1 00:00:07,240 --> 00:00:10,200 Speaker 1: Welcome to Daily Variety, your daily dose of news and 2 00:00:10,240 --> 00:00:15,400 Speaker 1: analysis for entertainment industry insiders. It's Wednesday, November twelfth, twenty 3 00:00:15,440 --> 00:00:19,200 Speaker 1: twenty five. I'm your host, Cynthia Lyttleton. I am co 4 00:00:19,360 --> 00:00:23,400 Speaker 1: editor in chief of Variety alongside Ramin Setuda. I'm in 5 00:00:23,560 --> 00:00:26,920 Speaker 1: La He's in New York, and Vrity has reporters around 6 00:00:27,000 --> 00:00:30,920 Speaker 1: the world covering the business of entertainment. On today's episode, 7 00:00:30,920 --> 00:00:33,800 Speaker 1: we'll talk with Variety's Daniel de Dario about his latest 8 00:00:33,840 --> 00:00:36,800 Speaker 1: cover story. He stepped into the ring to capture the 9 00:00:36,840 --> 00:00:41,280 Speaker 1: backstory of the Smashing Machine and the story of Johnson's 10 00:00:41,320 --> 00:00:45,320 Speaker 1: metamorphosis as an actor. Mark Malkin brings us a just 11 00:00:45,440 --> 00:00:48,680 Speaker 1: for Variety red carpet rundown with one and only George 12 00:00:48,720 --> 00:00:52,040 Speaker 1: Clooney and Todd Longwell makes the business case for why 13 00:00:52,080 --> 00:00:55,720 Speaker 1: business managers are important for people in entertainment. We get 14 00:00:55,720 --> 00:00:58,880 Speaker 1: a little help on that also from Larry David as 15 00:00:58,960 --> 00:01:02,040 Speaker 1: Variety gets ready to hoe host our annual Business Manager's 16 00:01:02,040 --> 00:01:05,440 Speaker 1: Breakfast event on Thursday in West Hollywood. But before we 17 00:01:05,480 --> 00:01:07,840 Speaker 1: get to that, here are a few headlines just in 18 00:01:07,880 --> 00:01:11,360 Speaker 1: this morning that you need to know. Disney has extended 19 00:01:11,360 --> 00:01:15,640 Speaker 1: the employment contract for Chief Financial Officer Hugh Johnston. Johnston 20 00:01:15,720 --> 00:01:18,679 Speaker 1: has won a lot of fans inside the Mousehouse since 21 00:01:18,680 --> 00:01:22,000 Speaker 1: he joined the company. In December twenty twenty three, Kevin 22 00:01:22,080 --> 00:01:25,840 Speaker 1: Riley has joined the AI firm Cartel as CEO. He 23 00:01:25,920 --> 00:01:29,399 Speaker 1: won't be the last veteran TV or film executive to 24 00:01:29,440 --> 00:01:33,399 Speaker 1: be recruited by tech firms that really need understanding and 25 00:01:33,520 --> 00:01:37,400 Speaker 1: insight into the creative process. Country stars Morgan Wallen and 26 00:01:37,520 --> 00:01:40,759 Speaker 1: Eric Church want to go fishing. They've partnered with Outdoor 27 00:01:40,800 --> 00:01:45,480 Speaker 1: America to launch Field and Stream TV. They intend to 28 00:01:45,560 --> 00:01:48,840 Speaker 1: launch fast channels as well as a broadcast network. That's 29 00:01:48,880 --> 00:01:52,440 Speaker 1: a counterintuitive choice for twenty twenty six, but will stay tuned. 30 00:01:52,600 --> 00:01:57,240 Speaker 1: Rip Clito Escobido the Third. Jimmy Kimmel delivered a heartfelt 31 00:01:57,280 --> 00:02:00,320 Speaker 1: tribute to his band leader on last night's show, did 32 00:02:00,360 --> 00:02:03,960 Speaker 1: Not Know that they were childhood friends? Play on KLDO. 33 00:02:04,280 --> 00:02:06,360 Speaker 1: All of these stories and so much more can be 34 00:02:06,360 --> 00:02:13,799 Speaker 1: found on Variety dot com. Right now, now we turn 35 00:02:13,880 --> 00:02:17,480 Speaker 1: to conversations with Variety journalists about news and trends and showbiz. 