WEBVTT - Cockney Rhyming Slang: Beautiful Gibberish

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<v Speaker 1>Attention Seattle in the Greater Pacific Northwest area. If you

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<v Speaker 1>are in town on January sixteen, you're hereby commanded to

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<v Speaker 1>go to the More Theater to see us Stuff you

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<v Speaker 1>should know. That's right. We are kicking off with Seattle,

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<v Speaker 1>all new material. We're super excited. You always turn out

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<v Speaker 1>for us. Tickets go on sale tomorrow for the January

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<v Speaker 1>six show. You can find out ticket info at s

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<v Speaker 1>y s K live dot com. Welcome to Stuff You

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<v Speaker 1>Should Know, a production of I Heart Radios, How Stuff

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<v Speaker 1>Works and Welcome to the podcast. I'm Josh Clark, and

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<v Speaker 1>there's Charles W. Chuck Bryant right there. There's Jerry Rowland

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<v Speaker 1>right there. So that makes this Stuff you should Know

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<v Speaker 1>right comes. We can't top that. I was trying to

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<v Speaker 1>think a way to say welcome to the podcast in

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<v Speaker 1>Cockney rhyming slang. Can you make anyto my My brain

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<v Speaker 1>is so broken right now, I can't even try. Okay, good, good, well, welcome.

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<v Speaker 1>It's a good, good time to record a show. Exactly

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<v Speaker 1>are you gonna do some Cockney in here? Right? We

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<v Speaker 1>want to offend as many Londoners as we can. I

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<v Speaker 1>don't know, Just just channel a little Dick van Dyke.

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<v Speaker 1>Oh you know, yeah, the American doing a bad Cockney accent. Well,

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<v Speaker 1>I did recently rewatch The Limey, Yes, for Casey's Benefits. Yeah,

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<v Speaker 1>the great, great movie from Steven Soderbergh. I never seen it.

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<v Speaker 1>It's awesome, is it really? I mean, I know it's

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<v Speaker 1>like a classic and everybody loves it, but I mean

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<v Speaker 1>it's really that good. Huh yeah, because a lot of

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<v Speaker 1>people liked, Um, I don't know The Hangover? Well, how

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<v Speaker 1>would you? How would you like The Lie Me and

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<v Speaker 1>The Hangover? Same level? Yeah, they're the same movie almost

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<v Speaker 1>all right, it's weird. Well, then I've seen The Hangover,

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<v Speaker 1>so I don't need to see The lime The Limey

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<v Speaker 1>is great and Tarance Stamp is awesome in it and

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<v Speaker 1>uses some Cockney rhyming slang and one great scene. My

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<v Speaker 1>big exposure to Cockney rhyming slang is block Stock in

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<v Speaker 1>Two Smoking Barrels Snatch, which I think are both directed

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<v Speaker 1>by Guy Ritchie Right was in lock Stock like his

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<v Speaker 1>first attempt, and Snatch was the one that like got

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<v Speaker 1>him married to Madonna. You're a fan of Hits, Yeah,

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<v Speaker 1>I mean as much as I like his movies, I

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<v Speaker 1>don't like him personally necessarily because he like hunts, bore

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<v Speaker 1>like a jackass, and yeah, like drunk with his friends

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<v Speaker 1>in the most disrespectful way of murdering a pig. I

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<v Speaker 1>mean his movies. But yeah, I do like his movie.

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<v Speaker 1>It sounds like he's a creep too. I'm not going

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<v Speaker 1>to go on record saying that, but yeah, uh yeah,

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<v Speaker 1>those movies are okay. And then I guess what's his name,

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<v Speaker 1>don Cheatle a little bit in Oceans eleven. Sure, he

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<v Speaker 1>did a little bit of that, right, And I mean

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<v Speaker 1>like it's it's code to Americans, it's oh, there's like

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<v Speaker 1>a criminal, a British criminal. That's all that means these days. Yeah,

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<v Speaker 1>I think so. In movies, it's definitely like all of

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<v Speaker 1>those are criminal criminal people in the moment, they're like,

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<v Speaker 1>you know, kind of slick, cool criminals that like wear

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<v Speaker 1>leather coats and stuff like that, not not dumb criminals

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<v Speaker 1>that were like football jerseys or anything like that. They're like,

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<v Speaker 1>you know, smooth criminals. That's I think what I was

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<v Speaker 1>looking for. But um, this this idea of associating it

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<v Speaker 1>with Cockney is not necessarily associating it with criminals. It's

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<v Speaker 1>more associated with like um, lower class, working class, less educated,

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<v Speaker 1>definitely not the aristocracy over in Britain or the upper class.

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<v Speaker 1>And that by by speaking with a Cockney accent, or

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<v Speaker 1>more to the point, using Cockney rhyming slang, you could

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<v Speaker 1>really differentiate yourself too as a point of pride, like

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<v Speaker 1>you were speaking like your group. You're in group, which

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<v Speaker 1>was at the time Cockney. But the big surprise to

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<v Speaker 1>all this is it's really possible and even probable that

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<v Speaker 1>it wasn't then that came up with this rhyming slang,

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<v Speaker 1>that it was somebody else altogether. Maybe who knows? Should

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<v Speaker 1>we say what it is? No, not for the rest

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<v Speaker 1>of the podcast, Cockney rhyming slang. It wasn't even very

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<v Speaker 1>clearly defined in this piece. Okay, did you think it was.

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<v Speaker 1>It's in there, Okay, you gotta just kind of separate

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<v Speaker 1>the wheat from the chaff. So it is a two

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<v Speaker 1>word phrase. It is a slang phrase consisting of two words.

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<v Speaker 1>Were the last word of that phrase rhymes with the

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<v Speaker 1>original word. And it can be And I think the

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<v Speaker 1>best way to do this is just to throw out

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<v Speaker 1>of you keep describing, well, the two word phrase. It

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<v Speaker 1>can be. It can be a lot of things. That

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<v Speaker 1>can be a person's name, it can be just something random,

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<v Speaker 1>could be a place, could be a place, it could

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<v Speaker 1>be a lot of things. It can be anything. Yeah, sure,

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<v Speaker 1>I guess it can be. But shall we illustrate it through. Well,

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<v Speaker 1>there's a second part to it too, Okay, the second part,

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<v Speaker 1>and this is very important. The two word phrase that

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<v Speaker 1>you're using to that were the second word rhymes with

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<v Speaker 1>the word you're actually saying. Yeah, the original word, the

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<v Speaker 1>original word thank you, usually has nothing to do with it.

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<v Speaker 1>There's no metaphor, there's no connection, there's no nothing, there's

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<v Speaker 1>no there's no context to it. It's supposed to just

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<v Speaker 1>be random or in most cases it is just random words, right,

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<v Speaker 1>one of which rhymes with the word you're replacing. And

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<v Speaker 1>to further complicate things, in a lot of cases, and

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<v Speaker 1>no one knows why, sometimes this happens, and sometimes it doesn't.

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<v Speaker 1>A lot of times that one of the words of

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<v Speaker 1>the two word phrases dropped and then you're just left

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<v Speaker 1>with the one word, which doesn't even rhyme with the

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<v Speaker 1>original word anymore. Right, that's I mean, that's probably the

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<v Speaker 1>best description of cockney rhyming slaying anyone's ever given, So

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<v Speaker 1>I think we should illustrate it with a couple of examples.

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<v Speaker 1>I've hold some from from something called the Internet. Um.

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<v Speaker 1>Here here's one, the tip and tet. That's how long

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<v Speaker 1>it took me to come up with that tip and

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<v Speaker 1>tet for Internet. But in ten years it'll just be

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<v Speaker 1>called the tip. I'm gonna log onto the tip. So

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<v Speaker 1>let's say your word was and this was the Ocean's

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<v Speaker 1>eleven specifically, trouble is the word that you're trying to say.

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<v Speaker 1>Cockney rhyming slang for trouble is Barney rubble. Awesome. Um,

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<v Speaker 1>And so you would say you're making a bit of

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<v Speaker 1>the Bonnie rubbleed again right when somebody that was kind

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<v Speaker 1>of um, who was that making a bit of Bonnie rubble?

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<v Speaker 1>Not the CE? I already did it wrong? No, but

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<v Speaker 1>I think that's not like a real person to an

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<v Speaker 1>American for sure. Oh yeah, Um, I can't, I can't.

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<v Speaker 1>I'll shout it out later. Man, I finally did a

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<v Speaker 1>good one. We just I just don't know who. But

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<v Speaker 1>it wasn't a Cockney person, okay. Uh. Other example, um,

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<v Speaker 1>for queen, um, they would use the term baked bean

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<v Speaker 1>looks on TV it's the baked bean, and that's the queen.

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<v Speaker 1>Or in the case of one that's been dropped, what

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<v Speaker 1>is ed used here? Bees and honey. That one is

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<v Speaker 1>not dropped for money, okay, but which one was? Apples

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<v Speaker 1>and pairs for stairs? Right, So you would say I'm

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<v Speaker 1>gonna go up the apple and stairs apples and pears?

