1 00:00:00,800 --> 00:00:03,640 Speaker 1: A real key for real celebrity, real time joined the 2 00:00:03,680 --> 00:00:10,240 Speaker 1: Breakfast Morning. Everybody is DJ en Vy Angela Ye, Charlemagne 3 00:00:10,280 --> 00:00:12,640 Speaker 1: the Guy. We are the Breakfast Club special guests with 4 00:00:12,760 --> 00:00:14,920 Speaker 1: us this morning's right. My favorite R and B singer 5 00:00:14,920 --> 00:00:20,720 Speaker 1: and my second favorite Lucid. Miguel he can't never just 6 00:00:20,760 --> 00:00:23,919 Speaker 1: say nothing, just all nice? He got sor right now, 7 00:00:23,960 --> 00:00:25,759 Speaker 1: how did you celebrate single to Mayo? Being that you 8 00:00:25,840 --> 00:00:28,920 Speaker 1: are half Mexican? Man, We actually had an album played 9 00:00:28,920 --> 00:00:31,520 Speaker 1: back yesterday, Okay, so I was wondering if you guys 10 00:00:31,520 --> 00:00:33,839 Speaker 1: were wearing a baby and nothing about that. So I 11 00:00:33,880 --> 00:00:37,320 Speaker 1: was like, yo, what's up with real slackt lately? Miguel, 12 00:00:37,960 --> 00:00:40,280 Speaker 1: you guys didn't come because we had the interview today. 13 00:00:40,520 --> 00:00:43,479 Speaker 1: No that I thought maybe you were mad at that's 14 00:00:43,479 --> 00:00:45,960 Speaker 1: because they were playing half um. They said you were 15 00:00:46,040 --> 00:00:52,800 Speaker 1: half Mexican and wanted to play some Mexican artists. Right. 16 00:00:53,280 --> 00:00:56,240 Speaker 1: He played a quarter of Cassie because she's twenty five, 17 00:00:57,000 --> 00:00:59,600 Speaker 1: a quarter of the song and half of how many drinks? 18 00:00:59,600 --> 00:01:01,880 Speaker 1: Because you're that's cool. I'll take that. That's all right, 19 00:01:01,880 --> 00:01:04,320 Speaker 1: shout out out there right now, that's why you win? 20 00:01:04,440 --> 00:01:10,080 Speaker 1: Like the is that Mexican? Is that Mexican garb. Mexican garb? 21 00:01:14,080 --> 00:01:17,080 Speaker 1: Is that Mexican? Is that traditional Mexican garben you're wearing. 22 00:01:17,440 --> 00:01:25,720 Speaker 1: It's not just a jack. It's the finest Mexican callie. 23 00:01:26,440 --> 00:01:31,040 Speaker 1: It's very CALLI call very California times wearing a tradition 24 00:01:31,080 --> 00:01:40,720 Speaker 1: to a black person's v neck. But Migel, welcome. You know, 25 00:01:40,720 --> 00:01:42,520 Speaker 1: we've been waiting for this new album to come out. 26 00:01:42,560 --> 00:01:44,920 Speaker 1: I know you put out the three song EP a 27 00:01:44,959 --> 00:01:47,920 Speaker 1: few months ago, and it's interesting because they said Coffee 28 00:01:48,000 --> 00:01:49,880 Speaker 1: just came out. But I was like, that song's been out, 29 00:01:49,920 --> 00:01:51,760 Speaker 1: I've been hearing it. Put it out. I put that 30 00:01:51,800 --> 00:01:54,200 Speaker 1: out really for the fans ahead of time. And you know, 31 00:01:54,240 --> 00:01:56,600 Speaker 1: everyone who's been been following me like since the last 32 00:01:56,640 --> 00:01:59,200 Speaker 1: album especially knows I like to put music out when 33 00:01:59,200 --> 00:02:01,160 Speaker 1: it's when it's I'm to care for the album. So 34 00:02:01,400 --> 00:02:03,720 Speaker 1: I wanted to do it like that, and I think 35 00:02:03,720 --> 00:02:05,800 Speaker 1: everyone had been waiting so long for some music, so 36 00:02:05,840 --> 00:02:07,720 Speaker 1: I just put it out that way. But Coffee is 37 00:02:07,720 --> 00:02:10,720 Speaker 1: the official single. So you were missing, man. I miss 38 00:02:10,800 --> 00:02:13,120 Speaker 1: I missed being you know, being in the mix and 39 00:02:13,120 --> 00:02:16,120 Speaker 1: and you know, being able to like just be out 40 00:02:16,120 --> 00:02:17,840 Speaker 1: there and do shows and whatnot. Why I STI long 41 00:02:17,880 --> 00:02:20,160 Speaker 1: since collided school dreams? Why why didn't you feel the 42 00:02:20,200 --> 00:02:21,880 Speaker 1: need to to rush? Because you know, if you have 43 00:02:21,919 --> 00:02:24,320 Speaker 1: a successful project label like hey we need another one, Yeah, 44 00:02:24,360 --> 00:02:26,040 Speaker 1: why didn't you need to come right back up? The 45 00:02:26,960 --> 00:02:28,840 Speaker 1: big thing is like, I mean, I hate to say it, 46 00:02:28,880 --> 00:02:31,079 Speaker 1: but art really does imitate life, you know what I'm saying. 47 00:02:31,080 --> 00:02:34,239 Speaker 1: And after a while, like you have to do living. 48 00:02:34,480 --> 00:02:36,040 Speaker 1: You know, there's living that needs to be done, so 49 00:02:36,080 --> 00:02:39,360 Speaker 1: you can kind of like just just I guess, feel 50 00:02:39,400 --> 00:02:41,160 Speaker 1: the tank of inspiration of I guess you know, it's 51 00:02:41,240 --> 00:02:43,680 Speaker 1: kind of a cliche thing to say a way of 52 00:02:43,680 --> 00:02:44,840 Speaker 1: saying it, but you know what I mean, it's like 53 00:02:45,600 --> 00:02:47,400 Speaker 1: had some living to do, you know, and we were 54 00:02:47,400 --> 00:02:51,760 Speaker 1: on the road, but like essentially it's it's not I 55 00:02:51,760 --> 00:02:55,919 Speaker 1: mean just just being out and and being home, um, 56 00:02:56,160 --> 00:02:58,480 Speaker 1: spending time with family all those things, like just kind 57 00:02:58,480 --> 00:03:01,560 Speaker 1: of living life, living life. Just like Charlomagne had a 58 00:03:01,639 --> 00:03:04,120 Speaker 1: huge argument about you this morning, okay, before you got here. 59 00:03:04,560 --> 00:03:06,360 Speaker 1: He was actually on your side. He had an argument 60 00:03:06,360 --> 00:03:08,560 Speaker 1: with another guy that was battling between you and Chris 61 00:03:08,639 --> 00:03:10,440 Speaker 1: Brown and who is the better R and B singer 62 00:03:10,480 --> 00:03:15,320 Speaker 1: who had the better songs? Walking around playing your coffee song, grind, 63 00:03:15,360 --> 00:03:18,640 Speaker 1: I was not playing coffee playing tell me to his mind. 64 00:03:20,520 --> 00:03:25,720 Speaker 1: It's a very big difference, even another man with battling 65 00:03:25,960 --> 00:03:29,919 Speaker 1: and another. Sometimes you get into the arguments for people 66 00:03:29,919 --> 00:03:32,480 Speaker 1: about who's the best rapper. I said, mcguel's the best 67 00:03:32,600 --> 00:03:35,280 Speaker 1: R and B singer all right, now, he said Chris Brown. 68 00:03:35,320 --> 00:03:37,400 Speaker 1: I said, it's not even close. Now, if if it's 69 00:03:37,440 --> 00:03:41,080 Speaker 1: popularity of cause Chris talent, not even close. I think 70 00:03:41,080 --> 00:03:43,360 Speaker 1: it's just that I think we're just two different we 71 00:03:43,480 --> 00:03:46,000 Speaker 1: make two different kinds of music. It's hard to compare 72 00:03:46,120 --> 00:03:49,400 Speaker 1: you to Chris Brown. I'm a Chris Brown fan straight up, 73 00:03:49,440 --> 00:03:51,119 Speaker 1: and that's my guy. Like he's he's a good dude, 74 00:03:51,160 --> 00:03:53,920 Speaker 1: you know what I'm saying. So I listened to Chris Brown, right, 75 00:03:54,720 --> 00:03:57,600 Speaker 1: But you haven't done those crossover like, Okay, I'm gonna 76 00:03:57,600 --> 00:04:00,280 Speaker 1: do that. Like Chris Brown's dabbled in ed M records 77 00:04:00,280 --> 00:04:02,480 Speaker 1: and done other things, You've really been strictly like a 78 00:04:02,560 --> 00:04:06,000 Speaker 1: soul R and B artist. Um, Yeah, I mean I 79 00:04:06,040 --> 00:04:10,680 Speaker 1: think my music is always rooted in soul. Um. I 80 00:04:10,680 --> 00:04:13,320 Speaker 1: think I just I'm I'm painting with the different with 81 00:04:13,360 --> 00:04:16,320 Speaker 1: different colors and different like textures. Do you ever feel like, Okay, 82 00:04:16,360 --> 00:04:19,320 Speaker 1: I gotta try something you know different. Have you tried 83 00:04:19,360 --> 00:04:22,039 Speaker 1: a EDIM type of record before? Um, I wouldn't say 84 00:04:22,080 --> 00:04:26,280 Speaker 1: that