1 00:00:03,880 --> 00:00:07,400 Speaker 1: You're listening to Facing Evil, a production of iHeartRadio and 2 00:00:07,480 --> 00:00:11,160 Speaker 1: Tenderfoot TV. The views and opinions expressed in this podcast 3 00:00:11,320 --> 00:00:14,080 Speaker 1: are solely those of the individuals participating in the show 4 00:00:14,400 --> 00:00:17,560 Speaker 1: and do not represent those of iHeartRadio or Tenderfoot TV. 5 00:00:18,200 --> 00:00:21,280 Speaker 1: This podcast contains subject matter which may not be suitable 6 00:00:21,320 --> 00:00:24,160 Speaker 1: for everyone. Listener discretion is advised. 7 00:00:27,560 --> 00:00:31,200 Speaker 2: Hi, everyone, welcome back to Facing Evil from Tenderfoot TV 8 00:00:31,440 --> 00:00:32,520 Speaker 2: and iHeartRadio. 9 00:00:32,960 --> 00:00:35,520 Speaker 3: We are your host. I'm a vet GENTI. 10 00:00:35,360 --> 00:00:40,040 Speaker 4: Lay and I'm Raschia Peccuerero and as always, our text 11 00:00:40,040 --> 00:00:42,080 Speaker 4: and producer Trevor Young is with us. 12 00:00:42,479 --> 00:00:44,400 Speaker 1: Hello, good morning, good afternoon, and good night. 13 00:00:45,159 --> 00:00:46,279 Speaker 3: All the things. 14 00:00:47,000 --> 00:00:48,559 Speaker 1: I don't know when people are listening to this, so 15 00:00:48,760 --> 00:00:49,600 Speaker 1: just had to get all the covered. 16 00:00:49,800 --> 00:00:51,600 Speaker 4: I know it could be any time of day, but 17 00:00:51,680 --> 00:00:52,639 Speaker 4: they are listening. 18 00:00:53,640 --> 00:00:56,080 Speaker 1: So one thing I wanted to maybe do today just 19 00:00:56,120 --> 00:00:59,120 Speaker 1: before we get going, is talk about some important podcasts 20 00:00:59,160 --> 00:01:01,480 Speaker 1: that are out there, you know, some of our contemporaries 21 00:01:01,480 --> 00:01:05,280 Speaker 1: and some of the work they're doing. One show that 22 00:01:05,440 --> 00:01:09,040 Speaker 1: is on the Tenderfoot side of things is a new 23 00:01:09,080 --> 00:01:11,520 Speaker 1: true crime show called La Monstra that I think everybody 24 00:01:11,600 --> 00:01:16,280 Speaker 1: should be listening to. Matt Graves who is originally from Austin, 25 00:01:16,319 --> 00:01:19,080 Speaker 1: Texas like me. We bonded over this when I talked 26 00:01:19,120 --> 00:01:22,559 Speaker 1: to him once. Is the host of the show. He 27 00:01:22,640 --> 00:01:27,440 Speaker 1: moved to Belgium decades ago and got entwined in the 28 00:01:27,560 --> 00:01:31,559 Speaker 1: story about a Belgian serial killer named Mark Dutroux. And 29 00:01:32,000 --> 00:01:35,880 Speaker 1: it's a really fascinating story of a number of people 30 00:01:35,959 --> 00:01:38,640 Speaker 1: who were missing and murdered in the eighties and nineties 31 00:01:38,840 --> 00:01:42,639 Speaker 1: by Mark Dutroux. So it's going now and for anybody 32 00:01:42,640 --> 00:01:46,759 Speaker 1: who hasn't started listening, I couldn't recommend it anymore. It's 33 00:01:46,840 --> 00:01:50,720 Speaker 1: just incredible. So I wanted to throw that out there. 34 00:01:50,840 --> 00:01:53,559 Speaker 1: I also want to say that we're making a show 35 00:01:53,640 --> 00:01:56,240 Speaker 1: right now. It's actually the third season of a show 36 00:01:56,360 --> 00:01:58,720 Speaker 1: called Thirteen Days of Halloween. It's just a fun little 37 00:01:59,360 --> 00:02:04,720 Speaker 1: anthology horror story for October people. So but yeah, are 38 00:02:04,880 --> 00:02:07,000 Speaker 1: are you all listening to anything? Or anything you guys 39 00:02:07,000 --> 00:02:08,680 Speaker 1: wanted to talk about? So? 40 00:02:08,800 --> 00:02:11,919 Speaker 4: Well, Number one, I have to tell you Trevor Vanna 41 00:02:12,280 --> 00:02:16,520 Speaker 4: is obsessed with and please tell me Sola Monstra, right, 42 00:02:16,600 --> 00:02:20,959 Speaker 4: that's how you pronounce it monstra. So she started down 43 00:02:20,960 --> 00:02:25,760 Speaker 4: that rabbit hole because prior to you know, root of 44 00:02:25,800 --> 00:02:28,360 Speaker 4: Evil and facing Evil. She hadn't ever really listened to 45 00:02:28,360 --> 00:02:31,519 Speaker 4: true crime, and she realized that because she she was 46 00:02:31,560 --> 00:02:35,680 Speaker 4: recently diagnosed with ADHD, that she was listening to music 47 00:02:35,680 --> 00:02:38,480 Speaker 4: when she was working and she wasn't staying focused. But 48 00:02:38,600 --> 00:02:41,600 Speaker 4: when she was listening to Facing Evil, she was like, 49 00:02:41,919 --> 00:02:43,960 Speaker 4: maybe I should try other true crime shows because I 50 00:02:44,040 --> 00:02:45,840 Speaker 4: kept sending her all these other shows because I like, 51 00:02:45,919 --> 00:02:48,520 Speaker 4: you know, I'll self help and Happy Galucky shows a 52 00:02:48,520 --> 00:02:52,120 Speaker 4: lot of the time. And so she started Withla Monstra 53 00:02:52,280 --> 00:02:55,359 Speaker 4: and now she's listened to everything that Tenderfoot and iHeart 54 00:02:55,360 --> 00:03:00,800 Speaker 4: have done together, but her favorite thus far is Atlanta Monster. Yeah. 55 00:03:00,800 --> 00:03:03,560 Speaker 4: She just loves really everything you have done, Trevor. 56 00:03:03,680 --> 00:03:04,840 Speaker 1: I'll have to hear that, thank you. 57 00:03:05,400 --> 00:03:08,160 Speaker 2: I mean, I just have to say that I love 58 00:03:08,320 --> 00:03:10,720 Speaker 2: The ten News and I know it is, you know, 59 00:03:11,120 --> 00:03:13,800 Speaker 2: four children, and we are so lucky that, you know, 60 00:03:13,880 --> 00:03:17,320 Speaker 2: our producer Tracy Kaplan, you. 61 00:03:17,280 --> 00:03:19,280 Speaker 3: Know, is the head of that show. 62 00:03:19,400 --> 00:03:23,959 Speaker 2: And my lovely niece Leilani has you know, been a correspondent. 63 00:03:24,000 --> 00:03:24,520 Speaker 4: She's a tenor. 64 00:03:24,639 --> 00:03:25,239 Speaker 3: She's a tenor. 65 00:03:25,680 --> 00:03:29,160 Speaker 2: But I just love it because it's so informative, yes 66 00:03:29,240 --> 00:03:32,680 Speaker 2: for the kids, but even for us adults. So that's 67 00:03:32,720 --> 00:03:33,799 Speaker 2: what I am listening to. 68 00:03:34,880 --> 00:03:37,560 Speaker 4: All right, So with all of that being said, Trevor, 69 00:03:37,760 --> 00:03:40,600 Speaker 4: I would be honored if you take us through today's case. 70 00:03:42,960 --> 00:03:45,360 Speaker 3: We're the cast from My Sister Sam. Now one of 71 00:03:45,400 --> 00:03:46,320 Speaker 3: us is gone forever. 72 00:03:46,920 --> 00:03:49,240 Speaker 5: Rebecca Schaeffer was only twenty one years old when her 73 00:03:49,320 --> 00:03:51,640 Speaker 5: life was taken by a single shot from a handgun. 74 00:03:52,160 --> 00:03:54,560 Speaker 5: There's a fellow here that's been here are lots of 75 00:03:54,600 --> 00:03:58,280 Speaker 5: times who has a large bouquet and about a five 76 00:03:58,320 --> 00:04:01,240 Speaker 5: foot teddy bear, and he's left it with us, and 77 00:04:01,640 --> 00:04:05,000 Speaker 5: he wants us to deliver it to Rebecca Shaeffer. Zenka's 78 00:04:05,040 --> 00:04:09,160 Speaker 5: testifies that Barto hired him to find Rebecca Shaeffer's birthdate 79 00:04:09,520 --> 00:04:13,200 Speaker 5: and home address in May nineteen eighty nine, two months 80 00:04:13,200 --> 00:04:14,120 Speaker 5: before the murder. 