WEBVTT - Miguel Interview

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<v Speaker 1>A real key for real celebrity, real time joined the

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<v Speaker 1>Breakfast Morning. Everybody is DJ en Vy Angela Ye, Charlemagne

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<v Speaker 1>the Guy. We are the Breakfast Club special guests with

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<v Speaker 1>us this morning's right. My favorite R and B singer

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<v Speaker 1>and my second favorite Lucid. Miguel he can't never just

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<v Speaker 1>say nothing, just all nice? He got sor right now,

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<v Speaker 1>how did you celebrate single to Mayo? Being that you

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<v Speaker 1>are half Mexican? Man, We actually had an album played

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<v Speaker 1>back yesterday, Okay, so I was wondering if you guys

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<v Speaker 1>were wearing a baby and nothing about that. So I

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<v Speaker 1>was like, yo, what's up with real slackt lately? Miguel,

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<v Speaker 1>you guys didn't come because we had the interview today.

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<v Speaker 1>No that I thought maybe you were mad at that's

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<v Speaker 1>because they were playing half um. They said you were

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<v Speaker 1>half Mexican and wanted to play some Mexican artists. Right.

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<v Speaker 1>He played a quarter of Cassie because she's twenty five,

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<v Speaker 1>a quarter of the song and half of how many drinks?

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<v Speaker 1>Because you're that's cool. I'll take that. That's all right,

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<v Speaker 1>shout out out there right now, that's why you win?

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<v Speaker 1>Like the is that Mexican? Is that Mexican garb. Mexican garb?

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<v Speaker 1>Is that Mexican? Is that traditional Mexican garben you're wearing.

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<v Speaker 1>It's not just a jack. It's the finest Mexican callie.

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<v Speaker 1>It's very CALLI call very California times wearing a tradition

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<v Speaker 1>to a black person's v neck. But Migel, welcome. You know,

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<v Speaker 1>we've been waiting for this new album to come out.

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<v Speaker 1>I know you put out the three song EP a

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<v Speaker 1>few months ago, and it's interesting because they said Coffee

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<v Speaker 1>just came out. But I was like, that song's been out,

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<v Speaker 1>I've been hearing it. Put it out. I put that

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<v Speaker 1>out really for the fans ahead of time. And you know,

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<v Speaker 1>everyone who's been been following me like since the last

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<v Speaker 1>album especially knows I like to put music out when

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<v Speaker 1>it's when it's I'm to care for the album. So

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<v Speaker 1>I wanted to do it like that, and I think

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<v Speaker 1>everyone had been waiting so long for some music, so

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<v Speaker 1>I just put it out that way. But Coffee is

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<v Speaker 1>the official single. So you were missing, man. I miss

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<v Speaker 1>I missed being you know, being in the mix and

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<v Speaker 1>and you know, being able to like just be out

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<v Speaker 1>there and do shows and whatnot. Why I STI long

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<v Speaker 1>since collided school dreams? Why why didn't you feel the

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<v Speaker 1>need to to rush? Because you know, if you have

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<v Speaker 1>a successful project label like hey we need another one, Yeah,

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<v Speaker 1>why didn't you need to come right back up? The

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<v Speaker 1>big thing is like, I mean, I hate to say it,

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<v Speaker 1>but art really does imitate life, you know what I'm saying.

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<v Speaker 1>And after a while, like you have to do living.

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<v Speaker 1>You know, there's living that needs to be done, so

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<v Speaker 1>you can kind of like just just I guess, feel

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<v Speaker 1>the tank of inspiration of I guess you know, it's

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<v Speaker 1>kind of a cliche thing to say a way of

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<v Speaker 1>saying it, but you know what I mean, it's like

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<v Speaker 1>had some living to do, you know, and we were

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<v Speaker 1>on the road, but like essentially it's it's not I

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<v Speaker 1>mean just just being out and and being home, um,

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<v Speaker 1>spending time with family all those things, like just kind

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<v Speaker 1>of living life, living life. Just like Charlomagne had a

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<v Speaker 1>huge argument about you this morning, okay, before you got here.

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<v Speaker 1>He was actually on your side. He had an argument

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<v Speaker 1>with another guy that was battling between you and Chris

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<v Speaker 1>Brown and who is the better R and B singer

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<v Speaker 1>who had the better songs? Walking around playing your coffee song, grind,

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<v Speaker 1>I was not playing coffee playing tell me to his mind.

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<v Speaker 1>It's a very big difference, even another man with battling

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<v Speaker 1>and another. Sometimes you get into the arguments for people

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<v Speaker 1>about who's the best rapper. I said, mcguel's the best

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<v Speaker 1>R and B singer all right, now, he said Chris Brown.

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<v Speaker 1>I said, it's not even close. Now, if if it's

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<v Speaker 1>popularity of cause Chris talent, not even close. I think

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<v Speaker 1>it's just that I think we're just two different we

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<v Speaker 1>make two different kinds of music. It's hard to compare

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<v Speaker 1>you to Chris Brown. I'm a Chris Brown fan straight up,

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<v Speaker 1>and that's my guy. Like he's he's a good dude,

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<v Speaker 1>you know what I'm saying. So I listened to Chris Brown, right,

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<v Speaker 1>But you haven't done those crossover like, Okay, I'm gonna

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<v Speaker 1>do that. Like Chris Brown's dabbled in ed M records

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<v Speaker 1>and done other things, You've really been strictly like a

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<v Speaker 1>soul R and B artist. Um, Yeah, I mean I

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<v Speaker 1>think my music is always rooted in soul. Um. I

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<v Speaker 1>think I just I'm I'm painting with the different with

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<v Speaker 1>different colors and different like textures. Do you ever feel like, Okay,

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<v Speaker 1>I gotta try something you know different. Have you tried

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<v Speaker 1>a EDIM type of record before? Um, I wouldn't say

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<v Speaker 1>that EDIM, for what it's known for is really my

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<v Speaker 1>really moves me, you know what I'm saying. Um, I

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<v Speaker 1>think I've heard a couple of remixes of my songs

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<v Speaker 1>that are like EDIM remixes, but it's not something that

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<v Speaker 1>I would I don't think if it like was a

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<v Speaker 1>track I heard, I'd be like, oh, it makes me

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<v Speaker 1>want to But there are the rhythms that that live

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<v Speaker 1>in that same temple because I'm not think you know

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<v Speaker 1>what I'm saying as well, So they're rhythms that live

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<v Speaker 1>in that same world and tempo space that do move me.

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<v Speaker 1>But it's just I can't say that EDM is really

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<v Speaker 1>my my bad. So it's wild Heart almost done or

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<v Speaker 1>wild Heart is done, it's completely done, Okay, Yeah that

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<v Speaker 1>wild Heart is the title of the new album. So

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<v Speaker 1>finishing movies that're gonna turn into because working on it's

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<v Speaker 1>actually yeah, I mean the crazy thing is I, um,

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<v Speaker 1>two years later, it's crazy. I'm just really finding getting

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<v Speaker 1>more information on it, so I don't really know too

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<v Speaker 1>much about it. But you know, we handle our business. Now,

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<v Speaker 1>why didn't you, you know, just like pull it to

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<v Speaker 1>the side a couple of years ago and say, hey,

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<v Speaker 1>take this twenty thousand dollars. Sorry for the inconvenence to

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<v Speaker 1>me that almost to capitate you. Are you okay? We spoke,

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<v Speaker 1>We had everything seemed like it was on the up

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<v Speaker 1>and up. You know, um last week spoke. But I guess,

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<v Speaker 1>you know, you just got to deal with things as

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<v Speaker 1>they come, right, because there was another woman that was involved,

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<v Speaker 1>but then she decided not to sue. Yeah, right, and

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<v Speaker 1>now this is a second woman, so I guess, yeah,

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<v Speaker 1>I guess, I don't I don't even know at this point.

