think is and I'm just gonna say this,

1238
01:10:27,479 --> 01:10:30,040
Speaker 1: ABC only only having her on the show so they

1239
01:10:30,080 --> 01:10:32,960
Speaker 1: can have access to McCain in his final years. But

1240
01:10:33,640 --> 01:10:35,560
Speaker 1: I think it's I think that's what it is. What

1241
01:10:35,560 --> 01:10:37,920
Speaker 1: do you mean access to mccainy. I think that they

1242
01:10:38,040 --> 01:10:40,840
Speaker 1: can get John McCain on the show an interview for

1243
01:10:41,160 --> 01:10:44,560
Speaker 1: you know. I think it's a whole conspiracy. That's a

1244
01:10:44,720 --> 01:10:49,000
Speaker 1: long time Megan McCain because she like has sort of

1245
01:10:49,120 --> 01:10:52,759
Speaker 1: been on the peripheral, the periphery of like she writes

1246
01:10:53,520 --> 01:10:55,800
Speaker 1: articles every now and then. I want to like her.

1247
01:10:56,120 --> 01:10:59,280
Speaker 1: I think maybe I want to like her. I keep

1248
01:10:59,320 --> 01:11:01,040
Speaker 1: wanted to like her, and then she says things like

1249
01:11:01,479 --> 01:11:03,080
Speaker 1: they were all going around the table and saying who

1250
01:11:03,120 --> 01:11:07,240
Speaker 1: their celebrity crush was, and she said, Paul Ryan, get

1251
01:11:07,320 --> 01:11:13,280
Speaker 1: the fun out of here. It's not even cute, and

1252
01:11:13,439 --> 01:11:17,960
Speaker 1: the audience grown and I was like, thank you, it's

1253
01:11:18,080 --> 01:11:20,519
Speaker 1: literally sunny host and who I'm sorry I don't like,

1254
01:11:21,160 --> 01:11:24,160
Speaker 1: and um, is there any Sarah Haynes. They both said

1255
01:11:24,200 --> 01:11:29,240
Speaker 1: Idris Elba and I think I forget who Joy and

1256
01:11:29,280 --> 01:11:31,120
Speaker 1: Whoope said or whatever, And then they got to make

1257
01:11:31,120 --> 01:11:33,160
Speaker 1: a nick and she's like, well, mine's Paul Rye and

1258
01:11:33,400 --> 01:11:37,680
Speaker 1: the audience goes, oh, of course it is. So is

1259
01:11:37,720 --> 01:11:40,280
Speaker 1: there any good host on the view right now? They're good?

1260
01:11:40,400 --> 01:11:43,679
Speaker 1: I mean, Whoopee is when she wants to be there,

1261
01:11:44,479 --> 01:11:47,519
Speaker 1: she's great. But but sometimes you just get the sense

1262
01:11:47,560 --> 01:11:49,920
Speaker 1: that Whoopee is just giving takes to the audience, like

1263
01:11:49,960 --> 01:11:52,599
Speaker 1: can you be talking about this? And yes, yes, whoop Weekend,

1264
01:11:52,720 --> 01:11:54,560
Speaker 1: this is the view you sign up for, You the

1265
01:11:54,600 --> 01:11:56,080
Speaker 1: moderate of the show. You've been on the show for

1266
01:11:56,200 --> 01:11:58,479
Speaker 1: ten years. You damn well know that we are talking

1267
01:11:58,520 --> 01:12:01,960
Speaker 1: about this? You are are you see the prompts beforehand?

1268
01:12:02,120 --> 01:12:05,519
Speaker 1: You're not cooler than the show? Whoopi Goldberg, she's superior.