81 00:04:15,400 --> 00:04:18,159 Speaker 1: Rebecca Shaeffer was a twenty one year old model and 82 00:04:18,279 --> 00:04:21,840 Speaker 1: actor who was killed in Los Angeles, California, in nineteen 83 00:04:21,880 --> 00:04:25,239 Speaker 1: eighty nine. She was known for roles in TV shows 84 00:04:25,320 --> 00:04:28,440 Speaker 1: like My Sister Sam and the film Scenes from the 85 00:04:28,480 --> 00:04:32,400 Speaker 1: Class Struggle in Beverly Hills. One person who watched her 86 00:04:32,760 --> 00:04:36,400 Speaker 1: developed an obsession with Rebecca. This man attempted to meet 87 00:04:36,440 --> 00:04:40,200 Speaker 1: Rebecca multiple times and even hired a private investigator to 88 00:04:40,200 --> 00:04:45,000 Speaker 1: find her home address. On January nineteenth, nineteen eighty nine, 89 00:04:45,440 --> 00:04:49,280 Speaker 1: that fan showed up at Rebecca's door. She politely asked 90 00:04:49,320 --> 00:04:51,800 Speaker 1: him to leave, but he showed up again a few 91 00:04:51,839 --> 00:04:54,720 Speaker 1: hours later. He pulled out a gun and shot her 92 00:04:54,720 --> 00:04:57,840 Speaker 1: point blank in the doorway, and she died before reaching 93 00:04:57,880 --> 00:05:02,160 Speaker 1: the hospital. The stalker was quickly arrested. He was convicted 94 00:05:02,160 --> 00:05:04,960 Speaker 1: of first degree murder and given a life sentence without 95 00:05:04,960 --> 00:05:08,839 Speaker 1: the possibility of parole. Rebecca Schaeffer is one of many 96 00:05:08,839 --> 00:05:11,680 Speaker 1: women who have faced violence at the hands of a stalker, 97 00:05:12,200 --> 00:05:16,360 Speaker 1: and for high profile individuals, stalkers can be particularly dangerous 98 00:05:16,480 --> 00:05:20,919 Speaker 1: and difficult to manage. And so who was Rebecca Shaeffer, 99 00:05:21,560 --> 00:05:24,440 Speaker 1: who was the man who murdered her? And what does 100 00:05:24,480 --> 00:05:28,320 Speaker 1: the story tell us about parasocial relationships and how they 101 00:05:28,360 --> 00:05:30,320 Speaker 1: often lead to dangerous situations. 102 00:05:34,200 --> 00:05:37,080 Speaker 4: So that's all so much, right, I mean, every case 103 00:05:37,120 --> 00:05:40,080 Speaker 4: that we talk about is so much. But when we 104 00:05:40,320 --> 00:05:44,000 Speaker 4: first started looking at cases, I knew I wanted to 105 00:05:44,000 --> 00:05:48,040 Speaker 4: do Rebecca Shaeffer's case because I remember being such a 106 00:05:48,040 --> 00:05:50,839 Speaker 4: big fan of hers. You know, I was really young 107 00:05:50,920 --> 00:05:53,760 Speaker 4: and the show she was on was all about you know, sisters. 108 00:05:53,839 --> 00:05:56,160 Speaker 4: My sister Sam was one of my favorite shows when 109 00:05:56,200 --> 00:05:59,240 Speaker 4: I was a kid. But I couldn't fathom how someone 110 00:06:00,320 --> 00:06:06,680 Speaker 4: could just go to her home and shoot and kill her, right, 111 00:06:06,839 --> 00:06:09,159 Speaker 4: And I wanted to know more. And I do remember 112 00:06:10,480 --> 00:06:15,520 Speaker 4: initially like knowing all the good things that happened after that, 113 00:06:15,720 --> 00:06:19,080 Speaker 4: and because of that, and that's why I wanted to 114 00:06:19,680 --> 00:06:22,359 Speaker 4: to talk about it. But you know, I was thinking 115 00:06:22,760 --> 00:06:27,520 Speaker 4: about stalking and about if that had ever happened to 116 00:06:27,640 --> 00:06:31,719 Speaker 4: like me or Evet or you know, thankfully nothing like 117 00:06:31,760 --> 00:06:34,200 Speaker 4: that has ever happened. But anytime you put yourself in 118 00:06:34,200 --> 00:06:39,599 Speaker 4: the public eye, you're vulnerable, right, Yeah, And we even have, 119 00:06:40,680 --> 00:06:43,880 Speaker 4: you know, sadly, we have some cyberstockers that we've had 120 00:06:43,880 --> 00:06:44,680 Speaker 4: to keep it bay. 121 00:06:45,080 --> 00:06:47,279 Speaker 3: Yeah, everything that you said is very true. 122 00:06:47,440 --> 00:06:50,400 Speaker 2: And you know, what we do know is the majority 123 00:06:50,440 --> 00:06:54,920 Speaker 2: of stockings that take place in this country, they are 124 00:06:55,080 --> 00:06:58,599 Speaker 2: perpetrated by someone that the victim knows. 125 00:06:59,400 --> 00:07:00,839 Speaker 3: I mean, you know, like an. 126 00:07:00,680 --> 00:07:04,400 Speaker 2: Ex boyfriend or you know, a friend, I mean someone 127 00:07:04,440 --> 00:07:07,000 Speaker 2: that they know, a coworker, yeah, someone that they know. 128 00:07:07,720 --> 00:07:10,520 Speaker 2: But then there are people that are in the public eye, 129 00:07:10,560 --> 00:07:15,080 Speaker 2: like Rebecca Schaeffer, and they're stalkers. They usually have no 130 00:07:16,080 --> 00:07:21,760 Speaker 2: prior relationship to those that they pray upon, and yet 131 00:07:23,120 --> 00:07:26,880 Speaker 2: they behave right as if they already know them, right, 132 00:07:27,000 --> 00:07:29,960 Speaker 2: Like that is someone that they already have a relationship with, 133 00:07:30,440 --> 00:07:31,160 Speaker 2: and they don't. 134 00:07:31,240 --> 00:07:35,240 Speaker 4: That is they're infatuated with them, right m Yeah, it's 135 00:07:35,240 --> 00:07:37,960 Speaker 4: a real problem, and I think that's that happens with 136 00:07:38,000 --> 00:07:40,800 Speaker 4: a lot of celebrities. You know, it happened back then, 137 00:07:40,880 --> 00:07:44,000 Speaker 4: it's happening now. I mean, nearly one in three women 138 00:07:44,360 --> 00:07:47,880 Speaker 4: and one in six men have experienced stalking at some 139 00:07:48,040 --> 00:07:51,239 Speaker 4: point in their lifetime. And that's according to the Stocking 140 00:07:51,280 --> 00:07:56,120 Speaker 4: Prevention Awareness and Resource Center. And of course that behavior 141 00:07:56,160 --> 00:08:00,480 Speaker 4: can range from harassment to threats to invasion of privacy 142 00:08:00,840 --> 00:08:05,520 Speaker 4: two of course more serious crimes like assault or even murder. 143 00:08:06,120 --> 00:08:10,320 Speaker 1: Yeah, it seems to be potentially an even more risky 144 00:08:10,360 --> 00:08:13,120 Speaker 1: thing in the age of social media. I think, yes, yeah, 145 00:08:13,160 --> 00:08:15,160 Speaker 1: you know, people who are high profile are now like 146 00:08:15,240 --> 00:08:19,000 Speaker 1: making their lives more accessible and visible through things like 147 00:08:19,040 --> 00:08:22,160 Speaker 1: social media, and so I think people have to be 148 00:08:22,280 --> 00:08:25,040 Speaker 1: even more careful now, you know, especially what kind of 149 00:08:25,040 --> 00:08:28,360 Speaker 1: presence they have on Instagram or Facebook or what have you, 150 00:08:28,440 --> 00:08:31,120 Speaker 1: because you know, all of a sudden, you're posting pictures 151 00:08:31,120 --> 00:08:34,199 Speaker 1: of your family and your kids and your fans now 152 00:08:34,320 --> 00:08:37,080 Speaker 1: know who your kids are, what inside of your house 153 00:08:37,120 --> 00:08:38,880 Speaker 1: looks like, you know, all this kind of stuff. 