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<v Speaker 1>I I like, I don't have enough information that like

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<v Speaker 1>talk about it. But I just don't like I had

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<v Speaker 1>my business for you though, because I knew when the

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<v Speaker 1>three song EP came out, and I think I went

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<v Speaker 1>to download to something that didn't download faster, so I

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<v Speaker 1>didn't hear coffee until yesterday. I bought it on our

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<v Speaker 1>But then like you came out, and then the news

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<v Speaker 1>about came out at the same time. Interesting, right, It's

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<v Speaker 1>interesting how that all works out. Anyway, It helps you

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<v Speaker 1>get your names out there. So I don't think he

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<v Speaker 1>would like the news is just rists bad news. It's

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<v Speaker 1>kind of weird. I don't think anyone really cares anymore,

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<v Speaker 1>you know what I'm saying. It's just like having a

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<v Speaker 1>long time but I still watch it every twing. I

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<v Speaker 1>thought it was it's it's funny. I mean, it's you know,

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<v Speaker 1>I could laugh at myself now. That was one of

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<v Speaker 1>the most mean moments. We always talk up here about

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<v Speaker 1>the memes, and these people are so clever with the

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<v Speaker 1>things that they come up with, the memes they do.

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<v Speaker 1>Sometimes I'm waiting for new ones. Now I'm waiting for this,

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<v Speaker 1>like this next album cycle while I'm waiting for new movies.

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<v Speaker 1>Brought it back because Flies had to finish a move

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<v Speaker 1>called the Color Money, which was the Slam, and then

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<v Speaker 1>compared it to the Collidi School Dream, which is delayed drop.

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<v Speaker 1>You're gonna say, but do you still do that? Do

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<v Speaker 1>you still dance the same way? Or do you watch

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<v Speaker 1>yourself now? Or do you still jump over crowds? That

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<v Speaker 1>was um man, I'm I really am just like always

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<v Speaker 1>living in them and especially on stage. So um, I

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<v Speaker 1>won't say that. I'm just like say I love rock

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<v Speaker 1>and roll. I grew up listening to rock and roll,

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<v Speaker 1>so stage like crowdsurfing, things like that are part of

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<v Speaker 1>like things I always thought were amazing, you know I

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<v Speaker 1>wanted to do. Now I'll do them very differently and

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<v Speaker 1>more cautiously if ever ever again. But um but that's

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<v Speaker 1>I mean, that's just a part of what I'm into.

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<v Speaker 1>You know, How did a doorn change your life? Man?

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<v Speaker 1>Talk about I think that the moment that the Grammys

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<v Speaker 1>was real crazy. But the funny thing is is creating

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<v Speaker 1>a doorn and then shooting the video and that whole

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<v Speaker 1>time for me is was like a lot of like

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<v Speaker 1>growing up, you know, and just stepping into a new

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<v Speaker 1>set of you know, I'm more I'm more confident and

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<v Speaker 1>more like I guess taking control of my career place

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<v Speaker 1>for me, And it changed the perception of like how

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<v Speaker 1>people look at me as a musician, as an artist.

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<v Speaker 1>I think people didn't really didn't really look at me

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<v Speaker 1>like I was a real artist. You know. I was like, okay,

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<v Speaker 1>his army cat to write a song. I love a

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<v Speaker 1>couple of songs whatever, But that song changed a lot

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<v Speaker 1>for me. So it kind of like separated you from

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<v Speaker 1>the pack. Yeah, big time, big time. Yeah, how do

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<v Speaker 1>you pick and choose which artists you want to collaborate with. Now,

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<v Speaker 1>of course we know that ludicrous single you've been on,

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<v Speaker 1>work with j Cole, you work with Kenjick Lamar. I'm

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<v Speaker 1>sure a lot of people come knocking on your door

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<v Speaker 1>asking you to do songs and be on hooks and

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<v Speaker 1>sing with them. But how do you pick and choose,

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<v Speaker 1>like I'm going to work with this person? I think

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<v Speaker 1>it's it's it's so tough because you know, you can

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<v Speaker 1>like people, but you may not like their but they

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<v Speaker 1>create what I'm saying, and that's that's that's where it

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<v Speaker 1>gets real tough, because like there's people that I genuine

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<v Speaker 1>I'm like, man, I too shoot, like your your coos,

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<v Speaker 1>but the music not not the music is whack, but

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<v Speaker 1>it's not. I don't I don't see where that makes

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<v Speaker 1>sense for more else, you know what I mean. Yeah,

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<v Speaker 1>people get offended, like they give you a song like yo,

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<v Speaker 1>I want you, I really want to get you on this,

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<v Speaker 1>and then you have to tell them, ah, yeah that's

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<v Speaker 1>not really. I'm sure because we're artists, you know what

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<v Speaker 1>I mean. So we we're all like sensitive to a

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<v Speaker 1>certain degree. But um, I think like being honest is respectable,

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<v Speaker 1>you know what I'm saying. So if I'm not really pointed,

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<v Speaker 1>I just gotta be honest. And that's what else can

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<v Speaker 1>I do? You know what else can I do? Let

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<v Speaker 1>him down easier, man, be like nah, not just like like, hey,

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<v Speaker 1>I'm on tour. I'll be back in two years. The

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<v Speaker 1>label said, I can't right now. Well, thankfully, thankfully. Sometimes

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<v Speaker 1>it does just work out that way where it doesn't

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<v Speaker 1>have to be. But well, sometimes it's I don't have

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<v Speaker 1>to say it, just like happens that way. But there's

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<v Speaker 1>been times when I have to be like, you know, honestly,

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<v Speaker 1>I just don't. I don't really see how I will

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<v Speaker 1>fit on this, you know what I mean. Sometimes I

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<v Speaker 1>hear you like on hooks and like, man, this would

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<v Speaker 1>have been great if it was a whole Miguel song

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<v Speaker 1>that record is. It's so crazy how that song came

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<v Speaker 1>about because we did it like two years ago. Wow.

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<v Speaker 1>We thought we thought it was gonna come out a

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<v Speaker 1>lot a lot sooner. But you know, he put it on.

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<v Speaker 1>I love that that. The fans love it too. It's crazy. Now.

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<v Speaker 1>When you first came out, you were known as the

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<v Speaker 1>weird though you look weird. You were crazy estylelished still.

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<v Speaker 1>I mean, the thing is like popl just kind of

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<v Speaker 1>finally just been like, but now people like the weird

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<v Speaker 1>old But okay, let's just be honestly. I did a

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<v Speaker 1>lot of things before they were trendy, and I may

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<v Speaker 1>not have done them in a way that looked cool

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<v Speaker 1>to the general public or to the black masses, or

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<v Speaker 1>to whatever you want to call it. But honestly, I

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<v Speaker 1>don't give up. Ye I'm I'm a human being and

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<v Speaker 1>I'm learning, like I'm, I just have the balls to

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<v Speaker 1>do what I want. And maybe I didn't do it

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<v Speaker 1>the way that I was I was seeing it in

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<v Speaker 1>my head. It didn't come across like that. But you

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<v Speaker 1>gotta give it to a person who doesn't give just

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<v Speaker 1>does what they want. And I think sometimes when people

0:10:35.280 --> 0:10:37.400
<v Speaker 1>are familiar with you, like okay, we like him, we

0:10:37.480 --> 0:10:40.600
<v Speaker 1>like his music, so now all right, now we're okay,

0:10:40.000 --> 0:10:43.440
<v Speaker 1>but yeah, and they're like, I don't know who this

0:10:43.480 --> 0:10:46.160
<v Speaker 1>guy is. And but then you put some hit songs

0:10:46.160 --> 0:10:47.679
<v Speaker 1>out and everybody wants to work with you. They're like,

0:10:47.679 --> 0:10:49.280
<v Speaker 1>all right, he could do whatever he wants. Now that's

0:10:49.720 --> 0:10:52.520
<v Speaker 1>you know what. Actually, the conversation we had here last time,

0:10:52.800 --> 0:10:56.200
<v Speaker 1>I think was pivotal too, because it was like, let's

0:10:56.200 --> 0:10:59.640
<v Speaker 1>just address let's address it. And yeah, and I could

0:10:59.640 --> 0:11:02.760
<v Speaker 1>be like, you know, looking at those photos honestly within

0:11:02.840 --> 0:11:05.520
<v Speaker 1>the same thing. That's straight up you know, looking at it.

0:11:05.559 --> 0:11:07.520
<v Speaker 1>But I know where my head was at and what

0:11:07.559 --> 0:11:09.760
<v Speaker 1>I was trying to do, and like the fashion statement

0:11:09.760 --> 0:11:11.200
<v Speaker 1>I was trying to make, but I didn't have the

0:11:11.640 --> 0:11:13.720
<v Speaker 1>I didn't have the knowledge, you know what I'm saying.