36 00:02:17,639 --> 00:02:21,079 Speaker 1: Next up, we'll hear from Variety Chief correspondent Daniel Didario 37 00:02:21,480 --> 00:02:24,480 Speaker 1: about his coverage of the Smashing Machine. It's the story 38 00:02:24,520 --> 00:02:28,080 Speaker 1: of resilience, of roads not taken, and of the beautiful 39 00:02:28,200 --> 00:02:32,639 Speaker 1: and boisterous friendship of Dwayne Johnson and Emily Blunt. Dan Didario, 40 00:02:32,919 --> 00:02:37,040 Speaker 1: thanks for coming back to talk about your latest cover story, Triumph, 41 00:02:37,080 --> 00:02:38,359 Speaker 1: and I do mean triumph. 42 00:02:38,440 --> 00:02:41,040 Speaker 2: Well, thanks for having me. And triumph is an interesting word. 43 00:02:41,280 --> 00:02:44,560 Speaker 2: The piece concerns itself with a trajectory that's been very 44 00:02:44,680 --> 00:02:47,440 Speaker 2: up and down and looking forward to the future where 45 00:02:47,480 --> 00:02:48,400 Speaker 2: triumps may lay ahead. 46 00:02:48,639 --> 00:02:51,440 Speaker 1: Listeners, run to Variety dot com or pick up your 47 00:02:51,480 --> 00:02:55,200 Speaker 1: November twelfth print edition, our precious print edition that we 48 00:02:55,280 --> 00:02:59,720 Speaker 1: love so much. Beautiful photography that a companies just really 49 00:02:59,760 --> 00:03:02,960 Speaker 1: helped paint the picture of Duayne Johnson. He is not 50 00:03:03,240 --> 00:03:06,960 Speaker 1: an under exposed personality. He is out there all the time. 51 00:03:07,520 --> 00:03:10,280 Speaker 1: And to your credit, Dan, I learned so much from 52 00:03:10,320 --> 00:03:10,799 Speaker 1: your story. 53 00:03:10,840 --> 00:03:12,880 Speaker 3: I learned a lot about him, not about. 54 00:03:12,600 --> 00:03:15,160 Speaker 1: In The Smashing Machine, the a twenty four movie that 55 00:03:15,320 --> 00:03:19,480 Speaker 1: is a biopic of MMA fighter Mark Kerr. To profile 56 00:03:19,560 --> 00:03:23,440 Speaker 1: somebody who is recognizable around the world, that's tough, because 57 00:03:23,480 --> 00:03:25,280 Speaker 1: what can you bring to it? Tell me how you 58 00:03:25,320 --> 00:03:28,840 Speaker 1: approached the assignment of profiling Dwayne Johnson at this Smashing 59 00:03:28,919 --> 00:03:30,680 Speaker 1: Machine moment. Of his career, so. 60 00:03:30,840 --> 00:03:33,320 Speaker 2: I think to set the scene. When I set out 61 00:03:33,360 --> 00:03:36,160 Speaker 2: to interview him, the film hadn't come out yet, and 62 00:03:36,280 --> 00:03:39,520 Speaker 2: we had booked the cover for about a month and 63 00:03:39,520 --> 00:03:42,640 Speaker 2: a half after its release date. The thinking was, as 64 00:03:42,680 --> 00:03:45,920 Speaker 2: I remember explaining to him, to Benny Softie, his director, 65 00:03:45,960 --> 00:03:48,480 Speaker 2: and to Emily Blunt, his co star, was that we 66 00:03:48,640 --> 00:03:51,080 Speaker 2: believed the film would have a long life in theaters. 67 00:03:51,160 --> 00:03:54,000 Speaker 2: It's a classic crowd pleaser and the piece I compare 68 00:03:54,040 --> 00:03:55,920 Speaker 2: it to Rocky. There are elements of it that are 69 00:03:55,960 --> 00:03:58,600 Speaker 2: more artsy and experimental than Rocky, But the hudsot is 70 00:03:58,840 --> 00:04:01,680 Speaker 2: we thought it was going to hit really big, and 71 00:04:01,720 --> 00:04:03,360 Speaker 2: so I set out to just kind of tell the 72 00:04:03,400 --> 00:04:05,120 Speaker 2: complete story of the film, how it was made, how 73 00:04:05,160 --> 00:04:08,760 Speaker 2: it came together, as its release. As it was released, 74 00:04:09,000 --> 00:04:12,120 Speaker 2: it became clear that audiences weren't seeking it out. It's 75 00:04:12,120 --> 00:04:14,440 Speaker 2: the kind of movie that maybe audiences don't go to 76 00:04:14,480 --> 00:04:16,600 Speaker 2: the theater for anymore. It was one of several films 77 00:04:16,600 --> 00:04:20,640 Speaker 2: this fall Rufman Spring, Skiing, Delivery from Nowhere, star driven 78 00:04:20,680 --> 00:04:25,160 Speaker 2: movies that have themes for grown ups and are artistically ambitious. 