1 00:00:03,680 --> 00:00:09,880 Speaker 1: The I Am Rapp Report Stereo Podcast live and you're 2 00:00:09,920 --> 00:00:13,640 Speaker 1: down with Rapp Report. Yes I am, I'm a Rapperport, 3 00:00:14,040 --> 00:00:18,760 Speaker 1: Yes I am I'm a Rapperport. Yes I am a Rapperport. 4 00:00:19,160 --> 00:00:21,960 Speaker 1: Yes I am at a tune in I am Wrapperport 5 00:00:22,040 --> 00:00:25,280 Speaker 1: dot com because every single podcast, you know, he drops bombs. 6 00:00:25,360 --> 00:00:27,680 Speaker 1: I've seen him on set a season vet with True Town, 7 00:00:27,760 --> 00:00:29,680 Speaker 1: catch him on his way to course fit rocking the 8 00:00:29,720 --> 00:00:31,800 Speaker 1: New Balance. He asked me to do the track because 9 00:00:31,800 --> 00:00:33,520 Speaker 1: you know I round the leak. But I'm just waiting 10 00:00:33,560 --> 00:00:35,560 Speaker 1: for the Robert the Nero line of the week rightfa 11 00:00:35,680 --> 00:00:38,040 Speaker 1: the champions host the Bagel, Cream, Cheese and lock. This 12 00:00:38,240 --> 00:00:40,960 Speaker 1: is I Am Rapperport. The show Never Stopped. Might catch 13 00:00:41,040 --> 00:00:43,680 Speaker 1: the Mountain Public stretching his knees. But if you don't 14 00:00:43,720 --> 00:00:47,880 Speaker 1: listen to the show, Yo, we're gonna pleading. We're gonna 15 00:00:47,880 --> 00:01:05,759 Speaker 1: Papport podcast. This have no fear. The I Am Wrapp 16 00:01:05,760 --> 00:01:10,160 Speaker 1: Reports Stereo Podcast. Is he gonna be here? Brand nemuseum quality. 17 00:01:10,160 --> 00:01:12,720 Speaker 1: I Am Rapp Reports Stereo podcast is coming live and 18 00:01:12,800 --> 00:01:15,480 Speaker 1: direct from New Orleans. And the question of the day 19 00:01:15,720 --> 00:01:20,039 Speaker 1: is has anyone ever eating that gator? That alligator? Because 20 00:01:20,040 --> 00:01:21,800 Speaker 1: I'm looking to eat some of that gator when I 21 00:01:21,840 --> 00:01:25,640 Speaker 1: am in New Orleans? Are you judging me? Am I crazy? 22 00:01:26,040 --> 00:01:28,119 Speaker 1: Or Am I crazy? Four and not have the eating 23 00:01:28,200 --> 00:01:34,920 Speaker 1: gator at fifty two years of age. Plus two fantastic 24 00:01:35,160 --> 00:01:37,759 Speaker 1: documentaries that I am watching, I review and I break 25 00:01:37,760 --> 00:01:40,760 Speaker 1: down a few. Plus we got the Championship Games. It's 26 00:01:40,840 --> 00:01:46,040 Speaker 1: Championship Sunday. We got My Homeboy versus Joey Burrow. We 27 00:01:46,160 --> 00:01:50,840 Speaker 1: got Brock Purty versus Jalen Hurts. I'm making predictions, and 28 00:01:50,960 --> 00:01:54,800 Speaker 1: my predictions count. The j U is here to tell 29 00:01:54,840 --> 00:01:58,160 Speaker 1: you who's going to Super Bowl fifty seven All that morning. Fantastic, 30 00:01:58,160 --> 00:02:00,480 Speaker 1: hard hitting I Am wrapp Reports Stereo podcast coming up 31 00:02:00,560 --> 00:02:05,480 Speaker 1: right now from New Orleans. Miles Jordan, the Bleach Brothers, 32 00:02:05,480 --> 00:02:07,360 Speaker 1: AK the Dust Brothers. Start to puppy off. It's up 33 00:02:07,400 --> 00:02:09,799 Speaker 1: real nice, yes, start to puppy off with something real now, yes, 34 00:02:11,000 --> 00:02:13,799 Speaker 1: but most importantly, start this puppy off with something really 35 00:02:13,880 --> 00:02:18,280 Speaker 1: jazzy and really funk. It's I Am Rappaport Stereo pokusty. 36 00:02:18,480 --> 00:02:32,400 Speaker 1: Let's fucking go oh yeah, h oh, yes, h huh 37 00:02:32,840 --> 00:02:37,080 Speaker 1: oh yes, have no fear. The The I Am Wrappaport 38 00:02:37,120 --> 00:02:44,840 Speaker 1: Stereo podcast is here. Boom. Welcome to the the Iron 39 00:02:44,880 --> 00:02:49,079 Speaker 1: Dome of Disruption. Welcome to the Ziggity the Ziggity Zone 40 00:02:49,080 --> 00:02:54,239 Speaker 1: of Disruption. The name is Michael Rappaport a k. The 41 00:02:54,320 --> 00:02:58,240 Speaker 1: Gringo man dinga a k. The in Flame Doshga Nazi 42 00:02:59,720 --> 00:03:03,760 Speaker 1: a a. The Salt of Sniff a k. A. The 43 00:03:04,040 --> 00:03:08,320 Speaker 1: Disruptive Warrior AK, the Jewish Jake La Mata, and the 44 00:03:08,360 --> 00:03:10,560 Speaker 1: Iron wrap Port Stereo Podcast is coming live and direct 45 00:03:10,600 --> 00:03:16,200 Speaker 1: from New Orleans, New Orleans. You might hear uh the 46 00:03:16,280 --> 00:03:22,960 Speaker 1: sounds of my wife stomping around in our sweet We 47 00:03:23,000 --> 00:03:31,799 Speaker 1: are in a ridiculously humbling New Orleans hotel suite. It's 48 00:03:31,840 --> 00:03:34,840 Speaker 1: not even a it's like an apartment. It's kind of 49 00:03:34,840 --> 00:03:39,800 Speaker 1: like a studio apartment. It's ridiculous. And we hope everybody's 50 00:03:39,800 --> 00:03:42,200 Speaker 1: feeling good. Hope everybody's feeling real safe. Hope everybody is 51 00:03:42,240 --> 00:03:47,080 Speaker 1: feeling really saying. I am. Rappaport Stereo Podcast is in 52 00:03:47,160 --> 00:03:50,400 Speaker 1: the place to be. I am in the place to be, 53 00:03:50,520 --> 00:03:54,720 Speaker 1: and I will be in Phoenix next week, the second, third, 54 00:03:54,920 --> 00:03:58,400 Speaker 1: and the fourth. I'm gonna be in Phoenix the second, third, 55 00:03:58,680 --> 00:04:01,920 Speaker 1: and the fourth. Come see me Thursday, February two at 56 