WEBVTT - The Warren G Episode

0:00:00.160 --> 0:00:04.360
<v Speaker 1>You're tuned into The Gangster Chronicles with James McDonald, Regie

0:00:04.400 --> 0:00:08.200
<v Speaker 1>Reich Jr. And Alex Tomonzo on the Digital Soapbox Network

0:00:08.680 --> 0:00:12.600
<v Speaker 1>material Witness on an aggregated battery, I was a hang

0:00:12.680 --> 0:00:15.920
<v Speaker 1>gun and um they believe this might be in retaliation

0:00:16.840 --> 0:00:22.720
<v Speaker 1>to her testimony. Thank you for tuning into another episode

0:00:22.720 --> 0:00:25.639
<v Speaker 1>of The Gainst the Chronicles. On this episode, me and

0:00:25.760 --> 0:00:28.080
<v Speaker 1>James had honor in the privilege of sitting down with

0:00:28.120 --> 0:00:31.680
<v Speaker 1>the legendary warrings. He had a long beach. Enjoy the show.

0:00:32.000 --> 0:00:34.840
<v Speaker 1>For the past few episodes, we've been recording everything via

0:00:34.920 --> 0:00:38.599
<v Speaker 1>zoom due to the coronavirus practice and social distance and whatnot.

0:00:39.000 --> 0:00:41.680
<v Speaker 1>Hopefully you guys all safe out there. We'll be back

0:00:41.680 --> 0:00:45.320
<v Speaker 1>in the studio real soon. Appreciate you coming on, taking

0:00:45.360 --> 0:00:51.720
<v Speaker 1>your time about to talk to her brother. It's all good, man, yeah,

0:00:52.040 --> 0:00:57.440
<v Speaker 1>all the time, as like as I'm good, I'm good.

0:00:57.600 --> 0:01:01.800
<v Speaker 1>Uh you know, just still doing me was like uh

0:01:02.080 --> 0:01:06.399
<v Speaker 1>uh brilli into the barbecue sceing uh with with sauces

0:01:06.440 --> 0:01:10.360
<v Speaker 1>and rubs. You know, just you know, just that's it, man,

0:01:10.400 --> 0:01:12.759
<v Speaker 1>and just you know, trying to get these kids right

0:01:12.800 --> 0:01:18.080
<v Speaker 1>and make sure they do something like all the time.

0:01:18.720 --> 0:01:20.800
<v Speaker 1>That's a good thing. But I want some of that

0:01:20.840 --> 0:01:26.360
<v Speaker 1>bobbecue sauce. Man, I get I got you, Yeah, I

0:01:26.400 --> 0:01:28.919
<v Speaker 1>got ja. Yeah, we're gonna we're gonna do a bobbycute

0:01:28.959 --> 0:01:32.600
<v Speaker 1>this this summer. I want to try, yes, And then

0:01:32.480 --> 0:01:36.760
<v Speaker 1>I don't do hot stuff. Okay, I got a hot ship.

0:01:37.120 --> 0:01:39.920
<v Speaker 1>I got, I got a original I got, I got,

0:01:39.920 --> 0:01:41.720
<v Speaker 1>I got got the old. I call it to O

0:01:41.880 --> 0:01:45.039
<v Speaker 1>G sauce. I have O G smokey, but the like

0:01:45.120 --> 0:01:46.440
<v Speaker 1>you said, you don't like that. And then I got

0:01:46.520 --> 0:01:49.680
<v Speaker 1>a O G spicy, but I ain't I send it anyway,

0:01:49.720 --> 0:01:53.120
<v Speaker 1>just in case you got people that like the spicy, uh,

0:01:53.240 --> 0:01:59.200
<v Speaker 1>the spicy sauce. And then too rubs rub the beef rub,

0:01:59.280 --> 0:02:02.280
<v Speaker 1>and and I got a rub that you could use

0:02:02.320 --> 0:02:07.520
<v Speaker 1>on chicken, uh, pork fish. Uh it's been good man,

0:02:07.720 --> 0:02:12.960
<v Speaker 1>I ain't gonna lie. Yeah. I know a couple of

0:02:12.960 --> 0:02:15.440
<v Speaker 1>people that make their own house sauce. How you getting

0:02:15.480 --> 0:02:17.840
<v Speaker 1>into that? Man? How did you just just say one

0:02:17.880 --> 0:02:23.880
<v Speaker 1>day you want to make some sauce and uh you Uh, well,

0:02:23.960 --> 0:02:28.480
<v Speaker 1>my dad he uh he was a cook in the navy,

0:02:29.440 --> 0:02:31.959
<v Speaker 1>and uh he used to cook in box in the navy,

0:02:32.000 --> 0:02:35.160
<v Speaker 1>and and uh all he did was cooked, you know,

0:02:35.280 --> 0:02:38.000
<v Speaker 1>for so he used to make sauces and stuff. So

0:02:38.080 --> 0:02:40.800
<v Speaker 1>I just used to watch what he do and I

0:02:40.919 --> 0:02:44.200
<v Speaker 1>just started trying it myself, you know, starting off with

0:02:44.360 --> 0:02:46.480
<v Speaker 1>the catch up way. But I I gotta put a

0:02:46.520 --> 0:02:49.760
<v Speaker 1>twist in my sauce that I have. Now it's got

0:02:49.760 --> 0:02:51.720
<v Speaker 1>a little bit of a different twist and ain't too

0:02:51.919 --> 0:02:55.600
<v Speaker 1>two tomatoes, but it's it's it's nice. I'll tell you.

0:02:55.600 --> 0:02:59.600
<v Speaker 1>You're gonna be like, God, damn this ship good. Oh yeah, ready,

0:03:00.000 --> 0:03:03.440
<v Speaker 1>but I'm really trying. You see, I'm seeing my wife,

0:03:03.440 --> 0:03:08.679
<v Speaker 1>but my dad. Uh, I've learned from just watching my dad. Man.

0:03:08.760 --> 0:03:11.840
<v Speaker 1>It just you know, just started you know, mixing, trying

0:03:11.880 --> 0:03:17.160
<v Speaker 1>different flavors out. And uh, I'm like shop I barbecue

0:03:17.160 --> 0:03:19.000
<v Speaker 1>all the time. I've been doing it for so long.

0:03:19.120 --> 0:03:23.960
<v Speaker 1>Everybody like when you need to Bob shopper get your

0:03:24.000 --> 0:03:26.400
<v Speaker 1>own sauces and rubs and stuff. So I did it

0:03:27.639 --> 0:03:30.120
<v Speaker 1>and it's and it's it's it's pretty good. I'm happy

0:03:30.160 --> 0:03:32.920
<v Speaker 1>about that, man, especially what's going on right now. We

0:03:32.960 --> 0:03:38.880
<v Speaker 1>can't do he other business. Well, I wish I had

0:03:38.920 --> 0:03:43.520
<v Speaker 1>some I could did it, Damn me something at this time? Yeah,

0:03:43.760 --> 0:03:52.760
<v Speaker 1>well you did speaking speaking of Long Beach Man, let's

0:03:52.760 --> 0:03:56.400
<v Speaker 1>go back to the beginning, right, Uh huh. You was

0:03:56.520 --> 0:03:59.240
<v Speaker 1>always known man. It was a record store man called

0:03:59.360 --> 0:04:01.440
<v Speaker 1>veiled with him the ground on the north Long Detroit.

0:04:01.880 --> 0:04:04.560
<v Speaker 1>Uh huh. There was an old white guy that they

0:04:04.720 --> 0:04:06.560
<v Speaker 1>always tell me, man, it's a dude to hear man,

0:04:06.560 --> 0:04:09.000
<v Speaker 1>they'd be buying, you know, getting old because I was

0:04:09.040 --> 0:04:11.160
<v Speaker 1>going there getting albums to get the samples and stuff

0:04:11.200 --> 0:04:14.120
<v Speaker 1>like that. Yeah. Yeah, so I was hearing about you

0:04:14.320 --> 0:04:17.000
<v Speaker 1>like before, and even you know, all popped off. Man.

0:04:17.320 --> 0:04:19.720
<v Speaker 1>Let's go back to the beginning. Snoop was originally Guilt

0:04:19.800 --> 0:04:25.120
<v Speaker 1>Artist something. Well, we was a group. Uh we were

0:04:25.160 --> 0:04:27.400
<v Speaker 1>far far. We started out our name was three too

0:04:27.400 --> 0:04:31.400
<v Speaker 1>hard Way. But then once we uh we should we

0:04:31.440 --> 0:04:33.320
<v Speaker 1>when we were this one, we was like we was

0:04:33.360 --> 0:04:37.280
<v Speaker 1>on the spot back then, and uh and we was

0:04:37.320 --> 0:04:39.880
<v Speaker 1>on the spot, you know, serving and we were still

0:04:39.920 --> 0:04:43.039
<v Speaker 1>trying to do the music. And uh so we named

0:04:43.040 --> 0:04:46.800
<v Speaker 1>ourselves two one three the area because we was listening

0:04:46.839 --> 0:04:49.520
<v Speaker 1>to uh four, I'm high by the way, y'all, don't

0:04:49.560 --> 0:04:52.440
<v Speaker 1>don't mind men, I just smoke. But so when we

0:04:52.440 --> 0:04:56.760
<v Speaker 1>were listening to five and uh at that time, we

0:04:56.800 --> 0:04:59.240
<v Speaker 1>was like, shoot, well let's let's represent two one three,

0:04:59.279 --> 0:05:02.760
<v Speaker 1>which was our area, which is Long Beach Compton watch

0:05:03.640 --> 0:05:06.040
<v Speaker 1>l A. You know, well, let's let's wrap our area

0:05:06.720 --> 0:05:12.240
<v Speaker 1>and uh that uh that that's that's I mean, that's

0:05:12.279 --> 0:05:16.200
<v Speaker 1>just where where where things started. Uh. But we was

0:05:16.240 --> 0:05:19.359
<v Speaker 1>always a group. Man, he wasn't my artist. I was

0:05:19.440 --> 0:05:23.600
<v Speaker 1>just trying to push too, for us to get known,

0:05:24.040 --> 0:05:26.720
<v Speaker 1>you know, for somebody to sign us, you know. So

0:05:26.839 --> 0:05:29.679
<v Speaker 1>that's that was my whole thing. I was just pushed

0:05:29.720 --> 0:05:33.360
<v Speaker 1>into the max, just just trying to make it happen

0:05:33.400 --> 0:05:35.640
<v Speaker 1>for us. No. I just wanted to know how you

0:05:35.720 --> 0:05:40.800
<v Speaker 1>want how you wind up the Devil Doors with Snoopers. Well,

0:05:40.920 --> 0:05:50.880
<v Speaker 1>um that started. Um well we was at that time.

0:05:50.960 --> 0:05:55.480
<v Speaker 1>We had we had put had a a mixtape out

0:05:55.880 --> 0:06:00.200
<v Speaker 1>called Long Beach Is a Motherfucker and uh well we

0:06:00.279 --> 0:06:03.719
<v Speaker 1>did is uh and we were just passing it out

0:06:03.800 --> 0:06:06.880
<v Speaker 1>all around the neighborhoods and everywhere from all with l A.

0:06:07.200 --> 0:06:12.839
<v Speaker 1>Compton watching everything. Everybody and knew us, and uh we

0:06:13.000 --> 0:06:15.000
<v Speaker 1>I mean we just was pushing. We was at the

0:06:15.440 --> 0:06:18.279
<v Speaker 1>Told Jam. You remember, I don't know if you remember

0:06:18.320 --> 0:06:23.800
<v Speaker 1>the Told Jam about still Downtown. Remember that Roger Roger,

0:06:24.000 --> 0:06:28.000
<v Speaker 1>Uh Roger, Uh God damnit Roger what that used to

0:06:28.040 --> 0:06:29.680
<v Speaker 1>be at the Uncle James's army. He was the one

0:06:29.720 --> 0:06:35.839
<v Speaker 1>who was the Roger Roger Clayton. Yeah, we just we

0:06:35.920 --> 0:06:38.760
<v Speaker 1>used to be pushing, you know, through the told jam

0:06:38.839 --> 0:06:43.880
<v Speaker 1>and just everywhere a little club and stuff. And uh,

0:06:44.080 --> 0:06:46.800
<v Speaker 1>I mean I had uh I hadn't talked to that

0:06:46.839 --> 0:06:51.000
<v Speaker 1>niggat well, but I hadn't talked to Drake and uh

0:06:51.160 --> 0:06:54.240
<v Speaker 1>a long time. So I hit him and I was like, man,

0:06:55.120 --> 0:06:58.200
<v Speaker 1>you know what's up. You know, I wanna see you man,

0:06:58.240 --> 0:06:59.880
<v Speaker 1>I want to line up with you. So he was like,

0:07:00.160 --> 0:07:02.800
<v Speaker 1>come up here. My boy l A. Dre is having

0:07:02.800 --> 0:07:07.680
<v Speaker 1>a bachelor party, so you could come. So I was like, shit, okay,

0:07:08.120 --> 0:07:10.840
<v Speaker 1>So me one of my buddies, his name is Ride,

0:07:11.880 --> 0:07:16.120
<v Speaker 1>and who else was it? Me and Ride? We was

0:07:16.160 --> 0:07:19.360
<v Speaker 1>Me and Ride. We went up there and they was

0:07:19.360 --> 0:07:23.720
<v Speaker 1>playing music and uh, they ran out of stuff to play,

0:07:23.760 --> 0:07:25.920
<v Speaker 1>so they were starting to play stuff again. So I

0:07:26.000 --> 0:07:27.760
<v Speaker 1>told l A. Dre. I was like, look, man, let

0:07:27.800 --> 0:07:30.280
<v Speaker 1>me pop this tape in, you know, just to play

0:07:30.360 --> 0:07:32.520
<v Speaker 1>the music for you guys to see how they like it.

0:07:32.600 --> 0:07:35.760
<v Speaker 1>So I popped the tape in and played it and

0:07:35.760 --> 0:07:38.400
<v Speaker 1>there was a song that we had called Long beaches

0:07:38.440 --> 0:07:43.800
<v Speaker 1>a motherfucker and uh you know, uh l A. Dre

0:07:44.000 --> 0:07:46.320
<v Speaker 1>was like, who is that? Now? I was like, that's

0:07:47.040 --> 0:07:50.360
<v Speaker 1>me and my buddy Snoop and they dog and uh

0:07:50.640 --> 0:07:53.760
<v Speaker 1>so he was like, hey, Dre, listen to this. Listen

0:07:53.800 --> 0:07:57.040
<v Speaker 1>to this. So Drake came over and he listened, and

0:07:57.120 --> 0:07:59.240
<v Speaker 1>he was like, who was that? You know. I'm like,

0:07:59.400 --> 0:08:02.240
<v Speaker 1>that's me, my homeboy, Snoop and my homeboy and Nate Dog.

0:08:02.320 --> 0:08:04.880
<v Speaker 1>So he was like, man, that's so he was like,

0:08:04.960 --> 0:08:09.480
<v Speaker 1>y'all come up to the studio on Monday. So I

0:08:09.560 --> 0:08:11.760
<v Speaker 1>was charged up. I was like because I had I

0:08:11.800 --> 0:08:13.840
<v Speaker 1>just I didn't see I hadn't seen Drey and I

0:08:13.840 --> 0:08:16.920
<v Speaker 1>don't know how it was a really long time, and

0:08:17.120 --> 0:08:20.240
<v Speaker 1>uh so I was charged up. You know, I was

0:08:20.360 --> 0:08:22.520
<v Speaker 1>charged up. So I went back down the Long Beach

0:08:22.560 --> 0:08:26.080
<v Speaker 1>and uh, me and Snoop a kind of bumped heads.

