WEBVTT - The Dangers of Stalking | Rebecca Schaeffer

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<v Speaker 1>You're listening to Facing Evil, a production of iHeartRadio and

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<v Speaker 1>Tenderfoot TV. The views and opinions expressed in this podcast

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<v Speaker 1>are solely those of the individuals participating in the show

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<v Speaker 1>and do not represent those of iHeartRadio or Tenderfoot TV.

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<v Speaker 1>This podcast contains subject matter which may not be suitable

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<v Speaker 1>for everyone. Listener discretion is advised.

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<v Speaker 2>Hi, everyone, welcome back to Facing Evil from Tenderfoot TV

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<v Speaker 2>and iHeartRadio.

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<v Speaker 3>We are your host. I'm a vet GENTI.

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<v Speaker 4>Lay and I'm Raschia Peccuerero and as always, our text

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<v Speaker 4>and producer Trevor Young is with us.

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<v Speaker 1>Hello, good morning, good afternoon, and good night.

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<v Speaker 3>All the things.

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<v Speaker 1>I don't know when people are listening to this, so

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<v Speaker 1>just had to get all the covered.

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<v Speaker 4>I know it could be any time of day, but

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<v Speaker 4>they are listening.

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<v Speaker 1>So one thing I wanted to maybe do today just

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<v Speaker 1>before we get going, is talk about some important podcasts

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<v Speaker 1>that are out there, you know, some of our contemporaries

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<v Speaker 1>and some of the work they're doing. One show that

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<v Speaker 1>is on the Tenderfoot side of things is a new

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<v Speaker 1>true crime show called La Monstra that I think everybody

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<v Speaker 1>should be listening to. Matt Graves who is originally from Austin,

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<v Speaker 1>Texas like me. We bonded over this when I talked

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<v Speaker 1>to him once. Is the host of the show. He

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<v Speaker 1>moved to Belgium decades ago and got entwined in the

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<v Speaker 1>story about a Belgian serial killer named Mark Dutroux. And

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<v Speaker 1>it's a really fascinating story of a number of people

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<v Speaker 1>who were missing and murdered in the eighties and nineties

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<v Speaker 1>by Mark Dutroux. So it's going now and for anybody

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<v Speaker 1>who hasn't started listening, I couldn't recommend it anymore. It's

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<v Speaker 1>just incredible. So I wanted to throw that out there.

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<v Speaker 1>I also want to say that we're making a show

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<v Speaker 1>right now. It's actually the third season of a show

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<v Speaker 1>called Thirteen Days of Halloween. It's just a fun little

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<v Speaker 1>anthology horror story for October people. So but yeah, are

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<v Speaker 1>are you all listening to anything? Or anything you guys

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<v Speaker 1>wanted to talk about? So?

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<v Speaker 4>Well, Number one, I have to tell you Trevor Vanna

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<v Speaker 4>is obsessed with and please tell me Sola Monstra, right,

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<v Speaker 4>that's how you pronounce it monstra. So she started down

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<v Speaker 4>that rabbit hole because prior to you know, root of

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<v Speaker 4>Evil and facing Evil. She hadn't ever really listened to

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<v Speaker 4>true crime, and she realized that because she she was

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<v Speaker 4>recently diagnosed with ADHD, that she was listening to music

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<v Speaker 4>when she was working and she wasn't staying focused. But

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<v Speaker 4>when she was listening to Facing Evil, she was like,

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<v Speaker 4>maybe I should try other true crime shows because I

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<v Speaker 4>kept sending her all these other shows because I like,

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<v Speaker 4>you know, I'll self help and Happy Galucky shows a

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<v Speaker 4>lot of the time. And so she started Withla Monstra

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<v Speaker 4>and now she's listened to everything that Tenderfoot and iHeart

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<v Speaker 4>have done together, but her favorite thus far is Atlanta Monster. Yeah.

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<v Speaker 4>She just loves really everything you have done, Trevor.

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<v Speaker 1>I'll have to hear that, thank you.

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<v Speaker 2>I mean, I just have to say that I love

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<v Speaker 2>The ten News and I know it is, you know,

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<v Speaker 2>four children, and we are so lucky that, you know,

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<v Speaker 2>our producer Tracy Kaplan, you.

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<v Speaker 3>Know, is the head of that show.

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<v Speaker 2>And my lovely niece Leilani has you know, been a correspondent.

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<v Speaker 4>She's a tenor.

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<v Speaker 3>She's a tenor.

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<v Speaker 2>But I just love it because it's so informative, yes

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<v Speaker 2>for the kids, but even for us adults. So that's

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<v Speaker 2>what I am listening to.

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<v Speaker 4>All right, So with all of that being said, Trevor,

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<v Speaker 4>I would be honored if you take us through today's case.

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<v Speaker 3>We're the cast from My Sister Sam. Now one of

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<v Speaker 3>us is gone forever.

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<v Speaker 5>Rebecca Schaeffer was only twenty one years old when her

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<v Speaker 5>life was taken by a single shot from a handgun.

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<v Speaker 5>There's a fellow here that's been here are lots of

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<v Speaker 5>times who has a large bouquet and about a five

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<v Speaker 5>foot teddy bear, and he's left it with us, and

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<v Speaker 5>he wants us to deliver it to Rebecca Shaeffer. Zenka's

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<v Speaker 5>testifies that Barto hired him to find Rebecca Shaeffer's birthdate

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<v Speaker 5>and home address in May nineteen eighty nine, two months

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<v Speaker 5>before the murder.

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<v Speaker 1>Rebecca Shaeffer was a twenty one year old model and

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<v Speaker 1>actor who was killed in Los Angeles, California, in nineteen

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<v Speaker 1>eighty nine. She was known for roles in TV shows

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<v Speaker 1>like My Sister Sam and the film Scenes from the

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<v Speaker 1>Class Struggle in Beverly Hills. One person who watched her

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<v Speaker 1>developed an obsession with Rebecca. This man attempted to meet

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<v Speaker 1>Rebecca multiple times and even hired a private investigator to

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<v Speaker 1>find her home address. On January nineteenth, nineteen eighty nine,

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<v Speaker 1>that fan showed up at Rebecca's door. She politely asked

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<v Speaker 1>him to leave, but he showed up again a few

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<v Speaker 1>hours later. He pulled out a gun and shot her

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<v Speaker 1>point blank in the doorway, and she died before reaching

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<v Speaker 1>the hospital. The stalker was quickly arrested. He was convicted

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<v Speaker 1>of first degree murder and given a life sentence without

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<v Speaker 1>the possibility of parole. Rebecca Schaeffer is one of many

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<v Speaker 1>women who have faced violence at the hands of a stalker,

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<v Speaker 1>and for high profile individuals, stalkers can be particularly dangerous

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<v Speaker 1>and difficult to manage. And so who was Rebecca Shaeffer,

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<v Speaker 1>who was the man who murdered her? And what does

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<v Speaker 1>the story tell us about parasocial relationships and how they

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<v Speaker 1>often lead to dangerous situations.

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<v Speaker 4>So that's all so much, right, I mean, every case

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<v Speaker 4>that we talk about is so much. But when we

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<v Speaker 4>first started looking at cases, I knew I wanted to

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<v Speaker 4>do Rebecca Shaeffer's case because I remember being such a

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<v Speaker 4>big fan of hers. You know, I was really young

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<v Speaker 4>and the show she was on was all about you know, sisters.