EDIM, for what it's known for is really my 85 00:04:26,720 --> 00:04:29,640 Speaker 1: really moves me, you know what I'm saying. Um, I 86 00:04:29,680 --> 00:04:32,160 Speaker 1: think I've heard a couple of remixes of my songs 87 00:04:32,200 --> 00:04:35,280 Speaker 1: that are like EDIM remixes, but it's not something that 88 00:04:35,279 --> 00:04:37,039 Speaker 1: I would I don't think if it like was a 89 00:04:37,080 --> 00:04:38,719 Speaker 1: track I heard, I'd be like, oh, it makes me 90 00:04:38,800 --> 00:04:41,640 Speaker 1: want to But there are the rhythms that that live 91 00:04:41,680 --> 00:04:43,120 Speaker 1: in that same temple because I'm not think you know 92 00:04:43,640 --> 00:04:45,680 Speaker 1: what I'm saying as well, So they're rhythms that live 93 00:04:45,720 --> 00:04:48,680 Speaker 1: in that same world and tempo space that do move me. 94 00:04:48,760 --> 00:04:51,280 Speaker 1: But it's just I can't say that EDM is really 95 00:04:51,279 --> 00:04:54,080 Speaker 1: my my bad. So it's wild Heart almost done or 96 00:04:54,360 --> 00:04:56,760 Speaker 1: wild Heart is done, it's completely done, Okay, Yeah that 97 00:04:58,279 --> 00:04:59,880 Speaker 1: wild Heart is the title of the new album. So 98 00:05:00,040 --> 00:05:07,040 Speaker 1: finishing movies that're gonna turn into because working on it's 99 00:05:07,040 --> 00:05:11,240 Speaker 1: actually yeah, I mean the crazy thing is I, um, 100 00:05:11,279 --> 00:05:13,680 Speaker 1: two years later, it's crazy. I'm just really finding getting 101 00:05:13,720 --> 00:05:15,880 Speaker 1: more information on it, so I don't really know too 102 00:05:15,960 --> 00:05:18,279 Speaker 1: much about it. But you know, we handle our business. Now, 103 00:05:18,279 --> 00:05:20,200 Speaker 1: why didn't you, you know, just like pull it to 104 00:05:20,200 --> 00:05:21,680 Speaker 1: the side a couple of years ago and say, hey, 105 00:05:21,760 --> 00:05:24,200 Speaker 1: take this twenty thousand dollars. Sorry for the inconvenence to 106 00:05:24,279 --> 00:05:27,200 Speaker 1: me that almost to capitate you. Are you okay? We spoke, 107 00:05:27,240 --> 00:05:29,160 Speaker 1: We had everything seemed like it was on the up 108 00:05:29,160 --> 00:05:31,520 Speaker 1: and up. You know, um last week spoke. But I guess, 109 00:05:31,560 --> 00:05:32,800 Speaker 1: you know, you just got to deal with things as 110 00:05:32,800 --> 00:05:35,279 Speaker 1: they come, right, because there was another woman that was involved, 111 00:05:35,279 --> 00:05:37,800 Speaker 1: but then she decided not to sue. Yeah, right, and 112 00:05:37,920 --> 00:05:41,960 Speaker 1: now this is a second woman, so I guess, yeah, 113 00:05:42,000 --> 00:05:44,320 Speaker 1: I guess, I don't I don't even know at this point. 114 00:05:44,040 --> 00:05:46,719 Speaker 1: I I like, I don't have enough information that like 115 00:05:46,760 --> 00:05:49,120 Speaker 1: talk about it. But I just don't like I had 116 00:05:49,400 --> 00:05:53,360 Speaker 1: my business for you though, because I knew when the 117 00:05:53,400 --> 00:05:55,240 Speaker 1: three song EP came out, and I think I went 118 00:05:55,320 --> 00:05:57,240 Speaker 1: to download to something that didn't download faster, so I 119 00:05:57,279 --> 00:05:59,919 Speaker 1: didn't hear coffee until yesterday. I bought it on our 120 00:06:00,480 --> 00:06:02,480 Speaker 1: But then like you came out, and then the news 121 00:06:02,560 --> 00:06:05,520 Speaker 1: about came out at the same time. Interesting, right, It's 122 00:06:05,560 --> 00:06:10,000 Speaker 1: interesting how that all works out. Anyway, It helps you 123 00:06:10,120 --> 00:06:12,720 Speaker 1: get your names out there. So I don't think he 124 00:06:12,760 --> 00:06:16,720 Speaker 1: would like the news is just rists bad news. It's 125 00:06:16,800 --> 00:06:18,640 Speaker 1: kind of weird. I don't think anyone really cares anymore, 126 00:06:18,760 --> 00:06:21,120 Speaker 1: you know what I'm saying. It's just like having a 127 00:06:21,120 --> 00:06:23,320 Speaker 1: long time but I still watch it every twing. I 128 00:06:23,360 --> 00:06:27,560 Speaker 1: thought it was it's it's funny. I mean, it's you know, 129 00:06:27,560 --> 00:06:29,320 Speaker 1: I could laugh at myself now. That was one of 130 00:06:29,320 --> 00:06:31,160 Speaker 1: the most mean moments. We always talk up here about 131 00:06:31,160 --> 00:06:32,880 Speaker 1: the memes, and these people are so clever with the 132 00:06:32,920 --> 00:06:35,040 Speaker 1: things that they come up with, the memes they do. 133 00:06:35,240 --> 00:06:37,760 Speaker 1: Sometimes I'm waiting for new ones. Now I'm waiting for this, 134 00:06:37,880 --> 00:06:40,520 Speaker 1: like this next album cycle while I'm waiting for new movies. 135 00:06:41,200 --> 00:06:43,120 Speaker 1: Brought it back because Flies had to finish a move 136 00:06:43,200 --> 00:06:45,240 Speaker 1: called the Color Money, which was the Slam, and then 137 00:06:45,279 --> 00:06:47,680 Speaker 1: compared it to the Collidi School Dream, which is delayed drop. 138 00:06:48,800 --> 00:06:50,159 Speaker 1: You're gonna say, but do you still do that? Do 139 00:06:50,160 --> 00:06:51,920 Speaker 1: you still dance the same way? Or do you watch 140 00:06:51,920 --> 00:06:54,400 Speaker 1: yourself now? Or do you still jump over crowds? That 141 00:06:55,120 --> 00:06:59,479 Speaker 1: was um man, I'm I really am just like always 142 00:06:59,520 --> 00:07:02,960 Speaker 1: living in them and especially on stage. So um, I 143 00:07:03,040 --> 00:07:06,040 Speaker 1: won't say that. I'm just like say I love rock 144 00:07:06,080 --> 00:07:07,600 Speaker 1: and roll. I grew up listening to rock and roll, 145 00:07:07,680 --> 00:07:10,280 Speaker 1: so stage like crowdsurfing, things like that are part of 146 00:07:10,320 --> 00:07:12,240 Speaker 1: like things I always thought were amazing, you know I 147 00:07:12,280 --> 00:07:14,560 Speaker 1: wanted to do. Now I'll do them very differently and 148 00:07:14,600 --> 00:07:17,880 Speaker 1: more cautiously if ever ever again. But um but that's 149 00:07:18,240 --> 00:07:20,000 Speaker 1: I mean, that's just a part of what I'm into. 150 00:07:20,200 --> 00:07:23,480 Speaker 1: You know, How did a doorn change your life? Man? 151 00:07:24,600 --> 00:07:28,120 Speaker 1: Talk about I think that the moment that the Grammys 152 00:07:28,120 --> 00:07:32,200 Speaker 1: was real crazy. But the funny thing is is creating 153 00:07:32,240 --> 00:07:34,440 Speaker 1: a doorn and then shooting the video and that whole 154 00:07:34,440 --> 00:07:37,520 Speaker 1: time for me is was like a lot of like 155 00:07:38,480 --> 00:07:41,200 Speaker 1: growing up, you know, and just stepping into a new 156 00:07:41,240 --> 00:07:43,840 Speaker 1: set of you know, I'm more I'm more confident and 157 00:07:43,920 --> 00:07:48,640 Speaker 1: more like I guess taking control of my career place 158 00:07:48,760 --> 00:07:52,000 Speaker 1: for me, And it changed the perception of like how 159 00:07:52,000 --> 00:07:53,960 Speaker 1: people look at me as a musician, as an artist. 