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<v Speaker 1>Oh man, let me retake this. Everybody. You would say,

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<v Speaker 1>I'm going to go up the apples and pears to

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<v Speaker 1>go get my wallet to pay for this pizza or

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<v Speaker 1>something to that effect. Okay, But then over time people

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<v Speaker 1>dropped the pears, and so now the word for stairs

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<v Speaker 1>in Cockney rhyming slang is just apples, which, if you're

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<v Speaker 1>just standing there on the outside like a normal American

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<v Speaker 1>bloke by the way, he means person. Um, you have

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<v Speaker 1>no idea why this person just called stairs apples. You

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<v Speaker 1>got what they were saying, because the context is there,

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<v Speaker 1>You're going up the apples to get your wallet to

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<v Speaker 1>pay for the pizza. But why would you just say that?

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<v Speaker 1>Did you did you hit your head? Is there something

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<v Speaker 1>wrong with you? What's the problem? Why would you just

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<v Speaker 1>call that apples? That's why it's so confounding. But the

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<v Speaker 1>great thing about cockney rhyming slang, and in particular the

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<v Speaker 1>great thing about researching cockney rhyming slang, did you learn

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<v Speaker 1>how you get from apples two stairs and then it

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<v Speaker 1>makes sense? Sometimes yeah, that's true. It's not always yeah,

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<v Speaker 1>sometimes there's uh, it's it's not documented, which Ed points

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<v Speaker 1>out is one of the problems. Sometimes you can draw

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<v Speaker 1>the line, the through line, but because it's not documented,

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<v Speaker 1>and sometimes these things take years and years to morph

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<v Speaker 1>into its final version unless you're unless you're you know,

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<v Speaker 1>on the on the door now on the streets, than

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<v Speaker 1>you wouldn't know. But I don't know what streets is.

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<v Speaker 1>You can't just make stuff up, Like there's real words

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<v Speaker 1>on the drums and beats on the drums, right, but

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<v Speaker 1>they probably have a word for streets. Like that's the

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<v Speaker 1>whole point. You can't just make anything up, but you

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<v Speaker 1>could if it hasn't been taken yet. Sure. But also

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<v Speaker 1>that's the other thing about cockney rhyming slang is it

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<v Speaker 1>evolves right so old celebrities that that no one even

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<v Speaker 1>knows about any more, followay to new celebrities whose name

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<v Speaker 1>also rhyme with you know, whatever word you're saying, right,

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<v Speaker 1>I thought you meant old celebrities who maybe used to

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<v Speaker 1>talk this way, like Michael Caine. No, he's never said

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<v Speaker 1>any rhyming slang in his life. Of course, you got

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<v Speaker 1>to see the movie Alfie. Maybe that's who it was.

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<v Speaker 1>It might have been Michael Kane. I don't think that

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<v Speaker 1>Michael Kane. I think it was as a matter of fact, yea,

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<v Speaker 1>thank you, I'm glad you did it. Noel always says

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<v Speaker 1>a good joke is to say Michael Caine in the

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<v Speaker 1>correct accent, say the words my cocaine, and it sounds

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<v Speaker 1>like Michael Caine saying it. Then it sounds like the

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<v Speaker 1>correct accent for Michael Caine. Right, Uh, my cocaine. Well,

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<v Speaker 1>don't you just blew that one out of the water.

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<v Speaker 1>You could have set me up in the future. Now

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<v Speaker 1>you haven't my cocaine. Well, there's I've got it two

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<v Speaker 1>ways now, man, here's the thing, my cocaine. That's my cocaine.

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<v Speaker 1>It's pretty good, Michael Caine, it is good. You're right. No,

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<v Speaker 1>you just gotta say it the right way and not

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<v Speaker 1>like a robot. Josh. So here's the one of the

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<v Speaker 1>things that sort of confounding. If you want to look

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<v Speaker 1>up a uh, like a glossary and say, well, here's

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<v Speaker 1>I'm gonna do. I'm gonna learn Cockney rhyming slang. So

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<v Speaker 1>for my trip to England, I'm really you know, I'm

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<v Speaker 1>really in with everybody. First of all, bad idea. Second

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<v Speaker 1>of all, it's it can be very localized and the

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<v Speaker 1>accents are all different. Yeah, so even people in London

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<v Speaker 1>who both who all use people in London don't really do.

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<v Speaker 1>But the people who use Cockney rhymings lang in London

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<v Speaker 1>might not even agree on what word is means what.

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<v Speaker 1>I'm just picturing all the people walking around England laughing

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<v Speaker 1>their artists off. I can't wait to get to that

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<v Speaker 1>one as we stumble through this. Um Yeah. Ed had

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<v Speaker 1>a really good example of why there's no um codification

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<v Speaker 1>of the Cockney rhyming slang. He said that when people

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<v Speaker 1>are creating a language, especially informal ones like slang, they

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<v Speaker 1>don't write it all down. Quote, dear Diary referred to

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<v Speaker 1>my house as a cat and mouse today because it rhymed.

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<v Speaker 1>We all had a good laugh. Might try just calling

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<v Speaker 1>it cat tomorrow and see how it goes. It is.

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<v Speaker 1>It sounds funny, but that's that's how it works. Can

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<v Speaker 1>you imagine stumbling across the diary that? Um. And here's

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<v Speaker 1>the other thing too, is there are cases where there

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<v Speaker 1>is a little bit of a reflection and of the

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<v Speaker 1>original word. And the example that it gives here is twist. Yeah,

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<v Speaker 1>like to call a woman a twist, which I don't

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<v Speaker 1>know if that's a derogatory or not, or just some

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<v Speaker 1>weird slang that no one uses anymore. I don't think so,

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<v Speaker 1>although I don't know. So. Yeah, these are also the

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<v Speaker 1>people who use the C word like it's nothing. We

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<v Speaker 1>can't fanny, Oh man, I can't wait to go back there,

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<v Speaker 1>which we're gonna do soon, is right, I'd love to

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<v Speaker 1>do maybe? Yeah? All right. Uh so twist came from

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<v Speaker 1>twist and twirl, which meant girl, which is uh they

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<v Speaker 1>were talking about like dancing with a girl twisting and

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<v Speaker 1>twirling in a nightclub. Let's say, so there's some connection

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<v Speaker 1>in that way. Yeah, so girl ended up becoming twist,

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<v Speaker 1>So that sort of makes sense. There's another one called

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<v Speaker 1>on your Todd after a guy named Todd Sloan, and

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<v Speaker 1>it means on your own right, And the thing is,

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<v Speaker 1>it's like on your Todd, it makes sense. Sloan rhymes thone.

0:13:00.480 --> 0:13:02.880
<v Speaker 1>It doesn't have to have any connection, but that one

0:13:02.880 --> 0:13:05.760
<v Speaker 1>actually does because Todd Sloan was a famous jockey in

0:13:05.800 --> 0:13:11.720
<v Speaker 1>the nineteenth century. Yes, what other kind is there? Oh? Yes, sure?

0:13:12.200 --> 0:13:15.200
<v Speaker 1>Um so his book, his memoir, was called Todd Sloan

0:13:15.360 --> 0:13:18.240
<v Speaker 1>by himself, which is weird to refer to yourself in

0:13:18.320 --> 0:13:22.360
<v Speaker 1>third person for your memoir, But there was a line

0:13:22.360 --> 0:13:25.880
<v Speaker 1>in it that apparently east End east Enders in London

0:13:26.080 --> 0:13:29.120
<v Speaker 1>like really picked up. I was left alone by those

0:13:29.160 --> 0:13:32.480
<v Speaker 1>I never ceased to grieve for. It's so like the

0:13:32.520 --> 0:13:35.839
<v Speaker 1>idea of being alone or on your own became synonymous

0:13:35.880 --> 0:13:38.440
<v Speaker 1>with Todd Sloan. His names has happened to rhyme with that.

0:13:38.520 --> 0:13:40.240
<v Speaker 1>So it's one of those rare ones where there is

0:13:40.280 --> 0:13:43.760
<v Speaker 1>a connection to it, and also rare chuck, and that

0:13:44.480 --> 0:13:48.120
<v Speaker 1>this is a nineteenth century horse jockey and still today

0:13:48.200 --> 0:13:51.000
<v Speaker 1>on your Todd is recognized as on your own, whereas

0:13:51.000 --> 0:13:53.480
<v Speaker 1>a lot of people probably have no idea exact from

0:13:53.520 --> 0:13:57.440
<v Speaker 1>who he is. And when that happens that frequently that

0:13:57.480 --> 0:14:01.439
<v Speaker 1>person gets moved out for potentially another celebrity another word,

0:14:01.520 --> 0:14:04.440
<v Speaker 1>that's a little more understandable to recognize another new jockey

0:14:04.480 --> 0:14:09.440
<v Speaker 1>to people today, Right, Yeah, exactly, which can you name one? Nope, nope. Um,

0:14:09.480 --> 0:14:11.880
<v Speaker 1>all right, maybe we should take a break and we'll

0:14:11.880 --> 0:14:14.920
<v Speaker 1>talk about some of the other uh some other examples

0:14:14.960 --> 0:14:37.240
<v Speaker 1>after this message. Okay, we're back. Jerry just opened the

0:14:37.240 --> 0:14:40.320
<v Speaker 1>loudest sandwich in the history of the world. She's like,

0:14:40.320 --> 0:14:41.880
<v Speaker 1>hold on a minute. And it sounded like it was

0:14:41.920 --> 0:14:44.600
<v Speaker 1>in a space blanket. It was like Ernest opens a

0:14:44.640 --> 0:14:48.040
<v Speaker 1>sandwich over here. That was a good one, not as