0:08:26.240 --> 0:08:30.480
<v Speaker 1>So we wasn't really we wasn't really like uh talking

0:08:30.520 --> 0:08:32.440
<v Speaker 1>at that time, and he had some other dudes in

0:08:32.480 --> 0:08:34.440
<v Speaker 1>his ear and stuff trying to like kind of break

0:08:34.520 --> 0:08:37.880
<v Speaker 1>us up. So I called Snoop and I told him,

0:08:37.920 --> 0:08:40.679
<v Speaker 1>I was like, look, man, Dre heard our music. He

0:08:40.760 --> 0:08:44.960
<v Speaker 1>wants to come to the studio. On Monday, and uh

0:08:45.120 --> 0:08:49.199
<v Speaker 1>and uh, Snoop was like, Nigga fucked us and then

0:08:49.200 --> 0:08:52.280
<v Speaker 1>he hung the phone up on me, and uh so

0:08:52.320 --> 0:08:54.840
<v Speaker 1>I called him back and I was like, Snoop, please, man,

0:08:54.920 --> 0:08:57.080
<v Speaker 1>just listen, just let me call. Let me call him

0:08:57.080 --> 0:09:00.880
<v Speaker 1>on the three Way and let him tell you that

0:09:01.040 --> 0:09:02.800
<v Speaker 1>he wants to come up on us to the studio

0:09:02.840 --> 0:09:05.080
<v Speaker 1>on Monday. So I called on the three Way. I

0:09:05.080 --> 0:09:07.319
<v Speaker 1>was like, Dre, I got Snoop on the phone. Can

0:09:07.360 --> 0:09:08.920
<v Speaker 1>you tell him that you want us to come to

0:09:08.960 --> 0:09:11.120
<v Speaker 1>the studio on Monday. He said, yeah, y'all come up

0:09:11.120 --> 0:09:14.360
<v Speaker 1>to the studio on Monday and we're gonna do some music.

0:09:14.520 --> 0:09:19.280
<v Speaker 1>And after that we had started chilling, you know, kicking

0:09:19.280 --> 0:09:22.080
<v Speaker 1>it again because well because we was at it a

0:09:22.080 --> 0:09:25.880
<v Speaker 1>little bit, you know, I was piste off, you know,

0:09:25.920 --> 0:09:27.920
<v Speaker 1>because there was other dudes in his ear trying to

0:09:28.080 --> 0:09:31.400
<v Speaker 1>trying to break our relationship ship up between me, him

0:09:31.400 --> 0:09:35.920
<v Speaker 1>and Ate. So ship we uh we went up to

0:09:35.960 --> 0:09:41.200
<v Speaker 1>the studio that Monday, my hump, my buddy rump he Uh.

0:09:41.360 --> 0:09:44.920
<v Speaker 1>We jumped in this raggedy ass car where we had

0:09:44.920 --> 0:09:46.920
<v Speaker 1>to take the street all the way up to Hollywood

0:09:47.000 --> 0:09:50.280
<v Speaker 1>up to solo our records. We took the streets and

0:09:50.440 --> 0:09:53.160
<v Speaker 1>uh everything. You know, you used to have a card.

0:09:53.280 --> 0:09:56.120
<v Speaker 1>You're driving and you get to the light and you

0:09:56.160 --> 0:09:58.960
<v Speaker 1>gotta put the mother fucking in a park to keep

0:10:00.280 --> 0:10:04.079
<v Speaker 1>to keep it. So we did that all the way

0:10:04.120 --> 0:10:07.360
<v Speaker 1>up to sold our records. It. Uh we got up

0:10:07.400 --> 0:10:11.120
<v Speaker 1>in there and uh you know, we were sitting there

0:10:11.160 --> 0:10:14.320
<v Speaker 1>just chilling with Dre and he he uh Snoop played

0:10:14.320 --> 0:10:18.960
<v Speaker 1>the song he had called Gangster's Life and uh so

0:10:19.160 --> 0:10:21.400
<v Speaker 1>Dre heard. He was like that ship is dope, but

0:10:21.440 --> 0:10:24.160
<v Speaker 1>he said, let me redo the beat. So what he

0:10:24.240 --> 0:10:28.840
<v Speaker 1>did is he redid that the hold hold on, do

0:10:28.960 --> 0:10:33.560
<v Speaker 1>your love, you got to hold on. He redid that

0:10:33.559 --> 0:10:37.160
<v Speaker 1>that beat do doom boom boom boom. He had Snoop

0:10:37.160 --> 0:10:40.959
<v Speaker 1>bus that Gangster Life to it. Oh that motherfucker was hard.

0:10:41.800 --> 0:10:45.520
<v Speaker 1>And uh from that point on, that's when we're just

0:10:45.559 --> 0:10:47.760
<v Speaker 1>starting to Drey was like, y'all come live with me,

0:10:48.360 --> 0:10:51.240
<v Speaker 1>and I was like, shit, all right, ship, and we

0:10:51.280 --> 0:10:53.440
<v Speaker 1>would like Ship to get out the hood and not

0:10:53.600 --> 0:10:56.560
<v Speaker 1>have to be around the bush it no more. We

0:10:56.679 --> 0:11:01.480
<v Speaker 1>out so we went to stay with him, and uh

0:11:01.520 --> 0:11:03.960
<v Speaker 1>you know that was like after that, that's when uh

0:11:05.600 --> 0:11:10.720
<v Speaker 1>uh Dre DLC and Shield they was. They was all

0:11:11.200 --> 0:11:13.600
<v Speaker 1>that was. That was when it was called. It wasn't

0:11:13.640 --> 0:11:16.839
<v Speaker 1>death Roll yet it was goddamn it. What was the

0:11:16.960 --> 0:11:25.120
<v Speaker 1>name of uma? Fulture shocked that it was future shot

0:11:25.800 --> 0:11:30.080
<v Speaker 1>and uh Drake played the Gates of Life. He played

0:11:30.080 --> 0:11:32.000
<v Speaker 1>it for Dock and Shig and they was like ship,

0:11:32.160 --> 0:11:36.480
<v Speaker 1>this is this the one this nigga hard and uh

0:11:36.640 --> 0:11:38.720
<v Speaker 1>From that point on, all we did was just we

0:11:38.880 --> 0:11:44.079
<v Speaker 1>just we was working man and uh um. One day

0:11:44.160 --> 0:11:47.240
<v Speaker 1>Drake came and was like he was like holding that

0:11:47.320 --> 0:11:50.719
<v Speaker 1>Snoop like, look, man, I got the soundtrack. I want

0:11:50.760 --> 0:11:55.800
<v Speaker 1>to do a song with you. Uh uh deep cover

0:11:56.679 --> 0:11:59.720
<v Speaker 1>So and Nigga did to beat right in the house

0:12:00.160 --> 0:12:05.160
<v Speaker 1>boom boom boom boom boom boom, and then Snoop and

0:12:05.360 --> 0:12:08.360
<v Speaker 1>uh Snoop and dre and and r b X got busy.

0:12:08.400 --> 0:12:11.640
<v Speaker 1>They wrote that mother nailed it. That ship was dope.

0:12:14.040 --> 0:12:20.000
<v Speaker 1>You didn't why you didn't They didn't. They didn't look

0:12:20.040 --> 0:12:26.080
<v Speaker 1>at me like as as far as like uh uh

0:12:26.240 --> 0:12:29.040
<v Speaker 1>as as an artist. I was more of like the DJ,

0:12:29.520 --> 0:12:31.720
<v Speaker 1>but I still was. I was an artist too, but

0:12:32.920 --> 0:12:35.280
<v Speaker 1>Drey didn't know that I was that vicious as far

0:12:35.320 --> 0:12:38.640
<v Speaker 1>as like on the artist side. But they didn't. They

0:12:38.640 --> 0:12:40.839
<v Speaker 1>looked at me more as like a DJ. And then

0:12:40.880 --> 0:12:43.400
<v Speaker 1>and that's what my pretty much for my role was

0:12:43.480 --> 0:12:45.640
<v Speaker 1>at that time. But I was like, Ship, I can't

0:12:45.679 --> 0:12:48.160
<v Speaker 1>just be no motherfucking DJ. I got to do more.

0:12:48.960 --> 0:12:52.600
<v Speaker 1>So Drey was like Ship. He was like, I said,

0:12:52.640 --> 0:12:55.360
<v Speaker 1>show me how to do the uh, you know, show

0:12:55.400 --> 0:12:58.360
<v Speaker 1>me how to work the NPC sixty. So he showed

0:12:58.400 --> 0:13:00.079
<v Speaker 1>me that ship, like right there we was in his

0:13:00.200 --> 0:13:04.200
<v Speaker 1>little studio. He showed me. And I just started sampling

0:13:04.280 --> 0:13:07.600
<v Speaker 1>records and started, you know, learning how to put drums

0:13:07.640 --> 0:13:10.400
<v Speaker 1>to him. And then I started watching him and what

0:13:10.440 --> 0:13:14.400
<v Speaker 1>he did as far as using live instrumentation and stuff

0:13:14.440 --> 0:13:18.640
<v Speaker 1>like that and guitars and all, but you know, basses

0:13:18.720 --> 0:13:21.160
<v Speaker 1>and the drums and ship like that. So I was like,

0:13:21.280 --> 0:13:24.480
<v Speaker 1>god damn. So I picked up on that, you know,

0:13:24.520 --> 0:13:27.080
<v Speaker 1>and and I but I did it in my my

0:13:27.080 --> 0:13:29.280
<v Speaker 1>my way as far as like the g funk way,

0:13:29.360 --> 0:13:32.040
<v Speaker 1>which it's more as like like I said in the

0:13:32.120 --> 0:13:37.360
<v Speaker 1>song chords strings, we brings melody, like a good feeling,

0:13:37.679 --> 0:13:40.280
<v Speaker 1>you know, I like to feel good, not not to

0:13:40.320 --> 0:13:45.600
<v Speaker 1>be too hard. Yeah, and um, and I just picked

0:13:45.640 --> 0:13:48.280
<v Speaker 1>it up from there and from there I just started

0:13:48.280 --> 0:13:52.960
<v Speaker 1>producing Ship uh. I started helping with that's okay. After

0:13:52.960 --> 0:13:56.360
<v Speaker 1>they did Deep Covered. Then not too long that ship

0:13:56.400 --> 0:13:59.080
<v Speaker 1>that blew up that Deep Covered the niggas from everywhere.

0:13:59.080 --> 0:14:01.200
<v Speaker 1>It was like, Dan, this is the bigg It was

0:14:01.240 --> 0:14:05.880
<v Speaker 1>like the biggest ship in the world. Like and uh

0:14:06.160 --> 0:14:09.200
<v Speaker 1>uh so we was like ship. Drey was like, I

0:14:09.240 --> 0:14:11.320
<v Speaker 1>want to do an album. Wh we gotta figure out,

0:14:11.920 --> 0:14:15.199
<v Speaker 1>you know, what to call it. And ship. We was

0:14:15.240 --> 0:14:17.880
<v Speaker 1>in the studio just smoking, you know. We you know,

0:14:17.960 --> 0:14:20.200
<v Speaker 1>we always used to talk about we need some more

0:14:20.280 --> 0:14:23.400
<v Speaker 1>chronic and this, that this, and this white dude is

0:14:23.440 --> 0:14:25.840
<v Speaker 1>the one who gave us that, like the chronic we

0:14:25.960 --> 0:14:30.680
<v Speaker 1>started because he has some weed. He called it hydro chronic, hydroponic,

0:14:31.000 --> 0:14:34.760
<v Speaker 1>So we started calling the chronic. And from right there

0:14:36.000 --> 0:14:39.720
<v Speaker 1>he's like, damn the chronic, you know. And and and

0:14:39.760 --> 0:14:42.360
<v Speaker 1>that's what we started calling the bud the chronic and

0:14:42.520 --> 0:14:46.240
<v Speaker 1>uh and that's when we started. We started working on

0:14:46.240 --> 0:14:47.840
<v Speaker 1>the Chronic. And what I used to do is I

0:14:47.840 --> 0:14:50.840
<v Speaker 1>would go to um it was a record store called

0:14:50.920 --> 0:14:54.160
<v Speaker 1>As the World Turned. I would go there and I've

0:14:54.240 --> 0:14:57.000
<v Speaker 1>got I grabbed all of the samples that we Then

0:14:57.040 --> 0:15:00.080
<v Speaker 1>I say about of the records that we used on

0:15:00.120 --> 0:15:03.440
<v Speaker 1>the chronic guy grabbed him from that store called As

0:15:03.480 --> 0:15:06.000
<v Speaker 1>the World Turned. Drey would give me like three hundred dollars,

0:15:06.000 --> 0:15:09.000
<v Speaker 1>like nega, go get some records, and I take off

0:15:09.360 --> 0:15:11.200
<v Speaker 1>and I go get the records, and then I will

0:15:11.280 --> 0:15:14.680
<v Speaker 1>go and listen to him and I will find different pieces,

0:15:14.720 --> 0:15:20.760
<v Speaker 1>different samples, like the like the uh, the Dolomite records.

0:15:20.760 --> 0:15:24.680
<v Speaker 1>I bought all of those Dollarmite records. Uh. The part

0:15:24.760 --> 0:15:29.560
<v Speaker 1>on the on their we uh doom Doom Doom, Doom, Doom,

0:15:29.680 --> 0:15:35.160
<v Speaker 1>Doom due doom, break him off some break I did that.

0:15:35.160 --> 0:15:38.080
<v Speaker 1>That was a sample that was on the same record

0:15:38.120 --> 0:15:40.320
<v Speaker 1>as the I forgot the name of that group that

0:15:41.320 --> 0:15:45.160
<v Speaker 1>make the World go around. It's on that same record,

0:15:45.200 --> 0:15:47.520
<v Speaker 1>but it's a little bit stripped at the end of

0:15:47.520 --> 0:15:50.880
<v Speaker 1>the album, and it had that dum due doom d

0:15:51.480 --> 0:15:57.360
<v Speaker 1>I did the the skit, uh, the one skit that

0:15:57.440 --> 0:16:01.240
<v Speaker 1>he had really don't understand to do in order this

0:16:01.320 --> 0:16:03.120
<v Speaker 1>thing the work with got getting you know, all the

0:16:03.160 --> 0:16:08.360
<v Speaker 1>little skits and stuff. Did the phone call the skit,

0:16:08.520 --> 0:16:10.520
<v Speaker 1>the phone call skit where I called the girl the

0:16:10.600 --> 0:16:15.600
<v Speaker 1>these nuts nuts that's me. I did the whole, that whole.

