1 00:00:00,520 --> 00:00:03,560 Speaker 1: On the Doe Cast, the questions asked if movies have 2 00:00:03,640 --> 00:00:07,520 Speaker 1: women in um are all their discussions just boyfriends and husbands, 3 00:00:07,600 --> 00:00:12,639 Speaker 1: or do they have individualism the patriarchy and best start 4 00:00:12,760 --> 00:00:16,520 Speaker 1: changing it with the cast. Hey, welcome to the Beck 5 00:00:16,560 --> 00:00:18,520 Speaker 1: Dol Cast. My name is Jamie, my name is Caitlin, 6 00:00:18,680 --> 00:00:20,480 Speaker 1: and this is our podcast where we talk about the 7 00:00:20,560 --> 00:00:25,320 Speaker 1: role of women in movies. Sometimes it is okay, wait, 8 00:00:25,360 --> 00:00:29,160 Speaker 1: I just got really sidetracked, okay from what we haven't 9 00:00:29,160 --> 00:00:31,159 Speaker 1: even I don't know. I just you know, like my 10 00:00:31,200 --> 00:00:33,479 Speaker 1: brain just went off in forty five different directions and 11 00:00:33,560 --> 00:00:37,200 Speaker 1: only one is the correct one. Well, a lot about 12 00:00:37,240 --> 00:00:39,559 Speaker 1: fourteen of my thoughts right now are in reference to 13 00:00:39,600 --> 00:00:43,720 Speaker 1: your braids, which, at the time of this recording, this 14 00:00:43,800 --> 00:00:50,560 Speaker 1: is your last day of being thirty years old. A lot, right, Yeah, 15 00:00:51,640 --> 00:00:54,319 Speaker 1: your last day of three How do you feel? I 16 00:00:54,360 --> 00:00:57,920 Speaker 1: feel fine. As I've mentioned before, I am a woman 17 00:00:58,160 --> 00:01:02,680 Speaker 1: of advancing years. I hate you round. You make it 18 00:01:02,760 --> 00:01:07,839 Speaker 1: sound like your Jane fond like. No, I feel fine 19 00:01:07,840 --> 00:01:10,200 Speaker 1: about it. I'll be thirty one tomorrow, although by the 20 00:01:10,200 --> 00:01:12,240 Speaker 1: time this episode comes out, I will have been thirty 21 00:01:12,240 --> 00:01:16,640 Speaker 1: one for a few weeks, so much wiser. Right, What 22 00:01:16,720 --> 00:01:19,440 Speaker 1: was the correct way for remember, oh, this is our 23 00:01:19,480 --> 00:01:22,840 Speaker 1: podcast about the role of women in movies. It is 24 00:01:23,360 --> 00:01:27,399 Speaker 1: based around the Bechdel test, which movie must have a 25 00:01:27,840 --> 00:01:32,280 Speaker 1: scene between two women who have names and they talk 26 00:01:32,319 --> 00:01:35,199 Speaker 1: about something that is other than a man. Almost never 27 00:01:35,440 --> 00:01:40,160 Speaker 1: happens or sometimes barely happens. Yes, sometimes it passed this 28 00:01:40,240 --> 00:01:43,640 Speaker 1: by the skin of its teeth, and we're like right. 29 00:01:43,720 --> 00:01:46,280 Speaker 1: And then sometimes it's like you have these convers like 30 00:01:46,319 --> 00:01:49,640 Speaker 1: sometimes we'll have a conversation and I'll leave it like, yikes, 31 00:01:50,320 --> 00:01:52,840 Speaker 1: that didn't pass either, which is like we were just 32 00:01:52,880 --> 00:01:55,960 Speaker 1: complaining the whole time about man, which I which maybe 33 00:01:55,960 --> 00:01:58,120 Speaker 1: you should count if it's like a very negative if 34 00:01:58,120 --> 00:02:03,400 Speaker 1: you're talking about like murder ordering men, I would argue 35 00:02:03,400 --> 00:02:05,960 Speaker 1: an amendment to the rule. You can't be talking about 36 00:02:05,960 --> 00:02:08,600 Speaker 1: men or you can be talking about killing them due 37 00:02:08,639 --> 00:02:11,280 Speaker 1: to the fact that they've wronged you, or for sport, 38 00:02:12,000 --> 00:02:16,360 Speaker 1: or filling men for sport. Surely for sport. Yeah. So 39 00:02:16,400 --> 00:02:20,239 Speaker 1: it's like if we're talking about our hunting trips, we 40 00:02:20,000 --> 00:02:23,760 Speaker 1: we go out and kill problematic men, that does pass 41 00:02:23,880 --> 00:02:27,480 Speaker 1: our vision, We're going to be arrested. That's okay, cool, 42 00:02:27,560 --> 00:02:29,359 Speaker 1: that's okay. I was it as long as we're in 43 00:02:29,400 --> 00:02:31,639 Speaker 1: jail together. I think that there should be a police 44 00:02:31,680 --> 00:02:36,440 Speaker 1: officer outside of all open mics, just waiting to arrest 45 00:02:37,200 --> 00:02:39,400 Speaker 1: man who say dangerous thing open mics. You've got an 46 00:02:39,400 --> 00:02:43,000 Speaker 1: open can of Mike's hard lemonade. Whoa holy ship? Yeah, 47 00:02:43,160 --> 00:02:46,400 Speaker 1: you're not wrong, You're not wrong. And now today I'm 48 00:02:46,440 --> 00:02:49,760 Speaker 1: the only person with alcoholic Yeah, I meant to four pm. 49 00:02:49,840 --> 00:02:52,480 Speaker 1: I feel like a real clown. I had every intention 50 00:02:52,560 --> 00:02:55,320 Speaker 1: of bringing a small bottle of wine. I know, and 51 00:02:55,360 --> 00:02:57,760 Speaker 1: I totally forgot it. But I feel like it was 52 00:02:57,840 --> 00:03:00,560 Speaker 1: my best performance on an episode ever, the one one 53 00:03:00,600 --> 00:03:03,000 Speaker 1: where I was drinking wine. It's like, you know, you 54 00:03:03,080 --> 00:03:05,480 Speaker 1: like hit a point where you drink a little bit 55 00:03:05,520 --> 00:03:08,919 Speaker 1: and then it makes you better at everything. That sounds 56 00:03:08,919 --> 00:03:13,920 Speaker 1: like a dangerous message to spread. Oh yeah, like driving, 57 00:03:14,560 --> 00:03:18,880 Speaker 1: not like operating heavy machinery. But like remember when um 58 00:03:19,160 --> 00:03:22,760 Speaker 1: guitar Hero was popular like a decade ago. I know you, 59 00:03:23,360 --> 00:03:27,280 Speaker 1: I know you're good at guitar Hero. There's bragging about 60 00:03:27,280 --> 00:03:31,160 Speaker 1: it at Bengo last week. Oh man, that's embarrassing. We 61 00:03:31,160 --> 00:03:34,440 Speaker 1: went to Bengal last week and and I was Caitlin 62 00:03:34,480 --> 00:03:36,840 Speaker 1: was bragging about how good she is a guitar which 63 00:03:37,360 --> 00:03:39,400 Speaker 1: which of those things is more embarrassing that we were 64 00:03:39,400 --> 00:03:41,600 Speaker 1: at Bengal. I had a great time at Bingo, but 65 00:03:41,600 --> 00:03:44,520 Speaker 1: only because I won. Yeah. True, we got to go 66 00:03:44,600 --> 00:03:47,640 Speaker 1: back to that place and use our ten dollar gift certificate. Hey, 67 00:03:47,920 --> 00:03:50,440 Speaker 1: we should introduce our guests before we yea we got 68 00:03:50,560 --> 00:03:54,960 Speaker 1: rid of So I'd love to go to Bingo with 69 00:03:55,000 --> 00:03:59,520 Speaker 1: our guests. Yes, addation to the table. Awesome our guest today, 70 00:03:59,640 --> 00:04:02,800 Speaker 1: she were a Cracked dot com. Also, she runs a 71 00:04:02,920 --> 00:04:06,960 Speaker 1: monthly comedy show in Los Angeles called Very Forward Teresa Lee. 72 00:04:08,200 --> 00:04:10,040 Speaker 1: I was trying to be really good about not speaking 73 00:04:10,080 --> 00:04:15,800 Speaker 1: before my intro um you podcast etiquette. We heard you 74 00:04:15,800 --> 00:04:21,400 Speaker 1: guys all at people we went element, That's the rule. 75 00:04:22,120 --> 00:04:24,200 Speaker 1: I also like to think that Mike's Hard has a 76 00:04:24,200 --> 00:04:26,680 Speaker 1: surge in sales just because of this pot. I hope 77 00:04:26,760 --> 00:04:30,800 Speaker 1: who else is drinking Mike's Hard at all? I don't know. 78 00:04:31,160 --> 00:04:34,440 Speaker 1: I don't know, but my local seven elevens I was 79 00:04:34,520 --> 00:04:37,000 Speaker 1: just I have a great screenshot on my phone right now. 80 00:04:37,240 --> 00:04:39,919 Speaker 1: My friend and I are hanging out at a seven 81 00:04:39,920 --> 00:04:44,320 Speaker 1: eleven tonight and plans to hang out that we're try Yeah, 82 00:04:44,320 --> 00:04:46,520 Speaker 1: we're texting trying to figure out like which one to 83 00:04:46,560 --> 00:04:49,120 Speaker 1: go to. Seven elevens are actually in Taiwan, like a 84 00:04:49,160 --> 00:04:51,480 Speaker 1: really cool I mean that's not like a cool hangout, 85 00:04:51,480 --> 00:04:54,400 Speaker 1: but they're much better. They're just like better food. It's 86 00:04:54,440 --> 00:04:57,320 Speaker 1: like I can't describe. It's just like a happier vibe 87 00:04:57,360 --> 00:04:59,440 Speaker 1: when you walk in. They have like tea, eggs and 88 00:04:59,440 --> 00:05:02,960 Speaker 1: good food and there's like, my, it's really cute. Yeah, 89 00:05:03,000 --> 00:05:05,200 Speaker 1: it's just like a cute place to go. It sounds 90 00:05:05,240 --> 00:05:07,719 Speaker 1: like a wah wah yeah a little bit. It's a 91 00:05:07,760 --> 00:05:09,960 Speaker 1: really nice, pleasant experience, whereas here I always think of 92 00:05:10,040 --> 00:05:13,279 Speaker 1: just like drunk high school students. Yeah. And then me 93 00:05:15,400 --> 00:05:17,599 Speaker 1: as someone who grew up in western Pennsylvania, I'm a 94 00:05:17,640 --> 00:05:21,680 Speaker 1: sheets girl myself. I don't even what It's like a 95 00:05:21,880 --> 00:05:24,680 Speaker 1: worse version of wah wah. As to say, I went 96 00:05:24,720 --> 00:05:26,760 Speaker 1: to Philly recently and I was like, all I have 97 00:05:26,920 --> 00:05:28,680 Speaker 1: to do is see the Liberty Bell and go to 98 00:05:28,760 --> 00:05:31,160 Speaker 1: wa wa. What was cool? Well, it is cool, it 99 00:05:31,279 --> 00:05:34,120 Speaker 1: was it was happened. I felt a little bit unsafe there, 100 00:05:34,440 --> 00:05:37,320 Speaker 1: but it was also late and but you know, Walla rules. 101 00:05:37,680 --> 00:05:40,240 Speaker 1: What else were we talking about? It seems so we're 102 00:05:40,240 --> 00:05:42,520 Speaker 1: doing anything to talk about the movie. We're here, Yes, 103 00:05:43,640 --> 00:05:47,600 Speaker 1: one more thing in regards to Duncan Donuts, which is 104 00:05:48,120 --> 00:05:50,880 Speaker 1: my bread and butter. Having come from a town, I 105 00:05:50,920 --> 00:05:56,200 Speaker 1: would call it your donut and frosting, but my and 106 00:05:56,360 --> 00:05:59,760 Speaker 1: my donut and old frosting. The Duncan DUTs in Los 107 00:05:59,800 --> 00:06:02,880 Speaker 1: ange Lists are they kind of sound like the Seven 108 00:06:02,920 --> 00:06:05,600 Speaker 1: elevens you were describing, where people don't realize that they're 109 00:06:05,640 --> 00:06:11,920 Speaker 1: supposed to be disgusting havens for society's forgotten yet and 110 00:06:12,080 --> 00:06:16,240 Speaker 1: they're still pretty clean. There's a WiFi signal, people don't 111 00:06:16,240 --> 00:06:18,560 Speaker 1: seem unhappy to be there. It's like it's amazing. I'm 112 00:06:18,600 --> 00:06:20,800 Speaker 1: looking forward to about the year or so that we 113 00:06:20,920 --> 00:06:24,919 Speaker 1: have left at the West Coast Los Angeles Duncan Donuts, 114 00:06:25,040 --> 00:06:28,719 Speaker 1: God blessed. Shout out to my crew in that water 115 00:06:28,920 --> 00:06:32,400 Speaker 1: village cool. Anything else we need to cover before we 116 00:06:32,800 --> 00:06:37,039 Speaker 1: jump into the really great movie we're talking about feminist 117 00:06:37,400 --> 00:06:43,120 Speaker 1: Michael Bays two thousand seven Transformers, and boy are we 118 00:06:43,880 --> 00:06:47,599 Speaker 1: not happy about it. Three days to watch it because 119 00:06:47,600 --> 00:06:50,960 Speaker 1: I had to keep stopping it so hard to watch 120 00:06:51,600 --> 00:06:54,680 Speaker 1: it really is. Have you seen it before but a 121 00:06:54,760 --> 00:06:58,200 Speaker 1: long time ago? Yeah? When did you first see it? 122 00:06:58,400 --> 00:07:01,480 Speaker 1: I saw it at a drive in with my brother 123 00:07:01,560 --> 00:07:04,680 Speaker 1: and my dad, which is like the two worst people 124 00:07:06,760 --> 00:07:08,680 Speaker 1: at a drive in in Maine. There used to be 125 00:07:08,800 --> 00:07:11,840 Speaker 1: they do double features. I saw it in the theater, 126 00:07:12,240 --> 00:07:15,560 Speaker 1: then I watched it again for a paper that I 127 00:07:15,640 --> 00:07:19,520 Speaker 1: wrote in college, which I brought and intend to read. Yes, 128 00:07:19,920 --> 00:07:23,640 Speaker 1: I'm so excited. Then I watched it again to prep 129 00:07:23,720 --> 00:07:28,840 Speaker 1: for this episode two times, and I'm I'm furious. First 130 00:07:28,880 --> 00:07:31,720 Speaker 1: of all, it's an assault to all of my senses, 131 00:07:32,360 --> 00:07:36,560 Speaker 1: including my sixth sense where and able to see dead people, 132 00:07:37,000 --> 00:07:44,840 Speaker 1: and Hale, I'm gonna pass out, Hayley Joel Asmond will 133 00:07:44,880 --> 00:07:48,400 Speaker 1: not respondent once that next to him off Broadway play. 134 00:07:49,240 --> 00:07:54,280 Speaker 1: He's so cultured, so cultured, he's so smart, he's so small. 