WEBVTT - My Favorite Boy Band Cover Group - Travis Nesbitt

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<v Speaker 1>On the kind of three. We both tell say how

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<v Speaker 1>many times we've shared our pants as an adult? Okay, one, two,

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<v Speaker 1>three thirty?

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<v Speaker 2>Probably I've shipped my pants a lot. Me too, really?

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<v Speaker 1>Oh my god, Tash Shaw Tosh Show to show. It's

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<v Speaker 1>podcast time and I'm your host, Daniel Tosh, host of

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<v Speaker 1>the Toss Show podcast, the only podcast that is non smoking,

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<v Speaker 1>pet friendly and queer friendly. A lot going on, Eddie,

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<v Speaker 1>what's going on? Uh? The show has hit the mainstream.

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<v Speaker 2>That's what I'm talking about.

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<v Speaker 1>Cats out of the bag. The show has finally reached

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<v Speaker 1>my mother. I never told her that I was doing

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<v Speaker 1>a podcast, and the other day she calls me up

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<v Speaker 1>and she goes, Daniel, I've got two things to tell you,

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<v Speaker 1>all right, what is it? She goes one, it's illegal

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<v Speaker 1>in the state of Florida to record someone over the phone.

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<v Speaker 1>And I started laughing, and she goes getting ready for this.

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<v Speaker 1>She goes two, I'd like to be the intern. Wow,

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<v Speaker 1>that's what she said.

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<v Speaker 2>I like it.

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<v Speaker 1>She wants to be the intern. I said, I don't know, Mom,

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<v Speaker 1>you're not gonna move out here and you're not good

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<v Speaker 1>at stuff, so but we'll think about it. I had

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<v Speaker 1>never brought the show up to her, honest to God,

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<v Speaker 1>and and and now I know that she listens, and

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<v Speaker 1>you know what she said about it. She goes, oh, man,

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<v Speaker 1>it's just so many swear words. You're just swearing constantly.

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<v Speaker 1>So now now that I know she's listening, I'm gonna

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<v Speaker 1>be thinking about that. And now now I feel like

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<v Speaker 1>this show's not gonna be as free as it once

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<v Speaker 1>was because I've I've got that, I've got that little

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<v Speaker 1>thing on my shoulder. What is that little Margo cancer? No,

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<v Speaker 1>little Margo? Speaking of mothers was I was in Palm

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<v Speaker 1>Springs last week at the Indian Wells Tennis tournament, and

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<v Speaker 1>anytime a female tennis player is in it is playing

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<v Speaker 1>and she's a mother, they make such a big deal

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<v Speaker 1>about it, like, oh, look at a mother competing as

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<v Speaker 1>a professional athlete. And I'm just not that impressed. Now

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<v Speaker 1>a grandmother, that's that's something to brag about. Yeah, if

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<v Speaker 1>there was a grandmother still competing as a pro tennis player,

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<v Speaker 1>but just a mother. I know, having a child is

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<v Speaker 1>a major ordeal. But once you've recovered and and your

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<v Speaker 1>your back to your old physical shape and training, it's like,

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<v Speaker 1>we don't know if you're a good mom, right, make

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<v Speaker 1>me a shitty mom that just has somebody else doing everything.

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<v Speaker 1>And I'm not even saying that that means that you're

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<v Speaker 1>a shitty mom. But I'm just saying I just don't.

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<v Speaker 1>It's not that I need to know all the circumstances

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<v Speaker 1>for me to be like I can't believe. And she's

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<v Speaker 1>playing tennis. I mean, my mom's played tennis every day

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<v Speaker 1>of her life. You don't see me singing her praises.

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<v Speaker 1>What a hero you raised us and you went out

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<v Speaker 1>and played tennis today. Ran into Michelle. We've had her

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<v Speaker 1>on the show. That interview is coming up soon. It's

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<v Speaker 1>nice to see her. She introduced me to her husband,

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<v Speaker 1>and I'm like, oh my goodness, you look just like

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<v Speaker 1>your logo Djokovic. I don't care where you stand politically,

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<v Speaker 1>but if you like Djokovic, you're dead to me. I'm

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<v Speaker 1>not a fan of Novak Djokovic. And he lost to

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<v Speaker 1>the lucky loser in the second round. Now, he's the

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<v Speaker 1>undisputed goat of tennis, and he lost to the lucky loser.

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<v Speaker 1>You know, the lucky loser is he's he's the guy

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<v Speaker 1>that didn't even get into the tournament. But somebody dropped

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<v Speaker 1>out and then he got to fill their place. Yeah,

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<v Speaker 1>and he upset joke and then immediately in the next

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<v Speaker 1>round he just got his ass kicked. But whatever it was,

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<v Speaker 1>it was a life changing moment for him. I'm sure.

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<v Speaker 1>Do I remember his name, No, not at all, but

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<v Speaker 1>he's an American. I think I have no idea. I

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<v Speaker 1>came up with a joke. Do you want to hear it?

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<v Speaker 2>Eddie, I do?

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<v Speaker 1>Novak Djokovic, Aaron Rodgers, and Kyrie Irving walk into a bar.

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<v Speaker 1>The bartender pulls out a shotgun and blows his head off. Perfect,

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<v Speaker 1>you get it? Yeah, and then Aaron Rodgers and Djokovic

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<v Speaker 1>look at each other and go, oh, must be one

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<v Speaker 1>of the side effects to the vaccine. Oh. They all laugh,

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<v Speaker 1>and then Elon Musk walks in.

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<v Speaker 2>Good joke.

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<v Speaker 1>It's this joke. I haven't finished it. It's just gonna

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<v Speaker 1>be a long joke. All right, that's enough sports for

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<v Speaker 1>one episode. Let's talk to the founder of a boy

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<v Speaker 1>band cover group, Enjoy Pasha. We've set the studio a

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<v Speaker 1>tempt to ninety eight degrees, so I'm in sync with

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<v Speaker 1>today's guest. He's no new kid on the block, and

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<v Speaker 1>ever Since creating the boy band Project, he's transformed his

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<v Speaker 1>boys to men. While heading in one direction cruise ships,

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<v Speaker 1>please welcome my favorite cover boy band, Mogul Travis.

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<v Speaker 2>Hello, thank you for having me, Thank you for doing this.

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<v Speaker 1>This is my first question I ask all my guests. Okay,

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<v Speaker 1>do you believe in gay ghosts?

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<v Speaker 2>Oh? Gosh, gay ghosts, just ghosts. I don't believe in ghosts, really,

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<v Speaker 2>I know.

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<v Speaker 1>No, No, I wish I did, but I don' what

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<v Speaker 1>do you mean you wish? But basically what you said

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<v Speaker 1>to me is I wish I was stupid, But I'm

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<v Speaker 1>not stupid. I'm smart.

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<v Speaker 2>I kind of do wish that sometimes. Don't you wish

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<v Speaker 2>that that you didn't know the things that you know

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<v Speaker 2>that you have to know.

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<v Speaker 1>No, I'm okay, all right, So you don't believe in ghosts.

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<v Speaker 1>That's great, I don't, Travis. You grew up in southern California. Yes,

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<v Speaker 1>where I.

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<v Speaker 2>Actually grew up in a little town called Norco. It's

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<v Speaker 2>next to Corona where the ninety one meets the fifteen.

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<v Speaker 1>I get you know it? No, No, I don't know

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<v Speaker 1>the town, but I know the area. But I also

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<v Speaker 1>get confused when people start saying highway numbers. I know

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<v Speaker 1>ninety one goes straight out like to the Inland Empire.

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<v Speaker 2>No, it's in the Inland Empire. Yeah, for sure, I.

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<v Speaker 1>Say, do you ever say Inland Empire? Do you say? I? E?

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<v Speaker 2>I try not to, but I sometimes I have to

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<v Speaker 2>to get the message across.

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<v Speaker 1>Is it conservative out there?

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<v Speaker 2>Absolutely?

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<v Speaker 1>Yeah? How'd that affect you?

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<v Speaker 2>I mean I didn't really come out until I was nineteen,

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<v Speaker 2>and I knew that I was going to go to

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<v Speaker 2>the East and then I just went crazy over there.

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<v Speaker 2>So I kind of kept a lid on it until

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<v Speaker 2>I went over there because I knew it wouldn't be

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<v Speaker 2>fun in the ie.

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<v Speaker 1>How was he gay?

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<v Speaker 2>Oh, there's no gay bars. There was no gay people

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<v Speaker 2>at school.

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<v Speaker 1>Did you ever date a girl?

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<v Speaker 2>I did? Yeah, she's in this room.

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<v Speaker 1>Actually, I won't get too into the details of that relationship.

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<v Speaker 2>She's married now to a wonderful man named Dylan, who's

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<v Speaker 2>also gay. I haven't heard that. I have heard that.

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<v Speaker 1>Were you obsessed with music growing up?

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<v Speaker 2>Yes? I guess it was just my life. My mom's

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<v Speaker 2>a music teacher. It wasn't like, are you going to

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<v Speaker 2>play an instrument? Is what instrument? Are you going to play?

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<v Speaker 1>Do you play everything? I don't, do you play anything.

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<v Speaker 2>I play the piano and I play the trumpet.

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<v Speaker 1>Kind of the trumpet.

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<v Speaker 2>Yeah, it'sul I know it really nobody nobody wants to

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<v Speaker 2>hear it. They put it in the back of the

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<v Speaker 2>orchestra because it's loud and annoying. And I wasn't any

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<v Speaker 2>good at all.

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<v Speaker 1>The piano, though, is just wonderful.

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<v Speaker 2>Yeah.

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<v Speaker 1>I'm furious at my parents. Everyone, my parents, all my

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<v Speaker 1>siblings can all play the piano and I can't play

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<v Speaker 1>the piano. And I asked my mom, why didn't you

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<v Speaker 1>force me to take lessons? And she's like, oh, you

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<v Speaker 1>didn't want to. You never wanted to. And I'm like, well,

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<v Speaker 1>I go, so you just listen. She's like, I wasn't

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<v Speaker 1>gonna fight with you to play the piano.

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<v Speaker 2>My mom. I didn't really want to play, but my

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<v Speaker 2>mom was a concert pianist, so she was like, you

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<v Speaker 2>don't get allowance until you play the genius. And so

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<v Speaker 2>now I know how to play, and you're thankful for it.

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<v Speaker 2>I am.

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<v Speaker 1>I am actually saying how cool is to have a

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<v Speaker 1>piano in your place? Great?

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<v Speaker 2>I actually I don't feel comfortable unless there's an acoustic

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<v Speaker 2>piano in the place that I live. Is that weird?