1269
01:12:06,439 --> 01:12:09,040
Speaker 1: I don't like what she acts like that. Sarah Haynes,

1270
01:12:09,240 --> 01:12:11,400
Speaker 1: she's really giving her best effort. I don't even know

1271
01:12:11,479 --> 01:12:13,400
Speaker 1: who she was before the show. She's like the blonde,

1272
01:12:15,280 --> 01:12:18,120
Speaker 1: she's like always pregnant. She's very that Okay, Joy is

1273
01:12:18,240 --> 01:12:22,519
Speaker 1: Joy Yeah? Um. And then there's Sunny Holsten, who I'm sorry,

1274
01:12:22,560 --> 01:12:24,160
Speaker 1: I just I don't get I gotta say. And this

1275
01:12:24,320 --> 01:12:27,400
Speaker 1: is not just because she's a she's a podcast sister Michelle.

1276
01:12:27,439 --> 01:12:29,800
Speaker 1: When Michelle is on it, Michelle Collins, it was never

1277
01:12:29,920 --> 01:12:34,720
Speaker 1: better better. She's the Queen's the best, the best of

1278
01:12:34,760 --> 01:12:38,120
Speaker 1: when it was in recent years was whoopee, Michelle Collins,

1279
01:12:38,520 --> 01:12:42,080
Speaker 1: Raven Simonia, I'm sorry, I love even though she said

1280
01:12:42,120 --> 01:12:48,240
Speaker 1: cookie stuff on that love Raven and I guess Jedded

1281
01:12:48,280 --> 01:12:51,800
Speaker 1: Diabela was like the full the Fuller House, the full House,

1282
01:12:52,240 --> 01:12:57,679
Speaker 1: Candie Cameron Beer and she she's a dummy. She's a dummy. Yeah,

1283
01:12:57,760 --> 01:13:00,640
Speaker 1: she's very conservative. But also I appreciated the fact that,

1284
01:13:00,760 --> 01:13:02,960
Speaker 1: like she was a conservative one and also was like,

1285
01:13:03,120 --> 01:13:05,640
Speaker 1: by far the dumbest. So it was like she's like,

1286
01:13:05,760 --> 01:13:08,120
Speaker 1: oh no, every day I pray and everyone was like,

1287
01:13:08,200 --> 01:13:10,479
Speaker 1: oh god like and it was like fun to have that.

1288
01:13:11,320 --> 01:13:13,880
Speaker 1: Now it's like you have Megan mccaino's like superior about

1289
01:13:14,160 --> 01:13:17,280
Speaker 1: like garbage point of view, which is the downs, you

1290
01:13:17,320 --> 01:13:20,680
Speaker 1: know what I mean. It's disgusting, Yeah, yeah, yeah, yeah, yeah. Interesting.

1291
01:13:20,880 --> 01:13:23,200
Speaker 1: I love your whole breakdown of you know, you had

1292
01:13:23,360 --> 01:13:27,360
Speaker 1: so many passionate takes. That's what'll be, That's what you

1293
01:13:27,400 --> 01:13:29,320
Speaker 1: get out of Matt Rogers and I don't think so, honey,

1294
01:13:32,720 --> 01:13:35,080
Speaker 1: so do you have one? Um? I think so, I

1295
01:13:35,160 --> 01:13:38,120
Speaker 1: think so do you do? He's rarely ever prepared upon it. Oh,

1296
01:13:38,200 --> 01:13:43,280
Speaker 1: I'm never prepared out with you both. I'm gonna start

1297
01:13:43,280 --> 01:13:47,040
Speaker 1: hosting the show with Michelle Collins. She'll do it, She'll

1298
01:13:47,080 --> 01:13:50,719
Speaker 1: do it. Time starts now. I don't think so, honey.

1299
01:13:50,840 --> 01:13:56,320
Speaker 1: The line at Helen Hardy today in November. I went

1300
01:13:56,400 --> 01:14:00,559
Speaker 1: in there with a simple mission, A medium chicken pop pie,

1301
01:14:00,840 --> 01:14:05,360
Speaker 1: no bread, no crackers, just the damn soup. I ran

1302
01:14:05,400 --> 01:14:07,439
Speaker 1: into my good friends to Sheil, who works over at

1303
01:14:07,439 --> 01:14:10,759
Speaker 1: Comedy Central. Very nice guy. We said high We exchanged

1304
01:14:10,760 --> 01:14:12,840
Speaker 1: pleasant trees. It was the highlight of my experience at

1305
01:14:12,840 --> 01:14:15,479
Speaker 1: this fucking Helen Hardy today because there's a huge line

1306
01:14:15,520 --> 01:14:16,760
Speaker 1: that goes out the door and I go, what is

1307
01:14:16,800 --> 01:14:18,559
Speaker 1: going on? There's no one winning at the soup s line.

