WEBVTT - Salt-N-Pepa

0:00:08.160 --> 0:00:25.120
<v Speaker 1>That's okay because no one here is.

0:00:27.640 --> 0:00:30.639
<v Speaker 2>Hi, everybody, and welcome back to teen Beat, a podcast

0:00:30.680 --> 0:00:34.479
<v Speaker 2>in the diversified portfolio we call the Danielle Fischer Shows.

0:00:35.080 --> 0:00:37.960
<v Speaker 2>Teen Beat is where I sit with interesting people who

0:00:37.960 --> 0:00:41.919
<v Speaker 2>have done interesting things to investigate their past, like I'm

0:00:41.960 --> 0:00:43.760
<v Speaker 2>some sort of talky private eye.

0:00:44.040 --> 0:00:46.160
<v Speaker 3>Because I know that by remembering.

0:00:45.760 --> 0:00:49.000
<v Speaker 2>Yesterday, we get ready for today. Put that on a

0:00:49.040 --> 0:00:53.680
<v Speaker 2>greeting card. Baby. Sure, I spent my entire adolescence on

0:00:53.760 --> 0:00:56.240
<v Speaker 2>TV for the world to see, but not everyone had

0:00:56.280 --> 0:00:59.000
<v Speaker 2>a hair and makeup team before a learner's permit. I

0:00:59.040 --> 0:01:02.000
<v Speaker 2>see it this way. I gave you my childhood. It's

0:01:02.040 --> 0:01:06.800
<v Speaker 2>time we hear yours. The term legends is thrown around

0:01:07.000 --> 0:01:10.280
<v Speaker 2>quite a bit in twenty twenty six, in my opinion.

0:01:10.040 --> 0:01:10.920
<v Speaker 3>A bit too much.

0:01:11.400 --> 0:01:14.960
<v Speaker 2>When it comes to handing out this title of culture immortality,

0:01:15.160 --> 0:01:18.600
<v Speaker 2>I think people should be a little pickier. You need

0:01:18.920 --> 0:01:23.920
<v Speaker 2>decades of relevancy, a past filled with revolutionary achievements, a

0:01:24.040 --> 0:01:26.560
<v Speaker 2>history of opening doors for others who may not have

0:01:26.600 --> 0:01:29.720
<v Speaker 2>had the chance without you, and a bunch of bops

0:01:29.760 --> 0:01:32.600
<v Speaker 2>that will find their way onto workout playlists for the

0:01:32.640 --> 0:01:36.880
<v Speaker 2>next one hundred years. So make no mistake about it.

0:01:37.280 --> 0:01:42.360
<v Speaker 2>My guests this week are legends. They taught us to

0:01:42.400 --> 0:01:45.840
<v Speaker 2>push it, to express ourselves, and to talk about sex.

0:01:46.240 --> 0:01:49.000
<v Speaker 2>They were the first ever female rap act to go

0:01:49.000 --> 0:01:52.960
<v Speaker 2>gold and platinum, and alongside Queen Latifah, were the first

0:01:53.000 --> 0:01:55.600
<v Speaker 2>to win a barrier breaking Grammy on a night that

0:01:55.720 --> 0:01:59.200
<v Speaker 2>changed the event forever. They have sold more than fifteen

0:01:59.320 --> 0:02:03.280
<v Speaker 2>million records worldwide and just last year were inducted into

0:02:03.320 --> 0:02:05.880
<v Speaker 2>the Rock and Roll Hall of Fame. And now they

0:02:05.880 --> 0:02:08.400
<v Speaker 2>are going out on the road to co headline the

0:02:08.560 --> 0:02:13.560
<v Speaker 2>It's Iconic Tour alongside TLC with special guests En Vogue,

0:02:14.080 --> 0:02:17.600
<v Speaker 2>be Still my Nineties, R and B Heart. It's my

0:02:17.800 --> 0:02:21.760
<v Speaker 2>absolute honor to welcome to the podcast the first Ladies

0:02:21.800 --> 0:02:28.000
<v Speaker 2>of Rap, Saltan Pepa Ladies. Hey, this is such an

0:02:28.120 --> 0:02:30.720
<v Speaker 2>honor to be here with you. Thank you so much

0:02:30.800 --> 0:02:34.240
<v Speaker 2>for sitting down with me. I'm I'm honestly starstruck, and

0:02:34.280 --> 0:02:37.400
<v Speaker 2>I don't know starstruck very often, but I feel it now.

0:02:37.840 --> 0:02:43.040
<v Speaker 2>I love that your legendary hip hop career, this game

0:02:43.200 --> 0:02:48.040
<v Speaker 2>changing Hall of Fame rap group all started at US Sears. Yes,

0:02:49.639 --> 0:02:53.280
<v Speaker 2>you both worked there as customer service reps. So first

0:02:53.560 --> 0:02:56.760
<v Speaker 2>I must know what are the worst phone calls you

0:02:56.880 --> 0:02:57.920
<v Speaker 2>got while they're.

0:02:58.880 --> 0:03:02.720
<v Speaker 4>The hang ups, it will be the Ryl James calling

0:03:02.760 --> 0:03:05.720
<v Speaker 4>from sears click because because you have to reach your Koda,

0:03:05.840 --> 0:03:10.200
<v Speaker 4>so it's very important to keep them on. Very depressing

0:03:10.960 --> 0:03:14.639
<v Speaker 4>is so it was so depressing. They had like charts

0:03:14.680 --> 0:03:18.640
<v Speaker 4>like on display for everyone to see, and then graphs. Right,

0:03:18.720 --> 0:03:20.880
<v Speaker 4>so if you made a lot of sales, your graph

0:03:21.000 --> 0:03:24.240
<v Speaker 4>was up to here. And me and Pep's grass always like.

0:03:24.360 --> 0:03:25.280
<v Speaker 5>We always didn't called it.

0:03:26.440 --> 0:03:29.480
<v Speaker 4>We would call each other and then the supervisor walked

0:03:29.480 --> 0:03:31.640
<v Speaker 4>by and then we're like, yes, that would be twenty

0:03:31.680 --> 0:03:37.880
<v Speaker 4>eight dollars a month, just taking just talking about your weekend.

0:03:38.760 --> 0:03:41.600
<v Speaker 5>Yeah, exactly, Oh my gosh.

0:03:42.080 --> 0:03:44.760
<v Speaker 2>And so who broke the ice? Who started talking to

0:03:44.840 --> 0:03:46.640
<v Speaker 2>the other one? First?

0:03:47.160 --> 0:03:47.640
<v Speaker 6>You did?

0:03:47.840 --> 0:03:49.880
<v Speaker 4>I started talking to her because I used to see

0:03:49.880 --> 0:03:52.000
<v Speaker 4>her in the lunch room and I was in a

0:03:52.000 --> 0:03:56.680
<v Speaker 4>bit of a loudmouth and I used to be loud, loud, loud,

0:03:57.000 --> 0:03:58.600
<v Speaker 4>and I used to always see her, you know, a

0:03:58.640 --> 0:04:02.720
<v Speaker 4>crossing the lunchroom corner. I was quit quiet, quiet, very quiet.

0:04:03.880 --> 0:04:06.040
<v Speaker 5>She ain't involved but not doing right.

0:04:06.800 --> 0:04:12.280
<v Speaker 4>She's that story. Yes, my friends always adopted me, and

0:04:12.320 --> 0:04:14.320
<v Speaker 4>I came over one know, like this is a good

0:04:14.320 --> 0:04:16.440
<v Speaker 4>old tea, like, you know, you see this in a movie.

0:04:16.480 --> 0:04:18.520
<v Speaker 5>You know, we did a movie. But I came over

0:04:18.760 --> 0:04:20.240
<v Speaker 5>like like, basic, what's your deal?

0:04:23.800 --> 0:04:27.040
<v Speaker 4>She was all punk rock. Yeah, that was liked blonde

0:04:27.120 --> 0:04:31.760
<v Speaker 4>hair and leopard depends in my ears. We were just

0:04:31.800 --> 0:04:35.960
<v Speaker 4>a total opposite total That opposite attract thing is a

0:04:36.000 --> 0:04:36.440
<v Speaker 4>real thing.

0:04:36.600 --> 0:04:38.520
<v Speaker 2>When she came over and said like, what's the deal,

0:04:38.520 --> 0:04:39.200
<v Speaker 2>what's your story?

0:04:39.240 --> 0:04:43.000
<v Speaker 4>Did you you were like I was fascinated because people

0:04:43.000 --> 0:04:48.480
<v Speaker 4>don't usually like across my my quiet barrier. And she's

0:04:48.600 --> 0:04:52.000
<v Speaker 4>just like, who are you? Are you only about yourself

0:04:53.279 --> 0:04:54.679
<v Speaker 4>talking to anybody?

0:04:55.480 --> 0:04:59.160
<v Speaker 2>Well, you guys were coincidentally also both nursing school students

0:04:59.360 --> 0:05:02.159
<v Speaker 2>at the same school, but you met at sears, not

0:05:02.240 --> 0:05:02.719
<v Speaker 2>at school.

0:05:02.880 --> 0:05:06.800
<v Speaker 4>Yeah, we were nursing students college, but we didn't need

0:05:06.839 --> 0:05:09.880
<v Speaker 4>at college, yes, and just taking the courses, the courses

0:05:09.880 --> 0:05:13.200
<v Speaker 4>together together. Liberal Arts was you know, when you don't

0:05:13.200 --> 0:05:14.000
<v Speaker 4>know what you want to do.

0:05:14.160 --> 0:05:14.640
<v Speaker 5>That was me.

0:05:15.360 --> 0:05:18.240
<v Speaker 4>And we also didn't go to class. Well I didn't

0:05:18.240 --> 0:05:18.920
<v Speaker 4>go to class.

0:05:18.960 --> 0:05:20.040
<v Speaker 5>I'm Jamaican. I had to do.

0:05:22.240 --> 0:05:25.520
<v Speaker 4>We used to play spades in the lunch roy at

0:05:26.160 --> 0:05:31.320
<v Speaker 4>at Queensboro College. Yeah, we just started like the thing

0:05:31.360 --> 0:05:34.920
<v Speaker 4>about our friendship is our sense of humor. Like you

0:05:34.960 --> 0:05:36.279
<v Speaker 4>know when you have a friend that you just have

0:05:36.360 --> 0:05:39.520
<v Speaker 4>this warped sense of humor with totally and you just

0:05:39.640 --> 0:05:42.200
<v Speaker 4>lose your mind laughing and nobody else.

0:05:43.120 --> 0:05:47.839
<v Speaker 5>Joe be there exactly, that would be us.