154 00:08:39,160 --> 00:08:42,440 Speaker 2: Yeah, they know your location. You have to be very conscious, 155 00:08:42,640 --> 00:08:46,040 Speaker 2: you know, of being on social media and Russia and 156 00:08:46,120 --> 00:08:49,720 Speaker 2: I have this conversation all the time and again with me. 157 00:08:49,960 --> 00:08:52,600 Speaker 2: You know, it's a love hate relationship because of that. 158 00:08:52,800 --> 00:08:55,520 Speaker 2: Like I just don't feel that everybody needs to know, 159 00:08:56,640 --> 00:09:01,319 Speaker 2: you know, you're whereabouts at all times because of situations 160 00:09:01,440 --> 00:09:01,720 Speaker 2: like this. 161 00:09:02,200 --> 00:09:04,520 Speaker 4: So you know, I will say, you know, for me 162 00:09:04,600 --> 00:09:07,880 Speaker 4: of course personally, like yes, I am very open on 163 00:09:07,880 --> 00:09:11,520 Speaker 4: social media. But Mom gave us a really good tip 164 00:09:11,800 --> 00:09:15,600 Speaker 4: years ago, especially when Facebook first started. She was like, 165 00:09:15,880 --> 00:09:18,959 Speaker 4: you know, baby, just always, you know, post your location 166 00:09:19,200 --> 00:09:22,280 Speaker 4: after you've left, you know. I mean, and I've had 167 00:09:22,480 --> 00:09:24,640 Speaker 4: especially like right after I was on the Biggest Loser 168 00:09:24,679 --> 00:09:26,720 Speaker 4: and Facebook was just kind of starting, I happened to 169 00:09:26,840 --> 00:09:30,079 Speaker 4: check in somewhere and a fan you know, showed up 170 00:09:30,160 --> 00:09:32,320 Speaker 4: at Red Robin where I was having a burger and 171 00:09:32,360 --> 00:09:35,000 Speaker 4: like just wanted a photo. But like what if that 172 00:09:35,000 --> 00:09:39,840 Speaker 4: would have been someone like Rebecca's stalker? You know, Like 173 00:09:40,600 --> 00:09:43,520 Speaker 4: I'm trying to balance it, especially being a mom and 174 00:09:43,760 --> 00:09:47,320 Speaker 4: having a family and all the things and my sister Evet, 175 00:09:47,559 --> 00:09:50,760 Speaker 4: And I know, Trevor, you're you're much more private too, 176 00:09:50,920 --> 00:09:54,320 Speaker 4: like you both teach me. Well, I'm doing my best 177 00:09:54,320 --> 00:09:58,360 Speaker 4: to be open yet still you know, share and still 178 00:09:58,400 --> 00:09:59,360 Speaker 4: be protected as well. 179 00:10:00,040 --> 00:10:02,280 Speaker 2: But let's get back to Rebecca. I mean, we know 180 00:10:02,440 --> 00:10:06,120 Speaker 2: she was so very young, and she was twenty one 181 00:10:06,160 --> 00:10:07,640 Speaker 2: years old, right, Trevor. 182 00:10:07,520 --> 00:10:11,440 Speaker 1: Yeah, I mean, she, much like Dominique Dunn, was very 183 00:10:11,520 --> 00:10:13,760 Speaker 1: much at the beginning of her career. Dominique Dounn was 184 00:10:13,800 --> 00:10:17,400 Speaker 1: another actor in Hollywood who we talked about a couple 185 00:10:17,520 --> 00:10:21,840 Speaker 1: episodes ago, and you know, like Dominique, she had just 186 00:10:21,840 --> 00:10:25,080 Speaker 1: started to make a name for herself on TV. Primarily 187 00:10:25,800 --> 00:10:28,240 Speaker 1: I already mentioned the show My Sister Sam, which y'all 188 00:10:28,280 --> 00:10:31,000 Speaker 1: had mentioned as well, which she was actually on with 189 00:10:31,120 --> 00:10:34,600 Speaker 1: Pam Dauber, and that show ran for two seasons before 190 00:10:34,679 --> 00:10:37,560 Speaker 1: it was canceled in nineteen eighty eight. Did either of 191 00:10:37,600 --> 00:10:38,440 Speaker 1: you watch the show? 192 00:10:39,120 --> 00:10:41,679 Speaker 4: I was heartbroken when it was canceled. Oh my god, 193 00:10:41,679 --> 00:10:42,480 Speaker 4: I was obsessed. 194 00:10:42,840 --> 00:10:45,800 Speaker 2: Yeah, we totally watched this show and it was so 195 00:10:45,960 --> 00:10:48,760 Speaker 2: cool because you know, it was filmed as if it 196 00:10:48,800 --> 00:10:51,160 Speaker 2: was in San Francisco, you know, so to see the 197 00:10:51,200 --> 00:10:53,480 Speaker 2: cable cars and all that before I'd ever come to 198 00:10:53,480 --> 00:10:55,920 Speaker 2: San Francisco. Was like, you just loved it in the 199 00:10:56,000 --> 00:10:59,040 Speaker 2: chemistry that they had, you know, between the two sisters. 200 00:10:59,040 --> 00:10:59,800 Speaker 3: It's like Russia. 201 00:11:00,160 --> 00:11:05,000 Speaker 4: We always of course, of course, yeah, but I was. 202 00:11:05,040 --> 00:11:07,720 Speaker 4: I was actually really really sad when it was canceled. 203 00:11:08,320 --> 00:11:10,800 Speaker 4: And I think it's because, if I remember correctly, it's 204 00:11:10,800 --> 00:11:13,400 Speaker 4: because it moved to a different night, you know what 205 00:11:13,440 --> 00:11:16,560 Speaker 4: I mean, Like it had a really bad, you know spot, 206 00:11:16,600 --> 00:11:18,400 Speaker 4: and it was up against the facts of life, like 207 00:11:18,880 --> 00:11:21,400 Speaker 4: you know, everybody loves the facts of life, so it 208 00:11:21,440 --> 00:11:23,280 Speaker 4: was kind of dead in the water when it moved 209 00:11:23,280 --> 00:11:26,040 Speaker 4: to a different night. But yeah, I and I just 210 00:11:26,120 --> 00:11:29,280 Speaker 4: loved the chemistry between yeah, the two women on and 211 00:11:29,320 --> 00:11:31,920 Speaker 4: off screen, and you know, we'll get into that more 212 00:11:31,960 --> 00:11:37,880 Speaker 4: because Pam, Pam loved Rebecca. Yeah, yeah, and so funny too, 213 00:11:37,960 --> 00:11:40,559 Speaker 4: like of course, you know watching my sister Sam, like I, 214 00:11:40,840 --> 00:11:42,840 Speaker 4: I of course love that show. But I had no 215 00:11:42,960 --> 00:11:47,040 Speaker 4: idea that Rebecca spent a bunch of time in Oregon, 216 00:11:47,240 --> 00:11:50,720 Speaker 4: where my wife and I live, and she was actually 217 00:11:51,160 --> 00:11:55,400 Speaker 4: born in Eugene, Oregon, near University of Oregon Go Ducks. 218 00:11:56,080 --> 00:11:59,120 Speaker 4: The Schaeffer family was Jewish, and as a child, Rebecca 219 00:11:59,240 --> 00:12:02,280 Speaker 4: considered become a rabbi when she grew up, before she 220 00:12:02,360 --> 00:12:06,880 Speaker 4: became the famous actress that she became. She began modeling 221 00:12:07,000 --> 00:12:10,080 Speaker 4: in her junior year of high school and was even 222 00:12:10,280 --> 00:12:13,320 Speaker 4: featured in print ads and was also an extra in 223 00:12:13,400 --> 00:12:17,679 Speaker 4: TV and film. And Eugene, Oregon is really close to Portland, Oregon, 224 00:12:17,720 --> 00:12:20,720 Speaker 4: and Portland is the bigger city, so she ended up 225 00:12:20,840 --> 00:12:25,840 Speaker 4: actually getting an agent in Portland, and that is where 226 00:12:26,040 --> 00:12:29,760 Speaker 4: she got the acting and modeling bug, so she was 227 00:12:29,840 --> 00:12:35,640 Speaker 4: working consistently, and so with her parents' permission, she ended 228 00:12:35,720 --> 00:12:41,440 Speaker 4: up moving to New York to pursue her career. So 229 00:12:41,520 --> 00:12:44,360 Speaker 4: she landed a small role on one of my favorite 230 00:12:44,400 --> 00:12:47,760 Speaker 4: soaproppers of all time on ABC one, Life to Live. 231 00:12:48,520 --> 00:12:52,520 Speaker 4: And she ended up really just more so focusing on 232 00:12:52,960 --> 00:12:55,560 Speaker 4: her acting rather than her modeling because she was only 233 00:12:55,600 --> 00:12:58,520 Speaker 4: five seven, So she modeled a little bit in Japan. 