135 00:07:54,520 --> 00:07:57,000 Speaker 1: I can fit him in a backpack. Why doesn't he 136 00:07:57,040 --> 00:08:00,600 Speaker 1: hang out with me? I'm upset? This movie is just 137 00:08:01,600 --> 00:08:05,120 Speaker 1: I hate this movie so much. And people are like, Okay, 138 00:08:05,200 --> 00:08:07,600 Speaker 1: where are you doing an episode on this? Why is why? 139 00:08:07,680 --> 00:08:09,960 Speaker 1: Who picked this? Why why are you doing it if 140 00:08:09,960 --> 00:08:11,560 Speaker 1: you hate it so much? And yes, I picked it 141 00:08:11,640 --> 00:08:14,960 Speaker 1: because this podcast is all about synergy. You know, there's 142 00:08:14,960 --> 00:08:18,360 Speaker 1: a new Transformers movie coming out. We have to stay relevant. 143 00:08:19,960 --> 00:08:24,000 Speaker 1: I do remember, not like I didn't remember not liking 144 00:08:24,040 --> 00:08:26,000 Speaker 1: it as much as I did not like it this 145 00:08:26,080 --> 00:08:28,600 Speaker 1: second time, because I remember being like, you know, a 146 00:08:28,680 --> 00:08:31,240 Speaker 1: drunk food candy movie. But I remember being like, oh, 147 00:08:31,320 --> 00:08:33,400 Speaker 1: it's fun. I remember Megan Fox was hot, and then 148 00:08:33,440 --> 00:08:36,320 Speaker 1: rewatching it, there's so many more things that I was like, whoa, 149 00:08:36,480 --> 00:08:39,600 Speaker 1: that was unnecessary? Like why did you put that line 150 00:08:39,679 --> 00:08:42,440 Speaker 1: in what? I made a list of all the things 151 00:08:42,520 --> 00:08:46,520 Speaker 1: that I don't like about it, which I will, well, 152 00:08:46,960 --> 00:08:49,360 Speaker 1: should I start with the recap and then going, well, 153 00:08:49,440 --> 00:08:55,640 Speaker 1: the paper that's great, I'm excited. What great did you 154 00:08:55,679 --> 00:08:58,000 Speaker 1: get on this? I got an a minus. It's not 155 00:08:58,160 --> 00:09:00,360 Speaker 1: well written. It was for an English class that I 156 00:09:00,440 --> 00:09:02,800 Speaker 1: took in college. I had to write a review of something, 157 00:09:02,880 --> 00:09:04,800 Speaker 1: and everyone else in the class was like they were 158 00:09:04,840 --> 00:09:07,480 Speaker 1: writing reviews on things that they loved, and I was like, 159 00:09:07,520 --> 00:09:09,280 Speaker 1: can I write a review on something that I hate? 160 00:09:09,360 --> 00:09:11,680 Speaker 1: My teachers like yes, please, I said, great, I'm going 161 00:09:11,720 --> 00:09:14,920 Speaker 1: to write about Transformers. This is this horribly written paper 162 00:09:15,120 --> 00:09:17,640 Speaker 1: that I wrote in college. Okay. I wondered if a 163 00:09:17,679 --> 00:09:20,319 Speaker 1: summer blockbuster that got a majority of fresh reviews on 164 00:09:20,400 --> 00:09:25,760 Speaker 1: Rotten Tomatoes would transform my opinion of Michael Bay's capability 165 00:09:25,880 --> 00:09:30,199 Speaker 1: as a director. When I watched Transformers, I was unpleasantly 166 00:09:30,280 --> 00:09:35,080 Speaker 1: surprised by the movie and pleasantly unsurprised by Michael Bay 167 00:09:35,559 --> 00:09:39,800 Speaker 1: and his inability to direct a decent film. Transformers is 168 00:09:39,840 --> 00:09:43,439 Speaker 1: an overrated, clunky movie because of its inadequate script and 169 00:09:43,559 --> 00:09:49,240 Speaker 1: poor direction. Cool thesis, thanks Caitlin. And then here's the plot. 170 00:09:49,520 --> 00:09:52,679 Speaker 1: Um Sam Witwicky played by shy La Buff, the main character, 171 00:09:52,760 --> 00:09:56,480 Speaker 1: gets a new car, which happens to be a transforming robot. 172 00:09:56,800 --> 00:09:59,520 Speaker 1: More Transformers arrived to Earth from the depths of space 173 00:09:59,640 --> 00:10:03,280 Speaker 1: looking for the Cube, a device that contains pure energy 174 00:10:03,720 --> 00:10:09,160 Speaker 1: and that can create life a k transform It's not clear, Um, 175 00:10:09,440 --> 00:10:16,400 Speaker 1: not super. Among the alien robots are Decepticons, evil Transformers 176 00:10:16,440 --> 00:10:19,280 Speaker 1: who want the Cube to transform human technology so they 177 00:10:19,360 --> 00:10:23,199 Speaker 1: can destroy the human race with it. I think the 178 00:10:23,320 --> 00:10:25,959 Speaker 1: Cube is found, and when the Decepticons try to steal 179 00:10:26,000 --> 00:10:30,200 Speaker 1: it from the US government, everyone battles. I'm not good 180 00:10:30,240 --> 00:10:34,320 Speaker 1: at writing, and ultimately the good Transformers beat the Decepticons 181 00:10:34,400 --> 00:10:37,240 Speaker 1: with the help of Sam and his friends and the 182 00:10:37,480 --> 00:10:44,800 Speaker 1: US Air Force and Sector seven. Sector seven Okay, let 183 00:10:44,880 --> 00:10:47,720 Speaker 1: me try to find the best part. Already sound exhausted. 184 00:10:47,800 --> 00:10:51,520 Speaker 1: Transformers like the idea, like just to clarify the cartoon 185 00:10:52,200 --> 00:10:55,800 Speaker 1: is cool, Like the movie is terrible, but the idea 186 00:10:55,840 --> 00:10:59,640 Speaker 1: of alien robots good. I should have this by saying 187 00:10:59,679 --> 00:11:02,000 Speaker 1: I I have not seen any I didn't play with 188 00:11:02,080 --> 00:11:06,520 Speaker 1: any transformed toys. I didn't watch the series, and I 189 00:11:06,640 --> 00:11:08,839 Speaker 1: have not seen the movie from the animated movie. From 190 00:11:10,720 --> 00:11:14,440 Speaker 1: my history was yeah, I didn't watch the original movie. 191 00:11:14,480 --> 00:11:16,960 Speaker 1: But the toys, well, I had like a family friend 192 00:11:17,000 --> 00:11:18,640 Speaker 1: who was like two years older, who was like a 193 00:11:18,679 --> 00:11:20,480 Speaker 1: guy who had all the guy toys. So I didn't 194 00:11:20,480 --> 00:11:22,559 Speaker 1: have myself, but I always wanted, you know, we have 195 00:11:22,600 --> 00:11:26,680 Speaker 1: an older friends. I wanted to impress him, so you'd 196 00:11:26,720 --> 00:11:29,120 Speaker 1: have transformers, and I was like, I thought, if I 197 00:11:29,160 --> 00:11:31,880 Speaker 1: could figure out how to change them, it would impress him. 198 00:11:32,480 --> 00:11:35,160 Speaker 1: I play with those toys did not impress him. I 199 00:11:35,320 --> 00:11:40,080 Speaker 1: was busy playing with mostly Legos. Okay, yeah, but we're 200 00:11:40,080 --> 00:11:42,400 Speaker 1: not talking about the Lego movie. God damn it. Okay, 201 00:11:42,559 --> 00:11:45,600 Speaker 1: yeah that's a fun one. I like that, right if 202 00:11:45,720 --> 00:11:48,000 Speaker 1: he would. Okay, So then I go on to say 203 00:11:48,080 --> 00:11:50,800 Speaker 1: where there should be progression of plot and character development, 204 00:11:51,200 --> 00:11:54,920 Speaker 1: there is unneeded violence, stupid jokes, and characters who, when 205 00:11:54,960 --> 00:11:57,720 Speaker 1: they aren't trying too hard to be super badass, they 206 00:11:57,760 --> 00:12:02,679 Speaker 1: are delivering absurd lines of dialogue. A cop asks Sambo, 207 00:12:02,920 --> 00:12:08,280 Speaker 1: my piece. A kid with a video camera runs towards explosions, 208 00:12:08,440 --> 00:12:11,920 Speaker 1: exclaiming this is easily a hundred times cooler than Armageddon. 209 00:12:12,400 --> 00:12:15,800 Speaker 1: Either Michael Bay, who also directed Armageddon, has no tax, 210 00:12:17,760 --> 00:12:21,640 Speaker 1: has no tact by alluding to himself, or he is 211 00:12:21,640 --> 00:12:24,920 Speaker 1: acknowledging just how terrible of a director he is. He 212 00:12:25,160 --> 00:12:29,000 Speaker 1: is certainly not. He has no idea. He has no idea. 213 00:12:29,120 --> 00:12:31,800 Speaker 1: He just strets off to that part of the movie. Right. Yeah, 214 00:12:32,920 --> 00:12:37,880 Speaker 1: Armageddon is such a stinky movie. But boy does every 215 00:12:38,200 --> 00:12:43,240 Speaker 1: parent of that era it openly admit to crying at Armageddon. 216 00:12:43,679 --> 00:12:51,480 Speaker 1: My parents for sure cried at Arma that song because 217 00:12:51,559 --> 00:12:55,000 Speaker 1: Live Tyler's in that movie, and so she's like, Dad, 218 00:12:55,559 --> 00:12:59,520 Speaker 1: give us a banger. He does. Why don't they make 219 00:12:59,559 --> 00:13:02,160 Speaker 1: a movie is on the Aerosmith roller coaster? It was 220 00:13:02,200 --> 00:13:06,280 Speaker 1: an Aerosmith roller Yeah, man, I've I've dropped some hot 221 00:13:06,400 --> 00:13:09,439 Speaker 1: revs to the ars throughout. We talked about it in 222 00:13:09,559 --> 00:13:14,760 Speaker 1: every roller coaster movie one and this is what they're multiple. Yeah, 223 00:13:14,840 --> 00:13:18,319 Speaker 1: the money the Rollercroaster movie there. I was reading something 224 00:13:18,679 --> 00:13:22,080 Speaker 1: today about just like wow, this summer is just only 225 00:13:22,760 --> 00:13:25,320 Speaker 1: reboots of things from ten years ago, and I feel 226 00:13:25,320 --> 00:13:28,440 Speaker 1: like the Bechtel cast is really reflecting that, because we've 227 00:13:28,559 --> 00:13:31,439 Speaker 1: been talking about a ton of anyways, it's called The 228 00:13:31,559 --> 00:13:35,959 Speaker 1: Rock and Roller Coaster starring Arrowsmith. So, uh, if you're 229 00:13:36,000 --> 00:13:38,360 Speaker 1: listening to this three or four years from now and 230 00:13:38,480 --> 00:13:41,479 Speaker 1: you just saw the movie Rock and Roller Coaster starring Aerosmith, 231 00:13:41,600 --> 00:13:49,240 Speaker 1: the movie chances are I wrote that, Oh boy. Then 232 00:13:49,320 --> 00:13:53,280 Speaker 1: I write a few paragraphs about how it's riddled with cliches, 233 00:13:53,400 --> 00:13:56,080 Speaker 1: that it failed to adhere to any sort of basic 234 00:13:56,200 --> 00:13:58,920 Speaker 1: laws of physics, and it's hard to suspend my disbelief 235 00:13:58,960 --> 00:14:02,160 Speaker 1: for a lot of things. And then twenty or twenty 236 00:14:02,200 --> 00:14:06,200 Speaker 1: one year old Caitlin wrote, the only leading female character 237 00:14:06,600 --> 00:14:10,880 Speaker 1: is just another sex object for teenage boys to fantasize about. 238 00:14:11,120 --> 00:14:13,760 Speaker 1: Although they tried so desperately to avoid this by giving 239 00:14:13,800 --> 00:14:19,120 Speaker 1: her a typical masculine ability, being adept at mechanics, she 240 00:14:19,280 --> 00:14:22,120 Speaker 1: still is just a nice body with a pretty face 241 00:14:22,200 --> 00:14:26,720 Speaker 1: and no brains behind it. So really solid analysis from 242 00:14:27,000 --> 00:14:29,880 Speaker 1: ten years ago when I was dumb. And then I 243 00:14:29,960 --> 00:14:34,520 Speaker 1: go on to say that it's poorly acted, poorly directed, 244 00:14:34,520 --> 00:14:38,240 Speaker 1: blah blah blah. The cinematography is terrible, action scenes give 245 00:14:38,320 --> 00:14:42,120 Speaker 1: you seizures, b editing a sloppy and then I say, 246 00:14:42,200 --> 00:14:44,680 Speaker 1: I must ignore the possibility that this movie was made 247 00:14:44,720 --> 00:14:46,600 Speaker 1: to serve as a two and a half hour commercial 248 00:14:46,720 --> 00:14:51,280 Speaker 1: for the U. S. Air Force. And then I say, 249 00:14:51,520 --> 00:14:54,080 Speaker 1: word on the street is that Michael Bay is directing 250 00:14:54,120 --> 00:14:58,320 Speaker 1: Transformers Too, to be released in two thousand nine. Even 251 00:14:58,360 --> 00:15:01,600 Speaker 1: if it's one d times better than Transformers, therefore ten 252 00:15:01,680 --> 00:15:05,280 Speaker 1: thousand times better than Armageddon, it will still be a 253 00:15:05,800 --> 00:15:12,800 Speaker 1: stupid Pecia ship. I didn't say that, but yeah, so 254 00:15:12,920 --> 00:15:16,520 Speaker 1: that was my really cool paper, um my review of Transformers. 