0:14:48.040 --> 0:14:52.240
<v Speaker 1>good as part two. I saw that first one in

0:14:52.280 --> 0:14:57.400
<v Speaker 1>the theater. Yeah. So here's some other examples that have

0:14:57.960 --> 0:15:01.560
<v Speaker 1>Some of them have sort of aid over in England

0:15:01.600 --> 0:15:04.240
<v Speaker 1>and some of them have found their way. Like apparently

0:15:04.240 --> 0:15:07.720
<v Speaker 1>the term put up your dukes, I didn't Cockney rhyming slang,

0:15:07.880 --> 0:15:10.000
<v Speaker 1>so and I didn't write down where dukes came from,

0:15:10.000 --> 0:15:14.320
<v Speaker 1>but that's where it was originally a Cockney rhyming slang term. Yeah,

0:15:14.400 --> 0:15:17.040
<v Speaker 1>because so, um, you would think it had to do

0:15:17.080 --> 0:15:20.720
<v Speaker 1>with fists or something, dukes for fists. What didn't not

0:15:20.760 --> 0:15:23.400
<v Speaker 1>write that down? Okay, But but so that's another really

0:15:23.480 --> 0:15:27.160
<v Speaker 1>important point to say about cockney rhyming slang. It's frequently

0:15:27.920 --> 0:15:31.040
<v Speaker 1>rhyming slang based on slang. So the word it's replacing

0:15:31.120 --> 0:15:33.480
<v Speaker 1>is a slang word to begin with, So who knows

0:15:33.560 --> 0:15:36.440
<v Speaker 1>what the Duke's actually rhymed with at any point? Yeah,

0:15:36.480 --> 0:15:39.920
<v Speaker 1>that's a good point. So, uh, first of all, I've

0:15:39.920 --> 0:15:43.200
<v Speaker 1>never heard this blowing a raspberry. What have you heard

0:15:43.200 --> 0:15:47.480
<v Speaker 1>of that? Yeah? That's tooting out of your that What

0:15:47.600 --> 0:15:50.320
<v Speaker 1>I just did is as much blowing a raspberry is

0:15:50.320 --> 0:15:55.160
<v Speaker 1>actually farting. Oh really? Yeah? Okay, well I've heard of

0:15:55.200 --> 0:15:59.400
<v Speaker 1>giving someone a raspberry like that. Okay, that's the same thing. Yeah, okay,

0:15:59.680 --> 0:16:05.320
<v Speaker 1>Well apparently that's derived from raspberry tart slang for fart.

0:16:05.520 --> 0:16:08.800
<v Speaker 1>Isn't that amazing? It's pretty great? Yeah. Um, so that

0:16:08.840 --> 0:16:10.960
<v Speaker 1>one is one of the rare ones I love talking

0:16:10.960 --> 0:16:14.320
<v Speaker 1>about exceptions. Do you know that? Um, that's one of

0:16:14.320 --> 0:16:17.160
<v Speaker 1>the rare ones that made its way to America because

0:16:17.520 --> 0:16:20.800
<v Speaker 1>everyone but you knows what blowing a raspberry is. I

0:16:20.800 --> 0:16:23.400
<v Speaker 1>guess I've never heard of the term blowing, but giving

0:16:23.400 --> 0:16:26.600
<v Speaker 1>someone a raspberry same thing. I found two more. One

0:16:27.320 --> 0:16:30.240
<v Speaker 1>is controversial. It's not set in stone, but it's as

0:16:30.240 --> 0:16:33.080
<v Speaker 1>good an explanation as any. Get down to brass tacks.

0:16:33.640 --> 0:16:36.240
<v Speaker 1>I saw that one too. That's a standing for facts.

0:16:36.320 --> 0:16:39.760
<v Speaker 1>Let's get down to the bare facts. Um, possibly it's not.

0:16:40.000 --> 0:16:44.240
<v Speaker 1>It's not done. Um. One that is a percent as

0:16:44.240 --> 0:16:47.160
<v Speaker 1>far as I can tell, is bread. I saw that

0:16:47.200 --> 0:16:53.320
<v Speaker 1>too for money in America, bread and honey became just bread, right,

0:16:53.440 --> 0:16:56.360
<v Speaker 1>and it caught on here and caught on again. Just now,

0:16:56.600 --> 0:17:00.400
<v Speaker 1>well bees in honey though, was also for money. Is

0:17:00.440 --> 0:17:02.920
<v Speaker 1>that just one of the local like depends on where

0:17:02.920 --> 0:17:05.800
<v Speaker 1>you are things, Yeah, okay, yeah, but in America, I mean,

0:17:06.080 --> 0:17:08.800
<v Speaker 1>you know we use bread. Everybody calls it bread. Yeah.

0:17:08.880 --> 0:17:11.920
<v Speaker 1>I didn't know that that would come back. Yeah, somebody

0:17:11.920 --> 0:17:13.880
<v Speaker 1>wrote in to say it had come back. Let's get

0:17:13.880 --> 0:17:18.040
<v Speaker 1>this bread right, I guess. So that's familiar. You need

0:17:18.080 --> 0:17:21.080
<v Speaker 1>to spend more time on Reddit. Uh. Here's another one.

0:17:21.480 --> 0:17:24.359
<v Speaker 1>Dog and bone stands in for phone, call me on

0:17:24.400 --> 0:17:28.640
<v Speaker 1>the dog and bone. Uh. And then Ed says there

0:17:28.680 --> 0:17:31.520
<v Speaker 1>may be some kind of correlation between one syllable words

0:17:32.160 --> 0:17:37.440
<v Speaker 1>that lead off that phrase, um staying in the phrase,

0:17:37.520 --> 0:17:39.679
<v Speaker 1>But I don't there's so many exceptions. I don't know

0:17:39.720 --> 0:17:42.480
<v Speaker 1>if there is a rule exactly. And I think that's

0:17:42.480 --> 0:17:45.440
<v Speaker 1>really this is worth saying. We looked all over the place.

0:17:45.480 --> 0:17:51.320
<v Speaker 1>I know ED did too, for straight up linguistic dissertations

0:17:51.359 --> 0:17:55.080
<v Speaker 1>and papers on Cockney rhyming, slane, it's not there. It's

0:17:55.119 --> 0:17:57.600
<v Speaker 1>just treated as fun and hilarious, even though it is

0:17:57.680 --> 0:18:01.800
<v Speaker 1>its own made up language. It's ever evolving, still alive,

0:18:01.840 --> 0:18:03.600
<v Speaker 1>has been around. We'll talk about the history of a

0:18:03.600 --> 0:18:06.960
<v Speaker 1>minute for a hundred and fifty plus years, but apparently

0:18:07.000 --> 0:18:09.119
<v Speaker 1>no linguists has ever thought enough of it to to

0:18:09.240 --> 0:18:12.959
<v Speaker 1>sit down and write a genuine paper about it. So

0:18:13.000 --> 0:18:15.400
<v Speaker 1>we couldn't find that. But the one thing that really

0:18:15.400 --> 0:18:20.520
<v Speaker 1>occurred to me was in looking into it. I don't

0:18:20.560 --> 0:18:23.320
<v Speaker 1>know if it could ever be explained. I think it's

0:18:23.359 --> 0:18:27.320
<v Speaker 1>the result of so many individual decisions and then collective

0:18:27.320 --> 0:18:30.440
<v Speaker 1>agreements to take up and go along with those decisions,

0:18:31.040 --> 0:18:34.320
<v Speaker 1>and those agreements can be totally undermined by a new

0:18:34.359 --> 0:18:37.840
<v Speaker 1>individual decision that catches on that. How could you possibly

0:18:37.960 --> 0:18:41.919
<v Speaker 1>map and even understand all or explain all of that

0:18:42.000 --> 0:18:45.120
<v Speaker 1>different stuff? But even though we can't explain it, once

0:18:45.160 --> 0:18:48.800
<v Speaker 1>you start to learn how it works, it's understandable. So

0:18:48.840 --> 0:18:52.679
<v Speaker 1>you can't explain, but you can't understand it. Yeah, And

0:18:52.720 --> 0:18:55.200
<v Speaker 1>it's like I always wonder with any kind of slang

0:18:55.320 --> 0:18:57.920
<v Speaker 1>or like who who makes the stuff up? Who sets

0:18:57.960 --> 0:19:01.280
<v Speaker 1>the rules? It's probably just the kind of thing that

0:19:01.359 --> 0:19:06.280
<v Speaker 1>just starts on a playground and spreads from there and

0:19:06.320 --> 0:19:11.720
<v Speaker 1>gets codified unofficially. Uh, then everyone's using it, but I

0:19:11.760 --> 0:19:14.880
<v Speaker 1>wonder if they're I don't know. You can't trace this stuff,

0:19:14.920 --> 0:19:17.960
<v Speaker 1>which is sort of frustrating as researchers, because I think

0:19:17.960 --> 0:19:20.360
<v Speaker 1>we like to pinpoint things. Yeah, but it I mean

0:19:20.600 --> 0:19:23.800
<v Speaker 1>people have tried to trace it and they've come awfully close. Well,

0:19:23.840 --> 0:19:25.720
<v Speaker 1>we'll get to that in a minute. I want to

0:19:25.720 --> 0:19:28.400
<v Speaker 1>go over some more of these. I want to get