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<v Speaker 4>My sister Sam was one of my favorite shows when

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<v Speaker 4>I was a kid. But I couldn't fathom how someone

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<v Speaker 4>could just go to her home and shoot and kill her, right,

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<v Speaker 4>And I wanted to know more. And I do remember

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<v Speaker 4>initially like knowing all the good things that happened after that,

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<v Speaker 4>and because of that, and that's why I wanted to

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<v Speaker 4>to talk about it. But you know, I was thinking

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<v Speaker 4>about stalking and about if that had ever happened to

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<v Speaker 4>like me or Evet or you know, thankfully nothing like

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<v Speaker 4>that has ever happened. But anytime you put yourself in

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<v Speaker 4>the public eye, you're vulnerable, right, Yeah, And we even have,

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<v Speaker 4>you know, sadly, we have some cyberstockers that we've had

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<v Speaker 4>to keep it bay.

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<v Speaker 3>Yeah, everything that you said is very true.

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<v Speaker 2>And you know, what we do know is the majority

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<v Speaker 2>of stockings that take place in this country, they are

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<v Speaker 2>perpetrated by someone that the victim knows.

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<v Speaker 3>I mean, you know, like an.

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<v Speaker 2>Ex boyfriend or you know, a friend, I mean someone

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<v Speaker 2>that they know, a coworker, yeah, someone that they know.

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<v Speaker 2>But then there are people that are in the public eye,

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<v Speaker 2>like Rebecca Schaeffer, and they're stalkers. They usually have no

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<v Speaker 2>prior relationship to those that they pray upon, and yet

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<v Speaker 2>they behave right as if they already know them, right,

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<v Speaker 2>Like that is someone that they already have a relationship with,

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<v Speaker 2>and they don't.

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<v Speaker 4>That is they're infatuated with them, right m Yeah, it's

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<v Speaker 4>a real problem, and I think that's that happens with

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<v Speaker 4>a lot of celebrities. You know, it happened back then,

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<v Speaker 4>it's happening now. I mean, nearly one in three women

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<v Speaker 4>and one in six men have experienced stalking at some

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<v Speaker 4>point in their lifetime. And that's according to the Stocking

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<v Speaker 4>Prevention Awareness and Resource Center. And of course that behavior

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<v Speaker 4>can range from harassment to threats to invasion of privacy

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<v Speaker 4>two of course more serious crimes like assault or even murder.

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<v Speaker 1>Yeah, it seems to be potentially an even more risky

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<v Speaker 1>thing in the age of social media. I think, yes, yeah,

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<v Speaker 1>you know, people who are high profile are now like

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<v Speaker 1>making their lives more accessible and visible through things like

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<v Speaker 1>social media, and so I think people have to be

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<v Speaker 1>even more careful now, you know, especially what kind of

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<v Speaker 1>presence they have on Instagram or Facebook or what have you,

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<v Speaker 1>because you know, all of a sudden, you're posting pictures

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<v Speaker 1>of your family and your kids and your fans now

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<v Speaker 1>know who your kids are, what inside of your house

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<v Speaker 1>looks like, you know, all this kind of stuff.

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<v Speaker 2>Yeah, they know your location. You have to be very conscious,

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<v Speaker 2>you know, of being on social media and Russia and

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<v Speaker 2>I have this conversation all the time and again with me.

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<v Speaker 2>You know, it's a love hate relationship because of that.

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<v Speaker 2>Like I just don't feel that everybody needs to know,

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<v Speaker 2>you know, you're whereabouts at all times because of situations

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<v Speaker 2>like this.

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<v Speaker 4>So you know, I will say, you know, for me

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<v Speaker 4>of course personally, like yes, I am very open on

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<v Speaker 4>social media. But Mom gave us a really good tip

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<v Speaker 4>years ago, especially when Facebook first started. She was like,

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<v Speaker 4>you know, baby, just always, you know, post your location

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<v Speaker 4>after you've left, you know. I mean, and I've had

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<v Speaker 4>especially like right after I was on the Biggest Loser

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<v Speaker 4>and Facebook was just kind of starting, I happened to

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<v Speaker 4>check in somewhere and a fan you know, showed up

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<v Speaker 4>at Red Robin where I was having a burger and

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<v Speaker 4>like just wanted a photo. But like what if that

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<v Speaker 4>would have been someone like Rebecca's stalker? You know, Like

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<v Speaker 4>I'm trying to balance it, especially being a mom and

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<v Speaker 4>having a family and all the things and my sister Evet,

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<v Speaker 4>And I know, Trevor, you're you're much more private too,

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<v Speaker 4>like you both teach me. Well, I'm doing my best

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<v Speaker 4>to be open yet still you know, share and still

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<v Speaker 4>be protected as well.

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<v Speaker 2>But let's get back to Rebecca. I mean, we know

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<v Speaker 2>she was so very young, and she was twenty one

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<v Speaker 2>years old, right, Trevor.

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<v Speaker 1>Yeah, I mean, she, much like Dominique Dunn, was very

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<v Speaker 1>much at the beginning of her career. Dominique Dounn was

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<v Speaker 1>another actor in Hollywood who we talked about a couple

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<v Speaker 1>episodes ago, and you know, like Dominique, she had just

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<v Speaker 1>started to make a name for herself on TV. Primarily

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<v Speaker 1>I already mentioned the show My Sister Sam, which y'all

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<v Speaker 1>had mentioned as well, which she was actually on with

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<v Speaker 1>Pam Dauber, and that show ran for two seasons before

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<v Speaker 1>it was canceled in nineteen eighty eight. Did either of

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<v Speaker 1>you watch the show?

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<v Speaker 4>I was heartbroken when it was canceled. Oh my god,

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<v Speaker 4>I was obsessed.

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<v Speaker 2>Yeah, we totally watched this show and it was so

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<v Speaker 2>cool because you know, it was filmed as if it

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<v Speaker 2>was in San Francisco, you know, so to see the

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<v Speaker 2>cable cars and all that before I'd ever come to

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<v Speaker 2>San Francisco. Was like, you just loved it in the

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<v Speaker 2>chemistry that they had, you know, between the two sisters.

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<v Speaker 3>It's like Russia.

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<v Speaker 4>We always of course, of course, yeah, but I was.

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<v Speaker 4>I was actually really really sad when it was canceled.

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<v Speaker 4>And I think it's because, if I remember correctly, it's

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<v Speaker 4>because it moved to a different night, you know what

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<v Speaker 4>I mean, Like it had a really bad, you know spot,

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<v Speaker 4>and it was up against the facts of life, like

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<v Speaker 4>you know, everybody loves the facts of life, so it

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<v Speaker 4>was kind of dead in the water when it moved

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<v Speaker 4>to a different night. But yeah, I and I just

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<v Speaker 4>loved the chemistry between yeah, the two women on and

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<v Speaker 4>off screen, and you know, we'll get into that more

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<v Speaker 4>because Pam, Pam loved Rebecca. Yeah, yeah, and so funny too,

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<v Speaker 4>like of course, you know watching my sister Sam, like I,

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<v Speaker 4>I of course love that show. But I had no

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<v Speaker 4>idea that Rebecca spent a bunch of time in Oregon,

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<v Speaker 4>where my wife and I live, and she was actually

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<v Speaker 4>born in Eugene, Oregon, near University of Oregon Go Ducks.