255 00:15:16,680 --> 00:15:18,800 Speaker 1: Well done, Thank you, well done. I think you should 256 00:15:18,800 --> 00:15:20,360 Speaker 1: have gotten a higher grade. I think I should have 257 00:15:20,400 --> 00:15:23,800 Speaker 1: gotten a lower grade. Honestly, I could see it both ways. 258 00:15:25,320 --> 00:15:28,840 Speaker 1: I think if we're grading on terms of passion, I 259 00:15:29,040 --> 00:15:34,520 Speaker 1: was very passionate. Yeah, yeah, yeah, yeah. The recount, I 260 00:15:34,560 --> 00:15:36,800 Speaker 1: don't even want to say it. I don't even want 261 00:15:36,800 --> 00:15:40,480 Speaker 1: to go there. Of what happens, yeah, I mean, I'll 262 00:15:40,520 --> 00:15:43,600 Speaker 1: do it as quickly as possible. Chila buff has a 263 00:15:43,640 --> 00:15:47,200 Speaker 1: character with a very stupid name, Sam went Wicky. I 264 00:15:47,280 --> 00:15:49,680 Speaker 1: would argue, this is where we lose him. This is 265 00:15:49,680 --> 00:15:51,840 Speaker 1: where we lose him, because we had him. We had holes. 266 00:15:52,000 --> 00:15:54,920 Speaker 1: We had holes. We had holes. I love holes, you know, 267 00:15:55,080 --> 00:15:57,760 Speaker 1: even Stevens he made that misstep in that kind of 268 00:15:57,840 --> 00:16:02,360 Speaker 1: offensive Disney Channel original movie called True Confessions. I won't 269 00:16:02,360 --> 00:16:05,640 Speaker 1: get into it here, but this is where we lose him. 270 00:16:06,720 --> 00:16:10,480 Speaker 1: Sam Whitwicky gets a car and it turns out that 271 00:16:10,640 --> 00:16:13,880 Speaker 1: it's an alien space spot. There's a pair of glasses 272 00:16:13,920 --> 00:16:17,400 Speaker 1: that belonged to his great grandfather and somehow they have 273 00:16:18,040 --> 00:16:21,560 Speaker 1: important information and printed on them. Don't even they don't 274 00:16:21,600 --> 00:16:23,760 Speaker 1: even come. They have the coordinates, but then the government 275 00:16:23,840 --> 00:16:25,000 Speaker 1: is just like, oh, we know where it is, and 276 00:16:25,040 --> 00:16:28,520 Speaker 1: then they just go away. It just goes Wait, are 277 00:16:28,560 --> 00:16:34,720 Speaker 1: you suggesting that this story isn't very good? They just 278 00:16:34,840 --> 00:16:39,280 Speaker 1: hired off and he was like, I already called make 279 00:16:39,360 --> 00:16:51,120 Speaker 1: it where God, there's the bad Transformers, the bad guys. Yeah, 280 00:16:51,560 --> 00:16:57,680 Speaker 1: one of them names Star Scream Starscream Scream. Really wait, 281 00:16:57,760 --> 00:17:00,240 Speaker 1: it must sounds like a good guy blanked out. Yeah 282 00:17:00,320 --> 00:17:04,280 Speaker 1: school name. He sounds like the legal Oh yeah, that 283 00:17:04,400 --> 00:17:08,840 Speaker 1: does sound like a ruler name. That's good. But Mary 284 00:17:08,920 --> 00:17:13,920 Speaker 1: fu Kill Optimus Prime, Megan Tron Star Scream love it, 285 00:17:14,320 --> 00:17:17,440 Speaker 1: I love it anyway, who knows what the story is. 286 00:17:17,960 --> 00:17:20,800 Speaker 1: There's big robots and they fight other big robots and 287 00:17:20,920 --> 00:17:23,560 Speaker 1: Sam went Wick he's there with Megan Fox. He wants 288 00:17:23,600 --> 00:17:27,000 Speaker 1: to fuck her. She's good at fixing cars the end, 289 00:17:27,119 --> 00:17:29,520 Speaker 1: but she's a criminal and he gets mad when he finds. 290 00:17:29,800 --> 00:17:32,280 Speaker 1: He's like, I can't believe you're lied about your criminal past, 291 00:17:32,359 --> 00:17:34,080 Speaker 1: and she's like, I would have told you, but I 292 00:17:34,160 --> 00:17:38,000 Speaker 1: was trying to protect my day. She's mad about this. 293 00:17:38,359 --> 00:17:43,400 Speaker 1: He like the criminal part really disturbed me because when 294 00:17:43,480 --> 00:17:46,719 Speaker 1: the agent John to her open, it's like yelling at 295 00:17:46,880 --> 00:17:50,120 Speaker 1: Megan Fox, who's an underage high school girl, about being 296 00:17:50,160 --> 00:17:53,280 Speaker 1: a criminal. He's like, criminals are hot. What are you training? Bra? 297 00:17:53,560 --> 00:17:55,639 Speaker 1: Like he's like yelling at her. It's so disgusting And 298 00:17:55,680 --> 00:17:59,160 Speaker 1: then he and the whole part disturb me so much. 299 00:17:59,240 --> 00:18:01,400 Speaker 1: And then she makes a take off his clothes as 300 00:18:01,440 --> 00:18:04,560 Speaker 1: a punishment. But that scene is so creepy because it's like, 301 00:18:05,040 --> 00:18:08,399 Speaker 1: why is she still He's clearly getting off on this 302 00:18:08,640 --> 00:18:10,760 Speaker 1: like that she made him take off his clothes and 303 00:18:10,800 --> 00:18:12,760 Speaker 1: he said, you're going to go to DOT for this, 304 00:18:12,920 --> 00:18:16,320 Speaker 1: and it's like, no, girl just made you take off 305 00:18:16,359 --> 00:18:20,879 Speaker 1: your like and like totally forgot about that scene, like 306 00:18:21,000 --> 00:18:23,760 Speaker 1: that was something I must have just blocked out he 307 00:18:24,080 --> 00:18:30,040 Speaker 1: calls her training bra. He's like, to preserve my view 308 00:18:30,359 --> 00:18:32,719 Speaker 1: of John Turtuot, I had to imagine at the end 309 00:18:32,760 --> 00:18:34,600 Speaker 1: of every take of that him just being like, I'm 310 00:18:34,640 --> 00:18:38,880 Speaker 1: so sorry, so sorry, and then explaining that he needs 311 00:18:38,960 --> 00:18:42,679 Speaker 1: the money to like pay for his son's doctorate or something. 312 00:18:43,040 --> 00:18:45,159 Speaker 1: I was like, surely John Turtuot must have had a 313 00:18:45,240 --> 00:18:49,040 Speaker 1: noble reason for accepting. I'm just I mean, I'm just 314 00:18:49,119 --> 00:18:52,760 Speaker 1: glad that it wasn't Alfred Molina. You know, there are 315 00:18:52,840 --> 00:18:54,720 Speaker 1: worse men who could have gone down with this film, 316 00:18:55,280 --> 00:18:58,639 Speaker 1: and Alfred he was good. He was coasting on his 317 00:18:58,840 --> 00:19:03,720 Speaker 1: dock dock money. He was his reputation remains intact. Yeah, 318 00:19:03,840 --> 00:19:10,920 Speaker 1: and that's hey, that's saying something. Yeah. That scene. There's 319 00:19:10,920 --> 00:19:13,560 Speaker 1: also like a what I think is an attempt at 320 00:19:13,600 --> 00:19:16,760 Speaker 1: a joke, where like he's wearing this like Sector seven 321 00:19:16,920 --> 00:19:20,640 Speaker 1: like Superman T shirt, which is like, ha ha, look 322 00:19:20,680 --> 00:19:22,680 Speaker 1: at him. He loves Sector seven so much he wears 323 00:19:22,720 --> 00:19:25,480 Speaker 1: it an undershirt about it, and it's like, I think, 324 00:19:25,960 --> 00:19:29,760 Speaker 1: an attempt at comedy, but it's not funny. I wasn't 325 00:19:29,760 --> 00:19:31,159 Speaker 1: sure what they were going for. I think it was 326 00:19:31,200 --> 00:19:34,880 Speaker 1: a joke. I think another huge thing about this movie. 327 00:19:34,920 --> 00:19:39,520 Speaker 1: I forgot was like how integral the government is in it? 328 00:19:39,800 --> 00:19:42,200 Speaker 1: Like when I thought of this because I did see 329 00:19:42,240 --> 00:19:46,159 Speaker 1: it and presumably watched the whole thing, but like I 330 00:19:46,280 --> 00:19:49,000 Speaker 1: just remember, like, oh yeah, Shyla buff cars, Megan Fox 331 00:19:49,119 --> 00:19:51,920 Speaker 1: is treated like trash, like those are the three things. 332 00:19:52,040 --> 00:19:57,399 Speaker 1: But I forgot there's so many yeah, like extended military sequences. 333 00:19:57,880 --> 00:20:00,399 Speaker 1: So the point where it's like, I is bad. I 334 00:20:00,440 --> 00:20:02,600 Speaker 1: didn't do correct research, but I'm like, were they receiving 335 00:20:02,760 --> 00:20:06,520 Speaker 1: money from the military to make this? Because I mean 336 00:20:06,640 --> 00:20:09,440 Speaker 1: so much of this movie is product placement, Like you 337 00:20:09,520 --> 00:20:13,560 Speaker 1: know the cars are it's a commercial for General Motors, Right, 338 00:20:13,800 --> 00:20:15,800 Speaker 1: it's like SD car too, Right when they pulled the 339 00:20:17,040 --> 00:20:22,320 Speaker 1: drive out the verbi on it that one of the 340 00:20:22,480 --> 00:20:25,200 Speaker 1: transformers picks up in like throws, which is weird because 341 00:20:25,200 --> 00:20:29,960 Speaker 1: it's two thousand and seven, Like that's way fast, but sure, great. Yeah, 342 00:20:30,000 --> 00:20:33,080 Speaker 1: there's a there's also like a Burger King image you see, 343 00:20:33,240 --> 00:20:36,120 Speaker 1: there's a There's so much. I mean, it's it's insane. 344 00:20:36,320 --> 00:20:38,400 Speaker 1: But I'm like, DoD they is that first of all? 345 00:20:38,560 --> 00:20:41,120 Speaker 1: Is that would that be legal to take money from 346 00:20:41,119 --> 00:20:43,000 Speaker 1: the US government to say like, hey, the U S 347 00:20:43,040 --> 00:20:45,399 Speaker 1: government is great? Or is that just something you do 348 00:20:45,960 --> 00:20:48,200 Speaker 1: because you're Michael Bay and you want attention. I don't know, 349 00:20:48,240 --> 00:20:51,160 Speaker 1: I'd have to. I'd also have to do research about it. Yeah. 350 00:20:51,320 --> 00:20:54,600 Speaker 1: I found a list of brands that are advertised in 351 00:20:54,720 --> 00:20:58,760 Speaker 1: this movie. It is incredibly long. I'll read off as 352 00:20:58,800 --> 00:21:05,920 Speaker 1: many as I can in a break through. Two Burger, King, Cadillacs, CBS, Chevrolet, Cisco, E, Bay, 353 00:21:06,480 --> 00:21:12,240 Speaker 1: Gilmore Oil, gmc Hewlett, Packard, Hummer, iPod, MacBook, Mountain, dew 354 00:21:12,680 --> 00:21:21,600 Speaker 1: of No, Kia, Panasonic, PayPal, Petal, Bismol, Pontiac, Porscha, Taco Bell, 355 00:21:21,760 --> 00:21:28,200 Speaker 1: which is you know, too bad? I love Toyota, USA, Today, xbox, XM, 356 00:21:28,280 --> 00:21:35,520 Speaker 1: Satellite Radio, Yahoo, and one fictional brand, Bolivia's Auto Sales. 357 00:21:35,760 --> 00:21:38,680 Speaker 1: And that's it, right, just right. That is run by 358 00:21:39,119 --> 00:21:44,879 Speaker 1: Bernie Mac's run by Bernie Mack write, not his character 359 00:21:45,440 --> 00:21:48,760 Speaker 1: by Still. It's a little break of the fourth wall 360 00:21:48,920 --> 00:21:53,320 Speaker 1: from the Grave Rest in Paradise Bernie Mac. That seems 361 00:21:53,400 --> 00:21:56,359 Speaker 1: weird too, because there's he waves his mom across the 362 00:21:56,480 --> 00:22:00,760 Speaker 1: hall and they're just like like just super slips him off, 363 00:22:01,400 --> 00:22:05,360 Speaker 1: and then he says, he says, if I had a rock, 364 00:22:05,720 --> 00:22:09,480 Speaker 1: I'd bust your head, bitch. That's a line that's spoken 365 00:22:09,720 --> 00:22:12,480 Speaker 1: in this movie a male character to a female character, 366 00:22:13,320 --> 00:22:16,480 Speaker 1: I mean Bernie Mack and any other person of color. 367 00:22:16,960 --> 00:22:21,240 Speaker 1: The portrayal of those characters horribly racist and offensive. Holy 368 00:22:21,320 --> 00:22:24,840 Speaker 1: sh It's just like they're screaming, they're loud when the 369 00:22:24,920 --> 00:22:28,800 Speaker 1: cops break into the house or the FBI. And there's 370 00:22:28,800 --> 00:22:32,720 Speaker 1: that scene where um, Anthony Anderson's house. Ye, brother just 371 00:22:33,640 --> 00:22:41,800 Speaker 1: runs this, why is this happening? And um the character 372 00:22:41,960 --> 00:22:45,159 Speaker 1: in the beginning who's speaking Spanish to his fellow air 373 00:22:45,280 --> 00:22:49,480 Speaker 1: forces and they're like, don't fucking speak Spanish a piece 374 00:22:49,520 --> 00:22:51,760 Speaker 1: of ship and he's like, no, I'm gonna keep it 375 00:22:51,840 --> 00:22:56,280 Speaker 1: and they're like, don't English. Yeah, we're like to imagine 376 00:22:56,280 --> 00:22:58,960 Speaker 1: that in like two thousand seven movie theaters. And was like, Oh, 377 00:23:00,440 --> 00:23:03,200 Speaker 1: it's just it's like the subsect of people this movie 378 00:23:03,280 --> 00:23:07,800 Speaker 1: does not fucking hate is so small that it's practically 379 00:23:07,920 --> 00:23:11,760 Speaker 1: just shy al above and the government like and that's 380 00:23:11,800 --> 00:23:14,879 Speaker 1: about it. And even certain people inside of the government 381 00:23:14,920 --> 00:23:17,360 Speaker 1: through like this guy because he's not a white guy. 382 00:23:18,000 --> 00:23:20,359 Speaker 1: Even like I feel like the movie tries to, like 383 00:23:20,520 --> 00:23:22,600 Speaker 1: it'll kind of try to do something where're like, Okay, 384 00:23:22,640 --> 00:23:25,719 Speaker 1: we're gonna give this woman a role and then they 385 00:23:25,800 --> 00:23:29,800 Speaker 1: like shut it down, like the blonde Australian analyst, like 386 00:23:29,920 --> 00:23:32,480 Speaker 1: we're gonna, you know, give a you know smart, make 387 00:23:32,520 --> 00:23:35,480 Speaker 1: her smart and make a really knowledgeable. But then she 388 00:23:35,560 --> 00:23:37,959 Speaker 1: has that theme where she figures out the Transformers thing. 