0:19:28.480 --> 0:19:30.640
<v Speaker 1>up on my plates and get out of here your meat,

0:19:30.720 --> 0:19:34.439
<v Speaker 1>your plates of meat, plates of meat, which his feet

0:19:35.760 --> 0:19:40.359
<v Speaker 1>or between podcast you probably have to go take a rattle, Yeah,

0:19:40.760 --> 0:19:43.520
<v Speaker 1>rattle and his rattle and hiss like a snake. You

0:19:43.640 --> 0:19:48.440
<v Speaker 1>got it? And that means peep exactly. And then should

0:19:48.520 --> 0:19:51.960
<v Speaker 1>I guess we should talk about ours? Yes, that's the

0:19:51.960 --> 0:19:54.560
<v Speaker 1>one you were pretty excited about. Yes, because it goes

0:19:54.600 --> 0:19:58.399
<v Speaker 1>even so much farther than our Stephen. Yeah, it's pretty convoluted. Okay,

0:19:58.480 --> 0:20:01.000
<v Speaker 1>you want to take it? No, go ahead? So urs

0:20:01.040 --> 0:20:06.480
<v Speaker 1>the very famous name for ass in the UK. Everybody

0:20:06.520 --> 0:20:12.160
<v Speaker 1>knows that it's actually it comes from Aristotle, which you're like, well,

0:20:12.160 --> 0:20:13.639
<v Speaker 1>what does that have to do with ass well. Let

0:20:13.680 --> 0:20:18.879
<v Speaker 1>me tell you Aristotle is Cockney rhyming slang for bottle. Again,

0:20:18.920 --> 0:20:20.879
<v Speaker 1>the question is what does that have to do with

0:20:20.920 --> 0:20:25.439
<v Speaker 1>ass well. Originally the Cockney rhyming slang word for ass

0:20:25.640 --> 0:20:30.439
<v Speaker 1>was bottling. Glass became shortened to bottle. Somebody came along

0:20:30.440 --> 0:20:34.080
<v Speaker 1>and rhymed Aristotle with it. That got shortened to aris,

0:20:34.119 --> 0:20:37.560
<v Speaker 1>and then to ours. It goes even further than that.

0:20:38.400 --> 0:20:45.879
<v Speaker 1>I saw one plaster for ours, plaster of Paris, Paris, Aristotle, bottle,

0:20:46.040 --> 0:20:50.080
<v Speaker 1>bottle and glass. Ass That's how deep the Cockney rhyming

0:20:50.080 --> 0:20:53.920
<v Speaker 1>slang has covered up the collective ass of the UK. Yeah,

0:20:54.000 --> 0:20:58.440
<v Speaker 1>and again it's like why you can't You can't put

0:20:58.480 --> 0:21:00.480
<v Speaker 1>that in a book and explain in it in any

0:21:00.560 --> 0:21:02.080
<v Speaker 1>kind of way that makes sense. You gotta do it

0:21:02.080 --> 0:21:04.359
<v Speaker 1>on a podcast or a paper. You just have to

0:21:04.400 --> 0:21:06.440
<v Speaker 1>accept it. It's like, that's how it happened on the street.

0:21:06.480 --> 0:21:08.200
<v Speaker 1>I think that's a really good way on the streets

0:21:08.200 --> 0:21:12.720
<v Speaker 1>to the east end right right in your cocaine, No,

0:21:12.960 --> 0:21:17.600
<v Speaker 1>not your cocaine. Uh. They do have for all that

0:21:17.640 --> 0:21:20.000
<v Speaker 1>we're saying about how don't look at glossaries and stuff

0:21:20.040 --> 0:21:23.600
<v Speaker 1>like that, they do have dictionaries that you can buy.

0:21:23.800 --> 0:21:26.760
<v Speaker 1>If you're a total square, I would guess it's probably

0:21:26.760 --> 0:21:29.840
<v Speaker 1>not a good thing to do. That's like saying, you know,

0:21:29.960 --> 0:21:31.760
<v Speaker 1>I want to become a rapper, so let me get

0:21:31.760 --> 0:21:34.800
<v Speaker 1>a rhyming dictionary. Although I did have a rhyming dictionary

0:21:34.800 --> 0:21:37.600
<v Speaker 1>at one point. Well, rhyming it's not, you know, just

0:21:37.680 --> 0:21:41.639
<v Speaker 1>limited to Cockney. We love to rhyme, Yeah, which is

0:21:41.680 --> 0:21:47.120
<v Speaker 1>one assertion d makes for why it's popular so long lasting. Well,

0:21:47.160 --> 0:21:49.200
<v Speaker 1>should we talk about some of the theories on where

0:21:49.200 --> 0:21:52.920
<v Speaker 1>it originated? Because I looked in a bunch of places

0:21:52.960 --> 0:21:57.159
<v Speaker 1>and I don't think I mean, I think calling it

0:21:57.280 --> 0:22:01.240
<v Speaker 1>theory is a little um. I think they kind of

0:22:01.240 --> 0:22:04.120
<v Speaker 1>know where it came from. They just don't know exactly why.

0:22:04.520 --> 0:22:07.199
<v Speaker 1>They can't pinpoint it to like on this day, on

0:22:07.320 --> 0:22:11.440
<v Speaker 1>this in this place. But it's not a complete mystery though. No,

0:22:11.640 --> 0:22:14.840
<v Speaker 1>they've got it basically localized to about a one and

0:22:14.880 --> 0:22:19.359
<v Speaker 1>a half mile area of London and basically down to

0:22:19.400 --> 0:22:22.639
<v Speaker 1>the year. It's just exactly where and exactly who is

0:22:22.880 --> 0:22:26.080
<v Speaker 1>and exactly why are the real outstanding questions, which is

0:22:26.119 --> 0:22:29.000
<v Speaker 1>actually a lot of questions. Yeah, one of the one

0:22:29.000 --> 0:22:32.919
<v Speaker 1>of the wise was that, uh, and this one I

0:22:32.960 --> 0:22:35.480
<v Speaker 1>think doesn't have as much credence now, but it's like

0:22:35.520 --> 0:22:37.720
<v Speaker 1>the most common one, right is that you will hear

0:22:38.160 --> 0:22:42.360
<v Speaker 1>that it was coded language created by criminals to keep

0:22:42.400 --> 0:22:45.560
<v Speaker 1>the cops confused as to what was going on, which

0:22:45.600 --> 0:22:48.639
<v Speaker 1>makes sense in one way because it certainly could cause confusion,

0:22:49.440 --> 0:22:52.199
<v Speaker 1>but it also um and I think it makes a

0:22:52.200 --> 0:22:55.159
<v Speaker 1>pretty good point that like, were they like, were cops

0:22:55.200 --> 0:22:58.280
<v Speaker 1>just hanging around overhearing things like why did they feel

0:22:58.320 --> 0:23:01.360
<v Speaker 1>like they needed to create this whole langue? Which and cops,

0:23:01.800 --> 0:23:04.800
<v Speaker 1>if they were street cops would have figured this stuff

0:23:04.800 --> 0:23:07.320
<v Speaker 1>out as well, you know, because it wouldn't have been

0:23:07.359 --> 0:23:09.240
<v Speaker 1>that big of a secret. Yeah, there's this guy named

0:23:09.240 --> 0:23:12.000
<v Speaker 1>Dick Sullivan who wrote an essay on the Victorian Web

0:23:12.680 --> 0:23:15.680
<v Speaker 1>which is actually kind of cool. Um, And he said

0:23:15.880 --> 0:23:18.479
<v Speaker 1>the the street cops would have come from the same

0:23:18.680 --> 0:23:21.600
<v Speaker 1>areas and families and neighborhoods that the criminals would have,

0:23:21.640 --> 0:23:24.320
<v Speaker 1>so they would have been raised on this rhyming slang anyway.

0:23:24.760 --> 0:23:26.800
<v Speaker 1>So it doesn't really hold up to scrutiny when you

0:23:26.920 --> 0:23:29.879
<v Speaker 1>when you look at it like that it was a

0:23:30.000 --> 0:23:35.440
<v Speaker 1>intentionally created coded language meant to confuse the cops, right, then,

0:23:35.480 --> 0:23:39.439
<v Speaker 1>that's not to say it nevertheless wasn't associated with some

0:23:39.560 --> 0:23:43.439
<v Speaker 1>kind of criminal underworld East London types. Yeah, and it

0:23:43.480 --> 0:23:46.240
<v Speaker 1>almost certainly was taken up by the Cockneys, but it

0:23:46.280 --> 0:23:50.000
<v Speaker 1>wasn't necessarily Cockneys or criminals who came up with this

0:23:50.080 --> 0:23:54.040
<v Speaker 1>rhyming slang. To begin with. There's this guy named John

0:23:54.160 --> 0:23:57.520
<v Speaker 1>Camden Hotton, and he wrote one of the better titled,

0:23:58.000 --> 0:24:01.399
<v Speaker 1>or at least most directly titled books I've ever heard of,

0:24:01.680 --> 0:24:03.879
<v Speaker 1>And there's no colon, No, there's not. There are a

0:24:03.920 --> 0:24:08.159
<v Speaker 1>couple of commas though, a dictionary of modern slang, cant

0:24:08.280 --> 0:24:11.040
<v Speaker 1>and vulgar words used at the present day in the

0:24:11.080 --> 0:24:14.159
<v Speaker 1>streets of London, and he he has a chapter on