1308
01:14:18,640 --> 01:14:22,040
Speaker 1: It's everyone's winning at the cashier line. I don't think so. Second,

1309
01:14:22,200 --> 01:14:25,479
Speaker 1: not being able to manage the crowd during the lunch rush,

1310
01:14:25,560 --> 01:14:27,680
Speaker 1: I don't think so, honey. This is Hudson Square. This is,

1311
01:14:28,080 --> 01:14:31,240
Speaker 1: you know, not the busiest neighborhood in Manhattan during the day,

1312
01:14:31,280 --> 01:14:33,120
Speaker 1: but it's a busy one. You've got a lot of

1313
01:14:33,240 --> 01:14:36,640
Speaker 1: people coming in from a lot of different industries and

1314
01:14:36,680 --> 01:14:40,120
Speaker 1: backgrounds and positions and levels of you know, up the

1315
01:14:40,160 --> 01:14:41,680
Speaker 1: food chaine. I don't think so many. You got to

1316
01:14:41,760 --> 01:14:43,760
Speaker 1: figure this out. I had one soup and it took

1317
01:14:43,800 --> 01:14:47,639
Speaker 1: me forty minutes seconds. Forty minutes for soup. I don't

1318
01:14:47,640 --> 01:14:53,240
Speaker 1: think so, honey. I don't think so, honey. That was

1319
01:14:53,680 --> 01:14:58,680
Speaker 1: really well paid. Thank you complaining about pacing earlier. I

1320
01:14:58,800 --> 01:15:01,400
Speaker 1: was like, thank you, some more knows about pacing. I

1321
01:15:01,720 --> 01:15:04,200
Speaker 1: I've learned from call me by your name what good

1322
01:15:04,240 --> 01:15:06,680
Speaker 1: and bad pacing is. Um, you know what you've got

1323
01:15:06,800 --> 01:15:10,600
Speaker 1: to figure out. We're gonna get. Really, the thing is,

1324
01:15:12,880 --> 01:15:15,400
Speaker 1: you can imagine we have a large gay audience, and

1325
01:15:15,680 --> 01:15:17,840
Speaker 1: for for us to be talking about calling about your name,

1326
01:15:18,040 --> 01:15:21,680
Speaker 1: I would say the last hour, I loved the first hour.

1327
01:15:21,800 --> 01:15:23,559
Speaker 1: If they rode their fucking bike to the lake one

1328
01:15:23,560 --> 01:15:25,240
Speaker 1: more time, I was going to get out of there.

1329
01:15:25,760 --> 01:15:28,040
Speaker 1: I couldn't see one more bike ride to the lake, partner.

1330
01:15:28,640 --> 01:15:31,840
Speaker 1: I'm just the it's not The ending was like a

1331
01:15:31,920 --> 01:15:36,040
Speaker 1: departure from the book, which is fine. But the takeaway

1332
01:15:36,200 --> 01:15:38,640
Speaker 1: from the movie is that you know, he feels a

1333
01:15:38,680 --> 01:15:42,080
Speaker 1: certain way and it's that's not really the case, and

1334
01:15:42,320 --> 01:15:44,679
Speaker 1: that's that is unfair of you to say about the film,

1335
01:15:44,720 --> 01:15:46,400
Speaker 1: because he's in a whole different place in his life

1336
01:15:46,439 --> 01:15:47,920
Speaker 1: in the film than he is in the book. But

1337
01:15:48,280 --> 01:15:50,880
Speaker 1: in the book, you see the journey, and so that's