0:11:13.760 --> 0:11:16.400
<v Speaker 1>It took like education and kind of like spending time

0:11:16.400 --> 0:11:19.480
<v Speaker 1>with people who really know fashion to explain to me, Okay,

0:11:19.520 --> 0:11:21.600
<v Speaker 1>this is how I see what you're trying to do,

0:11:22.200 --> 0:11:24.439
<v Speaker 1>but this is how you actually do it, you know

0:11:24.480 --> 0:11:26.000
<v Speaker 1>what I mean. So it was like it was just

0:11:26.040 --> 0:11:28.080
<v Speaker 1>a learning experience. I can't even be mad at myself

0:11:28.320 --> 0:11:31.400
<v Speaker 1>and the banking. Your girlfriend, we know he can't be gay.

0:11:32.080 --> 0:11:36.800
<v Speaker 1>I love beautiful women's talk about pure board coffee. Yesterday, Yeah,

0:11:36.800 --> 0:11:44.480
<v Speaker 1>I said, great record, terrible picture that I would think

0:11:44.480 --> 0:11:48.400
<v Speaker 1>about the guy that look, that's not that's not for

0:11:48.520 --> 0:11:50.760
<v Speaker 1>the men, that's not for the man. That's definitely not

0:11:50.840 --> 0:11:53.240
<v Speaker 1>for the man that was looking at that picture today.

0:11:53.240 --> 0:11:55.080
<v Speaker 1>Did I show it to you? Yeah? Because she did.

0:11:55.240 --> 0:11:57.480
<v Speaker 1>She did a similar picture yesterday I want to see

0:11:57.480 --> 0:12:01.120
<v Speaker 1>that picture. Where's that? But why can Miguel do this?

0:12:01.160 --> 0:12:02.840
<v Speaker 1>And it's okay? And then I put up a similar

0:12:02.880 --> 0:12:06.679
<v Speaker 1>picture and it's a problem. Let me see you got

0:12:06.720 --> 0:12:14.600
<v Speaker 1>on your phone though? Now are you still meditating? Um? Yes, yeah,

0:12:14.760 --> 0:12:19.640
<v Speaker 1>pronounce it. What's it called transcendent transcendent transident meditation? I haven't.

0:12:19.720 --> 0:12:22.800
<v Speaker 1>I haven't got honestly, I haven't. I haven't got to

0:12:22.800 --> 0:12:25.520
<v Speaker 1>transcendental meditation. But um crazy, I was just talking to

0:12:25.600 --> 0:12:27.520
<v Speaker 1>I should he hit me two days Like, Okay, we

0:12:27.520 --> 0:12:29.800
<v Speaker 1>spoke two days ago about it. It's not bragging. Okay,

0:12:29.800 --> 0:12:32.000
<v Speaker 1>I should call you. That's big bro. Yeah, you know

0:12:32.000 --> 0:12:34.079
<v Speaker 1>what I mean. That's like, that's like big thing I

0:12:34.080 --> 0:12:40.040
<v Speaker 1>didn't forget. I want to see this the meditation for

0:12:40.080 --> 0:12:43.480
<v Speaker 1>the artist or for the man Miguel, that's just for

0:12:43.720 --> 0:12:46.160
<v Speaker 1>I think it's there's no separation at this point, you

0:12:46.160 --> 0:12:48.679
<v Speaker 1>know what I mean. It's like it's for me. It's

0:12:48.720 --> 0:12:50.560
<v Speaker 1>like a calming. I don't know if you guys are

0:12:50.559 --> 0:12:52.600
<v Speaker 1>ever like meditated got to a point where it's like

0:12:53.120 --> 0:12:56.520
<v Speaker 1>you feel I don't. I don't know how to explain it,

0:12:56.520 --> 0:12:59.559
<v Speaker 1>but it's it's like a feeling of stepping away from

0:12:59.600 --> 0:13:02.600
<v Speaker 1>yours self out of body experience kind of. I wouldn't

0:13:02.600 --> 0:13:06.000
<v Speaker 1>say it's for me, it's not that crazy, but it

0:13:06.080 --> 0:13:11.360
<v Speaker 1>is like it's almost, uh, it's I don't know how

0:13:11.360 --> 0:13:13.680
<v Speaker 1>to explain it just feels very like you can a

0:13:13.760 --> 0:13:17.200
<v Speaker 1>calming like stepping back from everything and kind of seeing everything,

0:13:17.480 --> 0:13:21.560
<v Speaker 1>even yourself, like taking yourself out of your body and

0:13:21.640 --> 0:13:23.840
<v Speaker 1>observing kind of. I don't know how to explain it,

0:13:23.880 --> 0:13:25.200
<v Speaker 1>but I don't know if you have you, guys ever

0:13:25.280 --> 0:13:27.400
<v Speaker 1>meditated that I've tried. I can't. It's hard for me

0:13:27.440 --> 0:13:31.679
<v Speaker 1>to turn off many very busy. It's tough. It's tough.

0:13:31.880 --> 0:13:34.480
<v Speaker 1>It's tough. Um, you know what. I would try guide

0:13:34.600 --> 0:13:37.240
<v Speaker 1>meditation if you, if you ever like have the patience

0:13:37.280 --> 0:13:40.720
<v Speaker 1>to try it, because honestly, it's the most I've never

0:13:40.760 --> 0:13:45.719
<v Speaker 1>felt more clearly than after after doing that for even

0:13:45.880 --> 0:13:47.959
<v Speaker 1>just like fifteen minutes and someone just kind of like, okay,

0:13:48.000 --> 0:13:50.160
<v Speaker 1>now breathe like this, dude, that that will help like

0:13:50.760 --> 0:13:53.240
<v Speaker 1>quiet everything. Do you have tanchic sex also and all

0:13:53.240 --> 0:13:55.400
<v Speaker 1>of that. I haven't got there yet. I want to.

0:13:55.440 --> 0:13:57.680
<v Speaker 1>I want to try that, but that's all breathing exercise,

0:13:58.040 --> 0:14:01.000
<v Speaker 1>breathing exercises, I haven't tried it yet. I was just wondering, Yeah,

0:14:01.000 --> 0:14:02.800
<v Speaker 1>I haven't tried, because did he talked about he said

0:14:02.800 --> 0:14:04.920
<v Speaker 1>he has sex for like two days or something crazy.

0:14:05.160 --> 0:14:10.760
<v Speaker 1>I don't know if that was Tantrick drug Field. I'm

0:14:10.800 --> 0:14:14.600
<v Speaker 1>just saying, we're all wild at heart. I'm just saying, yeah, right,

0:14:15.160 --> 0:14:16.839
<v Speaker 1>why did you make these freaky ass records? Could you

0:14:16.840 --> 0:14:19.920
<v Speaker 1>go from his mind? Uh huh? You can't say that word? Okay,

0:14:20.320 --> 0:14:23.000
<v Speaker 1>that sounds stupid. Why not? I love? I love? That's

0:14:23.000 --> 0:14:26.000
<v Speaker 1>a that's all right, that's a better Okay, say it again.

0:14:27.000 --> 0:14:30.160
<v Speaker 1>Jonathan sounds so clinical, like sounds like we can't say

0:14:31.560 --> 0:14:37.080
<v Speaker 1>you just couci. I hate that sound so good. Sounds

0:14:37.080 --> 0:14:41.760
<v Speaker 1>dirty to me? And yeah, what is coffee? And effing?

0:14:41.840 --> 0:14:44.880
<v Speaker 1>What is that? Why is that? S anonymous? Coffee is

0:14:44.920 --> 0:14:48.960
<v Speaker 1>the original record and was just excuse me, I forgot

0:14:49.520 --> 0:14:53.880
<v Speaker 1>you are just a dirty Yeah yeah man, talk that

0:14:53.960 --> 0:15:02.600
<v Speaker 1>talk and yeah, uh coffee is just we did the

0:15:02.640 --> 0:15:05.200
<v Speaker 1>other version just because it just felt right. It was

0:15:05.240 --> 0:15:08.120
<v Speaker 1>just like, well, this is what he's really saying as

0:15:08.120 --> 0:15:09.800
<v Speaker 1>well to say it like listening to it just seems

0:15:09.840 --> 0:15:11.800
<v Speaker 1>like the obvious thing. So that's like more for remixing,

0:15:11.840 --> 0:15:13.600
<v Speaker 1>just for like the heads on the internet. So coffee's

0:15:13.640 --> 0:15:17.000
<v Speaker 1>not slaying for actual No, I mean the actual song.