234 00:12:58,679 --> 00:13:01,640 Speaker 4: But then once she you know, came back to the States, 235 00:13:01,960 --> 00:13:05,720 Speaker 4: she realized that New York probably wasn't the best fit 236 00:13:05,840 --> 00:13:09,840 Speaker 4: for her, at least for modeling, but for acting is 237 00:13:09,880 --> 00:13:12,480 Speaker 4: where she knew that was her sweet spot. 238 00:13:13,120 --> 00:13:16,720 Speaker 2: Yeah, totally, and she definitely, you know had the drive, 239 00:13:16,880 --> 00:13:20,760 Speaker 2: you know what, you absolutely have to have in this business. 240 00:13:20,800 --> 00:13:24,400 Speaker 2: And apparently, you know, everybody said that she was a 241 00:13:24,440 --> 00:13:27,320 Speaker 2: spitfire and you could just look at her and tell that, 242 00:13:27,400 --> 00:13:29,400 Speaker 2: you know, she just you know, when they say that, 243 00:13:29,480 --> 00:13:33,839 Speaker 2: you you have it. Like she definitely had it. And 244 00:13:33,880 --> 00:13:36,440 Speaker 2: she was really, you know, serious about her work. So 245 00:13:36,679 --> 00:13:40,040 Speaker 2: like you said, she wasn't modeling, you know, or doing 246 00:13:40,080 --> 00:13:42,520 Speaker 2: as much modeling as she would like to do because 247 00:13:42,559 --> 00:13:45,640 Speaker 2: of her height. So she was off, you know, to 248 00:13:45,880 --> 00:13:50,520 Speaker 2: LA to get serious and become a serious actress. 249 00:13:50,920 --> 00:13:53,080 Speaker 4: Yeah, and I'm not sure if she was in LA 250 00:13:53,160 --> 00:13:55,520 Speaker 4: or New York when she was cast in the Woody 251 00:13:55,559 --> 00:13:58,360 Speaker 4: Allen film, but she was cast in a small role 252 00:13:58,520 --> 00:14:01,839 Speaker 4: in the Woody Allen movie Rado Days, but sadly, her 253 00:14:01,960 --> 00:14:04,720 Speaker 4: part was mostly left on the cutting room floor. So 254 00:14:04,760 --> 00:14:06,320 Speaker 4: she kind of thought that was going to be her 255 00:14:06,320 --> 00:14:10,640 Speaker 4: big break, but it wasn't. But interestingly enough, her big 256 00:14:10,679 --> 00:14:14,520 Speaker 4: break came from being on the cover of seventeen magazine. 257 00:14:14,559 --> 00:14:18,160 Speaker 4: And I had this magazine. I looked at it. I 258 00:14:18,200 --> 00:14:21,440 Speaker 4: remember seeing her bright, shining smile and her curls and 259 00:14:21,480 --> 00:14:26,520 Speaker 4: her dimples. And TV producers saw her on that cover 260 00:14:27,040 --> 00:14:29,200 Speaker 4: and they ended up you know, going through a whole 261 00:14:29,200 --> 00:14:32,920 Speaker 4: casting and auditioning process. But that is how Rebecca Schaeffer 262 00:14:33,240 --> 00:14:35,840 Speaker 4: was cast on the show. We keep talking about my 263 00:14:35,960 --> 00:14:39,760 Speaker 4: sister Sam, and Pam Dabber played her sister, and you 264 00:14:39,880 --> 00:14:41,600 Speaker 4: might remember Pam from. 265 00:14:41,400 --> 00:14:45,680 Speaker 2: Work and Mindy as Mindy, And apparently Rebecca and Pam 266 00:14:45,840 --> 00:14:50,920 Speaker 2: became really close in real life. They were almost like 267 00:14:51,200 --> 00:14:54,400 Speaker 2: real life sisters, you know, in that chemistry, like you 268 00:14:54,440 --> 00:14:55,520 Speaker 2: can't make that up. 269 00:14:56,640 --> 00:15:00,520 Speaker 4: So the show was incredibly successful, you know, we have 270 00:15:00,600 --> 00:15:03,440 Speaker 4: said so much today. We both Vet and I watched 271 00:15:03,440 --> 00:15:07,320 Speaker 4: the show, absolutely loved it. But sadly, after two seasons, 272 00:15:07,400 --> 00:15:12,960 Speaker 4: my sister Sam ended up getting canceled and Rebecca ended 273 00:15:13,040 --> 00:15:15,560 Speaker 4: up appearing in a few more you know, movies, and 274 00:15:16,360 --> 00:15:18,440 Speaker 4: I think she did some more TV movies and I 275 00:15:18,480 --> 00:15:21,120 Speaker 4: think one film, but by this time she had already 276 00:15:21,120 --> 00:15:25,160 Speaker 4: moved out of Pam's house and into an apartment in 277 00:15:25,200 --> 00:15:27,120 Speaker 4: the Fairfax neighborhood in LA. 278 00:15:27,560 --> 00:15:30,240 Speaker 1: And just to back up a little and talk about 279 00:15:30,280 --> 00:15:33,880 Speaker 1: the stalker in this case, it was while Rebecca was 280 00:15:33,920 --> 00:15:37,480 Speaker 1: doing My Sister Sam that she started to receive fan 281 00:15:37,600 --> 00:15:41,560 Speaker 1: letters from a man named John Bardo. And he was 282 00:15:41,560 --> 00:15:44,240 Speaker 1: a teenager himself, a couple of years younger than she was. 283 00:15:44,560 --> 00:15:47,320 Speaker 1: He certainly wasn't her only fan, but she responded to him, 284 00:15:47,560 --> 00:15:50,680 Speaker 1: writing that his letter was quote the most beautiful that 285 00:15:50,760 --> 00:15:53,760 Speaker 1: she had ever received. And on this letter she drew 286 00:15:53,760 --> 00:15:56,960 Speaker 1: a peace sign a heart and signed it quote with 287 00:15:57,040 --> 00:16:01,480 Speaker 1: love from Rebecca. So the day Bardo received this letter, 288 00:16:01,680 --> 00:16:05,000 Speaker 1: he wrote in his diary, quote, when I think of her, 289 00:16:05,160 --> 00:16:08,200 Speaker 1: I would like to become famous to impress her end quote. 290 00:16:08,800 --> 00:16:11,440 Speaker 4: Little did she know she was writing to the person 291 00:16:11,480 --> 00:16:15,200 Speaker 4: who would one day stock and kill her. 292 00:16:15,600 --> 00:16:18,120 Speaker 1: Yes, but we need to take a break, so we 293 00:16:18,160 --> 00:16:20,160 Speaker 1: will talk more about that after we get back. 294 00:16:26,960 --> 00:16:30,440 Speaker 4: So to catch you up. Rebecca Schaeffer was a teenager 295 00:16:30,440 --> 00:16:32,160 Speaker 4: at the time while she was co starring in the 296 00:16:32,160 --> 00:16:35,280 Speaker 4: popular TV show My Sister Sam, and that's when she 297 00:16:35,400 --> 00:16:39,640 Speaker 4: began receiving fan letters from John Bardow. But who was 298 00:16:39,800 --> 00:16:40,480 Speaker 4: John Bardow? 299 00:16:41,080 --> 00:16:45,640 Speaker 1: Well? Bardo was born in nineteen seventy in Edwards, California, 300 00:16:46,200 --> 00:16:49,480 Speaker 1: and he was the youngest of seven children. He allegedly 301 00:16:49,600 --> 00:16:53,680 Speaker 1: had a somewhat troubled childhood and he was diagnosed with 302 00:16:53,720 --> 00:16:57,600 Speaker 1: bipolar disorder at a very young age. He was institutionalized 303 00:16:57,600 --> 00:17:01,920 Speaker 1: at age fifteen to treat some suppose emotional problems, and 304 00:17:01,960 --> 00:17:03,960 Speaker 1: he ended up dropping out of high school not long 305 00:17:04,080 --> 00:17:07,480 Speaker 1: after that point. So he was just a young teenager 306 00:17:07,560 --> 00:17:11,000 Speaker 1: himself when he began to stalk a different girl named 307 00:17:11,000 --> 00:17:15,239 Speaker 1: Samantha Smith, who was a well known peace activist. So 308 00:17:15,520 --> 00:17:18,000 Speaker 1: Bardo went as far as taking a bus to Maine, 309 00:17:18,080 --> 00:17:21,679 Speaker 1: where Smith lived, and he continued to stalk her until 310 00:17:21,680 --> 00:17:26,480 Speaker 1: she tragically died in a plane crash in nineteen eighty five. Wow. 311 00:17:26,520 --> 00:17:29,879 Speaker 1: But the following year, in nineteen eighty six, John Bardo 312 00:17:30,280 --> 00:17:33,800 Speaker 1: found somebody new he was