79 00:04:25,360 --> 00:04:28,200 Speaker 2: People are willing to wait for VOD and so it 80 00:04:28,279 --> 00:04:31,320 Speaker 2: became something that we felt we needed to reckon with 81 00:04:31,360 --> 00:04:34,800 Speaker 2: in the story, not because it's a historic bomb, it's not. 82 00:04:35,120 --> 00:04:38,920 Speaker 2: But this story concerns the entire journey of the film, 83 00:04:39,240 --> 00:04:42,159 Speaker 2: how it changed Johnson as an actor and part. Like 84 00:04:42,240 --> 00:04:44,800 Speaker 2: any good fighter knows, it's all about how you get 85 00:04:44,880 --> 00:04:46,120 Speaker 2: up after being knocked out. 86 00:04:46,400 --> 00:04:50,039 Speaker 1: You can't spin it. It was a pretty devastating opening, 87 00:04:50,200 --> 00:04:53,039 Speaker 1: especially for Dwayne Johnson, who is used to being higher 88 00:04:53,120 --> 00:04:55,280 Speaker 1: up the box office charts than that. It's one of 89 00:04:55,320 --> 00:04:57,640 Speaker 1: those you know, there's a grand canyon of divide between 90 00:04:57,640 --> 00:05:00,960 Speaker 1: the critical reception coming out of festivals, to your credit 91 00:05:01,000 --> 00:05:03,760 Speaker 1: as a journalist and to his credit as a subject. 92 00:05:04,320 --> 00:05:06,359 Speaker 1: You got back on the phone, and so the story 93 00:05:06,400 --> 00:05:08,640 Speaker 1: really does have scope to it because you sat down 94 00:05:08,680 --> 00:05:11,360 Speaker 1: well before its release and then you connected with him 95 00:05:11,360 --> 00:05:12,520 Speaker 1: again after the release. 96 00:05:12,800 --> 00:05:16,200 Speaker 2: Whatever happens with this film, whoever sees it, he believes 97 00:05:16,200 --> 00:05:18,920 Speaker 2: it will endure not just on its own terms as 98 00:05:18,960 --> 00:05:21,800 Speaker 2: a well made film that tells an interesting story that 99 00:05:21,839 --> 00:05:23,960 Speaker 2: deserves to be seen, but as a turning point for 100 00:05:24,080 --> 00:05:27,279 Speaker 2: him as an artist. This is really far and away 101 00:05:27,560 --> 00:05:30,240 Speaker 2: the biggest swing he's taken as an actor. He is 102 00:05:30,320 --> 00:05:33,840 Speaker 2: known for franchise fare. He is mister Hollywood. He is 103 00:05:34,200 --> 00:05:36,800 Speaker 2: the man you plug into a franchise film and you 104 00:05:36,880 --> 00:05:42,080 Speaker 2: know precisely what you're getting. The attitude, the swagger, the humor, 105 00:05:42,120 --> 00:05:44,840 Speaker 2: the wit, and that's carried him well. So to go 106 00:05:44,880 --> 00:05:48,400 Speaker 2: outside that comfort zone was genuinely scary. He really needed 107 00:05:48,400 --> 00:05:50,800 Speaker 2: to be encouraged by his co star Emily Blunt, with 108 00:05:50,839 --> 00:05:53,320 Speaker 2: whom he was already close friends. They made a Disney 109 00:05:53,320 --> 00:05:56,120 Speaker 2: film about five years ago, and she said, you know, 110 00:05:56,200 --> 00:05:58,720 Speaker 2: you're not serving your audience if you don't show them 111 00:05:58,760 --> 00:06:01,400 Speaker 2: aside of yourself. So those who do see the film, 112 00:06:01,400 --> 00:06:03,120 Speaker 2: and I think it will get a second life on 113 00:06:03,200 --> 00:06:06,320 Speaker 2: vod in, on streaming, those who do see it will 114 00:06:06,360 --> 00:06:09,480 Speaker 2: see a much more vulnerable Dwayne Johnson, and I think 115 00:06:09,520 --> 00:06:11,440 Speaker 2: that's a good look on him. And so I give 116 00:06:11,520 --> 00:06:13,159 Speaker 2: him all the credit in the world, not just for 117 00:06:13,200 --> 00:06:17,080 Speaker 2: being a gracious interview subject, but for admitting to the 118 00:06:17,120 --> 00:06:20,039 Speaker 2: fact that doing this was really scary. And now that 119 00:06:20,120 --> 00:06:23,359 Speaker 2: he has done it, he sees the rewards of playing 120 00:06:23,400 --> 00:06:25,760 Speaker 2: a character as his full self, not just as a 121 00:06:25,839 --> 00:06:26,960 Speaker 2: version of his own image. 