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<v Speaker 1>No? But I actually just wanted the piano just because

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<v Speaker 1>I like the way it looks.

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<v Speaker 2>Yeah, it is kind of cool looking, right right, it's sophisticated.

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<v Speaker 1>Like I just want something like cool stand up, Yeah,

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<v Speaker 1>like old school, Yes, probably black, I think. Talk to

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<v Speaker 1>me just about you were an off Broadway show Altar Boys. Yeah,

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<v Speaker 1>so five hundred app how long did you do that? Ideas?

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<v Speaker 2>So the show ran for five years off Broadway and

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<v Speaker 2>I did the last year and a half of it

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<v Speaker 2>and I did five hundred and fifty five performances. And

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<v Speaker 2>it's a musical about a boy a Catholic boy band

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<v Speaker 2>saving the souls of New York through their singing, singing

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<v Speaker 2>and hip hop dance. It's basically a recreation of a

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<v Speaker 2>boy band concert on stage, but with like a lot

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<v Speaker 2>of like different comedy about the different idiosyncracies of being

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<v Speaker 2>in a boy band and like whatnot if that makes sense.

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<v Speaker 2>So yeah, so I did that for a year and

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<v Speaker 2>a half off Broadway closed it.

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<v Speaker 1>First of all, I'm just curious, what's your do you have?

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<v Speaker 1>Are you familiar with the Catholic Church, what's your stance

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<v Speaker 1>on the Catholic Church. I have a stance on altar boys.

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<v Speaker 2>I have no stance on the on alter boys. Really, like,

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<v Speaker 2>I don't even really know about Catholicism. Besides, like what

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<v Speaker 2>what the lyrics that I had to sing? I mean,

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<v Speaker 2>I grew up like more Pentecostal.

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<v Speaker 1>Sure you know well these two. But I still despise

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<v Speaker 1>everything the Cowtholic church like I would. There's like a

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<v Speaker 1>Catholic church like near a home, and I make my

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<v Speaker 1>kids walk fast past it. Really why, Well, because you

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<v Speaker 1>know who's never been sexually assaulted in a Catholic church?

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<v Speaker 1>Is a kid who's never been inside a Catholic church.

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<v Speaker 2>That's that's a good point.

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<v Speaker 1>So that that's I'm playing those odds only right. I

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<v Speaker 1>don't care if it's one in a billion, you're not going.

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<v Speaker 1>I don't know. I don't like it.

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<v Speaker 2>Well, people who are not a fan of the ch

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<v Speaker 2>who love the Catholic like the Catholic religion, actually loved

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<v Speaker 2>to show because we did poke fun at it a lot.

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<v Speaker 2>I mean a lot of people also thought that we

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<v Speaker 2>were ministering to them, which was was bizarre.

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<v Speaker 1>Be straight with me for one moment. The musical rent

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<v Speaker 1>true or false? The worst musical on Broadway.

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<v Speaker 2>False, that was my jam? Are you kidding me? I

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<v Speaker 2>love it. I used to pop in that CD and

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<v Speaker 2>I thought like, oh, yeah, I know, I'm listening to

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<v Speaker 2>rock music. Now this is my jam.

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<v Speaker 1>I married a woman who just listens to the Broadway

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<v Speaker 1>channel on satellite radio all the time, and I just, oh,

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<v Speaker 1>it's just it's not so bad. Well, I mean some

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<v Speaker 1>of it. I get you get into it. You start

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<v Speaker 1>picking favorites real quick. On the count of three, we

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<v Speaker 1>both tell say how many times we've shared our pants

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<v Speaker 1>as an adult? Okay, one, two, three, thirty?

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<v Speaker 2>Too many? I'm thirty. Probably shipped my pants a lot?

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<v Speaker 2>Me too? Really? Oh my god, I really think I

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<v Speaker 2>have a problem. I should talk to a doctor about it.

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<v Speaker 1>What do you do when you're performing? Uh? Like, like,

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<v Speaker 1>has it ever having Broadway? Like you're like, oh.

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<v Speaker 2>No, one time I took a pee break on in

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<v Speaker 2>the middle of a scene in the show once because

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<v Speaker 2>I had to.

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<v Speaker 1>I'm not talking about pee about diarrhea.

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<v Speaker 2>Oh I never have to ship on stage.

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<v Speaker 1>For some reason, I thought you said you ship your pants.

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<v Speaker 2>Yeah, I just daily life though.

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<v Speaker 1>Right, But but your stomach doesn't get upset or nervous

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<v Speaker 1>before a performance, ever, and you have to like empty

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<v Speaker 1>everything out.

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<v Speaker 2>Not that way.

0:12:07.960 --> 0:12:10.040
<v Speaker 1>Oh good for you. You know you're not living my

0:12:10.080 --> 0:12:12.280
<v Speaker 1>life at all. I've been on I've been on a toilet,

0:12:12.679 --> 0:12:16.240
<v Speaker 1>just exploding, and I hear them introducing me, and I'm like, well,

0:12:16.280 --> 0:12:16.880
<v Speaker 1>I'm not coming.

0:12:16.920 --> 0:12:18.800
<v Speaker 2>That's devastating. So what do you do?

0:12:18.840 --> 0:12:20.559
<v Speaker 1>Just let them deal with whatever they got to deal

0:12:20.600 --> 0:12:21.040
<v Speaker 1>with out there.

0:12:22.240 --> 0:12:23.080
<v Speaker 2>Show must go on.

0:12:23.360 --> 0:12:25.120
<v Speaker 1>No it doesn't. The show doesn't go on.

0:12:25.160 --> 0:12:26.000
<v Speaker 2>Show doesn't happen.

0:12:26.160 --> 0:12:29.960
<v Speaker 1>Show. The show waits until I'm finished, right, and then

0:12:30.080 --> 0:12:31.679
<v Speaker 1>and then I get out there, I'm like, oh, yeah,

0:12:31.720 --> 0:12:33.719
<v Speaker 1>it was in the back. It's cocaine.

0:12:34.280 --> 0:12:37.640
<v Speaker 2>And they all laugh, Oh the cokeshits. No, I don't.

0:12:37.640 --> 0:12:40.760
<v Speaker 1>I don't do cocaine. I just say something stupid to

0:12:41.559 --> 0:12:44.320
<v Speaker 1>move on. All right, But it's okay, but you've crapped yourself.

0:12:44.320 --> 0:12:47.120
<v Speaker 1>That's good. Everyone talks about Broadway. It's just a tough

0:12:47.360 --> 0:12:50.800
<v Speaker 1>place to make a living, especially the most expensive city, uh,

0:12:50.840 --> 0:12:53.199
<v Speaker 1>certainly in our country is off Broadway. Even worse, what

0:12:53.440 --> 0:12:55.280
<v Speaker 1>are we looking at? What kind of income can you

0:12:55.320 --> 0:12:57.800
<v Speaker 1>make a on a hit show off Broadway?

0:12:57.920 --> 0:13:00.839
<v Speaker 2>Off Broadway? I was pulling in like one thousand dollars

0:13:00.880 --> 0:13:03.320
<v Speaker 2>a week, which is which is nothing for New York.

0:13:03.400 --> 0:13:06.120
<v Speaker 2>Like we were we felt like rock stars, but we

0:13:06.120 --> 0:13:08.199
<v Speaker 2>were broke as a joke. I mean, we were going

0:13:08.240 --> 0:13:10.120
<v Speaker 2>on TV shows, but we were spending all of our

0:13:10.160 --> 0:13:14.960
<v Speaker 2>money for our studio apartments in Hill's kitchen and barely

0:13:15.000 --> 0:13:16.440
<v Speaker 2>squeaking by. But it was amazing.

0:13:16.559 --> 0:13:19.679
<v Speaker 1>How'd you get into How'd you make the jump? Say? Oh,

0:13:19.720 --> 0:13:21.960
<v Speaker 1>I have an idea this boy band Project.

0:13:22.040 --> 0:13:23.880
<v Speaker 2>I did Alter Boys for a long time, and it

0:13:23.960 --> 0:13:26.840
<v Speaker 2>was I was kind of getting sick of like the

0:13:27.040 --> 0:13:29.439
<v Speaker 2>up and down roller coaster of like, okay, now what

0:13:29.520 --> 0:13:32.079
<v Speaker 2>do I do? Scramble audition and then you get something,

0:13:32.160 --> 0:13:34.600
<v Speaker 2>but then that gig is still like six months away,

0:13:34.880 --> 0:13:36.200
<v Speaker 2>so you got to figure out what to do in

0:13:36.200 --> 0:13:38.520
<v Speaker 2>that time. So I was like, I have all of

0:13:38.600 --> 0:13:41.480
<v Speaker 2>these friends who look like they could be in a

0:13:41.480 --> 0:13:44.199
<v Speaker 2>boy band. Let me keep this going. And I was

0:13:44.240 --> 0:13:47.200
<v Speaker 2>getting a lot of like gigwork because I had a

0:13:47.200 --> 0:13:49.880
<v Speaker 2>certain notoriety from being in that show for so long.

0:13:50.440 --> 0:13:52.600
<v Speaker 2>And so I created my own entity, which is the

0:13:52.600 --> 0:13:57.200
<v Speaker 2>Boyband Project, which is essentially a contemporary boyband cover group.

0:13:57.280 --> 0:14:01.000
<v Speaker 2>So we cover in Sync and Backstreet Boy but with

0:14:01.280 --> 0:14:13.120
<v Speaker 2>like expert Broadway vocals. Choreography and whatnot. It started as

0:14:13.160 --> 0:14:16.560
<v Speaker 2>like a party act and then slowly turned into like

0:14:17.080 --> 0:14:20.440
<v Speaker 2>performing arts centers and cruise ships and now we're here

0:14:20.440 --> 0:14:21.520
<v Speaker 2>in LA.

0:14:21.120 --> 0:14:23.800
<v Speaker 1>Only in sync and backstreet boys? Or do you do

0:14:23.880 --> 0:14:24.760
<v Speaker 1>all the boy bands?

0:14:24.960 --> 0:14:27.400
<v Speaker 2>We do all like the contemporary ones. So it's like

0:14:27.520 --> 0:14:32.000
<v Speaker 2>circa two thousand and ninety two nineties, right, So you

0:14:32.040 --> 0:14:32.640
<v Speaker 2>do LFO.

0:14:32.960 --> 0:14:35.440
<v Speaker 1>We do LFO just just the one song.

0:14:35.920 --> 0:14:39.280
<v Speaker 2>That's the only song that's worth singing. Yeah, Otown?

0:14:40.320 --> 0:14:41.760
<v Speaker 1>What song? Otown? All or Nothing?