00:04:02,720 --> 00:04:08,640 Speaker 1: CB Live and then Friday February three and Saturday February four, 57 00:04:08,720 --> 00:04:12,960 Speaker 1: I will be at Stand Up Live in Phoenix. The second, third, 58 00:04:13,080 --> 00:04:16,240 Speaker 1: and fourth I will be in Phoenix CB Live and 59 00:04:16,400 --> 00:04:20,920 Speaker 1: Stand Up Live. Tickets are available at Michael Rappaport Comedy 60 00:04:21,560 --> 00:04:28,000 Speaker 1: dot com, Michael rapp Report Comedy dignity dot com. Had 61 00:04:28,040 --> 00:04:29,960 Speaker 1: a great time the last time I performed at Phoenix 62 00:04:30,000 --> 00:04:34,960 Speaker 1: dope crowds, dope clubs, So come see me next weekend 63 00:04:35,120 --> 00:04:38,560 Speaker 1: in Phoenix. I had to reschedule my Denver shows. My 64 00:04:38,600 --> 00:04:43,680 Speaker 1: Denver shows are now taking place in June. All tickets, 65 00:04:43,680 --> 00:04:45,719 Speaker 1: all information is available for all the shows. I'm gonna 66 00:04:45,720 --> 00:04:49,120 Speaker 1: be in Milwaukee and March. I am going to be 67 00:04:49,480 --> 00:04:53,479 Speaker 1: in Cleveland in March. I am going to be in 68 00:04:53,480 --> 00:04:58,160 Speaker 1: Indianapolis in March. All tickets, all information is available at 69 00:04:58,160 --> 00:05:00,479 Speaker 1: Michael Rappaport Comedy dot com. And then I'm doing shows 70 00:05:00,480 --> 00:05:05,400 Speaker 1: in April and blah blah blah blah blah blah bligoity blah. 71 00:05:05,520 --> 00:05:09,640 Speaker 1: But welcome to the place to be world's most disruptive podcast. 72 00:05:09,640 --> 00:05:11,080 Speaker 1: And like I said, I am in New Orleans and 73 00:05:11,120 --> 00:05:15,479 Speaker 1: I really am enjoying this city A little colder than 74 00:05:15,800 --> 00:05:19,120 Speaker 1: uh I imagine. But you know, I got that Kashmir. 75 00:05:20,320 --> 00:05:24,040 Speaker 1: You get yourself a nice piece of Kashmir. Kashmir hoodie. Hm, 76 00:05:25,320 --> 00:05:27,719 Speaker 1: you're layered up, real nice and real proper with that 77 00:05:27,880 --> 00:05:32,279 Speaker 1: nice piece of Kashum. Of course, King of Kashmir in 78 00:05:32,320 --> 00:05:36,280 Speaker 1: the place to be what I've been doing since I've 79 00:05:36,320 --> 00:05:38,200 Speaker 1: been in New Orleans. And if you've never seen it, 80 00:05:38,240 --> 00:05:41,960 Speaker 1: whether you're in New Orleans or not, this is the 81 00:05:41,960 --> 00:05:44,160 Speaker 1: second time I've watched it all the way through. I'm 82 00:05:44,160 --> 00:05:48,400 Speaker 1: not done with it. I'm watching the ken Burns Jazz documentary, 83 00:05:49,680 --> 00:05:52,800 Speaker 1: which you could watch on p b s dot Org 84 00:05:53,000 --> 00:05:58,520 Speaker 1: or Amazon or Amazon Prime. It's ken Burns Jazz. I 85 00:05:58,520 --> 00:06:04,360 Speaker 1: believe it's ten parts or eight parts. It's excellent. You know, 86 00:06:04,440 --> 00:06:06,359 Speaker 1: I talk a lot about my hip hop on the 87 00:06:06,360 --> 00:06:09,400 Speaker 1: Iron Wrap for Stereo podcast. I haven't talked I haven't 88 00:06:09,440 --> 00:06:12,359 Speaker 1: spoken much about jazz recently, but jazz has been a 89 00:06:12,360 --> 00:06:17,560 Speaker 1: part of my life. Hip hop got me into jazz. Honestly. 90 00:06:18,520 --> 00:06:22,880 Speaker 1: The hip hop references from jazz, whether it was day Law, Soul, 91 00:06:22,960 --> 00:06:25,200 Speaker 1: of course, tripical quest, we got the jazz, we got 92 00:06:25,240 --> 00:06:29,400 Speaker 1: the jazz. Mo Betta Blues the movie Mobetta Blues. But 93 00:06:29,520 --> 00:06:33,520 Speaker 1: hip hop definitely got me into jazz, and I never 94 00:06:33,560 --> 00:06:37,279 Speaker 1: ever stopped listening to jazz music. I love it. I 95 00:06:37,360 --> 00:06:41,320 Speaker 1: love it so much. It's so emotional, it's so relaxing, 96 00:06:41,320 --> 00:06:45,240 Speaker 1: it's so calming, and it's so unique. It's such a 97 00:06:45,320 --> 00:06:50,920 Speaker 1: unique kind of music. And watching this documentary, the Ken 98 00:06:50,920 --> 00:06:55,400 Speaker 1: Burns Jazz Documentary, learning so much, not just about the 99 00:06:55,560 --> 00:06:59,840 Speaker 1: history of the music, the history of this country, UM, 100 00:07:00,120 --> 00:07:04,840 Speaker 1: history of New Orleans, UM, the history of music in general, 101 00:07:04,880 --> 00:07:10,480 Speaker 1: the history of how music was spread out across the 102 00:07:10,520 --> 00:07:16,400 Speaker 1: country dancing and of course the the players, the the characters, 103 00:07:16,480 --> 00:07:23,400 Speaker 1: the musicians themselves. It's so so so good, so thoroughly done, 104 00:07:23,400 --> 00:07:26,560 Speaker 1: so uniquely done, so cleanly done. As a filmmaker, Ken 105 00:07:26,560 --> 00:07:30,920 Speaker 1: Burns is just a fucking incredible filmmaker. And and the 106 00:07:31,000 --> 00:07:35,080 Speaker 1: patients and the just the way he tells the story, 107 00:07:35,200 --> 00:07:40,080 Speaker 1: and it's so inspiring. It's so good. And you know, 108 00:07:40,160 --> 00:07:46,160 Speaker 1: learning about Louis Armstrong and how he came up and 109 00:07:46,680 --> 00:07:52,520 Speaker 1: guys like Big Spider Back and Sidney Bushe, Sidney Bushe who, 110 00:07:53,520 --> 00:07:56,800 Speaker 1: you know, just that the