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<v Speaker 4>The Schaeffer family was Jewish, and as a child, Rebecca

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<v Speaker 4>considered become a rabbi when she grew up, before she

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<v Speaker 4>became the famous actress that she became. She began modeling

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<v Speaker 4>in her junior year of high school and was even

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<v Speaker 4>featured in print ads and was also an extra in

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<v Speaker 4>TV and film. And Eugene, Oregon is really close to Portland, Oregon,

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<v Speaker 4>and Portland is the bigger city, so she ended up

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<v Speaker 4>actually getting an agent in Portland, and that is where

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<v Speaker 4>she got the acting and modeling bug, so she was

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<v Speaker 4>working consistently, and so with her parents' permission, she ended

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<v Speaker 4>up moving to New York to pursue her career. So

0:12:41.520 --> 0:12:44.360
<v Speaker 4>she landed a small role on one of my favorite

0:12:44.400 --> 0:12:47.760
<v Speaker 4>soaproppers of all time on ABC one, Life to Live.

0:12:48.520 --> 0:12:52.520
<v Speaker 4>And she ended up really just more so focusing on

0:12:52.960 --> 0:12:55.560
<v Speaker 4>her acting rather than her modeling because she was only

0:12:55.600 --> 0:12:58.520
<v Speaker 4>five seven, So she modeled a little bit in Japan.

0:12:58.679 --> 0:13:01.640
<v Speaker 4>But then once she you know, came back to the States,

0:13:01.960 --> 0:13:05.720
<v Speaker 4>she realized that New York probably wasn't the best fit

0:13:05.840 --> 0:13:09.840
<v Speaker 4>for her, at least for modeling, but for acting is

0:13:09.880 --> 0:13:12.480
<v Speaker 4>where she knew that was her sweet spot.

0:13:13.120 --> 0:13:16.720
<v Speaker 2>Yeah, totally, and she definitely, you know had the drive,

0:13:16.880 --> 0:13:20.760
<v Speaker 2>you know what, you absolutely have to have in this business.

0:13:20.800 --> 0:13:24.400
<v Speaker 2>And apparently, you know, everybody said that she was a

0:13:24.440 --> 0:13:27.320
<v Speaker 2>spitfire and you could just look at her and tell that,

0:13:27.400 --> 0:13:29.400
<v Speaker 2>you know, she just you know, when they say that,

0:13:29.480 --> 0:13:33.839
<v Speaker 2>you you have it. Like she definitely had it. And

0:13:33.880 --> 0:13:36.440
<v Speaker 2>she was really, you know, serious about her work. So

0:13:36.679 --> 0:13:40.040
<v Speaker 2>like you said, she wasn't modeling, you know, or doing

0:13:40.080 --> 0:13:42.520
<v Speaker 2>as much modeling as she would like to do because

0:13:42.559 --> 0:13:45.640
<v Speaker 2>of her height. So she was off, you know, to

0:13:45.880 --> 0:13:50.520
<v Speaker 2>LA to get serious and become a serious actress.

0:13:50.920 --> 0:13:53.080
<v Speaker 4>Yeah, and I'm not sure if she was in LA

0:13:53.160 --> 0:13:55.520
<v Speaker 4>or New York when she was cast in the Woody

0:13:55.559 --> 0:13:58.360
<v Speaker 4>Allen film, but she was cast in a small role

0:13:58.520 --> 0:14:01.839
<v Speaker 4>in the Woody Allen movie Rado Days, but sadly, her

0:14:01.960 --> 0:14:04.720
<v Speaker 4>part was mostly left on the cutting room floor. So

0:14:04.760 --> 0:14:06.320
<v Speaker 4>she kind of thought that was going to be her

0:14:06.320 --> 0:14:10.640
<v Speaker 4>big break, but it wasn't. But interestingly enough, her big

0:14:10.679 --> 0:14:14.520
<v Speaker 4>break came from being on the cover of seventeen magazine.

0:14:14.559 --> 0:14:18.160
<v Speaker 4>And I had this magazine. I looked at it. I

0:14:18.200 --> 0:14:21.440
<v Speaker 4>remember seeing her bright, shining smile and her curls and

0:14:21.480 --> 0:14:26.520
<v Speaker 4>her dimples. And TV producers saw her on that cover

0:14:27.040 --> 0:14:29.200
<v Speaker 4>and they ended up you know, going through a whole

0:14:29.200 --> 0:14:32.920
<v Speaker 4>casting and auditioning process. But that is how Rebecca Schaeffer

0:14:33.240 --> 0:14:35.840
<v Speaker 4>was cast on the show. We keep talking about my

0:14:35.960 --> 0:14:39.760
<v Speaker 4>sister Sam, and Pam Dabber played her sister, and you

0:14:39.880 --> 0:14:41.600
<v Speaker 4>might remember Pam from.

0:14:41.400 --> 0:14:45.680
<v Speaker 2>Work and Mindy as Mindy, And apparently Rebecca and Pam

0:14:45.840 --> 0:14:50.920
<v Speaker 2>became really close in real life. They were almost like

0:14:51.200 --> 0:14:54.400
<v Speaker 2>real life sisters, you know, in that chemistry, like you

0:14:54.440 --> 0:14:55.520
<v Speaker 2>can't make that up.

0:14:56.640 --> 0:15:00.520
<v Speaker 4>So the show was incredibly successful, you know, we have

0:15:00.600 --> 0:15:03.440
<v Speaker 4>said so much today. We both Vet and I watched

0:15:03.440 --> 0:15:07.320
<v Speaker 4>the show, absolutely loved it. But sadly, after two seasons,

0:15:07.400 --> 0:15:12.960
<v Speaker 4>my sister Sam ended up getting canceled and Rebecca ended

0:15:13.040 --> 0:15:15.560
<v Speaker 4>up appearing in a few more you know, movies, and

0:15:16.360 --> 0:15:18.440
<v Speaker 4>I think she did some more TV movies and I

0:15:18.480 --> 0:15:21.120
<v Speaker 4>think one film, but by this time she had already

0:15:21.120 --> 0:15:25.160
<v Speaker 4>moved out of Pam's house and into an apartment in

0:15:25.200 --> 0:15:27.120
<v Speaker 4>the Fairfax neighborhood in LA.

0:15:27.560 --> 0:15:30.240
<v Speaker 1>And just to back up a little and talk about

0:15:30.280 --> 0:15:33.880
<v Speaker 1>the stalker in this case, it was while Rebecca was

0:15:33.920 --> 0:15:37.480
<v Speaker 1>doing My Sister Sam that she started to receive fan

0:15:37.600 --> 0:15:41.560
<v Speaker 1>letters from a man named John Bardo. And he was

0:15:41.560 --> 0:15:44.240
<v Speaker 1>a teenager himself, a couple of years younger than she was.

0:15:44.560 --> 0:15:47.320
<v Speaker 1>He certainly wasn't her only fan, but she responded to him,

0:15:47.560 --> 0:15:50.680
<v Speaker 1>writing that his letter was quote the most beautiful that

0:15:50.760 --> 0:15:53.760
<v Speaker 1>she had ever received. And on this letter she drew

0:15:53.760 --> 0:15:56.960
<v Speaker 1>a peace sign a heart and signed it quote with

0:15:57.040 --> 0:16:01.480
<v Speaker 1>love from Rebecca. So the day Bardo received this letter,

0:16:01.680 --> 0:16:05.000
<v Speaker 1>he wrote in his diary, quote, when I think of her,

0:16:05.160 --> 0:16:08.200
<v Speaker 1>I would like to become famous to impress her end quote.