122 00:06:27,000 --> 00:06:29,640 Speaker 1: The story of an MMA fighter who went through forgive 123 00:06:29,720 --> 00:06:32,800 Speaker 1: me but one battle after another and was resilient. There's 124 00:06:32,880 --> 00:06:37,200 Speaker 1: a world where Dwayne Johnson, former professional wrestler, if his 125 00:06:37,320 --> 00:06:39,520 Speaker 1: career had taken a different turn. Have to ask you 126 00:06:39,560 --> 00:06:43,800 Speaker 1: about the setting for your interview. You paint a picture 127 00:06:44,240 --> 00:06:46,160 Speaker 1: the two of you sitting in a boxing ring. 128 00:06:46,400 --> 00:06:46,679 Speaker 4: Yeah. 129 00:06:46,839 --> 00:06:49,080 Speaker 2: So they had done the photo shoot and the video 130 00:06:49,200 --> 00:06:51,960 Speaker 2: in a boxing gym in order to conjure the mood 131 00:06:52,240 --> 00:06:56,680 Speaker 2: of authenticity of Hollywood glamour of superstars up against the 132 00:06:56,720 --> 00:06:59,719 Speaker 2: grit and patna of gim where people have been sweating 133 00:06:59,720 --> 00:07:03,080 Speaker 2: it out for decades. It was gnarly. It was a 134 00:07:03,120 --> 00:07:05,600 Speaker 2: real boxing gym. In order to get into the ring, 135 00:07:05,800 --> 00:07:07,560 Speaker 2: I had to climb over the ropes and I was 136 00:07:07,600 --> 00:07:09,680 Speaker 2: an English major. I'm not a fighter, and so I 137 00:07:09,760 --> 00:07:12,280 Speaker 2: tripped and fell and Johnson caught me by the arm 138 00:07:12,360 --> 00:07:15,000 Speaker 2: and I was just like, that's why he's Dwayne Johnson 139 00:07:15,000 --> 00:07:17,800 Speaker 2: and I'm me. It really conjured a certain mood. In 140 00:07:17,880 --> 00:07:20,200 Speaker 2: order for me to use my recorder to tape the interview, 141 00:07:20,440 --> 00:07:22,600 Speaker 2: we had to turn the fans off, and so we're 142 00:07:22,640 --> 00:07:26,640 Speaker 2: sitting there sweating under the lights. It felt like I 143 00:07:26,800 --> 00:07:29,680 Speaker 2: was in the eighth round. It really put me right 144 00:07:29,720 --> 00:07:31,560 Speaker 2: in the mindset. And the person who loved it most 145 00:07:31,560 --> 00:07:33,920 Speaker 2: of all was the director, Benny Softy, who is an 146 00:07:33,960 --> 00:07:37,840 Speaker 2: absolute stickler for authenticity. He informed me that when they shot, 147 00:07:38,000 --> 00:07:41,960 Speaker 2: they didn't use purpose built sets, they used real mma gyms, 148 00:07:41,960 --> 00:07:44,200 Speaker 2: even though that made it more challenging to shoot. He 149 00:07:44,360 --> 00:07:47,480 Speaker 2: wanted that same patna, that same texture, and that same 150 00:07:47,480 --> 00:07:48,360 Speaker 2: feeling of life. 151 00:07:48,480 --> 00:07:51,000 Speaker 1: Every bit of that comes through in your story. I 152 00:07:51,000 --> 00:07:54,520 Speaker 1: felt like I could smell the gym's surroundings. And the 153 00:07:54,600 --> 00:07:58,600 Speaker 1: other thing that is absolutely delicious is the relationship between 154 00:07:58,600 --> 00:08:00,560 Speaker 1: Emily Blunt and Dwayne Johnson. 