personalities and the the struggle 111 00:07:56,880 --> 00:08:00,440 Speaker 1: and the I mean, people were so oppressed. Black people 112 00:08:00,480 --> 00:08:03,520 Speaker 1: were so fucking oppressed at the beginning of this century 113 00:08:04,520 --> 00:08:07,720 Speaker 1: and for some of these personalities to do what they did, 114 00:08:07,760 --> 00:08:10,760 Speaker 1: and a lot of them had no musical training, like 115 00:08:11,240 --> 00:08:14,560 Speaker 1: Louis Armstrong had no even go to jazz school, didn't 116 00:08:14,560 --> 00:08:16,640 Speaker 1: go to first it was there was no jazz school 117 00:08:16,640 --> 00:08:22,480 Speaker 1: because him and other people invented this ship. You know, 118 00:08:22,640 --> 00:08:27,440 Speaker 1: jazz is the precursor to hip hop. It's it was 119 00:08:27,480 --> 00:08:31,080 Speaker 1: invented at a thin air. It's it's wild. You know. 120 00:08:31,120 --> 00:08:33,560 Speaker 1: Of course, jazz, you know, came from the blues and 121 00:08:33,559 --> 00:08:37,760 Speaker 1: then you know jazz inspired different forms of uh jazz 122 00:08:37,760 --> 00:08:39,640 Speaker 1: and the bebop and the swing, and then of course 123 00:08:39,679 --> 00:08:42,040 Speaker 1: the rock and roll. But when you think about it 124 00:08:43,400 --> 00:08:49,120 Speaker 1: and how incredible that influences, and it's wild, and that 125 00:08:49,160 --> 00:08:53,079 Speaker 1: documentar really articulates it, and you know Louis Armstrong in particular, 126 00:08:53,120 --> 00:08:56,320 Speaker 1: and and just all those those characters, like I said, 127 00:08:56,640 --> 00:08:59,040 Speaker 1: you know Sydney Busher, who's uh, you know, a jazz 128 00:08:59,040 --> 00:09:04,679 Speaker 1: saxophonist and clarinetists. You know, it was like this rambunctious, 129 00:09:04,679 --> 00:09:09,080 Speaker 1: fucking you know, thug getting into There's a great story 130 00:09:09,360 --> 00:09:13,959 Speaker 1: in the Ken Burns documentary about Sydney Buche, who was 131 00:09:14,320 --> 00:09:16,200 Speaker 1: just you know, a troublemaker. You know, he was not 132 00:09:16,320 --> 00:09:19,000 Speaker 1: taking any ship from anybody, and he, you know, wound 133 00:09:19,040 --> 00:09:21,920 Speaker 1: up in Paris early. This is in the nineteen twenties. 134 00:09:23,080 --> 00:09:26,200 Speaker 1: And the reason why jazz took off in Paris is 135 00:09:26,320 --> 00:09:32,480 Speaker 1: because during World War One, some of the musicians that 136 00:09:32,559 --> 00:09:37,839 Speaker 1: were in the band for the United States would break 137 00:09:37,840 --> 00:09:41,720 Speaker 1: off into sort of jazz renditions of songs. And it 138 00:09:41,760 --> 00:09:43,839 Speaker 1: took off in Paris, which I just thought was really 139 00:09:43,880 --> 00:09:47,560 Speaker 1: fucking interesting. And you know, there were no black people 140 00:09:47,600 --> 00:09:51,079 Speaker 1: in Paris, and they talked about you know, white people 141 00:09:51,120 --> 00:09:53,720 Speaker 1: coming up to them and rubbing their skin, thinking it 142 00:09:53,800 --> 00:09:58,199 Speaker 1: was like some sort of makeup, which is darkly, wildly 143 00:09:58,360 --> 00:10:01,760 Speaker 1: fucking bugged out. But Sydney Boucher, uh, you know, he 144 00:10:01,800 --> 00:10:03,719 Speaker 1: was getting kicked out of this band and kicked out 145 00:10:03,720 --> 00:10:05,200 Speaker 1: of that band, and he went to Paris and he 146 00:10:05,240 --> 00:10:07,839 Speaker 1: was rehearsing in a band over there, and he got 147 00:10:07,840 --> 00:10:11,400 Speaker 1: into an argument over a music chord and the way 148 00:10:11,800 --> 00:10:14,040 Speaker 1: a note was being played, and he challenged the guy 149 00:10:14,160 --> 00:10:17,520 Speaker 1: to a duel, not a fight, not a sword fight. 150 00:10:17,520 --> 00:10:19,840 Speaker 1: He said, meet me at four thirty in this square 151 00:10:19,880 --> 00:10:24,320 Speaker 1: in Paris, not to thirty in the morning, not let's 152 00:10:24,360 --> 00:10:26,920 Speaker 1: go in the back room and fight. And the dude 153 00:10:26,960 --> 00:10:30,200 Speaker 1: that he said, come meet me at the square at 154 00:10:30,200 --> 00:10:34,680 Speaker 1: four thirty pm. What should basically be like forty secretary 155 00:10:34,760 --> 00:10:36,680 Speaker 1: the thirty fourth Street in New York City were like 156 00:10:37,400 --> 00:10:41,440 Speaker 1: you know Melrose in Las Siannica in Los Angeles, he 157 00:10:41,520 --> 00:10:44,280 Speaker 1: met him and Sydney Bauche pulls out a gun, shoots 158 00:10:44,360 --> 00:10:50,120 Speaker 1: him and shoots too innocent people in the league, and 159 00:10:50,160 --> 00:10:54,319 Speaker 1: they kept him in jail for ten months and they 160 00:10:54,360 --> 00:10:57,240 Speaker 1: let him out if he promised and agreed to never 161 00:10:57,280 --> 00:10:59,960 Speaker 1: come back to Paris, like these are just bugged out personnel. 