0:15:18.400 --> 0:15:22.000
<v Speaker 1>I prefer coffee, Like this title coffee and the logic

0:15:22.080 --> 0:15:24.400
<v Speaker 1>behind getting too coffee in the morning, that was the

0:15:24.720 --> 0:15:27.560
<v Speaker 1>intention of the song. It was like, it's obviously I'm

0:15:27.560 --> 0:15:31.080
<v Speaker 1>talking about in the song, but it's more that it's

0:15:31.200 --> 0:15:36.360
<v Speaker 1>it's lust rooted in honest connection. So that's what made

0:15:36.360 --> 0:15:38.080
<v Speaker 1>this song stand out on the album because there's like,

0:15:38.400 --> 0:15:40.560
<v Speaker 1>there's a there's something real underneath. So you have a

0:15:40.560 --> 0:15:41.840
<v Speaker 1>lot of sex and then you want to go get

0:15:41.840 --> 0:15:43.720
<v Speaker 1>a cup of caffeine. I just like, I don't like

0:15:45.560 --> 0:15:48.400
<v Speaker 1>and then in the morning. Yeah, so you like you

0:15:48.400 --> 0:15:50.160
<v Speaker 1>think the morning is the best time to have sex.

0:15:50.720 --> 0:15:52.880
<v Speaker 1>I think every time is the best time to have sex.

0:15:52.920 --> 0:15:55.640
<v Speaker 1>Because some people prefer morning sex, some people prefer it

0:15:55.680 --> 0:15:57.800
<v Speaker 1>at night. Morning sex is amazing when you get woke

0:15:57.880 --> 0:16:00.720
<v Speaker 1>up with it, okay, y, yeah, you wake up at

0:16:00.720 --> 0:16:05.480
<v Speaker 1>the morning would and then somebody it's what the song

0:16:05.600 --> 0:16:10.400
<v Speaker 1>is about, and they grow up. I love it. I'm

0:16:10.400 --> 0:16:13.840
<v Speaker 1>still waiting. I'm not leaving about saying that. You mentioned

0:16:13.840 --> 0:16:15.680
<v Speaker 1>that Stevie wanted to reach out to you about what's

0:16:15.680 --> 0:16:20.360
<v Speaker 1>going on in Baltimore. Um, when Okay, maybe not, but

0:16:20.640 --> 0:16:22.160
<v Speaker 1>they were they were they were saying that you and

0:16:22.160 --> 0:16:25.440
<v Speaker 1>Stevie wonder might you hinted that you guys might collaborate.

0:16:25.840 --> 0:16:28.040
<v Speaker 1>That was the story on something that has to do

0:16:28.160 --> 0:16:31.840
<v Speaker 1>with um police brutality. I don't know if it was. No,

0:16:31.920 --> 0:16:34.800
<v Speaker 1>we actually did, uh we did um an event for

0:16:35.000 --> 0:16:38.880
<v Speaker 1>the mayor of La couple days last week and uh,

0:16:38.920 --> 0:16:41.640
<v Speaker 1>and we spoke about it briefly, but it wasn't you know,

0:16:42.000 --> 0:16:46.320
<v Speaker 1>just I mean obviously we're no, no, no, I mean

0:16:46.400 --> 0:16:50.520
<v Speaker 1>obviously something needs to be said and done. Um. And

0:16:50.600 --> 0:16:52.720
<v Speaker 1>it's a very urgent thing and that we were just

0:16:52.760 --> 0:16:55.480
<v Speaker 1>speaking on that. Yeah. Um. And I think there's I

0:16:55.520 --> 0:16:57.760
<v Speaker 1>think there are a number of artists out there who

0:16:57.760 --> 0:17:01.000
<v Speaker 1>are are really keen on making a difference and saying something.

0:17:01.040 --> 0:17:04.119
<v Speaker 1>And I think, um, we're we're hoping to make that happen,

0:17:04.280 --> 0:17:06.199
<v Speaker 1>you know, in so many shape or form. Can you

0:17:06.200 --> 0:17:08.120
<v Speaker 1>make a record about the joys of eating? Asks? Because

0:17:08.119 --> 0:17:11.320
<v Speaker 1>eating as getting like real commercial now, is it? Yeah?

0:17:12.160 --> 0:17:16.160
<v Speaker 1>But just because they're eating the booty like groceries, Kevin,

0:17:16.880 --> 0:17:20.040
<v Speaker 1>I'm about it. I'm about it booty Okay, man, I'm

0:17:20.080 --> 0:17:26.320
<v Speaker 1>about it. Don't like a crap like crap. Yeah, I

0:17:26.320 --> 0:17:30.639
<v Speaker 1>don't need booty. Just for the record that. Um, I

0:17:30.640 --> 0:17:34.560
<v Speaker 1>don't know if that's gonna make any lyrical any songs.

0:17:34.560 --> 0:17:36.520
<v Speaker 1>I don't know. I don't know, but hey, you never know.

0:17:36.720 --> 0:17:40.119
<v Speaker 1>What about as me get I don't know. What about squirting?

0:17:40.119 --> 0:17:43.159
<v Speaker 1>Would you write a song? Yes? Yes, you guys are

0:17:43.160 --> 0:17:46.440
<v Speaker 1>thinking about eating booty. But squirting is kinky. Squirting is amazing.

0:17:46.600 --> 0:17:49.040
<v Speaker 1>That's like, that's the biggest compliment. Like I'm a girl

0:17:49.080 --> 0:17:55.120
<v Speaker 1>just positioned himself like, I can't look at you. I'm

0:17:55.119 --> 0:17:56.560
<v Speaker 1>still waiting to see that photo. I don't know why

0:17:56.560 --> 0:18:00.840
<v Speaker 1>you Okay, all right, I can't. I didn't think it

0:18:00.880 --> 0:18:03.639
<v Speaker 1>was that looking at you and made it seem like

0:18:03.680 --> 0:18:12.040
<v Speaker 1>it was really bad. Get out of here. It made

0:18:12.080 --> 0:18:14.760
<v Speaker 1>it seem he's very and he's very conservative, and you

0:18:14.800 --> 0:18:18.399
<v Speaker 1>took it down. Why. I don't know. It was a

0:18:18.400 --> 0:18:20.760
<v Speaker 1>good look your hair and everything. Let me see it again.

0:18:20.800 --> 0:18:22.639
<v Speaker 1>I didn't do my hair. It was supposed to be

0:18:22.680 --> 0:18:25.720
<v Speaker 1>no makeup, no hair done. Just let me see it again, coffee.

0:18:25.760 --> 0:18:28.000
<v Speaker 1>I like that and send it to him. Can I

0:18:28.000 --> 0:18:35.400
<v Speaker 1>see it again? Damn gosh, is it true you're doing

0:18:35.400 --> 0:18:39.040
<v Speaker 1>a movie with John legend um Man. That's so crazy.

0:18:39.119 --> 0:18:43.720
<v Speaker 1>How how rumors I had I had a meeting with

0:18:43.800 --> 0:18:48.399
<v Speaker 1>a production company. I literally had one meeting with the

0:18:48.400 --> 0:18:51.960
<v Speaker 1>production company. It is his production company, um about a

0:18:52.040 --> 0:18:55.080
<v Speaker 1>film that was very, very different than the one that

0:18:55.480 --> 0:18:59.000
<v Speaker 1>they were that a press release was released about. So

0:18:59.400 --> 0:19:04.919
<v Speaker 1>the film that I had a meeting about was actually

0:19:05.000 --> 0:19:08.320
<v Speaker 1>really dope. The film that I heard was they're talking

0:19:08.359 --> 0:19:10.920
<v Speaker 1>about I don't know anything about, like a musical romantic Yeah,

0:19:10.960 --> 0:19:13.000
<v Speaker 1>but that's not the film that I was pitched at all.