0:16:08.800 --> 0:16:11.440
<v Speaker 4>Little did she know she was writing to the person

0:16:11.480 --> 0:16:15.200
<v Speaker 4>who would one day stock and kill her.

0:16:15.600 --> 0:16:18.120
<v Speaker 1>Yes, but we need to take a break, so we

0:16:18.160 --> 0:16:20.160
<v Speaker 1>will talk more about that after we get back.

0:16:26.960 --> 0:16:30.440
<v Speaker 4>So to catch you up. Rebecca Schaeffer was a teenager

0:16:30.440 --> 0:16:32.160
<v Speaker 4>at the time while she was co starring in the

0:16:32.160 --> 0:16:35.280
<v Speaker 4>popular TV show My Sister Sam, and that's when she

0:16:35.400 --> 0:16:39.640
<v Speaker 4>began receiving fan letters from John Bardow. But who was

0:16:39.800 --> 0:16:40.480
<v Speaker 4>John Bardow?

0:16:41.080 --> 0:16:45.640
<v Speaker 1>Well? Bardo was born in nineteen seventy in Edwards, California,

0:16:46.200 --> 0:16:49.480
<v Speaker 1>and he was the youngest of seven children. He allegedly

0:16:49.600 --> 0:16:53.680
<v Speaker 1>had a somewhat troubled childhood and he was diagnosed with

0:16:53.720 --> 0:16:57.600
<v Speaker 1>bipolar disorder at a very young age. He was institutionalized

0:16:57.600 --> 0:17:01.920
<v Speaker 1>at age fifteen to treat some suppose emotional problems, and

0:17:01.960 --> 0:17:03.960
<v Speaker 1>he ended up dropping out of high school not long

0:17:04.080 --> 0:17:07.480
<v Speaker 1>after that point. So he was just a young teenager

0:17:07.560 --> 0:17:11.000
<v Speaker 1>himself when he began to stalk a different girl named

0:17:11.000 --> 0:17:15.239
<v Speaker 1>Samantha Smith, who was a well known peace activist. So

0:17:15.520 --> 0:17:18.000
<v Speaker 1>Bardo went as far as taking a bus to Maine,

0:17:18.080 --> 0:17:21.679
<v Speaker 1>where Smith lived, and he continued to stalk her until

0:17:21.680 --> 0:17:26.480
<v Speaker 1>she tragically died in a plane crash in nineteen eighty five. Wow.

0:17:26.520 --> 0:17:29.879
<v Speaker 1>But the following year, in nineteen eighty six, John Bardo

0:17:30.280 --> 0:17:33.800
<v Speaker 1>found somebody new he was watching My Sister Sam and

0:17:33.920 --> 0:17:38.000
<v Speaker 1>quickly developed an obsession with Rebecca on screen. He built

0:17:38.040 --> 0:17:41.439
<v Speaker 1>a shrine to her in his bedroom, supposedly, and started

0:17:41.440 --> 0:17:44.440
<v Speaker 1>to obsessively write letters to her. Wow.

0:17:45.320 --> 0:17:49.080
<v Speaker 2>In June nineteen eighty seven, he attempted to meet Rebecca

0:17:49.240 --> 0:17:51.800
<v Speaker 2>by showing up at the Warner Brothers studio where My

0:17:51.880 --> 0:17:55.800
<v Speaker 2>Sister Sam was being filmed, and the studio's chief of

0:17:55.880 --> 0:17:59.760
<v Speaker 2>security said that that he just thought that this guy

0:17:59.880 --> 0:18:04.479
<v Speaker 2>was love struck, adding that Bardo had actually called the

0:18:04.520 --> 0:18:10.560
<v Speaker 2>studio multiple times, and he also said that when he

0:18:10.680 --> 0:18:16.080
<v Speaker 2>was there, he was terribly like insistent upon being let

0:18:16.119 --> 0:18:19.640
<v Speaker 2>into the studio and every you know, every other word

0:18:19.680 --> 0:18:22.679
<v Speaker 2>that he was saying was Rebecca. This Rebecca that, So

0:18:22.800 --> 0:18:25.639
<v Speaker 2>to me, that is a red flag. If I was

0:18:25.680 --> 0:18:28.680
<v Speaker 2>the security guard, I'm just saying I would have told

0:18:28.720 --> 0:18:32.119
<v Speaker 2>her people, right, told her manager, told someone that, you know,

0:18:32.200 --> 0:18:34.880
<v Speaker 2>this guy is there's something askew here.

0:18:35.400 --> 0:18:39.040
<v Speaker 4>So I was actually watching an entire documentary on Rebecca

0:18:39.280 --> 0:18:42.320
<v Speaker 4>and her life in her case, and her manager was

0:18:42.359 --> 0:18:45.919
<v Speaker 4>with Rebecca on set when John Bardo was at the

0:18:45.960 --> 0:18:48.840
<v Speaker 4>gate at the Warner Brothers lot, and they did call

0:18:49.000 --> 0:18:52.720
<v Speaker 4>over to set and talked to the manager, not to Rebecca,

0:18:53.119 --> 0:18:56.000
<v Speaker 4>and the manager just dismissed it like, oh, not a

0:18:56.000 --> 0:18:57.879
<v Speaker 4>big deal, like sorry, we don't have time for that

0:18:57.960 --> 0:19:00.280
<v Speaker 4>fan today, and they didn't even think about it again.

0:19:00.880 --> 0:19:04.080
<v Speaker 4>So to them, it wasn't a cause for concern. But

0:19:04.359 --> 0:19:06.800
<v Speaker 4>for me and I think we can all three agree,

0:19:07.280 --> 0:19:10.200
<v Speaker 4>like these are all major red flags, right.

0:19:10.400 --> 0:19:13.040
<v Speaker 3>Yeah, I would definitely have to agree.

0:19:13.080 --> 0:19:16.880
<v Speaker 2>You know, they just thought he was just a fan, right,

0:19:16.960 --> 0:19:20.520
<v Speaker 2>a love struck fan, and ultimately, you know, they deemed

0:19:20.560 --> 0:19:24.119
<v Speaker 2>him harmless and he was just escorted off of the premises.

0:19:24.560 --> 0:19:27.920
<v Speaker 1>Right. Well, a few years later, that might have been

0:19:28.160 --> 0:19:30.919
<v Speaker 1>different if this was happening in a different time period,

0:19:30.960 --> 0:19:34.680
<v Speaker 1>because in nineteen ninety four, the Violence Against Women Act

0:19:34.840 --> 0:19:38.840
<v Speaker 1>was passed, and since then, every single state has passed

0:19:38.920 --> 0:19:43.000
<v Speaker 1>laws making this sort of stalking a crime, but back

0:19:43.000 --> 0:19:46.600
<v Speaker 1>in nineteen eighty nine, there was no such law in existence.

0:19:46.840 --> 0:19:50.240
<v Speaker 4>Sadly it is, it is so sad.

0:19:50.880 --> 0:19:51.080
<v Speaker 3>Yeah.

0:19:51.200 --> 0:19:56.080
<v Speaker 4>Anyway, after this particular incident, John Barto returns to Tucson,

0:19:56.200 --> 0:19:59.000
<v Speaker 4>where he lives in Arizona, and once he was there,

0:20:00.119 --> 0:20:03.800
<v Speaker 4>he kind of got distracted and he ended up fanning

0:20:03.840 --> 0:20:07.960
<v Speaker 4>out over Debbie Gibson, Tiffany and Madonna. So he was

0:20:08.000 --> 0:20:12.000
<v Speaker 4>in a pop star phase as opposed to focusing on Rebecca, right,

0:20:12.600 --> 0:20:14.480
<v Speaker 4>I mean, it was it was a sign of the times.