389 00:23:38,040 --> 00:23:39,440 Speaker 1: She walks in the room and the guys just like 390 00:23:40,000 --> 00:23:43,399 Speaker 1: was she in here? And then for whatever, for no reason, 391 00:23:43,480 --> 00:23:45,719 Speaker 1: like they hired her and then they who's she in here? 392 00:23:45,760 --> 00:23:47,600 Speaker 1: And she's like They're like, oh, she figured it out, 393 00:23:47,640 --> 00:23:50,359 Speaker 1: and the guy's just like she did it, like she 394 00:23:50,480 --> 00:23:52,960 Speaker 1: probably had some help from her team. He says, why 395 00:23:53,000 --> 00:23:56,199 Speaker 1: would I don't unders like waste of time and then 396 00:23:56,240 --> 00:23:58,600 Speaker 1: they say something they're like, you stop using that brain 397 00:23:58,680 --> 00:24:03,200 Speaker 1: mouth of yours, like what the fox You've hired her 398 00:24:03,480 --> 00:24:08,120 Speaker 1: to help you and she did the thing and they yeah, 399 00:24:08,200 --> 00:24:10,960 Speaker 1: they undermine her at every chance that yeah, and like 400 00:24:11,359 --> 00:24:15,600 Speaker 1: she is arguably the most competent female character in the movie. 401 00:24:15,680 --> 00:24:17,760 Speaker 1: Although like I had to look up her name because 402 00:24:17,760 --> 00:24:20,800 Speaker 1: I like and she was Maggie. She did was like yeah, 403 00:24:20,880 --> 00:24:24,320 Speaker 1: she didn't have one, right, Yeah, I think Anthony Anderson 404 00:24:24,400 --> 00:24:28,679 Speaker 1: says her name like once. Other than that, like if 405 00:24:28,760 --> 00:24:32,360 Speaker 1: you miss that, you don't know her name. Um, any right, 406 00:24:33,320 --> 00:24:35,880 Speaker 1: But yeah, I mean she is one of pretty much 407 00:24:36,600 --> 00:24:39,639 Speaker 1: two main female characters, the other one being Megan Fox. 408 00:24:40,000 --> 00:24:42,359 Speaker 1: I would say that Sam what Wicky's mom is like 409 00:24:42,480 --> 00:24:47,560 Speaker 1: more of a secondary character. She sucks. They all suck Megan. Okay, 410 00:24:47,600 --> 00:24:51,960 Speaker 1: so let's talk about Megan Fox in her character boy 411 00:24:53,600 --> 00:24:58,280 Speaker 1: Her character's name is Mikayla Tayla Babe. Here are the 412 00:24:58,359 --> 00:25:03,000 Speaker 1: different things that are said to her throughout the movie. 413 00:25:03,720 --> 00:25:06,600 Speaker 1: Her boyfriend toward the beginning is like, you can't drive 414 00:25:06,640 --> 00:25:09,600 Speaker 1: my car. You're gonna set my wheels? Why doesn't my 415 00:25:09,680 --> 00:25:12,480 Speaker 1: little bunny hop in the back seat? She does respond 416 00:25:12,640 --> 00:25:15,400 Speaker 1: by saying, I can't even tell you how much I'm 417 00:25:15,440 --> 00:25:20,240 Speaker 1: not your little bunny. So like his sexism is used 418 00:25:20,280 --> 00:25:22,200 Speaker 1: as a marker to be like, this is a bad character, 419 00:25:22,720 --> 00:25:24,960 Speaker 1: and then like same thing with like John Tuturo calling 420 00:25:25,000 --> 00:25:28,159 Speaker 1: her like you in the training Brock. These are indications 421 00:25:28,240 --> 00:25:29,960 Speaker 1: that like, oh, these are bad characters who we're not 422 00:25:30,000 --> 00:25:32,320 Speaker 1: really supposed to like, but you don't get to do that, 423 00:25:32,480 --> 00:25:35,440 Speaker 1: and then also treat that character like ship as the 424 00:25:35,520 --> 00:25:38,480 Speaker 1: movie to treat her like so the scene where she 425 00:25:38,560 --> 00:25:41,920 Speaker 1: like pops the hood and it's like seeing what's wrong 426 00:25:42,359 --> 00:25:47,920 Speaker 1: with this like shitty camaro. It's just like lingering male gaze, 427 00:25:48,520 --> 00:25:51,439 Speaker 1: headless women of Hollywood style, just like, oh, look at 428 00:25:51,480 --> 00:25:54,440 Speaker 1: her hot abs, look at her nice little boobs, look 429 00:25:54,480 --> 00:25:59,880 Speaker 1: at her ass, Just like a very objectifying several seconds 430 00:26:00,240 --> 00:26:04,480 Speaker 1: worth of screen time where you're just like, yeah, I 431 00:26:04,520 --> 00:26:07,240 Speaker 1: remember that scene. It's dark. It's pretty much the only 432 00:26:07,320 --> 00:26:10,000 Speaker 1: scene from the movie. I think maybe that's why I 433 00:26:10,080 --> 00:26:13,320 Speaker 1: was like, oh, I feel like it was a good Yeah. Yeah, 434 00:26:14,200 --> 00:26:16,200 Speaker 1: it's kind of the only thing from the movie that 435 00:26:16,359 --> 00:26:19,359 Speaker 1: I remember, like the only actually visual thing that I'm like, 436 00:26:19,760 --> 00:26:24,600 Speaker 1: the car, yeah, totally. And and there's like, oh boy, 437 00:26:24,880 --> 00:26:29,120 Speaker 1: I mean, if we're going into Michael Bay is history 438 00:26:29,359 --> 00:26:34,880 Speaker 1: with women that's several hours long. But Megan Fox ended 439 00:26:34,960 --> 00:26:38,600 Speaker 1: up leaving the Transformers franchise after the third movie, and 440 00:26:38,680 --> 00:26:42,800 Speaker 1: she cited specifically because Michael Bay was such a verbally 441 00:26:42,920 --> 00:26:47,000 Speaker 1: abusive piece of garbage, and Kate Beckinsale said very similar 442 00:26:47,080 --> 00:26:50,200 Speaker 1: things about him when she was in Pearl Harbor. He's 443 00:26:50,200 --> 00:26:54,720 Speaker 1: also a Bay joint. Um well she you guys know 444 00:26:54,840 --> 00:26:56,880 Speaker 1: how or did you hear about her audition? I think 445 00:26:57,240 --> 00:27:00,280 Speaker 1: for her audition for this movie, he had her his 446 00:27:00,440 --> 00:27:04,680 Speaker 1: car and uh, but I was reading an article about 447 00:27:04,760 --> 00:27:06,879 Speaker 1: it where yeah, they had or washed the car, and 448 00:27:06,920 --> 00:27:08,800 Speaker 1: then I said, in fact, there were even rumors the 449 00:27:08,880 --> 00:27:11,159 Speaker 1: director filmed the entire audition. I'm like, I hope so 450 00:27:11,400 --> 00:27:15,240 Speaker 1: like it's not an audition, like right, I mean, but 451 00:27:15,359 --> 00:27:17,879 Speaker 1: like so Lea's film it if that's the point, but 452 00:27:18,040 --> 00:27:19,640 Speaker 1: then if you're just going to do it, then it's 453 00:27:19,680 --> 00:27:21,600 Speaker 1: just just for you. Also, yeah, then it was like 454 00:27:21,640 --> 00:27:25,040 Speaker 1: as evidence to incriminate him as being a horrible piece 455 00:27:25,080 --> 00:27:27,720 Speaker 1: of ship. But then how many women auditioned for this 456 00:27:27,840 --> 00:27:29,520 Speaker 1: and didn't get it that had to wash his car? 457 00:27:30,160 --> 00:27:34,280 Speaker 1: And uh, for those girls, I hope they're doing okay. 458 00:27:35,400 --> 00:27:38,360 Speaker 1: So here a few I'll give you some quotes from 459 00:27:38,480 --> 00:27:41,000 Speaker 1: Kate Beckinsale and then from Megan Fox pertaining to this 460 00:27:41,080 --> 00:27:45,639 Speaker 1: movie specifically. But Kate Beckinsale was in Pearl Harbor in 461 00:27:46,000 --> 00:27:49,119 Speaker 1: OH One. She said, I don't think I fit the 462 00:27:49,160 --> 00:27:51,720 Speaker 1: type of actress Michael Bay had met before. I think 463 00:27:51,800 --> 00:27:54,359 Speaker 1: he was baffled by me because my boobs weren't bigger 464 00:27:54,400 --> 00:27:57,240 Speaker 1: than my head and I wasn't blonde. I just had 465 00:27:57,280 --> 00:27:59,480 Speaker 1: my daughter and had lost weight. But I was told 466 00:27:59,520 --> 00:28:01,360 Speaker 1: that if I got the part, I'd have to work out, 467 00:28:01,960 --> 00:28:05,240 Speaker 1: and I didn't understand why in nineteen forties nurse character 468 00:28:05,359 --> 00:28:10,520 Speaker 1: would do that, which is totally fair. And Michael Bay 469 00:28:10,880 --> 00:28:13,080 Speaker 1: said at the time when this movie came out, and 470 00:28:13,200 --> 00:28:16,000 Speaker 1: also this is our Titanic reference of the episode on 471 00:28:16,560 --> 00:28:19,400 Speaker 1: Good fortunately because it is coming out of Michael Bay's mouth, 472 00:28:19,920 --> 00:28:22,520 Speaker 1: but he says, I didn't want someone who was too 473 00:28:22,560 --> 00:28:26,959 Speaker 1: beautiful in reference to Kate back in Sale, who is beautiful. Uh, 474 00:28:27,280 --> 00:28:30,320 Speaker 1: women feel disturbed when they see someone who's too pretty. 475 00:28:30,760 --> 00:28:33,159 Speaker 1: When you look at Titanic, Kate Winslett is pretty but 476 00:28:33,240 --> 00:28:36,959 Speaker 1: not overwhelmingly beautiful. That makes it work better for women. 477 00:28:37,680 --> 00:28:41,600 Speaker 1: You're just like, I just want to cut off my 478 00:28:42,680 --> 00:28:48,360 Speaker 1: She's insane and then furious it's bad. Here's what Megan 479 00:28:48,520 --> 00:28:50,920 Speaker 1: Fox said. She first describes what you're talking about, the 480 00:28:51,160 --> 00:28:53,720 Speaker 1: having to watch her car. She then says, the first 481 00:28:53,760 --> 00:28:56,880 Speaker 1: time I ever met him, I was fifteen and an 482 00:28:56,960 --> 00:29:00,160 Speaker 1: extra on Bad Boys Too. She said, we were doing 483 00:29:00,320 --> 00:29:01,960 Speaker 1: this club scene and they brought me in and I 484 00:29:02,040 --> 00:29:04,480 Speaker 1: was wearing a stars and strap bikini and a red 485 00:29:04,520 --> 00:29:07,960 Speaker 1: cowboy hat and six inch heels, which amazing Bat Boys Too. 486 00:29:08,680 --> 00:29:11,120 Speaker 1: And they took me to Mike Bay and he approved it, 487 00:29:11,320 --> 00:29:13,520 Speaker 1: and they said, you know, Michael. She's fifteen, so you 488 00:29:13,560 --> 00:29:15,440 Speaker 1: can't consider at the bar, and she can't have a 489 00:29:15,480 --> 00:29:18,120 Speaker 1: drink in her hand. So his solution to this problem 490 00:29:18,240 --> 00:29:21,720 Speaker 1: was then having me dancing underneath a waterfall getting soaking wet. 491 00:29:22,080 --> 00:29:25,840 Speaker 1: My god, And I was in the tenth grade. And 492 00:29:25,960 --> 00:29:32,840 Speaker 1: that's a microcosm of how Michael Bay's mind works. So yeah, 493 00:29:32,920 --> 00:29:35,200 Speaker 1: there's a lot of stuff on him. There's like a 494 00:29:35,320 --> 00:29:39,120 Speaker 1: good oral history of Michael Bay being terrible. Unfortunately it 495 00:29:39,200 --> 00:29:42,400 Speaker 1: only goes up to two thousand and eleven. It is 496 00:29:42,440 --> 00:29:45,000 Speaker 1: more than enough, you know how, Sometimes we're like, you're 497 00:29:45,040 --> 00:29:47,719 Speaker 1: on notice. I was gonna say we should put him 498 00:29:47,760 --> 00:30:00,160 Speaker 1: on bay Watch. Michael Bay name, Yeah, I like good. 499 00:30:00,200 --> 00:30:02,000 Speaker 1: I like. I was just like, so what I want 500 00:30:02,040 --> 00:30:05,320 Speaker 1: to see Baywatch? What? I also want to see Baywatch? 501 00:30:05,400 --> 00:30:08,240 Speaker 1: But yeah, we're gonna. I was attempting to make a 502 00:30:08,280 --> 00:30:11,840 Speaker 1: really great pun. It clearly went over very well, you're welcome. 503 00:30:11,920 --> 00:30:17,560 Speaker 1: We're gonna go to the bag Watch. It's like to 504 00:30:17,600 --> 00:30:19,800 Speaker 1: go to the Baywatch. Can't wait? Oh, I forgot about 505 00:30:19,840 --> 00:30:23,160 Speaker 1: the line where um miles which is sad what Wiki's 506 00:30:23,400 --> 00:30:27,920 Speaker 1: friend called Megan Fox an evil jock concubine I love, 507 00:30:28,120 --> 00:30:35,200 Speaker 1: which is my new bag. That's my stripper name to 508 00:30:35,320 --> 00:30:41,840 Speaker 1: this day. So yeah, women are treated generally very terribly 509 00:30:41,920 --> 00:30:44,520 Speaker 1: in this scene. Um, I mean Megan Fox is one 510 00:30:44,560 --> 00:30:48,120 Speaker 1: of the lead characters, but she has almost no dialogue. 