0:05:47.920 --> 0:05:50.720
<v Speaker 2>It's nice to feel seen on a whole other l

0:05:51.320 --> 0:05:54.000
<v Speaker 2>No one else would be laughing at this get exactly

0:05:54.120 --> 0:05:57.440
<v Speaker 2>Well this sears also had play from Kidd and Play

0:05:57.600 --> 0:06:01.360
<v Speaker 2>and Martin Lawrence is the greatest I've ever heard of.

0:06:01.600 --> 0:06:06.080
<v Speaker 4>Yes, it was Kid and Play at serious Martin, Martin Lawrence,

0:06:06.480 --> 0:06:09.799
<v Speaker 4>all of us and our producer Herbie Yeah, and everyone

0:06:09.880 --> 0:06:12.680
<v Speaker 4>had a dream and we all talked about what we

0:06:12.680 --> 0:06:14.240
<v Speaker 4>were going to do and we all did it.

0:06:14.400 --> 0:06:14.840
<v Speaker 2>You all did it.

0:06:15.640 --> 0:06:18.320
<v Speaker 4>We always said whoever makes it first, well, you know,

0:06:18.560 --> 0:06:21.560
<v Speaker 4>help out the other one. So we got put on first,

0:06:21.680 --> 0:06:26.160
<v Speaker 4>and our first shows we had Martin Lawrence open up

0:06:26.640 --> 0:06:30.320
<v Speaker 4>opening for us and do his comedy. So we was

0:06:30.360 --> 0:06:32.479
<v Speaker 4>bringing hip hop and comedy before it's time.

0:06:33.279 --> 0:06:35.880
<v Speaker 2>You guys were trailblazers every capacity.

0:06:35.960 --> 0:06:36.640
<v Speaker 4>Yeah.

0:06:36.880 --> 0:06:39.839
<v Speaker 2>Wow, Well we know that it was Herbie love Bugs

0:06:39.800 --> 0:06:43.320
<v Speaker 2>as Salt's boyfriend who had a school project that first

0:06:43.360 --> 0:06:46.720
<v Speaker 2>got you to record the showstopper, your first ever song.

0:06:47.520 --> 0:06:49.560
<v Speaker 3>Did either of you have to be convinced?

0:06:49.640 --> 0:06:51.760
<v Speaker 2>Was it like, all right if we have to help

0:06:51.800 --> 0:06:53.440
<v Speaker 2>you out for your first song?

0:06:53.640 --> 0:06:53.800
<v Speaker 5>No?

0:06:54.040 --> 0:06:57.240
<v Speaker 4>Yeah, no, I was failing miserably in school. I was like, oh,

0:06:57.320 --> 0:06:59.520
<v Speaker 4>this is it for me, this is what I want

0:06:59.560 --> 0:07:01.560
<v Speaker 4>to do, maybe a little different.

0:07:03.600 --> 0:07:05.280
<v Speaker 5>I did not think I was going to do that

0:07:05.400 --> 0:07:07.960
<v Speaker 5>at all, like at all, at all, at all.

0:07:08.000 --> 0:07:10.360
<v Speaker 4>You could have told me I was gonna wrap like

0:07:10.520 --> 0:07:12.320
<v Speaker 4>you knows.

0:07:11.800 --> 0:07:14.120
<v Speaker 5>We knew it, we played with it, but not to

0:07:14.280 --> 0:07:15.400
<v Speaker 5>make a record with it.

0:07:16.560 --> 0:07:19.840
<v Speaker 4>So I wasn't thinking that, And so I had a

0:07:19.920 --> 0:07:23.040
<v Speaker 4>more difficult time in the beginning with it, you know.

0:07:23.240 --> 0:07:27.480
<v Speaker 4>And I love the hard work, like the what I

0:07:27.560 --> 0:07:31.800
<v Speaker 4>went through, the hours in the studio, the grind like.

0:07:31.800 --> 0:07:33.560
<v Speaker 5>This is and I was still going to college.

0:07:33.960 --> 0:07:36.800
<v Speaker 4>Was like, you gotta quit because you know, girl, we

0:07:36.880 --> 0:07:40.040
<v Speaker 4>made it.

0:07:40.200 --> 0:07:43.880
<v Speaker 2>We gotta get on the row already. She's Jamaican, she's.

0:07:45.200 --> 0:07:47.640
<v Speaker 5>You know, she didn't know that's right.

0:07:48.640 --> 0:07:50.560
<v Speaker 4>Two tree jobs y.

0:07:53.400 --> 0:07:57.040
<v Speaker 2>So this school project starts getting radio play from one

0:07:57.080 --> 0:07:59.640
<v Speaker 2>of the greatest to ever do it, DJ Marley Morrow.

0:08:00.040 --> 0:08:02.560
<v Speaker 2>Do you remember the first time you heard it on

0:08:02.600 --> 0:08:03.000
<v Speaker 2>the air?

0:08:03.720 --> 0:08:04.880
<v Speaker 6>Best moment ever?

0:08:05.000 --> 0:08:06.560
<v Speaker 3>Tell me everything about it.

0:08:07.160 --> 0:08:08.960
<v Speaker 6>I was driving in my dots in two ten.

0:08:09.720 --> 0:08:11.840
<v Speaker 4>It has a hole in the right side passenger side,

0:08:11.880 --> 0:08:14.040
<v Speaker 4>so shevel has it when it's raining and the puddle

0:08:14.520 --> 0:08:23.480
<v Speaker 4>seat up up beat up ready today, but driving on

0:08:23.640 --> 0:08:27.520
<v Speaker 4>you know, you're in Queens and then we've been waiting,

0:08:27.760 --> 0:08:30.360
<v Speaker 4>like you know, rap music wasn't even played by an

0:08:30.400 --> 0:08:34.080
<v Speaker 4>hour on Saturdays, and everyone's waiting, and then at one

0:08:34.160 --> 0:08:36.520
<v Speaker 4>point we just kind of gave up, you know, like

0:08:36.559 --> 0:08:37.520
<v Speaker 4>are they gonna play?

0:08:37.720 --> 0:08:38.280
<v Speaker 5>I was just.

0:08:38.240 --> 0:08:40.360
<v Speaker 4>Casually driving that day and then it came on the

0:08:40.480 --> 0:08:43.200
<v Speaker 4>radio and I was driving. I threw that car and

0:08:43.320 --> 0:08:48.320
<v Speaker 4>parked like so fast, and I screamed and.

0:08:48.200 --> 0:08:51.520
<v Speaker 5>We was we was like, were on the radio, We're.

0:08:51.360 --> 0:08:56.440
<v Speaker 4>On radio, jumping out the car.

0:08:55.240 --> 0:08:55.320
<v Speaker 5>Was.

0:09:03.120 --> 0:09:04.000
<v Speaker 2>Like, I don't care.

0:09:04.679 --> 0:09:07.600
<v Speaker 5>I wanted to hear the song the car. We could

0:09:07.600 --> 0:09:09.040
<v Speaker 5>actually the song.

0:09:09.240 --> 0:09:12.920
<v Speaker 4>We're on the radio. Enjoy it. But that's that's like

0:09:12.960 --> 0:09:16.679
<v Speaker 4>the highlight, I feel like of any artist's career for

0:09:16.720 --> 0:09:19.520
<v Speaker 4>the most part at that time, right because it's it's

0:09:19.559 --> 0:09:22.600
<v Speaker 4>something about the first time you know your voice is

0:09:22.640 --> 0:09:25.520
<v Speaker 4>going out through the airwaves after you put in all

0:09:25.559 --> 0:09:29.040
<v Speaker 4>that hard work and you hustled, and now somebody's actually

0:09:29.040 --> 0:09:32.600
<v Speaker 4>playing your record on the radio. Unmatched rock and Roll

0:09:32.640 --> 0:09:38.199
<v Speaker 4>Hall of Fame, that Star on the Walk Fame.

0:09:38.760 --> 0:09:42.400
<v Speaker 5>I could go on to that moment. We already got

0:09:42.559 --> 0:09:50.440
<v Speaker 5>show that's good.

0:09:51.440 --> 0:09:55.960
<v Speaker 2>From there, buzz starts circulating. You drop out of nursing school,

0:09:56.679 --> 0:10:00.840
<v Speaker 2>make the decision, you get a record deal, which uh

0:10:01.080 --> 0:10:03.720
<v Speaker 2>it turns out you end up having your debut album

0:10:04.120 --> 0:10:11.200
<v Speaker 2>Hot Cool and making you the first female rap group

0:10:11.280 --> 0:10:16.240
<v Speaker 2>to receive both gold and platinum certification, led by the

0:10:16.280 --> 0:10:20.400
<v Speaker 2>single Push It. What percentage of people do you think

0:10:20.559 --> 0:10:23.240
<v Speaker 2>know that that song is about dancing.

0:10:26.679 --> 0:10:27.079
<v Speaker 4>And me.

0:10:31.120 --> 0:10:32.480
<v Speaker 5>At least that's what we thought.

0:10:33.040 --> 0:10:36.959
<v Speaker 4>For real, people do not believe that. They're like, come on, girls,

0:10:37.000 --> 0:10:41.000
<v Speaker 4>y'all knew what that song is about for interpretation, because

0:10:41.000 --> 0:10:45.240
<v Speaker 4>some people thought it was saying real good. Yes, and

0:10:45.280 --> 0:10:46.480
<v Speaker 4>we definitely was not.

0:10:47.120 --> 0:10:51.040
<v Speaker 5>The producer we had, trust me, if he his intention was.

0:10:51.080 --> 0:10:54.440
<v Speaker 4>For that, it would have been that he would have

0:10:54.440 --> 0:10:57.079
<v Speaker 4>It would have been very clear. It was so organic

0:10:57.240 --> 0:11:01.000
<v Speaker 4>how everything from the video to the song, how it

0:11:01.040 --> 0:11:03.560
<v Speaker 4>picked up the moments, because that wasn't even the single

0:11:03.600 --> 0:11:05.840
<v Speaker 4>that was being promoted. It was a B side to

0:11:06.679 --> 0:11:09.040
<v Speaker 4>a song Tramp that we were actually which is say

0:11:09.080 --> 0:11:12.720
<v Speaker 4>a side so you know, DJ flipped it, so everything

0:11:12.760 --> 0:11:16.280
<v Speaker 4>it's just yeah, a DJ in San Francisco.

0:11:16.320 --> 0:11:16.760
<v Speaker 6>I hate that.

