WEBVTT - So Many Crimes, So Little Time

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<v Speaker 1>Welcome to Desperately Devoted. Join us as we explore the

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<v Speaker 1>human experience through the lens of the iconic show Desperate Housewise.

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<v Speaker 2>I'm Terry Patcher, I'm Andrea Bowen, and I'm a Mercantana.

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<v Speaker 1>Gosh. Well, we have just been loving this episode and

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<v Speaker 1>all there is to talk about. So this week we

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<v Speaker 1>are shining our spotlight on episode nine, suspicious Mind. Well,

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<v Speaker 1>this episode I remembered, right, so a lot of them.

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<v Speaker 1>I don't why, yeah, right, why, young Andrea, did this

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<v Speaker 1>episode stick out to you? So we kind of I'll

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<v Speaker 1>go through the little storyline quickly, but we learned that

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<v Speaker 1>Julia and Zach are pen paling each other, and then

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<v Speaker 1>we also learned that Julie is hiding Zach up in

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<v Speaker 1>her bedroom. He has escaped from where he was the

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<v Speaker 1>juvenile mental health facility, and Julie's keeping him up in

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<v Speaker 1>her bedroom as a secret from everybody.

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<v Speaker 2>I guess I did have a question about that.

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<v Speaker 3>I thought, wait, is Susan aware and keeping Julie's secret,

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<v Speaker 3>because if.

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<v Speaker 2>She is, she's a really good poker face. And I

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<v Speaker 2>feel like.

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<v Speaker 1>I don't think she's aware. She's not aware, She's dealing

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<v Speaker 1>with a lot this episode, Susan, she's off at the

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<v Speaker 1>Passion show and she's fielding all physical attacks so so,

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<v Speaker 1>and also this might only be one night. I don't

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<v Speaker 1>really know how long this is. This her hiding him

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<v Speaker 1>up there has gone on, but in any case, she

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<v Speaker 1>has him up there and she's trying to get information

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<v Speaker 1>from him about what's going on gently but and he

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<v Speaker 1>does reveal some thing so traumatic. He reveals that he

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<v Speaker 1>had buried no pun intended, a memory from when he

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<v Speaker 1>was four years old that he kind of he's recently

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<v Speaker 1>unearthed after his mom's passing, about this argument that he

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<v Speaker 1>overheard his parents having, and it led him to the

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<v Speaker 1>conclusion that he was that he had a baby sister

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<v Speaker 1>named Dana, and that he somehow is responsible for her death.

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<v Speaker 1>And it's just like this crazy admission, and you feel

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<v Speaker 1>so much for this young boy who has no outlet,

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<v Speaker 1>and his father is denying him any sort of therapy

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<v Speaker 1>in which to discuss any of this, and so he's

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<v Speaker 1>just left with all these feelings and Julie is trying

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<v Speaker 1>to provide him a safe place to talk about these

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<v Speaker 1>things and be a friend, be a good friend to him.

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<v Speaker 1>And then this scene ends with him kissing Julie. And

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<v Speaker 1>that's you know, one of the reasons why this episode

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<v Speaker 1>stands out in my memory so much, because I had

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<v Speaker 1>probably had I had had a friend, I had been kissed. No, no, but.

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<v Speaker 2>I had had Who was your first kiss?

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<v Speaker 1>It was at school? It was nothing interesting.

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<v Speaker 2>It was not a great school during school day.

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<v Speaker 1>Well, I went to a performing arts school in Manhattan,

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<v Speaker 1>and half of our day was not kissing, was practicing

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<v Speaker 1>kissing from when we were going to have to do

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<v Speaker 1>it on screen, right right, No, but this was I mean,

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<v Speaker 1>this was probably my second I mean I was not.

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<v Speaker 1>I had not had a lot of experience. I was fourteen,

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<v Speaker 1>as we know, and so it was nerve wracking. It

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<v Speaker 1>was very I was very nervous and trying to act

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<v Speaker 1>like I wasn't. And it's weird, right because you just

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<v Speaker 1>this is one of those things about being a child

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<v Speaker 1>actor and a child performer is that you often have

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<v Speaker 1>to act out things before you've had a lot of

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<v Speaker 1>experience doing them in your personal life. And you're not

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<v Speaker 1>just acting them out for eventually millions of people who

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<v Speaker 1>will watch it, but you're doing it in front of

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<v Speaker 1>your coworkers, and you're doing it, you know, my mom

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<v Speaker 1>was there, probably standing by the monitor, although she always

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<v Speaker 1>handled it so well and so so respectfully to me,

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<v Speaker 1>and you know, all of those things. But yeah, it was.

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<v Speaker 4>Totally Also, this pre dates by decades, this idea of

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<v Speaker 4>an intimacy coordinator. I mean, I can't even begin to

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<v Speaker 4>tell you, like all of the yeah, I mean the

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<v Speaker 4>stories from way back in the nineties or whatever of

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<v Speaker 4>just how uncomfortable a certain person might or situation. I mean,

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<v Speaker 4>so it seems to me that there should have been

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<v Speaker 4>somebody there. I know your mom was there, but like,

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<v Speaker 4>do you recall did the director did anybody like talk

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<v Speaker 4>you through so Andrea, is this okay when he's going

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<v Speaker 4>to lean forward and just kiss you on the lips,

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<v Speaker 4>or like, do you remember any of that.

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<v Speaker 1>I don't recall anyone really acting in that capacity. No,

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<v Speaker 1>obviously it was a pretty tame scene and a pretty

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<v Speaker 1>innocent moment, but no, And I do think that nowadays,

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<v Speaker 1>hopefully we are providing that to providing that level of

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<v Speaker 1>support to all performers of all ages, but particularly children,

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<v Speaker 1>because it is it is uncomfortable. But I think Cody

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<v Speaker 1>and I Cody, who played Zach, navigated the best way

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<v Speaker 1>as possible Something that stood out to me also is

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<v Speaker 1>that I'm realizing there was another level too in that

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<v Speaker 1>I was the age I was, but I think Cody

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<v Speaker 1>was maybe seventeen, so not a huge difference, but it's

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<v Speaker 1>different enough than that he probably wasn't kissing fourteen year

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<v Speaker 1>old girls in his personal life. You know, that is

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<v Speaker 1>kind hosts on right, Decidedly there's an age gap there

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<v Speaker 1>that that, right is kind of weird. But but I

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<v Speaker 1>don't have any negative memories of that moment, I will

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<v Speaker 1>say that, but definitely a weird, a weird thing to

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<v Speaker 1>have to act out.