0:20:14.600 --> 0:20:19.399
<v Speaker 4>But it was later discovered that Bardo had been carrying

0:20:19.440 --> 0:20:22.439
<v Speaker 4>a knife in his bag when he was trying to

0:20:22.480 --> 0:20:24.280
<v Speaker 4>reach Rebecca at the studio back.

0:20:24.160 --> 0:20:27.960
<v Speaker 2>In LA That's just crazy. But can't you imagine though,

0:20:27.960 --> 0:20:30.760
<v Speaker 2>if he would have gotten on and he's he's got this, you.

0:20:30.680 --> 0:20:31.120
<v Speaker 3>Know what I mean?

0:20:31.240 --> 0:20:32.960
<v Speaker 4>Yeah, And at the time, I don't know if they

0:20:33.000 --> 0:20:35.080
<v Speaker 4>would have patted him down or even done a metal

0:20:35.119 --> 0:20:36.359
<v Speaker 4>detector or anything like that.

0:20:36.920 --> 0:20:37.560
<v Speaker 3>Right, yeah.

0:20:37.880 --> 0:20:41.640
<v Speaker 4>Well, anyway, his new obsessions with you know, the pop

0:20:41.680 --> 0:20:44.920
<v Speaker 4>stars didn't last very long, and in nineteen eighty nine,

0:20:45.040 --> 0:20:47.080
<v Speaker 4>I think this was a really big trigger for him.

0:20:47.640 --> 0:20:50.479
<v Speaker 4>He watched Rebecca's latest film at the time, and it

0:20:50.520 --> 0:20:53.679
<v Speaker 4>was a movie called Scenes from a Class Struggle in

0:20:53.720 --> 0:20:58.639
<v Speaker 4>Beverly Hills, and it's very different from her past work,

0:20:58.840 --> 0:21:01.960
<v Speaker 4>and it's let's just say, it's truly a film for adults.

0:21:02.080 --> 0:21:07.320
<v Speaker 4>It's not for a teenage mind. And it's this farcical, dark,

0:21:07.520 --> 0:21:11.560
<v Speaker 4>upside downstairs comedy about rich people and their staff in

0:21:11.600 --> 0:21:15.639
<v Speaker 4>Los Angeles hooking up with one another. So Bardo I

0:21:15.640 --> 0:21:19.000
<v Speaker 4>think he was very triggered, and he hated the fact

0:21:19.160 --> 0:21:22.840
<v Speaker 4>that there is one scene in particular where Rebecca's character

0:21:23.440 --> 0:21:26.320
<v Speaker 4>has sex with someone. Okay, so he's held on to

0:21:26.400 --> 0:21:29.439
<v Speaker 4>this idea that Rebecca is this innocent girl like her

0:21:30.080 --> 0:21:33.840
<v Speaker 4>character and she's like not having sex, right, and he

0:21:34.000 --> 0:21:37.639
<v Speaker 4>says that she's now become quote one more of the

0:21:37.680 --> 0:21:41.760
<v Speaker 4>bitches of Hollywood end quote. He was so upset and

0:21:41.840 --> 0:21:45.879
<v Speaker 4>so enraged that he even drew a diagram of Rebecca's

0:21:45.920 --> 0:21:49.920
<v Speaker 4>body and marks spots where he planned to shoot her.

0:21:50.760 --> 0:21:52.679
<v Speaker 4>And he even asked his older brother to buy him

0:21:52.720 --> 0:21:57.119
<v Speaker 4>a gun, and his brother helped him buy a gun.

0:21:58.080 --> 0:22:01.720
<v Speaker 1>So now John Bardo has a weapon and he just

0:22:01.760 --> 0:22:05.239
<v Speaker 1>needs to locate Rebecca Schaeffer, and so he goes to

0:22:05.280 --> 0:22:08.919
<v Speaker 1>the links of hiring a private investigator to retrieve her

0:22:08.920 --> 0:22:12.040
<v Speaker 1>personal address, and he's able to do that pretty easily.

0:22:12.240 --> 0:22:15.720
<v Speaker 1>He goes to the California Department of Motor Vehicles and

0:22:16.160 --> 0:22:17.480
<v Speaker 1>at the time, all you had to do was pay

0:22:17.480 --> 0:22:20.359
<v Speaker 1>four dollars for that information and basically anybody could get it.

0:22:20.400 --> 0:22:20.760
<v Speaker 3>Wow.

0:22:20.920 --> 0:22:23.080
<v Speaker 1>And so Bardow knows how to do all this, how

0:22:23.119 --> 0:22:25.359
<v Speaker 1>to hire the investigator and find out where she lives,

0:22:25.720 --> 0:22:27.679
<v Speaker 1>because he's right up on it and apparently it's not

0:22:27.720 --> 0:22:31.080
<v Speaker 1>a huge secret. So back in nineteen eighty two, there

0:22:31.119 --> 0:22:34.480
<v Speaker 1>was actually another actress named Teresa Saldana who had this

0:22:34.560 --> 0:22:38.240
<v Speaker 1>stoker who stabbed her at her apartment. After that man

0:22:38.280 --> 0:22:42.960
<v Speaker 1>acquired her address, pretty much going the same route, right,

0:22:43.000 --> 0:22:47.760
<v Speaker 1>like hiring a private investigator and going through the DMV

0:22:47.920 --> 0:22:50.199
<v Speaker 1>in this whole thing. So there's like a method to

0:22:50.280 --> 0:22:53.680
<v Speaker 1>doing this, and John Bardow has learned how to do that, right.

0:22:53.680 --> 0:22:58.359
<v Speaker 4>Yeah, he's become a stoker. Well, it's like he knows

0:22:58.400 --> 0:23:01.480
<v Speaker 4>he's a stocker, right, Well, he knows he knows because

0:23:01.480 --> 0:23:04.840
<v Speaker 4>he's doing exactly what that stalker did to Teresa Saldana,

0:23:04.880 --> 0:23:09.600
<v Speaker 4>who thankfully survived. She survived, Yeah, and she became an advocate.

0:23:10.040 --> 0:23:13.520
<v Speaker 4>So John Bardo in his head he's like, wait, that's

0:23:13.560 --> 0:23:16.680
<v Speaker 4>some way that I can get to Rebecca. Like does

0:23:16.720 --> 0:23:18.959
<v Speaker 4>he not know that he's a psychopath?

0:23:19.200 --> 0:23:19.560
<v Speaker 3>Like yeah.

0:23:19.600 --> 0:23:23.280
<v Speaker 2>But the crazy thing about this is that same you

0:23:23.320 --> 0:23:26.960
<v Speaker 2>know investigator, that same PI was.

0:23:26.920 --> 0:23:29.439
<v Speaker 4>The same guy, right, he used the same PI.

0:23:29.760 --> 0:23:31.920
<v Speaker 1>His career is helping stalkers kill people.

0:23:32.119 --> 0:23:36.160
<v Speaker 4>Yeah. Yeah, how can that PI feel good about themselves?