0:11:16.800 --> 0:11:19.280
<v Speaker 4>I don't remember his name. He passed away. We got

0:11:19.280 --> 0:11:22.080
<v Speaker 4>to google his name, but he just started playing the

0:11:22.120 --> 0:11:26.559
<v Speaker 4>record and it just took off, like no Paola, you know,

0:11:26.640 --> 0:11:32.000
<v Speaker 4>no setup, no planning, Like everybody just responded to that song.

0:11:32.040 --> 0:11:36.040
<v Speaker 4>And we were on tour actually, and Herbie called us

0:11:36.080 --> 0:11:38.319
<v Speaker 4>and he was like, do push it in your next

0:11:38.559 --> 0:11:42.800
<v Speaker 4>said yeah, put it, like what and we performed it

0:11:42.840 --> 0:11:48.120
<v Speaker 4>and got the radio that is the raised performance was

0:11:48.160 --> 0:11:49.560
<v Speaker 4>the video that funny.

0:11:49.600 --> 0:11:53.560
<v Speaker 2>It's like radio back then was really the algorithm of

0:11:53.600 --> 0:11:54.080
<v Speaker 2>its time.

0:11:54.240 --> 0:11:56.960
<v Speaker 3>It's like this way was just saying, yeah, you can't predict.

0:11:57.120 --> 0:11:59.640
<v Speaker 2>Yeah, you can get talented people all in a room

0:11:59.640 --> 0:12:02.280
<v Speaker 2>listening the same album and the one that's going to

0:12:02.360 --> 0:12:03.560
<v Speaker 2>hit with the audience.

0:12:03.600 --> 0:12:05.040
<v Speaker 3>Sometimes you just can't put your finger.

0:12:04.840 --> 0:12:08.199
<v Speaker 4>On and as an artist, artists usually don't know right,

0:12:08.360 --> 0:12:11.200
<v Speaker 4>Like we'll have a favorite song even though she is

0:12:11.240 --> 0:12:13.600
<v Speaker 4>our favorite song and it was a hit, but they

0:12:13.960 --> 0:12:17.360
<v Speaker 4>an artist will pick something obscure and then the audience

0:12:17.440 --> 0:12:20.679
<v Speaker 4>is like, it's so close to you, close to you exactly.

0:12:20.960 --> 0:12:24.400
<v Speaker 4>My son loves you. By the way, I.

0:12:24.360 --> 0:12:30.040
<v Speaker 5>Just wanted to say that we look weird too. Yeah,

0:12:30.240 --> 0:12:33.640
<v Speaker 5>like the biggest car. I was just telling moment.

0:12:33.720 --> 0:12:35.080
<v Speaker 4>Like, I can't wait to tell him.

0:12:35.120 --> 0:12:36.120
<v Speaker 5>I needed to get that out.

0:12:36.160 --> 0:12:39.640
<v Speaker 4>You got your momentum to take.

0:12:39.480 --> 0:12:44.760
<v Speaker 2>A picture together. So what do your families think about

0:12:44.800 --> 0:12:47.520
<v Speaker 2>this now becoming your job? Did they think you were

0:12:47.559 --> 0:12:49.120
<v Speaker 2>just going to end up back at nursing school or

0:12:49.120 --> 0:12:49.880
<v Speaker 2>did they believe in it?

0:12:50.600 --> 0:12:53.120
<v Speaker 4>Yeah, my family had a little hot time in the beginning,

0:12:54.040 --> 0:12:56.520
<v Speaker 4>and I was like, no, this is it.

0:12:56.679 --> 0:12:57.240
<v Speaker 5>This is good.

0:12:57.320 --> 0:12:59.240
<v Speaker 4>I think this is gonna go. This is gonna go,

0:12:59.400 --> 0:13:02.000
<v Speaker 4>you know, and was like, okay, I'll support you and

0:13:02.080 --> 0:13:04.520
<v Speaker 4>I'm grown still, but we always have to still get

0:13:04.559 --> 0:13:07.719
<v Speaker 4>permissions with each other in this like family.

0:13:09.160 --> 0:13:09.439
<v Speaker 6>Again.

0:13:09.679 --> 0:13:12.440
<v Speaker 2>Yeah, I just got I had got my first tattoo.

0:13:12.480 --> 0:13:13.440
<v Speaker 2>I had to clear it with my mom.

0:13:14.000 --> 0:13:16.319
<v Speaker 4>Wow at what age?

0:13:17.160 --> 0:13:21.040
<v Speaker 2>No, Yeah, I just I just was like, you can

0:13:21.080 --> 0:13:23.559
<v Speaker 2>be okay. She was like, I don't really like tattoos,

0:13:23.559 --> 0:13:24.880
<v Speaker 2>but I'm okay with that.

0:13:24.880 --> 0:13:27.959
<v Speaker 4>That's me and my daughter. But I was I'm the rebel.

0:13:30.040 --> 0:13:32.719
<v Speaker 4>Tell me what to do? You listen to your used

0:13:32.720 --> 0:13:35.719
<v Speaker 4>to listen to her older sisters. I feel like you listen.

0:13:35.520 --> 0:13:39.720
<v Speaker 2>To your sisters.

0:13:38.280 --> 0:13:42.439
<v Speaker 4>Your mother. So my parents were like her do her

0:13:42.480 --> 0:13:45.640
<v Speaker 4>thing because you know, she's gonna do it anyway. We

0:13:45.679 --> 0:13:48.640
<v Speaker 4>don't know what she's doing and we don't understand it.

0:13:48.720 --> 0:13:55.679
<v Speaker 2>But okay, okay. Were you guys raised in musical homes?

0:13:55.920 --> 0:13:57.280
<v Speaker 2>What did you listen to growing up?

0:13:58.240 --> 0:14:02.360
<v Speaker 4>A lot of mold town Jim Green, A lot of

0:14:02.400 --> 0:14:07.760
<v Speaker 4>reggae music, but a lot of that old soul music,

0:14:07.920 --> 0:14:11.880
<v Speaker 4>all the soul music. Yeah, And my dad used to

0:14:11.880 --> 0:14:13.880
<v Speaker 4>be a do whopper. He was like one of those,

0:14:14.000 --> 0:14:15.480
<v Speaker 4>Like he had a group that used to be on

0:14:15.559 --> 0:14:18.440
<v Speaker 4>the corner, so he always played a lot of jazz.

0:14:18.559 --> 0:14:21.520
<v Speaker 4>And you know, Saturday morning cleaning, did you do that

0:14:21.560 --> 0:14:21.760
<v Speaker 4>and you.

0:14:22.240 --> 0:14:23.880
<v Speaker 2>Turn on the music everybody together.

0:14:25.320 --> 0:14:28.200
<v Speaker 4>Yes, So we had music playing on the high fi

0:14:28.360 --> 0:14:32.080
<v Speaker 4>before it was Wi Fi every Saturday, and you know,

0:14:32.160 --> 0:14:35.480
<v Speaker 4>you're not you're absorbing that energy and you don't know that.

0:14:35.520 --> 0:14:36.880
<v Speaker 6>It's like.

0:14:40.040 --> 0:14:45.880
<v Speaker 4>The y is coming back, making the comeback. People like, yeah, funny.

0:14:45.600 --> 0:14:47.720
<v Speaker 3>That like we attacked the music is.

0:14:47.720 --> 0:14:51.160
<v Speaker 2>It brings so much joy into our lives, specifically from

0:14:51.280 --> 0:14:53.840
<v Speaker 2>those moments where you're actually doing it to distract from

0:14:53.840 --> 0:14:56.480
<v Speaker 2>mature you don't want to do. Those always end up

0:14:56.480 --> 0:14:59.400
<v Speaker 2>being our favorite memories as time as a family. It's like,

0:14:59.440 --> 0:15:01.520
<v Speaker 2>you know, similar to the way You don't get to

0:15:01.560 --> 0:15:03.680
<v Speaker 2>pick the algorithm what's going to work. You don't get

0:15:03.680 --> 0:15:06.160
<v Speaker 2>to pick the core memories. They're all they're not the

0:15:06.200 --> 0:15:09.400
<v Speaker 2>things you think. They're not the big, over the top extravaganzas.

0:15:09.400 --> 0:15:14.160
<v Speaker 2>There's the moments of listening to music. Cleaning on a Saturday.

0:15:14.320 --> 0:15:17.200
<v Speaker 4>Yeah, those are bonding. I wish I would have raised

0:15:17.240 --> 0:15:20.920
<v Speaker 4>my kids to clean on Saturdays. Good lord, Yeah, we

0:15:20.960 --> 0:15:22.000
<v Speaker 4>do Sunday cleaning.

0:15:22.240 --> 0:15:22.480
<v Speaker 6>You do.

0:15:22.800 --> 0:15:24.440
<v Speaker 4>That's such a great.

0:15:24.480 --> 0:15:27.400
<v Speaker 2>Mom Saturdays are we're you know, we're in at sports,

0:15:27.400 --> 0:15:28.840
<v Speaker 2>so we got Saturday.

0:15:28.440 --> 0:15:30.760
<v Speaker 3>Games and Saturday this, and on Sunday it's.

0:15:30.640 --> 0:15:32.040
<v Speaker 2>Like we're going to hang out at the house. We're

0:15:32.040 --> 0:15:34.040
<v Speaker 2>going to get this place off spiffy for our week.

0:15:34.520 --> 0:15:36.600
<v Speaker 4>Such a good thing to teach your kids. We had.

0:15:36.960 --> 0:15:39.840
<v Speaker 4>We traveled a lot, so we had nannies and housekeepers

0:15:39.880 --> 0:15:42.680
<v Speaker 4>and they never learned anything.

0:15:48.480 --> 0:15:52.480
<v Speaker 5>Just feel like she throws her jacket on the and then.

0:15:54.840 --> 0:15:58.160
<v Speaker 4>Like that a real because it's somebody picking up and

0:15:58.440 --> 0:16:01.640
<v Speaker 4>when you pay attention, Wow, I could see where that's

0:16:01.640 --> 0:16:04.040
<v Speaker 4>a problem for the kid because you're on the road.

0:16:04.160 --> 0:16:05.960
<v Speaker 4>So anyway, that's a whole.

0:16:05.760 --> 0:16:11.160
<v Speaker 5>Other podcast, Full Kids, No, No, your.

0:16:11.200 --> 0:16:15.200
<v Speaker 2>Whole class of mid eighties rappers is full of legends.

0:16:15.480 --> 0:16:20.040
<v Speaker 2>Ll Cool, JKRS One Fresh, Prince Cool Mod obviously a

0:16:20.160 --> 0:16:20.960
<v Speaker 2>boys club.