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<v Speaker 4>Yeah there, Yeah, I think I imagine there's some sort of

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<v Speaker 4>presumption that like you'll just be okay, you'll just do it. Yeah,

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<v Speaker 4>you know, I do think that feels familiar for for me,

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<v Speaker 4>even as an adult actor, Like you know that I

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<v Speaker 4>don't know whatever it is, like even the silly things

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<v Speaker 4>like you jump through the floor and your legs so like, ope,

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<v Speaker 4>you'll just do it because you know it. And if

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<v Speaker 4>there's ever any pushback, there's then like the label start

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<v Speaker 4>right right thrown at you.

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<v Speaker 1>But totally rewatching it. My cheeks got very hot again.

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<v Speaker 3>I mean, just from a writing standpoint in that moment.

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<v Speaker 3>I found it a little surprising and interesting the idea

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<v Speaker 3>that a level of genuine friendship and closeness and safety

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<v Speaker 3>that Julie is providing can be misconstrued or open a

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<v Speaker 3>door to a physical intimacy, because I don't feel like

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<v Speaker 3>Julie is saying, oh, I'm romantically leaning in. I mean,

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<v Speaker 3>and she physically isn't leaning in either, but Zak takes

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<v Speaker 3>it that way, and I think that is I'm telling

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<v Speaker 3>I'm excited to see where that that storyline develops. I

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<v Speaker 3>feel like on the other side of the storyline, we

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<v Speaker 3>have Lynette who has finally had her come to Jesus

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<v Speaker 3>moment and stop taking her medication, and I like that

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<v Speaker 3>she is relying on Tom, who's taken you know, the

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<v Speaker 3>week off, to help her, even in his somewhat hapless way,

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<v Speaker 3>get back on her feet and kind of have a

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<v Speaker 3>reset and try to relax.

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<v Speaker 2>He's holding the baby.

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<v Speaker 3>The baby has come back, yes, And I just a

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<v Speaker 3>very small note again on the fashion of the show.

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<v Speaker 3>I think this is the third or fourth episode where

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<v Speaker 3>Lynette is wearing this pearl choker necklace that she has

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<v Speaker 3>been wearing in every single episode, and I gotta say,

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<v Speaker 3>I love it, And now I'm gonna go try to

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<v Speaker 3>find a pearl choker like that and buy it, because

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<v Speaker 3>it the imaging has happen. I've seen it so many

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<v Speaker 3>times now that I'm like, I need that, I need

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<v Speaker 3>to I love that. I love that moment, And I

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<v Speaker 3>think it's interesting that her character hasn't changed that. I

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<v Speaker 3>think it feels telling about her kind of being a

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<v Speaker 3>frazzled mom who of course doesn't have time to be

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<v Speaker 3>changing her jewelry when she gets ready, and there maybe

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<v Speaker 3>it's a.

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<v Speaker 1>Special piece that she wears in her life, because you know,

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<v Speaker 1>there are people who wear the same jewelry all the

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<v Speaker 1>time and shower in it and sleep in it and

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<v Speaker 1>all that.

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<v Speaker 2>But yeah, yeah, I don't know. It just it stood

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<v Speaker 2>out to me.

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<v Speaker 4>So Brie and Rex are at this swim meet where

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<v Speaker 4>Andrew is apparently like going to be going to college

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<v Speaker 4>for swimming, like on a scholarship or whatever, and.

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<v Speaker 2>They begin to.

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<v Speaker 4>Argue about whether they've made the right choice because Andrew

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<v Speaker 4>is saying some pretty crazy things like you know that

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<v Speaker 4>like he's off the hook, and that you know, he's

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<v Speaker 4>kind of like doesn't seem to be bothered by the

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<v Speaker 4>fact that he's nearly potentially killed someone.

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<v Speaker 3>Yeah, and bree is it seems to be coming down

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<v Speaker 3>on the line of we have to find a way

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<v Speaker 3>to discipline him further. And Rex is saying, well, we

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<v Speaker 3>took away his you know, phone, we took away the TV.

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<v Speaker 3>He's grounded, Like, what more can we do? And I

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<v Speaker 3>think it's so interesting that at the swim meet she

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<v Speaker 3>says we should make him stop swimming competitively, like that

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<v Speaker 3>should be the punishment. And I'm I mean at which

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<v Speaker 3>I love because they're arguing over who loves him more

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<v Speaker 3>or loves him in the right way. And I think

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<v Speaker 3>my favorite line of the episode has to go to Rex,

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<v Speaker 3>who says he hung out in your womb for a

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<v Speaker 3>couple of months in the eighties.

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<v Speaker 1>Yeah, that one felt personal. I'll say, as someone who's

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<v Speaker 1>got someone hanging out in their womb, it's a little

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<v Speaker 1>bit more than that. Rex.

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<v Speaker 2>Yeah, yeah, he's so.

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<v Speaker 3>He's so dismissive, of course, as always of Breeze feelings.

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<v Speaker 3>But I I do actually think and I'm curious to

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<v Speaker 3>hear both of your takes. I think I fall on

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<v Speaker 3>Rex's side of the argument in the sense that while

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<v Speaker 3>I too am horrified that Andrew is having seemingly no remorse,

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<v Speaker 3>although I would say I think him smoking so much

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<v Speaker 3>pot is potentially indicative of the fact that he's having

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<v Speaker 3>feelings that he doesn't want to address, that he's trying

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<v Speaker 3>to bury.