1338
01:15:50,880 --> 01:15:52,800
Speaker 1: all I'll say. Okay, a partner, We're sorry, we just

1339
01:15:52,920 --> 01:15:56,160
Speaker 1: didn't know. I don't know. Okay, I'm gonna I'm I

1340
01:15:56,280 --> 01:15:58,920
Speaker 1: don't know if I can summon up enough passion, but

1341
01:15:59,080 --> 01:16:01,439
Speaker 1: I'm gonna try. You keep it as low energy or

1342
01:16:01,439 --> 01:16:03,600
Speaker 1: as high energy as you want to not do not

1343
01:16:03,760 --> 01:16:06,960
Speaker 1: feel the need to hit a certain death of ball.

1344
01:16:07,520 --> 01:16:09,400
Speaker 1: But this is a partner inturials. I don't think so, honey,

1345
01:16:09,400 --> 01:16:12,559
Speaker 1: and her time starts now. I don't think so honey.

1346
01:16:12,800 --> 01:16:17,920
Speaker 1: Friends who don't text during holidays like Thanksgiving weekend because

1347
01:16:18,040 --> 01:16:21,160
Speaker 1: I feel like I were all with our families and

1348
01:16:21,360 --> 01:16:24,280
Speaker 1: or loved ones and were chosen families and loved ones

1349
01:16:24,600 --> 01:16:26,880
Speaker 1: during this time, and obviously we're all supposed to be

1350
01:16:26,920 --> 01:16:29,800
Speaker 1: putting in quality time, but everyone reaches a limit with

1351
01:16:30,439 --> 01:16:32,960
Speaker 1: how much family you can be around. And then if

1352
01:16:33,120 --> 01:16:35,280
Speaker 1: no one else is texting, I feel like I'm the

1353
01:16:35,360 --> 01:16:40,040
Speaker 1: only one not experiencing fulfilled relationships. And then then I

1354
01:16:40,200 --> 01:16:44,920
Speaker 1: feel extra lonely and isolated, and I need other people

1355
01:16:45,000 --> 01:16:47,880
Speaker 1: to be like, hey, are you tired of listening to

1356
01:16:49,320 --> 01:16:52,800
Speaker 1: your mom? Make gentle nudges about how soon you should

1357
01:16:52,800 --> 01:16:56,040
Speaker 1: have kids before they might have uh you know, birth

1358
01:16:56,120 --> 01:16:59,599
Speaker 1: defects or whatever it is. And if no one else texts,

1359
01:16:59,640 --> 01:17:02,560
Speaker 1: it really feels like you're alone in the universe, and

1360
01:17:03,000 --> 01:17:06,960
Speaker 1: especially if they just leave you hang in an emotional

1361
01:17:07,640 --> 01:17:10,120
Speaker 1: you know, sore that you've opened up, and then you

1362
01:17:10,240 --> 01:17:12,479
Speaker 1: just have to look at it and see the non

1363
01:17:12,600 --> 01:17:15,679
Speaker 1: response and be like, I guess you don't feel that way,

1364
01:17:16,280 --> 01:17:21,880
Speaker 1: and that but finished this thought because that, I mean,

1365
01:17:23,280 --> 01:17:26,200
Speaker 1: first of all, completely appropriate that it was just at

1366
01:17:26,240 --> 01:17:30,920
Speaker 1: this nice MPR town, this NPR level, because I kind

1367
01:17:30,920 --> 01:17:32,720
Speaker 1: of felt that way too. I felt a little too,

1368
01:17:32,760 --> 01:17:35,760
Speaker 1: I mean, obviously for different completely different ways and different circumstances.