0:19:13.080 --> 0:19:17.080
<v Speaker 1>So um. So if there's a film being made like

0:19:17.119 --> 0:19:20.960
<v Speaker 1>the one that we spoke about, I'm absolutely interested. But

0:19:21.080 --> 0:19:23.040
<v Speaker 1>I've only had a single meeting about it. But they

0:19:23.040 --> 0:19:27.400
<v Speaker 1>say you got the role, not the not the film

0:19:27.440 --> 0:19:30.200
<v Speaker 1>they're talking about. Is it true that you're getting married? No,

0:19:30.280 --> 0:19:34.760
<v Speaker 1>I'm kidding, I know that's it's true that I'm wild

0:19:34.800 --> 0:19:36.919
<v Speaker 1>at hard straight has it haven't been hard to be

0:19:36.920 --> 0:19:39.440
<v Speaker 1>because are you still You're still in a relationship right? Um? Yes,

0:19:39.680 --> 0:19:42.240
<v Speaker 1>it hard to be faithful because you know your success

0:19:42.320 --> 0:19:44.880
<v Speaker 1>is shot up, you know, since the success of Adorn.

0:19:44.960 --> 0:19:46.520
<v Speaker 1>You know, girls look at you as a sex symbol.

0:19:46.600 --> 0:19:51.320
<v Speaker 1>Is a hard idea harder to be faithful. Um, it's

0:19:51.359 --> 0:19:54.000
<v Speaker 1>only as hard as you allow it to be I

0:19:54.040 --> 0:19:55.919
<v Speaker 1>guess you know what I mean. Don't put yourself in

0:19:55.960 --> 0:19:59.840
<v Speaker 1>that situation where something could happen. I mean you should

0:19:59.880 --> 0:20:02.720
<v Speaker 1>have Paul that. I mean, god, damn, that was. It's

0:20:02.760 --> 0:20:14.480
<v Speaker 1>only as hard as you allowed Jesus just when you

0:20:14.480 --> 0:20:18.800
<v Speaker 1>got rid of all those rumors. Because because it's it's

0:20:18.800 --> 0:20:22.720
<v Speaker 1>for women, though, what are we talking about? Yeah, you

0:20:22.760 --> 0:20:25.080
<v Speaker 1>wouldn't not Cobby pays it on some other I haven't

0:20:25.080 --> 0:20:30.280
<v Speaker 1>said anything anyway. Um uh, but is it hard? It's

0:20:31.920 --> 0:20:37.080
<v Speaker 1>Oh my god, the one telling me, why are you blushing? Now?

0:20:37.160 --> 0:20:48.399
<v Speaker 1>That is it difficult? Now? He is it hard? Wow? Difficult? Wow?

0:20:49.200 --> 0:20:53.040
<v Speaker 1>Is it difficult to stay? Like I said, it's just yeah,

0:20:53.119 --> 0:20:56.199
<v Speaker 1>it's it's how much you allow it to affect affect you.

0:20:56.280 --> 0:20:59.560
<v Speaker 1>I guess yeah, Chris Rock said. Chris Rock Want said

0:20:59.560 --> 0:21:01.479
<v Speaker 1>the man is only as faithful as his options. He

0:21:01.520 --> 0:21:06.439
<v Speaker 1>did say that that's why it's tough for men in power.

0:21:06.520 --> 0:21:08.639
<v Speaker 1>I mean, anyone empower women in powering you in power

0:21:08.960 --> 0:21:12.760
<v Speaker 1>to to be faithful. But you know why for a woman,

0:21:12.880 --> 0:21:15.840
<v Speaker 1>and especially for for your girlfriend, I'm sure it's quite easy.

0:21:15.880 --> 0:21:17.760
<v Speaker 1>If she wanted to do something, she could, and I'm

0:21:17.760 --> 0:21:21.040
<v Speaker 1>sure the time I'm gone all the time. Right, it

0:21:21.080 --> 0:21:23.280
<v Speaker 1>would be really easy. The guy could slide in and

0:21:23.320 --> 0:21:26.080
<v Speaker 1>be like women and women are so smart, like they're

0:21:26.080 --> 0:21:28.359
<v Speaker 1>not messy, and we do it, and we do it

0:21:28.440 --> 0:21:32.080
<v Speaker 1>just stupid, right. You guys don't pre plan. You don't

0:21:32.080 --> 0:21:34.040
<v Speaker 1>tell your boy. Look, I told her I'm with you,

0:21:34.359 --> 0:21:37.480
<v Speaker 1>so he has no idea what's going on. We plan

0:21:37.600 --> 0:21:39.680
<v Speaker 1>things out, like we have pictures ready in case we're

0:21:39.680 --> 0:21:41.359
<v Speaker 1>gonna pretend that we're on vacation with our friends, but

0:21:41.400 --> 0:21:44.000
<v Speaker 1>we're really not those pictures and then we tell our

0:21:44.040 --> 0:21:46.200
<v Speaker 1>friends don't post for two weeks because I said them

0:21:46.200 --> 0:21:48.840
<v Speaker 1>with you, and you know, and what else. Just a

0:21:48.880 --> 0:21:51.800
<v Speaker 1>lot of things that women do, we plan ahead. You

0:21:51.800 --> 0:21:53.760
<v Speaker 1>guys just do what you're gonna do and don't have

0:21:53.800 --> 0:21:56.960
<v Speaker 1>any time of plan. Have you gotten quite cheating? You

0:21:57.000 --> 0:22:00.119
<v Speaker 1>know what? I we've been we've been yep. I mean

0:22:00.200 --> 0:22:02.680
<v Speaker 1>we've been together since I was nineteen. I've definitely made

0:22:02.680 --> 0:22:05.640
<v Speaker 1>some mistakes. I'm not even gonna hide behind that, right

0:22:05.960 --> 0:22:08.000
<v Speaker 1>because sometimes when you get caught, that's when you realize

0:22:08.040 --> 0:22:10.720
<v Speaker 1>I got to stop. Oh yeah, big time. That's exactly

0:22:10.720 --> 0:22:12.600
<v Speaker 1>when you when you when you figure that out, and

0:22:12.600 --> 0:22:14.800
<v Speaker 1>then you realize like it's not even worth it, you

0:22:14.840 --> 0:22:16.280
<v Speaker 1>know what I mean? When it's not even worth it?

0:22:16.640 --> 0:22:18.400
<v Speaker 1>Do you pay attention to stuff like who's following her

0:22:18.400 --> 0:22:20.560
<v Speaker 1>on Twitter? Instagram? Like make sure Drake's not following her?

0:22:20.600 --> 0:22:26.360
<v Speaker 1>Or trade songs? Man? None of these, none of them

0:22:26.359 --> 0:22:29.840
<v Speaker 1>are a threat to me. M And I don't mean

0:22:29.840 --> 0:22:31.440
<v Speaker 1>that in a in a this way. I'm just saying,

0:22:31.440 --> 0:22:34.199
<v Speaker 1>I just feel very strong about my relationship. So what

0:22:34.280 --> 0:22:36.000
<v Speaker 1>about musically? Do you feel like you're the best R

0:22:36.000 --> 0:22:38.800
<v Speaker 1>and B sing out right now? Um? I feel like

0:22:38.840 --> 0:22:41.080
<v Speaker 1>I'm poised to do something great. I don't know about

0:22:41.119 --> 0:22:43.040
<v Speaker 1>the best R and B singer, but I know that

0:22:43.040 --> 0:22:45.120
<v Speaker 1>I'm poised to do something great in this world. I'm

0:22:45.160 --> 0:22:48.520
<v Speaker 1>just talking about right now at this moment. At this moment,

0:22:48.560 --> 0:22:51.880
<v Speaker 1>I'm I'm in love with my album. I'm in love

0:22:51.920 --> 0:22:54.800
<v Speaker 1>with this album, and I know we have even more

0:22:54.840 --> 0:22:58.440
<v Speaker 1>like great music coming after coffee. So I'm just I'm

0:22:58.480 --> 0:23:00.919
<v Speaker 1>gonna let the fans. It's for the fans, you know,

0:23:00.960 --> 0:23:04.160
<v Speaker 1>it's for the fans, And so that's that's all I can.