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<v Speaker 1>Or we should note that we we know, we learn

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<v Speaker 1>that Andrew is smoking a lot of thought.

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<v Speaker 3>Yeah in this episode, and I think that's a telling sign.

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<v Speaker 3>But I do not think the correct to me parenting

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<v Speaker 3>choice is to take the one thing that your child

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<v Speaker 3>is passionate about that is actually a constructive, potentially life

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<v Speaker 3>affirming activity that gives them structure and discipline and focus

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<v Speaker 3>and ambition and take that one thing away as a punishment.

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<v Speaker 3>I don't know what do you guys think? It really

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<v Speaker 3>stood out to me, this divide between Brie and Rex.

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<v Speaker 4>I have to say I used to tell people all

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<v Speaker 4>the time that I could ever weigh in on these

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<v Speaker 4>kinds of like real life parenting things because you never

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<v Speaker 4>did anything wrong, Emerson, and I never had to punish you.

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<v Speaker 5>I'm Kristin Davis, host of the podcast Are You a Charlotte?

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<v Speaker 5>The most anticipated guest from season three is here the

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<v Speaker 5>Tray to My Charlotte. Kyle McLaughlin joins me to relive

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<v Speaker 5>all of the magical tray in Charlotte moments. He reveals

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<v Speaker 5>what he thinks of Trey giving Charlotte a cardboard baby.

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<v Speaker 1>Why would I bring her a cardboard baby? I was

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<v Speaker 1>literally I was like, this doesn't track for me at all.

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<v Speaker 5>When he found out Trey's shortcomings, I'm kind.

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<v Speaker 1>Of excited to talking about.

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<v Speaker 4>You know.

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<v Speaker 1>I think he's he's a guy spends time in Central Park.

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<v Speaker 2>You know, he's probably be some.

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<v Speaker 1>Surgery stuff, you know. And I was like all this

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<v Speaker 1>kind of stuff going on. And they were like, yeah, yeah, yeah, fine,

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<v Speaker 1>and they said, but.

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<v Speaker 5>He's impotent, and I was like, he's impotent, and why

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<v Speaker 5>he chose not to return to inges like that? They

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<v Speaker 5>came and presented an idea and I was like, I

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<v Speaker 5>get I see it.

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<v Speaker 1>It's so kind of a one joke idea. You don't

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<v Speaker 1>want to miss this.

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<v Speaker 5>Listen to Are You a Charlotte on the iHeartRadio app,

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<v Speaker 5>Apple Podcasts or wherever you get your podcasts.

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<v Speaker 1>I think I tend to agree with you Emerson on

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<v Speaker 1>the punishment being let me take away the thing that

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<v Speaker 1>is a positive source for you to focus on in

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<v Speaker 1>your life as a form of forcing you to reconcile

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<v Speaker 1>with your bad behavior. Maybe not the right call, but

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<v Speaker 1>I also it's hard to put yourself in breeze shoes

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<v Speaker 1>in this episode. It would be very scary to watch

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<v Speaker 1>your teenage child, your teenage son do something so reckless

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<v Speaker 1>with such a huge scary consequences of maybe taking someone's life,

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<v Speaker 1>and be so callous about it, be so cavalier about Well,

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<v Speaker 1>at least I'm off the hook, you know, and so

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<v Speaker 1>I while I agree, I also think for Brie, I

0:13:06.360 --> 0:13:10.400
<v Speaker 1>don't fault her necessarily for not knowing how to get

0:13:10.400 --> 0:13:14.480
<v Speaker 1>through to him. Yeah, and this is another form of desperation.

0:13:14.640 --> 0:13:18.160
<v Speaker 1>I guess she's really desperate to find a way to

0:13:19.440 --> 0:13:21.520
<v Speaker 1>get him to recognize what he's done.

0:13:21.480 --> 0:13:24.880
<v Speaker 4>Which leads us to like, what was my I think

0:13:25.480 --> 0:13:32.800
<v Speaker 4>most desperate moment was So Brie finds out that Andrew

0:13:32.880 --> 0:13:37.600
<v Speaker 4>is smoking pot, and so she makes him pee in

0:13:37.679 --> 0:13:44.920
<v Speaker 4>a cup, and then she urgently drives the urine over

0:13:45.080 --> 0:13:48.800
<v Speaker 4>to the golf course where Rex is in the middle

0:13:48.960 --> 0:13:50.920
<v Speaker 4>of playing eighteen holes.

0:13:51.320 --> 0:13:53.840
<v Speaker 2>I mean, crazy behavior.

0:13:54.480 --> 0:14:00.200
<v Speaker 4>That's a crazy decision because even if Rex was to

0:14:00.320 --> 0:14:03.120
<v Speaker 4>agree with her, it's not like he's going to leave

0:14:03.240 --> 0:14:07.960
<v Speaker 4>the golf game and take the pe to the doctor

0:14:08.160 --> 0:14:12.080
<v Speaker 4>or wherever you take it to get tested. Like she

0:14:12.320 --> 0:14:15.600
<v Speaker 4>was definitely out of her mind in this maneuver. But

0:14:15.720 --> 0:14:18.720
<v Speaker 4>it leaves them to be literally on a golf course

0:14:19.360 --> 0:14:24.080
<v Speaker 4>arguing in front of everybody about what is the right

0:14:24.120 --> 0:14:29.680
<v Speaker 4>way to handle this. And he says, oh, just it's

0:14:29.840 --> 0:14:35.840
<v Speaker 4>so heartbreaking. He basically says that you know, everything about

0:14:35.880 --> 0:14:40.600
<v Speaker 4>their marriage and everything was just a lie and he

0:14:40.760 --> 0:14:43.760
<v Speaker 4>hated it all and he's always hated it and it's

0:14:43.800 --> 0:14:49.240
<v Speaker 4>always been bad. And so she takes the urine and

0:14:49.320 --> 0:14:52.240
<v Speaker 4>she rows it on him. It's one of those like

0:14:52.520 --> 0:14:56.400
<v Speaker 4>visceral things where you know, they've shown us this.