162 00:11:00,000 --> 00:11:03,360 Speaker 1: And he's in just Lewis Armstrong and learning about him 163 00:11:03,360 --> 00:11:07,439 Speaker 1: and the way he grew up in such fucking poverty 164 00:11:08,120 --> 00:11:12,679 Speaker 1: and change the world. Louis Armstrong literally his music changed 165 00:11:12,720 --> 00:11:19,160 Speaker 1: the world. The way he played the cornet change the 166 00:11:19,200 --> 00:11:23,120 Speaker 1: fucking world. And then I also started watching another jazz 167 00:11:23,160 --> 00:11:32,079 Speaker 1: documentary by Sasha Jenkins, who directed the Wultang documentary. He's 168 00:11:32,080 --> 00:11:35,120 Speaker 1: got a dope documentary which somebody told me about here 169 00:11:35,160 --> 00:11:37,959 Speaker 1: and New Orleans that just came out, and I heard 170 00:11:37,960 --> 00:11:39,679 Speaker 1: about it being made, but I didn't know what came out. 171 00:11:39,679 --> 00:11:43,319 Speaker 1: It came out in October called Black and Blues. Black 172 00:11:43,360 --> 00:11:47,480 Speaker 1: and Blues, and it's all about Louis Armstrong, and it 173 00:11:47,559 --> 00:11:54,079 Speaker 1: really debunks some of the inaccuracies that people had about 174 00:11:54,160 --> 00:11:57,840 Speaker 1: Louis Armstrong being you know, on Uncle Tom or a 175 00:11:57,960 --> 00:12:00,640 Speaker 1: coon and the way the document and he's told as 176 00:12:00,679 --> 00:12:04,800 Speaker 1: Lewis Armstrong would audio tape conversations that he was having 177 00:12:04,800 --> 00:12:07,360 Speaker 1: with friends and with his wife, and you really get 178 00:12:07,440 --> 00:12:12,080 Speaker 1: another look into his psyche and his point of view. 179 00:12:12,240 --> 00:12:18,400 Speaker 1: And it's ridiculously done. And Nas nas Escobar, Nas the Rapper, 180 00:12:19,080 --> 00:12:25,600 Speaker 1: he reads some of Louis Armstrong's writings and so it's 181 00:12:25,720 --> 00:12:29,520 Speaker 1: Nas speaking as Louis Armfrog. It's really fucking dope. It's 182 00:12:29,559 --> 00:12:32,400 Speaker 1: a dope documentary. I just saw it. I watched on 183 00:12:32,520 --> 00:12:35,480 Speaker 1: Apple Music. Obviously you have to rent it. It's well 184 00:12:35,559 --> 00:12:41,280 Speaker 1: worth it. It's interesting, it's fascinating. Um And like I said, 185 00:12:41,360 --> 00:12:44,360 Speaker 1: I just fucking love jazz. I love jazz music. I 186 00:12:44,400 --> 00:12:49,400 Speaker 1: love the history of the music and the culture and 187 00:12:49,440 --> 00:12:51,960 Speaker 1: just what it inspired. And one other thing about the 188 00:12:52,080 --> 00:12:56,320 Speaker 1: Ken Burns documentary that was really excellent and interesting is 189 00:12:57,040 --> 00:13:01,360 Speaker 1: these dance crazies, the fox Trot and these other dance 190 00:13:01,400 --> 00:13:04,760 Speaker 1: crazes that would come along in the twenties and sweep 191 00:13:04,840 --> 00:13:07,959 Speaker 1: the nation and all this was done by black artists, 192 00:13:08,559 --> 00:13:10,520 Speaker 1: but there, you know where there was some very legitimate 193 00:13:11,040 --> 00:13:15,280 Speaker 1: white jazz musicians. Because the music wasn't being it wasn't formed, 194 00:13:15,320 --> 00:13:17,080 Speaker 1: it was it was. It was literally like hip hop. 195 00:13:17,080 --> 00:13:19,600 Speaker 1: It was like hip hop in terms of it was. 196 00:13:19,760 --> 00:13:25,000 Speaker 1: It was forming and and and finding its identity and 197 00:13:25,040 --> 00:13:30,000 Speaker 1: growing and cultivating day after day, week after week, musician 198 00:13:30,040 --> 00:13:34,680 Speaker 1: after musician, record after record. Um. But these dance crazies, 199 00:13:34,760 --> 00:13:37,839 Speaker 1: like everybody knows that the foxtrot, you know the term 200 00:13:37,880 --> 00:13:40,959 Speaker 1: the foxtrot, and that you know it was a dance 201 00:13:41,000 --> 00:13:44,000 Speaker 1: and it was a dance craze that swept the fucking nation. 202 00:13:44,640 --> 00:13:47,360 Speaker 1: And it made me think of today with these TikTok dances. 203 00:13:47,480 --> 00:13:52,800 Speaker 1: People love to dance, they always have. They love to 204 00:13:52,880 --> 00:13:57,480 Speaker 1: learn dances, They love to dance with friends, whether they're 205 00:13:57,480 --> 00:14:00,520 Speaker 1: good at dancing, whether they're not good at dancing, whether 206 00:14:00,559 --> 00:14:03,880 Speaker 1: it's the Harlem shake, whether it's the whop, whether it's 207 00:14:03,920 --> 00:14:07,280 Speaker 1: the bust up, whether it's the hustle, whether disco dancing, 208 00:14:07,280 --> 00:14:11,720 Speaker 1: whether it's that insane what what what does that fucking 209 00:14:12,360 --> 00:14:16,880 Speaker 1: mosh pit dancing? People love to dance and they always 210 00:14:16,920 --> 00:14:18,720 Speaker 1: have and they always will. And you think about like 211 00:14:18,800 --> 00:14:24,560 Speaker 1: these TikTok dances that we deem is stupid and dumb 212 00:14:24,600 --> 00:14:28,640 Speaker 1: and people it'll never stop because it's like a natural 213 00:14:30,320 --> 00:14:34,840 Speaker 1: it's a natural form of expression. It's a natural movement 214 00:14:34,920 --> 00:14:38,080 Speaker 1: to want to dance. And I understand why people go 215 00:14:38,160 --> 00:14:41,120 Speaker 1: crazy over these TikTok dances now because they've always gone 216 00:14:41,120 --> 00:14:45,520 Speaker 1: crazy over dances, they just weren't videotaping it in their 217 00:14:45,960 --> 00:14:51,800 Speaker 1: kitchens and bathrooms. So I highly recommend taking the time 218 00:14:51,800 --> 00:14:55,960 Speaker 1: and watching the Ken Burns documentary Jazz. Like I said, 