0:16:16.160 --> 0:16:18.400
<v Speaker 1>I did a bunch of stuff without you know, it

0:16:18.560 --> 0:16:21.520
<v Speaker 1>was all of us together, you know what I mean,

0:16:21.680 --> 0:16:24.560
<v Speaker 1>all of our ideas together. I was just adding in

0:16:25.480 --> 0:16:29.160
<v Speaker 1>and bringing Shipped to the table, just trying to be down,

0:16:29.480 --> 0:16:32.720
<v Speaker 1>you know, just trying to be down and win. And

0:16:32.880 --> 0:16:37.080
<v Speaker 1>uh but you never signed Death Road though, Why you

0:16:37.080 --> 0:16:43.520
<v Speaker 1>didn't go to Death Road. Shit, they wasn't working with men.

0:16:45.280 --> 0:16:51.920
<v Speaker 1>I mean he was doing when they still man. That

0:16:52.080 --> 0:16:54.320
<v Speaker 1>was after I don't know what the fund was going on.

0:16:54.560 --> 0:16:57.360
<v Speaker 1>I was like Ship then got give a funk. They

0:16:57.360 --> 0:16:59.760
<v Speaker 1>ain't sucking with me Ship. So I was like this

0:17:00.000 --> 0:17:04.600
<v Speaker 1>it I gotta go. And so I just bounced and yeah,

0:17:04.760 --> 0:17:07.359
<v Speaker 1>I was down like I was death Row to the

0:17:07.440 --> 0:17:10.360
<v Speaker 1>fullests I ain't gonna lie. Everywhere we went we went

0:17:10.960 --> 0:17:12.560
<v Speaker 1>like Ship we went. I remember we used to go

0:17:12.680 --> 0:17:16.560
<v Speaker 1>to that club, all of us, me, Snoop, Sugar, all

0:17:16.640 --> 0:17:19.320
<v Speaker 1>of every all of us we go to the club

0:17:19.480 --> 0:17:23.640
<v Speaker 1>and uh at the world. So one day we went

0:17:23.680 --> 0:17:25.639
<v Speaker 1>to the club and these dudes were sitting in the

0:17:25.760 --> 0:17:28.760
<v Speaker 1>car right in front of the club, under the under

0:17:28.800 --> 0:17:32.920
<v Speaker 1>the little partner structure, and the motherfuckers say, uh fuck

0:17:33.119 --> 0:17:36.399
<v Speaker 1>uh he I think he said fuck death Row. So

0:17:36.680 --> 0:17:39.480
<v Speaker 1>Draydon looked at the nigger dred and shells and looked

0:17:39.480 --> 0:17:42.719
<v Speaker 1>at the nigga. So they kept walking. So when they

0:17:42.800 --> 0:17:46.720
<v Speaker 1>walked past, I stopped asking what he said, and he said,

0:17:46.840 --> 0:17:49.760
<v Speaker 1>fuck that, and I fired on me. Wow, knocked that

0:17:49.880 --> 0:17:52.280
<v Speaker 1>mother for the channel. But I didn't see his homeboys

0:17:53.480 --> 0:17:56.600
<v Speaker 1>nigga ship out my. I ain't gonna lie I got

0:17:56.760 --> 0:18:00.600
<v Speaker 1>I ain't knocked me out out my. And then after

0:18:00.720 --> 0:18:03.960
<v Speaker 1>that drag ship, everybody, we all stars while we beat

0:18:04.000 --> 0:18:06.920
<v Speaker 1>the dog ship out the everywhere we went. I was like,

0:18:07.359 --> 0:18:10.840
<v Speaker 1>I'm taking up, think I'm taking I was death brough

0:18:10.920 --> 0:18:15.120
<v Speaker 1>to the fun I was mask but they what hurt

0:18:15.160 --> 0:18:17.000
<v Speaker 1>me is that they wasn't working with me. So it

0:18:17.080 --> 0:18:20.400
<v Speaker 1>was like, damn, I didn't did all of this ship

0:18:20.800 --> 0:18:23.720
<v Speaker 1>and and been helping out and just you know, and

0:18:23.800 --> 0:18:25.960
<v Speaker 1>I was just crushed because they just they wasn't working

0:18:26.040 --> 0:18:27.560
<v Speaker 1>with me. You know. I called. I was in the

0:18:27.680 --> 0:18:30.640
<v Speaker 1>county jail that called, like, man, I said, she'll you're

0:18:30.640 --> 0:18:32.359
<v Speaker 1>gonna beild me. I'm like, yeah, I'm gonna beil you out.

0:18:32.359 --> 0:18:37.879
<v Speaker 1>I'm gonna bear yup. I didn't get out. My god, damn.

0:18:40.040 --> 0:18:49.080
<v Speaker 1>He never been like damn man, huh yeah. But for

0:18:49.200 --> 0:18:52.960
<v Speaker 1>a lot of people don't know right. Yeah, that's my

0:18:53.080 --> 0:18:58.359
<v Speaker 1>step brother. Yeah, yeah, my dad. Okay, So Dred comes

0:18:58.400 --> 0:19:04.680
<v Speaker 1>to the rescue. Man, you know he what Ship was about?

0:19:08.359 --> 0:19:14.159
<v Speaker 1>I caught it go getting he had to go get you.

0:19:15.800 --> 0:19:19.480
<v Speaker 1>Well you know, uh, James, I I don't know, man,

0:19:19.560 --> 0:19:22.399
<v Speaker 1>I I can't call it. I don't you know. I

0:19:22.520 --> 0:19:28.000
<v Speaker 1>don't know, man, warn Let me ask you this, Yeah yeah,

0:19:28.080 --> 0:19:29.960
<v Speaker 1>let me ask you this. Bro. Just going back to

0:19:30.080 --> 0:19:32.879
<v Speaker 1>all that. So you go through this thing, man, and

0:19:32.960 --> 0:19:35.960
<v Speaker 1>where y'are matching, y'all putting together a classic album? Man?

0:19:37.560 --> 0:19:40.600
<v Speaker 1>What happened? At what point did you start working with um?

0:19:41.640 --> 0:19:43.240
<v Speaker 1>Is that when you want to hooked up? And did

0:19:43.320 --> 0:19:46.640
<v Speaker 1>the endoor smoking all that stuff? Man? That was after

0:19:46.720 --> 0:19:49.800
<v Speaker 1>I left, So that was after you left, right, So

0:19:49.880 --> 0:19:51.280
<v Speaker 1>that's when you want to hook up? What was the

0:19:51.560 --> 0:19:54.000
<v Speaker 1>what was that? Right? Man? I tried to get Graham

0:19:54.160 --> 0:19:57.280
<v Speaker 1>signed over there at Death Fro. So you tried to

0:19:57.320 --> 0:20:00.440
<v Speaker 1>get Mr Grim signed here? Signed up? I tried that.

0:20:00.560 --> 0:20:02.959
<v Speaker 1>I tried to get Graham son. We we actually did

0:20:03.040 --> 0:20:07.960
<v Speaker 1>a record that uh the little Ghetto Boy sample, and

0:20:08.200 --> 0:20:10.439
<v Speaker 1>Graham had done that record before that, and then Dre

0:20:10.680 --> 0:20:12.800
<v Speaker 1>was like, Ship, I'm gonna redo that motherfucker. So he

0:20:12.920 --> 0:20:17.240
<v Speaker 1>redid the little ghetto boy rich sample. He redid it again,

0:20:17.400 --> 0:20:19.879
<v Speaker 1>and and and did uh put them drums on their

0:20:19.920 --> 0:20:22.800
<v Speaker 1>motherfucker and then and and then them live roads and

0:20:22.840 --> 0:20:25.040
<v Speaker 1>ship and that ship was that ship was out of

0:20:25.119 --> 0:20:27.919
<v Speaker 1>this world. I was like, that ship is dope. Ours

0:20:28.040 --> 0:20:32.159
<v Speaker 1>was hard too, though, But I said, man, I was

0:20:32.400 --> 0:20:35.560
<v Speaker 1>I was just. I was just. I was death rowed

0:20:35.600 --> 0:20:38.320
<v Speaker 1>out ship. I was mashing with whatever, whatever we gotta

0:20:38.400 --> 0:20:41.840
<v Speaker 1>do to win, to blow this company up. That's what

0:20:41.960 --> 0:20:44.960
<v Speaker 1>I was on is it's musically. I was just just

0:20:45.080 --> 0:20:47.640
<v Speaker 1>trying to do whatever I could. You know, I didn't care.

0:20:47.680 --> 0:20:50.440
<v Speaker 1>I didn't wasn't didn't care about no paperwork or nothing

0:20:50.480 --> 0:20:52.679
<v Speaker 1>back then because I didn't know nothing about that stuff.

0:20:53.160 --> 0:20:57.320
<v Speaker 1>So I was just doing whatever. Wow, that's crazy, man,

0:20:57.480 --> 0:21:00.800
<v Speaker 1>So let's let's let's go back to this pointing out. Man.

0:21:00.960 --> 0:21:05.000
<v Speaker 1>So you and Mr Grimm is working together, you know,

0:21:05.119 --> 0:21:07.960
<v Speaker 1>indo smoke is taken off and everything else, like, yeah,

0:21:08.600 --> 0:21:11.119
<v Speaker 1>and you wind up and I'm pretty sure you was

0:21:11.200 --> 0:21:14.040
<v Speaker 1>the hottest free agent on the market because you we

0:21:14.200 --> 0:21:18.159
<v Speaker 1>just came. You know, they change of things. So you

0:21:18.359 --> 0:21:21.520
<v Speaker 1>probably wound up even better off in hindsight looking back

0:21:21.600 --> 0:21:25.040
<v Speaker 1>at it, man, Yeah, because you got the benefit of

0:21:25.160 --> 0:21:27.359
<v Speaker 1>going through boot camp. But one of the hottest labels

0:21:27.400 --> 0:21:30.400
<v Speaker 1>at the time. Man, so yeah, tell me this man

0:21:30.680 --> 0:21:33.520
<v Speaker 1>who wasn't besides death Jam that was after your services,

0:21:33.680 --> 0:21:36.439
<v Speaker 1>cause I'm pretty sure they was all lined up. Was like, man,

0:21:36.520 --> 0:21:38.760
<v Speaker 1>they're not messing with It was everybody, man, it was

0:21:38.880 --> 0:21:45.480
<v Speaker 1>dead Jam, it was it was Sony. Uh. I forgot

0:21:45.560 --> 0:21:47.880
<v Speaker 1>this label that two short was on that label back

0:21:48.359 --> 0:21:54.200
<v Speaker 1>but they do Atlantic Uh. It was every lay uh, God, damn,

0:21:54.240 --> 0:21:57.879
<v Speaker 1>what's your name? If every label like in the that

0:21:58.359 --> 0:22:01.040
<v Speaker 1>that you know of, they was all at I think everybody.

0:22:01.400 --> 0:22:04.479
<v Speaker 1>I said, this is totally different from from what I'm

0:22:04.600 --> 0:22:08.000
<v Speaker 1>used to and just doing this and then you know,

0:22:08.119 --> 0:22:10.800
<v Speaker 1>talking to other people and then enlightened people at the

0:22:10.960 --> 0:22:14.920
<v Speaker 1>same time or what you don't have to do or

0:22:15.080 --> 0:22:17.120
<v Speaker 1>you don't have to grow up a certain kind of way.

0:22:17.640 --> 0:22:21.399
<v Speaker 1>You can be successful in anything you do. I'm saying,

0:22:21.880 --> 0:22:26.560
<v Speaker 1>that's something that's totally different from my aspect, and you know,

0:22:26.880 --> 0:22:30.720
<v Speaker 1>I just appreciate I'm able to talk and then you know,

0:22:31.040 --> 0:22:33.240
<v Speaker 1>get to a point where I'm at now and it

0:22:33.400 --> 0:22:36.840
<v Speaker 1>is just cool and you know, you know, talking to

0:22:36.960 --> 0:22:39.920
<v Speaker 1>somebody you know, such as you that been out there

0:22:40.640 --> 0:22:43.680
<v Speaker 1>and did it because I tried to enlighten these youngsters.

0:22:44.200 --> 0:22:46.280
<v Speaker 1>No matter how you used to get down, you can

0:22:46.359 --> 0:22:48.280
<v Speaker 1>come out of that. You can come out of that.

0:22:49.880 --> 0:22:54.880
<v Speaker 1>Every story we do, every story we do, we enlightened

0:22:55.040 --> 0:22:58.439
<v Speaker 1>somebody on Damn, I ain't gotta be like that no more.

0:22:58.480 --> 0:23:03.720
<v Speaker 1>I can do this. There is positivity. If you get

0:23:03.760 --> 0:23:07.640
<v Speaker 1>your ship together, you can't make it. Yeah, so yeah,

0:23:08.359 --> 0:23:15.960
<v Speaker 1>I know that's why. Yes, it fix it fixed a

0:23:16.000 --> 0:23:20.200
<v Speaker 1>lot of ship because you know, like, uh, you know,

0:23:20.400 --> 0:23:23.640
<v Speaker 1>some people might think, you know, just because of Death

0:23:23.760 --> 0:23:26.760
<v Speaker 1>Road that that I could be mad at a at

0:23:26.840 --> 0:23:30.120
<v Speaker 1>Warn I could. I'm mad at Snoop. Yeah, I don't

0:23:30.160 --> 0:23:32.560
<v Speaker 1>have I never like really hung I don't like that

0:23:33.040 --> 0:23:36.400
<v Speaker 1>I was doing that. That's not I kind of thing,

0:23:36.560 --> 0:23:40.240
<v Speaker 1>being around the Superstars and ship. Yeah, job was to

0:23:40.359 --> 0:23:45.720
<v Speaker 1>be a bodyguard, like being there for Snoop at his child. Yeah,

0:23:45.960 --> 0:23:48.720
<v Speaker 1>this job was to keep the riff rapp away, so

0:23:48.880 --> 0:23:54.440
<v Speaker 1>don't nobody funk with him. I didn't mind that in

0:23:54.520 --> 0:23:57.120
<v Speaker 1>that way. All the other ship I didn't. I didn't

0:23:57.160 --> 0:23:59.320
<v Speaker 1>have time for that other ship. I didn't have time

0:24:00.000 --> 0:24:03.959
<v Speaker 1>to be a part of the argument with the artists

0:24:04.200 --> 0:24:08.879
<v Speaker 1>are socializing and getting down like that, Um, I just

0:24:09.080 --> 0:24:12.360
<v Speaker 1>I just had a job and I just did my job. Yes,

0:24:12.480 --> 0:24:16.600
<v Speaker 1>And you know, people say you're mad at one. I

0:24:16.680 --> 0:24:19.760
<v Speaker 1>don't have a reason to be mad at Warren. G Man.

0:24:19.920 --> 0:24:22.320
<v Speaker 1>Warren ain't never hung out and kicked it to have

0:24:22.480 --> 0:24:26.960
<v Speaker 1>an argument. Yeah, so no, I don't have a problem

0:24:27.080 --> 0:24:31.400
<v Speaker 1>with that. Yeah, I have a problem. Well, we gotta ride.

0:24:31.520 --> 0:24:34.399
<v Speaker 1>I got a CBO street glass. We gotta did one

0:24:34.520 --> 0:24:40.960
<v Speaker 1>time man, all right, yeah, yeah, yeah, I got a

0:24:41.040 --> 0:24:44.120
<v Speaker 1>road kid. Man, I'd be on all over the place.

0:24:44.760 --> 0:24:50.919
<v Speaker 1>I'm kiding, so man, I'll be out did yeah did ye.

0:24:51.400 --> 0:25:00.680
<v Speaker 1>I didn't motorcycle thing, but right right, and I'm out loud.