0:14:56.440 --> 0:14:57.800
<v Speaker 2>Jar of liquid.

0:14:57.960 --> 0:15:01.320
<v Speaker 4>Yeah, it looks exactly like you're you know, of course

0:15:01.360 --> 0:15:03.760
<v Speaker 4>it wasn't urine, but it looks like uric.

0:15:03.800 --> 0:15:04.360
<v Speaker 2>Thank you for coming.

0:15:05.120 --> 0:15:08.240
<v Speaker 4>And so it's very hard for us to believe, like

0:15:08.600 --> 0:15:12.640
<v Speaker 4>we feel like actual urine got thrown on Rex and

0:15:12.720 --> 0:15:20.080
<v Speaker 4>it is so disgusting, Like it's just so disgusting. And

0:15:20.120 --> 0:15:24.240
<v Speaker 4>then she has this line where she says, if you

0:15:24.280 --> 0:15:26.880
<v Speaker 4>were my mom, I would want to smoke pot too.

0:15:27.680 --> 0:15:30.560
<v Speaker 2>Yes, such a good line, Oh my god.

0:15:30.880 --> 0:15:33.720
<v Speaker 4>Yeah, and then she throws the urine on him and

0:15:33.760 --> 0:15:36.160
<v Speaker 4>she's and He's like, why did you do that? And

0:15:36.200 --> 0:15:40.240
<v Speaker 4>he said and and she says, because it's the same

0:15:40.320 --> 0:15:42.960
<v Speaker 4>thing you just did to all the memories I've had

0:15:43.000 --> 0:15:48.400
<v Speaker 4>of our marriage, and I mean, poor Brie.

0:15:49.000 --> 0:15:53.960
<v Speaker 3>Yeah, I really do feel I feel for breathe and

0:15:53.960 --> 0:15:57.720
<v Speaker 3>and to pivot a little bit, there are quite a

0:15:57.760 --> 0:16:02.120
<v Speaker 3>few physical altercations happening in this episode.

0:16:02.520 --> 0:16:05.640
<v Speaker 4>Wait wait, wait before can we back all the way

0:16:05.680 --> 0:16:09.080
<v Speaker 4>back up to the Susan and Gabby thing, because yes,

0:16:09.880 --> 0:16:14.480
<v Speaker 4>this is my favorite line and also like I we

0:16:14.480 --> 0:16:17.440
<v Speaker 4>we We've been talking about it now for nine episodes.

0:16:17.680 --> 0:16:21.239
<v Speaker 3>You you personally have been waiting for this moment.

0:16:22.480 --> 0:16:23.120
<v Speaker 2>In her affair.

0:16:23.320 --> 0:16:26.680
<v Speaker 4>Yes, okay, and I forgot, genuinely I forgot, Like when

0:16:26.720 --> 0:16:29.400
<v Speaker 4>did this happen? And were there any ever come up

0:16:29.400 --> 0:16:32.440
<v Speaker 4>ins or not or whatever. But we we are at

0:16:32.480 --> 0:16:36.320
<v Speaker 4>this fashion show or the readying of the fashion show,

0:16:36.520 --> 0:16:42.800
<v Speaker 4>and Susan Uh sees under the table that Gabby has

0:16:42.880 --> 0:16:45.760
<v Speaker 4>taken her foot out of her high heel and is

0:16:45.840 --> 0:16:49.240
<v Speaker 4>now massaging John's bratch.

0:16:49.920 --> 0:16:54.000
<v Speaker 2>And old move.

0:16:52.800 --> 0:16:54.280
<v Speaker 1>And she sees that nearby.

0:16:57.400 --> 0:17:05.439
<v Speaker 4>Okayah, fine form, so so she Susan marches over to

0:17:05.560 --> 0:17:11.840
<v Speaker 4>Gabby's house and Uh and Gabby's like Hey, you know,

0:17:12.400 --> 0:17:14.640
<v Speaker 4>do you want to help me with the with the

0:17:14.880 --> 0:17:18.040
<v Speaker 4>with the clothes or something? And Susan says, sure, do

0:17:18.119 --> 0:17:20.080
<v Speaker 4>you want to tell me why you had your foot

0:17:20.119 --> 0:17:25.280
<v Speaker 4>in John rowlands crotch yesterday? And I just I love

0:17:25.400 --> 0:17:28.080
<v Speaker 4>sort of the comedy. I mean, it's such a heavy thing.

0:17:28.160 --> 0:17:29.560
<v Speaker 4>It's like, do you want to do this? Oh?

0:17:29.600 --> 0:17:30.800
<v Speaker 2>Sure, do you want to do this?

0:17:31.560 --> 0:17:36.600
<v Speaker 4>Tell you? And then I loved this order. Susan says,

0:17:37.480 --> 0:17:42.440
<v Speaker 4>he's in high school, it's illegal, and you're married, and

0:17:42.560 --> 0:17:48.320
<v Speaker 4>like that is the order in which she kind of

0:17:48.359 --> 0:17:49.240
<v Speaker 4>puts the act back.

0:17:51.000 --> 0:17:53.520
<v Speaker 1>But finally someone gets that order of offenses right.

0:17:53.960 --> 0:17:56.880
<v Speaker 4>But then right after that, and this is like where

0:17:56.920 --> 0:18:00.520
<v Speaker 4>I think Susan is a little annoying. Right after that,

0:18:00.640 --> 0:18:05.640
<v Speaker 4>she does completely take a tangential left turn away from

0:18:05.720 --> 0:18:11.680
<v Speaker 4>the illegality of it all and just completely buries her

0:18:11.720 --> 0:18:15.240
<v Speaker 4>plants her, you know, foot in the ground of you're

0:18:15.320 --> 0:18:19.840
<v Speaker 4>married and it's so wrong to have an affair on

0:18:19.880 --> 0:18:22.520
<v Speaker 4>your spouse. And I was so hurt when that happened

0:18:22.560 --> 0:18:25.280
<v Speaker 4>to me, And how can you do that to Carlos?