0:24:14.320 --> 0:24:18.720
<v Speaker 1>rhyming slang, and he basically says that it was two

0:24:18.720 --> 0:24:24.160
<v Speaker 1>groups shaunters and patterers, basically traveling salesman who would stand

0:24:24.160 --> 0:24:26.760
<v Speaker 1>on street corners and hawk their wares and you know,

0:24:26.800 --> 0:24:28.840
<v Speaker 1>maybe pick your pocket while you were trying to buy

0:24:28.880 --> 0:24:31.640
<v Speaker 1>something from them, and that they came up with Cockney

0:24:31.680 --> 0:24:34.359
<v Speaker 1>rhyming slang. Yeah, and I saw that enough to think

0:24:34.520 --> 0:24:38.600
<v Speaker 1>that that's probably true. Yeah. The shaunters in particular spoken

0:24:38.680 --> 0:24:41.960
<v Speaker 1>like singing rhyming language, so it would have been pretty

0:24:42.040 --> 0:24:44.479
<v Speaker 1>quick evolution. Yeah, I think this one makes a lot

0:24:44.520 --> 0:24:47.960
<v Speaker 1>of sense. Um street criers, I mean England and London

0:24:48.080 --> 0:24:51.640
<v Speaker 1>especially says as a long tradition of street corner parkers

0:24:51.640 --> 0:24:54.080
<v Speaker 1>and things like this. I remember seeing one myself when

0:24:54.119 --> 0:24:57.639
<v Speaker 1>I traveled there in the nineties and I was like,

0:24:57.680 --> 0:24:59.960
<v Speaker 1>they're still doing this stuff. It was like a box

0:25:00.080 --> 0:25:01.919
<v Speaker 1>in the park where you can go stand on it

0:25:01.960 --> 0:25:05.920
<v Speaker 1>and soapbox. Uh maybe, I mean that's where that came from,

0:25:06.000 --> 0:25:11.000
<v Speaker 1>right probably, and uh and just you know, shout your piece, sure,

0:25:11.440 --> 0:25:12.959
<v Speaker 1>and it's all guy doing it, And I thought, what

0:25:13.040 --> 0:25:16.199
<v Speaker 1>year is this? This is wonderful, it's fantastic. But the

0:25:16.359 --> 0:25:21.439
<v Speaker 1>in particular the Shaunters, they sang and then sold penny

0:25:21.480 --> 0:25:24.920
<v Speaker 1>ballads sheet music of penny ballads that they would write

0:25:24.920 --> 0:25:26.960
<v Speaker 1>real quick after somebody famous died or there was a

0:25:26.960 --> 0:25:29.000
<v Speaker 1>train wreck or something, they'd write a ballad about it

0:25:29.160 --> 0:25:31.440
<v Speaker 1>and then be out in the corners selling these things.

0:25:31.480 --> 0:25:33.800
<v Speaker 1>But because they were singing in rhymes and sing song,

0:25:34.400 --> 0:25:36.679
<v Speaker 1>it's a really good bet that these guys were the

0:25:36.680 --> 0:25:41.439
<v Speaker 1>ones who originated rhyming slang. But um not necessarily for

0:25:41.520 --> 0:25:46.440
<v Speaker 1>any kind of uh intentionally coded language, because that same guy,

0:25:46.960 --> 0:25:51.640
<v Speaker 1>Dick Sullivan says there's no reason for patterers who sold

0:25:51.680 --> 0:25:54.359
<v Speaker 1>their you know, little gee galls or trinkets or whatever.

0:25:54.600 --> 0:25:57.520
<v Speaker 1>I love that word um or shaunters who were selling

0:25:57.560 --> 0:26:00.560
<v Speaker 1>selling these penny ballads. They worked alone. Was no need

0:26:00.600 --> 0:26:02.760
<v Speaker 1>for them to come up with a coded language communicate

0:26:02.800 --> 0:26:04.680
<v Speaker 1>with one another, yeah, in front of a customer who

0:26:04.720 --> 0:26:07.040
<v Speaker 1>they were ripping off. Because they didn't need to communicate

0:26:07.080 --> 0:26:09.960
<v Speaker 1>with one another in front of customers. Well, I saw

0:26:10.040 --> 0:26:12.880
<v Speaker 1>that maybe they, you know, could communicate with each other

0:26:13.000 --> 0:26:15.600
<v Speaker 1>when customers were around or something. I don't know, right.

0:26:15.960 --> 0:26:19.800
<v Speaker 1>But the other part of that is that it supposedly

0:26:19.840 --> 0:26:23.080
<v Speaker 1>flies in the face of how slang develops, that it's unintentional,

0:26:23.720 --> 0:26:25.560
<v Speaker 1>Like you don't say, let's come up with a coded

0:26:25.640 --> 0:26:29.560
<v Speaker 1>language and here's how it works. Yeah, even like American

0:26:29.600 --> 0:26:32.600
<v Speaker 1>teenagers when they have slang that their parents don't understand,

0:26:33.359 --> 0:26:35.679
<v Speaker 1>Like you remember how that stuff went. It was something

0:26:35.720 --> 0:26:38.120
<v Speaker 1>you just heard. You never sat around. Sure, I'm hip

0:26:38.160 --> 0:26:41.360
<v Speaker 1>to that and said, you know, like, hey, let's use

0:26:41.440 --> 0:26:44.240
<v Speaker 1>this other word that our parents won't know what it means.

0:26:44.720 --> 0:26:48.679
<v Speaker 1>You know, we'll call it pepsi when we're on the phone. Uh.

0:26:48.720 --> 0:26:54.199
<v Speaker 1>There was also the Victorian back slang which that was

0:26:54.600 --> 0:27:00.160
<v Speaker 1>not Cockney rhyming slang. That was just pronouncing words backwards. Uh,

0:27:00.920 --> 0:27:04.800
<v Speaker 1>sort of simple like job for boy. Yes. But something

0:27:04.840 --> 0:27:07.200
<v Speaker 1>interesting about that is that it's based on the spelling,

0:27:07.240 --> 0:27:12.359
<v Speaker 1>not the pronunciation, right, which suggests a strong degree of literacy,

0:27:12.560 --> 0:27:15.440
<v Speaker 1>which you would probably not have found among at least

0:27:15.440 --> 0:27:19.800
<v Speaker 1>the patterners, probably among the shaunterers because they were writing

0:27:19.840 --> 0:27:22.760
<v Speaker 1>songs and ballads, so it's possible they came up with

0:27:22.800 --> 0:27:25.639
<v Speaker 1>that too, but they think maybe it was Butcher's and

0:27:25.640 --> 0:27:29.360
<v Speaker 1>Butcher's assistants who came up with back slang. Yeah, and

0:27:29.400 --> 0:27:33.280
<v Speaker 1>actually to confused customers are to be able to talk

0:27:33.320 --> 0:27:35.640
<v Speaker 1>about what price they should charge a customer in front

0:27:35.640 --> 0:27:38.159
<v Speaker 1>of the customer. So there is like you take all

0:27:38.160 --> 0:27:41.439
<v Speaker 1>these different pieces and you get the current idea and

0:27:41.560 --> 0:27:44.600
<v Speaker 1>story for Cockney rhyming slang, but it's actually a bunch

0:27:44.600 --> 0:27:49.240
<v Speaker 1>of different stuff that wasn't really all connected until later on. Yeah.

0:27:49.240 --> 0:27:53.200
<v Speaker 1>What it probably also was not was Irish stock workers.

0:27:53.880 --> 0:27:56.960
<v Speaker 1>There was one theory being bandied about that Irish stock

0:27:56.960 --> 0:27:59.560
<v Speaker 1>workers would come over and they would speak in this

0:27:59.680 --> 0:28:03.119
<v Speaker 1>made rhyming slang. Uh, So you know, they could just

0:28:03.160 --> 0:28:06.200
<v Speaker 1>talk among their Irish peers and the people of London

0:28:06.200 --> 0:28:08.880
<v Speaker 1>wouldn't understand them. Not much of this makes any sense

0:28:08.920 --> 0:28:12.640
<v Speaker 1>at all because they don't. I think now you see

0:28:12.640 --> 0:28:15.800
<v Speaker 1>it some in Ireland. But um, for all those years

0:28:15.800 --> 0:28:18.240
<v Speaker 1>that it was prevalent in London, it was not in Ireland.

0:28:19.640 --> 0:28:21.679
<v Speaker 1>Right unless they literally just made it up when they

0:28:21.800 --> 0:28:24.800
<v Speaker 1>came over from Ireland. Right. Plus why would they not

0:28:24.800 --> 0:28:27.520
<v Speaker 1>to speak Irish in front of the English? Might not

0:28:27.600 --> 0:28:32.000
<v Speaker 1>speak it? Yeah? Or what would that be Gaelic? Uh? Sure,

0:28:32.160 --> 0:28:34.160
<v Speaker 1>I think So we're getting so much of this wrong.

0:28:34.400 --> 0:28:36.440
<v Speaker 1>Do you want to take a break in fact check

0:28:36.520 --> 0:28:40.280
<v Speaker 1>everything and maybe just rewind and start over. Yeah, let's

0:28:40.440 --> 0:28:44.080
<v Speaker 1>let's get our weight what was? Facts are our brass tacks.

0:28:44.280 --> 0:28:46.320
<v Speaker 1>Let's right, So we gotta go get our brass stright.