219 00:14:56,000 --> 00:15:02,280 Speaker 1: it's on PBS, organ or Amazon, and you could roll 220 00:15:02,440 --> 00:15:07,560 Speaker 1: that right into an excellent Lewis Armstrong documentary called Black 221 00:15:07,600 --> 00:15:10,400 Speaker 1: and Blues, which is just fucking really well done. And 222 00:15:10,440 --> 00:15:14,600 Speaker 1: they're both great, and I think that, uh, everybody should 223 00:15:14,600 --> 00:15:16,360 Speaker 1: watch them and everybody will enjoy them, and you'll get 224 00:15:16,360 --> 00:15:18,680 Speaker 1: an insight on things from the past that are truly 225 00:15:19,760 --> 00:15:24,920 Speaker 1: that have truly affected and inspired everything that's going on now. 226 00:15:25,080 --> 00:15:28,280 Speaker 1: So that's the I Am Rapp Reports Stereo podcast, Michael 227 00:15:28,360 --> 00:15:48,560 Speaker 1: Rapp Report Film Documentaries of the Week, Boom podcast. So 228 00:15:49,040 --> 00:15:54,600 Speaker 1: we have designed collectively the Iron Rapp Reports Stereo Podcast 229 00:15:54,640 --> 00:15:57,400 Speaker 1: thing Tank and you guys, I got a lot of 230 00:15:57,760 --> 00:16:06,440 Speaker 1: responses from the Last Yeah Podcast, fantastic episode. Oh my God, 231 00:16:08,320 --> 00:16:13,680 Speaker 1: like a goddamn comedy album. Literally the last I Am 232 00:16:13,760 --> 00:16:15,960 Speaker 1: Rap for Stereo podcast with the Young Shooter, we brought 233 00:16:16,040 --> 00:16:22,760 Speaker 1: up the Alec Baldwin episode and me and the Young 234 00:16:22,800 --> 00:16:26,920 Speaker 1: Shooter Deuced Collins ak Deuce Valentine, we were going back 235 00:16:26,960 --> 00:16:33,920 Speaker 1: and forth discussing whether or not we should release when 236 00:16:33,960 --> 00:16:40,720 Speaker 1: we should release the Alec Baldwin episode, which, like I said, 237 00:16:40,840 --> 00:16:46,280 Speaker 1: is excellent. It's so fucking good and I cannot wait 238 00:16:46,320 --> 00:16:50,600 Speaker 1: for you guys to hear it. But we were dropping it. 239 00:16:50,680 --> 00:16:57,479 Speaker 1: We are dropping the Alec Baldwin episode next week, next Thursday, 240 00:16:58,840 --> 00:17:03,320 Speaker 1: on February second. February second, the day that I am 241 00:17:03,320 --> 00:17:05,919 Speaker 1: in Phoenix, where you're dropping the Alec Baldwin episode, I'm 242 00:17:05,960 --> 00:17:10,240 Speaker 1: gonna give a little precursor to when it was released, 243 00:17:10,240 --> 00:17:13,320 Speaker 1: and then dropped that motherfucker because it's just too damn good. 244 00:17:13,920 --> 00:17:15,600 Speaker 1: I asked a lot of people too. I asked a 245 00:17:15,600 --> 00:17:18,439 Speaker 1: lot of friends of mine, and they all said, as 246 00:17:18,480 --> 00:17:21,240 Speaker 1: long as you just explain when you recorded it and 247 00:17:21,320 --> 00:17:23,320 Speaker 1: not make a big deal of it, just articulately when 248 00:17:23,320 --> 00:17:26,679 Speaker 1: it was recorded, you're good to go. And that's what 249 00:17:26,720 --> 00:17:29,919 Speaker 1: I'm doing. Um, and I'm really gonna start trying to 250 00:17:29,960 --> 00:17:35,280 Speaker 1: focus on trying to get more actors on the podcast. Uh, 251 00:17:35,320 --> 00:17:39,160 Speaker 1: in the same vein of this Alec Baldwin episode, which 252 00:17:39,240 --> 00:17:42,640 Speaker 1: is just really just really excellent, and I can't wait 253 00:17:42,680 --> 00:17:44,359 Speaker 1: for you guys to hear it and can't wait for 254 00:17:44,359 --> 00:17:49,320 Speaker 1: you guys to see it on YouTube. And you should 255 00:17:49,359 --> 00:17:51,439 Speaker 1: check out some of the podcasts that we put up 256 00:17:51,480 --> 00:17:58,880 Speaker 1: on YouTube at Michael rappaport. Um. They're dope. It's three dimensional. Um. 257 00:17:58,960 --> 00:18:02,000 Speaker 1: So I appreciate every of these thoughts. Some of you said, 258 00:18:02,000 --> 00:18:04,520 Speaker 1: don't put it out. The majority of you said, do 259 00:18:04,640 --> 00:18:07,280 Speaker 1: put it out. Some of you said wait, but the 260 00:18:07,320 --> 00:18:10,320 Speaker 1: majority of you you said, drop that bit like it's 261 00:18:10,359 --> 00:18:13,280 Speaker 1: scorching hot. And that's what we are going to do 262 00:18:13,320 --> 00:18:19,560 Speaker 1: because I know my intentions. I am not an exploitative exploiter. Um. 263 00:18:19,600 --> 00:18:22,920 Speaker 1: I've never been exploitative or an exploitter, and I should 264 00:18:22,960 --> 00:18:25,639 Speaker 1: be a little bit more exploiting and exploitative, not that 265 00:18:25,720 --> 00:18:28,440 Speaker 1: this episode is, but you know, I see a lot 266 00:18:28,440 --> 00:18:34,960 Speaker 1: of shady ship motherfucker's be really out there doing funny styles. Um. 267 00:18:35,040 --> 00:18:37,720 Speaker 1: And I've you know, kept it, I've kept it G. 268 00:18:39,600 --> 00:18:43,359 Speaker 1: I've kept it real G and Uh, I'm proud of 269 00:18:43,359 --> 00:18:45,879 Speaker 1: this episode. And like I said, I know, I know 270 00:18:45,920 --> 00:18:51,040 Speaker 1: where my head's at with the episode. Um so, uh, 271 00:18:51,160 --> 00:18:54,440 Speaker 1: we're dropping that puppy next week. And then we got 272 00:18:54,440 --> 00:19:00,560 Speaker 1: the fucking playoffs are coming to town. The playoffs are