0:16:21.400 --> 0:16:24.000
<v Speaker 3>But were you making friends and hanging out with other

0:16:24.160 --> 0:16:25.000
<v Speaker 3>rappers at the time.

0:16:26.200 --> 0:16:28.920
<v Speaker 4>I was, yeah, because when I got a you know,

0:16:29.000 --> 0:16:30.800
<v Speaker 4>I was ended up going with.

0:16:30.760 --> 0:16:32.640
<v Speaker 5>Marquis d from the Fat Boys.

0:16:33.240 --> 0:16:35.520
<v Speaker 4>So he was my industry and I was new in

0:16:35.560 --> 0:16:39.360
<v Speaker 4>the in the in the industry then, and so I'm

0:16:39.400 --> 0:16:40.160
<v Speaker 4>looking up to him.

0:16:40.160 --> 0:16:41.640
<v Speaker 5>He's already done a movie.

0:16:41.320 --> 0:16:44.840
<v Speaker 4>Then, and and he's you know, with run DMC, and you're.

0:16:45.520 --> 0:16:47.880
<v Speaker 5>You're on their tour. So I'm hanging with old DEENI

0:16:48.520 --> 0:16:48.960
<v Speaker 5>he taking.

0:16:49.360 --> 0:16:52.280
<v Speaker 2>So I'm like, oh, shoot, that's.

0:16:53.240 --> 0:16:53.840
<v Speaker 6>Like that.

0:16:54.360 --> 0:16:56.640
<v Speaker 5>So I got to hang for me then.

0:16:56.720 --> 0:17:00.320
<v Speaker 4>That was like wow those times the run DMC, l

0:17:00.600 --> 0:17:04.480
<v Speaker 4>L and Yeah. Yeah, we also had like a family

0:17:04.520 --> 0:17:07.400
<v Speaker 4>within our own camp, Like we came up with Heavy

0:17:07.480 --> 0:17:09.639
<v Speaker 4>D and the Boys and Kid in play Right, and

0:17:09.680 --> 0:17:12.680
<v Speaker 4>those were like our boys, our cily. We were a

0:17:12.720 --> 0:17:19.480
<v Speaker 4>little bit insulated, bus sharing tour buses. Yeah, it's fun.

0:17:19.760 --> 0:17:22.439
<v Speaker 2>I want to jump into your third album, Black's Magic,

0:17:22.600 --> 0:17:27.239
<v Speaker 2>which includes Let's talk about Sex. Nowadays, it would be

0:17:27.400 --> 0:17:30.920
<v Speaker 2>hard pressed to find a female rapper who doesn't talk

0:17:30.960 --> 0:17:35.760
<v Speaker 2>about sex, But back then, this was unheard of. Did

0:17:35.800 --> 0:17:39.280
<v Speaker 2>anyone push back at the fearlessness of it?

0:17:39.720 --> 0:17:41.760
<v Speaker 5>Oh yeah, oh yeah, that's what it was supposed to do.

0:17:42.000 --> 0:17:44.960
<v Speaker 4>Yeah. Note, He'm gonna play this on the radio. That's

0:17:45.000 --> 0:17:47.480
<v Speaker 4>a little conversation we had in the beginning of the song,

0:17:47.600 --> 0:17:50.680
<v Speaker 4>knowing that it would be some conish, but the song

0:17:50.800 --> 0:17:54.879
<v Speaker 4>is about being responsible, being aware, having the conversation. But

0:17:54.920 --> 0:17:59.040
<v Speaker 4>most people don't listen to lyrics sadly, and so we've

0:17:59.080 --> 0:18:01.080
<v Speaker 4>had parents come up to us and say, oh, we

0:18:01.119 --> 0:18:03.560
<v Speaker 4>thought you were great role models and da da da da,

0:18:03.920 --> 0:18:05.240
<v Speaker 4>and we're like, did you listen to this?

0:18:07.200 --> 0:18:07.520
<v Speaker 5>You know?

0:18:08.840 --> 0:18:11.520
<v Speaker 4>So it actually took on a life of its own.

0:18:11.640 --> 0:18:17.040
<v Speaker 4>Also eventually became like the anthem for sexual awareness classes

0:18:17.080 --> 0:18:21.560
<v Speaker 4>in college. We turned Let's Talk about Sext's assay called

0:18:21.600 --> 0:18:25.399
<v Speaker 4>Let's Talk about AIDS. Peter Jennings played it on his

0:18:25.520 --> 0:18:29.040
<v Speaker 4>special and so Salt and Pepper kind of like at

0:18:29.040 --> 0:18:33.000
<v Speaker 4>a time when it wasn't popular to be an advocate

0:18:33.320 --> 0:18:37.639
<v Speaker 4>for HIV and AIDS awareness, we were outside talking about

0:18:37.640 --> 0:18:41.080
<v Speaker 4>it because we were actually like, man, it's serious.

0:18:41.280 --> 0:18:45.480
<v Speaker 5>Yeah, separation in the industry, and I want to know

0:18:45.600 --> 0:18:48.160
<v Speaker 5>about the dudes under don't.

0:18:48.720 --> 0:18:51.320
<v Speaker 4>I used to talk to my little sister. I'll be like, girl,

0:18:51.440 --> 0:18:54.000
<v Speaker 4>don't be out here messing around. You gotta make sure

0:18:54.040 --> 0:18:56.760
<v Speaker 4>he wrapped that thing up. So yeah, we kind of

0:18:56.840 --> 0:18:58.879
<v Speaker 4>led the charge in that, and then a lot of

0:18:59.320 --> 0:19:04.879
<v Speaker 4>organizations like Life Beat it was a gay men's health crisis,

0:19:04.920 --> 0:19:07.560
<v Speaker 4>like we just became their baby, you know, and they

0:19:07.600 --> 0:19:09.840
<v Speaker 4>just adopted us to do all the stuff.

0:19:09.880 --> 0:19:12.399
<v Speaker 3>Well, yeah, because they have so much fear mongering at

0:19:12.400 --> 0:19:12.720
<v Speaker 3>the time.

0:19:12.920 --> 0:19:16.840
<v Speaker 2>It's not a lot of direct education. Yes, and so

0:19:16.920 --> 0:19:20.600
<v Speaker 2>to be able to put direct education in a song

0:19:21.119 --> 0:19:23.600
<v Speaker 2>that people can just mauve along to and know the words,

0:19:23.600 --> 0:19:26.119
<v Speaker 2>it's like you're so ahead of your time in so

0:19:26.240 --> 0:19:42.439
<v Speaker 2>many different ways. Well, then the next album, nineteen ninety

0:19:42.480 --> 0:19:46.760
<v Speaker 2>three's Very Necessary just has hit after hit after hit

0:19:46.920 --> 0:19:50.240
<v Speaker 2>after hit. It has sold more than seven million copies worldwide.

0:19:50.640 --> 0:19:53.320
<v Speaker 2>You want a Grammy sharing the honor of first female

0:19:53.400 --> 0:19:56.800
<v Speaker 2>rap act to win the award with Queen Latifah. Did

0:19:56.800 --> 0:19:59.119
<v Speaker 2>it feel special when you were recording it.

0:20:00.400 --> 0:20:03.679
<v Speaker 4>I have to say it felt amazing because of the

0:20:03.880 --> 0:20:10.000
<v Speaker 4>timing of that album. Uh, we were just waking up,

0:20:10.160 --> 0:20:12.560
<v Speaker 4>like in terms of like trying to figure out our

0:20:12.640 --> 0:20:14.040
<v Speaker 4>rights and things like that.

0:20:14.080 --> 0:20:15.080
<v Speaker 5>We should be getting more.

0:20:15.160 --> 0:20:17.640
<v Speaker 4>We're doing so much we're selling with this and that

0:20:18.240 --> 0:20:20.480
<v Speaker 4>and just out of you know, it's like I said, Timm,

0:20:20.480 --> 0:20:22.959
<v Speaker 4>it was mc hammer's brother because at the time they

0:20:22.960 --> 0:20:24.840
<v Speaker 4>said this is how much you get. Only Michael Jackson

0:20:24.840 --> 0:20:27.080
<v Speaker 4>could get this kind of points. Like we're like, oh,

0:20:27.160 --> 0:20:28.120
<v Speaker 4>okay and.

0:20:28.800 --> 0:20:32.560
<v Speaker 5>Michael Jackson, so we don't talk about that's it sure,

0:20:33.480 --> 0:20:37.280
<v Speaker 5>And I never forget mc hammer brother. Louis Barrell.

0:20:37.920 --> 0:20:39.639
<v Speaker 4>We're discussing and I was telling them the points we

0:20:39.720 --> 0:20:42.199
<v Speaker 4>get and what we're selling. He was like, you this, this, this, this,

0:20:42.280 --> 0:20:44.439
<v Speaker 4>go back and tell him you you need this and

0:20:44.480 --> 0:20:46.000
<v Speaker 4>I said, no, they're going to say this. He said,

0:20:46.040 --> 0:20:47.399
<v Speaker 4>you tell them you need this and don't take no

0:20:47.480 --> 0:20:50.160
<v Speaker 4>finansa And I was like okay, and talk to Saul

0:20:50.400 --> 0:20:52.800
<v Speaker 4>and we went in like this this, you know, this

0:20:52.840 --> 0:20:57.280
<v Speaker 4>is what we're gonna yes if they're not fair and

0:20:57.280 --> 0:20:59.960
<v Speaker 4>we're standing our crowd, right, and then I have to

0:21:00.000 --> 0:21:02.320
<v Speaker 4>the song came up with a shoot right, I had

0:21:02.440 --> 0:21:05.520
<v Speaker 4>just me so I'm like the dog Dog Dog. We

0:21:05.600 --> 0:21:10.199
<v Speaker 4>cannot put pepper song first on an album, like you know,

0:21:10.359 --> 0:21:13.240
<v Speaker 4>the labels was calling Herbie like what's this? You know, like, no,

0:21:13.280 --> 0:21:15.439
<v Speaker 4>we can't do that, but you know it ended up

0:21:15.480 --> 0:21:17.920
<v Speaker 4>being undeniable. But people were like, Yo, this is a song,

0:21:17.960 --> 0:21:20.160
<v Speaker 4>this is a single, let's go. It's no song I wrote,

0:21:20.160 --> 0:21:21.080
<v Speaker 4>and we was like, let's go.

0:21:21.119 --> 0:21:23.520
<v Speaker 5>I produced it, and we was like.