0:23:04.480 --> 0:23:06.720
<v Speaker 1>You know, who do you listen to as far as

0:23:06.840 --> 0:23:10.200
<v Speaker 1>other producers or executives when it comes to your music?

0:23:10.240 --> 0:23:13.560
<v Speaker 1>Whose input do you really take to heart. Uh lately

0:23:13.600 --> 0:23:16.040
<v Speaker 1>I haven't listened to anything. No, I mean, like who's input?

0:23:16.080 --> 0:23:18.359
<v Speaker 1>Like when people tell you who do you go to? Like, Okay,

0:23:18.359 --> 0:23:19.959
<v Speaker 1>what do you think about this song? Should this make

0:23:20.000 --> 0:23:23.760
<v Speaker 1>the album? Does this sound all right? Mark Pitts is

0:23:23.800 --> 0:23:26.760
<v Speaker 1>like my big bro. So he's not an artist, you know,

0:23:26.840 --> 0:23:28.879
<v Speaker 1>in the general and an exact term, but he is

0:23:28.920 --> 0:23:31.680
<v Speaker 1>an artist at heart. He's a he's a creative person.

0:23:31.800 --> 0:23:34.640
<v Speaker 1>He's a creative spirit and he understands art. I mean,

0:23:35.119 --> 0:23:37.560
<v Speaker 1>so that's the first person I always go to um

0:23:37.720 --> 0:23:40.280
<v Speaker 1>with my music. But while he's a good person, cole

0:23:40.400 --> 0:23:42.520
<v Speaker 1>Is is a great person. Those those two people are

0:23:42.520 --> 0:23:44.159
<v Speaker 1>probably like the closest that But isn't it hard to

0:23:44.200 --> 0:23:45.439
<v Speaker 1>let them hear a record because they'd be like, oh,

0:23:45.480 --> 0:23:49.480
<v Speaker 1>let me jump on that, and you can't tell for

0:23:49.600 --> 0:23:52.399
<v Speaker 1>you you know what I love? But I could have

0:23:52.400 --> 0:23:54.760
<v Speaker 1>did without him on coffee to be well, it's a

0:23:54.800 --> 0:23:56.399
<v Speaker 1>it's a I love the version with him on it,

0:23:56.440 --> 0:23:57.680
<v Speaker 1>you know what I mean, But I also love the

0:23:57.760 --> 0:24:05.800
<v Speaker 1>version without, So it's just options. Yea, that's my guy.

0:24:05.880 --> 0:24:08.000
<v Speaker 1>Because actually when you re released it, because I told

0:24:08.080 --> 0:24:09.840
<v Speaker 1>him I was hearing that song from months already. I

0:24:09.880 --> 0:24:11.040
<v Speaker 1>was like, how is this a new song? But then

0:24:11.040 --> 0:24:13.400
<v Speaker 1>I realized it's because it is right and that like

0:24:13.440 --> 0:24:16.520
<v Speaker 1>we we honestly did that, like and big shout out

0:24:16.560 --> 0:24:20.359
<v Speaker 1>to Wile because he did it like so fast embodied it. Um,

0:24:20.760 --> 0:24:23.120
<v Speaker 1>but it was really for the fans. It's like it's

0:24:23.119 --> 0:24:25.359
<v Speaker 1>for the fans, you know, even though like Coffee, the

0:24:25.400 --> 0:24:28.560
<v Speaker 1>actual version that goes on the album, um will be

0:24:28.600 --> 0:24:31.120
<v Speaker 1>the version without wallet. I don't blame you for that.

0:24:31.200 --> 0:24:32.480
<v Speaker 1>It was a dope first. I just don't think it

0:24:32.600 --> 0:24:34.280
<v Speaker 1>fifth song, he got a line of that dope we

0:24:34.359 --> 0:24:37.760
<v Speaker 1>say fifty shades of gray over Joe to see. Yeah, yeah,

0:24:37.800 --> 0:24:39.840
<v Speaker 1>but I just felt like I like, I like RMB,

0:24:39.960 --> 0:24:42.000
<v Speaker 1>I don't be liking to wrap and all like leave

0:24:42.080 --> 0:24:44.200
<v Speaker 1>just let it be RMB, like when everybody wrapped over

0:24:44.200 --> 0:24:47.480
<v Speaker 1>the door, Like no, did people rap over the door? Yeah?

0:24:47.960 --> 0:24:52.920
<v Speaker 1>I didn't hear it. Kalphools on the door, Yeah version

0:24:53.520 --> 0:24:59.720
<v Speaker 1>region version didn't even did he do a version of that?

0:25:00.200 --> 0:25:01.720
<v Speaker 1>What else can we look forward to on the album?

0:25:01.760 --> 0:25:03.240
<v Speaker 1>I'll give us some more since we didn't get to

0:25:03.240 --> 0:25:05.280
<v Speaker 1>come to the playback, Um, what do you have to

0:25:05.280 --> 0:25:07.159
<v Speaker 1>look forward to? Was yeah, like, yeah, tell us a

0:25:07.200 --> 0:25:11.520
<v Speaker 1>little bit about it. We did. We did. Unfortunately, the

0:25:11.880 --> 0:25:14.439
<v Speaker 1>music that we did doesn't fit the sound of this

0:25:14.560 --> 0:25:16.560
<v Speaker 1>the body of work out for this album, so we're

0:25:16.560 --> 0:25:18.160
<v Speaker 1>trying to figure out the right way to put that

0:25:18.160 --> 0:25:20.960
<v Speaker 1>that music out. Yeah, but the premier is like, that's

0:25:20.960 --> 0:25:23.639
<v Speaker 1>a musical mentor someone I grew up listening, you know.

0:25:23.720 --> 0:25:26.480
<v Speaker 1>So that was an honor. You know who I did

0:25:26.480 --> 0:25:28.480
<v Speaker 1>get to work with this album I've never worked with before,

0:25:28.560 --> 0:25:30.600
<v Speaker 1>and it was it was amazing. It was Raffael c

0:25:30.720 --> 0:25:34.119
<v Speaker 1>d Oh I love Rafael twenty was one of my

0:25:34.200 --> 0:25:35.960
<v Speaker 1>They had one of my favorite R and B songs ever,

0:25:36.080 --> 0:25:38.280
<v Speaker 1>Just Me and You, Just Me and you. He's got

0:25:38.280 --> 0:25:43.360
<v Speaker 1>a dope artist to what's home name? Yes, yes, yes

0:25:43.440 --> 0:25:48.320
<v Speaker 1>he does man Um, So shout out to Rafael Um

0:25:48.359 --> 0:25:50.280
<v Speaker 1>represent the Bay And what are you doing a lot

0:25:50.280 --> 0:25:53.040
<v Speaker 1>of writing while you were taking a break? Did I

0:25:53.080 --> 0:25:54.639
<v Speaker 1>do a lot of writing at home? I did? I

0:25:54.960 --> 0:25:58.800
<v Speaker 1>recorded artists too, not so much, not so much. This

0:25:58.840 --> 0:26:02.320
<v Speaker 1>album was like, I think it's the last time I'm

0:26:02.320 --> 0:26:05.680
<v Speaker 1>going to record an album at home. Yeah, this is this.

0:26:05.840 --> 0:26:08.200
<v Speaker 1>It was. It was a challenge because it's just so

0:26:08.240 --> 0:26:11.119
<v Speaker 1>easy to be like and I just like, you know,

0:26:11.160 --> 0:26:13.160
<v Speaker 1>when you settle into your house. It takes so long

0:26:13.240 --> 0:26:15.200
<v Speaker 1>to get your house to exactly how you want it,

0:26:15.240 --> 0:26:18.440
<v Speaker 1>because it's like you're curating everything, you know what I'm saying.

0:26:18.480 --> 0:26:21.639
<v Speaker 1>So and I'm really particular. So I'm at home and

0:26:21.760 --> 0:26:24.040
<v Speaker 1>make like the house is coming together. I'm getting real

0:26:24.119 --> 0:26:28.720
<v Speaker 1>comfortable and also understanding that I need some time to live.

0:26:28.840 --> 0:26:30.520
<v Speaker 1>So it makes it real easy to just be like,

0:26:30.560 --> 0:26:33.320
<v Speaker 1>all right, I'm gonna watch a film right now. I'm

0:26:33.320 --> 0:26:35.359
<v Speaker 1>not gonna push this. I'm not gonna rush it because

0:26:35.359 --> 0:26:37.919
<v Speaker 1>you can't rush art. You just can't. You don't do that.