happening, 273 00:19:02,320 --> 00:19:07,159 Speaker 1: the championship games. This is going to define how it 274 00:19:07,280 --> 00:19:10,359 Speaker 1: all comes to play. It all comes down to four teams, 275 00:19:10,440 --> 00:19:17,439 Speaker 1: the Kansas City Chiefs, Cincinnati Bengals, the San Francisco forty Niners, 276 00:19:17,480 --> 00:19:20,600 Speaker 1: and the Philadelphia Eagles. The winner of each game's heads 277 00:19:20,680 --> 00:19:26,960 Speaker 1: too the Super Bowl in Arizona, which I am guessing 278 00:19:27,280 --> 00:19:29,720 Speaker 1: because I don't know if you've seen this. There's Damar 279 00:19:29,880 --> 00:19:37,760 Speaker 1: Hamlin conspiracy theories out there, and I can understand why 280 00:19:37,840 --> 00:19:40,679 Speaker 1: people might be going, what's going on because Damar Hamlin, 281 00:19:41,560 --> 00:19:44,840 Speaker 1: who we all know, suffered cardiac arrest on the field 282 00:19:45,920 --> 00:19:49,879 Speaker 1: and had a great recovery, thank god. And then he 283 00:19:49,920 --> 00:19:52,720 Speaker 1: showed up at the game, the division game last week 284 00:19:53,560 --> 00:19:56,359 Speaker 1: in Buffalo, and people were saying, why is he covering 285 00:19:56,400 --> 00:19:58,480 Speaker 1: his face? Why is he not talking? Why is he 286 00:19:58,560 --> 00:20:05,200 Speaker 1: being whisked around hidden by security? And then there was all, 287 00:20:05,280 --> 00:20:07,800 Speaker 1: of course, these crazy theories of this that in the 288 00:20:07,880 --> 00:20:14,280 Speaker 1: third personally, I think Damar Hamlin. This is just my prediction. 289 00:20:15,080 --> 00:20:19,359 Speaker 1: Damar Hamlin will have a huge interview on Super Bowl Sunday, 290 00:20:19,480 --> 00:20:21,960 Speaker 1: and that would be the first time we hear from him. 291 00:20:22,040 --> 00:20:24,520 Speaker 1: That would be the first time he tells his story, 292 00:20:25,440 --> 00:20:30,200 Speaker 1: and then all the conspiracy theorists will be debunked. Although 293 00:20:30,200 --> 00:20:34,280 Speaker 1: they'll say he's c g ied, they'll say it's a 294 00:20:34,280 --> 00:20:37,600 Speaker 1: an alien, They'll they'll say anything. They say it all. 295 00:20:37,640 --> 00:20:40,760 Speaker 1: At this point, they say it all, and they have 296 00:20:41,000 --> 00:20:45,240 Speaker 1: quite frankly, they've said it all. But that is my guestimation, 297 00:20:45,359 --> 00:20:48,560 Speaker 1: is that Damar Hamlin will give a interview on Super 298 00:20:48,600 --> 00:20:52,080 Speaker 1: Bowl Sunday at the pregame of Super Bowl. Of course, 299 00:20:53,119 --> 00:20:58,480 Speaker 1: halftime will be with my love Mia Moore. Re Re 300 00:20:58,880 --> 00:21:06,680 Speaker 1: Rihanna bat a girl is performing at halftime of the 301 00:21:06,800 --> 00:21:11,280 Speaker 1: NFL games at halftime of the Super Bowl Sunday game 302 00:21:12,160 --> 00:21:18,960 Speaker 1: in Phoenix, Arizona. And I can't wait. They got it 303 00:21:19,040 --> 00:21:23,119 Speaker 1: right with re Re. Oh yeah, they got it real 304 00:21:23,440 --> 00:21:28,520 Speaker 1: right with re Re. Everybody loves re Re, so I 305 00:21:28,560 --> 00:21:32,480 Speaker 1: can't wait to see her doing all of the hits. 306 00:21:34,200 --> 00:21:40,640 Speaker 1: Board up Bard up out anyway, Um, this week it's 307 00:21:40,680 --> 00:21:45,360 Speaker 1: four teams. The Chiefs Bengals is the Eagles, the Biggest 308 00:21:45,400 --> 00:21:50,560 Speaker 1: Surprise Joey Ball Game and the Cincinnati Bengals. Joe Cool 309 00:21:50,680 --> 00:21:54,840 Speaker 1: my fantasy football quarterback in my money league, and I'll 310 00:21:54,880 --> 00:21:57,639 Speaker 1: be honest, full transparency. I was ready to rant on 311 00:21:57,880 --> 00:22:04,320 Speaker 1: him after the first two weeks. I didn't. Cooler heads prevailed, 312 00:22:06,040 --> 00:22:08,359 Speaker 1: but he was looking like ship because his offensive line 313 00:22:08,400 --> 00:22:13,040 Speaker 1: was looking like ship. But he pulled it together despite 314 00:22:13,119 --> 00:22:19,000 Speaker 1: absences throughout the seasons from Jamaar, Chase Smoking, Joe Mixing 315 00:22:19,080 --> 00:22:22,440 Speaker 1: and T Higgins, and the Bengals have not lost the 316 00:22:22,520 --> 00:22:28,399 Speaker 1: game since Week eight in Cleveland. They've won twelve of 317 00:22:28,480 --> 00:22:32,040 Speaker 1: their last thirteen games, including ten in a row. The 318 00:22:32,080 --> 00:22:35,160 Speaker 1: Bengals are dangerous and could head back to their second 319 00:22:35,240 --> 00:22:41,280 Speaker 1: straight Super Bowl. Do not forget. They probably drive and 320 00:22:41,359 --> 00:22:44,679 Speaker 1: win the Lombardi if Aaron Donald didn't make the play 321 00:22:44,840 --> 00:22:48,760 Speaker 1: of his life. Aaron Donald the Super Bowl m v 322 00:22:48,880 --> 00:22:54,200 Speaker 1: P last year played great, and he made that big, 323 00:22:54,440 --> 00:22:56,800 Speaker 1: that big fucking play. Then we got the Chiefs. Patrick 324 00:22:56,880 --> 00:23:00,679 Speaker 1: my homeboy, he's not just my my home boy, No, 325 00:23:02,200 --> 00:23:05,800 Speaker 1: he's your my homeboy. But Patty my Homeboy's got that 326 00:23:05,880 --> 00:23:09,080 Speaker 1: high ankle spring and looked like a grandpa who's late 