0:14:41.800 --> 0:14:43.200
<v Speaker 2>All or Nothing, Liquid Dreams.

0:14:47.600 --> 0:14:48.840
<v Speaker 1>I actually like All or Nothing.

0:14:49.000 --> 0:14:49.800
<v Speaker 2>Oh, it's amazing.

0:14:49.880 --> 0:14:54.160
<v Speaker 1>That's the problem with you know, Like I can listen.

0:14:54.440 --> 0:14:58.480
<v Speaker 1>I appreciate Tool, I like that rock and roll, but

0:14:58.560 --> 0:15:01.400
<v Speaker 1>it's like I still I like All or Nothing by

0:15:01.440 --> 0:15:01.920
<v Speaker 1>O Town.

0:15:02.160 --> 0:15:03.600
<v Speaker 2>Yeah, well you're well rounded then.

0:15:03.760 --> 0:15:05.520
<v Speaker 1>I don't know if that's the right word, but sure.

0:15:05.640 --> 0:15:07.960
<v Speaker 2>No. It's funny because in high school, like I mean

0:15:08.040 --> 0:15:10.920
<v Speaker 2>I was, I was low key obsessed with these boy bands.

0:15:10.920 --> 0:15:14.160
<v Speaker 2>But so we're like all of my straight friends in choir,

0:15:14.240 --> 0:15:17.480
<v Speaker 2>and we would like we would play all or Nothing

0:15:17.640 --> 0:15:20.960
<v Speaker 2>and just sing like it was like our our everything,

0:15:21.000 --> 0:15:23.760
<v Speaker 2>like this was our freaking song. We'd look into each

0:15:23.760 --> 0:15:26.960
<v Speaker 2>other's eyes and just sing all or nothing to this day, like,

0:15:27.000 --> 0:15:29.200
<v Speaker 2>it's still my favorite song. I created the show, so

0:15:29.240 --> 0:15:31.440
<v Speaker 2>I get to sing what I want to sing, and

0:15:31.480 --> 0:15:33.160
<v Speaker 2>that's the song that I always pick for myself.

0:15:33.280 --> 0:15:33.720
<v Speaker 1>That's great.

0:15:34.000 --> 0:15:34.840
<v Speaker 2>I freaking love it.

0:15:35.080 --> 0:15:40.320
<v Speaker 1>I also like the statement my straight friends in choir, Yeah.

0:15:40.360 --> 0:15:43.800
<v Speaker 2>Because they were all straight. I mean, it's anya, I think.

0:15:43.840 --> 0:15:48.120
<v Speaker 1>So I don't know this. This isn't a contemporary boy band.

0:15:48.120 --> 0:15:50.920
<v Speaker 1>But do you consider what's you McCall it? What's that

0:15:50.960 --> 0:15:53.120
<v Speaker 1>group that everybody thinks is the greatest band of all time?

0:15:53.240 --> 0:15:53.800
<v Speaker 2>The Beatles?

0:15:53.880 --> 0:15:56.680
<v Speaker 1>The Beatles? Yeah, you consider the Beatles of boy band?

0:15:56.920 --> 0:15:59.720
<v Speaker 2>Yeah for sure, Okay, but not like there's a lot

0:15:59.720 --> 0:16:02.560
<v Speaker 2>of people that cover those, you know, And so I

0:16:02.600 --> 0:16:05.720
<v Speaker 2>try to stick to the two decades. No, let's part

0:16:05.720 --> 0:16:07.560
<v Speaker 2>of the group just because nobody else is doing it.

0:16:07.600 --> 0:16:09.760
<v Speaker 1>How many people are in your group?

0:16:09.840 --> 0:16:11.760
<v Speaker 2>So it's four on stage at a time, But I've

0:16:11.800 --> 0:16:14.600
<v Speaker 2>got a roster of like probably about twenty guys in

0:16:14.640 --> 0:16:17.000
<v Speaker 2>New York City that know the show. And so the

0:16:17.040 --> 0:16:20.480
<v Speaker 2>business model that I created, well is that when they're

0:16:20.520 --> 0:16:22.800
<v Speaker 2>not in a Broadway show, like remember how I told you,

0:16:22.840 --> 0:16:25.480
<v Speaker 2>there's usually had six months in between your contracts. Sometimes

0:16:25.480 --> 0:16:28.200
<v Speaker 2>you book the greatest gig ever, but you're still broke

0:16:28.240 --> 0:16:30.960
<v Speaker 2>as a joke until you get there. And so they

0:16:31.280 --> 0:16:33.760
<v Speaker 2>they like, hey, i've got six months off, can you

0:16:33.760 --> 0:16:35.600
<v Speaker 2>put me in a boy band? And so I get

0:16:35.600 --> 0:16:38.800
<v Speaker 2>them gigging on cruise ships. I send them to la.

0:16:39.040 --> 0:16:40.600
<v Speaker 1>What's your thought on cruise ships?

0:16:41.040 --> 0:16:44.360
<v Speaker 2>They're horrid awful. It's tough, right, but the money is

0:16:44.400 --> 0:16:48.800
<v Speaker 2>so good, and they treat if you're a headliner. You're like,

0:16:49.080 --> 0:16:50.600
<v Speaker 2>you've got it made. You're a prince. You get your

0:16:50.600 --> 0:16:54.120
<v Speaker 2>own cabin with a balcony. It's free meals. You we

0:16:54.160 --> 0:16:56.120
<v Speaker 2>do a seven day contract and we do work one

0:16:56.200 --> 0:16:58.000
<v Speaker 2>day and I get paid for the whole week.

0:16:58.560 --> 0:17:01.320
<v Speaker 1>And you're so coming off of of struggling to make

0:17:01.400 --> 0:17:03.200
<v Speaker 1>ends meet in New York City. It's a breath of

0:17:03.240 --> 0:17:03.640
<v Speaker 1>fresh air.

0:17:03.720 --> 0:17:05.600
<v Speaker 2>Oh people. And the boys love it.

0:17:05.760 --> 0:17:08.800
<v Speaker 1>And by the boys, you mean you're the group. Yeah,

0:17:09.040 --> 0:17:11.359
<v Speaker 1>isn't it weird calling the boys though? What's the age?

0:17:11.440 --> 0:17:12.840
<v Speaker 1>What's the age range of your boys?

0:17:14.160 --> 0:17:19.959
<v Speaker 2>I mean anywhere from forty five to down to another direction,

0:17:20.440 --> 0:17:21.640
<v Speaker 2>like twenty three.

0:17:21.840 --> 0:17:24.320
<v Speaker 1>There's no actual boys in the boys band, That's all

0:17:24.320 --> 0:17:25.679
<v Speaker 1>I'm getting at, right.

0:17:25.560 --> 0:17:28.920
<v Speaker 2>It's more of lake. You're all men, yeah, I guess,

0:17:29.480 --> 0:17:30.600
<v Speaker 2>or men that never grew up?

0:17:30.680 --> 0:17:33.760
<v Speaker 1>Yeah? Are you all sexy? Yeah?

0:17:34.119 --> 0:17:34.320
<v Speaker 2>Yeah?

0:17:34.400 --> 0:17:36.119
<v Speaker 1>Is there any dogs in the bunch? You know, like

0:17:36.119 --> 0:17:40.320
<v Speaker 1>like sometimes I'll like look at I'll stare at like, uh,

0:17:40.760 --> 0:17:43.719
<v Speaker 1>you know, I'm in Vegas and you see an ad

0:17:43.760 --> 0:17:46.920
<v Speaker 1>for Thunder from down Under or Magic Mike yea, and

0:17:46.960 --> 0:17:48.760
<v Speaker 1>you look at them together and like all these are

0:17:48.840 --> 0:17:51.840
<v Speaker 1>beautiful men. But then when you start looking at them individually,

0:17:51.880 --> 0:17:52.880
<v Speaker 1>like all right, this guy.

0:17:52.800 --> 0:17:53.920
<v Speaker 2>Is distorting one.

0:17:54.000 --> 0:17:56.400
<v Speaker 1>Yeah, this guy get white evolved?

0:17:56.680 --> 0:17:58.080
<v Speaker 2>Who's he related to? Right?

0:17:58.280 --> 0:18:00.720
<v Speaker 1>Anyway? So are most of you guys all very attractive?

0:18:01.280 --> 0:18:01.919
<v Speaker 1>Was the question?

0:18:02.320 --> 0:18:03.760
<v Speaker 2>Yes, I will say yes.

0:18:03.880 --> 0:18:07.359
<v Speaker 1>Any straight guys in the group, yes, multiple.

0:18:07.160 --> 0:18:08.240
<v Speaker 2>Yeah, Oh that's good.

0:18:08.280 --> 0:18:10.400
<v Speaker 1>Yeah. I mean they don't dance as well?

0:18:10.440 --> 0:18:13.680
<v Speaker 2>What's the rule you have to dance? You know? So

0:18:13.680 --> 0:18:18.639
<v Speaker 2>so generally the guys or the boys that have this

0:18:18.840 --> 0:18:21.200
<v Speaker 2>certain skill set to be in the boy band project

0:18:21.560 --> 0:18:24.640
<v Speaker 2>end up being gay. We've got I've got a lot

0:18:24.640 --> 0:18:27.280
<v Speaker 2>of straight guys who are freaking awesome with it and

0:18:27.320 --> 0:18:28.560
<v Speaker 2>they're just down with what.

0:18:28.600 --> 0:18:30.520
<v Speaker 1>Are they appropriating gay culture?

0:18:30.800 --> 0:18:33.720
<v Speaker 2>No? Because no, because the bands were they were gay,

0:18:34.560 --> 0:18:39.240
<v Speaker 2>they weren't. I mean some you know, sure, Metro maybe

0:18:39.680 --> 0:18:41.480
<v Speaker 2>you know, you know, I think I think there is

0:18:41.520 --> 0:18:44.560
<v Speaker 2>something inherently gay about being in a boy band, maybe

0:18:44.640 --> 0:18:48.480
<v Speaker 2>just because of the ability to express your emotion really freely,

0:18:48.680 --> 0:18:51.520
<v Speaker 2>you know that. Agree, you know there's no stoicism with

0:18:51.600 --> 0:18:54.000
<v Speaker 2>being in a boy band, Then like, why why watch

0:18:54.040 --> 0:18:56.320
<v Speaker 2>them if they're not going to like bear their soul

0:18:56.400 --> 0:18:57.200
<v Speaker 2>to you in a song?

0:18:57.440 --> 0:19:00.000
<v Speaker 1>Speaking of bearing your soul? How have you have you?

0:19:00.240 --> 0:19:03.640
<v Speaker 1>Have you dove into this new Britney Spears book yet? Oh?