0:28:46.560 --> 0:29:09.280
<v Speaker 1>That's right. Okay, we're back. It's been about thirty minutes

0:29:09.320 --> 0:29:13.240
<v Speaker 1>since we left you guys. Um fact checked everything and

0:29:13.320 --> 0:29:15.840
<v Speaker 1>so far, so good. Yeah, this is a perfect podcast.

0:29:16.640 --> 0:29:18.960
<v Speaker 1>So you said at the beginning, you teased out that

0:29:19.040 --> 0:29:21.640
<v Speaker 1>it might not even have been Cockney to begin with.

0:29:22.440 --> 0:29:26.680
<v Speaker 1>Everything I saw kind of placed it in that uh,

0:29:26.720 --> 0:29:31.880
<v Speaker 1>that east. I think they call it cheap side um

0:29:32.040 --> 0:29:35.280
<v Speaker 1>where the Cockneys were, But Cockney was also I mean

0:29:35.280 --> 0:29:39.040
<v Speaker 1>it's also not necessarily specifically at one place, right. No,

0:29:39.360 --> 0:29:43.440
<v Speaker 1>But if you're talking about Cockney people, supposedly the definition

0:29:43.480 --> 0:29:46.240
<v Speaker 1>of a Cockney person is someone who's born within hearing

0:29:46.280 --> 0:29:51.120
<v Speaker 1>distance of the bells of St Mary le Beau in Cheapside, um,

0:29:51.200 --> 0:29:54.880
<v Speaker 1>which was in London. What this guy John Camden Houghton,

0:29:55.080 --> 0:29:59.440
<v Speaker 1>who was writing in eighteen sixty and placed the um

0:29:59.720 --> 0:30:03.360
<v Speaker 1>play the origin of rhyming slang twelve to fifteen years before.

0:30:03.440 --> 0:30:05.640
<v Speaker 1>So this guy was like on top of it as

0:30:05.640 --> 0:30:09.080
<v Speaker 1>it was happening. Um. He placed it at a place

0:30:09.120 --> 0:30:11.720
<v Speaker 1>called Seven Dials, which is like a big market place

0:30:11.720 --> 0:30:14.160
<v Speaker 1>and I think still is, which is a mile and

0:30:14.200 --> 0:30:17.720
<v Speaker 1>a half away from Cheapside, which at the time was

0:30:17.800 --> 0:30:20.920
<v Speaker 1>in Westminster at the time of different town. So you

0:30:20.920 --> 0:30:23.280
<v Speaker 1>had city of London and then Westminster, which is where

0:30:23.320 --> 0:30:26.440
<v Speaker 1>Seven Dials was. So if you're if you believe Hotton,

0:30:26.760 --> 0:30:28.880
<v Speaker 1>then it wasn't the Cockney at all who came up

0:30:28.920 --> 0:30:34.720
<v Speaker 1>with that. It was just patterers and Shawn Tours. That's

0:30:34.760 --> 0:30:37.880
<v Speaker 1>a different word than I said. No, Shawn Tours, well

0:30:38.160 --> 0:30:41.120
<v Speaker 1>Cockney has uh. What that is though, is just sort

0:30:41.160 --> 0:30:44.200
<v Speaker 1>of the working class I think used to be viewed

0:30:44.240 --> 0:30:49.160
<v Speaker 1>as uneducated sort of lower class. Um. That may be

0:30:49.240 --> 0:30:51.920
<v Speaker 1>a bit harsh, but if anything, it was not the

0:30:52.000 --> 0:30:56.000
<v Speaker 1>upper crust of British society. Uh, you know the pub

0:30:56.080 --> 0:30:59.240
<v Speaker 1>the hard drinking pub goers, the rubb a dub dub goers.

0:31:00.120 --> 0:31:02.600
<v Speaker 1>Is that pubs? Yeah, which is another exception because you

0:31:02.640 --> 0:31:05.800
<v Speaker 1>go from one one syllable pub to rub a dub

0:31:05.880 --> 0:31:09.360
<v Speaker 1>dub and it actually has three rhymes in there. But

0:31:09.480 --> 0:31:11.960
<v Speaker 1>that is Cockney rhyming slang for pub. Well. But the

0:31:12.000 --> 0:31:16.200
<v Speaker 1>Cockneys were also known for a bit more of progressive politics,

0:31:16.360 --> 0:31:19.680
<v Speaker 1>and I think nowadays there can be a bit more

0:31:19.720 --> 0:31:22.720
<v Speaker 1>of a of a pride of like a working class

0:31:22.760 --> 0:31:25.360
<v Speaker 1>pride associated with it. I think there was back then too,

0:31:25.560 --> 0:31:29.720
<v Speaker 1>was there? But I think that's one reason also why

0:31:29.760 --> 0:31:33.920
<v Speaker 1>the Cockney accent and Cockney rhyming slang in particular was

0:31:34.600 --> 0:31:38.719
<v Speaker 1>um just treated shabbily and looked down on, you know,

0:31:38.880 --> 0:31:42.280
<v Speaker 1>by the rest of England, right, because it was supposedly,

0:31:42.440 --> 0:31:45.520
<v Speaker 1>you know, associated with lower classes. Yeah, it also found

0:31:45.520 --> 0:31:49.400
<v Speaker 1>its way to Australia, isn't that right? And then uh,

0:31:49.480 --> 0:31:53.320
<v Speaker 1>somehow on the West coast of America, Um, where the

0:31:53.360 --> 0:31:56.720
<v Speaker 1>Australian version came in. Yeah, and the prisons of the

0:31:56.720 --> 0:32:00.480
<v Speaker 1>West Coast. In the US, it was called Australian rhyme slang.

0:32:00.840 --> 0:32:03.320
<v Speaker 1>So I guess some cool guy from Australia showed up

0:32:03.360 --> 0:32:07.600
<v Speaker 1>and was speaking in Gibberish. That just made everyone think

0:32:07.640 --> 0:32:10.280
<v Speaker 1>I want to do this too, right. It's kind of

0:32:10.280 --> 0:32:12.120
<v Speaker 1>fun to go on YouTube though and see some of these,

0:32:12.480 --> 0:32:14.160
<v Speaker 1>you know, because it's such a big thing in England.

0:32:14.160 --> 0:32:17.400
<v Speaker 1>It's been all over the BBC. I watched one episode

0:32:17.400 --> 0:32:20.920
<v Speaker 1>of the Two Ronnie's where this priest at a sermon

0:32:20.920 --> 0:32:24.240
<v Speaker 1>and Cockney rhyming slang. It was very funny and one

0:32:24.240 --> 0:32:26.600
<v Speaker 1>of those sort of you know, eighties I guess it

0:32:26.640 --> 0:32:30.720
<v Speaker 1>was eighties early eighties. BBC comedies are always fun, you know.

0:32:30.800 --> 0:32:33.680
<v Speaker 1>The production value is not all there. The laugh track

0:32:33.840 --> 0:32:35.480
<v Speaker 1>is it had to have been a laugh track. I

0:32:35.480 --> 0:32:38.040
<v Speaker 1>don't think it was a studio audience, although it may

0:32:38.080 --> 0:32:40.360
<v Speaker 1>have been. I don't know. It was hard to tell.

0:32:40.480 --> 0:32:44.200
<v Speaker 1>That's so that's during the transition. But there were other shows,

0:32:44.480 --> 0:32:48.440
<v Speaker 1>uh Not On Your Nelly and The Sweeney, and the

0:32:48.480 --> 0:32:51.200
<v Speaker 1>titles of both of those shows come from actual Cockney

0:32:51.280 --> 0:32:55.200
<v Speaker 1>rhyming slang as well. Yeah. The Sweeney is particularly dense.

0:32:55.400 --> 0:32:59.120
<v Speaker 1>It's short for Sweeney Todd, which was rhyming slang for

0:32:59.160 --> 0:33:03.000
<v Speaker 1>flying squaw, which is a particular branch of the Metropolitan Police,

0:33:03.080 --> 0:33:06.600
<v Speaker 1>kind of like Major Case. So the Sweeney was like

0:33:06.640 --> 0:33:10.440
<v Speaker 1>the Major Case division of Metropolitan Police. So Nellie comes

0:33:10.480 --> 0:33:13.640
<v Speaker 1>from the word Nellie Duff, the name Nellie Duff, which

0:33:13.680 --> 0:33:17.320
<v Speaker 1>is apparently just a nonsense name, and that rhymes with puff,

0:33:18.040 --> 0:33:20.600
<v Speaker 1>which means life. So not on your Nellie means not

0:33:20.680 --> 0:33:26.040
<v Speaker 1>on your life. Clearly, it's so dense. And then of

0:33:26.080 --> 0:33:28.120
<v Speaker 1>course things like you mentioned the guy Richie really brought

0:33:28.160 --> 0:33:32.520
<v Speaker 1>it into the American consciousness in the nineties when he

0:33:32.560 --> 0:33:36.080
<v Speaker 1>made those two movies, and he brought into my consciousness.

0:33:36.080 --> 0:33:40.760
<v Speaker 1>I'll tell you that. Yeah. Sure. So there's a really

0:33:40.800 --> 0:33:43.600
<v Speaker 1>good question, Chuck, that I think we need to ask.