155 00:08:00,720 --> 00:08:04,480 Speaker 2: They are true friends. As Emily Blunt remarked in an 156 00:08:04,480 --> 00:08:07,360 Speaker 2: aside when they were promoting the film Jungle Cruise, Disney 157 00:08:07,360 --> 00:08:09,840 Speaker 2: wanted to pull the plug on their interviews because, as 158 00:08:09,880 --> 00:08:13,480 Speaker 2: you put it lightly, we were so inappropriate. They're just 159 00:08:13,520 --> 00:08:17,080 Speaker 2: the best buds. They really really get along great. And 160 00:08:17,120 --> 00:08:20,960 Speaker 2: it's evident that it took an Emily Blunt, which is 161 00:08:20,960 --> 00:08:25,040 Speaker 2: to say, someone Johnson likes and respects and understands to 162 00:08:25,080 --> 00:08:27,880 Speaker 2: be serious about her craft in the same way he's 163 00:08:27,880 --> 00:08:31,600 Speaker 2: always really serious about entertaining people. It took her to 164 00:08:31,680 --> 00:08:34,760 Speaker 2: convince him to take this risk. She's fantastic in the 165 00:08:34,760 --> 00:08:37,760 Speaker 2: film as well, as she said, she kind of put 166 00:08:37,840 --> 00:08:39,800 Speaker 2: the pieces together, but she didn't know if she was 167 00:08:39,840 --> 00:08:41,280 Speaker 2: going to be cast in it and didn't want to 168 00:08:41,679 --> 00:08:43,800 Speaker 2: nose her way in, but she was cast. And they 169 00:08:43,840 --> 00:08:45,880 Speaker 2: bring wonderful things out of each other in this portrait 170 00:08:45,960 --> 00:08:47,479 Speaker 2: of a very complicated relationship. 171 00:08:47,520 --> 00:08:49,640 Speaker 1: And when Mary Poppins comes to you and gives you 172 00:08:49,720 --> 00:08:52,320 Speaker 1: some advice, you probably pretty wise to take it. No 173 00:08:52,440 --> 00:08:55,920 Speaker 1: movie backstory is the same, nun, and you have captured 174 00:08:55,920 --> 00:08:58,520 Speaker 1: this one. You know, we'll watch in a couple of years. 175 00:08:58,640 --> 00:09:00,440 Speaker 1: This will be one of those movies that is on 176 00:09:00,520 --> 00:09:04,240 Speaker 1: a perpetual loop on streaming. Dan as always, thank you 177 00:09:04,320 --> 00:09:11,520 Speaker 1: so much, thanks for having me. And now here's Mark 178 00:09:11,600 --> 00:09:14,360 Speaker 1: Malkln with a Just for Variety Red Carpet rundown. 179 00:09:14,720 --> 00:09:18,640 Speaker 5: Thanks Cynthia. George Clooney is getting candid about AI. I 180 00:09:18,679 --> 00:09:20,679 Speaker 5: spoke to the Oscar Winter Tuesday night on the Red 181 00:09:20,720 --> 00:09:23,680 Speaker 5: Carpet at the premiere of his new Netflix film j Kelly. 182 00:09:24,400 --> 00:09:26,720 Speaker 5: I asked him for his reaction to the New Variety 183 00:09:26,760 --> 00:09:30,520 Speaker 5: interview with the creator of Tillie Norwood. She told our 184 00:09:30,600 --> 00:09:34,959 Speaker 5: Gene Maddis that full AI films are coming sooner than later. 185 00:09:35,080 --> 00:09:37,400 Speaker 6: I think that really rattled the Hollywood. 186 00:09:37,440 --> 00:09:38,600 Speaker 1: The general's sor too. 187 00:09:38,640 --> 00:09:42,240 Speaker 6: Stuff that shook everybody because suddenly the fallame is much 188 00:09:42,240 --> 00:09:45,160 Speaker 6: better and it's scary. But you know, AI is gonna 189 00:09:45,160 --> 00:09:47,440 Speaker 6: have the same problem that we have in Hollywood, which 190 00:09:47,440 --> 00:09:49,600 Speaker 6: is making a star is not so easy. You know, 191 00:09:49,640 --> 00:09:52,720 Speaker 6: you can't really describe what makes someone a star, right, 192 00:09:52,920 --> 00:09:56,680 Speaker 6: and it's not show, it's not looks, and it's something 193 00:09:56,840 --> 00:10:00,000 Speaker 6: unusual and it's hard to detect. They'll have the same 194 00:10:00,000 --> 00:10:00,680 Speaker 6: problems to Rita. 195 00:10:00,960 --> 00:10:04,600 Speaker 5: I asked Clooney about seeing unauthorized AI generated videos of 196 00:10:04,720 --> 00:10:05,720 Speaker 5: himself online. 