511 00:30:49,040 --> 00:30:51,400 Speaker 1: She has a decent amount of screen time, but most 512 00:30:51,400 --> 00:30:54,240 Speaker 1: of the time she's wearing like gotta make sure your 513 00:30:54,520 --> 00:30:59,560 Speaker 1: middrift is showing, like really objectified. The entire time, doesn't 514 00:30:59,600 --> 00:31:01,880 Speaker 1: have a lot to contribute to the story. There is 515 00:31:01,920 --> 00:31:05,160 Speaker 1: a moment where I was like, Okay, cool that this happens, 516 00:31:05,320 --> 00:31:09,200 Speaker 1: doesn't redeem anything. But she saves Sam from like the 517 00:31:09,280 --> 00:31:12,239 Speaker 1: little Decepticon. It's like going out. This is like right 518 00:31:12,320 --> 00:31:16,680 Speaker 1: the scene right after Bumblebee his yellow Camaro transforms and 519 00:31:16,760 --> 00:31:19,800 Speaker 1: starts battling another like a Decepticon, and there's like a 520 00:31:19,880 --> 00:31:23,520 Speaker 1: little Decepticon that's like attacking Sam and she like takes 521 00:31:23,600 --> 00:31:26,440 Speaker 1: this saw tool and like kind of hacks away. So 522 00:31:26,600 --> 00:31:29,280 Speaker 1: like she saves him. Okay, great, we get this little 523 00:31:29,360 --> 00:31:33,440 Speaker 1: role reversal of that. And then towards the end she 524 00:31:33,680 --> 00:31:37,680 Speaker 1: has a moment that sort of contributes to this story 525 00:31:37,880 --> 00:31:40,360 Speaker 1: kind of where she hooks Bumblebee up to a tow 526 00:31:40,440 --> 00:31:43,640 Speaker 1: truck and she's like, I'll drive you shoot and it 527 00:31:43,800 --> 00:31:47,960 Speaker 1: lasts for maybe thirty seconds and that's it. But even 528 00:31:48,080 --> 00:31:50,760 Speaker 1: that scene I remember because at the beginning of that scene, 529 00:31:50,800 --> 00:31:53,400 Speaker 1: there's just like a minute of her like open mouth 530 00:31:53,520 --> 00:31:56,040 Speaker 1: breathing on like close upshot of her breathing onto the 531 00:31:56,080 --> 00:31:58,520 Speaker 1: wheel right before, and I was like, what is her? 532 00:32:00,040 --> 00:32:03,280 Speaker 1: She's like holding onto the we like and she's like, 533 00:32:03,480 --> 00:32:05,800 Speaker 1: it's like, what's happening? And I'm like, if she fucking 534 00:32:05,840 --> 00:32:07,960 Speaker 1: a transformer? And then we zoom out and then he's 535 00:32:07,960 --> 00:32:09,720 Speaker 1: like being hooked up to the thing and then she's 536 00:32:10,240 --> 00:32:16,400 Speaker 1: hold on panting, panting. There's an insane amount of panting. 537 00:32:17,000 --> 00:32:20,280 Speaker 1: I've got a ton of quotes that people have said 538 00:32:20,280 --> 00:32:25,160 Speaker 1: about Michael Bay cute up. It's just, uh, they all 539 00:32:25,240 --> 00:32:28,400 Speaker 1: seem very passive, aggressive, and then some of them are 540 00:32:28,440 --> 00:32:32,240 Speaker 1: so nice that it's upsetting. John turturo says he likes 541 00:32:32,280 --> 00:32:39,360 Speaker 1: blowing things up. George Lucas says Michael's films are immediately identifiable. 542 00:32:41,720 --> 00:32:46,560 Speaker 1: He's a tour. Well that's what Ben Affleck says. Oh no, 543 00:32:47,120 --> 00:32:49,720 Speaker 1: I think Michael isn't actually an autour in the truest 544 00:32:49,760 --> 00:32:52,240 Speaker 1: sense of the word. Every movie he makes reflects his 545 00:32:52,400 --> 00:32:55,920 Speaker 1: personal creative vision. You may like it, you may not, 546 00:32:56,320 --> 00:32:59,240 Speaker 1: but those movies are him without compromise. There's something to 547 00:32:59,280 --> 00:33:01,560 Speaker 1: be said for sticking to your guns. I that's a 548 00:33:01,640 --> 00:33:04,000 Speaker 1: hard disagree for me. There's something to be said for 549 00:33:04,240 --> 00:33:08,160 Speaker 1: flipping a table at Michael Bay. Steven Spielberg says he 550 00:33:08,280 --> 00:33:11,360 Speaker 1: has the best eye for multiple levels of pure visual adrenaline. 551 00:33:11,400 --> 00:33:15,000 Speaker 1: That seems a little too nice. Michael Bay says about 552 00:33:15,120 --> 00:33:21,160 Speaker 1: himself and always says, I'm like a true American. I 553 00:33:21,240 --> 00:33:24,080 Speaker 1: feel he just like writes like a like a teenage boy. 554 00:33:24,240 --> 00:33:27,200 Speaker 1: Like I had a screen a class in college with 555 00:33:27,320 --> 00:33:29,000 Speaker 1: a guy who would all his screen players were just 556 00:33:29,200 --> 00:33:31,040 Speaker 1: I don't think I don't think you'd ever made out 557 00:33:31,040 --> 00:33:32,600 Speaker 1: with a girl, but it would always like have a 558 00:33:32,720 --> 00:33:34,840 Speaker 1: scene where it was just like hawk girl walks down 559 00:33:34,920 --> 00:33:37,400 Speaker 1: the hall, her thong is showing and it's just like 560 00:33:37,720 --> 00:33:40,120 Speaker 1: she bends over the water. I fountain like every time, 561 00:33:40,240 --> 00:33:42,960 Speaker 1: like everything he wrote haw to something like that and 562 00:33:43,480 --> 00:33:46,200 Speaker 1: you can just imagine that his laptop is just caked 563 00:33:46,280 --> 00:33:49,360 Speaker 1: in jizz just like but yeah, I feel like that's 564 00:33:49,400 --> 00:33:52,840 Speaker 1: Michael Bay is like like he's influencing people to write 565 00:33:52,840 --> 00:33:56,920 Speaker 1: show like your screenwriting class Utain College reminds me of 566 00:33:57,160 --> 00:33:59,640 Speaker 1: my I do have a master's degree in screenwriting from Boston. 567 00:34:00,280 --> 00:34:03,320 Speaker 1: I hate breaking I hate bringing it up, but you know, 568 00:34:03,680 --> 00:34:06,480 Speaker 1: you leave me no choice but to mention it. So 569 00:34:06,720 --> 00:34:09,040 Speaker 1: I just had to throw that out there. Oh. The 570 00:34:09,120 --> 00:34:11,680 Speaker 1: other thing that I both alluded to in the Wonderful 571 00:34:11,800 --> 00:34:15,040 Speaker 1: Cool paper that I wrote and in previous episodes is 572 00:34:15,120 --> 00:34:18,600 Speaker 1: that there's that trope where when writers of movies don't 573 00:34:18,640 --> 00:34:21,399 Speaker 1: know how to portray a woman, so they're like, I'm 574 00:34:21,440 --> 00:34:24,719 Speaker 1: going to give her this one trait that makes her 575 00:34:25,000 --> 00:34:27,520 Speaker 1: not like the other girls, and that's almost always to 576 00:34:27,600 --> 00:34:32,840 Speaker 1: make her good at fixing cars, which is like sex car, Laney, 577 00:34:33,280 --> 00:34:35,560 Speaker 1: our car is like an extension, like are they sort 578 00:34:35,560 --> 00:34:38,080 Speaker 1: of like an allegory to guy's dicks? Is that a thing? 579 00:34:38,200 --> 00:34:40,680 Speaker 1: Like you know how guys want the cars? So it's like, 580 00:34:40,760 --> 00:34:42,800 Speaker 1: if you're working on a car, you're like good with dicks. 581 00:34:42,880 --> 00:34:49,440 Speaker 1: Like She's like, I'm fine touching you can make your 582 00:34:49,480 --> 00:34:52,200 Speaker 1: car go. Well, there's a there's a line where she says, 583 00:34:52,560 --> 00:34:55,160 Speaker 1: guys hate it when you know more about cars than 584 00:34:55,239 --> 00:34:59,000 Speaker 1: they do, and then Shaia says, actually, I don't mind 585 00:34:59,040 --> 00:35:02,880 Speaker 1: it at all. I want to se I prefer which 586 00:35:03,120 --> 00:35:06,760 Speaker 1: um as maybe the most progressive moment in this movie, 587 00:35:08,040 --> 00:35:14,839 Speaker 1: and that's it, But I mean Jesus Christ. The other 588 00:35:15,440 --> 00:35:20,080 Speaker 1: main female character, Maggie, who's like the signals analyst, who 589 00:35:20,239 --> 00:35:22,719 Speaker 1: like really doesn't end up doing anything because then she 590 00:35:22,840 --> 00:35:24,919 Speaker 1: has to go to Anthony Anderson, who's like the best 591 00:35:25,000 --> 00:35:29,400 Speaker 1: hacker in the world character. Why don't they just make 592 00:35:29,480 --> 00:35:33,719 Speaker 1: her right? Question? It would be great because she needs 593 00:35:33,760 --> 00:35:37,319 Speaker 1: help from her team. As a no, she walked in. Well, 594 00:35:37,360 --> 00:35:42,400 Speaker 1: she had help her team, so yeah, that was god disappointing. 595 00:35:42,560 --> 00:35:46,200 Speaker 1: But she is technically a woman in STEM. I would 596 00:35:46,280 --> 00:35:51,959 Speaker 1: argue she is. She's a long suffering woman's Australian woman 597 00:35:52,040 --> 00:35:57,960 Speaker 1: in STEM. God forbid, there's woman she's like, Halla, I 598 00:35:58,239 --> 00:36:02,759 Speaker 1: I'm a woman stamp, she's a one in stand. But 599 00:36:02,880 --> 00:36:04,680 Speaker 1: I mean, like, god forbid, there'd be a woman on 600 00:36:04,800 --> 00:36:08,040 Speaker 1: screen who's not like a ten Like. Yeah, there's also 601 00:36:08,120 --> 00:36:09,560 Speaker 1: the I was in saying, well, she's also hot. But 602 00:36:09,600 --> 00:36:13,560 Speaker 1: there's the wife of the oh Josh, yeah, yeah, the 603 00:36:13,600 --> 00:36:18,239 Speaker 1: military and she does have a daughter, so there's a 604 00:36:18,280 --> 00:36:20,160 Speaker 1: scene with two women, but they do talk about how 605 00:36:20,640 --> 00:36:23,640 Speaker 1: he's gone, So I guess it's a man, but it 606 00:36:23,680 --> 00:36:26,040 Speaker 1: would have to be her. Yeah, maybe it would have 607 00:36:26,080 --> 00:36:29,759 Speaker 1: to say something back that baby is not of an 608 00:36:29,760 --> 00:36:36,000 Speaker 1: age where I have another Michael Bay anecdote interruption by 609 00:36:36,600 --> 00:36:40,840 Speaker 1: Michael Bay got Ben Affleck a new set of teeth 610 00:36:41,360 --> 00:36:49,759 Speaker 1: because he thought Ben Affleck's teeth were too small. He 611 00:36:49,920 --> 00:36:53,680 Speaker 1: got him a new set of teeth. Him and Jerry Bruckheimer. 612 00:36:53,719 --> 00:36:56,120 Speaker 1: It was a joint effort to get affle like those 613 00:36:56,160 --> 00:36:58,960 Speaker 1: new teeth. Per Michael Bay, Jerry had a problem with 614 00:36:59,040 --> 00:37:04,080 Speaker 1: bench teeth. Quote, he's got baby teeth. We're going to 615 00:37:04,160 --> 00:37:07,319 Speaker 1: fix his teeth. So Ben got a beautiful set of teeth. 616 00:37:07,320 --> 00:37:09,800 Speaker 1: Out of that film. That reminds me of the scene 617 00:37:10,440 --> 00:37:13,640 Speaker 1: where there's a small child and like all the transformers 618 00:37:13,680 --> 00:37:16,560 Speaker 1: are starting to come to earth and she wakes up 619 00:37:16,600 --> 00:37:18,360 Speaker 1: and she's like, that must be the tooth Fairy. So 620 00:37:18,440 --> 00:37:20,399 Speaker 1: she gets her little tooth in her little tooth bag 621 00:37:20,480 --> 00:37:23,759 Speaker 1: and comes out and there's a giant robot and she's like, 622 00:37:24,320 --> 00:37:27,040 Speaker 1: and what is maybe the worst example of child acting 623 00:37:27,160 --> 00:37:29,759 Speaker 1: I've ever seen in my life? She's like, are you 624 00:37:30,080 --> 00:37:33,800 Speaker 1: the tooth Fairy? It's because Michael Bay had a knife 625 00:37:33,880 --> 00:37:37,080 Speaker 1: to pointed at her the whole time. Leave her alone. 626 00:37:38,920 --> 00:37:41,680 Speaker 1: Haley Joel Osmond had aged out of that role. He 627 00:37:41,960 --> 00:37:47,920 Speaker 1: wasn't available. He was like, twenty, are any of the 628 00:37:48,160 --> 00:37:51,439 Speaker 1: robots woman? They all have do they have genders? They're 629 00:37:51,480 --> 00:37:59,560 Speaker 1: all male voices seem to identify it. Yeah, this recause, 630 00:37:59,560 --> 00:38:02,080 Speaker 1: I peete a p out of their dicks. There's that 631 00:38:02,160 --> 00:38:09,840 Speaker 1: scene where they got lubricant leakage loop. It's upsetting. Its gross. 632 00:38:10,640 --> 00:38:13,240 Speaker 1: I made a list of all the man characters versus 633 00:38:13,520 --> 00:38:16,760 Speaker 1: the very very few female characters. We've got Sam what Wicky. 634 00:38:17,040 --> 00:38:20,920 Speaker 1: We have the autobots, which is Optimist, Prime, Bumble Bee, Jazz, Ratchet, 635 00:38:21,080 --> 00:38:23,839 Speaker 1: and Iron Hide. That we've got the main Decepticons who 636 00:38:23,880 --> 00:38:28,200 Speaker 1: are named at least Megatron, Bone Crusher, I think one 637 00:38:28,320 --> 00:38:35,360 Speaker 1: named Frenzy. I don't know they were, and Star Scream. 638 00:38:36,320 --> 00:38:42,239 Speaker 1: I love the name Star Scream. Sam's dad, Miles, Sam's friend, 639 00:38:42,600 --> 00:38:47,000 Speaker 1: the hacker Anthony Anderson. John Voight plays a Secretary of Defense. 