watching My Sister Sam and 313 00:17:33,920 --> 00:17:38,000 Speaker 1: quickly developed an obsession with Rebecca on screen. He built 314 00:17:38,040 --> 00:17:41,439 Speaker 1: a shrine to her in his bedroom, supposedly, and started 315 00:17:41,440 --> 00:17:44,440 Speaker 1: to obsessively write letters to her. Wow. 316 00:17:45,320 --> 00:17:49,080 Speaker 2: In June nineteen eighty seven, he attempted to meet Rebecca 317 00:17:49,240 --> 00:17:51,800 Speaker 2: by showing up at the Warner Brothers studio where My 318 00:17:51,880 --> 00:17:55,800 Speaker 2: Sister Sam was being filmed, and the studio's chief of 319 00:17:55,880 --> 00:17:59,760 Speaker 2: security said that that he just thought that this guy 320 00:17:59,880 --> 00:18:04,479 Speaker 2: was love struck, adding that Bardo had actually called the 321 00:18:04,520 --> 00:18:10,560 Speaker 2: studio multiple times, and he also said that when he 322 00:18:10,680 --> 00:18:16,080 Speaker 2: was there, he was terribly like insistent upon being let 323 00:18:16,119 --> 00:18:19,640 Speaker 2: into the studio and every you know, every other word 324 00:18:19,680 --> 00:18:22,679 Speaker 2: that he was saying was Rebecca. This Rebecca that, So 325 00:18:22,800 --> 00:18:25,639 Speaker 2: to me, that is a red flag. If I was 326 00:18:25,680 --> 00:18:28,680 Speaker 2: the security guard, I'm just saying I would have told 327 00:18:28,720 --> 00:18:32,119 Speaker 2: her people, right, told her manager, told someone that, you know, 328 00:18:32,200 --> 00:18:34,880 Speaker 2: this guy is there's something askew here. 329 00:18:35,400 --> 00:18:39,040 Speaker 4: So I was actually watching an entire documentary on Rebecca 330 00:18:39,280 --> 00:18:42,320 Speaker 4: and her life in her case, and her manager was 331 00:18:42,359 --> 00:18:45,919 Speaker 4: with Rebecca on set when John Bardo was at the 332 00:18:45,960 --> 00:18:48,840 Speaker 4: gate at the Warner Brothers lot, and they did call 333 00:18:49,000 --> 00:18:52,720 Speaker 4: over to set and talked to the manager, not to Rebecca, 334 00:18:53,119 --> 00:18:56,000 Speaker 4: and the manager just dismissed it like, oh, not a 335 00:18:56,000 --> 00:18:57,879 Speaker 4: big deal, like sorry, we don't have time for that 336 00:18:57,960 --> 00:19:00,280 Speaker 4: fan today, and they didn't even think about it again. 337 00:19:00,880 --> 00:19:04,080 Speaker 4: So to them, it wasn't a cause for concern. But 338 00:19:04,359 --> 00:19:06,800 Speaker 4: for me and I think we can all three agree, 339 00:19:07,280 --> 00:19:10,200 Speaker 4: like these are all major red flags, right. 340 00:19:10,400 --> 00:19:13,040 Speaker 3: Yeah, I would definitely have to agree. 341 00:19:13,080 --> 00:19:16,880 Speaker 2: You know, they just thought he was just a fan, right, 342 00:19:16,960 --> 00:19:20,520 Speaker 2: a love struck fan, and ultimately, you know, they deemed 343 00:19:20,560 --> 00:19:24,119 Speaker 2: him harmless and he was just escorted off of the premises. 344 00:19:24,560 --> 00:19:27,920 Speaker 1: Right. Well, a few years later, that might have been 345 00:19:28,160 --> 00:19:30,919 Speaker 1: different if this was happening in a different time period, 346 00:19:30,960 --> 00:19:34,680 Speaker 1: because in nineteen ninety four, the Violence Against Women Act 347 00:19:34,840 --> 00:19:38,840 Speaker 1: was passed, and since then, every single state has passed 348 00:19:38,920 --> 00:19:43,000 Speaker 1: laws making this sort of stalking a crime, but back 349 00:19:43,000 --> 00:19:46,600 Speaker 1: in nineteen eighty nine, there was no such law in existence. 350 00:19:46,840 --> 00:19:50,240 Speaker 4: Sadly it is, it is so sad. 351 00:19:50,880 --> 00:19:51,080 Speaker 3: Yeah. 352 00:19:51,200 --> 00:19:56,080 Speaker 4: Anyway, after this particular incident, John Barto returns to Tucson, 353 00:19:56,200 --> 00:19:59,000 Speaker 4: where he lives in Arizona, and once he was there, 354 00:20:00,119 --> 00:20:03,800 Speaker 4: he kind of got distracted and he ended up fanning 355 00:20:03,840 --> 00:20:07,960 Speaker 4: out over Debbie Gibson, Tiffany and Madonna. So he was 356 00:20:08,000 --> 00:20:12,000 Speaker 4: in a pop star phase as opposed to focusing on Rebecca, right, 357 00:20:12,600 --> 00:20:14,480 Speaker 4: I mean, it was it was a sign of the times. 358 00:20:14,600 --> 00:20:19,399 Speaker 4: But it was later discovered that Bardo had been carrying 359 00:20:19,440 --> 00:20:22,439 Speaker 4: a knife in his bag when he was trying to 360 00:20:22,480 --> 00:20:24,280 Speaker 4: reach Rebecca at the studio back. 361 00:20:24,160 --> 00:20:27,960 Speaker 2: In LA That's just crazy. But can't you imagine though, 362 00:20:27,960 --> 00:20:30,760 Speaker 2: if he would have gotten on and he's he's got this, you. 363 00:20:30,680 --> 00:20:31,120 Speaker 3: Know what I mean? 364 00:20:31,240 --> 00:20:32,960 Speaker 4: Yeah, And at the time, I don't know if they 365 00:20:33,000 --> 00:20:35,080 Speaker 4: would have patted him down or even done a metal 366 00:20:35,119 --> 00:20:36,359 Speaker 4: detector or anything like that. 367 00:20:36,920 --> 00:20:37,560 Speaker 3: Right, yeah. 368 00:20:37,880 --> 00:20:41,640 Speaker 4: Well, anyway, his new obsessions with you know, the pop 369 00:20:41,680 --> 00:20:44,920 Speaker 4: stars didn't last very long, and in nineteen eighty nine, 370 00:20:45,040 --> 00:20:47,080 Speaker 4: I think this was a really big trigger for him. 371 00:20:47,640 --> 00:20:50,479 Speaker 4: He watched Rebecca's latest film at the time, and it 372 00:20:50,520 --> 00:20:53,679 Speaker 4: was a movie called Scenes from a Class Struggle in 373 00:20:53,720 --> 00:20:58,639 Speaker 4: Beverly Hills, and it's very different from her past work, 374 00:20:58,840 --> 00:21:01,960 Speaker 4: and it's let's just say, it's truly a film for adults. 375 00:21:02,080 --> 00:21:07,320 Speaker 4: It's not for a teenage mind. And it's this farcical, dark, 376 00:21:07,520 --> 00:21:11,560 Speaker 4: upside downstairs comedy about rich people and their staff in 377 00:21:11,600 --> 00:21:15,639 Speaker 4: Los Angeles hooking up with one another. So Bardo I 378 00:21:15,640 --> 00:21:19,000 Speaker 4: think he was very triggered, and he hated the fact 379 00:21:19,160 --> 00:21:22,840 Speaker 4: that there is one scene in particular where Rebecca's character 380 00:21:23,440 --> 00:21:26,320 Speaker 4: has sex with someone. Okay, so he's held on to 381 00:21:26,400 --> 00:21:29,439 Speaker 4: this idea that Rebecca is this innocent girl like her 382 00:21:30,080 --> 00:21:33,840 Speaker 4: character and she's like not having sex, right, and he 383 00:21:34,000 --> 00:21:37,639 Speaker 4: says that she's now become quote one more of the 384 00:21:37,680 --> 00:21:41,760 Speaker 4: bitches of Hollywood end quote. He was so upset and 385 00:21:41,840 --> 00:21:45,879 Speaker 4: so enraged that he even drew a diagram of Rebecca's 386 00:21:45,920 --> 00:21:49,920 Speaker 4: body and marks spots where he planned to shoot her. 387 00:21:50,760 --> 00:21:52,679 Speaker 4: And he even asked his older brother to buy him 388 00:21:52,720 --> 00:21:57,119 Speaker 4: a gun, and his brother helped him buy a gun. 389 00:21:58,080 --> 00:22:01,720 Speaker 1: So now John Bardo has a weapon and he just 390 00:22:01,760 --> 00:22:05,239 Speaker 1: needs to locate Rebecca Schaeffer, and so he goes to 391 00:22:05,280 --> 00:22:08,919 Speaker 1: the links of hiring a private investigator to retrieve her 392 00:22:08,920 --> 00:22:12,040 Speaker 1: personal address, and he's able to do that pretty easily. 