0:19:03.800 --> 0:19:05.960
<v Speaker 2>No? No, but I want to.

0:19:06.240 --> 0:19:09.360
<v Speaker 1>Write you no. But every time I read like justin

0:19:09.400 --> 0:19:12.600
<v Speaker 1>Timberlake paid for an abortion, I just get so excited.

0:19:12.760 --> 0:19:15.880
<v Speaker 1>I'm like, what why do I love that head?

0:19:17.240 --> 0:19:18.919
<v Speaker 2>It just makes me so nervous.

0:19:19.040 --> 0:19:20.800
<v Speaker 1>Because you know he's at home right now with his

0:19:20.880 --> 0:19:25.680
<v Speaker 1>wife going fucking shot. This crazy bitch is in sync

0:19:25.800 --> 0:19:28.680
<v Speaker 1>doing a comeback tour. Good for business or bad for business?

0:19:28.760 --> 0:19:30.320
<v Speaker 2>Good for business? Oh my gosh.

0:19:30.440 --> 0:19:37.120
<v Speaker 1>Yeah, has Joey Fatone asked to join?

0:19:37.480 --> 0:19:38.199
<v Speaker 2>Not yet? No?

0:19:38.520 --> 0:19:39.160
<v Speaker 1>What's he doing?

0:19:39.160 --> 0:19:39.440
<v Speaker 2>What? What?

0:19:39.440 --> 0:19:41.800
<v Speaker 1>What? What horrible pizza sauce is he selling?

0:19:42.119 --> 0:19:43.800
<v Speaker 2>It's a French onion dip.

0:19:43.920 --> 0:19:46.679
<v Speaker 1>He's got a French onion dip. Oh congratulations? Do you

0:19:46.680 --> 0:19:50.080
<v Speaker 1>ever do any songs? From the ninety eight degree Christmas album.

0:19:50.480 --> 0:19:54.040
<v Speaker 2>Yes this gift, Yeah, that's a good one.

0:19:54.200 --> 0:19:56.520
<v Speaker 1>My wife went and saw that show, I think last

0:19:56.600 --> 0:19:59.399
<v Speaker 1>year the year before. She was so excited. And then

0:19:59.440 --> 0:20:00.919
<v Speaker 1>afterwards she was going to meet one of them, but

0:20:00.960 --> 0:20:02.280
<v Speaker 1>she didn't meet the one she had, the one that

0:20:02.280 --> 0:20:08.520
<v Speaker 1>nobody likes, thee Yeah, I know, you only want to

0:20:08.560 --> 0:20:12.439
<v Speaker 1>meet Lee. Yeah, right, And here the brothers.

0:20:13.280 --> 0:20:15.480
<v Speaker 2>It's two brothers, and then the hot one with the muscles.

0:20:15.520 --> 0:20:16.280
<v Speaker 2>He was my favorite one.

0:20:16.359 --> 0:20:17.760
<v Speaker 1>I don't know. But then there's like the other guy

0:20:17.760 --> 0:20:19.639
<v Speaker 1>that just looks like he should be.

0:20:21.280 --> 0:20:21.720
<v Speaker 2>Yeah.

0:20:21.920 --> 0:20:24.920
<v Speaker 1>Do you do you ever sing any girl songs? Or no?

0:20:24.920 --> 0:20:25.360
<v Speaker 2>No?

0:20:26.200 --> 0:20:28.040
<v Speaker 1>All right about k pop? Do you ever do any

0:20:28.119 --> 0:20:28.879
<v Speaker 1>k pop songs?

0:20:29.119 --> 0:20:29.760
<v Speaker 2>Not yet?

0:20:30.080 --> 0:20:33.439
<v Speaker 1>I worry. I'm before you put your toe into that arena.

0:20:34.080 --> 0:20:34.399
<v Speaker 2>Yeah?

0:20:34.520 --> 0:20:35.800
<v Speaker 1>Were there any black boy bands?

0:20:36.000 --> 0:20:36.600
<v Speaker 2>Boys to men?

0:20:36.880 --> 0:20:38.120
<v Speaker 1>You consider them a boy band?

0:20:38.480 --> 0:20:41.160
<v Speaker 2>Yeah? I don't know why I don't because they don't dance.

0:20:41.520 --> 0:20:44.560
<v Speaker 1>They dance. They dance their fucking asses off. Okay, let

0:20:44.600 --> 0:20:47.960
<v Speaker 1>me tell you that that. I say this nicely. The

0:20:48.000 --> 0:20:51.480
<v Speaker 1>fat one, he's not really that fat. He's just slightly

0:20:51.480 --> 0:20:54.399
<v Speaker 1>bigger than the other ones. He's a dancing machine. I

0:20:54.800 --> 0:20:57.240
<v Speaker 1>know this because they opened Uh, they don't. They didn't

0:20:57.240 --> 0:20:59.720
<v Speaker 1>open for me, but they were on the show in

0:20:59.760 --> 0:21:03.719
<v Speaker 1>front of mine in Vegas for many years. But they

0:21:03.720 --> 0:21:07.159
<v Speaker 1>can move. Boy bands always have a specific character for

0:21:07.200 --> 0:21:10.960
<v Speaker 1>each person, the heart throb, the goofy one. Which one

0:21:11.000 --> 0:21:11.240
<v Speaker 1>are you?

0:21:11.680 --> 0:21:14.000
<v Speaker 2>I'm the boy nextor I didn't know that was one.

0:21:13.960 --> 0:21:16.720
<v Speaker 1>The boy next door? All right? What other what are there?

0:21:16.960 --> 0:21:19.280
<v Speaker 2>So in our group we have the sensitive one, we

0:21:19.400 --> 0:21:21.280
<v Speaker 2>have the bad boy, we have the boy next door,

0:21:21.560 --> 0:21:22.760
<v Speaker 2>and we have the sporty one.

0:21:23.000 --> 0:21:24.480
<v Speaker 1>So the boy next door is really kind of the

0:21:24.480 --> 0:21:27.360
<v Speaker 1>heart throb. That's what I would kind of Yeah, did

0:21:27.400 --> 0:21:29.679
<v Speaker 1>you give yourself that? Do you say I'm taking this one?

0:21:29.840 --> 0:21:31.800
<v Speaker 2>I kind of floated around for a little bit, like

0:21:33.560 --> 0:21:35.919
<v Speaker 2>I wanted it to be an organic choice.

0:21:36.000 --> 0:21:36.679
<v Speaker 1>Really, all right.

0:21:37.280 --> 0:21:40.199
<v Speaker 2>I started as the sensitive one, but then there was

0:21:40.200 --> 0:21:42.000
<v Speaker 2>a guy in the group that was just like, so

0:21:42.160 --> 0:21:43.000
<v Speaker 2>fricking sensitive.

0:21:43.040 --> 0:21:46.879
<v Speaker 1>And so the gay community has criticized your productions for

0:21:46.960 --> 0:21:52.960
<v Speaker 1>not being gay enough. When you originally came out that

0:21:53.000 --> 0:21:55.840
<v Speaker 1>you thought this was who I'm targeting to and that

0:21:56.000 --> 0:21:57.240
<v Speaker 1>was the feedback.

0:21:56.880 --> 0:22:01.040
<v Speaker 2>Or yeah, I mean it started out because because I

0:22:01.080 --> 0:22:04.000
<v Speaker 2>was I just knew so many people in gay entertainment,

0:22:04.200 --> 0:22:06.280
<v Speaker 2>you know, I knew. I like, I was like, Okay,

0:22:06.320 --> 0:22:08.520
<v Speaker 2>I created a show, let me pitch it to the

0:22:08.600 --> 0:22:11.960
<v Speaker 2>venues that I know the people at. So I went

0:22:12.000 --> 0:22:14.320
<v Speaker 2>to the gay places and you.

0:22:14.240 --> 0:22:16.040
<v Speaker 1>Know, I mean, how many drag shows can you have

0:22:16.160 --> 0:22:17.840
<v Speaker 1>before you need to throw in something different?

0:22:18.080 --> 0:22:18.479
<v Speaker 2>Thank you?

0:22:18.800 --> 0:22:20.639
<v Speaker 1>Yeah, I know that. I didn't know if that was

0:22:20.640 --> 0:22:21.480
<v Speaker 1>wrong to say.

0:22:21.320 --> 0:22:24.120
<v Speaker 2>No, no, absolutely, because so we do a show called

0:22:24.119 --> 0:22:27.040
<v Speaker 2>Boyband Brunch in New York, which I call the alternative

0:22:27.040 --> 0:22:29.560
<v Speaker 2>to drag Brunch. But going back to what you said

0:22:29.560 --> 0:22:32.840
<v Speaker 2>about the gay world, it was like it was because

0:22:32.840 --> 0:22:35.920
<v Speaker 2>we weren't really saying, like, our songs weren't about being gay.

0:22:36.280 --> 0:22:37.880
<v Speaker 2>You know, none of the boy band songs are about

0:22:37.920 --> 0:22:40.520
<v Speaker 2>being gay. Your show's not about about being gay. So

0:22:40.560 --> 0:22:43.160
<v Speaker 2>why are you doing this in gay places all the time?

0:22:43.280 --> 0:22:43.600
<v Speaker 1>Okay?

0:22:43.760 --> 0:22:47.119
<v Speaker 2>And then we slowly discovered that we would perform in

0:22:47.240 --> 0:22:51.880
<v Speaker 2>gay places like we we headlined at Gay Ski Week

0:22:51.880 --> 0:22:53.520
<v Speaker 2>and Aspen and.

0:22:53.480 --> 0:22:55.040
<v Speaker 1>I've never been I've been a gay ski Week and

0:22:55.080 --> 0:22:57.439
<v Speaker 1>tell you Ride, which was wonderful. Yeah, but I've never

0:22:57.480 --> 0:22:59.520
<v Speaker 1>been a Gay Ski Week and ask it was fabulous

0:22:59.520 --> 0:23:01.440
<v Speaker 1>that happened on all different resorts.

0:23:01.520 --> 0:23:03.440
<v Speaker 2>Huh oh. Yeah, I had the best outfit for Gay

0:23:03.480 --> 0:23:06.520
<v Speaker 2>Ski Week. It was freaking amazing. Was it was just

0:23:06.600 --> 0:23:09.240
<v Speaker 2>like we we had like, well, one of the guys

0:23:09.600 --> 0:23:12.800
<v Speaker 2>had like a rainbow fur jacket, and then I had

0:23:12.880 --> 0:23:15.840
<v Speaker 2>just this like hot pink jumper. Is that what you

0:23:15.880 --> 0:23:18.560
<v Speaker 2>call it? Like a bib ski bib jumper?