640 00:38:47,440 --> 00:38:51,239 Speaker 1: John Tuturo is the head of Sector seven, and then 641 00:38:51,400 --> 00:38:54,440 Speaker 1: the various Air Force guys Josh how do you say 642 00:38:54,480 --> 00:39:01,760 Speaker 1: his last name? Him? And Tyrese Gibson Um, who looks 643 00:39:01,880 --> 00:39:04,440 Speaker 1: great and he does look he's a very attractive man. 644 00:39:05,000 --> 00:39:09,440 Speaker 1: Um sweat on Tyrese Gibson. There were no women of 645 00:39:09,560 --> 00:39:13,759 Speaker 1: color that I noticed, except for very tertiary characters like 646 00:39:13,800 --> 00:39:19,480 Speaker 1: Anthony Anderson's grandmother and Bernie Max's mother, who are right, yeah, yeah, 647 00:39:19,640 --> 00:39:24,960 Speaker 1: seen in the background and are portraying a raise this way. Yes, 648 00:39:25,280 --> 00:39:31,759 Speaker 1: you know, not surprising. I do have my list of 649 00:39:32,480 --> 00:39:35,279 Speaker 1: all of the things I hate about this movie. If 650 00:39:35,320 --> 00:39:38,960 Speaker 1: you will indulge me, please, I've already mentioned if you 651 00:39:39,239 --> 00:39:43,320 Speaker 1: why we're here. Okay, I'll read this as quickly as possible. 652 00:39:44,000 --> 00:39:47,640 Speaker 1: The opening line before time began, there was the cube. 653 00:39:49,560 --> 00:39:55,040 Speaker 1: That's a good four play lines. Also, there's a many 654 00:39:55,360 --> 00:39:59,279 Speaker 1: was there's a bunch of different mentions where optimist Prime 655 00:39:59,400 --> 00:40:02,480 Speaker 1: is like, if this doesn't go well, push the cube 656 00:40:02,520 --> 00:40:06,520 Speaker 1: into my chest, which is how I initiate sex. But 657 00:40:07,680 --> 00:40:11,760 Speaker 1: just throwing that out there, and then push your cube 658 00:40:11,840 --> 00:40:15,799 Speaker 1: into my yeah, all you wear my vagina, dicked men 659 00:40:16,080 --> 00:40:21,080 Speaker 1: out there, put it into my chest vagina. Than we 660 00:40:21,160 --> 00:40:24,440 Speaker 1: already talked about all the racist stuff. The scene where 661 00:40:24,520 --> 00:40:28,480 Speaker 1: for no reason a character says, remember weekends the sacks 662 00:40:28,560 --> 00:40:31,839 Speaker 1: at Finway, hot dog and a cold beer, because he's 663 00:40:31,880 --> 00:40:34,759 Speaker 1: I guess from Boston, true America. I get I get it, 664 00:40:34,920 --> 00:40:37,800 Speaker 1: I get it. There should just said don't get donuts 665 00:40:39,200 --> 00:40:42,200 Speaker 1: because it contrast the Spanish guy who's also American. He's 666 00:40:42,200 --> 00:40:44,839 Speaker 1: in the fucking military, right, speaking like, Oh, I love 667 00:40:44,920 --> 00:40:47,400 Speaker 1: what my mom cooks this stuff? Yeah, alligators and crickets. 668 00:40:47,440 --> 00:40:56,880 Speaker 1: He's like, Uh, There's at least ten seconds dedicated to 669 00:40:57,040 --> 00:41:00,920 Speaker 1: Josh Domel talking about how hot his baby is. He's like, 670 00:41:01,280 --> 00:41:07,319 Speaker 1: such a good looking kid. Baby Michael trying to put 671 00:41:07,360 --> 00:41:11,799 Speaker 1: it under a waterfall strategy. Babes like, well, we can't 672 00:41:11,840 --> 00:41:21,320 Speaker 1: have this baby holding an alcoholic beverage under water. I 673 00:41:21,440 --> 00:41:23,960 Speaker 1: hate Sam what Wicki's teacher in the beginning. I hate 674 00:41:24,000 --> 00:41:25,960 Speaker 1: the presentation he gives where he's talking all of his 675 00:41:26,080 --> 00:41:29,279 Speaker 1: grandfather's prize possessions. I hate the speech he gives to 676 00:41:29,360 --> 00:41:30,960 Speaker 1: his teacher to try to convince him to give him 677 00:41:30,960 --> 00:41:34,080 Speaker 1: an a. I hate all of the expository dialogue, the 678 00:41:34,160 --> 00:41:38,600 Speaker 1: movie's script, Sam what Wicki's dad, Bernie Mack's character, the 679 00:41:38,680 --> 00:41:40,880 Speaker 1: fact that all the glass bursts and the cars at 680 00:41:40,880 --> 00:41:43,400 Speaker 1: the dealership and no one wonders why that might have happened, 681 00:41:43,640 --> 00:41:46,800 Speaker 1: Sam what Wicki's mom, the cinematography, the air freshener in 682 00:41:46,840 --> 00:41:50,680 Speaker 1: Sam's car that says bach any attempt a comedy that's 683 00:41:50,719 --> 00:41:53,520 Speaker 1: made in the scrimp which is still relevant in two 684 00:41:53,520 --> 00:41:59,000 Speaker 1: thousand seven under the waning days of Bache all the 685 00:41:59,080 --> 00:42:03,000 Speaker 1: continuity errors, everything that Sam what Wicky says in the movie, 686 00:42:03,200 --> 00:42:05,040 Speaker 1: the flight attendant who drops a ding dong on the 687 00:42:05,080 --> 00:42:06,960 Speaker 1: floor that's supposed to be for the president and then 688 00:42:07,040 --> 00:42:11,120 Speaker 1: she picks it up and eats it. Uh, there's so 689 00:42:11,320 --> 00:42:17,840 Speaker 1: many individual towns the plot, so Chila bos acting Megan 690 00:42:17,880 --> 00:42:20,600 Speaker 1: Fox is acting the scene where Josh Jamal is trying 691 00:42:20,640 --> 00:42:22,239 Speaker 1: to place a college with the Pentagon and has to 692 00:42:22,600 --> 00:42:25,600 Speaker 1: find a credit card to place the call. Every other 693 00:42:25,680 --> 00:42:28,920 Speaker 1: part of that scene. The scene in Anthony Anderson's house, 694 00:42:29,200 --> 00:42:31,840 Speaker 1: Sam's eBay user name and photo, The fact that no 695 00:42:31,880 --> 00:42:36,000 Speaker 1: one notices a little Decepticon that's running around very conspicuously, 696 00:42:36,760 --> 00:42:39,320 Speaker 1: The idea that there's an all powerful like device that 697 00:42:39,400 --> 00:42:43,800 Speaker 1: can create life and planets and it's called the all Spark. 698 00:42:44,200 --> 00:42:50,560 Speaker 1: It's called the Female wom Bit. The scene where the 699 00:42:50,600 --> 00:42:52,920 Speaker 1: autobots are just hanging out in Sam's yard and no 700 00:42:53,040 --> 00:42:55,759 Speaker 1: one notices. That's the one thing I like, which is 701 00:42:55,800 --> 00:42:58,759 Speaker 1: when they're hiding in the backyard because the autobus are 702 00:42:58,840 --> 00:43:03,439 Speaker 1: so cute. When they're like getting it up and let's 703 00:43:03,440 --> 00:43:06,480 Speaker 1: get out of here. And I'm just squatting. I like that. 704 00:43:06,960 --> 00:43:09,480 Speaker 1: That was what bothered mean about it is that Sam's 705 00:43:09,520 --> 00:43:13,840 Speaker 1: parents were just like the earthquake. I guess better not 706 00:43:14,000 --> 00:43:17,840 Speaker 1: look out the way like I do. Also, like whenever 707 00:43:17,960 --> 00:43:21,200 Speaker 1: they go a rull up. Yeah, that that feels like 708 00:43:21,280 --> 00:43:25,759 Speaker 1: the Yeah, that was fine. Oh the fact that it's 709 00:43:25,800 --> 00:43:29,480 Speaker 1: never made clear why pushing the Cube into Optimist Primes 710 00:43:29,840 --> 00:43:33,279 Speaker 1: chest will destroy both him and the Cube details who 711 00:43:33,400 --> 00:43:37,200 Speaker 1: cares doesn't matter. The scene where Shaya La Buff and 712 00:43:37,280 --> 00:43:39,400 Speaker 1: Megan Fox are basically dry humping on the hood of 713 00:43:39,440 --> 00:43:41,600 Speaker 1: his car, and then the other Transformers are just they're 714 00:43:41,680 --> 00:43:44,839 Speaker 1: watching kind of Yeah, they're on bubble beees. So that's 715 00:43:45,080 --> 00:43:47,799 Speaker 1: he's like a So that's like a threesome, right, he's 716 00:43:47,840 --> 00:43:52,000 Speaker 1: a third party. Yeah, part of IM sure his hood's 717 00:43:52,040 --> 00:43:56,960 Speaker 1: getting all lubricated. Girl. I was gonna say hot, but 718 00:43:57,080 --> 00:44:01,239 Speaker 1: I guess slick ism were appropriate. You slippery, You're a 719 00:44:01,280 --> 00:44:05,440 Speaker 1: little slippery threesome gross No no, no, no no no, 720 00:44:05,800 --> 00:44:08,239 Speaker 1: that's how that's how I shate sex to I'm like, 721 00:44:08,520 --> 00:44:13,840 Speaker 1: I'm slippery table in the circle and the stupid Lincoln 722 00:44:13,920 --> 00:44:16,040 Speaker 1: Park song at the end, Oh my god, I'm gonna 723 00:44:16,040 --> 00:44:19,080 Speaker 1: say something about that. Too. But is there any other 724 00:44:19,239 --> 00:44:22,960 Speaker 1: band to smash Mouth that could have also worked? Right? 725 00:44:23,080 --> 00:44:27,520 Speaker 1: I hope the smash mont said no, too trashy. We've 726 00:44:27,560 --> 00:44:31,839 Speaker 1: got some Shrek residuals were good. Oh. To be fair, 727 00:44:31,880 --> 00:44:33,520 Speaker 1: though I did make I also made a list about 728 00:44:33,520 --> 00:44:36,080 Speaker 1: the things that I like about the movie. They are 729 00:44:37,080 --> 00:44:40,160 Speaker 1: the score. I legitimately think it's a pretty good score 730 00:44:40,239 --> 00:44:43,080 Speaker 1: for an action movie. A lot of like epic music 731 00:44:43,280 --> 00:44:45,239 Speaker 1: that I was able to get that time, really kind 732 00:44:45,280 --> 00:44:49,320 Speaker 1: of you, and the idea that the car chooses the 733 00:44:49,440 --> 00:44:51,799 Speaker 1: driver but only because it reminds me of Harry Potter. 734 00:44:54,800 --> 00:44:56,880 Speaker 1: And those are the only two things on that list. Okay, 735 00:44:56,920 --> 00:44:59,919 Speaker 1: but then that's not original. He's just taking that exactly. Yeah, okay, 736 00:45:00,160 --> 00:45:08,319 Speaker 1: number one, Harry Potter sucks. I've read them all, I've 737 00:45:08,360 --> 00:45:11,120 Speaker 1: seen them, I've gaven, I've been to the theme park. 738 00:45:11,360 --> 00:45:14,120 Speaker 1: I can't, I don't. I don't like it. Let me 739 00:45:14,200 --> 00:45:21,120 Speaker 1: sneak it forever. But here here are a few more 740 00:45:21,400 --> 00:45:25,040 Speaker 1: fun Bake quotes I found fun. Here's a just a 741 00:45:25,120 --> 00:45:29,279 Speaker 1: thought from John tur Turtle. He says, in regards to 742 00:45:29,320 --> 00:45:33,239 Speaker 1: the Transformers franchise, I thought Transformers Too was good. I 743 00:45:33,400 --> 00:45:36,560 Speaker 1: liked it better than Transformers one. Most people feel that way, 744 00:45:38,360 --> 00:45:41,319 Speaker 1: which is amazing that he thinks most people have seen 745 00:45:41,520 --> 00:45:45,440 Speaker 1: two Transformers movies. Here's one from Scarlett Johansson, who was 746 00:45:45,520 --> 00:45:47,919 Speaker 1: in a movie that I vaguely remember coming out called 747 00:45:47,960 --> 00:45:50,920 Speaker 1: The Island. Oh yes, I saw that in theaters. It 748 00:45:51,120 --> 00:45:57,080 Speaker 1: was bad but horrible. Yeah, it had a decent premise, 749 00:45:57,200 --> 00:46:01,520 Speaker 1: but of course, because Michael Bay sucks, he completely botched 750 00:46:01,920 --> 00:46:05,320 Speaker 1: the execution of it really quick. Even mcg he was 751 00:46:05,320 --> 00:46:09,000 Speaker 1: a bad actor, but he wasn't a good actor, and 752 00:46:09,200 --> 00:46:12,760 Speaker 1: he just played like a spacey dude with no emotion. 753 00:46:12,920 --> 00:46:15,120 Speaker 1: It fits like that was like his Keanu in the 754 00:46:15,239 --> 00:46:17,480 Speaker 1: Matrix role, where it's like, oh, we didn't notice that 755 00:46:17,560 --> 00:46:20,000 Speaker 1: he kind of sucks because this was like perfect for him. 756 00:46:20,760 --> 00:46:24,360 Speaker 1: But here's what Scarlett Johansson had to say about running 757 00:46:24,440 --> 00:46:27,640 Speaker 1: she had with Michael Bay. She said, I ran into 758 00:46:27,800 --> 00:46:29,840 Speaker 1: him leaving a party once and asked him if I 759 00:46:29,920 --> 00:46:32,719 Speaker 1: could be the easy bake oven Transformer as a joke. 760 00:46:33,440 --> 00:46:36,239 Speaker 1: He looked at me in all seriousness and said, there 761 00:46:36,440 --> 00:46:42,800 Speaker 1: is no easy bake up and Transformer, which testament to 762 00:46:43,000 --> 00:46:47,400 Speaker 1: how seriously he takes his terrible movies and how little 763 00:46:47,480 --> 00:46:50,719 Speaker 1: he understands jokes. In comedy, but he was probably like, 764 00:46:50,840 --> 00:46:54,279 Speaker 1: he's a woman, she must be serious. She's too dumb 765 00:46:54,320 --> 00:46:58,719 Speaker 1: to make a joke. Oh boy, I just imagined that. 766 00:46:58,840 --> 00:47:02,120 Speaker 1: Like Michael bays directing style is that he goes to 767 00:47:02,160 --> 00:47:04,759 Speaker 1: the actors and he's like, listen, I want you to 768 00:47:04,920 --> 00:47:07,720 Speaker 1: just be screaming all of your lines in this scene. 