1369
01:17:35,800 --> 01:17:37,560
Speaker 1: I was like, oh, yeah, I guess I'm just like

1370
01:17:38,880 --> 01:17:41,519
Speaker 1: at sea here or socially, and I feel a little

1371
01:17:41,560 --> 01:17:43,200
Speaker 1: stir crazy. I don't know, I mean, I don't know

1372
01:17:43,200 --> 01:17:45,160
Speaker 1: if that's exactly what. Well. I think everyone feels a

1373
01:17:45,200 --> 01:17:48,080
Speaker 1: little stir crazy when they've had enough, like home time

1374
01:17:48,320 --> 01:17:50,640
Speaker 1: or family time, but then they feel like there's some

1375
01:17:50,800 --> 01:17:54,680
Speaker 1: kind of social more to not be like texting with

1376
01:17:54,960 --> 01:17:58,960
Speaker 1: your usual social group. I don't know, what a trash

1377
01:17:59,040 --> 01:18:01,400
Speaker 1: people who are on their phones and so that's not

1378
01:18:01,439 --> 01:18:03,760
Speaker 1: an issue. Oh that's great. That must be like the

1379
01:18:03,880 --> 01:18:07,280
Speaker 1: next level up, because yeah, like, I don't know who.

1380
01:18:08,960 --> 01:18:11,280
Speaker 1: I would love to you call someone out right now

1381
01:18:11,320 --> 01:18:15,960
Speaker 1: who didn't text you back at Joe Firestone, fucking Joe

1382
01:18:16,120 --> 01:18:19,240
Speaker 1: fires We gotta go get her. Who does she think

1383
01:18:19,320 --> 01:18:21,439
Speaker 1: she is? Well? Drag her in here. I think it's

1384
01:18:21,479 --> 01:18:24,920
Speaker 1: because she's a good person. No, no, I don't think so,

1385
01:18:25,360 --> 01:18:26,920
Speaker 1: you know what. I take back what you said about

1386
01:18:27,040 --> 01:18:31,200
Speaker 1: the only trash people text back, because no, no one's

1387
01:18:31,200 --> 01:18:35,759
Speaker 1: above it. There's an etiquette. You respond if you're engaged,

1388
01:18:35,960 --> 01:18:38,080
Speaker 1: especially if it's one of your good friends, like a

1389
01:18:38,160 --> 01:18:40,800
Speaker 1: partner is to Joe, and that is not acceptable. I

1390
01:18:40,840 --> 01:18:42,720
Speaker 1: would I would take Matt to task if he were

1391
01:18:42,920 --> 01:18:47,240
Speaker 1: if he if I didn't respond to Bowen the full disclosure.

1392
01:18:47,280 --> 01:18:49,720
Speaker 1: I think I did not text her. I think I

1393
01:18:49,960 --> 01:18:51,680
Speaker 1: thought about it and then I was like, well, if

1394
01:18:51,800 --> 01:18:55,719
Speaker 1: she was a good friend, she would text me knowing

1395
01:18:55,920 --> 01:18:59,000
Speaker 1: how I was feeling. Absolutely, And you're right about that.

1396
01:18:59,680 --> 01:19:01,320
Speaker 1: I don't know if you feel like this with Joe,

1397
01:19:01,439 --> 01:19:05,479
Speaker 1: but I can feel how by one feels in the air. Yeah.

1398
01:19:05,920 --> 01:19:09,080
Speaker 1: Sometimes when he's gone for a long time and I

1399
01:19:09,160 --> 01:19:12,200
Speaker 1: know he's landing again, I will be sitting in my chair,

1400
01:19:12,360 --> 01:19:14,840
Speaker 1: which I'm doing. When he's not in I I'm just

1401
01:19:14,880 --> 01:19:16,519
Speaker 1: sitting in my chair with my head down. And then

1402
01:19:16,560 --> 01:19:19,880
Speaker 1: when I feel him touchdown, I will rise up and

1403
01:19:20,040 --> 01:19:22,360
Speaker 1: I will feel filled with life again and I'll say

1404
01:19:23,240 --> 01:19:29,120
Speaker 1: hello friends. It's almost like very Luke and Leah. Yeah. Absolutely, yes,

1405
01:19:29,520 --> 01:19:32,519
Speaker 1: that was my understanding of how friendship works. Absolutely, and

1406
01:19:32,640 --> 01:19:36,120
Speaker 1: Joe hasn't met that standard. No, but I'll give her time.