160 00:07:53,960 --> 00:07:56,320 Speaker 1: I think people didn't really didn't really look at me 161 00:07:56,360 --> 00:07:58,200 Speaker 1: like I was a real artist. You know. I was like, okay, 162 00:07:58,200 --> 00:08:00,280 Speaker 1: his army cat to write a song. I love a 163 00:08:00,280 --> 00:08:02,880 Speaker 1: couple of songs whatever, But that song changed a lot 164 00:08:02,920 --> 00:08:04,600 Speaker 1: for me. So it kind of like separated you from 165 00:08:04,640 --> 00:08:07,520 Speaker 1: the pack. Yeah, big time, big time. Yeah, how do 166 00:08:07,560 --> 00:08:09,800 Speaker 1: you pick and choose which artists you want to collaborate with. Now, 167 00:08:09,880 --> 00:08:12,040 Speaker 1: of course we know that ludicrous single you've been on, 168 00:08:12,320 --> 00:08:14,480 Speaker 1: work with j Cole, you work with Kenjick Lamar. I'm 169 00:08:14,520 --> 00:08:16,320 Speaker 1: sure a lot of people come knocking on your door 170 00:08:16,360 --> 00:08:19,240 Speaker 1: asking you to do songs and be on hooks and 171 00:08:19,360 --> 00:08:21,480 Speaker 1: sing with them. But how do you pick and choose, 172 00:08:21,520 --> 00:08:24,480 Speaker 1: like I'm going to work with this person? I think 173 00:08:24,520 --> 00:08:29,680 Speaker 1: it's it's it's so tough because you know, you can 174 00:08:29,840 --> 00:08:33,480 Speaker 1: like people, but you may not like their but they 175 00:08:33,520 --> 00:08:36,240 Speaker 1: create what I'm saying, and that's that's that's where it 176 00:08:36,280 --> 00:08:39,040 Speaker 1: gets real tough, because like there's people that I genuine 177 00:08:39,040 --> 00:08:41,040 Speaker 1: I'm like, man, I too shoot, like your your coos, 178 00:08:41,320 --> 00:08:43,960 Speaker 1: but the music not not the music is whack, but 179 00:08:44,000 --> 00:08:46,360 Speaker 1: it's not. I don't I don't see where that makes 180 00:08:46,360 --> 00:08:48,480 Speaker 1: sense for more else, you know what I mean. Yeah, 181 00:08:48,559 --> 00:08:50,240 Speaker 1: people get offended, like they give you a song like yo, 182 00:08:50,280 --> 00:08:51,719 Speaker 1: I want you, I really want to get you on this, 183 00:08:51,840 --> 00:08:53,640 Speaker 1: and then you have to tell them, ah, yeah that's 184 00:08:53,640 --> 00:08:57,079 Speaker 1: not really. I'm sure because we're artists, you know what 185 00:08:57,160 --> 00:08:59,040 Speaker 1: I mean. So we we're all like sensitive to a 186 00:08:59,040 --> 00:09:03,320 Speaker 1: certain degree. But um, I think like being honest is respectable, 187 00:09:03,520 --> 00:09:05,360 Speaker 1: you know what I'm saying. So if I'm not really pointed, 188 00:09:05,480 --> 00:09:09,120 Speaker 1: I just gotta be honest. And that's what else can 189 00:09:09,160 --> 00:09:10,720 Speaker 1: I do? You know what else can I do? Let 190 00:09:10,760 --> 00:09:15,800 Speaker 1: him down easier, man, be like nah, not just like like, hey, 191 00:09:15,800 --> 00:09:18,320 Speaker 1: I'm on tour. I'll be back in two years. The 192 00:09:18,400 --> 00:09:21,840 Speaker 1: label said, I can't right now. Well, thankfully, thankfully. Sometimes 193 00:09:21,880 --> 00:09:23,600 Speaker 1: it does just work out that way where it doesn't 194 00:09:23,600 --> 00:09:27,400 Speaker 1: have to be. But well, sometimes it's I don't have 195 00:09:27,480 --> 00:09:29,120 Speaker 1: to say it, just like happens that way. But there's 196 00:09:29,120 --> 00:09:30,600 Speaker 1: been times when I have to be like, you know, honestly, 197 00:09:30,600 --> 00:09:32,280 Speaker 1: I just don't. I don't really see how I will 198 00:09:32,360 --> 00:09:33,960 Speaker 1: fit on this, you know what I mean. Sometimes I 199 00:09:34,040 --> 00:09:35,520 Speaker 1: hear you like on hooks and like, man, this would 200 00:09:35,520 --> 00:09:37,120 Speaker 1: have been great if it was a whole Miguel song 201 00:09:39,840 --> 00:09:42,040 Speaker 1: that record is. It's so crazy how that song came 202 00:09:42,040 --> 00:09:44,360 Speaker 1: about because we did it like two years ago. Wow. 203 00:09:44,400 --> 00:09:45,719 Speaker 1: We thought we thought it was gonna come out a 204 00:09:45,760 --> 00:09:47,920 Speaker 1: lot a lot sooner. But you know, he put it on. 205 00:09:48,000 --> 00:09:50,679 Speaker 1: I love that that. The fans love it too. It's crazy. Now. 206 00:09:50,840 --> 00:09:52,320 Speaker 1: When you first came out, you were known as the 207 00:09:52,320 --> 00:09:55,040 Speaker 1: weird though you look weird. You were crazy estylelished still. 208 00:09:55,080 --> 00:09:56,840 Speaker 1: I mean, the thing is like popl just kind of 209 00:09:56,880 --> 00:09:59,480 Speaker 1: finally just been like, but now people like the weird 210 00:09:59,480 --> 00:10:03,920 Speaker 1: old But okay, let's just be honestly. I did a 211 00:10:03,960 --> 00:10:07,720 Speaker 1: lot of things before they were trendy, and I may 212 00:10:07,760 --> 00:10:10,480 Speaker 1: not have done them in a way that looked cool 213 00:10:10,559 --> 00:10:13,280 Speaker 1: to the general public or to the black masses, or 214 00:10:13,280 --> 00:10:16,560 Speaker 1: to whatever you want to call it. But honestly, I 215 00:10:16,559 --> 00:10:21,760 Speaker 1: don't give up. Ye I'm I'm a human being and 216 00:10:21,760 --> 00:10:25,080 Speaker 1: I'm learning, like I'm, I just have the balls to 217 00:10:25,120 --> 00:10:26,960 Speaker 1: do what I want. And maybe I didn't do it 218 00:10:27,000 --> 00:10:28,440 Speaker 1: the way that I was I was seeing it in 219 00:10:28,520 --> 00:10:31,440 Speaker 1: my head. It didn't come across like that. But you 220 00:10:31,520 --> 00:10:33,400 Speaker 1: gotta give it to a person who doesn't give just 221 00:10:33,440 --> 00:10:35,240 Speaker 1: does what they want. And I think sometimes when people 222 00:10:35,280 --> 00:10:37,400 Speaker 1: are familiar with you, like okay, we like him, we 223 00:10:37,480 --> 00:10:40,600 Speaker 1: like his music, so now all right, now we're okay, 224 00:10:40,000 --> 00:10:43,440 Speaker 1: but yeah, and they're like, I don't know who this 225 00:10:43,480 --> 00:10:46,160 Speaker 1: guy is. And but then you put some hit songs 226 00:10:46,160 --> 00:10:47,679 Speaker 1: out and everybody wants to work with you. They're like, 227 00:10:47,679 --> 00:10:49,280 Speaker 1: all right, he could do whatever he wants. Now that's 228 00:10:49,720 --> 00:10:52,520 Speaker 1: you know what. Actually, the conversation we had here last time, 229 00:10:52,800 --> 00:10:56,200 Speaker 1: I think was pivotal too, because it was like, let's 230 00:10:56,200 --> 00:10:59,640 Speaker 1: just address let's address it. And yeah, and I could 231 00:10:59,640 --> 00:11:02,760 Speaker 1: be like, you know, looking at those photos honestly within 232 00:11:02,840 --> 00:11:05,520 Speaker 1: the same thing. That's straight up you know, looking at it. 233 00:11:05,559 --> 00:11:07,520 Speaker 1: But I know where my head was at and what 234 00:11:07,559 --> 00:11:09,760 Speaker 1: I was trying to do, and like the fashion statement 235 00:11:09,760 --> 00:11:11,200 Speaker 1: I was trying to make, but I didn't have the 236 00:11:11,640 --> 00:11:13,720 Speaker 1: I didn't have the knowledge, you know what I'm saying. 237 00:11:13,760 --> 00:11:16,400 Speaker 1: It took like education and kind of like spending time 238 00:11:16,400 --> 00:11:19,480 Speaker 1: with people who really know fashion to explain to me, Okay, 239 00:11:19,520 --> 00:11:21,600 Speaker 1: this is how I see what you're trying to do, 240 00:11:22,200 --> 00:11:24,439 Speaker 1: but this is how you actually do it, you know 241 00:11:24,480 --> 00:11:26,000 Speaker 1: what I mean. So it was like it was just 242 00:11:26,040 --> 00:11:28,080 Speaker 1: a learning experience. I can't even be mad at myself 243 00:11:28,320 --> 00:11:31,400 Speaker 1: and the banking. Your girlfriend, we know he can't be gay. 244 00:11:32,080 --> 00:11:36,800 Speaker 1: I love beautiful women's talk about pure board coffee. Yesterday, Yeah, 245 00:11:36,800 --> 00:11:44,480 Speaker 1: I said, great record, terrible picture that I would think 246 00:11:44,480 --> 00:11:48,400 Speaker 1: about the guy that look, that's not that's not for 247 00:11:48,520 --> 00:11:50,760 Speaker 1: the men, that's not for the man. That's definitely not 248 00:11:50,840 --> 00:11:53,240 Speaker 1: for the man that was looking at that picture today. 