327 00:23:09,119 --> 00:23:14,280 Speaker 1: to Bengo looking like ship running around last Sunday. It's 328 00:23:14,359 --> 00:23:18,440 Speaker 1: usually a four to six week injury, but if he's 329 00:23:18,480 --> 00:23:20,800 Speaker 1: limited at all, the Chiefs are in trouble. I'm sure 330 00:23:20,840 --> 00:23:25,960 Speaker 1: he's been on that Lebron James, that hyperbolic chamber all 331 00:23:26,080 --> 00:23:29,440 Speaker 1: week long. I'm sure he's been soaking that puppy and 332 00:23:29,520 --> 00:23:34,600 Speaker 1: ice and soaking that puppy in Rice. It's gonna be 333 00:23:34,640 --> 00:23:38,399 Speaker 1: loud in Casey, and they're gonna have to rely on 334 00:23:38,440 --> 00:23:41,640 Speaker 1: their rue game and their defensive pass rush more than ever. 335 00:23:42,280 --> 00:23:47,840 Speaker 1: But they've lost three straight to the Bengals. Joe Cool, 336 00:23:48,000 --> 00:23:52,119 Speaker 1: Joey Burrows, Joey ball game. It's gonna be a battle. 337 00:23:52,280 --> 00:23:55,440 Speaker 1: I picked Cincinnati in Kansas City last week, so my pick. 338 00:23:56,400 --> 00:23:59,600 Speaker 1: They hold a lot of power. People, they hold a 339 00:23:59,680 --> 00:24:02,359 Speaker 1: lot of power. And this week I got the Bengals 340 00:24:02,400 --> 00:24:06,360 Speaker 1: going back to the Bowl. Oh yeah, you fuck. Then 341 00:24:06,400 --> 00:24:09,280 Speaker 1: we got the NFC the Philadelphia Eagles. And if you 342 00:24:09,320 --> 00:24:14,719 Speaker 1: remember when Warren Sapp was on this podcast earlier in 343 00:24:14,760 --> 00:24:17,960 Speaker 1: early October, I asked him if Philly could go undefeated 344 00:24:18,040 --> 00:24:21,800 Speaker 1: if Hurts doesn't get hurt and they've only had one 345 00:24:22,240 --> 00:24:25,639 Speaker 1: loss since. The Eagles are the real deal, and trust me, 346 00:24:25,640 --> 00:24:28,280 Speaker 1: it kills me to say it. I can't stand these motherfucker's. 347 00:24:30,040 --> 00:24:35,040 Speaker 1: They sugar dicked. They blasted my giants on Saturday and 348 00:24:35,119 --> 00:24:41,119 Speaker 1: ruined my perfect prediction record. Philadelphia depends on its running 349 00:24:41,160 --> 00:24:44,359 Speaker 1: game to set up the passing game and San fran 350 00:24:45,680 --> 00:24:48,200 Speaker 1: and running through San Francisco is like trying to run 351 00:24:48,240 --> 00:24:52,720 Speaker 1: through a brick wall. Hurts has his work cut out 352 00:24:52,760 --> 00:24:55,280 Speaker 1: for him. I don't like Philadelphia, but I will give 353 00:24:55,320 --> 00:24:59,360 Speaker 1: them credit. Brown Smith goodar are going to have their 354 00:24:59,440 --> 00:25:06,000 Speaker 1: chances since the San Francisco secondary is slightly slightly their 355 00:25:06,080 --> 00:25:10,040 Speaker 1: only weakness to forty millioners. The legend of Brock Purty 356 00:25:10,119 --> 00:25:13,000 Speaker 1: heads to Philadelphia. He's won eight games in a row. 357 00:25:13,119 --> 00:25:17,440 Speaker 1: That ain't a fucking easy. Feat eight games in a row. 358 00:25:17,520 --> 00:25:20,240 Speaker 1: The Niners have won twelve games in a row. There's 359 00:25:20,280 --> 00:25:24,679 Speaker 1: some magic with this kid, brock Purty. The only thing 360 00:25:24,720 --> 00:25:27,680 Speaker 1: that's scary is that this is only his third career 361 00:25:28,040 --> 00:25:33,000 Speaker 1: road start. They definitely held Purty back against the Cowboys, 362 00:25:33,000 --> 00:25:35,680 Speaker 1: and the Eagles also have an excellent defense, so it's 363 00:25:35,720 --> 00:25:37,600 Speaker 1: going to be a war. We got my guys, C 364 00:25:38,040 --> 00:25:46,160 Speaker 1: M c McCaffrey, True Debot, Samuels, and George the Animal kittled. 365 00:25:46,280 --> 00:25:49,080 Speaker 1: They all need monster games along with Ayouk. My pick 366 00:25:49,160 --> 00:25:51,680 Speaker 1: is important to the outcome because I got the hot hand. 367 00:25:52,119 --> 00:25:55,440 Speaker 1: That's a fact. That's a fact. So when I make 368 00:25:55,520 --> 00:25:58,440 Speaker 1: this pick, I throw a little bit of that dingo 369 00:25:58,640 --> 00:26:01,280 Speaker 1: dust in the air. My head says the Eagles, but 370 00:26:01,400 --> 00:26:03,640 Speaker 1: my heart says the Nineties. I'm riding with the fort 371 00:26:04,240 --> 00:26:10,720 Speaker 1: You like that? You funk? Ain't the New York Giants? 372 00:26:10,720 --> 00:26:17,040 Speaker 1: You fuck there? I said it, my favorite Joey Burrow 373 00:26:17,280 --> 00:26:21,639 Speaker 1: versus the Good Christian and Deebo Samuel's in Super Bowl 374 00:26:22,359 --> 00:26:27,399 Speaker 1: fifty seven. The jew U, Oh yeah, that's me. The 375 00:26:27,560 --> 00:26:34,479 Speaker 1: jew U has spoken. I got Joey Burrow going against 376 00:26:34,480 --> 00:26:38,960 Speaker 1: Brock Purty, C m C and Deebo Samuel's in Phoenix 377 00:26:39,080 --> 00:26:43,160 Speaker 1: super Bowl fifty seven. I am the motherfucking jizz d Juru. 378 00:26:44,119 --> 00:26:47,320 Speaker 1: And finally, I want to hear your opinions on this. 379 00:26:49,200 --> 00:26:53,439 Speaker 1: So yes, for the most part, I'm a vegetarian. For 380 00:26:53,480 --> 00:26:57,919 Speaker 1: the most part, I should be a vegetarian, Okay, But 381 00:26:58,000 --> 00:27:01,240 Speaker 1: I am in New Orleans, and when you are in 382 00:27:01,480 --> 00:27:05,240 Speaker 1: a specific city, I feel like it is it's appropriate 383 00:27:05,400 --> 00:27:09,480 Speaker 1: to do city like things. So I'm in New Orleans. 