769 00:47:08,320 --> 00:47:10,480 Speaker 1: And they'll be like, I don't know that it really 770 00:47:10,560 --> 00:47:13,480 Speaker 1: warrants me screaming, and he's like, no, trust me on this. 771 00:47:13,680 --> 00:47:16,080 Speaker 1: Just make sure you scream all of your lines. And 772 00:47:16,200 --> 00:47:19,200 Speaker 1: that is every scene in Transformer. And then he pulls 773 00:47:19,239 --> 00:47:22,000 Speaker 1: out he just shows the hint of a gun he has. 774 00:47:22,719 --> 00:47:25,360 Speaker 1: He's like, I think you should scream. I feel like 775 00:47:25,480 --> 00:47:29,480 Speaker 1: he directs from within a giant Transformers robot. It's just 776 00:47:29,680 --> 00:47:35,560 Speaker 1: like where it's like a huge intercom system like shy 777 00:47:36,440 --> 00:47:41,800 Speaker 1: yell louder. Also, I could have told anyone not to 778 00:47:41,920 --> 00:47:45,360 Speaker 1: give Michael Bay a job because he is one of 779 00:47:45,760 --> 00:47:48,799 Speaker 1: the greatest fears of my entire life, which is an 780 00:47:48,840 --> 00:47:52,920 Speaker 1: adult blonde male. Never a trust an adult blonde male. 781 00:47:53,160 --> 00:47:56,239 Speaker 1: That's a rule. Yes, we can all benefit from that rule. 782 00:47:56,400 --> 00:47:59,359 Speaker 1: Think of an adult blonde male who has bettered your life. 783 00:48:00,200 --> 00:48:03,279 Speaker 1: It's hard there are exceptions to the rule, but it's 784 00:48:03,320 --> 00:48:08,160 Speaker 1: like one and two. Yeah, new rule. Does anyone have 785 00:48:08,200 --> 00:48:11,160 Speaker 1: any final thoughts about the movie? At least we spent 786 00:48:11,280 --> 00:48:14,200 Speaker 1: most of the time just hating it and discussing how 787 00:48:14,280 --> 00:48:16,480 Speaker 1: much we hate it. Not a ton of time dedicated 788 00:48:16,480 --> 00:48:20,799 Speaker 1: to the treatment of the female characters. But I mean 789 00:48:21,200 --> 00:48:23,840 Speaker 1: they didn't give us a ton of female characters to 790 00:48:24,000 --> 00:48:26,920 Speaker 1: talk about. True. Yeah, yeah, how would you fix it? 791 00:48:27,239 --> 00:48:30,560 Speaker 1: Is there a way to do Transformers? I mean, make 792 00:48:30,600 --> 00:48:34,799 Speaker 1: sure do not direct it like having more. I mean, 793 00:48:34,840 --> 00:48:38,520 Speaker 1: there's no reason why every single basically every single character 794 00:48:38,680 --> 00:48:40,440 Speaker 1: needed to be a man, Like there are women in 795 00:48:40,520 --> 00:48:44,040 Speaker 1: the military, there are women working in government. And is 796 00:48:44,080 --> 00:48:46,920 Speaker 1: Michael Bart aware that this is true? Does we know 797 00:48:47,080 --> 00:48:49,440 Speaker 1: that women are allowed in the military now and have 798 00:48:49,560 --> 00:48:53,759 Speaker 1: been for a long time? I don't think so. I 799 00:48:53,840 --> 00:48:56,120 Speaker 1: think that, Yeah, there's a lot of potential that they 800 00:48:56,200 --> 00:48:58,240 Speaker 1: could have done with the story, like the whole idea 801 00:48:58,280 --> 00:49:00,520 Speaker 1: of the all spark and you know, creating life, like 802 00:49:00,960 --> 00:49:03,440 Speaker 1: you really can go so many weights like motherhood, like 803 00:49:04,080 --> 00:49:07,400 Speaker 1: you know, mother nature. There's so much like feminine energy 804 00:49:07,480 --> 00:49:10,200 Speaker 1: in life, and then they just were like no robots 805 00:49:10,600 --> 00:49:13,279 Speaker 1: with it. Yeah, there's like, yeah, there are ways to 806 00:49:13,400 --> 00:49:16,160 Speaker 1: take because you're just given. I mean, it's I guess 807 00:49:16,200 --> 00:49:20,440 Speaker 1: originally it was a toy franchise pushed at boys. But 808 00:49:20,520 --> 00:49:23,560 Speaker 1: there's a way to take that and do something not 809 00:49:23,840 --> 00:49:27,200 Speaker 1: completely irresponsible with it. But yeah, I don't know if 810 00:49:27,239 --> 00:49:30,360 Speaker 1: there's any way to make this movie fair to anyone 811 00:49:30,680 --> 00:49:34,279 Speaker 1: vote white guys who are very mad with without just 812 00:49:34,600 --> 00:49:39,000 Speaker 1: scrapping this whole movie. Right, But these movies are so 813 00:49:39,280 --> 00:49:42,520 Speaker 1: high grossing, so many people go to see these. Did 814 00:49:42,600 --> 00:49:44,200 Speaker 1: you watch the other I only watched? I think I 815 00:49:44,239 --> 00:49:46,160 Speaker 1: watched is the second one when he goes to college. 816 00:49:46,640 --> 00:49:52,560 Speaker 1: I watched there was like I do remember that there 817 00:49:52,640 --> 00:49:55,600 Speaker 1: was like a really hot blonde girl who ended up 818 00:49:55,600 --> 00:50:00,080 Speaker 1: being a robot, Rosie Hunting. And I will say, like 819 00:50:00,239 --> 00:50:05,760 Speaker 1: I that was maybe early Teresa discovering her sexuality that scene, 820 00:50:07,080 --> 00:50:09,480 Speaker 1: because I was a straight girl in high school. She 821 00:50:09,600 --> 00:50:14,120 Speaker 1: was that like girl. She was well, she was like 822 00:50:14,160 --> 00:50:17,120 Speaker 1: a Victoria's secret model, and she was the She was 823 00:50:17,160 --> 00:50:19,760 Speaker 1: the girl who was brought in to replace Megan Fox 824 00:50:20,000 --> 00:50:23,399 Speaker 1: when Megan Fox was like I and she does say 825 00:50:23,680 --> 00:50:27,400 Speaker 1: several times Michael Bay is Hitler and apparently that's his 826 00:50:27,520 --> 00:50:32,920 Speaker 1: line um. And then they brought in Rosie who is beautiful, 827 00:50:33,480 --> 00:50:37,759 Speaker 1: and I think, I mean I saw Dark of the Moon. 828 00:50:39,160 --> 00:50:41,799 Speaker 1: Is that the second one? Yeah, there's it's called Dark 829 00:50:41,920 --> 00:50:44,920 Speaker 1: of the Moon, Dark of the Moon, we don't need side. 830 00:50:46,280 --> 00:50:49,160 Speaker 1: And then there's also one called The Last Night, and 831 00:50:49,239 --> 00:50:51,960 Speaker 1: that's the one coming out, which sounds so much like 832 00:50:52,080 --> 00:50:53,880 Speaker 1: The Dark Night that it's just like, do you need 833 00:50:54,000 --> 00:50:58,080 Speaker 1: to name this? It's so confusing. Why would you name 834 00:50:58,120 --> 00:51:02,520 Speaker 1: something Dark of the Moon or The Last Night? It's 835 00:51:02,640 --> 00:51:07,320 Speaker 1: just it's okay. Age of Extinction vaguely sounds like it 836 00:51:07,400 --> 00:51:12,120 Speaker 1: could be a Jurassic Park movie. Um, but um, darker 837 00:51:12,200 --> 00:51:15,279 Speaker 1: the Moon grows one billion dollars, So what the funk 838 00:51:15,360 --> 00:51:19,560 Speaker 1: do we know? As did Age of Extinction? Yeah, I 839 00:51:19,600 --> 00:51:22,279 Speaker 1: don't remember if I saw any of the sequels. I 840 00:51:22,360 --> 00:51:24,279 Speaker 1: want to say that I saw at least the second one, 841 00:51:24,320 --> 00:51:27,279 Speaker 1: but I have no memory of it. I saw the 842 00:51:27,360 --> 00:51:30,200 Speaker 1: first one with Rosie Huntington quickly in it, because I 843 00:51:30,719 --> 00:51:33,719 Speaker 1: also remember that white outfit she wore in the movie. 844 00:51:33,760 --> 00:51:35,880 Speaker 1: I was just like, yeah, she was really cute, and 845 00:51:36,000 --> 00:51:38,560 Speaker 1: but then she's because she's like an evil robot, right right, 846 00:51:38,640 --> 00:51:43,239 Speaker 1: so she's like a little bit little bit not that 847 00:51:43,360 --> 00:51:48,480 Speaker 1: she's treated fairly, but you know, something, something happens to her. 848 00:51:48,520 --> 00:51:50,120 Speaker 1: There's a plot point that has to do with her, 849 00:51:50,360 --> 00:51:52,920 Speaker 1: which is more than we can say for Megan Fox, 850 00:51:53,080 --> 00:51:57,080 Speaker 1: who really just I'm glad that she like later was 851 00:51:57,200 --> 00:52:00,400 Speaker 1: just like I recognized that as bullshit because she's hunting 852 00:52:00,640 --> 00:52:04,120 Speaker 1: so much. Yeah, and she's like seventeen, right team when 853 00:52:04,120 --> 00:52:06,359 Speaker 1: this movie is being shot, it's just like, I don't 854 00:52:06,400 --> 00:52:09,080 Speaker 1: know in retros, like at the time, I remember being like, Ah, 855 00:52:09,239 --> 00:52:11,239 Speaker 1: she's so dumb for being in this movie. But now 856 00:52:11,320 --> 00:52:13,800 Speaker 1: and just like I feel bad for her, Like I 857 00:52:13,920 --> 00:52:16,360 Speaker 1: can't like, if you're seventeen and someone's like, let me 858 00:52:16,400 --> 00:52:19,560 Speaker 1: give you a million dollars to pant at me, I 859 00:52:19,640 --> 00:52:22,279 Speaker 1: don't know. I don't know if you've already posed under 860 00:52:22,360 --> 00:52:26,200 Speaker 1: a waterfall for the same great I don't know where 861 00:52:26,440 --> 00:52:29,160 Speaker 1: you know. I felt poor Megan Fox because it seems 862 00:52:29,160 --> 00:52:31,799 Speaker 1: like a promotion. Yeah, it seems like she's doing well. 863 00:52:32,560 --> 00:52:35,680 Speaker 1: So let's talk about whether or not the movie passes 864 00:52:35,760 --> 00:52:41,000 Speaker 1: the Bechdel tests, shall we shall? The only scene that 865 00:52:41,120 --> 00:52:45,560 Speaker 1: I noticed where there are two women interacting is the 866 00:52:45,640 --> 00:52:49,880 Speaker 1: scene where Megan Fox is in Sam Whitwicky's house and 867 00:52:50,080 --> 00:52:52,000 Speaker 1: his mom is all like, oh my god, are you 868 00:52:52,120 --> 00:52:57,320 Speaker 1: master being in here shy all about and he's like, no, no, no, 869 00:52:58,760 --> 00:53:01,239 Speaker 1: And then I think his character pops up and she's 870 00:53:01,239 --> 00:53:04,120 Speaker 1: like hi. She's like, I'm I'm a friend of Sam's 871 00:53:05,000 --> 00:53:08,200 Speaker 1: and his mom says, you're gorgeous? Are you just the 872 00:53:08,280 --> 00:53:12,560 Speaker 1: prettiest girl? Which pretty similar to the scene and Julie, 873 00:53:12,760 --> 00:53:19,600 Speaker 1: where all the scene is Julie at least is very funny, 874 00:53:19,800 --> 00:53:23,719 Speaker 1: where she's just like where ben Affleck's character Apparently at 875 00:53:23,760 --> 00:53:26,360 Speaker 1: this point ben Affleck has his Michael Bay teeth because 876 00:53:27,440 --> 00:53:31,439 Speaker 1: after a certain point, ben Affleck's teeth are huge, very 877 00:53:31,480 --> 00:53:33,760 Speaker 1: big teeth. Does she just take out all his teeth? 878 00:53:35,160 --> 00:53:38,200 Speaker 1: Maybe there, I'd imagine there, but his teeth I'm like, well, 879 00:53:38,239 --> 00:53:40,000 Speaker 1: I guess his teeth are kind of big, and I 880 00:53:40,200 --> 00:53:41,400 Speaker 1: want to go back and be like when we're his 881 00:53:41,480 --> 00:53:45,320 Speaker 1: teeth small when Michael they give him his Hollywood teeth. 