0:23:18.680 --> 0:23:21.359
<v Speaker 1>Thanks? Called ski bib? Is it? Yeah? I'm pretty sure

0:23:21.400 --> 0:23:23.240
<v Speaker 1>it is. Oh okay, but I mean you can call.

0:23:23.119 --> 0:23:26.760
<v Speaker 2>It jump, but it's sure okay ski bib. Yeah. It

0:23:26.800 --> 0:23:27.440
<v Speaker 2>was fabulous.

0:23:27.440 --> 0:23:29.480
<v Speaker 1>So did you did you ski there an Aspen?

0:23:29.520 --> 0:23:33.760
<v Speaker 2>Because we didn't even ski, We just wore outfit we

0:23:33.800 --> 0:23:37.399
<v Speaker 2>had the opportunity to and we were like, oh, we're tired,

0:23:37.720 --> 0:23:41.760
<v Speaker 2>but yeah, so we were. We sold out the show

0:23:41.840 --> 0:23:43.680
<v Speaker 2>and we got on stage and it was filled with

0:23:44.040 --> 0:23:46.640
<v Speaker 2>middle aged women. We're like, how did I don't even

0:23:46.680 --> 0:23:48.560
<v Speaker 2>think that these people live in Aspen? Like how did

0:23:48.560 --> 0:23:50.320
<v Speaker 2>they find out about the show? And so that was

0:23:50.359 --> 0:23:52.600
<v Speaker 2>like a moment where I was like, we're marketing this

0:23:52.640 --> 0:23:54.560
<v Speaker 2>to the wrong audience. And then we kind of switched

0:23:54.840 --> 0:23:57.360
<v Speaker 2>and then it really started to take off from then.

0:23:57.640 --> 0:23:59.800
<v Speaker 1>Is it fun just sing to these women? No, it's

0:23:59.840 --> 0:24:00.199
<v Speaker 1>the us.

0:24:00.480 --> 0:24:03.639
<v Speaker 2>It's freaking amazing, you know. They they treat us like

0:24:03.680 --> 0:24:05.240
<v Speaker 2>we are in sync. You know, we go in these

0:24:05.240 --> 0:24:08.520
<v Speaker 2>cruise ships and they're like, for our autographs, we'll do.

0:24:08.440 --> 0:24:13.359
<v Speaker 1>Any of this. Straight boys ever try to hit on

0:24:13.400 --> 0:24:15.680
<v Speaker 1>their fans, And is that frowned upon?

0:24:16.720 --> 0:24:17.080
<v Speaker 2>You know?

0:24:17.240 --> 0:24:19.600
<v Speaker 1>Because I bet I bet they they think they're there

0:24:19.720 --> 0:24:22.920
<v Speaker 1>in a safe zone. Next thing they know is like, whoa, whoa, whoa,

0:24:22.920 --> 0:24:23.840
<v Speaker 1>what's going on here?

0:24:24.560 --> 0:24:27.600
<v Speaker 2>I mean, that's a great idea, first rate guy. If

0:24:27.640 --> 0:24:30.920
<v Speaker 2>they're really licking. I mean, I don't know. I've never

0:24:30.920 --> 0:24:31.520
<v Speaker 2>clocked it, though.

0:24:31.560 --> 0:24:33.840
<v Speaker 1>Have you ever tried to get a show in Vegas?

0:24:33.920 --> 0:24:35.280
<v Speaker 2>In Vegas? No? Not yet?

0:24:35.400 --> 0:24:37.560
<v Speaker 1>Okay, all right, let's stop right now because I got

0:24:37.600 --> 0:24:44.399
<v Speaker 1>connections and I want fifty percent, no five five percent,

0:24:44.560 --> 0:24:46.879
<v Speaker 1>you got it of the profit? Yeah, I mean it

0:24:46.880 --> 0:24:48.840
<v Speaker 1>seems insane. This seems like a no brainer.

0:24:49.440 --> 0:24:51.639
<v Speaker 2>I mean, we just made it to La I know.

0:24:51.760 --> 0:24:56.520
<v Speaker 1>But doing the I'm saying Vegas is like your your

0:24:56.600 --> 0:24:59.000
<v Speaker 1>cruise ships. They've got all the money in the world

0:25:00.119 --> 0:25:02.960
<v Speaker 1>be in Vegas. I know, but it's not. I mean, listen,

0:25:03.000 --> 0:25:05.320
<v Speaker 1>even if it's small stints, you know, maybe it's like

0:25:06.000 --> 0:25:08.359
<v Speaker 1>you get a residency at a place where it's just

0:25:09.760 --> 0:25:12.639
<v Speaker 1>I don't know, pick a cool day. Yeah, the first

0:25:12.680 --> 0:25:16.640
<v Speaker 1>Thursday of every month, and you know, everybody different. Four

0:25:16.720 --> 0:25:20.160
<v Speaker 1>fly in, nice hotel, nice food, blah blah blah.

0:25:20.840 --> 0:25:22.720
<v Speaker 2>Okay, that'd be great. Let's make it happen.

0:25:22.760 --> 0:25:24.880
<v Speaker 1>This is a no brainer. It's easy. I just don't

0:25:24.920 --> 0:25:27.640
<v Speaker 1>know what casino is right for the boy band project.

0:25:27.640 --> 0:25:29.159
<v Speaker 1>I have to think about that for a second.

0:25:29.160 --> 0:25:31.400
<v Speaker 2>Planet Hollywood, what all right?

0:25:31.440 --> 0:25:36.320
<v Speaker 1>You're no, you're fired. When you're singing to liquored up

0:25:36.359 --> 0:25:38.879
<v Speaker 1>fifty year old women on stage, what are you thinking?

0:25:39.200 --> 0:25:43.240
<v Speaker 2>I think, God, bless you, thank you for being here

0:25:43.280 --> 0:25:46.880
<v Speaker 2>tonight and spreading your love with us and allowing us

0:25:46.920 --> 0:25:49.760
<v Speaker 2>to sing to you. Now, they're the reason that we

0:25:49.840 --> 0:25:53.480
<v Speaker 2>do it. You know I wouldn't We love them. They're great,

0:25:53.760 --> 0:25:56.280
<v Speaker 2>and you know they love that. I mean, because we

0:25:56.359 --> 0:25:59.560
<v Speaker 2>are mostly gay, like, it's very safe space for them.

0:25:59.640 --> 0:26:04.679
<v Speaker 2>So it becomes a very like interactive show. Sometimes I

0:26:04.720 --> 0:26:07.800
<v Speaker 2>mean you touch sometimes, yeah.

0:26:07.800 --> 0:26:11.320
<v Speaker 1>They do, they touch. Do they get inappropriate? Oh yeah yeah.

0:26:11.359 --> 0:26:12.760
<v Speaker 1>They don't ever get called out for that.

0:26:13.320 --> 0:26:16.920
<v Speaker 2>That's interesting, no, because you know, as long as they're

0:26:17.080 --> 0:26:21.359
<v Speaker 2>tip tipping us, sometimes it ends up being like magic

0:26:21.400 --> 0:26:23.480
<v Speaker 2>Mike meets in sinking backshit Boys.

0:26:23.480 --> 0:26:25.359
<v Speaker 1>Okay, so there is grinding, half ening.

0:26:25.359 --> 0:26:26.400
<v Speaker 2>There's a lot of grinding.

0:26:26.680 --> 0:26:29.199
<v Speaker 1>Okay, yeah, okay, you do you do?

0:26:29.200 --> 0:26:29.560
<v Speaker 2>You do?

0:26:29.560 --> 0:26:31.359
<v Speaker 1>You have a specific song where you bring someone on

0:26:31.400 --> 0:26:34.000
<v Speaker 1>stage and do all this stuff to do you tie

0:26:34.000 --> 0:26:34.840
<v Speaker 1>them into a chair?

0:26:35.040 --> 0:26:35.960
<v Speaker 2>We don't tie them.

0:26:36.080 --> 0:26:36.840
<v Speaker 1>Okay, that's good.

0:26:36.920 --> 0:26:40.320
<v Speaker 2>I feel like that's tricky.

0:26:40.760 --> 0:26:43.240
<v Speaker 1>One of the producers, Pete, his his wife. She got

0:26:43.280 --> 0:26:47.000
<v Speaker 1>brought up on stage on magic mic and they just

0:26:47.160 --> 0:26:51.080
<v Speaker 1>all of them just or on top of her, rub

0:26:51.080 --> 0:26:52.960
<v Speaker 1>and her doing it. Then they brought her up into

0:26:52.960 --> 0:26:56.600
<v Speaker 1>the air like crazy high. She was suspended, but they

0:26:56.680 --> 0:26:59.440
<v Speaker 1>like the whole time they were like grinding and they're like, okay,

0:26:59.440 --> 0:27:01.160
<v Speaker 1>you're gonna go up in the air, really are and

0:27:01.720 --> 0:27:03.600
<v Speaker 1>you know if you have a do you have any

0:27:03.680 --> 0:27:04.440
<v Speaker 1>heart conditions?

0:27:05.080 --> 0:27:07.119
<v Speaker 2>Right then and there. She's signed to release.

0:27:07.280 --> 0:27:10.080
<v Speaker 1>Some version of that. But he got jealous when they

0:27:10.240 --> 0:27:12.560
<v Speaker 1>she got home. Didn't like it. I didn't like that

0:27:12.600 --> 0:27:14.080
<v Speaker 1>she did it. I don't know why I got jealous,

0:27:14.080 --> 0:27:15.439
<v Speaker 1>But that's just him. Are you married?

0:27:15.680 --> 0:27:15.960
<v Speaker 2>Yes?

0:27:16.200 --> 0:27:17.160
<v Speaker 1>How long have you been married?

0:27:17.320 --> 0:27:20.320
<v Speaker 2>Married for three years but together for fifteen?

0:27:20.640 --> 0:27:22.639
<v Speaker 1>How many of those years fifteen? Faithfully?

0:27:23.800 --> 0:27:26.560
<v Speaker 2>In gay world?

0:27:26.800 --> 0:27:30.919
<v Speaker 1>Is that different? Does that change when you get married?

0:27:31.520 --> 0:27:32.400
<v Speaker 2>No?

0:27:32.400 --> 0:27:37.080
<v Speaker 1>No, no, Well that is insane to me. Really, yes, why,

0:27:37.280 --> 0:27:40.000
<v Speaker 1>I mean, I I just it's like, that's not marriage

0:27:40.040 --> 0:27:41.760
<v Speaker 1>to me, like marriage, you have to have the part

0:27:42.000 --> 0:27:43.520
<v Speaker 1>where you don't get to ever do that.