0:18:25.800 --> 0:18:28.480
<v Speaker 4>And I just kept thinking like okay, okay, okay, but

0:18:28.840 --> 0:18:31.040
<v Speaker 4>the bigger thing is here. Wait, let's go back high

0:18:31.080 --> 0:18:37.200
<v Speaker 4>school illegal, and then and then you're married, like, yeah, wait,

0:18:37.440 --> 0:18:40.520
<v Speaker 4>almost eighteen, those are the words that are used. I'm

0:18:40.600 --> 0:18:44.600
<v Speaker 4>almost eighteen. So this started when he was sixteen or

0:18:44.640 --> 0:18:46.679
<v Speaker 4>sixteen and a half, because it's been going on for

0:18:46.720 --> 0:18:49.720
<v Speaker 4>a year. So wait, forget about the fact that, yes,

0:18:49.760 --> 0:18:52.040
<v Speaker 4>it's bad that your husband cheats on you or whatever,

0:18:52.080 --> 0:18:55.160
<v Speaker 4>but wait, go back high school illegal.

0:18:55.800 --> 0:18:56.159
<v Speaker 2>Yeah.

0:18:56.200 --> 0:18:58.199
<v Speaker 3>Although I will say, I mean, I think as a

0:18:58.320 --> 0:19:01.879
<v Speaker 3>character motivator, it makes sense that and I love just

0:19:01.960 --> 0:19:04.760
<v Speaker 3>on a personal level that in this podcast we have

0:19:04.800 --> 0:19:08.520
<v Speaker 3>been talking so much about when is this affair gonna

0:19:08.520 --> 0:19:09.160
<v Speaker 3>be exposed?

0:19:09.200 --> 0:19:11.919
<v Speaker 2>And it is your character Susan, which.

0:19:11.800 --> 0:19:13.800
<v Speaker 1>I totally forgot, Yeah, who is a.

0:19:13.760 --> 0:19:18.960
<v Speaker 3>Catalyst of exposing it. But she has been so devastated

0:19:19.040 --> 0:19:22.439
<v Speaker 3>by her husband cheating on her that, of course, in

0:19:22.480 --> 0:19:27.040
<v Speaker 3>addition to in high school and illegal, the cheating element

0:19:27.440 --> 0:19:29.840
<v Speaker 3>feels personal to Susan.

0:19:29.680 --> 0:19:31.560
<v Speaker 1>Right, She's still walking around with that as kind of

0:19:31.560 --> 0:19:32.480
<v Speaker 1>a raw nerve.

0:19:32.680 --> 0:19:36.800
<v Speaker 3>And so it is so extra unfortunate that the person

0:19:36.880 --> 0:19:44.720
<v Speaker 3>who is so morally like upset and offended by this

0:19:44.920 --> 0:19:50.040
<v Speaker 3>action is the person who gets blamed. When John's mom

0:19:50.440 --> 0:19:53.320
<v Speaker 3>sees her talking to John, of course, John's coming over

0:19:53.359 --> 0:19:55.560
<v Speaker 3>to say, you know, I heard that you told Gabby

0:19:55.600 --> 0:20:00.560
<v Speaker 3>that you saw us, and Susan is really tender thoughtful

0:20:00.600 --> 0:20:03.560
<v Speaker 3>to him, and you know, touches his face, and his

0:20:03.680 --> 0:20:08.040
<v Speaker 3>mom completely misconstrues it and pulls out of the runway

0:20:08.080 --> 0:20:11.439
<v Speaker 3>show because she's so upset, and then shows up to

0:20:12.480 --> 0:20:17.399
<v Speaker 3>assault Susan, who looks so beautiful in her white dress

0:20:17.440 --> 0:20:19.560
<v Speaker 3>and so angelic I know, and she's gonna be the

0:20:19.680 --> 0:20:23.040
<v Speaker 3>closer they're gonna reorder even though everyone looks so beautiful,

0:20:23.119 --> 0:20:26.800
<v Speaker 3>she just is shining, and even Eatie is eating her words.

0:20:27.200 --> 0:20:32.600
<v Speaker 3>And then she just gets literally torn apart and push

0:20:32.720 --> 0:20:35.760
<v Speaker 3>on to the stage with the broken heel and her

0:20:35.880 --> 0:20:37.399
<v Speaker 3>crotch out, looking.

0:20:37.240 --> 0:20:39.879
<v Speaker 1>Like a little baby deer or something.

0:20:39.960 --> 0:20:43.399
<v Speaker 3>Down you still look so sweet, and I actually I

0:20:43.440 --> 0:20:49.280
<v Speaker 3>wanted to ask you because obviously misfortune befalls Susan a lot,

0:20:49.920 --> 0:20:52.160
<v Speaker 3>and this felt like such an epitome of that moment

0:20:52.200 --> 0:20:54.440
<v Speaker 3>where she is just trying to do the right thing

0:20:54.480 --> 0:20:58.480
<v Speaker 3>and then literally gets blamed. And thank god that Gabby

0:20:58.520 --> 0:21:00.879
<v Speaker 3>takes some accountability later in the or else I might

0:21:00.920 --> 0:21:02.119
<v Speaker 3>not have been able to live with myself.

0:21:10.600 --> 0:21:10.800
<v Speaker 4>Hi.

0:21:10.920 --> 0:21:14.240
<v Speaker 6>It's Jenny Garth, host of the I Choose Me podcast

0:21:14.640 --> 0:21:18.080
<v Speaker 6>this week. I'm so excited to welcome my friend Gabrielle

0:21:18.160 --> 0:21:21.879
<v Speaker 6>carteris the Andrea Zuckerman from Beverly Hills nine o two

0:21:21.920 --> 0:21:24.800
<v Speaker 6>one OHO to the pod. We're choosing to get real.

0:21:25.040 --> 0:21:27.880
<v Speaker 4>I applied to the networks about my age and contracts.