393 00:22:12,240 --> 00:22:15,720 Speaker 1: He goes to the California Department of Motor Vehicles and 394 00:22:16,160 --> 00:22:17,480 Speaker 1: at the time, all you had to do was pay 395 00:22:17,480 --> 00:22:20,359 Speaker 1: four dollars for that information and basically anybody could get it. 396 00:22:20,400 --> 00:22:20,760 Speaker 3: Wow. 397 00:22:20,920 --> 00:22:23,080 Speaker 1: And so Bardow knows how to do all this, how 398 00:22:23,119 --> 00:22:25,359 Speaker 1: to hire the investigator and find out where she lives, 399 00:22:25,720 --> 00:22:27,679 Speaker 1: because he's right up on it and apparently it's not 400 00:22:27,720 --> 00:22:31,080 Speaker 1: a huge secret. So back in nineteen eighty two, there 401 00:22:31,119 --> 00:22:34,480 Speaker 1: was actually another actress named Teresa Saldana who had this 402 00:22:34,560 --> 00:22:38,240 Speaker 1: stoker who stabbed her at her apartment. After that man 403 00:22:38,280 --> 00:22:42,960 Speaker 1: acquired her address, pretty much going the same route, right, 404 00:22:43,000 --> 00:22:47,760 Speaker 1: like hiring a private investigator and going through the DMV 405 00:22:47,920 --> 00:22:50,199 Speaker 1: in this whole thing. So there's like a method to 406 00:22:50,280 --> 00:22:53,680 Speaker 1: doing this, and John Bardow has learned how to do that, right. 407 00:22:53,680 --> 00:22:58,359 Speaker 4: Yeah, he's become a stoker. Well, it's like he knows 408 00:22:58,400 --> 00:23:01,480 Speaker 4: he's a stocker, right, Well, he knows he knows because 409 00:23:01,480 --> 00:23:04,840 Speaker 4: he's doing exactly what that stalker did to Teresa Saldana, 410 00:23:04,880 --> 00:23:09,600 Speaker 4: who thankfully survived. She survived, Yeah, and she became an advocate. 411 00:23:10,040 --> 00:23:13,520 Speaker 4: So John Bardo in his head he's like, wait, that's 412 00:23:13,560 --> 00:23:16,680 Speaker 4: some way that I can get to Rebecca. Like does 413 00:23:16,720 --> 00:23:18,959 Speaker 4: he not know that he's a psychopath? 414 00:23:19,200 --> 00:23:19,560 Speaker 3: Like yeah. 415 00:23:19,600 --> 00:23:23,280 Speaker 2: But the crazy thing about this is that same you 416 00:23:23,320 --> 00:23:26,960 Speaker 2: know investigator, that same PI was. 417 00:23:26,920 --> 00:23:29,439 Speaker 4: The same guy, right, he used the same PI. 418 00:23:29,760 --> 00:23:31,920 Speaker 1: His career is helping stalkers kill people. 419 00:23:32,119 --> 00:23:36,160 Speaker 4: Yeah. Yeah, how can that PI feel good about themselves? 420 00:23:36,320 --> 00:23:40,480 Speaker 4: Like that's just gross. So it is, needless to say, 421 00:23:40,520 --> 00:23:46,320 Speaker 4: deeply unsettling. So around this time, John Bardo apparently writes 422 00:23:46,480 --> 00:23:49,359 Speaker 4: in a letter to his older sister which includes the 423 00:23:49,400 --> 00:23:53,800 Speaker 4: lines quote I have an obsession with the unattainable. I 424 00:23:53,880 --> 00:23:59,200 Speaker 4: have to eliminate what I cannot attain end quote. So 425 00:23:59,480 --> 00:24:01,560 Speaker 4: this now us up to the morning of the crime. 426 00:24:01,960 --> 00:24:05,000 Speaker 4: So that day in July of nineteen eighty nine, Rebecca 427 00:24:05,280 --> 00:24:08,679 Speaker 4: was awaiting the delivery of the script for The Godfather 428 00:24:08,800 --> 00:24:11,879 Speaker 4: Part three, which she's auditioning for. And this is a 429 00:24:11,920 --> 00:24:15,399 Speaker 4: normal thing. Couriers come by, they ring your doorbell, they 430 00:24:15,480 --> 00:24:18,639 Speaker 4: drop off the script you signed for it. It's like 431 00:24:18,680 --> 00:24:20,800 Speaker 4: a total thing in Hollywood. I remember, you Bet used 432 00:24:20,800 --> 00:24:22,240 Speaker 4: to get these all the time when we lived together 433 00:24:22,280 --> 00:24:26,320 Speaker 4: in La Yeah. So, but this time, when Rebecca's doorbell rings, 434 00:24:26,960 --> 00:24:29,200 Speaker 4: like I said, she's expecting it to be the script 435 00:24:29,200 --> 00:24:33,560 Speaker 4: being dropped off, but it's not. So Instead standing there 436 00:24:33,920 --> 00:24:37,880 Speaker 4: is John Bardo, so ABC News reported. 437 00:24:37,960 --> 00:24:38,440 Speaker 3: Quote. 438 00:24:38,520 --> 00:24:41,600 Speaker 4: When she opened the door, he showed her the card 439 00:24:41,680 --> 00:24:44,199 Speaker 4: that she had sent him in response to one of 440 00:24:44,240 --> 00:24:48,159 Speaker 4: his many fan letters, as well as an autographed photo 441 00:24:48,200 --> 00:24:51,560 Speaker 4: of her, and told her he was her biggest fan. 442 00:24:52,240 --> 00:24:56,040 Speaker 4: According to police, she politely excused herself, telling him she 443 00:24:56,160 --> 00:24:59,680 Speaker 4: had to get ready for an interview. End quote. So 444 00:24:59,720 --> 00:25:03,840 Speaker 4: she is kind to him. She didn't say hey, get 445 00:25:03,840 --> 00:25:09,879 Speaker 4: the f out. She was nice. But this apparently pissed 446 00:25:09,960 --> 00:25:12,280 Speaker 4: him off because I felt maybe he felt like he 447 00:25:12,400 --> 00:25:18,920 Speaker 4: wasn't special. But anyway, he ends up leaving and he 448 00:25:19,000 --> 00:25:25,280 Speaker 4: goes to a diner where he stews over this entire interaction. 449 00:25:25,760 --> 00:25:30,080 Speaker 1: Right, and just a quick sidebar. An interesting detail is 450 00:25:30,160 --> 00:25:32,879 Speaker 1: that John Bardo has in his bag at the moment 451 00:25:33,560 --> 00:25:36,600 Speaker 1: a copy of the book Catcher in the Rye by J. D. Salinger. 452 00:25:37,359 --> 00:25:41,000 Speaker 1: And interesting parallel with that is if that's the same 453 00:25:41,040 --> 00:25:45,600 Speaker 1: book that was in the possession of John Hinckley Junior, 454 00:25:45,600 --> 00:25:48,600 Speaker 1: who shot Ronald Reagan as well as Mark David Chapman, 455 00:25:48,960 --> 00:25:52,240 Speaker 1: who we all know shot and killed John Lennon. So 456 00:25:52,359 --> 00:25:55,120 Speaker 1: John Bardo is carrying this book around as a sort 457 00:25:55,160 --> 00:25:58,680 Speaker 1: of copy characters. You know you were asking about earlier, 458 00:25:58,800 --> 00:26:02,000 Speaker 1: like does he know he's like a stalker slash killer 459 00:26:02,320 --> 00:26:04,480 Speaker 1: And it's like very clear, like who he looks. 460 00:26:04,359 --> 00:26:06,000 Speaker 3: Up to and who who idols are. 461 00:26:06,119 --> 00:26:08,840 Speaker 1: I think he's like very actively putting himself in the 462 00:26:08,880 --> 00:26:13,960 Speaker 1: shoes of those people, you know, in his stated goal, 463 00:26:14,320 --> 00:26:16,760 Speaker 1: you know, going back from the earliest time he was 464 00:26:16,760 --> 00:26:20,040 Speaker 1: exchanging letters with Rebecca Schaeffer, was to be famous like 465 00:26:20,080 --> 00:26:22,439 Speaker 1: she is. And that's what a lot of stokers say, right, 466 00:26:22,480 --> 00:26:25,399 Speaker 1: a lot of stocker killers. So it seems like he 467 00:26:25,480 --> 00:26:29,840 Speaker 1: thought this was his path to stardom, right, this, this 468 00:26:30,040 --> 00:26:35,000 Speaker 1: would make him famous by killing a star, a celebrity. 