249 00:11:53,240 --> 00:11:55,080 Speaker 1: Did I show it to you? Yeah? Because she did. 250 00:11:55,240 --> 00:11:57,480 Speaker 1: She did a similar picture yesterday I want to see 251 00:11:57,480 --> 00:12:01,120 Speaker 1: that picture. Where's that? But why can Miguel do this? 252 00:12:01,160 --> 00:12:02,840 Speaker 1: And it's okay? And then I put up a similar 253 00:12:02,880 --> 00:12:06,679 Speaker 1: picture and it's a problem. Let me see you got 254 00:12:06,720 --> 00:12:14,600 Speaker 1: on your phone though? Now are you still meditating? Um? Yes, yeah, 255 00:12:14,760 --> 00:12:19,640 Speaker 1: pronounce it. What's it called transcendent transcendent transident meditation? I haven't. 256 00:12:19,720 --> 00:12:22,800 Speaker 1: I haven't got honestly, I haven't. I haven't got to 257 00:12:22,800 --> 00:12:25,520 Speaker 1: transcendental meditation. But um crazy, I was just talking to 258 00:12:25,600 --> 00:12:27,520 Speaker 1: I should he hit me two days Like, Okay, we 259 00:12:27,520 --> 00:12:29,800 Speaker 1: spoke two days ago about it. It's not bragging. Okay, 260 00:12:29,800 --> 00:12:32,000 Speaker 1: I should call you. That's big bro. Yeah, you know 261 00:12:32,000 --> 00:12:34,079 Speaker 1: what I mean. That's like, that's like big thing I 262 00:12:34,080 --> 00:12:40,040 Speaker 1: didn't forget. I want to see this the meditation for 263 00:12:40,080 --> 00:12:43,480 Speaker 1: the artist or for the man Miguel, that's just for 264 00:12:43,720 --> 00:12:46,160 Speaker 1: I think it's there's no separation at this point, you 265 00:12:46,160 --> 00:12:48,679 Speaker 1: know what I mean. It's like it's for me. It's 266 00:12:48,720 --> 00:12:50,560 Speaker 1: like a calming. I don't know if you guys are 267 00:12:50,559 --> 00:12:52,600 Speaker 1: ever like meditated got to a point where it's like 268 00:12:53,120 --> 00:12:56,520 Speaker 1: you feel I don't. I don't know how to explain it, 269 00:12:56,520 --> 00:12:59,559 Speaker 1: but it's it's like a feeling of stepping away from 270 00:12:59,600 --> 00:13:02,600 Speaker 1: yours self out of body experience kind of. I wouldn't 271 00:13:02,600 --> 00:13:06,000 Speaker 1: say it's for me, it's not that crazy, but it 272 00:13:06,080 --> 00:13:11,360 Speaker 1: is like it's almost, uh, it's I don't know how 273 00:13:11,360 --> 00:13:13,680 Speaker 1: to explain it just feels very like you can a 274 00:13:13,760 --> 00:13:17,200 Speaker 1: calming like stepping back from everything and kind of seeing everything, 275 00:13:17,480 --> 00:13:21,560 Speaker 1: even yourself, like taking yourself out of your body and 276 00:13:21,640 --> 00:13:23,840 Speaker 1: observing kind of. I don't know how to explain it, 277 00:13:23,880 --> 00:13:25,200 Speaker 1: but I don't know if you have you, guys ever 278 00:13:25,280 --> 00:13:27,400 Speaker 1: meditated that I've tried. I can't. It's hard for me 279 00:13:27,440 --> 00:13:31,679 Speaker 1: to turn off many very busy. It's tough. It's tough. 280 00:13:31,880 --> 00:13:34,480 Speaker 1: It's tough. Um, you know what. I would try guide 281 00:13:34,600 --> 00:13:37,240 Speaker 1: meditation if you, if you ever like have the patience 282 00:13:37,280 --> 00:13:40,720 Speaker 1: to try it, because honestly, it's the most I've never 283 00:13:40,760 --> 00:13:45,719 Speaker 1: felt more clearly than after after doing that for even 284 00:13:45,880 --> 00:13:47,959 Speaker 1: just like fifteen minutes and someone just kind of like, okay, 285 00:13:48,000 --> 00:13:50,160 Speaker 1: now breathe like this, dude, that that will help like 286 00:13:50,760 --> 00:13:53,240 Speaker 1: quiet everything. Do you have tanchic sex also and all 287 00:13:53,240 --> 00:13:55,400 Speaker 1: of that. I haven't got there yet. I want to. 288 00:13:55,440 --> 00:13:57,680 Speaker 1: I want to try that, but that's all breathing exercise, 289 00:13:58,040 --> 00:14:01,000 Speaker 1: breathing exercises, I haven't tried it yet. I was just wondering, Yeah, 290 00:14:01,000 --> 00:14:02,800 Speaker 1: I haven't tried, because did he talked about he said 291 00:14:02,800 --> 00:14:04,920 Speaker 1: he has sex for like two days or something crazy. 292 00:14:05,160 --> 00:14:10,760 Speaker 1: I don't know if that was Tantrick drug Field. I'm 293 00:14:10,800 --> 00:14:14,600 Speaker 1: just saying, we're all wild at heart. I'm just saying, yeah, right, 294 00:14:15,160 --> 00:14:16,839 Speaker 1: why did you make these freaky ass records? Could you 295 00:14:16,840 --> 00:14:19,920 Speaker 1: go from his mind? Uh huh? You can't say that word? Okay, 296 00:14:20,320 --> 00:14:23,000 Speaker 1: that sounds stupid. Why not? I love? I love? That's 297 00:14:23,000 --> 00:14:26,000 Speaker 1: a that's all right, that's a better Okay, say it again. 298 00:14:27,000 --> 00:14:30,160 Speaker 1: Jonathan sounds so clinical, like sounds like we can't say 299 00:14:31,560 --> 00:14:37,080 Speaker 1: you just couci. I hate that sound so good. Sounds 300 00:14:37,080 --> 00:14:41,760 Speaker 1: dirty to me? And yeah, what is coffee? And effing? 301 00:14:41,840 --> 00:14:44,880 Speaker 1: What is that? Why is that? S anonymous? Coffee is 302 00:14:44,920 --> 00:14:48,960 Speaker 1: the original record and was just excuse me, I forgot 303 00:14:49,520 --> 00:14:53,880 Speaker 1: you are just a dirty Yeah yeah man, talk that 304 00:14:53,960 --> 00:15:02,600 Speaker 1: talk and yeah, uh coffee is just we did the 305 00:15:02,640 --> 00:15:05,200 Speaker 1: other version just because it just felt right. It was 306 00:15:05,240 --> 00:15:08,120 Speaker 1: just like, well, this is what he's really saying as 307 00:15:08,120 --> 00:15:09,800 Speaker 1: well to say it like listening to it just seems 308 00:15:09,840 --> 00:15:11,800 Speaker 1: like the obvious thing. So that's like more for remixing, 309 00:15:11,840 --> 00:15:13,600 Speaker 1: just for like the heads on the internet. So coffee's 310 00:15:13,640 --> 00:15:17,000 Speaker 1: not slaying for actual No, I mean the actual song. 311 00:15:18,400 --> 00:15:22,000 Speaker 1: I prefer coffee, Like this title coffee and the logic 312 00:15:22,080 --> 00:15:24,400 Speaker 1: behind getting too coffee in the morning, that was the 313 00:15:24,720 --> 00:15:27,560 Speaker 1: intention of the song. It was like, it's obviously I'm 314 00:15:27,560 --> 00:15:31,080 Speaker 1: talking about in the song, but it's more that it's 315 00:15:31,200 --> 00:15:36,360 Speaker 1: it's lust rooted in honest connection. So that's what made 316 00:15:36,360 --> 00:15:38,080 Speaker 1: this song stand out on the album because there's like, 317 00:15:38,400 --> 00:15:40,560 Speaker 1: there's a there's something real underneath. So you have a 318 00:15:40,560 --> 00:15:41,840 Speaker 1: lot of sex and then you want to go get 319 00:15:41,840 --> 00:15:43,720 Speaker 1: a cup of caffeine. I just like, I don't like 320 00:15:45,560 --> 00:15:48,400 Speaker 1: and then in the morning. Yeah, so you like you 321 00:15:48,400 --> 00:15:50,160 Speaker 1: think the morning is the best time to have sex. 322 00:15:50,720 --> 00:15:52,880 Speaker 1: I think every time is the best time to have sex. 323 00:15:52,920 --> 00:15:55,640 Speaker 1: Because some people prefer morning sex, some people prefer it 324 00:15:55,680 --> 00:15:57,800 Speaker 1: at night. Morning sex is amazing when you get woke 325 00:15:57,880 --> 00:16:00,720 Speaker 1: up with it, okay, y, yeah, you wake up at 326 00:16:00,720 --> 00:16:05,480 Speaker 1: the morning would and then somebody it's what the song 327 00:16:05,600 --> 00:16:10,400 Speaker 1: is about, and they grow up. I love it. I'm 328 00:16:10,400 --> 00:16:13,840 Speaker 1: still waiting. I'm not leaving about saying that. You mentioned 329 00:16:13,840 --> 00:16:15,680 Speaker 1: that Stevie wanted to reach out to you about what's 330 00:16:15,680 --> 00:16:20,360 Speaker 1: going on in Baltimore. Um, when Okay, maybe not, but 331 00:16:20,640 --> 00:16:22,160 Speaker 1: they were they were they were saying that you and 332 00:16:22,160 --> 00:16:25,440 Speaker 1: Stevie wonder might you hinted that you guys might collaborate. 