0:21:27.960 --> 0:21:30.000
<v Speaker 1>They never would have hired me if they had known

0:21:30.040 --> 0:21:32.080
<v Speaker 1>my age. We're choosing to be honest.

0:21:32.280 --> 0:21:33.960
<v Speaker 4>She looked at me, and she said, this business is

0:21:33.960 --> 0:21:35.720
<v Speaker 4>about the mask, which you have neither of.

0:21:35.960 --> 0:21:37.919
<v Speaker 1>Now we're choosing to get nostalgic.

0:21:38.119 --> 0:21:41.600
<v Speaker 6>Listen to I Choose Me on the iHeartRadio app, Apple Podcasts,

0:21:41.720 --> 0:21:43.840
<v Speaker 6>or wherever you get your podcasts.

0:21:44.320 --> 0:21:47.240
<v Speaker 3>Mom, I wanted to know, how did it feel to

0:21:47.320 --> 0:21:51.360
<v Speaker 3>play a character that misfortune befell so consistently.

0:21:53.080 --> 0:22:01.960
<v Speaker 4>H What a good question. I think in the beginning,

0:22:05.280 --> 0:22:12.199
<v Speaker 4>I really enjoyed the physical comedy as a challenge, you know.

0:22:12.400 --> 0:22:18.919
<v Speaker 4>I really enjoyed not trying to be a you know,

0:22:19.520 --> 0:22:24.240
<v Speaker 4>a clownish buffoon, but like to have the things be

0:22:26.000 --> 0:22:30.439
<v Speaker 4>you know, cemented in something that seemed sort of real.

0:22:31.000 --> 0:22:39.159
<v Speaker 4>And then this physical flaw mistake situation happens, you know,

0:22:40.960 --> 0:22:45.200
<v Speaker 4>and I I also like slipping on the banana peel.

0:22:45.240 --> 0:22:47.840
<v Speaker 4>I also like the pie in the face. Like I

0:22:47.880 --> 0:22:50.800
<v Speaker 4>grew up watching Lucile Ball, Like you know, I love

0:22:50.880 --> 0:22:53.840
<v Speaker 4>Lucy was my favorite show all all you know, all

0:22:53.920 --> 0:22:57.200
<v Speaker 4>the Mary Tyler Moore's and the and then and then

0:22:57.320 --> 0:23:00.760
<v Speaker 4>the you know, the Young Frankenstein and the Anie Python

0:23:00.920 --> 0:23:06.800
<v Speaker 4>and whatever like like all those comedic rhythms and and

0:23:08.200 --> 0:23:12.879
<v Speaker 4>I don't know that they they're they're just inspirations and

0:23:12.920 --> 0:23:16.159
<v Speaker 4>they just live in me. So so at first I

0:23:16.200 --> 0:23:21.320
<v Speaker 4>think I really enjoyed it, and then myself kind of

0:23:21.359 --> 0:23:24.280
<v Speaker 4>like the audience that that came to say that Susan

0:23:24.400 --> 0:23:32.239
<v Speaker 4>was klutzy. You know, I didn't love that, And I

0:23:32.280 --> 0:23:41.119
<v Speaker 4>think that label came from how many times Susan had mishaps.

0:23:41.359 --> 0:23:43.600
<v Speaker 4>But you know, you go back to it was like

0:23:43.760 --> 0:23:47.879
<v Speaker 4>episode two or three where the whole sort of intro

0:23:48.160 --> 0:23:54.240
<v Speaker 4>is about how Susan is unlucky and you know she

0:23:54.800 --> 0:23:59.080
<v Speaker 4>they just follow through with that, like things, no matter

0:23:59.119 --> 0:24:03.600
<v Speaker 4>how well and tended Susan was, things were not going

0:24:03.640 --> 0:24:09.280
<v Speaker 4>to go her way. Yeah, and sometimes you were on

0:24:09.320 --> 0:24:13.320
<v Speaker 4>her side, and sometimes I think that quality was exhaustive.

0:24:13.600 --> 0:24:16.879
<v Speaker 3>Right, I mean, it totally works in this scene, but

0:24:17.080 --> 0:24:18.120
<v Speaker 3>it's working so far.

0:24:18.680 --> 0:24:23.080
<v Speaker 4>Yeah, Well, I mean, in general, I guess I love

0:24:23.160 --> 0:24:29.840
<v Speaker 4>the challenge. I love the vulnerability, I love the physical

0:24:30.760 --> 0:24:34.240
<v Speaker 4>challenge of it. I love the dance that you're doing

0:24:34.280 --> 0:24:36.159
<v Speaker 4>with the cameraman when you're shooting it.

0:24:37.920 --> 0:24:43.440
<v Speaker 1>Yeah, all of that you certainly delivered. I mean I

0:24:43.480 --> 0:24:45.520
<v Speaker 1>love watching you do those things. And sometimes I got

0:24:45.560 --> 0:24:48.480
<v Speaker 1>a very up close view of you doing those things,

0:24:48.520 --> 0:24:51.160
<v Speaker 1>and I was always in awe of it. Another thing

0:24:51.160 --> 0:24:53.160
<v Speaker 1>that was happening that I just want to mention during

0:24:53.200 --> 0:24:56.639
<v Speaker 1>this runway scene was Tom was the MC and I

0:24:56.720 --> 0:25:01.560
<v Speaker 1>feel like his calling because man, was he good at that.

0:25:01.720 --> 0:25:03.760
<v Speaker 1>I just really want to kick out of it. And

0:25:03.800 --> 0:25:05.600
<v Speaker 1>I also just I think I have a soft spot

0:25:05.640 --> 0:25:09.760
<v Speaker 1>in my heart for when someone publicly gets to gas

0:25:09.840 --> 0:25:12.920
<v Speaker 1>up the person they love. And he literally got a

0:25:12.960 --> 0:25:14.680
<v Speaker 1>stage in which to do that for Lynette, and I

0:25:14.720 --> 0:25:17.359
<v Speaker 1>thought that was really nice when he commented on her

0:25:17.640 --> 0:25:19.320
<v Speaker 1>her little stress down the runway.