469 00:26:35,119 --> 00:26:38,479 Speaker 4: And so that's exactly what John Bardo is on his 470 00:26:38,520 --> 00:26:43,440 Speaker 4: way to do. So he returns to Rebecca's apartment shortly after, 471 00:26:44,240 --> 00:26:47,160 Speaker 4: and he rang her doorbell again, and this time when 472 00:26:47,200 --> 00:26:51,959 Speaker 4: she answers, she's annoyed, right and tells him he's wasting 473 00:26:52,000 --> 00:26:58,840 Speaker 4: her time, and he then responds by withdrawing the gun 474 00:26:59,000 --> 00:27:03,400 Speaker 4: that was in his waistband, and he shoots her point 475 00:27:03,480 --> 00:27:08,199 Speaker 4: blank in the chest. She dies before she even reaches 476 00:27:08,240 --> 00:27:09,399 Speaker 4: the hospital. 477 00:27:09,760 --> 00:27:14,280 Speaker 1: Right Bardo then flees from Los Angeles, but he has 478 00:27:14,359 --> 00:27:17,800 Speaker 1: found the next day stumbling through highway traffic in Tucson. 479 00:27:19,320 --> 00:27:23,600 Speaker 1: Police apprehend him, and he almost immediately incriminates himself in 480 00:27:23,680 --> 00:27:27,239 Speaker 1: the crime. He also claimed he was quote stunned and 481 00:27:27,320 --> 00:27:31,320 Speaker 1: saddened to see on television that Shaeffer had died, which 482 00:27:31,359 --> 00:27:34,520 Speaker 1: is an interesting thing to say. You know, it obviously 483 00:27:34,560 --> 00:27:38,239 Speaker 1: implies that maybe he didn't intend to kill her, but 484 00:27:39,080 --> 00:27:41,560 Speaker 1: you know, wanted to harm her or just be known 485 00:27:41,600 --> 00:27:46,600 Speaker 1: for having tried maybe, you know. Yeah, but you know, 486 00:27:46,680 --> 00:27:47,480 Speaker 1: we may never know. 487 00:27:47,600 --> 00:27:49,560 Speaker 3: Right, Yeah, that is the case. 488 00:27:49,640 --> 00:27:52,359 Speaker 2: You know, we may never know getting into the head 489 00:27:52,400 --> 00:27:54,520 Speaker 2: of someone like that, you just you don't you have 490 00:27:54,600 --> 00:27:56,959 Speaker 2: no clue of what they're thinking. 491 00:27:58,240 --> 00:27:59,000 Speaker 3: But we do know that. 492 00:27:59,080 --> 00:28:01,919 Speaker 2: It takes two years for the trial to get underway, 493 00:28:02,280 --> 00:28:05,400 Speaker 2: and it's a very dramatic trial. 494 00:28:06,160 --> 00:28:08,399 Speaker 1: Yes, and we will talk about that trial after we 495 00:28:08,440 --> 00:28:09,600 Speaker 1: take another quick break. 496 00:28:13,040 --> 00:28:15,640 Speaker 4: So in the fall of nineteen ninety one, two years 497 00:28:15,680 --> 00:28:19,280 Speaker 4: after he's admitted to knocking on her door and shooting 498 00:28:19,320 --> 00:28:22,200 Speaker 4: her at point blank range, John Bardow's trial for the 499 00:28:22,280 --> 00:28:23,960 Speaker 4: murder of Rebecca Schaeffer begins. 500 00:28:24,400 --> 00:28:29,119 Speaker 2: The prosecuting attorney is Los Angeles Deputy District Attorney Marcia Clark. 501 00:28:29,520 --> 00:28:33,240 Speaker 2: And yes, that is the Marsha Clark that we all 502 00:28:33,320 --> 00:28:37,359 Speaker 2: know who would later go on to be the lead 503 00:28:37,520 --> 00:28:41,920 Speaker 2: prosecutor in the very famous OJ Simpson murder trial. 504 00:28:42,520 --> 00:28:45,880 Speaker 1: Yeah, and that OJ trial was also covered by a journalist, 505 00:28:45,920 --> 00:28:48,800 Speaker 1: Dominic Dunn, who is the father of Dominique Dunn, who 506 00:28:48,800 --> 00:28:51,720 Speaker 1: we talked about in a few episodes ago. So interesting 507 00:28:52,200 --> 00:28:53,160 Speaker 1: connection there. 508 00:28:53,240 --> 00:28:57,960 Speaker 4: Yeah, definitely. So Bardo by this time has confessed to 509 00:28:58,320 --> 00:29:02,080 Speaker 4: this crime, but he's pleaded not guilty to first degree murder, 510 00:29:02,280 --> 00:29:06,600 Speaker 4: which would classify the killing as premeditated. And this leaves 511 00:29:06,600 --> 00:29:10,280 Speaker 4: the prosecution with two big challenges. So first, Marcia Clark 512 00:29:10,400 --> 00:29:14,680 Speaker 4: needed to prove that John Bartow acted intentionally, so that 513 00:29:14,720 --> 00:29:17,719 Speaker 4: would mean at least twenty five years to life in prison, 514 00:29:18,280 --> 00:29:21,800 Speaker 4: but even with this there would be the possibility of parole. 515 00:29:22,200 --> 00:29:25,160 Speaker 4: So she also needed to prove that there's been a quote, 516 00:29:25,320 --> 00:29:29,720 Speaker 4: special circumstance, and Marcia Clark said that in this case, 517 00:29:29,800 --> 00:29:34,640 Speaker 4: that special circumstance was the fact that Barto was basically 518 00:29:34,720 --> 00:29:35,760 Speaker 4: lying in wait. 519 00:29:37,000 --> 00:29:37,240 Speaker 3: Right. 520 00:29:37,320 --> 00:29:41,360 Speaker 2: So to prove this, she goes to a videotape jailhouse 521 00:29:41,400 --> 00:29:45,840 Speaker 2: interview with Bardo, and in this video he describes the 522 00:29:45,960 --> 00:29:50,360 Speaker 2: killing in detail, showing how he hid the gun when 523 00:29:50,400 --> 00:29:53,520 Speaker 2: he knocked on the door, and in that tape he 524 00:29:53,720 --> 00:29:57,080 Speaker 2: also acted out the sounds of the gun shut and 525 00:29:57,800 --> 00:30:02,280 Speaker 2: Rebecca like dying and screaming. 526 00:30:02,320 --> 00:30:04,680 Speaker 4: And as if that weren't enough to show that he 527 00:30:04,720 --> 00:30:08,040 Speaker 4: had arrived at her apartment that day with an intent 528 00:30:08,160 --> 00:30:12,120 Speaker 4: and a plan to kill her. He also revealed that 529 00:30:12,240 --> 00:30:17,400 Speaker 4: the song Exit by YouTube inspired him to murder Rebecca. 530 00:30:18,280 --> 00:30:21,800 Speaker 4: When the song was played in the courtroom, he actually 531 00:30:21,880 --> 00:30:28,400 Speaker 4: sat there drumming along, smiling and lip syncing the lyrics. 532 00:30:29,160 --> 00:30:32,920 Speaker 4: A psychiatrist who examined Bardo after his arrest did testify 533 00:30:33,400 --> 00:30:37,560 Speaker 4: that Barto interpreted parts of the lyrics as literal references 534 00:30:37,560 --> 00:30:39,720 Speaker 4: to himself and Rebecca Schaeffer. 535 00:30:40,360 --> 00:30:44,080 Speaker 1: Yeah, it's interesting. That's a thing a lot of murderers do, 536 00:30:44,680 --> 00:30:50,200 Speaker 1: is they imprint on musicians and songs, you know, like 537 00:30:50,280 --> 00:30:54,200 Speaker 1: they see music as being about something more personal to 538 00:30:54,240 --> 00:30:56,800 Speaker 1: them than it ever actually could be. You know, I 539 00:30:56,800 --> 00:31:00,600 Speaker 1: think back to Charles Manson and his obsession with things 540 00:31:00,600 --> 00:31:04,320 Speaker 1: like Helter Skelter, right where he was entirely misinterpreting it 541 00:31:04,360 --> 00:31:08,000 Speaker 1: to be about some personal image he had in his 542 00:31:08,080 --> 00:31:12,880 Speaker 1: own head that was very narcissistic in nature, but had 543 00:31:12,920 --> 00:31:18,440 Speaker 1: no basis in reality. Anyways, on October thirtieth of nineteen 544 00:31:18,520 --> 00:31:22,120 Speaker 1: ninety one, John Bardo is indeed found guilty of first 545 00:31:22,120 --> 00:31:25,880 Speaker 1: degree murder. He's also found guilty of the special circumstance 546 00:31:25,960 --> 00:31:29,320 Speaker 1: you mentioned Russia of the lying in wait to kill 547 00:31:29,360 --> 00:31:32,800 Speaker 1: Rebecca Schaeffer. So basically what this means is that he 548 00:31:32,840 --> 00:31:35,840 Speaker 1: now gets a life sentence without the possibility of parole, 549 00:31:36,640 --> 00:31:39,520 Speaker 1: and in fact he's still serving his life sentence today. 