333 00:16:25,840 --> 00:16:28,040 Speaker 1: That was the story on something that has to do 334 00:16:28,160 --> 00:16:31,840 Speaker 1: with um police brutality. I don't know if it was. No, 335 00:16:31,920 --> 00:16:34,800 Speaker 1: we actually did, uh we did um an event for 336 00:16:35,000 --> 00:16:38,880 Speaker 1: the mayor of La couple days last week and uh, 337 00:16:38,920 --> 00:16:41,640 Speaker 1: and we spoke about it briefly, but it wasn't you know, 338 00:16:42,000 --> 00:16:46,320 Speaker 1: just I mean obviously we're no, no, no, I mean 339 00:16:46,400 --> 00:16:50,520 Speaker 1: obviously something needs to be said and done. Um. And 340 00:16:50,600 --> 00:16:52,720 Speaker 1: it's a very urgent thing and that we were just 341 00:16:52,760 --> 00:16:55,480 Speaker 1: speaking on that. Yeah. Um. And I think there's I 342 00:16:55,520 --> 00:16:57,760 Speaker 1: think there are a number of artists out there who 343 00:16:57,760 --> 00:17:01,000 Speaker 1: are are really keen on making a difference and saying something. 344 00:17:01,040 --> 00:17:04,119 Speaker 1: And I think, um, we're we're hoping to make that happen, 345 00:17:04,280 --> 00:17:06,199 Speaker 1: you know, in so many shape or form. Can you 346 00:17:06,200 --> 00:17:08,120 Speaker 1: make a record about the joys of eating? Asks? Because 347 00:17:08,119 --> 00:17:11,320 Speaker 1: eating as getting like real commercial now, is it? Yeah? 348 00:17:12,160 --> 00:17:16,160 Speaker 1: But just because they're eating the booty like groceries, Kevin, 349 00:17:16,880 --> 00:17:20,040 Speaker 1: I'm about it. I'm about it booty Okay, man, I'm 350 00:17:20,080 --> 00:17:26,320 Speaker 1: about it. Don't like a crap like crap. Yeah, I 351 00:17:26,320 --> 00:17:30,639 Speaker 1: don't need booty. Just for the record that. Um, I 352 00:17:30,640 --> 00:17:34,560 Speaker 1: don't know if that's gonna make any lyrical any songs. 353 00:17:34,560 --> 00:17:36,520 Speaker 1: I don't know. I don't know, but hey, you never know. 354 00:17:36,720 --> 00:17:40,119 Speaker 1: What about as me get I don't know. What about squirting? 355 00:17:40,119 --> 00:17:43,159 Speaker 1: Would you write a song? Yes? Yes, you guys are 356 00:17:43,160 --> 00:17:46,440 Speaker 1: thinking about eating booty. But squirting is kinky. Squirting is amazing. 357 00:17:46,600 --> 00:17:49,040 Speaker 1: That's like, that's the biggest compliment. Like I'm a girl 358 00:17:49,080 --> 00:17:55,120 Speaker 1: just positioned himself like, I can't look at you. I'm 359 00:17:55,119 --> 00:17:56,560 Speaker 1: still waiting to see that photo. I don't know why 360 00:17:56,560 --> 00:18:00,840 Speaker 1: you Okay, all right, I can't. I didn't think it 361 00:18:00,880 --> 00:18:03,639 Speaker 1: was that looking at you and made it seem like 362 00:18:03,680 --> 00:18:12,040 Speaker 1: it was really bad. Get out of here. It made 363 00:18:12,080 --> 00:18:14,760 Speaker 1: it seem he's very and he's very conservative, and you 364 00:18:14,800 --> 00:18:18,399 Speaker 1: took it down. Why. I don't know. It was a 365 00:18:18,400 --> 00:18:20,760 Speaker 1: good look your hair and everything. Let me see it again. 366 00:18:20,800 --> 00:18:22,639 Speaker 1: I didn't do my hair. It was supposed to be 367 00:18:22,680 --> 00:18:25,720 Speaker 1: no makeup, no hair done. Just let me see it again, coffee. 368 00:18:25,760 --> 00:18:28,000 Speaker 1: I like that and send it to him. Can I 369 00:18:28,000 --> 00:18:35,400 Speaker 1: see it again? Damn gosh, is it true you're doing 370 00:18:35,400 --> 00:18:39,040 Speaker 1: a movie with John legend um Man. That's so crazy. 371 00:18:39,119 --> 00:18:43,720 Speaker 1: How how rumors I had I had a meeting with 372 00:18:43,800 --> 00:18:48,399 Speaker 1: a production company. I literally had one meeting with the 373 00:18:48,400 --> 00:18:51,960 Speaker 1: production company. It is his production company, um about a 374 00:18:52,040 --> 00:18:55,080 Speaker 1: film that was very, very different than the one that 375 00:18:55,480 --> 00:18:59,000 Speaker 1: they were that a press release was released about. So 376 00:18:59,400 --> 00:19:04,919 Speaker 1: the film that I had a meeting about was actually 377 00:19:05,000 --> 00:19:08,320 Speaker 1: really dope. The film that I heard was they're talking 378 00:19:08,359 --> 00:19:10,920 Speaker 1: about I don't know anything about, like a musical romantic Yeah, 379 00:19:10,960 --> 00:19:13,000 Speaker 1: but that's not the film that I was pitched at all. 380 00:19:13,080 --> 00:19:17,080 Speaker 1: So um. So if there's a film being made like 381 00:19:17,119 --> 00:19:20,960 Speaker 1: the one that we spoke about, I'm absolutely interested. But 382 00:19:21,080 --> 00:19:23,040 Speaker 1: I've only had a single meeting about it. But they 383 00:19:23,040 --> 00:19:27,400 Speaker 1: say you got the role, not the not the film 384 00:19:27,440 --> 00:19:30,200 Speaker 1: they're talking about. Is it true that you're getting married? No, 385 00:19:30,280 --> 00:19:34,760 Speaker 1: I'm kidding, I know that's it's true that I'm wild 386 00:19:34,800 --> 00:19:36,919 Speaker 1: at hard straight has it haven't been hard to be 387 00:19:36,920 --> 00:19:39,440 Speaker 1: because are you still You're still in a relationship right? Um? Yes, 388 00:19:39,680 --> 00:19:42,240 Speaker 1: it hard to be faithful because you know your success 389 00:19:42,320 --> 00:19:44,880 Speaker 1: is shot up, you know, since the success of Adorn. 390 00:19:44,960 --> 00:19:46,520 Speaker 1: You know, girls look at you as a sex symbol. 391 00:19:46,600 --> 00:19:51,320 Speaker 1: Is a hard idea harder to be faithful. Um, it's 392 00:19:51,359 --> 00:19:54,000 Speaker 1: only as hard as you allow it to be I 393 00:19:54,040 --> 00:19:55,919 Speaker 1: guess you know what I mean. Don't put yourself in 394 00:19:55,960 --> 00:19:59,840 Speaker 1: that situation where something could happen. I mean you should 395 00:19:59,880 --> 00:20:02,720 Speaker 1: have Paul that. I mean, god, damn, that was. It's 396 00:20:02,760 --> 00:20:14,480 Speaker 1: only as hard as you allowed Jesus just when you 397 00:20:14,480 --> 00:20:18,800 Speaker 1: got rid of all those rumors. Because because it's it's 398 00:20:18,800 --> 00:20:22,720 Speaker 1: for women, though, what are we talking about? Yeah, you 399 00:20:22,760 --> 00:20:25,080 Speaker 1: wouldn't not Cobby pays it on some other I haven't 400 00:20:25,080 --> 00:20:30,280 Speaker 1: said anything anyway. Um uh, but is it hard? It's 401 00:20:31,920 --> 00:20:37,080 Speaker 1: Oh my god, the one telling me, why are you blushing? Now? 402 00:20:37,160 --> 00:20:48,399 Speaker 1: That is it difficult? Now? He is it hard? Wow? Difficult? Wow? 403 00:20:49,200 --> 00:20:53,040 Speaker 1: Is it difficult to stay? Like I said, it's just yeah, 404 00:20:53,119 --> 00:20:56,199 Speaker 1: it's it's how much you allow it to affect affect you. 405 00:20:56,280 --> 00:20:59,560 Speaker 1: I guess yeah, Chris Rock said. Chris Rock Want said 406 00:20:59,560 --> 00:21:01,479 Speaker 1: the man is only as faithful as his options. He 407 00:21:01,520 --> 00:21:06,439 Speaker 1: did say that that's why it's tough for men in power. 