0:25:00.880 --> 0:25:04.280
<v Speaker 1>I ain't join no mnus motorcycle clubs. I just dell

0:25:04.440 --> 0:25:15.080
<v Speaker 1>ride it on. Um yeah yeah yeah, all that dude

0:25:15.119 --> 0:25:20.320
<v Speaker 1>ship and all that meat, and I can't do that. No,

0:25:20.560 --> 0:25:23.280
<v Speaker 1>you don't want to do that, you know, I don't

0:25:23.280 --> 0:25:36.640
<v Speaker 1>want to. But started something. So yeah we're um, yeah,

0:25:36.680 --> 0:25:39.920
<v Speaker 1>we're about to do a Gangster chronicles. Um, a bike club,

0:25:42.119 --> 0:25:44.960
<v Speaker 1>just something that's real cool. Yeah, yeah, we about to

0:25:44.960 --> 0:25:47.800
<v Speaker 1>do you know, a bike set man for the Gangster Chronicles.

0:25:48.080 --> 0:25:50.000
<v Speaker 1>And it's gonna be something cool man, And we go

0:25:50.080 --> 0:25:51.919
<v Speaker 1>ahead home these and like you know, we're gonna get

0:25:51.960 --> 0:25:54.920
<v Speaker 1>Crazy Bone get you know, Crazy Bone get a bike,

0:25:55.000 --> 0:25:56.600
<v Speaker 1>your uncle get a bike. You know what I'm saying,

0:25:56.600 --> 0:25:59.440
<v Speaker 1>We're gonna get just more, a little bit more, just

0:25:59.640 --> 0:26:02.000
<v Speaker 1>like you know, up for x Min. I'm saying that's

0:26:02.040 --> 0:26:03.600
<v Speaker 1>wrong with the other stuff, with something that's a little

0:26:03.640 --> 0:26:06.200
<v Speaker 1>departure to where we have parties and stuff. You know,

0:26:06.280 --> 0:26:08.159
<v Speaker 1>if you got you a three willing, you will come on.

0:26:08.600 --> 0:26:10.320
<v Speaker 1>If you know where you got just come on. And

0:26:10.359 --> 0:26:12.680
<v Speaker 1>it's gonna be more for the social club aspect of it.

0:26:13.000 --> 0:26:17.320
<v Speaker 1>But one of fans give me too much for the music.

0:26:17.400 --> 0:26:19.560
<v Speaker 1>I'm gonna get a million emails like you had them

0:26:19.600 --> 0:26:21.920
<v Speaker 1>on there, you cut them off from this net. Let's

0:26:22.040 --> 0:26:24.040
<v Speaker 1>go back to that. Let's let's go back to that

0:26:24.160 --> 0:26:26.320
<v Speaker 1>time man. We talked about now so you would Mr

0:26:26.440 --> 0:26:29.639
<v Speaker 1>Grim y'all doing y'all thing? Man? Was that before you

0:26:29.760 --> 0:26:32.159
<v Speaker 1>had a deal. Was that something that y'all just independently

0:26:32.240 --> 0:26:36.080
<v Speaker 1>and people started itself to it? Yeah? That that was independent?

0:26:36.440 --> 0:26:39.240
<v Speaker 1>What What what happened was I was actually in a

0:26:39.359 --> 0:26:41.639
<v Speaker 1>session with with Snoop and Dray That's when they was

0:26:42.119 --> 0:26:47.679
<v Speaker 1>doing uhh. I think that the the Snoop Dog Dog

0:26:49.240 --> 0:26:52.520
<v Speaker 1>and John singletonant and UH Paul Stewart was up there

0:26:52.840 --> 0:26:56.200
<v Speaker 1>listening to reractors from drain them and snooting them to

0:26:56.560 --> 0:27:01.000
<v Speaker 1>to put on the UH to put on the UH

0:27:01.800 --> 0:27:05.639
<v Speaker 1>Poet of Justice soundtrack. So I was like, I told

0:27:05.760 --> 0:27:08.040
<v Speaker 1>Paul Stewart. I was like, man, I got a song

0:27:08.200 --> 0:27:12.400
<v Speaker 1>that that can I play for you UH to listen

0:27:12.480 --> 0:27:14.800
<v Speaker 1>to that that could possibly go on the soundtrack. So

0:27:16.520 --> 0:27:18.280
<v Speaker 1>I played and we went to the car, sat in

0:27:18.359 --> 0:27:21.440
<v Speaker 1>the car and played Indoor Smoke. It played for like

0:27:21.640 --> 0:27:25.560
<v Speaker 1>maybe thirty seconds. He said stopped and I said, what's wrong?

0:27:25.720 --> 0:27:28.080
<v Speaker 1>He said, just stops? Can I Can I keep this tape?

0:27:28.080 --> 0:27:31.080
<v Speaker 1>I said yeah, and he kept it. He said give

0:27:31.119 --> 0:27:34.080
<v Speaker 1>me your number, and UH, so I gave my number,

0:27:34.240 --> 0:27:37.240
<v Speaker 1>gave him a page a number, my number in my

0:27:37.359 --> 0:27:41.080
<v Speaker 1>page dumber. So he hit me probably like maybe three

0:27:41.200 --> 0:27:43.600
<v Speaker 1>or four days days later, and he was like, man,

0:27:44.160 --> 0:27:46.440
<v Speaker 1>we want this to be our first single for the party,

0:27:46.560 --> 0:27:49.800
<v Speaker 1>just the soundtrack. And I was like, are you serious?

0:27:50.520 --> 0:27:53.480
<v Speaker 1>He's like, yeah, actually, you know that that was my

0:27:53.760 --> 0:27:57.119
<v Speaker 1>That was my actually my first as an artist. That

0:27:57.240 --> 0:28:00.640
<v Speaker 1>was my first time ever being on wax like as

0:28:00.720 --> 0:28:05.600
<v Speaker 1>a as an artist. But before that, I had UH,

0:28:05.920 --> 0:28:10.000
<v Speaker 1>I worked with Pott and uh em C Breed. Uh.

0:28:10.640 --> 0:28:13.680
<v Speaker 1>It was a dude named Rodney G who was managing

0:28:13.800 --> 0:28:17.800
<v Speaker 1>mc breed and he had he had uh he was

0:28:17.880 --> 0:28:20.960
<v Speaker 1>with he was DLC partner and so he hit me.

0:28:21.040 --> 0:28:23.600
<v Speaker 1>He was like, because Doc knew I I was, I

0:28:23.720 --> 0:28:26.560
<v Speaker 1>was ventious with the production. So Doc turned Rodney G

0:28:26.720 --> 0:28:29.000
<v Speaker 1>on the me and Rodney G hit me like he said, warm,

0:28:30.200 --> 0:28:33.680
<v Speaker 1>uh I'm doing this uh EMC breed album and and

0:28:33.920 --> 0:28:36.280
<v Speaker 1>I was like, ship mc breed that I love him.

0:28:36.320 --> 0:28:39.160
<v Speaker 1>C Breed. Its music is dope. So he said, I

0:28:39.240 --> 0:28:41.440
<v Speaker 1>want you to do a record for him in Tupac

0:28:42.040 --> 0:28:44.360
<v Speaker 1>and I had already met Tupac from when I from

0:28:44.400 --> 0:28:48.880
<v Speaker 1>doing the Actually, no, this this is I'm I gotta

0:28:48.960 --> 0:28:52.840
<v Speaker 1>go back. I'm going back again. So it was Pocking

0:28:53.040 --> 0:28:55.120
<v Speaker 1>and uh Breed. So he's like, I need you to

0:28:55.200 --> 0:28:57.880
<v Speaker 1>do this song for two packing Breed and that's when

0:28:57.920 --> 0:29:01.160
<v Speaker 1>I produced the Uh you gotta get yours, I gotta

0:29:01.240 --> 0:29:04.320
<v Speaker 1>get mine. You gotta get yours, I gotta get mine.

0:29:04.760 --> 0:29:11.360
<v Speaker 1>And uh after that, Uh, I ended up doing Breeds

0:29:11.440 --> 0:29:16.600
<v Speaker 1>whole album after that. Uh. And then from there, yeah,

0:29:16.760 --> 0:29:19.960
<v Speaker 1>I know I'm rambling, y'all going to different now I'm

0:29:19.960 --> 0:29:22.200
<v Speaker 1>trying to get it all in, like go back and

0:29:22.280 --> 0:29:26.480
<v Speaker 1>then get back to where we will. Uh. So that

0:29:26.960 --> 0:29:31.800
<v Speaker 1>that uh uh like I said that that that opened

0:29:31.840 --> 0:29:37.200
<v Speaker 1>me up to uh my first production. You know that

0:29:37.400 --> 0:29:40.480
<v Speaker 1>was really what some real artists was. You know, Tupac

0:29:40.520 --> 0:29:43.520
<v Speaker 1>and Breed gave me a shot to do it. You know,

0:29:43.680 --> 0:29:45.840
<v Speaker 1>they like set it off for me on the production

0:29:45.920 --> 0:29:50.680
<v Speaker 1>tip and then you know, going back to the party justice.

0:29:51.320 --> 0:29:54.080
<v Speaker 1>Uh when when I said, Paul Stewart called me, he

0:29:54.200 --> 0:29:58.280
<v Speaker 1>said that, uh uh this is gonna be our first

0:29:58.360 --> 0:30:03.480
<v Speaker 1>single for the poort, just the soundtrack and uh and

0:30:03.640 --> 0:30:07.520
<v Speaker 1>so I was like, that's dope. So they got paid,

0:30:07.680 --> 0:30:10.680
<v Speaker 1>had a little bit of money. It wasn't a whole lot. Uh.

0:30:11.720 --> 0:30:14.720
<v Speaker 1>And then Tupac called me. He was like, he said, uh,

0:30:16.160 --> 0:30:19.720
<v Speaker 1>I'm working on this this album called Thug Life. He said,

0:30:19.840 --> 0:30:21.960
<v Speaker 1>you got some beach from me. So I said, yeah,

0:30:22.680 --> 0:30:25.520
<v Speaker 1>I said, he's so. But okay, wait, wait, wait, you

0:30:25.600 --> 0:30:28.240
<v Speaker 1>know what this is. Let me let me go back again,

0:30:28.400 --> 0:30:30.800
<v Speaker 1>let me rewind. And I did end or spoke, but

0:30:30.920 --> 0:30:33.240
<v Speaker 1>I was still I had a little bit of money.

0:30:33.280 --> 0:30:35.960
<v Speaker 1>I gotta request add a little bit of money, and

0:30:36.080 --> 0:30:39.200
<v Speaker 1>I was I was I was living with my sister

0:30:39.320 --> 0:30:41.640
<v Speaker 1>at off my chest that I was living in my

0:30:41.920 --> 0:30:43.800
<v Speaker 1>with my sister still in the apartment. I had a

0:30:43.920 --> 0:30:47.440
<v Speaker 1>burgundy reriggor with the beating that motherfucker. So I'm in

0:30:47.600 --> 0:30:50.720
<v Speaker 1>my sister house. I got a phone call and I'm

0:30:50.800 --> 0:30:54.800
<v Speaker 1>like hello and and uh. He was like, this is Tupac.

0:30:55.760 --> 0:30:58.360
<v Speaker 1>Uh I want to I want to want you to

0:30:58.480 --> 0:31:02.360
<v Speaker 1>get out with me on Uh. I'm doing an album

0:31:02.440 --> 0:31:04.760
<v Speaker 1>called Thug Life and I want you again. I didn't

0:31:04.800 --> 0:31:07.200
<v Speaker 1>believe him, so I was like, this ain't no fucking Tupacs.

0:31:07.200 --> 0:31:10.280
<v Speaker 1>So I hung up bam and he called back again

0:31:11.160 --> 0:31:12.960
<v Speaker 1>and then he was like, he was like, man, this

0:31:13.080 --> 0:31:16.400
<v Speaker 1>is Tupac. I'm not you know, this is Tupacs. So

0:31:16.880 --> 0:31:19.160
<v Speaker 1>he said, do you got some beats? And I said,

0:31:19.240 --> 0:31:21.600
<v Speaker 1>I was like, is this really too much? Like yeah,

0:31:21.640 --> 0:31:24.120
<v Speaker 1>I said, I said, hell yeah, I gotta beat. So

0:31:24.240 --> 0:31:26.719
<v Speaker 1>he was like, uh. He said, I'm gonna be at

0:31:26.800 --> 0:31:30.360
<v Speaker 1>Echo Sound I think I think said maybe an hour

0:31:30.440 --> 0:31:33.080
<v Speaker 1>or two hour. And he said, I'm texting I'm gonna

0:31:33.320 --> 0:31:36.400
<v Speaker 1>paid you the uh the address. So he paid me

0:31:36.520 --> 0:31:40.400
<v Speaker 1>the address. I grabbed my drummer, Schae grabbed my records room,

0:31:40.400 --> 0:31:43.680
<v Speaker 1>and the trump hopped in the car. And shot straight

0:31:43.800 --> 0:31:47.840
<v Speaker 1>up to uh. It was called Echo Sound uh in

0:31:47.960 --> 0:31:50.920
<v Speaker 1>Los Felis. I shot up there, walked in and it

0:31:51.120 --> 0:31:53.520
<v Speaker 1>was Tupac and he was like, man, you you I'm

0:31:53.600 --> 0:31:55.400
<v Speaker 1>working on the thug life. He said, do you have

0:31:55.560 --> 0:32:00.680
<v Speaker 1>a a song that I could that that I could

0:32:00.720 --> 0:32:03.720
<v Speaker 1>do this song too? And uh So I was like,

0:32:03.880 --> 0:32:05.520
<v Speaker 1>hell yeah, I got a gang of beat. So I

0:32:05.640 --> 0:32:08.800
<v Speaker 1>just started playing different beats and then he was like

0:32:08.960 --> 0:32:11.840
<v Speaker 1>stop hold up. So he started asking me stuff like

0:32:12.560 --> 0:32:14.120
<v Speaker 1>like what's going on with you? And this and that

0:32:14.200 --> 0:32:16.480
<v Speaker 1>and this? So I started we got into a whole

0:32:16.880 --> 0:32:20.200
<v Speaker 1>like I started just telling me all kind of ship,

0:32:20.280 --> 0:32:22.920
<v Speaker 1>how fucked up I was feeling, as far as not

0:32:23.080 --> 0:32:24.920
<v Speaker 1>being able to be with Snoop and Dre and them

0:32:25.000 --> 0:32:27.320
<v Speaker 1>and just something. You know. I was like, I'm I'm

0:32:27.400 --> 0:32:31.240
<v Speaker 1>just hungry. Just so everything I talked to him about

0:32:32.040 --> 0:32:33.880
<v Speaker 1>he said, now, where is the beat that? So when

0:32:33.920 --> 0:32:37.719
<v Speaker 1>I put the beat on, it was that doooom dono

0:32:37.760 --> 0:32:42.920
<v Speaker 1>boom doom boom boom boom boom boom boom boom boom

0:32:42.960 --> 0:32:46.680
<v Speaker 1>boom boom boom. And then he just said, my definition

0:32:46.760 --> 0:32:49.200
<v Speaker 1>of a theb nigga boooo boom. So he sayy he

0:32:49.320 --> 0:32:51.120
<v Speaker 1>told the engineer like, I need to do the hook.