550 00:31:40,120 --> 00:31:42,320 Speaker 1: There was actually an attempt on his life in two 551 00:31:42,360 --> 00:31:45,800 Speaker 1: thousand and seven when he was stabbed repeatedly with a 552 00:31:45,880 --> 00:31:49,800 Speaker 1: shive by another inmate, but he survived this and is 553 00:31:50,400 --> 00:31:51,280 Speaker 1: alive today. 554 00:31:51,560 --> 00:31:51,920 Speaker 5: Wow. 555 00:31:52,320 --> 00:31:54,640 Speaker 4: I don't ever want anyone to die, of course, but 556 00:31:55,600 --> 00:31:59,040 Speaker 4: you know, I'm happy that he does not have the 557 00:31:59,080 --> 00:32:03,480 Speaker 4: option of being prolled. But I will say, like I 558 00:32:03,480 --> 00:32:06,440 Speaker 4: said at the very top of the episode, I remember 559 00:32:06,440 --> 00:32:11,000 Speaker 4: being so inspired by Rebecca's case because I do know 560 00:32:11,680 --> 00:32:15,800 Speaker 4: that laws were changed because of the Teresa Saldama's and 561 00:32:15,840 --> 00:32:19,080 Speaker 4: the Rebecca Schaefers, and one of those laws that was 562 00:32:19,160 --> 00:32:23,600 Speaker 4: passed was in nineteen ninety four, the Driver's Privacy Protection 563 00:32:23,760 --> 00:32:26,520 Speaker 4: Act was passed. So this is a federal law that 564 00:32:26,600 --> 00:32:30,720 Speaker 4: limits the disclosure of personal information like where someone lives 565 00:32:31,440 --> 00:32:34,720 Speaker 4: that you can get from state DMVs, So no one 566 00:32:35,320 --> 00:32:39,520 Speaker 4: can obtain someone's home address from DMV reports the way 567 00:32:39,600 --> 00:32:44,880 Speaker 4: that that private investigator that John Bardo hired did. And 568 00:32:44,920 --> 00:32:48,160 Speaker 4: this law was spurred to try to ensure the safety 569 00:32:48,200 --> 00:32:52,600 Speaker 4: of people like Rebecca Schaeffer who are being stocked or battered, 570 00:32:53,160 --> 00:32:57,920 Speaker 4: as well as instances of anti abortion activists targeting abortion 571 00:32:58,040 --> 00:33:03,920 Speaker 4: providers and patients, you know, I mean, it protects so many, yeah, 572 00:33:04,160 --> 00:33:07,200 Speaker 4: and so in that way, I truly believe that there 573 00:33:07,280 --> 00:33:09,320 Speaker 4: is a little bit of light in this darkness of 574 00:33:09,400 --> 00:33:12,840 Speaker 4: this story. Right, things are a little bit better for 575 00:33:12,960 --> 00:33:17,120 Speaker 4: those of us or those of you who experience the 576 00:33:17,240 --> 00:33:20,360 Speaker 4: terror of stalking, you know, But of course the problem 577 00:33:20,760 --> 00:33:24,160 Speaker 4: is sadly far from over, but it's getting better. 578 00:33:29,400 --> 00:33:33,280 Speaker 2: And that brings us to our EMUA. Today's message of 579 00:33:33,360 --> 00:33:37,320 Speaker 2: hope and healing goes out to all of those like 580 00:33:37,440 --> 00:33:42,160 Speaker 2: Rebecca Schaeffer who have faced fear and intimidation at the 581 00:33:42,240 --> 00:33:43,440 Speaker 2: hands of a stalker. 582 00:33:43,920 --> 00:33:47,920 Speaker 4: Being stocked can be a very scary experience. We have 583 00:33:48,000 --> 00:33:52,920 Speaker 4: to remember that stalking victims suffer much higher rates of depression, anxiety, 584 00:33:53,040 --> 00:33:56,680 Speaker 4: and insomnia than others, and the advancement of technology has 585 00:33:56,760 --> 00:34:00,400 Speaker 4: made the problem more acute in many ways. More than 586 00:34:00,400 --> 00:34:04,360 Speaker 4: twice as many victims are stocked with technology than without. 587 00:34:04,880 --> 00:34:09,040 Speaker 4: Cyber stalking and cyberbullying are sadly on the rise. 588 00:34:09,400 --> 00:34:12,400 Speaker 2: And what we do know is stocking behavior is still 589 00:34:12,600 --> 00:34:16,239 Speaker 2: too often portrayed as just harmless or even romantic. 590 00:34:16,680 --> 00:34:17,600 Speaker 3: But it isn't. 591 00:34:17,800 --> 00:34:23,200 Speaker 2: It's incredibly dangerous and it should never be considered acceptable. 592 00:34:24,080 --> 00:34:25,400 Speaker 3: End of story. 593 00:34:26,000 --> 00:34:29,240 Speaker 4: If you're among the estimated thirteen point five million people 594 00:34:29,239 --> 00:34:31,319 Speaker 4: who are stocked in a given year, we see you, 595 00:34:31,840 --> 00:34:34,080 Speaker 4: and we will continue to speak out on your behalf. 596 00:34:34,719 --> 00:34:38,200 Speaker 4: When enough of us do this, it can really make 597 00:34:38,280 --> 00:34:42,560 Speaker 4: a difference. We all need to use our voices for good. 598 00:34:43,440 --> 00:34:53,279 Speaker 4: Onward and upward, Emua, Emua. If you or someone you 599 00:34:53,360 --> 00:34:57,000 Speaker 4: know is experiencing stalking behavior, you can find tools and 600 00:34:57,080 --> 00:35:03,040 Speaker 4: resources to help at www dot stokingawareness dot org. That's 601 00:35:03,200 --> 00:35:06,799 Speaker 4: www dot stokingawareness dot org. 602 00:35:07,440 --> 00:35:09,280 Speaker 3: Well, that is our show for today. 603 00:35:09,840 --> 00:35:12,280 Speaker 2: As always, we'd love to hear what you thought about 604 00:35:12,280 --> 00:35:15,319 Speaker 2: today's discussion and if there is a case that you 605 00:35:15,360 --> 00:35:18,120 Speaker 2: would like us to cover, find us on social media 606 00:35:18,239 --> 00:35:21,640 Speaker 2: or email us at Facingeable Pod at tenderfoot dot tv 607 00:35:22,320 --> 00:35:25,279 Speaker 2: and one request. If you haven't already, please find us 608 00:35:25,280 --> 00:35:26,200 Speaker 2: on iTunes and. 609 00:35:26,160 --> 00:35:28,360 Speaker 4: Give us a review and a good rating. If you 610 00:35:28,480 --> 00:35:32,640 Speaker 4: like what we do, your support is always cherished until 611 00:35:32,719 --> 00:35:34,680 Speaker 4: next time. Aloha. 612 00:35:46,440 --> 00:35:50,200 Speaker 1: Facing Evil is a production of iHeartRadio and tenderfoot TV. 613 00:35:51,000 --> 00:35:54,120 Speaker 1: The show is hosted by Russia Pequerrero in a Vetchintila, 614 00:35:54,880 --> 00:35:58,560 Speaker 1: Matt Frederick and Alex Williams our executive producers on behalf 615 00:35:58,600 --> 00:36:03,360 Speaker 1: of iHeartRadio, with producers Trevor Young and Jesse Funk, Donald 616 00:36:03,400 --> 00:36:06,640 Speaker 1: albright In Payne Lindsay our executive producers on behalf of 617 00:36:06,680 --> 00:36:12,560 Speaker 1: Tenderfoot TV, alongside producer Tracy Kaplan. Our researcher is Claudia Dafrico. 618 00:36:13,440 --> 00:36:17,040 Speaker 1: Original music by Makeup and Vanity Set. Find us on 619 00:36:17,080 --> 00:36:21,760 Speaker 1: social media or email us at Facingevilpod at tenderfoot dot tv. 620 00:36:22,680 --> 00:36:26,640 Speaker 1: For more podcasts from iHeartRadio or Tenderfoot TV, visit the 621 00:36:26,680 --> 00:36:30,759 Speaker 1: iHeartRadio app, Apple Podcasts, or wherever you listen to your 622 00:36:30,800 --> 00:36:32,960 Speaker 1: favorite shows