882 00:53:45,680 --> 00:53:48,759 Speaker 1: But there's the scene in Julie where ben Affleck's like, mom, 883 00:53:49,480 --> 00:53:53,200 Speaker 1: don't get any bright ideas she's gay, and then her 884 00:53:53,239 --> 00:53:57,400 Speaker 1: mom's like, well that can change. You're handsome, and Jelo 885 00:53:57,520 --> 00:54:01,960 Speaker 1: was like, I don't know, maybe I don't know. Yeah, 886 00:54:02,000 --> 00:54:04,040 Speaker 1: but this is a very similar scene where his mom 887 00:54:04,160 --> 00:54:05,600 Speaker 1: is just like, oh my god, you're so hot, You're 888 00:54:05,600 --> 00:54:08,239 Speaker 1: so pretty engorgeous, and Megan Fox is like thank you, 889 00:54:09,000 --> 00:54:10,799 Speaker 1: and then his mom's like, sorry, you had to hear 890 00:54:10,880 --> 00:54:16,200 Speaker 1: our little family discussion and that's the conversation. So I 891 00:54:17,840 --> 00:54:20,279 Speaker 1: totally don't they have to have no men present for 892 00:54:20,480 --> 00:54:22,120 Speaker 1: to pass or is it just to think it just 893 00:54:22,239 --> 00:54:25,879 Speaker 1: needs to be two women talking and their conversation has 894 00:54:25,960 --> 00:54:28,759 Speaker 1: to not be about a man. There's no way that 895 00:54:28,920 --> 00:54:31,200 Speaker 1: I'm going to give this scene the benefit of the 896 00:54:31,280 --> 00:54:34,759 Speaker 1: death that doesn't about Sam but if you, I mean, 897 00:54:34,840 --> 00:54:38,799 Speaker 1: he's in the room number one and which isn't technically, 898 00:54:39,000 --> 00:54:41,160 Speaker 1: but like I feel like it may as well be 899 00:54:41,680 --> 00:54:45,239 Speaker 1: not allowed for a man to be there and they're not. Again, 900 00:54:45,280 --> 00:54:47,000 Speaker 1: I feel like we've I forget what movie we came 901 00:54:47,080 --> 00:54:50,080 Speaker 1: up against a similar problem where it's like I think 902 00:54:50,120 --> 00:54:52,000 Speaker 1: it's Pirates of the Caribbean, where it's like they are 903 00:54:52,480 --> 00:54:55,160 Speaker 1: indirectly talking about a man, but they are not. They 904 00:54:55,280 --> 00:54:57,680 Speaker 1: never use a man's name or heat or like use 905 00:54:57,719 --> 00:54:59,840 Speaker 1: the pronouns or anything. But it's like I feel like 906 00:55:00,360 --> 00:55:03,840 Speaker 1: conversation is indirectly about like, oh, sorry, you thought I 907 00:55:03,960 --> 00:55:06,680 Speaker 1: was talking about my son jerking out, Like it just 908 00:55:08,200 --> 00:55:12,640 Speaker 1: that it's definitely like a sexually charged right, it's like 909 00:55:12,719 --> 00:55:17,120 Speaker 1: sexually charged, but like a hetero and hetero blockbuster sexually 910 00:55:17,640 --> 00:55:20,040 Speaker 1: Like if they were that would be fucked up. If 911 00:55:20,080 --> 00:55:23,799 Speaker 1: they were like, hey, we should hook up Mega Fox 912 00:55:23,920 --> 00:55:29,160 Speaker 1: and Sam's mom because that's an age problem, but that 913 00:55:29,280 --> 00:55:32,840 Speaker 1: would pass the test. Well, that's the other thing. The 914 00:55:32,960 --> 00:55:35,920 Speaker 1: only really notable thing that either of them say to 915 00:55:36,000 --> 00:55:38,800 Speaker 1: each other is his mom being like, you're so gorgeous, 916 00:55:38,840 --> 00:55:42,600 Speaker 1: You're so pretty, which is essentially just objectifying her. So like, 917 00:55:42,760 --> 00:55:45,480 Speaker 1: even if that somehow did pass the back to test, 918 00:55:45,560 --> 00:55:48,440 Speaker 1: it's really it's like like the subtext to that is like, 919 00:55:48,840 --> 00:55:53,160 Speaker 1: you should suck my son exactly right. Yeah, I'm gonna say, 920 00:55:53,520 --> 00:55:57,400 Speaker 1: based on what we know about the movie and Sam's character, 921 00:55:58,080 --> 00:55:59,680 Speaker 1: she's like, I want my son to have a little 922 00:55:59,680 --> 00:56:02,000 Speaker 1: girl friend. And oh, you're a good candidate. You're hot, 923 00:56:02,080 --> 00:56:04,879 Speaker 1: you look how cute. I'm so impressed that my son 924 00:56:05,000 --> 00:56:07,799 Speaker 1: had you in his bedroom. Like, have you ever had 925 00:56:07,800 --> 00:56:11,279 Speaker 1: an exchange like that with with someone's parents where they're 926 00:56:11,320 --> 00:56:15,320 Speaker 1: indirectly like you want my kids? Like, there is no 927 00:56:15,880 --> 00:56:19,560 Speaker 1: I had. I had an exchange like that in high school. Yeah, 928 00:56:19,800 --> 00:56:24,200 Speaker 1: with my saxophone boyfriend. His old dad came in one 929 00:56:24,320 --> 00:56:27,920 Speaker 1: night to you know, we were like teenagers and like 930 00:56:28,080 --> 00:56:32,279 Speaker 1: hanging out. We're watching this Zach Gelfanak is special on 931 00:56:32,400 --> 00:56:35,239 Speaker 1: his very old laptop in two thousand and eight. But 932 00:56:35,520 --> 00:56:38,799 Speaker 1: his dad came into the room and he was just like, hey, kids, 933 00:56:38,840 --> 00:56:41,960 Speaker 1: what's going on? And we're like nothing, We're watching TV. 934 00:56:42,560 --> 00:56:45,480 Speaker 1: And he was just like, hey Jamie, because he was 935 00:56:45,560 --> 00:56:47,040 Speaker 1: like A, I don't know what he did, but he 936 00:56:47,080 --> 00:56:49,480 Speaker 1: worked at like concerts, and he's like, hey, Jamie, do 937 00:56:49,560 --> 00:56:52,440 Speaker 1: you know why they call the band Pearl jam And 938 00:56:52,520 --> 00:56:55,840 Speaker 1: I was like no. He's like think about it. And 939 00:56:55,920 --> 00:56:58,399 Speaker 1: then I thought about it and I was like, oh, come, 940 00:57:00,840 --> 00:57:04,600 Speaker 1: program is come. I didn't realize that. And then and 941 00:57:04,680 --> 00:57:07,840 Speaker 1: then he threw us paper towels and said have a 942 00:57:07,920 --> 00:57:11,600 Speaker 1: great night. Whoa. So he was just like in a 943 00:57:11,760 --> 00:57:15,640 Speaker 1: weird series of comments, was just like everything about come, 944 00:57:16,280 --> 00:57:18,840 Speaker 1: here are some things to clean up, come with gotta go, 945 00:57:19,200 --> 00:57:21,240 Speaker 1: and then just like shut the door. I was like 946 00:57:21,440 --> 00:57:24,920 Speaker 1: I want to go home, like everyone wanted to go home. 947 00:57:25,080 --> 00:57:28,840 Speaker 1: It was the least sexually charged moment of my entire life, 948 00:57:29,880 --> 00:57:32,360 Speaker 1: although that is also how I initiate sex. I say, 949 00:57:32,480 --> 00:57:38,560 Speaker 1: put your cube in my chest. Everything about what program 950 00:57:38,640 --> 00:57:43,360 Speaker 1: really means. There's paper towels while you figure it out. 951 00:57:44,040 --> 00:57:49,040 Speaker 1: So gross. Yeah that's bizarre. Yeah man, anyways, cool, should 952 00:57:49,040 --> 00:57:51,760 Speaker 1: we write the movie? Hey, let's do it. Wait, so 953 00:57:51,840 --> 00:57:54,200 Speaker 1: we just we determined that this does not pass the test. 954 00:57:54,200 --> 00:57:57,960 Speaker 1: I'm not willing to give it a path. Yeah, I mean, 955 00:57:58,040 --> 00:58:00,560 Speaker 1: if we're going by this super super super for super 956 00:58:00,640 --> 00:58:04,960 Speaker 1: technical rules. But even then, I just know there's no 957 00:58:05,080 --> 00:58:08,720 Speaker 1: way that we could say, well, technically, Transformers like passes 958 00:58:08,760 --> 00:58:12,840 Speaker 1: the Victal test, Like no, no. Uh, So we write 959 00:58:12,840 --> 00:58:15,440 Speaker 1: the movie on our nipple scale, uh, zero to five 960 00:58:15,520 --> 00:58:18,880 Speaker 1: nipples based on its portrayal of women. I'm gonna give 961 00:58:18,920 --> 00:58:24,840 Speaker 1: it a half nipple. Interesting. I mean, what very very 962 00:58:24,880 --> 00:58:27,720 Speaker 1: little any of the female characters do contribute to the 963 00:58:27,960 --> 00:58:33,240 Speaker 1: story is usually undermined by the male characters or it 964 00:58:33,440 --> 00:58:38,200 Speaker 1: doesn't like bear any significance on the overall story. And yeah, 965 00:58:38,360 --> 00:58:41,760 Speaker 1: like I get that Sam is the protagonist, so like 966 00:58:41,960 --> 00:58:44,280 Speaker 1: most of his decisions are gonna but then there's just 967 00:58:44,520 --> 00:58:47,480 Speaker 1: there no women do anything. There's just hardly any female 968 00:58:47,560 --> 00:58:50,440 Speaker 1: characters contributing anything to the story, and when they are 969 00:58:50,520 --> 00:58:54,320 Speaker 1: on screen, they're often especially Megan Fox's character is just 970 00:58:54,440 --> 00:58:58,640 Speaker 1: heavily objectified. So yeah, half nipple. I think it treats 971 00:58:58,720 --> 00:59:01,520 Speaker 1: women horribly, and I think it's a terrible movie. What's 972 00:59:01,560 --> 00:59:07,480 Speaker 1: the highest nipple you've given out? We've even think Moanna 973 00:59:07,560 --> 00:59:11,240 Speaker 1: definitely nipples? What else was there? Elm and Louise and 974 00:59:11,320 --> 00:59:13,560 Speaker 1: Louise got five nipples there. I think the only ones 975 00:59:13,600 --> 00:59:16,120 Speaker 1: that we've given like five across the board have been 976 00:59:16,440 --> 00:59:21,320 Speaker 1: to Mowanna and Elma Louise. It's great. I was just curious. 977 00:59:21,600 --> 00:59:23,920 Speaker 1: Uh yeah, I think i'd have to give it. Well, 978 00:59:23,960 --> 00:59:27,680 Speaker 1: I'm gonna give it one nipple because I agree that 979 00:59:27,760 --> 00:59:29,800 Speaker 1: women are treated horribly, but I also think the men 980 00:59:29,880 --> 00:59:34,600 Speaker 1: look bad in this movie. I mean, there's except with 981 00:59:34,640 --> 00:59:38,200 Speaker 1: the exception of Tyres except. And also I love Optimist, 982 00:59:40,160 --> 00:59:42,760 Speaker 1: so he gets that nipple. Yeah, to be fair, there 983 00:59:42,760 --> 00:59:46,480 Speaker 1: are no redeemable characters in this movie. Even Sam what 984 00:59:46,600 --> 00:59:49,919 Speaker 1: Wicki is the most insufferable character I've ever seen on screen. 985 00:59:49,960 --> 00:59:52,120 Speaker 1: I'm like, I'm sorry, we're supposed to identify with this guy. 986 00:59:52,920 --> 00:59:56,280 Speaker 1: His last name sounds like a DJ scratch. I think 987 00:59:56,320 --> 01:00:00,600 Speaker 1: about it, like, I do love Robot a lot. I 988 01:00:00,760 --> 01:00:02,920 Speaker 1: really like when the robots take over, I'm joining them, 989 01:00:03,040 --> 01:00:08,280 Speaker 1: so I mean the robots so much, and that's why 990 01:00:08,320 --> 01:00:10,840 Speaker 1: I give it nip. Yeah. I love sci fi like 991 01:00:10,960 --> 01:00:13,160 Speaker 1: I love a good sci fi action movie, but this 992 01:00:13,320 --> 01:00:17,280 Speaker 1: movie just like missed the mark on opportunity. Um, I 993 01:00:17,400 --> 01:00:20,520 Speaker 1: give it. I give it no nipples. However, I would 994 01:00:20,560 --> 01:00:23,600 Speaker 1: like to very clearly stay at what these nipples look 995 01:00:23,640 --> 01:00:28,120 Speaker 1: like John Trull John Turtruo. So first he's got a 996 01:00:28,160 --> 01:00:30,360 Speaker 1: half nipple on the right side, and it's like, oh, 997 01:00:30,520 --> 01:00:32,800 Speaker 1: he's got as kind of a small nipple because there 998 01:00:32,880 --> 01:00:37,200 Speaker 1: are women in the movie, right, But then his left 999 01:00:37,280 --> 01:00:43,240 Speaker 1: nipple is inverted about halfway. Yeah, it's kind of like 1000 01:00:44,000 --> 01:00:49,200 Speaker 1: this very unsavory, very dry vagina nipple that he has 1001 01:00:49,280 --> 01:00:51,720 Speaker 1: on the left side, so it evens out to zero, 1002 01:00:51,840 --> 01:00:56,320 Speaker 1: but it's technically once tiny pokey nipple because there's women 1003 01:00:56,320 --> 01:00:58,880 Speaker 1: in the movie, and then an inverted nipple because of 1004 01:00:59,080 --> 01:01:02,400 Speaker 1: everything else. I love it, right, So a negative nipple, 1005 01:01:02,520 --> 01:01:08,600 Speaker 1: and then it goes out to if you put, okay 1006 01:01:08,680 --> 01:01:15,360 Speaker 1: in theory, if you put John t turles right nipple 1007 01:01:15,800 --> 01:01:19,160 Speaker 1: into his left nipple, it would be like there were 1008 01:01:19,200 --> 01:01:24,160 Speaker 1: not I mean, I'll illustrate this reminding me of my 1009 01:01:24,360 --> 01:01:27,840 Speaker 1: chest vagina. So I get it. I already get they 1010 01:01:27,880 --> 01:01:33,480 Speaker 1: ca tube the nipple. So yeah, that's been our great 1011 01:01:33,520 --> 01:01:39,640 Speaker 1: discussion about the movie Transformer. See the sequel or don't. 1012 01:01:40,000 --> 01:01:44,560 Speaker 1: It'll make a billion dollars no matter what you do. Man, Teresa, 1013 01:01:44,640 --> 01:01:47,080 Speaker 1: thank you so much to be here. Where can we 1014 01:01:47,200 --> 01:01:49,520 Speaker 1: find you online? How can people follow? You can find 1015 01:01:49,600 --> 01:01:55,160 Speaker 1: me on the Twitter, Theresa t wonderful cool. You can 1016 01:01:55,200 --> 01:02:00,360 Speaker 1: follow me at ladies man two one seven. You can 1017 01:02:00,400 --> 01:02:05,440 Speaker 1: find me on eBay or driving around. Was gonna say 1018 01:02:05,480 --> 01:02:08,400 Speaker 1: Ferbie truck, I'm in my Frbite round. I'm mostly cruising 1019 01:02:08,440 --> 01:02:12,160 Speaker 1: around my Ferbie truck, just like look for a pus 1020 01:02:12,800 --> 01:02:18,280 Speaker 1: my furbie truck. Um. But you can find us on Instagram. 1021 01:02:18,680 --> 01:02:23,080 Speaker 1: Caitlin has been managing or Instagram like a champion. Thank you, 1022 01:02:23,400 --> 01:02:26,840 Speaker 1: yeah of course. Um. Happy birthday to Caitlin birthday, thank 1023 01:02:26,880 --> 01:02:29,560 Speaker 1: you retroactively as a gift to her, please do not 1024 01:02:29,640 --> 01:02:34,120 Speaker 1: see the new Transformers. You can find me at Hamburger Phone, 1025 01:02:34,400 --> 01:02:36,920 Speaker 1: you can find me at Caitlin Durante and you can 1026 01:02:36,960 --> 01:02:40,560 Speaker 1: go to my website Caitlin Dronte dot com. And uh yeah, 1027 01:02:40,640 --> 01:02:44,920 Speaker 1: thanks for tuning in autobots rollout. Bye,