0:26:38.000 --> 0:26:40.720
<v Speaker 1>So you just bought into the house. I just made

0:26:40.720 --> 0:26:42.840
<v Speaker 1>sure the house like came together that the way I want.

0:26:42.880 --> 0:26:56.520
<v Speaker 1>Big is it? It's actually not questions of your cribed

0:26:56.600 --> 0:26:59.720
<v Speaker 1>how big is it? The house is? Um, it's I

0:26:59.720 --> 0:27:02.640
<v Speaker 1>don't know. It's like, it's not it's not a huge house.

0:27:02.640 --> 0:27:04.480
<v Speaker 1>It's actually there's only two of us there, so I

0:27:04.760 --> 0:27:06.800
<v Speaker 1>don't need I didn't need crazy house. It's like three

0:27:07.080 --> 0:27:10.439
<v Speaker 1>some three thousands something square. It's pretty nice. Yeah, is

0:27:10.440 --> 0:27:11.719
<v Speaker 1>it is that? I don't know what that is in

0:27:11.760 --> 0:27:13.760
<v Speaker 1>relation to everyone's home. I don't know. But we're in

0:27:13.800 --> 0:27:15.920
<v Speaker 1>New York and I tell you right now, my house

0:27:16.000 --> 0:27:17.879
<v Speaker 1>is not that big. Well, we live in like a

0:27:17.960 --> 0:27:21.480
<v Speaker 1>residential area where it's like you know, single single family homes.

0:27:21.480 --> 0:27:24.000
<v Speaker 1>They're like all nice size, they're not like mansions or

0:27:24.000 --> 0:27:25.760
<v Speaker 1>anything like that. Do you think about standing a family

0:27:25.840 --> 0:27:29.200
<v Speaker 1>soon and having children? Man, I'm too wild for a

0:27:29.240 --> 0:27:31.800
<v Speaker 1>family right now. You said way too wild to have

0:27:31.800 --> 0:27:34.879
<v Speaker 1>a family, right What do you mean? Way too wild?

0:27:35.240 --> 0:27:39.760
<v Speaker 1>Just right? I don't have um yeah, right about now,

0:27:39.840 --> 0:27:43.800
<v Speaker 1>like we're we're at the cusp of like doing something

0:27:43.880 --> 0:27:46.240
<v Speaker 1>really really great. I believe that in my heart, and

0:27:46.480 --> 0:27:49.520
<v Speaker 1>I don't know that that would be like I want

0:27:49.520 --> 0:27:51.960
<v Speaker 1>to be there for like the first at least three

0:27:52.040 --> 0:27:54.840
<v Speaker 1>years for my my like my children's lives. You know

0:27:54.840 --> 0:27:56.280
<v Speaker 1>what I'm saying, three years I want to be home.

0:27:56.520 --> 0:28:00.000
<v Speaker 1>That ain't gonna happen now, So exactly right now, it's like, yeah,

0:28:00.280 --> 0:28:02.040
<v Speaker 1>right now, I'm too selfish right now. We're both too

0:28:02.040 --> 0:28:04.920
<v Speaker 1>selfish right now. So you're one of those career first guy,

0:28:05.040 --> 0:28:08.480
<v Speaker 1>absolutely absolutely, you know right now? Yeah, right now you're

0:28:08.520 --> 0:28:11.679
<v Speaker 1>having sex with no condom. You know, I possibly have

0:28:11.720 --> 0:28:14.440
<v Speaker 1>a family straight up. Well, I'm sure we're taking the

0:28:14.520 --> 0:28:19.600
<v Speaker 1>proper we're taking something. It was fun. The mac Gallo

0:28:19.680 --> 0:28:22.560
<v Speaker 1>was amazing, actually, this is my favorite Mecco really why

0:28:22.920 --> 0:28:26.600
<v Speaker 1>Probably because I was more comfortable. The energy is like

0:28:26.840 --> 0:28:28.840
<v Speaker 1>it takes getting used to you know what I'm saying.

0:28:30.560 --> 0:28:33.160
<v Speaker 1>I've definitely felt more like I belonged to time. Um.

0:28:33.200 --> 0:28:35.399
<v Speaker 1>And the fact that there's like more familiar faces, like

0:28:35.680 --> 0:28:38.280
<v Speaker 1>you're kind of you know, it's just being around these

0:28:38.280 --> 0:28:39.959
<v Speaker 1>and you only see a lot of these people, you know,

0:28:40.040 --> 0:28:43.000
<v Speaker 1>one or two times a year. So the fact that

0:28:43.040 --> 0:28:45.000
<v Speaker 1>now it's like there's a little more familiarity because it

0:28:45.080 --> 0:28:48.440
<v Speaker 1>respectable from your period. Yeah, I mean, the great thing

0:28:48.480 --> 0:28:50.480
<v Speaker 1>is seeing the musicians, the musicians that you love. So

0:28:50.520 --> 0:28:53.120
<v Speaker 1>it's like, um that know you, you know what I mean.

0:28:53.320 --> 0:28:55.560
<v Speaker 1>And they and they showed they showed up, like who

0:28:55.640 --> 0:28:57.520
<v Speaker 1>were you like blown away by? Like Wow, I can't

0:28:57.520 --> 0:29:01.760
<v Speaker 1>believe this person's here you never met before, or that

0:29:01.840 --> 0:29:08.080
<v Speaker 1>you barely ever get to see who impresses you. I'm

0:29:08.160 --> 0:29:12.240
<v Speaker 1>always like just because I grew up on jay like

0:29:12.360 --> 0:29:14.640
<v Speaker 1>jay Z, like seeing jay Z every time I see him,

0:29:14.680 --> 0:29:17.120
<v Speaker 1>and he's just so cool, you know what i mean.

0:29:17.200 --> 0:29:20.160
<v Speaker 1>Whole phraised this all sir, Yeah exactly, So like that's

0:29:20.200 --> 0:29:23.200
<v Speaker 1>always like special, you know what I mean, that's cool. Um,

0:29:23.360 --> 0:29:26.000
<v Speaker 1>him and Beyonce looked great. They were super dope. Um

0:29:26.640 --> 0:29:32.920
<v Speaker 1>title no, no, no, no, I think I tried to

0:29:32.960 --> 0:29:36.240
<v Speaker 1>title yet not yet I got you subscribe, I did,

0:29:36.320 --> 0:29:38.520
<v Speaker 1>but I haven't done it yet. I subscribed just because

0:29:38.680 --> 0:29:41.000
<v Speaker 1>you know, I feel like Jay's my father in a way.

0:29:45.040 --> 0:29:46.600
<v Speaker 1>I'm not gonna lie. It's hard for me to pay

0:29:46.680 --> 0:29:48.600
<v Speaker 1>money to subscribe it. I don't even have Netflix. I

0:29:48.720 --> 0:29:51.240
<v Speaker 1>use my friends Netflix account really and I have other

0:29:51.520 --> 0:29:53.440
<v Speaker 1>you know, I heard I have that, but it's hard

0:29:53.480 --> 0:29:56.160
<v Speaker 1>for me to like pay, So I'm waiting for them

0:29:56.200 --> 0:29:57.920
<v Speaker 1>to get a free service. Not because I thought it

0:29:57.920 --> 0:29:59.520
<v Speaker 1>was gonna call because they said he was calling people's

0:29:59.560 --> 0:30:01.600
<v Speaker 1>calling people. You never call me. You didn't get that.