1407
01:19:36,680 --> 01:19:38,760
Speaker 1: Give her time, because you know who else needed time.

1408
01:19:42,960 --> 01:19:45,560
Speaker 1: I want to say two podcast related things before we

1409
01:19:45,680 --> 01:19:48,639
Speaker 1: wrap up. Um, I want to say that you should

1410
01:19:48,760 --> 01:19:53,280
Speaker 1: absolutely head over to Apple Podcasts and you should give

1411
01:19:53,360 --> 01:19:56,680
Speaker 1: us a five star rating and you should give us

1412
01:19:56,720 --> 01:20:01,519
Speaker 1: a nice review because this really helps the podcast rise

1413
01:20:01,640 --> 01:20:03,720
Speaker 1: to the top. And I'm serious, guys. If you guys

1414
01:20:03,800 --> 01:20:06,519
Speaker 1: listen listening to this, you know it wouldn't kill you.

1415
01:20:06,680 --> 01:20:08,840
Speaker 1: It wouldn't kill you. And look, you know, leave it,

1416
01:20:09,040 --> 01:20:11,040
Speaker 1: maybe leave a rule of culture in your review. Maybe

1417
01:20:11,040 --> 01:20:13,679
Speaker 1: we'll maybe, we'll read it, we'll canonize it, and maybe

1418
01:20:13,760 --> 01:20:17,920
Speaker 1: by maybe we mean definitely definitely maybe, And um, again,

1419
01:20:17,960 --> 01:20:22,200
Speaker 1: it really helps with visibility and all that hacks the algorithm. Also,

1420
01:20:22,439 --> 01:20:24,040
Speaker 1: I want to say one other thing, and it's it's

1421
01:20:24,080 --> 01:20:25,920
Speaker 1: good that we said this will our guest is here

1422
01:20:25,960 --> 01:20:31,400
Speaker 1: because our guest is actually a surprise story pirate And

1423
01:20:31,640 --> 01:20:33,920
Speaker 1: why always forget that you're a story pirate. Well, I

1424
01:20:34,160 --> 01:20:37,000
Speaker 1: was shocked that you knew because I I I was

1425
01:20:37,080 --> 01:20:39,320
Speaker 1: one a long time ago and I haven't actually done

1426
01:20:39,360 --> 01:20:41,920
Speaker 1: any story Pirates related stuff in a couple of years.

1427
01:20:42,160 --> 01:20:45,960
Speaker 1: I think, incredible story Pirate. You did you enjoy doing it?

1428
01:20:46,000 --> 01:20:48,680
Speaker 1: When I did, I loved it. And you came from

1429
01:20:48,720 --> 01:20:50,960
Speaker 1: a great class of people because because I think you were,

1430
01:20:51,080 --> 01:20:52,919
Speaker 1: you were on the same time as like maybe Natasha

1431
01:20:53,040 --> 01:20:56,040
Speaker 1: Rothwell was, yeah, but she was New York and I

1432
01:20:56,160 --> 01:20:58,559
Speaker 1: was l A. I think that's why. That's it. That's

1433
01:20:58,560 --> 01:21:01,080
Speaker 1: why I don't know a lot of people who were

1434
01:21:01,160 --> 01:21:04,519
Speaker 1: one but still still an alumni. Sometimes you don't even

1435
01:21:04,560 --> 01:21:07,840
Speaker 1: know what a superstar is a secret story parrot. Now listen,

1436
01:21:07,880 --> 01:21:10,960
Speaker 1: I bring up story Parts because I would love especially

1437
01:21:11,200 --> 01:21:14,280
Speaker 1: if you're out there and you have kids, Um, you

1438
01:21:14,360 --> 01:21:18,639
Speaker 1: should check out the Story Parts podcast on gimlet um

1439
01:21:19,000 --> 01:21:21,679
Speaker 1: and they're so amazing And I'm in a couple episodes.