408 00:21:06,520 --> 00:21:08,639 Speaker 1: I mean, anyone empower women in powering you in power 409 00:21:08,960 --> 00:21:12,760 Speaker 1: to to be faithful. But you know why for a woman, 410 00:21:12,880 --> 00:21:15,840 Speaker 1: and especially for for your girlfriend, I'm sure it's quite easy. 411 00:21:15,880 --> 00:21:17,760 Speaker 1: If she wanted to do something, she could, and I'm 412 00:21:17,760 --> 00:21:21,040 Speaker 1: sure the time I'm gone all the time. Right, it 413 00:21:21,080 --> 00:21:23,280 Speaker 1: would be really easy. The guy could slide in and 414 00:21:23,320 --> 00:21:26,080 Speaker 1: be like women and women are so smart, like they're 415 00:21:26,080 --> 00:21:28,359 Speaker 1: not messy, and we do it, and we do it 416 00:21:28,440 --> 00:21:32,080 Speaker 1: just stupid, right. You guys don't pre plan. You don't 417 00:21:32,080 --> 00:21:34,040 Speaker 1: tell your boy. Look, I told her I'm with you, 418 00:21:34,359 --> 00:21:37,480 Speaker 1: so he has no idea what's going on. We plan 419 00:21:37,600 --> 00:21:39,680 Speaker 1: things out, like we have pictures ready in case we're 420 00:21:39,680 --> 00:21:41,359 Speaker 1: gonna pretend that we're on vacation with our friends, but 421 00:21:41,400 --> 00:21:44,000 Speaker 1: we're really not those pictures and then we tell our 422 00:21:44,040 --> 00:21:46,200 Speaker 1: friends don't post for two weeks because I said them 423 00:21:46,200 --> 00:21:48,840 Speaker 1: with you, and you know, and what else. Just a 424 00:21:48,880 --> 00:21:51,800 Speaker 1: lot of things that women do, we plan ahead. You 425 00:21:51,800 --> 00:21:53,760 Speaker 1: guys just do what you're gonna do and don't have 426 00:21:53,800 --> 00:21:56,960 Speaker 1: any time of plan. Have you gotten quite cheating? You 427 00:21:57,000 --> 00:22:00,119 Speaker 1: know what? I we've been we've been yep. I mean 428 00:22:00,200 --> 00:22:02,680 Speaker 1: we've been together since I was nineteen. I've definitely made 429 00:22:02,680 --> 00:22:05,640 Speaker 1: some mistakes. I'm not even gonna hide behind that, right 430 00:22:05,960 --> 00:22:08,000 Speaker 1: because sometimes when you get caught, that's when you realize 431 00:22:08,040 --> 00:22:10,720 Speaker 1: I got to stop. Oh yeah, big time. That's exactly 432 00:22:10,720 --> 00:22:12,600 Speaker 1: when you when you when you figure that out, and 433 00:22:12,600 --> 00:22:14,800 Speaker 1: then you realize like it's not even worth it, you 434 00:22:14,840 --> 00:22:16,280 Speaker 1: know what I mean? When it's not even worth it? 435 00:22:16,640 --> 00:22:18,400 Speaker 1: Do you pay attention to stuff like who's following her 436 00:22:18,400 --> 00:22:20,560 Speaker 1: on Twitter? Instagram? Like make sure Drake's not following her? 437 00:22:20,600 --> 00:22:26,360 Speaker 1: Or trade songs? Man? None of these, none of them 438 00:22:26,359 --> 00:22:29,840 Speaker 1: are a threat to me. M And I don't mean 439 00:22:29,840 --> 00:22:31,440 Speaker 1: that in a in a this way. I'm just saying, 440 00:22:31,440 --> 00:22:34,199 Speaker 1: I just feel very strong about my relationship. So what 441 00:22:34,280 --> 00:22:36,000 Speaker 1: about musically? Do you feel like you're the best R 442 00:22:36,000 --> 00:22:38,800 Speaker 1: and B sing out right now? Um? I feel like 443 00:22:38,840 --> 00:22:41,080 Speaker 1: I'm poised to do something great. I don't know about 444 00:22:41,119 --> 00:22:43,040 Speaker 1: the best R and B singer, but I know that 445 00:22:43,040 --> 00:22:45,120 Speaker 1: I'm poised to do something great in this world. I'm 446 00:22:45,160 --> 00:22:48,520 Speaker 1: just talking about right now at this moment. At this moment, 447 00:22:48,560 --> 00:22:51,880 Speaker 1: I'm I'm in love with my album. I'm in love 448 00:22:51,920 --> 00:22:54,800 Speaker 1: with this album, and I know we have even more 449 00:22:54,840 --> 00:22:58,440 Speaker 1: like great music coming after coffee. So I'm just I'm 450 00:22:58,480 --> 00:23:00,919 Speaker 1: gonna let the fans. It's for the fans, you know, 451 00:23:00,960 --> 00:23:04,160 Speaker 1: it's for the fans, And so that's that's all I can. 452 00:23:04,480 --> 00:23:06,720 Speaker 1: You know, who do you listen to as far as 453 00:23:06,840 --> 00:23:10,200 Speaker 1: other producers or executives when it comes to your music? 454 00:23:10,240 --> 00:23:13,560 Speaker 1: Whose input do you really take to heart. Uh lately 455 00:23:13,600 --> 00:23:16,040 Speaker 1: I haven't listened to anything. No, I mean, like who's input? 456 00:23:16,080 --> 00:23:18,359 Speaker 1: Like when people tell you who do you go to? Like, Okay, 457 00:23:18,359 --> 00:23:19,959 Speaker 1: what do you think about this song? Should this make 458 00:23:20,000 --> 00:23:23,760 Speaker 1: the album? Does this sound all right? Mark Pitts is 459 00:23:23,800 --> 00:23:26,760 Speaker 1: like my big bro. So he's not an artist, you know, 460 00:23:26,840 --> 00:23:28,879 Speaker 1: in the general and an exact term, but he is 461 00:23:28,920 --> 00:23:31,680 Speaker 1: an artist at heart. He's a he's a creative person. 462 00:23:31,800 --> 00:23:34,640 Speaker 1: He's a creative spirit and he understands art. I mean, 463 00:23:35,119 --> 00:23:37,560 Speaker 1: so that's the first person I always go to um 464 00:23:37,720 --> 00:23:40,280 Speaker 1: with my music. But while he's a good person, cole 465 00:23:40,400 --> 00:23:42,520 Speaker 1: Is is a great person. Those those two people are 466 00:23:42,520 --> 00:23:44,159 Speaker 1: probably like the closest that But isn't it hard to 467 00:23:44,200 --> 00:23:45,439 Speaker 1: let them hear a record because they'd be like, oh, 468 00:23:45,480 --> 00:23:49,480 Speaker 1: let me jump on that, and you can't tell for 469 00:23:49,600 --> 00:23:52,399 Speaker 1: you you know what I love? But I could have 470 00:23:52,400 --> 00:23:54,760 Speaker 1: did without him on coffee to be well, it's a 471 00:23:54,800 --> 00:23:56,399 Speaker 1: it's a I love the version with him on it, 472 00:23:56,440 --> 00:23:57,680 Speaker 1: you know what I mean, But I also love the 473 00:23:57,760 --> 00:24:05,800 Speaker 1: version without, So it's just options. Yea, that's my guy. 474 00:24:05,880 --> 00:24:08,000 Speaker 1: Because actually when you re released it, because I told 475 00:24:08,080 --> 00:24:09,840 Speaker 1: him I was hearing that song from months already. I 476 00:24:09,880 --> 00:24:11,040 Speaker 1: was like, how is this a new song? But then 477 00:24:11,040 --> 00:24:13,400 Speaker 1: I realized it's because it is right and that like 478 00:24:13,440 --> 00:24:16,520 Speaker 1: we we honestly did that, like and big shout out 479 00:24:16,560 --> 00:24:20,359 Speaker 1: to Wile because he did it like so fast embodied it. Um, 480 00:24:20,760 --> 00:24:23,120 Speaker 1: but it was really for the fans. It's like it's 481 00:24:23,119 --> 00:24:25,359 Speaker 1: for the fans, you know, even though like Coffee, the 482 00:24:25,400 --> 00:24:28,560 Speaker 1: actual version that goes on the album, um will be 483 00:24:28,600 --> 00:24:31,120 Speaker 1: the version without wallet. I don't blame you for that. 484 00:24:31,200 --> 00:24:32,480 Speaker 1: It was a dope first. I just don't think it 485 00:24:32,600 --> 00:24:34,280 Speaker 1: fifth song, he got a line of that dope we 486 00:24:34,359 --> 00:24:37,760 Speaker 1: say fifty shades of gray over Joe to see. Yeah, yeah, 487 00:24:37,800 --> 00:24:39,840 Speaker 1: but I just felt like I like, I like RMB, 488 00:24:39,960 --> 00:24:42,000 Speaker 1: I don't be liking to wrap and all like leave 489 00:24:42,080 --> 00:24:44,200 Speaker 1: just let it be RMB, like when everybody wrapped over 490 00:24:44,200 --> 00:24:47,480 Speaker 1: the door, Like no, did people rap over the door? Yeah? 491 00:24:47,960 --> 00:24:52,920 Speaker 1: I didn't hear it. Kalphools on the door, Yeah version 492 00:24:53,520 --> 00:24:59,720 Speaker 1: region version didn't even did he do a version of that? 493 00:25:00,200 --> 00:25:01,720 Speaker 1: What else can we look forward to on the album? 