0:21:24.359 --> 0:21:27.440
<v Speaker 4>We did it all the above. We changed our deal

0:21:27.520 --> 0:21:32.280
<v Speaker 4>at that moment, got a better deal. That song for us,

0:21:33.000 --> 0:21:36.840
<v Speaker 4>our first single, not Herbie Salt and Pepper, and we

0:21:38.200 --> 0:21:39.040
<v Speaker 4>broke the album.

0:21:39.800 --> 0:21:41.280
<v Speaker 5>It takes you know, makes.

0:21:41.040 --> 0:21:43.520
<v Speaker 4>The temperature that you know, it sets the temperature for

0:21:43.560 --> 0:21:45.880
<v Speaker 4>the a the focus track.

0:21:45.800 --> 0:21:48.440
<v Speaker 5>Right, and it was just like wow that time.

0:21:48.320 --> 0:21:50.640
<v Speaker 4>And so that's why. Yeah, it's such a fun song

0:21:50.760 --> 0:21:54.800
<v Speaker 4>to perform too, and that album is iconic for sure.

0:21:55.480 --> 0:21:55.640
<v Speaker 1>Yes.

0:21:55.800 --> 0:21:58.919
<v Speaker 2>Also, I think all white people are legally obligated to

0:21:59.000 --> 0:22:07.040
<v Speaker 2>know every word to it, and you'll do it any

0:22:07.160 --> 0:22:12.520
<v Speaker 2>chance we get. It's another it's a reimagining of the

0:22:12.600 --> 0:22:15.760
<v Speaker 2>hip hop trope since it celebrates women flipping some of

0:22:15.760 --> 0:22:19.919
<v Speaker 2>those sexist traditions and subverting the male gaze. Are you

0:22:20.080 --> 0:22:23.240
<v Speaker 2>shocked at all by the longevity of it? A whole

0:22:23.240 --> 0:22:25.880
<v Speaker 2>new generation has fallen in love with now thanks to Deadpool.

0:22:26.760 --> 0:22:29.399
<v Speaker 2>I mean, you've got kids right now hearing it and

0:22:29.480 --> 0:22:32.240
<v Speaker 2>knowing all the words, Like, is that surprising to you

0:22:32.280 --> 0:22:34.320
<v Speaker 2>at all or does it just feel like it all

0:22:34.359 --> 0:22:36.280
<v Speaker 2>makes sense because of that timing since the way it

0:22:36.280 --> 0:22:37.360
<v Speaker 2>fell from the beginning, I.

0:22:37.400 --> 0:22:40.359
<v Speaker 4>Just think these things happen to us without any big

0:22:40.440 --> 0:22:43.600
<v Speaker 4>machine behind us. I mean, because we go through it

0:22:43.720 --> 0:22:46.879
<v Speaker 4>like we get you know, pushback a lot, and.

0:22:46.880 --> 0:22:50.399
<v Speaker 5>We just kept will show up like okay, we're doing it.

0:22:50.520 --> 0:22:53.080
<v Speaker 4>We keep going and pushing it, pushing it, and so

0:22:53.200 --> 0:22:56.919
<v Speaker 4>when it happens for us, it's like thank you. Yeah

0:22:57.160 --> 0:23:00.720
<v Speaker 4>right right, yeah, it's such a nice sense to me.

0:23:01.680 --> 0:23:04.680
<v Speaker 4>From the beginning, it kind of just took off. It's

0:23:04.720 --> 0:23:08.119
<v Speaker 4>like I don't know, it was just beyond music. It

0:23:08.160 --> 0:23:11.639
<v Speaker 4>was it was something I feel, like the friendship, you know,

0:23:11.920 --> 0:23:16.920
<v Speaker 4>the connection, like we have this like crazy connection, the chemistry,

0:23:17.520 --> 0:23:20.280
<v Speaker 4>you know, like everything just lined up pretty much and

0:23:20.320 --> 0:23:22.840
<v Speaker 4>it never stopped, like never stopped, you know what I

0:23:22.920 --> 0:23:26.680
<v Speaker 4>mean even now, like to your point, all these years later,

0:23:26.960 --> 0:23:31.080
<v Speaker 4>like they call us for like the biggest things without

0:23:31.160 --> 0:23:34.880
<v Speaker 4>any any like you said, big machine is just so organic,

0:23:35.119 --> 0:23:37.719
<v Speaker 4>you know, so I kind of expected it. What I

0:23:37.760 --> 0:23:44.320
<v Speaker 4>am surprised though about, is that the timing in my

0:23:44.480 --> 0:23:48.639
<v Speaker 4>mind at a certain age, you know, likes you did

0:23:48.720 --> 0:23:51.760
<v Speaker 4>your thing, Okay, now, sit down, you know, the calls

0:23:51.800 --> 0:23:55.640
<v Speaker 4>we get is constant. It's crazy. No rest for you.

0:23:55.800 --> 0:24:03.440
<v Speaker 3>Yeah you thinking maybe next year I'll get to take

0:24:03.440 --> 0:24:03.760
<v Speaker 3>a nap.

0:24:03.920 --> 0:24:08.680
<v Speaker 4>No, no, no, not the rock and roll.

0:24:08.720 --> 0:24:11.960
<v Speaker 5>She's gonna be in the house on the Mountains College.

0:24:13.240 --> 0:24:16.879
<v Speaker 5>Now they're really going to start calling on her. The

0:24:16.960 --> 0:24:19.600
<v Speaker 5>ship out, don't get off that island, bring her back.

0:24:21.720 --> 0:24:24.359
<v Speaker 5>She thinks she is taking a raft. I don't think so.

0:24:38.240 --> 0:24:40.960
<v Speaker 2>Who is the craziest person you've ever met? Who knows

0:24:40.960 --> 0:24:46.840
<v Speaker 2>every word to shoot? Craziest person we've ever another? Another

0:24:46.880 --> 0:24:47.520
<v Speaker 2>famous person?

0:24:47.720 --> 0:24:48.000
<v Speaker 5>Ellen?

0:24:48.280 --> 0:24:52.720
<v Speaker 4>Oh, Ellen, she's crazy.

0:24:56.600 --> 0:25:00.560
<v Speaker 5>She losing a license in check from the Ellen Show.

0:25:00.640 --> 0:25:03.359
<v Speaker 5>Like to sing it?

0:25:06.520 --> 0:25:07.200
<v Speaker 4>She did?

0:25:07.520 --> 0:25:11.440
<v Speaker 5>Like shoot? She always have to wrap it with her Yes,

0:25:11.800 --> 0:25:14.040
<v Speaker 5>that's her. That was her song.

0:25:15.840 --> 0:25:18.879
<v Speaker 2>Well that song would have been enough, But then the

0:25:18.960 --> 0:25:24.280
<v Speaker 2>second single is what a Man? Another immortal track. How

0:25:24.320 --> 0:25:26.280
<v Speaker 2>did you connect with en Vogue for that one?

0:25:27.040 --> 0:25:32.160
<v Speaker 4>Okay, so, okay, you know Herbie, you know we all

0:25:32.200 --> 0:25:35.040
<v Speaker 4>came up with this song. Herbie produced us. But this

0:25:35.280 --> 0:25:37.480
<v Speaker 4>was the part of I never forget. We were in

0:25:37.480 --> 0:25:40.120
<v Speaker 4>the studio. I think it was al Machira. This is

0:25:40.600 --> 0:25:44.479
<v Speaker 4>we were like in the studio something Herbie studio. But anyway,

0:25:44.560 --> 0:25:45.960
<v Speaker 4>the fact that we were trying to see who could

0:25:45.960 --> 0:25:47.920
<v Speaker 4>sing this hole, who could sing this hook? And then

0:25:47.960 --> 0:25:50.520
<v Speaker 4>I just sat there and thought of in Vogue, right,

0:25:50.800 --> 0:25:52.840
<v Speaker 4>so I said, let's get let's try in Vogue. Then

0:25:52.920 --> 0:25:56.680
<v Speaker 4>we always like wet, you know we Invoge. I was like,

0:25:56.760 --> 0:25:59.359
<v Speaker 4>let's just try, let's see we would sing it. And

0:25:59.400 --> 0:26:02.399
<v Speaker 4>they end up saying yes to shoot for the stars

0:26:02.800 --> 0:26:04.240
<v Speaker 4>shoot and we.

0:26:04.040 --> 0:26:06.639
<v Speaker 6>Was like they said yes and it was.

0:26:06.720 --> 0:26:09.960
<v Speaker 4>It was funny, perfect, just as famous as them. That's

0:26:10.000 --> 0:26:12.480
<v Speaker 4>what artists are like that, They're like, you think they'll

0:26:12.480 --> 0:26:13.520
<v Speaker 4>do it right?

0:26:15.200 --> 0:26:16.920
<v Speaker 2>I get that all. I'll have a little bit of

0:26:16.960 --> 0:26:17.920
<v Speaker 2>imposter syndrome.

0:26:18.080 --> 0:26:22.200
<v Speaker 4>Yes, yes, they were honored. They were honored. Yeah, that

0:26:22.359 --> 0:26:22.720
<v Speaker 4>is so.

0:26:22.880 --> 0:26:24.800
<v Speaker 5>The video was a When we had to put that

0:26:24.920 --> 0:26:26.000
<v Speaker 5>video together.

0:26:25.840 --> 0:26:27.240
<v Speaker 2>Uh huh, that was fine.

0:26:27.480 --> 0:26:30.040
<v Speaker 4>Yes, Kiss Girl power to the fullest. Yes.

0:26:30.320 --> 0:26:33.800
<v Speaker 2>Well, I have two specific questions about the song. First,

0:26:33.880 --> 0:26:37.840
<v Speaker 2>I found two different writers with two varying opinions, and

0:26:37.920 --> 0:26:39.919
<v Speaker 2>I want you to give the final word on it.

0:26:40.359 --> 0:26:44.040
<v Speaker 2>The lyric is, although most men are hose, he flows

0:26:44.080 --> 0:26:46.640
<v Speaker 2>on the down low because I never heard about him

0:26:46.640 --> 0:26:51.679
<v Speaker 2>with another girl. Does that mean he is faithful or

0:26:51.880 --> 0:26:54.040
<v Speaker 2>does it mean that he's just really good at keeping

0:26:54.040 --> 0:26:55.879
<v Speaker 2>it quiet and you appreciate.

0:26:55.440 --> 0:26:58.480
<v Speaker 4>So when you pick that out, I've picked that lyric

0:26:58.560 --> 0:27:00.159
<v Speaker 4>out and I was like, someone's going he.

0:27:00.760 --> 0:27:05.359
<v Speaker 2>Keep his ho in under wraps, all right, there it is.