0:25:19.119 --> 0:25:21.679
<v Speaker 4>You did a great job because he's he's really showing

0:25:21.760 --> 0:25:23.480
<v Speaker 4>up the lines.

0:25:22.920 --> 0:25:26.720
<v Speaker 2>The angles, and the dress looks nice too. I was like, oh, yeah,

0:25:26.760 --> 0:25:29.000
<v Speaker 2>I love their marriage. Yeah.

0:25:29.000 --> 0:25:32.280
<v Speaker 4>So, speaking of Tom and Lynette, like Lynette I think

0:25:32.359 --> 0:25:37.000
<v Speaker 4>had just an also amazing side storyline here with one

0:25:37.040 --> 0:25:40.680
<v Speaker 4>of I might have been. I mean, I already said that.

0:25:40.800 --> 0:25:43.880
<v Speaker 4>My favorite line was sure, do you want to tell

0:25:43.920 --> 0:25:46.480
<v Speaker 4>me why you had your foot in John Rowlands crotch yesterday?

0:25:46.480 --> 0:25:50.359
<v Speaker 4>But this quick it was very closely followed by where

0:25:50.359 --> 0:25:54.919
<v Speaker 4>can I score some high grade nanny? I mean, you

0:25:54.960 --> 0:25:57.600
<v Speaker 4>know that is pretty pretty flawless.

0:25:57.680 --> 0:26:01.480
<v Speaker 1>And the nanny in this case is played by the

0:26:01.480 --> 0:26:04.760
<v Speaker 1>wonderful Marla Sokoloff, who I recently got to work with.

0:26:04.960 --> 0:26:07.639
<v Speaker 1>She directed me in a movie that we did for

0:26:07.640 --> 0:26:08.400
<v Speaker 1>for Lifetime.

0:26:09.280 --> 0:26:12.720
<v Speaker 4>Yeah, and she shared she shared wondering, I always wonder

0:26:12.800 --> 0:26:13.720
<v Speaker 4>what happens to people.

0:26:13.960 --> 0:26:17.840
<v Speaker 1>Yeah, yeah, well she's directing and she is awesome, And

0:26:18.280 --> 0:26:20.520
<v Speaker 1>she shared a little bit of her experience on the show.

0:26:20.760 --> 0:26:23.000
<v Speaker 1>I really wanted to know more because it sounds like

0:26:23.040 --> 0:26:25.800
<v Speaker 1>she had some interesting stories to share about what her

0:26:25.800 --> 0:26:27.760
<v Speaker 1>time on Desperate House Ives was like. And I hadn't

0:26:27.800 --> 0:26:30.200
<v Speaker 1>seen her. I mean, I guess we'd met at the

0:26:30.200 --> 0:26:32.280
<v Speaker 1>table read, but then we hadn't seen each other again

0:26:32.359 --> 0:26:36.120
<v Speaker 1>until this last year, right, because yeah, we didn't work

0:26:36.160 --> 0:26:40.880
<v Speaker 1>directly together. But Lynette's storyline here of trying to approach

0:26:40.920 --> 0:26:45.280
<v Speaker 1>herself a nanny is interesting. And also I think it's

0:26:45.359 --> 0:26:48.439
<v Speaker 1>nice that we're opening the door for her to actually

0:26:48.520 --> 0:26:52.760
<v Speaker 1>receive some real help on the ground, help with these kids,

0:26:52.800 --> 0:26:54.880
<v Speaker 1>and that maybe she'll end up actually getting some rest

0:26:54.920 --> 0:26:55.480
<v Speaker 1>at some point.

0:26:55.680 --> 0:26:59.080
<v Speaker 3>Yeah, and I love I love Lynette talking to Claire

0:26:59.200 --> 0:27:02.760
<v Speaker 3>the baby's that are like she's in a bar picking

0:27:02.800 --> 0:27:05.520
<v Speaker 3>her up and you know, and she doesn't want the

0:27:06.119 --> 0:27:08.840
<v Speaker 3>jealous partner to come back. And of course the partner

0:27:08.880 --> 0:27:12.120
<v Speaker 3>you know, being Claire's current boss who she ultimately ends

0:27:12.200 --> 0:27:15.160
<v Speaker 3>up deciding to leave because Lynette makes her an offer

0:27:15.200 --> 0:27:18.640
<v Speaker 3>that she can't refuse. But all the sneaking around and

0:27:18.680 --> 0:27:21.240
<v Speaker 3>the subtle play of like do you come here often?

0:27:21.680 --> 0:27:23.200
<v Speaker 2>And when are they coming back?

0:27:23.200 --> 0:27:26.119
<v Speaker 3>I just I really enjoyed the writing in those scenes

0:27:26.119 --> 0:27:29.479
<v Speaker 3>that it was really making me smile. In this episode,

0:27:29.920 --> 0:27:32.280
<v Speaker 3>it was kind of nice to have a slightly lighter

0:27:32.320 --> 0:27:36.000
<v Speaker 3>toned episode for Lynette after what last week's.

0:27:35.760 --> 0:27:36.680
<v Speaker 1>Episode was like for her.

0:27:36.880 --> 0:27:39.760
<v Speaker 3>Absolutely and then of enjoyed that break, I mean, speaking

0:27:39.800 --> 0:27:44.920
<v Speaker 3>of a darker tone. Yes, we end with so much drama.

0:27:45.160 --> 0:27:50.320
<v Speaker 3>We have the discovery of the adult female body that

0:27:50.359 --> 0:27:51.560
<v Speaker 3>has been chopped up.

0:27:51.760 --> 0:27:53.920
<v Speaker 1>So was Dana not a baby?

0:27:54.200 --> 0:27:56.440
<v Speaker 4>But yeah, no, that was a big surprise, So it's

0:27:56.480 --> 0:27:59.000
<v Speaker 4>not I mean, maybe there is a dead baby. But

0:27:59.080 --> 0:28:02.600
<v Speaker 4>that's not what was in the in the in the chest.