494 00:25:01,760 --> 00:25:03,240 Speaker 1: I'll give us some more since we didn't get to 495 00:25:03,240 --> 00:25:05,280 Speaker 1: come to the playback, Um, what do you have to 496 00:25:05,280 --> 00:25:07,159 Speaker 1: look forward to? Was yeah, like, yeah, tell us a 497 00:25:07,200 --> 00:25:11,520 Speaker 1: little bit about it. We did. We did. Unfortunately, the 498 00:25:11,880 --> 00:25:14,439 Speaker 1: music that we did doesn't fit the sound of this 499 00:25:14,560 --> 00:25:16,560 Speaker 1: the body of work out for this album, so we're 500 00:25:16,560 --> 00:25:18,160 Speaker 1: trying to figure out the right way to put that 501 00:25:18,160 --> 00:25:20,960 Speaker 1: that music out. Yeah, but the premier is like, that's 502 00:25:20,960 --> 00:25:23,639 Speaker 1: a musical mentor someone I grew up listening, you know. 503 00:25:23,720 --> 00:25:26,480 Speaker 1: So that was an honor. You know who I did 504 00:25:26,480 --> 00:25:28,480 Speaker 1: get to work with this album I've never worked with before, 505 00:25:28,560 --> 00:25:30,600 Speaker 1: and it was it was amazing. It was Raffael c 506 00:25:30,720 --> 00:25:34,119 Speaker 1: d Oh I love Rafael twenty was one of my 507 00:25:34,200 --> 00:25:35,960 Speaker 1: They had one of my favorite R and B songs ever, 508 00:25:36,080 --> 00:25:38,280 Speaker 1: Just Me and You, Just Me and you. He's got 509 00:25:38,280 --> 00:25:43,360 Speaker 1: a dope artist to what's home name? Yes, yes, yes 510 00:25:43,440 --> 00:25:48,320 Speaker 1: he does man Um, So shout out to Rafael Um 511 00:25:48,359 --> 00:25:50,280 Speaker 1: represent the Bay And what are you doing a lot 512 00:25:50,280 --> 00:25:53,040 Speaker 1: of writing while you were taking a break? Did I 513 00:25:53,080 --> 00:25:54,639 Speaker 1: do a lot of writing at home? I did? I 514 00:25:54,960 --> 00:25:58,800 Speaker 1: recorded artists too, not so much, not so much. This 515 00:25:58,840 --> 00:26:02,320 Speaker 1: album was like, I think it's the last time I'm 516 00:26:02,320 --> 00:26:05,680 Speaker 1: going to record an album at home. Yeah, this is this. 517 00:26:05,840 --> 00:26:08,200 Speaker 1: It was. It was a challenge because it's just so 518 00:26:08,240 --> 00:26:11,119 Speaker 1: easy to be like and I just like, you know, 519 00:26:11,160 --> 00:26:13,160 Speaker 1: when you settle into your house. It takes so long 520 00:26:13,240 --> 00:26:15,200 Speaker 1: to get your house to exactly how you want it, 521 00:26:15,240 --> 00:26:18,440 Speaker 1: because it's like you're curating everything, you know what I'm saying. 522 00:26:18,480 --> 00:26:21,639 Speaker 1: So and I'm really particular. So I'm at home and 523 00:26:21,760 --> 00:26:24,040 Speaker 1: make like the house is coming together. I'm getting real 524 00:26:24,119 --> 00:26:28,720 Speaker 1: comfortable and also understanding that I need some time to live. 525 00:26:28,840 --> 00:26:30,520 Speaker 1: So it makes it real easy to just be like, 526 00:26:30,560 --> 00:26:33,320 Speaker 1: all right, I'm gonna watch a film right now. I'm 527 00:26:33,320 --> 00:26:35,359 Speaker 1: not gonna push this. I'm not gonna rush it because 528 00:26:35,359 --> 00:26:37,919 Speaker 1: you can't rush art. You just can't. You don't do that. 529 00:26:38,000 --> 00:26:40,720 Speaker 1: So you just bought into the house. I just made 530 00:26:40,720 --> 00:26:42,840 Speaker 1: sure the house like came together that the way I want. 531 00:26:42,880 --> 00:26:56,520 Speaker 1: Big is it? It's actually not questions of your cribed 532 00:26:56,600 --> 00:26:59,720 Speaker 1: how big is it? The house is? Um, it's I 533 00:26:59,720 --> 00:27:02,640 Speaker 1: don't know. It's like, it's not it's not a huge house. 534 00:27:02,640 --> 00:27:04,480 Speaker 1: It's actually there's only two of us there, so I 535 00:27:04,760 --> 00:27:06,800 Speaker 1: don't need I didn't need crazy house. It's like three 536 00:27:07,080 --> 00:27:10,439 Speaker 1: some three thousands something square. It's pretty nice. Yeah, is 537 00:27:10,440 --> 00:27:11,719 Speaker 1: it is that? I don't know what that is in 538 00:27:11,760 --> 00:27:13,760 Speaker 1: relation to everyone's home. I don't know. But we're in 539 00:27:13,800 --> 00:27:15,920 Speaker 1: New York and I tell you right now, my house 540 00:27:16,000 --> 00:27:17,879 Speaker 1: is not that big. Well, we live in like a 541 00:27:17,960 --> 00:27:21,480 Speaker 1: residential area where it's like you know, single single family homes. 542 00:27:21,480 --> 00:27:24,000 Speaker 1: They're like all nice size, they're not like mansions or 543 00:27:24,000 --> 00:27:25,760 Speaker 1: anything like that. Do you think about standing a family 544 00:27:25,840 --> 00:27:29,200 Speaker 1: soon and having children? Man, I'm too wild for a 545 00:27:29,240 --> 00:27:31,800 Speaker 1: family right now. You said way too wild to have 546 00:27:31,800 --> 00:27:34,879 Speaker 1: a family, right What do you mean? Way too wild? 547 00:27:35,240 --> 00:27:39,760 Speaker 1: Just right? I don't have um yeah, right about now, 548 00:27:39,840 --> 00:27:43,800 Speaker 1: like we're we're at the cusp of like doing something 549 00:27:43,880 --> 00:27:46,240 Speaker 1: really really great. I believe that in my heart, and 550 00:27:46,480 --> 00:27:49,520 Speaker 1: I don't know that that would be like I want 551 00:27:49,520 --> 00:27:51,960 Speaker 1: to be there for like the first at least three 552 00:27:52,040 --> 00:27:54,840 Speaker 1: years for my my like my children's lives. You know 553 00:27:54,840 --> 00:27:56,280 Speaker 1: what I'm saying, three years I want to be home. 554 00:27:56,520 --> 00:28:00,000 Speaker 1: That ain't gonna happen now, So exactly right now, it's like, yeah, 555 00:28:00,280 --> 00:28:02,040 Speaker 1: right now, I'm too selfish right now. We're both too 556 00:28:02,040 --> 00:28:04,920 Speaker 1: selfish right now. So you're one of those career first guy, 557 00:28:05,040 --> 00:28:08,480 Speaker 1: absolutely absolutely, you know right now? Yeah, right now you're 558 00:28:08,520 --> 00:28:11,679 Speaker 1: having sex with no condom. You know, I possibly have 559 00:28:11,720 --> 00:28:14,440 Speaker 1: a family straight up. Well, I'm sure we're taking the 560 00:28:14,520 --> 00:28:19,600 Speaker 1: proper we're taking something. It was fun. The mac Gallo 561 00:28:19,680 --> 00:28:22,560 Speaker 1: was amazing, actually, this is my favorite Mecco really why 562 00:28:22,920 --> 00:28:26,600 Speaker 1: Probably because I was more comfortable. The energy is like 563 00:28:26,840 --> 00:28:28,840 Speaker 1: it takes getting used to you know what I'm saying. 564 00:28:30,560 --> 00:28:33,160 Speaker 1: I've definitely felt more like I belonged to time. Um. 565 00:28:33,200 --> 00:28:35,399 Speaker 1: And the fact that there's like more familiar faces, like 566 00:28:35,680 --> 00:28:38,280 Speaker 1: you're kind of you know, it's just being around these 567 00:28:38,280 --> 00:28:39,959 Speaker 1: and you only see a lot of these people, you know, 568 00:28:40,040 --> 00:28:43,000 Speaker 1: one or two times a year. So the fact that 569 00:28:43,040 --> 00:28:45,000 Speaker 1: now it's like there's a little more familiarity because it 570 00:28:45,080 --> 00:28:48,440 Speaker 1: respectable from your period. Yeah, I mean, the great thing 571 00:28:48,480 --> 00:28:50,480 Speaker 1: is seeing the musicians, the musicians that you love. So 572 00:28:50,520 --> 00:28:53,120 Speaker 1: it's like, um that know you, you know what I mean. 573 00:28:53,320 --> 00:28:55,560 Speaker 1: And they and they showed they showed up, like who 574 00:28:55,640 --> 00:28:57,520 Speaker 1: were you like blown away by? Like Wow, I can't 575 00:28:57,520 --> 00:29:01,760 Speaker 1: believe this person's here you never met before, or that 576 00:29:01,840 --> 00:29:08,080 Speaker 1: you barely ever get to see who impresses you. I'm 577 00:29:08,160 --> 00:29:12,240 Speaker 1: always like just because I grew up on jay like 578 00:29:12,360 --> 00:29:14,640 Speaker 1: jay Z, like seeing jay Z every time I see him, 579 00:29:14,680 --> 00:29:17,120 Speaker 1: and he's just so cool, you know what i mean. 580 00:29:17,200 --> 00:29:20,160 Speaker 1: Whole phraised this all sir, Yeah exactly, So like that's 581 00:29:20,200 --> 00:29:23,200 Speaker 1: always like special, you know what I mean, that's cool. Um, 582 00:29:23,360 --> 00:29:26,000 Speaker 1: him and Beyonce looked great. They were super dope. Um 583 00:29:26,640 --> 00:29:32,920 Speaker 1: title no, no, no, no, I think I tried to 584 00:29:32,960 --> 00:29:36,240 Speaker 1: title yet not yet I got you subscribe, I did, 585 00:29:36,320 --> 00:29:38,520 Speaker 1: but I haven't done it yet. I subscribed just because 586 00:29:38,680 --> 00:29:41,000 Speaker 1: you know, I feel like Jay's my father in a way. 587 00:29:45,040 --> 00:29:46,600 Speaker 1: I'm not gonna lie. It's hard for me to pay 588 00:29:46,680 --> 00:29:48,600 Speaker 1: money to subscribe it. I don't even have Netflix. I 589 00:29:48,720 --> 