0:27:05.520 --> 0:27:09.439
<v Speaker 4>I appreciate that at least at least he does it

0:27:09.480 --> 0:27:13.240
<v Speaker 4>in secret, which is pathetic to say. But you don't

0:27:13.240 --> 0:27:16.200
<v Speaker 4>want to know the disrespect he said that.

0:27:16.320 --> 0:27:18.280
<v Speaker 2>Yeah, oh yeah, I mean that's yeah.

0:27:18.359 --> 0:27:20.560
<v Speaker 4>If you're gonna go to McDonald's but not being my McDonald's,

0:27:20.560 --> 0:27:24.520
<v Speaker 4>and I'm telling you better go two hours over, I.

0:27:24.560 --> 0:27:25.760
<v Speaker 3>Couldn't agree with you more.

0:27:25.800 --> 0:27:28.440
<v Speaker 2>Also, anytime somebody there's a cheating scandal in the news

0:27:28.440 --> 0:27:30.240
<v Speaker 2>and we think, okay, you know what, don't judge people

0:27:30.240 --> 0:27:32.600
<v Speaker 2>who decide to stay so much of it is. How

0:27:32.640 --> 0:27:35.920
<v Speaker 2>blatant was it? How comfortable are you?

0:27:36.160 --> 0:27:37.880
<v Speaker 4>Respectful? Was she in my bed?

0:27:38.160 --> 0:27:38.360
<v Speaker 5>Yeah?

0:27:38.440 --> 0:27:40.239
<v Speaker 3>How comfortable were you disrespecting me?

0:27:40.680 --> 0:27:43.120
<v Speaker 2>For alluse?

0:27:45.800 --> 0:27:51.160
<v Speaker 4>I know one thing, I've had my camera ready.

0:27:51.800 --> 0:27:54.119
<v Speaker 5>How they we got cameras, don't you know?

0:27:54.359 --> 0:27:56.280
<v Speaker 4>Yeah? I forget that.

0:27:56.400 --> 0:27:58.080
<v Speaker 2>Good luck trying to get I mean, now people just

0:27:58.119 --> 0:27:59.280
<v Speaker 2>take people to concerts.

0:28:00.320 --> 0:28:05.320
<v Speaker 4>Yeah, and then yeah, crazy.

0:28:05.000 --> 0:28:05.800
<v Speaker 5>That's crazy.

0:28:06.960 --> 0:28:11.240
<v Speaker 4>Cheaters a rap for cheaters. Either tell the truth or

0:28:11.359 --> 0:28:14.280
<v Speaker 4>don't cheat, you know, what I mean, because you're going

0:28:14.320 --> 0:28:21.560
<v Speaker 4>to get caught you Yeah, exactly, someone who says.

0:28:19.800 --> 0:28:21.119
<v Speaker 3>I don't want to rubbing it in my face.

0:28:21.160 --> 0:28:23.760
<v Speaker 4>But as long as and give him the opportunity, it

0:28:23.800 --> 0:28:27.359
<v Speaker 4>goes both ways. Yes, if you want, if you'd want that,

0:28:27.640 --> 0:28:29.800
<v Speaker 4>might not even want to do that, sure, I mean I.

0:28:29.720 --> 0:28:31.600
<v Speaker 2>Definitely wouldn't want to, but I would also not want

0:28:31.640 --> 0:28:33.920
<v Speaker 2>him to know that I wouldn't want to because I want,

0:28:33.960 --> 0:28:34.240
<v Speaker 2>I want.

0:28:34.760 --> 0:28:35.520
<v Speaker 6>We have to play the game.

0:28:36.600 --> 0:28:37.240
<v Speaker 2>So many games.

0:28:37.520 --> 0:28:38.720
<v Speaker 4>It's so many, just.

0:28:38.680 --> 0:28:39.240
<v Speaker 6>So many games.

0:28:39.280 --> 0:28:40.280
<v Speaker 3>Okay, My second question.

0:28:40.440 --> 0:28:44.640
<v Speaker 2>The music video featured Tupac, and I just want to

0:28:44.680 --> 0:28:47.440
<v Speaker 2>hear what that day was like and what you remember from.

0:28:50.200 --> 0:28:51.920
<v Speaker 3>Were you friends with himyway? It's not like he was

0:28:51.960 --> 0:28:53.360
<v Speaker 3>a big cameo guy.

0:28:53.640 --> 0:28:58.360
<v Speaker 4>Yeah. Actually, Pep and Trench were together a tretch of

0:28:58.400 --> 0:29:01.640
<v Speaker 4>blody by nature, and Trench was friends with Tupac, so

0:29:01.680 --> 0:29:06.120
<v Speaker 4>he was in close proximity with us, kind of had

0:29:06.160 --> 0:29:09.400
<v Speaker 4>some conversations with him. I knew not to mess with Tupac,

0:29:09.680 --> 0:29:12.000
<v Speaker 4>you know what I mean, and he was very respectful.

0:29:12.200 --> 0:29:15.640
<v Speaker 4>But when they said who's your leading man going to be?

0:29:15.760 --> 0:29:18.440
<v Speaker 4>I was like, I get to roll around in the

0:29:18.440 --> 0:29:19.400
<v Speaker 4>bed with Tupac.

0:29:20.480 --> 0:29:21.560
<v Speaker 1>Girls, just like a man.

0:29:21.560 --> 0:29:24.840
<v Speaker 5>When they picked those scenes. Sitting there, we get I

0:29:25.160 --> 0:29:27.240
<v Speaker 5>had a boy. I was with somebody signing.

0:29:27.280 --> 0:29:34.080
<v Speaker 4>To for you, right, So I did that scene with him,

0:29:34.240 --> 0:29:36.800
<v Speaker 4>and my toes were literally curling.

0:29:38.040 --> 0:29:39.800
<v Speaker 5>It was so it's beautiful.

0:29:39.920 --> 0:29:42.640
<v Speaker 4>I was like, because everybody was enamored with.

0:29:42.680 --> 0:29:47.080
<v Speaker 5>Him, that was a given from him with the gun.

0:29:47.800 --> 0:29:51.680
<v Speaker 4>Yeah, but my, my, the father of my child was

0:29:51.760 --> 0:29:54.680
<v Speaker 4>actually in the room and I had to kick him out.

0:29:54.760 --> 0:29:56.120
<v Speaker 4>I was like, I can't kuts with.

0:29:56.120 --> 0:29:58.200
<v Speaker 5>You standing here. I have to make a good video.

0:30:00.160 --> 0:30:12.720
<v Speaker 5>No to be like I'm enjoying. Yeah, that was. That was.

0:30:12.880 --> 0:30:15.040
<v Speaker 4>Yeah, that was a good moment.

0:30:15.560 --> 0:30:17.080
<v Speaker 2>Do you want to tell us about the gift or no?

0:30:17.280 --> 0:30:18.360
<v Speaker 4>Oh yeah, oh no.

0:30:18.400 --> 0:30:20.640
<v Speaker 5>I would to say how he gave us a gift one.

0:30:20.480 --> 0:30:21.680
<v Speaker 4>Time, but we wanted to gram.

0:30:21.920 --> 0:30:23.840
<v Speaker 5>Yeah it was. It was made like a machine gun.

0:30:24.040 --> 0:30:24.600
<v Speaker 4>It was a case.

0:30:24.680 --> 0:30:25.160
<v Speaker 5>It was a case.

0:30:25.160 --> 0:30:28.120
<v Speaker 4>It was made like a block a block block, a

0:30:28.120 --> 0:30:32.240
<v Speaker 4>cake in the shape of the gun, painted black and everything.

0:30:32.320 --> 0:30:35.440
<v Speaker 2>So we was going.

0:30:36.320 --> 0:30:37.680
<v Speaker 5>Like, is he congratulating?

0:30:38.960 --> 0:30:39.920
<v Speaker 7>Like that was?

0:30:40.000 --> 0:30:42.200
<v Speaker 5>It was so cute, so fun We would that question

0:30:42.440 --> 0:30:45.840
<v Speaker 5>seriously staring at this gun, like what the heck.

0:30:45.920 --> 0:30:46.320
<v Speaker 4>Thank you?

0:30:46.560 --> 0:30:46.920
<v Speaker 5>I'm s.

0:30:52.200 --> 0:30:52.960
<v Speaker 4>It was funny.

0:30:53.160 --> 0:30:58.560
<v Speaker 2>What was the connection for you know, we still don't know, Okay.

0:30:58.400 --> 0:31:00.400
<v Speaker 5>Doug life.

0:31:01.120 --> 0:31:04.800
<v Speaker 2>Okay, I would be remiss if I did not talk

0:31:04.840 --> 0:31:09.360
<v Speaker 2>a little salt and Pepa fashion because the iconic eight

0:31:09.400 --> 0:31:13.120
<v Speaker 2>ball other jacket. People may not know who designed those,

0:31:13.480 --> 0:31:17.680
<v Speaker 2>but they were designed by play who was your stylist

0:31:18.040 --> 0:31:23.280
<v Speaker 2>before his career took off. In another sense, well, he

0:31:23.440 --> 0:31:28.760
<v Speaker 2>was very and so he gave suggestions and had ideas

0:31:28.840 --> 0:31:29.800
<v Speaker 2>and he.

0:31:30.000 --> 0:31:32.120
<v Speaker 4>And he designed those jackets. He was an artist. He

0:31:32.160 --> 0:31:35.160
<v Speaker 4>still is an artist. He just remade them for us

0:31:35.160 --> 0:31:37.040
<v Speaker 4>for a rock and roll Hall of Fame. They like

0:31:37.120 --> 0:31:41.920
<v Speaker 4>reimagine Yeah, and Dapper Dan, who was huge at that time,

0:31:42.040 --> 0:31:46.680
<v Speaker 4>still is constructed the jackets. We got our boots from

0:31:46.800 --> 0:31:50.720
<v Speaker 4>Fava remember Payless like those I love.

0:31:51.480 --> 0:31:56.800
<v Speaker 2>Yeah, that's where Bogo That's why started cheap boots.