0:28:02.440 --> 0:28:03.520
<v Speaker 2>Yeah, in the toy chest.

0:28:03.560 --> 0:28:08.040
<v Speaker 3>And so that is shocking and chilling, gruesome and gruesome.

0:28:08.560 --> 0:28:13.000
<v Speaker 3>And then we have an eye. Yeah, no, I was

0:28:13.000 --> 0:28:14.800
<v Speaker 3>That's what I was gonna say. Carlos and Gabby, I

0:28:14.920 --> 0:28:17.640
<v Speaker 3>as a writer, and I think, Mom, we've talked about

0:28:17.640 --> 0:28:20.480
<v Speaker 3>this a lot, even in relation to you actually doing

0:28:20.560 --> 0:28:24.000
<v Speaker 3>stand up, which is funny, but the idea of set

0:28:24.119 --> 0:28:27.600
<v Speaker 3>up and punchline and how you deliver a bait and switch,

0:28:28.040 --> 0:28:31.679
<v Speaker 3>and we have been building the whole episode to Gabby

0:28:31.840 --> 0:28:35.280
<v Speaker 3>confessing and being held accountable for her actions. And Gabby

0:28:35.359 --> 0:28:40.040
<v Speaker 3>does confess finally, after you know, Susan is assaulted by

0:28:40.080 --> 0:28:42.920
<v Speaker 3>John's mom. Gabby goes and confesses and she does the

0:28:42.960 --> 0:28:45.800
<v Speaker 3>right thing to John's mom. Yeah, to John's mom. She

0:28:45.880 --> 0:28:48.680
<v Speaker 3>has not confessed to Carlos yet. And they are sitting

0:28:48.720 --> 0:28:50.760
<v Speaker 3>at home and he is working and he's clearly been

0:28:50.760 --> 0:28:54.080
<v Speaker 3>stressed with work. That's his demo, and you think maybe

0:28:54.120 --> 0:28:56.000
<v Speaker 3>she is going to confess, and she doesn't, and she

0:28:56.000 --> 0:28:58.160
<v Speaker 3>says she's going to bed, and as she walks to

0:28:58.240 --> 0:29:01.920
<v Speaker 3>the stairs, we see all the cop cars pull up,

0:29:02.200 --> 0:29:03.560
<v Speaker 3>and she thinks.

0:29:04.920 --> 0:29:09.200
<v Speaker 2>John's moms called her n is illegal. As Susan said,

0:29:09.280 --> 0:29:10.840
<v Speaker 2>it's illegal. It comes under it.

0:29:11.320 --> 0:29:13.040
<v Speaker 3>And she runs up to him and she drops to

0:29:13.040 --> 0:29:14.600
<v Speaker 3>her knees and she doesn't explain anything.

0:29:14.640 --> 0:29:16.160
<v Speaker 2>She just says, I'm so sorry.

0:29:16.320 --> 0:29:19.920
<v Speaker 3>I love you. Just whatever happens, know that I love you.

0:29:20.400 --> 0:29:22.800
<v Speaker 3>And they come in the door and they're there to

0:29:22.880 --> 0:29:23.680
<v Speaker 3>arrest Carlos.

0:29:25.000 --> 0:29:28.240
<v Speaker 1>Yeah, talk about a twist and turn, and it is.

0:29:28.880 --> 0:29:32.200
<v Speaker 3>It is such a good bait and switch. I was like,

0:29:32.320 --> 0:29:34.040
<v Speaker 3>this is good television.

0:29:34.160 --> 0:29:36.680
<v Speaker 2>We need to tune in next week. I need to

0:29:36.720 --> 0:29:37.920
<v Speaker 2>see what happens, Carlos.

0:29:38.600 --> 0:29:42.640
<v Speaker 1>You have the ending of the episode, which is when

0:29:42.680 --> 0:29:45.640
<v Speaker 1>Susan sees a friend in need, and in spite of

0:29:45.640 --> 0:29:50.880
<v Speaker 1>the fact that the whole episode Susan has been justifiably hurt, angry, confused,

0:29:50.960 --> 0:29:55.280
<v Speaker 1>mystified by Gabrielle's choices, she goes to support her friend

0:29:55.360 --> 0:29:57.640
<v Speaker 1>in need who is clearly hurting, and you have this

0:29:57.800 --> 0:30:00.360
<v Speaker 1>moment of them sitting on the porch and it actually

0:30:00.760 --> 0:30:03.040
<v Speaker 1>is my my other favorite line of the episode, which

0:30:03.080 --> 0:30:05.840
<v Speaker 1>is Mary Alice saying, sometimes the only way to ward

0:30:05.880 --> 0:30:08.680
<v Speaker 1>off the darkness is to shine the light of compassion.

0:30:09.160 --> 0:30:12.800
<v Speaker 4>That is a really great line. For the world right now.

0:30:13.000 --> 0:30:19.480
<v Speaker 4>Sometimes the only way to what was it, get through.

0:30:19.360 --> 0:30:22.520
<v Speaker 1>The ward off the dark shiny light.

0:30:23.120 --> 0:30:25.040
<v Speaker 4>Well that's beautiful.

0:30:25.240 --> 0:30:29.080
<v Speaker 3>I mean, may we all go out into our weeks

0:30:29.200 --> 0:30:32.880
<v Speaker 3>after listening to this episode. And you know, obviously it's

0:30:32.880 --> 0:30:35.400
<v Speaker 3>a lighthearted podcast, but I hope you feel inspired to

0:30:35.920 --> 0:30:38.200
<v Speaker 3>shine the light of compassion where you can this week.

0:30:38.520 --> 0:30:40.840
<v Speaker 2>Well, as always, we'll.

0:30:40.640 --> 0:30:44.600
<v Speaker 4>Be here next week because we are desperately to you.

0:30:46.560 --> 0:30:46.960
<v Speaker 3>Thank you,