0:27:43.560 --> 0:27:46.000
<v Speaker 2>It's a Mi Israel part. Yes, okay, gotcha.

0:27:46.040 --> 0:27:48.920
<v Speaker 1>Well, like I get mad at my friend who is bisexual.

0:27:49.240 --> 0:27:51.679
<v Speaker 1>He always like, oh, if I'm in a relationship with

0:27:51.760 --> 0:27:54.720
<v Speaker 1>a man, He's like, I can still occasionally be with

0:27:54.720 --> 0:27:57.480
<v Speaker 1>a woman. I'm like, no, that's not. You don't get

0:27:57.800 --> 0:28:00.639
<v Speaker 1>an out. That's fucking bullshit. You have to you have

0:28:00.680 --> 0:28:04.760
<v Speaker 1>to The whole point is one if if I knew

0:28:04.760 --> 0:28:06.360
<v Speaker 1>that was on the table, like.

0:28:06.400 --> 0:28:11.880
<v Speaker 2>Oh emotionally one okay, Well why why put your relationship

0:28:11.880 --> 0:28:12.479
<v Speaker 2>in a box?

0:28:12.840 --> 0:28:14.879
<v Speaker 1>I mean you're preaching to the choir. I need you

0:28:14.920 --> 0:28:20.320
<v Speaker 1>to talk to the other. Do you think that's very

0:28:20.320 --> 0:28:22.080
<v Speaker 1>common when you said, like in the gay.

0:28:21.960 --> 0:28:25.600
<v Speaker 2>World that that I know very little gay couples that

0:28:25.680 --> 0:28:31.240
<v Speaker 2>are like one hundred percent monogamous in a long term relationship.

0:28:31.680 --> 0:28:36.080
<v Speaker 2>And I can't even think of one David Sedaris no way. Really,

0:28:36.440 --> 0:28:40.560
<v Speaker 2>that's just what I just wanted to.

0:28:39.480 --> 0:28:41.800
<v Speaker 1>That I thought would probably be monogamous. He seems like

0:28:42.400 --> 0:28:46.320
<v Speaker 1>reclusive sorts. Maybe, Well, here's what I've learned in my

0:28:46.480 --> 0:28:51.240
<v Speaker 1>life is that there is every version of every type

0:28:51.560 --> 0:28:56.560
<v Speaker 1>of relationship. So I'm sure there's tons and tons of

0:28:56.600 --> 0:28:59.680
<v Speaker 1>monogamous gay Oh I'm are looking at you right now

0:28:59.720 --> 0:29:02.440
<v Speaker 1>and going asshole, and you get to go have your

0:29:03.240 --> 0:29:04.360
<v Speaker 1>cake and eat it too.

0:29:04.440 --> 0:29:05.400
<v Speaker 2>Maybe they should try it.

0:29:05.440 --> 0:29:09.080
<v Speaker 1>I don't know, no, because then you can't try it.

0:29:09.080 --> 0:29:10.160
<v Speaker 1>It has to be something that has to.

0:29:10.120 --> 0:29:12.920
<v Speaker 2>Be established in one I don't think so you.

0:29:12.920 --> 0:29:15.520
<v Speaker 1>Can't be monogamous for fifteen years and then be like, hey, honey,

0:29:15.560 --> 0:29:17.920
<v Speaker 1>I got an idea. How about I start fucking banging

0:29:17.960 --> 0:29:18.640
<v Speaker 1>somebody else?

0:29:18.720 --> 0:29:21.960
<v Speaker 2>If it's either out of the highway, right.

0:29:22.160 --> 0:29:25.120
<v Speaker 1>Yeah, I didn't. I didn't marry somebody that wouldn't be like, yeah,

0:29:25.160 --> 0:29:26.080
<v Speaker 1>I'll take the highway.

0:29:26.280 --> 0:29:29.920
<v Speaker 2>True. True, But if you're going to be happier if

0:29:30.200 --> 0:29:32.960
<v Speaker 2>you go down this road together, or you make a

0:29:32.960 --> 0:29:34.840
<v Speaker 2>decision to be happy apart.

0:29:34.920 --> 0:29:37.280
<v Speaker 1>Listen, I know it can't happen for me. But if

0:29:37.320 --> 0:29:41.959
<v Speaker 1>you told me, hey, you're going to have the career

0:29:42.040 --> 0:29:45.840
<v Speaker 1>that you want to have and blah blah blah, and

0:29:45.880 --> 0:29:47.680
<v Speaker 1>you're gonna be able to take care of your family

0:29:47.800 --> 0:29:51.480
<v Speaker 1>and all of this stuff, but you have to be

0:29:51.520 --> 0:29:56.160
<v Speaker 1>faithful to one person. Would you take the deal, and

0:29:56.240 --> 0:29:58.080
<v Speaker 1>I say, yeah, take the deal.

0:29:58.160 --> 0:29:58.800
<v Speaker 2>Yeah, of course.

0:29:58.920 --> 0:30:01.440
<v Speaker 1>So that's the way I look at because I think

0:30:01.760 --> 0:30:04.800
<v Speaker 1>if I'm out in the world right now, I'm going

0:30:04.880 --> 0:30:08.240
<v Speaker 1>to put myself in a bad situation eventually totally.

0:30:08.360 --> 0:30:10.920
<v Speaker 2>But I mean, in my experience, I found that because

0:30:10.960 --> 0:30:11.840
<v Speaker 2>it's open.

0:30:12.280 --> 0:30:13.760
<v Speaker 1>You don't put yourself in a bad situation.

0:30:13.880 --> 0:30:16.560
<v Speaker 2>No, I don't. I don't act on it. Oh, you know,

0:30:16.680 --> 0:30:20.760
<v Speaker 2>because there's no real there's no barbed wire fence around

0:30:20.760 --> 0:30:22.800
<v Speaker 2>my relationship. I just stay put.

0:30:22.960 --> 0:30:25.240
<v Speaker 1>I don't like that you referred to my relationship as.

0:30:25.080 --> 0:30:27.480
<v Speaker 2>A barbed wire fence, just a metaphor.

0:30:28.400 --> 0:30:31.160
<v Speaker 1>You think your ex girlfriend out there cheats on her husband.

0:30:31.360 --> 0:30:32.440
<v Speaker 2>No, I don't think she does.

0:30:35.320 --> 0:30:37.680
<v Speaker 1>Everybody that comes on the show, I give them a gift,

0:30:37.960 --> 0:30:40.440
<v Speaker 1>but I don't buy gifts. I just take stuff from

0:30:40.440 --> 0:30:42.000
<v Speaker 1>my house that I'm like, why do I have this?

0:30:42.480 --> 0:30:44.760
<v Speaker 1>And I get rid of it. Okay, okay, what's I sue?

0:30:44.800 --> 0:30:49.360
<v Speaker 2>Are you nine and a half? Oh? I got the

0:30:49.920 --> 0:30:50.520
<v Speaker 2>shut up?

0:30:50.960 --> 0:30:53.440
<v Speaker 1>And they light up when the wheels roll. But they're

0:30:53.440 --> 0:30:53.880
<v Speaker 1>too big?

0:30:54.200 --> 0:30:55.840
<v Speaker 2>Oh no, what size are they?

0:30:55.960 --> 0:31:01.080
<v Speaker 1>I don't know. You give me, but you can regift

0:31:01.080 --> 0:31:04.040
<v Speaker 1>them to somebody and then you'll be fine. I think

0:31:04.040 --> 0:31:04.640
<v Speaker 1>they say twelve.

0:31:04.720 --> 0:31:07.080
<v Speaker 2>They're twelve. It's worth three pairs of socks.

0:31:07.000 --> 0:31:09.800
<v Speaker 1>Listen, whatever. I just thought that you might like them

0:31:09.800 --> 0:31:12.520
<v Speaker 1>because they're kind of cool and they light up. Thank you,

0:31:12.520 --> 0:31:16.240
<v Speaker 1>you're welcome. This is very sweet. I actually wrote them

0:31:16.280 --> 0:31:18.040
<v Speaker 1>one time and I fell very hard.

0:31:18.600 --> 0:31:20.520
<v Speaker 2>Really, yeah, that's really sad.

0:31:20.640 --> 0:31:23.520
<v Speaker 1>Well, what are you gonna do, Lou Pearlman. You're doing

0:31:23.600 --> 0:31:24.920
<v Speaker 1>a show about him? What's that about.

0:31:25.080 --> 0:31:27.760
<v Speaker 2>Yeah, so we're doing a musical. He's a piece of shit, right,

0:31:28.080 --> 0:31:31.280
<v Speaker 2>piece of shit? Yeah? Yeah, okay, and the musical definitely

0:31:32.200 --> 0:31:32.840
<v Speaker 2>makes that clear.

0:31:33.040 --> 0:31:33.360
<v Speaker 1>Okay.

0:31:33.440 --> 0:31:35.960
<v Speaker 2>Yeah, So it's about the creation of Otown, but it's

0:31:36.000 --> 0:31:40.480
<v Speaker 2>also the parallels between Lou Pearlman and Colonel Parker, who

0:31:41.200 --> 0:31:43.560
<v Speaker 2>was the manager for Elvis, and they both stole the money.

0:31:43.800 --> 0:31:46.400
<v Speaker 2>And then there was one guy and the show is

0:31:46.440 --> 0:31:50.120
<v Speaker 2>called the Manager, and so he was the associate manager

0:31:50.200 --> 0:31:53.800
<v Speaker 2>of with Colonel Parker and Lou Pearlman who worked on Otown.

0:31:54.400 --> 0:31:58.480
<v Speaker 2>And I got a call from a producer who wanted

0:31:58.680 --> 0:32:00.720
<v Speaker 2>a boy band, and they wanted an actual boy band

0:32:00.760 --> 0:32:02.960
<v Speaker 2>to come in and play O Town, And so we

0:32:03.080 --> 0:32:07.040
<v Speaker 2>both brought the crew in this month to do it.

0:32:06.680 --> 0:32:08.160
<v Speaker 2>We're shopping it right now.

0:32:08.960 --> 0:32:11.080
<v Speaker 1>I have an idea for you if you want to.

0:32:11.800 --> 0:32:14.440
<v Speaker 1>It's probably not a good idea, but get old people.