0:23:36.320 --> 0:23:40.480
<v Speaker 4>Like that's just gross. So it is, needless to say,

0:23:40.520 --> 0:23:46.320
<v Speaker 4>deeply unsettling. So around this time, John Bardo apparently writes

0:23:46.480 --> 0:23:49.359
<v Speaker 4>in a letter to his older sister which includes the

0:23:49.400 --> 0:23:53.800
<v Speaker 4>lines quote I have an obsession with the unattainable. I

0:23:53.880 --> 0:23:59.200
<v Speaker 4>have to eliminate what I cannot attain end quote. So

0:23:59.480 --> 0:24:01.560
<v Speaker 4>this now us up to the morning of the crime.

0:24:01.960 --> 0:24:05.000
<v Speaker 4>So that day in July of nineteen eighty nine, Rebecca

0:24:05.280 --> 0:24:08.679
<v Speaker 4>was awaiting the delivery of the script for The Godfather

0:24:08.800 --> 0:24:11.879
<v Speaker 4>Part three, which she's auditioning for. And this is a

0:24:11.920 --> 0:24:15.399
<v Speaker 4>normal thing. Couriers come by, they ring your doorbell, they

0:24:15.480 --> 0:24:18.639
<v Speaker 4>drop off the script you signed for it. It's like

0:24:18.680 --> 0:24:20.800
<v Speaker 4>a total thing in Hollywood. I remember, you Bet used

0:24:20.800 --> 0:24:22.240
<v Speaker 4>to get these all the time when we lived together

0:24:22.280 --> 0:24:26.320
<v Speaker 4>in La Yeah. So, but this time, when Rebecca's doorbell rings,

0:24:26.960 --> 0:24:29.200
<v Speaker 4>like I said, she's expecting it to be the script

0:24:29.200 --> 0:24:33.560
<v Speaker 4>being dropped off, but it's not. So Instead standing there

0:24:33.920 --> 0:24:37.880
<v Speaker 4>is John Bardo, so ABC News reported.

0:24:37.960 --> 0:24:38.440
<v Speaker 3>Quote.

0:24:38.520 --> 0:24:41.600
<v Speaker 4>When she opened the door, he showed her the card

0:24:41.680 --> 0:24:44.199
<v Speaker 4>that she had sent him in response to one of

0:24:44.240 --> 0:24:48.159
<v Speaker 4>his many fan letters, as well as an autographed photo

0:24:48.200 --> 0:24:51.560
<v Speaker 4>of her, and told her he was her biggest fan.

0:24:52.240 --> 0:24:56.040
<v Speaker 4>According to police, she politely excused herself, telling him she

0:24:56.160 --> 0:24:59.680
<v Speaker 4>had to get ready for an interview. End quote. So

0:24:59.720 --> 0:25:03.840
<v Speaker 4>she is kind to him. She didn't say hey, get

0:25:03.840 --> 0:25:09.879
<v Speaker 4>the f out. She was nice. But this apparently pissed

0:25:09.960 --> 0:25:12.280
<v Speaker 4>him off because I felt maybe he felt like he

0:25:12.400 --> 0:25:18.920
<v Speaker 4>wasn't special. But anyway, he ends up leaving and he

0:25:19.000 --> 0:25:25.280
<v Speaker 4>goes to a diner where he stews over this entire interaction.

0:25:25.760 --> 0:25:30.080
<v Speaker 1>Right, and just a quick sidebar. An interesting detail is

0:25:30.160 --> 0:25:32.879
<v Speaker 1>that John Bardo has in his bag at the moment

0:25:33.560 --> 0:25:36.600
<v Speaker 1>a copy of the book Catcher in the Rye by J. D. Salinger.

0:25:37.359 --> 0:25:41.000
<v Speaker 1>And interesting parallel with that is if that's the same

0:25:41.040 --> 0:25:45.600
<v Speaker 1>book that was in the possession of John Hinckley Junior,

0:25:45.600 --> 0:25:48.600
<v Speaker 1>who shot Ronald Reagan as well as Mark David Chapman,

0:25:48.960 --> 0:25:52.240
<v Speaker 1>who we all know shot and killed John Lennon. So

0:25:52.359 --> 0:25:55.120
<v Speaker 1>John Bardo is carrying this book around as a sort

0:25:55.160 --> 0:25:58.680
<v Speaker 1>of copy characters. You know you were asking about earlier,

0:25:58.800 --> 0:26:02.000
<v Speaker 1>like does he know he's like a stalker slash killer

0:26:02.320 --> 0:26:04.480
<v Speaker 1>And it's like very clear, like who he looks.

0:26:04.359 --> 0:26:06.000
<v Speaker 3>Up to and who who idols are.

0:26:06.119 --> 0:26:08.840
<v Speaker 1>I think he's like very actively putting himself in the

0:26:08.880 --> 0:26:13.960
<v Speaker 1>shoes of those people, you know, in his stated goal,

0:26:14.320 --> 0:26:16.760
<v Speaker 1>you know, going back from the earliest time he was

0:26:16.760 --> 0:26:20.040
<v Speaker 1>exchanging letters with Rebecca Schaeffer, was to be famous like

0:26:20.080 --> 0:26:22.439
<v Speaker 1>she is. And that's what a lot of stokers say, right,

0:26:22.480 --> 0:26:25.399
<v Speaker 1>a lot of stocker killers. So it seems like he

0:26:25.480 --> 0:26:29.840
<v Speaker 1>thought this was his path to stardom, right, this, this

0:26:30.040 --> 0:26:35.000
<v Speaker 1>would make him famous by killing a star, a celebrity.

0:26:35.119 --> 0:26:38.479
<v Speaker 4>And so that's exactly what John Bardo is on his

0:26:38.520 --> 0:26:43.440
<v Speaker 4>way to do. So he returns to Rebecca's apartment shortly after,

0:26:44.240 --> 0:26:47.160
<v Speaker 4>and he rang her doorbell again, and this time when

0:26:47.200 --> 0:26:51.959
<v Speaker 4>she answers, she's annoyed, right and tells him he's wasting

0:26:52.000 --> 0:26:58.840
<v Speaker 4>her time, and he then responds by withdrawing the gun

0:26:59.000 --> 0:27:03.400
<v Speaker 4>that was in his waistband, and he shoots her point

0:27:03.480 --> 0:27:08.199
<v Speaker 4>blank in the chest. She dies before she even reaches

0:27:08.240 --> 0:27:09.399
<v Speaker 4>the hospital.

0:27:09.760 --> 0:27:14.280
<v Speaker 1>Right Bardo then flees from Los Angeles, but he has

0:27:14.359 --> 0:27:17.800
<v Speaker 1>found the next day stumbling through highway traffic in Tucson.

0:27:19.320 --> 0:27:23.600
<v Speaker 1>Police apprehend him, and he almost immediately incriminates himself in

0:27:23.680 --> 0:27:27.239
<v Speaker 1>the crime. He also claimed he was quote stunned and

0:27:27.320 --> 0:27:31.320
<v Speaker 1>saddened to see on television that Shaeffer had died, which

0:27:31.359 --> 0:27:34.520
<v Speaker 1>is an interesting thing to say. You know, it obviously

0:27:34.560 --> 0:27:38.239
<v Speaker 1>implies that maybe he didn't intend to kill her, but

0:27:39.080 --> 0:27:41.560
<v Speaker 1>you know, wanted to harm her or just be known

0:27:41.600 --> 0:27:46.600
<v Speaker 1>for having tried maybe, you know. Yeah, but you know,

0:27:46.680 --> 0:27:47.480
<v Speaker 1>we may never know.

0:27:47.600 --> 0:27:49.560
<v Speaker 3>Right, Yeah, that is the case.