0:32:51.160 --> 0:32:53.880
<v Speaker 1>I need to do He went did the hook right

0:32:53.920 --> 0:32:58.360
<v Speaker 1>after he did that ship. I was like, he did that, motherfucker.

0:32:58.440 --> 0:33:00.560
<v Speaker 1>And probably it was less than that. I out. I

0:33:00.760 --> 0:33:03.880
<v Speaker 1>was like, what the fuck I said, This nigger went

0:33:04.040 --> 0:33:07.080
<v Speaker 1>and broke this motherfucker everything we talked about. He went

0:33:07.240 --> 0:33:10.240
<v Speaker 1>right in there and wrapped the ship on the fucking

0:33:10.440 --> 0:33:12.760
<v Speaker 1>uh on the on the thing and it blew me away.

0:33:12.800 --> 0:33:14.600
<v Speaker 1>And he was like, warning, you got something for the hook.

0:33:15.360 --> 0:33:18.600
<v Speaker 1>And so I was like, all I could think about

0:33:18.720 --> 0:33:23.480
<v Speaker 1>was Roxanne, Sean roxand Shan take every tears the season

0:33:23.680 --> 0:33:27.360
<v Speaker 1>to be serving. Now what you're doing, my mav. And

0:33:27.440 --> 0:33:31.320
<v Speaker 1>luck of motherfucker, tears the season to be serving what

0:33:31.520 --> 0:33:34.520
<v Speaker 1>you're doing, my mab And luck of motherfucker, that ship

0:33:34.760 --> 0:33:39.800
<v Speaker 1>was hard than a motherfucker. And uh, we were sitting

0:33:39.840 --> 0:33:43.040
<v Speaker 1>in there. We were sitting in there and uh, Big

0:33:43.120 --> 0:33:49.160
<v Speaker 1>Site came in there. Uh ratedar uh Mac ten and

0:33:49.440 --> 0:33:53.240
<v Speaker 1>uh who else was I think it was another cat

0:33:53.360 --> 0:33:58.120
<v Speaker 1>named little Site. Uh. And they had came and told

0:33:58.160 --> 0:34:02.320
<v Speaker 1>Tupac that his buddy got shot at Detroit. And he

0:34:02.720 --> 0:34:05.360
<v Speaker 1>immediately said, he said, warn that you got a beat

0:34:05.400 --> 0:34:07.840
<v Speaker 1>another beat for me, I'm gonna do a song for

0:34:07.920 --> 0:34:11.719
<v Speaker 1>a by my homeboard Detroit. So him big psyching Mac

0:34:11.760 --> 0:34:14.200
<v Speaker 1>Cannon radar ar. They all wrapped on the song. So

0:34:14.280 --> 0:34:17.680
<v Speaker 1>I called Nate like, Nate, I'm up here with Tupac Nigga.

0:34:18.160 --> 0:34:22.640
<v Speaker 1>He wants you to come sing on the hook. They

0:34:22.800 --> 0:34:25.080
<v Speaker 1>came up there, I said. He thought I was bullshit too.

0:34:25.160 --> 0:34:27.120
<v Speaker 1>I was like, I don't know. I said, Nick, I'm

0:34:27.120 --> 0:34:30.399
<v Speaker 1>in the studio with Poc Nigger. Come up. So they

0:34:30.560 --> 0:34:32.520
<v Speaker 1>came up and then that's when they came up and

0:34:32.600 --> 0:34:34.680
<v Speaker 1>we did that. How long were they more on me?

0:34:35.440 --> 0:34:38.719
<v Speaker 1>I wish it was another I called him up there

0:34:38.760 --> 0:34:42.200
<v Speaker 1>and he came and and uh laid the hook down

0:34:42.320 --> 0:34:44.520
<v Speaker 1>for him. Man, it was that was you know, like

0:34:45.200 --> 0:34:49.200
<v Speaker 1>all of those were like my introduction into to uh

0:34:50.680 --> 0:34:53.560
<v Speaker 1>into the music, you know, to to like really being

0:34:53.600 --> 0:34:58.759
<v Speaker 1>a professional and in the music, you know. And that's

0:34:58.880 --> 0:35:01.200
<v Speaker 1>that's like where it started as far as me getting

0:35:01.239 --> 0:35:04.600
<v Speaker 1>into the music. And then their record companies was like

0:35:05.800 --> 0:35:08.480
<v Speaker 1>ship you know, those tons of it was on me.

0:35:08.760 --> 0:35:11.399
<v Speaker 1>And uh So what I did was when I heard

0:35:11.440 --> 0:35:14.080
<v Speaker 1>that Jeff jam was on me, I was like I

0:35:14.160 --> 0:35:16.239
<v Speaker 1>had to say, wait a minute. I was like, I

0:35:16.360 --> 0:35:22.040
<v Speaker 1>said the Beastie Boys. I said, run DMC bad Boys.

0:35:22.760 --> 0:35:26.400
<v Speaker 1>I was just like LLL coo j Uh. I was

0:35:26.560 --> 0:35:31.319
<v Speaker 1>like slick rig. I was like, I said, now, why

0:35:31.480 --> 0:35:33.640
<v Speaker 1>should I deal with this company over here at this

0:35:33.760 --> 0:35:36.120
<v Speaker 1>company and over there that company when I could deal

0:35:36.200 --> 0:35:39.920
<v Speaker 1>with them and everybody with that company has been successful.

0:35:41.000 --> 0:35:43.920
<v Speaker 1>So I'm like, ship, I'm probably up, but the motherfucker's

0:35:44.160 --> 0:35:46.120
<v Speaker 1>on me. So I said, I'm gonna sunk with deav

0:35:46.239 --> 0:35:50.839
<v Speaker 1>Jail because they're they're hip hop company all the way.

0:35:50.920 --> 0:35:52.719
<v Speaker 1>They ain't like an epic where they got all that

0:35:52.960 --> 0:35:55.560
<v Speaker 1>R and B stuff and all this jazz, and these

0:35:55.640 --> 0:35:58.600
<v Speaker 1>guys are strictly hip hop. So I was like, fucking,

0:35:58.680 --> 0:36:02.840
<v Speaker 1>I'm working with deaf Jams and Uh. They flew me

0:36:02.960 --> 0:36:06.880
<v Speaker 1>out there, Uh me and the twins. I asked the

0:36:06.920 --> 0:36:08.799
<v Speaker 1>twins to fly with me. I was like, man, y'all

0:36:08.880 --> 0:36:13.200
<v Speaker 1>fly with me please, and UH got me out there.

0:36:13.280 --> 0:36:14.960
<v Speaker 1>I got a call in the morning. We went to

0:36:15.040 --> 0:36:17.880
<v Speaker 1>State at the embassy suite. That next morning, I got

0:36:18.040 --> 0:36:22.520
<v Speaker 1>a call. It was LLL coo J was downstairs to

0:36:22.880 --> 0:36:24.759
<v Speaker 1>UH and he was like, man, I want to take

0:36:24.800 --> 0:36:27.760
<v Speaker 1>you through Queens. So I took one of the twins.

0:36:27.840 --> 0:36:29.520
<v Speaker 1>I said man, come on, because I don't know if

0:36:29.600 --> 0:36:33.640
<v Speaker 1>this motherfucker it's real. That's when that's I hope I

0:36:33.880 --> 0:36:36.200
<v Speaker 1>get in trouble saying it. But that's when you could

0:36:36.360 --> 0:36:41.040
<v Speaker 1>sneak a gun on the plane. And I I had

0:36:41.080 --> 0:36:44.080
<v Speaker 1>it in my shoe. I got it up to the place,

0:36:44.120 --> 0:36:47.560
<v Speaker 1>so I had my ship. So I'm like, funding I said,

0:36:47.600 --> 0:36:48.880
<v Speaker 1>the one ain't come with me because this is the

0:36:48.960 --> 0:36:52.040
<v Speaker 1>nigga some nigger downstairs talking about he LLL cool Jack.

0:36:52.480 --> 0:36:55.080
<v Speaker 1>So I'm like, we get down there and it was

0:36:55.160 --> 0:36:58.560
<v Speaker 1>that nigga. It was there. I was tweaking, like I

0:36:58.719 --> 0:37:02.080
<v Speaker 1>can't believe l Crewe. They that fucking came and picked

0:37:02.120 --> 0:37:05.239
<v Speaker 1>me up. So he took us through this neighborhood and

0:37:05.320 --> 0:37:07.359
<v Speaker 1>showed us all kind of ship, took us to the mall,

0:37:08.160 --> 0:37:10.400
<v Speaker 1>then took us to the house where it all started.

0:37:10.440 --> 0:37:12.600
<v Speaker 1>He showed us the basement. I had never seen that

0:37:12.719 --> 0:37:15.880
<v Speaker 1>many clothes and shoes in my life. He had the

0:37:15.960 --> 0:37:19.560
<v Speaker 1>motherfucking light green Suzuki sidekick, the one he used and

0:37:19.840 --> 0:37:21.920
<v Speaker 1>I think with Brenda got a big old but he

0:37:22.080 --> 0:37:24.800
<v Speaker 1>had the same one sitting right outside. I was like,

0:37:25.120 --> 0:37:29.719
<v Speaker 1>oh my god, I'm in heaven right now. That's how

0:37:29.800 --> 0:37:32.000
<v Speaker 1>they did it. They had him come schooled me up,

0:37:32.120 --> 0:37:35.239
<v Speaker 1>like to welcome me into the family. So I'm like,

0:37:35.400 --> 0:37:37.520
<v Speaker 1>all right, ship, it's all good. But then niggas, I

0:37:37.520 --> 0:37:39.359
<v Speaker 1>ain't gonna lie. They showed me a lot of love

0:37:39.440 --> 0:37:42.640
<v Speaker 1>out there, man, you know. But I still was like,

0:37:44.160 --> 0:37:46.200
<v Speaker 1>I'm right with my funcks, you know what I mean,

0:37:46.840 --> 0:37:50.200
<v Speaker 1>which was death Row. I'm still righting with with death

0:37:50.239 --> 0:37:52.040
<v Speaker 1>from I know. I'm on the East Coast, but I'm

0:37:52.160 --> 0:37:56.560
<v Speaker 1>riding with death Row. And uh, I ain't gonna live,

0:37:56.680 --> 0:38:00.439
<v Speaker 1>Swear to god, I ain't. I had landed at John

0:38:00.560 --> 0:38:03.560
<v Speaker 1>Waite Airport, and I didn't way. Every time we landed

0:38:03.640 --> 0:38:05.759
<v Speaker 1>Johnny White Airport. When we get in the car, first

0:38:05.800 --> 0:38:07.719
<v Speaker 1>thing we do is turn on the Hot nunety seven

0:38:07.800 --> 0:38:10.520
<v Speaker 1>to see what's playing on the radio. And that's when

0:38:10.600 --> 0:38:14.600
<v Speaker 1>I heard, uh, when Biggie was on the air and

0:38:14.719 --> 0:38:16.239
<v Speaker 1>all that. It was a bunch of niggas on the

0:38:16.239 --> 0:38:18.799
<v Speaker 1>air talking about the niggas out here such such such

0:38:19.400 --> 0:38:23.040
<v Speaker 1>a little video. Because I was out there, I was like,

0:38:23.360 --> 0:38:26.400
<v Speaker 1>oh God, I can't believe I heard the ship. So

0:38:26.440 --> 0:38:29.200
<v Speaker 1>I'm calling, like, did you hear that ship on the radio?

0:38:29.600 --> 0:38:32.040
<v Speaker 1>That ship? I said, y'all niggas would be careful, man,

0:38:32.080 --> 0:38:36.200
<v Speaker 1>and these niggas tripping and then that bullshit happened when

0:38:36.239 --> 0:38:38.400
<v Speaker 1>they was in Brooklyn, like the ship that happened. I

0:38:38.520 --> 0:38:41.879
<v Speaker 1>was like, I was out there, so I came trying

0:38:41.920 --> 0:38:45.520
<v Speaker 1>to find They went to New Jersey and I came

0:38:45.600 --> 0:38:47.480
<v Speaker 1>over trying to find them catch up with him in

0:38:47.520 --> 0:38:50.520
<v Speaker 1>New Jersey. But by that time, everybody, you know, they

0:38:51.000 --> 0:38:53.239
<v Speaker 1>it was over. When niggas getting ready to get back

0:38:53.239 --> 0:38:57.759
<v Speaker 1>to the house. Yeah. Wow. So let me ask you this, man,

0:38:58.200 --> 0:39:00.480
<v Speaker 1>you're going through the whole transition. Man, you've got this

0:39:00.560 --> 0:39:08.440
<v Speaker 1>big deal with death jam at any point, death at

0:39:08.480 --> 0:39:10.759
<v Speaker 1>any point? Can can you hear me? Whether you're working

0:39:10.800 --> 0:39:13.000
<v Speaker 1>from the house or working on your fitness at the gym.

0:39:13.400 --> 0:39:15.359
<v Speaker 1>You want what you're listening to to be what you're

0:39:15.480 --> 0:39:18.480
<v Speaker 1>listening to, not what your neighbor your kids are listening to.

0:39:19.040 --> 0:39:21.560
<v Speaker 1>Everyone needs a great pair of wireless ear buzzs. But

0:39:21.640 --> 0:39:23.600
<v Speaker 1>before you go dropping the bank roll in the pair,

0:39:23.880 --> 0:39:26.160
<v Speaker 1>you need to check out the wireless earbus ray Con.

0:39:26.640 --> 0:39:29.600
<v Speaker 1>You already know Raycon Earbus started about half the price

0:39:29.680 --> 0:39:32.320
<v Speaker 1>if any other premium wireless earbud in the market, and

0:39:32.400 --> 0:39:34.799
<v Speaker 1>if they sound even more amazing than the other top

0:39:34.840 --> 0:39:37.879
<v Speaker 1>audio brands that you know. The newest model that every

0:39:37.960 --> 0:39:41.239
<v Speaker 1>day ear Budds are the best ones yet with six

0:39:41.320 --> 0:39:45.000
<v Speaker 1>hours of playtime, seamless Bluetooth pairing, more base, and a

0:39:45.120 --> 0:39:48.200
<v Speaker 1>more compact design that gives you a nice noise isolating fit.