197 00:10:05,960 --> 00:10:08,720 Speaker 6: There's been some really actually apful ones. What it done 198 00:10:08,760 --> 00:10:11,760 Speaker 6: and said things that I've never done and said and 199 00:10:11,840 --> 00:10:14,560 Speaker 6: put me out there and it's dangerous, It's dangerous for 200 00:10:14,600 --> 00:10:19,600 Speaker 6: your family. Yes, so, yes, it's complicated, but the. 201 00:10:19,559 --> 00:10:22,560 Speaker 3: Genis out of the bottle. I'm not quite sure where I. 202 00:10:22,000 --> 00:10:24,160 Speaker 5: For more of my chat with Clooney and his co stars, 203 00:10:24,280 --> 00:10:27,800 Speaker 5: including Adam Sandler, check out my column Just for Variety 204 00:10:27,920 --> 00:10:33,440 Speaker 5: at Variety dot com. 205 00:10:33,480 --> 00:10:37,120 Speaker 1: And finally, let's get down to business managers. Our annual 206 00:10:37,160 --> 00:10:39,679 Speaker 1: list of high Flying players is also published in our 207 00:10:39,720 --> 00:10:43,600 Speaker 1: November twelfth print edition and on Variety dot com. Todd Longwell, 208 00:10:43,720 --> 00:10:47,240 Speaker 1: Variety's Legal and Finance features editor, puts the whole thing 209 00:10:47,320 --> 00:10:50,600 Speaker 1: together for he explains the unique role the business managers 210 00:10:50,640 --> 00:10:53,679 Speaker 1: play for high net worth individuals as well as not 211 00:10:53,760 --> 00:10:56,760 Speaker 1: so high net worth people. But first, a great example 212 00:10:56,840 --> 00:10:59,280 Speaker 1: of what a good business manager can mean to the 213 00:10:59,320 --> 00:11:02,400 Speaker 1: life of an art Here's a clip of Larry David 214 00:11:02,559 --> 00:11:06,600 Speaker 1: of Seinfeld and Curb Your Enthusiasm Fame speaking at last 215 00:11:06,679 --> 00:11:11,280 Speaker 1: year's Business Manager's Breakfast, where he gave his longtime representative 216 00:11:11,640 --> 00:11:13,720 Speaker 1: quite a tribute. 217 00:11:13,120 --> 00:11:19,520 Speaker 4: All right. It was May nineteen eighty four. I had 218 00:11:19,600 --> 00:11:22,160 Speaker 4: just moved back to New York from Los Angeles because 219 00:11:22,200 --> 00:11:26,559 Speaker 4: I had gotten a writing job on SNL. I was 220 00:11:26,600 --> 00:11:30,760 Speaker 4: standing outside the improv when I was approached by some 221 00:11:30,960 --> 00:11:35,920 Speaker 4: guy with black horn rim glasses who looked like an 222 00:11:35,920 --> 00:11:42,840 Speaker 4: accountant anyway. He introduced himself as Matt Lichtenberg and said 223 00:11:42,840 --> 00:11:48,120 Speaker 4: he'd loved to get together to discuss becoming my business manager. 224 00:11:49,440 --> 00:11:54,319 Speaker 4: My business manager, you know. I told him I didn't 225 00:11:54,360 --> 00:11:58,360 Speaker 4: really need a business manager. I didn't have a business 226 00:11:59,600 --> 00:12:03,360 Speaker 4: and there was no money to manage. But he was 227 00:12:03,400 --> 00:12:09,640 Speaker 4: obnoxiously insistent that we meet, so we shook hands and 228 00:12:09,800 --> 00:12:14,720 Speaker 4: made it official. Then in a few months, the SNL 229 00:12:14,800 --> 00:12:18,199 Speaker 4: season was over and I was out of a job 230 00:12:19,679 --> 00:12:22,439 Speaker 4: for the next four years, I. 231 00:12:22,400 --> 00:12:23,360 Speaker 5: Didn't earn a penny. 232 00:12:24,920 --> 00:12:29,880 Speaker 4: That continued to pay the bills, file my taxes, and 233 00:12:29,960 --> 00:12:35,440 Speaker 4: to earn nothing doing it nothing. Now I started to 234 00:12:35,440 --> 00:12:41,600 Speaker 4: feel I started to feel badly about it. I told 235 00:12:41,679 --> 00:12:51,120 Speaker 4: him he was crazy. Believe me, there's nothing here. He said, 236 00:12:52,000 --> 00:12:57,640 Speaker 4: I'll take my chances. A month later I wrote the 237 00:12:57,760 --> 00:13:03,240 Speaker 4: pilot for Seinfeld. 238 00:13:02,760 --> 00:13:05,400 Speaker 1: And now Todd Longwell gives us the rundown of this 239 00:13:05,480 --> 00:13:09,040 Speaker 1: year's section and why Phil Sarna is this year's honoree. 