0:27:49.640 --> 0:27:52.359
<v Speaker 2>You know, we may never know getting into the head

0:27:52.400 --> 0:27:54.520
<v Speaker 2>of someone like that, you just you don't you have

0:27:54.600 --> 0:27:56.959
<v Speaker 2>no clue of what they're thinking.

0:27:58.240 --> 0:27:59.000
<v Speaker 3>But we do know that.

0:27:59.080 --> 0:28:01.919
<v Speaker 2>It takes two years for the trial to get underway,

0:28:02.280 --> 0:28:05.400
<v Speaker 2>and it's a very dramatic trial.

0:28:06.160 --> 0:28:08.399
<v Speaker 1>Yes, and we will talk about that trial after we

0:28:08.440 --> 0:28:09.600
<v Speaker 1>take another quick break.

0:28:13.040 --> 0:28:15.640
<v Speaker 4>So in the fall of nineteen ninety one, two years

0:28:15.680 --> 0:28:19.280
<v Speaker 4>after he's admitted to knocking on her door and shooting

0:28:19.320 --> 0:28:22.200
<v Speaker 4>her at point blank range, John Bardow's trial for the

0:28:22.280 --> 0:28:23.960
<v Speaker 4>murder of Rebecca Schaeffer begins.

0:28:24.400 --> 0:28:29.119
<v Speaker 2>The prosecuting attorney is Los Angeles Deputy District Attorney Marcia Clark.

0:28:29.520 --> 0:28:33.240
<v Speaker 2>And yes, that is the Marsha Clark that we all

0:28:33.320 --> 0:28:37.359
<v Speaker 2>know who would later go on to be the lead

0:28:37.520 --> 0:28:41.920
<v Speaker 2>prosecutor in the very famous OJ Simpson murder trial.

0:28:42.520 --> 0:28:45.880
<v Speaker 1>Yeah, and that OJ trial was also covered by a journalist,

0:28:45.920 --> 0:28:48.800
<v Speaker 1>Dominic Dunn, who is the father of Dominique Dunn, who

0:28:48.800 --> 0:28:51.720
<v Speaker 1>we talked about in a few episodes ago. So interesting

0:28:52.200 --> 0:28:53.160
<v Speaker 1>connection there.

0:28:53.240 --> 0:28:57.960
<v Speaker 4>Yeah, definitely. So Bardo by this time has confessed to

0:28:58.320 --> 0:29:02.080
<v Speaker 4>this crime, but he's pleaded not guilty to first degree murder,

0:29:02.280 --> 0:29:06.600
<v Speaker 4>which would classify the killing as premeditated. And this leaves

0:29:06.600 --> 0:29:10.280
<v Speaker 4>the prosecution with two big challenges. So first, Marcia Clark

0:29:10.400 --> 0:29:14.680
<v Speaker 4>needed to prove that John Bartow acted intentionally, so that

0:29:14.720 --> 0:29:17.719
<v Speaker 4>would mean at least twenty five years to life in prison,

0:29:18.280 --> 0:29:21.800
<v Speaker 4>but even with this there would be the possibility of parole.

0:29:22.200 --> 0:29:25.160
<v Speaker 4>So she also needed to prove that there's been a quote,

0:29:25.320 --> 0:29:29.720
<v Speaker 4>special circumstance, and Marcia Clark said that in this case,

0:29:29.800 --> 0:29:34.640
<v Speaker 4>that special circumstance was the fact that Barto was basically

0:29:34.720 --> 0:29:35.760
<v Speaker 4>lying in wait.

0:29:37.000 --> 0:29:37.240
<v Speaker 3>Right.

0:29:37.320 --> 0:29:41.360
<v Speaker 2>So to prove this, she goes to a videotape jailhouse

0:29:41.400 --> 0:29:45.840
<v Speaker 2>interview with Bardo, and in this video he describes the

0:29:45.960 --> 0:29:50.360
<v Speaker 2>killing in detail, showing how he hid the gun when

0:29:50.400 --> 0:29:53.520
<v Speaker 2>he knocked on the door, and in that tape he

0:29:53.720 --> 0:29:57.080
<v Speaker 2>also acted out the sounds of the gun shut and

0:29:57.800 --> 0:30:02.280
<v Speaker 2>Rebecca like dying and screaming.

0:30:02.320 --> 0:30:04.680
<v Speaker 4>And as if that weren't enough to show that he

0:30:04.720 --> 0:30:08.040
<v Speaker 4>had arrived at her apartment that day with an intent

0:30:08.160 --> 0:30:12.120
<v Speaker 4>and a plan to kill her. He also revealed that

0:30:12.240 --> 0:30:17.400
<v Speaker 4>the song Exit by YouTube inspired him to murder Rebecca.

0:30:18.280 --> 0:30:21.800
<v Speaker 4>When the song was played in the courtroom, he actually

0:30:21.880 --> 0:30:28.400
<v Speaker 4>sat there drumming along, smiling and lip syncing the lyrics.

0:30:29.160 --> 0:30:32.920
<v Speaker 4>A psychiatrist who examined Bardo after his arrest did testify

0:30:33.400 --> 0:30:37.560
<v Speaker 4>that Barto interpreted parts of the lyrics as literal references

0:30:37.560 --> 0:30:39.720
<v Speaker 4>to himself and Rebecca Schaeffer.

0:30:40.360 --> 0:30:44.080
<v Speaker 1>Yeah, it's interesting. That's a thing a lot of murderers do,

0:30:44.680 --> 0:30:50.200
<v Speaker 1>is they imprint on musicians and songs, you know, like

0:30:50.280 --> 0:30:54.200
<v Speaker 1>they see music as being about something more personal to

0:30:54.240 --> 0:30:56.800
<v Speaker 1>them than it ever actually could be. You know, I

0:30:56.800 --> 0:31:00.600
<v Speaker 1>think back to Charles Manson and his obsession with things

0:31:00.600 --> 0:31:04.320
<v Speaker 1>like Helter Skelter, right where he was entirely misinterpreting it

0:31:04.360 --> 0:31:08.000
<v Speaker 1>to be about some personal image he had in his

0:31:08.080 --> 0:31:12.880
<v Speaker 1>own head that was very narcissistic in nature, but had

0:31:12.920 --> 0:31:18.440
<v Speaker 1>no basis in reality. Anyways, on October thirtieth of nineteen

0:31:18.520 --> 0:31:22.120
<v Speaker 1>ninety one, John Bardo is indeed found guilty of first

0:31:22.120 --> 0:31:25.880
<v Speaker 1>degree murder. He's also found guilty of the special circumstance

0:31:25.960 --> 0:31:29.320
<v Speaker 1>you mentioned Russia of the lying in wait to kill

0:31:29.360 --> 0:31:32.800
<v Speaker 1>Rebecca Schaeffer. So basically what this means is that he

0:31:32.840 --> 0:31:35.840
<v Speaker 1>now gets a life sentence without the possibility of parole,

0:31:36.640 --> 0:31:39.520
<v Speaker 1>and in fact he's still serving his life sentence today.

0:31:40.120 --> 0:31:42.320
<v Speaker 1>There was actually an attempt on his life in two

0:31:42.360 --> 0:31:45.800
<v Speaker 1>thousand and seven when he was stabbed repeatedly with a

0:31:45.880 --> 0:31:49.800
<v Speaker 1>shive by another inmate, but he survived this and is

0:31:50.400 --> 0:31:51.280
<v Speaker 1>alive today.

0:31:51.560 --> 0:31:51.920
<v Speaker 5>Wow.