384 00:27:09,920 --> 00:27:16,800 Speaker 1: There's a great follow on TikTok. This guy is a 385 00:27:16,920 --> 00:27:23,960 Speaker 1: character and he cooks exotic meats, exotic foods, rabbit, that deer. 386 00:27:24,760 --> 00:27:27,960 Speaker 1: He's from the Bayou, got the accent, the whole deal. 387 00:27:29,920 --> 00:27:33,640 Speaker 1: And I remember a few months ago he posted himself 388 00:27:33,720 --> 00:27:36,719 Speaker 1: cooking up some of that gator, that alligator. And he 389 00:27:36,760 --> 00:27:40,560 Speaker 1: wasn't just doing he did a full gator. He wrapped 390 00:27:40,560 --> 00:27:45,080 Speaker 1: that puppy up in in bacon. He's seizing that puppy 391 00:27:45,080 --> 00:27:48,640 Speaker 1: and he put that puppy on the grill. And now 392 00:27:48,640 --> 00:27:52,160 Speaker 1: that I'm in New Orleans, I am obsessed. We're trying 393 00:27:52,200 --> 00:27:55,240 Speaker 1: to get myself some of that gator, that good gator, 394 00:27:57,680 --> 00:28:02,000 Speaker 1: some of the alligator. And I don't want alligator poh boy. 395 00:28:03,800 --> 00:28:07,919 Speaker 1: I don't want alligator soup. I want straight up alligator, motherfucker. 396 00:28:10,720 --> 00:28:14,600 Speaker 1: So if anybody knows somebody that really throws down with 397 00:28:14,640 --> 00:28:18,439 Speaker 1: that gator, that good gator, let me know. I spoke 398 00:28:18,440 --> 00:28:24,520 Speaker 1: to my man Chris, who's like a farmer, he's a chef. Also. 399 00:28:26,000 --> 00:28:28,120 Speaker 1: He said, Yo, we could go hunt the gator. I said, 400 00:28:28,119 --> 00:28:32,080 Speaker 1: I'm down with all of it. I'm with all of 401 00:28:32,119 --> 00:28:34,000 Speaker 1: it as long as you kill the motherfucker and you 402 00:28:34,080 --> 00:28:36,919 Speaker 1: handle the motherfucker. I'm down with all of it because 403 00:28:37,840 --> 00:28:40,560 Speaker 1: as much as I want to eat a gator, listen, 404 00:28:40,640 --> 00:28:44,040 Speaker 1: you don't. You don't want me hunting. You don't want 405 00:28:44,080 --> 00:28:47,680 Speaker 1: me handling a bow and arrow or a knife. Do 406 00:28:47,720 --> 00:28:52,360 Speaker 1: you want me in the boat talking ship from the sidelines. 407 00:28:53,520 --> 00:28:55,960 Speaker 1: But when it comes to eating that motherfucker, I will 408 00:28:56,000 --> 00:28:58,800 Speaker 1: eat that motherfu You cook that motherfucker up, real nice 409 00:28:58,840 --> 00:29:03,160 Speaker 1: and real proper. I will eat that motherfucker and I'll 410 00:29:03,240 --> 00:29:05,640 Speaker 1: chew through the bones. I don't know if anybody has 411 00:29:05,680 --> 00:29:07,880 Speaker 1: ever seen me eat. I don't play when I eat. 412 00:29:09,400 --> 00:29:12,360 Speaker 1: You give me some chicken? Do you give me some steak? 413 00:29:12,480 --> 00:29:15,560 Speaker 1: I know, through the bones, I go to the narrow. 414 00:29:17,160 --> 00:29:20,080 Speaker 1: Has anybody listening to the Iron Rapports stereo podets ever 415 00:29:20,240 --> 00:29:23,880 Speaker 1: eating gator straight gator, like I said, not gator po boy, 416 00:29:23,960 --> 00:29:26,480 Speaker 1: not gator soup, straight up gator, And what does it 417 00:29:26,520 --> 00:29:29,080 Speaker 1: taste like? Because I'm ready to eat some motherfucking gator 418 00:29:29,560 --> 00:29:34,400 Speaker 1: while I am in No Orleans. Let me know. And 419 00:29:34,440 --> 00:29:37,000 Speaker 1: if you know somebody or know a restaurant that's really 420 00:29:37,000 --> 00:29:41,080 Speaker 1: about that gator life, also let me know. DM me 421 00:29:41,560 --> 00:29:45,480 Speaker 1: email us Iron Rapport Podcasts at gmail dot com. Anyway, 422 00:29:45,680 --> 00:29:47,120 Speaker 1: tell a friend to tell a friend to listen to 423 00:29:47,200 --> 00:29:49,920 Speaker 1: the Iron Rapports Stereo Pockets, the world's most destructive pockets. 424 00:29:50,000 --> 00:29:53,960 Speaker 1: Oh yeah, and like I said, the second, third, and 425 00:29:54,000 --> 00:29:58,600 Speaker 1: fourth Phoenix Bitch. All tickets on Information is available at 426 00:29:58,600 --> 00:30:00,800 Speaker 1: Michael Rapport Comedy dot com. Come see me live in 427 00:30:00,840 --> 00:30:07,600 Speaker 1: Phoenix next week We're dropping the Alec Baldwin full fully 428 00:30:07,720 --> 00:30:11,600 Speaker 1: fantastic interview. You know where to find me, You know 429 00:30:11,600 --> 00:30:15,680 Speaker 1: where to find The Dust Brothers Came Saw Disrupted, Came 430 00:30:15,960 --> 00:30:18,240 Speaker 1: Saw Disrupted, Miles Jordan Ak The Bleached Brothers a k. 431 00:30:18,320 --> 00:30:19,520 Speaker 1: The Dust was to take me at it with something 432 00:30:19,560 --> 00:30:23,840 Speaker 1: realm license. Take me at it with something real loud. Yes, 433 00:30:24,760 --> 00:30:26,760 Speaker 1: but most important, because we're doing this one from New Orleans, 434 00:30:26,840 --> 00:30:30,120 Speaker 1: Take me at it with something really really jazzy and 435 00:30:30,160 --> 00:30:33,240 Speaker 1: really really funky. I ain Reforce Stereo pox im out 436 00:31:00,040 --> 00:31:00,080 Speaker 1: o