0:31:57.120 --> 0:32:00.479
<v Speaker 4>And then we had got the Kente hats from this

0:32:00.600 --> 0:32:03.480
<v Speaker 4>lady named Mary Bird. She had a little hat shop

0:32:03.840 --> 0:32:07.000
<v Speaker 4>next to the Apollo and Harlem and we just like

0:32:07.080 --> 0:32:09.160
<v Speaker 4>back in the day, we didn't have stylists in hand,

0:32:09.280 --> 0:32:11.040
<v Speaker 4>makeup and all that. We were just making it up

0:32:11.040 --> 0:32:13.200
<v Speaker 4>as we went along, and that became like the most

0:32:13.800 --> 0:32:21.240
<v Speaker 4>iconic book shopping for the dancers all the things so

0:32:21.720 --> 0:32:23.959
<v Speaker 4>and it was more fun back then. It was like

0:32:24.080 --> 0:32:26.800
<v Speaker 4>some more organic I know, get in your looks and

0:32:26.800 --> 0:32:31.040
<v Speaker 4>then those looks go on. Yeah history, yeah forever, just

0:32:31.160 --> 0:32:35.200
<v Speaker 4>kids making up stuff. The ripped up gen She's always

0:32:35.240 --> 0:32:39.920
<v Speaker 4>claiming the ripped up gans us money money everyone.

0:32:43.240 --> 0:32:44.320
<v Speaker 5>You never see the.

0:32:45.680 --> 0:32:49.800
<v Speaker 4>Own patches on our show, wearing our merch on stage

0:32:50.040 --> 0:32:52.320
<v Speaker 4>doing look at those gens you pay.

0:32:52.400 --> 0:32:54.800
<v Speaker 5>We end up paying three five hundred one thousand dollars.

0:32:54.640 --> 0:32:56.480
<v Speaker 4>After day, and we did them ourselves.

0:32:56.640 --> 0:32:59.840
<v Speaker 2>My grandfather still now, I will give him credit for

0:33:00.000 --> 0:33:02.640
<v Speaker 2>starting the joke all grandparents. And you are you having

0:33:02.680 --> 0:33:04.680
<v Speaker 2>a tough time? Do you need me to buy you a.

0:33:04.680 --> 0:33:05.120
<v Speaker 5>Pair of.

0:33:06.640 --> 0:33:12.560
<v Speaker 2>Parents cover your h I love that you're wearing your

0:33:12.600 --> 0:33:16.560
<v Speaker 2>merch on stage. It takes the like wearing the concert

0:33:16.840 --> 0:33:18.760
<v Speaker 2>to the concert just one step further.

0:33:18.960 --> 0:33:21.400
<v Speaker 5>Yes, it was like my.

0:33:24.160 --> 0:33:26.640
<v Speaker 2>I mean, you really are the best for it. Okay,

0:33:26.680 --> 0:33:28.479
<v Speaker 2>I want to show you a couple other photos too.

0:33:28.640 --> 0:33:30.479
<v Speaker 2>Let's go to the next next photo.

0:33:31.760 --> 0:33:32.640
<v Speaker 5>Look at this.

0:33:34.680 --> 0:33:38.360
<v Speaker 4>Is the photographer that was beautiful.

0:33:38.560 --> 0:33:41.360
<v Speaker 2>Bras like colors.

0:33:41.840 --> 0:33:46.800
<v Speaker 4>I was so extra like I look like my son

0:33:46.880 --> 0:33:49.040
<v Speaker 4>in that picture. Is this the thing?

0:33:49.120 --> 0:33:49.520
<v Speaker 3>This got you?

0:33:49.520 --> 0:33:49.720
<v Speaker 5>Guys?

0:33:49.720 --> 0:33:50.840
<v Speaker 2>A Victoria's secret.

0:33:50.520 --> 0:33:52.480
<v Speaker 6>Deal, we will wear our own bras.

0:33:52.600 --> 0:33:54.560
<v Speaker 4>Yeah, so we were just doing our own bra and

0:33:54.560 --> 0:33:58.000
<v Speaker 4>then Victoria's Secrets approached us, and then and we started

0:33:58.000 --> 0:34:02.200
<v Speaker 4>wearing we were wearing all that bras stage like, Yeah,

0:34:02.560 --> 0:34:08.359
<v Speaker 4>we were wearing those bra with the little campaign with them.

0:34:08.719 --> 0:34:11.680
<v Speaker 2>Literally, you guys were the original Angels.

0:34:11.719 --> 0:34:13.240
<v Speaker 3>Go to the next picture.

0:34:14.280 --> 0:34:19.760
<v Speaker 2>These are just a few of my favorites. Favorite shape.

0:34:21.360 --> 0:34:24.640
<v Speaker 5>Look at the y.

0:34:26.239 --> 0:34:28.840
<v Speaker 4>That was Derek Khan. That's when we first started getting

0:34:28.840 --> 0:34:35.640
<v Speaker 4>a stylist. That probably was Yeah, maybe they like clueless.

0:34:35.680 --> 0:34:41.279
<v Speaker 2>You know, it's just beautiful. Got to bring that back,

0:34:41.560 --> 0:34:44.920
<v Speaker 2>all right, let's go the next one. Last one, Yes,

0:34:45.080 --> 0:34:45.759
<v Speaker 2>I love that one.

0:34:46.239 --> 0:34:48.879
<v Speaker 6>I remember was Derek Khan. Yeah, that was Derek Khan.

0:34:49.000 --> 0:34:55.840
<v Speaker 8>You can tell when we started getting styles. Beautiful little

0:34:55.840 --> 0:34:59.680
<v Speaker 8>metallic mini dresses. I love that little she Those are

0:34:59.680 --> 0:35:03.080
<v Speaker 8>my favorit types of umbrellas to the sheer, see the range.

0:35:05.080 --> 0:35:05.719
<v Speaker 5>I like that.

0:35:05.960 --> 0:35:08.680
<v Speaker 2>That is cute. I wonder though, was that sweaty? What

0:35:08.760 --> 0:35:11.919
<v Speaker 2>happened when you got hot in a little pleathar shear?

0:35:14.600 --> 0:35:16.839
<v Speaker 5>I was already cool enough.

0:35:17.960 --> 0:35:23.120
<v Speaker 2>Thank you. This past you were inducted into the Rock

0:35:23.160 --> 0:35:26.920
<v Speaker 2>and Roll Hall of Fame. Truly incredible and well deserved

0:35:27.080 --> 0:35:31.759
<v Speaker 2>recognition after your forty year career in music. Uh, I

0:35:31.800 --> 0:35:34.400
<v Speaker 2>know you took time on stage to also shed some

0:35:34.560 --> 0:35:38.160
<v Speaker 2>light on the frustration and roadblocks you have run into

0:35:38.680 --> 0:35:42.520
<v Speaker 2>while trying to retain your master recordings. I feel like

0:35:42.760 --> 0:35:47.279
<v Speaker 2>so many fans have followed this story hoping for the

0:35:47.360 --> 0:35:49.680
<v Speaker 2>right thing to happen and for you to get back

0:35:49.719 --> 0:35:52.440
<v Speaker 2>your music. Has there been any progress with it?

0:35:53.760 --> 0:35:58.280
<v Speaker 4>So it's like so depressing that you even talk about,

0:35:58.400 --> 0:36:00.759
<v Speaker 4>let's just say this, we're still fighting, still fighting. I'm

0:36:00.760 --> 0:36:03.200
<v Speaker 4>just gonna wrap that right on up into we are

0:36:03.280 --> 0:36:06.120
<v Speaker 4>still fighting and we're going to fight as long as

0:36:06.120 --> 0:36:08.799
<v Speaker 4>we can. Yes, it's been long, it's been hard, it's

0:36:08.840 --> 0:36:13.000
<v Speaker 4>been expensive, but the greed in this industry is so

0:36:13.680 --> 0:36:18.840
<v Speaker 4>ridiculously shameful. After you've exploited someone's music for forty years,

0:36:18.840 --> 0:36:22.319
<v Speaker 4>to fight them for what's rightfully there is to continue

0:36:22.920 --> 0:36:25.480
<v Speaker 4>to get I can't even say the Lion's share more

0:36:25.520 --> 0:36:28.320
<v Speaker 4>than the Lion's share. To the point that the music

0:36:28.400 --> 0:36:32.719
<v Speaker 4>has been taken down on all platforms, I'm like they

0:36:32.800 --> 0:36:38.800
<v Speaker 4>want to it's like beyond just greed at this point now, Despike,

0:36:38.960 --> 0:36:42.120
<v Speaker 4>So now the fans can't even access our music, and

0:36:42.160 --> 0:36:46.080
<v Speaker 4>for you to make a statement of whatever kind is ridiculous.

0:36:46.160 --> 0:36:49.040
<v Speaker 4>So and I think still like we're hoping for you know,

0:36:49.120 --> 0:36:51.920
<v Speaker 4>the best of course, but at least it raised awareness

0:36:52.320 --> 0:36:55.359
<v Speaker 4>for any other artists to pay attention to their deal

0:36:56.400 --> 0:36:59.839
<v Speaker 4>and understanding the thirty five year rule and see if

0:36:59.840 --> 0:37:01.239
<v Speaker 4>it applies to you.

0:37:01.520 --> 0:37:03.680
<v Speaker 5>Yeah, and start getting that, you.

0:37:03.640 --> 0:37:06.640
<v Speaker 4>Know, because you never know, you know, you start out

0:37:06.760 --> 0:37:09.799
<v Speaker 4>your career, you don't know that you think you're going

0:37:09.840 --> 0:37:12.520
<v Speaker 4>to be successful, but you don't know that your music

0:37:12.640 --> 0:37:18.080
<v Speaker 4>is going to be worth millions millions over the years.

0:37:18.160 --> 0:37:21.480
<v Speaker 4>We are some of the most licensed music, and not

0:37:21.560 --> 0:37:24.640
<v Speaker 4>just hip hoping music period. Like you know, you can

0:37:24.680 --> 0:37:27.640
<v Speaker 4>barely watch TV and I hear what a man you know?

0:37:28.719 --> 0:37:31.280
<v Speaker 4>Or push it or shoot like let's talk about sex

0:37:31.360 --> 0:37:34.560
<v Speaker 4>like we spoke of. So that last over a period

0:37:34.560 --> 0:37:36.759
<v Speaker 4>of time, and it is worth fighting for it in

0:37:36.800 --> 0:37:37.320
<v Speaker 4>the beginning.

0:37:37.360 --> 0:37:40.640
<v Speaker 2>In the beginning, right said, get off on the right foot. Yeah, well,

0:37:40.960 --> 0:37:42.839
<v Speaker 2>I am rooting for you guys, and thank you for

0:37:43.080 --> 0:37:46.760
<v Speaker 2>spreading that awareness. When you look back on your careers,

0:37:46.960 --> 0:37:49.600
<v Speaker 2>is there one performance that sticks out as the most

0:37:49.719 --> 0:37:52.480
<v Speaker 2>quintessential Salt and Peppa.