0:30:01.640 --> 0:30:04.680
<v Speaker 1>We didn't get voice the text message. I don't know

0:30:04.760 --> 0:30:08.880
<v Speaker 1>why I'm so cheap about it. What happens I don't know, Um,

0:30:08.880 --> 0:30:11.120
<v Speaker 1>because we hear so many stories like they'd be sacrificing

0:30:11.200 --> 0:30:16.120
<v Speaker 1>goats and stuff. That's exactly what happens. Now we see

0:30:16.120 --> 0:30:19.479
<v Speaker 1>the red carpet. What happens on the inside, it's essentially like, um,

0:30:19.760 --> 0:30:21.640
<v Speaker 1>it's just a dinner. It's a dinner, and it's like

0:30:21.840 --> 0:30:24.880
<v Speaker 1>it's just talking to people who mostly don't know who

0:30:24.920 --> 0:30:28.040
<v Speaker 1>you are, but understand that, like, if you're here, you

0:30:28.120 --> 0:30:31.160
<v Speaker 1>must do something. So it's just it really is exactly,

0:30:31.280 --> 0:30:33.520
<v Speaker 1>it's like, Okay, you must do something, so what. But

0:30:33.800 --> 0:30:35.520
<v Speaker 1>it's it's actually pretty cool because it's a lot of

0:30:35.560 --> 0:30:38.160
<v Speaker 1>creative minds, UM, a lot of people who are involved

0:30:38.200 --> 0:30:41.040
<v Speaker 1>in in the creative process of bringing a lot of

0:30:41.120 --> 0:30:44.240
<v Speaker 1>great things to the world. So um, mostly fashioned obviously,

0:30:44.440 --> 0:30:46.720
<v Speaker 1>and uh, I don't know that's the best part. And

0:30:47.440 --> 0:30:50.960
<v Speaker 1>it's just like drinking. It's like drinking talking for what though?

0:30:51.000 --> 0:30:54.080
<v Speaker 1>Are they raising money for? Yeah, for the met I

0:30:54.120 --> 0:30:57.360
<v Speaker 1>don't even know what the met is. For the Metropolitan Museum.

0:30:58.280 --> 0:31:00.240
<v Speaker 1>All the money that from the money goes to the

0:31:00.600 --> 0:31:03.480
<v Speaker 1>to the museum. Now you're really into fashion, of course

0:31:03.560 --> 0:31:05.240
<v Speaker 1>we've talked about that. Is that something you want to

0:31:05.280 --> 0:31:06.960
<v Speaker 1>pursue as far as by the way, I think I'm

0:31:06.960 --> 0:31:09.520
<v Speaker 1>still hungover from the METS two days two days ago.

0:31:09.880 --> 0:31:13.280
<v Speaker 1>That's why none of my words and single it kind

0:31:13.280 --> 0:31:16.720
<v Speaker 1>of all is one blur. Are you thinking about doing

0:31:16.800 --> 0:31:20.320
<v Speaker 1>like anything in fashion, starting a clothing line collaboration? UM?

0:31:20.480 --> 0:31:23.880
<v Speaker 1>I think all of that is is on the horizon. Um,

0:31:24.160 --> 0:31:27.320
<v Speaker 1>because like you said, I'm obviously like into fashion. UM.

0:31:27.480 --> 0:31:29.720
<v Speaker 1>Finding the right way of doing that. I think I'm

0:31:29.760 --> 0:31:32.960
<v Speaker 1>starting in small places with with things that tie into

0:31:33.000 --> 0:31:35.240
<v Speaker 1>the album. So that'll be really dope for like the

0:31:35.320 --> 0:31:38.240
<v Speaker 1>fans to to to um, you know, to be into.

0:31:38.360 --> 0:31:41.000
<v Speaker 1>But uh yeah, hopefully we can involve from that and

0:31:41.560 --> 0:31:44.600
<v Speaker 1>take it to to you know, are you going on

0:31:44.680 --> 0:31:48.680
<v Speaker 1>to her? Absolutely? June July July. Rather who are you

0:31:48.760 --> 0:31:52.680
<v Speaker 1>going out with? I'm going out on my own, yeah yeah.

0:31:52.960 --> 0:31:55.280
<v Speaker 1>So um, we're trying to figure I'm trying to find

0:31:55.320 --> 0:31:58.840
<v Speaker 1>the right the right person to come with me, the

0:31:58.920 --> 0:32:01.760
<v Speaker 1>right artists are right, will like to see Yeah, I wonder,

0:32:01.840 --> 0:32:03.360
<v Speaker 1>I wonder who my fans would like to see this.

0:32:03.720 --> 0:32:05.080
<v Speaker 1>That's a good question. Who would you guys like to

0:32:05.080 --> 0:32:08.560
<v Speaker 1>see Miguel on tour with? Yeah, it is a good question.

0:32:08.720 --> 0:32:10.360
<v Speaker 1>Would it be another R and right? It? Would it be?

0:32:10.600 --> 0:32:15.000
<v Speaker 1>Definitely this album. I mean, if you listen to even

0:32:15.080 --> 0:32:18.760
<v Speaker 1>Coalido Scope Dream isn't a traditional R and B album.

0:32:18.840 --> 0:32:23.000
<v Speaker 1>I don't make tradition, traditional R and B music twist

0:32:23.040 --> 0:32:25.840
<v Speaker 1>to it. It's rooted in soul. I'm so like, I'll

0:32:25.960 --> 0:32:28.080
<v Speaker 1>never that's who I am, you know what I mean,

0:32:28.120 --> 0:32:30.360
<v Speaker 1>That's how I was raised. But I was also raised

0:32:30.800 --> 0:32:32.080
<v Speaker 1>I'm in love with rock and roll, you know what

0:32:32.120 --> 0:32:33.960
<v Speaker 1>I'm saying. So that will always be a part of

0:32:34.200 --> 0:32:35.480
<v Speaker 1>both of those things will always be a part of

0:32:35.480 --> 0:32:37.160
<v Speaker 1>the music, and I think this album kind of pushes

0:32:37.160 --> 0:32:39.280
<v Speaker 1>it in that direction. We need music that we can

0:32:39.520 --> 0:32:41.200
<v Speaker 1>to I mean for a k too. Oh trust me,

0:32:41.440 --> 0:32:43.120
<v Speaker 1>trust me, And that won't ever change because I was

0:32:43.160 --> 0:32:45.360
<v Speaker 1>in the ninth l R and B the only new dude.

0:32:45.400 --> 0:32:47.800
<v Speaker 1>The last CD I would put in to have sex

0:32:47.880 --> 0:32:51.600
<v Speaker 1>with was Trade Songs Mixtape and think it was Anticipation

0:32:52.000 --> 0:32:54.760
<v Speaker 1>and then Colleido Scope of Dream any other time, I'm

0:32:54.760 --> 0:32:59.920
<v Speaker 1>listening to Joe to See Old and You're the old

0:33:00.120 --> 0:33:01.680
<v Speaker 1>knew got that they give props to, like all the

0:33:01.760 --> 0:33:04.320
<v Speaker 1>old older artists that come up here. They always say Miguel.

0:33:04.400 --> 0:33:07.880
<v Speaker 1>But that's crazy, that's that's so that it trips me out,

0:33:07.960 --> 0:33:11.680
<v Speaker 1>and it's it's the biggest compliment, like the boys to men,

0:33:11.920 --> 0:33:14.400
<v Speaker 1>Like like you said, Joe, to see Ria carry there

0:33:14.480 --> 0:33:16.880
<v Speaker 1>we go. You're gonna go see her in Vegas. Um,

0:33:17.200 --> 0:33:20.120
<v Speaker 1>she's doing her residency there, so that should be pretty interesting.

0:33:20.280 --> 0:33:22.320
<v Speaker 1>That would be dope. I'm excited for. I think that's

0:33:22.520 --> 0:33:26.680
<v Speaker 1>that'd be a good date night for you. Vegas I'm

0:33:26.720 --> 0:33:29.080
<v Speaker 1>not really big on shows in Vegas really, Na, No,

0:33:29.280 --> 0:33:33.000
<v Speaker 1>not really. That's like a concert though. Yeah. Yeah, me

0:33:33.120 --> 0:33:38.200
<v Speaker 1>and Marai go back like as well. We appreciate you

0:33:38.320 --> 0:33:40.800
<v Speaker 1>joining us. Why I'm tired is that this summer. Yeah,

0:33:40.840 --> 0:33:44.200
<v Speaker 1>you got a date chat? Yeah, June thirtieth, it's the

0:33:44.240 --> 0:33:49.640
<v Speaker 1>day after my born day. Get celebration, celebrate wild Hearted

0:33:49.760 --> 0:33:51.680
<v Speaker 1>stores in June, and we appreciate you for joining us.

0:33:51.760 --> 0:33:53.680
<v Speaker 1>Thanks guys. It's the Breakfast Club, Miguel