0:32:15.000 --> 0:32:17.600
<v Speaker 1>They can sing like a choir, and I want them

0:32:17.640 --> 0:32:21.480
<v Speaker 1>to look like they would be like, you know, traditional

0:32:22.440 --> 0:32:25.240
<v Speaker 1>God believe in whatever, folks, but anyway, and I just

0:32:25.240 --> 0:32:28.200
<v Speaker 1>want them to do cover songs of Two Live Cruise

0:32:28.200 --> 0:32:33.680
<v Speaker 1>Songs Crew. They were a nasty, very a rap group

0:32:33.720 --> 0:32:37.040
<v Speaker 1>from South Florida in the late eighties that they're the

0:32:37.040 --> 0:32:42.520
<v Speaker 1>ones that created the parental advisory sticker for albums. I

0:32:42.560 --> 0:32:45.800
<v Speaker 1>love it, but I just want to hear those songs

0:32:46.400 --> 0:32:49.600
<v Speaker 1>that Couci. They had songs like that. Yeah, you would

0:32:49.600 --> 0:32:53.600
<v Speaker 1>know some of their songs, the Cucci song. Well, well

0:32:53.640 --> 0:32:57.600
<v Speaker 1>it's not you understand that. I'm trying to think of

0:32:57.640 --> 0:33:01.960
<v Speaker 1>some other popular Two Live Cruise doesn't matter you watch.

0:33:02.000 --> 0:33:04.360
<v Speaker 1>Somebody else is going to take this idea. I just

0:33:04.360 --> 0:33:07.120
<v Speaker 1>wanted to exist. I don't want any credit. Fuck Mary

0:33:07.200 --> 0:33:08.080
<v Speaker 1>kill you ready?

0:33:08.200 --> 0:33:08.680
<v Speaker 2>Oh God?

0:33:08.840 --> 0:33:11.400
<v Speaker 1>In Sync? Backstreet Boys ninety eight degrees.

0:33:11.320 --> 0:33:15.440
<v Speaker 2>Oh fuck ninety degrees for sure? God, that is really hard.

0:33:15.440 --> 0:33:16.640
<v Speaker 2>That's like Sophie's choice.

0:33:16.680 --> 0:33:17.360
<v Speaker 1>Well, here we are.

0:33:19.560 --> 0:33:23.800
<v Speaker 2>I'd marry in Sync because they have more money, Right's right?

0:33:23.880 --> 0:33:27.920
<v Speaker 2>Kill the Backstreet Boys, But I would I would be devastated.

0:33:27.480 --> 0:33:30.680
<v Speaker 1>About it, and I have now the Backstreet Boys is

0:33:30.680 --> 0:33:33.160
<v Speaker 1>the right choice to kill. What's your favorite Backstreet Boy song?

0:33:33.520 --> 0:33:34.320
<v Speaker 2>I want it that way?

0:33:34.640 --> 0:33:36.200
<v Speaker 1>What was the music video to that?

0:33:36.200 --> 0:33:38.200
<v Speaker 2>That's where they're on the plane, you know, they getting

0:33:38.200 --> 0:33:39.960
<v Speaker 2>off the plane and they're all wearing all white and

0:33:40.000 --> 0:33:42.520
<v Speaker 2>the fans are like, you know, going crazy.

0:33:42.640 --> 0:33:44.200
<v Speaker 1>I remember that TRL.

0:33:44.920 --> 0:33:45.400
<v Speaker 2>I love it?

0:33:45.480 --> 0:33:46.120
<v Speaker 1>Did you love it?

0:33:46.920 --> 0:33:48.600
<v Speaker 2>Loved it? Never missed an episode.

0:33:48.800 --> 0:33:51.520
<v Speaker 1>As as an adult now and living in New York,

0:33:52.040 --> 0:33:55.360
<v Speaker 1>when you go buy that old that window where it was,

0:33:55.400 --> 0:33:57.160
<v Speaker 1>do you ever look up there and think about the

0:33:57.240 --> 0:33:59.320
<v Speaker 1>days that people would just be all out in the street.

0:33:59.720 --> 0:34:02.760
<v Speaker 2>I used to. I haven't in a while now that

0:34:02.800 --> 0:34:04.800
<v Speaker 2>you mention it. It's been gone a very long time.

0:34:04.840 --> 0:34:07.080
<v Speaker 1>I know, I know. It was such a such a

0:34:07.120 --> 0:34:10.800
<v Speaker 1>part of culture back then. Carson Daily, did you like

0:34:10.880 --> 0:34:11.600
<v Speaker 1>him or hate him?

0:34:11.680 --> 0:34:14.560
<v Speaker 2>I thought he was annoying. He was really annoying, yeah

0:34:14.640 --> 0:34:17.919
<v Speaker 2>you know, but I mean he was such an icon

0:34:18.120 --> 0:34:19.880
<v Speaker 2>for the moment, right for music.

0:34:20.080 --> 0:34:21.640
<v Speaker 1>I like that guy that they had when they had

0:34:21.640 --> 0:34:24.640
<v Speaker 1>that contest to like become a VJ. And he talked

0:34:24.640 --> 0:34:26.960
<v Speaker 1>with like a crazy voice, and he looked like like

0:34:27.000 --> 0:34:29.279
<v Speaker 1>a homeless person, and he had hair that was all

0:34:29.320 --> 0:34:29.759
<v Speaker 1>out here.

0:34:30.760 --> 0:34:36.839
<v Speaker 2>I do not remember that, Jesse. I do not remember that.

0:34:36.960 --> 0:34:37.560
<v Speaker 1>Yes you do.

0:34:37.920 --> 0:34:38.319
<v Speaker 2>I did.

0:34:40.000 --> 0:34:42.600
<v Speaker 1>I wore the contest, and then the reason he won

0:34:42.719 --> 0:34:47.000
<v Speaker 1>is because American kids were fucking hysterical and they picked

0:34:47.040 --> 0:34:49.359
<v Speaker 1>the guy that was clearly fucking methed out.

0:34:49.800 --> 0:34:53.840
<v Speaker 2>Oh Jesus, you remember Jesse Oh yeah, you guys remember

0:34:53.880 --> 0:34:59.000
<v Speaker 2>him absolutely, Jesse Camp.

0:34:59.320 --> 0:35:02.680
<v Speaker 1>Yeah, man, yeah, it comes to New York to hang

0:35:02.800 --> 0:35:03.480
<v Speaker 1>with us, ma'am.

0:35:03.760 --> 0:35:04.759
<v Speaker 2>I wonder what he's doing now.

0:35:05.120 --> 0:35:11.520
<v Speaker 1>I'm sure it's fucking dead podcast. It's is dead. There's

0:35:12.040 --> 0:35:14.680
<v Speaker 1>one of the other You ever perform original songs for

0:35:14.760 --> 0:35:18.160
<v Speaker 1>your group and do people get furious either love it?

0:35:18.280 --> 0:35:19.000
<v Speaker 1>No they don't.

0:35:19.520 --> 0:35:22.040
<v Speaker 2>Yeah they do because we'll like we do actually, but

0:35:22.040 --> 0:35:26.360
<v Speaker 2>they're within the style of millennium boy band.

0:35:27.000 --> 0:35:29.800
<v Speaker 1>You ever listen to do a cover of in Together?

0:35:30.600 --> 0:35:31.480
<v Speaker 2>Oh?

0:35:31.600 --> 0:35:32.320
<v Speaker 1>What was that? Map?

0:35:32.440 --> 0:35:34.640
<v Speaker 2>Together Together? Yeah?

0:35:34.719 --> 0:35:36.080
<v Speaker 1>Yeah, we have the calculus.

0:35:36.120 --> 0:35:39.440
<v Speaker 2>I know my calculus. Yeah. Hardest part of breaking up

0:35:39.480 --> 0:35:40.440
<v Speaker 2>is getting back your stuff.

0:35:42.080 --> 0:35:45.000
<v Speaker 1>I just remember Chris Farley's brother in that and that

0:35:45.080 --> 0:35:45.959
<v Speaker 1>always made me laugh.

0:35:46.080 --> 0:35:48.560
<v Speaker 2>Oh that's right, I forgot that was Chris Farley's brother.

0:35:48.719 --> 0:35:51.600
<v Speaker 1>You recently launched the Girl Band Project. Who's harder to

0:35:51.640 --> 0:35:53.080
<v Speaker 1>manage the boys or the girls?

0:35:53.160 --> 0:35:57.960
<v Speaker 2>Girls? It's so much harder than I thought. Well, probably

0:35:58.040 --> 0:36:00.120
<v Speaker 2>because I spent ten years working with boys and and

0:36:00.160 --> 0:36:03.360
<v Speaker 2>I was like, okay, I'll just you know, dude, girls

0:36:03.640 --> 0:36:05.360
<v Speaker 2>and I'll just jump in there and it'll be the same.

0:36:05.440 --> 0:36:08.719
<v Speaker 2>And it was just so different, like I can't I

0:36:08.760 --> 0:36:11.040
<v Speaker 2>don't know if it's because it was a guy like

0:36:11.800 --> 0:36:13.920
<v Speaker 2>talking to women and telling them exactly what to do

0:36:13.960 --> 0:36:16.160
<v Speaker 2>and where to be and what to wear and how

0:36:16.200 --> 0:36:18.480
<v Speaker 2>to do it. Our first show almost had a mutiny

0:36:18.520 --> 0:36:19.960
<v Speaker 2>and I thought they were going to show up and

0:36:19.960 --> 0:36:23.080
<v Speaker 2>it ended up being fabulous, but I had to take

0:36:23.120 --> 0:36:24.719
<v Speaker 2>them out to lunch and be like, what am I

0:36:24.800 --> 0:36:25.279
<v Speaker 2>doing wrong?

0:36:25.320 --> 0:36:25.560
<v Speaker 1>Here?

0:36:25.680 --> 0:36:27.600
<v Speaker 2>You guys are great? Like why is this working?

0:36:27.840 --> 0:36:29.040
<v Speaker 1>Did you fix the problem?

0:36:29.120 --> 0:36:32.840
<v Speaker 2>Not yet? Okay, well I've been a little scared to

0:36:33.320 --> 0:36:36.440
<v Speaker 2>do it since then. Little PTSD, gotcha, where do you

0:36:36.480 --> 0:36:39.279
<v Speaker 2>like to vacation? I just went to Marrakesh for my

0:36:39.320 --> 0:36:40.040
<v Speaker 2>fortieth birthday.

0:36:41.480 --> 0:36:43.279
<v Speaker 1>Really, I look at you.

0:36:43.520 --> 0:36:46.480
<v Speaker 2>I know, I'm old. I told you I know, botas.

0:36:46.360 --> 0:36:49.279
<v Speaker 1>Yeah, yeah, you look good, You're you're just forty. I

0:36:49.400 --> 0:36:52.719
<v Speaker 1>just turned forty. Yeah, good job. Thank you job son

0:36:52.760 --> 0:36:56.399
<v Speaker 1>of them, bitch. I wanted you to be thirty four.