240 00:13:09,240 --> 00:13:12,560 Speaker 1: Two words Chapel Roan Todd Longwell, thank you so much 241 00:13:12,559 --> 00:13:13,120 Speaker 1: for joining me. 242 00:13:13,559 --> 00:13:14,400 Speaker 3: Thanks for having me. 243 00:13:14,640 --> 00:13:16,559 Speaker 1: Todd, you have come to the end of a very 244 00:13:16,559 --> 00:13:20,960 Speaker 1: big project for Variety, our Business Manager's Elite List. This 245 00:13:21,080 --> 00:13:23,120 Speaker 1: is one of the great sections that we do that 246 00:13:23,280 --> 00:13:28,000 Speaker 1: shines a big spotlight on a niche area of the business. 247 00:13:28,080 --> 00:13:32,359 Speaker 1: It's a specialized service, but it is super super important 248 00:13:32,360 --> 00:13:35,200 Speaker 1: to all those high net worth individuals that work in 249 00:13:35,360 --> 00:13:38,560 Speaker 1: entertainment and those that are aspiring to join the high 250 00:13:38,559 --> 00:13:41,280 Speaker 1: net worth crowds. And the business manager is a distinct 251 00:13:41,880 --> 00:13:45,240 Speaker 1: service different from a lawyer or an agent or accountant. 252 00:13:46,120 --> 00:13:48,560 Speaker 1: So let me start by asking you, Todd, what are 253 00:13:48,600 --> 00:13:52,040 Speaker 1: the essential qualities of a good business manager. 254 00:13:52,760 --> 00:13:55,360 Speaker 3: Well, I like to say they're the CFO of their 255 00:13:55,360 --> 00:13:58,880 Speaker 3: client's lives. They handle a lot of different things. They 256 00:13:58,960 --> 00:14:01,360 Speaker 3: make sure they pay their tax, they make sure they 257 00:14:01,400 --> 00:14:04,000 Speaker 3: have long term planning for their lives. They help them 258 00:14:04,040 --> 00:14:07,280 Speaker 3: buy houses, they help them buy cars, they help them 259 00:14:07,480 --> 00:14:11,160 Speaker 3: sometimes hire and fire household staff or personal staff. But 260 00:14:11,440 --> 00:14:14,240 Speaker 3: as they say, it's not just about money. Anyone can 261 00:14:14,480 --> 00:14:17,880 Speaker 3: add and subtract, and especially with all the software tools 262 00:14:18,000 --> 00:14:21,840 Speaker 3: we have today, they can handle the money part of it. 263 00:14:21,840 --> 00:14:25,600 Speaker 3: It's also about dealing with them as kind of a 264 00:14:25,600 --> 00:14:28,440 Speaker 3: money therapist. So a lot of what they do is 265 00:14:28,480 --> 00:14:32,080 Speaker 3: actually counseling. And someone said, oh, you know, my husband 266 00:14:32,120 --> 00:14:34,560 Speaker 3: asked me, what hat did you have on today? Where 267 00:14:34,560 --> 00:14:38,480 Speaker 3: the accountant, the therapist or the parent. Because it really 268 00:14:38,800 --> 00:14:41,560 Speaker 3: is not just about dollars and cents, it's also about 269 00:14:41,600 --> 00:14:42,400 Speaker 3: the psychology. 270 00:14:42,800 --> 00:14:45,240 Speaker 1: Tell me about Phil Sarna and he's our choice for 271 00:14:45,320 --> 00:14:49,600 Speaker 1: Business Manager Elite this year for recognition. Todd, what made 272 00:14:49,600 --> 00:14:53,160 Speaker 1: Phil Sarna rise to the level of getting this recognition. 273 00:14:53,080 --> 00:14:55,680 Speaker 3: Well, he is one of the top business managers in 274 00:14:56,280 --> 00:14:59,800 Speaker 3: the music end of it. And he has a Billie Eilish, 275 00:15:00,080 --> 00:15:03,440 Speaker 3: he has Lizzo, he has Chapel Roone. He has Benson 276 00:15:03,600 --> 00:15:06,640 Speaker 3: Boone with his firm, and that's a pretty hip list. 277 00:15:07,080 --> 00:15:10,560 Speaker 3: When you talk to business managers, the common wisdom is 278 00:15:10,720 --> 00:15:15,440 Speaker 3: the two hardest clients to have are musicians and athletes. 