1440
01:21:21,720 --> 01:21:23,479
Speaker 1: Have you been in a podcast episode yet? I haven't

1441
01:21:23,520 --> 01:21:25,920
Speaker 1: been in the New iteration soon, but I love I

1442
01:21:26,080 --> 01:21:28,439
Speaker 1: I as a listener, someone who's not has not been

1443
01:21:28,479 --> 01:21:31,559
Speaker 1: involved yet. I it's such a joyful Rachel when it's

1444
01:21:31,600 --> 01:21:34,559
Speaker 1: Key a friend of the show, writer of the podcast.

1445
01:21:34,640 --> 01:21:38,360
Speaker 1: It's very good and very cute. And some of the

1446
01:21:38,439 --> 01:21:40,760
Speaker 1: stories and some of the songs and the music, it's

1447
01:21:40,840 --> 01:21:42,840
Speaker 1: just amazing. Just put a smile on your face. It

1448
01:21:43,040 --> 01:21:45,000
Speaker 1: really well. And also, guys, it's short, it's like twenty

1449
01:21:45,040 --> 01:21:47,880
Speaker 1: two minutes. It's so good. And I have interviews with

1450
01:21:47,960 --> 01:21:49,960
Speaker 1: the kids that wrote the stories that get adapted. Oh,

1451
01:21:50,040 --> 01:21:52,320
Speaker 1: it's so good, so nice. Um, and I just wanted

1452
01:21:52,360 --> 01:21:54,280
Speaker 1: to throw them them a little bit of love. And

1453
01:21:54,360 --> 01:21:57,600
Speaker 1: one more podcast thing, um, you know a partners podcast

1454
01:21:57,680 --> 01:22:01,280
Speaker 1: with Jacqueline Novak and anyone any other cost you Jack

1455
01:22:01,800 --> 01:22:05,400
Speaker 1: Blue Woman Group, you know Blue Woman Group. Listen, listen

1456
01:22:05,439 --> 01:22:07,360
Speaker 1: to some episodes and if you if you run a

1457
01:22:07,400 --> 01:22:10,320
Speaker 1: podcasting network, maybe throw your hat in for the bidding

1458
01:22:10,360 --> 01:22:14,040
Speaker 1: war that you know. Now, Um, this has been a

1459
01:22:14,120 --> 01:22:17,200
Speaker 1: very fun, nice episode. I'm really happy that we were

1460
01:22:17,280 --> 01:22:20,840
Speaker 1: able to spoil a million dollar baby yes and talk

1461
01:22:20,920 --> 01:22:24,439
Speaker 1: a intellectualis sess me straight? Yes? In that way? Absolutely, party,

1462
01:22:24,479 --> 01:22:28,200
Speaker 1: Thank you so much, thank you, I love you very much. Likewise,

1463
01:22:28,400 --> 01:22:36,040
Speaker 1: now we should leave with the song yes oh you

1464
01:22:37,200 --> 01:22:52,519
Speaker 1: smile streep In every film you scarmoral streep. Forevery film

1465
01:22:53,160 --> 01:23:03,919
Speaker 1: you smile Bye. This has been a Forever Dog production

1466
01:23:04,400 --> 01:23:08,559
Speaker 1: executive produced by Brett Bahum, Joe Silio, and Alex Ramsey.

1467
01:23:09,240 --> 01:23:13,439
Speaker 1: For more original podcasts, please visit Forever Dog Podcasts dot

1468
01:23:13,560 --> 01:23:17,800
Speaker 1: com and subscribe to our shows on Apple Podcasts, Spotify,

1469
01:23:18,240 --> 01:23:20,640
Speaker 1: or wherever you get your podcasts. Keep up with the

1470
01:23:20,720 --> 01:23:23,920
Speaker 1: latest Forever Dog news by following us on Twitter and

1471
01:23:24,080 --> 01:23:29,240
Speaker 1: Instagram at Forever Dog Team, and liking our page on Facebook.