00:29:51,240 Speaker 1: use my friends Netflix account really and I have other 590 00:29:51,520 --> 00:29:53,440 Speaker 1: you know, I heard I have that, but it's hard 591 00:29:53,480 --> 00:29:56,160 Speaker 1: for me to like pay, So I'm waiting for them 592 00:29:56,200 --> 00:29:57,920 Speaker 1: to get a free service. Not because I thought it 593 00:29:57,920 --> 00:29:59,520 Speaker 1: was gonna call because they said he was calling people's 594 00:29:59,560 --> 00:30:01,600 Speaker 1: calling people. You never call me. You didn't get that. 595 00:30:01,640 --> 00:30:04,680 Speaker 1: We didn't get voice the text message. I don't know 596 00:30:04,760 --> 00:30:08,880 Speaker 1: why I'm so cheap about it. What happens I don't know, Um, 597 00:30:08,880 --> 00:30:11,120 Speaker 1: because we hear so many stories like they'd be sacrificing 598 00:30:11,200 --> 00:30:16,120 Speaker 1: goats and stuff. That's exactly what happens. Now we see 599 00:30:16,120 --> 00:30:19,479 Speaker 1: the red carpet. What happens on the inside, it's essentially like, um, 600 00:30:19,760 --> 00:30:21,640 Speaker 1: it's just a dinner. It's a dinner, and it's like 601 00:30:21,840 --> 00:30:24,880 Speaker 1: it's just talking to people who mostly don't know who 602 00:30:24,920 --> 00:30:28,040 Speaker 1: you are, but understand that, like, if you're here, you 603 00:30:28,120 --> 00:30:31,160 Speaker 1: must do something. So it's just it really is exactly, 604 00:30:31,280 --> 00:30:33,520 Speaker 1: it's like, Okay, you must do something, so what. But 605 00:30:33,800 --> 00:30:35,520 Speaker 1: it's it's actually pretty cool because it's a lot of 606 00:30:35,560 --> 00:30:38,160 Speaker 1: creative minds, UM, a lot of people who are involved 607 00:30:38,200 --> 00:30:41,040 Speaker 1: in in the creative process of bringing a lot of 608 00:30:41,120 --> 00:30:44,240 Speaker 1: great things to the world. So um, mostly fashioned obviously, 609 00:30:44,440 --> 00:30:46,720 Speaker 1: and uh, I don't know that's the best part. And 610 00:30:47,440 --> 00:30:50,960 Speaker 1: it's just like drinking. It's like drinking talking for what though? 611 00:30:51,000 --> 00:30:54,080 Speaker 1: Are they raising money for? Yeah, for the met I 612 00:30:54,120 --> 00:30:57,360 Speaker 1: don't even know what the met is. For the Metropolitan Museum. 613 00:30:58,280 --> 00:31:00,240 Speaker 1: All the money that from the money goes to the 614 00:31:00,600 --> 00:31:03,480 Speaker 1: to the museum. Now you're really into fashion, of course 615 00:31:03,560 --> 00:31:05,240 Speaker 1: we've talked about that. Is that something you want to 616 00:31:05,280 --> 00:31:06,960 Speaker 1: pursue as far as by the way, I think I'm 617 00:31:06,960 --> 00:31:09,520 Speaker 1: still hungover from the METS two days two days ago. 618 00:31:09,880 --> 00:31:13,280 Speaker 1: That's why none of my words and single it kind 619 00:31:13,280 --> 00:31:16,720 Speaker 1: of all is one blur. Are you thinking about doing 620 00:31:16,800 --> 00:31:20,320 Speaker 1: like anything in fashion, starting a clothing line collaboration? UM? 621 00:31:20,480 --> 00:31:23,880 Speaker 1: I think all of that is is on the horizon. Um, 622 00:31:24,160 --> 00:31:27,320 Speaker 1: because like you said, I'm obviously like into fashion. UM. 623 00:31:27,480 --> 00:31:29,720 Speaker 1: Finding the right way of doing that. I think I'm 624 00:31:29,760 --> 00:31:32,960 Speaker 1: starting in small places with with things that tie into 625 00:31:33,000 --> 00:31:35,240 Speaker 1: the album. So that'll be really dope for like the 626 00:31:35,320 --> 00:31:38,240 Speaker 1: fans to to to um, you know, to be into. 627 00:31:38,360 --> 00:31:41,000 Speaker 1: But uh yeah, hopefully we can involve from that and 628 00:31:41,560 --> 00:31:44,600 Speaker 1: take it to to you know, are you going on 629 00:31:44,680 --> 00:31:48,680 Speaker 1: to her? Absolutely? June July July. Rather who are you 630 00:31:48,760 --> 00:31:52,680 Speaker 1: going out with? I'm going out on my own, yeah yeah. 631 00:31:52,960 --> 00:31:55,280 Speaker 1: So um, we're trying to figure I'm trying to find 632 00:31:55,320 --> 00:31:58,840 Speaker 1: the right the right person to come with me, the 633 00:31:58,920 --> 00:32:01,760 Speaker 1: right artists are right, will like to see Yeah, I wonder, 634 00:32:01,840 --> 00:32:03,360 Speaker 1: I wonder who my fans would like to see this. 635 00:32:03,720 --> 00:32:05,080 Speaker 1: That's a good question. Who would you guys like to 636 00:32:05,080 --> 00:32:08,560 Speaker 1: see Miguel on tour with? Yeah, it is a good question. 637 00:32:08,720 --> 00:32:10,360 Speaker 1: Would it be another R and right? It? Would it be? 638 00:32:10,600 --> 00:32:15,000 Speaker 1: Definitely this album. I mean, if you listen to even 639 00:32:15,080 --> 00:32:18,760 Speaker 1: Coalido Scope Dream isn't a traditional R and B album. 640 00:32:18,840 --> 00:32:23,000 Speaker 1: I don't make tradition, traditional R and B music twist 641 00:32:23,040 --> 00:32:25,840 Speaker 1: to it. It's rooted in soul. I'm so like, I'll 642 00:32:25,960 --> 00:32:28,080 Speaker 1: never that's who I am, you know what I mean, 643 00:32:28,120 --> 00:32:30,360 Speaker 1: That's how I was raised. But I was also raised 644 00:32:30,800 --> 00:32:32,080 Speaker 1: I'm in love with rock and roll, you know what 645 00:32:32,120 --> 00:32:33,960 Speaker 1: I'm saying. So that will always be a part of 646 00:32:34,200 --> 00:32:35,480 Speaker 1: both of those things will always be a part of 647 00:32:35,480 --> 00:32:37,160 Speaker 1: the music, and I think this album kind of pushes 648 00:32:37,160 --> 00:32:39,280 Speaker 1: it in that direction. We need music that we can 649 00:32:39,520 --> 00:32:41,200 Speaker 1: to I mean for a k too. Oh trust me, 650 00:32:41,440 --> 00:32:43,120 Speaker 1: trust me, And that won't ever change because I was 651 00:32:43,160 --> 00:32:45,360 Speaker 1: in the ninth l R and B the only new dude. 652 00:32:45,400 --> 00:32:47,800 Speaker 1: The last CD I would put in to have sex 653 00:32:47,880 --> 00:32:51,600 Speaker 1: with was Trade Songs Mixtape and think it was Anticipation 654 00:32:52,000 --> 00:32:54,760 Speaker 1: and then Colleido Scope of Dream any other time, I'm 655 00:32:54,760 --> 00:32:59,920 Speaker 1: listening to Joe to See Old and You're the old 656 00:33:00,120 --> 00:33:01,680 Speaker 1: knew got that they give props to, like all the 657 00:33:01,760 --> 00:33:04,320 Speaker 1: old older artists that come up here. They always say Miguel. 658 00:33:04,400 --> 00:33:07,880 Speaker 1: But that's crazy, that's that's so that it trips me out, 659 00:33:07,960 --> 00:33:11,680 Speaker 1: and it's it's the biggest compliment, like the boys to men, 660 00:33:11,920 --> 00:33:14,400 Speaker 1: Like like you said, Joe, to see Ria carry there 661 00:33:14,480 --> 00:33:16,880 Speaker 1: we go. You're gonna go see her in Vegas. Um, 662 00:33:17,200 --> 00:33:20,120 Speaker 1: she's doing her residency there, so that should be pretty interesting. 663 00:33:20,280 --> 00:33:22,320 Speaker 1: That would be dope. I'm excited for. I think that's 664 00:33:22,520 --> 00:33:26,680 Speaker 1: that'd be a good date night for you. Vegas I'm 665 00:33:26,720 --> 00:33:29,080 Speaker 1: not really big on shows in Vegas really, Na, No, 666 00:33:29,280 --> 00:33:33,000 Speaker 1: not really. That's like a concert though. Yeah. Yeah, me 667 00:33:33,120 --> 00:33:38,200 Speaker 1: and Marai go back like as well. We appreciate you 668 00:33:38,320 --> 00:33:40,800 Speaker 1: joining us. Why I'm tired is that this summer. Yeah, 669 00:33:40,840 --> 00:33:44,200 Speaker 1: you got a date chat? Yeah, June thirtieth, it's the 670 00:33:44,240 --> 00:33:49,640 Speaker 1: day after my born day. Get celebration, celebrate wild Hearted 671 00:33:49,760 --> 00:33:51,680 Speaker 1: stores in June, and we appreciate you for joining us. 672 00:33:51,760 --> 00:33:53,680 Speaker 1: Thanks guys. It's the Breakfast Club, Miguel