0:33:44.200 --> 0:33:47.200
<v Speaker 1>How is it that in two thousand nineteen you and

0:33:47.280 --> 0:33:55.120
<v Speaker 1>I are analyzing a hyperlocal slang that came out of

0:33:55.120 --> 0:33:59.280
<v Speaker 1>the eighteen forties in you know, some very specific part

0:33:59.280 --> 0:34:03.000
<v Speaker 1>of London, Like, how how is Cockney rhyming slang still

0:34:03.040 --> 0:34:05.760
<v Speaker 1>around after all this year, all these years, when so

0:34:05.840 --> 0:34:08.080
<v Speaker 1>much other slang has come and gone over the years

0:34:08.120 --> 0:34:10.960
<v Speaker 1>that we have no idea ever even existed. What's the

0:34:11.000 --> 0:34:13.960
<v Speaker 1>staying power of Cockney rhyming slang. Do you expect me

0:34:14.000 --> 0:34:17.520
<v Speaker 1>to have an answer. I don't have one about why

0:34:17.560 --> 0:34:20.400
<v Speaker 1>it's stuck around other than people. You know, if people

0:34:20.600 --> 0:34:22.359
<v Speaker 1>don't still use it, then it would have fallen by

0:34:22.360 --> 0:34:25.800
<v Speaker 1>the wayside. So clearly it's popular. Yeah, it seems to

0:34:25.800 --> 0:34:28.440
<v Speaker 1>have gotten and maybe this is just my recognition of it,

0:34:28.440 --> 0:34:30.360
<v Speaker 1>but it seems to have gotten more popular in the

0:34:30.400 --> 0:34:33.120
<v Speaker 1>last twenty years. What I was reading is that, especially

0:34:33.200 --> 0:34:37.520
<v Speaker 1>in the UK, it's popularity is based on kitcheness, you know,

0:34:37.600 --> 0:34:41.520
<v Speaker 1>kind of like chipster irony. Like the Cockney rhyming word

0:34:41.560 --> 0:34:45.080
<v Speaker 1>for wife is trouble in strife, So I imagine that

0:34:45.120 --> 0:34:47.279
<v Speaker 1>probably doesn't go over very well if you don't call

0:34:47.400 --> 0:34:51.040
<v Speaker 1>your wife that with a smile, like you're joking kind

0:34:51.080 --> 0:34:54.240
<v Speaker 1>of thing. So I think that's the that's the current

0:34:55.239 --> 0:34:57.839
<v Speaker 1>use of it, But I mean it's it was used

0:34:57.840 --> 0:34:59.760
<v Speaker 1>and it's still in use, and there's still new words

0:34:59.800 --> 0:35:04.400
<v Speaker 1>like um passion becks is the word for sex. Really

0:35:04.560 --> 0:35:09.720
<v Speaker 1>that's pretty new. Apparently Britney spears can be used for beers,

0:35:09.960 --> 0:35:13.680
<v Speaker 1>which is great, and I saw one um Nelson mandela

0:35:14.320 --> 0:35:17.400
<v Speaker 1>if you're getting a stella artois, Yeah, is a Nelson

0:35:17.400 --> 0:35:21.320
<v Speaker 1>Mandela for Stella. So the fact that it's still evolving,

0:35:21.800 --> 0:35:25.640
<v Speaker 1>still being contributed to new like these existing words are

0:35:25.680 --> 0:35:29.319
<v Speaker 1>being replaced with new ones. Um, and the fact that

0:35:29.360 --> 0:35:31.600
<v Speaker 1>it's a hundred and fifty years old. I mean, there's

0:35:31.600 --> 0:35:34.520
<v Speaker 1>got to be some thing to it that makes it

0:35:34.600 --> 0:35:38.120
<v Speaker 1>more more I think. I think it's that it's just

0:35:38.160 --> 0:35:41.960
<v Speaker 1>so hard to understand until someone explains it to you.

0:35:42.120 --> 0:35:44.319
<v Speaker 1>I think it's fun. I think it's a few fold.

0:35:44.480 --> 0:35:49.400
<v Speaker 1>It's fun. It's fun. It's fun. It's uh, there is

0:35:49.440 --> 0:35:52.000
<v Speaker 1>a code to it, and part of the fun is

0:35:52.000 --> 0:35:53.919
<v Speaker 1>that I think his friends maybe trying to make something

0:35:54.000 --> 0:35:57.480
<v Speaker 1>up and having it catch on. It's almost like a game,

0:35:57.920 --> 0:36:02.080
<v Speaker 1>like a word game. Yeah, bit, did you just go

0:36:02.239 --> 0:36:10.279
<v Speaker 1>a bit? And then um, the the unique britishness of

0:36:10.280 --> 0:36:13.239
<v Speaker 1>it all, Yeah, is has a lot to do with it.

0:36:13.280 --> 0:36:16.080
<v Speaker 1>I think. Yeah, because even though it got exported to Australia,

0:36:16.200 --> 0:36:19.400
<v Speaker 1>no one associates it with Australia. Sorry Australia. But if we, like,

0:36:19.600 --> 0:36:22.880
<v Speaker 1>if it really took off in America with hipsters, people

0:36:22.880 --> 0:36:25.720
<v Speaker 1>in Britain would probably be like, forget it. It's flowing

0:36:25.719 --> 0:36:27.759
<v Speaker 1>the it's flow, well, what is flowing the coop? What

0:36:27.800 --> 0:36:33.640
<v Speaker 1>could you say, for Coop, it's on the gwynethan the goop,

0:36:35.000 --> 0:36:39.560
<v Speaker 1>so the Gwyneth, it's flowing the Gwyneth. Okay, we'll see that.

0:36:39.560 --> 0:36:41.239
<v Speaker 1>One might catch on. They can do this all day.

0:36:42.840 --> 0:36:45.400
<v Speaker 1>Some of them aren't so good, but other ones are gems.

0:36:45.680 --> 0:36:47.759
<v Speaker 1>The why of it all though, to begin with, I

0:36:47.760 --> 0:36:50.600
<v Speaker 1>thought was interesting. Um, I asked you why, and you

0:36:50.640 --> 0:36:52.720
<v Speaker 1>said you don't know. You said, why is it sticking around?

0:36:52.719 --> 0:36:55.000
<v Speaker 1>I mean, why did it start to begin with? And

0:36:55.040 --> 0:36:57.439
<v Speaker 1>I think, you know, it makes a pretty good point

0:36:57.480 --> 0:37:00.399
<v Speaker 1>that they're just rhyming, period is all. He has been

0:37:00.400 --> 0:37:04.360
<v Speaker 1>a thing, even in the States, and he uses examples

0:37:04.360 --> 0:37:07.200
<v Speaker 1>like see you later, alligator after a while, crocodile, Like

0:37:07.239 --> 0:37:08.960
<v Speaker 1>I remember saying that when I was a kid, I

0:37:09.080 --> 0:37:12.160
<v Speaker 1>just said that yesterday. Did you really see you later, alligator?

0:37:13.160 --> 0:37:15.160
<v Speaker 1>There's just something about it. Maybe it's the child like

0:37:15.280 --> 0:37:18.000
<v Speaker 1>nature of it that's fun. It makes old people feel

0:37:18.040 --> 0:37:20.600
<v Speaker 1>young again. Yeah, it's I mean, like it takes something

0:37:20.680 --> 0:37:23.359
<v Speaker 1>boring and adds a little flare to it, you know,

0:37:23.920 --> 0:37:27.080
<v Speaker 1>or like Yiddish, like a fancy shmancy people say that

0:37:27.160 --> 0:37:29.480
<v Speaker 1>kind of stuff all the time. I never associated it

0:37:29.480 --> 0:37:32.759
<v Speaker 1>with Yiddish, but it's absolutely is, isn't it. I think so.

0:37:34.120 --> 0:37:38.080
<v Speaker 1>I mean not outright Yiddish, but uh Yeish culture, I

0:37:38.080 --> 0:37:42.319
<v Speaker 1>think so. Um, But yeah, it is strange. It is

0:37:42.320 --> 0:37:45.880
<v Speaker 1>strange that it started to begin with, and like I

0:37:45.920 --> 0:37:50.440
<v Speaker 1>wish there was a definite like person zero that we

0:37:50.480 --> 0:37:53.520
<v Speaker 1>could point to, and you know, on the streets of

0:37:53.560 --> 0:37:56.440
<v Speaker 1>London and someone thought it was funny and then they

0:37:56.480 --> 0:38:00.720
<v Speaker 1>told two friends and so on and so on. Richie

0:38:01.120 --> 0:38:03.799
<v Speaker 1>Ritchie started it, and POTSI and Ralph Mouth took it

0:38:03.800 --> 0:38:06.320
<v Speaker 1>from there and it just kept spreading like wildfire. You

0:38:06.360 --> 0:38:09.680
<v Speaker 1>got anything else? Yes, I found a two thousand twelve

0:38:09.800 --> 0:38:15.120
<v Speaker 1>survey by the Museum of London and uh, it's set

0:38:15.120 --> 0:38:18.600
<v Speaker 1>off a bunch of articles about how Cockney Ryman's slang

0:38:18.719 --> 0:38:21.279
<v Speaker 1>is dying. But if you read the article, it says

0:38:21.320 --> 0:38:26.239
<v Speaker 1>that respondents believed it was dying, which means six don't

0:38:26.239 --> 0:38:30.000
<v Speaker 1>believe it's dying. So yeah, and then they go on

0:38:30.040 --> 0:38:32.279
<v Speaker 1>to talk about how there's all these you know, new

0:38:32.320 --> 0:38:34.520
<v Speaker 1>words that are being replaced and added. So I don't

0:38:34.520 --> 0:38:37.720
<v Speaker 1>think it's going anywhere. I think it's usage is become

0:38:37.760 --> 0:38:41.560
<v Speaker 1>more ironic and everything, but it's still like most most

0:38:41.640 --> 0:38:47.120
<v Speaker 1>Britains still understand porky pies means lies like, don't tell

0:38:47.160 --> 0:38:49.759
<v Speaker 1>me any porkies, give it to me straight. Well, I

0:38:49.760 --> 0:38:51.520
<v Speaker 1>think it was good we were able to sit here

0:38:51.560 --> 0:38:56.600
<v Speaker 1>and have a good rabbit and pork or torque. Apparently

0:38:56.680 --> 0:39:00.400
<v Speaker 1>rabbit and pork is talk. But oh, that was one

0:39:00.440 --> 0:39:03.840
<v Speaker 1>other thing the studying this. There's reasons people study this.