0:39:48.840 --> 0:39:52.600
<v Speaker 1>Ray Coons wireless ear budds are comfortable, perfect for conference calls,

0:39:52.640 --> 0:39:55.840
<v Speaker 1>the benching on podcasts. I even use them recording against

0:39:55.840 --> 0:39:59.520
<v Speaker 1>the chronicles. Unlike some of your other wireless options, Raycon

0:39:59.640 --> 0:40:02.960
<v Speaker 1>your of both stylish and discreet, with no dangling wires

0:40:03.080 --> 0:40:05.840
<v Speaker 1>or stems to distract anyone doing video. You've heard me

0:40:05.920 --> 0:40:08.120
<v Speaker 1>talk about how the company was co founded by Ray

0:40:08.239 --> 0:40:11.279
<v Speaker 1>J and celebrities like Snoop Dogg and Cardi B. They

0:40:11.320 --> 0:40:13.759
<v Speaker 1>are all obsessed with ray Cooms. Pick up, appear and

0:40:13.800 --> 0:40:15.800
<v Speaker 1>see what the hype is all about. Now is the

0:40:15.880 --> 0:40:18.440
<v Speaker 1>time to get the latest and greatest and Raycom. Get

0:40:18.520 --> 0:40:21.359
<v Speaker 1>fifteen percent off your order at by Recon dot com

0:40:21.480 --> 0:40:25.000
<v Speaker 1>slash t GC one oh one that's by Recon dot

0:40:25.080 --> 0:40:28.120
<v Speaker 1>com slash t gc one on one for fifteen percent

0:40:28.200 --> 0:40:32.480
<v Speaker 1>off Recon Wireless ere buds by Recon dot Com slash

0:40:32.600 --> 0:40:34.960
<v Speaker 1>t gc one on one and tell them against the

0:40:35.040 --> 0:40:41.560
<v Speaker 1>chronicle SENTI Yeah, at any point, did death Row kind

0:40:41.560 --> 0:40:43.520
<v Speaker 1>of trip out a little bit that you went over

0:40:43.600 --> 0:40:45.600
<v Speaker 1>there to death Jam. Did they try to claim you

0:40:45.640 --> 0:40:49.200
<v Speaker 1>as their artists at any time? Ship Ship was mad

0:40:49.280 --> 0:40:52.720
<v Speaker 1>than a motherfucker. But it's like you had the chance

0:40:52.800 --> 0:40:57.840
<v Speaker 1>to sign me mad when you had the chances beign me.

0:40:59.280 --> 0:41:01.120
<v Speaker 1>It's like you can't ain't get mad when you had

0:41:01.200 --> 0:41:03.200
<v Speaker 1>the chance to sign me that you knew I was

0:41:03.680 --> 0:41:07.279
<v Speaker 1>ride and dive with y'all right down to the max. Man,

0:41:08.160 --> 0:41:12.360
<v Speaker 1>I don't think child knew what he actually had, you

0:41:12.760 --> 0:41:18.759
<v Speaker 1>Snoop tuparc just with all of you guys. Man, I mean,

0:41:18.840 --> 0:41:21.800
<v Speaker 1>I don't think he even imagined. He just knew what

0:41:22.120 --> 0:41:25.759
<v Speaker 1>he really had. He had a golden Dre. I mean

0:41:26.960 --> 0:41:31.400
<v Speaker 1>the way you, the way you were, the way Dre was, Uh, Snoop,

0:41:31.640 --> 0:41:35.320
<v Speaker 1>he had nothing but talent. And it's like you just

0:41:35.480 --> 0:41:41.480
<v Speaker 1>all squandered away everybody doing good. But man, just just

0:41:41.920 --> 0:41:43.879
<v Speaker 1>where that would have took it? Do you ever think

0:41:43.960 --> 0:41:47.800
<v Speaker 1>about if I was reading there, bro, it would probably

0:41:47.800 --> 0:41:51.960
<v Speaker 1>would have been different Ship. I don't mean I don't know,

0:41:53.320 --> 0:41:57.600
<v Speaker 1>I mean, uh, it probably would have been. It probably

0:41:57.640 --> 0:41:59.840
<v Speaker 1>would have been I'm pretty sure it would have been cold,

0:42:00.160 --> 0:42:03.120
<v Speaker 1>you know, everything would have been good. But I don't

0:42:03.160 --> 0:42:05.279
<v Speaker 1>know if I probably would have blew up as big

0:42:05.360 --> 0:42:10.360
<v Speaker 1>as I did being over there with dev Jam. But

0:42:10.680 --> 0:42:14.800
<v Speaker 1>what I did do is I came back to Shig

0:42:14.920 --> 0:42:17.480
<v Speaker 1>and Dre and I said, I got this song right here.

0:42:17.560 --> 0:42:20.760
<v Speaker 1>Can I get this on the soundtrack which was above

0:42:20.840 --> 0:42:24.880
<v Speaker 1>the RAM, which was regulated, which was the biggest recorded.

0:42:25.120 --> 0:42:28.880
<v Speaker 1>So the whole soundtrack made that's almost three million records,

0:42:29.600 --> 0:42:32.360
<v Speaker 1>and then I took the same re released it on

0:42:32.560 --> 0:42:34.840
<v Speaker 1>my for my solo album, and then it made my

0:42:35.040 --> 0:42:40.880
<v Speaker 1>record saill four million and almost twelve worldwide. So if

0:42:41.040 --> 0:42:43.160
<v Speaker 1>I saw I came, I came back and I gave

0:42:43.800 --> 0:42:47.120
<v Speaker 1>that gift back for you know, for my you know,

0:42:47.280 --> 0:42:50.879
<v Speaker 1>not not really a gift, but just showing like y'all

0:42:50.960 --> 0:42:54.200
<v Speaker 1>still my niggas like bamn, yere gon regulate take that

0:42:54.360 --> 0:42:56.840
<v Speaker 1>on the side. And I ain't ship they did. I

0:42:56.920 --> 0:43:01.080
<v Speaker 1>get broke off of that le or and should probably

0:43:01.120 --> 0:43:04.000
<v Speaker 1>had that they you know, exchange some type of bread.

0:43:04.320 --> 0:43:08.879
<v Speaker 1>I didn't get a lot. I know that time man,

0:43:09.000 --> 0:43:13.239
<v Speaker 1>so so so so let me ask you warn you're

0:43:13.280 --> 0:43:17.160
<v Speaker 1>going through this whole thing, man with death jam down everything,

0:43:17.239 --> 0:43:19.520
<v Speaker 1>and then you start to label because I noticed you

0:43:19.600 --> 0:43:21.480
<v Speaker 1>was the first one really to kick your label off

0:43:21.600 --> 0:43:24.400
<v Speaker 1>the ground. You were second. Got the Twins, Twins and

0:43:24.480 --> 0:43:29.799
<v Speaker 1>everybody else man all that transpo. Uh, I just they

0:43:29.960 --> 0:43:33.439
<v Speaker 1>was down with me and and just just I knew

0:43:33.480 --> 0:43:35.680
<v Speaker 1>that I knew they had talent. So I was like, shit,

0:43:35.840 --> 0:43:38.560
<v Speaker 1>I'm I'm starting to make a name for myself, so

0:43:38.640 --> 0:43:41.080
<v Speaker 1>I want to help everybody else try to get their

0:43:41.160 --> 0:43:44.279
<v Speaker 1>name going. The Twins made, they made, They did their thing.

0:43:44.360 --> 0:43:47.600
<v Speaker 1>They was they was, they were, they was, they was.

0:43:47.680 --> 0:43:50.080
<v Speaker 1>They were doing their thing. The five footage they was dope.

0:43:52.480 --> 0:43:54.759
<v Speaker 1>I mean everybody I worked through it was dope. Man.

0:43:55.920 --> 0:43:59.759
<v Speaker 1>You know, they all got a chance to do their thing. Man,

0:44:00.040 --> 0:44:07.319
<v Speaker 1>Twins that ship to Gold Record, Yeah they were they

0:44:08.320 --> 0:44:11.080
<v Speaker 1>they ship they were just the file for this was dope.

0:44:11.160 --> 0:44:15.040
<v Speaker 1>But they were just just couldn't we couldn't get get him.

0:44:15.080 --> 0:44:17.920
<v Speaker 1>They all agree with each other, you know, so that

0:44:18.160 --> 0:44:21.520
<v Speaker 1>that kind of got crazy. But they're still my girls too.

0:44:21.600 --> 0:44:25.080
<v Speaker 1>They dog um. I mean it was just I just

0:44:25.480 --> 0:44:28.200
<v Speaker 1>took care of everybody. They made a lot of money,

0:44:28.320 --> 0:44:30.560
<v Speaker 1>Like without even having a record out. I took him

0:44:30.600 --> 0:44:34.759
<v Speaker 1>on tour with me and everybody made money. Like I

0:44:34.920 --> 0:44:37.120
<v Speaker 1>was giving them, you know, made sure they was good.

0:44:37.280 --> 0:44:39.080
<v Speaker 1>You know what I mean. Let me ask you this

0:44:39.239 --> 0:44:41.920
<v Speaker 1>one because I had this the big question everybody wanted

0:44:41.960 --> 0:44:48.799
<v Speaker 1>them all that. You know what I'm about to ask you, right,

0:44:49.480 --> 0:44:52.319
<v Speaker 1>it was howcome how come you and Snoop things never

0:44:52.360 --> 0:44:57.640
<v Speaker 1>did in the record? Man? We did the two one

0:44:57.760 --> 0:45:01.320
<v Speaker 1>three record. Yeah, look at the two one three regular.

0:45:01.320 --> 0:45:04.680
<v Speaker 1>But I'm talking about hardcome Warren and Snoop thing never

0:45:04.760 --> 0:45:07.239
<v Speaker 1>said down. You know what I'm saying. Warren the two

0:45:07.320 --> 0:45:10.120
<v Speaker 1>one three record, that's your group record. I'm seeing on

0:45:10.239 --> 0:45:13.240
<v Speaker 1>all them albums that he had haw Com and Warren

0:45:13.320 --> 0:45:15.680
<v Speaker 1>and Snoop ain't never said in just with a warrenge

0:45:15.920 --> 0:45:20.440
<v Speaker 1>banger ship. I can't call it still. I mean, you

0:45:20.520 --> 0:45:24.840
<v Speaker 1>gotta ask Snoop that one, because i mean, I'm always

0:45:24.920 --> 0:45:28.600
<v Speaker 1>I've always been there, you know, for musically and you

0:45:28.680 --> 0:45:32.200
<v Speaker 1>know whatever, you know, But that's it's that's something you

0:45:32.320 --> 0:45:35.040
<v Speaker 1>probably gotta ask him. I'm I'm always down to get

0:45:35.080 --> 0:45:40.120
<v Speaker 1>out with whoever. You know, it don't matter to meybe, Yeah,

0:45:40.320 --> 0:45:48.280
<v Speaker 1>nickcause because you've been busy. Man again, Um, I looked

0:45:48.360 --> 0:45:51.200
<v Speaker 1>up and you come with this single with young Jeezy Man.

0:45:51.280 --> 0:45:54.520
<v Speaker 1>How did you look up with you. I heard that

0:45:54.880 --> 0:45:57.960
<v Speaker 1>was like this ship hard. It's a motherfucker right. There

0:45:58.040 --> 0:46:00.920
<v Speaker 1>was a different song than what do you normally? Yeah,

0:46:01.040 --> 0:46:04.879
<v Speaker 1>one of one of my buddies. Uh, that's that's that's

0:46:04.960 --> 0:46:07.600
<v Speaker 1>locked up out there. And Georgia was was in jail

0:46:07.680 --> 0:46:10.760
<v Speaker 1>with one of his buddies. Uh actually this name scrapped.

0:46:10.800 --> 0:46:14.080
<v Speaker 1>That one of Jesus type buddies name scrapped. He was,

0:46:14.320 --> 0:46:16.359
<v Speaker 1>he was, well, he was locked up with another dude

0:46:16.440 --> 0:46:20.040
<v Speaker 1>that that I know from Atlanta, and uh, well that's

0:46:20.080 --> 0:46:23.440
<v Speaker 1>from here. But when jail and Atlanta forever, he ain't

0:46:23.440 --> 0:46:27.279
<v Speaker 1>never getting there and uh but I hope he do.

0:46:27.760 --> 0:46:34.960
<v Speaker 1>But uh they he tapped in with Jesus people, uh

0:46:36.200 --> 0:46:38.279
<v Speaker 1>and told and tapped in with what another one of

0:46:38.360 --> 0:46:43.719
<v Speaker 1>my buddies. And he calls me, He like, nigga, Jess

0:46:43.840 --> 0:46:46.360
<v Speaker 1>wants you to bring some beach down to the video shoot.

0:46:46.400 --> 0:46:48.879
<v Speaker 1>I was. I was like, man, I'm not getting ready

0:46:48.920 --> 0:46:51.160
<v Speaker 1>to funk with this nigga. I don't even know. I

0:46:51.320 --> 0:46:55.640
<v Speaker 1>was like shot. I just did. I wasn't I didn't

0:46:55.640 --> 0:46:58.560
<v Speaker 1>have like I wasn't like motivated to really do a lot.

0:46:58.719 --> 0:47:01.000
<v Speaker 1>I was just I don't know. I was just in

0:47:01.080 --> 0:47:03.319
<v Speaker 1>a different space. I was just tripping a little bit,

0:47:03.440 --> 0:47:06.640
<v Speaker 1>but I said, fuck it all right, let me go ahead.

0:47:06.680 --> 0:47:09.680
<v Speaker 1>So I paddled up about maybe ten or fifteen tracks

0:47:10.880 --> 0:47:15.919
<v Speaker 1>went up there. Uh, he had had he was sitting

0:47:15.960 --> 0:47:17.960
<v Speaker 1>in his Bentley. So I went jumped into Bentley with

0:47:18.120 --> 0:47:20.279
<v Speaker 1>him to start playing tracks. And he was just like,

0:47:20.840 --> 0:47:23.319
<v Speaker 1>I want this track. I'm on this track, this track,

0:47:23.400 --> 0:47:26.360
<v Speaker 1>and this track. He picked like about five of and

0:47:26.600 --> 0:47:30.040
<v Speaker 1>uh ship out. He said, I'm gonna hit you when

0:47:30.080 --> 0:47:33.120
<v Speaker 1>I do a record. Uh. So he hit me probably

0:47:33.200 --> 0:47:38.920
<v Speaker 1>like about maybe maybe three maybe three weeks after that. Uh,

0:47:39.040 --> 0:47:43.920
<v Speaker 1>he called me screaming, whoam we gonna hit nig up?

0:47:44.360 --> 0:47:46.920
<v Speaker 1>We gotta hit like just we gotta hit nig up,

0:47:47.440 --> 0:47:49.719
<v Speaker 1>something like, what's going on? Man? What's going on? He said,

0:47:49.760 --> 0:47:51.600
<v Speaker 1>think of that song you gave me that, so hit

0:47:51.719 --> 0:47:55.600
<v Speaker 1>nig up. That's gonna be my first single. So I

0:47:55.719 --> 0:47:59.000
<v Speaker 1>was like, is that right? I was like, congratulations man,

0:48:00.000 --> 0:48:02.680
<v Speaker 1>and Kevin lows on all of them. They was congratulating

0:48:02.719 --> 0:48:05.880
<v Speaker 1>me on giving him a great single with Neo and

0:48:06.120 --> 0:48:09.759
<v Speaker 1>uh and uh that's how that record went. That was

0:48:10.080 --> 0:48:13.279
<v Speaker 1>that was his biggest single ever, even even though he

0:48:13.400 --> 0:48:16.320
<v Speaker 1>did that My President is Black, the one that the

0:48:16.640 --> 0:48:19.520
<v Speaker 1>Leave You Alone is the biggest record he ever had,

0:48:21.160 --> 0:48:23.680
<v Speaker 1>you know, So that that was it felt pretty good

0:48:23.800 --> 0:48:25.719
<v Speaker 1>just to get back, get back in there and and

0:48:26.239 --> 0:48:30.279
<v Speaker 1>and give a younger artist some music. And it's still

0:48:30.400 --> 0:48:32.720
<v Speaker 1>be just as dope. Like any of these young artists

0:48:32.840 --> 0:48:36.480
<v Speaker 1>right now. I guarantee you they get up under any

0:48:36.560 --> 0:48:39.120
<v Speaker 1>of my ship, that ship is gonna change. I ain't

0:48:39.160 --> 0:48:42.479
<v Speaker 1>just saying this ship because you know, just to trying

0:48:42.520 --> 0:48:45.959
<v Speaker 1>to pump myself up and you know, but I really

0:48:46.040 --> 0:48:48.520
<v Speaker 1>make dope music and I would love to hear some

0:48:48.640 --> 0:48:52.520
<v Speaker 1>of these younger artists. Actually it's a cat out of Atlanta.