0:37:53.400 --> 0:37:57.280
<v Speaker 4>When we performed for the Grammys, I think I would think, yeah,

0:37:57.719 --> 0:38:01.239
<v Speaker 4>that's because we yeah, we we rehearsal, and you know,

0:38:01.320 --> 0:38:04.520
<v Speaker 4>they should would go to hair like they distinctly said,

0:38:05.280 --> 0:38:07.839
<v Speaker 4>we had a good rehearsal, Yeah we got it, and

0:38:07.880 --> 0:38:11.719
<v Speaker 4>then yeah, yeah, because that's when we won. We performed,

0:38:11.760 --> 0:38:15.759
<v Speaker 4>We won, and then we ran to the wrong podium

0:38:15.920 --> 0:38:23.800
<v Speaker 4>like three blind mice and they were like, ran because

0:38:23.840 --> 0:38:27.000
<v Speaker 4>we have boycotted the Grammys because there was a time

0:38:27.040 --> 0:38:31.879
<v Speaker 4>when it was being nominated but not televised. So Will

0:38:31.920 --> 0:38:36.319
<v Speaker 4>Smith actually pulled public Enemy Salt and Pepper kidn't play

0:38:36.520 --> 0:38:39.920
<v Speaker 4>quite a few people and we we refused to go,

0:38:39.960 --> 0:38:42.120
<v Speaker 4>and we had a whole press conference. And then years

0:38:42.160 --> 0:38:45.000
<v Speaker 4>later and they started televising the category. So it was

0:38:45.040 --> 0:38:47.720
<v Speaker 4>also that you know, so that really meant a lot.

0:38:47.600 --> 0:38:49.680
<v Speaker 5>To us, ye cause we took the chance. You know,

0:38:49.960 --> 0:38:51.600
<v Speaker 5>they'd be like, well, it's true, you ain't gonna never.

0:38:51.520 --> 0:38:54.440
<v Speaker 4>Get another, right, but they still, you know, that was

0:38:54.480 --> 0:38:56.880
<v Speaker 4>important and they thought about it. So it was a

0:38:56.920 --> 0:39:00.640
<v Speaker 4>good move because it was televised. I saw said so yeah,

0:39:00.880 --> 0:39:06.720
<v Speaker 4>And Woodstock was another yeah, just to be yeah, another

0:39:06.760 --> 0:39:11.280
<v Speaker 4>Woodstock was insane because that was the main member of everything.

0:39:11.360 --> 0:39:16.919
<v Speaker 4>It was Woodstock that was and they and our set

0:39:17.080 --> 0:39:19.600
<v Speaker 4>was long. It was like we were on the main stage.

0:39:20.080 --> 0:39:23.920
<v Speaker 2>That's of course, yes, everyone that main stage.

0:39:23.840 --> 0:39:25.839
<v Speaker 4>And it was a long show. Wasn't like just two

0:39:25.920 --> 0:39:29.440
<v Speaker 4>or three songs, So what was special performance?

0:39:30.080 --> 0:39:32.960
<v Speaker 2>Well, speaking of performing, you are going out on the

0:39:33.040 --> 0:39:37.160
<v Speaker 2>road for the It's Iconic Tour alongside TLC and en

0:39:37.280 --> 0:39:39.200
<v Speaker 2>Vogue starting August fifteenth.

0:39:39.840 --> 0:39:42.840
<v Speaker 3>What a lineup? What can fans.

0:39:42.560 --> 0:39:47.080
<v Speaker 2>Expect when these three legendary groups team up. I see

0:39:47.080 --> 0:39:49.200
<v Speaker 2>this as like, this is my nineties hip hop and

0:39:49.320 --> 0:39:50.200
<v Speaker 2>R and b Avengers.

0:39:50.480 --> 0:39:52.720
<v Speaker 4>Yes, wow, yeah, I love that.

0:39:52.719 --> 0:39:54.879
<v Speaker 5>That's because we're gonna use that.

0:39:55.760 --> 0:39:58.080
<v Speaker 3>This is the nineties hip hop and R and b Avengers.

0:39:58.120 --> 0:40:02.000
<v Speaker 4>Yes, that's how we feel. Like when it came together,

0:40:02.080 --> 0:40:04.760
<v Speaker 4>we were like, why didn't we think of this years ago?

0:40:05.200 --> 0:40:05.600
<v Speaker 6>Everything?

0:40:05.640 --> 0:40:08.640
<v Speaker 4>And it's time. Of course it's the perfect time, but

0:40:08.680 --> 0:40:14.200
<v Speaker 4>the lineup is like, we didn't think of it, and

0:40:14.320 --> 0:40:16.440
<v Speaker 4>we haven't done any shows with TLC.

0:40:16.760 --> 0:40:20.440
<v Speaker 5>Yeah, so that's why.

0:40:20.160 --> 0:40:23.400
<v Speaker 4>Like, wow, you know, it's going to be nostalgic. Like

0:40:23.440 --> 0:40:25.480
<v Speaker 4>I always say, you know, back in the day, it

0:40:25.520 --> 0:40:28.759
<v Speaker 4>felt like we were performing for you guys, but now

0:40:28.760 --> 0:40:31.000
<v Speaker 4>we've all grown up together, so it's more of like

0:40:31.040 --> 0:40:33.160
<v Speaker 4>a US thing. Like, we're all just going to go

0:40:33.280 --> 0:40:37.080
<v Speaker 4>back to the time when we first heard waterfalls, shoot,

0:40:37.160 --> 0:40:39.879
<v Speaker 4>when we first heard hold on, you know what I mean.

0:40:40.040 --> 0:40:43.160
<v Speaker 4>And so we're also doing an integrated show, which is

0:40:43.200 --> 0:40:47.239
<v Speaker 4>gonna be crazy fun. So yeah, we're looking forward to

0:40:47.280 --> 0:40:50.880
<v Speaker 4>it and it's been selling out. There was some controversy

0:40:50.920 --> 0:40:55.759
<v Speaker 4>attached to it for a minute, you know, yeah, and

0:40:55.800 --> 0:40:58.640
<v Speaker 4>the people are just like we showing up, you know,

0:40:58.920 --> 0:41:01.440
<v Speaker 4>when showing up, we're appreciative, and.

0:41:01.400 --> 0:41:02.320
<v Speaker 5>We've been rehearsing.

0:41:03.040 --> 0:41:04.239
<v Speaker 4>Then we're going to rehearsal after.

0:41:05.680 --> 0:41:07.560
<v Speaker 5>So I'm like, oh, we love it because we have.

0:41:07.600 --> 0:41:09.080
<v Speaker 4>Six boy dancers.

0:41:11.640 --> 0:41:16.279
<v Speaker 5>Of our favorite thing to do. We be sitting there

0:41:16.320 --> 0:41:20.160
<v Speaker 5>like wow, shout out to the.

0:41:20.320 --> 0:41:27.439
<v Speaker 4>Dances killing killing it all over again, auditioning dancers back

0:41:27.480 --> 0:41:28.680
<v Speaker 4>in the day about David.

0:41:28.760 --> 0:41:32.239
<v Speaker 5>It was our other favorite things, the favorite auditions. Auditions.

0:41:32.320 --> 0:41:39.760
<v Speaker 7>Yes, I lot of boys, no boy, and we've never

0:41:39.920 --> 0:41:42.839
<v Speaker 7>messed with dancers, but we like to look at him,

0:41:42.880 --> 0:41:44.680
<v Speaker 7>you know yourself.

0:41:46.960 --> 0:41:51.320
<v Speaker 5>For yourself. You haven't.

0:41:51.320 --> 0:41:54.359
<v Speaker 7>I'm like, wait's.

0:41:54.080 --> 0:41:58.120
<v Speaker 5>Something I don't know. I know you don't think so wait.

0:41:59.400 --> 0:42:07.680
<v Speaker 4>Girl, Oh you know, Oh no, I knew I forgot Yeah. Yeah,

0:42:08.719 --> 0:42:14.640
<v Speaker 4>but he's not a dancer. See listen, let's context. Okay,

0:42:14.680 --> 0:42:21.200
<v Speaker 4>I'm talking about dancers. We hired that to dance for us.

0:42:21.920 --> 0:42:27.359
<v Speaker 2>Okay, in that specific yes, okay. But in the broader context.

0:42:27.480 --> 0:42:33.880
<v Speaker 5>We don't mess with the employees. Yourself.

0:42:36.400 --> 0:42:38.400
<v Speaker 2>Have time for everything.

0:42:38.480 --> 0:42:39.360
<v Speaker 4>That's what we're saying.

0:42:39.400 --> 0:42:42.239
<v Speaker 5>Oh it's too late for that. Yeah, I'm not that

0:42:42.400 --> 0:42:43.520
<v Speaker 5>year that ship shell.

0:42:46.120 --> 0:42:49.080
<v Speaker 2>I cannot thank you both enough but for coming on

0:42:49.120 --> 0:42:52.160
<v Speaker 2>to teen Beat. This is really a career highlight. You

0:42:52.200 --> 0:42:55.040
<v Speaker 2>have brought me so much joy over the years, so

0:42:55.080 --> 0:42:57.040
<v Speaker 2>to have you here in front of my face and

0:42:57.120 --> 0:42:58.839
<v Speaker 2>be able to have a conversation with you has really

0:42:58.880 --> 0:42:59.359
<v Speaker 2>meant a lot.

0:42:59.440 --> 0:43:01.080
<v Speaker 4>So thank you.

0:43:01.080 --> 0:43:03.560
<v Speaker 2>You can catch Saltan Peppa on the road in the

0:43:03.920 --> 0:43:07.759
<v Speaker 2>Iconic Tour with TLC and en Vogue starting August fifteenth

0:43:07.960 --> 0:43:10.520
<v Speaker 2>in Franklin, Tennessee. You can see all of the dates

0:43:10.560 --> 0:43:19.120
<v Speaker 2>and get your tickets now at Saltanpeppa dot com. Teenbeat

0:43:19.160 --> 0:43:22.120
<v Speaker 2>is an iHeart podcast produced and hosted by Danielle Fischel,

0:43:22.440 --> 0:43:26.319
<v Speaker 2>Executive producers Jensen Carp and Amy Sugarman, Executive in charge

0:43:26.320 --> 0:43:30.640
<v Speaker 2>of production Danielle Romo, producer and editor Tara Subosch. The

0:43:30.640 --> 0:43:35.239
<v Speaker 2>theme song is by Mark Coppis. Yes that Mark Coppas.

0:43:35.600 --> 0:43:38.080
<v Speaker 2>Follow us on Instagram at Teenbeatpod