279 00:15:16,040 --> 00:15:19,320 Speaker 3: The biggest reasons are that they tend to have short careers, 280 00:15:19,400 --> 00:15:22,320 Speaker 3: the money comes all at once when they're young. They 281 00:15:22,400 --> 00:15:26,080 Speaker 3: often can living in a culture where spending in lavish 282 00:15:26,160 --> 00:15:29,000 Speaker 3: lifestyles are the norm. It's tough to even get them 283 00:15:29,040 --> 00:15:31,760 Speaker 3: to sit down and understand how their contract works and 284 00:15:31,880 --> 00:15:35,080 Speaker 3: like that advance of yours is alone is recoupable. 285 00:15:35,280 --> 00:15:38,080 Speaker 1: Any list that we do gets a lot of lobbying. 286 00:15:38,280 --> 00:15:40,840 Speaker 1: What kind of lobbying do you get on behalf of 287 00:15:40,880 --> 00:15:41,720 Speaker 1: business managers? 288 00:15:41,760 --> 00:15:45,440 Speaker 3: I'm curious, Well, Businessmann's is a little easier than the 289 00:15:45,480 --> 00:15:49,160 Speaker 3: others because you have to basically and get in our site. 290 00:15:49,280 --> 00:15:50,960 Speaker 3: They have to have good clients, and even if I 291 00:15:51,120 --> 00:15:54,240 Speaker 3: can't publish them, I usually like to say I need 292 00:15:54,480 --> 00:15:55,560 Speaker 3: submissible evidence. 293 00:15:56,120 --> 00:15:58,520 Speaker 1: Well, Todd, I appreciate you taking the time to talk 294 00:15:58,560 --> 00:16:00,520 Speaker 1: us through this, how the list is built, how the 295 00:16:00,560 --> 00:16:03,000 Speaker 1: sausage is made, and listeners. I just want you to 296 00:16:03,040 --> 00:16:05,640 Speaker 1: know that Todd Longwell has one of the coolest framed 297 00:16:05,720 --> 00:16:09,120 Speaker 1: movie posters of anybody in the La office of Variety. 298 00:16:09,400 --> 00:16:12,240 Speaker 1: It is the poster of the day of the Locust 299 00:16:12,440 --> 00:16:16,520 Speaker 1: and those that know that is so telling right now 300 00:16:16,560 --> 00:16:18,160 Speaker 1: for the Hollywood that we are covering. 301 00:16:18,280 --> 00:16:19,000 Speaker 3: Thank you, Cynthia. 302 00:16:24,440 --> 00:16:27,320 Speaker 1: As we close out today's episode, here's a few things 303 00:16:27,320 --> 00:16:30,120 Speaker 1: we're watching for. The trailer is out for the controversial 304 00:16:30,120 --> 00:16:34,640 Speaker 1: new documentary Elon Musk unveiled, The Tesla Experiment. The film 305 00:16:34,680 --> 00:16:38,440 Speaker 1: is set to premiere November sixteenth at the IDFA Documentary 306 00:16:38,480 --> 00:16:42,000 Speaker 1: Festival in Amsterdam. Variety will produce the first of three 307 00:16:42,040 --> 00:16:45,840 Speaker 1: digital dailies out of the IDFA starting on Friday before 308 00:16:45,880 --> 00:16:49,240 Speaker 1: we Go. Congrats to Jordan Lickman. He's joined Media Capital 309 00:16:49,320 --> 00:16:53,600 Speaker 1: Technologies as Chief Operating Officer and General Counsel. MCT is 310 00:16:53,640 --> 00:16:58,000 Speaker 1: the parent company of startup distributor Roque Entertainment ELI, Roths, 311 00:16:58,000 --> 00:17:01,440 Speaker 1: the Horror Section and More Human. Was most recently general 312 00:17:01,480 --> 00:17:05,600 Speaker 1: counsel for Ben Affleck and Matt Damon's Artist's Equity. Thanks 313 00:17:05,600 --> 00:17:08,280 Speaker 1: for listening. This episode was written and reported by me 314 00:17:08,440 --> 00:17:12,359 Speaker 1: Cynthia Littleton, with contributions from Daniel de Dario, Mark Malkolin, 315 00:17:12,440 --> 00:17:16,239 Speaker 1: and Todd Longwell. Sticks Nicks Hick Pigs Please leave us 316 00:17:16,280 --> 00:17:18,800 Speaker 1: a review at the podcast platform of your choice, and 317 00:17:18,880 --> 00:17:21,920 Speaker 1: please tune in tomorrow for another episode of Daily Variety.