0:48:52.520 --> 0:48:55.920
<v Speaker 1>I did some records with Name Block. He pretty dope.

0:48:57.000 --> 0:49:01.560
<v Speaker 1>Uh that nigga, that nigga that he fused with Rick Ross,

0:49:01.640 --> 0:49:04.440
<v Speaker 1>that them niggas is that nigga's gonna be hard? I

0:49:04.520 --> 0:49:08.839
<v Speaker 1>shot him some bangers. M hmmm, No, that's what That's

0:49:08.880 --> 0:49:12.840
<v Speaker 1>what I wanted to ask you two one you probably

0:49:12.960 --> 0:49:15.960
<v Speaker 1>man is one of the most prolific producers on the

0:49:16.040 --> 0:49:19.520
<v Speaker 1>West Coast. And you gotta and you know you can't

0:49:19.640 --> 0:49:23.799
<v Speaker 1>say that the originator of the g funk South Well,

0:49:23.840 --> 0:49:29.239
<v Speaker 1>I was turned down to the love the sound, Yeah,

0:49:29.360 --> 0:49:32.640
<v Speaker 1>well my sound. Yeah that de funk Era, but I

0:49:32.760 --> 0:49:37.040
<v Speaker 1>was turned down to to uh the G funk by

0:49:38.000 --> 0:49:43.560
<v Speaker 1>seven and UH one eight seven and uh uh lay

0:49:43.600 --> 0:49:46.880
<v Speaker 1>Law CAMG one a seven cam g lay Law and

0:49:46.960 --> 0:49:52.680
<v Speaker 1>go Mat and tokay. Yeah. Yeah, they took me and

0:49:52.760 --> 0:49:56.680
<v Speaker 1>they took me under their wings back in the n

0:49:56.880 --> 0:50:02.360
<v Speaker 1>w A days. Um they was working with Drake in

0:50:02.480 --> 0:50:04.600
<v Speaker 1>the n w A And Man, I used to go up,

0:50:04.719 --> 0:50:06.640
<v Speaker 1>you know, just to go sitting around at the studio

0:50:06.800 --> 0:50:09.600
<v Speaker 1>just too. This was that I knew she was way

0:50:09.680 --> 0:50:13.279
<v Speaker 1>back in. I wasn't number like sixteen fifteen, sixteen years

0:50:13.320 --> 0:50:15.880
<v Speaker 1>oh and uh I used to go up to the

0:50:15.960 --> 0:50:20.880
<v Speaker 1>studio with them, and uh we kind of just clicked,

0:50:21.000 --> 0:50:22.799
<v Speaker 1>you know what I mean. They used to I used

0:50:22.840 --> 0:50:26.280
<v Speaker 1>to be clowning a lot, talking ship just niggas laughing

0:50:26.320 --> 0:50:28.640
<v Speaker 1>and ship. So we just we clicked. And I was

0:50:28.719 --> 0:50:31.400
<v Speaker 1>kind of like in a situation where I was pretty

0:50:31.480 --> 0:50:36.080
<v Speaker 1>much homeless, and UH one eighty seven then took me in.

0:50:36.840 --> 0:50:38.920
<v Speaker 1>So I went and stayed with them up in Colton,

0:50:40.960 --> 0:50:44.839
<v Speaker 1>and uh, I lived with them, you know, for ship

0:50:45.120 --> 0:50:48.439
<v Speaker 1>for a while. Maybe I don't think it was a year,

0:50:48.880 --> 0:50:51.759
<v Speaker 1>but I lived with them for a while. And you

0:50:51.840 --> 0:50:54.799
<v Speaker 1>know that G Funk was I was became a part

0:50:54.840 --> 0:50:57.000
<v Speaker 1>of it because that was they that's what they started.

0:50:57.320 --> 0:51:00.279
<v Speaker 1>They started to g funk, But I I started the

0:51:00.360 --> 0:51:03.640
<v Speaker 1>g funk error. That's me, you know, as far as

0:51:03.760 --> 0:51:06.600
<v Speaker 1>my sound. But it's a it's a it's a branch,

0:51:06.680 --> 0:51:09.680
<v Speaker 1>you know, part of of the of the stamp at

0:51:09.719 --> 0:51:13.200
<v Speaker 1>one age seven and put down. Yeah, but I'm just

0:51:13.360 --> 0:51:16.600
<v Speaker 1>a branch of it. But I made it into I

0:51:16.760 --> 0:51:24.000
<v Speaker 1>made it international. Yeah right. Yeah, that's a whole lot

0:51:24.040 --> 0:51:28.520
<v Speaker 1>of history right there, man. And we definitely man need

0:51:28.600 --> 0:51:31.800
<v Speaker 1>to have more Warren g in the stratosphere, you know

0:51:31.840 --> 0:51:35.400
<v Speaker 1>what I mean. It's all good. I gotta I got

0:51:35.520 --> 0:51:38.120
<v Speaker 1>a record with Todd Dollarson and I'm I'm gonna let

0:51:38.200 --> 0:51:40.959
<v Speaker 1>loose pretty soon, right when this as soon as things

0:51:41.080 --> 0:51:43.040
<v Speaker 1>kind of died down a little bit and people able

0:51:43.080 --> 0:51:45.799
<v Speaker 1>to move around, I'm gonna drop this record I got

0:51:45.880 --> 0:51:50.399
<v Speaker 1>with Todd Dallason. That's dope. Yeah man, It's like this coronavirus.

0:51:51.640 --> 0:51:56.040
<v Speaker 1>I know a whole bunch of yeahld not. I know

0:51:56.280 --> 0:51:58.760
<v Speaker 1>a lot of cats out they're trying to get into

0:51:58.840 --> 0:52:02.200
<v Speaker 1>the game. You putting the work with new artists, I mean,

0:52:02.280 --> 0:52:06.880
<v Speaker 1>new guys trying to get in the game. Yeah, they understand,

0:52:06.960 --> 0:52:10.840
<v Speaker 1>you know, if they okay, If they don't, how do

0:52:11.239 --> 0:52:15.040
<v Speaker 1>how do I so? How do I lick up with

0:52:15.160 --> 0:52:18.680
<v Speaker 1>you to hook so you can hear their music? Ord

0:52:19.160 --> 0:52:21.560
<v Speaker 1>if if if you know, you say they dope and not,

0:52:22.000 --> 0:52:26.320
<v Speaker 1>how do I get them to you? Uh? Well, I

0:52:26.440 --> 0:52:29.000
<v Speaker 1>give you my my cell phone and then they can.

0:52:29.080 --> 0:52:32.040
<v Speaker 1>Also you can also have them send it, you know,

0:52:32.160 --> 0:52:34.000
<v Speaker 1>just send a sniff. They ain't even got to send

0:52:34.920 --> 0:52:38.960
<v Speaker 1>or a lot or send me their YouTube so I

0:52:39.040 --> 0:52:43.359
<v Speaker 1>can check out their YouTube. But to defund music partnerships, Uh,

0:52:43.719 --> 0:52:45.960
<v Speaker 1>it's on my It's on my profile on my Instagram.

0:52:46.040 --> 0:52:50.960
<v Speaker 1>De fund music Partnership Partnerships at gmail dot com. Yeah,

0:52:51.440 --> 0:52:55.080
<v Speaker 1>and uh they can. They can send music of music

0:52:55.200 --> 0:53:00.759
<v Speaker 1>you're looking for. Uh, whatever you're looking for. I'm I'm

0:53:00.960 --> 0:53:04.560
<v Speaker 1>I'm whatever it is, dope, whatever's dope, I'm down with it.

0:53:04.760 --> 0:53:06.719
<v Speaker 1>You know, it don't matter what it is, somebody on

0:53:06.840 --> 0:53:11.319
<v Speaker 1>the guitar singing, whatever it is. As long as it's

0:53:11.400 --> 0:53:18.840
<v Speaker 1>dope and it could it'll work. Yeah, That's what I

0:53:18.960 --> 0:53:21.440
<v Speaker 1>love to do. I love to work with different genres,

0:53:21.840 --> 0:53:24.400
<v Speaker 1>even the hip hop. It don't matter what it is.

0:53:24.960 --> 0:53:29.759
<v Speaker 1>I'm down with working with anybody. Yeah, I'm a big

0:53:29.840 --> 0:53:33.040
<v Speaker 1>Jameric uid fan from up side of the UK, and

0:53:33.200 --> 0:53:36.040
<v Speaker 1>he's a he's a different type of guy, you white dude,

0:53:36.080 --> 0:53:39.200
<v Speaker 1>but heat that motheruck got so y'all should check him

0:53:39.200 --> 0:53:43.919
<v Speaker 1>out if you haven't already Jameric kua. But he's a yeah,

0:53:44.000 --> 0:53:48.440
<v Speaker 1>Jameric quais vicious. I ain't gonna lie. It sounds space

0:53:48.560 --> 0:53:51.719
<v Speaker 1>cowboy and all that ship. Oh my god, that ship

0:53:51.760 --> 0:53:55.880
<v Speaker 1>as dope as fun. He wanted the dopest motherfucker's like

0:53:56.840 --> 0:53:59.360
<v Speaker 1>from out that out there, from out the UK, like

0:53:59.560 --> 0:54:03.880
<v Speaker 1>he's he's demand from out there. Man, I don't sample

0:54:03.960 --> 0:54:10.760
<v Speaker 1>some Shameric WHI rides, yeah, jamericalized out he's real crazy.

0:54:11.280 --> 0:54:13.920
<v Speaker 1>I'm a gate man. I'm you know, I'll be on

0:54:14.120 --> 0:54:17.120
<v Speaker 1>some what other ship like I was digging in all

0:54:17.320 --> 0:54:21.880
<v Speaker 1>types of genres and I'm you know, I'm just a

0:54:22.040 --> 0:54:25.919
<v Speaker 1>nerd just staying out the way and you know, down

0:54:26.000 --> 0:54:30.239
<v Speaker 1>the help motherfucker's when I can. Yes, Hey, you you

0:54:30.440 --> 0:54:34.839
<v Speaker 1>being the guys, being one of the guys that's kind

0:54:34.880 --> 0:54:38.279
<v Speaker 1>of liking the um an architect of the song from

0:54:38.320 --> 0:54:41.400
<v Speaker 1>out here? Man, what do you think the biggest problem

0:54:41.520 --> 0:54:44.200
<v Speaker 1>me of today? Man? But now I ain't gonna say

0:54:44.200 --> 0:54:45.320
<v Speaker 1>a problem because I don't want to be one of

0:54:45.320 --> 0:54:48.239
<v Speaker 1>the older cats to say everything today is wet, But

0:54:48.360 --> 0:54:50.640
<v Speaker 1>I hear a lot of stuff that's done wrong and incorrect.

0:54:51.400 --> 0:54:53.640
<v Speaker 1>Do you think, man, we need to start mentoring these

0:54:53.680 --> 0:54:55.760
<v Speaker 1>young guys more out here. Man. As far as musical,

0:54:56.920 --> 0:55:03.279
<v Speaker 1>most definitely, most definitely up. Uh. Like Mustard, he he

0:55:03.719 --> 0:55:06.000
<v Speaker 1>stepped his game up. You know, he used to be

0:55:06.400 --> 0:55:10.000
<v Speaker 1>one of those producers that wouldn't use just use just

0:55:10.200 --> 0:55:12.960
<v Speaker 1>the same sound without but he stepped his game up

0:55:13.000 --> 0:55:17.080
<v Speaker 1>and stuff. As he grew, he started getting more instrumental

0:55:17.320 --> 0:55:22.400
<v Speaker 1>to start, you know, really like making the ship really dope,

0:55:23.000 --> 0:55:24.800
<v Speaker 1>you know, not that the other ship was whacked, but

0:55:24.920 --> 0:55:27.640
<v Speaker 1>he just he grew, you know, And and that's how

0:55:27.680 --> 0:55:29.640
<v Speaker 1>it happens. You know. I was at I was at

0:55:29.680 --> 0:55:33.160
<v Speaker 1>a certain stage and I grew, you know, so he

0:55:33.760 --> 0:55:41.680
<v Speaker 1>he grew up. And but we definitely gottah uh, you know,

0:55:41.960 --> 0:55:45.920
<v Speaker 1>spit some knowledge to the younger youth. Uh. And I

0:55:46.000 --> 0:55:48.000
<v Speaker 1>mean I ain't trying to be like the type of

0:55:48.080 --> 0:55:52.120
<v Speaker 1>motherfucker that that Uh. That's that's like preaching and ship

0:55:52.800 --> 0:55:55.319
<v Speaker 1>because I like to have fun too, you know, I Man,

0:55:55.400 --> 0:55:59.000
<v Speaker 1>I don't get me wrong, but every song that that

0:56:00.000 --> 0:56:02.040
<v Speaker 1>a lot of the young artist is doing the day

0:56:02.719 --> 0:56:06.279
<v Speaker 1>it's just about stripping, talking about how much dope they

0:56:06.320 --> 0:56:10.400
<v Speaker 1>sell them, the trap and this, that and this. But

0:56:10.680 --> 0:56:13.200
<v Speaker 1>it's I understand that you some of you guys may

0:56:13.280 --> 0:56:15.600
<v Speaker 1>have may be going through that, but we I went

0:56:15.680 --> 0:56:19.520
<v Speaker 1>through the same ship that they're going through worse way,

0:56:19.640 --> 0:56:24.200
<v Speaker 1>worse than that. And uh and I chose to to not.

0:56:24.920 --> 0:56:27.440
<v Speaker 1>I mean, I talk about certain things and my songs,

0:56:27.480 --> 0:56:30.439
<v Speaker 1>but I give a story, but I make it feel good.

0:56:30.480 --> 0:56:32.640
<v Speaker 1>At the same time, A lot of these dudes just

0:56:32.920 --> 0:56:35.839
<v Speaker 1>that's all they talk about, because I understand that's all

0:56:35.920 --> 0:56:39.360
<v Speaker 1>you know, but try to be different from be different

0:56:39.440 --> 0:56:41.640
<v Speaker 1>from that, talk about it, but do it in a

0:56:41.760 --> 0:56:45.320
<v Speaker 1>different way and not just just wow. I mean, and

0:56:45.600 --> 0:56:47.640
<v Speaker 1>it's it's what the ladies to them. I mean, I'm

0:56:47.680 --> 0:56:50.439
<v Speaker 1>down with the younger artists. I'm down with the young ladies.