0:36:57.360 --> 0:36:58.480
<v Speaker 2>I want to be thirty four.

0:37:00.160 --> 0:37:01.640
<v Speaker 1>All right, Where else have you been?

0:37:01.719 --> 0:37:02.360
<v Speaker 2>Buenos Aida?

0:37:02.440 --> 0:37:02.480
<v Speaker 1>Is?

0:37:02.520 --> 0:37:04.240
<v Speaker 2>I went for my bachelor party?

0:37:04.400 --> 0:37:07.040
<v Speaker 1>Did you cheat on your uh, your partner at your batch?

0:37:07.200 --> 0:37:09.040
<v Speaker 2>I didn't do that. That's a little on the nose.

0:37:10.120 --> 0:37:10.560
<v Speaker 1>I didn't know.

0:37:10.600 --> 0:37:11.759
<v Speaker 2>I mean, I've got standards.

0:37:11.840 --> 0:37:14.920
<v Speaker 1>Yeah, is it not called cheating?

0:37:15.239 --> 0:37:18.120
<v Speaker 2>No, you haven't called cheating because there's no rules, right, Okay,

0:37:18.200 --> 0:37:20.719
<v Speaker 2>so it's just who get it done?

0:37:21.160 --> 0:37:23.080
<v Speaker 1>Who cheats more in your relationship?

0:37:23.440 --> 0:37:23.480
<v Speaker 2>Me?

0:37:26.640 --> 0:37:27.600
<v Speaker 1>Is he older or younger?

0:37:27.640 --> 0:37:30.279
<v Speaker 2>He's he's older, he's seven years older.

0:37:31.719 --> 0:37:37.600
<v Speaker 1>My age, but still younger. I bet you had one

0:37:37.640 --> 0:37:40.680
<v Speaker 1>hell of a reception at your wedding. Yeah. Did you

0:37:40.719 --> 0:37:41.520
<v Speaker 1>sing at your wedding?

0:37:41.960 --> 0:37:42.719
<v Speaker 2>No? Hell no?

0:37:42.840 --> 0:37:44.360
<v Speaker 1>Oh? Why is that a hell no?

0:37:44.600 --> 0:37:45.360
<v Speaker 2>Because it's work?

0:37:45.719 --> 0:37:46.480
<v Speaker 1>I still.

0:37:46.960 --> 0:37:48.360
<v Speaker 2>Did you do a podcast at your wedding?

0:37:49.320 --> 0:37:53.040
<v Speaker 1>No? No, no, I did to shit. There you go,

0:37:53.520 --> 0:37:56.759
<v Speaker 1>but I was occasionally funny. How many people were at

0:37:56.760 --> 0:37:57.160
<v Speaker 1>your wedding?

0:37:57.520 --> 0:37:59.520
<v Speaker 2>Well, we did destation, but I was one hundred.

0:38:00.440 --> 0:38:03.480
<v Speaker 1>Fuck off? Yeah, you made a hundred people go someplace?

0:38:03.680 --> 0:38:04.080
<v Speaker 2>Yeah?

0:38:04.160 --> 0:38:05.920
<v Speaker 1>I did a destination. I got sixteen.

0:38:06.600 --> 0:38:09.279
<v Speaker 2>Where is your destination really? Oh see, we just did

0:38:09.360 --> 0:38:09.960
<v Speaker 2>province down.

0:38:10.120 --> 0:38:12.120
<v Speaker 1>Okay, well that's different.

0:38:12.280 --> 0:38:13.200
<v Speaker 2>You don't need a passport.

0:38:14.280 --> 0:38:16.279
<v Speaker 1>I had to get a passport for my father in law.

0:38:16.400 --> 0:38:18.600
<v Speaker 1>This guy found out he had never left the country.

0:38:18.680 --> 0:38:25.120
<v Speaker 2>Oh, devastating vacations in America.

0:38:26.040 --> 0:38:29.640
<v Speaker 1>That might be the funniest thing I've ever heard. How

0:38:29.680 --> 0:38:32.359
<v Speaker 1>often are you performing with the group?

0:38:32.600 --> 0:38:34.560
<v Speaker 2>You know? Sometimes I get so sick of it. I mean,

0:38:34.640 --> 0:38:36.480
<v Speaker 2>I've been doing it for ten years now and so

0:38:36.560 --> 0:38:38.400
<v Speaker 2>that's a lot of boy banding all the time. And

0:38:38.480 --> 0:38:40.960
<v Speaker 2>I love boy bands, So every once in a while

0:38:41.280 --> 0:38:44.359
<v Speaker 2>it's just time to step back and creative control it,

0:38:44.760 --> 0:38:48.360
<v Speaker 2>you know, and make sure that everything is is great

0:38:48.400 --> 0:38:50.839
<v Speaker 2>and make sure that the show is intact, and take

0:38:50.880 --> 0:38:52.399
<v Speaker 2>a well needed break from it.

0:38:52.880 --> 0:38:55.879
<v Speaker 1>I love it, though, Well what what about your age?

0:38:55.920 --> 0:38:59.080
<v Speaker 1>Will you ever say? WHOA wait a second, I'm getting

0:38:59.160 --> 0:39:01.799
<v Speaker 1>up there. It's not yeah, I have to pass the

0:39:01.800 --> 0:39:02.520
<v Speaker 1>baton down.

0:39:02.760 --> 0:39:05.759
<v Speaker 2>Yeah, I'm sure that will happen eventually. But I also think, like,

0:39:05.840 --> 0:39:08.960
<v Speaker 2>because the nature of the show is is comedy, Like

0:39:09.000 --> 0:39:12.160
<v Speaker 2>we're not really taking it serious. It's about being funny

0:39:12.160 --> 0:39:15.400
<v Speaker 2>and fun and kind of like knocking fun at what

0:39:15.560 --> 0:39:17.399
<v Speaker 2>the boy band genre is.

0:39:17.440 --> 0:39:19.480
<v Speaker 1>Right, I mean, it's what the boy bands should have

0:39:19.520 --> 0:39:20.320
<v Speaker 1>been to begin.

0:39:20.160 --> 0:39:22.520
<v Speaker 2>With, right, But I think as we get into the

0:39:22.560 --> 0:39:24.520
<v Speaker 2>middle age, I think it gets funnier.

0:39:25.280 --> 0:39:27.520
<v Speaker 1>You don't, No, I'm fine with it.

0:39:27.800 --> 0:39:29.680
<v Speaker 2>Maybe that's just what I'm telling myself so I can

0:39:29.719 --> 0:39:31.400
<v Speaker 2>continue to have a performances.

0:39:31.480 --> 0:39:33.200
<v Speaker 1>Lawyers, you can get out there and still do it

0:39:33.200 --> 0:39:38.200
<v Speaker 1>that listen. I wish you all the success. I hope

0:39:38.400 --> 0:39:40.440
<v Speaker 1>the boy band project makes you tons of money for

0:39:40.480 --> 0:39:43.960
<v Speaker 1>fifty years and you can just sit back and enjoy

0:39:43.960 --> 0:39:45.839
<v Speaker 1>the fruits of your labor. Thank you, Thank you for

0:39:45.840 --> 0:39:46.319
<v Speaker 1>being on here.

0:39:46.360 --> 0:39:48.120
<v Speaker 2>I appreciate it. Thank you very much. This is fun.

0:39:48.200 --> 0:39:56.799
<v Speaker 1>Thank you, Pasha. Well, Carl, that does it, Travis, thank

0:39:56.840 --> 0:39:59.240
<v Speaker 1>you for being on the show. And be extra careful

0:39:59.440 --> 0:40:02.959
<v Speaker 1>on those roles. Skates, Carl, you believe it. He's roller

0:40:03.040 --> 0:40:07.759
<v Speaker 1>skating in his own house. It's dangerous. Boys wear, Pink.

0:40:07.800 --> 0:40:11.960
<v Speaker 1>I want to thank everybody for scamming the system and

0:40:12.160 --> 0:40:15.800
<v Speaker 1>buying all the totes. We are now sold out of totes,

0:40:16.640 --> 0:40:21.839
<v Speaker 1>so buy hoodies now, just buy hoodies please? All right,

0:40:22.160 --> 0:40:23.959
<v Speaker 1>what else is going on? We got some tour dates

0:40:23.960 --> 0:40:29.160
<v Speaker 1>coming up. Check us out as we travel around the country, right, Carl,

0:40:29.680 --> 0:40:32.759
<v Speaker 1>Eddie'll be with us. Oh, it'd be good fun. And

0:40:32.840 --> 0:40:35.400
<v Speaker 1>I got a big announcement. You ready for this? Should

0:40:35.440 --> 0:40:38.920
<v Speaker 1>we get one of Eddie's drum rolls? Eddie want to

0:40:38.920 --> 0:40:41.279
<v Speaker 1>do a drum roll? You know? No, you'll scratch that.

0:40:41.320 --> 0:40:43.000
<v Speaker 1>Instead of a drum roll, why don't you give me

0:40:43.160 --> 0:40:47.040
<v Speaker 1>some cool background music while I make this big announcement

0:40:47.360 --> 0:40:51.400
<v Speaker 1>about the goat. It comes out May ninth. That's all

0:40:51.400 --> 0:40:56.200
<v Speaker 1>I needed, Eddie. Thanks. May ninth, three episodes will be

0:40:56.360 --> 0:41:04.399
<v Speaker 1>dropped on Amazon Prime. Yeah. Then after that Bezos will

0:41:04.400 --> 0:41:09.040
<v Speaker 1>release them however he sees fit. Don't question the algorithm,

0:41:09.640 --> 0:41:15.799
<v Speaker 1>all hailed Jeff. All right, Carl's asleep. Let's hear one

0:41:15.840 --> 0:41:18.240
<v Speaker 1>more bedtime story from my son.

0:41:19.080 --> 0:41:22.800
<v Speaker 3>See you next week, went Caupine time in one one

0:41:23.239 --> 0:41:31.440
<v Speaker 3>What saw so Solway City? Where the wind the people

0:41:31.560 --> 0:41:36.520
<v Speaker 3>and then they are Baba and Nini. The one will

0:41:36.719 --> 0:41:41.720
<v Speaker 3>bright ray and when they're bright blue, and they would

0:41:41.800 --> 0:41:48.359
<v Speaker 3>right into white bread and white browed talls along, But

0:41:48.520 --> 0:41:53.840
<v Speaker 3>the brewdy didn't no put them in, and they yelled,

0:41:53.960 --> 0:42:01.520
<v Speaker 3>I didn't no human A scientist hold on