0:31:52.320 --> 0:31:54.640
<v Speaker 4>I don't ever want anyone to die, of course, but

0:31:55.600 --> 0:31:59.040
<v Speaker 4>you know, I'm happy that he does not have the

0:31:59.080 --> 0:32:03.480
<v Speaker 4>option of being prolled. But I will say, like I

0:32:03.480 --> 0:32:06.440
<v Speaker 4>said at the very top of the episode, I remember

0:32:06.440 --> 0:32:11.000
<v Speaker 4>being so inspired by Rebecca's case because I do know

0:32:11.680 --> 0:32:15.800
<v Speaker 4>that laws were changed because of the Teresa Saldama's and

0:32:15.840 --> 0:32:19.080
<v Speaker 4>the Rebecca Schaefers, and one of those laws that was

0:32:19.160 --> 0:32:23.600
<v Speaker 4>passed was in nineteen ninety four, the Driver's Privacy Protection

0:32:23.760 --> 0:32:26.520
<v Speaker 4>Act was passed. So this is a federal law that

0:32:26.600 --> 0:32:30.720
<v Speaker 4>limits the disclosure of personal information like where someone lives

0:32:31.440 --> 0:32:34.720
<v Speaker 4>that you can get from state DMVs, So no one

0:32:35.320 --> 0:32:39.520
<v Speaker 4>can obtain someone's home address from DMV reports the way

0:32:39.600 --> 0:32:44.880
<v Speaker 4>that that private investigator that John Bardo hired did. And

0:32:44.920 --> 0:32:48.160
<v Speaker 4>this law was spurred to try to ensure the safety

0:32:48.200 --> 0:32:52.600
<v Speaker 4>of people like Rebecca Schaeffer who are being stocked or battered,

0:32:53.160 --> 0:32:57.920
<v Speaker 4>as well as instances of anti abortion activists targeting abortion

0:32:58.040 --> 0:33:03.920
<v Speaker 4>providers and patients, you know, I mean, it protects so many, yeah,

0:33:04.160 --> 0:33:07.200
<v Speaker 4>and so in that way, I truly believe that there

0:33:07.280 --> 0:33:09.320
<v Speaker 4>is a little bit of light in this darkness of

0:33:09.400 --> 0:33:12.840
<v Speaker 4>this story. Right, things are a little bit better for

0:33:12.960 --> 0:33:17.120
<v Speaker 4>those of us or those of you who experience the

0:33:17.240 --> 0:33:20.360
<v Speaker 4>terror of stalking, you know, But of course the problem

0:33:20.760 --> 0:33:24.160
<v Speaker 4>is sadly far from over, but it's getting better.

0:33:29.400 --> 0:33:33.280
<v Speaker 2>And that brings us to our EMUA. Today's message of

0:33:33.360 --> 0:33:37.320
<v Speaker 2>hope and healing goes out to all of those like

0:33:37.440 --> 0:33:42.160
<v Speaker 2>Rebecca Schaeffer who have faced fear and intimidation at the

0:33:42.240 --> 0:33:43.440
<v Speaker 2>hands of a stalker.

0:33:43.920 --> 0:33:47.920
<v Speaker 4>Being stocked can be a very scary experience. We have

0:33:48.000 --> 0:33:52.920
<v Speaker 4>to remember that stalking victims suffer much higher rates of depression, anxiety,

0:33:53.040 --> 0:33:56.680
<v Speaker 4>and insomnia than others, and the advancement of technology has

0:33:56.760 --> 0:34:00.400
<v Speaker 4>made the problem more acute in many ways. More than

0:34:00.400 --> 0:34:04.360
<v Speaker 4>twice as many victims are stocked with technology than without.

0:34:04.880 --> 0:34:09.040
<v Speaker 4>Cyber stalking and cyberbullying are sadly on the rise.

0:34:09.400 --> 0:34:12.400
<v Speaker 2>And what we do know is stocking behavior is still

0:34:12.600 --> 0:34:16.239
<v Speaker 2>too often portrayed as just harmless or even romantic.

0:34:16.680 --> 0:34:17.600
<v Speaker 3>But it isn't.

0:34:17.800 --> 0:34:23.200
<v Speaker 2>It's incredibly dangerous and it should never be considered acceptable.

0:34:24.080 --> 0:34:25.400
<v Speaker 3>End of story.

0:34:26.000 --> 0:34:29.240
<v Speaker 4>If you're among the estimated thirteen point five million people

0:34:29.239 --> 0:34:31.319
<v Speaker 4>who are stocked in a given year, we see you,

0:34:31.840 --> 0:34:34.080
<v Speaker 4>and we will continue to speak out on your behalf.

0:34:34.719 --> 0:34:38.200
<v Speaker 4>When enough of us do this, it can really make

0:34:38.280 --> 0:34:42.560
<v Speaker 4>a difference. We all need to use our voices for good.

0:34:43.440 --> 0:34:53.279
<v Speaker 4>Onward and upward, Emua, Emua. If you or someone you

0:34:53.360 --> 0:34:57.000
<v Speaker 4>know is experiencing stalking behavior, you can find tools and

0:34:57.080 --> 0:35:03.040
<v Speaker 4>resources to help at www dot stokingawareness dot org. That's

0:35:03.200 --> 0:35:06.799
<v Speaker 4>www dot stokingawareness dot org.

0:35:07.440 --> 0:35:09.280
<v Speaker 3>Well, that is our show for today.

0:35:09.840 --> 0:35:12.280
<v Speaker 2>As always, we'd love to hear what you thought about

0:35:12.280 --> 0:35:15.319
<v Speaker 2>today's discussion and if there is a case that you

0:35:15.360 --> 0:35:18.120
<v Speaker 2>would like us to cover, find us on social media

0:35:18.239 --> 0:35:21.640
<v Speaker 2>or email us at Facingeable Pod at tenderfoot dot tv

0:35:22.320 --> 0:35:25.279
<v Speaker 2>and one request. If you haven't already, please find us

0:35:25.280 --> 0:35:26.200
<v Speaker 2>on iTunes and.

0:35:26.160 --> 0:35:28.360
<v Speaker 4>Give us a review and a good rating. If you

0:35:28.480 --> 0:35:32.640
<v Speaker 4>like what we do, your support is always cherished until

0:35:32.719 --> 0:35:34.680
<v Speaker 4>next time. Aloha.

0:35:46.440 --> 0:35:50.200
<v Speaker 1>Facing Evil is a production of iHeartRadio and tenderfoot TV.

0:35:51.000 --> 0:35:54.120
<v Speaker 1>The show is hosted by Russia Pequerrero in a Vetchintila,

0:35:54.880 --> 0:35:58.560
<v Speaker 1>Matt Frederick and Alex Williams our executive producers on behalf

0:35:58.600 --> 0:36:03.360
<v Speaker 1>of iHeartRadio, with producers Trevor Young and Jesse Funk, Donald

0:36:03.400 --> 0:36:06.640
<v Speaker 1>albright In Payne Lindsay our executive producers on behalf of

0:36:06.680 --> 0:36:12.560
<v Speaker 1>Tenderfoot TV, alongside producer Tracy Kaplan. Our researcher is Claudia Dafrico.

0:36:13.440 --> 0:36:17.040
<v Speaker 1>Original music by Makeup and Vanity Set. Find us on

0:36:17.080 --> 0:36:21.760
<v Speaker 1>social media or email us at Facingevilpod at tenderfoot dot tv.

0:36:22.680 --> 0:36:26.640
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