0:56:50.520 --> 0:56:55.839
<v Speaker 1>But these motherfucker's showing all this asks like everywhere. I mean,

0:56:55.920 --> 0:56:58.839
<v Speaker 1>it's that's all you see, is just asks everywhere. When

0:56:58.880 --> 0:57:03.319
<v Speaker 1>one of them motherfucker's take the decision two do one

0:57:03.400 --> 0:57:05.680
<v Speaker 1>record where they ain't on that ship shaking their ass

0:57:05.840 --> 0:57:08.640
<v Speaker 1>and you know, doing a strip show for motherfucker's and

0:57:08.680 --> 0:57:13.200
<v Speaker 1>they just do maybe like a slight empowerment record for

0:57:13.320 --> 0:57:17.160
<v Speaker 1>the ladies. That motherfucker's gonna change the game, you know,

0:57:17.200 --> 0:57:19.560
<v Speaker 1>because then they started putting that show. So you don't

0:57:19.600 --> 0:57:25.280
<v Speaker 1>have to be huh, So you don't have to be it.

0:57:25.440 --> 0:57:27.680
<v Speaker 1>You don't have to be a gangster to make music,

0:57:28.280 --> 0:57:32.200
<v Speaker 1>not because everybody think are under the inception, not at all.

0:57:32.400 --> 0:57:35.720
<v Speaker 1>That's that's that's why I'm trying to say, because everybody

0:57:35.840 --> 0:57:39.440
<v Speaker 1>don't have to be that thug, but everybody want to

0:57:39.520 --> 0:57:43.560
<v Speaker 1>portray the thug because they think that's what sales. And

0:57:43.720 --> 0:57:50.800
<v Speaker 1>you don't have but nine nine gangsters, Uh, everybody gravitate

0:57:50.920 --> 0:57:54.000
<v Speaker 1>to it because they, like you said, but you just said,

0:57:54.040 --> 0:57:55.840
<v Speaker 1>it's like you don't have to be a gamester. But

0:57:57.320 --> 0:58:00.520
<v Speaker 1>if those other people that that make that get big

0:58:00.600 --> 0:58:03.080
<v Speaker 1>and they went through the same they they've been through

0:58:03.120 --> 0:58:05.240
<v Speaker 1>that even though they're not a gangster, you know what

0:58:05.320 --> 0:58:10.720
<v Speaker 1>I mean, Like they they they can relate to it,

0:58:11.400 --> 0:58:14.080
<v Speaker 1>but they ain't banging. But we can relate to because

0:58:14.080 --> 0:58:15.640
<v Speaker 1>I've been through that. You know, I don't know bang,

0:58:15.760 --> 0:58:18.640
<v Speaker 1>but but they love it. I it's it's I'm trying

0:58:18.680 --> 0:58:24.360
<v Speaker 1>to explain this ship, James, but it's it's uh, but

0:58:24.480 --> 0:58:29.000
<v Speaker 1>they it's this they it's just being dope and being

0:58:29.120 --> 0:58:32.960
<v Speaker 1>different because everybody meant, whether you're a gang banger or not,

0:58:33.240 --> 0:58:36.680
<v Speaker 1>you go through the same ship like you know, motherfucker

0:58:36.840 --> 0:58:41.960
<v Speaker 1>go through fights being bullied. Uh, your homeboys, you probably

0:58:42.000 --> 0:58:44.480
<v Speaker 1>got homeboys. They gang banger. You don't gang bang, but

0:58:44.520 --> 0:58:46.240
<v Speaker 1>you're gonna go through the ship that they're going through

0:58:46.240 --> 0:58:50.000
<v Speaker 1>because you hang with them, you know. So it's it's

0:58:50.440 --> 0:58:53.840
<v Speaker 1>you know, it's it's it's you know, so they you

0:58:53.960 --> 0:58:58.680
<v Speaker 1>know it's but it's it's uh, it's it's artists that

0:59:00.280 --> 0:59:04.360
<v Speaker 1>that's huge. That's not gangsters. You know that. They ain't gangs.

0:59:04.680 --> 0:59:06.760
<v Speaker 1>You could, you could, you could do ship with that.

0:59:06.800 --> 0:59:09.560
<v Speaker 1>I don't. I don't think little baby, I don't think

0:59:09.600 --> 0:59:11.800
<v Speaker 1>he had gang bang. I think he just just a

0:59:12.240 --> 0:59:16.000
<v Speaker 1>nigger that just wrapped from North Carolina, you know, but

0:59:16.120 --> 0:59:18.000
<v Speaker 1>he just he just got a little bit of Doug

0:59:18.120 --> 0:59:25.360
<v Speaker 1>in it. He got a hold of you got a

0:59:25.440 --> 0:59:34.200
<v Speaker 1>whole lot of dog like. I don't game bag, I

0:59:34.280 --> 0:59:37.000
<v Speaker 1>don't gag bag shift, I don't I tell all the things.

0:59:37.040 --> 0:59:40.200
<v Speaker 1>I don't gang bang ship, but they're gonna put me

0:59:40.280 --> 0:59:43.160
<v Speaker 1>in the category because I'm from Loby but I was

0:59:43.280 --> 0:59:46.959
<v Speaker 1>born and raised around this ship. So evidently people don't

0:59:46.960 --> 0:59:50.080
<v Speaker 1>be like all right, but I don't gain bang. I'll

0:59:50.080 --> 0:59:51.920
<v Speaker 1>tell all them niggas, I don't gang bag. They know

0:59:52.000 --> 0:59:55.760
<v Speaker 1>what ship. So don't come to me with that bullshit

0:59:55.880 --> 0:59:58.120
<v Speaker 1>talking about this good day ship and that I don't

0:59:58.200 --> 1:00:01.520
<v Speaker 1>gang bag. And I'm not getting ready to gang to

1:00:01.680 --> 1:00:04.959
<v Speaker 1>gang I not. I don't do that. So cool, y'all

1:00:05.040 --> 1:00:07.040
<v Speaker 1>know me as a little warm with the glasses with

1:00:07.200 --> 1:00:15.120
<v Speaker 1>the tape on. You know, I used to box Brucey.

1:00:15.880 --> 1:00:18.880
<v Speaker 1>Me and Brucey used to box every day. You're a

1:00:18.920 --> 1:00:22.400
<v Speaker 1>big brucer prints and his brother printis dre be right

1:00:22.440 --> 1:00:24.360
<v Speaker 1>there in printis be right to me and Brucy and

1:00:24.480 --> 1:00:29.640
<v Speaker 1>in uh stake leaping leapings though. Yeah, if we all

1:00:29.760 --> 1:00:36.360
<v Speaker 1>used to box every up street. But big Bruce is

1:00:36.440 --> 1:00:41.400
<v Speaker 1>my homeboy, man, Yeah, that's my dog. I'm telling me

1:00:41.480 --> 1:00:45.200
<v Speaker 1>if Brucey grew up together. We lived on the same street.

1:00:46.200 --> 1:00:49.120
<v Speaker 1>That's great in Compton for a while. I stayed and

1:00:49.240 --> 1:00:53.640
<v Speaker 1>my mama sent me to Campton. She said, get up

1:00:53.680 --> 1:00:55.240
<v Speaker 1>out of here because you're not getting ready to get

1:00:55.280 --> 1:00:58.440
<v Speaker 1>caught up in this game bang ship. Because my susters

1:00:59.240 --> 1:01:02.640
<v Speaker 1>all of the know they were gang banging, but they

1:01:02.760 --> 1:01:05.280
<v Speaker 1>have niggas all at my mama's house and ship, and

1:01:05.360 --> 1:01:07.680
<v Speaker 1>they were niggas were trying to trying to put me,

1:01:07.880 --> 1:01:09.720
<v Speaker 1>you know, trying to get me in. But I knew

1:01:09.960 --> 1:01:12.880
<v Speaker 1>all the niggas. But she said, then you go on

1:01:12.920 --> 1:01:14.760
<v Speaker 1>the Compton and go live with your daddy. So I

1:01:14.840 --> 1:01:20.040
<v Speaker 1>shot up to Compton, and uh, it was a little different,

1:01:20.160 --> 1:01:21.880
<v Speaker 1>you know. It was it was it was this ship.

1:01:22.320 --> 1:01:24.000
<v Speaker 1>I got up there and and ship it was the

1:01:24.080 --> 1:01:29.320
<v Speaker 1>same ship. I used to have to fight all the nigga. Yeah,

1:01:30.800 --> 1:01:33.200
<v Speaker 1>because I was from Globe, so they was it was

1:01:33.280 --> 1:01:36.640
<v Speaker 1>on my head, you know. And right it used to

1:01:36.720 --> 1:01:42.040
<v Speaker 1>call me kils and fits hey getting Kibl's and I'm like,

1:01:42.400 --> 1:01:48.960
<v Speaker 1>let's go. That's crazy, man. So yeah, because yeah, yeah,

1:01:50.120 --> 1:01:54.640
<v Speaker 1>me and Big Bruces to have a youth football program together. James, Yeah, yeah,

1:01:55.000 --> 1:02:00.160
<v Speaker 1>Big Bruce recipe Yester dave Man. When when Bruce was

1:02:00.200 --> 1:02:04.320
<v Speaker 1>a with with Philadelphia, I was on tour and then

1:02:04.400 --> 1:02:07.560
<v Speaker 1>niggas didn't believe that we was dogs. When I got

1:02:07.600 --> 1:02:10.960
<v Speaker 1>to Philadelphia to a party at the club, I had

1:02:11.000 --> 1:02:14.040
<v Speaker 1>Brucey bring all the niggas up in that motherfucker. That's

1:02:14.040 --> 1:02:16.120
<v Speaker 1>the left of Yeah, this is my home boy. He

1:02:16.160 --> 1:02:18.800
<v Speaker 1>ain't lying to y'all. Let's go. We partied in that

1:02:18.920 --> 1:02:22.520
<v Speaker 1>motherfuck yeah, Big Bruce love the party man, Big Bruce,

1:02:23.840 --> 1:02:28.520
<v Speaker 1>Big Bruce drinking hole fifth or something man, straight up. Yeah. Yeah.

1:02:28.920 --> 1:02:33.280
<v Speaker 1>And James. I don't know too many people. Yeah, yeah, Terry,

1:02:33.360 --> 1:02:36.800
<v Speaker 1>that's the Charil and daddy Terry. Yeah, Bruce and Terry

1:02:36.920 --> 1:02:39.360
<v Speaker 1>was tight. I used to go over there and uh

1:02:40.200 --> 1:02:42.760
<v Speaker 1>in the North Offer sixty seven when they used to

1:02:42.800 --> 1:02:46.080
<v Speaker 1>do the little backyard buggies over there, Terry and and

1:02:46.600 --> 1:02:49.040
<v Speaker 1>Teryl and his dad and and Brucey and that one

1:02:49.120 --> 1:02:52.000
<v Speaker 1>boxing dude I forgot his name is kind of big dude,

1:02:52.120 --> 1:02:58.000
<v Speaker 1>kind of box Jake. Um, that's the homeboy. Damn trip man,

1:02:58.440 --> 1:03:04.680
<v Speaker 1>Big old mother Goldie is my right. Yeah, yeah, yeah,

1:03:04.800 --> 1:03:08.280
<v Speaker 1>that's the homy right there. Man. Yeah, we used to guy,

1:03:08.280 --> 1:03:10.040
<v Speaker 1>I used to go back there and kicking with the

1:03:10.200 --> 1:03:13.080
<v Speaker 1>but we used to blaze and just chill. They're playing pool.

1:03:14.120 --> 1:03:19.280
<v Speaker 1>That was code. Yeah, the time was yeah, yeah, there

1:03:19.360 --> 1:03:22.480
<v Speaker 1>was the days. Man. Well, man, I know don't too

1:03:22.560 --> 1:03:25.440
<v Speaker 1>many people, man, So I really take this as a

1:03:25.520 --> 1:03:28.160
<v Speaker 1>privilege and honor because it ain't too many people that

1:03:28.200 --> 1:03:30.200
<v Speaker 1>can say they've got a warrngey interview, cause you don't

1:03:30.240 --> 1:03:32.720
<v Speaker 1>do a whole bunch of the well now, I don't

1:03:32.760 --> 1:03:35.240
<v Speaker 1>do a lot, but ship. We're gonna do a in

1:03:35.400 --> 1:03:40.400
<v Speaker 1>studio one to ship. Yeah, we we got we we

1:03:40.560 --> 1:03:42.560
<v Speaker 1>we we gotta get it in the studio one mask

1:03:42.600 --> 1:03:45.680
<v Speaker 1>ball to things. I said, Man, this Corona ship is

1:03:46.000 --> 1:03:48.200
<v Speaker 1>just sucking up every damn thing. But you know where

1:03:49.000 --> 1:03:53.000
<v Speaker 1>Thank God for technology and everything. Man, And this one

1:03:53.080 --> 1:03:55.520
<v Speaker 1>man was so informative because I think we got some

1:03:55.560 --> 1:04:01.280
<v Speaker 1>stuff with the James ain't nobody ever heard before? Yeah, yeah,

1:04:01.440 --> 1:04:05.880
<v Speaker 1>I ain't never heard it. So you got what everybody

1:04:06.080 --> 1:04:09.160
<v Speaker 1>is listening to the show folk. Man, I appreciate you

1:04:09.280 --> 1:04:13.240
<v Speaker 1>like I appreciate you like motherfucker. That's all good man.

1:04:13.520 --> 1:04:15.680
<v Speaker 1>And like like I read, soon as we get out,

1:04:16.400 --> 1:04:19.000
<v Speaker 1>as soon as we get off this stuff whatever they

1:04:19.080 --> 1:04:22.120
<v Speaker 1>got us. So man, I'm I'm a barbecue. Come up.

1:04:22.760 --> 1:04:24.760
<v Speaker 1>We can have a have a drink if you drink

1:04:24.800 --> 1:04:30.400
<v Speaker 1>a book blaze or whatever. It's all good man. Yeah

1:04:30.480 --> 1:04:35.360
<v Speaker 1>I never smoked no weed, but I have a drink

1:04:35.440 --> 1:04:38.280
<v Speaker 1>with you. Yeah yeah that so I can't do that.

1:04:40.720 --> 1:04:45.840
<v Speaker 1>Oh yeah, man, Um, we appreciate you. Every everybody out there.

1:04:46.640 --> 1:04:50.400
<v Speaker 1>Appreciate you and thanks mad man, shoot all over and

1:04:50.480 --> 1:04:53.600
<v Speaker 1>sitting dumb. We come and shoot at the table and

1:04:53.960 --> 1:04:57.280
<v Speaker 1>chop it up and yes and day, keep it going man,

1:04:57.400 --> 1:05:01.160
<v Speaker 1>and we appreciate ain't you. Man. Y'all know you got

1:05:01.320 --> 1:05:03.840
<v Speaker 1>to busy over there, so we're gonna let you get

1:05:03.880 --> 1:05:07.520
<v Speaker 1>back to your day. And I'm about to do brisket. Yeah,

1:05:07.560 --> 1:05:12.800
<v Speaker 1>it's gonna take me about about seventeen hours, but uh,

1:05:13.640 --> 1:05:16.680
<v Speaker 1>you know, keep up the good work man. And and

1:05:16.800 --> 1:05:21.080
<v Speaker 1>it's really good to see your podcast is really dope, man.

1:05:21.360 --> 1:05:24.120
<v Speaker 1>And uh you're doing your thing man, and keep doing

1:05:24.200 --> 1:05:28.480
<v Speaker 1>good work man, and it's paying off. And and you know,

1:05:28.600 --> 1:05:31.240
<v Speaker 1>I can't do nothing but support, so that's why I'm

1:05:31.280 --> 1:05:32.760
<v Speaker 1>on here. I'm down