0:39:03.960 --> 0:39:08.320
<v Speaker 1>It gives you a window into the past. For example, pronunciations, yes,

0:39:08.800 --> 0:39:14.120
<v Speaker 1>so farthing used to be um a Camden, well farthings

0:39:14.160 --> 0:39:16.560
<v Speaker 1>like a quarter penny that they don't use anymore, but

0:39:16.719 --> 0:39:19.120
<v Speaker 1>it used to be called it Camden after Camden gardens,

0:39:19.239 --> 0:39:21.879
<v Speaker 1>which tells linguists if they would get off their dust

0:39:21.960 --> 0:39:25.200
<v Speaker 1>and study this thing that um, they used to pronounce

0:39:25.600 --> 0:39:29.640
<v Speaker 1>farthings as fardens. Oh, interesting, or at least it's something

0:39:29.680 --> 0:39:34.280
<v Speaker 1>that rhyme closely to gardens. But that's why people study

0:39:34.320 --> 0:39:37.160
<v Speaker 1>this allegedly. Amazing. Well, if you want to know more

0:39:37.160 --> 0:39:40.520
<v Speaker 1>about Cockney rhyming slang, get yourself a great Cockney rhyming

0:39:40.560 --> 0:39:43.000
<v Speaker 1>dictionary and go to England and just start talking up

0:39:43.000 --> 0:39:46.120
<v Speaker 1>the storm. They love. They can't get enough. They'll treat

0:39:46.120 --> 0:39:48.359
<v Speaker 1>you like one of their own. That's right. And since

0:39:48.360 --> 0:39:53.720
<v Speaker 1>we said that it's time for listener mate. Uh, Satanic Panic.

0:39:53.920 --> 0:39:56.640
<v Speaker 1>We just re release that as a Saturday Select. I

0:39:56.680 --> 0:39:58.960
<v Speaker 1>think that was Was that one of your picture one

0:39:59.000 --> 0:40:01.799
<v Speaker 1>of mine? I don't know, I'm not sure, but it was.

0:40:01.880 --> 0:40:03.600
<v Speaker 1>It was a good pick for October. One of our

0:40:03.640 --> 0:40:06.759
<v Speaker 1>favorite episodes I think of all time, and we got

0:40:06.760 --> 0:40:10.399
<v Speaker 1>a lot of people emailing again about it after listening

0:40:10.440 --> 0:40:13.680
<v Speaker 1>to it for the first time. Hey, guys, listen to

0:40:13.680 --> 0:40:15.640
<v Speaker 1>say Tanna Panic and realize. I had a story about that.

0:40:15.680 --> 0:40:18.000
<v Speaker 1>I grew up in a suburb of California. By the

0:40:18.040 --> 0:40:21.960
<v Speaker 1>teenage years, I've become what you might call goth. Were black, spike, jewelry,

0:40:22.040 --> 0:40:24.680
<v Speaker 1>dark makeup, and all that stuff. My town had a

0:40:24.719 --> 0:40:26.600
<v Speaker 1>ten pm curfew, and one night when I was fourteen,

0:40:26.640 --> 0:40:29.080
<v Speaker 1>my friends and I were walking home after curfew got

0:40:29.080 --> 0:40:31.799
<v Speaker 1>pulled over by the cops. They questioned and searched us,

0:40:31.880 --> 0:40:34.719
<v Speaker 1>then called the parents, except for mine. I'm not sure why,

0:40:35.160 --> 0:40:38.000
<v Speaker 1>but the officer insisted on driving me home. Once there,

0:40:38.000 --> 0:40:41.080
<v Speaker 1>he also demanded to come inside my home. I was

0:40:41.120 --> 0:40:43.319
<v Speaker 1>too scared to argue, so I let him in. He

0:40:43.400 --> 0:40:46.920
<v Speaker 1>went to my bedroom. This is getting creepy. I was

0:40:46.960 --> 0:40:49.279
<v Speaker 1>really worried about where this was headed. He went to

0:40:49.320 --> 0:40:51.560
<v Speaker 1>my bedroom, which is full of posters of Marilyn Manson

0:40:52.320 --> 0:40:54.040
<v Speaker 1>in the Crow and stuff like that, and he started

0:40:54.080 --> 0:40:56.440
<v Speaker 1>going through my things. What he told me he was

0:40:56.480 --> 0:40:59.239
<v Speaker 1>concerned because Satanists are out there, and then if I

0:40:59.239 --> 0:41:02.239
<v Speaker 1>wasn't careful, I'd find myself sacrificed. He told me there

0:41:02.239 --> 0:41:05.280
<v Speaker 1>were rituals and barns that require virgins, and I should

0:41:05.280 --> 0:41:09.440
<v Speaker 1>rethink my lifestyle before I got raped or hurt. I

0:41:09.520 --> 0:41:12.000
<v Speaker 1>thanked him for his concern, and I quietly said everything

0:41:12.120 --> 0:41:14.279
<v Speaker 1>nice that I could to get him out of my

0:41:14.360 --> 0:41:18.160
<v Speaker 1>house before he woke up my father situation. This happened

0:41:18.200 --> 0:41:21.279
<v Speaker 1>in two thousand. After hearing your episode today, it's hard

0:41:21.320 --> 0:41:24.399
<v Speaker 1>to believe that the residue that the Satanic panic would

0:41:24.400 --> 0:41:27.880
<v Speaker 1>still be around then, especially in the police force. Just

0:41:27.920 --> 0:41:29.680
<v Speaker 1>to be clear, the suburb I lived and had very

0:41:29.680 --> 0:41:33.440
<v Speaker 1>little crime, so the officer was very surprising. Indeed, my

0:41:33.520 --> 0:41:35.239
<v Speaker 1>boys and I love your show. I recommend it to

0:41:35.280 --> 0:41:41.200
<v Speaker 1>everyone that is from Lisa g Really something, Lisa, I know,

0:41:41.360 --> 0:41:43.920
<v Speaker 1>kind of disturbing. Yeah, like I don't I don't know

0:41:44.000 --> 0:41:46.319
<v Speaker 1>if that cop was a good guy. I don't know.

0:41:46.400 --> 0:41:48.279
<v Speaker 1>It started to go down a pretty creepy road there.

0:41:48.320 --> 0:41:50.880
<v Speaker 1>It really did. Yeah, maybe he was just looking for

0:41:50.920 --> 0:41:55.200
<v Speaker 1>some pod or something coming up with a cover story.

0:41:55.320 --> 0:41:56.920
<v Speaker 1>I gotta get in your room and go through your stuff.

0:41:58.200 --> 0:42:01.600
<v Speaker 1>You've got any weed? Yeah? Really? I was relieved to

0:42:01.680 --> 0:42:04.040
<v Speaker 1>know that it just ended in the coup leaving, but

0:42:04.880 --> 0:42:07.440
<v Speaker 1>I agreed you went above and beyond and not in

0:42:07.480 --> 0:42:09.960
<v Speaker 1>a good way. Right. Well, thanks a lot Lisa and

0:42:09.960 --> 0:42:11.879
<v Speaker 1>Glade that you made it through that and that you

0:42:12.000 --> 0:42:13.920
<v Speaker 1>and your boys are listening to Stuff you Should Know.

0:42:14.000 --> 0:42:17.080
<v Speaker 1>Could you get any cooler? I don't think so. Well,

0:42:17.120 --> 0:42:19.160
<v Speaker 1>if you want to be cool like Lisa and her boys,

0:42:19.200 --> 0:42:20.759
<v Speaker 1>you can get in touch with this by going on

0:42:20.840 --> 0:42:23.879
<v Speaker 1>to Stuff you Should Know, checking out our social links there,

0:42:24.280 --> 0:42:27.000
<v Speaker 1>and as always, send us an email to Stuff podcast

0:42:27.040 --> 0:42:32.719
<v Speaker 1>at iHeart radio dot com. Stuff you Should Know is

0:42:32.719 --> 0:42:35.359
<v Speaker 1>a production of iHeart Radios. How Stuff Works. For more

0:42:35.360 --> 0:42:37.839
<v Speaker 1>podcasts for my Heart Radio is at the iHeart Radio app,

0:42:37.920 --> 0:42:40.560
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.